| Musica Amphion |
performing orchestra |
Chacony for 2 violins, viola, and basso continuo, Z. 730, Cibell for trumpet, strings, and basso continuo in C major, Z. 678, Fantasia for strings No. 1, Z. 732, Fantasia for strings No. 10, Z. 741, Fantasia for strings No. 11, Z. 742, Fantasia for strings No. 12, Z. 743, Fantasia for strings No. 13, Z. 744, Fantasia for strings No. 2, Z. 733, Fantasia for strings No. 3, Z. 734, Fantasia for strings No. 4, Z. 735, Fantasia for strings No. 5, Z. 736, Fantasia for strings No. 6, Z. 737, Fantasia for strings No. 7, Z. 738, Fantasia for strings No. 8, Z. 739, Fantasia for strings No. 9, Z. 740, Fantasia for strings in nomine of 6 parts, Z. 746, Fantasia for strings in nomine of 7 parts, Z. 747, Fantasia for strings upon one note, Z. 745, Fantasia, 3 parts on a Ground for three recorders, Z. 731, Overture for 2 violins, 2 violas, and basso continuo in G minor, Z. 772, Overture for 2 violins, viola, and basso continuo in D minor, Z. 771, Overture for 2 violins, viola, and basso continuo in G major, Z. 770, Pavan for 2 violins and basso continuo in A major, Z. 748, Pavan for 2 violins and basso continuo in A minor, Z. 749, Pavan for 2 violins and basso continuo in B-flat major, Z. 750, Pavan for 2 violins and basso continuo in G minor, Z. 751, Pavan for 3 violins and basso continuo in G minor, Z. 752, Prelude for recorder in D minor, Z. 773, Sonata for trumpet, strings, and basso continuo in D major, Z. 850: I. Allegro, Sonata for trumpet, strings, and basso continuo in D major, Z. 850: II. Adagio, Sonata for trumpet, strings, and basso continuo in D major, Z. 850: III. Presto, Sonata for violin and basso continuo in G minor, Z. 780: I. Adagio, Sonata for violin and basso continuo in G minor, Z. 780: II. Allegro, Sonata for violin and basso continuo in G minor, Z. 780: III. Largo, Sonata for violin and basso continuo in G minor, Z. 780: IV. Vivace, Suite for 2 violins, viola, and basso continuo in G major: I. Overture, Suite for 2 violins, viola, and basso continuo in G major: II. Air, Suite for 2 violins, viola, and basso continuo in G major: III. Borry, Suite for 2 violins, viola, and basso continuo in G major: IV. Air, Suite for 2 violins, viola, and basso continuo in G major: V. Jigg, The Staircase Overture for 2 violins and basso continuo in B-flat major, Trio Sonata in 4 parts No. 1 in B minor, Z. 802: I. Adagio, Canzona (allegro), Trio Sonata in 4 parts No. 1 in B minor, Z. 802: II. Largo, Trio Sonata in 4 parts No. 1 in B minor, Z. 802: III. Vivace, Trio Sonata in 4 parts No. 10 in D major, Z. 811: I. Adagio, Trio Sonata in 4 parts No. 10 in D major, Z. 811: II. Canzona (allegro), Trio Sonata in 4 parts No. 10 in D major, Z. 811: III. Grave, Trio Sonata in 4 parts No. 10 in D major, Z. 811: IV. Largo, Trio Sonata in 4 parts No. 10 in D major, Z. 811: V. Allegro, Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: I. Adagio, Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: II. Canzona (allegro), Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: III. Adagio, Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: IV. Largo, allegro, Trio Sonata in 4 parts No. 3 in A minor, Z. 804: I. Grave, Trio Sonata in 4 parts No. 3 in A minor, Z. 804: II. Largo, Trio Sonata in 4 parts No. 3 in A minor, Z. 804: III. Adagio, Trio Sonata in 4 parts No. 3 in A minor, Z. 804: IV. Allegro, Trio Sonata in 4 parts No. 4 in D minor, Z. 805: I. Adagio, Trio Sonata in 4 parts No. 4 in D minor, Z. 805: II. Canzona, Trio Sonata in 4 parts No. 4 in D minor, Z. 805: III. Adagio, Trio Sonata in 4 parts No. 4 in D minor, Z. 805: IV. Vivace, Trio Sonata in 4 parts No. 4 in D minor, Z. 805: V. Largo, Trio Sonata in 4 parts No. 5 in G minor, Z. 806: I. Adagio, Trio Sonata in 4 parts No. 5 in G minor, Z. 806: II. Canzona, Trio Sonata in 4 parts No. 5 in G minor, Z. 806: III. Largo, Trio Sonata in 4 parts No. 5 in G minor, Z. 806: IV. Adagio, Trio Sonata in 4 parts No. 5 in G minor, Z. 806: V. Presto, allegro, adagio, Trio Sonata in 4 parts No. 6 in G minor (Chaconne), Z. 807: Adagio, Trio Sonata in 4 parts No. 7 in E minor, Z. 808: I. Vivace, Trio Sonata in 4 parts No. 7 in E minor, Z. 808: II. Largo, Trio Sonata in 4 parts No. 7 in E minor, Z. 808: III. Grave, Canzona, Trio Sonata in 4 parts No. 7 in E minor, Z. 808: IV. Allegro, Trio Sonata in 4 parts No. 8 in G minor, Z. 809: I. Adagio, Trio Sonata in 4 parts No. 8 in G minor, Z. 809: II. Canzona, Trio Sonata in 4 parts No. 8 in G minor, Z. 809: III. Grave, Trio Sonata in 4 parts No. 8 in G minor, Z. 809: IV. Largo, Trio Sonata in 4 parts No. 8 in G minor, Z. 809: V. Vivace, Trio Sonata in 4 parts No. 9 in F major, Z. 810: I. Vivace, Trio Sonata in 4 parts No. 9 in F major, Z. 810: II. Adagio, Trio Sonata in 4 parts No. 9 in F major, Z. 810: III. Canzona, Trio Sonata in 4 parts No. 9 in F major, Z. 810: IV. Grave, Trio Sonata in 4 parts No. 9 in F major, Z. 810: V. Allegro, Trio Sonata of 3 parts No. 1 in G minor, Z. 790: I. Adagio, Trio Sonata of 3 parts No. 1 in G minor, Z. 790: II. Vivace, Trio Sonata of 3 parts No. 1 in G minor, Z. 790: III. Adagio, Presto, Trio Sonata of 3 parts No. 1 in G minor, Z. 790: IV. Largo, Trio Sonata of 3 parts No. 10 in A major, Z. 799: I. Adagio, Trio Sonata of 3 parts No. 10 in A major, Z. 799: II. Largo, Trio Sonata of 3 parts No. 10 in A major, Z. 799: III. Grave, Presto, Trio Sonata of 3 parts No. 11 in F minor, Z. 800: I. Adagio, Trio Sonata of 3 parts No. 11 in F minor, Z. 800: II. Canzona, Trio Sonata of 3 parts No. 11 in F minor, Z. 800: III. Adagio, Trio Sonata of 3 parts No. 11 in F minor, Z. 800: IV. Largo, Trio Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio, Trio Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona, Trio Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco Largo, Trio Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave, Presto, Trio Sonata of 3 parts No. 12 in D major, Z. 801: V. Allegro, Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: I. Adagio, Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: II. Largo, Presto, Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: III. Adagio, Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: IV. Allegro, Trio Sonata of 3 parts No. 3 in D minor, Z. 792: I. Grave, Adagio, Trio Sonata of 3 parts No. 3 in D minor, Z. 792: II. Canzona, Trio Sonata of 3 parts No. 3 in D minor, Z. 792: III. Poco Largo, Allegro, Trio Sonata of 3 parts No. 4 in F major, Z. 793: I. Adagio, Trio Sonata of 3 parts No. 4 in F major, Z. 793: II. Canzona, Trio Sonata of 3 parts No. 4 in F major, Z. 793: III. Poco Largo, Trio Sonata of 3 parts No. 4 in F major, Z. 793: IV. Allegro, Trio Sonata of 3 parts No. 5 in A minor, Z. 794: I. Canzona, Trio Sonata of 3 parts No. 5 in A minor, Z. 794: II. Adagio, Trio Sonata of 3 parts No. 5 in A minor, Z. 794: III. Largo, Trio Sonata of 3 parts No. 5 in A minor, Z. 794: IV. Grave, Canzona, Trio Sonata of 3 parts No. 6 in C major, Z. 795: I. Adagio, Trio Sonata of 3 parts No. 6 in C major, Z. 795: II. Canzona, Trio Sonata of 3 parts No. 6 in C major, Z. 795: III. Largo, Trio Sonata of 3 parts No. 6 in C major, Z. 795: IV. Allegro, Trio Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio, Trio Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona, Trio Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo, Trio Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave, Trio Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace, Trio Sonata of 3 parts No. 8 in G major, Z. 797: I. Canzona, Trio Sonata of 3 parts No. 8 in G major, Z. 797: II. Poco Largo, Allegro, Trio Sonata of 3 parts No. 8 in G major, Z. 797: III. Grave, Vivace, Trio Sonata of 3 parts No. 9 in C minor, Z. 798: I. Adagio, Trio Sonata of 3 parts No. 9 in C minor, Z. 798: II. Largo, Trio Sonata of 3 parts No. 9 in C minor, Z. 798: III. Canzona, Adagio, Trio Sonata of 3 parts No. 9 in C minor, Z. 798: IV. Allegro |
| Sir John Eliot Gardiner |
conductor |
Abdelazer. Rondeau, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Hear my prayer, O Lord, Z. 15, Music for the Chapel Royal of England: Full Anthem "Hear my prayer", Music for the Chapel Royal of England: Full Anthem "O God, thou hast cast us out and scatter'd us abroad", Music for the Chapel Royal of England: Motet "Jehovah, quam multi sunt hostes mei", Music for the Chapel Royal of England: Verse Anthem "My beloved spake", Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March, Music for the Funeral of Queen Mary: I. March, Music for the Funeral of Queen Mary: II. "Man That Is Born", Music for the Funeral of Queen Mary: III. Canzona, Music for the Funeral of Queen Mary: IV. "In the Midst of Life We Are in Death", Music for the Funeral of Queen Mary: V. Canzona, Music for the Funeral of Queen Mary: VI. "Thou Knowest, Lord, the Secrets of Our Hearts", Music for the Funeral of Queen Mary: VIII. March, O God, Thou hast cast us out, Z. 36, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Beauty thou scene of love, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here the Deities approve, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: While joys celestial, The Fairy Queen: 'Hark how all things' (1st WOMAN), The Fairy Queen: 'Hark now the echoing air' (2nd WOMAN), The Fairy Queen: 'Here's the summer, sprightly, gay' (SUMMER), The Fairy Queen: 'My torch, indeed' (HYMEN), The Fairy Queen: 'Now winter comes slowly' (WINTER), The Fairy Queen: 'See my many colour'd fields' (AUTUMN), The Fairy Queen: 'See, see, I obey' (HYMEN), The Fairy Queen: 'Sure the full God of marriage' (BOTH WOMEN), The Fairy Queen: 'They shall be as happy' (BOTH WOMEN, HYMEN), The Fairy Queen: 'Thus happy and free' (CHINESE WOMAN), The Fairy Queen: 'Thus the ever grateful spring' (SPRING), The Fairy Queen: 'Thus the gloomy world' (A CHINESE MAN), The Fairy Queen: 'Turn then thine eyes' (BOTH WOMEN), The Fairy Queen: 'When a cruel long Winter' (PHOEBUS) - Chorus: 'Hail! Great parent of us all', The Fairy Queen: 'Yes, Daphne, in your looks I find' (CHINESE MAN), The Fairy Queen: A Dance of Haymakers, The Fairy Queen: A dance for the followers of Night, The Fairy Queen: A dance of Fairies, The Fairy Queen: A song in two parts and chorus: 'If Love's a sweet passion', The Fairy Queen: Air, The Fairy Queen: Chorus: 'Now joyn your Warbling Voices all', The Fairy Queen: Dance for chinese man and woman, The Fairy Queen: Dance for the Fairies, The Fairy Queen: Dance for the Green Men, The Fairy Queen: Dialogue between Coridon and Mopsa: 'Now the maids and the men', The Fairy Queen: Duet: 'Let the fifes, and the clarions' (TWO OTHERS), The Fairy Queen: Echo, The Fairy Queen: Entry dance, The Fairy Queen: Entry of Phoebus, The Fairy Queen: Epithalamium: 'Thrice happy lovers' (JUNO), The Fairy Queen: First act tune: Jig, The Fairy Queen: Fourth act tune: Air, The Fairy Queen: Hornpipe, The Fairy Queen: Monkey's Dance, The Fairy Queen: Overture, The Fairy Queen: Overture: Symphony while the swans come forward, The Fairy Queen: Prelude, The Fairy Queen: Prelude and song: 'Come all ye songsters of the sky', The Fairy Queen: Rondeau, The Fairy Queen: Scene of the drunken poet: 'Fill up the bowl', The Fairy Queen: Second act tune: Air, The Fairy Queen: Solo anc Chorus: 'Now the Night is chac'd away', The Fairy Queen: Song and chorus: 'A thousand thousand ways we'll find', The Fairy Queen: Song and chorus: 'Hush, no more, be silent all' (SLEEP), The Fairy Queen: Song and chorus: 'Sing while we trip it on the green', The Fairy Queen: Song in two parts: 'Come, come, come, let us leave the Town', The Fairy Queen: Song: 'I am come to lock all fast' (MYSTERY), The Fairy Queen: Song: 'One charming Night' (SECRESIE), The Fairy Queen: Song: 'See, even Night her self is here' (NIGHT), The Fairy Queen: Song: 'When I have often heard' (A NYMPH), The Fairy Queen: Song: 'Ye gentle spirits of the air, appear', The Fairy Queen: Symphony, The Fairy Queen: The plaint: 'O let me weep', The Fairy Queen: They shall be as happy, The Fairy Queen: Third Act Tune: Hornpipe, The Fairy Queen: Trio: 'May the God of wit inspire' |
| Andrew Parrott |
conductor |
Ah! Belinda, Behold, Upon My Bending Spear, But Ere We This Perform, Come ye sons of art, Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: III. Sound the trumpet, Come ye sons of art, Z. 323: IV. Come ye sons of art, Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: V. Strike the viol, Come ye sons of art, Z. 323: VI. The day that such a blessing gave, Come ye sons of art, Z. 323: VII. Bid the Virtues, Come ye sons of art, Z. 323: VIII. These are the sacred charms, Cupid Only Throws the Dart, Cupid's Dance, Dance, Dance (Oft She Visits), Destruction's Our Delight, Dido and Aeneas, Act 1: ‘Shake the cloud’ (extract), Dido and Aeneas: Act II Scene 1 (The Cave), Dido and Aeneas: Act II Scene 2 (The Grove), Dido and Aeneas: Act III (The Ships), Dido and Aeneas: Overture and Act I, Echo Chorus (In Our Deep-Vaulted Cell), Echo Dance of the Furies, Fear No Danger, Funeral Music for Queen Mary: Canzona, Z. 860ii, Funeral Music for Queen Mary: March, Z. 860i, Funeral Music for Queen Mary: Thou knowest, Lord, Z. 58c, Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A, Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C, Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii, Funeral Sentences for the Death of Queen Mary II: March, Z. 860i, Funeral Sentences: In the midst of life, Z. 17a, Funeral Sentences: Man that is born of a woman, Z. 27, Funeral Sentences: Thou knowest, Lord, Z. 58b, Great Minds Against Themselves, Grief Increases, Grove's Dance, Guitar Dance, Ha, Ha, Ha, Hail! Bright Cecilia: 'Tis Nature's voice, Hail! Bright Cecilia: Hail! Bright Cecilia, Hail! Bright Cecilia: Hark! hark! each tree, Hail! Bright Cecilia: In vain the am'rous flute, Hail! Bright Cecilia: Let these amongst themselves contest, Hail! Bright Cecilia: Soul of the world!, Hail! Bright Cecilia: Symphony (Introduction)-Canzona & Adagio-Allegro-Grave-Allegro, Hail! Bright Cecilia: The airy violin, Hail! Bright Cecilia: The fife and all the harmony of war, Hail! Bright Cecilia: Thou tun'st this world below, Hail! Bright Cecilia: Voluntary in D minor-Wonderous machine!, Hail! Bright Cecilia: With rapture of delight-Hail! Bright Cecilia, Hail! Bright Cecilia: With that sublime celestial lay, Harm's Our Delight, Haste, Haste to Town!, If Not For Mine, For Empire's Sake, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", Our Next Motion, Overture, Prelude (Come Away), Pursue Thy Conquest, Love, Ritornelle, Ruin'd Ere the Set of Sun?, Sailor's Dance, See the Flags, See, Your Royal Guest, Shake the Cloud, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices", Stay, Prince, and Hear, Thanks to These Lonesome Vales, The Queen of Carthage, Thy Hand, Belinda, To the Hills and the Vales, Triumphing Dance, Wayward Sisters, Welcome to all the pleasures, Z. 339: I. Symphony, Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial, Welcome to all the pleasures, Z. 339: V. Then lift up your voices, Welcome to all the pleasures, Z. 339: VI. Beauty, thou scene of love, Welcome to all the pleasures, Z. 339: VII. In a consort of voices, When Monarchs Unite, Whence Could So Much Virtue, Witches' Dance, With Drooping Wings, Your Counsel All |
| English Baroque Soloists |
performer, performing orchestra |
Abdelazer. Rondeau, Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture, Music for the Chapel Royal of England: Full Anthem "Hear my prayer", Music for the Chapel Royal of England: Full Anthem "O God, thou hast cast us out and scatter'd us abroad", Music for the Chapel Royal of England: Motet "Jehovah, quam multi sunt hostes mei", Music for the Chapel Royal of England: Verse Anthem "My beloved spake", Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Beauty thou scene of love, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here the Deities approve, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: While joys celestial, The Fairy Queen: 'Hark how all things' (1st WOMAN), The Fairy Queen: 'Hark now the echoing air' (2nd WOMAN), The Fairy Queen: 'Here's the summer, sprightly, gay' (SUMMER), The Fairy Queen: 'My torch, indeed' (HYMEN), The Fairy Queen: 'Now winter comes slowly' (WINTER), The Fairy Queen: 'See my many colour'd fields' (AUTUMN), The Fairy Queen: 'See, see, I obey' (HYMEN), The Fairy Queen: 'Sure the full God of marriage' (BOTH WOMEN), The Fairy Queen: 'They shall be as happy' (BOTH WOMEN, HYMEN), The Fairy Queen: 'Thus happy and free' (CHINESE WOMAN), The Fairy Queen: 'Thus the ever grateful spring' (SPRING), The Fairy Queen: 'Thus the gloomy world' (A CHINESE MAN), The Fairy Queen: 'Turn then thine eyes' (BOTH WOMEN), The Fairy Queen: 'When a cruel long Winter' (PHOEBUS) - Chorus: 'Hail! Great parent of us all', The Fairy Queen: 'Yes, Daphne, in your looks I find' (CHINESE MAN), The Fairy Queen: A Dance of Haymakers, The Fairy Queen: A dance for the followers of Night, The Fairy Queen: A dance of Fairies, The Fairy Queen: A song in two parts and chorus: 'If Love's a sweet passion', The Fairy Queen: Air, The Fairy Queen: Chorus: 'Now joyn your Warbling Voices all', The Fairy Queen: Dance for chinese man and woman, The Fairy Queen: Dance for the Fairies, The Fairy Queen: Dance for the Green Men, The Fairy Queen: Dialogue between Coridon and Mopsa: 'Now the maids and the men', The Fairy Queen: Duet: 'Let the fifes, and the clarions' (TWO OTHERS), The Fairy Queen: Echo, The Fairy Queen: Entry dance, The Fairy Queen: Entry of Phoebus, The Fairy Queen: Epithalamium: 'Thrice happy lovers' (JUNO), The Fairy Queen: First act tune: Jig, The Fairy Queen: Fourth act tune: Air, The Fairy Queen: Hornpipe, The Fairy Queen: Monkey's Dance, The Fairy Queen: Overture, The Fairy Queen: Overture: Symphony while the swans come forward, The Fairy Queen: Prelude, The Fairy Queen: Prelude and song: 'Come all ye songsters of the sky', The Fairy Queen: Rondeau, The Fairy Queen: Scene of the drunken poet: 'Fill up the bowl', The Fairy Queen: Second act tune: Air, The Fairy Queen: Solo anc Chorus: 'Now the Night is chac'd away', The Fairy Queen: Song and chorus: 'A thousand thousand ways we'll find', The Fairy Queen: Song and chorus: 'Hush, no more, be silent all' (SLEEP), The Fairy Queen: Song and chorus: 'Sing while we trip it on the green', The Fairy Queen: Song in two parts: 'Come, come, come, let us leave the Town', The Fairy Queen: Song: 'I am come to lock all fast' (MYSTERY), The Fairy Queen: Song: 'One charming Night' (SECRESIE), The Fairy Queen: Song: 'See, even Night her self is here' (NIGHT), The Fairy Queen: Song: 'When I have often heard' (A NYMPH), The Fairy Queen: Song: 'Ye gentle spirits of the air, appear', The Fairy Queen: Symphony, The Fairy Queen: The plaint: 'O let me weep', The Fairy Queen: They shall be as happy, The Fairy Queen: Third Act Tune: Hornpipe, The Fairy Queen: Trio: 'May the God of wit inspire' |
| English Chamber Orchestra |
performing orchestra |
"Chaconne" from Come Ye Sons Of Art, "Entrada" from The Indian Queen, "Sound the Trumpet" from Come Ye Sons Of Art, "Trumpet Air" from The Indian Queen, "Trumpet Overture" from The Indian Queen, "Trumpet Tune" from King Arthur, But death, alas! ... When I am laid in earth ... With drooping wings (Dido and Aeneas), Chacony in G minor, Chanconne g-Moll, Dance - Ritornelle - Introduction aus Dido and Aneas, Dido and Aeneas: Act 3, "Your counsel is urg'd in vain", O Let Me Weep, for Ever Weep, Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: In vain the am'rous flute and soft guitar, Ode for St. Cecilia's Day, Z.328: Let these amongst themselves contest, Ode for St. Cecilia's Day, Z.328: Soul of the world, Ode for St. Cecilia's Day, Z.328: Symphony, Ode for St. Cecilia's Day, Z.328: The airy violin, Ode for St. Cecilia's Day, Z.328: The fife, and all the harmony of war, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above, Ode for St. Cecilia's Day, Z.328: Tis Nature's voice, Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay, Ode for St. Cecilia's Day, Z.328: Wondrous machine!, Ouverture - Rondeau aus The Guardian Knot Unty’d, Symphony (The Fairy Queen), Symphony ... Hark! hark! the echoing air (The Fairy Queen), The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter", The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony, The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night", The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all", The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then", The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more", The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast", The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night", The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here", The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire", The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky", The Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers", The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways", The Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau", The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion", The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay", The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!", The Fairy Queen, Z. 629: Part III "The sweet passion": Overture, The Fairy Queen, Z. 629: Part IV "Epithalamium": "Chaconne", The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air", The Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy", The Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey", The Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage", The Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy", The Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes", The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony, The Indian Queen: Act I: "I Come to Sing Great Zempoalla's Story", The Indian Queen: Act I: Symphony, The Indian Queen: Act III: "Ah, How Happy Are We", The Indian Queen: Act III: "I Attempt From Love's Sickness", The Indian Queen: Act III: Dance - "Ye Twice Ten Hundred Deities", The Indian Queen: Act III: Symphony - "Seek Not to Know", The Indian Queen: Act III: Trumpet Overture, The Indian Queen: Act IV: "They Tell Us", The Indian Queen: Act V: "While Thus We Bow", The Indian Queen: First Music - Second Music, The Indian Queen: Overture, The Indian Queen: Prologue: "Wake, Quivera", Thy hand, Belinda ... When I am Laid in Earth |
| Pieter-Jan Belder |
harpsichord |
(Gavotte) Almond in D-sol-re#, ZD. 219 No. 1, (Saraband) Borry in D-sol-re#, ZD 219 No. 2, A Minuet, Z. 650, A new Irish tune, Z. 646, A new Schotch tune, Z. 655, A new ground, ZT. 682, A song tune, ZT. 695, Air, Z. 630 No. 1, Air, Z. 641, Air, Z. 693 No. 2, Aire, Z. 676, Aire, ZT. 675, Aire, ZT. 696 No. 2, Canary, ZT. 677, Chaconne, ZT. 680, Corant, Z. 644, Ground in C minor, ZD 221, Ground in C minor, ZT. 681, Ground in D minor, ZD. 222, Ground in gamut, Z. 645, Hornpipe, ZT. 683, Hornpipe, ZT. 685, Jigg, ZD 223, Jigg, ZT. 686, March, Z. 647, March, Z. 648, March, ZT. 687, Minuet, Z. 649, Minuet, Z. 651, Minuet, ZT. 688, New Minuet, ZT. 689, Prelude in C major, Prelude in G minor, Rigaudon, ZD. 227, Riggadoon, Z. 653, Round O, ZT. 684, Saraband with division, Z. 654, Sefuchi's Farewell, Z. 656, Songtune, ZT. 694, Suite for harpsichord No. 1 in G major, Z. 660: I. Prelude, Suite for harpsichord No. 1 in G major, Z. 660: II. Almand, Suite for harpsichord No. 1 in G major, Z. 660: III. Corant, Suite for harpsichord No. 1 in G major, Z. 660: IV. Minuet, Suite for harpsichord No. 2 in G minor, Z. 661: I. Prelude, Suite for harpsichord No. 2 in G minor, Z. 661: II. Almand, Suite for harpsichord No. 2 in G minor, Z. 661: III. Corant, Suite for harpsichord No. 2 in G minor, Z. 661: IV. Saraband, Suite for harpsichord No. 3 in G major, Z. 662: I. Prelude, Suite for harpsichord No. 3 in G major, Z. 662: II. Almand, Suite for harpsichord No. 3 in G major, Z. 662: III. Courante, Suite for harpsichord No. 4 in A minor, Z. 663: I. Prelude, Suite for harpsichord No. 4 in A minor, Z. 663: II. Almand, Suite for harpsichord No. 4 in A minor, Z. 663: III. Corante, Suite for harpsichord No. 4 in A minor, Z. 663: IV. Saraband, Suite for harpsichord No. 5 in C major, Z. 666: I. Prelude, Suite for harpsichord No. 5 in C major, Z. 666: II. Almand, Suite for harpsichord No. 5 in C major, Z. 666: III. Corant, Suite for harpsichord No. 5 in C major, Z. 666: IV. Saraband, Suite for harpsichord No. 6 in D major, Z. 667: I. Prelude, Suite for harpsichord No. 6 in D major, Z. 667: II. Almand, Suite for harpsichord No. 6 in D major, Z. 667: III. Hornpipe, Suite for harpsichord No. 7 in D minor, Z. 668: I. Almand, very slow, Suite for harpsichord No. 7 in D minor, Z. 668: II. Corant, Suite for harpsichord No. 7 in D minor, Z. 668: III. Hornpipe, Suite for harpsichord No. 8 in F major, Z. 669: I. Prelude, Suite for harpsichord No. 8 in F major, Z. 669: II. Almand, Suite for harpsichord No. 8 in F major, Z. 669: III. Corant, Suite for harpsichord No. 8 in F major, Z. 669: IV. Minuet, The Queens dolour, Z. 670, Trumpet minuet, ZD. 230, Trumpet tune called the Cibell, ZT. 678, Trumpet tune, ZT. 697, Trumpet tune, ZT. 698 |
| Trevor Pinnock |
conductor |
Dido & Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) / "Grief increases by concealing..." (Belinda, Dido) / "When monarchs unite, how happy their state" (Chorus), Dido & Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Æneas) / "Pursue thy conquest, Love" (Belinda) / "To the hills and the vales, to the rocks and the mountains" (Chorus), Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus), Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda) / "Banish sorrow, bannish care" (Chorus), Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus), Dido & Aeneas, Z. 626: Act I. The Triumphing Dance, Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act II. "In our deep-vaulted cell the charm we'll prepare" (Chorus), Dido & Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second woman) / Ritornelle, Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches), Dido & Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Æneas), Dido & Aeneas, Z. 626: Act II. Echo Dance of Furies, Dido & Aeneas, Z. 626: Act II. Prelude for the Witches: "Wayward sisters, you that fright" (Sorceress, First Witch) / "Harm's our delight and mischief all our skill" (Chorus) / "The Queen of Carthage, whom we hate" (Sorceress) / "Ho, ho, ho" (Chorus), Dido & Aeneas, Z. 626: Act II. Ritornelle / "Thanks to these lonesome vales" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) / "Destruction's our delight" (Chorus), Dido & Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus), Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus), Dido & Aeneas, Z. 626: Act III. Prelude "Come away, fellow sailors, your anchors be weighting" (First sailor, Chorus), Dido & Aeneas, Z. 626: Act III. The Sailors' Dance / "See the flags and streamers curling" (Sorceress, Witches), Dido & Aeneas, Z. 626: Act III. The Witches' Dance, Dido & Aeneas, Z. 626: Overture, Dido and Aeneas: Aria "When I Am Laid in Earth", Dido and Aeneas: Final Chorus "With Drooping Wings", King Arthur: Act I. "Brave Souls", King Arthur: Act I. "Come if you dare" / First Act Tune, King Arthur: Act I. "I call you all to Woden's Hall", King Arthur: Act I. "The lot is cast", King Arthur: Act I. "The white horse neigh'd aloud" / "To Woden thanks we render", King Arthur: Act I. "Woden, first to thee" / "We have sacrific'd", King Arthur: Act II. "Come Follow Me", King Arthur: Act II. "Come Shepherds", King Arthur: Act II. "Hither, this way bend", King Arthur: Act II. "How blest are shepherds", King Arthur: Act II. "Let not a moon-born elf mislead ye", King Arthur: Act II. Second Act Tune. Air, King Arthur: Act II. Symphony / "Shepherd, shepherd, leave decoying", King Arthur: Act III. "'Tis I, 'this I that have warm'd ye", King Arthur: Act III. "Great Love, I know thee now", King Arthur: Act III. "No part of my dominion", King Arthur: Act III. "See, see, we assemble", King Arthur: Act III. "Sound a parley" / "'Tis Love, 'tis Love that has warm'd us", King Arthur: Act III. "Thou doting fool, forbear", King Arthur: Act III. "What ho!", King Arthur: Act III. "What power art thou", King Arthur: Act III. Prelude, King Arthur: Act III: Third Act Tune. Hornpipe, King Arthur: Act IV. "Two daughters of this aged stream", King Arthur: Act IV. Air, King Arthur: Act IV. Passacaglia, King Arthur: Act V. "For folded flocks", King Arthur: Act V. "Round the coast", King Arthur: Act V. "Saint George, the patron of our Isle", King Arthur: Act V. "Ye blustring brethren", King Arthur: Act V. "You say, 'tis Love", King Arthur: Act V. "Your hay, it is mov'd", King Arthur: Act V. Dance / "Fairest isle", King Arthur: Act V. Symphony, King Arthur: Act V. Trumpet Tune, King Arthur: First Music. Chaconne, King Arthur: Second Music. Air, King Arthur: Second Music. Overture, Sound the Trumpet, Sound, Z. 323 |
| Taverner Players |
instrument, performer, performing orchestra |
Come ye sons of art, Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: III. Sound the trumpet, Come ye sons of art, Z. 323: IV. Come ye sons of art, Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: V. Strike the viol, Come ye sons of art, Z. 323: VI. The day that such a blessing gave, Come ye sons of art, Z. 323: VII. Bid the Virtues, Come ye sons of art, Z. 323: VIII. These are the sacred charms, Dido and Aeneas: Act II Scene 1 (The Cave), Dido and Aeneas: Act II Scene 2 (The Grove), Dido and Aeneas: Act III (The Ships), Dido and Aeneas: Overture and Act I, Funeral Music for Queen Mary: Canzona, Z. 860ii, Funeral Music for Queen Mary: March, Z. 860i, Funeral Music for Queen Mary: Thou knowest, Lord, Z. 58c, Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A, Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C, Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii, Funeral Sentences for the Death of Queen Mary II: March, Z. 860i, Funeral Sentences: In the midst of life, Z. 17a, Funeral Sentences: Man that is born of a woman, Z. 27, Funeral Sentences: Thou knowest, Lord, Z. 58b, Hail! Bright Cecilia: 'Tis Nature's voice, Hail! Bright Cecilia: Hail! Bright Cecilia, Hail! Bright Cecilia: Hark! hark! each tree, Hail! Bright Cecilia: In vain the am'rous flute, Hail! Bright Cecilia: Let these amongst themselves contest, Hail! Bright Cecilia: Soul of the world!, Hail! Bright Cecilia: Symphony (Introduction)-Canzona & Adagio-Allegro-Grave-Allegro, Hail! Bright Cecilia: The airy violin, Hail! Bright Cecilia: The fife and all the harmony of war, Hail! Bright Cecilia: Thou tun'st this world below, Hail! Bright Cecilia: Voluntary in D minor-Wonderous machine!, Hail! Bright Cecilia: With rapture of delight-Hail! Bright Cecilia, Hail! Bright Cecilia: With that sublime celestial lay, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices", Welcome to all the pleasures, Z. 339: I. Symphony, Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial, Welcome to all the pleasures, Z. 339: V. Then lift up your voices, Welcome to all the pleasures, Z. 339: VI. Beauty, thou scene of love, Welcome to all the pleasures, Z. 339: VII. In a consort of voices |
| Harry Christophers |
conductor |
Act 1: Duet: Come let us leave the town, Act 1: First Act Tune: Jig, Act 1: Scene of the Drunken Poet: Fill up the bowl, Act 2: Chorus: Now join your warbling voices all, Act 2: Dance for the Followers of Night, Act 2: Mystery: I am come to lock all fast, Act 2: Night: See, even Night herself is here, Act 2: Prelude, Choral Trio: May the God of Wit inspire, Act 2: Prelude: Come all ye songsters of the sky, Act 2: Second Act Tune: Air, Act 2: Secrecy: One charming night, Act 2: Sleep, Chorus: Hush, no more, Act 2: Soprano Solo: Sing while we trip it, Act 3: A Nymph: When I have often heard, Act 3: Dance for the Fairies, Act 3: Dance for the Green Men, Act 3: Dance for the Haymakers, Act 3: Dialogue Between Coridon and Mopsa: Now the maids and the men, Act 3: Duet, Chorus: A thousand, thousand ways, Act 3: Soprano Solo, Chorus: If love's a sweet passion, Act 3: Soprano Solo: Ye gentle spirits of the air, Act 3: Symphony while the swans come forward, Act 3: Third Act Tune: Hornpipe, Act 4: An Attendant, Chorus: Now the night is chased away, Act 4: Autumn: See my many coloured fields, Act 4: Chorus: Hail! Great parent of us all, Act 4: Duet: Let the fifes and the clarions, Act 4: Entry of Phoebus, Act 4: Fourth Act Tune: Air, Act 4: Hail! Great Parent of us all, Act 4: Phoebus: When a cruel long winter, Act 4: Spring: Thus the ever grateful spring, Act 4: Summer: Here's the summer, sprightly, gay, Act 4: Symphony, Act 4: Winter: Next winter comes slowly, Act 5: A Chinese Man: Thus the gloomy world, Act 5: A Chinese Man: Yes, Xansi, Act 5: A Chinese Woman, Chorus: Thus happy and free, Act 5: A Chinese Woman: Hark! The echoing air, Act 5: A Chinese Woman: Hark! now all things, Act 5: Chaconne: Dance for the Chinese man and woman, Act 5: Chorus: They shall be as happy as they're fair, Act 5: Entry Dance, Act 5: Hymen: See, see I obey, Act 5: Juno: Thrice happy lovers, Act 5: Monkey's Dance, Act 5: Prelude, Act 5: Symphony, Act 5: The Plaint: O let me ever, ever weep, Act 5: Two Chinese Women, Hymen: They shall be as happy as they're fair, Act 5: Two Chinese Women: Sure the dull God of Marriage, First Musick: Hornpipe, First Musick: Prelude, Funeral Music for Queen Mary (1695): Canzona, Funeral Music for Queen Mary (1695): March, Second Musick: Air, Second Musick: Overture, Second Musick: Rondeau |
| The Sixteen |
performing orchestra |
Act 1: Duet: Come let us leave the town, Act 1: First Act Tune: Jig, Act 1: Scene of the Drunken Poet: Fill up the bowl, Act 2: Chorus: Now join your warbling voices all, Act 2: Dance for the Followers of Night, Act 2: Mystery: I am come to lock all fast, Act 2: Night: See, even Night herself is here, Act 2: Prelude, Choral Trio: May the God of Wit inspire, Act 2: Prelude: Come all ye songsters of the sky, Act 2: Second Act Tune: Air, Act 2: Secrecy: One charming night, Act 2: Sleep, Chorus: Hush, no more, Act 2: Soprano Solo: Sing while we trip it, Act 3: A Nymph: When I have often heard, Act 3: Dance for the Fairies, Act 3: Dance for the Green Men, Act 3: Dance for the Haymakers, Act 3: Dialogue Between Coridon and Mopsa: Now the maids and the men, Act 3: Duet, Chorus: A thousand, thousand ways, Act 3: Soprano Solo, Chorus: If love's a sweet passion, Act 3: Soprano Solo: Ye gentle spirits of the air, Act 3: Symphony while the swans come forward, Act 3: Third Act Tune: Hornpipe, Act 4: An Attendant, Chorus: Now the night is chased away, Act 4: Autumn: See my many coloured fields, Act 4: Chorus: Hail! Great parent of us all, Act 4: Duet: Let the fifes and the clarions, Act 4: Entry of Phoebus, Act 4: Fourth Act Tune: Air, Act 4: Hail! Great Parent of us all, Act 4: Phoebus: When a cruel long winter, Act 4: Spring: Thus the ever grateful spring, Act 4: Summer: Here's the summer, sprightly, gay, Act 4: Symphony, Act 4: Winter: Next winter comes slowly, Act 5: A Chinese Man: Thus the gloomy world, Act 5: A Chinese Man: Yes, Xansi, Act 5: A Chinese Woman, Chorus: Thus happy and free, Act 5: A Chinese Woman: Hark! The echoing air, Act 5: A Chinese Woman: Hark! now all things, Act 5: Chaconne: Dance for the Chinese man and woman, Act 5: Chorus: They shall be as happy as they're fair, Act 5: Entry Dance, Act 5: Hymen: See, see I obey, Act 5: Juno: Thrice happy lovers, Act 5: Monkey's Dance, Act 5: Prelude, Act 5: Symphony, Act 5: The Plaint: O let me ever, ever weep, Act 5: Two Chinese Women, Hymen: They shall be as happy as they're fair, Act 5: Two Chinese Women: Sure the dull God of Marriage, First Musick: Hornpipe, First Musick: Prelude, Second Musick: Air, Second Musick: Overture, Second Musick: Rondeau |
| Academy of Ancient Music |
performer, performing orchestra |
Abdelazer Suite: I. Overture, Abdelazer Suite: II. Rondeu - Air - Air - Minuet, Abdelazer Suite: III. Air - Jig - Horpipe - Air, Abdelazer: Air - Jig - Hornpipe - Air, Abdelazer: Overture - Rondeau, Amphitryon: Hornpipe - Scotch Tune, An Evening Hymn: Now that the sun, Birthday Song for Queen Mary: Crown the Altar, deck the Shrine, Chaconne in G minor, Chacony, Dido & Æneas, Akt III: "When I am laid in earth", Dido and Aeneas: Act I. A Dance Gittars Chacony, Dido and Aeneas: Act I. The triumphing Dance, Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”, Dido and Aeneas: Act I. “Cupid only throws the dart”, Dido and Aeneas: Act I. “Fear no danger” / Dance, Dido and Aeneas: Act I. “If not for mine”, Dido and Aeneas: Act I. “Pursue thy conquest, Love”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act I. “Shake the cloud from off your brow”, Dido and Aeneas: Act I. “To the hills and the vales”, Dido and Aeneas: Act I. “When monarchs unite”, Dido and Aeneas: Act I. “Whence could so much virtue spring?”, Dido and Aeneas: Act II. Echo Dance of Furies, Dido and Aeneas: Act II. Gitter ground / a dance, Dido and Aeneas: Act II. Prelude for the Witches / “Wayward sisters”, Dido and Aeneas: Act II. Ritornelle, Dido and Aeneas: Act II. Ritornelle / “Thanks to these lonesome vales”, Dido and Aeneas: Act II. “Behold, upon my bending spear”, Dido and Aeneas: Act II. “Harm’s our delight”, Dido and Aeneas: Act II. “Haste, haste to town”, Dido and Aeneas: Act II. “In our deep vaulted cell”, Dido and Aeneas: Act II. “Oft she visits” / Ritornelle, Dido and Aeneas: Act II. “Stay, Prince”, Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”, Dido and Aeneas: Act III. Prelude / “Come away, fellow sailors”, Dido and Aeneas: Act III. The Sailors’ Dance, Dido and Aeneas: Act III. The Witches’ Dance, Dido and Aeneas: Act III. “Destruction’s our delight”, Dido and Aeneas: Act III. “Great minds against themselves conspire”, Dido and Aeneas: Act III. “See the flags and streamers curling”, Dido and Aeneas: Act III. “With drooping wings”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”, Dido and Aeneas: Overture, Dido and Aeneas: When I am laid in earth, I was glad, If Music be the Food of Love, King Arthur: Fairest Isle, Oedipus: Music for a while, Pausanias: Sweeter than Roses, Rondeau (Abdelazer), The Fairy Queen: Symphony, The Libertine: Prelude, The Married Beau: Trumpet Air - March - Hornpipe, The Old Bachelor: Rondeau - Menuet - Boree - March - Jig |
| Christopher Hogwood |
conductor |
Abdelazer Suite: I. Overture, Abdelazer Suite: II. Rondeu - Air - Air - Minuet, Abdelazer Suite: III. Air - Jig - Horpipe - Air, Abdelazer: Air - Jig - Hornpipe - Air, Abdelazer: Overture - Rondeau, Amphitryon: Hornpipe - Scotch Tune, An Evening Hymn: Now that the sun, Birthday Song for Queen Mary: Crown the Altar, deck the Shrine, Chaconne in G minor, Chacony, Dido & Æneas, Akt III: "When I am laid in earth", Dido and Aeneas: Act I. A Dance Gittars Chacony, Dido and Aeneas: Act I. The triumphing Dance, Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”, Dido and Aeneas: Act I. “Cupid only throws the dart”, Dido and Aeneas: Act I. “Fear no danger” / Dance, Dido and Aeneas: Act I. “If not for mine”, Dido and Aeneas: Act I. “Pursue thy conquest, Love”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act I. “Shake the cloud from off your brow”, Dido and Aeneas: Act I. “To the hills and the vales”, Dido and Aeneas: Act I. “When monarchs unite”, Dido and Aeneas: Act I. “Whence could so much virtue spring?”, Dido and Aeneas: Act II. Echo Dance of Furies, Dido and Aeneas: Act II. Gitter ground / a dance, Dido and Aeneas: Act II. Prelude for the Witches / “Wayward sisters”, Dido and Aeneas: Act II. Ritornelle, Dido and Aeneas: Act II. Ritornelle / “Thanks to these lonesome vales”, Dido and Aeneas: Act II. “Behold, upon my bending spear”, Dido and Aeneas: Act II. “Harm’s our delight”, Dido and Aeneas: Act II. “Haste, haste to town”, Dido and Aeneas: Act II. “In our deep vaulted cell”, Dido and Aeneas: Act II. “Oft she visits” / Ritornelle, Dido and Aeneas: Act II. “Stay, Prince”, Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”, Dido and Aeneas: Act III. Prelude / “Come away, fellow sailors”, Dido and Aeneas: Act III. The Sailors’ Dance, Dido and Aeneas: Act III. The Witches’ Dance, Dido and Aeneas: Act III. “Destruction’s our delight”, Dido and Aeneas: Act III. “Great minds against themselves conspire”, Dido and Aeneas: Act III. “See the flags and streamers curling”, Dido and Aeneas: Act III. “With drooping wings”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”, Dido and Aeneas: Overture, Dido and Aeneas: When I am laid in earth, I was glad, If Music be the Food of Love, King Arthur: Fairest Isle, Oedipus: Music for a while, Pausanias: Sweeter than Roses, Rondeau (Abdelazer), The Fairy Queen: Symphony, The Libertine: Prelude, The Married Beau: Trumpet Air - March - Hornpipe, The Old Bachelor: Rondeau - Menuet - Boree - March - Jig |
| Taverner Choir |
vocal |
Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: IV. Come ye sons of art, Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: VI. The day that such a blessing gave, Dido and Aeneas, Act 1: ‘Shake the cloud’ (extract), Dido and Aeneas: Act II Scene 1 (The Cave), Dido and Aeneas: Act II Scene 2 (The Grove), Dido and Aeneas: Act III (The Ships), Dido and Aeneas: Overture and Act I, Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A, Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C, Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii, Funeral Sentences for the Death of Queen Mary II: March, Z. 860i, Funeral Sentences: In the midst of life, Z. 17a, Funeral Sentences: Man that is born of a woman, Z. 27, Funeral Sentences: Thou knowest, Lord, Z. 58b, Hail! Bright Cecilia: 'Tis Nature's voice, Hail! Bright Cecilia: Hail! Bright Cecilia, Hail! Bright Cecilia: Hark! hark! each tree, Hail! Bright Cecilia: In vain the am'rous flute, Hail! Bright Cecilia: Let these amongst themselves contest, Hail! Bright Cecilia: Soul of the world!, Hail! Bright Cecilia: Symphony (Introduction)-Canzona & Adagio-Allegro-Grave-Allegro, Hail! Bright Cecilia: The airy violin, Hail! Bright Cecilia: The fife and all the harmony of war, Hail! Bright Cecilia: Thou tun'st this world below, Hail! Bright Cecilia: Voluntary in D minor-Wonderous machine!, Hail! Bright Cecilia: With rapture of delight-Hail! Bright Cecilia, Hail! Bright Cecilia: With that sublime celestial lay, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices", Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: V. Then lift up your voices, Welcome to all the pleasures, Z. 339: VII. In a consort of voices |
| Monteverdi Choir |
performer, vocal |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Hear my prayer, O Lord, Z. 15, Music for the Chapel Royal of England: Full Anthem "Hear my prayer", Music for the Chapel Royal of England: Full Anthem "O God, thou hast cast us out and scatter'd us abroad", Music for the Chapel Royal of England: Motet "Jehovah, quam multi sunt hostes mei", Music for the Chapel Royal of England: Verse Anthem "My beloved spake", Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March, Music for the Funeral of Queen Mary: I. March, Music for the Funeral of Queen Mary: II. "Man That Is Born", Music for the Funeral of Queen Mary: III. Canzona, Music for the Funeral of Queen Mary: IV. "In the Midst of Life We Are in Death", Music for the Funeral of Queen Mary: V. Canzona, Music for the Funeral of Queen Mary: VI. "Thou Knowest, Lord, the Secrets of Our Hearts", Music for the Funeral of Queen Mary: VIII. March, O God, Thou hast cast us out, Z. 36, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Beauty thou scene of love, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here the Deities approve, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: While joys celestial |
| Charles Mackerras (Australian conductor) |
conductor |
Dido and Aeneas, Z.626: Act 1, "Ah! Belinda"/"Grief increases"/"When monarchs unite", Dido and Aeneas, Z.626: Act 1, "If not for mine, for empire's sake" ... "To the hills and the vales", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 1, "Shake the cloud from off your brow", Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 1, The Triumphing Dance, Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 2, "In our deep vaulted cell", Dido and Aeneas, Z.626: Act 2, "Oft she visits", Dido and Aeneas, Z.626: Act 2, "Prelude for..."/"Harms our..." / "The Queen"/Ho, ho, ho", Dido and Aeneas, Z.626: Act 2, "Ruin'd ere the set of sun"... "But ere we this perform", Dido and Aeneas, Z.626: Act 2, "Stay, Prince", Dido and Aeneas, Z.626: Act 2, "Then since our charms have sped" - "A Dance" - The Groves Dance, Dido and Aeneas, Z.626: Act 2, Echo Dance of Furies, Dido and Aeneas, Z.626: Act 2, Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance, Dido and Aeneas, Z.626: Act 3, "Our next motion" - "Destructions's our delight", Dido and Aeneas, Z.626: Act 3, "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Z.626: Act 3, "With drooping wings..." - Cupids´ Dance, Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire", Dido and Aeneas, Z.626: Act 3, Prelude - "Come away, fellow sailors", Dido and Aeneas, Z.626: Act 3, The Sailors' Dance "See the flags and streamers curling", Dido and Aeneas, Z.626: Act 3, The Witches' Dance, Dido and Aeneas, Z.626: Overture, Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: Hark, hark, each tree its silence breaks, Ode for St. Cecilia's Day, Z.328: In vain the am'rous flute and soft guitar, Ode for St. Cecilia's Day, Z.328: Let these amongst themselves contest, Ode for St. Cecilia's Day, Z.328: Soul of the world, Ode for St. Cecilia's Day, Z.328: Symphony, Ode for St. Cecilia's Day, Z.328: The airy violin, Ode for St. Cecilia's Day, Z.328: The fife, and all the harmony of war, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above, Ode for St. Cecilia's Day, Z.328: Tis Nature's voice, Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay, Ode for St. Cecilia's Day, Z.328: Wondrous machine!, The Indian Queen: Act I: "I Come to Sing Great Zempoalla's Story", The Indian Queen: Act I: Symphony, The Indian Queen: Act III: "Ah, How Happy Are We", The Indian Queen: Act III: "I Attempt From Love's Sickness", The Indian Queen: Act III: Dance - "Ye Twice Ten Hundred Deities", The Indian Queen: Act III: Symphony - "Seek Not to Know", The Indian Queen: Act III: Trumpet Overture, The Indian Queen: Act IV: "They Tell Us", The Indian Queen: Act V: "While Thus We Bow", The Indian Queen: First Music - Second Music, The Indian Queen: Overture, The Indian Queen: Prologue: "Wake, Quivera" |
| Alfred Deller |
conductor, vocal |
An Ape, a Lion, a Fox and an Ass, An Epitaph: "Under This Stone", Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Love's goddess sure was blind, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Many such days, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May her blest example chase, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May she to Heaven late return, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Overture, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign, Chiding Catch ("Fie, Nay"), If All Be True, If Music Be the Food of Love, In Guilty Night, Jubilate Deo, King Arthur, Akt V: "Fairest isle", King Arthur: 3. Akt, 2. Szene, The King's Musick, King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover", King Arthur: Act IV, Scene. 2: Syrens: "Two Daughters", King Arthur: Act V, Scene. 2: Chaconne, King Arthur: Act V, Scene. 2: Song Tune: "Your Hay", King Arthur: Act V, Scene. 2: Soprano: "You Say", Bass: "This Not My Passion", Bass: "But One Soft Moment", King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks", King Arthur: Act V, Scene. 2: Trumpet Tune, Aeolus: "Ye Blust'ring Brethren", King Arthur: Act V, Scene. 2: Trumpet Tune, Honour: "St. George", King Arthur: Act V, Scene. 2: Venus: "Fairest Isle", King Arthur: ‘Fairest isle’, Man Is for the Woman Made, Man that is born of a woman, Music for a While, Music for a while, Music for a while (feat. countertenor: Alfred Deller, harpsichord: William Christie, bass viol: Wieland Kuijken), Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures, Once, Twice, Thrice, Once, twice, thrice I Julia tried, Patriotic Song: True Englismen, Sir Walter, Sound the trumpet, Sweeter Than Roses, Te Deum, The Fairy Queen: Hark, how all things, The Queen's Epicedium (Elégie sur la mort de la Reine Mary), To Thee and to the Maid, When the Cock Begins to Crow, Young Collin, Ödipus: Music for a while |
| Retrospect Trio |
performer |
Sonata I in B minor: I. Adagio, Sonata I in B minor: II. Canzona, Sonata I in B minor: III. Largo, Sonata I in B minor: IV. Vivace, Sonata II in E-flat major: I. Adagio, Sonata II in E-flat major: II. Canzona: Allegro, Sonata II in E-flat major: III. Adagio, Sonata II in E-flat major: IV. Largo, Sonata II in E-flat major: V. Allegro, Sonata III in A minor: I. Grave, Sonata III in A minor: II. Largo, Sonata III in A minor: III. Adagio, Sonata III in A minor: IV. Canzona, Sonata III in A minor: V. [Allegro] Grave, Sonata IV in D minor: I. Adagio, Sonata IV in D minor: II. Canzona, Sonata IV in D minor: III. Adagio, Sonata IV in D minor: IV. Vivace, Sonata IV in D minor: V. Largo, Sonata IX in F major: I. Adagio, Sonata IX in F major: I. [], Sonata IX in F major: II. Canzona: Allegro, Sonata IX in F major: III. Grave, Sonata IX in F major: IV. Allegro, Sonata V in G minor: I. [], Sonata V in G minor: II. Canzona, Sonata V in G minor: III. Largo, Sonata V in G minor: IV. Adagio, Sonata V in G minor: V. Presto, Sonata V in G minor: VI. Allegro, Sonata V in G minor: VII. Adagio, Sonata VI in G minor: I. Adagio, Sonata VII in C major: I. Vivace, Sonata VII in C major: II. Largo, Sonata VII in C major: III. Grave, Sonata VII in C major: IV. Canzona, Sonata VII in C major: V. Allegro, Sonata VII in C major: VI. Adagio, Sonata VIII In G Minor: I. Adagio, Sonata VIII In G Minor: II. Canzona, Sonata VIII In G Minor: III. Grave, Sonata VIII In G Minor: IV. Largo, Sonata VIII In G Minor: V. Vivace, Sonata X in D major: I. Adagio, Sonata X in D major: II. Canzona: Allegro, Sonata X in D major: III. Grave, Sonata X in D major: IV. Largo, Sonata X in D major: V. Allegro |
| The Taverner Choir, Consort & Players |
performer |
Ah! Belinda, Behold, Upon My Bending Spear, But Ere We This Perform, Cupid Only Throws the Dart, Cupid's Dance, Dance, Dance (Oft She Visits), Destruction's Our Delight, Dido and Aeneas, Act 1: ‘Shake the cloud’ (extract), Echo Chorus (In Our Deep-Vaulted Cell), Echo Dance of the Furies, Fear No Danger, Great Minds Against Themselves, Grief Increases, Grove's Dance, Guitar Dance, Ha, Ha, Ha, Harm's Our Delight, Haste, Haste to Town!, If Not For Mine, For Empire's Sake, Our Next Motion, Overture, Prelude (Come Away), Pursue Thy Conquest, Love, Ritornelle, Ruin'd Ere the Set of Sun?, Sailor's Dance, See the Flags, See, Your Royal Guest, Shake the Cloud, Stay, Prince, and Hear, Thanks to These Lonesome Vales, The Queen of Carthage, Thy Hand, Belinda, To the Hills and the Vales, Triumphing Dance, Wayward Sisters, When Monarchs Unite, Whence Could So Much Virtue, Witches' Dance, With Drooping Wings, Your Counsel All |
| Orchestra of the Age of Enlightenment |
performing orchestra |
Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art, Come ye sons of art, ode for Queen Mary (1694): Sound the trumpet, sound, Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute, Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido), Dido & Aeneas Act I: Cupid only throws the dart (Chorus), Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman), Dido & Aeneas Act I: Grief increases by concealing (Belinda), Dido & Aeneas Act I: If not for mine (Aeneas), Dido & Aeneas Act I: Pursue thy conquest (Belinda), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act I: Shake the cloud (Belinda), Dido & Aeneas Act I: The Triumphing Dance, Dido & Aeneas Act I: To the hills and the vales (Chorus), Dido & Aeneas Act I: When monarchs unite (Chorus), Dido & Aeneas Act I: Whence could so much virtue spring? (Dido), Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas), Dido & Aeneas Act II: But ere we this perform (Two Witches), Dido & Aeneas Act II: Echo Dance of Furies, Dido & Aeneas Act II: Harm's our delight (Chorus), Dido & Aeneas Act II: Haste, haste to town (Belinda), Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act II: In our deep vaulted cell (Chorus), Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman), Dido & Aeneas Act II: Prelude for the Witches, Dido & Aeneas Act II: Ritornelle, Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit), Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda), Dido & Aeneas Act II: The Grove's Dance, Dido & Aeneas Act II: The Queen of Carthage (Sorceress), Dido & Aeneas Act II: Then since our Charmes have Sped (Chorus), Dido & Aeneas Act III: Come away, fellow sailors (Chorus), Dido & Aeneas Act III: Destruction's our delight (Chorus), Dido & Aeneas Act III: Great minds against themselves conspire (Chorus), Dido & Aeneas Act III: Our next Motion (Sorceress), Dido & Aeneas Act III: Prelude, Dido & Aeneas Act III: See the flags and streamers curling (Sorceress), Dido & Aeneas Act III: The Witches' Dance, Dido & Aeneas Act III: Thy hand, Belinda (Dido), Dido & Aeneas Act III: When I am laid in earth (Dido), Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido), Dido & Aeneas: Ouverture |
| The English Concert |
performer, performing orchestra |
Dido and Aeneas: Aria "When I Am Laid in Earth", Dido and Aeneas: Final Chorus "With Drooping Wings", King Arthur: Act I. "Brave Souls", King Arthur: Act I. "Come if you dare" / First Act Tune, King Arthur: Act I. "I call you all to Woden's Hall", King Arthur: Act I. "The lot is cast", King Arthur: Act I. "The white horse neigh'd aloud" / "To Woden thanks we render", King Arthur: Act I. "Woden, first to thee" / "We have sacrific'd", King Arthur: Act II. "Come Follow Me", King Arthur: Act II. "Come Shepherds", King Arthur: Act II. "Hither, this way bend", King Arthur: Act II. "How blest are shepherds", King Arthur: Act II. "Let not a moon-born elf mislead ye", King Arthur: Act II. Second Act Tune. Air, King Arthur: Act II. Symphony / "Shepherd, shepherd, leave decoying", King Arthur: Act III. "'Tis I, 'this I that have warm'd ye", King Arthur: Act III. "Great Love, I know thee now", King Arthur: Act III. "No part of my dominion", King Arthur: Act III. "See, see, we assemble", King Arthur: Act III. "Sound a parley" / "'Tis Love, 'tis Love that has warm'd us", King Arthur: Act III. "Thou doting fool, forbear", King Arthur: Act III. "What ho!", King Arthur: Act III. "What power art thou", King Arthur: Act III. Prelude, King Arthur: Act III: Third Act Tune. Hornpipe, King Arthur: Act IV. "Two daughters of this aged stream", King Arthur: Act IV. Air, King Arthur: Act IV. Passacaglia, King Arthur: Act V. "For folded flocks", King Arthur: Act V. "Round the coast", King Arthur: Act V. "Saint George, the patron of our Isle", King Arthur: Act V. "Ye blustring brethren", King Arthur: Act V. "You say, 'tis Love", King Arthur: Act V. "Your hay, it is mov'd", King Arthur: Act V. Dance / "Fairest isle", King Arthur: Act V. Symphony, King Arthur: Act V. Trumpet Tune, King Arthur: First Music. Chaconne, King Arthur: Second Music. Air, King Arthur: Second Music. Overture, Sound the Trumpet, Sound, Z. 323 |
| Hervé Niquet |
conductor, producer |
King Arthur, Z. 628: Act I. "Brave souls", King Arthur, Z. 628: Act I. "Come if you dare", King Arthur, Z. 628: Act I. "I call you all", King Arthur, Z. 628: Act I. "The lot is cast", King Arthur, Z. 628: Act I. "To Woden thanks we render", King Arthur, Z. 628: Act I. "Woden first to thee", King Arthur, Z. 628: Act II. "Come follow me", King Arthur, Z. 628: Act II. "Come, shepherds", King Arthur, Z. 628: Act II. "Hither this way", King Arthur, Z. 628: Act II. "How blest are shepherds", King Arthur, Z. 628: Act II. "Let not a moon-born elf", King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying", King Arthur, Z. 628: Act II. Symphony, King Arthur, Z. 628: Act III. "Great love", King Arthur, Z. 628: Act III. "No part of my dominion", King Arthur, Z. 628: Act III. "Thou doting fool", King Arthur, Z. 628: Act III. "Tis I that have warm'd ye", King Arthur, Z. 628: Act III. "What Power art thou", King Arthur, Z. 628: Act III. "What ho!", King Arthur, Z. 628: Act III. Chorus "See, see", King Arthur, Z. 628: Act III. Duet "Sound a parley", King Arthur, Z. 628: Act III. Prelude, King Arthur, Z. 628: Act III. Symphony, King Arthur, Z. 628: Act III. The Frost Scene, King Arthur, Z. 628: Act IV. "Two daughters of this aged stream", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act IV. Symphony, King Arthur, Z. 628: Act V. "Fairest isle", King Arthur, Z. 628: Act V. "For folded flocks", King Arthur, Z. 628: Act V. "Round thy coast", King Arthur, Z. 628: Act V. "Ye Blust'ring brethren", King Arthur, Z. 628: Act V. "Your hay it is mow'd", King Arthur, Z. 628: Act V. Chaconne, King Arthur, Z. 628: Act V. Duet. "You say 'tis love", King Arthur, Z. 628: Act V. Symphony, King Arthur, Z. 628: Act V. Trumpet Tune, King Arthur, Z. 628: Act V. Trumpet Tune / Chorus "Our natives", King Arthur, Z. 628: Air, King Arthur, Z. 628: Ouverture, King Arthur, Z. 628: Symphony |
| Le Concert Spirituel (French baroque ensemble) |
performing orchestra, vocal |
King Arthur, Z. 628: Act I. "Brave souls", King Arthur, Z. 628: Act I. "Come if you dare", King Arthur, Z. 628: Act I. "I call you all", King Arthur, Z. 628: Act I. "The lot is cast", King Arthur, Z. 628: Act I. "To Woden thanks we render", King Arthur, Z. 628: Act I. "Woden first to thee", King Arthur, Z. 628: Act II. "Come follow me", King Arthur, Z. 628: Act II. "Come, shepherds", King Arthur, Z. 628: Act II. "Hither this way", King Arthur, Z. 628: Act II. "How blest are shepherds", King Arthur, Z. 628: Act II. "Let not a moon-born elf", King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying", King Arthur, Z. 628: Act II. Symphony, King Arthur, Z. 628: Act III. "Great love", King Arthur, Z. 628: Act III. "No part of my dominion", King Arthur, Z. 628: Act III. "Thou doting fool", King Arthur, Z. 628: Act III. "Tis I that have warm'd ye", King Arthur, Z. 628: Act III. "What Power art thou", King Arthur, Z. 628: Act III. "What ho!", King Arthur, Z. 628: Act III. Chorus "See, see", King Arthur, Z. 628: Act III. Duet "Sound a parley", King Arthur, Z. 628: Act III. Prelude, King Arthur, Z. 628: Act III. Symphony, King Arthur, Z. 628: Act III. The Frost Scene, King Arthur, Z. 628: Act IV. "Two daughters of this aged stream", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act IV. Symphony, King Arthur, Z. 628: Act V. "Fairest isle", King Arthur, Z. 628: Act V. "For folded flocks", King Arthur, Z. 628: Act V. "Round thy coast", King Arthur, Z. 628: Act V. "Ye Blust'ring brethren", King Arthur, Z. 628: Act V. "Your hay it is mow'd", King Arthur, Z. 628: Act V. Chaconne, King Arthur, Z. 628: Act V. Duet. "You say 'tis love", King Arthur, Z. 628: Act V. Symphony, King Arthur, Z. 628: Act V. Trumpet Tune, King Arthur, Z. 628: Act V. Trumpet Tune / Chorus "Our natives", King Arthur, Z. 628: Air, King Arthur, Z. 628: Ouverture, King Arthur, Z. 628: Symphony |
| Dominique Daigremont |
producer |
King Arthur, Z. 628: Act I. "Brave souls", King Arthur, Z. 628: Act I. "Come if you dare", King Arthur, Z. 628: Act I. "I call you all", King Arthur, Z. 628: Act I. "The lot is cast", King Arthur, Z. 628: Act I. "To Woden thanks we render", King Arthur, Z. 628: Act I. "Woden first to thee", King Arthur, Z. 628: Act II. "Come follow me", King Arthur, Z. 628: Act II. "Come, shepherds", King Arthur, Z. 628: Act II. "Hither this way", King Arthur, Z. 628: Act II. "How blest are shepherds", King Arthur, Z. 628: Act II. "Let not a moon-born elf", King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying", King Arthur, Z. 628: Act II. Symphony, King Arthur, Z. 628: Act III. "Great love", King Arthur, Z. 628: Act III. "No part of my dominion", King Arthur, Z. 628: Act III. "Thou doting fool", King Arthur, Z. 628: Act III. "Tis I that have warm'd ye", King Arthur, Z. 628: Act III. "What Power art thou", King Arthur, Z. 628: Act III. "What ho!", King Arthur, Z. 628: Act III. Chorus "See, see", King Arthur, Z. 628: Act III. Duet "Sound a parley", King Arthur, Z. 628: Act III. Prelude, King Arthur, Z. 628: Act III. Symphony, King Arthur, Z. 628: Act III. The Frost Scene, King Arthur, Z. 628: Act IV. "Two daughters of this aged stream", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act IV. Symphony, King Arthur, Z. 628: Act V. "Fairest isle", King Arthur, Z. 628: Act V. "For folded flocks", King Arthur, Z. 628: Act V. "Round thy coast", King Arthur, Z. 628: Act V. "Ye Blust'ring brethren", King Arthur, Z. 628: Act V. "Your hay it is mow'd", King Arthur, Z. 628: Act V. Chaconne, King Arthur, Z. 628: Act V. Duet. "You say 'tis love", King Arthur, Z. 628: Act V. Symphony, King Arthur, Z. 628: Act V. Trumpet Tune, King Arthur, Z. 628: Act V. Trumpet Tune / Chorus "Our natives", King Arthur, Z. 628: Air, King Arthur, Z. 628: Ouverture, King Arthur, Z. 628: Symphony |
| St. Anthony Singers |
performer, vocal |
King Arthur: Act I: "Come If You Dare", King Arthur: Act I: "I Call Ye All", King Arthur: Act I: "The Lot Is Cast", King Arthur: Act I: "The White Horse Neigh'd Aloud", King Arthur: Act I: "Woden, First to Thee", King Arthur: Act II: "Comme Follow, Follow, Follow Me", King Arthur: Act II: "Hither This Way", King Arthur: Act II: "How Blest Are Shepherds", King Arthur: Act II: "Let Not a Moon-Born Elf", King Arthur: Act II: "Shepherd, Shepherd, Leave Decoying", King Arthur: Act III: "'Tis I That Have Warm'd Ye", King Arthur: Act III: "No Part of My Dominion", King Arthur: Act III: "Sound a Parley", King Arthur: Act III: "Thou Doting Fool", King Arthur: Act III: "What Ho", King Arthur: Act III: "What Power Art Thou", King Arthur: Act IV: "How Happy the Lover", King Arthur: Act IV: "Two Daughters", King Arthur: Act V: "Fairest Isle", King Arthur: Act V: "For Folded Flocks", King Arthur: Act V: "Your Hay It Is Mow'd", King Arthur: Act V: Chaconne, King Arthur: Act V: Dialogue: "You Say, 'Tis Love", King Arthur: Act V: Symphony - "Our Natives", King Arthur: Act V: Symphony - "Round Thy Coasts", King Arthur: Act V: Trumpet Tune - "Ye Blust'Ring Brethren", King Arthur: Overture, Symphony ... Hark! hark! the echoing air (The Fairy Queen), The Indian Queen: Act I: "I Come to Sing Great Zempoalla's Story", The Indian Queen: Act I: Symphony, The Indian Queen: Act III: "Ah, How Happy Are We", The Indian Queen: Act III: "I Attempt From Love's Sickness", The Indian Queen: Act III: Dance - "Ye Twice Ten Hundred Deities", The Indian Queen: Act III: Symphony - "Seek Not to Know", The Indian Queen: Act III: Trumpet Overture, The Indian Queen: Act IV: "They Tell Us", The Indian Queen: Act V: "While Thus We Bow", The Indian Queen: First Music - Second Music, The Indian Queen: Overture, The Indian Queen: Prologue: "Wake, Quivera" |
| René Jacobs |
conductor |
Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido), Dido & Aeneas Act I: Cupid only throws the dart (Chorus), Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman), Dido & Aeneas Act I: Grief increases by concealing (Belinda), Dido & Aeneas Act I: If not for mine (Aeneas), Dido & Aeneas Act I: Pursue thy conquest (Belinda), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act I: Shake the cloud (Belinda), Dido & Aeneas Act I: The Triumphing Dance, Dido & Aeneas Act I: To the hills and the vales (Chorus), Dido & Aeneas Act I: When monarchs unite (Chorus), Dido & Aeneas Act I: Whence could so much virtue spring? (Dido), Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas), Dido & Aeneas Act II: But ere we this perform (Two Witches), Dido & Aeneas Act II: Echo Dance of Furies, Dido & Aeneas Act II: Harm's our delight (Chorus), Dido & Aeneas Act II: Haste, haste to town (Belinda), Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act II: In our deep vaulted cell (Chorus), Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman), Dido & Aeneas Act II: Prelude for the Witches, Dido & Aeneas Act II: Ritornelle, Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit), Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda), Dido & Aeneas Act II: The Grove's Dance, Dido & Aeneas Act II: The Queen of Carthage (Sorceress), Dido & Aeneas Act II: Then since our Charmes have Sped (Chorus), Dido & Aeneas Act III: Come away, fellow sailors (Chorus), Dido & Aeneas Act III: Destruction's our delight (Chorus), Dido & Aeneas Act III: Great minds against themselves conspire (Chorus), Dido & Aeneas Act III: Our next Motion (Sorceress), Dido & Aeneas Act III: Prelude, Dido & Aeneas Act III: See the flags and streamers curling (Sorceress), Dido & Aeneas Act III: The Witches' Dance, Dido & Aeneas Act III: Thy hand, Belinda (Dido), Dido & Aeneas Act III: When I am laid in earth (Dido), Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido), Dido & Aeneas: Ouverture |
| Deller Consort |
performer, performing orchestra, vocal |
An Ape, a Lion, a Fox and an Ass, An Epitaph: "Under This Stone", Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Love's goddess sure was blind, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Many such days, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May her blest example chase, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May she to Heaven late return, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Overture, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign, Chiding Catch ("Fie, Nay"), If All Be True, In Guilty Night, Jubilate Deo, King Arthur: 3. Akt, 2. Szene, The King's Musick, King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover", King Arthur: Act IV, Scene. 2: Syrens: "Two Daughters", King Arthur: Act V, Scene. 2: Chaconne, King Arthur: Act V, Scene. 2: Song Tune: "Your Hay", King Arthur: Act V, Scene. 2: Soprano: "You Say", Bass: "This Not My Passion", Bass: "But One Soft Moment", King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks", King Arthur: Act V, Scene. 2: Trumpet Tune, Aeolus: "Ye Blust'ring Brethren", King Arthur: Act V, Scene. 2: Trumpet Tune, Honour: "St. George", King Arthur: Act V, Scene. 2: Venus: "Fairest Isle", King Arthur: What Power are thou (Genius, Cupid) (The King's Musicke, Deller Consort, feat. director: Alfred Deller, baritone: Maurice Bevan, soprano: Rosemary Joshua), King Arthur: ‘Fairest isle’, Man Is for the Woman Made, Man that is born of a woman, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures, Once, Twice, Thrice, Once, twice, thrice I Julia tried, Patriotic Song: True Englismen, Sir Walter, Te Deum, To Thee and to the Maid, When the Cock Begins to Crow, Young Collin |
| William Christie |
conductor, harpsichord |
Dido & Aeneas, Z. 626: Act II, Scene I, Dido & Aeneas, Z. 626: Act II, Scene II, Dido & Aeneas, Z. 626: Act III, Monologue & Dido's Death, Dido & Aeneas, Z. 626: Act III, until "Great minds against themselves conspire", Dido & Aeneas, Z. 626: Overture - Act I, Dido and Aeneas: Act I. "Ah Belinda, I am press'd with torment" (Dido), Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus), Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus), Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus), Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus), Dido and Aeneas: Act I. "Shake the cloud from off your brow" (Belinda, chorus), Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda), Dido and Aeneas: Act I. The Triumphing Dance, Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches), Dido and Aeneas: Act II, Scene I. "In our deep vaulted cell" (Chorus) - Echo Dance, Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus), Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus), Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus), Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman), Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas), Dido and Aeneas: Act II, Scene II. "Then since our charmes have sped" (Chorus) - The Grove's Dance, Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus), Dido and Aeneas: Act III, Scene I. "Come away" (Sailor, chorus) - The Sailor's Dance, Dido and Aeneas: Act III, Scene I. "Destruction's our delight" (Chorus), Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress), Dido and Aeneas: Act III, Scene I. The Witches' Dance, Dido and Aeneas: Act III, Scene II. "Great minds against themselves conspire" (Chorus) - "Thy hand, Belinda" (Dido), Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido), Dido and Aeneas: Act III, Scene II. "With drooping wings" (Chorus), Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas), Dido and Aeneas: Overture, King Arthur, Akt V: "Fairest isle", Music for a while, Music for a while (feat. countertenor: Alfred Deller, harpsichord: William Christie, bass viol: Wieland Kuijken), The Fairy Queen: 4. Akt (Ausschnitt), The Fairy Queen: First Musick (Prelude, Hornpipe), Ödipus: Music for a while |
| Benjamin Britten |
conductor, piano |
Chacony in G minor, Sweeter than roses, Symphony (The Fairy Queen), Symphony ... Hark! hark! the echoing air (The Fairy Queen), The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring", The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter", The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony, The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night", The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all", The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then", The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more", The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast", The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night", The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here", The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire", The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky", The Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers", The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways", The Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau", The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion", The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay", The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!", The Fairy Queen, Z. 629: Part III "The sweet passion": Overture, The Fairy Queen, Z. 629: Part IV "Epithalamium": "Chaconne", The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air", The Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy", The Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey", The Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage", The Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy", The Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes", The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony |
| Le Concert d'Astrée |
performing orchestra |
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am pressed with torment" (Dido), Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" (Belinda, Dido), Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas, Belinda), Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Aeneas, Belinda, Dido), Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda), Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Belinda, Dido), Dido and Aeneas, Z. 626: Act I. Chorus "Banish sorrow, banish care", Dido and Aeneas, Z. 626: Act I. Chorus "Cupid only throws the dart", Dido and Aeneas, Z. 626: Act I. Chorus "Fear no danger to ensue" (Belinda, Second Woman), Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales", Dido and Aeneas, Z. 626: Act I. Chorus "When monarchs unite, how happy their state", Dido and Aeneas, Z. 626: Act I. The Triumphing Dance, Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" (Two Witches), Dido and Aeneas, Z. 626: Act II, Scene I. "Ruined ere the set of sun?" (Sorceress, Two Witches) / Chorus "Ho Ho Ho!", Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage, whom we hate" (Sorceress) / Chorus "Ho Ho Ho!", Dido and Aeneas, Z. 626: Act II, Scene I. "Wayward sisters, you that fright" (Sorceress) / Chorus "Harm's our delight", Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell", Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies, Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" (Aeneas, Dido), Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman), Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince, and hear great Jove's command" (Aeneas, Spirit), Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Haste, haste to town" (Belinda), Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales" (Belinda), Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle, Dido and Aeneas, Z. 626: Act III, Scene I. "Our next motion" (Sorceress), Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" (Sorceress, Two Witches), Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor), Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Destruction's our delight", Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance, Dido and Aeneas, Z. 626: Act III, Scene I. The Witches' Dance, Dido and Aeneas, Z. 626: Act III, Scene II. "Thy hand, Belinda; darkness shades me" (Dido), Dido and Aeneas, Z. 626: Act III, Scene II. "When I am laid in earth" (Dido), Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urged in vain" (Aeneas, Belinda, Dido), Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire", Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings" |
| Emmanuelle Haïm |
conductor |
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am pressed with torment" (Dido), Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" (Belinda, Dido), Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas, Belinda), Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Aeneas, Belinda, Dido), Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda), Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Belinda, Dido), Dido and Aeneas, Z. 626: Act I. Chorus "Banish sorrow, banish care", Dido and Aeneas, Z. 626: Act I. Chorus "Cupid only throws the dart", Dido and Aeneas, Z. 626: Act I. Chorus "Fear no danger to ensue" (Belinda, Second Woman), Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales", Dido and Aeneas, Z. 626: Act I. Chorus "When monarchs unite, how happy their state", Dido and Aeneas, Z. 626: Act I. The Triumphing Dance, Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" (Two Witches), Dido and Aeneas, Z. 626: Act II, Scene I. "Ruined ere the set of sun?" (Sorceress, Two Witches) / Chorus "Ho Ho Ho!", Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage, whom we hate" (Sorceress) / Chorus "Ho Ho Ho!", Dido and Aeneas, Z. 626: Act II, Scene I. "Wayward sisters, you that fright" (Sorceress) / Chorus "Harm's our delight", Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell", Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies, Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" (Aeneas, Dido), Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman), Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince, and hear great Jove's command" (Aeneas, Spirit), Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Haste, haste to town" (Belinda), Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales" (Belinda), Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle, Dido and Aeneas, Z. 626: Act III, Scene I. "Our next motion" (Sorceress), Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" (Sorceress, Two Witches), Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor), Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Destruction's our delight", Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance, Dido and Aeneas, Z. 626: Act III, Scene I. The Witches' Dance, Dido and Aeneas, Z. 626: Act III, Scene II. "Thy hand, Belinda; darkness shades me" (Dido), Dido and Aeneas, Z. 626: Act III, Scene II. "When I am laid in earth" (Dido), Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urged in vain" (Aeneas, Belinda, Dido), Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire", Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings" |
| Les Arts Florissants |
performing orchestra, vocal |
Dido & Aeneas, Z. 626: Act II, Scene I, Dido & Aeneas, Z. 626: Act II, Scene II, Dido & Aeneas, Z. 626: Act III, Monologue & Dido's Death, Dido & Aeneas, Z. 626: Act III, until "Great minds against themselves conspire", Dido & Aeneas, Z. 626: Overture - Act I, Dido and Aeneas: Act I. "Ah Belinda, I am press'd with torment" (Dido), Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus), Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus), Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus), Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus), Dido and Aeneas: Act I. "Shake the cloud from off your brow" (Belinda, chorus), Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda), Dido and Aeneas: Act I. The Triumphing Dance, Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches), Dido and Aeneas: Act II, Scene I. "In our deep vaulted cell" (Chorus) - Echo Dance, Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus), Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus), Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus), Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman), Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas), Dido and Aeneas: Act II, Scene II. "Then since our charmes have sped" (Chorus) - The Grove's Dance, Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus), Dido and Aeneas: Act III, Scene I. "Come away" (Sailor, chorus) - The Sailor's Dance, Dido and Aeneas: Act III, Scene I. "Destruction's our delight" (Chorus), Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress), Dido and Aeneas: Act III, Scene I. The Witches' Dance, Dido and Aeneas: Act III, Scene II. "Great minds against themselves conspire" (Chorus) - "Thy hand, Belinda" (Dido), Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido), Dido and Aeneas: Act III, Scene II. "With drooping wings" (Chorus), Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas), Dido and Aeneas: Overture, The Fairy Queen: 4. Akt (Ausschnitt), The Fairy Queen: First Musick (Prelude, Hornpipe) |
| Robert King (conductor) |
conductor, harpsichord, organ |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), By Beauteous Softness Mixed, Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around), Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), Hail, Bright Cecilia!, Incassum Lesbia, incassum rogas 'The Queen's Epicedium' Z383, Not all my Torments, O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514, O solitude, my sweetest choice! Z406, Ode, Z 328 "Hail! bright Cecilia": I. Symphony, Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice", Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin", Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": I. Overture, Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race", Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane", Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine", Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame", Overture to 1683 Ode "From hardy climes", Sound the Trumpet, The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Sir Anthony Lewis |
conductor |
Arise, ye subterranean winds (The Tempest), But death, alas! ... When I am laid in earth ... With drooping wings (Dido and Aeneas), Fairest isle (King Arthur), King Arthur: Act I: "Come If You Dare", King Arthur: Act I: "I Call Ye All", King Arthur: Act I: "The Lot Is Cast", King Arthur: Act I: "The White Horse Neigh'd Aloud", King Arthur: Act I: "Woden, First to Thee", King Arthur: Act II: "Comme Follow, Follow, Follow Me", King Arthur: Act II: "Hither This Way", King Arthur: Act II: "How Blest Are Shepherds", King Arthur: Act II: "Let Not a Moon-Born Elf", King Arthur: Act II: "Shepherd, Shepherd, Leave Decoying", King Arthur: Act III: "'Tis I That Have Warm'd Ye", King Arthur: Act III: "No Part of My Dominion", King Arthur: Act III: "Sound a Parley", King Arthur: Act III: "Thou Doting Fool", King Arthur: Act III: "What Ho", King Arthur: Act III: "What Power Art Thou", King Arthur: Act IV: "How Happy the Lover", King Arthur: Act IV: "Two Daughters", King Arthur: Act V: "Fairest Isle", King Arthur: Act V: "For Folded Flocks", King Arthur: Act V: "Your Hay It Is Mow'd", King Arthur: Act V: Chaconne, King Arthur: Act V: Dialogue: "You Say, 'Tis Love", King Arthur: Act V: Symphony - "Our Natives", King Arthur: Act V: Symphony - "Round Thy Coasts", King Arthur: Act V: Trumpet Tune - "Ye Blust'Ring Brethren", King Arthur: Overture, Sound the trumpet, What power art thou? (Frost scene, King Arthur) |
| London Baroque (founded 1978 by Charles Medlam) |
instrument, performing orchestra |
Chacony in 4 parts in G minor, Z. 730, Overture of 4 parts in D minor, Z. 771, Overture of 4 parts in G major, Z. 336, Overture of 5 parts in G minor, Z. 772, Pavan in 4 parts (for 3 violins) in G minor, Z. 752, Pavan of 3 parts in A major, Z. 748, Pavan of 3 parts in A minor, Z. 749, Pavan of 3 parts in B-flat major, Z. 750, Pavan of 3 parts in G minor, Z. 751, Pavane à 3 in A, Pavane à 4 in G, Sonata in 4 parts in G minor, Z. 807, Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio, Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona, Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco largo, Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave, Sonata of 3 parts No. 12 in D major, Z. 801: V. Presto, Sonata of 3 parts No. 12 in D major, Z. 801: VI. Allegro, Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio, Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona, Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo, Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave, Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace, Sonata of three parts Nr. 2 B-dur: Largo, Presto/Adagio, Vivace/Allegro, Sonatas of III Parts, no. 3: I., Suite of 4 parts in G major, Z. 770: I. Overture, Suite of 4 parts in G major, Z. 770: II. Sarabande, Suite of 4 parts in G major, Z. 770: III. Bourrée, Suite of 4 parts in G major, Z. 770: IV. Minuet, Suite of 4 parts in G major, Z. 770: V. Jig, Three Parts upon a Ground in D, Three Parts upon a Ground in D major, Z 731 |
| Philomusica of London |
performer, performing orchestra |
Arise, ye subterranean winds (The Tempest), Fairest isle (King Arthur), King Arthur: Act I: "Come If You Dare", King Arthur: Act I: "I Call Ye All", King Arthur: Act I: "The Lot Is Cast", King Arthur: Act I: "The White Horse Neigh'd Aloud", King Arthur: Act I: "Woden, First to Thee", King Arthur: Act II: "Comme Follow, Follow, Follow Me", King Arthur: Act II: "Hither This Way", King Arthur: Act II: "How Blest Are Shepherds", King Arthur: Act II: "Let Not a Moon-Born Elf", King Arthur: Act II: "Shepherd, Shepherd, Leave Decoying", King Arthur: Act III: "'Tis I That Have Warm'd Ye", King Arthur: Act III: "No Part of My Dominion", King Arthur: Act III: "Sound a Parley", King Arthur: Act III: "Thou Doting Fool", King Arthur: Act III: "What Ho", King Arthur: Act III: "What Power Art Thou", King Arthur: Act IV: "How Happy the Lover", King Arthur: Act IV: "Two Daughters", King Arthur: Act V: "Fairest Isle", King Arthur: Act V: "For Folded Flocks", King Arthur: Act V: "Your Hay It Is Mow'd", King Arthur: Act V: Chaconne, King Arthur: Act V: Dialogue: "You Say, 'Tis Love", King Arthur: Act V: Symphony - "Our Natives", King Arthur: Act V: Symphony - "Round Thy Coasts", King Arthur: Act V: Trumpet Tune - "Ye Blust'Ring Brethren", King Arthur: Overture, What power art thou? (Frost scene, King Arthur) |
| Kevin Mallon (conductor) |
conductor |
Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest", Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh", Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris, Amphitryon, Z. 572 "The Two Sosias": I. Overture, Amphitryon, Z. 572 "The Two Sosias": II. Saraband, Amphitryon, Z. 572 "The Two Sosias": III. Hornpipe, Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune, Amphitryon, Z. 572 "The Two Sosias": V. Air, Amphitryon, Z. 572 "The Two Sosias": VI. Minuet, Amphitryon, Z. 572 "The Two Sosias": VII. Hornpipe, Amphitryon, Z. 572 "The Two Sosias": VIII. Borree, Circe, Z. 575. "Come Every Demon", Circe, Z. 575. "Lovers Who To Their First Embraces Go", Circe, Z. 575. "Pluto, Arise!", Circe, Z. 575. "Their Necessary Aid You Use", Circe, Z. 575. "We Must Assemble By a Sacrific", Circe, Z. 575. Magicians' Dance, Sir Barnay Whigg, Z. 589: "Blow, Boreas, Blow", The Gordion Knot Unty'd, Z. 597. Chaconne, The Gordion Knot Unty'd, Z. 597. First Act Tune: Air, The Gordion Knot Unty'd, Z. 597. Fourth Act Tune: Jig, The Gordion Knot Unty'd, Z. 597. Overture, The Gordion Knot Unty'd, Z. 597. Second Act Tune: Rondo Minuet, The Gordion Knot Unty'd, Z. 597. Second Music II: Minuet, The Gordion Knot Unty'd, Z. 597. Second Music: Air, The Gordion Knot Unty'd, Z. 597. Third Act Tune: Air, The Indian Queen, Z. 630: Trumpet Overture |
| Academy of St Martin in the Fields |
performing orchestra |
King Arthur ("The British Worthy") - Act I : First Act Tune, King Arthur ("The British Worthy") - Act II: How blest are shepherds, King Arthur ("The British Worthy") - Act II: Shepherd, shepherd leave decoying, King Arthur ("The British Worthy") - Act V: Chaconne, King Arthur ("The British Worthy") - Act V: Fairest Isle, all isles excelling, King Arthur ("The British Worthy") - Second Music: Aire: Minuet, King Arthur ("The British Worthy") - Second Music: Overture, Rejoice in the Lord Always, The Fairy Queen - Act I: Dance for the Fairies, The Fairy Queen - Act I: Dance for the Green Men, The Fairy Queen - Act I: Gigue, The Fairy Queen - Act I: Overture, The Fairy Queen - Act I: Song Tune ("If Loves´s a sweet passion"), The Fairy Queen - Act I: Symphony, The Fairy Queen - Act IV: Chaconne: Dance for a Chinese Man and Woman, The Fairy Queen - Act IV: Entry Dance, The Fairy Queen - Act IV: Symphony, The Fairy Queen - First Music: Hornpipe, The Fairy Queen - First Music: Prelude, The Fairy Queen - Second Music: Air, The Fairy Queen - Second Music: Rondeau, The Indian Queen - Act II: Scene 2: Symphony, The Prophetess ("The History of Dioclesian") - Act II: Dance of Furies, The Prophetess ("The History of Dioclesian") - Act II: Second Act Tune, The Prophetess ("The History of Dioclesian") - Act III: Chaconne ("Two in One Upon a Ground"), The Prophetess ("The History of Dioclesian") - First Music, The Prophetess ("The History of Dioclesian") - Second Music |
| Aradia Ensemble |
performer |
Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest", Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh", Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris, Amphitryon, Z. 572 "The Two Sosias": I. Overture, Amphitryon, Z. 572 "The Two Sosias": II. Saraband, Amphitryon, Z. 572 "The Two Sosias": III. Hornpipe, Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune, Amphitryon, Z. 572 "The Two Sosias": V. Air, Amphitryon, Z. 572 "The Two Sosias": VI. Minuet, Amphitryon, Z. 572 "The Two Sosias": VII. Hornpipe, Amphitryon, Z. 572 "The Two Sosias": VIII. Borree, Circe, Z. 575. "Come Every Demon", Circe, Z. 575. "Lovers Who To Their First Embraces Go", Circe, Z. 575. "Pluto, Arise!", Circe, Z. 575. "Their Necessary Aid You Use", Circe, Z. 575. "We Must Assemble By a Sacrific", Circe, Z. 575. Magicians' Dance, Sir Barnay Whigg, Z. 589: "Blow, Boreas, Blow", The Gordion Knot Unty'd, Z. 597. Chaconne, The Gordion Knot Unty'd, Z. 597. First Act Tune: Air, The Gordion Knot Unty'd, Z. 597. Fourth Act Tune: Jig, The Gordion Knot Unty'd, Z. 597. Overture, The Gordion Knot Unty'd, Z. 597. Second Act Tune: Rondo Minuet, The Gordion Knot Unty'd, Z. 597. Second Music II: Minuet, The Gordion Knot Unty'd, Z. 597. Second Music: Air, The Gordion Knot Unty'd, Z. 597. Third Act Tune: Air, The Indian Queen, Z. 630: Trumpet Overture |
| Sir Neville Marriner |
conductor |
King Arthur ("The British Worthy") - Act I : First Act Tune, King Arthur ("The British Worthy") - Act II: How blest are shepherds, King Arthur ("The British Worthy") - Act II: Shepherd, shepherd leave decoying, King Arthur ("The British Worthy") - Act V: Chaconne, King Arthur ("The British Worthy") - Act V: Fairest Isle, all isles excelling, King Arthur ("The British Worthy") - Second Music: Aire: Minuet, King Arthur ("The British Worthy") - Second Music: Overture, The Fairy Queen - Act I: Dance for the Fairies, The Fairy Queen - Act I: Dance for the Green Men, The Fairy Queen - Act I: Gigue, The Fairy Queen - Act I: Overture, The Fairy Queen - Act I: Song Tune ("If Loves´s a sweet passion"), The Fairy Queen - Act I: Symphony, The Fairy Queen - Act IV: Chaconne: Dance for a Chinese Man and Woman, The Fairy Queen - Act IV: Entry Dance, The Fairy Queen - Act IV: Symphony, The Fairy Queen - First Music: Hornpipe, The Fairy Queen - First Music: Prelude, The Fairy Queen - Second Music: Air, The Fairy Queen - Second Music: Rondeau, The Indian Queen - Act II: Scene 2: Symphony, The Prophetess ("The History of Dioclesian") - Act II: Dance of Furies, The Prophetess ("The History of Dioclesian") - Act II: Second Act Tune, The Prophetess ("The History of Dioclesian") - Act III: Chaconne ("Two in One Upon a Ground"), The Prophetess ("The History of Dioclesian") - First Music, The Prophetess ("The History of Dioclesian") - Second Music |
| Elisabeth Priday |
vocal |
Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches), Dido & Aeneas, Z. 626: Act II. Prelude for the Witches: "Wayward sisters, you that fright" (Sorceress, First Witch) / "Harm's our delight and mischief all our skill" (Chorus) / "The Queen of Carthage, whom we hate" (Sorceress) / "Ho, ho, ho" (Chorus), Dido & Aeneas, Z. 626: Act III. The Sailors' Dance / "See the flags and streamers curling" (Sorceress, Witches), Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Act II. Prelude for the Witches / “Wayward sisters”, Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”, Dido and Aeneas: Act III. “See the flags and streamers curling”, Dido and Aeneas: Overture |
| The King's Consort |
instrument, performer, performing orchestra |
By Beauteous Softness Mixed, Hail, Bright Cecilia!, Not all my Torments, Ode, Z 328 "Hail! bright Cecilia": I. Symphony, Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice", Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin", Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": I. Overture, Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race", Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane", Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine", Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame", Overture to 1683 Ode "From hardy climes", Sound the Trumpet |
| Ivor Bolton |
conductor |
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda" - Ritornelle, Dido and Aeneas, Z. 626: Act I. "Fear no danger", Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" / Chorus "When monarchs unite", Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" / Chorus "Cupid only throws the dart" / "If not for mine..." / "Pursue thy conquest, love", Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" / Chorus "Banish sorrow", Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony, Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales", Dido and Aeneas, Z. 626: Act I. Overture, Dido and Aeneas, Z. 626: Act I. The Triumphing Dance, Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform", Dido and Aeneas, Z. 626: Act II, Scene I. "Echo dance of furies", Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" / Chorus "Ho ho ho" / "Ruin'd ere the set of sun?" / Chorus "Ho ho ho", Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell", Dido and Aeneas, Z. 626: Act II, Scene I. Prelude - "Wayward sisters" / Chorus "Harm's our delight", Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" / Chorus "Haste, haste to town", Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" - Ritornelle, Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince", Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales", Dido and Aeneas, Z. 626: Act II, Scene II. Dance - Gitter ground, Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle, Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" / "Our next motion" / Chorus "Destruction's our delight" - The Witches' Dance, Dido and Aeneas, Z. 626: Act III, Scene I. Prelude / Chorus "Come away, fellow sailors" - The Sailor's Dance, Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urg'd in vain", Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire", Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings" - Cupid's Dance |
| John Mark Ainsley |
vocal |
Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: III. Sound the trumpet, Dido and Aeneas: Act I. “If not for mine”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act II. “Behold, upon my bending spear”, Dido and Aeneas: Act II. “Stay, Prince”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: V. Then lift up your voices |
| St. James' Baroque |
performing orchestra |
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda" - Ritornelle, Dido and Aeneas, Z. 626: Act I. "Fear no danger", Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" / Chorus "When monarchs unite", Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" / Chorus "Cupid only throws the dart" / "If not for mine..." / "Pursue thy conquest, love", Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" / Chorus "Banish sorrow", Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony, Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales", Dido and Aeneas, Z. 626: Act I. Overture, Dido and Aeneas, Z. 626: Act I. The Triumphing Dance, Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform", Dido and Aeneas, Z. 626: Act II, Scene I. "Echo dance of furies", Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" / Chorus "Ho ho ho" / "Ruin'd ere the set of sun?" / Chorus "Ho ho ho", Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell", Dido and Aeneas, Z. 626: Act II, Scene I. Prelude - "Wayward sisters" / Chorus "Harm's our delight", Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" / Chorus "Haste, haste to town", Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" - Ritornelle, Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince", Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales", Dido and Aeneas, Z. 626: Act II, Scene II. Dance - Gitter ground, Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle, Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" / "Our next motion" / Chorus "Destruction's our delight" - The Witches' Dance, Dido and Aeneas, Z. 626: Act III, Scene I. Prelude / Chorus "Come away, fellow sailors" - The Sailor's Dance, Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urg'd in vain", Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire", Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings" - Cupid's Dance |
| Mark Brown (early music singer, conductor, and producer) |
conductor, producer |
Ode, Z 328 "Hail! bright Cecilia": I. Symphony, Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice", Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin", Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": I. Overture, Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race", Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane", Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine", Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame", Once, Twice, Thrice, Since Time So Kind, Under This Stone, Would You Know |
| Ruth Holton |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Beauty thou scene of love, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Here the Deities approve, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: While joys celestial |
| NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester) |
performing orchestra |
Dido and Aeneas, Z.626: Act 1, "Ah! Belinda"/"Grief increases"/"When monarchs unite", Dido and Aeneas, Z.626: Act 1, "If not for mine, for empire's sake" ... "To the hills and the vales", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 1, "Shake the cloud from off your brow", Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 1, The Triumphing Dance, Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 2, "In our deep vaulted cell", Dido and Aeneas, Z.626: Act 2, "Oft she visits", Dido and Aeneas, Z.626: Act 2, "Prelude for..."/"Harms our..." / "The Queen"/Ho, ho, ho", Dido and Aeneas, Z.626: Act 2, "Ruin'd ere the set of sun"... "But ere we this perform", Dido and Aeneas, Z.626: Act 2, "Stay, Prince", Dido and Aeneas, Z.626: Act 2, "Then since our charms have sped" - "A Dance" - The Groves Dance, Dido and Aeneas, Z.626: Act 2, Echo Dance of Furies, Dido and Aeneas, Z.626: Act 2, Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance, Dido and Aeneas, Z.626: Act 3, "Our next motion" - "Destructions's our delight", Dido and Aeneas, Z.626: Act 3, "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Z.626: Act 3, "With drooping wings..." - Cupids´ Dance, Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire", Dido and Aeneas, Z.626: Act 3, Prelude - "Come away, fellow sailors", Dido and Aeneas, Z.626: Act 3, The Sailors' Dance "See the flags and streamers curling", Dido and Aeneas, Z.626: Act 3, The Witches' Dance, Dido and Aeneas, Z.626: Overture |
| Manuel Mohino (engineer/producer) |
editor, engineer |
King Arthur, Z. 628: Act I. "Brave souls", King Arthur, Z. 628: Act I. "Come if you dare", King Arthur, Z. 628: Act I. "I call you all", King Arthur, Z. 628: Act I. "The lot is cast", King Arthur, Z. 628: Act I. "To Woden thanks we render", King Arthur, Z. 628: Act I. "Woden first to thee", King Arthur, Z. 628: Act II. "Come follow me", King Arthur, Z. 628: Act II. "Come, shepherds", King Arthur, Z. 628: Act II. "Hither this way", King Arthur, Z. 628: Act II. "How blest are shepherds", King Arthur, Z. 628: Act II. "Let not a moon-born elf", King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying", King Arthur, Z. 628: Act II. Symphony, King Arthur, Z. 628: Act III. "Great love", King Arthur, Z. 628: Act III. "No part of my dominion", King Arthur, Z. 628: Act III. "Thou doting fool", King Arthur, Z. 628: Act III. "What Power art thou", King Arthur, Z. 628: Act III. "What ho!", King Arthur, Z. 628: Act III. Prelude, King Arthur, Z. 628: Act III. The Frost Scene, King Arthur, Z. 628: Air, King Arthur, Z. 628: Ouverture, King Arthur, Z. 628: Symphony |
| Jürgen Jürgens |
chorus master |
Dido and Aeneas, Z.626: Act 1, "Ah! Belinda"/"Grief increases"/"When monarchs unite", Dido and Aeneas, Z.626: Act 1, "If not for mine, for empire's sake" ... "To the hills and the vales", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 1, "Shake the cloud from off your brow", Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 1, The Triumphing Dance, Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 2, "In our deep vaulted cell", Dido and Aeneas, Z.626: Act 2, "Oft she visits", Dido and Aeneas, Z.626: Act 2, "Prelude for..."/"Harms our..." / "The Queen"/Ho, ho, ho", Dido and Aeneas, Z.626: Act 2, "Ruin'd ere the set of sun"... "But ere we this perform", Dido and Aeneas, Z.626: Act 2, "Stay, Prince", Dido and Aeneas, Z.626: Act 2, "Then since our charms have sped" - "A Dance" - The Groves Dance, Dido and Aeneas, Z.626: Act 2, Echo Dance of Furies, Dido and Aeneas, Z.626: Act 2, Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance, Dido and Aeneas, Z.626: Act 3, "Our next motion" - "Destructions's our delight", Dido and Aeneas, Z.626: Act 3, "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Z.626: Act 3, "With drooping wings..." - Cupids´ Dance, Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire", Dido and Aeneas, Z.626: Act 3, Prelude - "Come away, fellow sailors", Dido and Aeneas, Z.626: Act 3, The Sailors' Dance "See the flags and streamers curling", Dido and Aeneas, Z.626: Act 3, The Witches' Dance, Dido and Aeneas, Z.626: Overture |
| Steuart Bedford |
conductor |
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment", Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue", Dido and Aeneas, Z. 626: Act I. "Ruin'd ere the set of sun", Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears", Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow", Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?", Dido and Aeneas, Z. 626: Act I. Overture, Dido and Aeneas, Z. 626: Act I. Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear", Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain", Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command", Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome dales", Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth", Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling", Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come", Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain", Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors", Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet", Orpheus Britannicus: "Let sullen discorn smile", Orpheus Britannicus: "So when the glittering Queen of Night", Orpheus Britannicus: "Thou tun'st this world", Orpheus Britannicus: "Why should men quarrel?" |
| George Mosley (Classical baritone-bass singer) |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures |
| Antony Howell (Engineer) |
engineer |
Ode, Z 328 "Hail! bright Cecilia": I. Symphony, Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice", Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin", Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": I. Overture, Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race", Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane", Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine", Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame" |
| Paul Tindall |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures |
| Shauna Beesley |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture |
| Carolyn Watkinson |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture |
| Teresa Shaw |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture |
| Donna Deam |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture |
| Jonathan Peter Kenny |
vocal |
Dido and Aeneas, Act 1: "Ah! Belinda, I am prest with torment", Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine", Dido and Aeneas, Act 1: "Shake the cloud from off your brow", Dido and Aeneas, Act 1: "To the hills and the vales" - The Triumphing Dance, Dido and Aeneas, Act 1: "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Act 1: Ciaccona, Dido and Aeneas, Act 2: "Behold, upon my bending spear", Dido and Aeneas, Act 2: "In our deep vaulted cell" - Echo Dance of the Furies, Dido and Aeneas, Act 2: "Oft she visits", Dido and Aeneas, Act 2: Folías, Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Act 2: Ritornelle - "Thanks to these lonesome vales", Dido and Aeneas, Act 3: "But death, alas!", Dido and Aeneas, Act 3: "See the flags" - Destruction's our delight - The Witches' Dance, Dido and Aeneas, Act 3: "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Act 3: "With drooping wings", Dido and Aeneas, Act 3: "Your counsel all is urged in vain", Dido and Aeneas, Act 3: Prelude - "Come away, fellow sailors" - Sailor's Dance, Dido and Aeneas: Overture |
| Michael Chance (British countertenor) |
vocal |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around), Dido and Aeneas: Act II. “Stay, Prince”, Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), Incassum Lesbia, incassum rogas 'The Queen's Epicedium' Z383, O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514, Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures, Orchestral Suite from "Dioclesian": I. Overture, Orchestral Suite from "Dioclesian": II. Dance / Song "If music be the food", Orchestral Suite from "Dioclesian": III. Dance of Bacchanals / Trumpet tune, Orchestral Suite from "Dioclesian": IV. Prelude / Song "Oh how happy" / Hornpipe, Orchestral Suite from "Dioclesian": IX. Chaconne, Orchestral Suite from "Dioclesian": V. Dance of the Furies, Orchestral Suite from "Dioclesian": VI. First music, Orchestral Suite from "Dioclesian": VII. Duet "Lost es my quiet", Orchestral Suite from "Dioclesian": VIII. Prelude / Song "Let the soldiers rejoice" / Act tune, Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance, The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Les Voix humaines (viola da gamba duo, Montreal) |
performer |
Dido and Aeneas, Z. 626: Act III. Dido's Lament, Fantasia for 4 parts in A minor (incomplete), Fantasia upon one note, for 5 viols in F major, Z. 745, Fantasy for 3 viols in D minor, Z. 732, Fantasy for 3 viols in F major, Z. 733, Fantasy for 3 viols in G minor, Z. 734, Fantasy for 4 viols in A minor, Z. 740, Fantasy for 4 viols in B-flat major, Z. 736, Fantasy for 4 viols in C minor, Z. 738, Fantasy for 4 viols in D minor, Z. 739, Fantasy for 4 viols in D minor, Z. 743, Fantasy for 4 viols in E minor, Z. 741, Fantasy for 4 viols in F major, Z. 737, Fantasy for 4 viols in G major, Z. 742, Fantasy for 4 viols in G minor, Z. 735, In nomine for 6 viols in G minor, Z. 746, In nomine for 7 viols in G minor (Dorian), Z. 747, The Fairy Queen, Z. 629: Dance for the Green Men, Monkey's Dance |
| Davitt Moroney |
organ |
"Full of wrath", Z 185, "In the black dismal Dungeon of Despair", Z 190, "O solitude", Z 406, "With sick and famished eyes", Z 200, A Divine Hymn : "Lord, what is Man ?", Z 192, A Morning Hymn : "Thou wakeful Shepherd", Z 198, Adam's Sleep : "Sleep, Adam, Sleep", Z 195, An Evening Hymn : "Now that the sun", Z 193, On our Saviour's Passion : "The Earth trembled", Z 197, The Aspiration : "How long, great God", Z 189, The Blessed Virgin's Expostulation : "Tell me, some pitying Angel", Z 196, Verse in F major, Z 716, Voluntary in C major, Z 714, Voluntary in D minor, Z 718, Voluntary in D minor, for Double Organ, Z 719, Voluntary in G major, Z 720, Voluntary on the Old 100th (A major), Z 721 |
| James Bowman (UK operatic countertenor) |
vocal |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around), Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art, Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute, Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514, O solitude, my sweetest choice! Z406, Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice", Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Sweeter than roses, The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Aldeburgh Festival Strings |
strings |
Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment", Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue", Dido and Aeneas, Z. 626: Act I. "Ruin'd ere the set of sun", Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears", Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow", Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?", Dido and Aeneas, Z. 626: Act I. Overture, Dido and Aeneas, Z. 626: Act I. Prelude for the Witches - "Wayward sisters", Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear", Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain", Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command", Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome dales", Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth", Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling", Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come", Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain", Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors" |
| Andreas Scholl |
performer, vocal |
An Evening Hymn, Z 193, Chacony in G Minor, Z 730, Chacony, Z628, Fairest Isle, Here the Deities Approve, If Music Be the Food of Love, Music for a While, Z583, Music for the Gordian Knot Unty'd, O Dive Custos Auriacae Domus, Z504, O Solitude, My Sweetest Choice, Z.406, One Charming Night, Pavan in G Minor, Z.752, Sound the Trumpet, Strike the Viol, Touch the Lute, Sweeter Than Roses, What Power Art Thou, When I Am Laid in Earth (Dido's Lament) |
| Mireille Faure |
sound |
'Twas Within a Furlong, A Prince of Glorious Race Descended, Ah! Belinda, An Evening Hymn Upon a Ground, Curtain Tune on a Ground, Hark! How the Songsters of the Grove, Here the Deities Approve, In Vain the Am'rous Flute, Man Is for the Woman Made, Music for a While, O Let Me Weep (The Plaint), O Solitude, My Sweetest Choice, One Charming Night, Strike the Viol, When I Am Laid in Earth, Wondrous Machine |
| David Hill (organist and conductor) |
conductor |
A Double Verse in G, Give Sentence With Me, o God, Z. 12, Hear My Prayer, O Lord, Z. 15, In the Midst of Life, Z. 17a, Jehova, quam multi sunt hostes, Z. 135, Man That Is Born of a Woman, Z. 27, Music for the Funeral of Queen Mary, Z. 860: Canzona, Music for the Funeral of Queen Mary, Z. 860: The Queen's Funeral March (recession), My Beloved Spake, Z. 28, O God, Thou Art My God, Z. 35, O, I'm Sick of Life, Z. 140, Rejoice in the Lord Alway, Z. 49, Remember Not, Lord, Our Offences, Z. 50, Thou Know'st, Lord, the Secrets of Our Hearts (1st Setting), Z. 58a, Thou Know'st, Lord, the Secrets of Our Hearts (2nd setting), Z. 58c, Voluntary in C, Z. 717 |
| The English Concert Choir |
vocal |
Dido & Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) / "Grief increases by concealing..." (Belinda, Dido) / "When monarchs unite, how happy their state" (Chorus), Dido & Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Æneas) / "Pursue thy conquest, Love" (Belinda) / "To the hills and the vales, to the rocks and the mountains" (Chorus), Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus), Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda) / "Banish sorrow, bannish care" (Chorus), Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus), Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches), Dido & Aeneas, Z. 626: Act II. Prelude for the Witches: "Wayward sisters, you that fright" (Sorceress, First Witch) / "Harm's our delight and mischief all our skill" (Chorus) / "The Queen of Carthage, whom we hate" (Sorceress) / "Ho, ho, ho" (Chorus), Dido & Aeneas, Z. 626: Act II. Ritornelle / "Thanks to these lonesome vales" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) / "Destruction's our delight" (Chorus), Dido & Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus), Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus), Dido & Aeneas, Z. 626: Act III. Prelude "Come away, fellow sailors, your anchors be weighting" (First sailor, Chorus), Dido and Aeneas: Aria "When I Am Laid in Earth", Dido and Aeneas: Final Chorus "With Drooping Wings", Sound the Trumpet, Sound, Z. 323 |
| L'Arpeggiata |
performer |
'Twas Within a Furlong, A Prince of Glorious Race Descended, Ah! Belinda, An Evening Hymn Upon a Ground, Curtain Tune on a Ground, Hark! How the Songsters of the Grove, Here the Deities Approve, In Vain the Am'rous Flute, Man Is for the Woman Made, Music for a While, O Let Me Weep (The Plaint), O Solitude, My Sweetest Choice, One Charming Night, Strike the Viol, When I Am Laid in Earth, Wondrous Machine |
| Choir of Clare College, Cambridge |
vocal |
Dido & Aeneas Act I: Cupid only throws the dart (Chorus), Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman), Dido & Aeneas Act I: Shake the cloud (Belinda), Dido & Aeneas Act I: To the hills and the vales (Chorus), Dido & Aeneas Act I: When monarchs unite (Chorus), Dido & Aeneas Act II: Harm's our delight (Chorus), Dido & Aeneas Act II: Haste, haste to town (Belinda), Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act II: In our deep vaulted cell (Chorus), Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda), Dido & Aeneas Act II: Then since our Charmes have Sped (Chorus), Dido & Aeneas Act III: Come away, fellow sailors (Chorus), Dido & Aeneas Act III: Destruction's our delight (Chorus), Dido & Aeneas Act III: Great minds against themselves conspire (Chorus), Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus), Dido and Aeneas: 3. Akt, 1. Szene (the Ships) |
| Frédéric Braye |
sound |
'Twas Within a Furlong, A Prince of Glorious Race Descended, Ah! Belinda, An Evening Hymn Upon a Ground, Curtain Tune on a Ground, Hark! How the Songsters of the Grove, Here the Deities Approve, In Vain the Am'rous Flute, Man Is for the Woman Made, Music for a While, O Let Me Weep (The Plaint), O Solitude, My Sweetest Choice, One Charming Night, Strike the Viol, When I Am Laid in Earth, Wondrous Machine |
| David Thomas (British bass singer) |
vocal |
Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: VI. The day that such a blessing gave, Come ye sons of art, Z. 323: VIII. These are the sacred charms, Dido and Aeneas: Act II. Prelude for the Witches / “Wayward sisters”, Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”, Dido and Aeneas: Act III. “See the flags and streamers curling”, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms" |
| Lynne Dawson |
vocal |
Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido), Dido & Aeneas Act I: Grief increases by concealing (Belinda), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act I: Whence could so much virtue spring? (Dido), Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas), Dido & Aeneas Act III: Thy hand, Belinda (Dido), Dido & Aeneas Act III: When I am laid in earth (Dido), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido), Dido & Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) / "Grief increases by concealing..." (Belinda, Dido) / "When monarchs unite, how happy their state" (Chorus), Dido & Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Æneas) / "Pursue thy conquest, Love" (Belinda) / "To the hills and the vales, to the rocks and the mountains" (Chorus), Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus), Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus), Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act II. Ritornelle / "Thanks to these lonesome vales" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus) |
| Academy of Ancient Music Chorus |
vocal |
Dido and Aeneas: Act I. “Cupid only throws the dart”, Dido and Aeneas: Act I. “Fear no danger” / Dance, Dido and Aeneas: Act I. “Shake the cloud from off your brow”, Dido and Aeneas: Act I. “To the hills and the vales”, Dido and Aeneas: Act I. “When monarchs unite”, Dido and Aeneas: Act II. Ritornelle / “Thanks to these lonesome vales”, Dido and Aeneas: Act II. “Harm’s our delight”, Dido and Aeneas: Act II. “Haste, haste to town”, Dido and Aeneas: Act II. “In our deep vaulted cell”, Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”, Dido and Aeneas: Act III. Prelude / “Come away, fellow sailors”, Dido and Aeneas: Act III. “Destruction’s our delight”, Dido and Aeneas: Act III. “Great minds against themselves conspire”, Dido and Aeneas: Act III. “With drooping wings” |
| Heinrich J. Weritz |
producer |
Dido and Aeneas: Act I. "Ah! Belinda" (Dido, Belinda, Chorus), Dido and Aeneas: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido, Chorus), Dido and Aeneas: Act I. The Triumphing Dance, Dido and Aeneas: Act II. "But ere we this perform" (Witches, Chorus), Dido and Aeneas: Act II. "Oft she visits this lov'd mountain (2nd Woman, Aeneas, Dido, Belinda), Dido and Aeneas: Act II. "Stay, Prince" (Spirit, Aeneas), Dido and Aeneas: Act II. "Thanks to these lonesome vales" (Belinda, Chorus), Dido and Aeneas: Act II. "Wayward sisters" (Sorceress, Chorus), Dido and Aeneas: Act III. "See the flags and streamers curling" (Sorceress, Witches, Chorus), Dido and Aeneas: Act III. "Thy hand, Belinda" (Dido), Dido and Aeneas: Act III. "With drooping wings" (Chorus), Dido and Aeneas: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas, Chorus), Dido and Aeneas: Act III. Prelude / Sailors' Dance (Sailor, Chorus), Dido and Aeneas: Overture / Act I. "Shake the cloud from off your brow" (Belinda, Chorus) |
| Véronique Gens |
vocal |
Dido and Aeneas: Act I. "Ah Belinda, I am press'd with torment" (Dido), Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus), Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda), Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus), Dido and Aeneas: Act III, Scene II. "Great minds against themselves conspire" (Chorus) - "Thy hand, Belinda" (Dido), Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido), Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas), King Arthur, Z. 628: Act II. "Come follow me", King Arthur, Z. 628: Act II. "Hither this way", King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act V. "Round thy coast", King Arthur, Z. 628: Act V. Duet. "You say 'tis love" |
| Felicity Lott |
vocal |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March |
| Monteverdi Orchestra |
performing orchestra |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March |
| Günter Hermanns (producer/engineer) |
balance |
Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: Hark, hark, each tree its silence breaks, Ode for St. Cecilia's Day, Z.328: In vain the am'rous flute and soft guitar, Ode for St. Cecilia's Day, Z.328: Let these amongst themselves contest, Ode for St. Cecilia's Day, Z.328: Soul of the world, Ode for St. Cecilia's Day, Z.328: Symphony, Ode for St. Cecilia's Day, Z.328: The airy violin, Ode for St. Cecilia's Day, Z.328: The fife, and all the harmony of war, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above, Ode for St. Cecilia's Day, Z.328: Tis Nature's voice, Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay, Ode for St. Cecilia's Day, Z.328: Wondrous machine! |
| Charles Brett (English counter-tenor active in late 20th century) |
vocal |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March |
| Sir Thomas Allen (baritone) |
vocal |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March |
| Equale Brass Ensemble |
performing orchestra |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March |
| Raymond Leppard |
conductor, performer, harpsichord, piano |
"Chaconne" from Come Ye Sons Of Art, "Entrada" from The Indian Queen, "Sound the Trumpet" from Come Ye Sons Of Art, "Trumpet Air" from The Indian Queen, "Trumpet Overture" from The Indian Queen, "Trumpet Tune" from King Arthur, Ah! Cruel, bloody fate, Z606, Dance - Ritornelle - Introduction aus Dido and Aneas, O lead me to some peaceful gloom, Z574, Ouverture - Rondeau aus The Guardian Knot Unty’d, Pursuing Beauty, Z588, Thy hand, Belinda ... When I am Laid in Earth, Trio Sonata in F major, Z 810 "Golden Sonata": I. Allegro |
| Hans Weber (producer/engineer) |
producer |
Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: Hark, hark, each tree its silence breaks, Ode for St. Cecilia's Day, Z.328: In vain the am'rous flute and soft guitar, Ode for St. Cecilia's Day, Z.328: Let these amongst themselves contest, Ode for St. Cecilia's Day, Z.328: Soul of the world, Ode for St. Cecilia's Day, Z.328: Symphony, Ode for St. Cecilia's Day, Z.328: The airy violin, Ode for St. Cecilia's Day, Z.328: The fife, and all the harmony of war, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above, Ode for St. Cecilia's Day, Z.328: Tis Nature's voice, Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay, Ode for St. Cecilia's Day, Z.328: Wondrous machine! |
| John Williams (countertenor) |
vocal |
Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing, Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life, Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts, Music for the Funeral of Queen Mary, Z.860: Canzona, Music for the Funeral of Queen Mary, Z.860: March |
| John Butt |
organ |
A Ground in Gamut in G major, Z. 645, Chaconne in G minor, ZT. 68, Ground in C minor, ZD. 221, March in C major, ZT. 687, Trumpet Tune in C major, ZT. 698, Trumpet Tune in C major, called "The Cibell", ZT. 678, Trumpet Voluntary in D major, Verse in F major, Z. 716, Voluntary in C major, Z. 717, Voluntary in D minor for Double organ, Z. 19, Voluntary in D minor, Z. 718, Voluntary in G major, Z. 720, Voluntary on The Old 100th, Z. 721 |
| Charles Daniels (tenor) |
vocal |
Come ye sons of art, Z. 323: V. Strike the viol, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial, Welcome to all the pleasures, Z. 339: VI. Beauty, thou scene of love |
| Jill Feldman |
vocal |
"Full of wrath", Z 185, "In the black dismal Dungeon of Despair", Z 190, "O solitude", Z 406, "With sick and famished eyes", Z 200, A Divine Hymn : "Lord, what is Man ?", Z 192, A Morning Hymn : "Thou wakeful Shepherd", Z 198, Adam's Sleep : "Sleep, Adam, Sleep", Z 195, An Evening Hymn : "Now that the sun", Z 193, On our Saviour's Passion : "The Earth trembled", Z 197, The Aspiration : "How long, great God", Z 189, The Blessed Virgin's Expostulation : "Tell me, some pitying Angel", Z 196 |
| Reinhold Friedrich |
baroque trumpet |
Overture in G, Z 770: Borry, Overture in G, Z 770: Minuet, Overture in G, Z 770: [Andante], Overture in G, Z 770: [Brisk], Overture in G, Z 770: [Jigg], Overture in G, Z 770: [Rigadoon], Sonata in C: Adagio, Sonata in C: Allegro, Sonata in D, Z 850: Adagio, Sonata in D, Z 850: Allegro [Pomposo], Sonata in D, Z 850: Allegro [Presto] |
| Peter Harvey (bass-baritone) |
vocal |
King Arthur, Z. 628: Act I. "Woden first to thee", King Arthur, Z. 628: Act II. "Hither this way", King Arthur, Z. 628: Act II. "Let not a moon-born elf", King Arthur, Z. 628: Act III. "Great love", King Arthur, Z. 628: Act III. "What Power art thou", King Arthur, Z. 628: Act III. Duet "Sound a parley", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act V. "For folded flocks", King Arthur, Z. 628: Act V. "Round thy coast", King Arthur, Z. 628: Act V. "Ye Blust'ring brethren", King Arthur, Z. 628: Act V. Duet. "You say 'tis love" |
| Berliner Barock-Compagney |
performing orchestra |
Overture in G, Z 770: Borry, Overture in G, Z 770: Minuet, Overture in G, Z 770: [Andante], Overture in G, Z 770: [Brisk], Overture in G, Z 770: [Jigg], Overture in G, Z 770: [Rigadoon], Sonata in C: Adagio, Sonata in C: Allegro, Sonata in D, Z 850: Adagio, Sonata in D, Z 850: Allegro [Pomposo], Sonata in D, Z 850: Allegro [Presto] |
| Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) |
vocal |
Act I: Fear no danger to ensue (Belinda, 2nd Woman and Chorus), Act I: Grief increases by concealing (Belinda, Dido, Chorus), Act I: Pursue thy conquest, Love (Belinda), Act I: See, your Royal guest appears (Belinda, Aeneas, Dido), Act I: Shake the cloud from off your brow (Belinda, Chorus), Act I: Whence could so much virtue spring (Dido, Belinda), Act II Scene 2: Haste to town (Belinda, Chorus), Act II Scene 2: Oft she visits this lone mountain (2nd Woman), Act II Scene 2: Stay, Prince! and hear great Jove's command (Spirit, Aeneas), Act II Scene 2: Thanks to these lonesome vales (Belinda, Chorus), Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas) |
| The Purcell Quartet (UK Baroque quartet) |
instrument |
Chacony in G minor for Two Violins, Viola and Bass (Z. 730), Pavan in A major for Two Violins and Bass (Z. 748), Pavan in G minor for Two Violins and Bass (Z. 751), Sonnata no. 1 in B minor (Z. 802), Sonnata no. 10 in D major (Z. 801), Sonnata no. 11 in F minor (Z. 800), Sonnata no. 12 in A major (Z. 799), Sonnata no. 13 in C minor (Z. 798), Sonnata no. 14 in E flat major (Z. 803), Sonnata no. 8 in G major (Z. 797), Three Parts upon a Ground in D major (Z. 731) |
| Stour Music Festival Chamber Orchestra |
performing orchestra |
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Love's goddess sure was blind, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Many such days, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May her blest example chase, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May she to Heaven late return, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Overture, Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture, Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures |
| Emily Van Evera |
vocal |
Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: VII. Bid the Virtues, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms" |
| The King's Musick |
performer, performing orchestra |
King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover", King Arthur: Act IV, Scene. 2: Syrens: "Two Daughters", King Arthur: Act V, Scene. 2: Chaconne, King Arthur: Act V, Scene. 2: Song Tune: "Your Hay", King Arthur: Act V, Scene. 2: Soprano: "You Say", Bass: "This Not My Passion", Bass: "But One Soft Moment", King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks", King Arthur: Act V, Scene. 2: Trumpet Tune, Aeolus: "Ye Blust'ring Brethren", King Arthur: Act V, Scene. 2: Trumpet Tune, Honour: "St. George", King Arthur: Act V, Scene. 2: Venus: "Fairest Isle", King Arthur: ‘Fairest isle’ |
| Gottfried von der Goltz |
conductor |
Orchestral Suite from "Dioclesian": I. Overture, Orchestral Suite from "Dioclesian": II. Dance / Song "If music be the food", Orchestral Suite from "Dioclesian": III. Dance of Bacchanals / Trumpet tune, Orchestral Suite from "Dioclesian": IV. Prelude / Song "Oh how happy" / Hornpipe, Orchestral Suite from "Dioclesian": IX. Chaconne, Orchestral Suite from "Dioclesian": V. Dance of the Furies, Orchestral Suite from "Dioclesian": VI. First music, Orchestral Suite from "Dioclesian": VII. Duet "Lost es my quiet", Orchestral Suite from "Dioclesian": VIII. Prelude / Song "Let the soldiers rejoice" / Act tune, Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance |
| Rosemary Joshua |
vocal |
Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman), Dido & Aeneas Act I: Grief increases by concealing (Belinda), Dido & Aeneas Act I: Pursue thy conquest (Belinda), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act I: Shake the cloud (Belinda), Dido & Aeneas Act I: Whence could so much virtue spring? (Dido), Dido & Aeneas Act II: Haste, haste to town (Belinda), Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido), King Arthur: What Power are thou (Genius, Cupid) (The King's Musicke, Deller Consort, feat. director: Alfred Deller, baritone: Maurice Bevan, soprano: Rosemary Joshua) |
| Nancy Argenta |
vocal |
Orchestral Suite from "Dioclesian": I. Overture, Orchestral Suite from "Dioclesian": II. Dance / Song "If music be the food", Orchestral Suite from "Dioclesian": III. Dance of Bacchanals / Trumpet tune, Orchestral Suite from "Dioclesian": IV. Prelude / Song "Oh how happy" / Hornpipe, Orchestral Suite from "Dioclesian": IX. Chaconne, Orchestral Suite from "Dioclesian": V. Dance of the Furies, Orchestral Suite from "Dioclesian": VI. First music, Orchestral Suite from "Dioclesian": VII. Duet "Lost es my quiet", Orchestral Suite from "Dioclesian": VIII. Prelude / Song "Let the soldiers rejoice" / Act tune, Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance |
| Timothy Wilson (Countertenor) |
vocal |
Come ye sons of art, Z. 323: III. Sound the trumpet, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms" |
| Freiburger Barockorchester |
performing orchestra |
Orchestral Suite from "Dioclesian": I. Overture, Orchestral Suite from "Dioclesian": II. Dance / Song "If music be the food", Orchestral Suite from "Dioclesian": III. Dance of Bacchanals / Trumpet tune, Orchestral Suite from "Dioclesian": IV. Prelude / Song "Oh how happy" / Hornpipe, Orchestral Suite from "Dioclesian": IX. Chaconne, Orchestral Suite from "Dioclesian": V. Dance of the Furies, Orchestral Suite from "Dioclesian": VI. First music, Orchestral Suite from "Dioclesian": VII. Duet "Lost es my quiet", Orchestral Suite from "Dioclesian": VIII. Prelude / Song "Let the soldiers rejoice" / Act tune, Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance |
| Jay Bernfeld |
conductor |
Chaconny, Cold Song, Dido's Lament, Fantasy 5, Hornpipe, How Blest Are Shepherds, Oft She Visits, Round O, Strike the Viol |
| Collegium Vocale Gent |
vocal |
Blow up the Trumpet in Sion, Z. 10, Full anthem, Z 50: Remember not, Lord, our offences, Funeral Sentences for the Death of Queen Mary II: March, Z. 860 / "Man that is born of a woman", Z. 27 / Canzona, Z. 860 / "In the midst of life", Z. 17 / Canzona, Z. 860/ "Thou knowest, Lord", Z. 58C / March, Z. 860, Hear My Prayer, O Lord, Z. 15, My Heart Is Inditing, Z. 30, O Lord God of Hosts, Z. 37, Rejoice in the Lord Always, Z. 49, Remember Not, Lord, Our Offences, Z. 50, Te Deum in D major, Z. 232 |
| Arthur Haas |
harpsichord |
A New Ground, Ground in c, Suite No.6 in D; I - Prelude, Suite No.6 in D; II - Almand, Suite No.6 in D; III - Hornpipe, Suite in g; I - Prelude, Suite in g; II - Almand, Suite in g; III - Corant, Suite in g; IV - Saraband |
| Kirsten Flagstad |
vocal |
Act I: Ah! Belinda, I am press'd with torment (Dido), Act I: Grief increases by concealing (Belinda, Dido, Chorus), Act I: See, your Royal guest appears (Belinda, Aeneas, Dido), Act I: Whence could so much virtue spring (Dido, Belinda), Act II Scene 2: Behold, upon my bended spear (Aeneas, Dido), Act III Scene 2: Thy hand, Belinda; darkness shades me (Dido), Act III Scene 2: When I am laid in earth (Dido), Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas), Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda … When I am laid in earth |
| Fuoco e Cenere |
instrument |
Chaconny, Cold Song, Dido's Lament, Fantasy 5, Hornpipe, How Blest Are Shepherds, Oft She Visits, Round O, Strike the Viol |
| Continuo |
performing orchestra |
King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover", King Arthur: Act IV, Scene. 2: Syrens: "Two Daughters", King Arthur: Act V, Scene. 2: Chaconne, King Arthur: Act V, Scene. 2: Song Tune: "Your Hay", King Arthur: Act V, Scene. 2: Soprano: "You Say", Bass: "This Not My Passion", Bass: "But One Soft Moment", King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks", King Arthur: Act V, Scene. 2: Trumpet Tune, Aeolus: "Ye Blust'ring Brethren", King Arthur: Act V, Scene. 2: Trumpet Tune, Honour: "St. George", King Arthur: Act V, Scene. 2: Venus: "Fairest Isle" |
| Sophie Marin-Degor |
vocal |
Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus), Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus), Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus), Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus), Dido and Aeneas: Act I. "Shake the cloud from off your brow" (Belinda, chorus), Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda), Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus), Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus), Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas) |
| Emma Kirkby (soprano) |
vocal |
Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”, Dido and Aeneas: Act I. “Fear no danger” / Dance, Dido and Aeneas: Act I. “Pursue thy conquest, Love”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act I. “Shake the cloud from off your brow”, Dido and Aeneas: Act I. “Whence could so much virtue spring?”, Dido and Aeneas: Act II. Ritornelle / “Thanks to these lonesome vales”, Dido and Aeneas: Act II. “Haste, haste to town”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain” |
| Philippe Herreweghe |
conductor |
Blow up the Trumpet in Sion, Z. 10, Full anthem, Z 50: Remember not, Lord, our offences, Funeral Sentences for the Death of Queen Mary II: March, Z. 860 / "Man that is born of a woman", Z. 27 / Canzona, Z. 860 / "In the midst of life", Z. 17 / Canzona, Z. 860/ "Thou knowest, Lord", Z. 58C / March, Z. 860, Hear My Prayer, O Lord, Z. 15, My Heart Is Inditing, Z. 30, O Lord God of Hosts, Z. 37, Rejoice in the Lord Always, Z. 49, Remember Not, Lord, Our Offences, Z. 50, Te Deum in D major, Z. 232 |
| Paul Esswood |
vocal |
Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 2, "Stay, Prince", I was glad, Ode for St. Cecilia's Day, Z.328: In vain the am'rous flute and soft guitar, Ode for St. Cecilia's Day, Z.328: The airy violin, Ode for St. Cecilia's Day, Z.328: The fife, and all the harmony of war, Ode for St. Cecilia's Day, Z.328: Tis Nature's voice, Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay |
| Alfredo Bernardini |
conductor |
Suite from The Fairy Queen Z629: Chaconne for Chinese man and woman, Suite from The Fairy Queen Z629: Dance for the Fairies, Suite from The Fairy Queen Z629: Hornpipe, Suite from The Fairy Queen Z629: Monkeys' Dance, Suite from The Fairy Queen Z629: Prelude, Suite from The Fairy Queen Z629: Rondeau, Suite from The Fairy Queen Z629: Song Tune, Suite from The Fairy Queen Z629: Symphony |
| Elizabeth Kenny (lutenist) |
lute |
'Tis Nature's Voice; thro' all the moving Wood, from Z328, Be welcome then, great Sir, from Z324, By beauteous softness, from Z332, Lilliburlero, Z646, Rigadoon, Z653, Sefauchi's Farewell, Z656, Song Tune "Ah! how pleasant 'tis to love", Z353, Song Tune "Still I'm wishing", from Z627 |
| Sheila Armstrong |
vocal |
Dido and Aeneas, Z.626: Act 1, "Ah! Belinda"/"Grief increases"/"When monarchs unite", Dido and Aeneas, Z.626: Act 1, "If not for mine, for empire's sake" ... "To the hills and the vales", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 1, "Shake the cloud from off your brow", Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 2, Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance, Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire" |
| Hanna Bayodi |
vocal |
King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying", King Arthur, Z. 628: Act III. "No part of my dominion", King Arthur, Z. 628: Act III. "Thou doting fool", King Arthur, Z. 628: Act III. "Tis I that have warm'd ye", King Arthur, Z. 628: Act III. "What ho!", King Arthur, Z. 628: Act III. Duet "Sound a parley", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act V. "Fairest isle" |
| Harmony of Nations (baroque orchestra) |
performing orchestra |
Suite from The Fairy Queen Z629: Chaconne for Chinese man and woman, Suite from The Fairy Queen Z629: Dance for the Fairies, Suite from The Fairy Queen Z629: Hornpipe, Suite from The Fairy Queen Z629: Monkeys' Dance, Suite from The Fairy Queen Z629: Prelude, Suite from The Fairy Queen Z629: Rondeau, Suite from The Fairy Queen Z629: Song Tune, Suite from The Fairy Queen Z629: Symphony |
| Philippe Jaroussky |
vocal |
An Evening Hymn Upon a Ground, Hark! How the Songsters of the Grove, Here the Deities Approve, In Vain the Am'rous Flute, Music for a While, Music for a while, O Solitude, My Sweetest Choice |
| Anne Sofie von Otter |
vocal |
Dido & Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) / "Grief increases by concealing..." (Belinda, Dido) / "When monarchs unite, how happy their state" (Chorus), Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus), Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus), Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus), Dido and Aeneas: Aria "When I Am Laid in Earth", Dido and Aeneas: Final Chorus "With Drooping Wings" |
| Alison Crum |
viola da gamba |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around), Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), Incassum Lesbia, incassum rogas 'The Queen's Epicedium' Z383, O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514, The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Andrés Segovia |
arranger, classical guitar |
A New Irish Tune, Giga, Jig, Minuet, Minuetto, New Irish Tune, Rondo [Britten's Theme] |
| Michael George (operatic bass) |
vocal |
Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane" |
| Joseph Cornwell |
vocal |
King Arthur, Z. 628: Act I. "Come if you dare", King Arthur, Z. 628: Act I. "To Woden thanks we render", King Arthur, Z. 628: Act I. "Woden first to thee", King Arthur, Z. 628: Act II. "How blest are shepherds", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act V. "For folded flocks", King Arthur, Z. 628: Act V. "Your hay it is mow'd" |
| Maurice André |
trumpet |
Trumpet Sonata in D major No.2: I. Grave - Allegro, Trumpet Sonata in D major No.2: II. Adagio, Trumpet Sonata in D major No.2: III. March, Trumpet Sonata in D major: I. Allegro, Trumpet Sonata in D major: II. Adagio, Trumpet Sonata in D major: III. Allegro, Trumpet Voluntary |
| Wynton Marsalis |
trumpet |
"Chaconne" from Come Ye Sons Of Art, "Entrada" from The Indian Queen, "Sound the Trumpet" from Come Ye Sons Of Art, "Trumpet Air" from The Indian Queen, "Trumpet Overture" from The Indian Queen, "Trumpet Tune" from King Arthur |
| Tatiana Troyanos (mezzo-soprano) |
vocal |
Dido and Aeneas, Z.626: Act 1, "Ah! Belinda"/"Grief increases"/"When monarchs unite", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 3, "Thy hand, Belinda...When I am laid in earth", Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire" |
| Margaret Baker-Genovesi (soprano) |
vocal |
Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 2, "Oft she visits", Dido and Aeneas, Z.626: Act 2, "Prelude for..."/"Harms our..." / "The Queen"/Ho, ho, ho", Dido and Aeneas, Z.626: Act 2, "Ruin'd ere the set of sun"... "But ere we this perform", Dido and Aeneas, Z.626: Act 2, "Then since our charms have sped" - "A Dance" - The Groves Dance, Dido and Aeneas, Z.626: Act 3, The Sailors' Dance "See the flags and streamers curling" |
| David Miller (UK period lutist / guitarist) |
theorbo |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around), Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), O solitude, my sweetest choice! Z406, The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Gustav Leonhardt |
conductor |
Chacony in G minor, Z 730, Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art, Come ye sons of art, ode for Queen Mary (1694): Sound the trumpet, sound, Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute, Music for the Chapel Royal of England: Verse Anthem "My heart is inditing", Music for the Chapel Royal of England: Verse Anthem "Rejoice in the Lord alway" |
| Susan Bickley |
vocal |
Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act II: Prelude for the Witches, Dido & Aeneas Act II: The Queen of Carthage (Sorceress), Dido & Aeneas Act II: Then since our Charmes have Sped (Chorus), Dido & Aeneas Act III: Our next Motion (Sorceress), Dido & Aeneas Act III: See the flags and streamers curling (Sorceress) |
| Choir of New College Oxford |
vocal |
Hear my prayer, O Lord (Psalm 102, v.1), Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia" |
| Nathan Berg |
vocal |
Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus), Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus), Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus), Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas), Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas) |
| Neil Mackie |
vocal |
Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet", Orpheus Britannicus: "Let sullen discorn smile", Orpheus Britannicus: "So when the glittering Queen of Night", Orpheus Britannicus: "Thou tun'st this world", Orpheus Britannicus: "Why should men quarrel?" |
| Mike Clements (engineer) |
engineer |
Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet", Orpheus Britannicus: "Let sullen discorn smile", Orpheus Britannicus: "So when the glittering Queen of Night", Orpheus Britannicus: "Thou tun'st this world", Orpheus Britannicus: "Why should men quarrel?" |
| Thomas Hemsley (baritone) |
vocal |
Act I: If not for mine, for Empire's sake (Aeneas), Act I: See, your Royal guest appears (Belinda, Aeneas, Dido), Act II Scene 2: Behold, upon my bended spear (Aeneas, Dido), Act II Scene 2: Stay, Prince! and hear great Jove's command (Spirit, Aeneas), Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas) |
| Nigel Rogers |
vocal |
Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches), Dido & Aeneas, Z. 626: Act II. Prelude for the Witches: "Wayward sisters, you that fright" (Sorceress, First Witch) / "Harm's our delight and mischief all our skill" (Chorus) / "The Queen of Carthage, whom we hate" (Sorceress) / "Ho, ho, ho" (Chorus), Dido & Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) / "Destruction's our delight" (Chorus), Dido & Aeneas, Z. 626: Act III. The Sailors' Dance / "See the flags and streamers curling" (Sorceress, Witches), Dido and Aeneas, Z.626: Act 3, Prelude - "Come away, fellow sailors" |
| Stephen Varcoe |
vocal |
Dido & Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Æneas) / "Pursue thy conquest, Love" (Belinda) / "To the hills and the vales, to the rocks and the mountains" (Chorus), Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus), Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus), Dido & Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Æneas), Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus) |
| Barry McDaniel |
vocal |
Dido and Aeneas, Z.626: Act 1, "If not for mine, for empire's sake" ... "To the hills and the vales", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 2, "Stay, Prince", Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire" |
| Australian Intervarsity Choral Festival Choir |
vocal |
Come ye sons of art (Choruses), Dido: Dido's lament, Dido: With drooping wings, Oh, Lord God, How many are they, Te Deum Laudamus |
| Rogers Covey-Crump (tenor) |
vocal |
In Guilty Night (Saul and the Witch of Endor), Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race" |
| Patricia Johnson (mezzo-soprano vocalist) |
vocal |
Dido and Aeneas, Z.626: Act 2, "Prelude for..."/"Harms our..." / "The Queen"/Ho, ho, ho", Dido and Aeneas, Z.626: Act 2, "Ruin'd ere the set of sun"... "But ere we this perform", Dido and Aeneas, Z.626: Act 2, "Then since our charms have sped" - "A Dance" - The Groves Dance, Dido and Aeneas, Z.626: Act 3, "Our next motion" - "Destructions's our delight", Dido and Aeneas, Z.626: Act 3, The Sailors' Dance "See the flags and streamers curling" |
| Dominique Visse |
vocal |
Dido & Aeneas Act II: But ere we this perform (Two Witches), Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act II: Prelude for the Witches, Dido & Aeneas Act III: See the flags and streamers curling (Sorceress), Man Is for the Woman Made |
| Edward Higginbottom |
chorus master, conductor |
Hear my prayer, O Lord (Psalm 102, v.1), Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia" |
| Catherine Bott |
vocal |
Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act I. “Whence could so much virtue spring?”, Dido and Aeneas: Act II. “Behold, upon my bending spear”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain” |
| Andrew Keener (engineer/editor/producer) |
producer |
Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet", Orpheus Britannicus: "Let sullen discorn smile", Orpheus Britannicus: "So when the glittering Queen of Night", Orpheus Britannicus: "Thou tun'st this world", Orpheus Britannicus: "Why should men quarrel?" |
| Honor Sheppard |
vocal |
In Guilty Night, Jubilate Deo, King Arthur: ‘Fairest isle’, Man that is born of a woman, Te Deum |
| Raquel Andueza |
vocal |
Ah! Belinda, Hark! How the Songsters of the Grove, O Let Me Weep (The Plaint), Strike the Viol, When I Am Laid in Earth |
| Gerald Finley |
vocal |
Dido & Aeneas Act I: If not for mine (Aeneas), Dido & Aeneas Act I: See, your Royal Guest appears (Belinda), Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas), Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit), Dido & Aeneas Act III: Your counsel all is urged in vain (Dido) |
| Scottish Chamber Orchestra |
performing orchestra |
Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet", Orpheus Britannicus: "Let sullen discorn smile", Orpheus Britannicus: "So when the glittering Queen of Night", Orpheus Britannicus: "Thou tun'st this world", Orpheus Britannicus: "Why should men quarrel?" |
| John Harper |
conductor |
Hear My Prayer, O Lord, Z. 14, I Was Glad When They Said Unto Me, Z. 19 (attrib. John Blow), O God, Thou Hast Cast Us Out, Z. 36, Remember Not, Lord, Our Offences, Z. 50 |
| Tessa Bonner |
vocal |
Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine", Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame", Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial |
| Sophie Daneman |
vocal |
Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches), Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus), Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman), Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress) |
| Pro Cantione Antiqua |
vocal |
Once, Twice, Thrice, Since Time So Kind, Under This Stone, Would You Know |
| Philip Ledger |
conductor |
A Clockwork Orange: Funeral Music for Queen Mary: March, Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord", Rejoice in the Lord Always, Thou Knowest, Lord |
| Friedrich Kircheis |
organ |
Konzert D-Dur für Trompete und Orgel: I. Pomposo, Konzert D-Dur für Trompete und Orgel: II. Adagio, Konzert D-Dur für Trompete und Orgel: III. Allegro ma non troppo, Sonata in D |
| The Choir of Magdalen College, Oxford |
vocal |
Hear My Prayer, O Lord, Z. 14, I Was Glad When They Said Unto Me, Z. 19 (attrib. John Blow), O God, Thou Hast Cast Us Out, Z. 36, Remember Not, Lord, Our Offences, Z. 50 |
| Julianne Baird |
vocal |
Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”, Dido and Aeneas: Act I. “Fear no danger” / Dance, Dido and Aeneas: Act I. “Whence could so much virtue spring?”, Dido and Aeneas: Act II. “Oft she visits” / Ritornelle |
| Choir of King’s College, Cambridge |
performer, vocal |
Christ is made the sure Foundation (The Choir of King's College feat. conductor: Stephen Cleobury), Music for the Chapel Royal of England: Verse Anthem "My heart is inditing", Music for the Chapel Royal of England: Verse Anthem "Rejoice in the Lord alway", Thou Knowest, Lord |
| Paul Hillier |
vocal |
I Spy Celia, Lost in my quiet, Since time so kind to us does prove, When the cock begins to crow |
| David James (countertenor) |
vocal |
Here's that will challenge all the Fair, Since time so kind to us does prove, Sweeter than Roses, When the cock begins to crow |
| Cyril Auvity (tenor) |
vocal |
King Arthur, Z. 628: Act I. "I call you all", King Arthur, Z. 628: Act I. "To Woden thanks we render", King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover", King Arthur, Z. 628: Act V. "For folded flocks" |
| Vincenzo Capezzuto |
vocal |
'Twas Within a Furlong, In Vain the Am'rous Flute, One Charming Night, Wondrous Machine |
| Crispian Steele-Perkins |
trumpet |
Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet", Trumpet Sonata in D: I. Pomposo, Trumpet Sonata in D: II. Adagio, Trumpet Sonata in D: III. Presto |
| Ludwig Güttler |
trumpet |
Konzert D-Dur für Trompete und Orgel: I. Pomposo, Konzert D-Dur für Trompete und Orgel: II. Adagio, Konzert D-Dur für Trompete und Orgel: III. Allegro ma non troppo, Sonata in D |
| Gillian Fisher |
vocal |
Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame" |
| Dame Janet Baker |
vocal |
Ah! Cruel, bloody fate, Z606, But death, alas! ... When I am laid in earth ... With drooping wings (Dido and Aeneas), O lead me to some peaceful gloom, Z574, Pursuing Beauty, Z588 |
| Maurice Bevan |
vocal |
In Guilty Night, Jubilate Deo, Man that is born of a woman, Te Deum |
| Giles Tomkins (Canadian bass-baritone) |
vocal |
Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris, Circe, Z. 575. "Their Necessary Aid You Use", Circe, Z. 575. "We Must Assemble By a Sacrific", Sir Barnay Whigg, Z. 589: "Blow, Boreas, Blow" |
| Michael Rippon |
vocal |
Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: Let these amongst themselves contest, Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay |
| Robin Blaze |
vocal |
'Tis Nature's Voice; thro' all the moving Wood, from Z328, Be welcome then, great Sir, from Z324, By beauteous softness, from Z332, Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit) |
| Claire Brua |
vocal |
Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus), Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus), Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress) |
| Frans Brüggen |
conductor |
Fantasia à 4 "Chacony", Fantasia à 4 "Three parts on a ground", Fantasia à 5 "Upon one note" |
| Philip Jones Brass Ensemble |
instrument, performing orchestra |
A Clockwork Orange: Funeral Music for Queen Mary: March, Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord", Thou Knowest, Lord |
| Yehudi Menuhin |
conductor, violin |
Abdelazer: Rondeau, King Arthur: Trumpet Tune, Air, Symphony, Hornpipe & Passacaglia, Trio Sonata in F major, Z 810 "Golden Sonata": I. Allegro |
| Leigh Nixon |
vocal |
Here's that will challenge all the Fair, Lost in my quiet, Since time so kind to us does prove |
| John Shirley-Quirk (bass-baritone) |
vocal |
Ode for St. Cecilia's Day, Z.328: Hark, hark, each tree its silence breaks, Ode for St. Cecilia's Day, Z.328: Let these amongst themselves contest, Ode for St. Cecilia's Day, Z.328: Wondrous machine! |
| Leonhardt-Consort |
performing orchestra |
Chacony in G minor, Z 730, Music for the Chapel Royal of England: Verse Anthem "My heart is inditing", Music for the Chapel Royal of England: Verse Anthem "Rejoice in the Lord alway" |
| Vladimír Rusó |
organ |
Sonata for Trumpet and Organ: 1. Pomposo, Sonata for Trumpet and Organ: 2. Andante maestoso, Sonata for Trumpet and Organ: 3. Allegro ma non troppo |
| Brian Duyn |
vocal |
Circe, Z. 575. "Come Every Demon", Circe, Z. 575. "Their Necessary Aid You Use", Sir Barnay Whigg, Z. 589: "Blow, Boreas, Blow" |
| Catherine Latham (oboist) |
recorder |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Joy Hall |
violoncello piccolo |
Ah! Cruel, bloody fate, Z606, O lead me to some peaceful gloom, Z574, Pursuing Beauty, Z588 |
| Neil Jenkins |
vocal |
Jubilate Deo, Man that is born of a woman, Te Deum |
| Tiffin Boys’ Choir |
vocal |
Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: Soul of the world, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above |
| James Levine (US conductor and pianist) |
grand piano |
Come All Ye Songsters (The Fairy Queen, Act II, No. 9), Music for a While (Oedipus), Sweet Than Roses (Pausanias, the Betrayer of His Country) |
| Kamil Roško |
trumpet |
Sonata for Trumpet and Organ: 1. Pomposo, Sonata for Trumpet and Organ: 2. Andante maestoso, Sonata for Trumpet and Organ: 3. Allegro ma non troppo |
| Richard Hickox |
conductor |
Trumpet Sonata in D: I. Pomposo, Trumpet Sonata in D: II. Adagio, Trumpet Sonata in D: III. Presto |
| Stephen Wallace |
vocal |
Dido & Aeneas Act II: But ere we this perform (Two Witches), Dido & Aeneas Act II: Ho ho ho, ho ho ho! (Chorus), Dido & Aeneas Act III: See the flags and streamers curling (Sorceress) |
| Margaret Lensky (Contralto and composer) |
vocal |
Dido and Aeneas, Z.626: Act 2, "Ruin'd ere the set of sun"... "But ere we this perform", Dido and Aeneas, Z.626: Act 2, "Then since our charms have sped" - "A Dance" - The Groves Dance, Dido and Aeneas, Z.626: Act 3, The Sailors' Dance "See the flags and streamers curling" |
| Marion Scott (woodwinds) |
recorder |
Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids), Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ), Timon of Athens Z632 (Duet: Hark how the songsters) |
| Gaëlle Méchaly |
vocal |
Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches), Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus), Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress) |
| Kathleen Battle |
vocal |
Come All Ye Songsters (The Fairy Queen, Act II, No. 9), Music for a While (Oedipus), Sweet Than Roses (Pausanias, the Betrayer of His Country) |
| Orchestra of the Eighteenth Century |
performer |
Fantasia à 4 "Chacony", Fantasia à 4 "Three parts on a ground", Fantasia à 5 "Upon one note" |
| The Ambrosian Singers |
vocal |
Ode for St. Cecilia's Day, Z.328: Hail, bright Cecilia!, Ode for St. Cecilia's Day, Z.328: Soul of the world, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above |
| Anneke Pols |
viola da gamba |
I Spy Celia, Lost in my quiet, Sweeter than Roses |
| Paul Elliott (US tenor vocalist, member of Theatre of Voices) |
vocal |
Here's that will challenge all the Fair, I Spy Celia, When the cock begins to crow |
| Max van Egmond |
vocal |
Fly swift, ye hours, Return, revolting Rebels, The Father Brave |
| Wieland Kuijken |
viola da gamba |
King Arthur, Akt V: "Fairest isle", Music for a while, Ödipus: Music for a while |
| City of London Baroque Sinfonia |
performing orchestra |
Trumpet Sonata in D: I. Pomposo, Trumpet Sonata in D: II. Adagio, Trumpet Sonata in D: III. Presto |
| Lena-Liis Kiesel |
harpsichord |
I Spy Celia, Lost in my quiet, Sweeter than Roses |
| Sarah Leonard |
vocal |
Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus), Dido & Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second woman) / Ritornelle |
| Saint Paul Chamber Orchestra |
performing orchestra |
Chaconne in G, Ciacona in G minor |
| Simon Grant (Bass-Baritone) |
vocal |
Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: V. Then lift up your voices |
| Simon Keenlyside |
vocal |
Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest" |
| Simon Woolf |
vocal |
Ode for St. Cecilia's Day, Z.328: Hark, hark, each tree its silence breaks, Ode for St. Cecilia's Day, Z.328: Thou tun'st this world below, the spheres above |
| Saint Andrew's Cathedral Choir (Sydney, Australia) |
vocal |
Psalm 93, Psalm 94 |
| Rufus Müller |
vocal |
Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: V. Then lift up your voices |
| Ross Wood |
organ |
Fanfare, Trumpet Tune |
| Roland Tatnell (Countertenor) |
vocal |
Ode for St. Cecilia's Day, Z.328: With rapture of delight, Ode for St. Cecilia's Day, Z.328: With that sublime celestial lay |
| Pinchas Zukerman |
conductor |
Chaconne in G, Ciacona in G minor |
| Peter Kneeshaw |
organ |
Christ is Made the Sure Foundation, Psalm 127 |
| Oxford Camerata |
performer, vocal |
O God, Thou Hast Cast Us Out, Sacred song, Z. 135 "Jehova, quam multi sunt hostes mei" |
| Orchestra of The Sixteen |
performing orchestra |
Funeral Music for Queen Mary (1695): Canzona, Funeral Music for Queen Mary (1695): March |
| Stanley Drummond Wolff |
instrument arranger |
Fanfare, Trumpet Tune |
| Stephen Cleobury |
conductor, organ |
Christ is made the sure Foundation (The Choir of King's College feat. conductor: Stephen Cleobury), Music for the funeral of Queen Mary |
| Northwest Chamber Orchestra of Seattle |
performing orchestra |
Two Christmas Interludes: Interlude 1, Two Christmas Interludes: Interlude 2 |
| Nicole Bower (Canadian soprano) |
vocal |
Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris, Circe, Z. 575. "Lovers Who To Their First Embraces Go" |
| Nicolas Robertson (Tenor) |
vocal |
Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial, Welcome to all the pleasures, Z. 339: VII. In a consort of voices |
| Steve Dugardin |
vocal |
Hail! Bright Cecilia, ode for St. Cecilia's day: In vain the am'rous flute, Love's goddes sure was blind, ode for Queen Mary (1692): Sweetness of nature |
| Nicholas Parker (Producer, Engineer) |
producer, sound |
Fantasia à 4 No. 5 in B flat major, In nomine à 6 in G minor, Z. 746 |
| Mitzi Meyerson |
harpsichord, organ |
Now that the Sun hath Veil'd his Light, Welcome to all the Pleasures: Here the Deities approve |
| Susan Gritton |
vocal |
In Guilty Night (Saul and the Witch of Endor), Not all my Torments |
| Tafelmusik |
performing orchestra |
Incidental Music to "Abdelazar", or "The Moor's Revenge", Musick in King Arthur: 13. Chacone |
| María Cristina Kiehr |
vocal |
Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman), Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman) |
| Knox Gallery Choir |
vocal |
Christ is Made the Sure Foundation, Psalm 127 |
| Sara Stowe |
vocal |
Dido and Aeneas: Act II. “The Queen of Carthage, whom we hate”, Dido and Aeneas: Act III. “See the flags and streamers curling” |
| Jeremy Summerly |
conductor |
O God, Thou Hast Cast Us Out, Sacred song, Z. 135 "Jehova, quam multi sunt hostes mei" |
| Jennifer Vyvyan |
vocal |
O Let Me Weep, for Ever Weep, Symphony ... Hark! hark! the echoing air (The Fairy Queen) |
| Jean-Paul Fouchécourt |
vocal |
Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas), Dido and Aeneas: Act III, Scene I. "Come away" (Sailor, chorus) - The Sailor's Dance |
| The Boston Brass Ensemble |
instrument |
Dido and Aeneas: Dido's Lament, Dido and Aeneas: Thy Hand Belinda |
| Hungarian State Opera Chamber Orchestra |
performing orchestra |
Sonata for Trumpet and Strings: Adagio, Sonata for Trumpet and Strings: Allegro |
| The Choir of St John’s College, Cambridge |
performer |
I was glad, Music for the funeral of Queen Mary |
| Heather Harper |
vocal |
Dido and Aeneas: Act 3, "Your counsel is urg'd in vain", Fairest isle (King Arthur) |
| Harald Feller |
organ |
Sonata in D major: Andante maestoso, Sonate in D-Dur: Andante maestoso |
| Gérard Lesne |
vocal |
Hail! Bright Cecilia, ode for St. Cecilia's day: In vain the am'rous flute, Love's goddes sure was blind, ode for Queen Mary (1692): Sweetness of nature |
| George Guest (organist and conductor) |
conductor |
I was glad, Music for the funeral of Queen Mary |
| Fretwork |
viola da gamba |
Fantasia à 4 No. 5 in B flat major, In nomine à 6 in G minor, Z. 746 |
| Ede Inhoff (trumpeter) |
trumpet |
Sonata for Trumpet and Strings: Adagio, Sonata for Trumpet and Strings: Allegro |
| Drew Minter |
vocal |
Now that the Sun hath Veil'd his Light, Welcome to all the Pleasures: Here the Deities approve |
| Christopher Robson (Opera & Concert Singer (Countertenor)) |
vocal |
Come ye sons of art, ode for Queen Mary (1694): Sound the trumpet, sound, Jubilate Deo in D major |
| Christina Clarke |
vocal |
Jubilate Deo, Te Deum |
| Carol Hall (Mezzo-soprano) |
vocal |
Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches), Dido & Aeneas, Z. 626: Act III. The Sailors' Dance / "See the flags and streamers curling" (Sorceress, Witches) |
| Carlo Curley |
harpsichord, organ |
Rondeau, Tune in D major |
| Trinity Brass Ensemble |
performer |
Fanfare, Trumpet Tune |
| Brian Jones (organist and choir director) |
conductor |
Fanfare, Trumpet Tune |
| Bernhard Schmid |
trumpet |
Sonata in D major: Andante maestoso, Sonate in D-Dur: Andante maestoso |
| Bath Festival Orchestra |
performing orchestra |
Abdelazer: Rondeau, King Arthur: Trumpet Tune, Air, Symphony, Hornpipe & Passacaglia |
| Barbara Bonney |
vocal |
Come Again: Sweet Love Doth Now Invite, Dido & Æneas, Akt III: "When I am laid in earth" |
| Alun Francis |
conductor |
Two Christmas Interludes: Interlude 1, Two Christmas Interludes: Interlude 2 |
| Alexander Young (tenor) |
vocal |
Ode for St. Cecilia's Day, Z.328: In vain the am'rous flute and soft guitar, Ode for St. Cecilia's Day, Z.328: With rapture of delight |
| Kammerchor CantART Halle Saale |
vocal |
In these delightful pleasant groves, Nunc dimittis |
| José-Luis García (violinist & conductor) |
conductor |
Chanconne g-Moll |
| Gary Karr |
cello |
Rigadoon |
| Judith Sherman |
producer |
Four Part Fantasia no. 2 |
| Paul McCreesh |
conductor |
Ode for St. Cecilia's Day: "Thou tun'st this world below, the spheres above" |
| Paul O’Dette |
lute |
Now that the Sun hath Veil'd his Light |
| Judy Kirschner |
engineer |
Four Part Fantasia no. 2 |
| Peter Glossop (opera singer) |
vocal |
Dido and Aeneas: Act 3, "Your counsel is urg'd in vain" |
| Atlanta Symphony Orchestra |
performing orchestra |
Dido and Aeneas: When I Am Laid in Earth / With Drooping Wings |
| Peter Hurford |
organ |
Trumpet Tune and Air |
| Jörg Faerber |
arranger, conductor |
Trumpet Voluntary |
| Peter Mahon |
vocal |
Circe, Z. 575. "Their Necessary Aid You Use" |
| Philharmonia Baroque Orchestra |
performing orchestra |
Dido and Aeneas: 3. Akt, 1. Szene (the Ships) |
| Choir of Westminster Abbey |
vocal |
Remember not, Lord, our offences |
| Choir of the Golden Age |
vocal |
Jubilate Deo in D major |
| Desmond Dupré |
viola da gamba |
Music for a while (Oedipus) |
| Christian Schmitt (organist) |
organ |
Tell Me, Some Pitying Angel (The Blessed Virgin's Expostulation), Z 196 |
| Kathleen Ferrier |
vocal |
Mad Bess of Bedlam |
| Phyllis Spurr |
piano |
Mad Bess of Bedlam |
| Atlanta Symphony Orchestra Chorus |
vocal |
Dido and Aeneas: When I Am Laid in Earth / With Drooping Wings |
| Gioconda de Vito |
violin |
Trio Sonata in F major, Z 810 "Golden Sonata": I. Allegro |
| Klaus Nomi |
vocal |
Air du froid |
| Christine Brewer |
vocal |
Dido and Aeneas: When I Am Laid in Earth / With Drooping Wings |
| Kronos Quartet |
producer, strings |
Four Part Fantasia no. 2 |
| Reinhard Goebel |
conductor |
Chaconne g-moll Z807 |
| Kym Amps (English soprano) |
vocal |
Dido & Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Æneas) |
| Christoph Franke (producer and sound engineer) |
producer |
Tell Me, Some Pitying Angel (The Blessed Virgin's Expostulation), Z 196 |
| René Möller |
balance |
Tell Me, Some Pitying Angel (The Blessed Virgin's Expostulation), Z 196 |
| György Geiger |
trumpet |
Trumpet Tune |
| Laurence Cummings |
performer |
Sacred song, Z. 135 "Jehova, quam multi sunt hostes mei" |
| Richard Hickox Orchestra |
performing orchestra |
Chacony in G minor |
| Richard Lee (engineer) |
sound |
Hear my prayer, O Lord (Psalm 102, v.1) |
| Richard Wistreich |
vocal |
Welcome to all the pleasures, Z. 339: V. Then lift up your voices |
| Robert Glenton |
conductor |
Jubilate Deo in D major |
| Robert Gooch (engineer) |
balance |
Rejoice in the Lord Always |
| Christopher Bishop (conductor/producer) |
producer |
Rejoice in the Lord Always |
| Robert Shaw (conductor) |
conductor |
Dido and Aeneas: When I Am Laid in Earth / With Drooping Wings |
| Edita Gruberová |
vocal |
"Sound the Trumpet" from Come Ye Sons Of Art |
| Edward Brewer |
harpsichord |
Chaconne g-moll - Andante |
| Béatrice Jarrige |
vocal |
King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover" |
| Roman Perucki |
organ |
Trumpet Tune |
| Rosalind McArthur (New Zealand born mezzo-soprano) |
vocal |
Circe, Z. 575. "Lovers Who To Their First Embraces Go" |
| Rose Consort of Viols |
performer |
Fantazia F, Z737 (extract) |
| Capricorn Ensemble |
instrument |
Hear my prayer, O Lord (Psalm 102, v.1) |
| Harmon Lewis (Pianist) |
piano |
Rigadoon |
| Rudi Zapf |
hammered dulcimer |
Rondeau |
| Rudolf Baumgartner (conductor) |
conductor |
Ciaccona in sol minore |
| Australian Brandenburg Orchestra |
performing orchestra |
Prelude from "The Fairy Queen" |
| Elizabeth Anderson (harpsichordist) |
harpsichord |
A New Ground |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
Abdelazer - Rondo |
| Ludwig Güttler Brass Ensemble |
performing orchestra |
Trumpet Tune and Air |
| 中村容子 (Japanese harpsichordist - Yōko Nakamura) |
harpsichord |
Music for a while |
| Magdalena Kožená |
vocal |
Tell Me, Some Pitying Angel (The Blessed Virgin's Expostulation), Z 196 |
| Helen Watts (contralto) |
vocal |
Music for a while (Oedipus) |
| Hervey Alan |
vocal |
Arise, ye subterranean winds (The Tempest) |
| Andrew Carwood |
performer |
Sacred song, Z. 135 "Jehova, quam multi sunt hostes mei" |
| Accademia Bizantina |
performer |
Sound the Trumpet |
| Craig Silvey |
engineer |
Four Part Fantasia no. 2 |
| Martin Neary (organist and choral conductor) |
conductor |
Remember not, Lord, our offences |
| Mary Springfels |
viola da gamba |
Now that the Sun hath Veil'd his Light |
| Sir John Barbirolli |
conductor |
Dido and Aeneas: Act 3, "Your counsel is urg'd in vain" |
| Ian Honeyman |
vocal |
Jubilate Deo in D major |
| Ian Partridge |
vocal |
I was glad |
| Ingrid Westermeier |
classical guitar |
Rondeau |
| English Chamber Choir |
vocal |
Dido and Aeneas : When I am laid in Earth |
| Jacob Heringman |
lute |
Come Again: Sweet Love Doth Now Invite |
| Michael Cockerham |
vocal |
Rejoice in the Lord Always |
| Jacques Doll |
sound |
Hear my prayer, O Lord (Psalm 102, v.1) |
| Stafford Dean |
vocal |
I was glad |
| Michael Laird Brass Ensemble |
performer |
Trumpet Tune and Air |
| Michael McCarthy (classical bass vocalist, choirmaster) |
performer |
Sacred song, Z. 135 "Jehova, quam multi sunt hostes mei" |
| Andrew King (opera tenor) |
vocal |
Rejoice in the Lord Always |
| Michelle Kettrick (American soprano) |
vocal |
Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh" |
| Antony Walker (conductor) |
conductor |
Symphony - Canzona From "The Fairy Queen" |
| Jane Ryan |
performer |
Music for the funeral of Queen Mary |
| Miriam Allan |
vocal |
The Fairy Queen, Act IV: "Thus the Ever Grateful Spring" |
| Evelyn Tubb |
vocal |
Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial |
| Susan Bisatt |
vocal |
Jubilate Deo in D major |
| Andrea Jeffrey (Canadian soprano) |
vocal |
Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest" |
| Susan Hemington Jones |
vocal |
Ode for St. Cecilia's Day: "Thou tun'st this world below, the spheres above" |
| Jeanne Lamon |
conductor |
Musick in King Arthur: 13. Chacone |
| Jeni Bern |
vocal |
Jubilate Deo in D major |
| Musica Antiqua Köln |
performing orchestra |
Chaconne g-moll Z807 |
| Festival Strings Lucerne |
performing orchestra |
Ciaccona in sol minore |
| Terence Weil |
cello |
The Fairy Queen: Hark, how all things |
| Florian Deuter |
chorus master |
Ode for St. Cecilia's Day: "Thou tun'st this world below, the spheres above" |
| Jessye Norman |
vocal |
Thy hand, Belinda ... When I am Laid in Earth |
| Neil Aronoff (Canadian baritone) |
vocal |
Circe, Z. 575. "Pluto, Arise!" |
| Francis Grier |
pipe organ |
Rejoice in the Lord Always |
| John Bowen (tenor vocalist) |
vocal |
Dido & Aeneas Act III: Come away, fellow sailors (Chorus) |
| Nicholas Hayes (bass singer) |
vocal |
Rejoice in the Lord Always |
| The City Waites |
performer |
Pox on You for a Fop |
| Nicholas McGegan |
conductor |
Dido and Aeneas: 3. Akt, 1. Szene (the Ships) |
| Daniel Lochmann |
vocal |
Dido and Aeneas: Act III. Prelude / “Come away, fellow sailors” |
| Nicola Jenkin |
vocal |
Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures |
| Nicolas Flagello (composer and conductor) |
conductor |
Voluntary: Fairy Queen, Z 629: Suite |
| Daniel-Ben Pienaar |
arranger, piano |
Fantasia 4, Z735 |
| Andrew Watkinson (violinist/conductor) |
performer |
Abdelazer - Rondo |
| John Shinebourne |
cello |
Trio Sonata in F major, Z 810 "Golden Sonata": I. Allegro |
| Thomas Guthrie |
vocal |
Jubilate Deo in D major |
| Norman Engel (Trumpeter) |
trumpet |
The Indian Queen, Z. 630: Trumpet Overture |
| Thurston Dart |
harpsichord |
Music for a while (Oedipus) |
| Bertalan Hock |
organ |
Trumpet Tune |
| Orchestra da Camera di Roma |
performing orchestra |
Voluntary: Fairy Queen, Z 629: Suite |
| Trevor Anthony |
vocal |
What power art thou? (Frost scene, King Arthur) |
| John Whitworth |
vocal |
Sound the trumpet |
| David Kinsela (NSW, Australia based organist) |
organ |
Trumpet Tune |
| Victoria de los Ángeles |
vocal |
Dido and Aeneas: Act 3, "Your counsel is urg'd in vain" |
| Orchestra of the Antipodes |
performing orchestra |
Symphony - Canzona From "The Fairy Queen" |
| Jonathan Freeman-Attwood |
trumpet |
Fantasia 4, Z735 |
| Orchestra of the Golden Age |
performing orchestra |
Jubilate Deo in D major |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
Chaconne g-moll - Andante |
| Bob Levy |
engineer |
Four Part Fantasia no. 2 |
| William Purefoy |
vocal |
Jubilate Deo in D major |
| Gabrieli Consort & Players |
performing orchestra |
Ode for St. Cecilia's Day: "Thou tun'st this world below, the spheres above" |
| Paul Dyer |
conductor |
Prelude from "The Fairy Queen" |
| L'Ensemble Orchestral de L'Oiseau-Lyre |
performing orchestra |
Sound the trumpet |