Stand Alones

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Artist name Roles Recordings
Benjamin Britten conductor Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2, Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro, Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro, Brandenburg Concerto No.5 in D major, BWV 1050 - Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro, Choral Dances from "Gloriana", Hankin Booby, Lisbon, My Robin Is to Green Wood Gone, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor", Prelude and Fugue for 18-part String Orchestra, op. 29, Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto, Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso, Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre, Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante, Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master", St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, III. Chorus "O generous love!", St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also", St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!", St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist), St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison", St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight", St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord", St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul", St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale), St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven", St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body", St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale), St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale), St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al., St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale), St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative), St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso), St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus), St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria), St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative), St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale), St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative), Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio, Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante, Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio, Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro, Symphony No. 29 in A major, K. 201: I. Allegro moderato, Symphony No. 29 in A major, K. 201: II. Andante, Symphony No. 29 in A major, K. 201: III. Menuetto e Trio, Symphony No. 29 in A major, K. 201: IV. Allegro con spirito, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro, Symphony No. 40 in G minor, K. 550 "Great": II. Andante, Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai, Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato, Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto, Szenen aus Goethes Faust: Ouvertüre, The ‘Duke of Marlborough’ Fanfare, Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante, Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante, Variations on a Theme of Frank Bridge, op. 10: Chant. Lento, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne, Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento, Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto, Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso, Variations on a Theme of Frank Bridge, op. 10: Variation 4: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
English Chamber Orchestra performing orchestra Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2, Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro, Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro, Brandenburg Concerto No.5 in D major, BWV 1050 - Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro, Choral Dances from "Gloriana", Hankin Booby, Lisbon, My Robin Is to Green Wood Gone, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor", Prelude and Fugue for 18-part String Orchestra, op. 29, Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto, Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso, Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre, Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante, Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master", St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, III. Chorus "O generous love!", St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also", St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!", St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist), St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison", St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight", St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord", St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul", St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale), St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven", St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body", St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale), St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale), St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al., St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale), St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative), St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso), St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus), St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria), St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative), St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale), St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative), Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio, Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante, Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio, Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro, Symphony No. 29 in A major, K. 201: I. Allegro moderato, Symphony No. 29 in A major, K. 201: II. Andante, Symphony No. 29 in A major, K. 201: III. Menuetto e Trio, Symphony No. 29 in A major, K. 201: IV. Allegro con spirito, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro, Symphony No. 40 in G minor, K. 550 "Great": II. Andante, Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai, Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato, Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto, Szenen aus Goethes Faust: Ouvertüre, The ‘Duke of Marlborough’ Fanfare, Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante, Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante, Variations on a Theme of Frank Bridge, op. 10: Chant. Lento, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne, Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento, Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto, Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso, Variations on a Theme of Frank Bridge, op. 10: Variation 4: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
Peter Pears vocal Choral Dances from "Gloriana", Hankin Booby, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor", St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist), St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative), St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative), St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative)
Wandsworth School Boys’ Choir vocal St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master", St. John Passion, BWV 245: Part I, III. Chorus "O generous love!", St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!", St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord", St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale), St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven", St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale), St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale), St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale), St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus), St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale)
Richard Adeney (flautist) flute Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"

Collaborators on this artist's recordings

Artist name Roles Recordings
Benjamin Britten conductor Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2, Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro, Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro, Brandenburg Concerto No.5 in D major, BWV 1050 - Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro, Choral Dances from "Gloriana", Hankin Booby, Lisbon, My Robin Is to Green Wood Gone, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor", Prelude and Fugue for 18-part String Orchestra, op. 29, Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto, Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso, Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre, Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante, Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master", St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, III. Chorus "O generous love!", St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also", St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!", St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist), St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison", St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight", St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord", St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul", St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale), St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven", St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body", St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale), St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale), St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al., St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale), St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative), St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso), St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus), St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria), St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative), St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale), St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative), Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio, Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante, Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio, Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro, Symphony No. 29 in A major, K. 201: I. Allegro moderato, Symphony No. 29 in A major, K. 201: II. Andante, Symphony No. 29 in A major, K. 201: III. Menuetto e Trio, Symphony No. 29 in A major, K. 201: IV. Allegro con spirito, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro, Symphony No. 40 in G minor, K. 550 "Great": II. Andante, Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai, Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato, Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto, Szenen aus Goethes Faust: Ouvertüre, The ‘Duke of Marlborough’ Fanfare, Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante, Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante, Variations on a Theme of Frank Bridge, op. 10: Chant. Lento, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne, Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento, Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto, Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso, Variations on a Theme of Frank Bridge, op. 10: Variation 4: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
English Chamber Orchestra performing orchestra Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2, Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro, Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro, Brandenburg Concerto No.5 in D major, BWV 1050 - Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo, Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro, Choral Dances from "Gloriana", Hankin Booby, Lisbon, My Robin Is to Green Wood Gone, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor", Prelude and Fugue for 18-part String Orchestra, op. 29, Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto, Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso, Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre, Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante, Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master", St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, III. Chorus "O generous love!", St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also", St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!", St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist), St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison", St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight", St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord", St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul", St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale), St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven", St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body", St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale), St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale), St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al., St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale), St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative), St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso), St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus), St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria), St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative), St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale), St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative), Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio, Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante, Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio, Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro, Symphony No. 29 in A major, K. 201: I. Allegro moderato, Symphony No. 29 in A major, K. 201: II. Andante, Symphony No. 29 in A major, K. 201: III. Menuetto e Trio, Symphony No. 29 in A major, K. 201: IV. Allegro con spirito, Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro, Symphony No. 38 in D major, K. 504 "Prague": II. Andante, Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro, Symphony No. 40 in G minor, K. 550 "Great": II. Andante, Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto, Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai, Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato, Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto, Szenen aus Goethes Faust: Ouvertüre, The ‘Duke of Marlborough’ Fanfare, Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante, Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante, Variations on a Theme of Frank Bridge, op. 10: Chant. Lento, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne, Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento, Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto, Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso, Variations on a Theme of Frank Bridge, op. 10: Variation 4: Aria Italiana, Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
Peter Pears vocal Choral Dances from "Gloriana", Hankin Booby, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor", St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist), St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative), St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative), St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative)
Wandsworth School Boys’ Choir vocal St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master", St. John Passion, BWV 245: Part I, III. Chorus "O generous love!", St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!", St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist), St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound", St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord", St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale), St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light", St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven", St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale), St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al., St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al., St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale), St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale), St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus), St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale)
Richard Adeney (flautist) flute Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
John Culshaw producer Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale, Variations on a Theme of Frank Bridge, op. 10: Adagio, Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante, Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante, Variations on a Theme of Frank Bridge, op. 10: Chant. Lento, Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne, Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico, Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento, Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia, Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto, Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso, Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
Philip Ledger harpsichord, organ Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
Emanuel Hurwitz (violin) violin Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2, Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai, Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto, Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro, Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro, Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
Keith Harvey cello Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
Philip Jones (Trumpeter) trumpet Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
Julian Bream lute Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
James Burnett (producer) producer Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher", Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: March, Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II, Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
Gordon Parry (engineer) engineer Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale
Gwynne Howell vocal St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus), St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent), St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus), St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus), St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al., St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative), St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al.
David Harvey (producer) producer Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso, Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre, Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante, Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale
Peter Graeme oboe Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2, Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
Heather Harper vocal Ode for St Cecilia’s Day: Aria "But oh! what art can teach", Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race", Ode for St Cecilia’s Day: Aria "The soft complaining flute", Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also", St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria)
Anthony Randall French horn Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2
Kenneth Wilkinson (engineer) balance, engineer Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale
Ifor James French horn Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio, Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro, Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1, Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2
Chorus of East Anglian Choirs vocal Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony", Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die", Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays", Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
Robert Tear vocal St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight", St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body", St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso)
Raymond Keenlyside (violinist, associated with Aeolian Quartet) violin Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
David Mason (trumpeter) trumpet Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro, Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante, Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
Adrian Beers double bass Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
Cecil Aronowitz viola Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso, Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio, Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
Norman Knight (flautist) flute Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro, Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante, Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
John Shirley-Quirk (bass-baritone) vocal St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul", St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus), St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale)
Ray Minshull producer Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Prelude and Fugue for 18-part String Orchestra, op. 29
Paul Reding producer Choral Dances from "Gloriana", Hankin Booby
Osian Ellis (Welsh harpist and composer) harp Choral Dances from "Gloriana", Hankin Booby
Alfreda Hodgson vocal St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison", St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al.
The Ambrosian Singers vocal Choral Dances from "Gloriana", Hankin Booby