Carl Schuurbiers

editor, engineer, producer

Top collaborators

Artist name Roles Recordings
Antonín Dvořák
Benjamin Britten
Forgiato Blow
Robert Schumann (German classical composer)
Broeder Hildebrand

Work on other artists' recordings

Artist name Roles Recordings
Antonín Dvořák engineer (applause), Requiem - Part 1. Confutatis maledictus, Requiem - Part 1. Graduale: Requiem aeternam, Requiem - Part 1. Introitus: Requiem aeternam, Requiem - Part 1. Lacrimosa, Requiem - Part 1. Quid sum miser, Requiem - Part 1. Recordare, Jesu pie, Requiem - Part 1. Sequentia: Dies irae, Requiem - Part 1. Tuba mirum, Requiem - Part 2. Agnus Dei, Requiem - Part 2. Hostias, Requiem - Part 2. Offertorium: Domine Jesu Christe, Requiem - Part 2. Pie Jesu, Requiem - Part 2. Sanctus: Sanctus & Benedictus, Symphony No 8 - I. Allegro con brio, Symphony No 8 - II. Adagio, Symphony No 8 - III. Allegretto grazioso, Symphony No 8 - IV. Allegro ma non troppo
Benjamin Britten editor Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro
Forgiato Blow producer Hamlet, op. 67a: Fanfare, Hamlet, op. 67a: No. 1. Mélodrame. Moderato assai, Hamlet, op. 67a: No. 10. Scène d'Ophélie. Andantino, Hamlet, op. 67a: No. 11. Deuxième Scène d'Ophélie. Moderato, Hamlet, op. 67a: No. 12. Entr'acte. Marcia. Moderato assai, Hamlet, op. 67a: No. 13. Chant du Fossoyeur. Andantino, Hamlet, op. 67a: No. 15. Fanfare. Allegro giusto, Hamlet, op. 67a: No. 16. Marche finale. Allegro risoluto ma non troppo, Hamlet, op. 67a: No. 2. Fanfare. Allegro vivo, Hamlet, op. 67a: No. 3. Mélodrame. Moderato assai, Hamlet, op. 67a: No. 4. Mélodrame. Allegro giusto ed agitato, Hamlet, op. 67a: No. 5. Entr'acte. Allegro semplice, Hamlet, op. 67a: No. 6. Fanfare, Hamlet, op. 67a: No. 7. Entr'acte. Andante quasi allegretto, Hamlet, op. 67a: No. 8. Mélodrame. Allegro giusto ad agitato, Hamlet, op. 67a: No. 9. Entr'acte. Andante non troppo, Hamlet, op. 67a: Overture, Romea and Juliet "Fantasy Overture" (original 1869 version)
Robert Schumann editor Adagio und Allegro As-Dur für Horn und Klavier, op. 70, Drei Romanzen für Oboe und Klavier, op. 94: Einfach, innig, Drei Romanzen für Oboe und Klavier, op. 94: Nicht schnell, Fantasiestücke für Klarinette und Klavier, op. 73: Lebhaft, leicht, Fantasiestücke für Klarinette und Klavier, op. 73: Rasch und mit Feuer, Fantasiestücke für Klarinette und Klavier, op. 73: Zart und mit Ausdruck, Sonate a-Moll für Violine und Klavier, op. 105: Allegretto, Sonate a-Moll für Violine und Klavier, op. 105: Lebhaft, Sonate a-Moll für Violine und Klavier, op. 105: Mit leidenschaftlichem Ausdruck
Broeder Hildebrand editor "Egmont" Overture, op. 84, Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto
Béla Bartók engineer Bluebeard's Castle: Opening scene: Megérkeztünk, Bluebeard's Castle: Prologue: Haj rego rejtem
Anna Atkinson producer Ode to the End of the War, op. 105