Jonathan Cooper

editor, engineer, sound, mix, producer

Top collaborators

Artist name Roles Recordings
Gregory Dargent
Violetshaped
Flophouse Phonics
Afrosonics
The River Versus

Work on other artists' recordings

Artist name Roles Recordings
Gregory Dargent editor, engineer, sound Concerto Dodicesimo in B-flat major: I. Allegro, Concerto Dodicesimo in B-flat major: II. Adagio, Concerto Dodicesimo in B-flat major: III. Allegro, Concerto Ottavo in G minor: I. Allegro, Concerto Ottavo in G minor: II. Largo, Concerto Ottavo in G minor: III. Allegro, Concerto Primo in B-flat major: I. Allegro, Concerto Primo in B-flat major: II. Adagio, Concerto Primo in B-flat major: III. Allegro, Concerto Quinto in A major: I. Allegro, Concerto Quinto in A major: II. Sempre Piano, Concerto Quinto in A major: III. Allegro, Concerto Secondo in G minor: I. Allegro, Concerto Secondo in G minor: II. Andante, Concerto Secondo in G minor: III. Allegro, Concerto Settimo in F major: I. Allegro, Concerto Settimo in F major: II. Andante, Concerto Settimo in F major: III. Allegro, Concerto Terzo in C major: I. Allegro, Concerto Terzo in C major: II. Adagio, Concerto Terzo in C major: III. Allegro, Concerto Undicesimo in C minor: I. Allegro, Concerto Undicesimo in C minor: II. Larghetto, Concerto Undicesimo in C minor: III. Allegro assai, Concerto for Strings, RV 109: I. Allegro, Concerto for Strings, RV 109: II. Adagio, Concerto for Strings, RV 109: III. Allegro molto, Concerto for Strings, RV 110: I. Allegro, Concerto for Strings, RV 110: II. Largo, Concerto for Strings, RV 110: III. Allegro, Concerto for Strings, RV 112: I. Allegro, Concerto for Strings, RV 112: II. Andante, Concerto for Strings, RV 112: III. Presto, Concerto for Strings, RV 115 "Concerto ripieno": I. Allegro, Concerto for Strings, RV 115 "Concerto ripieno": II. [Adagio], Concerto for Strings, RV 115 "Concerto ripieno": III. Allegro, Concerto for Strings, RV 117: I. Allegro alla francese, Concerto for Strings, RV 117: II. Largo, Concerto for Strings, RV 117: III. Allegro, Concerto for Strings, RV 118: I. Allegro, Concerto for Strings, RV 118: II. Largo, Concerto for Strings, RV 118: III. Allegro, Concerto for Strings, RV 120: I. Allegro non molto, Concerto for Strings, RV 120: II. Largo, Concerto for Strings, RV 120: III. Allegro, Concerto for Strings, RV 124: I. Allegro, Concerto for Strings, RV 124: II. Grave, Concerto for Strings, RV 124: III. Allegro, Concerto for Strings, RV 128: I. Allegro non molto, Concerto for Strings, RV 128: II. Largo, Concerto for Strings, RV 128: III. Allegro, Concerto for Strings, RV 129 "Concerto madrigalesco": I. Adagio, Concerto for Strings, RV 129 "Concerto madrigalesco": II. Allegro, Concerto for Strings, RV 129 "Concerto madrigalesco": III. Adagio, Concerto for Strings, RV 129 "Concerto madrigalesco": IV. [Allegro], Concerto for Strings, RV 134: I. [Allegro], Concerto for Strings, RV 134: II. Andante e piano, Concerto for Strings, RV 134: III. Allegro, Concerto for Strings, RV 142: I. Allegro molto, Concerto for Strings, RV 142: II. [Adagio], Concerto for Strings, RV 142: III. Allegro molto, Concerto for Strings, RV 143: I. Allegro, Concerto for Strings, RV 143: II. Adagio, Concerto for Strings, RV 143: III. [Allegro], Concerto for Strings, RV 145: I. Allegro molto, Concerto for Strings, RV 145: II. Andante, Concerto for Strings, RV 145: III. Presto, Concerto for Strings, RV 151 "Concerto alla rustica": I. Presto, Concerto for Strings, RV 151 "Concerto alla rustica": II. Adagio, Concerto for Strings, RV 151 "Concerto alla rustica": III. Allegro, Concerto for Strings, RV 152: I. Allegro molto, Concerto for Strings, RV 152: II. Andante molto, Concerto for Strings, RV 152: III. Allegro molto, Concerto for Strings, RV 153: I. Allegro, Concerto for Strings, RV 153: II. Andante, Concerto for Strings, RV 153: III. Allegro assai, Concerto for Strings, RV 156: I. Allegro, Concerto for Strings, RV 156: II. Adagio, Concerto for Strings, RV 156: III. Allegro, Concerto for Strings, RV 158 "Concerto ripieno": I. Allegro molto, Concerto for Strings, RV 158 "Concerto ripieno": II. Andante molto, Concerto for Strings, RV 158 "Concerto ripieno": III. Allegro, Concerto for Strings, RV 161: I. Allegro, Concerto for Strings, RV 161: II. Largo, Concerto for Strings, RV 161: III. Allegro, Concerto for Strings, RV 162: I. Allegro, Concerto for Strings, RV 162: II. Largo, Concerto for Strings, RV 162: III. Allegro assai, Concerto for Strings, RV 163: I. [Allegro] - Allegro molto, Concerto for Strings, RV 163: II. Andante, Concerto for Strings, RV 163: III. Allegro, Concerto for Strings, RV 166: I. Allegro, Concerto for Strings, RV 166: II. Adagio, Concerto for Strings, RV 166: III. [Allegro], Concerto for Strings, RV 167: I. Allegro, Concerto for Strings, RV 167: II. Andante, Concerto for Strings, RV 167: III. Allegro, Concerto for Strings, RV 168: I. Allegro, Concerto for Strings, RV 168: II. Andante, Concerto for Strings, RV 168: III. Allegro, Concerto for Strings, no. 1, RV 157: I. Allegro, Concerto for Strings, no. 1, RV 157: II. Largo, Concerto for Strings, no. 1, RV 157: III. Allegro, Concerto for Strings, no. 10, RV 121: I. Allegro molto, Concerto for Strings, no. 10, RV 121: II. Adagio, Concerto for Strings, no. 10, RV 121: III. Allegro, Concerto for Strings, no. 11, RV 150: I. Allegro, Concerto for Strings, no. 11, RV 150: II. Largo, Concerto for Strings, no. 11, RV 150: III. Allegro, Concerto for Strings, no. 12, RV 159: I. Allegro, Concerto for Strings, no. 12, RV 159: II. Adagio, Concerto for Strings, no. 12, RV 159: III. Allegro, Concerto for Strings, no. 2, RV 133: I. Allegro, Concerto for Strings, no. 2, RV 133: II. Largo, Concerto for Strings, no. 2, RV 133: III. Allegro, Concerto for Strings, no. 3, RV 119: I. Allegro, Concerto for Strings, no. 3, RV 119: II. Largo, Concerto for Strings, no. 3, RV 119: III. Allegro, Concerto for Strings, no. 4, RV 136: I. Allegro, Concerto for Strings, no. 4, RV 136: II. Andante, Concerto for Strings, no. 4, RV 136: III. Minuet: Allegro, Concerto for Strings, no. 5, RV 114: I. Allegro / II. Adagio, Concerto for Strings, no. 5, RV 114: III. Chacona, Concerto for Strings, no. 6, RV 154: I. Allegro, Concerto for Strings, no. 6, RV 154: II. Adagio, Concerto for Strings, no. 6, RV 154: III. Allegro, Concerto for Strings, no. 7, RV 160: I. Allegro, Concerto for Strings, no. 7, RV 160: II. Andante, Concerto for Strings, no. 7, RV 160: III. Allegro, Concerto for Strings, no. 8, RV 127: I. Allegro, Concerto for Strings, no. 8, RV 127: II. Largo, Concerto for Strings, no. 8, RV 127: III. Allegro, Concerto for Strings, no. 9, RV 164: I. [Allegro], Concerto for Strings, no. 9, RV 164: II. Adagio, Concerto for Strings, no. 9, RV 164: III. Allegro, Concerto in A minor for Two Violins, RV 523: I. Allegro molto, Concerto in A minor for Two Violins, RV 523: II. Largo, Concerto in A minor for Two Violins, RV 523: III. Allegro, Concerto in C major for Oboe and Two Violins, RV 554: I. (Allegro), Concerto in C major for Oboe and Two Violins, RV 554: II. (Andante), Concerto in C major for Oboe and Two Violins, RV 554: III. Allegro, Concerto in C major for Two Violins, RV 505: I. Allegro, Concerto in C major for Two Violins, RV 505: II. Andante, Concerto in C major for Two Violins, RV 505: III. Allegro non molto e cantabile, Concerto in D major for Two Violins, RV 511: I. Allegro molto, Concerto in D major for Two Violins, RV 511: II. Largo, Concerto in D major for Two Violins, RV 511: III. Allegro, Concerto in D minor for Two Oboes, RV 535: I. Largo, Concerto in D minor for Two Oboes, RV 535: II. Allegro, Concerto in D minor for Two Oboes, RV 535: III. Largo, Concerto in D minor for Two Oboes, RV 535: IV. Allegro molto, Concerto in G minor for Two Cellos, RV 531: I. Allegro, Concerto in G minor for Two Cellos, RV 531: II. Largo, Concerto in G minor for Two Cellos, RV 531: III. Allegro
Violetshaped editor, sound Brudefølget drager forbi, Dance Scene from "Queen Tamara", Norsk festouverture, op. 16, Norsk kunstnerkarneval, op. 14, Norske eventyrbilleder, op. 37: I. Peik, Prinsessen og Stortroldet, Norske eventyrbilleder, op. 37: II. Prinsessen kommer ridende på Bjørnen, Norske eventyrbilleder, op. 37: III. Troldenes Indtog i Berget det blå, Norske eventyrbilleder, op. 37: IV. Dans av Småtrold, Norske eventyrbilleder, op. 37: Troldmøernes Dans, Rhapsodie norvégienne no. 1, Rhapsodie norvégienne no. 2, Swan Lake, op. 20: Act I: 1. Scene: Allegro giusto, Swan Lake, op. 20: Act I: 2. Valse: Intrada. Tempo di valse - Valse, Swan Lake, op. 20: Act I: 3. Scene: Allegro moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: I. Intrada. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: II. Andante sostenuto, Swan Lake, op. 20: Act I: 4. Pas de Trois: III. Allegro simplice - Presto, Swan Lake, op. 20: Act I: 4. Pas de Trois: IV. Moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: V. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: VI. Coda. Allegro vivace, Swan Lake, op. 20: Act I: 5. Pas de Deux: I. Tempo di valse ma mon troppo vivo, quasi moderato, Swan Lake, op. 20: Act I: 5. Pas de Deux: II. Andante - Allegro - Molto più mosso, Swan Lake, op. 20: Act I: 5. Pas de Deux: III. Tempo di valse -, Swan Lake, op. 20: Act I: 5. Pas de Deux: IV. Coda. Allegro molto vivace, Swan Lake, op. 20: Act I: 6. Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I: 7. Sujet (Scene): [Moderato] -, Swan Lake, op. 20: Act I: 8. Danse des Coupes: Tempo di polacca, Swan Lake, op. 20: Act I: 9. Finale: I. Andante, Swan Lake, op. 20: Act II: 10. Scene: Moderato - Più mosso, Swan Lake, op. 20: Act II: 11. Scene. Allegro moderato - Moderato - Più mosso -, Swan Lake, op. 20: Act II: 12. Scene. Allegro - Moderato assai quasi andante, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: II. (Solo d'Odette.) Moderato più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: III. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: IV. [Pas de Quatre.] Allegro moderato, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VI. (Tour le Monde Danse): Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II: 14. Scene (Finale II): Moderato - Più mosso, Swan Lake, op. 20: Act III: 15. Allegro giusto, Swan Lake, op. 20: Act III: 16. Danses du Corps de Ballet et des Nains: Moderato assai - (Ballabile.) Allegro vivo - Trio, Swan Lake, op. 20: Act III: 17. Scene. La Sortie des Invités et la Valse: Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse, Swan Lake, op. 20: Act III: 18. Scene: Allegro - [Allegro] - Allegro giusto, Swan Lake, op. 20: Act III: 19. Pas de Six: Intrada: Moderato assai, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation I: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [III]: Moderato, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [IV]: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [V]: Moderato - Allegro simplice - Più mosso, Swan Lake, op. 20: Act III: 19. Pas de Six: [Variation II.]: Andante con moto, Swan Lake, op. 20: Act III: 19a. Pas de Deux: Moderato - Andante, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Coda.]: Allegro molto vivace, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation I.]: Allegro moderato, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation II.]: Allegro, Swan Lake, op. 20: Act III: 20. Danse Hongroise (Czardas): Moderato assai - Allegro moderato - Vivace, Swan Lake, op. 20: Act III: 20a. Danse Russe (pour Mlle Pelagia Karpakova): Moderato - Cadenza - Andante simplice - Allegro vivo - Presto, Swan Lake, op. 20: Act III: 21. Danse Espagnole: Allegro non troppo - Tempo di bolero - L'istesso tempo - Più mosso, Swan Lake, op. 20: Act III: 22. Danse Napolitaine: Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto, Swan Lake, op. 20: Act III: 23. Mazurka: Tempo di mazurka - Più mosso, Swan Lake, op. 20: Act III: 24. Scene (Finale III): Allegro - Valse - Allegro vivo - L'istesso tempo, Swan Lake, op. 20: Act III: Coda: Allegro molto, Swan Lake, op. 20: Act IV: 25. Entr'acte: Moderato -, Swan Lake, op. 20: Act IV: 26. Scene: Allegro non troppo -, Swan Lake, op. 20: Act IV: 27. Danses des Petits Cygnes: Moderato, Swan Lake, op. 20: Act IV: 28. Scene: Allegro agitato - Molto meno mosso - Allegro vivace -, Swan Lake, op. 20: Act IV: 29. Scene Finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Meno mosso - Moderato, Swan Lake, op. 20: Introduction: Moderato assai - Allegro ma non troppo - Tempo I, Symphonic Intermezzo from "The King", Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegretto scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso – Allegro assai con fuoco, To islandske melodier: I. Maestoso, To islandske melodier: II. Moderato
Flophouse Phonics editor The Sleeping Beauty, op. 66: Act I. 5. Scène. Allegro vivo - Moderato - Allegro vivo (come il tempo precedente) - Moderato - Allegro vivo - Moderato con moto, The Sleeping Beauty, op. 66: Act I. 6. Valse. Allegro (Tempo di Valse), The Sleeping Beauty, op. 66: Act I. 7. Scène. Andante espressivo e cantabile - Un poco stringendo - Poco più animato - Allegro giusto - L’istesso tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. 9. Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino (come sopra in Andantino I) - Andante sostenuto, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. a) Adagio. Andante - Adagio maestoso - Più mosso - Tempo I - Molto sostenuto, quasi più andante - Tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. b) Danse des demoiselles d’honneur et des pages. Allegro moderato - (Pages.) Più mosso, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. c) Variation d’Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. d) Coda. Allegro giusto - Poco più mosso - Tempo I - L’istesso tempo, The Sleeping Beauty, op. 66: Act II. 10. Entr’acte et Scène. Allegro con spirito - Un poco più tranquillo, The Sleeping Beauty, op. 66: Act II. 11. Colin-maillard. Allegro vivo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. a) Scène. Moderato, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. b) Danse des duchesses. Moderato con moto (Tempo di Minuetto), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. c) Danse des baronnes. Allegro moderato (Tempo di Gavotte), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. d) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. e) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). a) Scène. Poco più vivo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). b) Danse. Allegro non troppo (Tempo di Mazurka) - Presto, The Sleeping Beauty, op. 66: Act II. 14. Scène. Allegro con spirito - Andantino - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 15. a) Pas d’Action (Scène d’Aurore et de Désiré). Andante cantabile - Pochissimo più animato - Tempo I - Più mosso - Allegro, The Sleeping Beauty, op. 66: Act II. 15. b) Variation d’Aurore. Allegro con moto, The Sleeping Beauty, op. 66: Act II. 15. c) Coda. Presto, The Sleeping Beauty, op. 66: Act II. 16. Scène. Allegro agitato, The Sleeping Beauty, op. 66: Act II. 17. Panorama. Andantino, The Sleeping Beauty, op. 66: Act II. 18. Entr’acte. Andante sostenuto, The Sleeping Beauty, op. 66: Act II. 19. Entr’acte symphonique (le Sommeil) et Scène. Andante misterioso - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 20. Finale. Allegro agitato - Un pochettino più tranquillo - Tempo, The Sleeping Beauty, op. 66: Act III. 21. Marche. Allegro non troppo, The Sleeping Beauty, op. 66: Act III. 22. Polacca (Cortège des Contes de Fées). Allegro moderato e brillante, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre (La Fée-Or, la Fée-Argent, la Fée-Saphir et la Fée-Diamant). Allegro non tanto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Coda. L’istesso tempo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation I. La Fée-Or. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation II. La Fée-Argent. Allegro giusto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation III. La Fée-Saphir. Vivacissimo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation IV. La Fée-Diamant. Vivace, The Sleeping Beauty, op. 66: Act III. 24. Pas de Caractère (Le Chat botté et la Chatte blanche). Allegro moderato -, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre (Cendrillon, Prince Fortuné, L’Oiseau Bleu, La Princesse Florine). Adagio, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Coda. Presto, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation I. Cendrillon et Prince Fortuné. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation II. L’Oiseau Bleu et la Princesse Florine. Andantin, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. a) Chaperon Rouge et le Loup. Allegro moderato - Più mosso, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. b) Cendrillon et Le Prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon (Le Petit Poucet, ses frères et l’Ogre). Allegro, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon,. Coda. [], The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux (Aurore et Désiré). Allegretto, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Coda. Allegro vivace, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation I. Désiré. Vivace – Prestissimo, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation II. Aurore. Andantino, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. a) Entrée. Allegro moderato, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. b) Adagio. Andante non troppo - Poco più mosso - Tempo I, The Sleeping Beauty, op. 66: Act III. 29. Sarabande. Andante, The Sleeping Beauty, op. 66: Act III. 30. Finale. Allegro brillante (Tempo di Mazurka) – Presto, The Sleeping Beauty, op. 66: Act III. 30. Finale. Apothéose. Andante molto maestoso, The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di Marcia), The Sleeping Beauty, op. 66: Prologue. 1. Marche. Moderato, The Sleeping Beauty, op. 66: Prologue. 2. Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse - Grazioso, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Coda. Allegro giusto – Poco più animato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation I. Candide. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation II. Coulante. Fleur de Farine. Allegro, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation III. Fée aux Miettes. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation IV. Canari qui chante. Moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation V. Violente. Allegro molto vivace, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation VI. La Fée des Lilas. Tempo di Valse, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. a) Intrada. Adagio, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. b) Adagio. Andante - Allegro vivo, The Sleeping Beauty, op. 66: Prologue. 4. Finale. Andantino - Allegro vivo - L’istesso tempo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante
Afrosonics engineer String Quartet no. 1 in C major, op. 49: I. Moderato, String Quartet no. 1 in C major, op. 49: II. Moderato, String Quartet no. 1 in C major, op. 49: III. Allegro molto, String Quartet no. 1 in C major, op. 49: IV. Allegro, String Quartet no. 10 in A-flat major, op. 118: I. Andante, String Quartet no. 10 in A-flat major, op. 118: II. Allegretto furioso, String Quartet no. 10 in A-flat major, op. 118: III. Adagio -, String Quartet no. 10 in A-flat major, op. 118: IV. Allegretto, String Quartet no. 11 in F minor, op. 122: I. Introduction. Andantino -, String Quartet no. 11 in F minor, op. 122: II. Scherzo. Allegretto -, String Quartet no. 11 in F minor, op. 122: III. Recitative. Adagio -, String Quartet no. 11 in F minor, op. 122: IV. Etude. Allegro -, String Quartet no. 11 in F minor, op. 122: V. Humoresque. Allegro -, String Quartet no. 11 in F minor, op. 122: VI. Elegie. Adagio -, String Quartet no. 11 in F minor, op. 122: VII. Finale. Moderato, String Quartet no. 12 in D-flat major, op. 133: I. Moderato, String Quartet no. 12 in D-flat major, op. 133: II. Allegretto - Adagio - Allegretto, String Quartet no. 13 in B flat minor, op. 138: Adagio, Doppio movimento, Tempo primo, String Quartet no. 14 in F-sharp major, op. 142: I. Allegretto, String Quartet no. 14 in F-sharp major, op. 142: II. Adagio, String Quartet no. 14 in F-sharp major, op. 142: III. Allegretto - Poco meno mosso - A tempo - Adagio, String Quartet no. 15 in E-flat minor, op. 144: I. Elegy. Adagio -, String Quartet no. 15 in E-flat minor, op. 144: II. Serenade. Adagio -, String Quartet no. 15 in E-flat minor, op. 144: III. Intermezzo. Adagio -, String Quartet no. 15 in E-flat minor, op. 144: IV. Nocturne. Adagio -, String Quartet no. 15 in E-flat minor, op. 144: V. Funeral March. Adagio molto -, String Quartet no. 15 in E-flat minor, op. 144: VI. Epilogue. Adagio - Adagio molto, String Quartet no. 2 in A major, op. 68: I. Overture. Moderato con moto, String Quartet no. 2 in A major, op. 68: II. Recitative and Romance. Adagio, String Quartet no. 2 in A major, op. 68: III. Waltz. Allegro, String Quartet no. 2 in A major, op. 68: IV. Theme with Variations. Adagio - Moderato con moto - Allegretto - Più mosso - Allegro - Adagio, String Quartet no. 3 in F major, op. 73: I. Allegretto, String Quartet no. 3 in F major, op. 73: II. Moderato con moto, String Quartet no. 3 in F major, op. 73: III. Allegro non troppo, String Quartet no. 3 in F major, op. 73: IV. Adagio -, String Quartet no. 3 in F major, op. 73: V. Moderato, String Quartet no. 4 in D major, op. 83: I. Allegretto, String Quartet no. 4 in D major, op. 83: II. Andantino, String Quartet no. 4 in D major, op. 83: III. Allegretto -, String Quartet no. 4 in D major, op. 83: IV. Allegretto, String Quartet no. 5 in B-flat major, op. 92: I. Allegro non troppo -, String Quartet no. 5 in B-flat major, op. 92: II. Andante - Andantino -, String Quartet no. 5 in B-flat major, op. 92: III. Moderato - Allegretto - Andante, String Quartet no. 6 in G major, op. 101: I. Allegretto, String Quartet no. 6 in G major, op. 101: II. Moderato con moto, String Quartet no. 6 in G major, op. 101: III. Lento -, String Quartet no. 6 in G major, op. 101: IV. Lento - Allegretto - Andante, String Quartet no. 7 in F-sharp minor, op. 108: I. Allegretto -, String Quartet no. 7 in F-sharp minor, op. 108: II. Lento -, String Quartet no. 7 in F-sharp minor, op. 108: III. Allegro - Allegretto, String Quartet no. 8 in C Minor, op. 110: I. Largo, String Quartet no. 8 in C Minor, op. 110: II. Allegro molto, String Quartet no. 8 in C Minor, op. 110: III. Allegretto, String Quartet no. 8 in C Minor, op. 110: IV. Largo, String Quartet no. 8 in C Minor, op. 110: V. Largo, String Quartet no. 9 in E flat major, op. 117: I. Moderato con moto, String Quartet no. 9 in E flat major, op. 117: II. Adagio, String Quartet no. 9 in E flat major, op. 117: III. Allegretto, String Quartet no. 9 in E flat major, op. 117: IV. Adagio, String Quartet no. 9 in E flat major, op. 117: V. Allegro
The River Versus engineer Appalachia: [Introduction I.] Molto moderato – Tranquillo –, Appalachia: [Introduction II.] Poco più vivo ma moderato –, Appalachia: [Theme.] Andante –, Appalachia: [Variation I.] Un poco più – Moderato –, Appalachia: [Variation II.] Più vivo –, Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –, Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –, Appalachia: [Variation IX.] Allegro alla marcia – Adagio –, Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –, Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –, Appalachia: [Variation VII.] Andante con grazia – Calando –, Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –, Appalachia: [Variation X.] Marcia. Molto lento maestoso –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "And as I sat, over the light blue hills". Allegretto, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –, First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!", First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato, First Choral Symphony, op. 41, H. 155: Prelude. Invocation to Pan: Chorus "O Thou, whose mighty palace roof doth hang". Andante, The Dream of Gerontius: Part I. Assistants: "Be merciful, be gracious' spare him, Lord" -, The Dream of Gerontius: Part I. Assistants: "Kyrie eleïson" -, The Dream of Gerontius: Part I. Assistants: "Rescue him, O Lord, in this his evil hour" -, The Dream of Gerontius: Part I. Assistantst: "Go, in the name of Angels and Archangels", The Dream of Gerontius: Part I. Gerontius: "I can no more; for now it comes again" -, The Dream of Gerontius: Part I. Gerontius: "Jesu, Maria - I am near to death" -, The Dream of Gerontius: Part I. Gerontius: "Novissima hora est; and I fain would sleep" -, The Dream of Gerontius: Part I. Gerontius: "Rouse thee, my fainting soul, and play the man" -, The Dream of Gerontius: Part I. Gerontius: "Sanctus fortis, Sanctus Deus" -, The Dream of Gerontius: Part I. Prelude. Lento, mistico -, The Dream of Gerontius: Part I. The Priest: "Proficiscere, anima Christiana, de hoc mundo!" -, The Dream of Gerontius: Part II. Angel of the Agony: "Jesu! by that shuddering dread which fell on Thee" -, The Dream of Gerontius: Part II. Angel: "My work is done" -, The Dream of Gerontius: Part II. Angel: "Softly and gently, dearly-ransom"d soul", The Dream of Gerontius: Part II. Angel: "Thy judgment now is near" -, The Dream of Gerontius: Part II. Angel: "…Praise to His Name!" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Glory to Him, who evermore by truth and justice reigns" -, The Dream of Gerontius: Part II. Choir of Angelicals: "Praise to the Holiest in the height" -, The Dream of Gerontius: Part II. Demons: "Low-born clods of brute earth" -, The Dream of Gerontius: Part II. Demons: "The mind bold and independent" -, The Dream of Gerontius: Part II. Introduction. Soul of Gerontius: "I went to sleep; and now I am refresh"d" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hard! upon my sense comes a fierce hubbub" -, The Dream of Gerontius: Part II. Soul of Gerontius: "But hark! a grand, mysterious harmony" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I ever had believed" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I go before my Judge" -, The Dream of Gerontius: Part II. Soul of Gerontius: "I see not those false spirits" -, The Dream of Gerontius: Part II. Soul of Gerontius: "It is a member of that family" -, The Dream of Gerontius: Part II. Soul of Gerontius: "Take me away, and in the lowest deep there let me be" -, The Dream of Gerontius: Part II. Souls in Purgatory: "Lord, Thou hast been our refuge: in every generation" -, The Dream of Gerontius: Prelude, Concert Version
Dulcie Kelly editor Diptyque mediterraneen, op. 87: I. Soleil matinal. Modéré - Un peu animé - Au Mouvement - Calme, Diptyque mediterraneen, op. 87: II. Soleil vespéral. Modéré et solennel - Avec un peu plus d'animation -, Istar, op. 42, Jour d'été à la montagne, op. 61: I. Aurore. Très modéré - 1er Mouvement, un peu animé - Plus vite - Assez lent - Un peu plus animé - Plus animé, Jour d'été à la montagne, op. 61: II. Jour (Après-midi sous les pins). Très modéré - Très vif - Modéré - Mouvement initial - Second Mouvement, trés vif - Assez lent - Très animé - Modéré - Mouvement initial - Un peu plus vite - 1er Mouvement, Jour d'été à la montagne, op. 61: III. Soir. Très animé et joyeux - Un peu moins animé et sans rigeur - 1er Mouvement - Très Mouvement - Très modéré - Le double plus lent - Lent - Très lent - Même Mouvement, Karadec, op. 34: I. Prélude. Mouvement de marche modéré -, Karadec, op. 34: II. Chanson. Modéré, Karadec, op. 34: III. Noce bretonne. Modéré sans lenteur -, La Forêt enchantée, op. 8: Adagio - Allegro -, La Forêt enchantée, op. 8: Allegro con fuoco - Plus lent - Très lent - Allegretto non troppo - Un peu plus lent - Andante maestoso - Plus lent, La Forêt enchantée, op. 8: Un peu plus lent - Même Mouvement - Plus lent - Andante maestoso, Prelude to Act III of "Fervaal", op. 40, Serenade et Valse, op. 28: Sérénade. Allegretto giocoso - Plus lent - Tempo I, Serenade et Valse, op. 28: Valse. Allegro molto moderato – Un peu plus vite, Souvenirs, op. 62: Très lent -, Suite dans le style ancien, op. 24: I. Prélude. Lent, Suite dans le style ancien, op. 24: II. Entrée. Gai et modéré - Un peu retenu - Premiere Mouvement - Un peu retenu - Premiere Mouvement, Suite dans le style ancien, op. 24: III. Sarabande. Lent, Suite dans le style ancien, op. 24: IV. Menuet. Animé - Un peu plus lent - Animé - Un peu plus lent - Plus lent - Animé, Suite dans le style ancien, op. 24: V. Ronde Française. Assez animé - [ ] - Premiere Mouvement - Un peu plus vite - Plus vite et en pressant toujours - Trés vif, Symphony no. 2 in B-flat major, op. 57: I. Extrêment lent - Très vif - Un peu plus modéré -, Symphony no. 2 in B-flat major, op. 57: II. Modérément lent - Un peu plus lent - Plus animé -, Symphony no. 2 in B-flat major, op. 57: III. Modéré - Très animé - Un peu plus calme - Modéré -, Symphony no. 2 in B-flat major, op. 57: IV. Lent - Modérément lent - 1er Mouvement (Lent) - Très lent -, Symphony no. 3, op. 70: I. Lent et calme - Animé (Premier Mouvement) - Moins vite -, Symphony no. 3, op. 70: II. Assez vite - Un peu moins vite (très peu), Symphony no. 3, op. 70: III. Lent - Plus animé - Mouvement initial (un peu animé) -, Symphony no. 3, op. 70: IV. Très animé - Animé, mais un peu plus calme (Premier Mouvement) -, Tableaux de voyage, op. 36: I. Préamble. Assez lent, Tableaux de voyage, op. 36: II. En marche. Joyeusement - Un peu plus lent -, Tableaux de voyage, op. 36: III. Le Glas. Lent, Tableaux de voyage, op. 36: IV. Lac Vert. Tranquillement, Tableaux de voyage, op. 36: V. La Poste. Assez vite, Tableaux de voyage, op. 36: VI. Rêve. Assez lent - Vite - 1er Mouvement (très lent) -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Allegro risoluto - Andante moderato - Allegro risoluto -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Andante -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Andante tranquillo -, Wallenstein, op. 12: Deuxième Partie. Max et Thécla. Maestoso - Allegro risoluto - Andante moderato - Adagio - Lento, Wallenstein, op. 12: Première Partie. Le Camp de Wallenstein. Allegretto moderato e giocoso - Allegro con fuoco -, Wallenstein, op. 12: Première Partie. Le Camp de Wallenstein. Allegro giusto - Un peu moins vite - Poco slentando e scherzando -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Allegro - Maestoso (le double plus lent) - Allegro (Tempo I) -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Andante tranquillo - Maestoso - [ ] - Allegro (Tempo I) -, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Maestoso (Tempo I) - Très large, Wallenstein, op. 12: Troisième Partie. La Mort de Wallenstein. Très large -
Bouke Zoete engineer Album für die Jugend, op. 68: Teil I "Für Kleinere": I. Melodie, Album für die Jugend, op. 68: Teil I "Für Kleinere": II. Soldatenmarsch, Album für die Jugend, op. 68: Teil I "Für Kleinere": III. Trällerliedchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": IV. Ein Choral, Album für die Jugend, op. 68: Teil I "Für Kleinere": IX. Volksliedchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": V. Stückchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": VI. Armes Waisenkind, Album für die Jugend, op. 68: Teil I "Für Kleinere": VII. Jägerliedchen, Album für die Jugend, op. 68: Teil I "Für Kleinere": VIII. Wilder Reiter, Album für die Jugend, op. 68: Teil I "Für Kleinere": X. Fröhlicher Landmann, Album für die Jugend, op. 68: Teil I "Für Kleinere": XI. Sizilianisch, Album für die Jugend, op. 68: Teil I "Für Kleinere": XII. Knecht Ruprecht, Album für die Jugend, op. 68: Teil I "Für Kleinere": XIII. Mai, lieber Mai, Album für die Jugend, op. 68: Teil I "Für Kleinere": XIV. Kleiner Studie, Album für die Jugend, op. 68: Teil I "Für Kleinere": XV. Frühlingsgesang, Album für die Jugend, op. 68: Teil I "Für Kleinere": XVI. Erster Verlust, Album für die Jugend, op. 68: Teil I "Für Kleinere": XVII. Kleiner Morgenwanderer, Album für die Jugend, op. 68: Teil I "Für Kleinere": XVIII. Schnitterliedchen, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": I. Kleine Romanze, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": II. Ländliches Lied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": III. (untitled).Lento espressivo, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IV. Rundgesang, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": IX. Kanonisches Liedchen, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": V. Reiterstück, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VI. Ernteliedchen, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VII. Nachklänge aus dem Theater, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": VIII. (untitled).Andante con moto, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": X. Erinnerung, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XI. Fremder Mann, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XII. (untitled).Molto lento, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIII. Kriegslied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIV. Sheherazade, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XIX. Matrosenlied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XV. "Weinlesezeit - Fröhliche Zeit!", Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVI. Thema, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVII. Mignon, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XVIII. Lied italienischer Marinari, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XX. Winterzeit I, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXI. Winterzeit II, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXII. Kleine Fuge, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIII. Nordisches Lied, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXIV. Figurierter Choral, Album für die Jugend, op. 68: Teil II "Für Erwachsenere": XXV. Silversterlied
Bobby Champs editor, engineer Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: I. Sinfonia, Cantata "Gleichwie der Regen und Schnee vom Himmel fällt", BWV18: II. Gleichwie der Regen und Schnee vom Himmel fällt, Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: I. Sinfonia, Partita I in D minor: I. Adagio - Presto - Adagio -, Partita I in D minor: II. Allamande, Partita I in D minor: III. Gigue, Partita I in D minor: IV. Aria, Partita I in D minor: V. Sarabande -, Partita I in D minor: VI. Finale. Presto, Partita II in B minor: I. Praeludium, Partita II in B minor: II. Allamande -, Partita II in B minor: III. Balletto. Allegro, Partita II in B minor: IV. Aria. Presto, Partita II in B minor: V. Gigue. Presto, Partita III in A major: I. Praeludium. Allegro, Partita III in A major: II. Allamande, Partita III in A major: III. Amener. Presto, Partita III in A major: IV. Balletto, Partita III in A major: V. Gigue, Partita III in A major: VI. Ciacona. Canon in unisono, Partita IV in E-flat major: I. Adagio - Allegro - Adagio, Partita IV in E-flat major: II. Allamanda, Partita IV in E-flat major: III. Trezza. Presto, Partita IV in E-flat major: IV. Aria, Partita IV in E-flat major: V. Canario, Partita IV in E-flat major: VI. Gigue. Presto, Partita IV in E-flat major: VII. Polcinello. Presto, Partita V in G minor: I. Intrada. Alla breve, Partita V in G minor: II. Aria. Adagio -, Partita V in G minor: III. Balletto. Presto -, Partita V in G minor: IV. Gigue, Partita V in G minor: V. Passacaglia, Partita VI in D major: I. Praeludium. Adagio - Allegro, Partita VI in D major: II. Aria con variatio, Partita VI in D major: III. Finale. Adagio - Allegro, Partita VII in C minor: I. Praeludium. Grave - Presto, Partita VII in C minor: II. Allamande, Partita VII in C minor: III. Sarabande, Partita VII in C minor: IV. Gigue. Presto, Partita VII in C minor: V. Aria, Partita VII in C minor: VI. Trezza, Partita VII in C minor: VII. Arietta
Benjamin Britten engineer, mix Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!", Billy Budd: Act I, Scene I. "Boat Ahoy!", Billy Budd: Act I, Scene I. "Christ! The poor chap...", Billy Budd: Act I, Scene I. "Come along, kid!", Billy Budd: Act I, Scene I. "First man forward!", Billy Budd: Act I, Scene I. "I hear, your honour!", Billy Budd: Act I, Scene I. "Pull, me bantams!", Billy Budd: Act I, Scene I. "Starry Vere we call him", Billy Budd: Act I, Scene I. "What's that? What's those whistles?", Billy Budd: Act I, Scene I. "Your name?", Billy Budd: Act I, Scene II. "Ay, at Spithead...", Billy Budd: Act I, Scene II. "Boy!", Billy Budd: Act I, Scene II. "Gentlemen, the King!", Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one.", Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!", Billy Budd: Act I, Scene III. "Blow her away.", Billy Budd: Act I, Scene III. "Come here", Billy Budd: Act I, Scene III. "Dansker, old friend...", Billy Budd: Act I, Scene III. "Hi! You ... a... a...!", Billy Budd: Act I, Scene III. "Over the water...", Billy Budd: Act I, Scene III. "We're off to Samoa...", Billy Budd: Act II, Scene I. "Deck ahoy!", Billy Budd: Act II, Scene I. "I don't like the look of the mist...", Billy Budd: Act II, Scene I. "Oh, this cursèd mist!", Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms.", Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!", Billy Budd: Act II, Scene I. "With great regret I must disturb your honour.", Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!", Billy Budd: Act II, Scene II. "Gentlemen, William Budd here...", Billy Budd: Act II, Scene II. "God o' mercy!", Billy Budd: Act II, Scene II. "I accept their verdict.", Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman...", Billy Budd: Act II, Scene II. "Poor fellow, who could save him?", Billy Budd: Act II, Scene II. "William Budd, you are accused...", Billy Budd: Act II, Scene III. "And farewell to ye...", Billy Budd: Act II, Scene III. "Here! Baby!", Billy Budd: Act II, Scene III. "Look!", Billy Budd: Act II, Scene IV. "According to the Articles of War...", Billy Budd: Act II, Scene IV. "Down all hands!", Billy Budd: Act II, Scene IV. "Interlude", Billy Budd: Epilogue. "We committed his body to the deep", Billy Budd: Prologue "I am an old man..."
Sara Kana editor Four Symphonic Interludes from Intermezzo: No. 1. Reisefieber und Walzerszene: Lebhaft – Walzer: ruhig beginnend, Four Symphonic Interludes from Intermezzo: No. 2. Träumerei am Kamin: Ruhig schwebend, Four Symphonic Interludes from Intermezzo: No. 3. Am Spieltisch: Sehr gemächlich – Gemächlich fließend, Four Symphonic Interludes from Intermezzo: No. 4. Fröhlicher Beschluß: Sehr lebhaft und fröhlich, La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, Sinfonietta, op. 52: I. Allegro molto, Sinfonietta, op. 52: II. Andante –, Sinfonietta, op. 52: III. Allegro, Suite provençale, op. 152b: I. Animé, Suite provençale, op. 152b: II. Très modéré - Vif, Suite provençale, op. 152b: III. Modéré, Suite provençale, op. 152b: IV. Vif, Suite provençale, op. 152b: V. Modéré, Suite provençale, op. 152b: VI. Vif, Suite provençale, op. 152b: VII. Lent, Suite provençale, op. 152b: VIII. Vif, Symphony Nr. 1 in E-Dur: I. Sehr langsam - Sehr lebhaft, Symphony Nr. 1 in E-Dur: II. Langsam, Symphony Nr. 1 in E-Dur: III. Schnell und leicht, Symphony Nr. 1 in E-Dur: IV. Lebhaft, doch nicht zu schnell, Symphony no. 3: I. Con moto (Tragic), Symphony no. 3: I. Molto moderato - with simple expression, Symphony no. 3: II. (Lyric), Symphony no. 3: II. Allegro molto, Symphony no. 3: III. Andantino quasi allegretto, Symphony no. 3: III. Poco più mosso (Pastoral), Symphony no. 3: IV. (Fugue - Dramatic), Symphony no. 3: IV. Molto deliberato, Symphony no. 3: V. Con moto (Dramatic - Tragic), Symphony no. 4 in A major, op. 53: I. Lento – Allegro con brio, Symphony no. 4 in A major, op. 53: II. Lento molto, Symphony no. 4 in A major, op. 53: III. Allegro scherzando, Symphony no. 4 in A major, op. 53: IV. Allegro molto
Paul Baron editor, producer Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso
Brodsky Quartet engineer, sound Alt-Wien, Beau soir, Blues, Chanson de matin, op. 15 no. 2, Chanson de nuit, op. 15 no. 1, Hoe-Down, Humoresque, op. 101 no. 7, La capricieuse, op. 17, Lullaby, March, Nana, On Wings of Song, op. 34 no. 2, Playera, op. 23 no. 1, Polo, Prelude, Regret, Sehr langsam, op. 68 no. 30, String Quartet in A minor, op. 51 no. 2: I. Allegro non troppo, più animato sempre, String Quartet in A minor, op. 51 no. 2: II. Andante moderato, String Quartet in A minor, op. 51 no. 2: III. Quadi minuetto, moderato - Allegro vivace - Tempo di Minuetto - Allegretto vivace - Tempo di Minuetto, String Quartet in A minor, op. 51 no. 2: IV. Finale. Allegro non assai - Più vivace, String Quartet, op. 11: I. Molto allegro e appassionato - Più mosso - Più largo - Tempo I, String Quartet, op. 11: II. Molto adagio - [ ] - Tempo I -, String Quartet, op. 11: III. Molto allegro (come prima) - Poco più mosso - Più tranquillo - Presto, String Quartet, op. 96 "The American": I. Allegro ma non troppo, String Quartet, op. 96 "The American": II. Lento, String Quartet, op. 96 "The American": III. Molto vivace - Poco meno mosso - Da Capo al Fine, String Quartet, op. 96 "The American": IV Finale. Vivace ma non troppo - Meno mosso - Più mosso. Tempo I - Meno mosso, Two Pieces: I. Lento molto. Tranquillo legato - [ ] - Tempo I, Two Pieces: II. Rondino. Allegro moderato - Poco meno mosso - Moderato -, Waltz no. 6, Zapateado op. 23 no. 2
Max Charbonnier editor Symphony no, 2, op. 16, FS 29 "The Four Temperaments": I. Allegro collerico - A tempo ma tranquillo - Poco moto - Tempo I - Brioso - A tempo ma molto tranquillo - Poco più (stretto), Symphony no, 2, op. 16, FS 29 "The Four Temperaments": II. Allegro comodo e flemmatico, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": III. Andante malincolico - Poco largamente - Tempo I - Un pochettino più mosso - Tempo I, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": IV. Allegro sanguineo - Adagio molto - Tempo I - Marziale, Symphony no. 1, op. 7, FS 16: I. Allegro orgoglioso - Poco meno mosso - Molto tranquillo - Assai più vivo del Tempo I - Tempo I - A tempo, ma un poco sostenuto - Molto tranquillo - Allegro molto - Stretto, Symphony no. 1, op. 7, FS 16: II. Andante - Tranquillo, Symphony no. 1, op. 7, FS 16: III. Allegro comodo - Risoluto - Andante sostenuto - Tempo I (Allegro) - Andante sostenuto - Molto tranquillo - Allegro assai, Symphony no. 1, op. 7, FS 16: IV. Finale. Allegro con fuoco - Poco tranquillo - Più vivo - Tempo I - Poco tranquillo - Allegro molto, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": I. Allegro espansivo - Molto tranquillo - Un pochettino meno - Tempo I - Tranquillo - Tranquillo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale - A tempo, tranquillo - Un poco di più animato - Tempo I, ma molto tranquillo - Adagio - Tranquillo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": III. Allegretto un poco - [ ] - Tempo I - Tranquillo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": IV. Finale. Allegro - [ ] - Tempo I - Un poco allargando, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": A tempo [Poco allegretto] - A tempo ma tranquillo, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": Allegro - A tempo ma tranquillo - Un pochettino di più - Tranquillo - Risoluto e giusto - Tempo I - Pesante ma glorioso - Poco più vivo - Con fuoco - Molto tranquillo - Tempo I - Poco allegretto -, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": Allegro – Stabilimento – Poco pesante – Glorioso – Più mosso – Tempo giusto, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": Poco adagio quasi andante - Con fuoco - Poco a poco tranquillo - Poco adagio - Molto tranquillo - Un poco agitato - Tempo I - Un poco agitato - Tempo I - Agitato un poco - Adagio - Un poco più vivo, ma pesante - Più lento - Un poco più vivo, ma tenuto - Con anima -, Symphony no. 5, op. 50, FS 97: Adagio – Tranquillo, Symphony no. 5, op. 50, FS 97: Allegro (Tempo I), Symphony no. 5, op. 50, FS 97: Andante poco tranquillo -, Symphony no. 5, op. 50, FS 97: I. Tempo giusto - Tranquillo - [ ] - Tranquillo -, Symphony no. 5, op. 50, FS 97: II. Allegro - Un poco di più -, Symphony no. 5, op. 50, FS 97: Presto -, Symphony no. 6, FS 116 "Sinfonia semplice": I. Tempo giusto - Allegro appassionato - Lento, ma non troppo - Tempo I (tempo giusto) - Tranquillo - Più lento - Molto tranquillo, Symphony no. 6, FS 116 "Sinfonia semplice": II. Humoreske. Allegretto - Allegro - Poco a poco tranquillo - Tempo I, Symphony no. 6, FS 116 "Sinfonia semplice": III. Proposta seria. Adagio - Molto tranquillo, Symphony no. 6, FS 116 "Sinfonia semplice": IV. Tema med Variationer Allegro - Tema. Allegretto un poco - Variation 1 - Variation 2. Allegretto quasi andantino - Più vivo - Tempo I - Più vivo - Tempo I - Variation 3. Più vivo - Variation 4 - Variation 5. Brioso - Variation 6. Tempo di valse - Variation 7 - Variation 8. Molto adagio - Un poco di più - Molto adagio - Variation 9. Tempo di tema (allegretto un poco) - Fanfare
Billbrook bluesband editor, engineer Chain 3, Concert Overture, op. 12, Concerto for Orchestra: I. Intrada. Allegro maestoso, Concerto for Orchestra: II. Capriccio, Notturno e Arioso. Vivace - Stesso movimento - Stesso movimento, Concerto for Orchestra: IIIa. Passacaglia, Toccata e Corale. Andante con moto -, Concerto for Orchestra: IIIb. Allegro giusto (alle breve) - Poco sostenuto - Quasi stesso movimento - Molto allegro (quasi alla breve) - Presto, Symphony no. 1, op. 15: III. Finale. Allegretto con moto. Grazioso – (Meno mosso) Mesto – Tempo I, Symphony no. 1, op. 15: [I] Allegro patetico, Symphony no. 2, op. 19: Finale. Introduzione - Variation VI, Symphony no. 2, op. 19: Fuga finale, Symphony no. 2, op. 19: I. Allegro moderato, Symphony no. 2, op. 19: II. Theme, Symphony no. 2, op. 19: Variation I, Symphony no. 2, op. 19: Variation II, Symphony no. 2, op. 19: Variation III, Symphony no. 2, op. 19: Variation IV, Symphony no. 2, op. 19: Variation V, Symphony no. 3: A tempo - Poco meno mosso - Presto - Stesso movimento - Poco lento - Allegro, Symphony no. 3: Meno mosso - Tempo I - Meno mosso - Tempo I - Meno mosso - Ancora meno mosso - Piu largo - Tempo I - Lento - Vivo - Lento - Vivo, Symphony no. 3: Tempo I, Symphony no. 3: Vivo - Lento - Vivo - Lento - Vivo - Stesso movimento - Lento, Symphony no. 3: Vivo - Poco meno mosso - Meno mosso, Symphony no. 3: Vivo - Stesso movimento - Adagio - Piu mosso - Lento, Symphony no. 3: Vivo - Stesso movimento - Lento
Wundabunta Straszenpunk engineer Concerto for Oboe in B-flat major, op. 7 no. 3: I. Allegro, Concerto for Oboe in B-flat major, op. 7 no. 3: II. Adagio, Concerto for Oboe in B-flat major, op. 7 no. 3: III. Allegro, Concerto for Oboe in B-flat major, op. 9 no. 11: I. Allegro, Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo), Concerto for Oboe in B-flat major, op. 9 no. 11: III. Allegro, Concerto for Oboe in C major, op. 7 no. 12: I. Allegro e non presto, Concerto for Oboe in C major, op. 7 no. 12: II. Adagio, Concerto for Oboe in C major, op. 7 no. 12: III. Allegro, Concerto for Oboe in C major, op. 9 no. 5: I. Allegro, Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo), Concerto for Oboe in C major, op. 9 no. 5: III. Allegro, Concerto for Oboe in D major, op. 7 no. 6: I. Allegro, Concerto for Oboe in D major, op. 7 no. 6: II. Adagio, Concerto for Oboe in D major, op. 7 no. 6: III. Allegro, Concerto for Oboe in D minor, op. 9 no. 2: I. Allegro, Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio, Concerto for Oboe in D minor, op. 9 no. 2: III. Allegro, Concerto for Oboe in F major, op. 7 no. 9: I. Allegro, Concerto for Oboe in F major, op. 7 no. 9: II. Adagio, Concerto for Oboe in F major, op. 7 no. 9: III. Allegro, Concerto for Oboe in G minor, op. 9 no. 8: I. Allegro, Concerto for Oboe in G minor, op. 9 no. 8: II. Adagio, Concerto for Oboe in G minor, op. 9 no. 8: III. Allegro
OBN III's editor Death on the Hills, op. 72, Evening Scene, Five Part-songs from The Greek Anthology, op. 45: 1. Yea, cast me from Heights of the Mountains, Five Part-songs from The Greek Anthology, op. 45: 2. Whether I Find Thee, Five Part-songs from The Greek Anthology, op. 45: 3. After many a Dusty Mile, Five Part-songs from The Greek Anthology, op. 45: 4. It's oh! to be a Wild Wind, Five Part-songs from The Greek Anthology, op. 45: 5. Feasting I Watch, Four Part-songs, op. 53: 1. There is Sweet Music, Four Part-songs, op. 53: 2. Deep in my Soul, Four Part-songs, op. 53: 3. O wild West Wind!, Four Part-songs, op. 53: 4. Owls (An Epitaph), Go, Song of Mine, op. 57, How Calmly the Evening, The Prince of Sleep, Three Part-songs, op. 18: 1. O Happy Eyes, Three Part-songs, op. 18: 2. Love, Three Part-songs, op. 18: 3. My Love dwelt in a Northern Land, Two Part-songs, op. 71: 1. The Shower, Two Part-songs, op. 71: 2. The Fountain, Two Part-songs, op. 73: Love's Tempest, Two Part-songs, op. 73: Serenade, Weary Wind of the West
S.A.D. engineer Concerto With Two Oboes, op. 7 no. 2 in C major: I. Allegro, Concerto With Two Oboes, op. 7 no. 2 in C major: II. Adagio, Concerto With Two Oboes, op. 7 no. 2 in C major: III. Allegro, Concerto With Two Oboes, op. 7 no. 5 in C major: I. Allegro, Concerto With Two Oboes, op. 7 no. 5 in C major: III. Allegro, Concerto With Two Oboes, op. 9 no. 3 in F major: I. Allegro, Concerto With Two Oboes, op. 9 no. 3 in F major: II. Adagio, Concerto With Two Oboes, op. 9 no. 3 in F major: III. Allegro, Concerto With Two Oboes, op. 9 no. 6 in G major: I. Allegro, Concerto With Two Oboes, op. 9 no. 6 in G major: II. Adagio, Concerto with Two Oboes in C major, op. 7 no. 11: I. Allegro, Concerto with Two Oboes in C major, op. 7 no. 11: II. Adagio -, Concerto with Two Oboes in C major, op. 7 no. 11: III. Allegro, Concerto with Two Oboes in C major, op. 9 no. 9: I. Allegro, Concerto with Two Oboes in C major, op. 9 no. 9: II. Adagio -, Concerto with Two Oboes in C major, op. 9 no. 9: III. Allegro, Concerto with Two Oboes in D major, op. 7 no. 8: I. [Allegro] -, Concerto with Two Oboes in D major, op. 7 no. 8: II. Largo -, Concerto with Two Oboes in D major, op. 7 no. 8: III. Allegro, Concerto with Two Oboes in D major, op. 9 no. 12: I. Allegro, Concerto with Two Oboes in D major, op. 9 no. 12: II. Adagio -, Concerto with Two Oboes in D major, op. 9 no. 12: III. Allegro
Beathoven editor, engineer Meeresstille und glücklich Fahrt, op. 27: II. Glückliche Fahrt, Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
Tadeo Arredondo editor Médée, op. 47: I. Prélude, Médée, op. 47: II. Pantomime - Danse, Médée, op. 47: III. L'Attente de Médée, Médée, op. 47: IV. Médée et Jason, Médée, op. 47: V. Le Triomphe Auroral, Poeme des rivages, op. 77: I. Calme et lumière. Agay (Méditerranée). Tranquillement -, Poeme des rivages, op. 77: II. La joie du bleu profond. Miramar de Mallorca (Méditerranée). Animé - Modéré -, Poeme des rivages, op. 77: III. Horizons verts. Falconara (Adriatique). Très animé - Modéré, un peu moins vite -, Poeme des rivages, op. 77: IV. Le mystère de l'Océan. La Grande Côte (Golfe de Gascogne). Très largement -, Prelude to Act I of "Fervaal", op. 40, Saugefleurie, op. 21: Assez lent et calme - Plus vite -, Saugefleurie, op. 21: Assez lent et calme - Un peu plus vite - Plus animé - Vif et agité - Un peu moins vite -, Saugefleurie, op. 21: Gaîment, mais modéré -, Saugefleurie, op. 21: Tempo I (un peu plus vite) - Gaîment, mais modéré - Plus lent - Lent et calme, Symphonie italienne: I. Introduction et Allegro. Rome. Andante maestoso - Un peu plus vite - Tempo I -, Symphonie italienne: II. Scherzo. Florence. Allegro vivace, Symphonie italienne: III. Andante. Venise. Andante sans lenteur, Symphonie italienne: IV. Final (Saltarelle). Naples. Allegro ma non troppo - Allegro maestoso - Tempo I
The Link Crew engineer Symphony in A major: I. Allegro, Symphony in A major: II. Andante, Symphony in A major: III. Allegro ma non tanto, Symphony in D major: I. Allegro con spirito, Symphony in D major: II. Andante grazioso, Symphony in D major: III. Presto assai, Symphony in G major: I. Allegro, Symphony in G major: II. Andantino, Symphony in G major: III. Minuet and Trio, Symphony in G major: IV. Presto assai, Symphony no. 22 in C major: I. Allegro moderato, Symphony no. 22 in C major: II. Andante con brio, Symphony no. 22 in C major: III. Un poco presto, Symphony no. 57 in E-flat major: I. Allegro, Symphony no. 57 in E-flat major: II. Andante, Symphony no. 57 in E-flat major: III. Allegro
Lure of Flames editor From "The Unforgettable Year 1919", Suite from "Five Years and Five Nights": I. Introduction. Adagio, Suite from "Five Years and Five Nights": II. Dresden in Ruins. Largo, Suite from "Five Years and Five Nights": III. Liberated Dresden. Moderato - Presto, Suite from "Five Years and Five Nights": IV. Interlude. Andante - Allegro - Tempo I, Suite from "Five Years and Five Nights": V. Finale. Moderato - Allegretto, Suite from "Hamlet": I. Introduction. Largo, Suite from "Hamlet": II. Ball at the Palace. Presto, Suite from "Hamlet": III. The Ghost. Largo, Suite from "Hamlet": V. Scene of the Poisoning. Largo, Suite from "Hamlet": VI. Arrival and Scene of the Players. Allegro, Suite from "Hamlet": VII. Ophelia. Andante, Suite from "Hamlet":: VIII. Duel and Death of Hamlet. Allegro - Largo, Suite from "The Young Guard": II. By the River. Moderato - Allegro - Tempo I, Suite from "The Young Guard": IV. Turbulent Night. Moderato - Adagio, Suite from "The Young Guard": V. Song of the Young Guardsmen. Moderato sostenuto
Cancer sound Carmen Fantasy, op. 22, Fantasia da concerto su motivi de ‘La traviata’ di G. Verdi, op. 45, Grand Duo concertant, op. 48, J 204: I. Allegro con fuoco, Grand Duo concertant, op. 48, J 204: II. Andante con moto, Grand Duo concertant, op. 48, J 204: III. Rondo. Allegro, Il carnevale di Venezia, Scaramouche, op. 165b: I. Vif, Scaramouche, op. 165b: II. Modéré, Scaramouche, op. 165b: III. Brazileira. Mouvement de Samba, Solo de concours, Three Preludes: I. Allegro ben ritmato e deciso, Three Preludes: II. Andante con moto e poco rubato, Three Preludes: III. Allegro ben ritmato e deciso, Vocalise, op. 34 no. 14
David Elton editor Choses en soi, op. 45: "A" Allegro moderato, Choses en soi, op. 45: "B" Moderato scherzando, Divertissement, op. 43bis: I Divertissement, Divertissement, op. 43bis: II Nocturne, Divertissement, op. 43bis: III Danse, Divertissement, op. 43bis: IV Epilogue, Four Studies, op. 2: 1 Allegro, Four Studies, op. 2: 2 Moderato, Four Studies, op. 2: 3 Andante semplice - Presto, Four Studies, op. 2: 4 Presto energico, Sonata no. 9 in C major, op. 103: I Allegretto, Sonata no. 9 in C major, op. 103: II Allegro strepitoso - Andantino - Allegro sostenuto, Sonata no. 9 in C major, op. 103: III Andante tranquillo, Sonata no. 9 in C major, op. 103: IV Allegro con brio, ma non troppo presto
r00ms editor Four Orchestral Pieces: I. Pensive Twilight. Andante con moto quasi Allegretto – [Poco animato] – Più tranquillo – A tempo – Steady time – Tempo I – Tempo I, Four Orchestral Pieces: II. Dance in the Sun. Allegro vivo – Poco più mosso – A tempo – Più lento – A tempo – [Poco più mosso] – [Tempo I] – Tempo I, Four Orchestral Pieces: III. From the Mountains of Home (In the Hills of Home). Lento – Molto tranquillo, Four Orchestral Pieces: IV. The Dance of Wild Irravel. Fast valse measure. Very rhythmical – Un poco più lento – Più vivo [Tempo I] – Vivo – [Vigorous and reckless] – Più lento – Tempo I – A tempo – [Più lento. Tranquillo] – [Animato], Overture, Elegy, and Rondo: I. Overture. Allegro – Dolce – Lento lamentoso – Tempo I – Tempo I (Allegro) – Energico – Poco largamente – A tempo – Più mosso – Con vivo, Overture, Elegy, and Rondo: II. Elegy. Lento – Più lento a tempo – Molto tranquillo, Overture, Elegy, and Rondo: III. Rondo. Allegro moderato – Vivo – Vivo – Poco più lento – Allargando – Più Lento – Andante – Tempo primo – Più mosso – Poco ritenuto – Tempo più vivace – Presto – Tempo poco largamente – Allargando – Maestoso – Vivace – Maestoso – Vivace – Poco più lento – Largamente – Molto vivace, Symphony no. 1 in G major, op. 4: I. Allegro assai, Symphony no. 1 in G major, op. 4: II. Larghetto, Symphony no. 1 in G major, op. 4: III. Finale. Allegro con brio, Symphony no. 2 in E minor, op. 31: I. Moderato, Symphony no. 2 in E minor, op. 31: II. Lento. Tranquillo, Symphony no. 2 in E minor, op. 31: III. Allegro scherzando, ma moderato, Symphony no. 2 in E minor, op. 31: IV. Finale. Grave - Allegro molto, con fuoco
Sean Babcock sound Five Pieces From "Cinderella": I. Waltz, Five Pieces From "Cinderella": II. Gavotte, Five Pieces From "Cinderella": III. Passepied, Five Pieces From "Cinderella": IV. Winter Fairy, Five Pieces From "Cinderella": V. Mazurka, Improvisation, op. 21, Sonata for Viola and Piano: I. Largo, Sonata for Viola and Piano: II. Allegretto quasi moderato, Sonata for Viola and Piano: III. Toccata. Allegro marcato, Sonata for Viola and Piano: IV. Apolalerion. A tempo di parte prima, Sonata in G minor: I. Marcia. Maestoso, Sonata in G minor: II. Allegro assai, Sonata in G minor: III. Andante con variazioni
Kawaimachine sound Piano Quintet in F minor: I. Allegro - Largamente - Più sostenuto - Tempo primo - Più allegro, Piano Quintet in F minor: II. Andantino, Piano Quintet in F minor: III. Vivacissimo - Meno - Andantino - Lentamente - Presto - Più presto - Prestissimo, Six Pieces for Violin and Piano: I. Berceuse. Andantino, Six Pieces for Violin and Piano: II. Melodia. Andantino mosso - Largamente - Tempo primo, Six Pieces for Violin and Piano: III. Leggenda. Lento - Più mosso - Agitato - Tempo primo, Six Pieces for Violin and Piano: IV. Valse caressante. Tempo lento di valzer, Six Pieces for Violin and Piano: V. Serenata. Andante calmo, Six Pieces for Violin and Piano: VI. Aria: Lento - Più mosso - Poco meno, String Quartet in D minor: I. Allegro - Meno mosso e molto calmo, String Quartet in D minor: II. Lentamente con tristezza - Molto calmo, String Quartet in D minor: III. Presto - Meno mosso - Tempo I - Allegretto - Tempo I, String Quartet in D minor: IV. Allegro energico - Più presto - Più presto ancora
Prosektor sound Chaconne from Partita no. 2 in D minor, BWV 1004, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Fugue à la gigue in G major, BWV 577, O Mensch, bewein' dein' Sünde groß, BWV 622, Passacaglia and Fugue in C minor, BWV 582: Fugue, Passacaglia and Fugue in C minor, BWV 582: Passacaglia, Prelude and Fugue in C major, BWV 545: Fugue, Prelude and Fugue in C major, BWV 545: Prelude, Prelude and Fugue in E-flat major, BWV 552 "St Anne": Fugue, Prelude and Fugue in E-flat major, BWV 552 "St Anne": Prelude, The "Giant" Fugue (Wir glauben all' an einen Gott, BWV 680), Wachet auf, ruft uns die Stimme, BWV 645
سمير بشة editor First Concerto for Piano and Orchestra in A minor, op. 9: I. Moderato quasi andantino – Poco meno mosso – Allegro – Più mosso – Meno mosso, tranquillo – Andante – Più mosso – Allegro moderato – Più mosso – Poco tranquillo – Molto meno mosso – Più mosso – Più mosso – Andante – Poco più mosso – Poco meno mosso – Andante molto sostenuto – Tempo I (Andantino) – Allegro moderato, First Concerto for Piano and Orchestra in A minor, op. 9: III. Vivace marcato – Più mosso – Meno mosso – Più mosso – Vivace (Tempo I) – Cadenza. Lento rubato – Andantino – Allegro – Quasi tempo I (poco meno mosso) – Tempo I (Vivace) – Coda. Più mosso, First Concerto for Piano and Orchestra in A minor, op. 9: IIa. Tema. Moderato –, First Concerto for Piano and Orchestra in A minor, op. 9: IIb. Variation 1. L’istesso tempo –, First Concerto for Piano and Orchestra in A minor, op. 9: IIc. Variation 2. Allegro assai – Andante –, First Concerto for Piano and Orchestra in A minor, op. 9: IId. Variation 3. (Andante) – Poco più mosso –, First Concerto for Piano and Orchestra in A minor, op. 9: IIe. Variation 4. [ ] – Vivace – Più mosso – Tempo I –, First Concerto for Piano and Orchestra in A minor, op. 9: IIf. Variation 5. Funebre (Tempo di marcia moderato) – Maestoso (ma in tempo) –, First Concerto for Piano and Orchestra in A minor, op. 9: IIg. Coda (Tempo di tema) –, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": I. Allegro molto e energico – Meno mosso. Improvisato – Tempo I, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": II. Molto sostenuto. Improvisato – Molto espressivo – Molto sostenuto, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": III. Vivo – Più mosso. Con brio
Magda.Zero Design editor A Night in Tunisia, Bach's Lunch, Blue in Green / Seven Steps to Heaven, Interchange: I. Introductions, Interchange: II. Dialogue, Interchange: III. I solisti, Interchange: IV. Tutti, Suite: 'Spider Dreams': I. Spider Dreams, Suite: 'Spider Dreams': II. Waterfall With Blenders, Who Do You Think You Are?
The Poulsons sound Sonata in A major, M 8: I. Allegretto ben moderato, Sonata in A major, M 8: II. Allegro - Quasi lento - Tempo I. Allegro - Poco più lento, Sonata in A major, M 8: III. Recitativo-Fantasia. Ben moderato - Molto lento - A tempo. Ben moderato - [ ] -, Sonata in A major, M 8: IV. Allegretto poco mosso, Sonata in G minor: I. Allegro vivo, Sonata in G minor: II. Intermède. Fantasque et léger, Sonata in G minor: III. Finale. Très animé, Violin Sonata in G major: I. Allegretto - Andante - Rallentando, Violin Sonata in G major: II. Blues. Moderato, Violin Sonata in G major: III. Perpetuum mobile. Allegro
Wilson engineer The Golden Goose, op. 45 no. 1: Jack and Princess embrace, The Golden Goose, op. 45 no. 1: Sound of drum and trumpets play, The Golden Goose, op. 45 no. 1: The Human Organ, The Golden Goose, op. 45 no. 1: The Mummers' Play, The Morning of the Year, op. 45 no. 2: Dance of Headman and Hobby-horse, The Morning of the Year, op. 45 no. 2: Dance of Maidens, The Morning of the Year, op. 45 no. 2: Dance of Youths, The Morning of the Year, op. 45 no. 2: Dance of the Youngest Couple, The Morning of the Year, op. 45 no. 2: I am that which men did make, The Morning of the Year, op. 45 no. 2: Mating Dance
Annelynn Ballieu sound Sonata for Piano and Violin no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck, Sonata for Piano and Violin no. 1 in A minor, op. 105: II. Allegretto, Sonata for Piano and Violin no. 1 in A minor, op. 105: III. Lebhaft, Sonata for Piano and Violin no. 1 in G major, op. 78: I. Vivace ma non troppo - Più sostenuto - Tempo I, Sonata for Piano and Violin no. 1 in G major, op. 78: II. Adagio - Più andante - Adagio come prima, Sonata for Piano and Violin no. 1 in G major, op. 78: III. Allegro molto moderato - Più moderato, Three Romances, op. 22: I. Andante molto, Three Romances, op. 22: II. Allegretto, Three Romances, op. 22: III. Leidenschaftlich schnell
Rob Gill sound Concerto Grosso for Violin in F major, op. 8 no. 11: I. [Allegro], Concerto Grosso for Violin in F major, op. 8 no. 11: II. Largo, e staccato - Allegro - Adagio, Concerto Grosso for Violin in F major, op. 8 no. 11: III. Allegro, Concerto for Violin in C minor, op. 8 no. 8: I. Vivace, Concerto for Violin in C minor, op. 8 no. 8: II. Adagio, Concerto for Violin in C minor, op. 8 no. 8: III. Allegro, Concerto for Violin in E minor, op. 8 no. 9: I. [Vivace], Concerto for Violin in E minor, op. 8 no. 9: II. Largo - Allegro - Largo, Concerto for Violin in E minor, op. 8 no. 9: III. [Allegro]
Sose engineer Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –, Concerto for Cello and Orchestra: Meno mosso – Becoming slower –, Concerto for Cello and Orchestra: Quietly, Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –, Concerto for Cello and Orchestra: Slow – Not quick; quietly –, Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –, Concerto for Cello and Orchestra: With animation – Becoming slower –
Тиранія engineer The Ballet from The Perfect Fool, op. 39: Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Earth. Moderato - Andante -, The Ballet from The Perfect Fool, op. 39: Dance of Spirits of Water. Allegro -, The Golden Goose, op. 45 no. 1: Dance of the Three Girls, The Golden Goose, op. 45 no. 1: Jack creeps up, unseen by court, The Golden Goose, op. 45 no. 1: The Goose Dance, The Lure
Cody Walton engineer Concerto no. 1 in C minor for Piano and Orchestra, op. 4: I. Allegro moderato, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: II. Tranquillo, e quasi lento, Concerto no. 1 in C minor for Piano and Orchestra, op. 4: III. Allegro moderato, e scherzando, Concerto no. 2 in C major for Piano and Orchestra, op. 39: I. Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: II. Poco lento, calmato - Allegro, Concerto no. 2 in C major for Piano and Orchestra, op. 39: III. Allegro assai - Giocoso - A tempo
Cecilia Maria Barthélemon engineer Violin Concerto: Allegretto – Più moderato – Rather quicker –, Violin Concerto: Broadly, Violin Concerto: Slower -, Violin Concerto: Tempo I – Very broad – With vigour – Rather quicker – Rather slower – With vigour –, Violin Concerto: With moderate tempo – Rather quicker – Rather slower – Broad – Slower and very quietly – Vigorously – Maestoso –, Violin Concerto: [Cadenza] –
Cody Fennell sound Flavio, re de' longobardi, HWV 16: Act I, Scene IX. Aria "Che bel contento" (Vitige), Flavio, re de' longobardi, HWV 16: Act I, Scene IX. Recitativo "Io vo temendo, O Dio" (Vitige), Flavio, re de' longobardi, HWV 16: Act II, Scene IX. Aria "Non credo instabile" (Vitige), Flavio, re de' longobardi, HWV 16: Act II, Scene IX. Recitativo "Amo, e quel ben ch'adoro" (Vitige), Flavio, re de' longobardi, HWV 16: Act III, Scene III. Aria "Sirti, scogli, tempeste, procelle" (Vitige), Flavio, re de' longobardi, HWV 16: Act III, Scene III. Recitativo "Del nuovo amante, e dell'impero accesa" (Vitige)
Stephane Martin sound Flavio, re de' longobardi, HWV 16: Act I, Scene III. Aria "Quanto dolci, quanto care" (Emilia), Flavio, re de' longobardi, HWV 16: Act I, Scene XII. Recitativo"Guido? Consorte?" (Emilia), Flavio, re de' longobardi, HWV 16: Act I, Scene XIII. Aria "A mante stravagante" (Emilia), Flavio, re de' longobardi, HWV 16: Act II, Scene V. Aria "Parto, sì; ma non so poi" (Emilia), Flavio, re de' longobardi, HWV 16: Act II, Scene XI. Aria "Ma chi punir desio?" (Emilia), Flavio, re de' longobardi, HWV 16: Act III, Scene I. Aria "Da te parto; ma concedi" (Emilia)
Pierre Acedo sound Flavio, re de' longobardi, HWV 16: Act I, Scene IV. Aria "Bel contento già gode quest'alma" (Guido), Flavio, re de' longobardi, HWV 16: Act I, Scene IV. Recitativo "Son pur felice al fine" (Guido), Flavio, re de' longobardi, HWV 16: Act I, Scene XI. Aria "L'armellin vita non cura" (Guido), Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Aria "Rompo i lacci, e frango i dardi" (Guido), Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Recitativo"Privarmi ancora" (Guido), Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Aria "Amor, nel mio penar" (Guido)
Ronnie Lewis editor Caprice bohémien, Op. 12, Prince Rostislav, Symphony No. 3, Op. 44: I. Lento - Allegro moderato, Symphony No. 3, Op. 44: II. Adagio ma non troppo, Symphony No. 3, Op. 44: III. Allegro
Lithke engineer Concerto for Violin, Cello and Orchestra: Quietly -, Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –, Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –, Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow, Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously –
Jennifer Engel engineer Sea Pictures, op. 37: 1. Sea-Slumber- Song. Andantino - Tranquillo - Tempo I - Tranquillo -, Sea Pictures, op. 37: 2. In Haven (Capri). Allegretto, Sea Pictures, op. 37: 3. Sabbath Morning at Sea. Moderato - Più mosso - Più mosso - Tempo I - Molto maestoso -, Sea Pictures, op. 37: 4. Where Corals Lie. Allegretto ma non troppo, Sea Pictures, op. 37: 5. The Swimmer. Allegro di molto - Largamente - Poco meno mosso - Tempo I - Largamente
Cathie Rae engineer Piano Quintet in G minor, op. 57: I. Prelude. Lento -, Piano Quintet in G minor, op. 57: II. Fugue. Adagio, Piano Quintet in G minor, op. 57: III. Scherzo. Allegretto, Piano Quintet in G minor, op. 57: IV. Intermezzo. Lento -, Piano Quintet in G minor, op. 57: V. Finale. Allegretto
Dany Legendre editor Jealousy, JW VI/10, Taras Bulba, JW VI/15: I. The Death of Andriy, Taras Bulba, JW VI/15: II. The Death of Ostap, Taras Bulba, JW VI/15: III. The Prophesy and the Death of Taras Bulba, The Ballad of Blaník, JW VI/16
Μαρίσα Τριανταφυλλίδου editor, sound Fantasy for piano and orchestra (arr. G. Rozhdestvensky), Piano Concerto in F-sharp minor, Op. 20: I. Allegro, Piano Concerto in F-sharp minor, Op. 20: II. Tema con variazioni, Piano Concerto in F-sharp minor, Op. 20: III. Allegro moderato, Prometheus, Poem of Fire, Op. 60
David Paul Bryant sound Flavio, re de' longobardi, HWV 16: Act I, Scene VIII. Aria "Di quel che m'innamora" (Flavio), Flavio, re de' longobardi, HWV 16: Act II, Scene VII. Aria "Chi può mirare" (Flavio), Flavio, re de' longobardi, HWV 16: Act III, Scene I. Recitativo "Alma, tu non m'intendi (Flavio), Flavio, re de' longobardi, HWV 16: Act III, Scene II. Aria "Starvi accanto e non languire" (Flavio)
ياسر أنور engineer The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio –
Глаза Океан engineer Cantata "Komm, du süße Todesstunde", BWV161: I. Der Schluß ist schon gemacht, Cantata "Komm, du süße Todesstunde", BWV161: I. Komm, du süße Todesstunde, Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: III. Wir mussen durch viel Trubsal, Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: IV. Kreuz und Krone sind verbunden
Tamara Mumford editor King's Herald, Paradise Rondel, Pastoral Rhapsody, Procession
Dave Porter editor The Danube, JW IX/7: 1. Andante - Un poco più mosso - Con moto, The Danube, JW IX/7: 2. [ ] - Un poco più mosso - Meno mosso - Presto - [ ] - Adagio -, The Danube, JW IX/7: 3. Allegro - Meno - Più mosso - Più mosso - Meno mosso - Tempo I, The Danube, JW IX/7: 4. [Allegretto] - [Waltz] - Più mosso - [Poco tranquillo] - Presto
Linda Kidder editor A Legend of the Skerries, op. 20, King Gustav Adolf II, op. 49: Elegy. Adagio, Swedish Rhapsody no. 1, op. 19 "Midsommarvaka": Allegro moderato — Andante — Allegretto — Allegro con brio, Swedish Rhapsody no. 2, op. 24 "Uppsalarapsodi": Larghetto — Moderato
Peter Webb sound Quintet in B minor, op. 115: I. Allegro - Quasi sostenuto, Quintet in B minor, op. 115: II. Adagio - Più lento - Tempo I, Quintet in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento, Quintet in B minor, op. 115: IV. Con moto
Noodles producer, sound Concert, op. 21: I. Décidé - Calme - Animé, Concert, op. 21: II. Sicilienne. Pas vite, Concert, op. 21: III. Grave - Un peu plus vite - Mouvement, Concert, op. 21: IV. Finale. Très animé - Très vif - Plus large - Plus animé - Premier Mouvement
Murder One Gangster editor The Fiddler’s Child, JW VI/14: Allegro - Maestoso, The Fiddler’s Child, JW VI/14: Con moto - Vivo - Adagio - Allegro - Tempo Vivo - Tempo I - Meno mosso - Allegro -, The Fiddler’s Child, JW VI/14: Larghetto - Poco mosso - Tempo I - Con moto -
Stefano Galeano editor Phantasy for Viola and Orchestra: Allegro vivace – Un poco più lento – Tempo I – Allegro moderato – Allegro vivace – Tempo più lento – Allegro – Più mosso – Poco largamente – Largamente molto, Phantasy for Viola and Orchestra: Lento semplice – Tempo I – Più mosso (Allegro moderato), Phantasy for Viola and Orchestra: Poco lento. Largamente – Un pochettino più mosso – Allegro moderato molto ritmico – Tempo poco più tenuto – Agitato – Poco più lento – Meno mosso – Poco più mosso – Animato – Tempo I – Tempo of Introduction – Broadly
Michael Buchmiller editor Concerto for Violin and Orchestra, op. 24: I. Allegro non troppo ma passionato. - Poco animato -, Concerto for Violin and Orchestra, op. 24: II. Lento cantabile - Poco animato - Tempo I - Poco animato - Più largamente -, Concerto for Violin and Orchestra, op. 24: III. Allegro vivace - Tempo I - Poco meno allegro - Meno mosso
Spheric Corner sound Flavio, re de' longobardi, HWV 16: Act I, Scene II. Sinfonia, Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Coro "Doni pace ad ogni core", Flavio, re de' longobardi, HWV 16: Overture
Spleenfix sound Flavio, re de' longobardi, HWV 16: Act I, Scene I. Duetto "Ricordati, mio ben" (Vitige, Teodata), Flavio, re de' longobardi, HWV 16: Act I, Scene I. Recitativo "Fra i ciechi orror' notturni" (Vitige, Teodata), Flavio, re de' longobardi, HWV 16: Act II, Scene VIII. Recitativo "Teodata!" (Vitige, Teodata)
Patrick Simon producer, sound String Quartet, op. 35: I. Grave - Modéré - Grave - Moins lent - Modéré, String Quartet, op. 35: II. Très calme, String Quartet, op. 35: III. Gaiement et pas trop vite - Le double plus lent - Lent - Premier Mouvement. Gaiement et pas trop vite - Plus vite - - Encore plus vite - Lent - Très vif - Même mouvement
Nicolas Laurent sound Flavio, re de' longobardi, HWV 16: Act I, Scene V. Aria "Benchè povera donzella" (Teodata), Flavio, re de' longobardi, HWV 16: Act II, Scene VIII. Aria "Con un vezzo, con un riso (Teodata), Flavio, re de' longobardi, HWV 16: Act III, Scene II. Aria "Che colpa è la mia" (Teodata)
Chill editor, engineer Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso
Waft engineer Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso, The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –, The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow
Bella Blasko editor, sound Concerto for Violin and Orchestra in A major, op. 6: I. Allegro moderato ben risoluto, Concerto for Violin and Orchestra in A major, op. 6: II. Andante, Concerto for Violin and Orchestra in A major, op. 6: III. Finale. Allegro giusto
Lenny Lashley editor Symphonie sur un chant montagnard français, op. 25: I. Assez lent, Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur, Symphonie sur un chant montagnard français, op. 25: III. Animé
Hessischer Rundfunk sound Flavio, re de' longobardi, HWV 16: Act I, Scene VIII. Recitativo "Vitige!" (Flavio, Vitige), Flavio, re de' longobardi, HWV 16: Act II, Scene VII. Recitativo "Di Teodata assai men vago splende" (Flavio, Vitige)
Bill Titus sound Flavio, re de' longobardi, HWV 16: Act II, Scene V. Recitativo "Che mai chiedete, o stelle" (Emilia, Guido), Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Accompagnato "O Guido, o mio tiranno!" (Emilia) / Recitativo "Emilia, eccoti al piede" (Guido, Emilia)
saftWerk editor Fantasia for Cello and Orchestra, Threnody for Cello and Orchestra
Arthur Austin sound Flavio, re de' longobardi, HWV 16: Act I, Scene VII. Aria "Se a te vissi fedele" (Lotario), Flavio, re de' longobardi, HWV 16: Act II, Scene IV. Aria "S'egli ti chiede affetto" (Lotario)
Jana Kennedy engineer Cantata "Nun komm, der Heiden Heiland", BWV61: IV. Sie, ich stehe vor der Tur, Cantata "Weinen, Klagen, Sorgen, Zagen", BWV12: V. Ich folge Christo nach
Stephan Groß sound Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Duetto "Deh, perdona, o dolce bene (Guido, Emilia)
Julia Brennan editor Violin Concerto "The Wandering of a Little Soul", JW IX/10
Nasty Bulletz editor Passacaglia, op. 20 no. 2
Philippe Cavaciuti sound Flavio, re de' longobardi, HWV 16: Act I, Scene II. Recitativo "Lotario, al sacro nodo" (Ugone, Lotario, Guido, Teodata) / Scene III. "Recitativo Con l'alma reverente" (Emilia, Guido, Ugone, Lotario, Teodata)
Johann Bernhard Bach editor Lied, op. 19
Marc Garnier sound Flavio, re de' longobardi, HWV 16: Act II, Scene X. Recitativo "Io deluso? Lotario? ed altri miete" (Lotario, Guido) / Scene IX. Recitativo "Ah! misera, che veggio? ah, genitore" (Emilia, Lotario)
Cyrena Dunbar sound Flavio, re de' longobardi, HWV 16: Act II, Scene I. Recitativo "Al tuo cenno reale ubbidiente" (Teodata, Flavio) / Scene II. Recitativo "Dove, dove mi celo?" (Ugone, Flavio, Teodata) / Scene III. Recitativo "Ah! Teodata, Teodata!" (Ugone, Teodata)
Lars Bügel sound Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Recitativo "E tu, Vitige, in pena" (Flavio, Vitige, Teodata, Ugone, Guido)
Ted Ganung engineer Penguinski
Crust engineer The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato –
Jesse Gander sound Flavio, re de' longobardi, HWV 16: Act I, Scene X. Recitativo "Ah! Guido, Guido!" (Ugone, Guido)
Carlos Rodríguez Pintos sound Flavio, re de' longobardi, HWV 16: Act II, Scene IV. Recitativo Dunque per le mie nozze" (Emilia, Lotario)
The Skates editor, engineer Meeresstille und glücklich Fahrt, op. 27: I. Meeresstille
Thomas Keyserling sound Flavio, re de' longobardi, HWV 16: Act III, Scene V. Recitativo "Vitige!" (Teodata, Vitige, Flavio) / Scene VI. Recitativo "Signore, se il mio delitto" (Guido, Ugone, Flavio) / Recitativo "Al tuo piede, o regnante" (Emilia, Flavio, Ugone, Vitige, Guido)
C.L. Wilson engineer Benedictus
Kriss Riss Too Tone editor Choral varie, op. 55
Burghard Patzelt sound Flavio, re de' longobardi, HWV 16: Act III, Scene II. Arioso e recitativo "Corrispondi a chi ti adora" (Vitige, Flavio, Teodata)
Bob Allen sound Flavio, re de' longobardi, HWV 16: Act I, Scene V. Recitativo "O dell'Italo soglio, eccelso nume" (Ugone, Flavio, Teodata)
Nils Ostendorf sound Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Guido, Lotario uccise? (Flavio, Vitige, Teodata)
Gustav Holst engineer The Perfect Fool, op. 39: Dance of Spirits of Fire. Allegro moderato - Andante
Eduardo Garbagnatti engineer Concerto With Two Oboes, op. 9 no. 6 in G major: III. Allegro
Dreamwallow sound Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Barbara Teodata" (Vitige, Teodata)
Bangers On Tuck sound Flavio, re de' longobardi, HWV 16: Act I, Scene VI. Recitativo "Della mia prole Emilia" (Lotario, Flavio, Vitige) / Scene VII. Recitativo "Di qual sovrano e riverito impero" (Ugone, Flavio, Lotario)
L'Ivoiro Star editor Swedish Rhapsody no. 3, op. 47 "Dalarapsodi": Andante — Allegretto
Lisbon Soul sound Flavio, re de' longobardi, HWV 16: Act II, Scene III. Aria "Fato tiranno e crudo" (Ugone)