| Giuseppe Verdi |
engineer, recording, sound |
Otello: Mia madre aveva una povera ancella... Piangia cantando, Rigoletto: Atto I. "Ah! veglia, o donna" (Rigoletto), Rigoletto: Atto I. "Ch'io gli parli" (Monterone), Rigoletto: Atto I. "Che m'ami, deh, ripetimi" (Duca), Rigoletto: Atto I. "Della mia bella incognita borghese" (Duca), Rigoletto: Atto I. "Figlia!" "Mio padre!" (Rigoletto, Gilda), Rigoletto: Atto I. "Giovanna, ho dei rimorsi" (Gilda), Rigoletto: Atto I. "Gran nuova! Gran nuova!" (Marullo), Rigoletto: Atto I. "Pari siamo!" (Rigoletto), Rigoletto: Atto I. "Quel vecchio maledivami!" (Rigoletto), Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca), Rigoletto: Atto I. "Riedo! Perché?" (Rigoletto), Rigoletto: Atto I. "Zitti, zitti" (Coro), Rigoletto: Atto I. Preludio, Rigoletto: Atto II. "Cortigiani, vil razza dannata" (Rigoletto), Rigoletto: Atto II. "Ella mi fu rapita!" (Duca), Rigoletto: Atto II. "Mio padre!…Tutte le feste al tempio" (Gilda), Rigoletto: Atto II. "Povero Rigoletto!" (Marullo), Rigoletto: Atto II. "Schiudete, ire al carcere" (Usciere), Rigoletto: Atto III. "Ah, più non ragiono!" (Gilda), Rigoletto: Atto III. "Bella figlia dell'amore" (Duca), Rigoletto: Atto III. "Della vendetta alfin giunge l'istante!" (Rigoletto), Rigoletto: Atto III. "E l'ami?" (Rigoletto), Rigoletto: Atto III. "V'ho ingannato, colpevole fui" (Gilda), Rigoletto: Atto III. "Venti scudi hai tu detto?" (Rigoletto), Un ballo in maschera: Atto 1, Scena I. " Posa in pace, a' bei sogni ristora", Un ballo in maschera: Atto 1, Scena I. "Alla vita che t'arride", Un ballo in maschera: Atto 1, Scena I. "La rivedrà nell'estasi...Il cenno mio", Un ballo in maschera: Atto 1, Scena I. "Ogni cura si doni al diletto", Un ballo in maschera: Atto 1, Scena I." Volta la terrea frontealle stelle", Un ballo in maschera: Atto 1, Scena II ."Finisci il vaticinio", Un ballo in maschera: Atto 1, Scena II. "Che v'agita cosi?", Un ballo in maschera: Atto 1, Scena II. "Di'tu se fedele il flutto m'aspetta", Un ballo in maschera: Atto 1, Scena II. "E' scherzo od è follia", Un ballo in maschera: Atto 1, Scena II. "Orsù, amici", Un ballo in maschera: Atto 1, Scena II. "Re dell'abisso, affrettati" / "Arrivo il Primo!" / "Su, fatemi largo, saper vo' il mio fato", Un ballo in maschera: Atto 1, Scena II. "Su, profetessa, Monta il treppié", Un ballo in maschera: Atto 1, Scena II. "Zitti...l'incanto non dèssi turbare", Un ballo in maschera: Atto II. " Seguitemi - Mio Dio!", Un ballo in maschera: Atto II. "Ahim!. S'appressa alcun!", Un ballo in maschera: Atto II. "Ecco l'orrido campo", Un ballo in maschera: Atto II. "Ma dall'arido stelo divulsa", Un ballo in maschera: Atto II. "Teco io sto, Gran Dio!" / "Non sai tu che se l'anima mia" / "M'ami, m'ami!", Un ballo in maschera: Atto II. "Ve', se di notte qui colla sposa", Un ballo in maschera: Atto II. Preludio, Un ballo in maschera: Atto III, Scana I. "D'una grazia vi supplico" / "E chi vien?" / "Qual tristezza m'assale, qual pena!"', Un ballo in maschera: Atto III, Scena I. "A tal colpa è nulla il pianto", Un ballo in maschera: Atto III, Scena I. "Ah! di che fulgor, che musiche", Un ballo in maschera: Atto III, Scena I. "Alzati; là tuo figlio", Un ballo in maschera: Atto III, Scena I. "Dunque l'onta di tutti sol una", Un ballo in maschera: Atto III, Scena I. "Eri tu che macchiavi quell'anima", Un ballo in maschera: Atto III, Scena I. "Il messaggio entri", Un ballo in maschera: Atto III, Scena I. "Morrò, ma prima in grazia", Un ballo in maschera: Atto III, Scena I. "Siam soli. Udite", Un ballo in maschera: Atto III, Scena II. "Ah! perché qui! fuggite...", Un ballo in maschera: Atto III, Scena II. "Ella è pura; in braccio a morte", Un ballo in maschera: Atto III, Scena II. "Fervono amori e danze" / "So che tu sai Distinguere gli amici suoi", Un ballo in maschera: Atto III, Scena II. "Forse la soglia attinse", Un ballo in maschera: Atto III, Scena II. "Ma se m'è forza perderti" / "Ah!, dessa è là", Un ballo in maschera: Atto III, Scena II. "Saper vorreste", Un ballo in maschera: Atto1, Scena II. "Della cità all'occaso", Un ballo in maschera: Preludio, Va, pensiero ... / Oh, chi piange? ... / Del futuro nel buio discermo |
| DJ Guit |
balance, recording |
Apollon musagète (1947 version): Premier Tableau (Prologue): I. Birth of Apollo, Apollon musagète (1947 version): Second Tableau: II. Variation d'Apollon (Apollon et les Muses), Apollon musagète (1947 version): Second Tableau: III. Pas d'action (Apollo and the 3 Muses), Apollon musagète (1947 version): Second Tableau: IV. Variation of Calliope (the Alexandrine), Apollon musagète (1947 version): Second Tableau: IX. Coda, Apollon musagète (1947 version): Second Tableau: V. Variation of Polyhymnia, Apollon musagète (1947 version): Second Tableau: VI. Variation of Terpsichore, Apollon musagète (1947 version): Second Tableau: VII. Variation of Apollo, Apollon musagète (1947 version): Second Tableau: VIII. Pas de deux (Apollo and Terpsichore), Apollon musagète (1947 version): Second Tableau: X. Apotheosis, Cello Quintet, op. 37 no. 7: I. Andante con moto, Cello Quintet, op. 37 no. 7: II. Menuett, Cello Quintet, op. 37 no. 7: III. Grave, Cello Quintet, op. 37 no. 7: IV. Rondo: Allegro con moto, Concerto grosso in B-flat, op. 3 no. 1, HWV 312, Concerto grosso in B-flat, op. 3 no. 2, HWV 313, Concerto grosso in D minor, op. 3 no. 5, HWV 316, Concerto grosso in D, op. 3 no. 6, HWV 317, Concerto grosso in F, op. 3 no. 4, HWV 315, Concerto grosso in G, op. 3 no. 3, HWV 314, Elegy For Strings, op. 58, Holberg Suite, op. 40: I. Praeludium: Allegro vivace, Holberg Suite, op. 40: II. Sarabande, Holberg Suite, op. 40: III. Gavotte: Allegretto - Musette: Poco più mosso, Holberg Suite, op. 40: IV. Air: Andante religioso, Holberg Suite, op. 40: V. Rigaudon: Allegro con brio, Introduction and Allegro for String Orchestra and Quartet, op. 47, Pulcinella (Concert Suite): I. Sinfonia, Pulcinella (Concert Suite): II. Serenata, Pulcinella (Concert Suite): III. Scherzino, Pulcinella (Concert Suite): IV. Tarantella, Pulcinella (Concert Suite): V. Toccata, Pulcinella (Concert Suite): VI. Gavotta con due variazioni, Pulcinella (Concert Suite): VII. Vivo, Pulcinella (Concert Suite): VIIIa. Minuetto, Pulcinella (Concert Suite): VIIb. Finale, Serenade in E minor for Strings, op. 20: I. Allegro piacevole, Serenade in E minor for Strings, op. 20: II. Larghetto, Serenade in E minor for Strings, op. 20: III. Allegretto, Sextet in D minor, op. 70 "Souvenir de Florence": I. Allegro con spirito, Sextet in D minor, op. 70 "Souvenir de Florence": II. Adagio cantabile e con moto, Sextet in D minor, op. 70 "Souvenir de Florence": III. Allegro moderato, Sextet in D minor, op. 70 "Souvenir de Florence": IV. Allegro vivace, Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba, Sospiri for Strings, Harp and Organ, op. 70, String Sonata no. 1 in G major: I. Moderato, String Sonata no. 1 in G major: II. Andantino, String Sonata no. 1 in G major: III. Allegro, String Sonata no. 3 in C major: I. Allegro, String Sonata no. 3 in C major: II. Andante, String Sonata no. 3 in C major: III. Moderato, String Sonata no. 5 in E-flat major: I. Allegro vivace, String Sonata no. 5 in E-flat major: II. Andantino, String Sonata no. 5 in E-flat major: III. Allegretto, String Sonata no. 6 in D major: I. Allegro spiritoso, String Sonata no. 6 in D major: II. Andante assai, String Sonata no. 6 in D major: III. Tempesta (Allegro), Symphony no. 12 in G minor for Strings: I. Grave – Adagio, Symphony no. 12 in G minor for Strings: II. Andante, Symphony no. 12 in G minor for Strings: III. Allegro molto, The Spanish Lady - Suite (ed. Percy Young) |
| Miles Robinson |
balance, recording |
Domov můj Overture, op. 62 “My Home”, Husitsk Overture, op. 67 (Hussite), Hussite Overture, op. 67, B. 132, In Nature’s Realm Overture, op. 91 “V přírodě”, Othello Overture, op. 93, Overture, op. 92 “Karneval”, Serenade for Wind in D minor, op. 44: Andante con moto, Serenade for Wind in D minor, op. 44: Finale (Allegro molto), Serenade for Wind in D minor, op. 44: Minuetto (Tempo di minuetto), Serenade for Wind in D minor, op. 44: Moderato, quasi marcia, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Andante quasi allegretto, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Bewegt, nicht zu schnell, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Finale: Bewegt, doch nicht zu schnell, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Scherzo: Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: I. Maestoso - Allegro, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: II. Adagio molto, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: III. Allegretto, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: IV. Finale (Allegro animato), Symphony no. 2 in B flat major, op. 4: III. Scherzo (Allegro con brio), Symphony no. 2 in B flat major, op. 4: IV. Finale (Allegro con fuoco), Symphony no. 2 in B-flat major, op. 4: I. Allegro con moto, Symphony no. 2 in B-flat major, op. 4: II. Poco adagio, Symphony no. 3 in E-flat major, op. 10: I. Allegro moderato, Symphony no. 3 in E-flat major, op. 10: II. Adagio molto, tempo di marcia, Symphony no. 3 in E-flat major, op. 10: III. Finale. Allegro vivace, Symphony no. 4 in D minor, op. 13: I. Allegro, Symphony no. 4 in D minor, op. 13: II. Andante sostenuto e molto cantabile, Symphony no. 4 in D minor, op. 13: III. Scherzo (Allegro feroce), Symphony no. 4 in D minor, op. 13: IV. Finale. (Allegro con brio), Symphony no. 5 in F major, op. 76: I. Allegro, ma non troppo, Symphony no. 5 in F major, op. 76: II. Andante con moto, Symphony no. 5 in F major, op. 76: III. Scherzo. Allegro scherzando, Symphony no. 5 in F major, op. 76: IV. Finale. Allegro molto, Symphony no. 6 in D major, op. 60: II. Adagio, Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant. Presto), Symphony no. 6 in D major, op. 60: IV. Finale (Allegro con spirito), Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace), Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro), Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo, Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco |
| Hel Lennart |
balance, engineer |
Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125: II. Molto vivace, Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile, Symphony No. 9 in D minor, Op. 125: IV. Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch |
| Kis-Lech Stawski |
engineer |
Alte Liebe, op. 72 no. 1, Am Grabe Anselmos, D. 504, Am Sonntag Morgen, op. 49 no. 1, Auf dem Kirchhore, op. 105 no. 4, Ave Maria, D. 839, Bei dir sind meine Gedanken, op. 95 no. 2, Dein blaues Auge, op. 59 no. 8, Dem Unendlichen, Den gynger en Båd på Bølge, op. 69 no. 1, Den ærgjerrige, op. 26 no. 3, Des Mädchens Klage, D. 191, Det første møte, op. 21 no. 1, En drøm, op. 48 no. 6, Erikönig, D. 328, Eros, op. 70 no .1, Fra Monte Pincio, op. 39 no. 1, Haugtussa, op. 67: Blåbær-li, Haugtussa, op. 67: Det syng, Haugtussa, op. 67: Elsk, Haugtussa, op. 67: Killingdans, Haugtussa, op. 67: Møte, Haugtussa, op. 67: Ved Gjætle-Bekken, Haugtussa, op. 67: Veslemøy, Haugtussa, op. 67: Vond Dag, Hytten, op. 18 no. 7, I liden højt der oppe, op. 39 no. 3, Jeg elsker Dig, op. 5 no. 3, Jeg giver mit digt til våren, op. 21 no. 3, Liten Kirsten, op. 60 no. 1, Med en banlilje, op. 25 no. 4, Med en primulaveris, op. 26 no. 4, Millom rosor, op. 39 no. 4, Treue Liebe, op. 7 no. 1, Vier ernste Gesänge: I. Denn es gehet dem Menschen, Vier ernste Gesänge: II. Ich wandte mich und sah an alle, Vier ernste Gesänge: III. O Tod, o Tod, wie bitter bist du, Vier ernste Gesänge: IV. Wenn ich mit Menschen- und mit Engelszungen redete, Wie Melodien zieht es mir, op. 105 no. 1, Wir wandelten, op. 96 no. 2 |
| Bisse |
balance |
Eugene Onegin: Act I, Scene 1. "A, vot i vi!" (Madame Larina), Eugene Onegin: Act I, Scene 1. "Bolyat moyi skori nozhenki" (Peasant Leader), Eugene Onegin: Act I, Scene 1. "Kak shchastliv, kak shchastliv ya!" (Lenski), Eugene Onegin: Act I, Scene 1. "Kak ya lyublu pod zvuki pesen etikh" (Tatyana), Eugene Onegin: Act I, Scene 1. "Mesdames! Ya na sebya vzyal smyelost" (Lenski), Eugene Onegin: Act I, Scene 1. "Nu ti, moya vostrushka" (Madame Larina), Eugene Onegin: Act I, Scene 1. "Skazhi, kotoraya Tatyana?" (Onegin), Eugene Onegin: Act I, Scene 1. "Slikhali l vi za roschei glas nochnai" (Tatyana, Olga), Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Olga), Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Peasants), Eugene Onegin: Act I, Scene 1. "Ya lyublyu vas" (Lenski), Eugene Onegin: Act I, Scene 1. Introduction, Eugene Onegin: Act I, Scene 2. "Nu, zabolta las ya!" (Filipyevna), Eugene Onegin: Act I, Scene 2. "Puskai pogibnu ya, no pryezhde" (Tatyana), Eugene Onegin: Act I, Scene 2. Akh, noch minula" (Tatyana), Eugene Onegin: Act I, Scene 3. "Dyevitsi-krasavtsi" (Servant Girls), Eugene Onegin: Act I, Scene 3. "Kogda bi zhizn domashnim krugom" (Onegin), Eugene Onegin: Act I, Scene 3. "Zdyes on, zdyes on, Yevgeni!" (Tatyana), Eugene Onegin: Act II, Scene 1. "A cette fête convié" (Triquet), Eugene Onegin: Act II, Scene 1. "Messieurs, mesdames, mesta zanyat izvolte" (Captain), Eugene Onegin: Act II, Scene 1. "Ti ne tantsuyesh, Lenski?" (Onegin), Eugene Onegin: Act II, Scene 1. "Uzhel ya zasluzhil ot vas nasmyeshku etu?" (Lenski), Eugene Onegin: Act II, Scene 1. "V vashem dome! V vashem dome!" (Lenski), Eugene Onegin: Act II, Scene 1. "Vot tak syurpriz!" (Guests), Eugene Onegin: Act II, Scene 1. Waltz, Eugene Onegin: Act II, Scene 2. "A, vot oni!" (Zaretsky), Eugene Onegin: Act II, Scene 2. "Kuda, kuda, kuda vi udalilis" (Lenski), Eugene Onegin: Act II, Scene 2. "Nu, shto zhe?" (Zaretsky), Eugene Onegin: Act III, Scene 1. "I zdyes mnye skuchno!" (Onegin), Eugene Onegin: Act III, Scene 1. "Itak, poidyom, tebya predstavlyu ya" (Prince Germin), Eugene Onegin: Act III, Scene 1. "Knayaginya Gremina! Smotrite!" (Guests), Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin), Eugene Onegin: Act III, Scene 1. "Uzhel ta samaya Tatyana" (Onegin), Eugene Onegin: Act III, Scene 1. Polonaise, Eugene Onegin: Act III, Scene 2. "O! Kak mnye tyazhelo!" (Tatyana), Eugene Onegin: Act III, Scene 2. "Onegin! Ya togda molozhe" (Tatyana), Faust, Ballet Music (1869) |
| Hope for the Hollow |
engineer |
Lakmé: Act I. “Blanche Dourga” (Lakmé), Lakmé: Act I. “C’est elle… c’est Lakmé” (Gerald), Lakmé: Act I. “C’est le dieu de la jeunesse” (Gerald), Lakmé: Act I. “D’où viens-tu? Que veux-tu?” (Lakmé), Lakmé: Act I. “Lakmé, c’est toi qui nous protèges!” (Nilakantha), Lakmé: Act I. “Les fleurs me paraissent plus belles… Pourquoi dans les grandsbois” (Lakmé), Lakmé: Act I. “Leur vertu bizarre manque d’apparat” (Frederick), Lakmé: Act I. “Miss Rose, Miss Ellen” (Miss Bentson), Lakmé: Act I. “Prendre le dessin d’un bijou… Fantaisie aux divins mensonges” (Gerald), Lakmé: Act I. “Quand une femme est si jolie” (Ellen), Lakmé: Act I. “À l’heure accoutumée” (Mallika, Hadji, Indians), Lakmé: Act II. Dances (Terana · Rektah · Persian) (Crowd), Lakmé: Act II. “Ah, c’est de ta douleur” (Lakmé), Lakmé: Act II. “Allons, avant que midi sonne” (Chinese and Hindu Pedlars and Merchants), Lakmé: Act II. “Au milieu des chants d’allégresse” (Nilakantha), Lakmé: Act II. “Dans la forêt près de nous” (Lakmé), Lakmé: Act II. “Ils sont assourdissants!” (Miss Bentson), Lakmé: Act II. “La rage me dévore” (Nilakantha), Lakmé: Act II. “Lakmé! Lakmé! C'est toi!” (Gerald), Lakmé: Act II. “Lakmé, ton doux regard se voile” (Nilakantha), Lakmé: Act II. “Le maître ne pense qu'à sa vengeance” (Hadji), Lakmé: Act II. “O Dourga, toi qui renais” (Brahmins, Worshippers), Lakmé: Act II. “Où va la jeune Indoue” (Air des clochettes · Bell Song) (Lakmé), Lakmé: Act II. “Voyez cette ville en fête” (Ellen), Lakmé: Act II. “Voyez donc ce vieillard et cette jeune fille” (Rose), Lakmé: Act III. “C’est lui! C’est lui!” (Nilakantha), Lakmé: Act III. “Ils allaient deux à deux” (Lakmé), Lakmé: Act III. “Là, je pourrai t’entendre” (Lakmé), Lakmé: Act III. “Quel vague souvenir alourdit ma pensée… Ah! viens, dans la forêt profonde” (Gerald), Lakmé: Act III. “Sous le ciel tout étoilé” (Lakmé), Lakmé: Act III. “Tu m’as donné le plus doux rêve” (Lakmé), Lakmé: Act III. “Vivant! – Ah! Frédéric!” (Frederick, Gerald), Lakmé: Entr’acte, Lakmé: Prélude |
| Gioachino Rossini |
balance |
L'Italiana in Algeri: Act I. "'Cruda sorte! Amor tiranno!'", L'Italiana in Algeri: Act I. "Ah, quando fia ch'io possa in Italia tomar?", L'Italiana in Algeri: Act I. "Ai capricci della sorte", L'Italiana in Algeri: Act I. "Dite: chi è quella femmina?", L'Italiana in Algeri: Act I. "Dunque degg'io lasciarvi?", L'Italiana in Algeri: Act I. "Già ci siam. Tanto fa.", L'Italiana in Algeri: Act I. "Già d'insolito andore", L'Italiana in Algeri: Act I. "Languir per una bella", L'Italiana in Algeri: Act I. "Oh, che muso, che figura!", L'Italiana in Algeri: Act I. "Quanto roba! amor tiranno!", L'Italiana in Algeri: Act I. "Ritiratevi tutti", L'Italiana in Algeri: Act I. "Se inclinassi a prender moglie", L'Italiana in Algeri: Act I. "Serenate il mesto ciglio", L'Italiana in Algeri: Act I. "Viva, viva, il flagel delle donne", L'Italiana in Algeri: Act I. "Vo' star con mia nipote", L'Italiana in Algeri: Act II. "Ah, come il cor di giubilo", L'Italiana in Algeri: Act II. "Amiche, andate a dire all'italiana", L'Italiana in Algeri: Act II. "Amici...Pensa all patria", L'Italiana in Algeri: Act II. "Che bel cor ha costei!", L'Italiana in Algeri: Act II. "Con tutta...La femmine d'Italia", L'Italiana in Algeri: Act II. "Dei Pappataci s'avanza il coro", L'Italiana in Algeri: Act II. "Dunque a momenti", L'Italiana in Algeri: Act II. "E tu speri di togliere Isabella", L'Italiana in Algeri: Act II. "Io non resisto più", L'Italiana in Algeri: Act II. "Kaimakan!...Ho un gran peso", L'Italiana in Algeri: Act II. "Non sei tu che il grado eletto", L'Italiana in Algeri: Act II. "Pappataci! che mai sento?", L'Italiana in Algeri: Act II. "Per lui che adoro", L'Italiana in Algeri: Act II. "Son L'aure seconde", L'Italiana in Algeri: Act II. "Ti presento di mia man", L'Italiana in Algeri: Act II. "Tutti i nostri italiani...Pronti abbiamo", L'Italiana in Algeri: Act II. "Uno stupido, uno stolto", L'Italiana in Algeri: Act II. "Viva il grande Kaimakan", L'Italiana in Algeri: Overture |
| Jolanta Litwin |
balance |
Falstaff, op. 68: Allegro, Falstaff, op. 68: Allegro molto, Falstaff, op. 68: Dream Interlude (poco allegretto), Falstaff, op. 68: Interlude (allegretto), Nightride and Sunrise, op. 55, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: II. Mélisande, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: IX. The death of Mélisande, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: VII. Mélisande at the spinning wheel, Pelléas et Mélisande - Incidental Music to Maeterlinck's Play, op. 46: VIII. Intermezzo, Pelléas et Mélisande Suite, op. 46: VI. Pastorale, Pohjola's Daughter, op. 49, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (Ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro), Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia), Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (Ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 5 in E flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato, Symphony no. 5 in E flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E flat major, op. 82: III. Allegro molto, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105 |
| Κωνσταντίνος Κατωμέρης |
balance |
10 Preludes, op. 23: no. 1 in F-sharp minor, 10 Preludes, op. 23: no. 10 in G-flat major, 10 Preludes, op. 23: no. 2 in B-flat major, 10 Preludes, op. 23: no. 3 in D minor, 10 Preludes, op. 23: no. 4 in D major, 10 Preludes, op. 23: no. 5 in G minor, 10 Preludes, op. 23: no. 6 in E-flat major, 10 Preludes, op. 23: no. 7 in C minor, 10 Preludes, op. 23: no. 8 in A-flat major, 10 Preludes, op. 23: no. 9 in E-flat minor, 13 Preludes, op. 32: no. 1 in C major, 13 Preludes, op. 32: no. 10 in B minor, 13 Preludes, op. 32: no. 11 in B major, 13 Preludes, op. 32: no. 12 in G-sharp minor, 13 Preludes, op. 32: no. 13 in D-flat major, 13 Preludes, op. 32: no. 2 in B-flat minor, 13 Preludes, op. 32: no. 3 in E major, 13 Preludes, op. 32: no. 4 in E minor, 13 Preludes, op. 32: no. 5 in G major, 13 Preludes, op. 32: no. 6 in F minor, 13 Preludes, op. 32: no. 7 in F major, 13 Preludes, op. 32: no. 8 in A minor, 13 Preludes, op. 32: no. 9 in A major, Piano Sonata no. 21 in C, op. 53 "Waldstein": 1. Allegro con brio, Piano Sonata no. 21 in C, op. 53 "Waldstein": 2. Introduzione (Adagio molto), Piano Sonata no. 21 in C, op. 53 "Waldstein": 3. Rondo (Allegretto moderato - Prestissimo), Prelude in C-sharp minor, op. 3 no. 2, Prelude in D-flat major, op. 28 no. 15 "Raindrop" |
| Yamn |
recording |
Winterreise, D. 911: Auf Dem Flusse "Der du so lustig rauschtest", Winterreise, D. 911: Das Wirtshaus "Auf einen Totenacker", Winterreise, D. 911: Der Greise Kopf "Der Reif hat einen weissen Schein", Winterreise, D. 911: Der Leiermann "Druben hinterm Dorfe steht ein Leitermann", Winterreise, D. 911: Der Lindenbaum "Am Brunnen vor dem Tore", Winterreise, D. 911: Der Strumische Morgen "Wie hat der Sturm zerrissen", Winterreise, D. 911: Der Wegweiser "Was vermeid' ich denn die Wege", Winterreise, D. 911: Die Krahe "Eine Drahe war mit mir", Winterreise, D. 911: Die Nebensonnen "Drei Sonnen sah ich am Himmel steh'n", Winterreise, D. 911: Die Post "Von der Strasse her ein Posthorn klingt", Winterreise, D. 911: Die Wetterfahne "Der Wind spielt mit der Wetterfane", Winterreise, D. 911: Einsamkeit "Wie eine trube Wolke", Winterreise, D. 911: Erstarrung "Ich such' im Schnee vergebens", Winterreise, D. 911: Fruhlingstraum "Ich traumte von bunten Blumen", Winterreise, D. 911: Gute Nacht "Fremd bin ich eingezogen", Winterreise, D. 911: Im Dorfe "Es bellen die Hunde, es rasseln die Ketten", Winterreise, D. 911: Irrlicht "In die tiefsten Felsengrunde", Winterreise, D. 911: Letzte Hoffnung "Hie und da ist an den Baumen", Winterreise, D. 911: Mut "Fliegt der Schnee mir in's Cesicht", Winterreise, D. 911: Nicht zu langsam "Gefror'ne Tropfen fallen", Winterreise, D. 911: Rast "Mun merk' ich erst, wie mud' ich bin", Winterreise, D. 911: Ruckblick "Es brennt mir unter beiden Sohlen", Winterreise, D. 911: Tauschung "Ein Licht tanzt freundlich vor mir her", Winterreise, D. 911: Wasserflut "Manche Thran' aus meinen Augen" |
| Hidetaka Hirosaka |
balance |
Eine Alpensinfonie, op. 64: I. Nacht, Eine Alpensinfonie, op. 64: II. Sonnenaufgang, Eine Alpensinfonie, op. 64: III. Der Anstieg, Eine Alpensinfonie, op. 64: IV. Der Eintritt in der Wald, Eine Alpensinfonie, op. 64: IX. Auf der Alm, Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache, Eine Alpensinfonie, op. 64: VI. Am Wasserfall, Eine Alpensinfonie, op. 64: VII. Erscheinung, Eine Alpensinfonie, op. 64: VIII. Auf blumige Wiesen, Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen, Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher, Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke, Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel, Eine Alpensinfonie, op. 64: XIV. Vision, Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg, Eine Alpensinfonie, op. 64: XV. Nebel steigen auf, Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich, Eine Alpensinfonie, op. 64: XVII. Elegie, Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm, Eine Alpensinfonie, op. 64: XX. Sonnenuntergang, Eine Alpensinfonie, op. 64: XXI. Ausklang, Eine Alpensinfonie, op. 64: XXII. Nacht |
| The Deep North |
balance |
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro, Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai, Finlandia, Manfred Symphony, op. 58: 1. Lento lugubre - Moderato con moto, Manfred Symphony, op. 58: 2. Vivace con spirito, Manfred Symphony, op. 58: 3. Andante con moto, Manfred Symphony, op. 58: 4. Allegro con fuoco, Piano Concerto no. 23 in A major, K. 488: II. Adagio, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Largamente, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro, Two Serenades, op. 69a: I. Andante assai, Two Serenades, op. 69b: II. Lento assai, Two Serious Melodies, op. 77a: I. "Cantique, Laetare anima mea", Two Serious Melodies, op. 77b: II. "Devotion, Ab imo pectore" |
| Zoltán Kodály |
balance |
The Peacock (Fölszállot a páva), for unaccompanied chorus, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 1. Moderato (Theme), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 10: Molto vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 11: Andante espressivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 12: Adagio, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 13: Tempo de Marcia funebre, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 14: Andante, poco rubato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 15: Allegro giocoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 16: Maestoso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 2, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 3: Più mosso, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 4: Poco calmato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 5: Appassionato, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 6: Tempo (calmato), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 7: Vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 8: Più vivo, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 9, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation. 1: Con brio |
| Ian Nygaard |
balance |
Cavalleria rusticana: "A casa, a casa" (uomini, donne, Turiddu, Lola), Cavalleria rusticana: "A voi tutti, salute!" (Alfio, coro, Turiddu, Lola, alcune donne), Cavalleria rusticana: "Ah! lo vedi" (Turiddu, Santuzza), Cavalleria rusticana: "Ah!" - "Gli aranci olezzano" (coro, donne, uomini), Cavalleria rusticana: "Beato voi, compar Alfio" (Lucia, Alfio, Santuzza, coro), Cavalleria rusticana: "Dite, mamma Lucia" (Santuzza, Lucia), Cavalleria rusticana: "Fior di giaggiola" (Lola, Turiddu, Santuzza), Cavalleria rusticana: "Il cavallo scalpita" (Alfio, coro), Cavalleria rusticana: "Mamma, quel vino è generoso" (Turiddu, Lucia, Santuzza, una donna), Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu), Cavalleria rusticana: "Oh! Il Signore vi manda" (Santuzza, Alfio), Cavalleria rusticana: "Tu qui, Santuzza?" (Turiddu, Santuzza), Cavalleria rusticana: "Viva il vino spumeggiante" (Turiddu, coro, Lola), Cavalleria rusticana: "Voi lo sapete, o mamma" (Santuzza, Lucia), Cavalleria rusticana: Intermezzo, Cavalleria rusticana: Preludio |
| Kevin Tandu |
balance, recording |
Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo — Allegro vivace, Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando, Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo, Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto, Concerto for Orchestra, Sz. 116: V. Finale: Pesante — Presto, Khovanshchina: Prelude, Night on the Bare Mountain, Prince Igor: Overture, Ruslan and Lyudmila: Overture, Symphony no. 25 in G minor, K. 183: I. Allegro con brio, Symphony no. 25 in G minor, K. 183: II. Andante, Symphony no. 25 in G minor, K. 183: III. Menuetto, Symphony no. 25 in G minor, K. 183: IV. Allegro, Symphony no. 38 in D, K. 504 "Prague": I. Adagio - Allegro, Symphony no. 38 in D, K. 504 "Prague": II. Andante, Symphony no. 38 in D, K. 504 "Prague": III. Finale (Presto) |
| Wally Rose |
balance |
"A-oo" (The Quest), op. 38 no. 6, Daisies, op. 38 no. 3, Dissonance, op. 34 no. 13, Dreams, op. 38 no. 5, How Beautiful It Is Here, op. 21 no. 7, In My Garden at Night, op. 38 no. 1, Oh, Do Not Sing to Me, op. 4 no. 4, The Harvest of Sorrow, op. 4 no. 5, The Morn of Life, op. 34 no. 10, The Muse, op. 34 no. 1, The Pied Piper, op. 38 no. 4, The Poet, op. 34 no. 9, The Storm, op. 34 no. 3, To Her, op. 38 no. 2, Vocalise, op. 34 no. 14, What Wealth of Rapture, op. 34 no. 12 |
| George Frideric Handel |
engineer |
Joy to the World, Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen |
| Tribute To Svann |
engineer |
Clarinet Quartet no. 1 in E-flat major, op. 2: I. Poco adagio - Allegro, Clarinet Quartet no. 1 in E-flat major, op. 2: II. Romanza (Cantabile), Clarinet Quartet no. 1 in E-flat major, op. 2: III. Menuetto (Allegro) - Trio, Clarinet Quartet no. 1 in E-flat major, op. 2: IV. Rondo (Allegro vivace), Clarinet Quartet no. 2 in C minor, op. 4: I. Allegro molto agitato, Clarinet Quartet no. 2 in C minor, op. 4: II. Menuetto - Trio, Clarinet Quartet no. 2 in C minor, op. 4: III. Pastorale (Un poco allegretto), Clarinet Quartet no. 2 in C minor, op. 4: IV. Rondo (Allegro), Clarinet Quartet no. 3 in D major, op. 7: I. Allegro non tanto, Clarinet Quartet no. 3 in D major, op. 7: II. Un poco largo, Clarinet Quartet no. 3 in D major, op. 7: III. Menuetto (Allegro) - trio, Clarinet Quartet no. 3 in D major, op. 7: IV. Finale (Allegro) |
| Coyote |
balance, engineer |
Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto, Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando, Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale alla breve, Piano Concerto No. 4 in G minor, Op. 40: I. Allegro vivace (Alla breve), Piano Concerto No. 4 in G minor, Op. 40: II. Largo, Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto |
| Mack Tone |
balance |
Le Papillon Act 2 Apotheosis, Le Papillon Act 2: Scene 1, Part 1, Le Papillon Act 2: Scene 1, Part 2, Le Papillon Act 2: Scene 1, Part 3, Le Papillon Act 2: Scene 2, Pas de deux, Le Papillon Prelude and Act 1: Scene 1, Part 1, Le Papillon Prelude and Act 1: Scene 1, Part 2, Le Papillon Prelude and Act 1: Scene 2, Conclusion, Le Papillon Prelude and Act 1: Scene 2, Part 1, Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons, Love's Dream After the Ball (arr. Gamley) |
| Ronen Sabo |
recording |
Scottish Fantasy, op. 46: I. Introduction. Grave - Adagio cantabile, Scottish Fantasy, op. 46: II. Allegro, Scottish Fantasy, op. 46: III. Adagio. Andante sostenuto, Scottish Fantasy, op. 46: IV. Finale. Allegro guerriero, Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico, Violin Concerto no. 5 in A minor, op. 37: I. Allegro non troppo, Violin Concerto no. 5 in A minor, op. 37: II. Adagio, Violin Concerto no. 5 in A minor, op. 37: III. Allegro con fuoco |
| Gabriela Herrera |
recording |
Violin Sonata no. 1 in G major, op. 78: I. Vivace ma non troppo, Violin Sonata no. 1 in G major, op. 78: II. Adagio, Violin Sonata no. 1 in G major, op. 78: III. Allegro molto moderato, Violin Sonata no. 2 in A major, op. 100: I. Allegro amabile, Violin Sonata no. 2 in A major, op. 100: II. Andante tranquillo - Vivace, Violin Sonata no. 2 in A major, op. 100: III. Allegretto grazioso (quasi andante), Violin Sonata no. 3 in D minor, op. 108: I. Allegro, Violin Sonata no. 3 in D minor, op. 108: II. Adagio, Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento, Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato |
| Alejandro Almenares |
balance |
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante, Concerto for Piano no. 23 in A major, K. 488: I. Allegro, Concerto for Piano no. 23 in A major, K. 488: III. Allegro, Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro, Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro, Piano Concerto no. 17 In G, K. 453: 1. Allegro, Piano Concerto no. 17 In G, K. 453: 2. Andante, Piano Concerto no. 17 In G, K. 453: 3. Allegretto - Finale: Presto, Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto |
| Gunther Rost |
balance, recording |
Finlandia, op. 26 no. 7, King Christian II Suite, op. 27: I. Elégie / II. Musette, King Christian II Suite, op. 27: IIa. Élégie, King Christian II Suite, op. 27: IIb. Musette, Pellèas et Mélisande, op. 46: VIII. Intermezzo, Two Elegiac Melodies, op. 34: Heart Wounds / The Last Spring, Two Melodies, op. 63 no. 2: Cow-Keeper's Tune, Country Dance, Valse triste, op. 44 no. 1, Wedding Day At Troldhaugen, op. 65 no. 6 (arr. by Huppertz) |
| Dennis DeMarchi |
balance, recording |
Danse Macabre, Hexenritt, Karelia Suite, op. 11: I. Intermezzo, Karelia Suite, op. 11: II. Ballade, Karelia Suite, op. 11: III. Alla marcia, Night on the Bare Mountain, Symphony no. 5: I. Tempo molto moderato, Symphony no. 5: II. Andante mosso, quasi allegretto, Symphony no. 5: III. Allegro molto |
| Luciano Pavarotti |
engineer |
L'elisir d'amore: Una furtiva lagrima, La traviata: Act II, Scene I. “Lunge da lei … O mio rimorso!”, La traviata: Atto II, Scena I. “De’ miei bollenti spiriti” (Alfredo), La traviata: Atto II, Scena I. “Lunge da lei” (Alfredo), La traviata: Atto II, Scena I. “O mio rimorso!” (Alfredo), Lucia di Lammermoor: Atto III, Scena III. "Fra poco a me ricovero" (Edgardo), Lucia di Lammermoor: Atto III, Scena III. "Tombe degli avi miei" (Edgardo), Lucia di Lammermoor: Atto III. "Fra poco a me ricovero" (Edgardo), Un ballo in maschera: Atto III, Scena II. "Force la soglia attinse" |
| Drugdealer |
recording |
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo vivace: Allegro, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro -, Symphony no. 5 in C minor, op. 67: IV. Allegro |
| Volker Zander |
balance |
Roumanian Rhapsody in A, op. 11, no. 1, Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace, Suite no. 1, op. 3, Sz. 31: 2. Poco adagio, Suite no. 1, op. 3, Sz. 31: 3. Presto, Suite no. 1, op. 3, Sz. 31: 4. Moderato, Suite no. 1, op. 3, Sz. 31: 5. Molto vivace, Two Pictures, op. 10: I. In Full Flower, Two Pictures, op. 10: II. Village Dance |
| HOLYCHILD |
recording |
Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La Befana, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia |
| Frank Naples |
recording |
A Place In The Sun: Prelude / Angela / Loon Lake / Farewell & Frenzy /The Farewell, Old Acquaintance: Elegy For Strings And Harp(s), Prince Valiant (Prelude; King Aguar's Escape; The Fens; The First Chase; The Tournament; Sir Brack's Death And Finale), Rebecca: Prelude / After The Ball / Mrs. Danvers / Confession Scene / Manderley In Flames, Sunset Boulevard: Main Title / Norma Desmond / The Studio Stroll / The Comeback / Norma As Salome, Taras Bulba: The Ride To Dubno, The Bride Of Frankenstein: The Creation Of The Female Monster, The Philadelphia Story: Metro-Goldwyn-Mayer Fanfare / Main Title / The True Love |
| Deadbeat Descendant |
balance |
Piano Concerto no. 8 In C, K. 246 "Lützow": 1. Allegro aperto, Piano Concerto no. 8 In C, K. 246 "Lützow": 2. Andante, Piano Concerto no. 8 In C, K. 246 "Lützow": 3. Rondeau (Tempo di menuetto), Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 1. Allegro, Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 2. Andantino, Piano Concerto no. 9 In E-flat, K. 271 "Jeunehomme": 3. Rondeau (Presto), Rondo for Piano and Orchestra in A, K. 386 (ed. by Mackerras & Badura-Skoda) |
| Cynthia Hsiang |
balance |
Sinfonia da Requiem, op. 20: 1. Lacrymosa, Sinfonia da Requiem, op. 20: 2. Dies irae, Sinfonia da Requiem, op. 20: 3. Requiem aeternam, Sinfonia da Requiem, op. 20: I. Lacrymosa, Sinfonia da Requiem, op. 20: II. Dies irae, Sinfonia da Requiem, op. 20: III. Requiem aeternam |
| The Bouchards |
engineer |
Horn Concerto no. 1 in D, H.VIId no. 3: I. Allegro, Horn Concerto no. 1 in D, H.VIId no. 3: II. Adagio, Horn Concerto no. 1 in D, H.VIId no. 3: III. Allegro, Horn Concerto no. 2 in D, H.VIID no. 4: I. Allegro moderato, Horn Concerto no. 2 in D, H.VIID no. 4: II. Adagio, Horn Concerto no. 2 in D, H.VIID no. 4: III. Allegro |
| JACK+JIM |
balance |
Capriccio for Piano & Orchestra: I. Presto, Capriccio for Piano & Orchestra: II. Andante Rapsodico, Capriccio for Piano & Orchestra: III. Allegro Capriccioso, Concerto in A minor for Piano and Strings: I. Allegro, Concerto in A minor for Piano and Strings: II. Adagio, Concerto in A minor for Piano and Strings: III. Allegro ma non troppo |
| Wayne MacKenzie |
balance |
Piano Concerto no. 2, BB 101, Sz. 95: 1. Allegro, Piano Concerto no. 2, BB 101, Sz. 95: 2. Adagio - Più adagio - Presto, Piano Concerto no. 2, BB 101, Sz. 95: 3. Allegro molto, Piano Concerto no. 3 in E major, Sz. 119: I. Allegretto, Piano Concerto no. 3 in E major, Sz. 119: II. Adagio religioso, Piano Concerto no. 3 in E major, Sz. 119: III. Allegro vivace |
| Sick Tapestry |
balance |
Violin Concerto in B minor, op. 61: I. Allegro, Violin Concerto in B minor, op. 61: II. Andante, Violin Concerto in B minor, op. 61: III. Allegro Molto, Violin Concerto no. 2: I. Allegro non troppo, Violin Concerto no. 2: II. Andante tranquillo, Violin Concerto no. 2: III. Allegro molto |
| Johannes Brahms |
engineer |
Serenade no. 2 In A Major, op. 16: I. Allegro moderato, Serenade no. 2 In A Major, op. 16: II. Scherzo: vivace, Serenade no. 2 In A Major, op. 16: III. Adagio non troppo, Serenade no. 2 In A Major, op. 16: IV. Quasi menuetto, Serenade no. 2 In A Major, op. 16: V. Rondo: allegro, Serenade no. 2 in A, op. 16: IV. Quasi menuetto - Trio |
| Mantilla |
balance |
Violin Concerto in E minor, op. 64, MWV O14: 1. Allegro molto appassionato, Violin Concerto in E minor, op. 64, MWV O14: 3. Allegro non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato, Violin Concerto no. 1 in G minor, op. 26: II. Adagio, Violin Concerto no. 1 in G minor, op. 26: III. Allegro energico |
| Shawn Reams |
engineer |
Un ballo in maschera: Atto I, Scena I., Un ballo in maschera: Atto I, Scena II . (conclusion), Un ballo in maschera: Atto II. (beginning), Un ballo in maschera: Atto II. (conclusion), Un ballo in maschera: Atto III. Scena I., Un ballo in maschera: Atto III. Scena II. |
| Wawan Mahmud |
balance |
Magnificat en Sol menor para 4 Voces, Coro, 2 Oboes, Cuerdas y Continuo, RV 610, III. Et misericordia, Magnificat en Sol menor para 4 Voces, Coro, 2 Oboes, Cuerdas y Continuo, RV 610, IV. Fecit poteniam... V. Deposuit potentes, Magnificat en Sol menor para 4 Voces, Coro, 2 Oboes, Cuerdas y Continuo, RV 610, IX. Gloria, Magnificat en Sol menor para 4 Voces, Coro, 2 Oboes, Cuerdas y Continuo, RV 610, VI. Esurientes, Magnificat en Sol menor para 4 Voces, Coro, 2 Oboes, Cuerdas y Continuo, RV 610, VII. Suscepit Israel... VIII: Sicut locuts est |
| Paper Doll Scissor Fight |
balance |
Il barbiere di Siviglia: Overture (Sinfonia), La gazza ladra: Overture, La scala di seta: Overture, Semiramide: Overture, William Tell: Overture |
| Joana Serrat |
balance, engineer, recording |
Piano Concerto in A minor, Op. 16: II. Adagio / III. Allegro moderato e marcato, Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso / III. Allegro vivace, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso, Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso |
| Dentist's Chair |
recording |
Missa in angustiis, Hob. XXII:11: Agnus Dei: Agnus Dei, Missa in angustiis, Hob. XXII:11: Benedictus, Missa in angustiis, Hob. XXII:11: Credo: Et incarnatus est, Missa in angustiis, Hob. XXII:11: Gloria: Gloria in Excelsis Deo, Missa in angustiis, Hob. XXII:11: Gloria: Quoniam tu solus Sanctus |
| Garci Sánchez de Badajoz |
engineer |
Symphony no. 2, op. 27: I. Largo - Allegro moderato, Symphony no. 2, op. 27: II. Allegro molto, Symphony no. 2, op. 27: III. Adagio, Symphony no. 2, op. 27: IV. Allegro vivace, The Isle of the Dead, op. 29 |
| DEE-LAND |
balance |
Pomp and Circumstance Marches, op. 39: no. 1 in D major, Pomp and Circumstance Marches, op. 39: no. 2 in A minor, Pomp and Circumstance Marches, op. 39: no. 3 in C minor, Pomp and Circumstance Marches, op. 39: no. 4 in G major, Pomp and Circumstance Marches, op. 39: no. 5 in C major |
| Stand Alones |
balance, engineer |
Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale |
| Joan Sutherland |
engineer |
La traviata: Act I. “È strano! … Ah, fors’è lui … Sempre libera”, La traviata: Atto I. “Follie! follie! ... Sempre libera” (Violetta), La traviata: Atto I. “È strano! È strano! … Ah! fors’è lui” (Violetta), La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) |
| Adolphe Samuel |
engineer |
: Lucia di Lammermoor: Atto III. "Ah! Dalle stanze ove Lucia", Lucia di Lammermoor: Atto II, Scena I. "Se tradirmi tu potrai" (Enrico, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Soffriva nel pianto" (Lucia, Enrico), Lucia di Lammermoor: Atto II. "Soffriva nel pianto" (Lucia, Enrico) |
| Marc Singer |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Ah! cedi, cedi, o più sciagure" (Raimondo, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Al ben de' tuoi qual vittima" (Raimondo, Lucia), Lucia di Lammermoor: Atto II, Scena I. "Ebben?... Di tua speranza" (Lucia, Raimondo), Lucia di Lammermoor: Atto III. "Ardon gli incensi" (Lucia, Raimondo) |
| Samsidi |
engineer |
Lucia di Lammermoor: Atto I, Scena II. "Ancor non giunse" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Scena II. "Quando rapito in estasi" (Lucia, Alisa), Lucia di Lammermoor: Atto I, Scena II. "Regnava nel silenzo" (Lucia, Alisa), Lucia di Lammermoor: Atto I. "Regnava nel silenzio" (Lucia, Alisa) |
| Massimo Idà |
balance, engineer |
Glagolitic Mass: I. Úvod, Glagolitic Mass: VIII. Intrada, Symfonie č. 9 E moll, op. 95 Z noveho světa, Allegro con fuoco, Symfonie č. 9 E moll, op. 95 Z noveho světa, Scherzo. Molto vivace |
| Heidi Spencer |
audio, sound |
Rigoletto: Act III. "La donna è mobile", Rigoletto: Atto I. "Questo o quella per me pari sono" (Duca), Rigoletto: Atto II. Aria "Parmi veder le lagrime" (Duca), Rigoletto: Atto III. "Un dì, se ben rammentomi" (Duca) |
| Tim Stolting |
engineer |
Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo, Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appasionato, Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante, Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso |
| Dongsok Shin |
engineer |
La traviata: Act III. “Parigi, o cara”, La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta), La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta), La traviata: Atto III. “Parigi, o cara” – “Ah! Gran Dio! Morir sì giovine” (Alfredo, Violetta) |
| Benjamin Britten |
balance |
Four Sea Interludes From “Peter Grimes”: Dawn (Act I), Four Sea Interludes From “Peter Grimes”: Moonlight (Act III), Four Sea Interludes From “Peter Grimes”: Storm (Act IV), Four Sea Interludes From “Peter Grimes”: Sunday Morning (Act II) |
| Juha Rantala |
recording |
Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Andante ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo / IV. Allegro moderato, Symphony no. 2 in D major, op. 43: IV. Allegro moderato |
| Coconut Mushroom |
balance |
Valse-Scherzo, op. 34, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| DEAN FUJIOKA |
balance |
Scythian Suite, op. 20 "Ala and Lolly": 1. Invocation to Veles and Ala, Scythian Suite, op. 20 "Ala and Lolly": 2. The Evil God and Dance of the Pagan Monsters, Scythian Suite, op. 20 "Ala and Lolly": 3. Night, Scythian Suite, op. 20 "Ala and Lolly": 4. Lolly's Pursuit of the Evil God, and Sunrise |
| Tor Lennström |
balance |
Mephisto Waltz no. 1 (The Dance in the Village Inn), Tasso: Lamento e trionfo, S.96, Von der Wiege bis zum Grabe, S.107 |
| Renata Tebaldi |
engineer |
Un ballo in maschera: Atto II. "Ecco l'orrido campo ove s'accoppia", Un ballo in maschera: Atto II. "Ma dall'arido stelo divulsa", Un ballo in maschera: Atto III, Scena I. "Morrò, ma prima in grazia" |
| DJ Falcon1 |
engineer |
Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto |
| Public Memory |
balance |
Karelia Suite, op. 11: I. Intermezzo (Moderato), Karelia Suite, op. 11: II. Ballade (Tempo di menuetto), Karelia Suite, op. 11: III. Alla marcia (Moderato) |
| Jerry Minchin |
balance |
Double Piano Concerto: I. Allegro Vivace, Double Piano Concerto: II. Adagio ma non troppo, Double Piano Concerto: III. Allegro |
| Takayuki Aikawa |
balance |
Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Rondo (Allegro) |
| Dead Love Triangles |
recording |
Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio, Piano Concerto No. 1 in C major, Op. 15: II. Largo, Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro scherzando |
| PrO-sTat |
audio |
Rigoletto: Atto I. "Pari siamo!" (Rigoletto) / "Figlia!" ... "Mio padro!" (Rigoletto, Gilda), Rigoletto: Atto II. "Parla, siam soli" (Rigoletto, Gilda) / "Tutte le feste al tempio" (Gilda, Rigoletto), Rigoletto: Atto III. Duetto e finale "Chi è mai?" (Rigoletto) / "Lassù ... in cielo" (Gilda, Rigoletto) |
| Wizard Union |
balance |
Violin Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace, Violin Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto allegretto, Violin Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole |
| Charlie Darling |
engineer |
Clarinet Concerto in A major, K. 622: I. Allegro, Clarinet Concerto in A major, K. 622: II. Adagio, Clarinet Concerto in A major, K. 622: III. Rondo. Allegro |
| Character Defects |
engineer |
Lucia di Lammermoor: Atto III, Scena III. "Oh! meschina!" (Coro, Edgardo, Raimondo), Lucia di Lammermoor: Atto III, Scena III. "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro), Lucia di Lammermoor: Atto III. Finale "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro) |
| J Rokka |
recording |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando |
| Oshea Adams |
recording |
Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso, Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto, Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace |
| Neil Mandell |
engineer |
Violin Concerto in D major, Op. 77: I. Allegro ma non troppo, Violin Concerto in D major, Op. 77: II. Adagio, Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace |
| Chapman |
balance |
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve |
| Beth Chalmers |
engineer |
Symphony no. 3 in A minor, op. 44: 1. Lento - Allegro moderato, Symphony no. 3 in A minor, op. 44: 2. Adagio ma non troppo, Symphony no. 3 in A minor, op. 44: 3. Allegro |
| Richard Strauss |
engineer |
Horn Concerto no. 2 in E-flat major, AV 132: I. Allegro, Horn Concerto no. 2 in E-flat major, AV 132: II. Andante con moto, Horn Concerto no. 2 in E-flat major, AV 132: III. Rondo |
| Laura Aqui |
balance, recording |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Thomas „Balou“ Martin |
recording |
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo |
| The Zones |
recording |
Missa in angustiis, Hob. XXII:11: Agnus Dei: Dona nobis pacem, Missa in angustiis, Hob. XXII:11: Credo: Credo in unum Deum, Missa in angustiis, Hob. XXII:11: Sanctus |
| [anonymous] |
engineer |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Émile Mathieu |
engineer |
Lucia di Lammermoor: Atto I, Scena II. "Qui di sposa eterna" / "Ah! Verrano a te sull'aure" (Edgardo, Lucia), Lucia di Lammermoor: Atto I, Scena II. "Sulla tomba" (Edgardo, Lucia), Lucia di Lammermoor: Atto I. "Sulla tomba" (Edgardo, Lucia) |
| 陳寶碩 |
balance |
Piano Concerto in F-sharp minor, op. 20: I. Allegro, Piano Concerto in F-sharp minor, op. 20: II. Andante, Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato |
| Andy Hellaby |
balance |
Schelomo, Voice in the Wilderness |
| Roan Pronk |
engineer |
Un ballo in maschera: Atto I, Scena II. "Zitti...l'incanto non dèssi turbare", Un ballo in maschera: Atto I. Scena I. "Posa in pace, a' bei sogni ristora" |
| Sherrill Milnes |
engineer |
Un ballo in maschera: Atto III, Scena I. "Alzati; là tuo figlio", Un ballo in maschera: Atto III, Scena I. "Eri tu che macchiavi quell'anima" |
| George Alexander |
engineer |
Un ballo in maschera: Atto III, Scena I. "Dunque l'onta di tutti sol una", Un ballo in maschera: Atto III, Scena I. "Siam soli, Udite" |
| Adam Grant |
engineer |
La traviata: Atto I. “Che è ciò?” – “Oh, qual pallor! … Voi qui!” (Coro, Violetta, Alfredo), La traviata: Atto I. “Dell’invito trascorsa” (Coro, Violetta, Alfredo) |
| Homesick |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Che fia" (Lucia), Lucia di Lammermoor: Atto III, Scena II. "Oh giusto cielo!... Il dolce suono" (Coro, Lucia) |
| Eyetooth |
recording |
Missa in angustiis, Hob. XXII:11: Credo: Et resurrexit, Missa in angustiis, Hob. XXII:11: Kyrie |
| Acacia |
engineer |
Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso, Horn Concerto no. 4 in E-flat major, K. 495: II. Romance: Andante cantabile |
| Dante Zapata |
engineer |
La traviata: Atto II, Scena I. “Di Provenza il mar, il suol” (Germont), La traviata: Atto II, Scena I. “No, non udrai rimproveri” (Germont) |
| Zibba e Raphael |
engineer |
Un ballo in maschera: Atto II. "Seguitemi - Mio Dio!"", Un ballo in maschera: Atto II. "Ve', se di notte qui colla spossa" |
| Steel Tigers of Death! |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Deh, cessate quel contento" (Raimondo, Coro), Lucia di Lammermoor: Atto III, Scena II. "Oh! qual funesto avvenimento!" (Coro, Raimondo) |
| Young Grin |
engineer |
Un ballo in maschera: Atto I, Scena II. "Che v'agita cosi?", Un ballo in maschera: Atto I, Scena II. "Della cità all'occaso" |
| 沢田二郎 |
engineer |
Un ballo in maschera: Atto II. Preludio, Un ballo in maschera: Preludio |
| S. Indrawan |
engineer |
Lucia di Lammermoor: Atto III, Scena I. "Orrida è questa notte" / "Ashton!,, Si" (Edgardo, Enrico), Lucia di Lammermoor: Atto III, Scena I. "Qui del padre ancor respira" (Edgardo, Enrico) |
| Fulmakten 7 |
balance |
Andante cantabile (String Quartet no. 1, op. 11), La Vierge: The Last Sleep of the Virgin |
| Amries |
engineer |
Lucia di Lammermoor: Atto I, Scena I. "Cruda, funesta smania" (Enrico, Normanno, Raimondo), Lucia di Lammermoor: Atto I, Scena I. "Tu sei turbato!" (Normanno, Enrico, Raimondo) |
| Gawurra |
engineer |
La traviata: Atto I. Brindisi: “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) |
| Louis Kufferath |
engineer |
Lucia di Lammermoor: Atto II. Sestetto "Chi mi frena in tal momento?" (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo, Coro) |
| Logan Chapman |
engineer |
La traviata: Atto III. “Annina?” – “Comandate?” (Violetta, Annina, Dottore) |
| Lengser |
engineer |
Lucia di Lammermoor: Atto II, Scena II. "Per te d'immenso giubilo" / "Per poco fra le tenebre" (Coro, Arturo) |
| Le Santo Combattre |
engineer |
La traviata: Atto II, Scena I. “Pura siccome un angelo” (Germont, Violetta) |
| Max Reger |
engineer |
The Virgin's Slumber Song |
| Michael Meyer |
balance |
Magnificat en Sol menor para 4 Voces, Coro, 2 Oboes, Cuerdas y Continuo, RV 610, I. Magnificat... II. Et exultavit |
| Koor Gaudicanto Grimminge |
engineer |
Un ballo in maschera: Atto I, Scena II. "Orsu, amici" |
| Nate Parienti |
balance |
Thaïs: Méditation |
| KefiRock |
engineer |
Un ballo in maschera: Atto III, Scena II. "Fervono amori e danze" / "So che tu sai distinguere gli amici suoi" |
| Nihilum |
balance |
Ave Maria "Ellens Gesang III", D. 839 |
| Onassis |
engineer |
La traviata: Atto II, Scena I. “Dammi tu forza, o cielo!” – “Amami, Alfredo” (Violetta, Annina, Alfredo) |
| Oscars Mottetkörs |
engineer |
Un ballo in maschera: Atto I, Scena II. "E' scherzo od è follia" |
| Karl Maria Jäger |
audio |
Rigoletto: Atto I. "È il sol dell'anima" (Duca, Gilda) |
| John Francis Wade |
engineer |
Adeste Fideles |
| Pascal Bordeau |
engineer |
Un ballo in maschera: Atto III, Scena I. "Il messaggio entri" |
| Paul Cimolini |
engineer |
Un ballo in maschera: Atto III, Scena I. "Ah! di che fulgor, che musiche" |
| Pelt |
engineer |
Lucia di Lammermoor: Atto I, Scena I. "La pietade in suo favore" (Enrico, Coro, Raimondo) |
| Peter Ledaine |
engineer |
Un ballo in maschera: Atto II. "Teco io sto - Gran Dio!' / "Non sai tu che se l'anima mia" / "M'ami, m'ami!" |
| Johan Magnus Lannerstierna |
sound |
Rigoletto: Atto II. "Possente amor mi chiama" (Duca) |
| Projekt Miejski |
engineer |
Un ballo in maschera: Atto III, Scena II. "Ah! perché qui! fuggite" |
| Jair Muro |
engineer |
Un ballo in maschera: Atto III, Scena II. "Ma se m'è forza perderti" / "Ah! dessa è là" |
| Rain Pryor |
balance, engineer |
La traviata: Act 1. Prelude |
| Innvein |
audio |
Rigoletto: Atto I. "Gualtier Maldè! ... Caro nome" (Gilda) |
| Richard Storrs Willis |
engineer |
It Came Upon a Midnight Clear |
| Hexstar |
engineer |
La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) |
| Helen Donath |
engineer |
Un ballo in maschera: Atto III, Scena II. "Saper vorreste" |
| Robotix |
engineer |
Piano Concerto no. 4 in G minor, op. 40: I. Allegro |
| Rod Shively |
engineer |
Un ballo in maschera: Atto I, Scena I. "Alla vita che t'arride" |
| Roger Dangerfield |
engineer |
Lucia di Lammermoor: Atto II, Scena II. Sestetto con coro "Chi mi frena in tal momento?" (Edgardo, Enrico, Lucia, Raimondo, Edgardo, Alisa, Coro) |
| Heike Aumüller |
engineer |
La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di maschere) |
| Ryo Damara |
engineer |
Un ballo in maschera: Atto I, Scena II. (beginning) |
| Hate Beast |
engineer |
Lucia di Lammermoor: Atto II, Scena II. "T'allontana, sciagurato" / "Maledetto sia l'istante" (Arturo, Enrico, Coro, Raimondo, Edgardo, Lucia) |
| Gábor Csalog |
audio |
Rigoletto: Atto II. "Provero Rigaletto!" (Marullo, Rigoletto, Borsa, Ceprano, Page, Coro) / "Cortigiani, vil razza dannata" (Rigoletto) |
| Samson Silitonga |
engineer |
Lucia di Lammermoor: Atto I, Scena II. "Egli s'avanza" (Alisa, Edgardo, Lucia) |
| Sani Udin |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Appressati, Lucia" / "Il pallor, funesto, orrendo" (Enrico, Lucia) |
| Gregory McPherson the 2nd |
engineer |
Un ballo in maschera: Atto I, Scena II. "Di' tu se fedele il flutto m'aspetta" |
| Los Sintomas |
engineer |
Un ballo in maschera: Atto I, Scena II. "Su. profetessa, monta il treppie" |
| Fredi Olster |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Ohimè! sorge il tremendo fantasma" (Lucia, Normanno, Raimondo, Coro) |
| Franz Schubert |
engineer |
Ave Maria |
| Franz Liszt |
recording |
Mephisto Waltz no. 1 |
| Steve Sai |
balance |
Symphony no. 3, K. 71 |
| Finger of Knowledge |
balance |
Madama Butterfly: Act II. "Un bel dì, vedremo" |
| Felix Mendelssohn |
engineer |
Hark! The Herald Angels Sing |
| Esther Valles |
balance |
Faust: Act 3: Quel trouble inconnu... Salut! Demeure chaste et pure |
| The Pawns |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Si tragga altrove" (Enrico, Raimondo, Normanno) |
| Erol Uras |
recording |
Missa in angustiis, Hob. XXII:11: Gloria: Qui tollis peccata mundi |
| Emo Suarez |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro) |
| Thundercore |
engineer |
La traviata: Atto II, Scena I. “Ah! Dite alla giovine” – “Morrò! La mia memoria” (Violetta, Germont) |
| Els Van den Borre |
engineer |
Un ballo in maschera: Atto I, Scena II. "Finisci il vaticino" |
| Tolmini Marianini |
sound |
Rigoletto: Atto II. "Duca, duca!" (Coro) |
| Delta |
engineer |
Un ballo in maschera: Atto I, Scena II. "Re deli'abisso, affrettati" / "Arrivo il primo!" / "Su, fatemi largo, saper vo' il mio fato" |
| Tramtracks |
engineer |
Un ballo in maschera: Atto II. "Ahimè, S'appressa alcun!" |
| Delly Boi |
balance |
Piano Concerto in A minor, op. 54: III. Allegro vivace |
| UMZE Chamber Ensemble |
balance |
Faust: Act 2: No.7 Ronde du veau d'or: "Le veau d'or" |
| Ulrike Migdal |
balance |
Luonnotar, op. 70 |
| VB Artist |
engineer |
La traviata: Atto III. “Signora!” – “Che t’accade?” (Annina, Violetta, Alfredo) |
| Dangerkid |
engineer |
La traviata: Atto III. “Ah, Violetta!” – “Se una pudica vergine” (Germont, Violetta, Alfredo, Annina, Dottore) |
| DJ Last One |
engineer |
La traviata: Act I. “Un dì felice” |
| Curious George |
engineer |
Un ballo in maschera: Atto III, Scena II. "Ella è pura: in braccio a morte" |
| Clem Bennett |
engineer |
Lucia di Lammermoor: Atto I, Scena I. Preludio e coro "Percorrete le spiaggie vicine" (Normanno, Coro)) |
| Wayne Styles |
engineer |
La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) |
| Chorus of the Royal Opera House, Covent Garden |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "D'immenso giubilo" (Coro) |
| World of Wandag |
audio |
Rigoletto: Atto III. "La donna è mobile" (Duca) / Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) |
| Charles Ellerton |
engineer |
Un ballo in maschera: Atto I, Scena I. "Ogni cura si doni al diletto...Signori oggi d'Ulrica" |
| Buy Jupiter |
engineer |
Lucia di Lammermoor: Atto II, Scena I. "Lucia fra poco a te verrà" (Normanno, Enrico) |
| Zablas |
engineer |
Lucia di Lammermoor: Atto I. "Cruda, funesta smania" / "La pietade in suo favore" (Enrico, Normanno, Raimondo) |
| Born to Destruct |
balance |
Karelia Overture, op. 10 |
| BLØSH |
engineer |
Lucia di Lammermoor: Atto III, Scena II. "S'avanza Enrico!" (Raimondo, Enrico, Coro, Lucia) |
| Arsinist |
engineer |
Piano Concerto no. 4 in G minor, op. 40: II. Largo / III. Allegro vivace |
| fluz |
engineer |
Un ballo in maschera: Atto III, Scena I. "A tal colpa è nulla il pianto" |
| Alexander Young |
engineer |
Un ballo in maschera: Atto III, Scena I. "D'una grazia vi supplico" / "E chi vien?" / "Qual tristezza m'assale, qual pena!" |
| Alexander Lindo |
engineer |
Un ballo in maschera: Atto I. Scena I. "La revedrà nell'estasi" / "Il cenno mio" |
| Adolphe Adam |
engineer |
O Holy Night |
| Justin Bird |
engineer |
Lucia di Lammermoor: Atto II, Scena II. "Dov'è Lucia? " (Arturo, Enrico, Coro) / "Ecco il tuo sposo" (Enrico, Lucia, Arturo, Raimondo, Coro) |