Musical Bacon: Carl Schuurbiers

Artist name	Roles	Recordings
Antonín Dvořák	engineer	(applause), Requiem - Part 1. Confutatis maledictus, Requiem - Part 1. Graduale: Requiem aeternam, Requiem - Part 1. Introitus: Requiem aeternam, Requiem - Part 1. Lacrimosa, Requiem - Part 1. Quid sum miser, Requiem - Part 1. Recordare, Jesu pie, Requiem - Part 1. Sequentia: Dies irae, Requiem - Part 1. Tuba mirum, Requiem - Part 2. Agnus Dei, Requiem - Part 2. Hostias, Requiem - Part 2. Offertorium: Domine Jesu Christe, Requiem - Part 2. Pie Jesu, Requiem - Part 2. Sanctus: Sanctus & Benedictus, Symphony No 8 - I. Allegro con brio, Symphony No 8 - II. Adagio, Symphony No 8 - III. Allegretto grazioso, Symphony No 8 - IV. Allegro ma non troppo
Benjamin Britten	editor	Insect Pieces, for Oboe & Piano, op. posth.: I. The Grasshoper, Insect Pieces, for Oboe & Piano, op. posth.: II. The Wasp, Phantasy Quartet, for Oboe & String Trio in F Minor, op. 2, Six Metamorphoses After Ovid, op. 49: I. Pan, Who Played Upon the Reed Pipe Which Was Syrinx, His Beloved, Six Metamorphoses After Ovid, op. 49: II. Phaeton, Who Made Upon the Chariot of the Sun for One Day and Was Hurled Into the River Padus by a Thunderbolt, Six Metamorphoses After Ovid, op. 49: III. Niobe, Who, Lamenting the Death of Her Fourteen Children, Was Turned Into a Mountain, Six Metamorphoses After Ovid, op. 49: IV. Bacchus, at Whose Feast Is Heard the Noise of Gaggling Women's Tattling Tongues and Shouting Out of Boys, Six Metamorphoses After Ovid, op. 49: V. Narcissus, Who Fell in Love With His Own Image and Became a Flower, Six Metamorphoses After Ovid, op. 49: VI. Arethusa, Who, Flying From the Love of Alpheus the River God, Was Turned Into a Fountain, Temporal Variations for Oboe and Piano, op. posth.: I. Theme. Andante Rubato, Temporal Variations for Oboe and Piano, op. posth.: II. Oration. Lento Quasi Recitativo, Temporal Variations for Oboe and Piano, op. posth.: III. March. Alla Marcia, Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises. Allegro Molto E Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution. Maestoso (Ma Non Troppo Lento), Temporal Variations for Oboe and Piano, op. posth.: V. Commination. Adagio Con Fuoco, Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale. Molto Lento, Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz. Allegretto Rubato, Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka, Tempo di Polka. Allegro
Forgiato Blow	producer	Hamlet, op. 67a: Fanfare, Hamlet, op. 67a: No. 1. Mélodrame. Moderato assai, Hamlet, op. 67a: No. 10. Scène d'Ophélie. Andantino, Hamlet, op. 67a: No. 11. Deuxième Scène d'Ophélie. Moderato, Hamlet, op. 67a: No. 12. Entr'acte. Marcia. Moderato assai, Hamlet, op. 67a: No. 13. Chant du Fossoyeur. Andantino, Hamlet, op. 67a: No. 15. Fanfare. Allegro giusto, Hamlet, op. 67a: No. 16. Marche finale. Allegro risoluto ma non troppo, Hamlet, op. 67a: No. 2. Fanfare. Allegro vivo, Hamlet, op. 67a: No. 3. Mélodrame. Moderato assai, Hamlet, op. 67a: No. 4. Mélodrame. Allegro giusto ed agitato, Hamlet, op. 67a: No. 5. Entr'acte. Allegro semplice, Hamlet, op. 67a: No. 6. Fanfare, Hamlet, op. 67a: No. 7. Entr'acte. Andante quasi allegretto, Hamlet, op. 67a: No. 8. Mélodrame. Allegro giusto ad agitato, Hamlet, op. 67a: No. 9. Entr'acte. Andante non troppo, Hamlet, op. 67a: Overture, Romea and Juliet "Fantasy Overture" (original 1869 version)
Robert Schumann	editor	Adagio und Allegro As-Dur für Horn und Klavier, op. 70, Drei Romanzen für Oboe und Klavier, op. 94: Einfach, innig, Drei Romanzen für Oboe und Klavier, op. 94: Nicht schnell, Fantasiestücke für Klarinette und Klavier, op. 73: Lebhaft, leicht, Fantasiestücke für Klarinette und Klavier, op. 73: Rasch und mit Feuer, Fantasiestücke für Klarinette und Klavier, op. 73: Zart und mit Ausdruck, Sonate a-Moll für Violine und Klavier, op. 105: Allegretto, Sonate a-Moll für Violine und Klavier, op. 105: Lebhaft, Sonate a-Moll für Violine und Klavier, op. 105: Mit leidenschaftlichem Ausdruck
Broeder Hildebrand	editor	"Egmont" Overture, op. 84, Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio, Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto
Béla Bartók	engineer	Bluebeard's Castle: Opening scene: Megérkeztünk, Bluebeard's Castle: Prologue: Haj rego rejtem
Anna Atkinson	producer	Ode to the End of the War, op. 105

Carl Schuurbiers

Top collaborators

Work on other artists' recordings