Gordon Parry

balance, engineer, recording, sound, performer

Top collaborators

Artist name Roles Recordings
Big Apple Band
Storstrøms Kammerensemble
Goblin Hovel
Giacomo Puccini (Italian composer)
Java (euro-pop/euro-house)

Work on other artists' recordings

Artist name Roles Recordings
Big Apple Band balance, engineer Der Bürger als Edelmann - Orchestersuite, op. 60: Auftritt des Cleonte, Der Bürger als Edelmann - Orchestersuite, op. 60: Auftritt und Tanz der Schneider, Der Bürger als Edelmann - Orchestersuite, op. 60: Courante, Der Bürger als Edelmann - Orchestersuite, op. 60: Das Diner, Der Bürger als Edelmann - Orchestersuite, op. 60: Das Menuett des Lully, Der Bürger als Edelmann - Orchestersuite, op. 60: Der Fechtmeister, Der Bürger als Edelmann - Orchestersuite, op. 60: Menuett, Der Bürger als Edelmann - Orchestersuite, op. 60: Overture to Act I, Der Bürger als Edelmann - Orchestersuite, op. 60: Prelude to Act II, Der Rosenkavalier: First Waltz Sequence, Don Juan, op. 20, Hamlet - Fantasy Overture after Shakespeare, op. 67, Hamlet, Fantasy Overture, op.67, Karelia Suite, op. 11: I. Intermezzo (Moderato), Karelia Suite, op. 11: II. Ballade (Tempo di menuetto), Karelia Suite, op. 11: III. Alla marcia (Moderato), Manfred Symphony, op. 58: I. Lento lugubre – Moderato con moto – Andante, Manfred Symphony, op. 58: III.Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Symphony no. 1 in E minor, op. 39: I. Andante - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante, Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia), Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Allegro moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo. Allegro (pizzicato ostinato), Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco, Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro. Mäßig, Symphony no. 5 in B-flat major: II. Sehr langsam, Symphony no. 5 in B-flat major: III. Scherzo: Molto vivace (schnell) - Trio: Im gleichen Tempo, Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Symphony no. 7 in C major, op. 105, Tapiola, op. 112, Tod und Verklärung, op. 24
Storstrøms Kammerensemble balance, engineer, recording Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino), Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino), Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno), Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben), Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno), Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina), Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina), Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro), Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen), Die Zauberflöte, K. 620: Ouverture, Du Also Bist Mein Bräutigam?, Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro, Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo, Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace, Siegfried Idyll, Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto -, Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace, Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai, Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace, Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 7 in E major: I. Allegro moderato, Symphony no. 7 in E major: II. Adagio: Sehr feierlich und sehr langsam, Symphony no. 7 in E major: III. Scherzo: Sehr schnell, Symphony no. 7 in E major: IV. Finale: Bewegt, doch nicht schnell, Symphony no. 8 in C minor: I. Allegro moderato, Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam, Symphony no. 8 in C minor: III. Adagio: Feierlich langsam, Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell, Wo Willst Du, Kühner Fremdling, Hin?, Zum Ziele Führt Dich Diese Bahn
Goblin Hovel balance, engineer, recording Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang), Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, op. 30: V. Das Grablied, Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, op. 30: VII. Der Genesende, Also sprach Zarathustra, op. 30: VIII. Das Tanzlied, Don Juan, op. 20, Otello: Act III. "Ballabile" (Ballet Music), Salome, op. 54: Tanz der sieben Schleier, Swan Lake Suite: Czardas (Act III), Swan Lake Suite: Dance of the Little Swans (Act II), Swan Lake Suite: Finale (Act IV), Swan Lake Suite: Scene (Act II), Swan Lake Suite: Scene and Second Dance of the Queen of the Swans (Act II), Swan Lake Suite: Valse (Act I), Symphony no. 103 in E-flat major, "Drum Roll": I. Adagio, Allegro con spirito, Symphony no. 103 in E-flat major, "Drum Roll": II. Andante più tosto allegretto, Symphony no. 103 in E-flat major, "Drum Roll": III. Menuetto, Symphony no. 103 in E-flat major, "Drum Roll": IV. Finale, Allegro con spirito, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, The Nutcracker Suite: Arab Dance (Act II), The Nutcracker Suite: Chinese Dance (Act II), The Nutcracker Suite: Dance of the Reed Pipes (Act II), The Nutcracker Suite: Dance of the Sugar-Plum Fairy (Act II), The Nutcracker Suite: Marche (Act I), The Nutcracker Suite: Ouverture Miniature, The Nutcracker Suite: Trepak (Russian dance) (Act II), The Nutcracker Suite: Waltz of the Flowers (Act II), The Sleeping Beauty Suite: Introduction and Lilac Fairy (Prologue), The Sleeping Beauty Suite: Panorama (Act II), The Sleeping Beauty Suite: Pas D'Action (Adagio) (Act I), The Sleeping Beauty Suite: Pas De Caractere (Puss in Boots) (Act III), The Sleeping Beauty Suite: Valse (Act I), Till Eulenspiegels lustige Streiche, op. 28
Giacomo Puccini recording Madama Butterfly: Act I. "... E soffitto e pareti", Madama Butterfly: Act I. "Bimba, bimba, non piangere", Madama Butterfly: Act I. "Cio-cio-san! Cio-cio-san!", Madama Butterfly: Act I. "Dovunque al mondo", Madama Butterfly: Act I. "Ecco. Son giunte al sommo del pendio", Madama Butterfly: Act I. "Gran ventura", Madama Butterfly: Act I. "L'imperial Commissario", Madama Butterfly: Act I. "O Kami! O Kami!", Madama Butterfly: Act I. "Sorride Vostro Onore?", Madama Butterfly: Act I. "Tutti zitti!", Madama Butterfly: Act I. "Vieni, amor mio!", Madama Butterfly: Act I. "leri son salita tutta sola in segreto alla Missione", Madama Butterfly: Act II, Scene I. "C'è. Entrate", Madama Butterfly: Act II, Scene I. "Che tua madre dovrà prenderti in braccio", Madama Butterfly: Act II, Scene I. "E Izaghi ed Izanami, Sarundasico e Kami", Madama Butterfly: Act II, Scene I. "E questo? E questo?", Madama Butterfly: Act II, Scene I. "Ebbene, che fareste, Madama Butterfly?", Madama Butterfly: Act II, Scene I. "Or vienmi ad adornar", Madama Butterfly: Act II, Scene I. "Ora a noi. Sedete qui", Madama Butterfly: Act II, Scene I. "Scuoti quella fronda di ciliegio", Madama Butterfly: Act II, Scene I. "Si sa che aprir la porta", Madama Butterfly: Act II, Scene I. "Udiste?", Madama Butterfly: Act II, Scene I. "Una nave da guerra...", Madama Butterfly: Act II, Scene I. "Vespa! Rospo maledetto!", Madama Butterfly: Act II, Scene II. "Addio fiorito asil", Madama Butterfly: Act II, Scene II. "Chi sia?", Madama Butterfly: Act II, Scene II. "Come una mosca prigioniera", Madama Butterfly: Act II, Scene II. "Con onor muore chi non può serbar vita con onore", Madama Butterfly: Act II, Scene II. "Già il sole!", Madama Butterfly: Act II, Scene II. "Non ve l'avevo detto?", Madama Butterfly: Act II, Scene II. "Suzuki? Suzuki? Dove sei?", Madama Butterfly: Act II, Scene II. "Tu, Suzuki, che sei tanto buona", Madama Butterfly: Act II, Scene II. "lo so che alle pene", Madama Butterfly: Act II, Scene II. (Fischi d'uccelli dal giardino), Madama Butterfly: Act II, Scene II. Intermezzo
Java engineer La bohème: Act I. "Che gelida manina" (Rodolfo), La bohème: Act I. "Chi è là?" (Rodolfo), La bohème: Act I. "Io resto" (Rodolfo), La bohème: Act I. "Legna!" (Rodolfo), La bohème: Act I. "Pensier profondo!" (Colline), La bohème: Act I. "Questo mar rosso" (Marcello), La bohème: Act I. "Si può?" (Benoit), La bohème: Act I. "Si sente meglio?" (Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì" (Mimì), La bohème: Act II. "Aranci, ninnoli! Caldi i marroni e caramelle!" (Monelli), La bohème: Act II. "Chi guardi?" (Rodolfo), La bohème: Act II. "Chi l'ha richiesto?" (Colline), La bohème: Act II. "Oh!" - "Essa!" - "Musetta!" (Rodolfo, Schaunard, Colline, Marcello), La bohème: Act II. "Quando men vo" (Musetta), La bohème: Act II. "Viva Parpignol! Parpignol! Parpignol!" (fanciulli, fanciulle), La bohème: Act III. "Donde lieta uscì al tuo grido" (Mimì), La bohème: Act III. "Dunque è proprio finita!" (Rodolfo), La bohème: Act III. "Marcello. Finalmente!" (Rodolfo), La bohème: Act III. "Mimì è tanto malata!" (Rodolfo), La bohème: Act III. "Mimì è una civetta" (Rodolfo), La bohème: Act III. "Mimì!" (Marcello), La bohème: Act III. "Ohè là, le guardie! Aprite!" (Spazzini), La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì), La bohème: Act IV. "C'è Mimì... c'è Mimì che mi segue" (Musetta), La bohème: Act IV. "Che avvien?" (Schaunard), La bohème: Act IV. "In un coupé?" (Marcello), La bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo), La bohème: Act IV. "Si sgombrino le sale!" (Marcello), La bohème: Act IV. "Sono andati? Fingevo di dormire" (Mimì), La bohème: Act IV. "Vecchia zimarra, senti" (Colline)
Hel Lennart engineer Symphony No. 5: V. Rondo-Finale: Allegro, Symphony No. 6 in A minor: I. Allegro energico, ma non troppo, Symphony No. 6 in A minor: II. Scherzo: Wuchtig, Symphony No. 6 in A minor: IV. Finale: Allegro moderato, Symphony No. 7: I. Langsam - Allegro, Symphony No. 7: II. Nachtmusik I: Allegro moderato, Symphony No. 7: III. Scherzo, Symphony No. 7: IV. Nachtmusik II: Andante amoroso, Symphony No. 7: V. Rondo-Finale, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia, Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”, Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche, Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick, Symphony no. 5: I. Trauermarsch, Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto: Sehr langsam, Symphony no. 6 in A minor: III. Andante
Blugazer balance, performer, recording Contextures: 1/2. Interlude, Prestissimo,, Contextures: 3., Contextures: 4/5. Very slow, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I, Enigma Variations, op. 36: Variation II, Enigma Variations, op. 36: Variation III, Enigma Variations, op. 36: Variation IV, Enigma Variations, op. 36: Variation IX, Enigma Variations, op. 36: Variation V, Enigma Variations, op. 36: Variation VI, Enigma Variations, op. 36: Variation VII, Enigma Variations, op. 36: Variation VIII, Enigma Variations, op. 36: Variation X, Enigma Variations, op. 36: Variation XI, Enigma Variations, op. 36: Variation XII, Enigma Variations, op. 36: Variation XIII, Enigma Variations, op. 36: Variation XIV (Finale), Slavonic March - Slavonic March, for orchestra, Op. 31
Kathryn Dean engineer Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace, Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto, Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante, Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio, Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace), Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo, Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Allegro, Symphony no. 6 in F major, op. 68 "Pastoral": V. Allegretto, Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio - Vivace assai, Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante, Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuet (Allegro molto), Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale (Allegro di molto)
Wizard balance 6 German Dances, K. 509, Cassation in B-flat major, K. 99: I. Marche, Cassation in B-flat major, K. 99: II. Allegro molto, Cassation in B-flat major, K. 99: III. Andante, Cassation in B-flat major, K. 99: IV. Menuet, Cassation in B-flat major, K. 99: V. Andante, Cassation in B-flat major, K. 99: VI. Menuet, Cassation in B-flat major, K. 99: VII. Allegro: Andante - Allegro - Andante - Marche, Serenade (Finalmusik) in D, K. 185: I. Allegro assai, Serenade (Finalmusik) in D, K. 185: II. Andante, Serenade (Finalmusik) in D, K. 185: III. Allegro, Serenade (Finalmusik) in D, K. 185: IV. Menuetto, Serenade (Finalmusik) in D, K. 185: V. Andante grazioso, Serenade (Finalmusik) in D, K. 185: VI. Menuetto, Serenade (Finalmusik) in D, K. 185: VII. Adagio: Allegro assai, Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
Dharshana balance, recording Má Vlast: I. Vyšehrad, Má Vlast: II. Vltava (The Moldau), Má Vlast: III. Šárka, Má Vlast: IV. From Bohemia's Meadows and Groves, Má Vlast: V. Tábor, Má Vlast: VI. Blaník, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso, Symphony no. 7 in D minor, op. 70: IV. Allegro, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
Miles Robinson balance Requiem, op. 89: I. Requiem aeternam, Requiem, op. 89: II. Graduale, Requiem, op. 89: III. Dies irae, Requiem, op. 89: IV. Tuba mirum, Requiem, op. 89: IX. Offertorium, Requiem, op. 89: V. Quid sum miser, Requiem, op. 89: VI. Recordare, Requiem, op. 89: VII. Confutatis maledictis, Requiem, op. 89: VIII. Lacrimosa, Requiem, op. 89: X. Hostias, Requiem, op. 89: XI. Sanctus, Requiem, op. 89: XII. Pie Jesu, Requiem, op. 89: XIII. Agnus Dei
Stand Alones engineer Simple Symphony: I. Boisterous Bourree, Simple Symphony: II. Playful Pizzicato, Simple Symphony: III. Sentimental Saraband, Simple Symphony: IV. Frolicsome Finale, Variation on Frank Bridge: I. Introduction and Theme, Variation on Frank Bridge: II. Adagio, Variation on Frank Bridge: IX. Funeral March, Variation on Frank Bridge: V. Aria italiana, Variation on Frank Bridge: VI. Bourree Classique, Variation on Frank Bridge: VII. Wiener Walzer, Variation on Frank Bridge: VIII. Moto Perpetuo, Variation on Frank Bridge: X. Chant, Variation on Frank Bridge: XI. Fugue and Finale
Govert Flinck engineer Capriccio espagnol, Op. 34 No. 1: Alborada, Capriccio espagnol, Op. 34 No. 2: Variazioni, Capriccio espagnol, Op. 34 No. 3: Alborada, Capriccio espagnol, Op. 34 No. 4: Scena e canto gitano, Capriccio espagnol, Op. 34 No. 5: Fandango asturiano, España, Spanish Dance in E minor, Op. 37 No. 5: Andaluza, Spanish Dances, Op. 12 Book 1: No. 1 in C major, Spanish Dances, Op. 12 Book 1: No. 2 in G major, Spanish Dances, Op. 12 Book 1: No. 3 in A major, Spanish Dances, Op. 12 Book 1: No. 4 in B-flat major, Spanish Dances, Op. 12 Book 1: No. 5 in D major
和泉三月 balance Serenade in B flat, K.361 "Gran partita":1. Largo Allegro molto, Serenade in B flat, K.361 "Gran partita":2. Menuetto (Allegretto) Trio I-II, Serenade in B flat, K.361 "Gran partita":4. Menuetto (Allegretto) Trio I-II, Serenade in B flat, K.361 "Gran partita":5. Romanze (Adagio - Allegretto - Adagio), Serenade in B flat, K.361 "Gran partita":6. Thema con 6 variazioni (Andante), Serenade in B flat, K.361 "Gran partita":7. Finale (Molto allegro), Serenade in C minor, K.388 "Nacht Musik":1. Allegro, Serenade in C minor, K.388 "Nacht Musik":2. Andante, Serenade in C minor, K.388 "Nacht Musik":3. Menuetto in canone, Serenade in C minor, K.388 "Nacht Musik":4. Allegro, Serenade no. 10 in B-flat major, K. 370a/361 "Gran partita": III. Adagio
Ron Pember engineer Art Thou Troubled (Rodelinda, HWV 19), Break in Grief (St. Matthew Passio, BWV 244) (arr. Edward Elgar & Ivor Atkins), Gods All Powerful (Radamisto, HWV 11), He Shall Feed His Flock (Messiah, HWV 56), I Know That My Redeemer Liveth (Messiah, HWV 56), If Thou Be Near (arr. Michael Tippett), Jesu, Joy of Man's Desiring (arr. W.G. Whittaker), Oh Sleep, Why Dost Thou Leave Me? (Semele, HWV 28), Praise Ye the Lord (arr. Woodgate; McCormack), Sheep May Safely Graze (Cantata BWV 208 "Was mir behaft, ist nur di muntre Jagd")
Thomas Buffum balance "Parsifal", Prelude to Act I, Les Préludes, Symphonic Poem no. 3, S. 97, Symphony no. 4 in C major: Adagio - Più lento - Adagio -, Symphony no. 4 in C major: Allegro molto moderato - Passioato-, Symphony no. 4 in C major: Molto vivace - Tempo primo un poco sostenuto - Passionato -, Symphony no. 4 in C major: Tempo primo (Allegro molto moderato), Symphony no. 9 in D minor: I. Feierlich, misterioso, Symphony no. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony no. 9 in D minor: III. Adagio: Langsam, feierlich
Giuseppe Verdi balance Agnus Dei, Dies Irae (Concl.), Dies Irae, Part 1, Libera Me, Lux Aeterna, Offertorio, Requiem, Sanctus
The Jimmy Wakely Trio balance Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro, Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante], Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro, Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso, Symphony no. 36 “Linz”: II. Andante, Symphony no. 36 “Linz”: III. Menuetto, Symphony no. 36 “Linz”: IV. Presto
Alex Valentini recording Bön til natten, En gammal dansrytm, En svane, Fra Monte Pincio, Melodi, Sköldmön, Våren
高侠 recording Hodie Beata Virgo Maria à 5, Litaniae de Beata Virginae Maria à 8, Magnificat à 8, Miserere, Senex puerum portabat à 5, Stabat Mater à 8
Rıfat Ahmet Moralı balance Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio, Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo, Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro, Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato, Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto, Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace
TWINKIDS recording Piano Concerto no. 23 in A major, K. 488: I. Allegro, Piano Concerto no. 23 in A major, K. 488: II. Adagio, Piano Concerto no. 23 in A major, K. 488: III. Allegro assai, Piano Concerto no. 24 in C minor, K. 491: I .Allegro, Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. Allegretto
Κωνσταντίνος Κατωμέρης balance Ballade no. 1 in G minor, op. 23, Ballade no. 2 in F, op. 38, Ballade no. 4 in F minor, op. 52, Trois nouvelles etudes, op. posth.: no. 1 in F minor, Trois nouvelles etudes, op. posth.: no. 2 in A-flat, Trois nouvelles etudes, op. posth.: no. 3 in D-flat
La Tête à l'envers et ses Malentendus sound Elektra: "Du! Du! denn du bist stark!" (Elektra), Elektra: "Elektra!" (Chrysothemis), Elektra: "Es geht ein Lärm los" (Elektra), Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis), Elektra: "Nun muß es hier von uns geschehn" (Elektra), Elektra: "Orest! Orest ist tot!" (Chrysothemis)
Liza Boldyreva engineer Prometheus Overture, op. 43, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Richard Wagner engineer Wesendonk Lieder (Five Poems for Female Voice): "Der Engel", Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus", Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen", Wesendonk Lieder (Five Poems for Female Voice): "Stehe still", Wesendonk Lieder (Five Poems for Female Voice): "Träume"
Kathinka Rebling recording String Quintet in C major, D956: I. Allegro ma non troppo, String Quintet in C major, D956: II. Adagio, String Quintet in C major, D956: III. Scherzo. Presto - Trio. Andante sostenuto, String Quintet in C major, D956: IV. Allegretto
Kevin Tandu balance Khovanshchina: Prelude, Night on the Bare Mountain, Prince Igor: Overture, Ruslan and Lyudmila: Overture
Johannes Brahms engineer Symphony no. 2 In D Major, op. 73: I. Allegro non troppo, Symphony no. 2 In D Major, op. 73: II. Adagio non troppo — l'istesso tempo, ma grazioso, Symphony no. 2 In D Major, op. 73: III. Allegro grazioso — Presto ma non assai, Symphony no. 2 In D Major, op. 73: IV. Allegro con spirito
Lapp-Lisa balance Otello: Act II. "Desdemona rea!", Otello: Act II. "Oh! mostruosa colpa!... Ah! mille vite", Otello: Act II. "Si, pel ciel marmoreo giuro!", Otello: Act III. "Continua - Qui trarro cassio e con astute"
Robin Sheffel sound Elektra: "Nun denn, allein!" (Elektra), Elektra: "Ob ich nicht höre?" (Elektra), Elektra: "Was sagen sie ihr denn?" (Elektra), Elektra: Ich habe ihm das Beil nicht geben können!" (Elektra)
Noisebitch sound Elektra: "Du wirst es tun? Allein?" (Elektra, Orest), Elektra: "Elektra! Elektra" (Orest), Elektra: "Orest!" (Elektra), Elektra: "Was willst du, fremder Mensch?" (Elektra)
E.S.G balance Symphony no. 3 in D minor: I. Mehr langsam, misterioso, Symphony no. 3 in D minor: II. Adagio, bewegt, quasi Andante, Symphony no. 3 in D minor: III. Ziemlich schnell, Symphony no. 3 in D minor: IV. Allegro
Julian Corales balance La Ronde des Lutins, Scherzo fantastique, op. 25, Le Vent, Scherzo-Tarantelle, op. 16
Pilar Kruz balance Otello: Act II. "D'un uom che geme sotto il tuo disdegno", Otello: Act III. "Dio ti giocondi, o sposo dell'alma", Otello: Act III. "Esterrefatta fisso lo sguardo tuo tremendo"
Kaluta Amri Bin Abedi sound Elektra: "Ich habe keine guten Nächte" (Klytämnestra), Elektra: "Was bluten muß?" (Elektra), Elektra: "Wenn das rechte Blutopfer" (Elektra)
Black Rheno balance Otello: Act III. "...e intanto, giacche non si stanca mai", Otello: Act III. "Quest'e il segnale che annuncia", Otello: Act III. "Vieni; l'aula e deserta"
Hank Haint balance Otello: Act I. "Già nella notte densa... venga la morte", Otello: Act IV. "Chi è là? Otello?", Otello: Act IV. "Diceste questa sera le vostre preci?"
Mentes Podres balance Otello: Act III. "A terra! ...si ...nel livido fango", Otello: Act IV. "Ave Maria, piena di grazia, eletta", Otello: Act IV. "Mia madre aveva una povera ancella"
Sabine Chaouch balance Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso -, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro
Richard Strauss engineer Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Allegro
Remi Vaissiere balance Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto
MIAMIGO sound Elektra: "Allein! Weh, ganz allein" (Elektra), Elektra: "Hörst du denn nicht, sie tragen ihn" (Chrysothemis), Elektra: "Schweig, und tanze" (Elektra)
Matt London balance Otello: Act II. "Credo in un Dio crudel", Otello: Act II. "Era la notte, Cassio dormia", Otello: Act II. "Vanne! Ia tua meta già vedo"
Franz Strauss engineer Horn Concerto in C minor, op. 8: I. Allegro molto, Horn Concerto in C minor, op. 8: II. Andante, Horn Concerto in C minor, op. 8: III. Allegro molto
Nathan Henshaw balance Otello: Act II. "Ora e per sempre addio", Otello: Act II. "Tu?! Indietro! fuggi!", Otello: Act III. "Dio! Mi potevi scagliar tutti i mali"
スプレーspray balance Messa da Requiem: Libera me: Dies Irae, Messa da Requiem: Libera me: Libera me, Messa da Requiem: Libera me: Requiem aeternam
NEXENUS balance Messa da Requiem: Lacrimosa, Messa da Requiem: Requiem aeternam / Kyrie, Messa da Requiem: Rex tremendae
Justin Hoffmann balance Otello: Act II. "Pace, signor", Otello: Act III. "Cassio e la! - La cielo! Oh, gioia!"
Hamisi Mishro sound Elektra: "Ich will nichts hören!" (Klytämnestra), Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra)
HOLYCHILD balance An American in Paris, Cuban Overture
Selmar Janson balance, engineer Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja", Tosca: Act III. "Come è lunga l'attesa!" (Tosca)
The Dirge balance Messa da Requiem: Dies irae, Messa da Requiem: Offertorium: Hostias
The Nielsens balance Messa da Requiem: Agnus Dei, Messa da Requiem: Sanctus
Benjamín Gutiérrez balance Messa da Requiem: Confutatis, Messa da Requiem: Tuba mirum
Benjamin Britten engineer Variation on Frank Bridge: III. March, Variation on Frank Bridge: IV. Romance
Andreas Zwirchmair balance Dorfschwalben aus Österreich, op.164, Voices of Spring, op. 410 (vocal version)
Deadspace balance Otello: Act IV. "Era piu calmo?"
Internet User balance Messa da Requiem: Lux Aeterna
Inger Sundberg balance Otello: Act III. "La vedetta del porto ha segnalato"
Necrophilic Autopsy recording Madama Butterfly: Act I. "Viene la sera"
Habanero Posse engineer Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Runaway Kids balance Messa da Requiem: Liber scriptus
Neil Dinar Athale sound Elektra: "Elektra! Schwester!" (Chrysothemis)
SADWRIST balance Messa da Requiem: Quid sum miser
Esther Valles balance Faust: Act 3: Quel trouble inconnu... Salut! Demeure chaste et pure
Maxin balance Rhapsody in Blue
Eberhard Rebling recording Quartettsatz in C minor, D703
Stavanger Brass Band balance Otello: Act IV. "Piangea cantado nell'erma landa"
Anal Milk recording Madama Butterfly: Act I. "America for ever"
DJ Comrade sound Elektra: "He! Lichter! Lichter!" (Aegisth)
Telamon balance Messa da Requiem: Recordare
The Day Trippers balance Otello: Act III. "Messere, son lieto di vedervi"
Pantanum sound Elektra: "Die Götter! Bist doch selber eine Göttin" (Elektra)
Charlotte Arnhold balance Otello: Act II. "Non ti crucciar"
Peter Leung balance Otello: Act IV. "Aprite! Aprite! - Chi è là ?"
Nafloyd Scott recording Madama Butterfly: Act I. Vogliatemi bene (Love Duet)
Tubalaté balance Lincoln Portrait
UMZE Chamber Ensemble balance Faust: Act 2: No.7 Ronde du veau d'or: "Le veau d'or"
Whoreanus recording Madama Butterfly: Act I. "Ier l'altro il Consolato"
Wilfried Kratzer balance Otello: Act II. "Se inconscia, contro te, sposo, ho peccato"
Willy Francisco balance Otello: Act I. "Roderigo, ebben che pensi?"
Without engineer The Young Person's Guide to the Orchestra
Ravi Shakti engineer Manfred Symphony, op. 58: II.Vivace con spirito
Zé Espanhol sound Elektra: "Seid ihr von Sinnen" (Der Pfleger)
Archie and The Bunkers sound Elektra: "Es muß etwas geschehen sein" (Chrysothemis)
「yedgar」 balance Messa da Requiem: Offertorium: Domine Jesu Christe
Anthony Carrington recording Madama Butterfly: Act II. Aria "Un bel dì vedremo" (Butterfly)
Annabelle Jöns balance Otello: Act I. "Abbasso le spade!"
Jauhara Orchestra sound Elektra: "Platz da! Wer lungert so vor einer Tür?" (Junger Diener)
高慶“CO-K”卓史 balance Messa da Requiem: Ingemisco