| Gesualdo Consort Amsterdam |
vocal |
De Tien Geboden "Leve le cœur, ouvre l'aureille", Geneva Psalter (1562): De tout mon cœur t'exalteray, Geneva Psalter (1562): Jusques à quand as establi, Geneva Psalter (1562): La terre au Seigneur appartient, Geneva Psalter (1562): Le Seigneur est la clarté qui m'adresse, Geneva Psalter (1562): Le Seigneur ta priere entende, Geneva Psalter (1562): Le fol malin en son cœur dit et croid, Geneva Psalter (1562): Mon Dieu me paist sous sa puissance haute, Geneva Psalter (1562): O Seigneur que de gents, Geneva Psalter (1562): O nostre Dieu et Seigneur amiable, Geneva Psalter (1562): Pourquoy font bruit et s'assemblent les gents ?, Geneva Psalter (1562): Qui est-ce qui conversera, Geneva Psalter (1562): Seigneur garde mon droit, Geneva Psalter (1562): Vous tous, Princes et Seigneurs, Genevan Psalter (1562): Apres avoir constamment attendu, Genevan Psalter (1562): Di moy mal-heureux, qui te fies, Genevan Psalter (1562): Helas, Seigneur, je te pri' sauve moy, Genevan Psalter (1562): L'Eternel est regnant, Genevan Psalter (1562): Le Dieu le fort, l'Eternel parlera, Genevan Psalter (1562): Misericorde au povre vicieux, Genevan Psalter (1562): Misericorde à moy povre affligé, Genevan Psalter (1562): O Dieu qui nous as deboutés, Genevan Psalter (1562): O Dieu tout puissant, sauve moy, Genevan Psalter (1562): O Pasteur d'Israël, escoute, Genevan Psalter (1562): O bienheureux celuy dont les commises, Genevan Psalter (1562): O que c'est chose belle, Genevan Psalter (1562): Or sus, louez Dieu tout le monde, Genevan Psalter (1562): Peuples oyez et l'oreille prestez, Genevan Psalter (1562): Propos exquis faut que de mon cœur sorte, Genevan Psalter (1562): Psalm 1 "Qui au conseil des malins n'a esté", Genevan Psalter (1562): Psalm 10 "D'où vient cela, Seigneur, je te suppli'", Genevan Psalter (1562): Psalm 100 "Vous tous qui la terre habitez", Genevan Psalter (1562): Psalm 101 "Vouloir m'est pris de mettre en escriture", Genevan Psalter (1562): Psalm 103 "Sus, louez Dieu, mon ame, en toute chose", Genevan Psalter (1562): Psalm 104 "Sus, sus, mon ame, il te faut dire bien", Genevan Psalter (1562): Psalm 107 "Donnez au Seigneur gloire", Genevan Psalter (1562): Psalm 109 "O Dieu, mon honneur et ma gloire", Genevan Psalter (1562): Psalm 11 "Veu que du tout en Dieu mon cœur s'appuye", Genevan Psalter (1562): Psalm 110 "La Toutpuissant à mon Seigneur et maistre", Genevan Psalter (1562): Psalm 111 "Du Seigneur Dieu en tous endroits", Genevan Psalter (1562): Psalm 112 "O bienheureuse la personne", Genevan Psalter (1562): Psalm 113 "Enfans, qui le Seigneur servez", Genevan Psalter (1562): Psalm 114 "Quand Israël hors d'Egypte sortit", Genevan Psalter (1562): Psalm 115 "Non point à nous, Seigneur", Genevan Psalter (1562): Psalm 116 "J'ayme mon Dieu, car lors que j'ay crié", Genevan Psalter (1562): Psalm 119 "Bienheureuse est la personne qui vit", Genevan Psalter (1562): Psalm 12 "Donne secours, Seigneur, il en est heure", Genevan Psalter (1562): Psalm 120 "Alors qu'affliction me presse", Genevan Psalter (1562): Psalm 124 "Or peut bien dir' Israel maintenant", Genevan Psalter (1562): Psalm 125 "Tout homme qui son esperance", Genevan Psalter (1562): Psalm 126 "Alors que de captivité", Genevan Psalter (1562): Psalm 127 "On a beau sa maison bastir", Genevan Psalter (1562): Psalm 128 "Bienheureux est quiconques", Genevan Psalter (1562): Psalm 131 "Seigneur, je n'ay point le cœur fier", Genevan Psalter (1562): Psalm 133 "O combien est plaisant et souhaittable", Genevan Psalter (1562): Psalm 134 "Or sus, serviteurs du Seigneur", Genevan Psalter (1562): Psalm 135 "Chantez de Dieu le renom", Genevan Psalter (1562): Psalm 139 "O Dieu tu cognois qui je suis", Genevan Psalter (1562): Psalm 141 "O Seigneur, à toy je m'escrie", Genevan Psalter (1562): Psalm 143 "Seigneur Dieu, oy l'oraison mienne", Genevan Psalter (1562): Psalm 145 "Mon Dieu, mon Roy, haut je t'esleveray", Genevan Psalter (1562): Psalm 146 "Sus mon ame, qu'on bénie", Genevan Psalter (1562): Psalm 147 "Louez Dieu, car c'est chose bonne", Genevan Psalter (1562): Psalm 148 "Vous tous les habitans des cieux", Genevan Psalter (1562): Psalm 149 "Chantez à Dieu chanson nouvelle", Genevan Psalter (1562): Psalm 150 "Or soit loué l'Eternel", Genevan Psalter (1562): Psalm 16 "Sois moy, Seigneur, ma garde et mon appuy", Genevan Psalter (1562): Psalm 17 "Seigneur, enten à mon bon droit", Genevan Psalter (1562): Psalm 18 "Je t'aymeray en tout' obeissance", Genevan Psalter (1562): Psalm 19 "Les cieux en chacun lieu", Genevan Psalter (1562): Psalm 21 "Seigneur, le Roy s'esjouira", Genevan Psalter (1562): Psalm 22 "Mon Dieu, mon Dieu, pourquoy m'as tu laissé", Genevan Psalter (1562): Psalm 25 "A toy, mon Dieu, mon cœur monte", Genevan Psalter (1562): Psalm 27 "Le Seigneur est la clarté qui m'adresse", Genevan Psalter (1562): Psalm 28 "O Dieu qui es ma forteresse", Genevan Psalter (1562): Psalm 3 "O Seigneur que de gents", Genevan Psalter (1562): Psalm 30 "Seigneur, puis que m'as retiré", Genevan Psalter (1562): Psalm 31 "J'ay mis en toy mon esperance", Genevan Psalter (1562): Psalm 33 "Resveillez vous chacun fidele", Genevan Psalter (1562): Psalm 34 "Jamais ne cesseray", Genevan Psalter (1562): Psalm 35 "Deba contre mes débatteurs", Genevan Psalter (1562): Psalm 36 "Du malin le meschant vouloir", Genevan Psalter (1562): Psalm 37 "Ne sois fasché, si, durant ceste vie", Genevan Psalter (1562): Psalm 38 "Las ! en ta fureur aigue", Genevan Psalter (1562): Psalm 39 "J'ay dit en moy, de pres je viseray", Genevan Psalter (1562): Psalm 4 "Quand je t'invoque, helas ! escoute", Genevan Psalter (1562): Psalm 41 "O bienheureux qui juge sagement", Genevan Psalter (1562): Psalm 42 "Ainsi qu'on oit le cerf bruire", Genevan Psalter (1562): Psalm 43 "Revenge moy, pren la querelle", Genevan Psalter (1562): Psalm 44 "Or avons nous de nos oreilles", Genevan Psalter (1562): Psalm 46 "Des qu'adversité nous offense", Genevan Psalter (1562): Psalm 47 "Or sus tous humains", Genevan Psalter (1562): Psalm 48 "C'est en sa tressaincte Cité", Genevan Psalter (1562): Psalm 5 "Aux parolles que je veux dire", Genevan Psalter (1562): Psalm 53 "Le fol malin en son cœur dit et croit", Genevan Psalter (1562): Psalm 55 "Exauce, ô mon Dieu, ma priere", Genevan Psalter (1562): Psalm 57 "Ayes pitié, ayes pitié de moy", Genevan Psalter (1562): Psalm 58 "Entre vous conseillers, qui estes", Genevan Psalter (1562): Psalm 59 "Mon Dieu, l'ennemi m'environne", Genevan Psalter (1562): Psalm 6 "Ne vueilles pas, ô Sire", Genevan Psalter (1562): Psalm 61 "Enten pourquoy je m'escrie", Genevan Psalter (1562): Psalm 62 "Mon ame en Dieu tant seulement", Genevan Psalter (1562): Psalm 63 "O Dieu, je n'ay Dieu fors que toy", Genevan Psalter (1562): Psalm 64 "Enten à ce que je veux dire", Genevan Psalter (1562): Psalm 65 "O Dieu la gloire, qui t'est deuë", Genevan Psalter (1562): Psalm 67 "Dieu nous soit doux et favorable", Genevan Psalter (1562): Psalm 68 "Que Dieu se monstre seulement", Genevan Psalter (1562): Psalm 7 "Mon Dieu j'ay en toy esperance", Genevan Psalter (1562): Psalm 70 "O Dieu, où mon espoir j'ay mis", Genevan Psalter (1562): Psalm 71 "J'ay mis en toy mon esperance", Genevan Psalter (1562): Psalm 73 "Si est-ce que Dieu est tresdoux", Genevan Psalter (1562): Psalm 74 "D'où vient, Seigneur, que tu nous as espars", Genevan Psalter (1562): Psalm 75 "O Seigneur loué sera", Genevan Psalter (1562): Psalm 76 "C'est en Judee proprement", Genevan Psalter (1562): Psalm 77 "A Dieu ma voix j'ay haussee", Genevan Psalter (1562): Psalm 79 "Les gens entrez sont en ton heritage", Genevan Psalter (1562): Psalm 81 "Chantez gayement", Genevan Psalter (1562): Psalm 82 "Dieu est assis en l'assemblee", Genevan Psalter (1562): Psalm 83 "O Dieu, ne sois plus à recoy", Genevan Psalter (1562): Psalm 84 "O Dieu des armees, combien", Genevan Psalter (1562): Psalm 85 "Avec les tiens, Seigneur, tu as fait paix", Genevan Psalter (1562): Psalm 86 "Mon Dieu preste moy l'oreille", Genevan Psalter (1562): Psalm 87 "Dieu pour fonder son tresseur habitacle", Genevan Psalter (1562): Psalm 88 "O Dieu Eternel, mon Sauveur", Genevan Psalter (1562): Psalm 89 "Du Seigneur les bontés sans fin je chanteray", Genevan Psalter (1562): Psalm 90 "Tu as esté, Seigneur, nostre retraicte", Genevan Psalter (1562): Psalm 91 "Que en la garde du haut Dieu", Genevan Psalter (1562): Psalm 93 "Dieu est regnant de grandeur tout vestu", Genevan Psalter (1562): Psalm 94 "O Eternel, Dieu des vengeances", Genevan Psalter (1562): Psalm 96 "Chantez à Dieu chanson nouvelle", Genevan Psalter (1562): Psalm 98 "Chantez à Dieu nouveau cantique", Genevan Psalter (1562): Psalm 99 "Or est maintenant", Genevan Psalter (1562): Seigneur, enten ma requeste, Genevan Psalter (1562): Sois ententif, mon peuple, à ma doctrine, Genevan Psalter (1562): Sus, esgayons-nous au Seigneur, Genevan Psalter (1562): Tes jugements, Dieu véritable |
| Harry van der Kamp |
chorus master |
De Tien Geboden "Leve le cœur, ouvre l'aureille", Geneva Psalter (1562): De tout mon cœur t'exalteray, Geneva Psalter (1562): Jusques à quand as establi, Geneva Psalter (1562): La terre au Seigneur appartient, Geneva Psalter (1562): Le Seigneur est la clarté qui m'adresse, Geneva Psalter (1562): Le Seigneur ta priere entende, Geneva Psalter (1562): Le fol malin en son cœur dit et croid, Geneva Psalter (1562): Mon Dieu me paist sous sa puissance haute, Geneva Psalter (1562): O Seigneur que de gents, Geneva Psalter (1562): O nostre Dieu et Seigneur amiable, Geneva Psalter (1562): Pourquoy font bruit et s'assemblent les gents ?, Geneva Psalter (1562): Qui est-ce qui conversera, Geneva Psalter (1562): Seigneur garde mon droit, Geneva Psalter (1562): Vous tous, Princes et Seigneurs, Genevan Psalter (1562): Apres avoir constamment attendu, Genevan Psalter (1562): Di moy mal-heureux, qui te fies, Genevan Psalter (1562): Helas, Seigneur, je te pri' sauve moy, Genevan Psalter (1562): L'Eternel est regnant, Genevan Psalter (1562): Le Dieu le fort, l'Eternel parlera, Genevan Psalter (1562): Misericorde au povre vicieux, Genevan Psalter (1562): Misericorde à moy povre affligé, Genevan Psalter (1562): O Dieu qui nous as deboutés, Genevan Psalter (1562): O Dieu tout puissant, sauve moy, Genevan Psalter (1562): O Pasteur d'Israël, escoute, Genevan Psalter (1562): O bienheureux celuy dont les commises, Genevan Psalter (1562): O que c'est chose belle, Genevan Psalter (1562): Or sus, louez Dieu tout le monde, Genevan Psalter (1562): Peuples oyez et l'oreille prestez, Genevan Psalter (1562): Propos exquis faut que de mon cœur sorte, Genevan Psalter (1562): Psalm 1 "Qui au conseil des malins n'a esté", Genevan Psalter (1562): Psalm 10 "D'où vient cela, Seigneur, je te suppli'", Genevan Psalter (1562): Psalm 100 "Vous tous qui la terre habitez", Genevan Psalter (1562): Psalm 101 "Vouloir m'est pris de mettre en escriture", Genevan Psalter (1562): Psalm 103 "Sus, louez Dieu, mon ame, en toute chose", Genevan Psalter (1562): Psalm 104 "Sus, sus, mon ame, il te faut dire bien", Genevan Psalter (1562): Psalm 107 "Donnez au Seigneur gloire", Genevan Psalter (1562): Psalm 109 "O Dieu, mon honneur et ma gloire", Genevan Psalter (1562): Psalm 11 "Veu que du tout en Dieu mon cœur s'appuye", Genevan Psalter (1562): Psalm 110 "La Toutpuissant à mon Seigneur et maistre", Genevan Psalter (1562): Psalm 111 "Du Seigneur Dieu en tous endroits", Genevan Psalter (1562): Psalm 112 "O bienheureuse la personne", Genevan Psalter (1562): Psalm 113 "Enfans, qui le Seigneur servez", Genevan Psalter (1562): Psalm 114 "Quand Israël hors d'Egypte sortit", Genevan Psalter (1562): Psalm 115 "Non point à nous, Seigneur", Genevan Psalter (1562): Psalm 116 "J'ayme mon Dieu, car lors que j'ay crié", Genevan Psalter (1562): Psalm 119 "Bienheureuse est la personne qui vit", Genevan Psalter (1562): Psalm 12 "Donne secours, Seigneur, il en est heure", Genevan Psalter (1562): Psalm 120 "Alors qu'affliction me presse", Genevan Psalter (1562): Psalm 124 "Or peut bien dir' Israel maintenant", Genevan Psalter (1562): Psalm 125 "Tout homme qui son esperance", Genevan Psalter (1562): Psalm 126 "Alors que de captivité", Genevan Psalter (1562): Psalm 127 "On a beau sa maison bastir", Genevan Psalter (1562): Psalm 128 "Bienheureux est quiconques", Genevan Psalter (1562): Psalm 131 "Seigneur, je n'ay point le cœur fier", Genevan Psalter (1562): Psalm 133 "O combien est plaisant et souhaittable", Genevan Psalter (1562): Psalm 134 "Or sus, serviteurs du Seigneur", Genevan Psalter (1562): Psalm 135 "Chantez de Dieu le renom", Genevan Psalter (1562): Psalm 139 "O Dieu tu cognois qui je suis", Genevan Psalter (1562): Psalm 141 "O Seigneur, à toy je m'escrie", Genevan Psalter (1562): Psalm 143 "Seigneur Dieu, oy l'oraison mienne", Genevan Psalter (1562): Psalm 145 "Mon Dieu, mon Roy, haut je t'esleveray", Genevan Psalter (1562): Psalm 146 "Sus mon ame, qu'on bénie", Genevan Psalter (1562): Psalm 147 "Louez Dieu, car c'est chose bonne", Genevan Psalter (1562): Psalm 148 "Vous tous les habitans des cieux", Genevan Psalter (1562): Psalm 149 "Chantez à Dieu chanson nouvelle", Genevan Psalter (1562): Psalm 150 "Or soit loué l'Eternel", Genevan Psalter (1562): Psalm 16 "Sois moy, Seigneur, ma garde et mon appuy", Genevan Psalter (1562): Psalm 17 "Seigneur, enten à mon bon droit", Genevan Psalter (1562): Psalm 18 "Je t'aymeray en tout' obeissance", Genevan Psalter (1562): Psalm 19 "Les cieux en chacun lieu", Genevan Psalter (1562): Psalm 21 "Seigneur, le Roy s'esjouira", Genevan Psalter (1562): Psalm 22 "Mon Dieu, mon Dieu, pourquoy m'as tu laissé", Genevan Psalter (1562): Psalm 25 "A toy, mon Dieu, mon cœur monte", Genevan Psalter (1562): Psalm 27 "Le Seigneur est la clarté qui m'adresse", Genevan Psalter (1562): Psalm 28 "O Dieu qui es ma forteresse", Genevan Psalter (1562): Psalm 3 "O Seigneur que de gents", Genevan Psalter (1562): Psalm 30 "Seigneur, puis que m'as retiré", Genevan Psalter (1562): Psalm 31 "J'ay mis en toy mon esperance", Genevan Psalter (1562): Psalm 33 "Resveillez vous chacun fidele", Genevan Psalter (1562): Psalm 34 "Jamais ne cesseray", Genevan Psalter (1562): Psalm 35 "Deba contre mes débatteurs", Genevan Psalter (1562): Psalm 36 "Du malin le meschant vouloir", Genevan Psalter (1562): Psalm 37 "Ne sois fasché, si, durant ceste vie", Genevan Psalter (1562): Psalm 38 "Las ! en ta fureur aigue", Genevan Psalter (1562): Psalm 39 "J'ay dit en moy, de pres je viseray", Genevan Psalter (1562): Psalm 4 "Quand je t'invoque, helas ! escoute", Genevan Psalter (1562): Psalm 41 "O bienheureux qui juge sagement", Genevan Psalter (1562): Psalm 42 "Ainsi qu'on oit le cerf bruire", Genevan Psalter (1562): Psalm 43 "Revenge moy, pren la querelle", Genevan Psalter (1562): Psalm 44 "Or avons nous de nos oreilles", Genevan Psalter (1562): Psalm 46 "Des qu'adversité nous offense", Genevan Psalter (1562): Psalm 47 "Or sus tous humains", Genevan Psalter (1562): Psalm 48 "C'est en sa tressaincte Cité", Genevan Psalter (1562): Psalm 5 "Aux parolles que je veux dire", Genevan Psalter (1562): Psalm 53 "Le fol malin en son cœur dit et croit", Genevan Psalter (1562): Psalm 55 "Exauce, ô mon Dieu, ma priere", Genevan Psalter (1562): Psalm 57 "Ayes pitié, ayes pitié de moy", Genevan Psalter (1562): Psalm 58 "Entre vous conseillers, qui estes", Genevan Psalter (1562): Psalm 59 "Mon Dieu, l'ennemi m'environne", Genevan Psalter (1562): Psalm 6 "Ne vueilles pas, ô Sire", Genevan Psalter (1562): Psalm 61 "Enten pourquoy je m'escrie", Genevan Psalter (1562): Psalm 62 "Mon ame en Dieu tant seulement", Genevan Psalter (1562): Psalm 63 "O Dieu, je n'ay Dieu fors que toy", Genevan Psalter (1562): Psalm 64 "Enten à ce que je veux dire", Genevan Psalter (1562): Psalm 65 "O Dieu la gloire, qui t'est deuë", Genevan Psalter (1562): Psalm 67 "Dieu nous soit doux et favorable", Genevan Psalter (1562): Psalm 68 "Que Dieu se monstre seulement", Genevan Psalter (1562): Psalm 7 "Mon Dieu j'ay en toy esperance", Genevan Psalter (1562): Psalm 70 "O Dieu, où mon espoir j'ay mis", Genevan Psalter (1562): Psalm 71 "J'ay mis en toy mon esperance", Genevan Psalter (1562): Psalm 73 "Si est-ce que Dieu est tresdoux", Genevan Psalter (1562): Psalm 74 "D'où vient, Seigneur, que tu nous as espars", Genevan Psalter (1562): Psalm 75 "O Seigneur loué sera", Genevan Psalter (1562): Psalm 76 "C'est en Judee proprement", Genevan Psalter (1562): Psalm 77 "A Dieu ma voix j'ay haussee", Genevan Psalter (1562): Psalm 79 "Les gens entrez sont en ton heritage", Genevan Psalter (1562): Psalm 81 "Chantez gayement", Genevan Psalter (1562): Psalm 82 "Dieu est assis en l'assemblee", Genevan Psalter (1562): Psalm 83 "O Dieu, ne sois plus à recoy", Genevan Psalter (1562): Psalm 84 "O Dieu des armees, combien", Genevan Psalter (1562): Psalm 85 "Avec les tiens, Seigneur, tu as fait paix", Genevan Psalter (1562): Psalm 86 "Mon Dieu preste moy l'oreille", Genevan Psalter (1562): Psalm 87 "Dieu pour fonder son tresseur habitacle", Genevan Psalter (1562): Psalm 88 "O Dieu Eternel, mon Sauveur", Genevan Psalter (1562): Psalm 89 "Du Seigneur les bontés sans fin je chanteray", Genevan Psalter (1562): Psalm 90 "Tu as esté, Seigneur, nostre retraicte", Genevan Psalter (1562): Psalm 91 "Que en la garde du haut Dieu", Genevan Psalter (1562): Psalm 93 "Dieu est regnant de grandeur tout vestu", Genevan Psalter (1562): Psalm 94 "O Eternel, Dieu des vengeances", Genevan Psalter (1562): Psalm 96 "Chantez à Dieu chanson nouvelle", Genevan Psalter (1562): Psalm 98 "Chantez à Dieu nouveau cantique", Genevan Psalter (1562): Psalm 99 "Or est maintenant", Genevan Psalter (1562): Seigneur, enten ma requeste, Genevan Psalter (1562): Sois ententif, mon peuple, à ma doctrine, Genevan Psalter (1562): Sus, esgayons-nous au Seigneur, Genevan Psalter (1562): Tes jugements, Dieu véritable |
| Alfred Deller |
conductor, vocal |
A Brisk Young Lad He Courted Me, A Farmer's Son So Sweet, A Sweet Country Life, Amo, Amas, I Love a Lass, An Acre of Land, An Eriskay Love Lilt, Barbara Allen, Black is the colour of my true love's hair, Blow Away the Morning Dew, Brigg Fair, Bushes and Briars, Ca' the Yowes, Calleno Custure Me (Henry V, mention à IV.4), Coventry Carol, Dabbling in the Dew, Down by the Riverside, Down by the sally Garden's, Down in Yon Forest, Flowers in the Valley, Geordie, Greensleaves, Greensleeves, Have You Seen but a White Lilly, He That Will an Alehouse Keep, He That Will an Alehouse Keep (Mélismes de Ravenscroft), Heigh Ho, the Wind and the Rain ("Twelfth Night"), How Should I Your True Love Know, How Should I Your True Love Know (Hamlet, Prince of Denmark, IV.5), I Am Athirst, I Will Give My Love an Apple, I will give my love an Apple, Inigo Jones, John Dory, Just as the Tide Was A-Flowing, Just as the Tide Was Flowing, King Henry, L'immense corpus grégorien, Messe de Requiem grégorienne: I. Introït: Requiem aeternam, L'immense corpus grégorien, Messe de Requiem grégorienne: II. Kyrie eleison, L'immense corpus grégorien, Messe de Requiem grégorienne: III. Graduel: Requiem aeternam, L'immense corpus grégorien, Messe de Requiem grégorienne: IV. Trait: Absolve, Domine, L'immense corpus grégorien, Messe de Requiem grégorienne: IX. Communion: Lux aeterna, L'immense corpus grégorien, Messe de Requiem grégorienne: V. Séquence: Dies irae, L'immense corpus grégorien, Messe de Requiem grégorienne: VI. Offertoire: Domine Jesu Christe, L'immense corpus grégorien, Messe de Requiem grégorienne: VII. Sanctus, L'immense corpus grégorien, Messe de Requiem grégorienne: VIII. Agnus Dei, L'immense corpus grégorien, Messe de Requiem grégorienne: X. Repons: Libera me, L'immense corpus grégorien, Messe de Requiem grégorienne: XI. Antienne: In paradisum, Lang A-Growing, Loch Lomond, Lord Rendall, Lovely Joan, Matthew, Mark, Luke and John, My Boy Billy, Near London Town, O Who's Going to Shoe Your Pretty Little Foot, Peggy Ramsay, Searching for Lambs, She Moved Through the Fair, She moved through the fair, Strawberry Fair, Sumer Is Icumen In, Sweet England, Sweet Jane, Sweet Nightingale, The Bitter Withy, The Cruel Mother, The Cuckoo, The Cuckoo and the Nightingale, The Dark-Eyed Sailor, The Evening Prayer, The Folksong Recital: Barbara Allen, The Folksong Recital: Black is the colour of my true love's hair, The Folksong Recital: Bushes and briars, The Folksong Recital: Down by the sally garden's, The Folksong Recital: Evening prayer, The Folksong Recital: I will give my love an apple, The Folksong Recital: Lord Rendall, The Folksong Recital: She moved through the fair, The Folksong Recital: The foggy, foggy dew, The Folksong Recital: The oak and the ash, The Folksong Recital: The tailor and the mouse, The Folksong Recital: The three ravens, The Folksong Recital: Water wide, The Frog and the Mouse, The Jolly Ploughboy, The Lover's Ghost, The Oak and the Ash, The Painful Plough, The Seeds of Love, The Spring Time of the Year, The Tailor and the Mouse, The Three Ravens, The Turtle Dove, The Wraggle Taggle Gypsies, The foggy, foggy Dew, The three Ravens, Then They for Sudden Joy Did Weep (King Lear, I), Troll the Bowl, Waly, Waly, Ward the Pirate, Wassail Song, Water is wide, We Be Soldiers Three, When Cockleshells Turn Silver Bells, When Griping Griefs (Romeo and Juliet, IV.5), When That I Was (Twelfth Night, V.1), Willow Song (Othello, IV.3) |
| Desmond Dupré |
cittern, guitar, lute |
A Brisk Young Lad He Courted Me, A Farmer's Son So Sweet, A Sweet Country Life, An Acre of Land, An Eriskay Love Lilt, Barbara Allen, Black is the colour of my true love's hair, Blow Away the Morning Dew, Brigg Fair, Bushes and Briars, Ca' the Yowes, Coventry Carol, Dabbling in the Dew, Down by the Riverside, Down by the sally Garden's, Down in Yon Forest, Flowers in the Valley, Geordie, Greensleaves, Greensleeves, Have You Seen but a White Lilly, Heigh Ho, the Wind and the Rain ("Twelfth Night"), How Should I Your True Love Know, I Will Give My Love an Apple, I will give my love an Apple, John Dory, Just as the Tide Was A-Flowing, Just as the Tide Was Flowing, Kemp's Jig, King Henry, La Rosignol, Lang A-Growing, Loch Lomond, Lord Rendall, Lovely Joan, Matthew, Mark, Luke and John, My Boy Billy, Near London Town, O Who's Going to Shoe Your Pretty Little Foot, Peggy Ramsay, Searching for Lambs, She Moved Through the Fair, She moved through the fair, Strawberry Fair, Sweet England, Sweet Jane, Sweet Nightingale, The Bitter Withy, The Cruel Mother, The Cuckoo, The Cuckoo and the Nightingale, The Dark-Eyed Sailor, The Evening Prayer, The Folksong Recital: Barbara Allen, The Folksong Recital: Black is the colour of my true love's hair, The Folksong Recital: Bushes and briars, The Folksong Recital: Down by the sally garden's, The Folksong Recital: Evening prayer, The Folksong Recital: I will give my love an apple, The Folksong Recital: Lord Rendall, The Folksong Recital: She moved through the fair, The Folksong Recital: The foggy, foggy dew, The Folksong Recital: The oak and the ash, The Folksong Recital: The tailor and the mouse, The Folksong Recital: The three ravens, The Folksong Recital: Water wide, The Frog and the Mouse, The Jolly Ploughboy, The Lover's Ghost, The Oak and the Ash, The Painful Plough, The Seeds of Love, The Spring Time of the Year, The Tailor and the Mouse, The Three Ravens, The Turtle Dove, The Wraggle Taggle Gypsies, The foggy, foggy Dew, The three Ravens, Waly, Waly, Ward the Pirate, Wassail Song, Water is wide, When Cockleshells Turn Silver Bells |
| Jordi Savall |
conductor, performer, percussion, viola da gamba |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La fille guillemin", ballo, CM 6, "Merce te chiamo", ballatta, CM 89, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, "Viva viva Rey Ferrando", canción, CM 111, "Zappay", strambotto instrumental, CM 20, A los baños de amor, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Al alva venid, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Ay luna que reluzes, Buenas nuevas de alegría, Cant de la Sibil·la / Sybilla Latine, Con que la lavaré, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Dizen a mi que los amores he, El cancionero de Medinaceli: La perra mora, El cancionero de la Colombina: Propinan de melyor, El cancionero de palacio: Tres morillas, El cervel mi fa, Els segadors, Estas noches à tan largas, Falai meus olhos, Gozate Virgen, Harto de tanta porfía, In exitu Israel, Lealtat, o lealtat, Miserere nostri, para 4 voces, Muy crueles bozes dan, Niña y viña, No hay que decirle el primor, Ojos garços ha la niña, Pase el agoa, ma Julieta, Propiñan de Melyor, Quien tiene vida en esperança, Rodrigo Martínez, Romance, Chanson Sefardite: "Por que llorax blanca niña (Sarajevo)", Si d'amor pena sentís, Si de vos mi bien, Sibila Castellana (XVIème siècle): A Dios verán presente, Sibila Castellana (XVIème siècle): Dexarán los ricos, Sibila Castellana (XVIème siècle): Dios los infirnos, quebrantará, Sibila Castellana (XVIème siècle): El rey de los cielos verná, Sibila Castellana (XVIème siècle): Iudicii signum, Sibila Castellana (XVIème siècle): Las animas venirán, Sibila Castellana (XVIème siècle): Quantos aqui estades, Sibila Castellana (XVIème siècle): Si oyésedes lo que dixo Sibila, Sibila Castellana (XVIème siècle): Tocata, Sibilla Catalane (Seu d'Urgell, XVe siècle), Sibilla Latine (Barcelona, X-XIèmes siècles), Sibilla Provençale (Montpellier, XII-XIIIèmes siècles), Tres morillas, Un niño nos es nacido, Villancico, Cancionero de la Colombina: "Niña y viña", Villancico: "Con qué la lavaré", ¡Ay, que non ay!, ¿Cómo no le andaré yo?, ¿Qué me queréis, cavallero? |
| Clemencic Consort |
performer, performing orchestra |
A l'entrada del temps clar, Anonyme: A l'entrada del temps clar (Clemencic Consort, feat. director: René Clemencic), Carmina Burana: Carmina Amoris Infelicis: Axe Phebus aureo, CB 71, Carmina Burana: Carmina Amoris Infelicis: Dulce solum natalis patrie, CB 119, Carmina Burana: Carmina Amoris Infelicis: Ich was ein chint so wolgetan, CB 185, Carmina Burana: Carmina Amoris Infelicis: Iste mundus furibundus, CB 24, Carmina Burana: Carmina Amoris Infelicis: Procurans odium, CB 12, Carmina Burana: Carmina Amoris Infelicis: Sic mea fata canendo solo, CB 116, Carmina Burana: Carmina Amoris Infelicis: Vite perdite I, CB 31, Carmina Burana: Carmina Divina: Ave nobilis venerabilis Maria, CB 11, Carmina Burana: Carmina Divina: Fulget dies celebris, CB 153, Carmina Burana: Carmina Gulatorum et Potatorum: Alte clamat Epicurus, CB 211/211a, Carmina Burana: Carmina Gulatorum et Potatorum: Bacche, bene venies, CB 200, Carmina Burana: Carmina Gulatorum et Potatorum: In taberna quando sumus, CB 196, Carmina Burana: Carmina Gulatorum et Potatorum: Nomen a solempnibus, CB 52, Carmina Burana: Carmina Gulatorum et Potatorum: Vacillantis trutine, CB 108, Carmina Burana: Carmina Gulatorum et Potatorum: Virent prata hiemata, CB 151, Carmina Burana: Carmina Gulatorum et Potatorum: Vite perdite II, CB 31, Carmina Burana: Carmina Lusorum, CB 215/215a: Epistola: Lectio actuum apopholorum, Carmina Burana: Carmina Lusorum, CB 215/215a: Evangelium: Sequentia falsi evangelii, Carmina Burana: Carmina Lusorum, CB 215/215a: Introitus: Lugeamus omnes in Decio, Carmina Burana: Carmina Lusorum, CB 215/215a: Oratio: Omemus!, Carmina Burana: Carmina Lusorum, CB 215/215a: Sequentia: Victimr novali, Carmina Burana: Carmina Moralia et Divina: Crucifigat omnes, CB 47, Carmina Burana: Carmina Moralia et Divina: Dic, Christi veritas - Bulla fulminante, CB 131/131a, Carmina Burana: Carmina Moralia et Divina: Fas et nefas ambulant, CB 19, Carmina Burana: Carmina Moralia et Divina: Flete flenda, CB 5, Carmina Burana: Carmina Moralia et Divina: Homo qui vigeas, CB 22, Carmina Burana: Carmina Moralia et Divina: Licet eger II, CB 8, Carmina Burana: Carmina Moralia et Divina: Nomen a solempnibus II, CB 52, Carmina Burana: Carmina Moralia et Divina: Procurans odium II, CB 12, Carmina Burana: Carmina Moralia et Divina: Si vocatus ad napcias I, CB 26,3, Carmina Burana: Carmina Moralia: Deduc, Syon, uberrimas, CB 34, Carmina Burana: Carmina Moralia: Ecce, torpet probitas, CB 3, Carmina Burana: Carmina Moralia: In terra sumus rex, CB 11, Carmina Burana: Carmina Veris et Amoris: Bacche, bene venies II, CB 200, Carmina Burana: Carmina Veris et Amoris: Clauso Chronos, CB 73, Carmina Burana: Carmina Veris et Amoris: Exiit diluculo rustica puella, CB 90, Carmina Burana: Carmina Veris et Amoris: In Gedeonis ara, CB 37, Carmina Burana: Carmina Veris et Amoris: Licet eger, CB 8, Carmina Burana: Carmina Veris et Amoris: Michi confer, venditor I, CB 16, Carmina Burana: Carmina Veris et Amoris: Olim sudor Herculis, CB 63, Carmina Burana: Carmina Veris et Amoris: Tempus transit gelidum, CB 153, Carmina Burana: Carmina Veris et Amoris: Vacillantis trutine II, CB 108, Carmina Burana: Carmina Veris et Amoris: Veris dulcis in tempore I, CB 159, Carmina Burana: Carmina Veris et Amoris: Veris dulcis in tempore II, CB 159, Carmina Burana: Carmina Veris et Amoris: Virent prata hiemata, CB 151/151A, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Ave Maria, gratia plena, CB 15, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Ave, domina mundi, CB 18, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Deus, in nomine tuo, CB 15, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Ludus de Passione, CB 16, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Regali ex progenie Maria, CB 18, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Sanctissima et gloriosissima, CB 18, Chansons morales et chants sacrés: Flete flenda (Clemencic Consort, feat. director: René Clemencic, narrator: Yves Rouquette), Chansons à boire et à manger: Bacche, bene venies (Clemencic Consort, feat. director: René Clemencic, narrator: Yves Rouquette), La Comtessa de Dia: A Chantar, La Comtessa de Dia: Vida, Le Roman de Fauvel: Quare fremuerunt / Douce dame / Quoniam secta latronum (Clemencic Consort, feat. director: René Clemencic), Prologue: Porque Trobar (Clemencic Consort, feat. director: René Clemencic, countertenor: Zeger Vandersteene) |
| René Clemencic |
conductor, flute, other instruments |
A l'entrada del temps clar, Carmina Burana: Carmina Amoris Infelicis: Axe Phebus aureo, CB 71, Carmina Burana: Carmina Amoris Infelicis: Dulce solum natalis patrie, CB 119, Carmina Burana: Carmina Amoris Infelicis: Ich was ein chint so wolgetan, CB 185, Carmina Burana: Carmina Amoris Infelicis: Iste mundus furibundus, CB 24, Carmina Burana: Carmina Amoris Infelicis: Procurans odium, CB 12, Carmina Burana: Carmina Amoris Infelicis: Sic mea fata canendo solo, CB 116, Carmina Burana: Carmina Amoris Infelicis: Vite perdite I, CB 31, Carmina Burana: Carmina Divina: Ave nobilis venerabilis Maria, CB 11, Carmina Burana: Carmina Divina: Fulget dies celebris, CB 153, Carmina Burana: Carmina Gulatorum et Potatorum: Alte clamat Epicurus, CB 211/211a, Carmina Burana: Carmina Gulatorum et Potatorum: Bacche, bene venies, CB 200, Carmina Burana: Carmina Gulatorum et Potatorum: In taberna quando sumus, CB 196, Carmina Burana: Carmina Gulatorum et Potatorum: Nomen a solempnibus, CB 52, Carmina Burana: Carmina Gulatorum et Potatorum: Vacillantis trutine, CB 108, Carmina Burana: Carmina Gulatorum et Potatorum: Virent prata hiemata, CB 151, Carmina Burana: Carmina Gulatorum et Potatorum: Vite perdite II, CB 31, Carmina Burana: Carmina Lusorum, CB 215/215a: Epistola: Lectio actuum apopholorum, Carmina Burana: Carmina Lusorum, CB 215/215a: Evangelium: Sequentia falsi evangelii, Carmina Burana: Carmina Lusorum, CB 215/215a: Introitus: Lugeamus omnes in Decio, Carmina Burana: Carmina Lusorum, CB 215/215a: Oratio: Omemus!, Carmina Burana: Carmina Lusorum, CB 215/215a: Sequentia: Victimr novali, Carmina Burana: Carmina Moralia et Divina: Crucifigat omnes, CB 47, Carmina Burana: Carmina Moralia et Divina: Dic, Christi veritas - Bulla fulminante, CB 131/131a, Carmina Burana: Carmina Moralia et Divina: Fas et nefas ambulant, CB 19, Carmina Burana: Carmina Moralia et Divina: Flete flenda, CB 5, Carmina Burana: Carmina Moralia et Divina: Homo qui vigeas, CB 22, Carmina Burana: Carmina Moralia et Divina: Licet eger II, CB 8, Carmina Burana: Carmina Moralia et Divina: Nomen a solempnibus II, CB 52, Carmina Burana: Carmina Moralia et Divina: Procurans odium II, CB 12, Carmina Burana: Carmina Moralia et Divina: Si vocatus ad napcias I, CB 26,3, Carmina Burana: Carmina Moralia: Deduc, Syon, uberrimas, CB 34, Carmina Burana: Carmina Moralia: Ecce, torpet probitas, CB 3, Carmina Burana: Carmina Moralia: In terra sumus rex, CB 11, Carmina Burana: Carmina Veris et Amoris: Bacche, bene venies II, CB 200, Carmina Burana: Carmina Veris et Amoris: Clauso Chronos, CB 73, Carmina Burana: Carmina Veris et Amoris: Exiit diluculo rustica puella, CB 90, Carmina Burana: Carmina Veris et Amoris: In Gedeonis ara, CB 37, Carmina Burana: Carmina Veris et Amoris: Licet eger, CB 8, Carmina Burana: Carmina Veris et Amoris: Michi confer, venditor I, CB 16, Carmina Burana: Carmina Veris et Amoris: Olim sudor Herculis, CB 63, Carmina Burana: Carmina Veris et Amoris: Tempus transit gelidum, CB 153, Carmina Burana: Carmina Veris et Amoris: Vacillantis trutine II, CB 108, Carmina Burana: Carmina Veris et Amoris: Veris dulcis in tempore I, CB 159, Carmina Burana: Carmina Veris et Amoris: Veris dulcis in tempore II, CB 159, Carmina Burana: Carmina Veris et Amoris: Virent prata hiemata, CB 151/151A, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Ave Maria, gratia plena, CB 15, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Ave, domina mundi, CB 18, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Deus, in nomine tuo, CB 15, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Ludus de Passione, CB 16, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Regali ex progenie Maria, CB 18, Carmina Burana: Plaintes Mariales du Jeu de la Passion: Sanctissima et gloriosissima, CB 18, La Comtessa de Dia: A Chantar, La Comtessa de Dia: Vida, Martin Codax (XIIe siècle) : Cantiga de Amigo I, Martin Codax (XIIe siècle) : Cantiga de Amigo II, Martin Codax (XIIe siècle) : Cantiga de Amigo III |
| Anonymous 4 |
vocal |
Agnus dei "Virtute numinis", Ahrweil Antiphoner: Canticle: Magnificat anima mea / O rubor sanguinis, Ahrweil Antiphoner: Hymn: Jesu corona virginum, Ahrweil Antiphoner: Hymn: Te lucis ante terminum, Ahrweil Antiphoner: Psalm 92: Dominus regnavit / Studium divinitatis, Alleluia "Alme iam ad gaudia" - "Alme matris dei" - "Alleluya per te dei", An English Lady Mass: Alléluia: Alme iam ad gaudia / Alme matris dei / Alleluya per te dei (vocal ensemble: Anonymous 4), An English Lady Mass: Kyrie "Kyria christifera" (vocal ensemble: Anonymous 4), Benedicamus trope "Vox nostra resonet", Berlin 40046: Chapter: Domine deus meus, Chansons mariales du XIIIe siècle: Ave maria gracia plena, Chansons mariales du XIIIe siècle: Ave nobilis venerabilis, Chansons mariales du XIIIe siècle: Pia mater gratie, Chant Setting "Ite missa est", Codex Calixtinus: Invitatoire: Regem regum dominum, Codex Calixtinus: Offertoire: Ascendens Ihesus in montem, Codex Calixtinus: Répons: Iacobe servorum, Communion "Beata viscera", Engelberg 314: Benedicamus domino, Gloria, Gradual "Benedicta et venerabilis", Hymn "Ave maris stella", Introit "Salve mater redemptoris" - "Salve lux langentium" - "Salve sine spina" - "Salve sancta parens", Karlsruhe LX: Antiphon: Auctori vite psalmis / Invitatory: Venite exsultemus domino, Karlsruhe LX: Brief Responsory: Mirabilis deus, Karlsruhe LX: Versicle: Specie tua, Kyrie "Kyria christifera", Manuscrit de Monpellier, Mo. 255: J'ai mis toute ma pensée / Je n'en puis / Puerorum (vocal ensemble: Anonymous 4), Manuscrit de Montpellier, Mo. 256: S'on me regarde / Prennés i garde / Hé, mi enfant (vocal ensemble: Anonymous 4), Manuscrit de Montpellier, Mo. 270: Amours, dont je sui / L'autrier, au douz mois / Chose Tassin (vocal ensemble: Anonymous 4), Manuscrit de Montpellier, Mo. 311: Se je chante / Bien doi amer / Et sperabit (vocal ensemble: Anonymous 4), Messe Mariale à la Cathédrale de Salisbury: Agnus Dei: Virtute numinis, Messe Mariale à la Cathédrale de Salisbury: Gloria, Messe Mariale à la Cathédrale de Salisbury: Kyrie: Kyria christifera, Messe Mariale à la Cathédrale de Salisbury: Sanctus - Benedictus, Motet "Lux polis refulgens" - "Lux et gloria", Motet "Spiritus et alme" - "Gaude virgo salutata", Offertory "Felix namque", Polyphonic song "Edi beo thu hevene quene", Polyphonic song "Salve virgo virginum", Prosa "Gaude virgo gratiosa", Prosa "Gaude virgo salutata", Rondellus "Flos regalis", Sanctus & Benedictus, Sequence "Missus Gabriel de celis", Sequence/Song "Jesu Cristes milde moder", Song "Miro genere", Une messe de l'an 1000: Agnus Dei: Omnipotens eterne, Une messe de l'an 1000: Communion tropée: Corpus quod nunc - Psallite domino, Une messe de l'an 1000: Hymne: Cives celestis patrie, Worcester F. 160: Benedicamus domino |
| Deller Consort |
vocal |
A Brisk Young Lad He Courted Me, A Farmer's Son So Sweet, A Sweet Country Life, Amo, Amas, I Love a Lass, An Acre of Land, An Eriskay Love Lilt, Brigg Fair, Bushes and Briars, Ca' the Yowes, Down by the Riverside, Geordie, Greensleeves, He That Will an Alehouse Keep, I Am Athirst, Inigo Jones, John Dory, Just as the Tide Was Flowing, L'immense corpus grégorien, Messe de Requiem grégorienne: I. Introït: Requiem aeternam, L'immense corpus grégorien, Messe de Requiem grégorienne: II. Kyrie eleison, L'immense corpus grégorien, Messe de Requiem grégorienne: III. Graduel: Requiem aeternam, L'immense corpus grégorien, Messe de Requiem grégorienne: IV. Trait: Absolve, Domine, L'immense corpus grégorien, Messe de Requiem grégorienne: IX. Communion: Lux aeterna, L'immense corpus grégorien, Messe de Requiem grégorienne: V. Séquence: Dies irae, L'immense corpus grégorien, Messe de Requiem grégorienne: VI. Offertoire: Domine Jesu Christe, L'immense corpus grégorien, Messe de Requiem grégorienne: VII. Sanctus, L'immense corpus grégorien, Messe de Requiem grégorienne: VIII. Agnus Dei, L'immense corpus grégorien, Messe de Requiem grégorienne: X. Repons: Libera me, L'immense corpus grégorien, Messe de Requiem grégorienne: XI. Antienne: In paradisum, Lang A-Growing, Loch Lomond, Lovely Joan, My Boy Billy, Peggy Ramsay, She Moved Through the Fair, Sumer Is Icumen In, The Bitter Withy, The Cruel Mother, The Cuckoo and the Nightingale, The Dark-Eyed Sailor, The Jolly Ploughboy, The Lover's Ghost, The Painful Plough, The Spring Time of the Year, The Turtle Dove, Troll the Bowl, Ward the Pirate, Wassail Song, We Be Soldiers Three, When Cockleshells Turn Silver Bells |
| Carlos Mena (Counter-tenor) |
vocal |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Ay luna que reluzes, Con que la lavaré, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Dizen a mi que los amores he, Falai meus olhos, Gozate Virgen, Miserere nostri, para 4 voces, Ojos garços ha la niña |
| Sergi Casademunt |
viola da gamba |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La fille guillemin", ballo, CM 6, "Merce te chiamo", ballatta, CM 89, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Miserere nostri, para 4 voces, Villancico: "Con qué la lavaré" |
| Lambert Climent (Tenor) |
vocal |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Ay luna que reluzes, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Dizen a mi que los amores he, Falai meus olhos, Miserere nostri, para 4 voces, Ojos garços ha la niña |
| Francesc Garrigosa |
vocal |
"Alle stamenge", canto carnascialesco, CM 133, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Ay luna que reluzes, Con que la lavaré, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Dizen a mi que los amores he, Miserere nostri, para 4 voces, Ojos garços ha la niña |
| Ensemble Organum |
vocal |
Alleluia: Dies santificatus (Ensemble Organum feat. director: Marcel Pérès), Chant Ambrosien: Ingressa "Lux fulgebit hodie super nos", Chant Ambrosien: Lucernarium "Paravi lucernam Christo meo", Chant Ambrosien: Psalmellus "Tecum principium in die virtutis tue", Chant Bénéventain: Introït. Maria vidit angelum (tutti), Chant cistercien, Répons de Matines pour la fête de saint Bernard: Dedit Dominus confessionem sancto suo, Chant cistercien, Répons de Matines pour la fête de saint Bernard: In timore Dei, Chant cistercien, Répons de Matines pour la fête de saint Bernard: Testamentum eternum, Chant mozarabe, Office des lectures: Gloria in excelsis Deo, Chant mozarabe, Office des lectures: Invocation sacerdotale d’introduction "Per gloriam nominis tui", Chant mozarabe, Prière eucharistique: Ad accedentes "Gustate et videte", Chant mozarabe, Prière eucharistique: Ad confractionem panis "Qui venit ad me non esuriet", Chant mozarabe, Prière eucharistique: Prêtre "Humiliate vos ad benedictionem !", Chant vieux-romain: Ad processionem Kyrie, Chant vieux-romain: Alleluia, Chant vieux-romain: Alleluia. Versus "O kyrios evasileosen" - Versus "Ke gar estereosen", Chant vieux-romain: Introït. Resurrexi, Chant vieux-romain: Offertoire. Terra tremuit, Christ natus est nobis, psalm 94 (Ensemble Organum feat. director: Marcel Pérès), Graduel d'Aliénor de Bretagne: Kyrie: Orbis factor, Hymne: Christe redemptor omnium (Ensemble Organum feat. director: Marcel Pérès), Kyrie: Orbis factor (Ensemble Organum feat. director: Marcel Pérès), Messe de Tournai: Gloria in excelsis deo (Ensemble Organum, feat. director: Marcel Pérès), Messe de saint Marcel: I Introitus, Messe de saint Marcel: II Graduale, Verset, Messe de saint Marcel: III Alleluia, Verset, Messe de saint Marcel: IV Offertorium, Versets, Messe de saint Marcel: V: Communio, Polyphonie aquitaine: Domine labia mea aperies - Deus in adjutorium meum, Polyphonie aquitaine: Versus "O primus homo coruit", École de Notre-Dame, Messe du jour de Noël: I. Introït tropé : Puer natus est, École de Notre-Dame, Messe du jour de Noël: II. Kyrie |
| Paul F. Witt (engineer/editor) |
editor |
Agnus dei "Virtute numinis", Ahrweil Antiphoner: Canticle: Magnificat anima mea / O rubor sanguinis, Ahrweil Antiphoner: Hymn: Jesu corona virginum, Ahrweil Antiphoner: Hymn: Te lucis ante terminum, Ahrweil Antiphoner: Psalm 92: Dominus regnavit / Studium divinitatis, Alleluia "Alme iam ad gaudia" - "Alme matris dei" - "Alleluya per te dei", Berlin 40046: Chapter: Domine deus meus, Chant Setting "Ite missa est", Communion "Beata viscera", Engelberg 314: Benedicamus domino, Gloria, Gradual "Benedicta et venerabilis", Hymn "Ave maris stella", Introit "Salve mater redemptoris" - "Salve lux langentium" - "Salve sine spina" - "Salve sancta parens", Karlsruhe LX: Antiphon: Auctori vite psalmis / Invitatory: Venite exsultemus domino, Karlsruhe LX: Brief Responsory: Mirabilis deus, Karlsruhe LX: Versicle: Specie tua, Kyrie "Kyria christifera", Motet "Lux polis refulgens" - "Lux et gloria", Motet "Spiritus et alme" - "Gaude virgo salutata", Offertory "Felix namque", Polyphonic song "Edi beo thu hevene quene", Polyphonic song "Salve virgo virginum", Prosa "Gaude virgo gratiosa", Prosa "Gaude virgo salutata", Rondellus "Flos regalis", Sanctus & Benedictus, Sequence "Missus Gabriel de celis", Sequence/Song "Jesu Cristes milde moder", Song "Miro genere", Worcester F. 160: Benedicamus domino |
| Daniele Carnovich (Bass) |
vocal |
"Alle stamenge", canto carnascialesco, CM 133, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Con que la lavaré, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Falai meus olhos, Miserere nostri, para 4 voces, Ojos garços ha la niña |
| Lorenz Duftschmid |
viola da gamba |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Miserere nostri, para 4 voces |
| Andrew Lawrence-King |
conductor, performer, harp, organ, psaltery |
Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Anonyme: Volez vous que je vous chante (chant: Paul Hiller, psaltérion: Andrew Lawrence-King), Ave Maris Stella, Damianus, para arpa, CM 76, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, De ce fol pense (after Pierre des Molins), Dindirín, dindirín, Enemiga le soy, madre, Gagliarda prima, Hoy, Gil, en conçejo abierto, Le gay playsir, Le grant pleyser, Otro tal misacantano, Rodrigo Martínez, Romance, Chanson Sefardite: "Por que llorax blanca niña (Sarajevo)", Vergine Bella, Vuestros son mis ojos, ¡Oh, qué bien que baila Gil! |
| The Newberry Consort |
performer, performing orchestra |
Amours m'ont fait, Basse dance - Marchez la dureau, Belles tenes moy - La triquotee, Bon vin, Der kuninc Rodolp (The Newberry Consort, feat. director Mary Springfels, countertenor: Drew Minter), Dr. Faustus, En amours n'a sinon bien, En douleur et tristesse, Faisons bonne chere, Hellas! mon cueur n'est pas a moy, J'aimeray mon amy, L'autrier quant je chevauchoys, L'émergence d'une musique spécifiquement instrumentale: Musique instrumentale à la Cour d'Espagne: La Spagna, L'émergence d'une musique spécifiquement instrumentale: Musique instrumentale à la Cour d'Espagne: Propiñan de Melyor, L'émergence d'une musique spécifiquement instrumentale: Musique instrumentale à la Cour d'Espagne: sans titre, La Gelosia, La belle se siet, La danse de Cleves, My, my, Petit fleur, Petit vriens, Puis qu'aultrement - Marchez la dureau, Quant je suis seullecte, Reveillez vous, piccars, Rolet ara la tricoton - Maistre Piere - La tricotee, Suite of Branles, The Devil's dream |
| Marcel Pérès |
chorus master, conductor |
Chant Ambrosien: Ingressa "Lux fulgebit hodie super nos", Chant Ambrosien: Lucernarium "Paravi lucernam Christo meo", Chant Ambrosien: Psalmellus "Tecum principium in die virtutis tue", Chant Bénéventain: Introït. Maria vidit angelum (tutti), Chant cistercien, Répons de Matines pour la fête de saint Bernard: Dedit Dominus confessionem sancto suo, Chant cistercien, Répons de Matines pour la fête de saint Bernard: In timore Dei, Chant cistercien, Répons de Matines pour la fête de saint Bernard: Testamentum eternum, Chant mozarabe, Office des lectures: Gloria in excelsis Deo, Chant mozarabe, Office des lectures: Invocation sacerdotale d’introduction "Per gloriam nominis tui", Chant mozarabe, Prière eucharistique: Ad accedentes "Gustate et videte", Chant mozarabe, Prière eucharistique: Ad confractionem panis "Qui venit ad me non esuriet", Chant mozarabe, Prière eucharistique: Prêtre "Humiliate vos ad benedictionem !", Chant vieux-romain: Ad processionem Kyrie, Chant vieux-romain: Alleluia, Chant vieux-romain: Alleluia. Versus "O kyrios evasileosen" - Versus "Ke gar estereosen", Chant vieux-romain: Introït. Resurrexi, Chant vieux-romain: Offertoire. Terra tremuit, Graduel d'Aliénor de Bretagne: Kyrie: Orbis factor, Messe de saint Marcel: I Introitus, Messe de saint Marcel: II Graduale, Verset, Messe de saint Marcel: III Alleluia, Verset, Messe de saint Marcel: IV Offertorium, Versets, Messe de saint Marcel: V: Communio, Polyphonie aquitaine: Domine labia mea aperies - Deus in adjutorium meum, Polyphonie aquitaine: Versus "O primus homo coruit", École de Notre-Dame, Messe du jour de Noël: I. Introït tropé : Puer natus est, École de Notre-Dame, Messe du jour de Noël: II. Kyrie |
| The Hilliard Ensemble |
vocal |
Alleluia : A newë Work, Alleluia: A newë work (Hilliard Ensemble), Alleluia: Hic est vere martir, Anna Mater Matris Christi (John Plummer), Civitas Nusquam Conditur, Dindirin, dindirin, Doleo super te, Isaias cecinit, Ite missa est, L'Angleterre du XIVe siècle: Campanis cum cymbalis. Honoremus Dominam, L'Angleterre du XIVe siècle: Ovet mundus letabundus, L'Angleterre du XIVe siècle: Valde mane diluculo, L'Angleterre du XIVe siècle: Worldes blisse have good day (Benedicamus Domino), La tricotera, Marvel Not, Joseph, Mater Christi nobilis, O Maria virginei, O potores exquisiti, Si la noche haze escura, Singularis laudis digna, There Is No Rose, Thomas gemma Cantuarie, Tierra i çielos se quexavan, Tota pulcra es amica mea, Tu civium primas, Veni creator spiritus |
| Montserrat Figueras |
performer, vocal |
"Dindirindin", canzon alla villota, CM 127, "Merce te chiamo", ballatta, CM 89, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, Ay luna que reluzes, Cant de la Sibil·la / Sybilla Latine, Con que la lavaré, Els segadors, Falai meus olhos, Gozate Virgen, No hay que decirle el primor, Romance, Chanson Sefardite: "Por que llorax blanca niña (Sarajevo)", Sibila Castellana (XVIème siècle): A Dios verán presente, Sibila Castellana (XVIème siècle): Dexarán los ricos, Sibila Castellana (XVIème siècle): Dios los infirnos, quebrantará, Sibila Castellana (XVIème siècle): El rey de los cielos verná, Sibila Castellana (XVIème siècle): Iudicii signum, Sibila Castellana (XVIème siècle): Las animas venirán, Sibila Castellana (XVIème siècle): Quantos aqui estades, Sibila Castellana (XVIème siècle): Si oyésedes lo que dixo Sibila, Sibila Castellana (XVIème siècle): Tocata, Sibilla Catalane (Seu d'Urgell, XVe siècle), Sibilla Latine (Barcelona, X-XIèmes siècles), Sibilla Provençale (Montpellier, XII-XIIIèmes siècles), Villancico, Cancionero de la Colombina: "Niña y viña", Villancico: "Con qué la lavaré" |
| Paul Hillier |
conductor, vocal |
Absent I Am, And I Were a Maiden, Anonyme: Volez vous que je vous chante (chant: Paul Hiller, psaltérion: Andrew Lawrence-King), Ars antiqua: Virgo flagellatur, Be Peace! Ye Make Me Spill My Ale!, England Be Glad, Hey Tolly Lolly Lo!, Hoquets du manuscrit de Bamberg: In seculum "Breve", Hoquets du manuscrit de Bamberg: In seculum "D’Amiens longum", Hoquets du manuscrit de Bamberg: In seculum "Longum", Hoquets du manuscrit de Bamberg: In seculum "Viellatoris", I Love Unloved, L'Angleterre du XIVe siècle: Campanis cum cymbalis. Honoremus Dominam, L'Angleterre du XIVe siècle: Ovet mundus letabundus, L'Angleterre du XIVe siècle: Valde mane diluculo, L'Angleterre du XIVe siècle: Worldes blisse have good day (Benedicamus Domino), Madame d'amours, Madame defrain, Magnus liber organi: Natus est rex, My Heartly Service, O Lusty May, Polyphonie aquitaine: Resonemus hoc natali, Small pathes to the greenwood, This Day Daws, Up I Arose in Verno Tempore |
| Hespèrion XXI |
performer, performing orchestra |
A los baños de amor, Al alva venid, Buenas nuevas de alegría, El cancionero de Medinaceli: La perra mora, El cancionero de la Colombina: Propinan de melyor, El cancionero de palacio: Tres morillas, El cervel mi fa, Harto de tanta porfía, In exitu Israel, Le Sacre de Charles VII : Motet-Chanson : Rejois toy terre de France / Vivat Rex in eternam, Lealtat, o lealtat, Muy crueles bozes dan, Niña y viña, No hay que decirle el primor, Pase el agoa, ma Julieta, Propiñan de Melyor, Quien tiene vida en esperança, Rodrigo Martínez, Si d'amor pena sentís, Tres morillas, Villancico, Cancionero de la Colombina: "Niña y viña", ¡Ay, que non ay!, ¿Cómo no le andaré yo?, ¿Qué me queréis, cavallero? |
| Eunice Brandão |
viola da gamba |
"Dindirindin", canzon alla villota, CM 127, "Viva viva Rey Ferrando", canción, CM 111, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Miserere nostri, para 4 voces |
| Pedro Estevan |
percussion |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Chiave, chiave", toccata instrumental, CM 131, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La Spagna", basse dance, "La fille guillemin", ballo, CM 6, "Merce te chiamo", ballatta, CM 89, "O tempo bono", strambotto, CM 132, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, "Viva viva Rey Ferrando", canción, CM 111, "Zappay", strambotto instrumental, CM 20, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91, Romance, Chanson Sefardite: "Por que llorax blanca niña (Sarajevo)" |
| Emmanuel Bonnardot |
vocal, bells, vielle, vihuela |
Annus novus in gaudio (Versus), Cheulz qui volent retourner, Da laudis, homo, nova cantica (Conductus), Dulcis sapor novi mellis (Benedicamus-tropus), Ex Ade vitio (Conductus), Iubilemus, exultemus (Benedicamus-tropus), Letabundi iubilemus (Benedicamus-tropus), Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Inperaytriz de la ciutat joyosa", Llibre Vermell de Montserrat: "Los set goytx recomptarem", Llibre Vermell de Montserrat: "Mariam matrem virginem", Llibre Vermell de Montserrat: "Polorum regina", Llibre Vermell de Montserrat: "Stella splendens in monte", Natali regis glorie (Conductus), Natus est (Conductus), Noster cetus (Benedicamus-tropus), Pour vous servir, Rex Salomon fecit templum (Versus / Sequentia), Stirps Jesse florigeram (Benedicamus-tropus), Tant qu'en mon cuer / Sur l'erbette, Tousjours servir je veuil |
| Yolanta Skura |
engineer, producer |
Agnus - O Ihesu Salvator, Audi Pontus, Audi Tellus, Ave Gloriosa / Salve Virgo Regia, Ave Maris Stella, Benedicamus Domino, Benedicta Et Venerabilis Es, Catolicorum Concio, Fa, Fa, Mi, Fa / Ut, Re, Mi Ut, Iam Nubes / Iam Novum Sidus, In Sapiencia, In Seculum... / In Seculum..., Maria Virgo Virginum, Mundi Dolens De Iactura, Resurgentis Domini, Rex Virginum Amator, Salve Porta Regni Glorie / Salve, Salve Regina Glorie, Sanctus - Divinum Misterium, Stabat Iuxta Christi Crucem, Veni Redemptor Gentium, Verbum Caro Factum Est / Gaude, Victime Paschali Laudes |
| Alexia Benoit |
editor, engineer |
Agnus - O Ihesu Salvator, Audi Pontus, Audi Tellus, Ave Gloriosa / Salve Virgo Regia, Ave Maris Stella, Benedicamus Domino, Benedicta Et Venerabilis Es, Catolicorum Concio, Fa, Fa, Mi, Fa / Ut, Re, Mi Ut, Iam Nubes / Iam Novum Sidus, In Sapiencia, In Seculum... / In Seculum..., Maria Virgo Virginum, Mundi Dolens De Iactura, Resurgentis Domini, Rex Virginum Amator, Salve Porta Regni Glorie / Salve, Salve Regina Glorie, Sanctus - Divinum Misterium, Stabat Iuxta Christi Crucem, Veni Redemptor Gentium, Verbum Caro Factum Est / Gaude, Victime Paschali Laudes |
| Discantus: Voix de Femmes |
vocal |
Agnus - O Ihesu Salvator, Audi Pontus, Audi Tellus, Ave Gloriosa / Salve Virgo Regia, Ave Maris Stella, Benedicamus Domino, Benedicta Et Venerabilis Es, Catolicorum Concio, Fa, Fa, Mi, Fa / Ut, Re, Mi Ut, Iam Nubes / Iam Novum Sidus, In Sapiencia, In Seculum... / In Seculum..., Maria Virgo Virginum, Mundi Dolens De Iactura, Resurgentis Domini, Rex Virginum Amator, Salve Porta Regni Glorie / Salve, Salve Regina Glorie, Sanctus - Divinum Misterium, Stabat Iuxta Christi Crucem, Veni Redemptor Gentium, Verbum Caro Factum Est / Gaude, Victime Paschali Laudes |
| Peter McGrath (engineer) |
engineer |
Agnus dei "Virtute numinis", Alleluia "Alme iam ad gaudia" - "Alme matris dei" - "Alleluya per te dei", Chant Setting "Ite missa est", Communion "Beata viscera", Gloria, Gradual "Benedicta et venerabilis", Hymn "Ave maris stella", Introit "Salve mater redemptoris" - "Salve lux langentium" - "Salve sine spina" - "Salve sancta parens", Kyrie "Kyria christifera", Motet "Lux polis refulgens" - "Lux et gloria", Motet "Spiritus et alme" - "Gaude virgo salutata", Offertory "Felix namque", Polyphonic song "Edi beo thu hevene quene", Polyphonic song "Salve virgo virginum", Prosa "Gaude virgo gratiosa", Prosa "Gaude virgo salutata", Rondellus "Flos regalis", Sanctus & Benedictus, Sequence "Missus Gabriel de celis", Sequence/Song "Jesu Cristes milde moder", Song "Miro genere" |
| Steve Barnett |
producer |
Agnus dei "Virtute numinis", Alleluia "Alme iam ad gaudia" - "Alme matris dei" - "Alleluya per te dei", Chant Setting "Ite missa est", Communion "Beata viscera", Gloria, Gradual "Benedicta et venerabilis", Hymn "Ave maris stella", Introit "Salve mater redemptoris" - "Salve lux langentium" - "Salve sine spina" - "Salve sancta parens", Kyrie "Kyria christifera", Motet "Lux polis refulgens" - "Lux et gloria", Motet "Spiritus et alme" - "Gaude virgo salutata", Offertory "Felix namque", Polyphonic song "Edi beo thu hevene quene", Polyphonic song "Salve virgo virginum", Prosa "Gaude virgo gratiosa", Prosa "Gaude virgo salutata", Rondellus "Flos regalis", Sanctus & Benedictus, Sequence "Missus Gabriel de celis", Sequence/Song "Jesu Cristes milde moder", Song "Miro genere" |
| Alla Francesca |
performer, performing orchestra, vocal |
Cheulz qui volent retourner, Conductus "Casta catolica", Conductus "In virgulto gracias", La belle et la gente rose, Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Inperaytriz de la ciutat joyosa", Llibre Vermell de Montserrat: "Laudemus virginem" / "Splendens ceptigera", Llibre Vermell de Montserrat: "Los set goytx recomptarem", Llibre Vermell de Montserrat: "Los set goytx", Llibre Vermell de Montserrat: "Mariam matrem virginem", Llibre Vermell de Montserrat: "Polorum regina", Llibre Vermell de Montserrat: "Stella splendens in monte", Manuscrit d'Oxford: pièce instrumentale, O Virgo splendens, Or sus mon coeur, Or sus, vous dormes trop, Pour vous servir, Quant la doulce jouvencelle, Tant qu'en mon cuer / Sur l'erbette, Tousjours servir je veuil |
| Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances) |
conductor |
Basse danse La Brosse, Basse danse La Magdalena, Branle de Bourgogne, Branle de Champagne, Country Dance - Cobler's Jigg, Country Dance - Greensleeves and Pudding Pyes, Country Dance - How can I keep my Maiden Head, Country Dance - Running Footman, Englischer Tanz, Kemp's Jig, Lamento di Tristano, Mascherade, Passamezzo - Saltarello, Passamezzo d'Italye, Passamezzo d'Italye - Reprise - Gaillarde, Ronde, Schiarazula Marazula, Tanz Du hast mich wollen nemmen, Ungaresca - Saltarello |
| Ulsamer Collegium |
performer |
Basse danse La Brosse, Basse danse La Magdalena, Branle de Bourgogne, Branle de Champagne, Country Dance - Cobler's Jigg, Country Dance - Greensleeves and Pudding Pyes, Country Dance - How can I keep my Maiden Head, Country Dance - Running Footman, Englischer Tanz, Kemp's Jig, Lamento di Tristano, Mascherade, Passamezzo - Saltarello, Passamezzo d'Italye, Passamezzo d'Italye - Reprise - Gaillarde, Ronde, Schiarazula Marazula, Tanz Du hast mich wollen nemmen, Ungaresca - Saltarello |
| Ralph Vaughan Williams |
arranger |
A Farmer's Son So Sweet, An Acre of Land, Bushes and Briars, Ca' the Yowes, Down by the Riverside, Greensleeves, John Dory, Just as the Tide Was Flowing, Loch Lomond, My Boy Billy, The Cuckoo and the Nightingale, The Dark-Eyed Sailor, The Jolly Ploughboy, The Lover's Ghost, The Painful Plough, The Spring Time of the Year, The Turtle Dove, Ward the Pirate, Wassail Song |
| Jerzy Erdman |
organ |
(Preambulum), Alia Phantasia Primi Tonj, Alia Phanthasia Quinti Tonj (1), Alia Phanthasia Quintj Tonj (2), Alia Phanthasia Sexti Tonj (1), Alia Phanthasia Sexti Tonj (2), Alia Phanthasia Tonj Tertij, Alia Tonji Tertij Phanthasia, Phanthasia Aliqua, Phanthasia Octavij Tonj (1), Phanthasia Octavij Tonj (2), Phanthasia Primi Tonj, Phanthasia Quartj Tonij, Phanthasia Quinti Tonj, Phanthasia Secundi Tonj, Phanthasia Septimi Tonj, Phanthasia Sextj Tonj, Phanthasia Tertij Tonj, Vader unse ÿm Hemmelrick, Opracowanie chorału |
| Joculatores Upsalienses |
performer |
Cancionero musical de palacio: Dindirín, Cancionero musical de palacio: Pase el agoa, Der Sonnen Glanz, Der Summer, Der Winter will hin weichen (instrumental), Der Winter will hin weichen (vocal), Die Katzenpfote, El mois de Mai - De se debent - Kyrie, English Dance, Entlaubet ist der Walde, Estampie, Glogauer Liederbuch: Ich sachz eyns mols, La Spagna, Maria muoter, Pase et medio, Rota; Sumer is icumen in, Saltarello, Trotto |
| Daniel Lassalle (Sackbut player) |
sackbut |
"Chiave, chiave", toccata instrumental, CM 131, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La Spagna", basse dance, "La fille guillemin", ballo, CM 6, "O tempo bono", strambotto, CM 132, "Viva viva Rey Ferrando", canción, CM 111, "Zappay", strambotto instrumental, CM 20, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91 |
| Josep Borràs (bassoonist, dulcian player) |
bombarde |
"Chiave, chiave", toccata instrumental, CM 131, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La Spagna", basse dance, "La fille guillemin", ballo, CM 6, "O tempo bono", strambotto, CM 132, "Viva viva Rey Ferrando", canción, CM 111, "Zappay", strambotto instrumental, CM 20, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91 |
| Graham Derrick |
conductor |
Clap, clap, par un matin s'en aloit Robin, Estampie, Green Goose Fair, Greensleeves, Greenwood, Nottingham Castle, Novus miles sequitur, O Lusty May, Robin Hood, Robin Hood and Maid Marian, Robin Hood and the Curtal Friar, Robin Hood and the Tanner, Sellengers Round, Sweet Angel of England (to the tune of "Bonny Sweet Robin"), The Green Man "The Dancing Master", The Wedding of Robin Hood, Under the Greenwood Tree |
| Estampie (British ensemble around Graham Derrick) |
performer |
Clap, clap, par un matin s'en aloit Robin, Estampie, Green Goose Fair, Greensleeves, Greenwood, Nottingham Castle, Novus miles sequitur, O Lusty May, Robin Hood, Robin Hood and Maid Marian, Robin Hood and the Curtal Friar, Robin Hood and the Tanner, Sellengers Round, Sweet Angel of England (to the tune of "Bonny Sweet Robin"), The Green Man "The Dancing Master", The Wedding of Robin Hood, Under the Greenwood Tree |
| Jean-Pierre Canihac |
cornett |
"Chiave, chiave", toccata instrumental, CM 131, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La Spagna", basse dance, "La fille guillemin", ballo, CM 6, "O tempo bono", strambotto, CM 132, "Viva viva Rey Ferrando", canción, CM 111, "Zappay", strambotto instrumental, CM 20, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91 |
| Ronn McFarlane |
lute |
Bonny Sweet Boy, Cupid is Venus' Only Joy, Greensleeves, I Must Complain, Kemp's Jig, Miserere, My Maker, Nothing On Earth, O Death, Rock Me Asleep, Packington's Pound, Robinson's May, Sweet Youth Go Bruise Thy Pillow, The French King's Masque, The Willow Song, This Merry Pleasant Spring, Watkin's Ale, Wilson's Wild |
| Guido Morini |
chamber organ |
Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, I. Ave maris stella, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, II. Sumens illud Ave, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, III. Solve vincla reis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, IV. Monstra te esse matrem, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, V. Virgo singularis, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VI. Vitam praesta puram, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VII. Sit laus Deo Patri, Ave Maris Stella, Himno de vísperas, para 3 y 4 voces, CM 62, VIII. Amen, Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91 |
| Rogers Covey-Crump (tenor) |
vocal |
A vous douce debonnaire, Ave parens / Ad gratie / AVE MARIA, De la virge Katerine / Quant froidure / Agmina milicie / AGMINA, En non Dieu / Quant voi la rose / NOBIS, Festa januaria, Je m'en vois / Tels a mout / OMNES, Je ne chant pas / Talens m'est pris / APTATUR / OMNES, Mout souvent / Mout ai esté en dolour / MULIERUM, Par un matinet / Hé, sire! / Hé, bergier! / EIUS, Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS, Quant voi l'alouete / Diex! je ne m'en partiré ja / NEUMA, Singularis laudis digna, Super te Ierusalem / Sed fulsit virginitas / PRIMUS TENOR / DOMINUS, The Agincourt Carol, Ther is no Rose of Swych Virtu, Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT |
| Le Parlement de Musique |
performer |
Auf das Fest aber, Da aber Pilatus, Da nahmen die Kriegers Knechte, Dank sei unserm Herrn Jesu Christe, Des Morgens aber, Ecce quomodo, Erbarm dich mein, Es waren aber alle da, Ist dieser nicht des Höchsten Sohn, O Lamm Gottes, unschuldig, O Traurigkeit, Petrus aber saß draußen, Sie hielten aber einen Rat, Sinfona In pace, Und siehe, Und von der sechsten Stunde an |
| Martin Gester |
conductor |
Auf das Fest aber, Da aber Pilatus, Da nahmen die Kriegers Knechte, Dank sei unserm Herrn Jesu Christe, Des Morgens aber, Ecce quomodo, Erbarm dich mein, Es waren aber alle da, Ist dieser nicht des Höchsten Sohn, O Lamm Gottes, unschuldig, O Traurigkeit, Petrus aber saß draußen, Sie hielten aber einen Rat, Sinfona In pace, Und siehe, Und von der sechsten Stunde an |
| Nicholas Parker (Producer, Engineer) |
editor, engineer, producer |
Audivi vocem, Ave regina celorum, Codex Bamberg: El mois de Mai / De se debent / Kyrie, Dindiridin, Flos regalis, Gaude virgo, Hé, Marotele / En la praerie / Aptatur, In Paradise, Lumley Books: Allemande, MB 44 No. 76 / Galliard, MB 44 No. 104, O pulcherrima mulierum, O sanctissime presul, Sanctus, Soubz les branches / En la rousée / Jolis mois de may, Stella celi, The Dark Is My Delight |
| Dominique Vellard |
conductor, performer, vocal |
Alto consilio (Conductus), Annus novus in gaudio (Versus), Da laudis, homo, nova cantica (Conductus), Dulcis sapor novi mellis (Benedicamus-tropus), Iubilemus, exultemus (Benedicamus-tropus), L'immense corpus grégorien: Universi qui te expectant, Letabundi iubilemus (Benedicamus-tropus), Letamini plebs hodie fidelis (Benedicamus-tropus), Mass for Epiphany: Antienne, Natus est (Conductus), No é ventura, Noster cetus (Benedicamus-tropus), Organum: Alleluia, Rex Salomon fecit templum (Versus / Sequentia), Stirps Jesse florigeram (Benedicamus-tropus) |
| La Capella Reial de Catalunya |
performer, performing orchestra, vocal |
Ay luna que reluzes, Cant de la Sibil·la / Sybilla Latine, Con que la lavaré, Dizen a mi que los amores he, Els segadors, Estas noches à tan largas, Falai meus olhos, Gozate Virgen, Le Sacre de Charles VII : Motet-Chanson : Rejois toy terre de France / Vivat Rex in eternam, Ojos garços ha la niña, Si de vos mi bien, Sibilla Catalane (Seu d'Urgell, XVe siècle), Sibilla Latine (Barcelona, X-XIèmes siècles), Sibilla Provençale (Montpellier, XII-XIIIèmes siècles), Un niño nos es nacido |
| Monteverdi Choir |
vocal |
Alma perpetui, Angelus ad Virginem, Congaudeant catholici, Dum pater familias, Entre le bœuf, Jolly Shepherd, O Virgo splendens, O lux et decus Hispaniae, O venerande Christi, Once as I Remember, Psallat chorus caelestium, Psallite, There Is No Rose of Such Virtu, This Endris Night |
| De Organographia |
performer |
Christian hymn (Oxyrhynchus 1786) (3rd century AD), Dramatic fragment (Oxyrhynchus papyrus 3161, fragment 1) (3rd century AD), Dramatic fragment (Oxyrhynchus papyrus 3161, fragment 4) (3rd century AD), Dramatic fragment (Vienna papyrus G 29825 ab recto) (circa 200 BC), Dramatic lament on Ajax's suicide (Berlin 6870) (late 2nd century AD), Dramatic recitative (Oslo inv. 1413) (circa 100 AD), Dramatic speech (Oslo papyrus inv 1413) (circa 100 AD), Instrumental exercises (2nd century AD), Instrumental piece (Berlin 6870) (2nd century AD), Invocation of the Muse (2nd century AD), Paean (Berlin papyrus 6870) (late 2nd century AD), Piece mentioning Erinyes (Oxyrhynchus 3704) (2nd century AD), Piece of satyr play (Oxyrhynchus 2436) (2nd century AD), Tragic dialogue on Orestes (Michigan inv. 2958) (2nd century AD) |
| Konrad Ragossnig (lutenist) |
lute |
Balleto Polacho, Branle de Bourgogne, Branle de Champagne, Der gestraifft Danntz / Der Gassenhauer darauff, Englischer Tanz, Kemp's Jig, Mascherade, Passamezzo - Saltarello, Passamezzo d'Italye - Reprise - Gaillarde, Ronde, Schiarazula Marazula, Sir John Smith his Almaine, Tanz Du hast mich wollen nemmen, Ungaresca - Saltarello |
| Christopher Page (conductor and medieval music scholar) |
conductor, harp |
Amor mi fa cantar a la Francesca, Codex Faenza: Constantia, Confort d'amours, De ce fol pense (after Pierre des Molins), Je m'en vois / Tels a mout / OMNES, Le gay playsir, Le grant pleyser, Lullay, lullay, Non na el so amante, O regina seculi, Quando i oselli canta, Singularis laudis digna, The Agincourt Carol, Ther is no Rose of Swych Virtu |
| Paul Elliott (US tenor vocalist, member of Theatre of Voices) |
vocal |
Absent I Am, And I Were a Maiden, Be Peace! Ye Make Me Spill My Ale!, Begone Sweit Night, England Be Glad, Here lies a woman, Hey Tolly Lolly Lo!, I Love Unloved, Madame d'amours, Madame defrain, My Heartly Service, O Lusty May, Small pathes to the greenwood, This Day Daws |
| The Art of Trumpet |
performer |
Allemande, Ceremonial Procession, Elector's Procession, Festive Procession, Festive Table Music no. 1, Festive Table Music no. 2, Galant Procession, Intrada from Bruck and der Mur, L'Étendard, Majestic Procession, Menuet (Trumpet Duet no. 82), Molto moderato, Procession at the Imperial Court, Royal Entry |
| Martin Best |
arranger, conductor, vocal, drums, lute |
A l'entrada del tens clar, Ara lauzatz, Dessus la rive, Estampie (Martin Best Mediaeval Ensemble feat. conductor: Martin Best), Istampitta (instrumental), Lamento di Tristan, Lauda novella, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je, Rossignolet du bois, Salterello, Trotto, Vecy le mai |
| Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes |
vocal |
Mass for Septuagesima Sunday: Agnus Dei (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Benediction (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Collect (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Communion (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Credo (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Epistle (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Gospel (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Gradual (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Introit (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Kyrie (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Offertory (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Sanctus (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Tract (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.) |
| Dom Joseph Gajard |
chorus master |
Mass for Septuagesima Sunday: Agnus Dei (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Benediction (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Collect (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Communion (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Credo (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Epistle (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Gospel (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Gradual (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Introit (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Kyrie (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Offertory (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Sanctus (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.), Mass for Septuagesima Sunday: Tract (Choir of the Monks of L'Abbaye Saint-Pierre de Solesmes feat. conductor: Dom Joseph Gajard O.S.B.) |
| Simha Arom |
recording |
Fifth Story: Lenkokodi, First Story: Mbombokwe, the Woodpecker, Fourth Story: Sokopina (The Tree with Red Fruit), Hindewhu (Whistle) Solo, Kongo Asséka, Music for Dancing at a Wake, Lullaby, Music for Entertainment (Rhythm Bondo), Nbu, Lament, Ngoma, Invocatory Song Before a Hunt, Second Story: The Wondo Player, Song of Rejoicing After Returning From a Hunt (Rhythm Djoboko), Third Story: The Fruit Eater, É Yimba É, Song Preceding the Departure of the Hunters (Rhythm Muya) |
| Pascal Monjanel |
recording |
Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : Bugya de la Nûba 'Ushshâq, Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : San‘a “Habba n-nasîm ‘alâ l-bitâh”, Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : San‘a “Wallâ zalâmu d-dujâ”, Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : Twishya de la Nûba 'Ushshâq, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : Inshâd ‘ushshâq, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Jul, jul tarâ l-Ma‘ânî” (As-Shushtarî Granada 1212 - Damieta 1269), Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Rifqan 'alâ qalbî”, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Sayyidî if‘al mâ tashâ”, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Zid wa sqinî yâ habâbî”, Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : Sana "instrumental", Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : San‘a “Kayfa yastarîh qalbî”, Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : San‘a “bi-l-lâh yâ nasîma s-sabâ”, Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : Twîshya qâ'im wa-nisf de la Nûba 'Ushshâq |
| Ivan Vandor |
editor |
Fifth Story: Lenkokodi, First Story: Mbombokwe, the Woodpecker, Fourth Story: Sokopina (The Tree with Red Fruit), Hindewhu (Whistle) Solo, Kongo Asséka, Music for Dancing at a Wake, Lullaby, Music for Entertainment (Rhythm Bondo), Nbu, Lament, Ngoma, Invocatory Song Before a Hunt, Second Story: The Wondo Player, Song of Rejoicing After Returning From a Hunt (Rhythm Djoboko), Third Story: The Fruit Eater, É Yimba É, Song Preceding the Departure of the Hunters (Rhythm Muya) |
| Adrian Hunter (producer and engineer) |
editor, engineer, producer |
A Crananto, A Toy, A Toye, A Toye (The Friar and the Nun), A Toye (up tails all), A country dance, An Allemande, Besse bell, Drawe Neare Me and Lowe Me, Galliard, Horne-pipe, Sarabande, The Madlay |
| Paul Collaer |
editor |
Fifth Story: Lenkokodi, First Story: Mbombokwe, the Woodpecker, Fourth Story: Sokopina (The Tree with Red Fruit), Hindewhu (Whistle) Solo, Kongo Asséka, Music for Dancing at a Wake, Lullaby, Music for Entertainment (Rhythm Bondo), Nbu, Lament, Ngoma, Invocatory Song Before a Hunt, Second Story: The Wondo Player, Song of Rejoicing After Returning From a Hunt (Rhythm Djoboko), Third Story: The Fruit Eater, É Yimba É, Song Preceding the Departure of the Hunters (Rhythm Muya) |
| Mohammed El Arabí Serghini |
vocal |
Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : Bugya de la Nûba 'Ushshâq, Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : San‘a “Habba n-nasîm ‘alâ l-bitâh”, Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : San‘a “Wallâ zalâmu d-dujâ”, Nûba 'Ushshâq (nuba des amants), Mîzan Bsît : Twishya de la Nûba 'Ushshâq, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : Inshâd ‘ushshâq, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Jul, jul tarâ l-Ma‘ânî” (As-Shushtarî Granada 1212 - Damieta 1269), Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Rifqan 'alâ qalbî”, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Sayyidî if‘al mâ tashâ”, Nûba 'Ushshâq (nuba des amants), Mîzân btâyhî : San‘a “Zid wa sqinî yâ habâbî”, Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : Sana "instrumental", Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : San‘a “Kayfa yastarîh qalbî”, Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : San‘a “bi-l-lâh yâ nasîma s-sabâ”, Nûba 'Ushshâq (nuba des amants), Mîzân qâ'im wa-nisf : Twîshya qâ'im wa-nisf de la Nûba 'Ushshâq |
| Alain Daniélou |
editor |
Fifth Story: Lenkokodi, First Story: Mbombokwe, the Woodpecker, Fourth Story: Sokopina (The Tree with Red Fruit), Hindewhu (Whistle) Solo, Kongo Asséka, Music for Dancing at a Wake, Lullaby, Music for Entertainment (Rhythm Bondo), Nbu, Lament, Ngoma, Invocatory Song Before a Hunt, Second Story: The Wondo Player, Song of Rejoicing After Returning From a Hunt (Rhythm Djoboko), Third Story: The Fruit Eater, É Yimba É, Song Preceding the Departure of the Hunters (Rhythm Muya) |
| Scott Billington |
producer |
Fifth Story: Lenkokodi, First Story: Mbombokwe, the Woodpecker, Fourth Story: Sokopina (The Tree with Red Fruit), Hindewhu (Whistle) Solo, Kongo Asséka, Music for Dancing at a Wake, Lullaby, Music for Entertainment (Rhythm Bondo), Nbu, Lament, Ngoma, Invocatory Song Before a Hunt, Second Story: The Wondo Player, Song of Rejoicing After Returning From a Hunt (Rhythm Djoboko), Third Story: The Fruit Eater, É Yimba É, Song Preceding the Departure of the Hunters (Rhythm Muya) |
| The Boston Camerata |
performing orchestra |
A vous, Tristan, amis verai, Bache bene venies (Carmina Burana), Gaite de la Tor, Gottes namen varen wir, Interlude, Ja fis canchonnetes et lais, La u jou fui dedans la mer, Lai mortel, Le lai du chevrefeuille, Li solaus Lluist, Lonc tans a que, Pange melos lacrimosum, Prologue |
| Leigh Nixon |
vocal |
Ave parens / Ad gratie / AVE MARIA, En non Dieu / Quant voi la rose / NOBIS, Festa januaria, Here lies a woman, Je ne chant pas / Talens m'est pris / APTATUR / OMNES, Mout souvent / Mout ai esté en dolour / MULIERUM, Par un matinet / Hé, sire! / Hé, bergier! / EIUS, Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS, Quant voi l'alouete / Diex! je ne m'en partiré ja / NEUMA, Super te Ierusalem / Sed fulsit virginitas / PRIMUS TENOR / DOMINUS, The Agincourt Carol, Ther is no Rose of Swych Virtu, Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT |
| Joel Cohen (conductor of Boston Camerata) |
conductor |
A vous, Tristan, amis verai, Bache bene venies (Carmina Burana), Gaite de la Tor, Gottes namen varen wir, Interlude, Ja fis canchonnetes et lais, La u jou fui dedans la mer, Lai mortel, Le lai du chevrefeuille, Li solaus Lluist, Lonc tans a que, Pange melos lacrimosum, Prologue |
| Wiener Sängerknaben |
vocal |
Alamuhan. Uyghur folk song, Field hollers from Drag, Tajikistan, Guadifeng. Xiaodias from Gansu, Haq Ali (Truth, Ali). Qawwali from Pakistan, Ievan Polkka (Eva's polka), from Finland, Jog. wa (I ask for yoga), Kou-lueull tsian. Craftsmen's song from the Ordos Region, China, L'homme armé (The armed man), Li Ge (Song Bie), Sus Xâtin (Lady of water). Uzbek rain song, Tarakihi (The locust). Maori folk song, Wa habibi (My beloved), Yulduz Usmanova, Shoch va gado (The king and the beggar) |
| Jacob Heringman |
lute |
A Crananto, A Toy, A Toye, A Toye (The Friar and the Nun), A Toye (up tails all), A country dance, An Allemande, Besse bell, Drawe Neare Me and Lowe Me, Galliard, Horne-pipe, Sarabande, The Madlay |
| Xavier Díaz-Latorre |
lute |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Chiave, chiave", toccata instrumental, CM 131, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "Dindirindin", canzon alla villota, CM 127, "La fille guillemin", ballo, CM 6, "Merce te chiamo", ballatta, CM 89, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, "Viva viva Rey Ferrando", canción, CM 111 |
| András Kecskés |
lute |
Codex Vietoris: Alla chorea, Codex Vietoris: Chorea, Danses françaises: Basse danse, Danses françaises: Branle gay, Danses françaises: Gaillarde, Danses françaises: Lest boucane, Danses françaises: Tourdion, Danses polonaises, Kemps Jig, Tablature de Danzig: Tanz no. 26, Tablature de Danzig: Ungarescha |
| Choir of King’s College, Cambridge |
vocal |
Agnus Dei (from the Missa pro defunctis), Alleluia / Tota pulchra es, Maria, Antiphon: Alma Redemptoris Mater, Ave Maria (Offertory Antiphon), Credo I, Nunc dimittis (Rubbra in A flat), On Jordan's bank the Baptist's cry (The Choir of King's College feat. conductor: Sir David Willcocks, organ: Simon Preston), Pater noster, Praise to the Lord (The Choir of King's College feat. conductor: Stephen Cleobury), Stetit angelus (Offertory Antiphon), The Day of Resurrection (The Choir of King's College feat. conductor: Stephen Cleobury) |
| Sophie Watillon |
viola da gamba |
"Alle stamenge", canto carnascialesco, CM 133, "Amor tu non me gabasti", barzelletta, CM 23, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "La fille guillemin", ballo, CM 6, "O tempo bono", strambotto, CM 132, "Paingendo chiamo", disperata, CM 24, "Puisque vos me lasses seulete" / "Je ne vous amare Marioneta", double chanson, CM 86, Cueurs desolez, song for 5 parts, Preludium, for chorus, Sergonta Bergonta |
| David James (countertenor) |
vocal |
Absent I Am, And I Were a Maiden, Be Peace! Ye Make Me Spill My Ale!, Here lies a woman, Hey Tolly Lolly Lo!, I Love Unloved, Madame d'amours, Madame defrain, O Lusty May, Small pathes to the greenwood, This Day Daws |
| Theatre of Voices |
vocal |
Anonyme: Natus est rex (Theatre of Voices, feat. director: Paul Hillier), Ars antiqua: Virgo flagellatur, Codex Las Huelgas: O monialis (Theatre of Voices, feat. director: Paul Hillier), Codex Las Huelgas: Quis dabit (Theatre of Voices, feat. director: Paul Hillier), Hoquets du manuscrit de Bamberg: In seculum "Breve", Hoquets du manuscrit de Bamberg: In seculum "D’Amiens longum", Hoquets du manuscrit de Bamberg: In seculum "Longum", Hoquets du manuscrit de Bamberg: In seculum "Viellatoris", Magnus liber organi: Natus est rex, Polyphonie aquitaine: Resonemus hoc natali |
| Brad Michel (engineer) |
recording |
Ahrweil Antiphoner: Canticle: Magnificat anima mea / O rubor sanguinis, Ahrweil Antiphoner: Hymn: Jesu corona virginum, Ahrweil Antiphoner: Hymn: Te lucis ante terminum, Ahrweil Antiphoner: Psalm 92: Dominus regnavit / Studium divinitatis, Berlin 40046: Chapter: Domine deus meus, Engelberg 314: Benedicamus domino, Karlsruhe LX: Antiphon: Auctori vite psalmis / Invitatory: Venite exsultemus domino, Karlsruhe LX: Brief Responsory: Mirabilis deus, Karlsruhe LX: Versicle: Specie tua, Worcester F. 160: Benedicamus domino |
| Sequentia |
vocal |
Ad superni regis decus, Alleluia! Iustus ut palma florebit, Clara sonent organa, Exultet celi curia. Fulget dies, Favus distillans, Instrumental piece, O Maria, Deu maire, O adiutor... Qui subvensis... Portum in ultimo, Regi perhennis glorie, Sequence: O Ecclesia |
| The Musicians of Swanne Alley |
performer |
Fortune My Foe, Grimstock, Mother Watkins Ale, My Lord Willoughbies Welcome Home, Nuttmigs and Ginger, O Deathe, Rock Me A Sleepe, Paggington's Pound, Robin Is to the Greenwood Gone, Stingo, Willsons Wilde |
| Pierre Hamon |
vocal, bagpipe, bells, flute, recorder, transverse flute |
Conductus "Casta catolica", Conductus "In virgulto gracias", La belle et la gente rose, Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Inperaytriz de la ciutat joyosa", Llibre Vermell de Montserrat: "Los set goytx", Llibre Vermell de Montserrat: "Polorum regina", Llibre Vermell de Montserrat: "Stella splendens in monte", Tant qu'en mon cuer / Sur l'erbette |
| Julianne Baird |
vocal |
Cupid is Venus' Only Joy, Greensleeves, I Must Complain, Miserere, My Maker, Nothing On Earth, O Death, Rock Me Asleep, Sweet Youth Go Bruise Thy Pillow, The French King's Masque, The Willow Song, This Merry Pleasant Spring |
| Robina G. Young (producer) |
producer |
Ahrweil Antiphoner: Canticle: Magnificat anima mea / O rubor sanguinis, Ahrweil Antiphoner: Hymn: Jesu corona virginum, Ahrweil Antiphoner: Hymn: Te lucis ante terminum, Ahrweil Antiphoner: Psalm 92: Dominus regnavit / Studium divinitatis, Berlin 40046: Chapter: Domine deus meus, Engelberg 314: Benedicamus domino, Karlsruhe LX: Antiphon: Auctori vite psalmis / Invitatory: Venite exsultemus domino, Karlsruhe LX: Brief Responsory: Mirabilis deus, Karlsruhe LX: Versicle: Specie tua, Worcester F. 160: Benedicamus domino |
| Архимандрит Матфей (Мормыль) |
conductor |
An Exaltation to St Sergius (Putevoi Chant), Come, O Ye People, Let Us Worship the Godhead in Three Persons (Tune of the Trinity-St. Sergious Laura), Many Years (Tune of the St Sophia Cathedral in Novgorod), The Collect-Hymn of Easter (Tune of the Trinity-St Sergius Laura), The Easter Beginning (Moscow Tune), The Easter Canon (Moscow Tune of the Kiev Chant), The Great Gradual: What God Is So Great as Our God (Moscow Tune), The Ikos of Easter (Valaam Tune), The Laura's Bell-Ringing and Procession, The Stanza for the Assumption of the Most Holy Birth-Giver of God (Great Znamenny Chant) |
| Early Music Consort of London |
performer, vocal |
Alle psallite cum luya, Amor potest, Clap, clap, par un matin, Febus mundo oriens, In mari miserie, Inter densas deserti meditans, Le mesnie fauveline, O Mitissima, S’on me regarde, Trotto |
| David Munrow |
conductor |
Alle psallite cum luya, Amor potest, Clap, clap, par un matin, Febus mundo oriens, In mari miserie, Inter densas deserti meditans, Le mesnie fauveline, O Mitissima, S’on me regarde, Trotto |
| Taverner Consort |
vocal |
Vespro della Beata Vergine (1610): Antiphona I, Assumpta est Maria in coelum (Plainchant), Vespro della Beata Vergine (1610): Antiphona II, Maria Virgo assumpta est (Plainchant), Vespro della Beata Vergine (1610): Antiphona III, In odorem unguentorum tuorum currimus (Plainchant), Vespro della Beata Vergine (1610): Antiphona IV, Nisi Dominus (Plainchant), Vespro della Beata Vergine (1610): Antiphona V, Pulchra es et decora, filia Hierusalem (Plainchant), Vespro della Beata Vergine (1610): Antiphona VI, Hodie Maria Virgo coelos ascendit (Plainchant), Vespro della Beata Vergine (1610): Capitulum, In omnibus requiem quaesivi (Plainchant), Vespro della Beata Vergine (1610): Conclusio, Divinum auxilium maneat semper nobiscum (Plainchant), Vespro della Beata Vergine (1610): Oratio, Dominus vobiscum (Plainchant), Vespro della Beata Vergine (1610): Versus et responsorium, Ora pro nobis (Plainchant) |
| Stephen Cleobury |
conductor |
Agnus Dei (from the Missa pro defunctis), Alleluia / Tota pulchra es, Maria, Antiphon: Alma Redemptoris Mater, Ave Maria (Offertory Antiphon), Credo I, On Jordan's bank the Baptist's cry (The Choir of King's College feat. conductor: Sir David Willcocks, organ: Simon Preston), Pater noster, Praise to the Lord (The Choir of King's College feat. conductor: Stephen Cleobury), Stetit angelus (Offertory Antiphon), The Day of Resurrection (The Choir of King's College feat. conductor: Stephen Cleobury) |
| Huelgas Ensemble |
performer |
Chi c'insegna ov'è Gesù, Dipues vienes delhaldea, Foyse gastamdo a esperança, Musik am Hofe Gaston Febus: Altissonis aptatis - hin principes, Musik am Hofe Janus in Nikosia: Si doulcement fait me amours, Na fomte esta Lianor, Osanna, Plus sui en bone compagnie, Quiem viese aquel dia |
| Jürgen Jürgens |
conductor |
Antiphona "Dilectus meus", Antiphona "Dum esset rex", Antiphona "Iam hiems transiit", Antiphona "Laeva euis sub capite meo", Antiphona "Quo abiit delictus tuus", Antiphona "Sancta maria, sucurre miseris", Capitulum "Ab initio", Oratio "Benedicamus Domino", Versiculum "Dignare me laudare te" |
| Ralph Couzens (engineer/editor/producer) |
producer, sound |
All sons of Adam, Ane exempill of tripla, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard), Galliarda la Royne d'Escosse and Queen of Scots galliard, Pavane et Gaillarde (La Royne d'Escosse), Richt soir opprest, Support your servand, The Queine of Ingland's Paven |
| 中谷明 |
nohkan |
お調べ, 三番叟〜揉之段, 三番叟〜鈴之段, 下之高音, 中之舞 (太鼓入り), 序之舞 (太鼓入り), 早舞, 獅子「石橋」より, 神楽 |
| Alfredo Bernardini |
performer, chalumeau |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91, Sibilla Latine (Barcelona, X-XIèmes siècles) |
| Donald Greig |
vocal |
Apparuerunt apostolis v. Spiritus Domini, Canto de' cardoni, Canto di donne maestre di far cacio, Chançonette / Ainc voir / A la cheminee / Par verité, La plus grant chière, La tricotea, Quem tem farelos, Si quis amat, Trinkt und singt |
| Warwick Edwards |
conductor, crumhorn, viola da gamba |
All sons of Adam, Ane exempill of tripla, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard), Galliarda la Royne d'Escosse and Queen of Scots galliard, Pavane et Gaillarde (La Royne d'Escosse), Richt soir opprest, Support your servand, The Queine of Ingland's Paven |
| The Sixteen |
vocal |
Coventry Carol, Gaudete, In dulci jubilo (Piæ Cantiones), Nowell, nowell: In Bethlem, Puer natus est nobis, Quem pastores laudavere, Riu, riu chiu, The Boar's Head Carol, The Song of the Nuns of Chester |
| Rufus Müller |
vocal |
De la virge Katerine / Quant froidure / Agmina milicie / AGMINA, En non Dieu / Quant voi la rose / NOBIS, Festa januaria, Mout souvent / Mout ai esté en dolour / MULIERUM, Par un matinet / Hé, sire! / Hé, bergier! / EIUS, Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS, Quant voi l'alouete / Diex! je ne m'en partiré ja / NEUMA, Super te Ierusalem / Sed fulsit virginitas / PRIMUS TENOR / DOMINUS, Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT |
| Harry Christophers |
conductor |
Coventry Carol, Gaudete, In dulci jubilo (Piæ Cantiones), Nowell, nowell: In Bethlem, Puer natus est nobis, Quem pastores laudavere, Riu, riu chiu, The Boar's Head Carol, The Song of the Nuns of Chester |
| Cantores Yalenses |
vocal |
Office of Second Vespers, Nativity of Our Lord: Antiphon (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Canticle (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Hymn (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 109 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 110 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 111 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 129 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Short Responsory (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Verse (Cantores Yalenses feat. conductor: Craig Wright) |
| Monteverdi-Chor Hamburg |
vocal |
Antiphona "Dilectus meus", Antiphona "Dum esset rex", Antiphona "Iam hiems transiit", Antiphona "Laeva euis sub capite meo", Antiphona "Quo abiit delictus tuus", Antiphona "Sancta maria, sucurre miseris", Capitulum "Ab initio", Oratio "Benedicamus Domino", Versiculum "Dignare me laudare te" |
| Margaret Philpot |
vocal |
Ave parens / Ad gratie / AVE MARIA, De la virge Katerine / Quant froidure / Agmina milicie / AGMINA, Je m'en vois / Tels a mout / OMNES, Je ne chant pas / Talens m'est pris / APTATUR / OMNES, Lullay, lullay, Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS, Super te Ierusalem / Sed fulsit virginitas / PRIMUS TENOR / DOMINUS, The Agincourt Carol, Ther is no Rose of Swych Virtu |
| Choir of the Trinity-St. Sergius Laura and the Moscow Theological Academy |
vocal |
An Exaltation to St Sergius (Putevoi Chant), Come, O Ye People, Let Us Worship the Godhead in Three Persons (Tune of the Trinity-St. Sergious Laura), Many Years (Tune of the St Sophia Cathedral in Novgorod), The Collect-Hymn of Easter (Tune of the Trinity-St Sergius Laura), The Easter Beginning (Moscow Tune), The Easter Canon (Moscow Tune of the Kiev Chant), The Great Gradual: What God Is So Great as Our God (Moscow Tune), The Ikos of Easter (Valaam Tune), The Stanza for the Assumption of the Most Holy Birth-Giver of God (Great Znamenny Chant) |
| Paul Van Nevel |
conductor |
Chi c'insegna ov'è Gesù, Dipues vienes delhaldea, Foyse gastamdo a esperança, Musik am Hofe Gaston Febus: Altissonis aptatis - hin principes, Musik am Hofe Janus in Nikosia: Si doulcement fait me amours, Na fomte esta Lianor, Osanna, Plus sui en bone compagnie, Quiem viese aquel dia |
| Craig Wright |
chorus master |
Office of Second Vespers, Nativity of Our Lord: Antiphon (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Canticle (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Hymn (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 109 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 110 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 111 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Psalm 129 (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Short Responsory (Cantores Yalenses feat. conductor: Craig Wright), Office of Second Vespers, Nativity of Our Lord: Verse (Cantores Yalenses feat. conductor: Craig Wright) |
| Orlando Consort |
vocal |
Audivi vocem, Ave regina celorum, Gaude virgo, Hoquets du manuscrit de Bamberg: In seculum "Longum", O pulcherrima mulierum, O sanctissime presul, Sanctus, Stella celi |
| Michael Behringer |
chamber organ, organ |
"La Spagna", basse dance, "Paingendo chiamo", disperata, CM 24, Adoramus te, antífona para 4 voces, CM 4, I. Adoramus te Domine (introducción), Adoramus te, antífona para 4 voces, CM 4, II. Adoramus te Domine, Adoramus te, antífona para 4 voces, CM 4, III. Crucem tuam adoramus, Adoramus te, antífona para 4 voces, CM 4, IV. Ecce enim propter lignum, Adoramus te, antífona para 4 voces, CM 4, V. Adoramus te Domine, Miserere nostri, para 4 voces |
| Stefan Légée (Sackbut player) |
sackbut |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Fantasia, CM 91 |
| David Hill (organist and conductor) |
conductor |
Credo quod Redemptor meus vivit, Kyrie fons bonitatis, Plainsong antiphon: Ave regina caelorum, Plainsong antiphon: Beata Dei genitrix, Plainsong antiphon: Nesciens mater, Plainsong antiphon: Regina caeli, Plainsong communion: Beata viscera, Plainsong gradual: Propter veritatem |
| Charles Daniels (tenor) |
vocal |
Apparuerunt apostolis v. Spiritus Domini, Canto de' cardoni, Canto di donne maestre di far cacio, Chançonette / Ainc voir / A la cheminee / Par verité, In paupertatis predio, La tricotea, Si quis amat, Trinkt und singt |
| David Rowland |
conductor, harpsichord |
Bellator armis inclitus (plainchant), La garde (pavane), Passamezzo moderno (chords), Passamezzo moderno (improvised version), Spaniol Kochersperg, [16th-century graces], [16th-century passagi], [cadential decorations] |
| Paul Nieman |
cornamuse, sackbut, tenor recorder |
And I Were a Maiden, Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco, O Lusty May, Puzzle Canon VI, Up I Arose in Verno Tempore |
| Angus Smith |
vocal |
Apparuerunt apostolis v. Spiritus Domini, Canto di donne maestre di far cacio, Chançonette / Ainc voir / A la cheminee / Par verité, La plus grant chière, La tricotea, Quem tem farelos, Si quis amat, Trinkt und singt |
| 敷村鐵雄 |
kotsuzumi |
お調べ, 三番叟〜揉之段, 三番叟〜鈴之段, 中之舞 (太鼓入り), 序之舞 (太鼓入り), 早舞, 獅子「石橋」より, 神楽 |
| Jordi Ricart (Baritone) |
vocal |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen, Dizen a mi que los amores he |
| Robin Jeffrey |
cittern, laouto, lute, oud, theorbo |
A l'entrada del tens clar, Ara lauzatz, Dessus la rive, La bella Franceschina, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je, Rossignolet du bois, Vecy le mai |
| Raphaël Boulay |
vocal |
Cheulz qui volent retourner, Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Inperaytriz de la ciutat joyosa", Llibre Vermell de Montserrat: "Polorum regina", Llibre Vermell de Montserrat: "Stella splendens in monte", Pour vous servir, Tant qu'en mon cuer / Sur l'erbette |
| 柿原崇志 |
ōtsuzumi |
お調べ, 三番叟〜揉之段, 三番叟〜鈴之段, 中之舞 (太鼓入り), 序之舞 (太鼓入り), 早舞, 獅子「石橋」より, 神楽 |
| Robert De Cormier |
conductor |
He's Got The Whole World In His Hands, Home On The Range, Johnny Has Gone for a Soldier, O Freedom, Simple Gifts, We Shall Overcome, Yankee Doodle |
| Robert Harre-Jones |
vocal |
Apparuerunt apostolis v. Spiritus Domini, Canto de' cardoni, Canto di donne maestre di far cacio, Chançonette / Ainc voir / A la cheminee / Par verité, La plus grant chière, Quem tem farelos, Trinkt und singt |
| Jean-Yves Guerry |
vocal |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen |
| Gustav Leonhardt |
harpsichord, organ |
3 Variations on 'Daphne', Almande d'amor, Gagliarda 'Cathaccio', Gagliarda 'Lodesana', Niederlandisch Liedgen 'Windecken daer het bosch af drilt', Pavan and Galliard from 'Dublin Virginal Book', No.21, Rosemont |
| Carles Mas |
vocal, drums, flute |
Conductus "Casta catolica", Conductus "In virgulto gracias", Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Los set goytx recomptarem", Llibre Vermell de Montserrat: "Los set goytx", Llibre Vermell de Montserrat: "Polorum regina" |
| Simon Davies (tenor) |
vocal |
Alle Psallite, Alleluia Justus, Dessus la rive, Epiphaniam Domino, Laude Jocunda, Ne L'Oserary-Je / Voulez-Vous Que Je, Pucelete bele - Je languis - Domino |
| Lluís Vilamajó (Tenor) |
vocal |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen |
| Matthew Vine (Tenor) |
vocal |
Alle Psallite, Alleluia Justus, Dessus la rive, Epiphaniam Domino, Laude Jocunda, Ne L'Oserary-Je / Voulez-Vous Que Je, Pucelete bele - Je languis - Domino |
| Brigitte Lesne |
vocal, harp, tambourine |
Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Inperaytriz de la ciutat joyosa", Llibre Vermell de Montserrat: "Los set goytx recomptarem", Llibre Vermell de Montserrat: "Mariam matrem virginem", Llibre Vermell de Montserrat: "Stella splendens in monte", Pour vous servir |
| Timothy Roberts (conductor and keyboardist) |
chamber organ, harpsichord, organ |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco, Lüneburg, Stadtarchiv, Musikabteilung, Mus. ant. pract. KN 208.2: Praeambulum for organ, Lüneburg, Stadtarchiv, Musikabteilung, Mus. ant. pract. KN 208.2: Resonet in laudibus, Orgel-Prélude "Praeambulum" |
| Tony Faulkner (recording engineer) |
recording |
De ce fol pense (after Pierre des Molins), Le gay playsir, Le grant pleyser, Lullay, lullay, Singularis laudis digna, The Agincourt Carol, Ther is no Rose of Swych Virtu |
| Sir John Eliot Gardiner |
conductor |
Alma perpetui, Congaudeant catholici, Dum pater familias, O Virgo splendens, O lux et decus Hispaniae, O venerande Christi, Psallat chorus caelestium |
| Stile Antico |
performer, vocal |
Alleluia: Tota pulchra es (Plainchant), Antiphon: Dum esset rex (Plainchant), Antiphon: Iam hiems transiit (Plainchant), Antiphon: Laeva eius, Antiphon: Nigra sum (Plainchant), Antiphon: Speciosa facta es (Plainchant), Puer natus est |
| Paul Tindall |
vocal |
Alle Psallite, Alleluia Justus, Dessus la rive, Epiphaniam Domino, Laude Jocunda, Ne L'Oserary-Je / Voulez-Vous Que Je, Pucelete bele - Je languis - Domino |
| Winchester Cathedral Choir |
vocal |
Kyrie fons bonitatis, Plainsong antiphon: Ave regina caelorum, Plainsong antiphon: Beata Dei genitrix, Plainsong antiphon: Nesciens mater, Plainsong antiphon: Regina caeli, Plainsong communion: Beata viscera, Plainsong gradual: Propter veritatem |
| Susana Imbern |
vocal, harpsichord, sopranino recorder |
Alto mis gitanas, folksong, Cachua a dúo y a cuatro al Nacimiento, Dime robadora, L'amor dona ch'io te porto, Niña y viña, Pasacualillo, So ell'enzina |
| Xavier Sans |
vocal |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen |
| Martin Compton (producer) |
producer |
De ce fol pense (after Pierre des Molins), Le gay playsir, Le grant pleyser, Lullay, lullay, Singularis laudis digna, The Agincourt Carol, Ther is no Rose of Swych Virtu |
| Josep M. Gregori |
vocal |
Cum autem venissem, Himno procesional para 4 voces, CM 120, I. Cum autem venissim ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, II. O dulsissime filie Sion, Cum autem venissem, Himno procesional para 4 voces, CM 120, III. O vos qui transitis per viam, Cum autem venissem, Himno procesional para 4 voces, CM 120, IV. O nimis triste spectaculum, Cum autem venissem, Himno procesional para 4 voces, CM 120, V. Cum portaretur ad sepulcrum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VI. Cum vero venissem ad locum, Cum autem venissem, Himno procesional para 4 voces, CM 120, VII. Amen |
| Christopher Field (Medieval/Renaissance era instruments) |
rebec |
All sons of Adam, Ane exempill of tripla, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard), Pavane et Gaillarde (La Royne d'Escosse), Richt soir opprest, The Queine of Ingland's Paven |
| Jakob Lindberg (lutenist) |
lute |
A Mery Moode, Drewries accordes, La Rossignoll, The Balcarres Lute Book: Le Canon Courante by Gautier / Dragons by Gallot / La Gavotte Frondeuse by Mouton / Sarabande by Mercure, The Balcarres Lute Book: The New Highland Laddie / Devo's Gigue / A new Scotts Measure / After the Pauges of a Desperate Lover / I never knew I loved thee / Lillybul, The Balcarres Lute Book: What if a day / Greensleeves, The Balcarres Lute Book: When she came in she bobbed / I wish I were where Helen lyes / My Nannie / Sweet Willie / A Scotts Tune / Tarphicken |
| The King’s Singers |
vocal |
Alla cazza, La bella Franceschina, La tricotea, Mignonne, allons voir si la rose, Plainchant in procession: Hodie Christus natus est, Vitrum nostrum gloriosum |
| Libby Crabtree |
vocal |
A l'entrada del tens clar, Alle Psallite, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je, Rossignolet du bois, Vecy le mai |
| Thomas Wimmer |
conductor |
Ay triste, que vengo, O voy, Rodrigo Martinez, Si d'amor pena sentis, So ell enzina, Tres morillas m'enamoran |
| The Robert DeCormier Singers |
vocal |
He's Got The Whole World In His Hands, Home On The Range, Johnny Has Gone for a Soldier, O Freedom, Simple Gifts, Yankee Doodle |
| Lucie Skeaping |
rebec, violin |
A l'entrada del tens clar, Ara lauzatz, Dessus la rive, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je, Rossignolet du bois |
| Anna Maria Wierod |
vocal |
Excuse me, Grimstock, Howells Delight, The Punckes Delight, The dark is my delight, The sorrowful complaint of Susan Higges |
| Paul Phoenix (Tenor) |
vocal |
Dindirín, dindirín, Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano, Rodrigo Martínez, ¡Oh, qué bien que baila Gil! |
| Rolf Lislevand |
guitar, lute, vihuela |
"Collinetto", ballo, CM 22, "Dindirindin", canzon alla villota, CM 127, "O tempo bono", strambotto, CM 132, "Viva viva Rey Ferrando", canción, CM 111, L'air de Lanturlu, Villancico: "Con qué la lavaré" |
| Steven Player (dancing lutenist, baroque & renaissance guitarist) |
drums, guitar |
Dindirín, dindirín, Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano, Rodrigo Martínez, ¡Oh, qué bien que baila Gil! |
| Lee Santana |
cittern, guitar, vihuela |
Dindirín, dindirín, Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano, Rodrigo Martínez, ¡Oh, qué bien que baila Gil! |
| Gabriel Crouch (bass, then producer) |
vocal |
Dindirín, dindirín, Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano, Rodrigo Martínez, Vuestros son mis ojos |
| The Tallis Scholars |
vocal |
Nowell Sing We, Salvator mundi, Domine, The Coventry Carol: "Lullay: I saw", The Coventry Carol: "Lully, lulla, thou little tiny child", There Is No Rose, Veni redemptor gentium |
| Michaela Thewes |
photography |
Excuse me, Grimstock, Howells Delight, The Punckes Delight, The dark is my delight, The sorrowful complaint of Susan Higges |
| Dominik Schneider |
engineer, vocal, flute, guitar |
Excuse me, Grimstock, Howells Delight, The Punckes Delight, The dark is my delight, The sorrowful complaint of Susan Higges |
| Accentus Austria |
performer |
Ay triste, que vengo, O voy, Rodrigo Martinez, Si d'amor pena sentis, So ell enzina, Tres morillas m'enamoran |
| Carlos Céster (producer and engineer) |
engineer, producer, recording |
Contradanza, Diferencias de Conde Claros, for guitar, El Dulce de América, El Zorongo del Navío, Overture for 2 violins, ¿Que me queréis, cavallero? |
| Gothic Voices (UK vocal group specialising in 11th-15th c. repertoire) |
vocal |
Amor mi fa cantar a la Francesca, Codex Faenza: Constantia, Confort d'amours, Non na el so amante, O regina seculi, Quando i oselli canta |
| Philip Pickett |
arranger, cornamuse, crumhorn, shawm, tenor recorder |
Consort Piece XX, My Heartly Service, O Lusty May, Puzzle Canon VI, The King is Dead, Up I Arose in Verno Tempore |
| Peter Phillips (British conductor) |
conductor |
Nowell Sing We, Salvator mundi, Domine, The Coventry Carol: "Lullay: I saw", The Coventry Carol: "Lully, lulla, thou little tiny child", There Is No Rose, Veni redemptor gentium |
| 小寺佐七 |
taiko |
お調べ, 中之舞 (太鼓入り), 序之舞 (太鼓入り), 早舞, 獅子「石橋」より, 神楽 |
| Carys Lane (soprano) |
vocal |
A l'entrada del tens clar, Alle Psallite, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je, Rossignolet du bois, Sub tuum praesidium |
| Mark Wheeler |
producer, bandora, cittern, lute |
Excuse me, Grimstock, Howells Delight, The Punckes Delight, The dark is my delight, The sorrowful complaint of Susan Higges |
| Marjorie Rycroft |
viola da gamba |
All sons of Adam, Ane exempill of tripla, Depairte, depairte (The Lady Marie's galliard), Pavane et Gaillarde (La Royne d'Escosse), Richt soir opprest, The Queine of Ingland's Paven |
| The City Waites |
performer |
Jamaica, or The Jovial Broom Man, Packington's Pound, The Jolly Barber, The Miller of Dee, The Saint Turned Sinner |
| Schola Cantorum (New Haven, Connecticut) |
vocal |
Alleluia Justus ut palma (The Schola Cantorum feat. conductor: Nicholas Renouf), Quem quaeritis in praesepe (The Schola Cantorum feat. conductor: Nicholas Renouf), Tu patris sempiternus et filius, Part 1 (The Schola Cantorum feat. conductor: Nicholas Renouf), Tu patris sempiternus et filius, Part 2 (The Schola Cantorum feat. conductor: Nicholas Renouf), Tu patris sempiternus et filius, Part 3 (The Schola Cantorum feat. conductor: Nicholas Renouf) |
| Joachim Müller (engineer) |
engineer |
Communio: Beata viscera (Gregorian Chant), Graduale: Benedicta et venerabilis es (Gregorian Chant), L'homme armé, Offertorium: Ave Maria, gratia plena (Gregorian Chant), Reyna muy esclareçida |
| Al Ayre Español |
performer |
Cancion franzesa, Canción a dos tiples, Diferencias sobre la gayta, Pasacalles I-II, Ruede la vola |
| Jo Cops |
editor, engineer |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Preludium, for chorus, Requiem aeternam (Gregorian), Sergonta Bergonta |
| Jeremy West |
cornet, cornett |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco, Psallite |
| Jean-Philippe Mesnier |
organ |
Batalla imperiale, Suite de danses anciennes : Basse imperiale, Suite de danses anciennes : Corranto, Suite de danses anciennes : Ungarescha, Suite de danses anciennes : Intrada |
| Mary Springfels |
conductor |
Dr. Faustus, L'émergence d'une musique spécifiquement instrumentale: Musique instrumentale à la Cour d'Espagne: La Spagna, L'émergence d'une musique spécifiquement instrumentale: Musique instrumentale à la Cour d'Espagne: Propiñan de Melyor, L'émergence d'une musique spécifiquement instrumentale: Musique instrumentale à la Cour d'Espagne: sans titre, The Devil's dream |
| Australian Intervarsity Choral Festival Choir |
vocal |
Alle Psallite, Gaudeamus, Gaudeamus Igitur, Gaudeamus igitur, Pase et agoa |
| Thomas Binkley (American lutenist and early music scholar) |
conductor |
Istampita Palamento, Part 1 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 2 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 3 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 4 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 5 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley) |
| Capilla Flamenca (Belgian classical ensemble) |
performer |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Preludium, for chorus, Requiem aeternam (Gregorian), Sergonta Bergonta |
| Nicholas Renouf |
chorus master |
Alleluia Justus ut palma (The Schola Cantorum feat. conductor: Nicholas Renouf), Quem quaeritis in praesepe (The Schola Cantorum feat. conductor: Nicholas Renouf), Tu patris sempiternus et filius, Part 1 (The Schola Cantorum feat. conductor: Nicholas Renouf), Tu patris sempiternus et filius, Part 2 (The Schola Cantorum feat. conductor: Nicholas Renouf), Tu patris sempiternus et filius, Part 3 (The Schola Cantorum feat. conductor: Nicholas Renouf) |
| Kathleen Battle |
vocal |
Fix Me Jesus, He's Got the Whole World in His Hand, His Name So Sweet, Honor, Honor, Witness |
| Konrad Ruhland |
chorus master, conductor |
Ave Maria, Fons letitie on Leonin's clausula on latus (Capella Antiqua, München feat. conductor: Konrad Ruhland), Ave virgo virginum (Capella Antiqua, München feat. conductor: Konrad Ruhland), Gregorianik: Repleatus os meum lauda tua, Nu bitten wir den heil'gen Geist, Part 1 (Capella Antiqua, München feat. conductor: Konrad Ruhland), Nu bitten wir den heil'gen Geist, Part 2 (Capella Antiqua, München feat. conductor: Konrad Ruhland) |
| Okke Dijkhuizen (Dutch organist) |
performer |
Psalm 5 (organ: Okke Dijkhuizen), Psalmvariateies Lynar B7: Psalm 100, Var. 1 & 2 (organ: Okke Dijkhuizen), Psalmvariateies Lynar B7: Psalm 100, Var. 3 & 4 (organ: Okke Dijkhuizen), Susanne van Soldt Manuscript: Bewaert mij Heer Weest doch myn toeverlaet, den 16 sallem (organ: Okke Dijkhuizen), Susanne van Soldt Manuscript: Des boosdoeners Wille seer quaet, den 36 sallem / Staat op Heer V onversacht, den 68 sallem (organ: Okke Dijkhuizen) |
| Teije van Geest (engineer/producer) |
producer |
Communio: Beata viscera (Gregorian Chant), Graduale: Benedicta et venerabilis es (Gregorian Chant), L'homme armé, Offertorium: Ave Maria, gratia plena (Gregorian Chant), Reyna muy esclareçida |
| Paul Beelaerts (producer and engineer) |
producer |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Preludium, for chorus, Requiem aeternam (Gregorian), Sergonta Bergonta |
| Susan Addison |
sackbut |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco, Psallite |
| Studio der Frühen Musik (German early music ensemble) |
performer |
Istampita Palamento, Part 1 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 2 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 3 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 4 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley), Istampita Palamento, Part 5 (Das Studio der frühen Musik, München feat. conductor: Thomas Binkley) |
| Stephen Connolly (bass) |
vocal |
Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano, Rodrigo Martínez, ¡Oh, qué bien que baila Gil! |
| David Hurley (countertenor) |
vocal |
Dindirín, dindirín, Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano, ¡Oh, qué bien que baila Gil! |
| Rebecca Outram (soprano) |
vocal |
A l'entrada del tens clar, Alle Psallite, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je, Rossignolet du bois |
| David Miller (UK period lutist / guitarist) |
arranger |
Boufons (Passemezzo antico), Brando, Gaillarde (on the ground "Cara cosa"), Galliarda, Matasins "Il Mattacino" |
| Richard Cheetham |
sackbut |
"Chiave, chiave", toccata instrumental, CM 131, "Collinetto", ballo, CM 22, "Correno multi cani", strambotto-caccia, CM 140, "O tempo bono", strambotto, CM 132, "Viva viva Rey Ferrando", canción, CM 111 |
| Dirk Snellings |
conductor, vocal |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Preludium, for chorus, Requiem aeternam (Gregorian), Sergonta Bergonta |
| Nigel North |
lute |
And I Were a Maiden, Begone Sweit Night, Consort Piece XX, The Duke of Somersette's Dompe |
| Capella Antiqua München |
performer |
Ave Maria, Fons letitie on Leonin's clausula on latus (Capella Antiqua, München feat. conductor: Konrad Ruhland), Ave virgo virginum (Capella Antiqua, München feat. conductor: Konrad Ruhland), Nu bitten wir den heil'gen Geist, Part 1 (Capella Antiqua, München feat. conductor: Konrad Ruhland), Nu bitten wir den heil'gen Geist, Part 2 (Capella Antiqua, München feat. conductor: Konrad Ruhland) |
| Hermann Bäumer |
trombone |
Four Gallicae: I. Gallicum, Four Gallicae: II. Gallicum quiddam, Four Gallicae: III. Gallicum, Four Gallicae: IV. Gallicum sine nomine |
| Kim Porter (English mezzo) |
vocal |
Alleluia Justus, Epiphaniam Domino, Pucelete bele - Je languis - Domino, Vecy le mai |
| The New York Cornet & Sacbut Ensemble |
performing orchestra |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La rocha el fuso (Saltarello), La traditora (Galiarda) |
| Natanya Hadda |
vocal |
Alleluia Justus, Epiphaniam Domino, Pucelete bele - Je languis - Domino, Vecy le mai |
| Catherine Sergent |
vocal |
Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Mariam matrem virginem", Llibre Vermell de Montserrat: "Stella splendens in monte" |
| William Anger |
vocal |
Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Laudemus virginem" / "Splendens ceptigera", O Virgo splendens |
| Vincent van Laar |
organ |
Lübbenauer Orgeltabulatur: Wie schön leuchtet der Morgenstern, Var. 1 (organ: Vincent van Laar), Lübbenauer Orgeltabulatur: Wie schön leuchtet der Morgenstern, Var. 2 (organ: Vincent van Laar), Lübbenauer Orgeltabulatur: Wie schön leuchtet der Morgenstern, Var. 3 (organ: Vincent van Laar), Lübbenauer Orgeltabulatur: Wie schön leuchtet der Morgenstern, Var. 4 & 5 (organ: Vincent van Laar) |
| Nigel Short (counter-tenor, conductor) |
vocal |
Dindirín, dindirín, Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano |
| Jennifer Hill (Scottish early music) |
bass recorder, crumhorn, sopranino recorder, tenor recorder |
All sons of Adam, Ane exempill of tripla, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard) |
| Marichín Bergallo |
vocal |
Cachua a dúo y a cuatro al Nacimiento, Cachua al nacimiento de Christo Nuestro Señor, song, Pasacualillo, Tonada El Congo, song |
| Olaf Ott |
trombone |
Four Gallicae: I. Gallicum, Four Gallicae: II. Gallicum quiddam, Four Gallicae: III. Gallicum, Four Gallicae: IV. Gallicum sine nomine |
| Terry Pierce |
tenor trombone |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La rocha el fuso (Saltarello), La traditora (Galiarda) |
| Raphaël Mas |
vocal |
Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Laudemus virginem" / "Splendens ceptigera", O Virgo splendens |
| Ulrich Dieckmann |
arranger, trombone |
Four Gallicae: I. Gallicum, Four Gallicae: II. Gallicum quiddam, Four Gallicae: III. Gallicum, Four Gallicae: IV. Gallicum sine nomine |
| Giles Chabonard |
vielle |
Dessus la rive, Epiphaniam Domino, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je |
| Paul Hindmarsh |
vocal, sackbut |
All sons of Adam, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard), Support your servand |
| Frederick Renz (conductor / keyboard) |
audio |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La rocha el fuso (Saltarello), La traditora (Galiarda) |
| Fiona Milne |
vocal |
All sons of Adam, Depairte, depairte (The Lady Marie's galliard), Richt soir opprest, Support your servand |
| Eugène Ferré |
lute |
A los baños del amor, Al alva venid, Fonte frida, Mi muerte contra la vida |
| Susanna Spicer |
vocal |
Alleluia Justus, Epiphaniam Domino, Pucelete bele - Je languis - Domino, Vecy le mai |
| Peter Bassano |
sackbut |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco |
| Jean Chamboux |
drums |
Marche funèbre pour cornet, sacqueboutes et tambour: Procession de sortie des instrumentistes, Marche funèbre pour cornet, sacqueboutes et tambour: Procession des chanteurs, Tambour funèbre: Procession de sortie des chanteurs, Tambour funèbre: Procession des instrumentistes |
| Ulrich Behrends |
trombone |
Four Gallicae: I. Gallicum, Four Gallicae: II. Gallicum quiddam, Four Gallicae: III. Gallicum, Four Gallicae: IV. Gallicum sine nomine |
| Stephen Saunders (Sackbut player) |
sackbut |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco |
| Ensemble Unicorn |
performer |
Ara lausatz, lausat,lausat, Bujo (instrumental), Domna, pos vos ay chausida (instrumental), Lamento di Tristano: La Rotta |
| Ensemble Oni Wytars |
performer |
Ara lausatz, lausat,lausat, Bujo (instrumental), Domna, pos vos ay chausida (instrumental), Pesrev (Yunus Emre (Ilahileri), Turkey, 13th century) |
| James Levine (US conductor and pianist) |
grand piano |
He's Got the Whole World in His Hand, His Name So Sweet, Honor, Honor, Witness |
| Stephen Charlesworth |
vocal |
De la virge Katerine / Quant froidure / Agmina milicie / AGMINA, Je ne chant pas / Talens m'est pris / APTATUR / OMNES, Par un matinet / Hé, sire! / Hé, bergier! / EIUS, Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT |
| Ralph Dopmeyer |
recording |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La rocha el fuso (Saltarello), La traditora (Galiarda) |
| La Real Cámara |
performing orchestra |
Contradanza, El Dulce de América, El Zorongo del Navío, Overture for 2 violins |
| Jessye Norman |
vocal |
Amazing Grace, Greensleeves (What a Child This Is), I Wonder As I Wander, Let Us Break Bread Together |
| Emmanuel Pousse |
vocal |
Llibre Vermell de Montserrat: "Ad mortem festinamus", Llibre Vermell de Montserrat: "Cuncti simus concanentes", Llibre Vermell de Montserrat: "Laudemus virginem" / "Splendens ceptigera", O Virgo splendens |
| Alan Oke |
vocal, tabor |
All sons of Adam, Basse Dance "Content desir", Depairte, depairte (The Lady Marie's galliard), Support your servand |
| Ben Peck |
conductor, trombone |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La rocha el fuso (Saltarello), La traditora (Galiarda) |
| David Staff |
baroque trumpet, cornett |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco |
| Emilio Moreno (violist/violinist) |
producer |
Contradanza, El Dulce de América, El Zorongo del Navío, Overture for 2 violins |
| David Titcomb |
bass trombone |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La rocha el fuso (Saltarello), La traditora (Galiarda) |
| Béatrice Delpierre |
chalumeau |
"Dindirindin", canzon alla villota, CM 127, "La Spagna", basse dance, "La fille guillemin", ballo, CM 6, "Zappay", strambotto instrumental, CM 20 |
| His Majestys Sagbutts and Cornetts |
performer |
Canciones de clarines: I. Entrada de clarines, Canciones de clarines: II. Canción de clarin, Canciones de clarines: III. Otra canción, con eco, Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco |
| David Tosh |
bells, hammered dulcimer, tabor |
Alle Psallite, Dessus la rive, Li gelos, Ne L'Oserary-Je / Voulez-Vous Que Je |
| Josep Cabré (Baritone) |
conductor |
Benedicamus Domino (plainchant), Gaudeamus omnes in Domino, Optimam partem elegit |
| Teresa Berganza |
vocal |
Dindirindín, Los hombres con gran plazer, Nuevas te traygo, carillo |
| José Miguel Moreno |
engineer, producer, classical guitar, vihuela |
Diferencias de Conde Claros, for guitar, Manuscritos de Simancas: Diferencias sobre Vacas, ¿Que me queréis, cavallero? |
| Matteus stråkensemble |
performer |
Ps. 21 Det är en ros utsprungen, Ps. 289 Herren vår Gud är en konung, Ps. 98 Vad ljus över griften |
| Glinka Choir of Leningrad |
vocal |
Meet It Is, O Holy God, Praise the Lord, Oh My Soul |
| Tim Handley (engineer/editor/producer) |
sound |
In Paradise, Lumley Books: Allemande, MB 44 No. 76 / Galliard, MB 44 No. 104, The Dark Is My Delight |
| Gabriel Maria Steinschulte |
conductor |
Alleluia: Vidimus stellam, Part 1 (Schola Cantorum of Cologne feat. conductor: Gabriel Maria Steinschulte), Alleluia: Vidimus stellam, Part 2 (Schola Cantorum of Cologne feat. conductor: Gabriel Maria Steinschulte), Alleluia: Vidimus stellam, Part 3 (Schola Cantorum of Cologne feat. conductor: Gabriel Maria Steinschulte) |
| Frédéric Briant |
performer, recording |
C'est tout abus, Si vous n'avez madame, Triquedon daine |
| 新維瓦第合奏團 |
performing orchestra |
寶島四季謠, 牛犁歌, 蝶戀花 |
| Fretwork |
viola da gamba |
In Paradise, Lumley Books: Allemande, MB 44 No. 76 / Galliard, MB 44 No. 104, The Dark Is My Delight |
| Paul O’Dette |
lute |
A Mery Moode, Drewries accordes, La Rossignoll |
| Michael Metzler |
bells, castanets, darbuka, drums |
Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, ¡Oh, qué bien que baila Gil! |
| Michael Posch |
conductor |
Ara lausatz, lausat,lausat, Bujo (instrumental), Domna, pos vos ay chausida (instrumental) |
| Paul Van Loey |
recorder |
Cueurs desolez, song for 5 parts, Preludium, for chorus, Sergonta Bergonta |
| Kenneth Wilkinson (engineer) |
engineer |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Eugeen Schreurs |
viola da gamba |
Cueurs desolez, song for 5 parts, Preludium, for chorus, Sergonta Bergonta |
| Bernard Thomas (conductor) |
recorder, shawm |
La Spagna (improvised version), La garde (pavane), Passamezzo moderno (improvised version) |
| Howard Bass |
performer |
Consort Books (1595): Nuttmigs and Ginger, Grimstock, Singers Jig |
| Maite Arruabarrena |
vocal |
Ay luna que reluzes, Falai meus olhos, Gozate Virgen |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Philip Lawson |
vocal |
Enemiga le soy, madre, Hoy, Gil, en conçejo abierto, Otro tal misacantano |
| Joan Sutherland |
vocal |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Valery Lloyd-Watts (pianist) |
piano |
Chant Arabe, Minuet in G major, BWV Anh. 114, Musette |
| 早川正昭 |
conductor |
寶島四季謠, 牛犁歌, 蝶戀花 |
| Raimund Nolte |
vocal |
So schreibt der heilig Propheten Jesajas, So schreibt der heilige Lukas, The Lord’s Prayer: “Vater unser, der du bist im Himmel” / Words of Institution: “Unser Herr Jesus Christus” |
| Ann Marie Morgan |
bass |
Consort Books (1595): Nuttmigs and Ginger, Grimstock, Howells Delight |
| Jean-Pierre Rampal |
flute |
Greensleeves, Greensleeves for Flute and Harp, Greensleeves, Theme and Variations for Flute and Harp |
| Ensemble De Caelis |
performer |
Dulce Creature, Salve Mater Redemptoris / Salve lux Gentium / Salve sine spina / Salve sancta parens, Volez, oyer le castoy |
| Ensemble Clément Janequin |
performer |
C'est tout abus, Si vous n'avez madame, Triquedon daine |
| Capilla Peñaflorida |
performer, vocal |
Benedicamus Domino (plainchant), Gaudeamus omnes in Domino, Optimam partem elegit |
| Ray Minshull |
producer |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Владислав Чернушенко |
conductor |
Meet It Is, O Holy God, Praise the Lord, Oh My Soul |
| Liam Fenelly |
viola da gamba |
Cueurs desolez, song for 5 parts, Preludium, for chorus, Sergonta Bergonta |
| Nicolas Bartholomée |
recording |
C'est tout abus, Si vous n'avez madame, Triquedon daine |
| Richard Bonynge (conductor and pianist) |
conductor |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Lieven Termont |
vocal |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Sergonta Bergonta |
| Marnix De Cat |
vocal |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Sergonta Bergonta |
| Jan Caals |
vocal |
Cueurs desolez, song for 5 parts, Laus Deo (from Het liedboek van Zeghere van Male), Sergonta Bergonta |
| Schola Cantorum Coloniensis |
vocal |
Alleluia: Vidimus stellam, Part 1 (Schola Cantorum of Cologne feat. conductor: Gabriel Maria Steinschulte), Alleluia: Vidimus stellam, Part 2 (Schola Cantorum of Cologne feat. conductor: Gabriel Maria Steinschulte), Alleluia: Vidimus stellam, Part 3 (Schola Cantorum of Cologne feat. conductor: Gabriel Maria Steinschulte) |
| Douglas Jimerson (US tenor) |
vocal |
Green Grow the Lilacs, Old Sister Phoebe, The Blue Bell of Scotland |
| Dorothy Linell |
lute |
Bonny Sweet Robin, Callino, Kemp's Jig |
| Dominique Visse |
conductor |
C'est tout abus, Si vous n'avez madame, Triquedon daine |
| Adriana Sansone |
vocal |
Alto mis gitanas, folksong, Cachua a dúo y a cuatro al Nacimiento, Pasacualillo |
| Ronald Borror |
tenor trombone |
Dance Music: El bisson (Pavane), La comarina (Saltarello), La traditora (Galiarda) |
| Charlotte Charbonnier |
editor |
C'est tout abus, Si vous n'avez madame, Triquedon daine |
| Hall Johnson |
arranger |
His Name So Sweet, Honor, Honor, Witness |
| The Regimental Band of the Coldstream Guards |
performing orchestra |
Bahrain, Oman |
| Rosemary Thorndycraft |
viola da gamba |
Dessus la rive, Ne L'Oserary-Je / Voulez-Vous Que Je |
| Diego Fernández Bantle |
vocal |
Alto mis gitanas, folksong, Pasacualillo |
| Robert Spencer |
vocal, cittern, lute |
Kemp's Jig, La Rosignol |
| East Helsinki Music Institute Choir |
vocal |
O quam mundum, Omnis mundus jucundetur |
| Scottish Chamber Orchestra |
performing orchestra |
Oliver Cromwell, The Bonny Earl o' Moray |
| RilkeEnsemblen |
vocal |
Ecce novum gaudium, Omnis mundus jucundetor |
| David Schneerman |
sound, vocal |
Happy Birthday to Stephen Sondheim, Intermission Interviews |
| David Sandeman |
flute |
Kemp's Jig, La Rosignol |
| Simon Carrington (baritone and conductor) |
vocal |
L'amanza mia, Mignonne, allons voir si la rose |
| David Petri |
cello |
Divisions on 'An Italian Ground', Green Sleeves to a Ground |
| Ricercare-Ensemble für Alte Musik, Zürich |
performing orchestra |
I. Variationen über eine Melodie: c) Cinco diferencias sobre 'Conde Claros', II. Tänze mit Variationen: e) Cinco diferencias sobre 'Las Vacas' |
| José María Ovies |
vocal |
El gallo Ki-Ri-Ko o las bodas del Tío Perico, Pulgarcito |
| David Corkhill |
percussion, tambourine |
Ara lauzatz, Vitrum nostrum gloriosum |
| Ensemble Gilles Binchois |
performer, vocal |
Mass for Epiphany: Antienne, Organum: Alleluia |
| Daphne Godson |
viola da gamba |
Pavane et Gaillarde (La Royne d'Escosse), The Queine of Ingland's Paven |
| Rachel Beckett |
crumhorn, recorder |
Jolly Shepherd, Vitrum nostrum gloriosum |
| Erin Headley |
lirone, rebec |
La bella Franceschina, Vitrum nostrum gloriosum |
| Steuart Bedford |
conductor |
Oliver Cromwell, The Bonny Earl o' Moray |
| Dale Warland Singers (professional mixed chorus from Minnesota) |
vocal |
Coventry Carol, El Rorro |
| Dale Warland |
arranger, conductor |
Coventry Carol, El Rorro |
| Convivium Musicum Gothenburgense |
performer |
Den III ronde - Den VI ronde - Les quatres branles, Gaillarde I, II, III |
| Esmail Vasseghi |
darbuka, sistrum |
Martin Codax (XIIe siècle) : Cantiga de Amigo II, Martin Codax (XIIe siècle) : Cantiga de Amigo III |
| Peter Harvey (bass-baritone) |
vocal |
Singularis laudis digna, The Agincourt Carol |
| Constantine Orbelian (Константин Гарриевич Орбелян / US conductor, born in 1956) |
conductor |
At the Fateful Hour, But I Love You, Nevertheless |
| Pepe Romero |
guitar |
Jeux Interdits, Jeux Interdits: Romance |
| Tallinna Poistekoor |
vocal |
Ave Maria, antiphona, Ave Maria, responsorium breve |
| Collegium Vocale Köln |
vocal |
Chansonnier du Duc de Calabre: Soleta só jo ací, Musyck Boexken, Book 1: Een meysken eens voerbij passeerde |
| Gunnar Eriksson |
chorus master |
Ecce novum gaudium, Omnis mundus jucundetor |
| Paolo Pandolfo |
viola da gamba |
Aria della Monicha, Villancico: "Con qué la lavaré" |
| Pamela Warrick-Smith |
vocal |
O Freedom, We Shall Overcome |
| Organa Nostra |
performer |
Ps. 21 Det är en ros utsprungen, Ps. 98 Vad ljus över griften |
| Chanterelle del Vasto |
performer |
Alleluia Justus, Alleluia: Tu puer |
| The Cambridge Singers |
vocal |
Pange lingua, Veni, Redemptor gentium |
| Néstor Mozzoni |
vocal |
2 Responsorios de Semana Santa, Tonada El Congo, song |
| Hanne Petri |
keyboard |
Divisions on 'An Italian Ground', Green Sleeves to a Ground |
| Catherine Mackintosh (violinist) |
rebec, viola da gamba |
La tricotea, Vitrum nostrum gloriosum |
| Neil Mackie |
vocal |
Oliver Cromwell, The Bonny Earl o' Moray |
| Narciso Yepes |
guitar |
Dindirindín, Jeux interdts - Romance |
| Muammer Ketencoğlu |
accordion |
Hati Kadın, Yağmur Yağar Yer Yaş Olur |
| Sandra Alvarez |
vocal |
Alto mis gitanas, folksong, Pasacualillo |
| Hille Perl |
Spanish acoustic guitar, lirone, maracas, viola da gamba |
Enemiga le soy, madre, Hoy, Gil, en conçejo abierto |
| Mike Sheedy |
recording |
Bahrain, Oman |
| Mike Clements (engineer) |
engineer |
Oliver Cromwell, The Bonny Earl o' Moray |
| Michala Petri |
recorder |
Divisions on 'An Italian Ground', Green Sleeves to a Ground |
| Ian Bostridge |
vocal |
The Death of Queen Jane, The Little Turtle Dove |
| Iris Sundberg |
chorus master |
O quam mundum, Omnis mundus jucundetur |
| Tielman Susato |
arranger |
Den III ronde - Den VI ronde - Les quatres branles, Gaillarde I, II, III |
| Isaiah Sheffer |
producer, vocal |
Happy Birthday to Stephen Sondheim, Intermission Interviews |
| Anthony Rooley |
cittern, lute |
La bella Franceschina, Mignonne, allons voir si la rose |
| Anne-Marie Lablaude |
vocal |
Fonte frida, No é ventura |
| Trevor Herbert |
trombone |
La Spagna (bars 1-24), La Spagna (improvised version) |
| Trevor Jones (British violist, ex. Salomon Quartet) |
rebec, viola da gamba |
La tricotea, Vitrum nostrum gloriosum |
| James Moody (jazz saxophonist) |
arranger |
Drink to Me Only, Trotting to the Fair |
| Mark Hayes |
arranger |
Give Me Jesus, My Lord What a Morning |
| Marco Horvat |
vocal |
Cheulz qui volent retourner, Quant la doulce jouvencelle |
| Manuel Cano (Spanish voice actor) |
vocal |
Aladino y la lámpara maravillosa, El gato con botas |
| Major Roger G. Swift |
conductor |
Bahrain, Oman |
| Andrew Keener (engineer/editor/producer) |
producer |
Oliver Cromwell, The Bonny Earl o' Moray |
| Allan Dean (trumpet, baroque instrumentalist) |
cornet |
La comarina (Saltarello), La rocha el fuso (Saltarello) |
| Lydia Rahula |
conductor |
Ave Maria, antiphona, Ave Maria, responsorium breve |
| Alison Crum |
rebec, viola da gamba |
La tricotea, Vitrum nostrum gloriosum |
| Wolfgang Fromme |
conductor |
Chansonnier du Duc de Calabre: Soleta só jo ací, Musyck Boexken, Book 1: Een meysken eens voerbij passeerde |
| Alberto Bernardini |
vocal |
Cachua a dúo y a cuatro al Nacimiento, Tonada La Lata, song |
| Lorna Anderson |
vocal |
Depairte, depairte (The Lady Marie's galliard), Support your servand |
| Yahya Arouma |
vocal, oud |
Li-Llahi Ma Yahweh Hatha 'L-Maqam (Indeed, How Wonderful Is This Gathering)., Taba'an Liqa (It Was Nice to Meet) |
| Yasemin Göksu |
vocal |
Mavrova, Çıkayım Gideyim |
| Livgardets dragontrumpetarkår |
instrument |
Marsch I. Bataillon Garde, Stenbocksmarschen |
| Lily Laskine |
harp |
Greensleeves, Greensleeves for Flute and Harp |
| Lena Susanne Norin |
vocal |
A los baños del amor, Al alva venid |
| Дмитрий Хворостовский (Russian operatic baritone) |
vocal |
At the Fateful Hour, But I Love You, Nevertheless |
| Московский камерный оркестр |
performing orchestra |
At the Fateful Hour, But I Love You, Nevertheless |
| Joan Thompson (pianist) |
piano |
Nina, Star vicino |
| 宮増新一郎 |
kotsuzumi |
三番叟〜揉之段, 三番叟〜鈴之段 |
| 宮増純三 |
kotsuzumi |
三番叟〜揉之段, 三番叟〜鈴之段 |
| John Mark Ainsley |
vocal |
Singularis laudis digna, The Agincourt Carol |
| John Rutter |
conductor |
Pange lingua, Veni, Redemptor gentium |
| Kadın Sesleri Topluluğu |
vocal |
Hati Kadın, Yağmur Yağar Yer Yaş Olur |
| Kanonarch Abbot Makari Vaskin |
vocal |
The Great Gradual: What God Is So Great as Our God (Moscow Tune) |
| Joseph Jennings |
arranger |
Da pacem, Domine |
| Josh Clayton |
vocal |
Happy Birthday to Stephen Sondheim |
| Josh Rosenblum |
vocal |
Happy Birthday to Stephen Sondheim |
| José Carreras |
vocal |
Adeste Fidelis |
| Annie Golden |
vocal |
Happy Birthday to Stephen Sondheim |
| David Green |
vocal |
Happy Birthday to Stephen Sondheim |
| Juan Carlos Migliaro |
guitar |
Tonada La Lata, song |
| Juan Diego Flórez |
vocal |
La nova gelosia |
| Judith Clurman |
vocal |
Happy Birthday to Stephen Sondheim |
| Judith Nelson |
vocal |
Cantate "Per combater" |
| Judy Kaye |
vocal |
Happy Birthday to Stephen Sondheim |
| Judy Kirschner |
engineer |
Folia |
| Judy Kuhn |
vocal |
Happy Birthday to Stephen Sondheim |
| Juilliard Choral Union |
vocal |
Happy Birthday to Stephen Sondheim |
| Julian Bream |
lute |
Greensleeves |
| Julian Prégardien |
vocal |
Weißt du, wieviel Sternlein stehen? |
| Justin Przybycien |
vocal |
Happy Birthday to Stephen Sondheim |
| Anthea Cottee (cellist) |
cello |
I Will Give My Love an Apple |
| K. Newell Dayley |
arranger |
Praise to the Lord, the Almighty |
| KT Sullivan |
vocal |
Happy Birthday to Stephen Sondheim |
| Anthony Holt |
vocal |
La bella Franceschina |
| Karen Akers |
vocal |
Happy Birthday to Stephen Sondheim |
| Kate Baldwin |
vocal |
Happy Birthday to Stephen Sondheim |
| Kate Burton |
vocal |
Happy Birthday to Stephen Sondheim |
| Alan Campbell |
vocal |
Happy Birthday to Stephen Sondheim |
| Kathleen Supové |
vocal |
Happy Birthday to Stephen Sondheim |
| Katie Taveras |
vocal |
Happy Birthday to Stephen Sondheim |
| Kemal Sahir Gürel |
arranger |
Deryalar |
| Anton Guadagno |
conductor |
Fenesta vascia (feat. Orchestra del Teatro Comunale di Bologna, conductor:Anton Guadagno) |
| Kevin Tate Flowers |
vocal |
Happy Birthday to Stephen Sondheim |
| Antony Pitts |
conductor |
Vetus abit littera (4-part conductus) |
| Klaus-Martin Bresgott |
conductor |
Andachtsjodler (Südtirol um 1830) |
| Knut Johannessen |
organ |
Sinfonia a due Trombe |
| Any Adrover |
vocal |
Pasacualillo |
| Arianna Savall |
harp |
"Merce te chiamo", ballatta, CM 89 |
| Kurt Peterson |
vocal |
Happy Birthday to Stephen Sondheim |
| Kurt Schneeweiß |
classical guitar |
Romance |
| Kyla Rivera |
vocal |
Happy Birthday to Stephen Sondheim |
| Arnaud Dumond |
guitar |
Jeux Interdits |
| David Schnirman |
vocal |
Happy Birthday to Stephen Sondheim |
| David Shire |
vocal |
Happy Birthday to Stephen Sondheim |
| Lanny Meyers |
vocal |
Happy Birthday to Stephen Sondheim |
| Lars Edlund |
arranger |
Ecce novum gaudium |
| Laura Benanti |
vocal |
Happy Birthday to Stephen Sondheim |
| Lauren Mayer |
vocal |
Happy Birthday to Stephen Sondheim |
| Lawrence Tibbett |
vocal |
Travelin' to de Grave (arr. W. Reddick) (piano: Stewart Wille) |
| Athesinus Consort Berlin |
vocal |
Andachtsjodler (Südtirol um 1830) |
| David Staller |
vocal |
Happy Birthday to Stephen Sondheim |
| Leena Chopra |
vocal |
Happy Birthday to Stephen Sondheim |
| Atrium Musicæ de Madrid |
performer |
Epitaph of Seikilos (Madrid Atrium Musicae feat. conductor: Gregorio Paniagua) |
| Len Fleisher |
vocal |
Happy Birthday to Stephen Sondheim |
| David Trendell |
producer |
Sub tuum praesidium |
| David Wikander |
arranger |
Omnis mundus jucundetor |
| David Wright (Recording Engineer) |
recording |
Sub tuum praesidium |
| Lily DePaula |
vocal |
Happy Birthday to Stephen Sondheim |
| David Ying (cellist) |
vocal |
Happy Birthday to Stephen Sondheim |
| Linda Kent (harpsichordist / organist) |
harpsichord |
Greensleveeves to a groundwith divisions |
| Ayelet Arbuckle |
vocal |
Happy Birthday to Stephen Sondheim |
| Liz Callaway |
vocal |
Happy Birthday to Stephen Sondheim |
| Debbie Gravitte |
vocal |
Happy Birthday to Stephen Sondheim |
| Lonny Price |
vocal |
Happy Birthday to Stephen Sondheim |
| Debra Joyal |
vocal |
Happy Birthday to Stephen Sondheim |
| Debra Monk |
vocal |
Happy Birthday to Stephen Sondheim |
| Louise De Cormier |
vocal |
Johnny Has Gone for a Soldier |
| Luciano Pavarotti |
vocal |
Fenesta vascia (feat. Orchestra del Teatro Comunale di Bologna, conductor:Anton Guadagno) |
| Ayça Damgacı |
vocal |
Jarnana |
| Lucien Kandel |
vocal |
Ave regina reparatrix |
| Denis Heron |
vocal |
Happy Birthday to Stephen Sondheim |
| Mackenzie Mauzy |
vocal |
Happy Birthday to Stephen Sondheim |
| Denis Stevens (musicologist, co-founder of The Ambrosian Singers) |
conductor |
Fulget coelestis curia (Accademia Monteverdiana feat. conductor: Denis Stevens) |
| Dennis Ferry (Trompette) |
baroque trumpet |
Cantate "Per combater" |
| B. D. Wong |
vocal |
Happy Birthday to Stephen Sondheim |
| Marc Busnel |
vocal |
Ave regina reparatrix |
| Marc Kudisch |
vocal |
Happy Birthday to Stephen Sondheim |
| Diabolus in Musica (French medieval music ensemble) |
performer |
Lasse, que deviendrai-gié |
| Barbara Cook |
vocal |
Happy Birthday to Stephen Sondheim |
| Maren Berthelsen |
vocal |
Happy Birthday to Stephen Sondheim |
| Margaret Bonds |
arranger |
He's Got the Whole World in His Hand |
| Beata Moon |
vocal |
Happy Birthday to Stephen Sondheim |
| Margaret Thorby |
crumhorn |
Vitrum nostrum gloriosum |
| Margreet Prinsen (Dutch organist) |
organ |
Susanne van Soldt Manuscript: Almande Brun Smeedelyn (organ: Margreet Prinsen) |
| Maria Lafitte |
vocal |
Ara lausatz, lausat,lausat |
| Becky Ann Baker |
vocal |
Happy Birthday to Stephen Sondheim |
| Marie-Claire Billecocq |
performer |
Dirigatur |
| Marin Mazzie |
vocal |
Happy Birthday to Stephen Sondheim |
| Marina A. Ledin |
producer |
Folia |
| Alan Paddle |
vocal |
Senescente mundano filio (countertenor: Johnson Flucker, tenor: Alan Paddle) |
| Mark Bleeke |
vocal |
Happy Birthday to Stephen Sondheim |
| Benjamin Britten |
arranger |
Oliver Cromwell |
| Mark Nadler |
vocal |
Happy Birthday to Stephen Sondheim |
| Dominique Jullien |
flute |
La belle et la gente rose |
| Bernadette Peters |
vocal |
Happy Birthday to Stephen Sondheim |
| Marta Almajano |
vocal |
El Zorongo del Navío |
| Marti Rolph |
vocal |
Happy Birthday to Stephen Sondheim |
| Martin Best Mediaeval Ensemble |
performer |
Estampie (Martin Best Mediaeval Ensemble feat. conductor: Martin Best) |
| Don Rebic |
vocal |
Happy Birthday to Stephen Sondheim |
| Bernhard Böhm |
conductor |
Basse Danse "La Magdalena" |
| Martin Nicholls |
sackbut |
O Lusty May |
| Maruja Fernández |
vocal |
Alí Babá y los cuarenta ladrones |
| Mary Beth Peil |
vocal |
Happy Birthday to Stephen Sondheim |
| Donna Murphy |
vocal |
Happy Birthday to Stephen Sondheim |
| Dorothee Oberlinger |
treble recorder / alto recorder |
Una matica de ruda |
| Bill Ives |
conductor |
Creator alme siderum |
| Melissa Errico |
vocal |
Happy Birthday to Stephen Sondheim |
| Men's Chamber Choir of Sofia |
vocal |
The Nobel Joseph |
| Merwin Foard |
vocal |
Happy Birthday to Stephen Sondheim |
| Michael Arden |
vocal |
Happy Birthday to Stephen Sondheim |
| Douglas E. Bush |
organ |
Es ist das Heil uns kommen her |
| Michael Cerveris |
vocal |
Happy Birthday to Stephen Sondheim |
| Michael Chance (British countertenor) |
vocal |
In Paradise |
| Michael Fennelly |
vocal |
Happy Birthday to Stephen Sondheim |
| Michael Gees |
piano |
Weißt du, wieviel Sternlein stehen? |
| Blessed Mess |
vocal |
Ps. 53 Kristus är världens ljus |
| Dr. Rudolf Werner |
producer |
Dindirindín |
| Michael Starobin |
vocal |
Happy Birthday to Stephen Sondheim |
| Alex Rybeck |
vocal |
Happy Birthday to Stephen Sondheim |
| Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs) |
conductor |
Veni, veni Emmanuel |
| Michel Bouvard |
organ |
Danceries de la Renaissance : My Lady Careys Dompe |
| Michele Pawk |
vocal |
Happy Birthday to Stephen Sondheim |
| Edward Wickham |
conductor |
Sub tuum praesidium |
| Mike Hatch (engineer/editor) |
engineer, producer |
Plainchant in procession: Hodie Christus natus est |
| Edward Witsenburg |
harp |
Saltarello |
| Milton Katims |
conductor |
Greensleeves |
| El Mundo (chamber group) |
performing orchestra |
Folia |
| Mohammed Sudqi Ayyash |
arranger |
Bahrain |
| Molly Rabinowitz |
vocal |
Happy Birthday to Stephen Sondheim |
| Elaine Stritch |
vocal |
Happy Birthday to Stephen Sondheim |
| Elin Manahan Thomas (Soprano) |
vocal |
Alma perpetui |
| Elisabetta Tiso |
vocal |
Gozate Virgen |
| Elizabeth Kenny (lutenist) |
lute |
The Last of the Queenes Maskes |
| Myra Lucretia Taylor |
vocal |
Happy Birthday to Stephen Sondheim |
| Elizabeth Wallfisch |
violin |
Greensleveeves to a groundwith divisions |
| Brian Aldous |
vocal |
Happy Birthday to Stephen Sondheim |
| Neil Hutchinson |
balance |
Bele Yolanz en ses chambres seoit |
| Emily Loesser |
vocal |
Happy Birthday to Stephen Sondheim |
| Neil Morrison |
lute |
Galliarda la Royne d'Escosse and Queen of Scots galliard |
| Neil Patrick Harris |
vocal |
Happy Birthday to Stephen Sondheim |
| Nicanor Zabaleta |
harp |
Sequidillas |
| Emily Mack |
vocal |
Happy Birthday to Stephen Sondheim |
| Emily Skinner |
vocal |
Happy Birthday to Stephen Sondheim |
| Emily Van Evera |
performer |
A Toy |
| Niederaltaicher Scholaren |
vocal |
Gregorianik: Repleatus os meum lauda tua |
| Alexander Gemignani |
vocal |
Happy Birthday to Stephen Sondheim |
| Broadway Junior Chorus |
vocal |
Happy Birthday to Stephen Sondheim |
| Niklas Eklund (Swedish baroque trumpeter, Gothenburg) |
baroque trumpet |
Sinfonia a due Trombe |
| Nils-Oscar Frantz |
organ |
Ps. 72 Du bar ditt kors |
| Noah Greenberg |
conductor |
Salve sancta parens (New York Pro Musica feat. conductor: Noah Greenburg) |
| Noel Mann |
drums |
Jolly Shepherd |
| Nora York |
vocal |
Happy Birthday to Stephen Sondheim |
| Nuria Rial |
vocal |
¿Que me queréis, cavallero? |
| Camerata Aboensis |
vocal |
Ps. 15 Världens frälsare är här |
| Ensemble Dumont |
instrument |
Pater Noster |
| Orchestra del Teatro Comunale di Bologna |
performing orchestra |
Fenesta vascia (feat. Orchestra del Teatro Comunale di Bologna, conductor:Anton Guadagno) |
| Cantillation |
vocal |
Veni, veni Emmanuel |
| Ensemble Musica Nova |
performer |
Ave regina reparatrix |
| Alice Ripley |
vocal |
Happy Birthday to Stephen Sondheim |
| Patrick Cassidy |
vocal |
Happy Birthday to Stephen Sondheim |
| Patrick Quinn |
vocal |
Happy Birthday to Stephen Sondheim |
| Patti LuPone |
vocal |
Happy Birthday to Stephen Sondheim |
| Ensemble Venance Fortunat |
performer |
Victimae Pascali laudes |
| Eric Edlund |
vocal |
Happy Birthday to Stephen Sondheim |
| Paul Dyer |
harpsichord |
I Will Give My Love an Apple |
| Eric Jordan Young |
vocal |
Happy Birthday to Stephen Sondheim |
| Paul Gemignani |
vocal |
Happy Birthday to Stephen Sondheim |
| Ernesto Bianchetti |
vocal |
Tonada La Lata, song |
| EsVoces |
vocal |
Ps. 146 Vi tror på en allsmäktig Gud |
| Abdelrahman Imri |
vocal |
Li-Llahi Ma Yahweh Hatha 'L-Maqam (Indeed, How Wonderful Is This Gathering). |
| Allison Canning |
vocal |
Happy Birthday to Stephen Sondheim |
| Carolee Carmello |
vocal |
Happy Birthday to Stephen Sondheim |
| Eugène Green |
vocal |
Oraison funèbre de Charles III de Lorraine, extraits des oraisons prononcées par le père Perin les 18 et 19 juillet 1608 (Déclamés avec la prononciation de l'époque) |
| Caroline Magalhaes |
vocal |
Ave regina reparatrix |
| Pedersöre prosteris kyrkosångskrets |
vocal |
Ps. 72 Du bar ditt kors |
| Evan D'Angeles |
vocal |
Happy Birthday to Stephen Sondheim |
| Pedro Memelsdorff |
flute |
Romance, Chanson Sefardite: "Por que llorax blanca niña (Sarajevo)" |
| Peggy Wreen |
vocal |
Happy Birthday to Stephen Sondheim |
| Alvin Ing |
vocal |
Happy Birthday to Stephen Sondheim |
| Percy Grainger |
arranger |
The Sussex Mummer's Carol |
| Flautando Köln |
performer |
Pase el agoa, ma Julieta |
| Peter Becker (German vocalist, member of Hudson Shad) |
vocal |
Happy Birthday to Stephen Sondheim |
| Peter Donovan |
vocal |
Happy Birthday to Stephen Sondheim |
| Florence Jacquemart |
flute |
La belle et la gente rose |
| Fra Illuminato Colombo |
chorus master |
Victimae paschali laudes (Choir of the Frati Minori [Franciscans] of Busto Arsizio feat. conductor: Fra Illuminato Colobo) |
| Catherine Bott |
vocal |
Bele Yolanz en ses chambres seoit |
| Peter Rabanser |
bagpipe |
Bujo (instrumental) |
| Phil Coulter |
arranger |
She Moved Thru' the Fair |
| Francis Jue |
vocal |
Happy Birthday to Stephen Sondheim |
| Frank Rich |
vocal |
Happy Birthday to Stephen Sondheim |
| Philip Ledger |
conductor |
Nunc dimittis (Rubbra in A flat) |
| Freda Foh Shen |
vocal |
Happy Birthday to Stephen Sondheim |
| Philippe Balloy |
vocal |
No é ventura |
| Philippe Pierlot (Belgian violist and conductor) |
viola da gamba |
"Merce te chiamo", ballatta, CM 89 |
| Phillip Ying |
vocal |
Happy Birthday to Stephen Sondheim |
| Phyllis Newman |
vocal |
Happy Birthday to Stephen Sondheim |
| Pia Bengts |
conductor |
Ps. 146 Vi tror på en allsmäktig Gud |
| Freddie Gershon |
vocal |
Happy Birthday to Stephen Sondheim |
| Plácido Domingo |
vocal |
Adeste Fidelis |
| Polyphony (choir) |
vocal |
The Sussex Mummer's Carol |
| Protodeacon Sergi Strigunov |
vocal |
Many Years (Tune of the St Sophia Cathedral in Novgorod) |
| Amanda Cooper |
vocal |
Happy Birthday to Stephen Sondheim |
| American Theatre Orchestra |
performing orchestra |
Happy Birthday to Stephen Sondheim |
| Cecilia Bartoli |
vocal |
O leggiadri occhi belli |
| Andrea Burns |
vocal |
Happy Birthday to Stephen Sondheim |
| Ralph Kirshbaum |
cello |
Vozbrannoy voyevode (Theatre of Voices feat. conductor: Paul Hilliard) |
| Gabriel Garrido (conductor) |
conductor |
Stele di sicilo |
| Randy Graff |
vocal |
Happy Birthday to Stephen Sondheim |
| Chanticleer |
vocal |
Da pacem, Domine |
| Geneviève Krier-France |
performer |
Audi filia |
| George Hearn |
vocal |
Happy Birthday to Stephen Sondheim |
| Real Orquesta Sinfónica de Sevilla |
performing orchestra |
Corpus Christi |
| George Lee Andrews |
vocal |
Happy Birthday to Stephen Sondheim |
| Rebekah Gordon |
vocal |
Happy Birthday to Stephen Sondheim |
| Georgia Stitt |
vocal |
Happy Birthday to Stephen Sondheim |
| Reservistenmusikzug Niedersachsen |
performing orchestra |
Schwedischer Reitermarsch - Marsch der finnländ. Reiterei im Dreißigjährigen Krieg |
| Gerd Türk (German tenor) |
vocal |
Mi muerte contra la vida |
| Andrea Vigh (harpist) |
harp |
Pastorale |
| Charles Prince |
vocal |
Happy Birthday to Stephen Sondheim |
| Richard Maltby, Jr. |
vocal |
Happy Birthday to Stephen Sondheim |
| Richard Marlow |
conductor |
Edi Beo Thu Hevene Quene |
| Richard Rodgers |
vocal |
Happy Birthday to Stephen Sondheim |
| Richard Savino |
conductor |
Folia |
| Richard White (US actor, opera singer and voice actor) |
vocal |
Happy Birthday to Stephen Sondheim |
| Rick Edinger |
vocal |
Happy Birthday to Stephen Sondheim |
| Giovanni Melloncelli |
engineer |
Lamento del castrato |
| Rob Berman |
vocal |
Happy Birthday to Stephen Sondheim |
| Rob Bowman |
vocal |
Happy Birthday to Stephen Sondheim |
| Charlie Giordano |
vocal |
Happy Birthday to Stephen Sondheim |
| Robert Goodhew |
sackbut |
Psallite |
| Andreas Martin (lute player) |
lute |
Greensleeves (feat. lute: Andreas Martin) |
| Graciela Mozzoni |
vocal |
Dime robadora |
| Robert de Frece |
arranger |
Good Night! |
| Chip Zien |
vocal |
Happy Birthday to Stephen Sondheim |
| Grahm Royat |
vocal |
Happy Birthday to Stephen Sondheim |
| Rodney Bashford |
arranger |
Oman |
| Rodolfo Ramaccioni |
guitar |
Tonada La Lata, song |
| Roger Vignoles |
piano |
Vozbrannoy voyevode (Theatre of Voices feat. conductor: Paul Hilliard) |
| Gregg Edelman |
vocal |
Happy Birthday to Stephen Sondheim |
| Gregorio Paniagua |
conductor |
Epitaph of Seikilos (Madrid Atrium Musicae feat. conductor: Gregorio Paniagua) |
| Chiyomi Yamada |
performer |
Nen nen korori |
| Andreas Scholl |
vocal |
O, Death, Rock Me Asleep |
| Rosanne Hunt |
cello |
Greensleveeves to a groundwith divisions |
| Choir of Trinity College (Cambridge) |
vocal |
Edi Beo Thu Hevene Quene |
| György Fischer |
piano |
O leggiadri occhi belli |
| Sab Shimono |
vocal |
Happy Birthday to Stephen Sondheim |
| Sam Davis |
vocal |
Happy Birthday to Stephen Sondheim |
| Sami Kaye |
vocal |
Happy Birthday to Stephen Sondheim |
| Göran Söllscher (classical guitarist) |
guitar |
Romance d'Amour |
| Sara Mingardo |
vocal |
Ave Maria, gratia plena |
| Sarah Rice |
vocal |
Happy Birthday to Stephen Sondheim |
| Satomi Fukami |
vocal, shamisen |
Onoe-no-matsu |
| Choir of the Monks from the Chevetogne Monastery |
performer |
Russian Monastic Vespers |
| Andrew Hidalgo |
vocal |
Happy Birthday to Stephen Sondheim |
| Chris Fenwick |
vocal |
Happy Birthday to Stephen Sondheim |
| Scott Watanabe |
vocal |
Happy Birthday to Stephen Sondheim |
| Chris Sayers |
producer |
Bele Yolanz en ses chambres seoit |
| Sean Patrick Flahaven |
vocal |
Happy Birthday to Stephen Sondheim |
| Harvey Evans |
vocal |
Happy Birthday to Stephen Sondheim |
| Heidi Grant Murphy |
vocal |
Happy Birthday to Stephen Sondheim |
| Sergio Vartolo |
conductor |
Lamento del castrato |
| Seth Garben |
vocal |
Happy Birthday to Stephen Sondheim |
| Sheldon Harnick |
vocal |
Happy Birthday to Stephen Sondheim |
| Sidney J. Burgoyne |
vocal |
Happy Birthday to Stephen Sondheim |
| Silvia Melloncelli (producer) |
producer |
Lamento del castrato |
| Silvio Scrimaglio |
vocal |
2 Responsorios de Semana Santa |
| Heinz Wildhagen |
balance |
Dindirindín |
| Helen Neeves |
vocal |
Sub tuum praesidium |
| Christel Boiron |
vocal |
Ave regina reparatrix |
| Singer Pur (German vocal ensemble) |
vocal |
Freu dich, du lieba Christ |
| Christian Jacob |
vocal |
Happy Birthday to Stephen Sondheim |
| Sir Peter Maxwell Davies (English composer and conductor) |
crumhorn |
Vitrum nostrum gloriosum |
| Sister Marie Keyrouz |
vocal |
Prière de Maria-Madeleine |
| Sofie Björkgren-Näse |
conductor |
Ps. 53 Kristus är världens ljus |
| Soloists of The Cappella Musicale di San Petronio |
performing orchestra |
Lamento del castrato |
| Sonaglio (Czech choir) |
vocal |
Tourdion |
| Christina Sunnerstam |
vocal |
Happy Birthday to Stephen Sondheim |
| Christoph Prégardien |
vocal |
Weißt du, wieviel Sternlein stehen? |
| Abigail Newman |
sackbut |
Psallite |
| Howard Helvey |
arranger |
My Shepherd Will Supply My Soul |
| Howard Mayer Brown |
conductor |
Pucelete / Je languis / Domino (Collegium Musicum of the University of Chicago feat. conductor: Howard M. Brown) |
| Stephen Gosling |
vocal |
Happy Birthday to Stephen Sondheim |
| Stephen Layton |
conductor |
The Sussex Mummer's Carol |
| Christopher Matarlo |
vocal |
Happy Birthday to Stephen Sondheim |
| Stephen Snelleman (producer) |
producer |
Greensleveeves to a groundwith divisions |
| Huáscar Barradas |
performer |
Por el Camino Pela'o Con Palarillo |
| Accademia Monteverdiana |
performer |
Fulget coelestis curia (Accademia Monteverdiana feat. conductor: Denis Stevens) |
| Steve Tarshis |
vocal |
Happy Birthday to Stephen Sondheim |
| Ian Watson (conductor and keyboardist) |
organ |
Psallite |
| Il Curioso |
performer |
Basse Danse "La Magdalena" |
| Christy Havard |
vocal |
Happy Birthday to Stephen Sondheim |
| Studio di Musica Antica Antonio il Verso |
vocal |
Stele di sicilo |
| Andrew Lippa |
vocal |
Happy Birthday to Stephen Sondheim |
| Classical Brass (US Brass Ensemble) |
instrument |
Polonaise (from the Marine Band Book) |
| Ivy Austin |
vocal |
Happy Birthday to Stephen Sondheim |
| Suzie LeBlanc |
vocal |
There is no Rose of such Virtue |
| Svenska Oratoriekören |
vocal |
Ps. 485 Gud från ditt hus |
| Sébastien Marq |
recorder |
L'air de Lanturlu |
| Sırat |
vocal |
Bir Fırtına Tuttu Bizi |
| Jack Mattsson |
conductor |
Ps. 485 Gud från ditt hus |
| Andrew Watts (Bassoonist) |
crumhorn |
Vitrum nostrum gloriosum |
| Collegium Musicum Yalense |
performer |
Aucun vont / Amor qui cor / Kyrie (Collegium Musicum Yalense feat. conductor: James M. Keller) |
| Telly Leung |
vocal |
Happy Birthday to Stephen Sondheim |
| James Clow |
vocal |
Happy Birthday to Stephen Sondheim |
| James Lapine |
vocal |
Happy Birthday to Stephen Sondheim |
| Thais St. Julien |
conductor |
Bele Doette |
| The Amaryllis Consort |
performing orchestra |
King's Morisco |
| The Ambrosian Singers |
vocal |
The Twelve Days of Christmas |
| Collegium Musicum of The University of Chicago |
performer |
Pucelete / Je languis / Domino (Collegium Musicum of the University of Chicago feat. conductor: Howard M. Brown) |
| James M. Keller |
conductor |
Aucun vont / Amor qui cor / Kyrie (Collegium Musicum Yalense feat. conductor: James M. Keller) |
| The Broadside Band |
performer |
Belle qui tient ma vie (The Broadside Band, feat. director: Jeremy Barlow) |
| The Choir of Christ's College, Cambridge |
vocal |
Bellator armis inclitus (plainchant) |
| The Choir of Magdalen College, Oxford |
vocal |
Creator alme siderum |
| Columbia Symphony Orchestra |
performing orchestra |
Greensleeves |
| The Clerks (formerly The Clerks' Group) |
vocal |
Sub tuum praesidium |
| Jan Jongepier |
organ |
Tiento Ileno. 3° tono (organ: Jan Jonepier) |
| Janet Ying |
vocal |
Happy Birthday to Stephen Sondheim |
| Jaromir Komarek |
arranger |
Bubak and Hungaricus (Early 18th Century Gypsy Music) |
| The New York Choral Society |
vocal |
We Shall Overcome |
| Jason Danieley |
vocal |
Happy Birthday to Stephen Sondheim |
| The New York Pro Musica Antiqua |
performer |
Salve sancta parens (New York Pro Musica feat. conductor: Noah Greenburg) |
| Jason Robert Brown |
vocal |
Happy Birthday to Stephen Sondheim |
| Concentus Musicus Wien |
vocal |
Antiphona "Dilectus meus" |
| Concerto di Viole |
performing orchestra |
O, Death, Rock Me Asleep |
| Andy Blankenbuehler |
vocal |
Happy Birthday to Stephen Sondheim |
| The Symphonettes |
vocal |
Happy Birthday to Stephen Sondheim |
| Angela Lansbury |
vocal |
Happy Birthday to Stephen Sondheim |
| Coro dei Frati Minori di Busto Arsizio |
vocal |
Victimae paschali laudes (Choir of the Frati Minori [Franciscans] of Busto Arsizio feat. conductor: Fra Illuminato Colobo) |
| Theodore S. Chapin |
vocal |
Happy Birthday to Stephen Sondheim |
| Thierry Péteau |
vocal |
Ave regina reparatrix |
| Thom Christopher Warrren |
vocal |
Happy Birthday to Stephen Sondheim |
| Thomas Andreas |
conductor |
Schwedischer Reitermarsch - Marsch der finnländ. Reiterei im Dreißigjährigen Krieg |
| Jed Distler |
vocal |
Happy Birthday to Stephen Sondheim |
| Thomas Murray |
vocal |
Happy Birthday to Stephen Sondheim |
| Jeffrey Harris |
vocal |
Happy Birthday to Stephen Sondheim |
| Thomas Z. Shepard |
vocal |
Happy Birthday to Stephen Sondheim |
| Thomas de Maizière |
vocal |
Öh, Aber, Sicherheit! |
| Angelina Réaux |
vocal |
Happy Birthday to Stephen Sondheim |
| Tierney Sutton |
vocal |
Happy Birthday to Stephen Sondheim |
| Jeremy Barlow |
conductor |
Belle qui tient ma vie (The Broadside Band, feat. director: Jeremy Barlow) |
| Tim Workman |
arranger |
How Great Thou Art |
| Timothy Bull |
editor |
Bele Yolanz en ses chambres seoit |
| Timothy Leigh Evans |
vocal |
Happy Birthday to Stephen Sondheim |
| Jeremy Budd |
vocal |
The Dark Is My Delight |
| Timothy Ying |
vocal |
Happy Birthday to Stephen Sondheim |
| Todd Haimes |
vocal |
Happy Birthday to Stephen Sondheim |
| Tom Murray |
vocal |
Happy Birthday to Stephen Sondheim |
| Tonus Peregrinus |
performer |
Vetus abit littera (4-part conductus) |
| Crawford Young |
performer |
Sibilla Provençale (Montpellier, XII-XIIIèmes siècles) |
| Tony Roberts (musical theater) |
vocal |
Happy Birthday to Stephen Sondheim |
| Jerry Zaks |
vocal |
Happy Birthday to Stephen Sondheim |
| Jerzy Cichocki |
conductor |
O Maria, diana stella |
| Cynthia Elliott |
vocal |
Happy Birthday to Stephen Sondheim |
| Daisy Prince |
vocal |
Happy Birthday to Stephen Sondheim |
| Jill Feldman |
vocal |
L'air de Lanturlu |
| Adam Chignell |
engineer |
Bele Yolanz en ses chambres seoit |
| Victor Ledin |
producer |
Folia |
| Victoria Scholars |
vocal |
O Maria, diana stella |
| Vincent Dumestre |
conductor |
Quand je menai les chevaux boire |
| Virginia Read (engineer/editor/producer) |
editor |
Greensleveeves to a groundwith divisions |
| Vjekoslav Šutej |
conductor |
Corpus Christi |
| Vladimir Starodubtsev |
vocal |
O Holy God |
| Dan Merceruio (engineer) |
editor |
Folia |
| Wegelius Chamber Orchestra |
performing orchestra |
Ps. 485 Gud från ditt hus |
| Westminster Cathedral Choir |
vocal |
Credo quod Redemptor meus vivit |
| Dana Ivey |
vocal |
Happy Birthday to Stephen Sondheim |
| Wilbur Pauley |
vocal |
Happy Birthday to Stephen Sondheim |
| Willem van Twillert |
organ |
Musique voor het Orgel: Les Trompettes et Les Timbales (Fanfare I) (organ: Willem van Twillert) |
| Joanna Gleason |
vocal |
Happy Birthday to Stephen Sondheim |
| William Goodchild |
conductor |
Romance |
| William R. Ferris |
recording |
Hidden Violence |
| Dana Perna |
arranger |
The Sussex Mummer's Carol |
| Joel Fram |
vocal |
Happy Birthday to Stephen Sondheim |
| John Dossett |
vocal |
Happy Birthday to Stephen Sondheim |
| John Guare |
vocal |
Happy Birthday to Stephen Sondheim |
| Daniel Shores (engineer) |
editor, mix, recording |
Folia |
| Daniel Taylor (Canadian countertenor) |
vocal |
There is no Rose of such Virtue |
| Yossi Gabbay (engineer) |
engineer |
Greensleveeves to a groundwith divisions |
| Özge Metin |
vocal |
Jarnana |
| John Weidman |
vocal |
Happy Birthday to Stephen Sondheim |
| John Williams (classical guitarist) |
classical guitar |
Romance |
| Johnson Flucker |
vocal |
Senescente mundano filio (countertenor: Johnson Flucker, tenor: Alan Paddle) |
| Jonathan Hadary |
vocal |
Happy Birthday to Stephen Sondheim |
| Пётр Иванович Турчанинов |
arranger |
The Nobel Joseph |
| 上原まり |
arranger, chikuzen biwa |
筑前小曲 |
| Jonathan Morgan |
crumhorn |
Vitrum nostrum gloriosum |
| 吉村七重 (Japanese koto player) |
koto |
Onoe-no-matsu |
| Jonathan Schwartz |
vocal |
Happy Birthday to Stephen Sondheim |
| Danielle Ferland |
vocal |
Happy Birthday to Stephen Sondheim |
| Danny Gurwin |
vocal |
Happy Birthday to Stephen Sondheim |
| Annette Jolles |
vocal |
Happy Birthday to Stephen Sondheim |
| Darren Lee |
vocal |
Happy Birthday to Stephen Sondheim |
| Dave Hofstra |
vocal |
Happy Birthday to Stephen Sondheim |
| 館山甲午 |
heike biwa |
祇園精舎 |