City of Birmingham Symphony Orchestra Chorus

vocal

Top collaborators

Artist name Roles Recordings
Benny Greb
Beathoven (Australian power pop)
Sir Michael Tippett
Karol Szymanowski
Adel Eskander

Work on other artists' recordings

Artist name Roles Recordings
Benny Greb vocal Das Lied von der Erde: VI. Der Abschied (extract), Das klagende Lied: I. Waldmärchen (Forest Legend), Das klagende Lied: II. Der Spielmann (The Minstrel), Das klagende Lied: III. Hochzeitsstück (Wedding Piece), Glagolitic Mass: I. Uvod (Introduction), Glagolitic Mass: VIII. Intrada, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -, Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": a. Veni, creator spiritus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": b. Imple superna gratia, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": c. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": d. Tempo I (Allegro, etwas hastig), Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": e. Infirma nostri corporis, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": f. Accende lumen sensibus, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": g. Qui paraclitus diceris, Symphony no. 8 in E-flat major: I. Hymnus "Veni, Creator Spiritus": h. Gloria patri domino, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": a. Poco adagio, Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": b. Più mosso (Allegro moderato), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": c. Waldung, sie schwankt heran (Chor und Echo), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": d. Ewiger Wonnebrand (Pater Ecstaticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": f. Gerettet ist das edle Glied (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": g. Uns bleibt ein Erdenrest (Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": h. Ich spür' soeben (Die jüngeren Engel), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": i. Höchste Herrscherin der Welt (Doctor Marianus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": j. Dir, der Unberührbaren (Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": k. Bei der Liebe, die den Füssen (Magna Peccatrix), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": l. Neige, neige, du Ohnegleiche (Una Poenitentium), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": m. Er überwächst uns schon (Chor seliger Knaben), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": o. Blicket auf zum Retterblick (Doctor Marianus und Chor), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus), Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
Beathoven vocal Symphony no. 2, op. 52, “Hymn of Praise”: 10a. Chorus: “Ye nations, offer to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 10b. Chorus: “O give thanks to the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 1a. Sinfonia: Maestoso con moto - Allegro, Symphony no. 2, op. 52, “Hymn of Praise”: 1b. Sinfonia: Allegretto un poco agitato, Symphony no. 2, op. 52, “Hymn of Praise”: 1c. Sinfonia: Adagio religioso, Symphony no. 2, op. 52, “Hymn of Praise”: 2a. Chorus: “All men, all things…”, Symphony no. 2, op. 52, “Hymn of Praise”: 2b. Soprano: “Praise thou the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 3a. Recitativo: Tenor: “Sing ye praise”, Symphony no. 2, op. 52, “Hymn of Praise”: 3b. Tenor: “He counteth all your sorrows…”, Symphony no. 2, op. 52, “Hymn of Praise”: 4. Chorus: “All ye that cried unto the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 5. Soprano: “I waited for the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 6a. Tenor: “The sorrows of death had closed…”, Symphony no. 2, op. 52, “Hymn of Praise”: 6b. Tenor: “We called thro' the darkness…”, Symphony no. 2, op. 52, “Hymn of Praise”: 7. Chorus: “The night is departing”, Symphony no. 2, op. 52, “Hymn of Praise”: 8a. Chorus: “Let all men praise the Lord”, Symphony no. 2, op. 52, “Hymn of Praise”: 8b. Chorus: “Glory and praise to God”, Symphony no. 2, op. 52, “Hymn of Praise”: 9. Tenor: “My song shall alway be Thy mercy”
Sir Michael Tippett vocal A Child of Our Time, Part Two: A Spiritual: Nobody knows..., A Child of Our Time, Part Two: Chorus of the Self-Righteous: We cannot have them..., A Child of Our Time, Part Two: Double Chorus of Persecutors and Persecuted: Away with them..., A star rises in mid-winter, Burn down their houses!, Deep River, Go down, Moses, I would know my shadow and my light, Is evil then good?, O, by an by, Steal Away, The cold deepens, The words of wisdom..., The world turns on it's dark side, When shall the usurer's city ease
Karol Szymanowski vocal Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro, Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly, Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa), Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret), Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris), Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere), Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare), Symphony no. 3 "Song of the Night": I. Moderato assai (O, nie spij, druhu, nocy tej!), Symphony no. 3 "Song of the Night": II. Vivace, scherzando, Symphony no. 3 "Song of the Night": III. Largo (Jak cicho. Inni spia...)
Adel Eskander vocal Cantique de Jean Racine, op. 11, Gloria: Domine Deus, Agnus Dei, Gloria: Gloria in excelsis Deo, Gloria: Laudamus te
Doaa Fawzy vocal Gloria: Domine Deus, Gloria: Domine fili unigenite, Gloria: Qui sedes ad dexteram Patris
Victor Lewis vocal Symphony no. 9 in D minor, op. 125: IVa. Presto - Presto "O Freude, nicht diese Tone!" -, Symphony no. 9 in D minor, op. 125: IVb. Allegro assai
赵琪 vocal Symphony no. 9 in D minor, op. 125: IV. Presto - Reccitativo - Allegro assai - Allegro assai vivace (alla marcia) -
Knukles vocal Piano Concerto in C major, op. 39: V. Cantico (Largamente)
Arnold Schönberg vocal A Survivor from Warsaw
Leoš Janáček vocal Glagolitic Mass: 4. Vĕruju (Credo) (Conclusion)
Mahalia Sibanda vocal Psaume 24
Maurice Ravel vocal Daphnis et Chloé: III. Danse Générale
Otis Harris vocal Psaume 130 “Du fond de l’abîme”
Ralph Vaughan Williams vocal Toward the Unknown Region
Benjamin Britten vocal War Requiem, op. 66: Sanctus (Excerpt)
Gustav Mahler vocal Symphony no. 2 in C minor, 'Resurrection': V. (part) Mit Aufschwung Aber Nicht Eilen (Conclusion)
Leah Kelly vocal Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck