| Steuart Bedford |
conductor |
A Charm of Lullabies, Op. 41: I. A Cradle Song, A Charm of Lullabies, Op. 41: II. The Highland Balou, A Charm of Lullabies, Op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, Op. 41: IV. A Charm, A Charm of Lullabies, Op. 41: V. The Nurse's Song, Lachrymae, Op. 48a: Theme, Lachrymae, Op. 48a: Variation 1. Allegretto, andante molto, Lachrymae, Op. 48a: Variation 10. L'istesso tempo, Lachrymae, Op. 48a: Variation 2. Animato, Lachrymae, Op. 48a: Variation 3. Tranquillo, Lachrymae, Op. 48a: Variation 4. Allegro con moto, Lachrymae, Op. 48a: Variation 5. Largamente, Lachrymae, Op. 48a: Variation 6. Appassionato, Lachrymae, Op. 48a: Variation 7. Alla valse moderato, Lachrymae, Op. 48a: Variation 8. Allegro marcia, Lachrymae, Op. 48a: Variation 9. Lento, Nocturne, Op. 60: I. On a poet's lips I slept, Nocturne, Op. 60: II. Below the thunders of the upper deep, Nocturne, Op. 60: III. Encinctured with a twine of leaves, Nocturne, Op. 60: IV. Midnight's bell goes ting, ting, ting, ting, Nocturne, Op. 60: V. But that night when on my bed I lay, Nocturne, Op. 60: VI. She sleeps on soft, last breaths; but no ghost looms, Nocturne, Op. 60: VII. What is more gentle than a wind in summer, Nocturne, Op. 60: VIII. When most I wink, then do mine eyes best see, Now Sleeps the Crimson Petal, Peter Grimes: Act 1, Interlude 1. Dawn, Peter Grimes: Act 1, Interlude 2. Storm, Peter Grimes: Act 1, Scene 1. And do you prefer the storm, Peter Grimes: Act 1, Scene 1. Good morning, good morning!, Peter Grimes: Act 1, Scene 1. Hi! Give us a hand, Peter Grimes: Act 1, Scene 1. I'll have to go from pub to pub, Peter Grimes: Act 1, Scene 1. Let her among without fault, Peter Grimes: Act 1, Scene 1. Look! The storm come!, Peter Grimes: Act 1, Scene 1. Oh, hang at open doors, Peter Grimes: Act 1, Scene 1. They listen to money, Peter Grimes: Act 1, Scene 1. What harbour shelters peace, Peter Grimes: Act 1, Scene 2. For peace sake, Peter Grimes: Act 1, Scene 2. Have you heard the cliff is down, Peter Grimes: Act 1, Scene 2. Loud man, Peter Grimes: Act 1, Scene 2. No, I mean love, Peter Grimes: Act 1, Scene 2. Now the Great Bear and Pleiades, Peter Grimes: Act 1, Scene 2. Past time to close, Peter Grimes: Act 1, Scene 2. Pub conversation should depend, Peter Grimes: Act 1, Scene 2. The bridge is down, Peter Grimes: Act 1, Scene 2. There's been a landslide up the coast, Peter Grimes: Act 2, Interlude 3. Sunday Morning, Peter Grimes: Act 2, Interlude 4. Passacaglia, Peter Grimes: Act 2, Scene 1. Child you're not too young, Peter Grimes: Act 2, Scene 1. Fool to let it come to this, Peter Grimes: Act 2, Scene 1. From the gutter, Peter Grimes: Act 2, Scene 1. Glitter of waves, Peter Grimes: Act 2, Scene 1. Now gossip is put on trial, Peter Grimes: Act 2, Scene 1. Now that the daylight fills the sky, Peter Grimes: Act 2, Scene 1. People... No! I will speak!, Peter Grimes: Act 2, Scene 1. Shall we go and see Grimes in his hut?, Peter Grimes: Act 2, Scene 1. This unrelenting work, Peter Grimes: Act 2, Scene 1. We planned that their lives, Peter Grimes: Act 2, Scene 2. Go there, Peter Grimes: Act 2, Scene 2. Now! Now!, Peter Grimes: Act 2, Scene 2. Peter Grimes, Peter Grimes: Act 2, Scene 2. They listen to money, Peter Grimes: Act 3, Interlude 5. Moonlight, Peter Grimes: Act 3, Interlude 6, Peter Grimes: Act 3, Scene 1. Assign your prettiness to me, Peter Grimes: Act 3, Scene 1. Come along, Doctor, Peter Grimes: Act 3, Scene 1. Embroidery in childhood was, Peter Grimes: Act 3, Scene 1. Mr. Keene, Peter Grimes: Act 3, Scene 1. Mr. Swallow, Peter Grimes: Act 3, Scene 1. Murder most foul it is, Peter Grimes: Act 3, Scene 1. Who holds himself apart, Peter Grimes: Act 3, Scene 2. Grimes!, Peter Grimes: Act 3, Scene 2. Peter, we've come to take you home, Peter Grimes: Act 3, Scene 2. To those who pass the Borough, Peter Grimes: Prologue. Peter Grimes, Peter Grimes: Prologue. Peter Grimes, I here advise you, Peter Grimes: Prologue. The truth - the pity - and the truth, Peter Grimes: Prologue. You sailed your boat round the coast, Phaedra, Op. 63: I. Prologue - In May, in brilliant Athens, Phaedra, Op. 63: II. My lost and dazzled eyes, Phaedra, Op. 63: III. Venus resigned her altar to my new Lord, Phaedra, Op. 63: IV. Phaedra in all her madness stands before you, Phaedra, Op. 63: IX. Chills already dart along my boiling veins, Phaedra, Op. 63: V. The wife of Theseus loves Hippolytus, Phaedra, Op. 63: VI. Oh Gods of wrath, Phaedra, Op. 63: VII. Death to the unhappy's no catastrophe, Phaedra, Op. 63: VIII. My time's too short, your highness, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet, Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet, Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: Nocturne "The splendour falls on castle walls", Serenade, op. 31 - Elegy “O Rose, thou art sick!”, Simple Symphony, Op. 4: I. Boisterous Bourée, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Sarabande, Simple Symphony, Op. 4: IV. Frolicsome Finale, Sinfonia da Requiem, Op. 20: I. Lacrymosa, Suite on English Folk Tunes, Op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, Op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, Op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, Op. 90 "A time there was...": V. Lord Melbourne, Suite on English Folk Tunes, Op. 90: I. Cakes and Ale, Temporal Variations: I. Theme, Temporal Variations: II. Oration, Temporal Variations: III. March, Temporal Variations: IV. Exercise, Temporal Variations: IX. Resolution, Temporal Variations: V. Commination, Temporal Variations: VI. Chorale, Temporal Variations: VII. Waltz, Temporal Variations: VIII. Polka, The Young Person's Guide to the Orchestra, Op. 34: Theme |
| London Symphony Orchestra |
performing orchestra |
Billy Budd: Act 2, Scene 3, Farewell Scene (excerpt), Billy Budd: Act 3, Coda, Vivace - Valse, Divertissement, Billy Budd: Act 3, Scene 2, Adagio, Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Christ! the poor chap", Billy Budd: Act I, Scene I. "Come along kid! Come along!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "Guard boat! Indomitable!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "I heard, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Pull, my bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene II. "We are, sir. Claggart is an able one", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Come here. Remember your promise", Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Hi! You...a...a...", Billy Budd: Act I, Scene III. "Over the water", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "O this cursed mist!", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "There you are again, Master-at-arms", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Master-at-arms and foretopman", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye, old Rights o' Man!", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene III. Interlude, Billy Budd: Act II, Scene IV. "According to the Articles of War", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Epilogue. "We committed his body to the deep.", Billy Budd: Prologue "I am an old man...", Billy Budd: Prologue. "I am an old man", Peter Grimes, Act II: Interlude 3, Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria), Sinfonia da Requiem, Op. 20: I. Lacrymosa, The Young Person's Guide to the Orchestra, Op. 34: Theme, War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Dies Irae, War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: II. Dies irae: Recordare Jesu Pie, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine |
| Richard Hickox |
conductor |
A Midsummer Night's Dream: Act 1. Be it on lion, bear, or wolf, or bull, A Midsummer Night's Dream: Act 1. Come, now a roundel and a fairy song, A Midsummer Night's Dream: Act 1. Fair love, you faint with wand'ring in the wood, A Midsummer Night's Dream: Act 1. How now my love?, A Midsummer Night's Dream: Act 1. Introduction: The wood, deepening twilight / Over hill, over dale, A Midsummer Night's Dream: Act 1. Is all our company here?, A Midsummer Night's Dream: Act 1. Oberon is passing fell and wrath, A Midsummer Night's Dream: Act 1. Stay, though thou kill me, sweet Demetrius, A Midsummer Night's Dream: Act 1. Through the forest have I gone, A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank, A Midsummer Night's Dream: Act 1. Well, go thy way, A Midsummer Night's Dream: Act 1. What thou seest when thou dost wake, A Midsummer Night's Dream: Act 1. You spotted snakes with double tongue, A Midsummer Night's Dream: Act 2. Are we all met?, A Midsummer Night's Dream: Act 2. Be kind and courteous to this gentlemen, A Midsummer Night's Dream: Act 2. Flower of this purple dye, A Midsummer Night's Dream: Act 2. Hail, mortal, hail!, A Midsummer Night's Dream: Act 2. How now, mad spirit?, A Midsummer Night's Dream: Act 2. I have a reas'nable good ear in music, A Midsummer Night's Dream: Act 2. I see their knavery, A Midsummer Night's Dream: Act 2. Introduction: The wood, A Midsummer Night's Dream: Act 2. On the ground, sleep sound, A Midsummer Night's Dream: Act 2. Puppet? Why, so?, A Midsummer Night's Dream: Act 2. This is thy negligence, A Midsummer Night's Dream: Act 2. Up and down, up and down, A Midsummer Night's Dream: Act 3. Asleep, my love?, A Midsummer Night's Dream: Act 3. Come, your Bergomask, A Midsummer Night's Dream: Act 3. Gentles, perchance you wonder at this show, A Midsummer Night's Dream: Act 3. Have you sent to Bottom's house?, A Midsummer Night's Dream: Act 3. Helena! Hermia! Demetrius! Lysander!, A Midsummer Night's Dream: Act 3. If we offend, it is with our good will, A Midsummer Night's Dream: Act 3. In this same interlude it doth befall, A Midsummer Night's Dream: Act 3. Introduction: The wood, early next morning / My gentle Robin, seest thou this sweet sight?, A Midsummer Night's Dream: Act 3. Now the hungry lion roars, A Midsummer Night's Dream: Act 3. Now, fair Hippolyta, A Midsummer Night's Dream: Act 3. O Wall, full often hast thou heard my moans, A Midsummer Night's Dream: Act 3. O grim-look'd night, O night with hue so black, A Midsummer Night's Dream: Act 3. Sweet Moon, I thank thee for thy sunny beams, A Midsummer Night's Dream: Act 3. This lanthorn doth the hornèd moon present, A Midsummer Night's Dream: Act 3. When my cue comes, call me, A Midsummer Night's Dream: Act 3. You ladies, you whose gentle hearts do fear, A Midsummer Night’s Dream: I Know a Bank, Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| English Chamber Orchestra |
performing orchestra |
Albert Herring, Op. 39: Act I, Scene I. "Beggin' your pardon" (Superintendent Budd), Albert Herring, Op. 39: Act I, Scene I. "Doctor Jessop's midwife" (Florence), Albert Herring, Op. 39: Act I, Scene I. "Flor-ence!...tell the midwife!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "I hope, we're not too carly, Florence?" (Miss Wordsworth), Albert Herring, Op. 39: Act I, Scene I. "Is this all you can bring?" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Now then! Notebook, Florence!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Right! We'll have him!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Stuffy!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "The first suggestion on my list" (Vicar), Albert Herring, Op. 39: Act I, Scene I. Interlude, Albert Herring, Op. 39: Act I, Scene II. "Bounce me high" (Kids), Albert Herring, Op. 39: Act I, Scene II. "Good morning, young man" (Florence), Albert Herring, Op. 39: Act I, Scene II. "He's much too busy" (Albert), Albert Herring, Op. 39: Act I, Scene II. "Meet me at a quarter past eight" (Sid), Albert Herring, Op. 39: Act I, Scene II. "Shop! Hi! Albert!" (Sid), Albert Herring, Op. 39: Act I, Scene II. "Tickling a trout" (Sid), Albert Herring, Op. 39: Act I, Scene II. "We bring great news to you" (Lady Billows), Albert Herring, Op. 39: Act II, Scene I. "As representing the local Council" (Mayor), Albert Herring, Op. 39: Act II, Scene I. "Er-humph! Er-humph! I'm no great shakes" (Superintendent Budd), Albert Herring, Op. 39: Act II, Scene I. "For three precious weeks" (Florence), Albert Herring, Op. 39: Act II, Scene I. "Here they are dears!" (Miss Wordsworth), Albert Herring, Op. 39: Act II, Scene I. "I'm full of happiness" (Lady Billows), Albert Herring, Op. 39: Act II, Scene I. "Isn't he here?" (Florence), Albert Herring, Op. 39: Act II, Scene I. "My flowers are few" (Harry), Albert Herring, Op. 39: Act II, Scene I. "My heart leaps up with joy" (Miss Wordsworth), Albert Herring, Op. 39: Act II, Scene I. "Quickly, quickly, come along!" (Miss Wordsworth), Albert Herring, Op. 39: Act II, Scene I. "Well tried, Albert!" (Vicar), Albert Herring, Op. 39: Act II, Scene I. Interlude, Albert Herring, Op. 39: Act II, Scene II. "Albert the Good!" (Albert), Albert Herring, Op. 39: Act II, Scene II. "Heaven helps those who help themselves!" (Albert), Albert Herring, Op. 39: Act II, Scene II. "You oughtn't to whistle!" (Nancy), Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "Fools! Fools! Blundering fools!" (Lady Billows), Albert Herring, Op. 39: Act III. "Give me a decent murder with a corpse!" (Superintendent Budd), Albert Herring, Op. 39: Act III. "Have you found him?" (Mum), Albert Herring, Op. 39: Act III. "I can't remember everything" (Albert), Albert Herring, Op. 39: Act III. "I'm hungry, I'm tired" (Sid), Albert Herring, Op. 39: Act III. "I'm sorry about that" (Albert), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All), Albert Herring, Op. 39: Act III. "Is she asleep?" (Emmie), Albert Herring, Op. 39: Act III. Introduction, Noye's Fludde, Op. 59: I. Lord Jesus, think on me, Noye's Fludde, Op. 59: III. Have done, you men and wemen all, Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne, Noye's Fludde, Op. 59: IX. Noye, take thy wife anone, Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company, Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?, Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes, Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone, Noye's Fludde, Op. 59: XI. The spacious firmament on high, Phaedra, Op. 63: I. Prologue - In May, in brilliant Athens, Phaedra, Op. 63: II. My lost and dazzled eyes, Phaedra, Op. 63: III. Venus resigned her altar to my new Lord, Phaedra, Op. 63: IV. Phaedra in all her madness stands before you, Phaedra, Op. 63: IX. Chills already dart along my boiling veins, Phaedra, Op. 63: V. The wife of Theseus loves Hippolytus, Phaedra, Op. 63: VI. Oh Gods of wrath, Phaedra, Op. 63: VII. Death to the unhappy's no catastrophe, Phaedra, Op. 63: VIII. My time's too short, your highness, Playful Pizzicato, Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue, Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet, Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: Nocturne "The splendour falls on castle walls", Serenade, op. 31 - Elegy “O Rose, thou art sick!”, Suite From Death in Venice, Op. 88, Variation on Frank Bridge: III. March, Variation on Frank Bridge: IV. Romance |
| Sir Simon Rattle |
conductor |
"Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato), 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo), Canadian Carnival, op. 19, Les Illuminations, op. 18: I. Fanfare, Les Illuminations, op. 18: II. Villes, Les Illuminations, op. 18: III. Phrase, Les Illuminations, op. 18: IV. Antique, Les Illuminations, op. 18: IX. Parade, Les Illuminations, op. 18: V. Royaute, Les Illuminations, op. 18: VI. Marine, Les Illuminations, op. 18: VII. Interlude, Les Illuminations, op. 18: VIII. Being Beauteous, Les Illuminations, op. 18: X. Depart, Nocturne, op. 60: I. On a poet's lips I slept, Nocturne, op. 60: II. Below the thunders of the upper deep, Nocturne, op. 60: III. Encinctured, Nocturne, op. 60: IV. Midnight's bell, Nocturne, op. 60: V. But that night, Nocturne, op. 60: VI. She sleeps, Nocturne, op. 60: VII. What is more gentle, Nocturne, op. 60: VIII. When most I wink, Occasional Overture in C major, Op.38, Scottish Ballad for 2 Pianos and Orchestra, Op.26, Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue, The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato, War Requiem, op. 66: Sanctus (Excerpt), War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Sir John Eliot Gardiner |
conductor |
Five Flower Songs Op. 47: 1. To Daffodils, Five Flower Songs Op. 47: 2. The Succession of the Four Sweet Months, Five Flower Songs Op. 47: 3. Marsh Flowers, Five Flower Songs Op. 47: 4. The Evening Primrose, Five Flower Songs Op. 47: 5. Ballad of Green Broom, Hymn to St. Cecilia, Op. 27: I. In a garden shady, Hymn to St. Cecilia, Op. 27: II. I cannot grow, Hymn to St. Cecilia, Op. 27: II. O ear whose creatures, Spring Symphony, Op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus), Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus), Spring Symphony, Op. 44, Part I: The Driving Boy (Children's Chorus), Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor), Spring Symphony, Op. 44, Part I: The Morning Star (Chorus), Spring Symphony, Op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus), Spring Symphony, Op. 44, Part II: Waters Above! (Tenor), Spring Symphony, Op. 44, Part II: Welcome Maids of Honour (Contralto), Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor), Spring Symphony, Op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus), Spring Symphony, Op. 44, Part III: When Will My May Come (Tenor), Spring Symphony, Op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus), War Requiem op. 66: I. Requiem aeternam: Requiem aeternam (Chorus) / Te decet hymnus, Deus in Sion (Boys’ Choir), War Requiem op. 66: I. Requiem aeternam: “What passing‐bells for these who die as cattle?” (Tenor) / Kyrie eleison (Chorus), War Requiem op. 66: II. Dies irae: Dies irae, dies illa (Chorus), War Requiem op. 66: II. Dies irae: Lacrimosa dies illa (Soprano, Chorus), War Requiem op. 66: II. Dies irae: Liber scriptus proferetur (Soprano, Semi‐chorus), War Requiem op. 66: II. Dies irae: Recordare Jesu pie (Chorus), War Requiem op. 66: II. Dies irae: “Be slowly lifted up, thou long black arm” (Baritone), War Requiem op. 66: II. Dies irae: “Bugles sang, saddening the evening air” (Baritone), War Requiem op. 66: II. Dies irae: “Move him into the sun” / Lacrimosa (Tenor / Soprano, Chorus), War Requiem op. 66: II. Dies irae: “Out there, we’ve walked quite friendly up to Death” (Tenor, Baritone), War Requiem op. 66: III. Offertorium: Domine Jesu Christe (Boys’ Choir) / Sed signifer sanctus Michael… Quam olim Abrahae promisisti (Chorus), War Requiem op. 66: III. Offertorium: “So Abram rose, and clave the wood” / Hostias (Baritone, Tenor / Boys’ Choir), War Requiem op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus), War Requiem op. 66: IV. Sanctus: “After the blast of lightning from the East” (Baritone), War Requiem op. 66: V. Agnus Dei: “One ever hangs where shelled roads part” / Agnus Dei (Tenor / Chorus), War Requiem op. 66: VI. Libera me: Libera me, Domine (Chorus, Soprano), War Requiem op. 66: VI. Libera me: “It seemed that out of battle I escaped” (Tenor, Baritone), War Requiem op. 66: VI. Libera me: “Let us sleep now” / In paradisum (Baritone, Tenor / Boys’ Choir, Chorus, Soprano), War Requiem, Op. 66: I. Requiem aeternam: 'What passing-bells for these who die as cattle?' (Tenor) - Kyrie eleison (Chorus), War Requiem, Op. 66: I. Requiem aeternam: Requiem aeternam (Chorus) - Te decet hymnus, Deus in Sion (Boys' Choir), War Requiem, Op. 66: II. Dies irae: 'Be slowly lifted up, thou long black arm' (Baritone), War Requiem, Op. 66: II. Dies irae: 'Bugles sang, saddening the evening air' (Baritone), War Requiem, Op. 66: II. Dies irae: 'Move him into the sun' / Lacrimosa (Tenor/Soprano, Chorus), War Requiem, Op. 66: II. Dies irae: 'Out there, we've walked quite friendly up to Death' (Tenor, Baritone), War Requiem, Op. 66: II. Dies irae: Dies irae, deis illa (Chorus), War Requiem, Op. 66: II. Dies irae: Dies irae, dies illa (Chorus), War Requiem, Op. 66: II. Dies irae: Lacrimosa dies illa (Soprano, Chorus), War Requiem, Op. 66: II. Dies irae: Liber scriptus proferetur (Soprano, Chorus), War Requiem, Op. 66: II. Dies irae: Recordare Jesu pie (Chorus), War Requiem, Op. 66: III. Offertorium: 'So Abram rose, and clave the wood' / Hostias (Baritone, Tenor/Boys Choir) - Quam olim Abrahae promisisti (Chorus), War Requiem, Op. 66: III. Offertorium: Domine Jesu Christe (Boys' Choir) - Sed signifier sanctus Michael... (Chorus), War Requiem, Op. 66: IV. Sanctus: 'After the blast of lightning from the East' (Baritone), War Requiem, Op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus), War Requiem, Op. 66: V. Agnus Dei: 'One ever hangs where shelled roads part' / Agnus Dei (Tenor/Chorus), War Requiem, Op. 66: VI. Libera me: 'It seemed that out of battle I escaped' (Tenor, Baritone), War Requiem, Op. 66: VI. Libera me: 'Let us sleep now' / In paradisum (Baritone, Tenor/Boys' Choir, Chorus, Soprano), War Requiem, Op. 66: VI. Libera me: Libera me, Domine (Chorus, Soprano) |
| New York Philharmonic |
performing orchestra |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Brass), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Percussion), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Strings), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (Woodwinds), The Young Person's Guide to the Orchestra, Op. 34: I. Theme (tutti), The Young Person's Guide to the Orchestra, Op. 34: I. Theme. Allegro maestoso e largamente (tutti), The Young Person's Guide to the Orchestra, Op. 34: II. Variation A. Presto, The Young Person's Guide to the Orchestra, Op. 34: III. Variation B. Lento, The Young Person's Guide to the Orchestra, Op. 34: IV. Variation C. Moderato, The Young Person's Guide to the Orchestra, Op. 34: IV. Variation H. Cominciando lento ma poco a poco accelando al Allegro, The Young Person's Guide to the Orchestra, Op. 34: V. Variation D. Allegro alla marcia, The Young Person's Guide to the Orchestra, Op. 34: VI. Variation E. Brillante: Alla polacca, The Young Person's Guide to the Orchestra, Op. 34: VIII. Variation G, The Young Person's Guide to the Orchestra, Op. 34: X. Variation I. Maestoso, The Young Person's Guide to the Orchestra, Op. 34: XI. Variation J. L'istesso tempo, The Young Person's Guide to the Orchestra, Op. 34: XII. Variation F. Meno mosso, The Young Person's Guide to the Orchestra, Op. 34: XII. Variation K. Vivace, The Young Person's Guide to the Orchestra, Op. 34: XIII. Variation L. Allegro pomposo, The Young Person's Guide to the Orchestra, Op. 34: XIV. Variation M. Moderato, The Young Person's Guide to the Orchestra, Op. 34: XV. Fugue. Allegro molto, The Young Person's Guide to the Orchestra, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 10 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 11 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 12 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 13 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 14 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 15 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 16 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 17 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 18 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 19 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 20 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 21 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 22 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 23 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 24 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 25 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 5 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 6 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 7 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 8 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 9 (New York Philharmonic feat. conductor: Leonard Bernstein) |
| Britten Pears Orchestra |
performing orchestra |
Peter Grimes: Act 1, Interlude 1. Dawn, Peter Grimes: Act 1, Interlude 2. Storm, Peter Grimes: Act 1, Scene 1. And do you prefer the storm, Peter Grimes: Act 1, Scene 1. Good morning, good morning!, Peter Grimes: Act 1, Scene 1. Hi! Give us a hand, Peter Grimes: Act 1, Scene 1. I'll have to go from pub to pub, Peter Grimes: Act 1, Scene 1. Let her among without fault, Peter Grimes: Act 1, Scene 1. Look! The storm come!, Peter Grimes: Act 1, Scene 1. Oh, hang at open doors, Peter Grimes: Act 1, Scene 1. They listen to money, Peter Grimes: Act 1, Scene 1. What harbour shelters peace, Peter Grimes: Act 1, Scene 2. For peace sake, Peter Grimes: Act 1, Scene 2. Have you heard the cliff is down, Peter Grimes: Act 1, Scene 2. Loud man, Peter Grimes: Act 1, Scene 2. No, I mean love, Peter Grimes: Act 1, Scene 2. Now the Great Bear and Pleiades, Peter Grimes: Act 1, Scene 2. Past time to close, Peter Grimes: Act 1, Scene 2. Pub conversation should depend, Peter Grimes: Act 1, Scene 2. The bridge is down, Peter Grimes: Act 1, Scene 2. There's been a landslide up the coast, Peter Grimes: Act 2, Interlude 3. Sunday Morning, Peter Grimes: Act 2, Interlude 4. Passacaglia, Peter Grimes: Act 2, Scene 1. Child you're not too young, Peter Grimes: Act 2, Scene 1. Fool to let it come to this, Peter Grimes: Act 2, Scene 1. From the gutter, Peter Grimes: Act 2, Scene 1. Glitter of waves, Peter Grimes: Act 2, Scene 1. Now gossip is put on trial, Peter Grimes: Act 2, Scene 1. Now that the daylight fills the sky, Peter Grimes: Act 2, Scene 1. People... No! I will speak!, Peter Grimes: Act 2, Scene 1. Shall we go and see Grimes in his hut?, Peter Grimes: Act 2, Scene 1. This unrelenting work, Peter Grimes: Act 2, Scene 1. We planned that their lives, Peter Grimes: Act 2, Scene 2. Go there, Peter Grimes: Act 2, Scene 2. Now! Now!, Peter Grimes: Act 2, Scene 2. Peter Grimes, Peter Grimes: Act 2, Scene 2. They listen to money, Peter Grimes: Act 3, Interlude 5. Moonlight, Peter Grimes: Act 3, Interlude 6, Peter Grimes: Act 3, Scene 1. Assign your prettiness to me, Peter Grimes: Act 3, Scene 1. Come along, Doctor, Peter Grimes: Act 3, Scene 1. Embroidery in childhood was, Peter Grimes: Act 3, Scene 1. Mr. Keene, Peter Grimes: Act 3, Scene 1. Mr. Swallow, Peter Grimes: Act 3, Scene 1. Murder most foul it is, Peter Grimes: Act 3, Scene 1. Who holds himself apart, Peter Grimes: Act 3, Scene 2. Grimes!, Peter Grimes: Act 3, Scene 2. Peter, we've come to take you home, Peter Grimes: Act 3, Scene 2. To those who pass the Borough, Peter Grimes: Prologue. Peter Grimes, Peter Grimes: Prologue. Peter Grimes, I here advise you, Peter Grimes: Prologue. The truth - the pity - and the truth, Peter Grimes: Prologue. You sailed your boat round the coast |
| Robert Tear |
vocal |
Canticle I: My beloved is mine, Op. 40, Canticle II: Abraham and Isaac, Op. 51, Canticle III: Still falls the rain, Op. 55, Folk Song Arrangements: Ca' the Yowes, Folk Song Arrangements: Come you not from Newcastle?, Folk Song Arrangements: La belle est au jardin d'amour, Folk Song Arrangements: Le roi s'en va-t'en chasse, Folk Song Arrangements: Little Sir William, Folk Song Arrangements: O Waly, Waly, Folk Song Arrangements: O can ye sew cushions?, Folk Song Arrangements: Oliver Cromwell, Folk Song Arrangements: Quand j'étais chez mon père, Folk Song Arrangements: Sweet Polly Oliver, Folk Song Arrangements: The Ash Grove, Folk Song Arrangements: The Bonny Earl o' Moray, Folk Song Arrangements: The Brisk Young Widow, Folk Song Arrangements: The Foggy, Foggy Dew, Folk Song Arrangements: The Lincolnshire Poacher, Folk Song Arrangements: The Minstrel Boy, Folk Song Arrangements: The Plough Boy, Folk Song Arrangements: The Salley Gardens, Folk Song Arrangements: The trees they grow so high, On This Island, Op. 11: 1. Let the florid music praise!, On This Island, Op. 11: 2. Now the leaves are falling fast, On This Island, Op. 11: 3. Seascape, On This Island, Op. 11: 4. Nocturne, On This Island, Op. 11: 5. As it is, plenty, Serenade for tenor, horn and strings, Op. 31: 1. Pastoral, Serenade for tenor, horn and strings, Op. 31: 2. Nocturne, Serenade for tenor, horn and strings, Op. 31: 3. Elegy, Serenade for tenor, horn and strings, Op. 31: 4. Dirge, Serenade for tenor, horn and strings, Op. 31: 5. Hymn, Serenade for tenor, horn and strings, Op. 31: 6. Sonnet, Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: Prologue, Seven Sonnets of Michelangelo, Op. 22: 1. Sì come nella penna e nell'inchiostro (XVI), Seven Sonnets of Michelangelo, Op. 22: 2. A che più debb'io mai l'intensa voglia (XXXI), Seven Sonnets of Michelangelo, Op. 22: 3. Veggio co' bei vostri occhi un dolce lume (XXX), Seven Sonnets of Michelangelo, Op. 22: 4. Tu sa' ch'io so, signior mie, che tu sai (LV), Seven Sonnets of Michelangelo, Op. 22: 5. Rendete a gli occhi miei, o fonte o fiume (XXXVIII), Seven Sonnets of Michelangelo, Op. 22: 6. S'un casto amor, s'una pietà superna (XXXII), Seven Sonnets of Michelangelo, Op. 22: 7. Spirto ben nato, in cui si specchia e vede (XXIV), Winter Words, Op. 52: 1. At Day-close in November, Winter Words, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy), Winter Words, Op. 52: 3. Wagtail and Baby (A Satire), Winter Words, Op. 52: 4. The Little Old Table, Winter Words, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story), Winter Words, Op. 52: 6. Proud Songsters (Thrushes, Finches and Nightingales), Winter Words, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin), Winter Words, Op. 52: 8. Before Life and After |
| Royal Northern Sinfonia |
performing orchestra |
A Charm of Lullabies, Op. 41: I. A Cradle Song, A Charm of Lullabies, Op. 41: II. The Highland Balou, A Charm of Lullabies, Op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, Op. 41: IV. A Charm, A Charm of Lullabies, Op. 41: V. The Nurse's Song, Lachrymae, Op. 48a: Theme, Lachrymae, Op. 48a: Variation 1. Allegretto, andante molto, Lachrymae, Op. 48a: Variation 10. L'istesso tempo, Lachrymae, Op. 48a: Variation 2. Animato, Lachrymae, Op. 48a: Variation 3. Tranquillo, Lachrymae, Op. 48a: Variation 4. Allegro con moto, Lachrymae, Op. 48a: Variation 5. Largamente, Lachrymae, Op. 48a: Variation 6. Appassionato, Lachrymae, Op. 48a: Variation 7. Alla valse moderato, Lachrymae, Op. 48a: Variation 8. Allegro marcia, Lachrymae, Op. 48a: Variation 9. Lento, Nocturne, Op. 60: I. On a poet's lips I slept, Nocturne, Op. 60: II. Below the thunders of the upper deep, Nocturne, Op. 60: III. Encinctured with a twine of leaves, Nocturne, Op. 60: IV. Midnight's bell goes ting, ting, ting, ting, Nocturne, Op. 60: V. But that night when on my bed I lay, Nocturne, Op. 60: VI. She sleeps on soft, last breaths; but no ghost looms, Nocturne, Op. 60: VII. What is more gentle than a wind in summer, Nocturne, Op. 60: VIII. When most I wink, then do mine eyes best see, Serenade for tenor, horn and strings, Op. 31: 1. Pastoral, Serenade for tenor, horn and strings, Op. 31: 2. Nocturne, Serenade for tenor, horn and strings, Op. 31: 3. Elegy, Serenade for tenor, horn and strings, Op. 31: 4. Dirge, Serenade for tenor, horn and strings, Op. 31: 5. Hymn, Serenade for tenor, horn and strings, Op. 31: 6. Sonnet, Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: Prologue, Simple Symphony, Op. 4: I. Boisterous Bourée, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Sarabande, Simple Symphony, Op. 4: IV. Frolicsome Finale, Suite on English Folk Tunes, Op. 90 "A time there was...": II. The Bitter Withy, Suite on English Folk Tunes, Op. 90 "A time there was...": III. Hankin Booby, Suite on English Folk Tunes, Op. 90 "A time there was...": IV. Hunt the Squirrel, Suite on English Folk Tunes, Op. 90 "A time there was...": V. Lord Melbourne, Suite on English Folk Tunes, Op. 90: I. Cakes and Ale, Temporal Variations: I. Theme, Temporal Variations: II. Oration, Temporal Variations: III. March, Temporal Variations: IV. Exercise, Temporal Variations: IX. Resolution, Temporal Variations: V. Commination, Temporal Variations: VI. Chorale, Temporal Variations: VII. Waltz, Temporal Variations: VIII. Polka |
| Richard Smoker |
engineer |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| Philip Ledger |
piano |
Canticle I: My beloved is mine, Op. 40, Canticle II: Abraham and Isaac, Op. 51, Canticle III: Still falls the rain, Op. 55, Folk Song Arrangements: Ca' the Yowes, Folk Song Arrangements: Come you not from Newcastle?, Folk Song Arrangements: La belle est au jardin d'amour, Folk Song Arrangements: Le roi s'en va-t'en chasse, Folk Song Arrangements: Little Sir William, Folk Song Arrangements: O Waly, Waly, Folk Song Arrangements: O can ye sew cushions?, Folk Song Arrangements: Oliver Cromwell, Folk Song Arrangements: Quand j'étais chez mon père, Folk Song Arrangements: Sweet Polly Oliver, Folk Song Arrangements: The Ash Grove, Folk Song Arrangements: The Bonny Earl o' Moray, Folk Song Arrangements: The Brisk Young Widow, Folk Song Arrangements: The Foggy, Foggy Dew, Folk Song Arrangements: The Lincolnshire Poacher, Folk Song Arrangements: The Minstrel Boy, Folk Song Arrangements: The Plough Boy, Folk Song Arrangements: The Salley Gardens, Folk Song Arrangements: The trees they grow so high, On This Island, Op. 11: 1. Let the florid music praise!, On This Island, Op. 11: 2. Now the leaves are falling fast, On This Island, Op. 11: 3. Seascape, On This Island, Op. 11: 4. Nocturne, On This Island, Op. 11: 5. As it is, plenty, Seven Sonnets of Michelangelo, Op. 22: 1. Sì come nella penna e nell'inchiostro (XVI), Seven Sonnets of Michelangelo, Op. 22: 2. A che più debb'io mai l'intensa voglia (XXXI), Seven Sonnets of Michelangelo, Op. 22: 3. Veggio co' bei vostri occhi un dolce lume (XXX), Seven Sonnets of Michelangelo, Op. 22: 4. Tu sa' ch'io so, signior mie, che tu sai (LV), Seven Sonnets of Michelangelo, Op. 22: 5. Rendete a gli occhi miei, o fonte o fiume (XXXVIII), Seven Sonnets of Michelangelo, Op. 22: 6. S'un casto amor, s'una pietà superna (XXXII), Seven Sonnets of Michelangelo, Op. 22: 7. Spirto ben nato, in cui si specchia e vede (XXIV), Winter Words, Op. 52: 1. At Day-close in November, Winter Words, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy), Winter Words, Op. 52: 3. Wagtail and Baby (A Satire), Winter Words, Op. 52: 4. The Little Old Table, Winter Words, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story), Winter Words, Op. 52: 6. Proud Songsters (Thrushes, Finches and Nightingales), Winter Words, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin), Winter Words, Op. 52: 8. Before Life and After |
| Brian Couzens (engineer/editor/producer) |
producer |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| Richard Hetherington |
conductor |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
A Midsummer Night's Dream: Act 1. Be it on lion, bear, or wolf, or bull, A Midsummer Night's Dream: Act 1. Come, now a roundel and a fairy song, A Midsummer Night's Dream: Act 1. Fair love, you faint with wand'ring in the wood, A Midsummer Night's Dream: Act 1. How now my love?, A Midsummer Night's Dream: Act 1. Introduction: The wood, deepening twilight / Over hill, over dale, A Midsummer Night's Dream: Act 1. Is all our company here?, A Midsummer Night's Dream: Act 1. Oberon is passing fell and wrath, A Midsummer Night's Dream: Act 1. Stay, though thou kill me, sweet Demetrius, A Midsummer Night's Dream: Act 1. Through the forest have I gone, A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank, A Midsummer Night's Dream: Act 1. Well, go thy way, A Midsummer Night's Dream: Act 1. What thou seest when thou dost wake, A Midsummer Night's Dream: Act 1. You spotted snakes with double tongue, A Midsummer Night's Dream: Act 2. Are we all met?, A Midsummer Night's Dream: Act 2. Be kind and courteous to this gentlemen, A Midsummer Night's Dream: Act 2. Flower of this purple dye, A Midsummer Night's Dream: Act 2. Hail, mortal, hail!, A Midsummer Night's Dream: Act 2. How now, mad spirit?, A Midsummer Night's Dream: Act 2. I have a reas'nable good ear in music, A Midsummer Night's Dream: Act 2. I see their knavery, A Midsummer Night's Dream: Act 2. Introduction: The wood, A Midsummer Night's Dream: Act 2. On the ground, sleep sound, A Midsummer Night's Dream: Act 2. Puppet? Why, so?, A Midsummer Night's Dream: Act 2. This is thy negligence, A Midsummer Night's Dream: Act 2. Up and down, up and down, A Midsummer Night's Dream: Act 3. Asleep, my love?, A Midsummer Night's Dream: Act 3. Come, your Bergomask, A Midsummer Night's Dream: Act 3. Gentles, perchance you wonder at this show, A Midsummer Night's Dream: Act 3. Have you sent to Bottom's house?, A Midsummer Night's Dream: Act 3. Helena! Hermia! Demetrius! Lysander!, A Midsummer Night's Dream: Act 3. If we offend, it is with our good will, A Midsummer Night's Dream: Act 3. In this same interlude it doth befall, A Midsummer Night's Dream: Act 3. Introduction: The wood, early next morning / My gentle Robin, seest thou this sweet sight?, A Midsummer Night's Dream: Act 3. Now the hungry lion roars, A Midsummer Night's Dream: Act 3. Now, fair Hippolyta, A Midsummer Night's Dream: Act 3. O Wall, full often hast thou heard my moans, A Midsummer Night's Dream: Act 3. O grim-look'd night, O night with hue so black, A Midsummer Night's Dream: Act 3. Sweet Moon, I thank thee for thy sunny beams, A Midsummer Night's Dream: Act 3. This lanthorn doth the hornèd moon present, A Midsummer Night's Dream: Act 3. When my cue comes, call me, A Midsummer Night's Dream: Act 3. You ladies, you whose gentle hearts do fear, A Midsummer Night’s Dream: I Know a Bank |
| Ralph Couzens (engineer/editor/producer) |
engineer |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| Jonathan Cooper (classical music engineer) |
engineer, mix |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..." |
| Chris Hazell |
producer |
A Boy was Born: Theme. A boy was born, A Boy was Born: Variation I. Lullay, Jesu, A Boy was Born: Variation II. Herod, A Boy was Born: Variation III. Jesu, as Thou art our Saviour, A Boy was Born: Variation IV. The three kings, A Boy was Born: Variation V. In the bleak mid-winter, A Boy was Born: Variation VI (Finale). Noel!, A Ceremony of Carols: As dew in Aprille, A Ceremony of Carols: Balulalow, A Ceremony of Carols: Deo gracias - Adam lay ibounden, A Ceremony of Carols: In freezing winter night, A Ceremony of Carols: Interlude, A Ceremony of Carols: Procession, A Ceremony of Carols: Recession, A Ceremony of Carols: Spring carol, A Ceremony of Carols: That yonge child, A Ceremony of Carols: There is no rose, A Ceremony of Carols: This little Babe, A Ceremony of Carols: Wolcum Yole!, A hymn to the Virgin, Rejoice in the Lamb: For H is a spirit, Rejoice in the Lamb: For I am under the same accusation, Rejoice in the Lamb: For I will consider my cat Jeoffry, Rejoice in the Lamb: For the Mouse..., Rejoice in the Lamb: For the flowers are great blessings, Rejoice in the Lamb: Hallelujah, Rejoice in the Lamb: Rejoice in God, O ye Tongues, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Bouree classique, Variations on a Theme of Frank Bridge, op. 10: Chant, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Funeral March, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme of Frank Bridge, op. 10: March, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo, Variations on a Theme of Frank Bridge, op. 10: Romance, Variations on a Theme of Frank Bridge, op. 10: Wiener walzer |
| Philip Langridge |
vocal |
Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man...", Nocturne, Op. 60: I. On a poet's lips I slept, Nocturne, Op. 60: II. Below the thunders of the upper deep, Nocturne, Op. 60: III. Encinctured with a twine of leaves, Nocturne, Op. 60: IV. Midnight's bell goes ting, ting, ting, ting, Nocturne, Op. 60: V. But that night when on my bed I lay, Nocturne, Op. 60: VI. She sleeps on soft, last breaths; but no ghost looms, Nocturne, Op. 60: VII. What is more gentle than a wind in summer, Nocturne, Op. 60: VIII. When most I wink, then do mine eyes best see, Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue, Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet, Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: Nocturne "The splendour falls on castle walls", Serenade, op. 31 - Elegy “O Rose, thou art sick!”, The Turn of the Screw - Variation 8, Scene 1: Colloquy |
| NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester) |
performing orchestra |
War Requiem op. 66: I. Requiem aeternam: Requiem aeternam (Chorus) / Te decet hymnus, Deus in Sion (Boys’ Choir), War Requiem op. 66: I. Requiem aeternam: “What passing‐bells for these who die as cattle?” (Tenor) / Kyrie eleison (Chorus), War Requiem op. 66: II. Dies irae: Dies irae, dies illa (Chorus), War Requiem op. 66: II. Dies irae: Lacrimosa dies illa (Soprano, Chorus), War Requiem op. 66: II. Dies irae: Liber scriptus proferetur (Soprano, Semi‐chorus), War Requiem op. 66: II. Dies irae: Recordare Jesu pie (Chorus), War Requiem op. 66: II. Dies irae: “Be slowly lifted up, thou long black arm” (Baritone), War Requiem op. 66: II. Dies irae: “Bugles sang, saddening the evening air” (Baritone), War Requiem op. 66: II. Dies irae: “Move him into the sun” / Lacrimosa (Tenor / Soprano, Chorus), War Requiem op. 66: II. Dies irae: “Out there, we’ve walked quite friendly up to Death” (Tenor, Baritone), War Requiem op. 66: III. Offertorium: Domine Jesu Christe (Boys’ Choir) / Sed signifer sanctus Michael… Quam olim Abrahae promisisti (Chorus), War Requiem op. 66: III. Offertorium: “So Abram rose, and clave the wood” / Hostias (Baritone, Tenor / Boys’ Choir), War Requiem op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus), War Requiem op. 66: IV. Sanctus: “After the blast of lightning from the East” (Baritone), War Requiem op. 66: V. Agnus Dei: “One ever hangs where shelled roads part” / Agnus Dei (Tenor / Chorus), War Requiem op. 66: VI. Libera me: Libera me, Domine (Chorus, Soprano), War Requiem op. 66: VI. Libera me: “It seemed that out of battle I escaped” (Tenor, Baritone), War Requiem op. 66: VI. Libera me: “Let us sleep now” / In paradisum (Baritone, Tenor / Boys’ Choir, Chorus, Soprano), War Requiem, Op. 66: I. Requiem aeternam: 'What passing-bells for these who die as cattle?' (Tenor) - Kyrie eleison (Chorus), War Requiem, Op. 66: I. Requiem aeternam: Requiem aeternam (Chorus) - Te decet hymnus, Deus in Sion (Boys' Choir), War Requiem, Op. 66: II. Dies irae: 'Be slowly lifted up, thou long black arm' (Baritone), War Requiem, Op. 66: II. Dies irae: 'Bugles sang, saddening the evening air' (Baritone), War Requiem, Op. 66: II. Dies irae: 'Move him into the sun' / Lacrimosa (Tenor/Soprano, Chorus), War Requiem, Op. 66: II. Dies irae: 'Out there, we've walked quite friendly up to Death' (Tenor, Baritone), War Requiem, Op. 66: II. Dies irae: Dies irae, deis illa (Chorus), War Requiem, Op. 66: II. Dies irae: Dies irae, dies illa (Chorus), War Requiem, Op. 66: II. Dies irae: Lacrimosa dies illa (Soprano, Chorus), War Requiem, Op. 66: II. Dies irae: Liber scriptus proferetur (Soprano, Chorus), War Requiem, Op. 66: II. Dies irae: Recordare Jesu pie (Chorus), War Requiem, Op. 66: III. Offertorium: 'So Abram rose, and clave the wood' / Hostias (Baritone, Tenor/Boys Choir) - Quam olim Abrahae promisisti (Chorus), War Requiem, Op. 66: III. Offertorium: Domine Jesu Christe (Boys' Choir) - Sed signifier sanctus Michael... (Chorus), War Requiem, Op. 66: IV. Sanctus: 'After the blast of lightning from the East' (Baritone), War Requiem, Op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus), War Requiem, Op. 66: V. Agnus Dei: 'One ever hangs where shelled roads part' / Agnus Dei (Tenor/Chorus), War Requiem, Op. 66: VI. Libera me: 'It seemed that out of battle I escaped' (Tenor, Baritone), War Requiem, Op. 66: VI. Libera me: 'Let us sleep now' / In paradisum (Baritone, Tenor/Boys' Choir, Chorus, Soprano), War Requiem, Op. 66: VI. Libera me: Libera me, Domine (Chorus, Soprano) |
| Simon Eadon |
engineer |
A Boy was Born: Theme. A boy was born, A Boy was Born: Variation I. Lullay, Jesu, A Boy was Born: Variation II. Herod, A Boy was Born: Variation III. Jesu, as Thou art our Saviour, A Boy was Born: Variation IV. The three kings, A Boy was Born: Variation V. In the bleak mid-winter, A Boy was Born: Variation VI (Finale). Noel!, A Ceremony of Carols: As dew in Aprille, A Ceremony of Carols: Balulalow, A Ceremony of Carols: Deo gracias - Adam lay ibounden, A Ceremony of Carols: In freezing winter night, A Ceremony of Carols: Interlude, A Ceremony of Carols: Procession, A Ceremony of Carols: Recession, A Ceremony of Carols: Spring carol, A Ceremony of Carols: That yonge child, A Ceremony of Carols: There is no rose, A Ceremony of Carols: This little Babe, A Ceremony of Carols: Wolcum Yole!, Rejoice in the Lamb: For H is a spirit, Rejoice in the Lamb: For I am under the same accusation, Rejoice in the Lamb: For I will consider my cat Jeoffry, Rejoice in the Lamb: For the Mouse..., Rejoice in the Lamb: For the flowers are great blessings, Rejoice in the Lamb: Hallelujah, Rejoice in the Lamb: Rejoice in God, O ye Tongues, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Bouree classique, Variations on a Theme of Frank Bridge, op. 10: Chant, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Funeral March, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme of Frank Bridge, op. 10: March, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo, Variations on a Theme of Frank Bridge, op. 10: Romance, Variations on a Theme of Frank Bridge, op. 10: Wiener walzer |
| Leonard Bernstein |
conductor |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion), The Young Person's Guide to the Orchestra, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 10 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 11 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 12 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 13 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 14 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 15 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 16 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 17 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 18 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 19 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 20 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 21 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 22 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 23 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 24 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 25 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 5 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 6 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 7 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 8 (New York Philharmonic feat. conductor: Leonard Bernstein), The Young Person's Guide to the Orchestra, Part 9 (New York Philharmonic feat. conductor: Leonard Bernstein) |
| Peter Pears |
vocal |
Albert Herring, Op. 39: Act I, Scene II. "He's much too busy" (Albert), Albert Herring, Op. 39: Act II, Scene II. "Albert the Good!" (Albert), Albert Herring, Op. 39: Act II, Scene II. "Heaven helps those who help themselves!" (Albert), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "I can't remember everything" (Albert), Albert Herring, Op. 39: Act III. "I'm sorry about that" (Albert), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All), Folksong: Avenging and Bright, Folksong: Sally in Our Alley, Folksong: The Bonny Earl O' Moray, Folksong: The Last Rose of Summer, Spring Symphony, op. 44: II. The merry cuckoo, Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: IX. When will my May come, Spring Symphony, op. 44: VII. Waters above, Spring Symphony, op. 44: X. Fair and fair, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present", The Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners, The Holy Sonnets of John Donne, Op. 35: Batter my heart, The Holy Sonnets of John Donne, Op. 35: Death be not proud, The Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares, The Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule!, The Holy Sonnets of John Donne, Op. 35: Oh, to vex me, The Holy Sonnets of John Donne, Op. 35: Since she whom I loved, The Holy Sonnets of John Donne, Op. 35: Thou hast made me, The Holy Sonnets of John Donne, Op. 35: What if this present, The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess), The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint), The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint), The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint), The Turn of the Screw: Prologue (The Prologue), War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs |
| Ian Bostridge |
vocal |
Les Illuminations, op. 18: I. Fanfare, Les Illuminations, op. 18: II. Villes, Les Illuminations, op. 18: III. Phrase, Les Illuminations, op. 18: IV. Antique, Les Illuminations, op. 18: IX. Parade, Les Illuminations, op. 18: V. Royaute, Les Illuminations, op. 18: VI. Marine, Les Illuminations, op. 18: VII. Interlude, Les Illuminations, op. 18: VIII. Being Beauteous, Les Illuminations, op. 18: X. Depart, Nocturne, op. 60: I. On a poet's lips I slept, Nocturne, op. 60: II. Below the thunders of the upper deep, Nocturne, op. 60: III. Encinctured, Nocturne, op. 60: IV. Midnight's bell, Nocturne, op. 60: V. But that night, Nocturne, op. 60: VI. She sleeps, Nocturne, op. 60: VII. What is more gentle, Nocturne, op. 60: VIII. When most I wink, Serenade, Op. 31: Dirge, Serenade, Op. 31: Elegy, Serenade, Op. 31: Epilogue, Serenade, Op. 31: Hymn, Serenade, Op. 31: Nocturne, Serenade, Op. 31: Pastoral, Serenade, Op. 31: Prologue, Serenade, Op. 31: Sonnet, Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue |
| Łukasz Borowicz |
conductor |
The Turn of the Screw, op. 54: Act 1: Scene 1. The Journey, The Turn of the Screw, op. 54: Act 1: Scene 2. The Welcome, The Turn of the Screw, op. 54: Act 1: Scene 3. The Letter, The Turn of the Screw, op. 54: Act 1: Scene 4. The Tower, The Turn of the Screw, op. 54: Act 1: Scene 5. The Window, The Turn of the Screw, op. 54: Act 1: Scene 6. The Lesson, The Turn of the Screw, op. 54: Act 1: Scene 7. The Lake, The Turn of the Screw, op. 54: Act 1: Scene 8. At Night, The Turn of the Screw, op. 54: Act 1: Theme, The Turn of the Screw, op. 54: Act 1: Variation I, The Turn of the Screw, op. 54: Act 1: Variation II, The Turn of the Screw, op. 54: Act 1: Variation III, The Turn of the Screw, op. 54: Act 1: Variation IV, The Turn of the Screw, op. 54: Act 1: Variation V, The Turn of the Screw, op. 54: Act 1: Variation VI, The Turn of the Screw, op. 54: Act 1: Variation VII, The Turn of the Screw, op. 54: Act 2: Scene 1. Colloquy and Soliloquy, The Turn of the Screw, op. 54: Act 2: Scene 2. The Bells, The Turn of the Screw, op. 54: Act 2: Scene 3. Miss Jessel, The Turn of the Screw, op. 54: Act 2: Scene 4. The Bedroom, The Turn of the Screw, op. 54: Act 2: Scene 5. Quint, The Turn of the Screw, op. 54: Act 2: Scene 6. The Piano, The Turn of the Screw, op. 54: Act 2: Scene 7. Flora, The Turn of the Screw, op. 54: Act 2: Scene 8. Miles, The Turn of the Screw, op. 54: Act 2: Variation IX, The Turn of the Screw, op. 54: Act 2: Variation VIII, The Turn of the Screw, op. 54: Act 2: Variation X, The Turn of the Screw, op. 54: Act 2: Variation XI, The Turn of the Screw, op. 54: Act 2: Variation XII, The Turn of the Screw, op. 54: Act 2: Variation XIII, The Turn of the Screw, op. 54: Act 2: Variation XIV, The Turn of the Screw, op. 54: Act 2: Variation XV, The Turn of the Screw, op. 54: Prologue |
| Vasari Singers |
vocal |
A Ceremony of Carols, op. 28: Adam Lay I-Bounden (Deo Gracias), A Ceremony of Carols, op. 28: As dew in Aprille, A Ceremony of Carols, op. 28: Balulalow, A Ceremony of Carols, op. 28: In freezing winter night, A Ceremony of Carols, op. 28: Interlude: Andante Pastorale, A Ceremony of Carols, op. 28: Procession, A Ceremony of Carols, op. 28: Recession, A Ceremony of Carols, op. 28: Spring Carol, A Ceremony of Carols, op. 28: That yonge child, A Ceremony of Carols, op. 28: There is no rose, A Ceremony of Carols, op. 28: This little Babe, A Ceremony of Carols, op. 28: Wolcum yole!, Hymn to St. Cecilia, op. 27: I. In a Garden Shady, Hymn to St. Cecilia, op. 27: II. I Cannot Grow, Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall, Hymn to St. Cecilia, op. 27: IV. O Cry Created as the Bow of Sin, Rejoice in the Lamb, op. 30: For H is a spirit, Rejoice in the Lamb, op. 30: For I am under the same accusation, Rejoice in the Lamb, op. 30: For I will consider my Cat Jeoffry, Rejoice in the Lamb, op. 30: For at that Time Malignity Ceases, Rejoice in the Lamb, op. 30: For the Mouse is a creature, Rejoice in the Lamb, op. 30: For the flowers are great blessing, Rejoice in the Lamb, op. 30: Let Nimrod, the mighty hunter, Rejoice in the Lamb, op. 30: Rejoice in God, o ye Tongues, Sacred and Profane, op. 91: No. 1. St. Godric's Hymn, Sacred and Profane, op. 91: No. 2. I mon waxe wod, Sacred and Profane, op. 91: No. 3. Lenten is come, Sacred and Profane, op. 91: No. 4. The long night, Sacred and Profane, op. 91: No. 5. Yif ic of luve can, Sacred and Profane, op. 91: No. 6. Carol, Sacred and Profane, op. 91: No. 7. Ye that pasen by, Sacred and Profane, op. 91: No. 8. A death |
| Jeremy Backhouse |
conductor |
A Ceremony of Carols, op. 28: Adam Lay I-Bounden (Deo Gracias), A Ceremony of Carols, op. 28: As dew in Aprille, A Ceremony of Carols, op. 28: Balulalow, A Ceremony of Carols, op. 28: In freezing winter night, A Ceremony of Carols, op. 28: Interlude: Andante Pastorale, A Ceremony of Carols, op. 28: Procession, A Ceremony of Carols, op. 28: Recession, A Ceremony of Carols, op. 28: Spring Carol, A Ceremony of Carols, op. 28: That yonge child, A Ceremony of Carols, op. 28: There is no rose, A Ceremony of Carols, op. 28: This little Babe, A Ceremony of Carols, op. 28: Wolcum yole!, Hymn to St. Cecilia, op. 27: I. In a Garden Shady, Hymn to St. Cecilia, op. 27: II. I Cannot Grow, Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall, Hymn to St. Cecilia, op. 27: IV. O Cry Created as the Bow of Sin, Rejoice in the Lamb, op. 30: For H is a spirit, Rejoice in the Lamb, op. 30: For I am under the same accusation, Rejoice in the Lamb, op. 30: For I will consider my Cat Jeoffry, Rejoice in the Lamb, op. 30: For at that Time Malignity Ceases, Rejoice in the Lamb, op. 30: For the Mouse is a creature, Rejoice in the Lamb, op. 30: For the flowers are great blessing, Rejoice in the Lamb, op. 30: Let Nimrod, the mighty hunter, Rejoice in the Lamb, op. 30: Rejoice in God, o ye Tongues, Sacred and Profane, op. 91: No. 1. St. Godric's Hymn, Sacred and Profane, op. 91: No. 2. I mon waxe wod, Sacred and Profane, op. 91: No. 3. Lenten is come, Sacred and Profane, op. 91: No. 4. The long night, Sacred and Profane, op. 91: No. 5. Yif ic of luve can, Sacred and Profane, op. 91: No. 6. Carol, Sacred and Profane, op. 91: No. 7. Ye that pasen by, Sacred and Profane, op. 91: No. 8. A death |
| London Philharmonic Orchestra |
performing orchestra |
Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: I. Pastoral "The day's grown old", Serenade for tenor, horn and strings, Op. 31: II. Nocturne "The splendour falls on castle walls", Serenade for tenor, horn and strings, Op. 31: III. Elegy "O Rose, thou art sick", Serenade for tenor, horn and strings, Op. 31: IV. Dirge "This ae nighte", Serenade for tenor, horn and strings, Op. 31: Prologue, Serenade for tenor, horn and strings, Op. 31: V. Hymn "Queen and huntress", Serenade for tenor, horn and strings, Op. 31: VI. Sonnet "O soft embalmer of the still midnight", Soirées Musicales: March, The Young Person's Guide to the Orchestra, Op. 34: A. Flutes and piccolo, The Young Person's Guide to the Orchestra, Op. 34: B. Oboes (Lento), The Young Person's Guide to the Orchestra, Op. 34: Brass, The Young Person's Guide to the Orchestra, Op. 34: C. Clarinets (Moderato), The Young Person's Guide to the Orchestra, Op. 34: D. Bassoons (Allegro alla marcia), The Young Person's Guide to the Orchestra, Op. 34: E. Violins (Brillante: alla polacca), The Young Person's Guide to the Orchestra, Op. 34: F. Violas (Meno mosso), The Young Person's Guide to the Orchestra, Op. 34: Fugue (Allegro molto), The Young Person's Guide to the Orchestra, Op. 34: Full Orchestra, The Young Person's Guide to the Orchestra, Op. 34: G. Cellos, The Young Person's Guide to the Orchestra, Op. 34: H. Double basses (Cominciando lento ma poco a poco accel. al Allegro), The Young Person's Guide to the Orchestra, Op. 34: I. Harp (Maestoso), The Young Person's Guide to the Orchestra, Op. 34: J. Horns (L'istesso tempo), The Young Person's Guide to the Orchestra, Op. 34: K. Trumpets (Vivace), The Young Person's Guide to the Orchestra, Op. 34: L. Trombones and Bass Tuba (Allegro pomposo), The Young Person's Guide to the Orchestra, Op. 34: M. Percussion (Moderato), The Young Person's Guide to the Orchestra, Op. 34: Percussion, The Young Person's Guide to the Orchestra, Op. 34: Strings, The Young Person's Guide to the Orchestra, Op. 34: Theme (Allegro maestoso e largamente), The Young Person's Guide to the Orchestra, Op. 34: Woodwind, Violin Concerto, Op. 15 (revised version): I. Moderato con moto, Violin Concerto, Op. 15 (revised version): II. Vivace - Cadenza, Violin Concerto, Op. 15 (revised version): III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (Lento) - Lento e solenne) |
| City of Birmingham Symphony Orchestra |
performing orchestra |
"Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato), 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo), Canadian Carnival, op. 19, Occasional Overture in C major, Op.38, Scottish Ballad for 2 Pianos and Orchestra, Op.26, The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato, War Requiem, op. 66: Sanctus (Excerpt), War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Choir of King’s College, Cambridge |
vocal |
A Boy was Born: Theme. A boy was born, A Boy was Born: Variation I. Lullay, Jesu, A Boy was Born: Variation II. Herod, A Boy was Born: Variation III. Jesu, as Thou art our Saviour, A Boy was Born: Variation IV. The three kings, A Boy was Born: Variation V. In the bleak mid-winter, A Boy was Born: Variation VI (Finale). Noel!, A Ceremony of Carols: As dew in Aprille, A Ceremony of Carols: Balulalow, A Ceremony of Carols: Deo gracias - Adam lay ibounden, A Ceremony of Carols: In freezing winter night, A Ceremony of Carols: Interlude, A Ceremony of Carols: Procession, A Ceremony of Carols: Recession, A Ceremony of Carols: Spring carol, A Ceremony of Carols: That yonge child, A Ceremony of Carols: There Is No Rose, A Ceremony of Carols: There is no rose, A Ceremony of Carols: This little Babe, A Ceremony of Carols: Wolcum Yole!, A hymn to the Virgin, Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei, Rejoice in the Lamb: For H is a spirit, Rejoice in the Lamb: For I am under the same accusation, Rejoice in the Lamb: For I will consider my cat Jeoffry, Rejoice in the Lamb: For the Mouse..., Rejoice in the Lamb: For the flowers are great blessings, Rejoice in the Lamb: Hallelujah, Rejoice in the Lamb: Rejoice in God, O ye Tongues, The Birth of Nicolas, There Is No Rose |
| Stephen Layton |
conductor |
A Hymn to the Virgin, A.M.D.G. -I- Prayer I, A.M.D.G. -II- Rose Mystica, A.M.D.G. -III- God's Grandeur, A.M.D.G. -IV- Prayer II, A.M.D.G. -V- O Deus, ego amo te, A.M.D.G. -VI- The Soldier, A.M.D.G. -VII- Heaven-Haven, Choral Dances from 'Gloriana' -I- Time, Choral Dances from 'Gloriana' -II- Concord, Choral Dances from 'Gloriana' -III- Time and Concord, Choral Dances from 'Gloriana' -IV- Country Girls, Choral Dances from 'Gloriana' -V- Rustics and Fishermen, Choral Dances from 'Gloriana' -VI- Final Dance of Homage, Choral after an Old French Carol, Chorale After an Old French Carol, Five Flower Songs Op.47 -I- To Daffodils, Five Flower Songs Op.47 -II- The succession of the four sweet months, Five Flower Songs Op.47 -III- Marsh Flowers, Five Flower Songs Op.47 -IV- The Evening Primrose, Five Flower Songs Op.47 -V- Ballad of Green Broom, Sacred and Profane Op.91 -I- St Gordic's Hymn, Sacred and Profane Op.91 -II- I Mon Waxe Wod, Sacred and Profane Op.91 -III- Lenten is Come, Sacred and Profane Op.91 -IV- The Long Night, Sacred and Profane Op.91 -V- Yif Ic of Luve Can, Sacred and Profane Op.91 -VI- Carol, Sacred and Profane Op.91 -VII- Ye that Pasen by, Sacred and Profane Op.91 -VIII- A Death |
| Polyphony (choir) |
vocal |
A Hymn to the Virgin, A.M.D.G. -I- Prayer I, A.M.D.G. -II- Rose Mystica, A.M.D.G. -III- God's Grandeur, A.M.D.G. -IV- Prayer II, A.M.D.G. -V- O Deus, ego amo te, A.M.D.G. -VI- The Soldier, A.M.D.G. -VII- Heaven-Haven, Choral Dances from 'Gloriana' -I- Time, Choral Dances from 'Gloriana' -II- Concord, Choral Dances from 'Gloriana' -III- Time and Concord, Choral Dances from 'Gloriana' -IV- Country Girls, Choral Dances from 'Gloriana' -V- Rustics and Fishermen, Choral Dances from 'Gloriana' -VI- Final Dance of Homage, Choral after an Old French Carol, Chorale After an Old French Carol, Five Flower Songs Op.47 -I- To Daffodils, Five Flower Songs Op.47 -II- The succession of the four sweet months, Five Flower Songs Op.47 -III- Marsh Flowers, Five Flower Songs Op.47 -IV- The Evening Primrose, Five Flower Songs Op.47 -V- Ballad of Green Broom, Sacred and Profane Op.91 -I- St Gordic's Hymn, Sacred and Profane Op.91 -II- I Mon Waxe Wod, Sacred and Profane Op.91 -III- Lenten is Come, Sacred and Profane Op.91 -IV- The Long Night, Sacred and Profane Op.91 -V- Yif Ic of Luve Can, Sacred and Profane Op.91 -VI- Carol, Sacred and Profane Op.91 -VII- Ye that Pasen by, Sacred and Profane Op.91 -VIII- A Death |
| Stephen Cleobury |
conductor |
A Boy was Born: Theme. A boy was born, A Boy was Born: Variation I. Lullay, Jesu, A Boy was Born: Variation II. Herod, A Boy was Born: Variation III. Jesu, as Thou art our Saviour, A Boy was Born: Variation IV. The three kings, A Boy was Born: Variation V. In the bleak mid-winter, A Boy was Born: Variation VI (Finale). Noel!, A Ceremony of Carols: As dew in Aprille, A Ceremony of Carols: Balulalow, A Ceremony of Carols: Deo gracias - Adam lay ibounden, A Ceremony of Carols: In freezing winter night, A Ceremony of Carols: Interlude, A Ceremony of Carols: Procession, A Ceremony of Carols: Recession, A Ceremony of Carols: Spring carol, A Ceremony of Carols: That yonge child, A Ceremony of Carols: There is no rose, A Ceremony of Carols: This little Babe, A Ceremony of Carols: Wolcum Yole!, A hymn to the Virgin, Rejoice in the Lamb: For H is a spirit, Rejoice in the Lamb: For I am under the same accusation, Rejoice in the Lamb: For I will consider my cat Jeoffry, Rejoice in the Lamb: For the Mouse..., Rejoice in the Lamb: For the flowers are great blessings, Rejoice in the Lamb: Hallelujah, Rejoice in the Lamb: Rejoice in God, O ye Tongues |
| Mike Clements (engineer) |
balance, engineer |
"Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., Now Sleeps the Crimson Petal, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet, The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato |
| Berliner Philharmoniker |
performing orchestra |
Les Illuminations, op. 18: I. Fanfare, Les Illuminations, op. 18: II. Villes, Les Illuminations, op. 18: III. Phrase, Les Illuminations, op. 18: IV. Antique, Les Illuminations, op. 18: IX. Parade, Les Illuminations, op. 18: V. Royaute, Les Illuminations, op. 18: VI. Marine, Les Illuminations, op. 18: VII. Interlude, Les Illuminations, op. 18: VIII. Being Beauteous, Les Illuminations, op. 18: X. Depart, Nocturne, op. 60: I. On a poet's lips I slept, Nocturne, op. 60: II. Below the thunders of the upper deep, Nocturne, op. 60: III. Encinctured, Nocturne, op. 60: IV. Midnight's bell, Nocturne, op. 60: V. But that night, Nocturne, op. 60: VI. She sleeps, Nocturne, op. 60: VII. What is more gentle, Nocturne, op. 60: VIII. When most I wink, Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue |
| John Fraser |
producer |
Les Illuminations, op. 18: I. Fanfare, Les Illuminations, op. 18: II. Villes, Les Illuminations, op. 18: III. Phrase, Les Illuminations, op. 18: IV. Antique, Les Illuminations, op. 18: IX. Parade, Les Illuminations, op. 18: V. Royaute, Les Illuminations, op. 18: VI. Marine, Les Illuminations, op. 18: VII. Interlude, Les Illuminations, op. 18: VIII. Being Beauteous, Les Illuminations, op. 18: X. Depart, Nocturne, op. 60: I. On a poet's lips I slept, Nocturne, op. 60: II. Below the thunders of the upper deep, Nocturne, op. 60: III. Encinctured, Nocturne, op. 60: IV. Midnight's bell, Nocturne, op. 60: V. But that night, Nocturne, op. 60: VI. She sleeps, Nocturne, op. 60: VII. What is more gentle, Nocturne, op. 60: VIII. When most I wink, Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue |
| Arne Akselberg |
balance |
Les Illuminations, op. 18: I. Fanfare, Les Illuminations, op. 18: II. Villes, Les Illuminations, op. 18: III. Phrase, Les Illuminations, op. 18: IV. Antique, Les Illuminations, op. 18: IX. Parade, Les Illuminations, op. 18: V. Royaute, Les Illuminations, op. 18: VI. Marine, Les Illuminations, op. 18: VII. Interlude, Les Illuminations, op. 18: VIII. Being Beauteous, Les Illuminations, op. 18: X. Depart, Nocturne, op. 60: I. On a poet's lips I slept, Nocturne, op. 60: II. Below the thunders of the upper deep, Nocturne, op. 60: III. Encinctured, Nocturne, op. 60: IV. Midnight's bell, Nocturne, op. 60: V. But that night, Nocturne, op. 60: VI. She sleeps, Nocturne, op. 60: VII. What is more gentle, Nocturne, op. 60: VIII. When most I wink, Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue |
| Staatskapelle Dresden |
performing orchestra |
Orchesterführer für junge Leute: 1. und 2. Violine, Orchesterführer für junge Leute: Das gesamte Orchester, Orchesterführer für junge Leute: Die Fagotte, Orchesterführer für junge Leute: Die Flöten, Orchesterführer für junge Leute: Die Harfe, Orchesterführer für junge Leute: Die Kesselpauken, Orchesterführer für junge Leute: Die Klarinetten, Orchesterführer für junge Leute: Die Kontrabässe, Orchesterführer für junge Leute: Die Oboen, Orchesterführer für junge Leute: Die Peitschen, Orchesterführer für junge Leute: Die Posaunen und die Tuba, Orchesterführer für junge Leute: Die Trompeten, Orchesterführer für junge Leute: Die Violen, Orchesterführer für junge Leute: Die Violoncelli, Orchesterführer für junge Leute: Die hörner, Orchesterführer für junge Leute: Grosse Trommel und Becken, Orchesterführer für junge Leute: Gruppe der Blechbläser, Orchesterführer für junge Leute: Gruppe der Holzbläser, Orchesterführer für junge Leute: Gruppe der Schlaginstrumente, Orchesterführer für junge Leute: Gruppe der Streicher, Orchesterführer für junge Leute: Kastagnetten und Gong, Orchesterführer für junge Leute: Kleine Trommel und Holzblock, Orchesterführer für junge Leute: Tambourin und Triangel, Orchesterführer für junge Leute: Vorstellung des Orchesters, Orchesterführer für junge Leute: Xylophon |
| Rolf Koenen (pianist) |
piano |
Gemini Variations, Op. 73: Fugue - Molto moderato, Gemini Variations, Op. 73: Theme - Maestoso, Gemini Variations, Op. 73: Variation I - Prestissimo scherzando, Gemini Variations, Op. 73: Variation II - Moderato, Gemini Variations, Op. 73: Variation III - Allegro con brio, Gemini Variations, Op. 73: Variation IV - Grazioso, Gemini Variations, Op. 73: Variation IX - Fanfara - Allegro, Gemini Variations, Op. 73: Variation V - Canone - Vivace, Gemini Variations, Op. 73: Variation VI - Specchio I - Lento tranquillo, Gemini Variations, Op. 73: Variation VII - Cadenza, Gemini Variations, Op. 73: Variation VIII - Appassionato, Gemini Variations, Op. 73: Variation X - Marcia - Lo stesso tempo (Allegro), Gemini Variations, Op. 73: Variation XI - Specchio II - Misterioso, Gemini Variations, Op. 73: Variation XII - Romanza - Andante rubato, Temporal Variations for Oboe and Piano, Op. posth.: Chorale - Molto lento, Temporal Variations for Oboe and Piano, Op. posth.: Commination - Adagio con fuoco, Temporal Variations for Oboe and Piano, Op. posth.: Exercises - Allegro molto e con fuoco, Temporal Variations for Oboe and Piano, Op. posth.: March - Alla marcia, Temporal Variations for Oboe and Piano, Op. posth.: Oration - Lento quasi recitativo, Temporal Variations for Oboe and Piano, Op. posth.: Polka - Tempo di polka - Allegro, Temporal Variations for Oboe and Piano, Op. posth.: Resolution - Maestoso (non troppo lento), Temporal Variations for Oboe and Piano, Op. posth.: Theme - Andante rubato, Temporal Variations for Oboe and Piano, Op. posth.: Waltz - Allegretto rubato, Two Insect Pieces for Oboe and Piano, Op. posth.: The Grasshopper, Two Insect Pieces for Oboe and Piano, Op. posth.: The Wasp |
| Rolf Ludwig |
vocal |
Orchesterführer für junge Leute: 1. und 2. Violine, Orchesterführer für junge Leute: Das gesamte Orchester, Orchesterführer für junge Leute: Die Fagotte, Orchesterführer für junge Leute: Die Flöten, Orchesterführer für junge Leute: Die Harfe, Orchesterführer für junge Leute: Die Kesselpauken, Orchesterführer für junge Leute: Die Klarinetten, Orchesterführer für junge Leute: Die Kontrabässe, Orchesterführer für junge Leute: Die Oboen, Orchesterführer für junge Leute: Die Peitschen, Orchesterführer für junge Leute: Die Posaunen und die Tuba, Orchesterführer für junge Leute: Die Trompeten, Orchesterführer für junge Leute: Die Violen, Orchesterführer für junge Leute: Die Violoncelli, Orchesterführer für junge Leute: Die hörner, Orchesterführer für junge Leute: Grosse Trommel und Becken, Orchesterführer für junge Leute: Gruppe der Blechbläser, Orchesterführer für junge Leute: Gruppe der Holzbläser, Orchesterführer für junge Leute: Gruppe der Schlaginstrumente, Orchesterführer für junge Leute: Gruppe der Streicher, Orchesterführer für junge Leute: Kastagnetten und Gong, Orchesterführer für junge Leute: Kleine Trommel und Holzblock, Orchesterführer für junge Leute: Tambourin und Triangel, Orchesterführer für junge Leute: Vorstellung des Orchesters, Orchesterführer für junge Leute: Xylophon |
| Herbert Kegel |
conductor |
Orchesterführer für junge Leute: 1. und 2. Violine, Orchesterführer für junge Leute: Das gesamte Orchester, Orchesterführer für junge Leute: Die Fagotte, Orchesterführer für junge Leute: Die Flöten, Orchesterführer für junge Leute: Die Harfe, Orchesterführer für junge Leute: Die Kesselpauken, Orchesterführer für junge Leute: Die Klarinetten, Orchesterführer für junge Leute: Die Kontrabässe, Orchesterführer für junge Leute: Die Oboen, Orchesterführer für junge Leute: Die Peitschen, Orchesterführer für junge Leute: Die Posaunen und die Tuba, Orchesterführer für junge Leute: Die Trompeten, Orchesterführer für junge Leute: Die Violen, Orchesterführer für junge Leute: Die Violoncelli, Orchesterführer für junge Leute: Die hörner, Orchesterführer für junge Leute: Grosse Trommel und Becken, Orchesterführer für junge Leute: Gruppe der Blechbläser, Orchesterführer für junge Leute: Gruppe der Holzbläser, Orchesterführer für junge Leute: Gruppe der Schlaginstrumente, Orchesterführer für junge Leute: Gruppe der Streicher, Orchesterführer für junge Leute: Kastagnetten und Gong, Orchesterführer für junge Leute: Kleine Trommel und Holzblock, Orchesterführer für junge Leute: Tambourin und Triangel, Orchesterführer für junge Leute: Vorstellung des Orchesters, Orchesterführer für junge Leute: Xylophon |
| London Symphony Chorus |
vocal |
Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Dies Irae, War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: II. Dies irae: Recordare Jesu Pie, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine |
| Petér Csaba |
conductor |
Lachrymae, Reflections on a Song of Downland for Viola and String Orchestra, Les Illuminations pour soprano et orchestre à cordes: Antique, Les Illuminations pour soprano et orchestre à cordes: Being Beauteous, Les Illuminations pour soprano et orchestre à cordes: Départ, Les Illuminations pour soprano et orchestre à cordes: Fanfare, Les Illuminations pour soprano et orchestre à cordes: Interlude, Les Illuminations pour soprano et orchestre à cordes: Marine, Les Illuminations pour soprano et orchestre à cordes: Parade, Les Illuminations pour soprano et orchestre à cordes: Phrase, Les Illuminations pour soprano et orchestre à cordes: Royauté, Les Illuminations pour soprano et orchestre à cordes: Villes, Variations on a Theme of Frank Bridge for String Orchestra: Adagio, Variations on a Theme of Frank Bridge for String Orchestra: Aria Italiana, Variations on a Theme of Frank Bridge for String Orchestra: Bourrée classique, Variations on a Theme of Frank Bridge for String Orchestra: Chant, Variations on a Theme of Frank Bridge for String Orchestra: Fugue and Finale, Variations on a Theme of Frank Bridge for String Orchestra: Funeral March, Variations on a Theme of Frank Bridge for String Orchestra: Introduction and Theme, Variations on a Theme of Frank Bridge for String Orchestra: March, Variations on a Theme of Frank Bridge for String Orchestra: Moto perpetuo, Variations on a Theme of Frank Bridge for String Orchestra: Romance, Variations on a Theme of Frank Bridge for String Orchestra: Wiener Waltzer |
| Eduard van Beinum |
conductor |
Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II), Four Sea Interludes, op. 33A: I. Dawn, Four Sea Interludes, op. 33A: II. Sunday Morning, Four Sea Interludes, op. 33A: III. Moonlight, Four Sea Interludes, op. 33A: IV. Storm, Spring Symphony, op. 44: I. Introduction: "Shine out", Spring Symphony, op. 44: II. The merry cuckoo, Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: IV. The driving boy (When as rye), Spring Symphony, op. 44: IX. When will my May come, Spring Symphony, op. 44: V. The morning star, Spring Symphony, op. 44: VI. Welcome maids of honor, Spring Symphony, op. 44: VII. Waters above, Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed, Spring Symphony, op. 44: X. Fair and fair, Spring Symphony, op. 44: XI. Sound the flute, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present", The Young Person's Guide to the Orchestra, op. 34, The Young Person’s Guide to Orchestra (Variations and Fugue on a Theme of Purcell) |
| Stockholms Nya Kammarorkester |
performing orchestra |
Lachrymae, Reflections on a Song of Downland for Viola and String Orchestra, Les Illuminations pour soprano et orchestre à cordes: Antique, Les Illuminations pour soprano et orchestre à cordes: Being Beauteous, Les Illuminations pour soprano et orchestre à cordes: Départ, Les Illuminations pour soprano et orchestre à cordes: Fanfare, Les Illuminations pour soprano et orchestre à cordes: Interlude, Les Illuminations pour soprano et orchestre à cordes: Marine, Les Illuminations pour soprano et orchestre à cordes: Parade, Les Illuminations pour soprano et orchestre à cordes: Phrase, Les Illuminations pour soprano et orchestre à cordes: Royauté, Les Illuminations pour soprano et orchestre à cordes: Villes, Variations on a Theme of Frank Bridge for String Orchestra: Adagio, Variations on a Theme of Frank Bridge for String Orchestra: Aria Italiana, Variations on a Theme of Frank Bridge for String Orchestra: Bourrée classique, Variations on a Theme of Frank Bridge for String Orchestra: Chant, Variations on a Theme of Frank Bridge for String Orchestra: Fugue and Finale, Variations on a Theme of Frank Bridge for String Orchestra: Funeral March, Variations on a Theme of Frank Bridge for String Orchestra: Introduction and Theme, Variations on a Theme of Frank Bridge for String Orchestra: March, Variations on a Theme of Frank Bridge for String Orchestra: Moto perpetuo, Variations on a Theme of Frank Bridge for String Orchestra: Romance, Variations on a Theme of Frank Bridge for String Orchestra: Wiener Waltzer |
| Koninklijk Concertgebouworkest |
performing orchestra |
Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II), Four Sea Interludes, op. 33A: I. Dawn, Four Sea Interludes, op. 33A: II. Sunday Morning, Four Sea Interludes, op. 33A: III. Moonlight, Four Sea Interludes, op. 33A: IV. Storm, Spring Symphony, op. 44: I. Introduction: "Shine out", Spring Symphony, op. 44: II. The merry cuckoo, Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: IV. The driving boy (When as rye), Spring Symphony, op. 44: IX. When will my May come, Spring Symphony, op. 44: V. The morning star, Spring Symphony, op. 44: VI. Welcome maids of honor, Spring Symphony, op. 44: VII. Waters above, Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed, Spring Symphony, op. 44: X. Fair and fair, Spring Symphony, op. 44: XI. Sound the flute, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present", The Young Person's Guide to the Orchestra, op. 34, The Young Person’s Guide to Orchestra (Variations and Fugue on a Theme of Purcell) |
| Sian Edwards (English conductor) |
conductor |
The Young Person's Guide to the Orchestra, Op. 34: A. Flutes and piccolo, The Young Person's Guide to the Orchestra, Op. 34: B. Oboes (Lento), The Young Person's Guide to the Orchestra, Op. 34: Brass, The Young Person's Guide to the Orchestra, Op. 34: C. Clarinets (Moderato), The Young Person's Guide to the Orchestra, Op. 34: D. Bassoons (Allegro alla marcia), The Young Person's Guide to the Orchestra, Op. 34: E. Violins (Brillante: alla polacca), The Young Person's Guide to the Orchestra, Op. 34: F. Violas (Meno mosso), The Young Person's Guide to the Orchestra, Op. 34: Fugue (Allegro molto), The Young Person's Guide to the Orchestra, Op. 34: Full Orchestra, The Young Person's Guide to the Orchestra, Op. 34: G. Cellos, The Young Person's Guide to the Orchestra, Op. 34: H. Double basses (Cominciando lento ma poco a poco accel. al Allegro), The Young Person's Guide to the Orchestra, Op. 34: I. Harp (Maestoso), The Young Person's Guide to the Orchestra, Op. 34: J. Horns (L'istesso tempo), The Young Person's Guide to the Orchestra, Op. 34: K. Trumpets (Vivace), The Young Person's Guide to the Orchestra, Op. 34: L. Trombones and Bass Tuba (Allegro pomposo), The Young Person's Guide to the Orchestra, Op. 34: M. Percussion (Moderato), The Young Person's Guide to the Orchestra, Op. 34: Percussion, The Young Person's Guide to the Orchestra, Op. 34: Strings, The Young Person's Guide to the Orchestra, Op. 34: Theme (Allegro maestoso e largamente), The Young Person's Guide to the Orchestra, Op. 34: Woodwind |
| Monteverdi Choir |
vocal |
Five Flower Songs Op. 47: 1. To Daffodils, Five Flower Songs Op. 47: 2. The Succession of the Four Sweet Months, Five Flower Songs Op. 47: 3. Marsh Flowers, Five Flower Songs Op. 47: 4. The Evening Primrose, Five Flower Songs Op. 47: 5. Ballad of Green Broom, Hymn to St. Cecilia, Op. 27: I. In a garden shady, Hymn to St. Cecilia, Op. 27: II. I cannot grow, Hymn to St. Cecilia, Op. 27: II. O ear whose creatures, Spring Symphony, Op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus), Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus), Spring Symphony, Op. 44, Part I: The Driving Boy (Children's Chorus), Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor), Spring Symphony, Op. 44, Part I: The Morning Star (Chorus), Spring Symphony, Op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus), Spring Symphony, Op. 44, Part II: Waters Above! (Tenor), Spring Symphony, Op. 44, Part II: Welcome Maids of Honour (Contralto), Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor), Spring Symphony, Op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus), Spring Symphony, Op. 44, Part III: When Will My May Come (Tenor), Spring Symphony, Op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus) |
| Mark Padmore |
vocal |
Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Come here", Nocturne for tenor, seven obbligato instruments & strings, Op. 60: I. On a poet's lips I slept, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: II. Below the thunders of the upper deep, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: III. Encinctured with a twine of leaves, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: IV. Midnight's bell goes ting, ting, ting, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: V. But that night when on my bed I lay, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: VI. She sleeps on soft, last breaths, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: VII. What is more gentle than a wind in summer?, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: VIII. When most I wink, then do mine eyes best see, Serenade for tenor, horn & strings, Op. 31: I. Prologue, Serenade for tenor, horn & strings, Op. 31: II. Pastoral, Serenade for tenor, horn & strings, Op. 31: III. Nocturne, Serenade for tenor, horn & strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: V. Dirge, Serenade for tenor, horn & strings, Op. 31: VI. Hymn, Serenade for tenor, horn & strings, Op. 31: VII. Sonnet, Serenade for tenor, horn & strings, Op. 31: VIII. Epilogue |
| Westminster Cathedral Choir |
vocal |
A Hymn of St Columba, A Hymn to the Virgin, Ceremony of Carols, Op. 28: (interlude), Ceremony of Carols, Op. 28: Adam Lay I-Bounden, Ceremony of Carols, Op. 28: As Dew in Aprille, Ceremony of Carols, Op. 28: Balulalow, Ceremony of Carols, Op. 28: In Freezing Winter Night, Ceremony of Carols, Op. 28: Procession, Ceremony of Carols, Op. 28: Recession, Ceremony of Carols, Op. 28: Spring Carol, Ceremony of Carols, Op. 28: That Yonge Child, Ceremony of Carols, Op. 28: There Is No Rose, Ceremony of Carols, Op. 28: This Little Babe, Ceremony of Carols, Op. 28: Wolcum Yole!, Deus in Adjutorium Meum, Missa Brevis in D major, Op. 63: Sanctus / Agnus Dei, Missa Brevis in D, Op. 63: Agnus Dei, Missa Brevis in D, Op. 63: Gloria, Missa Brevis in D, Op. 63: Kyrie, Missa Brevis in D, Op. 63: Sanctus and Benedictus |
| Simon Keenlyside |
vocal |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Sir Neville Marriner |
conductor |
Serenade for tenor, horn and strings, Op. 31: 1. Pastoral, Serenade for tenor, horn and strings, Op. 31: 2. Nocturne, Serenade for tenor, horn and strings, Op. 31: 3. Elegy, Serenade for tenor, horn and strings, Op. 31: 4. Dirge, Serenade for tenor, horn and strings, Op. 31: 5. Hymn, Serenade for tenor, horn and strings, Op. 31: 6. Sonnet, Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: Prologue, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Bouree classique, Variations on a Theme of Frank Bridge, op. 10: Chant, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Funeral March, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme of Frank Bridge, op. 10: March, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo, Variations on a Theme of Frank Bridge, op. 10: Romance, Variations on a Theme of Frank Bridge, op. 10: Wiener walzer |
| David Hill (organist and conductor) |
conductor |
A Hymn of St Columba, A Hymn to the Virgin, Ceremony of Carols, Op. 28: (interlude), Ceremony of Carols, Op. 28: Adam Lay I-Bounden, Ceremony of Carols, Op. 28: As Dew in Aprille, Ceremony of Carols, Op. 28: Balulalow, Ceremony of Carols, Op. 28: In Freezing Winter Night, Ceremony of Carols, Op. 28: Procession, Ceremony of Carols, Op. 28: Recession, Ceremony of Carols, Op. 28: Spring Carol, Ceremony of Carols, Op. 28: That Yonge Child, Ceremony of Carols, Op. 28: There Is No Rose, Ceremony of Carols, Op. 28: This Little Babe, Ceremony of Carols, Op. 28: Wolcum Yole!, Deus in Adjutorium Meum, Missa Brevis in D, Op. 63: Agnus Dei, Missa Brevis in D, Op. 63: Gloria, Missa Brevis in D, Op. 63: Kyrie, Missa Brevis in D, Op. 63: Sanctus and Benedictus |
| Tan Crone |
piano |
A Charm of Lullabies, Op. 41 No. 2: The Highland Balou, A Charm of Lullabies, Op. 41 No. 3: Sephestia's Lullaby, A Charm of Lullabies, Op. 41 No. 4: A Charm, A Charm of Lullabies, Op. 41 No. 5: The Nurse's Song, Come You Not From Newcastle? (Hullah's Song-Book), Four Burns Songs, Op. 92 No. 3 "A Birthday Hansel": Wee Willie, Four Burns Songs, Op. 92 No. 4 "A Birthday Hansel": My Hoggie, Four Burns Songs, Op. 92 No. 5 "A Birthday Hansel": Afton Water, Four Burns Songs, Op. 92 No. 6 "A Birthday Hansel": The Winter, How Sweet the Answer (The Wren), O Can Ye Sew Cushions? (Scottish Tune), O Waly, Waly (Somerset), Quand j'étais chez mon père, The Ash Grove (Welsh Tune), The Last Rose of Summer (Groves of Blarney), The Minstrel Boy (The Moreen), The Salley Gardens (Irish Tune), The Trees They Grow So High (Somerset) |
| Алексей Уткин |
oboe |
Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro |
| Hansjörg Schellenberger |
oboe |
Phantasy for Oboe, Violin, Viola and Violoncello, Op. 2, Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Arethusa - Largamente, Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Bacchus - Allegro paesante, Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Narcissus - Lento piacevole, Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Niobe - Andante, Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Pan - Senza misura, Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Phaeton - Vivace ritmico, Temporal Variations for Oboe and Piano, Op. posth.: Chorale - Molto lento, Temporal Variations for Oboe and Piano, Op. posth.: Commination - Adagio con fuoco, Temporal Variations for Oboe and Piano, Op. posth.: Exercises - Allegro molto e con fuoco, Temporal Variations for Oboe and Piano, Op. posth.: March - Alla marcia, Temporal Variations for Oboe and Piano, Op. posth.: Oration - Lento quasi recitativo, Temporal Variations for Oboe and Piano, Op. posth.: Polka - Tempo di polka - Allegro, Temporal Variations for Oboe and Piano, Op. posth.: Resolution - Maestoso (non troppo lento), Temporal Variations for Oboe and Piano, Op. posth.: Theme - Andante rubato, Temporal Variations for Oboe and Piano, Op. posth.: Waltz - Allegretto rubato, Two Insect Pieces for Oboe and Piano, Op. posth.: The Grasshopper, Two Insect Pieces for Oboe and Piano, Op. posth.: The Wasp |
| David R. Murray |
producer |
"Praise We Great Men" for Voices, Chorus and Orchestra: I., "Praise We Great Men" for Voices, Chorus and Orchestra: II., "Praise We Great Men" for Voices, Chorus and Orchestra: III., The Young Person's Guide to the Orchestra, op. 34: I. Theme: Allegro maestoso e largamente, The Young Person's Guide to the Orchestra, op. 34: II. Variation 1 (Flutes and piccolo), The Young Person's Guide to the Orchestra, op. 34: III. Variation 2 (Oboes): Lento, The Young Person's Guide to the Orchestra, op. 34: IV. Variation 3 (Clarinets): Moderato, The Young Person's Guide to the Orchestra, op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro, The Young Person's Guide to the Orchestra, op. 34: V. Variation 4 (Bassoons): Allegro alla marcia, The Young Person's Guide to the Orchestra, op. 34: VI. Variation 5 (Violins): Brillante, alla polacca, The Young Person's Guide to the Orchestra, op. 34: VII. Variation 6 (Violas): Meno mosso, The Young Person's Guide to the Orchestra, op. 34: VIII. Variation 7 (Cellos), The Young Person's Guide to the Orchestra, op. 34: X. Variation 9 (Harp): Maestoso, The Young Person's Guide to the Orchestra, op. 34: XI. Variation 10 (Horns): L'istesso tempo, The Young Person's Guide to the Orchestra, op. 34: XII. Variation 11 (Trumpets): Vivace, The Young Person's Guide to the Orchestra, op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo, The Young Person's Guide to the Orchestra, op. 34: XIV. Variation 13 (Percussion): Moderato, The Young Person's Guide to the Orchestra, op. 34: XV. Fugue: Allegro moderato |
| Erdo Groot |
balance |
Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro |
| Roger de Schot |
recording |
Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro |
| Carl Schuurbiers |
editor |
Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro |
| Michael Serebryanyi |
producer |
Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro |
| Harald Baudis |
balance |
Guida del giovane all'orchestra, op. 34: "L'inizio di tutto è un'idea", Guida del giovane all'orchestra, op. 34: "Ora la musica è pronta", Guida del giovane all'orchestra, op. 34: Fuga: "Ognuno ha detto la sua", Guida del giovane all'orchestra, op. 34: L'orchestra accorda: "I suoni che ascoltate provengono da diversi strumenti", Guida del giovane all'orchestra, op. 34: Variazione A: "Adesso ogni strumento parla per conto suo", Guida del giovane all'orchestra, op. 34: Variazione B: "Quando due oboi trattano l'argomento", Guida del giovane all'orchestra, op. 34: Variazione C: "I clarinetti sono parlatori loquaci", Guida del giovane all'orchestra, op. 34: Variazione D: "Il chiacchierare del fagotto si riconosce subito", Guida del giovane all'orchestra, op. 34: Variazione E: "Dei sessanta archi trenta sono i violini", Guida del giovane all'orchestra, op. 34: Variazione F: "Le viole sono contralti con voce più sonora", Guida del giovane all'orchestra, op. 34: Variazione G: "La voce del violoncello è ancora più sonora", Guida del giovane all'orchestra, op. 34: Variazione H: "Ecco il contrabbasso grande e grosso come un uomo", Guida del giovane all'orchestra, op. 34: Variazione I: "Le parole pizzicate da una delle 47 corde dell'arpa", Guida del giovane all'orchestra, op. 34: Variazione J: "Il corno è uno degli ottoni", Guida del giovane all'orchestra, op. 34: Variazione K: "Dopo una polemica vivace queste due trombe", Guida del giovane all'orchestra, op. 34: Variazione L: "I giganti degli ottoni, il trombone e la tuba", Guida del giovane all'orchestra, op. 34: Variazione M: "Il commento della batteria" |
| Orchestre National de France |
performing orchestra |
Guida del giovane all'orchestra, op. 34: "L'inizio di tutto è un'idea", Guida del giovane all'orchestra, op. 34: "Ora la musica è pronta", Guida del giovane all'orchestra, op. 34: Fuga: "Ognuno ha detto la sua", Guida del giovane all'orchestra, op. 34: L'orchestra accorda: "I suoni che ascoltate provengono da diversi strumenti", Guida del giovane all'orchestra, op. 34: Variazione A: "Adesso ogni strumento parla per conto suo", Guida del giovane all'orchestra, op. 34: Variazione B: "Quando due oboi trattano l'argomento", Guida del giovane all'orchestra, op. 34: Variazione C: "I clarinetti sono parlatori loquaci", Guida del giovane all'orchestra, op. 34: Variazione D: "Il chiacchierare del fagotto si riconosce subito", Guida del giovane all'orchestra, op. 34: Variazione E: "Dei sessanta archi trenta sono i violini", Guida del giovane all'orchestra, op. 34: Variazione F: "Le viole sono contralti con voce più sonora", Guida del giovane all'orchestra, op. 34: Variazione G: "La voce del violoncello è ancora più sonora", Guida del giovane all'orchestra, op. 34: Variazione H: "Ecco il contrabbasso grande e grosso come un uomo", Guida del giovane all'orchestra, op. 34: Variazione I: "Le parole pizzicate da una delle 47 corde dell'arpa", Guida del giovane all'orchestra, op. 34: Variazione J: "Il corno è uno degli ottoni", Guida del giovane all'orchestra, op. 34: Variazione K: "Dopo una polemica vivace queste due trombe", Guida del giovane all'orchestra, op. 34: Variazione L: "I giganti degli ottoni, il trombone e la tuba", Guida del giovane all'orchestra, op. 34: Variazione M: "Il commento della batteria" |
| English Opera Group |
performing orchestra |
The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess), The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess), The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess), The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles), The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess, The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess), The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel), The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint), The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint), The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora), The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora), The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint), The Turn of the Screw: Prologue (The Prologue) |
| Lorin Maazel |
conductor, vocal |
Guida del giovane all'orchestra, op. 34: "L'inizio di tutto è un'idea", Guida del giovane all'orchestra, op. 34: "Ora la musica è pronta", Guida del giovane all'orchestra, op. 34: Fuga: "Ognuno ha detto la sua", Guida del giovane all'orchestra, op. 34: L'orchestra accorda: "I suoni che ascoltate provengono da diversi strumenti", Guida del giovane all'orchestra, op. 34: Variazione A: "Adesso ogni strumento parla per conto suo", Guida del giovane all'orchestra, op. 34: Variazione B: "Quando due oboi trattano l'argomento", Guida del giovane all'orchestra, op. 34: Variazione C: "I clarinetti sono parlatori loquaci", Guida del giovane all'orchestra, op. 34: Variazione D: "Il chiacchierare del fagotto si riconosce subito", Guida del giovane all'orchestra, op. 34: Variazione E: "Dei sessanta archi trenta sono i violini", Guida del giovane all'orchestra, op. 34: Variazione F: "Le viole sono contralti con voce più sonora", Guida del giovane all'orchestra, op. 34: Variazione G: "La voce del violoncello è ancora più sonora", Guida del giovane all'orchestra, op. 34: Variazione H: "Ecco il contrabbasso grande e grosso come un uomo", Guida del giovane all'orchestra, op. 34: Variazione I: "Le parole pizzicate da una delle 47 corde dell'arpa", Guida del giovane all'orchestra, op. 34: Variazione J: "Il corno è uno degli ottoni", Guida del giovane all'orchestra, op. 34: Variazione K: "Dopo una polemica vivace queste due trombe", Guida del giovane all'orchestra, op. 34: Variazione L: "I giganti degli ottoni, il trombone e la tuba", Guida del giovane all'orchestra, op. 34: Variazione M: "Il commento della batteria" |
| Britten Sinfonia |
performing orchestra |
Nocturne for tenor, seven obbligato instruments & strings, Op. 60: I. On a poet's lips I slept, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: II. Below the thunders of the upper deep, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: III. Encinctured with a twine of leaves, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: IV. Midnight's bell goes ting, ting, ting, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: V. But that night when on my bed I lay, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: VI. She sleeps on soft, last breaths, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: VII. What is more gentle than a wind in summer?, Nocturne for tenor, seven obbligato instruments & strings, Op. 60: VIII. When most I wink, then do mine eyes best see, Serenade for tenor, horn & strings, Op. 31: I. Prologue, Serenade for tenor, horn & strings, Op. 31: II. Pastoral, Serenade for tenor, horn & strings, Op. 31: III. Nocturne, Serenade for tenor, horn & strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: V. Dirge, Serenade for tenor, horn & strings, Op. 31: VI. Hymn, Serenade for tenor, horn & strings, Op. 31: VII. Sonnet, Serenade for tenor, horn & strings, Op. 31: VIII. Epilogue |
| Australian Intervarsity Choral Festival Choir |
vocal |
Britten Sea Interludes: I. Dawn, Britten Sea Interludes: II. Sunday Morning - Passacaglia, Britten Sea Interludes: III. Moonlight, Britten Sea Interludes: IV. Storm, Cantata Academica, Choral dances from "Gloriana", Five flower songs, Gloriana: I. Time, Gloriana: II. Concord, Gloriana: III. Time and Concord, Gloriana: IV. Country Girls, Gloriana: V. Rustics and Fishermen, Gloriana: VI. Final Dance of Homage, Hymn to St. Cecilia, Old Joe has gone fishing, Rejoice in the Lamb |
| Rainer Kussmaul |
violin |
Gemini Variations, Op. 73: Fugue - Molto moderato, Gemini Variations, Op. 73: Theme - Maestoso, Gemini Variations, Op. 73: Variation I - Prestissimo scherzando, Gemini Variations, Op. 73: Variation II - Moderato, Gemini Variations, Op. 73: Variation III - Allegro con brio, Gemini Variations, Op. 73: Variation IV - Grazioso, Gemini Variations, Op. 73: Variation IX - Fanfara - Allegro, Gemini Variations, Op. 73: Variation V - Canone - Vivace, Gemini Variations, Op. 73: Variation VI - Specchio I - Lento tranquillo, Gemini Variations, Op. 73: Variation VII - Cadenza, Gemini Variations, Op. 73: Variation VIII - Appassionato, Gemini Variations, Op. 73: Variation X - Marcia - Lo stesso tempo (Allegro), Gemini Variations, Op. 73: Variation XI - Specchio II - Misterioso, Gemini Variations, Op. 73: Variation XII - Romanza - Andante rubato, Phantasy for Oboe, Violin, Viola and Violoncello, Op. 2 |
| 小澤征爾 (conductor) |
conductor |
The Young Person's Guide to the Orchestra: I. Theme, The Young Person's Guide to the Orchestra: II. var A: Flute & Piccolo, The Young Person's Guide to the Orchestra: III. var B: Oboes, The Young Person's Guide to the Orchestra: IV. var C: Clarinets, The Young Person's Guide to the Orchestra: IX var H: Doublebasses, The Young Person's Guide to the Orchestra: V. var D: Bassoons, The Young Person's Guide to the Orchestra: VI. var E: Violins, The Young Person's Guide to the Orchestra: VII. var F: Violas, The Young Person's Guide to the Orchestra: VIII. var G: Cellos, The Young Person's Guide to the Orchestra: X. var I: Harp, The Young Person's Guide to the Orchestra: XI. var J: French Horns, The Young Person's Guide to the Orchestra: XII. var K: Trumpets, The Young Person's Guide to the Orchestra: XIII. var L: Trombones & Tuba, The Young Person's Guide to the Orchestra: XIV. var M: Percussion, The Young Person's Guide to the Orchestra: XV. Full Orchestra |
| Chicago Symphony Orchestra |
performing orchestra |
The Young Person's Guide to the Orchestra: I. Theme, The Young Person's Guide to the Orchestra: II. var A: Flute & Piccolo, The Young Person's Guide to the Orchestra: III. var B: Oboes, The Young Person's Guide to the Orchestra: IV. var C: Clarinets, The Young Person's Guide to the Orchestra: IX var H: Doublebasses, The Young Person's Guide to the Orchestra: V. var D: Bassoons, The Young Person's Guide to the Orchestra: VI. var E: Violins, The Young Person's Guide to the Orchestra: VII. var F: Violas, The Young Person's Guide to the Orchestra: VIII. var G: Cellos, The Young Person's Guide to the Orchestra: X. var I: Harp, The Young Person's Guide to the Orchestra: XI. var J: French Horns, The Young Person's Guide to the Orchestra: XII. var K: Trumpets, The Young Person's Guide to the Orchestra: XIII. var L: Trombones & Tuba, The Young Person's Guide to the Orchestra: XIV. var M: Percussion, The Young Person's Guide to the Orchestra: XV. Full Orchestra |
| Jennifer Vyvyan |
vocal |
The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess), The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess), The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess), The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles), The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess, The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess), The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel), The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint), The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora), The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora), The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) |
| Sir David Willcocks |
chorus master, conductor |
A Ceremony of Carols: There Is No Rose, Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei, The Birth of Nicolas, There Is No Rose, War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Dies Irae, War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: II. Dies irae: Recordare Jesu Pie, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine |
| Okko Kamu |
conductor |
Matinées Musicales, op. 24: I. March, Matinées Musicales, op. 24: II. Nocturne, Matinées Musicales, op. 24: III. Waltz, Matinées Musicales, op. 24: IV. Pantomime, Matinées Musicales, op. 24: V. Moto perpetuo (Solfeggi e Gorgheggi), Piano Concerto, op. 13: I. Toccata, Piano Concerto, op. 13: II. Waltz, Piano Concerto, op. 13: III. Recitative and Aria (Original 3rd movement), Piano Concerto, op. 13: IV. Impromptu, Piano Concerto, op. 13: V. March, Soirées Musicales, op. 9: I. March, Soirées Musicales, op. 9: II. Canzonetta, Soirées Musicales, op. 9: III. Tirolese, Soirées Musicales, op. 9: IV. Bolero, Soirées Musicales, op. 9: V. Tarantella |
| Helsingborgs Symfoniorkester |
performing orchestra |
Matinées Musicales, op. 24: I. March, Matinées Musicales, op. 24: II. Nocturne, Matinées Musicales, op. 24: III. Waltz, Matinées Musicales, op. 24: IV. Pantomime, Matinées Musicales, op. 24: V. Moto perpetuo (Solfeggi e Gorgheggi), Piano Concerto, op. 13: I. Toccata, Piano Concerto, op. 13: II. Waltz, Piano Concerto, op. 13: III. Recitative and Aria (Original 3rd movement), Piano Concerto, op. 13: IV. Impromptu, Piano Concerto, op. 13: V. March, Soirées Musicales, op. 9: I. March, Soirées Musicales, op. 9: II. Canzonetta, Soirées Musicales, op. 9: III. Tirolese, Soirées Musicales, op. 9: IV. Bolero, Soirées Musicales, op. 9: V. Tarantella |
| Desmond Dupré |
viola da gamba |
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Corante, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Galliard, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": La Volta, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March (Finale), Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Morris Dance, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Pavan, The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Robert Spencer |
snare drum, tabor |
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Corante, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Galliard, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": La Volta, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March (Finale), Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Morris Dance, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Pavan, The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| David Sandeman |
flute |
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Corante, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Galliard, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": La Volta, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March (Finale), Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Morris Dance, Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Pavan, The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Alan Opie (baritone) |
vocal |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!" |
| Wolfgang Schulz (flutist) |
flute |
Gemini Variations, Op. 73: Fugue - Molto moderato, Gemini Variations, Op. 73: Theme - Maestoso, Gemini Variations, Op. 73: Variation I - Prestissimo scherzando, Gemini Variations, Op. 73: Variation II - Moderato, Gemini Variations, Op. 73: Variation III - Allegro con brio, Gemini Variations, Op. 73: Variation IV - Grazioso, Gemini Variations, Op. 73: Variation IX - Fanfara - Allegro, Gemini Variations, Op. 73: Variation V - Canone - Vivace, Gemini Variations, Op. 73: Variation VI - Specchio I - Lento tranquillo, Gemini Variations, Op. 73: Variation VII - Cadenza, Gemini Variations, Op. 73: Variation VIII - Appassionato, Gemini Variations, Op. 73: Variation X - Marcia - Lo stesso tempo (Allegro), Gemini Variations, Op. 73: Variation XI - Specchio II - Misterioso, Gemini Variations, Op. 73: Variation XII - Romanza - Andante rubato |
| Matthew Best (UK conductor, founder of Corydon Singers) |
vocal |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!" |
| Owen Brannigan |
vocal |
Albert Herring, Op. 39: Act I, Scene I. "Beggin' your pardon" (Superintendent Budd), Albert Herring, Op. 39: Act II, Scene I. "Er-humph! Er-humph! I'm no great shakes" (Superintendent Budd), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "Give me a decent murder with a corpse!" (Superintendent Budd), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All), Noye's Fludde, Op. 59: II. I God, that all this worlde hath wroughte, Noye's Fludde, Op. 59: III. Have done, you men and wemen all, Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne, Noye's Fludde, Op. 59: IX. Noye, take thy wife anone, Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company, Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?, Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes, Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone, Noye's Fludde, Op. 59: XI. The spacious firmament on high |
| Klaus Hellwig (Pianist) |
piano |
Gemini Variations, Op. 73: Fugue - Molto moderato, Gemini Variations, Op. 73: Theme - Maestoso, Gemini Variations, Op. 73: Variation I - Prestissimo scherzando, Gemini Variations, Op. 73: Variation II - Moderato, Gemini Variations, Op. 73: Variation III - Allegro con brio, Gemini Variations, Op. 73: Variation IV - Grazioso, Gemini Variations, Op. 73: Variation IX - Fanfara - Allegro, Gemini Variations, Op. 73: Variation V - Canone - Vivace, Gemini Variations, Op. 73: Variation VI - Specchio I - Lento tranquillo, Gemini Variations, Op. 73: Variation VII - Cadenza, Gemini Variations, Op. 73: Variation VIII - Appassionato, Gemini Variations, Op. 73: Variation X - Marcia - Lo stesso tempo (Allegro), Gemini Variations, Op. 73: Variation XI - Specchio II - Misterioso, Gemini Variations, Op. 73: Variation XII - Romanza - Andante rubato |
| Pieter Wispelwey |
cello |
Cello Suite No. 1, Op. 72: I. Canto primo, Cello Suite No. 1, Op. 72: II. Fuga, Cello Suite No. 1, Op. 72: III. Lamento, Cello Suite No. 1, Op. 72: IV. Canto secondo, Cello Suite No. 1, Op. 72: IX. Monto perpetuo e Canto quarto, Cello Suite No. 1, Op. 72: V. Serenata, Cello Suite No. 1, Op. 72: VI. Marcia, Cello Suite No. 1, Op. 72: VII. Canto terzo, Cello Suite No. 1, Op. 72: VIII. Bordone, Cello Symphony, Op. 68: I. Allegro maestoso, Cello Symphony, Op. 68: II. Presto inquieto, Cello Symphony, Op. 68: III. Adagio - Cadenza ad lib, Cello Symphony, Op. 68: IV. Passacaglia. Andante allegro |
| Andrew Walton (producer) |
producer |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| St. Petersburg Camerata |
performing orchestra |
Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Spring Symphony, Op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus), Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus), Spring Symphony, Op. 44, Part I: The Driving Boy (Children's Chorus), Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor), Spring Symphony, Op. 44, Part I: The Morning Star (Chorus), Spring Symphony, Op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus), Spring Symphony, Op. 44, Part II: Waters Above! (Tenor), Spring Symphony, Op. 44, Part II: Welcome Maids of Honour (Contralto), Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor), Spring Symphony, Op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus), Spring Symphony, Op. 44, Part III: When Will My May Come (Tenor), Spring Symphony, Op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus) |
| Caryl Thomas |
harp |
A Ceremony of Carols, op. 28: Adam Lay I-Bounden (Deo Gracias), A Ceremony of Carols, op. 28: As dew in Aprille, A Ceremony of Carols, op. 28: Balulalow, A Ceremony of Carols, op. 28: In freezing winter night, A Ceremony of Carols, op. 28: Interlude: Andante Pastorale, A Ceremony of Carols, op. 28: Procession, A Ceremony of Carols, op. 28: Recession, A Ceremony of Carols, op. 28: Spring Carol, A Ceremony of Carols, op. 28: That yonge child, A Ceremony of Carols, op. 28: There is no rose, A Ceremony of Carols, op. 28: This little Babe, A Ceremony of Carols, op. 28: Wolcum yole! |
| Michal Kaznowksi (cellist) |
performer |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| David Angel (British violinist) |
violin |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| BBC Scottish Symphony Orchestra |
performing orchestra |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me, War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Lawrence Jackson (Classical violinist) |
violin |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| Academy of St Martin in the Fields |
performing orchestra |
The Birth of Nicolas, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Bouree classique, Variations on a Theme of Frank Bridge, op. 10: Chant, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Funeral March, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme of Frank Bridge, op. 10: March, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo, Variations on a Theme of Frank Bridge, op. 10: Romance, Variations on a Theme of Frank Bridge, op. 10: Wiener walzer |
| Stephen Westrop |
chorus master |
Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!" |
| Jonathan Smith (Engineer) |
engineer |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| Simon Toyne |
chorus master |
Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!" |
| Martin Outram |
performer |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| Maggini Quartet |
performer |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| Rachel Masters |
harp |
A Ceremony of Carols: As dew in Aprille, A Ceremony of Carols: Balulalow, A Ceremony of Carols: Deo gracias - Adam lay ibounden, A Ceremony of Carols: In freezing winter night, A Ceremony of Carols: Interlude, A Ceremony of Carols: Procession, A Ceremony of Carols: Recession, A Ceremony of Carols: Spring carol, A Ceremony of Carols: That yonge child, A Ceremony of Carols: There is no rose, A Ceremony of Carols: This little Babe, A Ceremony of Carols: Wolcum Yole! |
| Eleanor Thomason (engineer) |
engineer |
Quartettino: I. Andante, Quartettino: II. Poco adagio ma con moto, Quartettino: III. Allegro molto vivace, Simple Symphony: I. Boisterous Bourrée, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, String Quartet no. 3, op. 94: I. Duets: With Moderate Movement, String Quartet no. 3, op. 94: II. Ostinato: Very Fast, String Quartet no. 3, op. 94: III. Solo: Very Calm, String Quartet no. 3, op. 94: IV. Burlesque: Fast - con fuoco, String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima) |
| Tiffin Boys’ Choir |
vocal |
Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!" |
| Andrew Shulman |
cello |
Simple Symphony, Op. 4: I. Boisterous Bourree, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Saraband, Simple Symphony, Op. 4: IV. Frolicsome Finale, String Quartet No. 1 in D major, Op. 25: I. Andante sostenuto - Allegro vivo, String Quartet No. 1 in D major, Op. 25: II. Allegretto con slancio, String Quartet No. 1 in D major, Op. 25: III. Andante calmo, String Quartet No. 1 in D major, Op. 25: Iv. Molto vivace, String Quartet in D major: I. Allegro maestoso, String Quartet in D major: II. Lento ed espressivo, String Quartet in D major: III. Allegro giocoso |
| English String Orchestra |
performing orchestra |
Variations on a Theme by Frank Bridge: 1. Introduction, Variations on a Theme by Frank Bridge: 10. Chant, Variations on a Theme by Frank Bridge: 11. Fugue & Finale, Variations on a Theme by Frank Bridge: 2. Adagio, Variations on a Theme by Frank Bridge: 3. March, Variations on a Theme by Frank Bridge: 4. Romance, Variations on a Theme by Frank Bridge: 5. Aria italiana, Variations on a Theme by Frank Bridge: 6. Bourrée classique, Variations on a Theme by Frank Bridge: 7. Wiener Waltzer, Variations on a Theme by Frank Bridge: 8. Moto perpetuo, Variations on a Theme by Frank Bridge: 9. Funeral March |
| Jerzy Maksymiuk |
conductor |
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme, Variations on a Theme by Frank Bridge, op. 10: II. Adagio, Variations on a Theme by Frank Bridge, op. 10: III. March, Variations on a Theme by Frank Bridge, op. 10: IV. Romance, Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march, Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana, Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique, Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer, Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo, Variations on a Theme by Frank Bridge, op. 10: X. Chant, Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale |
| Stanley Goodall (engineer) |
engineer |
Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Bouree classique, Variations on a Theme of Frank Bridge, op. 10: Chant, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Funeral March, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme, Variations on a Theme of Frank Bridge, op. 10: March, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo, Variations on a Theme of Frank Bridge, op. 10: Romance, Variations on a Theme of Frank Bridge, op. 10: Wiener walzer |
| William Boughton |
conductor |
Variations on a Theme by Frank Bridge: 1. Introduction, Variations on a Theme by Frank Bridge: 10. Chant, Variations on a Theme by Frank Bridge: 11. Fugue & Finale, Variations on a Theme by Frank Bridge: 2. Adagio, Variations on a Theme by Frank Bridge: 3. March, Variations on a Theme by Frank Bridge: 4. Romance, Variations on a Theme by Frank Bridge: 5. Aria italiana, Variations on a Theme by Frank Bridge: 6. Bourrée classique, Variations on a Theme by Frank Bridge: 7. Wiener Waltzer, Variations on a Theme by Frank Bridge: 8. Moto perpetuo, Variations on a Theme by Frank Bridge: 9. Funeral March |
| John Farrer |
conductor |
Variations on a Theme of Frank Bridge: I. Introduction & Theme, Variations on a Theme of Frank Bridge: II. Adagio, Variations on a Theme of Frank Bridge: III. March, Variations on a Theme of Frank Bridge: IV. Romance, Variations on a Theme of Frank Bridge: IX. Funeral Match, Variations on a Theme of Frank Bridge: V. Aria Italiana, Variations on a Theme of Frank Bridge: VI. Bouree Classique, Variations on a Theme of Frank Bridge: VII. Wiener Walzer, Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo, Variations on a Theme of Frank Bridge: X. Chant, Variations on a Theme of Frank Bridge: XI. Fugue & Finale |
| Werner Dabringhaus |
producer |
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme, Variations on a Theme by Frank Bridge, op. 10: II. Adagio, Variations on a Theme by Frank Bridge, op. 10: III. March, Variations on a Theme by Frank Bridge, op. 10: IV. Romance, Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march, Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana, Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique, Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer, Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo, Variations on a Theme by Frank Bridge, op. 10: X. Chant, Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale |
| Elisabeth Söderström |
vocal |
Folksong arrangements: Come you not from Newcastle?, Folksong arrangements: Little Sir William, Folksong arrangements: O Waly, Waly, Folksong arrangements: Oliver Cromwell, Folksong arrangements: The Bonny Earl o'Moray, Folksong arrangements: The Plough Boy, Our Hunting Fathers, Op. 8: A. Rats Away!, Our Hunting Fathers, Op. 8: B. Messalina, Our Hunting Fathers, Op. 8: C. Dance of Death, Our Hunting Fathers, Op. 8: Epilogue and Funeral March, Our Hunting Fathers, Op. 8: Prologue |
| Richard Armstrong (conductor) |
conductor |
Folksong arrangements: Come you not from Newcastle?, Folksong arrangements: Little Sir William, Folksong arrangements: O Waly, Waly, Folksong arrangements: Oliver Cromwell, Folksong arrangements: The Bonny Earl o'Moray, Folksong arrangements: The Plough Boy, Our Hunting Fathers, Op. 8: A. Rats Away!, Our Hunting Fathers, Op. 8: B. Messalina, Our Hunting Fathers, Op. 8: C. Dance of Death, Our Hunting Fathers, Op. 8: Epilogue and Funeral March, Our Hunting Fathers, Op. 8: Prologue |
| Reimund Grimm |
producer |
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme, Variations on a Theme by Frank Bridge, op. 10: II. Adagio, Variations on a Theme by Frank Bridge, op. 10: III. March, Variations on a Theme by Frank Bridge, op. 10: IV. Romance, Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march, Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana, Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique, Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer, Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo, Variations on a Theme by Frank Bridge, op. 10: X. Chant, Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale |
| The Bach Choir |
vocal |
War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Dies Irae, War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: II. Dies irae: Recordare Jesu Pie, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine |
| Peter Lale |
viola |
Simple Symphony, Op. 4: I. Boisterous Bourree, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Saraband, Simple Symphony, Op. 4: IV. Frolicsome Finale, String Quartet No. 1 in D major, Op. 25: I. Andante sostenuto - Allegro vivo, String Quartet No. 1 in D major, Op. 25: II. Allegretto con slancio, String Quartet No. 1 in D major, Op. 25: III. Andante calmo, String Quartet No. 1 in D major, Op. 25: Iv. Molto vivace, String Quartet in D major: I. Allegro maestoso, String Quartet in D major: II. Lento ed espressivo, String Quartet in D major: III. Allegro giocoso |
| Orchestra of the Welsh National Opera |
performing orchestra |
Folksong arrangements: Come you not from Newcastle?, Folksong arrangements: Little Sir William, Folksong arrangements: O Waly, Waly, Folksong arrangements: Oliver Cromwell, Folksong arrangements: The Bonny Earl o'Moray, Folksong arrangements: The Plough Boy, Our Hunting Fathers, Op. 8: A. Rats Away!, Our Hunting Fathers, Op. 8: B. Messalina, Our Hunting Fathers, Op. 8: C. Dance of Death, Our Hunting Fathers, Op. 8: Epilogue and Funeral March, Our Hunting Fathers, Op. 8: Prologue |
| Polish Chamber Orchestra |
performing orchestra |
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme, Variations on a Theme by Frank Bridge, op. 10: II. Adagio, Variations on a Theme by Frank Bridge, op. 10: III. March, Variations on a Theme by Frank Bridge, op. 10: IV. Romance, Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march, Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana, Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique, Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer, Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo, Variations on a Theme by Frank Bridge, op. 10: X. Chant, Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale |
| Мстислав Ростропович |
cello |
Suite for Solo Cello, Op. 72: VI. Moto Perpetuo e Canto Quarto: Presto, Suite for solo Cello, Op. 72: Canto Primo: Sostenuto e largamente, Suite for solo Cello, Op. 72: Canto Secondo: Sostenuto, Suite for solo Cello, Op. 72: Canto Terzo: Sostenuto, Suite for solo Cello, Op. 72: I. Fuga: Andante moderato, Suite for solo Cello, Op. 72: II. Lamento: Lento rubato, Suite for solo Cello, Op. 72: III. Serenata: Allegretto; pizzicato, Suite for solo Cello, Op. 72: IV. Marcia: Alla marcia moderato, Suite for solo Cello, Op. 72: V. Bordone: Moderato quasi recitativo, Suite pour violoncelle seul nº1 en sol mineur Op.72 : VI. Moto perpétue e canto quatro, Symphony for Cello and Orchestra, Op. 68: IV. Passacaglia: Andante allegro |
| Britten Quartet |
strings |
Simple Symphony, Op. 4: I. Boisterous Bourree, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Saraband, Simple Symphony, Op. 4: IV. Frolicsome Finale, String Quartet No. 1 in D major, Op. 25: I. Andante sostenuto - Allegro vivo, String Quartet No. 1 in D major, Op. 25: II. Allegretto con slancio, String Quartet No. 1 in D major, Op. 25: III. Andante calmo, String Quartet No. 1 in D major, Op. 25: Iv. Molto vivace, String Quartet in D major: I. Allegro maestoso, String Quartet in D major: II. Lento ed espressivo, String Quartet in D major: III. Allegro giocoso |
| Sir John Pritchard |
conductor |
Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: I. Pastoral "The day's grown old", Serenade for tenor, horn and strings, Op. 31: II. Nocturne "The splendour falls on castle walls", Serenade for tenor, horn and strings, Op. 31: III. Elegy "O Rose, thou art sick", Serenade for tenor, horn and strings, Op. 31: IV. Dirge "This ae nighte", Serenade for tenor, horn and strings, Op. 31: Prologue, Serenade for tenor, horn and strings, Op. 31: V. Hymn "Queen and huntress", Serenade for tenor, horn and strings, Op. 31: VI. Sonnet "O soft embalmer of the still midnight", Violin Concerto, Op. 15 (revised version): I. Moderato con moto, Violin Concerto, Op. 15 (revised version): II. Vivace - Cadenza, Violin Concerto, Op. 15 (revised version): III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (Lento) - Lento e solenne) |
| Keith Pascoe |
violin |
Simple Symphony, Op. 4: I. Boisterous Bourree, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Saraband, Simple Symphony, Op. 4: IV. Frolicsome Finale, String Quartet No. 1 in D major, Op. 25: I. Andante sostenuto - Allegro vivo, String Quartet No. 1 in D major, Op. 25: II. Allegretto con slancio, String Quartet No. 1 in D major, Op. 25: III. Andante calmo, String Quartet No. 1 in D major, Op. 25: Iv. Molto vivace, String Quartet in D major: I. Allegro maestoso, String Quartet in D major: II. Lento ed espressivo, String Quartet in D major: III. Allegro giocoso |
| Peter Manning (violinist and conductor) |
violin |
Simple Symphony, Op. 4: I. Boisterous Bourree, Simple Symphony, Op. 4: II. Playful Pizzicato, Simple Symphony, Op. 4: III. Sentimental Saraband, Simple Symphony, Op. 4: IV. Frolicsome Finale, String Quartet No. 1 in D major, Op. 25: I. Andante sostenuto - Allegro vivo, String Quartet No. 1 in D major, Op. 25: II. Allegretto con slancio, String Quartet No. 1 in D major, Op. 25: III. Andante calmo, String Quartet No. 1 in D major, Op. 25: Iv. Molto vivace, String Quartet in D major: I. Allegro maestoso, String Quartet in D major: II. Lento ed espressivo, String Quartet in D major: III. Allegro giocoso |
| Philip Dukes |
viola |
Lachrymae, Op. 48a: Theme, Lachrymae, Op. 48a: Variation 1. Allegretto, andante molto, Lachrymae, Op. 48a: Variation 10. L'istesso tempo, Lachrymae, Op. 48a: Variation 2. Animato, Lachrymae, Op. 48a: Variation 3. Tranquillo, Lachrymae, Op. 48a: Variation 4. Allegro con moto, Lachrymae, Op. 48a: Variation 5. Largamente, Lachrymae, Op. 48a: Variation 6. Appassionato, Lachrymae, Op. 48a: Variation 7. Alla valse moderato, Lachrymae, Op. 48a: Variation 8. Allegro marcia, Lachrymae, Op. 48a: Variation 9. Lento |
| English Sinfonia |
performing orchestra |
Variations on a Theme of Frank Bridge: I. Introduction & Theme, Variations on a Theme of Frank Bridge: II. Adagio, Variations on a Theme of Frank Bridge: III. March, Variations on a Theme of Frank Bridge: IV. Romance, Variations on a Theme of Frank Bridge: IX. Funeral Match, Variations on a Theme of Frank Bridge: V. Aria Italiana, Variations on a Theme of Frank Bridge: VI. Bouree Classique, Variations on a Theme of Frank Bridge: VII. Wiener Walzer, Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo, Variations on a Theme of Frank Bridge: X. Chant, Variations on a Theme of Frank Bridge: XI. Fugue & Finale |
| Sylvia Fisher |
vocal |
Albert Herring, Op. 39: Act I, Scene I. "Flor-ence!...tell the midwife!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Is this all you can bring?" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Now then! Notebook, Florence!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Right! We'll have him!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene I. "Stuffy!" (Lady Billows), Albert Herring, Op. 39: Act I, Scene II. "We bring great news to you" (Lady Billows), Albert Herring, Op. 39: Act II, Scene I. "I'm full of happiness" (Lady Billows), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "Fools! Fools! Blundering fools!" (Lady Billows), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Leslie Peeters |
chorus master |
A Ceremony of Carols : Balulalow, A Ceremony of Carols : Deo Gracias, A Ceremony of Carols : Spring Carol, A Ceremony of Carols : There is no Rose, A Ceremony of Carols : This little Babe, A Ceremony of Carols : Wolkum Yole, A Hymn to the Virgin, Concord, Deus in adjutorium meum, Down by the Salley Garden |
| Yvonne Kenny |
vocal |
Four Burns Songs, Op. 92 No. 3 "A Birthday Hansel": Wee Willie, Four Burns Songs, Op. 92 No. 4 "A Birthday Hansel": My Hoggie, Four Burns Songs, Op. 92 No. 5 "A Birthday Hansel": Afton Water, Four Burns Songs, Op. 92 No. 6 "A Birthday Hansel": The Winter, How Sweet the Answer (The Wren), O Can Ye Sew Cushions? (Scottish Tune), The Ash Grove (Welsh Tune), The Last Rose of Summer (Groves of Blarney), The Minstrel Boy (The Moreen), The Trees They Grow So High (Somerset) |
| Henry Chapin |
vocal |
The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba), The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion) |
| Frank Lloyd |
French horn, horn |
Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue, Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet, Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy, Serenade for tenor, horn & strings, Op. 31: Nocturne "The splendour falls on castle walls", Serenade, op. 31 - Elegy “O Rose, thou art sick!” |
| Christina Högman |
vocal |
Les Illuminations pour soprano et orchestre à cordes: Antique, Les Illuminations pour soprano et orchestre à cordes: Being Beauteous, Les Illuminations pour soprano et orchestre à cordes: Départ, Les Illuminations pour soprano et orchestre à cordes: Fanfare, Les Illuminations pour soprano et orchestre à cordes: Interlude, Les Illuminations pour soprano et orchestre à cordes: Marine, Les Illuminations pour soprano et orchestre à cordes: Parade, Les Illuminations pour soprano et orchestre à cordes: Phrase, Les Illuminations pour soprano et orchestre à cordes: Royauté, Les Illuminations pour soprano et orchestre à cordes: Villes |
| Andrew Keener (engineer/editor/producer) |
producer |
Now Sleeps the Crimson Petal, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet |
| Neil Mackie |
vocal |
Now Sleeps the Crimson Petal, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet |
| Royal Philharmonic Orchestra |
performing orchestra |
Serenade for Tenor, Horn, and Strings, Op. 31, Elegy, Serenade for Tenor, Horn, and Strings, Op. 31: Dirge, Serenade for Tenor, Horn, and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: Hymn, Serenade for Tenor, Horn, and Strings, Op. 31: Nocturne, Serenade for Tenor, Horn, and Strings, Op. 31: Pastoral, Serenade for Tenor, Horn, and Strings, Op. 31: Prolog, Serenade for Tenor, Horn, and Strings, Op. 31: Sonnet, Young Person's Guide to the Orchestra |
| Ann Murray (Irish mezzo-soprano) |
vocal |
Phaedra, Op. 63: I. Prologue - In May, in brilliant Athens, Phaedra, Op. 63: II. My lost and dazzled eyes, Phaedra, Op. 63: III. Venus resigned her altar to my new Lord, Phaedra, Op. 63: IV. Phaedra in all her madness stands before you, Phaedra, Op. 63: IX. Chills already dart along my boiling veins, Phaedra, Op. 63: V. The wife of Theseus loves Hippolytus, Phaedra, Op. 63: VI. Oh Gods of wrath, Phaedra, Op. 63: VII. Death to the unhappy's no catastrophe, Phaedra, Op. 63: VIII. My time's too short, your highness |
| Nicholas Daniel |
oboe |
Temporal Variations: I. Theme, Temporal Variations: II. Oration, Temporal Variations: III. March, Temporal Variations: IV. Exercise, Temporal Variations: IX. Resolution, Temporal Variations: V. Commination, Temporal Variations: VI. Chorale, Temporal Variations: VII. Waltz, Temporal Variations: VIII. Polka |
| David Hemmings |
vocal |
The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess), The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles), The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess, The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint), The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) |
| Barry Tuckwell (hornist/conductor) |
French horn |
Now Sleeps the Crimson Petal, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet |
| John Tomlinson (English operatic bass) |
vocal |
Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Scottish Chamber Orchestra |
performing orchestra |
Now Sleeps the Crimson Petal, Serenade for Tenor, Horn and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral, Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne, Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy, Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge, Serenade for Tenor, Horn and Strings, Op. 31: Prologue, Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn, Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet |
| Norman Del Mar |
conductor |
Noye's Fludde, Op. 59: I. Lord Jesus, think on me, Noye's Fludde, Op. 59: III. Have done, you men and wemen all, Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne, Noye's Fludde, Op. 59: IX. Noye, take thy wife anone, Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company, Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?, Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes, Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone, Noye's Fludde, Op. 59: XI. The spacious firmament on high |
| Alan Ewing |
vocal |
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!" |
| Olive Dyer |
vocal |
The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess), The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles), The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess, The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora), The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) |
| Alan Civil |
French horn |
Canticle III: Still falls the rain, Op. 55, Serenade for tenor, horn and strings, Op. 31: 1. Pastoral, Serenade for tenor, horn and strings, Op. 31: 2. Nocturne, Serenade for tenor, horn and strings, Op. 31: 3. Elegy, Serenade for tenor, horn and strings, Op. 31: 4. Dirge, Serenade for tenor, horn and strings, Op. 31: 5. Hymn, Serenade for tenor, horn and strings, Op. 31: 6. Sonnet, Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: Prologue |
| Ian Curror |
organ |
Rejoice in the Lamb, op. 30: For H is a spirit, Rejoice in the Lamb, op. 30: For I am under the same accusation, Rejoice in the Lamb, op. 30: For I will consider my Cat Jeoffry, Rejoice in the Lamb, op. 30: For at that Time Malignity Ceases, Rejoice in the Lamb, op. 30: For the Mouse is a creature, Rejoice in the Lamb, op. 30: For the flowers are great blessing, Rejoice in the Lamb, op. 30: Let Nimrod, the mighty hunter, Rejoice in the Lamb, op. 30: Rejoice in God, o ye Tongues |
| Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) |
conductor |
Serenade for Tenor, Horn, and Strings, Op. 31, Elegy, Serenade for Tenor, Horn, and Strings, Op. 31: Dirge, Serenade for Tenor, Horn, and Strings, Op. 31: Epilogue, Serenade for Tenor, Horn, and Strings, Op. 31: Hymn, Serenade for Tenor, Horn, and Strings, Op. 31: Nocturne, Serenade for Tenor, Horn, and Strings, Op. 31: Pastoral, Serenade for Tenor, Horn, and Strings, Op. 31: Prolog, Serenade for Tenor, Horn, and Strings, Op. 31: Sonnet |
| Radek Baborák |
French horn |
Serenade, op. 31: I. Prologue, Serenade, op. 31: II. Pastoral, Serenade, op. 31: III. Nocturne, Serenade, op. 31: IV. Elegy, Serenade, op. 31: V. Dirge, Serenade, op. 31: VI. Hymn, Serenade, op. 31: VII. Sonnet, Serenade, op. 31: VIII. Epilogue |
| Joan Cross |
vocal |
The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess), The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess, The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora), The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora), The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) |
| Ingo Metzmacher |
conductor |
Serenade, Op. 31: Dirge, Serenade, Op. 31: Elegy, Serenade, Op. 31: Epilogue, Serenade, Op. 31: Hymn, Serenade, Op. 31: Nocturne, Serenade, Op. 31: Pastoral, Serenade, Op. 31: Prologue, Serenade, Op. 31: Sonnet |
| Marie Luise Neunecker |
French horn |
Serenade, Op. 31: Dirge, Serenade, Op. 31: Elegy, Serenade, Op. 31: Epilogue, Serenade, Op. 31: Hymn, Serenade, Op. 31: Nocturne, Serenade, Op. 31: Pastoral, Serenade, Op. 31: Prologue, Serenade, Op. 31: Sonnet |
| Ian Partridge |
vocal |
Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: I. Pastoral "The day's grown old", Serenade for tenor, horn and strings, Op. 31: II. Nocturne "The splendour falls on castle walls", Serenade for tenor, horn and strings, Op. 31: III. Elegy "O Rose, thou art sick", Serenade for tenor, horn and strings, Op. 31: IV. Dirge "This ae nighte", Serenade for tenor, horn and strings, Op. 31: Prologue, Serenade for tenor, horn and strings, Op. 31: V. Hymn "Queen and huntress", Serenade for tenor, horn and strings, Op. 31: VI. Sonnet "O soft embalmer of the still midnight" |
| Quentin Hayes |
vocal |
Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Bamberger Symphoniker |
performing orchestra |
Serenade, Op. 31: Dirge, Serenade, Op. 31: Elegy, Serenade, Op. 31: Epilogue, Serenade, Op. 31: Hymn, Serenade, Op. 31: Nocturne, Serenade, Op. 31: Pastoral, Serenade, Op. 31: Prologue, Serenade, Op. 31: Sonnet |
| Nicholas Busch |
French horn |
Serenade for tenor, horn and strings, Op. 31: Epilogue, Serenade for tenor, horn and strings, Op. 31: I. Pastoral "The day's grown old", Serenade for tenor, horn and strings, Op. 31: II. Nocturne "The splendour falls on castle walls", Serenade for tenor, horn and strings, Op. 31: III. Elegy "O Rose, thou art sick", Serenade for tenor, horn and strings, Op. 31: IV. Dirge "This ae nighte", Serenade for tenor, horn and strings, Op. 31: Prologue, Serenade for tenor, horn and strings, Op. 31: V. Hymn "Queen and huntress", Serenade for tenor, horn and strings, Op. 31: VI. Sonnet "O soft embalmer of the still midnight" |
| Sheila Rex |
vocal |
Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All), Noye's Fludde, Op. 59: III. Have done, you men and wemen all, Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne, Noye's Fludde, Op. 59: IX. Noye, take thy wife anone, Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?, Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes, Noye's Fludde, Op. 59: XI. The spacious firmament on high |
| Clive Bayley |
vocal |
Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Carolyn Watkinson |
vocal |
A Charm of Lullabies, Op. 41 No. 2: The Highland Balou, A Charm of Lullabies, Op. 41 No. 3: Sephestia's Lullaby, A Charm of Lullabies, Op. 41 No. 4: A Charm, A Charm of Lullabies, Op. 41 No. 5: The Nurse's Song, Come You Not From Newcastle? (Hullah's Song-Book), O Waly, Waly (Somerset), Quand j'étais chez mon père, The Salley Gardens (Irish Tune) |
| Francis Egerton |
vocal |
Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Alan Stagg (engineer) |
recording |
The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Olive Zorian |
violin |
The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Ladies From The Cambridge University Chamber Choir |
performer |
A Boy was Born: Theme. A boy was born, A Boy was Born: Variation I. Lullay, Jesu, A Boy was Born: Variation II. Herod, A Boy was Born: Variation III. Jesu, as Thou art our Saviour, A Boy was Born: Variation IV. The three kings, A Boy was Born: Variation V. In the bleak mid-winter, A Boy was Born: Variation VI (Finale). Noel! |
| Joseph Ward |
vocal |
Albert Herring, Op. 39: Act I, Scene II. "Meet me at a quarter past eight" (Sid), Albert Herring, Op. 39: Act I, Scene II. "Shop! Hi! Albert!" (Sid), Albert Herring, Op. 39: Act I, Scene II. "Tickling a trout" (Sid), Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "I'm hungry, I'm tired" (Sid), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Joy Hall |
viola da gamba |
The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Julian Bream |
arranger, lute |
The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Martyn Brabbins |
conductor |
The Tocher (Rossini Suite): I. Allegro brillante, War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| James Burnett (producer) |
producer |
The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| John Willan (producer) |
producer |
4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato), 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo), Canadian Carnival, op. 19, Occasional Overture in C major, Op.38, Scottish Ballad for 2 Pianos and Orchestra, Op.26 |
| Julian Bream Consort (The first consort, 1960s-70s) |
performer |
The Courtly Dances From "Gloriana": Corante, The Courtly Dances From "Gloriana": Galliard, The Courtly Dances From "Gloriana": La Volta, The Courtly Dances From "Gloriana": March, The Courtly Dances From "Gloriana": March (Finale), The Courtly Dances From "Gloriana": Morris Dance, The Courtly Dances From "Gloriana": Pavan |
| Michael Sheady |
balance |
4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato), 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo), Canadian Carnival, op. 19, Occasional Overture in C major, Op.38, Scottish Ballad for 2 Pianos and Orchestra, Op.26 |
| Peter Barley |
organ |
Rejoice in the Lamb: For H is a spirit, Rejoice in the Lamb: For I am under the same accusation, Rejoice in the Lamb: For I will consider my cat Jeoffry, Rejoice in the Lamb: For the Mouse..., Rejoice in the Lamb: For the flowers are great blessings, Rejoice in the Lamb: Hallelujah, Rejoice in the Lamb: Rejoice in God, O ye Tongues |
| Michael Volle |
vocal |
War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Paragon Ensemble |
performer |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me |
| Lynda Russell |
vocal |
War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| John Culshaw |
producer |
Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II), Variation on Frank Bridge: III. March, Variation on Frank Bridge: IV. Romance |
| National Youth Choir of Great Britain |
vocal |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me |
| National Youth Choir of Scotland |
vocal |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me |
| Johanna Peters (contralto) |
vocal |
Albert Herring, Op. 39: Act I, Scene I. "Doctor Jessop's midwife" (Florence), Albert Herring, Op. 39: Act I, Scene II. "Good morning, young man" (Florence), Albert Herring, Op. 39: Act II, Scene I. "For three precious weeks" (Florence), Albert Herring, Op. 39: Act II, Scene I. "Isn't he here?" (Florence), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Robert Shaw (conductor) |
conductor |
War Requiem: I. Requiem aeternam, War Requiem: II. Dies irae, War Requiem: III. Offertorium, War Requiem: IV. Sanctus, War Requiem: V. Agnus Dei, War Requiem: VI. Libera me |
| Ilan Volkov |
conductor |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me |
| George McPhee |
organ |
War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Garry Walker |
conductor |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me |
| Edinburgh Festival Chorus |
vocal |
War Requiem, Op. 66: I. Requiem aeternam, War Requiem, Op. 66: II. Dies Irae, War Requiem, Op. 66: III. Offertorium, War Requiem, Op. 66: IV. Sanctus, War Requiem, Op. 66: V. Agnus Dei, War Requiem, Op. 66: VI. Libera me |
| Thomas Randle |
vocal |
War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| April Cantelo |
vocal |
Albert Herring, Op. 39: Act I, Scene I. "I hope, we're not too carly, Florence?" (Miss Wordsworth), Albert Herring, Op. 39: Act II, Scene I. "Here they are dears!" (Miss Wordsworth), Albert Herring, Op. 39: Act II, Scene I. "My heart leaps up with joy" (Miss Wordsworth), Albert Herring, Op. 39: Act II, Scene I. "Quickly, quickly, come along!" (Miss Wordsworth), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Atlanta Symphony Orchestra |
performing orchestra |
War Requiem: I. Requiem aeternam, War Requiem: II. Dies irae, War Requiem: III. Offertorium, War Requiem: IV. Sanctus, War Requiem: V. Agnus Dei, War Requiem: VI. Libera me |
| Brynjar Hoff |
oboe |
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Arethusa, Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Bacchus, Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Narcissus, Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Niobe, Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Pan, Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Phaeton |
| St. Mary's Episcopal Cathedral Choristers |
vocal |
War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Scottish Festival Chorus |
vocal |
War Requiem: Agnus Dei, War Requiem: Dies irae, War Requiem: Libera me, War Requiem: Offertorium, War Requiem: Requiem aeternam, War Requiem: Sanctus |
| Carlos Kalmar |
conductor |
Four Sea Interludes from "Peter Grimes", Op.33a: Dawn: Lento e tranquillo, Four Sea Interludes from "Peter Grimes", Op.33a: Moonlight: Andante comodo e rubato, Four Sea Interludes from "Peter Grimes", Op.33a: Storm: Presto con fuoco, Four Sea Interludes from "Peter Grimes", Op.33a: Sunday Morning: Allegro spiritoso, Passacaglia from "Peter Grimes", Op.33b |
| Catherine Wyn-Rogers |
vocal |
A Charm of Lullabies, Op. 41: I. A Cradle Song, A Charm of Lullabies, Op. 41: II. The Highland Balou, A Charm of Lullabies, Op. 41: III. Sephestia's Lullaby, A Charm of Lullabies, Op. 41: IV. A Charm, A Charm of Lullabies, Op. 41: V. The Nurse's Song |
| Melos Ensemble |
performer |
War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: III. Domine Jesu Christe, War Requiem, Op. 66: V. Agnus dei: One Ever Hangs |
| Timothy DuFore |
vocal |
Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Oregon Symphony |
performing orchestra |
Four Sea Interludes from "Peter Grimes", Op.33a: Dawn: Lento e tranquillo, Four Sea Interludes from "Peter Grimes", Op.33a: Moonlight: Andante comodo e rubato, Four Sea Interludes from "Peter Grimes", Op.33a: Storm: Presto con fuoco, Four Sea Interludes from "Peter Grimes", Op.33a: Sunday Morning: Allegro spiritoso, Passacaglia from "Peter Grimes", Op.33b |
| Галина Павловна Вишневская |
vocal |
War Requiem, Op. 66: II. Dies irae: Lacrimosa Dies Illa, War Requiem, Op. 66: II. Dies irae: Liber Scriptus Proferetur, War Requiem, Op. 66: II. Dies irae: Move Him Into the Sun, War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus, War Requiem, Op. 66: VI. Libera me: Libera Me, Domine |
| Ralf Gothóni |
piano |
Piano Concerto, op. 13: I. Toccata, Piano Concerto, op. 13: II. Waltz, Piano Concerto, op. 13: III. Recitative and Aria (Original 3rd movement), Piano Concerto, op. 13: IV. Impromptu, Piano Concerto, op. 13: V. March |
| Margit-Anna Süß |
harp |
Suite for Harp Solo, Op. 83: I. Overture - Majestic, Suite for Harp Solo, Op. 83: II. Toccata - Fast and gay, Suite for Harp Solo, Op. 83: III. Nocturne - Slow and quiet, Suite for Harp Solo, Op. 83: IV. Fugue - Lively, Suite for Harp Solo, Op. 83: V. Hymn (St. Denio) - Slow and solemn |
| Kathleen Ferrier |
vocal |
Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: VI. Welcome maids of honor, Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present" |
| Daniel Müller-Schott |
cello |
Symphony for cello and orchestra op. 68: I. Allegro maestoso, Symphony for cello and orchestra op. 68: II. Presto inquieto, Symphony for cello and orchestra op. 68: III. Adagio, Symphony for cello and orchestra op. 68: IV. Passacagliaa |
| Kenneth Wilkinson (engineer) |
balance |
Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II) |
| Sheila Amit |
vocal |
Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All), Albert Herring, Op. 39: Act III. "Is she asleep?" (Emmie) |
| WDR Sinfonieorchester Köln |
performing orchestra |
Symphony for cello and orchestra op. 68: I. Allegro maestoso, Symphony for cello and orchestra op. 68: II. Presto inquieto, Symphony for cello and orchestra op. 68: III. Adagio, Symphony for cello and orchestra op. 68: IV. Passacagliaa |
| David Atherton |
conductor |
Four Sea Interludes From Peter Grimes: I. Dawn, Four Sea Interludes From Peter Grimes: II. Sunday Morning, Four Sea Interludes From Peter Grimes: III. Moonlight, Four Sea Interludes From Peter Grimes: IV. Storm |
| Russell Burgess |
conductor |
The Golden Vanity, Op. 78: I. There was a ship came from the North Country, The Golden Vanity, Op. 78: II. Then up spake the cabin-boy, The Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea, The Golden Vanity, Op. 78: IV. They laid him on the deck |
| Arda Mandikian |
vocal |
The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess), The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel), The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) |
| Alex Johnston |
vocal |
Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| 金聖響 |
conductor |
Cello Symphony, Op. 68: I. Allegro maestoso, Cello Symphony, Op. 68: II. Presto inquieto, Cello Symphony, Op. 68: III. Adagio - Cadenza ad lib, Cello Symphony, Op. 68: IV. Passacaglia. Andante allegro |
| BBC National Orchestra of Wales |
performing orchestra |
Four Sea Interludes From Peter Grimes: I. Dawn, Four Sea Interludes From Peter Grimes: II. Sunday Morning, Four Sea Interludes From Peter Grimes: III. Moonlight, Four Sea Interludes From Peter Grimes: IV. Storm |
| Het Symfonieorkest van Vlaanderen |
performing orchestra |
Cello Symphony, Op. 68: I. Allegro maestoso, Cello Symphony, Op. 68: II. Presto inquieto, Cello Symphony, Op. 68: III. Adagio - Cadenza ad lib, Cello Symphony, Op. 68: IV. Passacaglia. Andante allegro |
| Jo Vincent |
vocal |
Spring Symphony, op. 44: III. Spring, Spring Symphony, op. 44: IV. The driving boy (When as rye), Spring Symphony, op. 44: X. Fair and fair, Spring Symphony, op. 44: XII. Finale: "London, to thee I do present" |
| Jukka-Pekka Saraste |
conductor |
Symphony for cello and orchestra op. 68: I. Allegro maestoso, Symphony for cello and orchestra op. 68: II. Presto inquieto, Symphony for cello and orchestra op. 68: III. Adagio, Symphony for cello and orchestra op. 68: IV. Passacagliaa |
| Stephen Terry |
vocal |
Albert Herring, Op. 39: Act II, Scene I. "My flowers are few" (Harry), Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Wandsworth School Boys’ Choir |
vocal |
The Golden Vanity, Op. 78: I. There was a ship came from the North Country, The Golden Vanity, Op. 78: II. Then up spake the cabin-boy, The Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea, The Golden Vanity, Op. 78: IV. They laid him on the deck |
| Roderick Williams |
vocal |
Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Catherine Wilson (Soprano) |
vocal |
Albert Herring, Op. 39: Act II, Scene II. "You oughtn't to whistle!" (Nancy), Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Frank Peter Zimmermann |
violin |
Violin Concerto in D minor, Op.15: I. Moderato con moto (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck), Violin Concerto in D minor, Op.15: II. Vivace - Largamente (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck), Violin Concerto in D minor, Op.15: III. Passacaglia (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck) |
| Measha Brueggergosman |
vocal |
Calypso, Johnny / Funeral Blues, Tell Me the Truth About Love |
| Manfred Honeck |
conductor |
Violin Concerto in D minor, Op.15: I. Moderato con moto (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck), Violin Concerto in D minor, Op.15: II. Vivace - Largamente (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck), Violin Concerto in D minor, Op.15: III. Passacaglia (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck) |
| Kate Royal |
vocal |
Britten: Embroidery Aria (Peter Grimes), Britten: How Beautiful It Is (The Turn of the Screw), Britten: Tiny's Song (Paul Bunyan) |
| Juanjo Mena (Juan José Mena) |
conductor |
Violin Concerto in D minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo, Violin Concerto in D minor, Op. 15: II. Vivace - animando - largamente - Cadenza, Violin Concerto in D minor, Op. 15: III. Passacaglia: Andante Lento (un poco meno mosso) |
| John Noble (baritone) |
vocal |
Albert Herring, Op. 39: Act II, Scene I. "Well tried, Albert!" (Vicar), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| Sveriges Radios Symfoniorkester |
performing orchestra |
Violin Concerto in D minor, Op.15: I. Moderato con moto (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck), Violin Concerto in D minor, Op.15: II. Vivace - Largamente (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck), Violin Concerto in D minor, Op.15: III. Passacaglia (Swedish Radio Symphony Orchestra, feat. conductor: Manfred Honeck) |
| Richard Whitehouse |
vocal |
Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act II, Scene IV. "According to the Articles of War..." |
| Boston Symphony Orchestra |
performing orchestra |
Violin Concerto in D minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo, Violin Concerto in D minor, Op. 15: II. Vivace - animando - largamente - Cadenza, Violin Concerto in D minor, Op. 15: III. Passacaglia: Andante Lento (un poco meno mosso) |
| Rodney Friend |
violin |
Violin Concerto, Op. 15 (revised version): I. Moderato con moto, Violin Concerto, Op. 15 (revised version): II. Vivace - Cadenza, Violin Concerto, Op. 15 (revised version): III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (Lento) - Lento e solenne) |
| Crouch End Festival Chorus |
vocal |
Britten: Embroidery Aria (Peter Grimes), Britten: How Beautiful It Is (The Turn of the Screw), Britten: Tiny's Song (Paul Bunyan) |
| Gil Shaham (violinist) |
violin |
Violin Concerto in D minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo, Violin Concerto in D minor, Op. 15: II. Vivace - animando - largamente - Cadenza, Violin Concerto in D minor, Op. 15: III. Passacaglia: Andante Lento (un poco meno mosso) |
| David Gardener |
conductor |
Britten: Embroidery Aria (Peter Grimes), Britten: How Beautiful It Is (The Turn of the Screw), Britten: Tiny's Song (Paul Bunyan) |
| Edgar Evans |
vocal |
Albert Herring, Op. 39: Act II, Scene I. "As representing the local Council" (Mayor), Albert Herring, Op. 39: Act III. "Albert...!" (All), Albert Herring, Op. 39: Act III. "In the midst of life is death" (All) |
| English National Opera Orchestra |
performing orchestra |
Britten: Embroidery Aria (Peter Grimes), Britten: How Beautiful It Is (The Turn of the Screw), Britten: Tiny's Song (Paul Bunyan) |
| Sir Malcolm Sargent |
performer |
The Young Person's Guide to the Orchestra, op. 34: Fugue, The Young Person's Guide to the Orchestra, op. 34: Theme and Variations |
| Orchestra of the Royal Opera House, Covent Garden |
performing orchestra |
Peter Grimes, Akt III: "Grimes! Grimes!", Peter Grimes, Akt III: "Peter, we’ve come to take you home" |
| Daniel Norman (tenor) |
vocal |
Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act II, Scene I. "Deck ahoy!" |
| Gordon Parry (engineer) |
engineer |
Variation on Frank Bridge: III. March, Variation on Frank Bridge: IV. Romance |
| Chœur mixte de Villeurbanne |
vocal |
A Hymn to the Virgin, Concord |
| Simon Preston |
organ |
War Requiem, Op. 66: I. Requiem aeternam: Requiem Aeternam, War Requiem, Op. 66: III. Domine Jesu Christe |
| Sir Colin Davis |
conductor |
Peter Grimes, Akt III: "Grimes! Grimes!", Peter Grimes, Akt III: "Peter, we’ve come to take you home" |
| Christopher Keyte |
vocal |
Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "What's that? What's those whistles?" |
| Christopher Bishop (conductor/producer) |
producer |
The Birth of Nicolas, There Is No Rose |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
The Young Person's Guide to the Orchestra, op. 34: Fugue, The Young Person's Guide to the Orchestra, op. 34: Theme and Variations |
| James Bowman (UK operatic countertenor) |
vocal |
A Midsummer Night’s Dream: I Know a Bank, Canticle II: Abraham and Isaac, Op. 51 |
| Jill Gomez |
vocal |
4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce), 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato) |
| Richard Coxon |
vocal |
Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!" |
| Jon Vickers (tenor) |
vocal |
Peter Grimes, Akt III: "Grimes! Grimes!", Peter Grimes, Akt III: "Peter, we’ve come to take you home" |
| Myer Fredman (British-Australian conductor) |
conductor |
Four Sea Interludes: I. Dawn, Four Sea Interludes: III. Moonlight |
| Neville Boyling (engineer) |
balance |
The Birth of Nicolas, There Is No Rose |
| New Zealand Symphony Orchestra |
performing orchestra |
Four Sea Interludes: I. Dawn, Four Sea Interludes: III. Moonlight |
| Christopher Warren-Green |
conductor |
Simple Symphony: Playful Pizzicato |
| Eugene Ormandy |
conductor |
The Young Person's Guide to the Orchestra, op. 34 |
| John Scott (organist, choirmaster) |
conductor |
Festival Te Deum in E |
| Mark Brown (early music singer, conductor, and producer) |
producer |
Festival Te Deum in E |
| Nils-Erik Sparf |
viola |
Lachrymae, Reflections on a Song of Downland for Viola and String Orchestra |
| London Chamber Orchestra |
performing orchestra |
Simple Symphony: Playful Pizzicato |
| Dame Janet Baker |
vocal |
Corpus Christi Carol |
| Richard Marlow |
conductor |
A Hymn to the Virgin |
| City of Birmingham Symphony Orchestra Chorus |
vocal |
War Requiem, op. 66: Sanctus (Excerpt) |
| Jeremy Budd |
vocal |
Festival Te Deum in E |
| Philip Jones Brass Ensemble |
brass |
Fanfare for St. Edmundsbury |
| Osian Ellis (Welsh harpist and composer) |
harp |
A Ceremony of Carols: There Is No Rose |
| Sir Adrian Boult |
conductor |
Soirées Musicales: March |
| Jean-Guihen Queyras (French cellist) |
cello |
Suite No. 3, op 87: Mournful song (Under the Apple Tree). Molto semplice - Autumn. Vivace - Street song (The Grey Eagle). Pesante - Grant Repose Together With the Saints. Lento |
| James Clark (Chorister) |
vocal |
Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei |
| Sir Georg Solti (conductor) |
conductor |
Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria) |
| Julian Brown (Chorister) |
vocal |
Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei |
| Christopher Anderson (chorister) |
vocal |
Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei |
| Robin Stapleton (conductor) |
conductor |
Young Person’s Guide to the Orchestra |
| Choir of Trinity College (Cambridge) |
vocal |
A Hymn to the Virgin |
| Chanticleer |
vocal |
Hymn to St. Cecilia (live) |
| Sir Thomas Allen (baritone) |
vocal |
Britten: Embroidery Aria (Peter Grimes) |
| St Paul’s Cathedral Choir (London) |
vocal |
Festival Te Deum in E |
| Ian Hare |
organ |
Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei |
| Birmingham Contemporary Music Group |
performer |
The Tocher (Rossini Suite): I. Allegro brillante |
| Bill Ives |
conductor |
A Hymn to the Virgin |
| Bernhard Güller |
conductor |
Variations on a Theme by Frank Bridge, for strings, Op. 10: Aria Italiana |
| BBC Symphony Orchestra |
performing orchestra |
The Young Person's Guide to the Orchestra. Variations & Fuge on a Theme of Purcell. Fugue (excerpt) |
| Antony Howell (Engineer) |
engineer |
Festival Te Deum in E |
| Anthony Sackville |
vocal |
Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei |
| Anne Pashley (Sopranist) |
vocal |
Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry) |
| Andrew Lucas |
organ |
Festival Te Deum in E |
| Andrew Davis (conductor, keyboardist, composer, arranger) |
conductor |
The Young Person's Guide to the Orchestra. Variations & Fuge on a Theme of Purcell. Fugue (excerpt) |
| Stuttgarter Kammerorchester |
performing orchestra |
Variations on a Theme by Frank Bridge, for strings, Op. 10: Aria Italiana |
| Peter Glossop (opera singer) |
vocal |
Billy Budd: Act 2, Scene 3, Farewell Scene (excerpt) |
| Sydney Symphony Orchestra |
performing orchestra |
Sinfonia da Requiem |
| The Choir of Magdalen College, Oxford |
vocal |
A Hymn to the Virgin |
| The Philadelphia Orchestra |
performing orchestra |
The Young Person's Guide to the Orchestra, op. 34 |
| New London Children's Choir |
vocal |
A Ceremony of Carols, Op. 28: This little Babe |
| Jonathan Summers |
vocal |
Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria) |
| Georg Faust |
cello |
Phantasy for Oboe, Violin, Viola and Violoncello, Op. 2 |
| Ronald Corp |
conductor |
A Ceremony of Carols, Op. 28: This little Babe |
| Wesley Warren |
trumpet |
Canadian Carnival, op. 19 |
| Rory Phillips (Chorister) |
vocal |
Missa Brevis in D major, Op. 63: I. Kyrie / II. Gloria / III. Sanctus / IV. Benedictus / V. Agnus Dei |
| Wheaton College Concert Choir |
vocal |
Festival Te Deum |
| Mark Wigglesworth |
conductor |
Sinfonia da Requiem |
| Wolfram Christ |
viola |
Phantasy for Oboe, Violin, Viola and Violoncello, Op. 2 |
| Академический симфонический оркестр Московской филармонии |
performing orchestra |
Symphony for Cello and Orchestra, Op. 68: IV. Passacaglia: Andante allegro |
| Renée Fleming |
vocal |
Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria) |