| Capella Savaria |
performing orchestra |
Brockes Passion: "Der Gott, dem alle Himmelskreise" (Tochter Zion), Brockes Passion: "Eilt, ihr angefochten Seelen!" (Coro, Tochter Zion), Brockes Passion: "Ist 's möglich" (Jesus), Brockes Passion: "Mich vom Stricke meiner Sünden" (soprano, alto, coro), Brockes Passion: Accompagnato "Bei Jesus' Tod und Leiden" (Gläubige Seele), Brockes Passion: Accompagnato "Das ist mein Blut" (Jesus), Brockes Passion: Accompagnato "Das ist mein Leib" (Jesus), Brockes Passion: Aria "Bestürzter Sünder" (Tochter Zion), Brockes Passion: Aria "Brich, brüllender Abgrund" (Gläubige Seele), Brockes Passion: Aria "Brich, mein Herz" (Tochter Zion), Brockes Passion: Aria "Dem Himmel gleicht" (Gläubige Seele), Brockes Passion: Aria "Die Rosen krönen" (Tochter Zion), Brockes Passion: Aria "Die ihr Gottes Gnad'versäumet" (Tochter Zion), Brockes Passion: Aria "Erwäg, erwäg" (tenor), Brockes Passion: Aria "Es scheint, da den zerkerbten Rücken" (tenor), Brockes Passion: Aria "Gift und Glut" (Petrus), Brockes Passion: Aria "Gott selbst der Brunnquell" (Tochter Zion), Brockes Passion: Aria "Heil der Welt" (Tochter Zion), Brockes Passion: Aria "Heir erstarrt mein Herz" (Gläubige Seele), Brockes Passion: Aria "Heul, du Fluch!" (Petrus), Brockes Passion: Aria "Jesu! Jesu" (Tochter Zion), Brockes Passion: Aria "Lass doch diese herbe Schmerzen" (Tochter Zion), Brockes Passion: Aria "Lasst diese Tat nicht ungerochen" (Judas), Brockes Passion: Aria "Mein Vater, mein Vater!" (Jesus), Brockes Passion: Aria "Meine Laster sind die Stricke" (Tochter Zion), Brockes Passion: Aria "Nehmt mich mit" (Petrus), Brockes Passion: Aria "Schau, ich fall'in strenger Busse" (Petrus), Brockes Passion: Aria "Schäumest du, du Schaum der Welt" (Tochter Zion), Brockes Passion: Aria "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele), Brockes Passion: Aria "Was Bärentatzen, Löwenklauen" (Tochter Zion), Brockes Passion: Aria "Was Wunder, dass der Sonnen Pracht" (Gläubige Seele), Brockes Passion: Aria "Weil ich den Hirten schlaagen werde" (Jesus), Brockes Passion: Aria "Wie kommt's, dass da der Himmel weint" (Gläubige Seele), Brockes Passion: Aria "Wisch ab der Tränen scharfe Lauge" (Tochter Zion), Brockes Passion: Arioso "Besinne dich, Pilatus" (Tochter Zion), Brockes Passion: Arioso "Erwachet doch!" (Jesus, Petrus, Johannes, Jacobus), Brockes Passion: Arioso "Ich seh'an einen Stein gebunden" (Gläubige Seele), Brockes Passion: Arioso "Ich will versinken" (Petrus), Brockes Passion: Arioso "Mein Heiland" (Gläubige Seele), Brockes Passion: Arioso "Sünden, schaut mich Furcht" (Tochter Zion), Brockes Passion: Coro "Ach, Gott und Herr", Brockes Passion: Coro "Ach, wie hungert mein Gemüte", Brockes Passion: Coro "Bestrafe diesen Übeltäter", Brockes Passion: Coro "Ein jeder sei ihm untertänig!", Brockes Passion: Coro "Er hat den Tod verdient", Brockes Passion: Coro "Er soll uns nicht entlaufen", Brockes Passion: Coro "Greift zu, schlagt tot", Brockes Passion: Coro "Ich bin ein Glied", Brockes Passion: Coro "Mein' Sünd'mich werden kränken", Brockes Passion: Coro "Nein, diesen nicht", Brockes Passion: Coro "O Menschenkind", Brockes Passion: Coro "O weh, sie binden ihn", Brockes Passion: Coro "Pfui, pfui, pfui!", Brockes Passion: Coro "Weg, weg, weg!", Brockes Passion: Coro "Wir wollen alle eh'erblassen", Brockes Passion: Duet "Soll mein Kind" (Maria, Jesus), Brockes Passion: Duetto "Sprichst du denn" (Tochter Zion, Jesus), Brockes Passion: Recitativo "Ach Gott, ach Gott!" (Maria), Brockes Passion: Recitativo "Als Jesus nun zu Tische sasse" (evangelist), Brockes Passion: Recitativo "Als Jesus nun" (Evangelist, Caiphas, Jesus), Brockes Passion: Recitativo "Aufs wenigste will ich" (Petrus, Jesus), Brockes Passion: Recitativo "Der zarten Schläfen" (Tochter Zion), Brockes Passion: Recitativo "Die Nacht war kaum vorbei" (Evangelist, Tochter Zion), Brockes Passion: Recitativo "Die Pein vermehrte sich" (evangelist), Brockes Passion: Recitativo "Dies sahe Petrus an" (Magd 1, Petrus, Magd 2, Magd 3), Brockes Passion: Recitativo "Dies war zur neunten Stund'" (evangelist), Brockes Passion: Recitativo "Doch wie, will ich" (Petrus), Brockes Passion: Recitativo "Drauf beugten sie aus Spott" (Evangelist), Brockes Passion: Recitativo "Drauf krähete der Hahn" (evangelist, Petrus), Brockes Passion: Recitativo "Drauf lief ein Dienstknecht hin" (evangelist), Brockes Passion: Recitativo "Drauf sagten sie dem Höchsten Dank" (evangelist, Jesus), Brockes Passion: Recitativo "Drauf zerreten die Kriegsknechte" (Evangelist), Brockes Passion: Recitativo "Drum, Seele, schau" (Gläubige Seele), Brockes Passion: Recitativo "Ein Engel aber kam" (evangelist), Brockes Passion: Recitativo "Es ist gewiss" (Jesus), Brockes Passion: Recitativo "Hast du denn kein Gehör?" (Pilatus, Evangelist), Brockes Passion: Recitativo "Ja, ja, es brüllet schon" (Gläubige Seele, Hauptmann), Brockes Passion: Recitativo "Ja, scheuten sich nicht" (Evangelist), Brockes Passion: Recitativo "Mich drückt der Sünden" (Jesus), Brockes Passion: Recitativo "Nimm, Rabbi, diesen Kuss" (Judas, Jesus), Brockes Passion: Recitativo "O Anblick, o entsetzliches Gesicht!" (Gläubige Seele), Brockes Passion: Recitativo "O Grossmut!" (Tochter Zion, evangelist), Brockes Passion: Recitativo "O selig wer dies glaubt" (Gläubige Seele, evangelist), Brockes Passion: Recitativo "Oh, was hab'ich, verfluchter Mensch" (Judas), Brockes Passion: Recitativo "Pilatus wunderte sich sehr" (Evangelist), Brockes Passion: Recitativo "Sobald er nun gekreuzigt war" (evangelist), Brockes Passion: Recitativo "Steck nur das Schwert" (Jesus), Brockes Passion: Recitativo "Und Jesus ward" (Caiphas, Jesus, Kriegsknecht), Brockes Passion: Recitativo "Und bald hernach" (evangelist), Brockes Passion: Recitativo "Und der Verräter" (evangelist, Judas), Brockes Passion: Recitativo "Und eh'die Rede" (evangelist), Brockes Passion: Recitativo "Und eine dicke Finsternis" (evangelist), Brockes Passion: Recitativo "Und er trug selbst sein Kreuz" (evangelist, Tochter Zion), Brockes Passion: Recitativo "Unsäglich ist mein Schmerz" (Judas), Brockes Passion: Recitativo "Verwegner Dorn" (Tochter Zion), Brockes Passion: Recitativo "Was fang'ich denn" (Pilatus), Brockes Passion: Recitativo "Was hat er denn getan?" (Pilatus), Brockes Passion: Recitativo "Wie er nun sah" (Evangelist), Brockes Passion: Recitativo "Wie man ihm nun genug" (evangelist), Brockes Passion: Recitativo "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus), Brockes Passion: Recitativo "Wie nun das Blut" (Evangelist), Brockes Passion: Recitativo "Wie sie nun an die Stätte" (evangelist), Brockes Passion: Recitativo "Wo flieht ihr hin?" (Petrus), Brockes Passion: Recitativo "Worauf sie mit dem Rohr" (Evangelist), Brockes Passion: Sinfonia, Brockes Passion: Terzetto "O Donnerwort!", Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Ma gia sento", Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Oh delizie d'amor", Cantata, HWV 142 "Notte placida e cheta": Aria "Che non si da", Cantata, HWV 142 "Notte placida e cheta": Aria "Luci belle, vaghe stelle", Cantata, HWV 142 "Notte placida e cheta": Aria "Per un istante", Cantata, HWV 142 "Notte placida e cheta": Aria "Zeffiretti, deh venite", Cantata, HWV 142 "Notte placida e cheta": Recitativo "Momento fortunato", Cantata, HWV 142 "Notte placida e cheta": Recitativo "Notte placida e cheta", Cantata, HWV 150 "Ero e Leandro": Aria "Empio mare", Cantata, HWV 150 "Ero e Leandro": Aria "Se la morte non vorra", Cantata, HWV 150 "Ero e Leandro": Aria "Si muora", Cantata, HWV 150 "Ero e Leandro": Recitativo "Amore, che ascoso", Cantata, HWV 150 "Ero e Leandro": Recitativo "Ecco, gelide labbra", Cantata, HWV 150 "Ero e Leandro": Recitativo "Qual ti riveggio, oh Dio", Cantata, HWV 150 "Ero e Leandro": Recitativo "Questi dalla mia fronte", Cantata, HWV 82 "Il duello amoroso": Aria "E vanita d'un cor" (Daliso), Cantata, HWV 82 "Il duello amoroso": Aria "Piacer che non si dona" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Aria "Pietoso sguardo" (Daliso), Cantata, HWV 82 "Il duello amoroso": Aria "Quel nocchiero" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Arioso "Si, si lasciami, ingrata" (Daliso), Cantata, HWV 82 "Il duello amoroso": Arioso "Su, su, restati in prace" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Duetto "Si, si / Su, su": ritornello (Daliso, Amarilli), Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli vezzosa" (Daliso), Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli, Amarilli" (Daliso), Cantata, HWV 82 "Il duello amoroso": Recitativo "Dunque tanto s'avanza" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Recitativo "Or su gia che ostinato" (Amarilli, Daliso), Cantata, HWV 82 "Il duello amoroso": Recitativo "Si, si crudel" (Daliso, Amarilli), Cantata, HWV 82 "Il duello amoroso": Sonata, Johannes Passion: Aria "Bebet, ihr Berge" (soprano), Johannes Passion: Aria "Boheit ohne Zahl" (soprano), Johannes Passion: Aria "Du musst den Rock verlieren" (tenore), Johannes Passion: Aria "Durch dien Gefängnis" (soprano), Johannes Passion: Aria "Erschüttere mit Krachen" (basso), Johannes Passion: Aria "Getrost, mein Herz" (alto), Johannes Passion: Aria "Jesu, wonach dürstet dich" (soprano), Johannes Passion: Aria "O grosses Werk" (basso) / Recitativo "Und neigte das Haupt und verschied" (evangelist), Johannes Passion: Coro "Schlafe wohl nach deinen Leiden", Johannes Passion: Duetto "Ich gehe mit in's Grab" (soprano, basso), Johannes Passion: Duetto "Schauet, mein Jesus ist Rosen zu gleichen" (soprano I, soprano II), Johannes Passion: Duetto "War das Wasser denn zu schlecht" (soprano, basso), Johannes Passion: Duetto "Welche sind des Heilands Erben?" (tenore I, tenore II), Johannes Passion: Recitativo "Also ging Jesus heraus" (evangelist), Johannes Passion: Recitativo "Aus dass erfüllet würde Schrift" (evangelist) / Accompagnato "Sie haben meine Kleider unter sich erteilet" (evangelist) / Recitativo "Solches taten die Kriegsknechte" (evangelist), Johannes Passion: Recitativo "Da Pilatus das Wort höret" (Pilatus, evangelist) / Arioso "Redest du nicht mit mir?" (Pilatus), Johannes Passion: Recitativo "Da Pilatus das Wort höret" (evangelist) / Arioso "Sehet, das ist euer König!" (Pilatus), Johannes Passion: Recitativo "Da ihn Hohenpriester" (evangelist) / Coro "Kreuzige, kreuzige!", Johannes Passion: Recitativo "Da stund ein Gefäss voll Essig" (evangelist) / Arioso "Es ist vollbracht!" (Jesus), Johannes Passion: Recitativo "Da überantwortet er ihn" (evangelist), Johannes Passion: Recitativo "Der Rock aber war ungenäht" (evangelist) / Coro "Lasset uns den nicht zerteilen", Johannes Passion: Recitativo "Die Hohenpriester antworteten" (evangelist) / Coro "Wir haben keinen König", Johannes Passion: Recitativo "Die Juden aber schrieen" (evangelist) / Coro "Lässest du diesen los", Johannes Passion: Recitativo "Die Juden aber" (evangelist), Johannes Passion: Recitativo "Die Juden antworteten ihm" (evangelist) / Coro "Wir haben ein Gesetze", Johannes Passion: Recitativo "Die Kriegsknechte aber" (evangelist), Johannes Passion: Recitativo "Es stund aber bei dem Kreuz" (evangelist) / Arioso "Weib, siehe, das ist dein Sohn" (Jesus) / Recitativo "Darnach spricht er zu dem Jünger" (evangelist) / Arioso "Siehe, das ist deine Mutter" (Jesus), Johannes Passion: Recitativo "Es war aber an der Stätte" (evangelist), Johannes Passion: Recitativo "Jesus antwortet" (evangelist) / Aria "Du hättest kein Maht über mir" (Jesus) / Recitativo "Von dem an trachtet Pilatus" (evangelist), Johannes Passion: Recitativo "Pilatus aber schrieb eine Überschrift" (evangelist) / Coro "Schreib'nicht "Der Juden König" " / Recitativo "Pilatus antwortet" (evangelist) / Arioso "Was ich geschrieben habe" (Pilatus), Johannes Passion: Recitativo "Pilatus spricht zu ihnen" (evangelist) / Arioso "Nehmet ihr ihn hin" (Pilatus), Johannes Passion: Recitativo "Sie schrieen alle" (evangelist) / Coro "Weg, weg mit dem", Johannes Passion: Recitativo "Spricht Pilatus zu ihnen" (evangelist) / Arioso "Soll ich euren König kreuzigen?" (Pilatus), Johannes Passion: Recitativo "Und der es gesehen hat" (evangelist), Johannes Passion: Recitativo "Und die Kriegsknechte" (evangelist) / Coro "Sei gegrüsset", Johannes Passion: Recitativo "Und er spricht zu ihnen" (evangelist) / Arioso "Sehet, welch ein Mensch" (Pilatus), Johannes Passion: Recitativo "Und gaben ihm Backenstreiche" (evangelist) / Arioso "Sehet, ich führe ihn heraus" (Pilatus), Johannes Passion: Recitativo "Und von Stund an" (evangelist) / Arioso "Mich Dürstet!" (Jesus), Johannes Passion: Sinfonia / Recitativo "Da nahm Pilatus Jesum" (evangelist) |
| Les Arts Florissants |
performer, performing orchestra, vocal |
Acis and Galatea: Act I. "As when the dove laments her love" (Galatea), Acis and Galatea: Act I. "Happy we!" (Acis, Galatea), Acis and Galatea: Act I. "Hush, ye pretty warbling quire!" (Galatea), Acis and Galatea: Act I. "Love in her eyes sits playing" (Acis), Acis and Galatea: Act I. "Shepherd, what art thou pursuing" (Damon), Acis and Galatea: Act I. "Where shall I seek the charming fair?" (Acis), Acis and Galatea: Act I. Chorus "Happy we!", Acis and Galatea: Act I. Chorus "Oh, the pleasure of the plains", Acis and Galatea: Act I. Recitativo "Lo! Here my love" (Acis), Acis and Galatea: Act I. Recitativo "Oh! Didst thou know the pains" (Galatea), Acis and Galatea: Act I. Recitativo "Stay, shepherd, stay!" (Damon), Acis and Galatea: Act I. Recitativo "Ye verdant plains and woody mountains" (Galatea), Acis and Galatea: Act I. Sinfonia, Acis and Galatea: Act II. "Cease to beauty to be suing" (Polyphemus), Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon), Acis and Galatea: Act II. "Heart, the seat of soft delight" (Galatea), Acis and Galatea: Act II. "Love sounds th'alarm" (Acis), Acis and Galatea: Act II. "Must I my Acis still bemoan" (Galatea, Chorus), Acis and Galatea: Act II. "O ruddier than the cherry" (Polyphemus), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. "Would you gain the tender creature" (Damon), Acis and Galatea: Act II. Chorus "Galatea, dry thy tears", Acis and Galatea: Act II. Chorus "Mourn, all ye muses!", Acis and Galatea: Act II. Chorus "Wretched lovers!", Acis and Galatea: Act II. Recitativo "'Tis done: thus I exert pow'r divine" (Galatea), Acis and Galatea: Act II. Recitativo "Cease, oh cease, thou gentle youth" (Galatea), Acis and Galatea: Act II. Recitativo "His hideous love provokes my rage" (Acis), Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea), Acis and Galatea: Act II. Recitativo accompagnato "Help, Galatea! Help, ye parent gods!", Acis and Galatea: Act II. Recitativo accompagnato "I rage, I melt, I burn" (Polyphemus), Alcina, HWV 34: Act II, Scene I. Aria "Ah! Mio cor!" (Alcina), Alcina: Atto I, Scena I. Aria "O s'apre al riso" (Morgana), Alcina: Atto I, Scena I. Recitativo "Oh Dei! Quivi non scorgo alcun sentiero!" (Bradamante), Alcina: Atto I, Scena II. Aria "Di', cor mio, quanto t'amai" (Alcina), Alcina: Atto I, Scena II. Coro "Questo è il cielo de' contenti", Alcina: Atto I, Scena II. Recitativo "Ecco l'infido" (Bradamante), Alcina: Atto I, Scena III. Aria "Chi m'insegna il caro padre?" (Oberto), Alcina: Atto I, Scena III. Recitativo "Generosi guerrier" (Oberto), Alcina: Atto I, Scena IV. Aria "Di te mi rido" (Ruggiero), Alcina: Atto I, Scena IV. Recitativo "Mi ravvisi" (Bradamante), Alcina: Atto I, Scena IX. Recitativo "Ah, infedele, infedel!" (Ruggiero), Alcina: Atto I, Scena V. Recitativo "Qua dunque ne veniste" (Oronte), Alcina: Atto I, Scena VI. Aria "E gelosia" (Bradamante), Alcina: Atto I, Scena VII. Recitativo "lo dunque" (Oronte) / Atto I, Scena VIII. Recitativo "La cerco in vano" (Ruggiero), Alcina: Atto I, Scena VIII. Aria "Semplicetto!" (Oronte), Alcina: Atto I, Scena X. Aria "Sì, son quella!" (Alcina), Alcina: Atto I, Scena XI. Recitativo "Se nemico mi fossi" (Bradamante) / Atto I, Scena XII. Recitativo "Bradamante favella?" (Ruggiero), Alcina: Atto I, Scena XII. Aria "La bocca vaga" (Ruggiero), Alcina: Atto I, Scena XIII. Recitativo "Fuggi cor mio" (Morgana), Alcina: Atto II, Scena I. Aria "Pensa a chi geme d'amor" (Melisso), Alcina: Atto II, Scena I. Arioso "Col celarvi a chi v'ama" (Ruggiero) - Recitativo "Taci, taci codardo" (Melisso), Alcina: Atto II, Scena I. Arioso "Qual portento mi richiama" (Ruggiero), Alcina: Atto II, Scena I. Recitativo "Ah, Bradamante!" (Ruggiero), Alcina: Atto II, Scena II. Aria "Vorrei vendicarmi" (Bradamante), Alcina: Atto II, Scena II. Recitativo "Qual odio ingiusto contro me?" (Bradamante), Alcina: Atto II, Scena III. Aria "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Atto II, Scena III. Recitativo "Chi scopre al mio pensiero" (Ruggiero), Alcina: Atto II, Scena IV. Recitativo "S'acquieti il rio sospetto" (Alcina) / Atto II, Scena V. Recitativo "E la tua pace" (Morgana), Alcina: Atto II, Scena IX. Recitativo "Or, che dici, Morgana?" (Oronte), Alcina: Atto II, Scena V. Aria "Ama, sospira" (Morgana), Alcina: Atto II, Scena VI. Aria "Mio bel tesoro" (Ruggiero), Alcina: Atto II, Scena VI. Recitativo "Non scorgo nel tuo viso" (Alcina), Alcina: Atto II, Scena VII. Aria "Tra speme e timore" (Oberto), Alcina: Atto II, Scena VII. Recitativo "Regina, io cerco in vano" (Oberto), Alcina: Atto II, Scena VIII. Aria "Ah! mio cor!" (Alcina), Alcina: Atto II, Scena VIII. Recitativo "Regina, sei tradita" (Oronte), Alcina: Atto II, Scena X. Aria "E un folle" (Oronte), Alcina: Atto II, Scena XI. Aria "Verdi prati" (Ruggiero), Alcina: Atto II, Scena XI. Recitativo "Eccomi a' piedi tuoi" (Ruggiero), Alcina: Atto II, Scena XII. Aria "Ombre pallide" (Alcina), Alcina: Atto II, Scena XII. Recitativo accompagnato "Ah! Ruggiero crude!" (Alcina), Alcina: Atto III, Scena I. Aria "Credete al mio dolore" (Morgana), Alcina: Atto III, Scena I. Aria "Un momento di contento" (Oronte), Alcina: Atto III, Scena I. Recitativo "M'inganna, me n'avveggo" (Oronte), Alcina: Atto III, Scena I. Recitativo "Voglio amar e disamar" (Oronte), Alcina: Atto III, Scena II. Aria "Ma quando tornerai" (Alcina), Alcina: Atto III, Scena II. Recitativo "Molestissimo incontro!" (Ruggiero), Alcina: Atto III, Scena III. Aria "Sta nell'lrcana" (Ruggiero), Alcina: Atto III, Scena III. Recitativo "Tutta d'armate squadre" (Melisso), Alcina: Atto III, Scena IV. Aria "All'alma fedel" (Bradamante), Alcina: Atto III, Scena IV. Recitativo "Vanne tu seco ancora" (Melisso), Alcina: Atto III, Scena V. Aria "Mi restano le lagrime" (Alcina), Alcina: Atto III, Scena V. Recitativo "Niuna forza lo arresta" (Oronte), Alcina: Atto III, Scena VI. Aria "Barbara!" (Oberto), Alcina: Atto III, Scena VI. Recitativo "Già vicino è il momento" (Oberto), Alcina: Atto III, Scena VII. Recitativo "Le lusinghe" (Bradamante), Alcina: Atto III, Scena VII. Terzetto "Non è amor, nè gelosia" (Ruggiero, Alcina, Bradamante), Alcina: Atto III, Scena VIII. Recitativo "Ah mio Ruggier, che tenti?" (Alcina) / Atto III, Scena IX. Recitativo "Misera, ah, no!" (Alcina) / Atto III, Scena ultima. Recitativo "A che tardi?" (Melisso), Alcina: Atto III, Scena ultima. Coro "Dall'orror di notte cieca", Alcina: Atto III, Scena ultima. Coro "Dopo tante amare pene", Alcina: Atto III, Scena ultima. Entrée, Alcina: Atto III, Scena ultima. Tamburino, Alcina: Atto III. Sinfonia, Alcina: Minuet, Alcina: Musette, Alcina: Sinfonia, Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro, Lascia ch'io pianga, Messiah, HWV 56: Part I, IV. Chorus: "And the glory of the Lord shall be revealed", Messiah, HWV 56: Part I, VIIa. Chorus "And He shall purify the sons of Levi", Messiah, HWV 56: Part I, XI. Chorus "For unto us a child is born", Messiah, HWV 56: Part I, XVIII. Chorus "His yoke is easy, His burden is light", Messiah, HWV 56: Part II, XIX. Chorus "Behold the lamb of God", Messiah, HWV 56: Part II, XXI. Chorus "Surely, He hath borne our griefs / XXII. Chorus "And with His stripes we are healed" / XXIII. Chorus: "All we like sheep have gone astray", Messiah, HWV 56: Part II, XXXIII. Chorus "The Lord gave the world", Messiah, HWV 56: Part II, XXXIX. Chorus "Hallelujah!", Messiah, HWV 56: Part II, XXXVIIa. Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II, XXXVa. Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II, XXXa. Chorus "Lift up your heads, O ye gates", Messiah, HWV 56: Part III, XLI. Chorus "Since by man came death", Messiah, HWV 56: Part III, XLVIIa. Chorus "Worthy is the Lamb that was slain", Messiah, HWV 56: Part III, XLVIIb. Chorus "Amen", Messiah: Part I. Air "But who may abide the day of His coming?", Messiah: Part I. Air "Every valley shall be exalted", Messiah: Part I. Air "Rejoice greatly, O daughter of Zion", Messiah: Part I. Chorus "And He shall purify the sons of Levi", Messiah: Part I. Chorus "And the glory of the Lord shall be revealed", Messiah: Part I. Chorus "For unto us a child is born", Messiah: Part I. Chorus "His yoke is easy, and His burthen is light", Messiah: Part I. Pastoral Symphony, Messiah: Part I. Recitative "Behold, a virgin shall conceive" - Air "O thou that tellest good tidings to Zion" - Chorus "O thou that tellest good tidings to Zion, arise", Messiah: Part I. Recitative "Comfort ye, my people, saith your God", Messiah: Part I. Recitative "For behold, darkness shall cover the earth" - Air "The people that walked in darkness", Messiah: Part I. Recitative "Then shall the eyes of the blind be opened" - Air "He shall feed His flock like a shepherd", Messiah: Part I. Recitative "There were shepherds abiding in the field" - Recitative "And lo, the angel of the Lord came upon them" - Recitative "And the angel said unto them: Fear not, for behold" - Chorus "Glory to God in the highest", Messiah: Part I. Recitative "Thus saith the Lord of Hosts", Messiah: Part I. Sinfonia, Messiah: Part II. Air "But Thou didst not leave His soul in hell", Messiah: Part II. Air "He was despised and rejected of men", Messiah: Part II. Air "How beautiful are the feet of them", Messiah: Part II. Air "Thou art gone up on high", Messiah: Part II. Air "Why do the nations so furiously rage together", Messiah: Part II. Chorus "Behold the lamb of God", Messiah: Part II. Chorus "Hallelujah!", Messiah: Part II. Chorus "Let us break their bonds asunder", Messiah: Part II. Chorus "Lift up your heads, O ye gates", Messiah: Part II. Chorus "Surely He hath borne our griefs" - Chorus "All we like sheep have gone astray", Messiah: Part II. Chorus "The Lord gave the world", Messiah: Part II. Chorus "Their sound is gone out into all lands", Messiah: Part II. Recitative "All they that see Him laugh Him to scorn" - Chorus "He trusted in God that He would deliver Him", Messiah: Part II. Recitative "He that dwelleth in heaven shall laugh them to scorn" - Air "Thou shalt break them with a rod of iron", Messiah: Part II. Recitative "Thy rebuke hath broken His heart" - Air "Behold and see if there be any sorrow" - Recitative "He was cut off out of the land of the living", Messiah: Part II. Recitative "Unto which of the angels said He at any time" - Chorus "Let all the angels of God worship Him", Messiah: Part III. Air "I know that my redeemer liveth", Messiah: Part III. Air "If God be for us, who can be against us?", Messiah: Part III. Chorus "Amen", Messiah: Part III. Chorus "Since by man came death", Messiah: Part III. Chorus "Worthy is the Lamb that was slain", Messiah: Part III. Recitative "Behold, I tell you a mystery" - Air "The trumpet shall sound", Messiah: Part III. Recitative "Then shall be brought to pass the saying that is written" - Duet "O Death, where is thy sting?" - Chorus "But thanks be to God who giveth us the victory" |
| The Brandenburg Consort |
performing orchestra |
Air: O Thou That Tellest Good Tiding to Zion, All They That See Him, Laugh Him to Scorn, All We Like Sheep Have Gone Astray, Amen, And He Shall Purify the Sons of Levy, And The Glory of The Lord, And With His Stripes We Are Healed, Anthem for the Foundling Hospital: Blessed are they that considereth the poor, Anthem for the Foundling Hospital: Blessed are they... They deliver the poor, Anthem for the Foundling Hospital: Comfort them, O Lord, Anthem for the Foundling Hospital: Hallelujah!, Anthem for the Foundling Hospital: O God who from the suckling's mouth, Anthem for the Foundling Hospital: The charitable shall be had, Anthem for the Foundling Hospital: The people will tell of their wisdom, Behold the Lamb of God, Behold, I tell you a mystery, Behold, a Virgin Shall Conceive, Behold, and See if There Be Any Sorrow, But Thou Didst Not Leave His Soul in Hell, But Who May Abide the Day of His Coming, But thanks be to God, Chorus: O Thou That Tellest Good Tiding to Zion, Comfort Ye My People, Ev'ry Valley Shall Be Exalted, For Behold, Darkness Shall Cover the Earth, For Unto Us a Child is Born, Glory to God in the Highest, Hallelujah, Harp Concerto in B-flat major, Op. 4 No. 6: I. Andante - Allegro, Harp Concerto in B-flat major, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat major, Op. 4 No. 6: III. Allegro moderato, He Shall Feed His Flock Like A Shepherd, He Trusted in God That He Would Deliver Him, He Was Cut Out of the Land of the Living, He Was Despised and Rejected, He that dwelleth in heaven, His Yoke is Easy, His Burthen is Light, How beautiful are the feet of them, I Know That My Redeemer Liveth, If God be for us, Let All the Angels of God Worship Him, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): I. Let thy hand be strengthened, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): II. Let justice and judgement, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): III. Alleluia, Let us break their bonds asunder, Lift Up Your Heads, O Ye Gates, Messiah, Chorus “For Unto Us a Child Is Born”, Messiah: Part I. Aria "But who may abide" (bass), Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor), Messiah: Part I. Aria "O thou that tellest" (alto), Messiah: Part I. Aria "Rejoice greatly, o daughter of Zioin" (soprano), Messiah: Part I. Aria "The people that walked in darkness" (bass), Messiah: Part I. Chorus "And He shall purify", Messiah: Part I. Chorus "And the glory, the glory of the Lord", Messiah: Part I. Chorus "For unto us a Child is born", Messiah: Part I. Chorus "Glory to God in the highest", Messiah: Part I. Chorus "His yoke is easy", Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano), Messiah: Part I. Pifa (Pastoral Symphony), Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano), Messiah: Part I. Recitative "And the angels said unto them" (soprano), Messiah: Part I. Recitative "Behold, a virgin" (alto), Messiah: Part I. Recitative "Comfort ye my people" (tenor), Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass), Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto), Messiah: Part I. Recitative "There were shepherds" (soprano), Messiah: Part I. Recitative "Thus said the Lord" (bass), Messiah: Part I. Sinfonia, Messiah: Part II. "Why do the nations?" (bass), Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor), Messiah: Part II. Aria "But thou didst not leave" (tenor), Messiah: Part II. Aria "He was despised" (alto), Messiah: Part II. Aria "How beautiful are the feet" (soprano), Messiah: Part II. Aria "Thou art gone up on high" (alto), Messiah: Part II. Aria "Thou shalt break them" (tenor), Messiah: Part II. Chorus "All we like sheep", Messiah: Part II. Chorus "And with his stripes we are healed", Messiah: Part II. Chorus "Behold the Lamb of God", Messiah: Part II. Chorus "He trusted in God", Messiah: Part II. Chorus "Let all the angels of God worship Him", Messiah: Part II. Chorus "Let us break their bonds asunder", Messiah: Part II. Chorus "Lift up your heads", Messiah: Part II. Chorus "Surely he haath borne out grieves", Messiah: Part II. Chorus "The Lord gave the word", Messiah: Part II. Chorus "Their sound is gone out", Messiah: Part II. Recitative "All they that see Him" (tenor), Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor), Messiah: Part II. Recitative "He was cut off out of the land" (tenor), Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor), Messiah: Part II. Recitative "Unto which of the angels" (tenor), Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano), Messiah: Part III. Aria "If God be for us" (soprano), Messiah: Part III. Aria "The trumpet shall sound" (bass), Messiah: Part III. Chorus "But thanks be to God", Messiah: Part III. Chorus "Since by man came death", Messiah: Part III. Chorus "Worthy is the Lamb...Amen", Messiah: Part III. Duet "O death, where is thy sting" (alto & soprano), Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass), Messiah: Part III. Recitative "Then shall be brought to pass" (alto), My Heart is Inditing (Coronation Anthem No.4, HWV 261): I. My heart is inditing, My Heart is Inditing (Coronation Anthem No.4, HWV 261): II. King's daughters were among thy honourable women, My Heart is Inditing (Coronation Anthem No.4, HWV 261): III. Upon thy right hand, My Heart is Inditing (Coronation Anthem No.4, HWV 261): IV. Kings, kings shall be thy nursing fathers, O death, where is thy sting?, Organ Concerto in A major, Op. 7 No. 2: I. Ouverture, Organ Concerto in A major, Op. 7 No. 2: II. A tempo ordinario, Organ Concerto in A major, Op. 7 No. 2: III. Organo ad libitum. Larghetto, Organ Concerto in A major, Op. 7 No. 2: IV. Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: A tempo ordinario e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Adagio e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro ma non presto, Organ Concerto in B-flat major, Op. 7 No. 1: I. Andante, Organ Concerto in B-flat major, Op. 7 No. 1: II. Adagio, Organ Concerto in B-flat major, Op. 7 No. 1: III. Largo e piano, Organ Concerto in B-flat major, Op. 7 No. 1: IV. Allegro, Organ Concerto in B-flat major, Op. 7 No. 1: V. Bourrée: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Menuet I/II alternativo, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Adagio, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Fugue, Organ Concerto in B-flat major, Op. 7 No. 3: Spiritoso, Organ Concerto in B-flat major, Op. 7 No. 6: I. Pomposa, Organ Concerto in B-flat major, Op. 7 No. 6: II. Organo ad libitum: Allemande, Organ Concerto in B-flat major, Op. 7 No. 6: III. Air: a tempo ordinario, Organ Concerto in D minor Op. 7 No. 4: IV. Allegro, Organ Concerto in D minor, Op. 7 No. 4: I. Adagio, Organ Concerto in D minor, Op. 7 No. 4: II. Allegro cosi cosi, Organ Concerto in D minor, Op. 7 No. 4: III. Organo ad libitum.: Prelude, Organ Concerto in F major, Op. 4 No. 4: Adagio, Organ Concerto in F major, Op. 4 No. 4: Allegro, Organ Concerto in F major, Op. 4 No. 4: Allegro - Choral Alleluia, Organ Concerto in F major, Op. 4 No. 4: Andante, Organ Concerto in F major, Op. 4 No. 5: Alla siciliana, Organ Concerto in F major, Op. 4 No. 5: Allegro, Organ Concerto in F major, Op. 4 No. 5: Larghetto, Organ Concerto in F major, Op. 4 No. 5: Presto, Organ Concerto in G minor, Op. 4 No. 1: Adagio, Organ Concerto in G minor, Op. 4 No. 1: Allegro, Organ Concerto in G minor, Op. 4 No. 1: Andante, Organ Concerto in G minor, Op. 4 No. 1: Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 3: Adagio, Organ Concerto in G minor, Op. 4 No. 3: Allegro, Organ Concerto in G minor, Op. 7 No. 5: I. Staccato ma non troppo allegro, Organ Concerto in G minor, Op. 7 No. 5: II. Organo ad libitum: Adagio, Organ Concerto in G minor, Op. 7 No. 5: III. Andante larghetto e staccato, Organ Concerto in G minor, Op. 7 No. 5: IV. Organo ad libitum. Adagio, Organ Concerto in G minor, Op. 7 No. 5: V. Menuet, Organ Concerto in G minor, Op. 7 No. 5: VI. Gavotte, Pifa, Rejoice Greatly, O Daughter of Zion, Since by man came death, Sinfony, Surely He Hath Borne Our Griefs, The King shall rejoice (Coronation Anthem No.3, HWV 260): I. The King shall Rejoice, The King shall rejoice (Coronation Anthem No.3, HWV 260): II. Exceeding Glad shall he be, The King shall rejoice (Coronation Anthem No.3, HWV 260): III. Glory and Worship, The King shall rejoice (Coronation Anthem No.3, HWV 260): IV. Alleluia, The Lord gave the word, The People that Walked in Darkness, The Trumpet Shall Sound, Their sound is gone out into all lands, Then Shall the Eyes of The Blind Be Opened, Then shall be brought to pass, There Were Shepherds Abiding in the Field, Thou Art Gone Up On High, Thou shalt break them with a rod of iron, Thus Saith the Lord of Hosts, Thy Rebuke Hath Broken His Heart, Unto Which of the Angels Said He at Any time, Why Do The Nations So Furiously Rage, Worthy is the Lamb that was slain, Zadok the Priest (Coronation Anthem No.1, HWV 258) |
| Nicholas McGegan |
conductor |
Agrippina, HWV 6: Ogni vento, ch'al porto lo spinga, Arianna in Creta, HWV 32: Mirami altero in volto, Brockes Passion: "Der Gott, dem alle Himmelskreise" (Tochter Zion), Brockes Passion: "Eilt, ihr angefochten Seelen!" (Coro, Tochter Zion), Brockes Passion: "Ist 's möglich" (Jesus), Brockes Passion: "Mich vom Stricke meiner Sünden" (soprano, alto, coro), Brockes Passion: Accompagnato "Bei Jesus' Tod und Leiden" (Gläubige Seele), Brockes Passion: Accompagnato "Das ist mein Blut" (Jesus), Brockes Passion: Accompagnato "Das ist mein Leib" (Jesus), Brockes Passion: Aria "Bestürzter Sünder" (Tochter Zion), Brockes Passion: Aria "Brich, brüllender Abgrund" (Gläubige Seele), Brockes Passion: Aria "Brich, mein Herz" (Tochter Zion), Brockes Passion: Aria "Dem Himmel gleicht" (Gläubige Seele), Brockes Passion: Aria "Die Rosen krönen" (Tochter Zion), Brockes Passion: Aria "Die ihr Gottes Gnad'versäumet" (Tochter Zion), Brockes Passion: Aria "Erwäg, erwäg" (tenor), Brockes Passion: Aria "Es scheint, da den zerkerbten Rücken" (tenor), Brockes Passion: Aria "Gift und Glut" (Petrus), Brockes Passion: Aria "Gott selbst der Brunnquell" (Tochter Zion), Brockes Passion: Aria "Heil der Welt" (Tochter Zion), Brockes Passion: Aria "Heir erstarrt mein Herz" (Gläubige Seele), Brockes Passion: Aria "Heul, du Fluch!" (Petrus), Brockes Passion: Aria "Jesu! Jesu" (Tochter Zion), Brockes Passion: Aria "Lass doch diese herbe Schmerzen" (Tochter Zion), Brockes Passion: Aria "Lasst diese Tat nicht ungerochen" (Judas), Brockes Passion: Aria "Mein Vater, mein Vater!" (Jesus), Brockes Passion: Aria "Meine Laster sind die Stricke" (Tochter Zion), Brockes Passion: Aria "Nehmt mich mit" (Petrus), Brockes Passion: Aria "Schau, ich fall'in strenger Busse" (Petrus), Brockes Passion: Aria "Schäumest du, du Schaum der Welt" (Tochter Zion), Brockes Passion: Aria "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele), Brockes Passion: Aria "Was Bärentatzen, Löwenklauen" (Tochter Zion), Brockes Passion: Aria "Was Wunder, dass der Sonnen Pracht" (Gläubige Seele), Brockes Passion: Aria "Weil ich den Hirten schlaagen werde" (Jesus), Brockes Passion: Aria "Wie kommt's, dass da der Himmel weint" (Gläubige Seele), Brockes Passion: Aria "Wisch ab der Tränen scharfe Lauge" (Tochter Zion), Brockes Passion: Arioso "Besinne dich, Pilatus" (Tochter Zion), Brockes Passion: Arioso "Erwachet doch!" (Jesus, Petrus, Johannes, Jacobus), Brockes Passion: Arioso "Ich seh'an einen Stein gebunden" (Gläubige Seele), Brockes Passion: Arioso "Ich will versinken" (Petrus), Brockes Passion: Arioso "Mein Heiland" (Gläubige Seele), Brockes Passion: Arioso "Sünden, schaut mich Furcht" (Tochter Zion), Brockes Passion: Coro "Ach, Gott und Herr", Brockes Passion: Coro "Ach, wie hungert mein Gemüte", Brockes Passion: Coro "Bestrafe diesen Übeltäter", Brockes Passion: Coro "Ein jeder sei ihm untertänig!", Brockes Passion: Coro "Er hat den Tod verdient", Brockes Passion: Coro "Er soll uns nicht entlaufen", Brockes Passion: Coro "Greift zu, schlagt tot", Brockes Passion: Coro "Ich bin ein Glied", Brockes Passion: Coro "Mein' Sünd'mich werden kränken", Brockes Passion: Coro "Nein, diesen nicht", Brockes Passion: Coro "O Menschenkind", Brockes Passion: Coro "O weh, sie binden ihn", Brockes Passion: Coro "Pfui, pfui, pfui!", Brockes Passion: Coro "Weg, weg, weg!", Brockes Passion: Coro "Wir wollen alle eh'erblassen", Brockes Passion: Duet "Soll mein Kind" (Maria, Jesus), Brockes Passion: Duetto "Sprichst du denn" (Tochter Zion, Jesus), Brockes Passion: Recitativo "Ach Gott, ach Gott!" (Maria), Brockes Passion: Recitativo "Als Jesus nun zu Tische sasse" (evangelist), Brockes Passion: Recitativo "Als Jesus nun" (Evangelist, Caiphas, Jesus), Brockes Passion: Recitativo "Aufs wenigste will ich" (Petrus, Jesus), Brockes Passion: Recitativo "Der zarten Schläfen" (Tochter Zion), Brockes Passion: Recitativo "Die Nacht war kaum vorbei" (Evangelist, Tochter Zion), Brockes Passion: Recitativo "Die Pein vermehrte sich" (evangelist), Brockes Passion: Recitativo "Dies sahe Petrus an" (Magd 1, Petrus, Magd 2, Magd 3), Brockes Passion: Recitativo "Dies war zur neunten Stund'" (evangelist), Brockes Passion: Recitativo "Doch wie, will ich" (Petrus), Brockes Passion: Recitativo "Drauf beugten sie aus Spott" (Evangelist), Brockes Passion: Recitativo "Drauf krähete der Hahn" (evangelist, Petrus), Brockes Passion: Recitativo "Drauf lief ein Dienstknecht hin" (evangelist), Brockes Passion: Recitativo "Drauf sagten sie dem Höchsten Dank" (evangelist, Jesus), Brockes Passion: Recitativo "Drauf zerreten die Kriegsknechte" (Evangelist), Brockes Passion: Recitativo "Drum, Seele, schau" (Gläubige Seele), Brockes Passion: Recitativo "Ein Engel aber kam" (evangelist), Brockes Passion: Recitativo "Es ist gewiss" (Jesus), Brockes Passion: Recitativo "Hast du denn kein Gehör?" (Pilatus, Evangelist), Brockes Passion: Recitativo "Ja, ja, es brüllet schon" (Gläubige Seele, Hauptmann), Brockes Passion: Recitativo "Ja, scheuten sich nicht" (Evangelist), Brockes Passion: Recitativo "Mich drückt der Sünden" (Jesus), Brockes Passion: Recitativo "Nimm, Rabbi, diesen Kuss" (Judas, Jesus), Brockes Passion: Recitativo "O Anblick, o entsetzliches Gesicht!" (Gläubige Seele), Brockes Passion: Recitativo "O Grossmut!" (Tochter Zion, evangelist), Brockes Passion: Recitativo "O selig wer dies glaubt" (Gläubige Seele, evangelist), Brockes Passion: Recitativo "Oh, was hab'ich, verfluchter Mensch" (Judas), Brockes Passion: Recitativo "Pilatus wunderte sich sehr" (Evangelist), Brockes Passion: Recitativo "Sobald er nun gekreuzigt war" (evangelist), Brockes Passion: Recitativo "Steck nur das Schwert" (Jesus), Brockes Passion: Recitativo "Und Jesus ward" (Caiphas, Jesus, Kriegsknecht), Brockes Passion: Recitativo "Und bald hernach" (evangelist), Brockes Passion: Recitativo "Und der Verräter" (evangelist, Judas), Brockes Passion: Recitativo "Und eh'die Rede" (evangelist), Brockes Passion: Recitativo "Und eine dicke Finsternis" (evangelist), Brockes Passion: Recitativo "Und er trug selbst sein Kreuz" (evangelist, Tochter Zion), Brockes Passion: Recitativo "Unsäglich ist mein Schmerz" (Judas), Brockes Passion: Recitativo "Verwegner Dorn" (Tochter Zion), Brockes Passion: Recitativo "Was fang'ich denn" (Pilatus), Brockes Passion: Recitativo "Was hat er denn getan?" (Pilatus), Brockes Passion: Recitativo "Wie er nun sah" (Evangelist), Brockes Passion: Recitativo "Wie man ihm nun genug" (evangelist), Brockes Passion: Recitativo "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus), Brockes Passion: Recitativo "Wie nun das Blut" (Evangelist), Brockes Passion: Recitativo "Wie sie nun an die Stätte" (evangelist), Brockes Passion: Recitativo "Wo flieht ihr hin?" (Petrus), Brockes Passion: Recitativo "Worauf sie mit dem Rohr" (Evangelist), Brockes Passion: Sinfonia, Brockes Passion: Terzetto "O Donnerwort!", Giulio Cesare in Egitto, HWV 17: Figlio non è, Giulio Cesare in Egitto, HWV 17: L'angue offeso mai riposa, Giulio Cesare in Egitto, HWV 17: La giustizia ha già sull'arco, Ottone, re di Germania, HWV 15: Ben a raggion, Ottone, re di Germania, HWV 15: Vieni, o figlio, e mi consola, Radamisto, HWV 12: Ombra cara di mia sposa, Radamisto, HWV 12: Qual nave smarrita, Serse, HWV 40: Ombra mai fu, Susanna: Part I, Scene 1. "Clouds o'ertake the brightest day", Susanna: Part I, Scene 1. "How long, oh Lord, shall Israel groan?", Susanna: Part I, Scene 1. "Peace crown'd with roses", Susanna: Part I, Scene 1. "The parent bird in search of food", Susanna: Part I, Scene 1. "When first I saw my lovely maid", Susanna: Part I, Scene 1. "When thou art nigh", Susanna: Part I, Scene 1. "Who fears the Lord may dare all foes", Susanna: Part I, Scene 1. "Without the swain's assiduous care", Susanna: Part I, Scene 1. "Would custom bid", Susanna: Part I, Scene 1. Overture, Susanna: Part I, Scene 2. "Bending to the throne of glory", Susanna: Part I, Scene 2. "On Joacim may every joy attend", Susanna: Part I, Scene 3. "Tyrannic love", Susanna: Part I, Scene 3. "Ye verdant hills, ye balmy vales", Susanna: Part I, Scene 4. "Righteous heav'n beholds their guile", Susanna: Part I, Scene 4. "Say is it fit that age?", Susanna: Part I, Scene 4. "The oak that for a thousand years", Susanna: Part I, Scene 4. "When the trumpet sounds to arms", Susanna: Part II, Scene 1. "Frost nips the flowers", Susanna: Part II, Scene 1. "On fair Euphrates' verdant side", Susanna: Part II, Scene 2. "Ask if yon damask rose", Susanna: Part II, Scene 2. "Beneath the cypress' gloomy shade", Susanna: Part II, Scene 2. "Crystal streams in murmurs flowing", Susanna: Part II, Scene 2. "Lead me to some cool retreat", Susanna: Part II, Scene 3. "Away, ye tempt me both in vain", Susanna: Part II, Scene 3. "Blooming as the face of spring", Susanna: Part II, Scene 3. "But hark, what sudden noise?", Susanna: Part II, Scene 3. "The torrent that sweeps in its course", Susanna: Part II, Scene 4. "I caught the fair delinquent", Susanna: Part II, Scene 4. "If guiltless blood be your intent", Susanna: Part II, Scene 4. "Let justice reign", Susanna: Part II, Scene 5. "Is fair Susanna false?", Susanna: Part II, Scene 5. "O Joachim, thy wedded truth!", Susanna: Part II, Scene 5. "On the rapid whirlwind's wing", Susanna: Part III, Scene 1. "'Tis not age's sullen face", Susanna: Part III, Scene 1. "Chastity, thou cherub bright", Susanna: Part III, Scene 1. "Faith displays her rosy wing", Susanna: Part III, Scene 1. "Impartial heav'n!", Susanna: Part III, Scene 1. "Round thy urn my tears shall flow", Susanna: Part III, Scene 1. "The cause is decided", Susanna: Part III, Scene 2. "Bless'd be the day that gave Susanna birth!", Susanna: Part III, Scene 2. "Gold within the furnace try'd", Susanna: Part III, Scene 2. "Guilt trembling spoke my doom", Susanna: Part III, Scene 2. "Raise your voice to sounds of joy", Susanna: Part III, Scene 2. "To my chaste Susanna's praise", Water Music Suite No. 2 - Hornpipe, Water Musik, Suite in D major: II. Alla hornpipe |
| William Christie |
conductor |
Acis and Galatea: Act I. "As when the dove laments her love" (Galatea), Acis and Galatea: Act I. "Happy we!" (Acis, Galatea), Acis and Galatea: Act I. "Hush, ye pretty warbling quire!" (Galatea), Acis and Galatea: Act I. "Love in her eyes sits playing" (Acis), Acis and Galatea: Act I. "Shepherd, what art thou pursuing" (Damon), Acis and Galatea: Act I. "Where shall I seek the charming fair?" (Acis), Acis and Galatea: Act I. Chorus "Happy we!", Acis and Galatea: Act I. Chorus "Oh, the pleasure of the plains", Acis and Galatea: Act I. Recitativo "Lo! Here my love" (Acis), Acis and Galatea: Act I. Recitativo "Oh! Didst thou know the pains" (Galatea), Acis and Galatea: Act I. Recitativo "Stay, shepherd, stay!" (Damon), Acis and Galatea: Act I. Recitativo "Ye verdant plains and woody mountains" (Galatea), Acis and Galatea: Act I. Sinfonia, Acis and Galatea: Act II. "Cease to beauty to be suing" (Polyphemus), Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon), Acis and Galatea: Act II. "Heart, the seat of soft delight" (Galatea), Acis and Galatea: Act II. "Love sounds th'alarm" (Acis), Acis and Galatea: Act II. "Must I my Acis still bemoan" (Galatea, Chorus), Acis and Galatea: Act II. "O ruddier than the cherry" (Polyphemus), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. "Would you gain the tender creature" (Damon), Acis and Galatea: Act II. Chorus "Galatea, dry thy tears", Acis and Galatea: Act II. Chorus "Mourn, all ye muses!", Acis and Galatea: Act II. Chorus "Wretched lovers!", Acis and Galatea: Act II. Recitativo "'Tis done: thus I exert pow'r divine" (Galatea), Acis and Galatea: Act II. Recitativo "Cease, oh cease, thou gentle youth" (Galatea), Acis and Galatea: Act II. Recitativo "His hideous love provokes my rage" (Acis), Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea), Acis and Galatea: Act II. Recitativo accompagnato "Help, Galatea! Help, ye parent gods!", Acis and Galatea: Act II. Recitativo accompagnato "I rage, I melt, I burn" (Polyphemus), Alcina, HWV 34: Act II, Scene I. Aria "Ah! Mio cor!" (Alcina), Alcina: Atto I, Scena I. Aria "O s'apre al riso" (Morgana), Alcina: Atto I, Scena I. Recitativo "Oh Dei! Quivi non scorgo alcun sentiero!" (Bradamante), Alcina: Atto I, Scena II. Aria "Di', cor mio, quanto t'amai" (Alcina), Alcina: Atto I, Scena II. Coro "Questo è il cielo de' contenti", Alcina: Atto I, Scena II. Recitativo "Ecco l'infido" (Bradamante), Alcina: Atto I, Scena III. Aria "Chi m'insegna il caro padre?" (Oberto), Alcina: Atto I, Scena III. Recitativo "Generosi guerrier" (Oberto), Alcina: Atto I, Scena IV. Aria "Di te mi rido" (Ruggiero), Alcina: Atto I, Scena IV. Recitativo "Mi ravvisi" (Bradamante), Alcina: Atto I, Scena IX. Recitativo "Ah, infedele, infedel!" (Ruggiero), Alcina: Atto I, Scena V. Recitativo "Qua dunque ne veniste" (Oronte), Alcina: Atto I, Scena VI. Aria "E gelosia" (Bradamante), Alcina: Atto I, Scena VII. Recitativo "lo dunque" (Oronte) / Atto I, Scena VIII. Recitativo "La cerco in vano" (Ruggiero), Alcina: Atto I, Scena VIII. Aria "Semplicetto!" (Oronte), Alcina: Atto I, Scena X. Aria "Sì, son quella!" (Alcina), Alcina: Atto I, Scena XI. Recitativo "Se nemico mi fossi" (Bradamante) / Atto I, Scena XII. Recitativo "Bradamante favella?" (Ruggiero), Alcina: Atto I, Scena XII. Aria "La bocca vaga" (Ruggiero), Alcina: Atto I, Scena XIII. Recitativo "Fuggi cor mio" (Morgana), Alcina: Atto II, Scena I. Aria "Pensa a chi geme d'amor" (Melisso), Alcina: Atto II, Scena I. Arioso "Col celarvi a chi v'ama" (Ruggiero) - Recitativo "Taci, taci codardo" (Melisso), Alcina: Atto II, Scena I. Arioso "Qual portento mi richiama" (Ruggiero), Alcina: Atto II, Scena I. Recitativo "Ah, Bradamante!" (Ruggiero), Alcina: Atto II, Scena II. Aria "Vorrei vendicarmi" (Bradamante), Alcina: Atto II, Scena II. Recitativo "Qual odio ingiusto contro me?" (Bradamante), Alcina: Atto II, Scena III. Aria "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Atto II, Scena III. Recitativo "Chi scopre al mio pensiero" (Ruggiero), Alcina: Atto II, Scena IV. Recitativo "S'acquieti il rio sospetto" (Alcina) / Atto II, Scena V. Recitativo "E la tua pace" (Morgana), Alcina: Atto II, Scena IX. Recitativo "Or, che dici, Morgana?" (Oronte), Alcina: Atto II, Scena V. Aria "Ama, sospira" (Morgana), Alcina: Atto II, Scena VI. Aria "Mio bel tesoro" (Ruggiero), Alcina: Atto II, Scena VI. Recitativo "Non scorgo nel tuo viso" (Alcina), Alcina: Atto II, Scena VII. Aria "Tra speme e timore" (Oberto), Alcina: Atto II, Scena VII. Recitativo "Regina, io cerco in vano" (Oberto), Alcina: Atto II, Scena VIII. Aria "Ah! mio cor!" (Alcina), Alcina: Atto II, Scena VIII. Recitativo "Regina, sei tradita" (Oronte), Alcina: Atto II, Scena X. Aria "E un folle" (Oronte), Alcina: Atto II, Scena XI. Aria "Verdi prati" (Ruggiero), Alcina: Atto II, Scena XI. Recitativo "Eccomi a' piedi tuoi" (Ruggiero), Alcina: Atto II, Scena XII. Aria "Ombre pallide" (Alcina), Alcina: Atto II, Scena XII. Recitativo accompagnato "Ah! Ruggiero crude!" (Alcina), Alcina: Atto III, Scena I. Aria "Credete al mio dolore" (Morgana), Alcina: Atto III, Scena I. Aria "Un momento di contento" (Oronte), Alcina: Atto III, Scena I. Recitativo "M'inganna, me n'avveggo" (Oronte), Alcina: Atto III, Scena I. Recitativo "Voglio amar e disamar" (Oronte), Alcina: Atto III, Scena II. Aria "Ma quando tornerai" (Alcina), Alcina: Atto III, Scena II. Recitativo "Molestissimo incontro!" (Ruggiero), Alcina: Atto III, Scena III. Aria "Sta nell'lrcana" (Ruggiero), Alcina: Atto III, Scena III. Recitativo "Tutta d'armate squadre" (Melisso), Alcina: Atto III, Scena IV. Aria "All'alma fedel" (Bradamante), Alcina: Atto III, Scena IV. Recitativo "Vanne tu seco ancora" (Melisso), Alcina: Atto III, Scena V. Aria "Mi restano le lagrime" (Alcina), Alcina: Atto III, Scena V. Recitativo "Niuna forza lo arresta" (Oronte), Alcina: Atto III, Scena VI. Aria "Barbara!" (Oberto), Alcina: Atto III, Scena VI. Recitativo "Già vicino è il momento" (Oberto), Alcina: Atto III, Scena VII. Recitativo "Le lusinghe" (Bradamante), Alcina: Atto III, Scena VII. Terzetto "Non è amor, nè gelosia" (Ruggiero, Alcina, Bradamante), Alcina: Atto III, Scena VIII. Recitativo "Ah mio Ruggier, che tenti?" (Alcina) / Atto III, Scena IX. Recitativo "Misera, ah, no!" (Alcina) / Atto III, Scena ultima. Recitativo "A che tardi?" (Melisso), Alcina: Atto III, Scena ultima. Coro "Dall'orror di notte cieca", Alcina: Atto III, Scena ultima. Coro "Dopo tante amare pene", Alcina: Atto III, Scena ultima. Entrée, Alcina: Atto III, Scena ultima. Tamburino, Alcina: Atto III. Sinfonia, Alcina: Minuet, Alcina: Musette, Alcina: Sinfonia, Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro, Lascia ch'io pianga, Messiah: Part I. Air "But who may abide the day of His coming?", Messiah: Part I. Air "Every valley shall be exalted", Messiah: Part I. Air "Rejoice greatly, O daughter of Zion", Messiah: Part I. Chorus "And He shall purify the sons of Levi", Messiah: Part I. Chorus "And the glory of the Lord shall be revealed", Messiah: Part I. Chorus "For unto us a child is born", Messiah: Part I. Chorus "His yoke is easy, and His burthen is light", Messiah: Part I. Pastoral Symphony, Messiah: Part I. Recitative "Behold, a virgin shall conceive" - Air "O thou that tellest good tidings to Zion" - Chorus "O thou that tellest good tidings to Zion, arise", Messiah: Part I. Recitative "Comfort ye, my people, saith your God", Messiah: Part I. Recitative "For behold, darkness shall cover the earth" - Air "The people that walked in darkness", Messiah: Part I. Recitative "Then shall the eyes of the blind be opened" - Air "He shall feed His flock like a shepherd", Messiah: Part I. Recitative "There were shepherds abiding in the field" - Recitative "And lo, the angel of the Lord came upon them" - Recitative "And the angel said unto them: Fear not, for behold" - Chorus "Glory to God in the highest", Messiah: Part I. Recitative "Thus saith the Lord of Hosts", Messiah: Part I. Sinfonia, Messiah: Part II. Air "But Thou didst not leave His soul in hell", Messiah: Part II. Air "He was despised and rejected of men", Messiah: Part II. Air "How beautiful are the feet of them", Messiah: Part II. Air "Thou art gone up on high", Messiah: Part II. Air "Why do the nations so furiously rage together", Messiah: Part II. Chorus "Behold the lamb of God", Messiah: Part II. Chorus "Hallelujah!", Messiah: Part II. Chorus "Let us break their bonds asunder", Messiah: Part II. Chorus "Lift up your heads, O ye gates", Messiah: Part II. Chorus "Surely He hath borne our griefs" - Chorus "All we like sheep have gone astray", Messiah: Part II. Chorus "The Lord gave the world", Messiah: Part II. Chorus "Their sound is gone out into all lands", Messiah: Part II. Recitative "All they that see Him laugh Him to scorn" - Chorus "He trusted in God that He would deliver Him", Messiah: Part II. Recitative "He that dwelleth in heaven shall laugh them to scorn" - Air "Thou shalt break them with a rod of iron", Messiah: Part II. Recitative "Thy rebuke hath broken His heart" - Air "Behold and see if there be any sorrow" - Recitative "He was cut off out of the land of the living", Messiah: Part II. Recitative "Unto which of the angels said He at any time" - Chorus "Let all the angels of God worship Him", Messiah: Part III. Air "I know that my redeemer liveth", Messiah: Part III. Air "If God be for us, who can be against us?", Messiah: Part III. Chorus "Amen", Messiah: Part III. Chorus "Since by man came death", Messiah: Part III. Chorus "Worthy is the Lamb that was slain", Messiah: Part III. Recitative "Behold, I tell you a mystery" - Air "The trumpet shall sound", Messiah: Part III. Recitative "Then shall be brought to pass the saying that is written" - Duet "O Death, where is thy sting?" - Chorus "But thanks be to God who giveth us the victory" |
| Stephen Cleobury |
conductor |
Air: O Thou That Tellest Good Tiding to Zion, All They That See Him, Laugh Him to Scorn, All We Like Sheep Have Gone Astray, Amen, And He Shall Purify the Sons of Levy, And The Glory of The Lord, And With His Stripes We Are Healed, Behold the Lamb of God, Behold, I tell you a mystery, Behold, a Virgin Shall Conceive, Behold, and See if There Be Any Sorrow, But Thou Didst Not Leave His Soul in Hell, But Who May Abide the Day of His Coming, But thanks be to God, Chorus: O Thou That Tellest Good Tiding to Zion, Comfort Ye My People, Ev'ry Valley Shall Be Exalted, For Behold, Darkness Shall Cover the Earth, For Unto Us a Child is Born, Glory to God in the Highest, Hallelujah, He Shall Feed His Flock Like A Shepherd, He Trusted in God That He Would Deliver Him, He Was Cut Out of the Land of the Living, He Was Despised and Rejected, He that dwelleth in heaven, His Yoke is Easy, His Burthen is Light, How beautiful are the feet of them, I Know That My Redeemer Liveth, If God be for us, Let All the Angels of God Worship Him, Let us break their bonds asunder, Lift Up Your Heads, O Ye Gates, Messiah, Chorus “For Unto Us a Child Is Born”, Messiah: Part I. Aria "But who may abide" (bass), Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor), Messiah: Part I. Aria "O thou that tellest" (alto), Messiah: Part I. Aria "Rejoice greatly, o daughter of Zioin" (soprano), Messiah: Part I. Aria "The people that walked in darkness" (bass), Messiah: Part I. Chorus "And He shall purify", Messiah: Part I. Chorus "And the glory, the glory of the Lord", Messiah: Part I. Chorus "For unto us a Child is born", Messiah: Part I. Chorus "Glory to God in the highest", Messiah: Part I. Chorus "His yoke is easy", Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano), Messiah: Part I. Pifa (Pastoral Symphony), Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano), Messiah: Part I. Recitative "And the angels said unto them" (soprano), Messiah: Part I. Recitative "Behold, a virgin" (alto), Messiah: Part I. Recitative "Comfort ye my people" (tenor), Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass), Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto), Messiah: Part I. Recitative "There were shepherds" (soprano), Messiah: Part I. Recitative "Thus said the Lord" (bass), Messiah: Part I. Sinfonia, Messiah: Part II. "Why do the nations?" (bass), Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor), Messiah: Part II. Aria "But thou didst not leave" (tenor), Messiah: Part II. Aria "He was despised" (alto), Messiah: Part II. Aria "How beautiful are the feet" (soprano), Messiah: Part II. Aria "Thou art gone up on high" (alto), Messiah: Part II. Aria "Thou shalt break them" (tenor), Messiah: Part II. Chorus "All we like sheep", Messiah: Part II. Chorus "And with his stripes we are healed", Messiah: Part II. Chorus "Behold the Lamb of God", Messiah: Part II. Chorus "He trusted in God", Messiah: Part II. Chorus "Let all the angels of God worship Him", Messiah: Part II. Chorus "Let us break their bonds asunder", Messiah: Part II. Chorus "Lift up your heads", Messiah: Part II. Chorus "Surely he haath borne out grieves", Messiah: Part II. Chorus "The Lord gave the word", Messiah: Part II. Chorus "Their sound is gone out", Messiah: Part II. Recitative "All they that see Him" (tenor), Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor), Messiah: Part II. Recitative "He was cut off out of the land" (tenor), Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor), Messiah: Part II. Recitative "Unto which of the angels" (tenor), Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano), Messiah: Part III. Aria "If God be for us" (soprano), Messiah: Part III. Aria "The trumpet shall sound" (bass), Messiah: Part III. Chorus "But thanks be to God", Messiah: Part III. Chorus "Since by man came death", Messiah: Part III. Chorus "Worthy is the Lamb...Amen", Messiah: Part III. Duet "O death, where is thy sting" (alto & soprano), Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass), Messiah: Part III. Recitative "Then shall be brought to pass" (alto), O death, where is thy sting?, Pifa, Rejoice Greatly, O Daughter of Zion, Since by man came death, Sinfony, Surely He Hath Borne Our Griefs, The Lord gave the word, The People that Walked in Darkness, The Trumpet Shall Sound, Their sound is gone out into all lands, Then Shall the Eyes of The Blind Be Opened, Then shall be brought to pass, There Were Shepherds Abiding in the Field, Thou Art Gone Up On High, Thou shalt break them with a rod of iron, Thus Saith the Lord of Hosts, Thy Rebuke Hath Broken His Heart, Unto Which of the Angels Said He at Any time, Why Do The Nations So Furiously Rage, Worthy is the Lamb that was slain, Zadok the Priest |
| Stadtsingechor Halle |
vocal |
Brockes Passion: "Der Gott, dem alle Himmelskreise" (Tochter Zion), Brockes Passion: "Eilt, ihr angefochten Seelen!" (Coro, Tochter Zion), Brockes Passion: "Ist 's möglich" (Jesus), Brockes Passion: "Mich vom Stricke meiner Sünden" (soprano, alto, coro), Brockes Passion: Accompagnato "Bei Jesus' Tod und Leiden" (Gläubige Seele), Brockes Passion: Accompagnato "Das ist mein Blut" (Jesus), Brockes Passion: Accompagnato "Das ist mein Leib" (Jesus), Brockes Passion: Aria "Bestürzter Sünder" (Tochter Zion), Brockes Passion: Aria "Brich, brüllender Abgrund" (Gläubige Seele), Brockes Passion: Aria "Brich, mein Herz" (Tochter Zion), Brockes Passion: Aria "Dem Himmel gleicht" (Gläubige Seele), Brockes Passion: Aria "Die Rosen krönen" (Tochter Zion), Brockes Passion: Aria "Die ihr Gottes Gnad'versäumet" (Tochter Zion), Brockes Passion: Aria "Erwäg, erwäg" (tenor), Brockes Passion: Aria "Es scheint, da den zerkerbten Rücken" (tenor), Brockes Passion: Aria "Gift und Glut" (Petrus), Brockes Passion: Aria "Gott selbst der Brunnquell" (Tochter Zion), Brockes Passion: Aria "Heil der Welt" (Tochter Zion), Brockes Passion: Aria "Heir erstarrt mein Herz" (Gläubige Seele), Brockes Passion: Aria "Heul, du Fluch!" (Petrus), Brockes Passion: Aria "Jesu! Jesu" (Tochter Zion), Brockes Passion: Aria "Lass doch diese herbe Schmerzen" (Tochter Zion), Brockes Passion: Aria "Lasst diese Tat nicht ungerochen" (Judas), Brockes Passion: Aria "Mein Vater, mein Vater!" (Jesus), Brockes Passion: Aria "Meine Laster sind die Stricke" (Tochter Zion), Brockes Passion: Aria "Nehmt mich mit" (Petrus), Brockes Passion: Aria "Schau, ich fall'in strenger Busse" (Petrus), Brockes Passion: Aria "Schäumest du, du Schaum der Welt" (Tochter Zion), Brockes Passion: Aria "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele), Brockes Passion: Aria "Was Bärentatzen, Löwenklauen" (Tochter Zion), Brockes Passion: Aria "Was Wunder, dass der Sonnen Pracht" (Gläubige Seele), Brockes Passion: Aria "Weil ich den Hirten schlaagen werde" (Jesus), Brockes Passion: Aria "Wie kommt's, dass da der Himmel weint" (Gläubige Seele), Brockes Passion: Aria "Wisch ab der Tränen scharfe Lauge" (Tochter Zion), Brockes Passion: Arioso "Besinne dich, Pilatus" (Tochter Zion), Brockes Passion: Arioso "Erwachet doch!" (Jesus, Petrus, Johannes, Jacobus), Brockes Passion: Arioso "Ich seh'an einen Stein gebunden" (Gläubige Seele), Brockes Passion: Arioso "Ich will versinken" (Petrus), Brockes Passion: Arioso "Mein Heiland" (Gläubige Seele), Brockes Passion: Arioso "Sünden, schaut mich Furcht" (Tochter Zion), Brockes Passion: Coro "Ach, Gott und Herr", Brockes Passion: Coro "Ach, wie hungert mein Gemüte", Brockes Passion: Coro "Bestrafe diesen Übeltäter", Brockes Passion: Coro "Ein jeder sei ihm untertänig!", Brockes Passion: Coro "Er hat den Tod verdient", Brockes Passion: Coro "Er soll uns nicht entlaufen", Brockes Passion: Coro "Greift zu, schlagt tot", Brockes Passion: Coro "Ich bin ein Glied", Brockes Passion: Coro "Mein' Sünd'mich werden kränken", Brockes Passion: Coro "Nein, diesen nicht", Brockes Passion: Coro "O Menschenkind", Brockes Passion: Coro "O weh, sie binden ihn", Brockes Passion: Coro "Pfui, pfui, pfui!", Brockes Passion: Coro "Weg, weg, weg!", Brockes Passion: Coro "Wir wollen alle eh'erblassen", Brockes Passion: Duet "Soll mein Kind" (Maria, Jesus), Brockes Passion: Duetto "Sprichst du denn" (Tochter Zion, Jesus), Brockes Passion: Recitativo "Ach Gott, ach Gott!" (Maria), Brockes Passion: Recitativo "Als Jesus nun zu Tische sasse" (evangelist), Brockes Passion: Recitativo "Als Jesus nun" (Evangelist, Caiphas, Jesus), Brockes Passion: Recitativo "Aufs wenigste will ich" (Petrus, Jesus), Brockes Passion: Recitativo "Der zarten Schläfen" (Tochter Zion), Brockes Passion: Recitativo "Die Nacht war kaum vorbei" (Evangelist, Tochter Zion), Brockes Passion: Recitativo "Die Pein vermehrte sich" (evangelist), Brockes Passion: Recitativo "Dies sahe Petrus an" (Magd 1, Petrus, Magd 2, Magd 3), Brockes Passion: Recitativo "Dies war zur neunten Stund'" (evangelist), Brockes Passion: Recitativo "Doch wie, will ich" (Petrus), Brockes Passion: Recitativo "Drauf beugten sie aus Spott" (Evangelist), Brockes Passion: Recitativo "Drauf krähete der Hahn" (evangelist, Petrus), Brockes Passion: Recitativo "Drauf lief ein Dienstknecht hin" (evangelist), Brockes Passion: Recitativo "Drauf sagten sie dem Höchsten Dank" (evangelist, Jesus), Brockes Passion: Recitativo "Drauf zerreten die Kriegsknechte" (Evangelist), Brockes Passion: Recitativo "Drum, Seele, schau" (Gläubige Seele), Brockes Passion: Recitativo "Ein Engel aber kam" (evangelist), Brockes Passion: Recitativo "Es ist gewiss" (Jesus), Brockes Passion: Recitativo "Hast du denn kein Gehör?" (Pilatus, Evangelist), Brockes Passion: Recitativo "Ja, ja, es brüllet schon" (Gläubige Seele, Hauptmann), Brockes Passion: Recitativo "Ja, scheuten sich nicht" (Evangelist), Brockes Passion: Recitativo "Mich drückt der Sünden" (Jesus), Brockes Passion: Recitativo "Nimm, Rabbi, diesen Kuss" (Judas, Jesus), Brockes Passion: Recitativo "O Anblick, o entsetzliches Gesicht!" (Gläubige Seele), Brockes Passion: Recitativo "O Grossmut!" (Tochter Zion, evangelist), Brockes Passion: Recitativo "O selig wer dies glaubt" (Gläubige Seele, evangelist), Brockes Passion: Recitativo "Oh, was hab'ich, verfluchter Mensch" (Judas), Brockes Passion: Recitativo "Pilatus wunderte sich sehr" (Evangelist), Brockes Passion: Recitativo "Sobald er nun gekreuzigt war" (evangelist), Brockes Passion: Recitativo "Steck nur das Schwert" (Jesus), Brockes Passion: Recitativo "Und Jesus ward" (Caiphas, Jesus, Kriegsknecht), Brockes Passion: Recitativo "Und bald hernach" (evangelist), Brockes Passion: Recitativo "Und der Verräter" (evangelist, Judas), Brockes Passion: Recitativo "Und eh'die Rede" (evangelist), Brockes Passion: Recitativo "Und eine dicke Finsternis" (evangelist), Brockes Passion: Recitativo "Und er trug selbst sein Kreuz" (evangelist, Tochter Zion), Brockes Passion: Recitativo "Unsäglich ist mein Schmerz" (Judas), Brockes Passion: Recitativo "Verwegner Dorn" (Tochter Zion), Brockes Passion: Recitativo "Was fang'ich denn" (Pilatus), Brockes Passion: Recitativo "Was hat er denn getan?" (Pilatus), Brockes Passion: Recitativo "Wie er nun sah" (Evangelist), Brockes Passion: Recitativo "Wie man ihm nun genug" (evangelist), Brockes Passion: Recitativo "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus), Brockes Passion: Recitativo "Wie nun das Blut" (Evangelist), Brockes Passion: Recitativo "Wie sie nun an die Stätte" (evangelist), Brockes Passion: Recitativo "Wo flieht ihr hin?" (Petrus), Brockes Passion: Recitativo "Worauf sie mit dem Rohr" (Evangelist), Brockes Passion: Sinfonia, Brockes Passion: Terzetto "O Donnerwort!" |
| English Chamber Orchestra |
performing orchestra |
"Eternal Source of Light Divine" from Birthday Ode For Queen Anne, "Let the Bright Seraphim" from Samson, Concerto a due cori No. 2 in F major: I. Pomposo, Concerto a due cori No. 2 in F major: II. Allegro, Concerto a due cori No. 2 in F major: III. A tempo giusto, Concerto a due cori No. 2 in F major: IV. Largo, Concerto a due cori No. 2 in F major: V. Allegro ma non troppo, Concerto a due cori No. 2 in F major: VI. A tempo ordinario, Concerto a due cori No. 3 in F major, HWV 334: I. Ouverture, Concerto a due cori No. 3 in F major, HWV 334: II. Allegro, Concerto a due cori No. 3 in F major, HWV 334: III. Allegro ma non troppo, Concerto a due cori No. 3 in F major, HWV 334: IV. Adagio, Concerto a due cori No. 3 in F major, HWV 334: V. Andante larghetto, Concerto a due cori No. 3 in F major, HWV 334: VI. Allegro, Concerto grosso in D minor, Op. 3, No. 5: I. (without Tempo Indication), Concerto grosso in D minor, Op. 3, No. 5: II. Fuga (Allegro), Concerto grosso in D minor, Op. 3, No. 5: III. Adagio, Concerto grosso in D minor, Op. 3, No. 5: IV. Allegro ma non troppo, Concerto grosso in D minor, Op. 3, No. 5: V. Allegro, Concerto grosso in D, Op. 3, No. 6: I. Vivace, Concerto grosso in D, Op. 3, No. 6: II. Allegro, Concerto grosso in b flat, Op. 3, No. 1: I. Allegro, Concerto grosso in b flat, Op. 3, No. 1: II. Largo, Concerto grosso in b flat, Op. 3, No. 1: III. Allegro, Concerto grosso in b flat, Op. 3, No. 1: IV. Allegro, Concerto grosso in b flat, Op. 3, No. 2: I. Vivace, Concerto grosso in b flat, Op. 3, No. 2: II. Largo, Concerto grosso in b flat, Op. 3, No. 2: III. Allegro, Concerto grosso in b flat, Op. 3, No. 2: IV. [Allegro], Concerto grosso in f, Op. 3, No. 2bis: Largo, Concerto grosso in f, Op. 3, No. 4: II. Andante, Concerto grosso in f, Op. 3, No. 4: III. Allegro, Concerto grosso in f, Op. 3, No. 4: IV. Minuetto, Concerto grosso in f, Op. 3, No. 4: Ia. Andante, Concerto grosso in f, Op. 3, No. 4: Ib. Allegro-lentement, Concerto grosso in f, Op. 3, No. 4bis: I. Largo, Concerto grosso in f, Op. 3, No. 4bis: II. Allegro, Concerto grosso in f, Op. 3, No. 4bis: III. Largo, Concerto grosso in f, Op. 3, No. 4bis: IV. Allegro, Concerto grosso in g, Op. 3, No. 3: I. Largo e staccato, Concerto grosso in g, Op. 3, No. 3: II. Allegro, Concerto grosso in g, Op. 3, No. 3: III. Adagio, Concerto grosso in g, Op. 3, No. 3: IV. Allegro, Coronation Anthems, Let thy hand be strengthened: I. "Let thy hand be strengthened", Coronation Anthems, Let thy hand be strengthened: II." Let justice and judgement", Coronation Anthems, Let thy hand be strengthened: III. "Alleluja!", Coronation Anthems, My heart is inditing: I. "My heart is inditing", Coronation Anthems, My heart is inditing: II. "King's daughters", Coronation Anthems, My heart is inditing: III. "Upon thy right hand", Coronation Anthems, My heart is inditing: IV. "Kings shall be thy nursing fathers", Coronation Anthems, The King shall rejoice: I. "The King shall rejoice", Coronation Anthems, The King shall rejoice: II. "Exceeding glad shall he be", Coronation Anthems, The King shall rejoice: III. "Glory and great worship", Coronation Anthems, The King shall rejoice: IV. "Thou hast prevented him", Coronation Anthems, The King shall rejoice: V. "Alleluja!", Coronation Anthems, Zadok the Priest, Dixit Dominus: I. Chorus with Solos "Dixit Dominus", Dixit Dominus: II. Aria "Virgam virtutis tuae", Dixit Dominus: III. Aria "Tecum principium in die virtutis", Dixit Dominus: IV. Chorus "Juravit Dominus", Dixit Dominus: V. Chorus "Secundum ordinem Melchisedech", Dixit Dominus: VI. Solos with Chorus "Dominus a dextris tuis", Dixit Dominus: VII. Solos with Chorus "De terrente in via bibit", Dixit Dominus: VIII. Chorus "Gloria Patri et Filio et Spiritui Sancto", Hallelujah Chorus From Messiah, Israel in Egypt - Part 2: "He Spake the Word"; "He Gave Them Hailstones", Israel in Egypt: Part I, Exodus: 1. Now there arose a new king (tenor recitative) / 2. And the children of Israel (alto & chorus), Israel in Egypt: Part I, Exodus: 10. But as for His people (chorus), Israel in Egypt: Part I, Exodus: 11. Egypt was glad when they departed (chorus), Israel in Egypt: Part I, Exodus: 12. He rebuked the Red Sea (chorus), Israel in Egypt: Part I, Exodus: 13. He led them through the deep (chorus), Israel in Egypt: Part I, Exodus: 14. But the waters overwhelmed their enemies (chorus), Israel in Egypt: Part I, Exodus: 15. And Israel saw that great work (chorus) / 16. And believed the Lord (chorus), Israel in Egypt: Part I, Exodus: 3. Then sent He Moses (tenor recitative) / 4. They loathed to drink of the river (chorus), Israel in Egypt: Part I, Exodus: 5. Their land brought forth frogs (alto), Israel in Egypt: Part I, Exodus: 6. He spake the word (chorus), Israel in Egypt: Part I, Exodus: 7. He gave them hallstones (chorus), Israel in Egypt: Part I, Exodus: 8. He sent a thick darkness (chorus), Israel in Egypt: Part I, Exodus: 9. He smote all the first-born of Egypt (chorus), Israel in Egypt: Part I, Exodus: Overture, Samson: Act III, Scene 3. "Let the Bright Seraphim", Solomon, HWV 67: The Arrival of the Queen of Sheba (English Chamber Orchestra feat. conductor: Raymond Leppard), The Water Music, HWV 348-50, Suite in D, No. 11: Maestoso, The Water Music, HWV 348-50, Suite in D, No. 12: Hornpipe, The Water Music, HWV 348-50, Suite in D, No. 13: Minuet, The Water Music, HWV 348-50, Suite in D, No. 14: Lentement, The Water Music, HWV 348-50, Suite in D, No. 15: Bourree, The Water Music, HWV 348-50, Suite in F, No. 10: Hornpipe, The Water Music, HWV 348-50, Suite in F, No. 1: Overture, The Water Music, HWV 348-50, Suite in F, No. 2: Adagio e staccato, The Water Music, HWV 348-50, Suite in F, No. 5: Tempo ordinario, The Water Music, HWV 348-50, Suite in F, No. 6: Air, The Water Music, HWV 348-50, Suite in F, No. 7: Minuet, The Water Music, HWV 348-50, Suite in F, No. 8: Bourree, The Water Music, HWV 348-50, Suite in F, No. 9: Tempo ordinario, The Water Music, HWV 348-50, Suite in F, Nos. 3 & 4: Allegro - Andante - Allegro, The Water Music, HWV 348-50, Suite in G, No. 16: Minuet, The Water Music, HWV 348-50, Suite in G, No. 17: Rigaudon, The Water Music, HWV 348-50, Suite in G, No. 18: Allegro, The Water Music, HWV 348-50, Suite in G, No. 19: Minuet, The Water Music, HWV 348-50, Suite in G, No. 20: Minuet II, The Water Music, HWV 348-50, Suite in G, No. 21: Tempo ordinario, The Water Music, HWV 348-50, Suite in G, No. 22: Andante, Water Music Suite No.1 in F major, HWV 348: Air |
| Robert King (conductor) |
conductor |
Alcina, HWV 34: "Verdi prati" (Ruggiero), Amadigi di Gaula, HWV 11: "Pena tiranna" (Dardano), Ariodante, HWV 33: "E vivo ancora?" / "Scherza infida" (Ariodante), Giulio Cesare in Egitto, HWV 17: "Al lampo dell'armi" (Cesare), Giulio Cesare in Egitto, HWV 17: "Va tacito e nascosto" (Cesare), Giustino, HWV 37: "Se parla nel mio cor" (Giustino), Giustino, HWV 37: "Zeffiretto, che scorre nel prato" (Giustino), Joshua: Act I. "Awful, pleasing being, say", Joshua: Act I. "Behold, my friends", Joshua: Act I. "But who is he?", Joshua: Act I. "Caleb, attend to all I now prescribe", Joshua: Act I. "Hark! 'tis the linnet and the thrush", Joshua: Act I. "Haste, Israel haste", Joshua: Act I. "In these blest scenes", Joshua: Act I. "Joshua, I come commission'd from on high", Joshua: Act I. "Matrons and virgins", Joshua: Act I. "May all the host of heav'n attend him round", Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight", Joshua: Act I. "O first in wisdom", Joshua: Act I. "Oh! who can tell", Joshua: Act I. "Our limpid streams with freedom flow", Joshua: Act I. "So long the memory shall last", Joshua: Act I. "The Lord commands", Joshua: Act I. "The trumpet calls", Joshua: Act I. "To long posterity we here record", Joshua: Act I. "While Kedron's brook to Jordan's stream", Joshua: Act I. "Ye sons of Israel", Joshua: Act I. Introduction, Joshua: Act II. "'Tis well", Joshua: Act II. "A Solemn March During the Circumvection of the Ark of the Covenant", Joshua: Act II. "Almight ruler of the skies", Joshua: Act II. "As cheers the sun the tender flow'r", Joshua: Act II. "Brethren and friends", Joshua: Act II. "Glory to God!", Joshua: Act II. "Heroes when with glory burning", Joshua: Act II. "How soon our tow'ring hopes are cross'd!", Joshua: Act II. "Indulgent heav'n hath heard my virgin pray'r", Joshua: Act II. "Joshua, the men dispatch'd by thee to learn", Joshua: Act II. "Let all the seed of Abrah'm now prepare", Joshua: Act II. "Nations, who in future story", Joshua: Act II. "Now give the army breath", Joshua: Act II. "Oh! thou bright orb", Joshua: Act II. "See, the raging flames arise", Joshua: Act II. "Sure I'm deceiv'd", Joshua: Act II. "The walls are levell'd", Joshua: Act II. "To Vanity and earthly Pride", Joshua: Act II. "Whence this dejection?", Joshua: Act II. "With redoubled rage return", Joshua: Act III. "Caleb, for holy Eleazer send", Joshua: Act III. "Father of mercy, hear the pray'r we make", Joshua: Act III. "Hail! mighty Joshua, hail!", Joshua: Act III. "Happy, Oh, thrice happy we", Joshua: Act III. "In bloom of youth, this stripling hath achiev'd", Joshua: Act III. "O Caleb, fear'd by foes", Joshua: Act III. "O peerless maid", Joshua: Act III. "Oh! had I Jubal's lyre", Joshua: Act III. "Place danger around me", Joshua: Act III. "See the conqu'ring hero comes!", Joshua: Act III. "Shall I in Mamre's fertile plain", Joshua: Act III. "The great Jehovah is our awful theme", Joshua: Act III. "Welcome! my son", Joshua: Act III. "While lawless tyrants", Joshua: Act III. "While life shall last", Musick for the Royal Fireworks: Bourrée, Musick for the Royal Fireworks: La Paix, Musick for the Royal Fireworks: La Réjouissance, Musick for the Royal Fireworks: Menuet I and II, Musick for the Royal Fireworks: Ouverture, Ottone, re di Germania, HWV 15: "Io son tradito" / "Tanti affanni" (Ottone), Rinaldo, HWV 7: "Cara sposa" (Rinaldo), Rinaldo, HWV 7: "Or la tromba" (Rinaldo) / Battaglia, Rinaldo, HWV 7: "Venti turbini" (Rinaldo), Serse, HWV 40: Overture, Water Music Suite in D/G major, HWV 349/350: Alla Hornpipe, Water Music Suite in D/G major, HWV 349/350: Bourrée, Water Music Suite in D/G major, HWV 349/350: Lentement, Water Music Suite in D/G major, HWV 349/350: Menuet [I], Water Music Suite in D/G major, HWV 349/350: Rigaudon, Water Music Suite in D/G major, HWV 349/350: [Country Dance I & II], Water Music Suite in D/G major, HWV 349/350: [Menuet II], Water Music Suite in D/G major, HWV 349/350: [Menuet], Water Music Suite in D/G major, HWV 349/350: [Ouverture], Water Music Suite in D/G major, HWV 349/350: [Trumpet Menuet], Water Music Suite in F major, HWV 348: Adagio e staccato, Water Music Suite in F major, HWV 348: Air, Water Music Suite in F major, HWV 348: Bourrée, Water Music Suite in F major, HWV 348: Hornpipe, Water Music Suite in F major, HWV 348: Menuet, Water Music Suite in F major, HWV 348: Ouverture. Largo – Allegro, Water Music Suite in F major, HWV 348: [Allegro] – Andante – [Allegro], Water Music Suite in F major, HWV 348: [Andante], Water Music Suite in F major, HWV 348: [Menuet] |
| Academy of St Martin in the Fields |
performing orchestra |
Chandos Anthem No. 10: For who is God but the Lord (chorus), Chandos Anthem No. 10: I will offer in His dwelling an oblation (chorus), Chandos Anthem No. 10: It is the Lord that ruleth the sea (soprano), Chandos Anthem No. 10: One thing have I desired of the Lord (tenor), Chandos Anthem No. 10: Overture, Chandos Anthem No. 10: Sing praises unto the Lord (chorus), Chandos Anthem No. 10: The Lord is my light and my salvation (tenor), Chandos Anthem No. 10: The Lord is my strength and my shield (tenor), Chandos Anthem No. 10: Though an host of men were laid against me (chorus), Concerti Grossi Op. 6, No. 1 in G major: I. A tempo giusto, Concerti Grossi Op. 6, No. 1 in G major: II. Allegro, Concerti Grossi Op. 6, No. 1 in G major: III. Adagio, Concerti Grossi Op. 6, No. 1 in G major: IV. Allegro, Concerti Grossi Op. 6, No. 1 in G major: V. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: I. Ouverture, Concerti Grossi Op. 6, No. 10 in D minor: II. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: III. Air (Lento), Concerti Grossi Op. 6, No. 10 in D minor: IV. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: V. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: VI. Allegro moderato, Concerti Grossi Op. 6, No. 11 in A major: Allegro, Concerti Grossi Op. 6, No. 11 in A major: Andante, Concerti Grossi Op. 6, No. 11 in A major: Andante larghetto, e staccato, Concerti Grossi Op. 6, No. 11 in A major: Largo, e staccato, Concerti Grossi Op. 6, No. 12 in B minor: I. Largo, Concerti Grossi Op. 6, No. 12 in B minor: II. Allegro, Concerti Grossi Op. 6, No. 12 in B minor: III. Larghetto, e piano, Concerti Grossi Op. 6, No. 12 in B minor: IV. Largo, Concerti Grossi Op. 6, No. 12 in B minor: V. Allegro, Concerti Grossi Op. 6, No. 2 in F major: I. Andante larghetto, Concerti Grossi Op. 6, No. 2 in F major: II. Allegro, Concerti Grossi Op. 6, No. 2 in F major: III. Largo - Adagio - Larghetto andante, e piano, Concerti Grossi Op. 6, No. 2 in F major: IV. Allegro, ma non troppo, Concerti Grossi Op. 6, No. 3 in E minor: I. Larghetto, Concerti Grossi Op. 6, No. 3 in E minor: II. Andante, Concerti Grossi Op. 6, No. 3 in E minor: III. Allegro, Concerti Grossi Op. 6, No. 3 in E minor: IV. Polonaise. Andante, Concerti Grossi Op. 6, No. 3 in E minor: V. Allegro, ma non troppo, Concerti Grossi Op. 6, No. 4 in A minor: I. Larghetto affettuoso, Concerti Grossi Op. 6, No. 4 in A minor: II. Allegro, Concerti Grossi Op. 6, No. 4 in A minor: III. Largo, e piano, Concerti Grossi Op. 6, No. 4 in A minor: IV. Allegro, Concerti Grossi Op. 6, No. 5 in D major: I. Larghetto, e staccato, Concerti Grossi Op. 6, No. 5 in D major: II. Allegro, Concerti Grossi Op. 6, No. 5 in D major: III. Presto, Concerti Grossi Op. 6, No. 5 in D major: IV. Largo, Concerti Grossi Op. 6, No. 5 in D major: V. Allegro, Concerti Grossi Op. 6, No. 5 in D major: VI. Menuet. Un poco larghetto., Concerti Grossi Op. 6, No. 6 in G minor: I. Larghetto e affettuoso, Concerti Grossi Op. 6, No. 6 in G minor: II. Allegro, ma non troppo, Concerti Grossi Op. 6, No. 6 in G minor: III. Musette. Larghetto, Concerti Grossi Op. 6, No. 6 in G minor: IV. Allegro, Concerti Grossi Op. 6, No. 6 in G minor: V. Allegro, Concerti Grossi Op. 6, No. 7 in B flat major: I. Largo, Concerti Grossi Op. 6, No. 7 in B flat major: II. Allegro, Concerti Grossi Op. 6, No. 7 in B flat major: III. Largo, e piano, Concerti Grossi Op. 6, No. 7 in B flat major: IV. Andante, Concerti Grossi Op. 6, No. 7 in B flat major: V. Hornpipe, Concerti Grossi Op. 6, No. 8 in C minor: I. Allemande. Andante, Concerti Grossi Op. 6, No. 8 in C minor: II. Grave, Concerti Grossi Op. 6, No. 8 in C minor: III. Andante allegro, Concerti Grossi Op. 6, No. 8 in C minor: IV. Adagio, Concerti Grossi Op. 6, No. 8 in C minor: V. Siciliana. Andante, Concerti Grossi Op. 6, No. 8 in C minor: VI. Allegro, Concerti Grossi Op. 6, No. 9 in F major: I. Largo, Concerti Grossi Op. 6, No. 9 in F major: II. Allegro, Concerti Grossi Op. 6, No. 9 in F major: III. Larghetto, Concerti Grossi Op. 6, No. 9 in F major: IV. Allegro, Concerti Grossi Op. 6, No. 9 in F major: V. Menuet, Concerti Grossi Op. 6, No. 9 in F major: VI. Gigue, Concerto Grosso in a Minor (Larghetto Affettuoso), Messiah, Part 1: "Behold, a virgin shall conceive", Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 1: And suddenly there was with the angel, Messiah, Part 1: Comfort Ye, Messiah, Part 1: Ev'ry Valley, Messiah, Part 2: "He was despised", Messiah, Part 3: "The trumpet shall sound", Messiah, Part 3: "Worthy is the Lamb...Blessing and honour", Messiah, Part 3: Amen, Messiah: Hallelujah Chorus, Messiah: I Know that my Redeemer Liveth, Messiah: Rejoice Greatly, Rejouissance (From Fireworks Music), Samson: No. 42 Sinfonia "The Arrival of the Queen of Sheba", Wassermusik Suite Nr. 1 F-Dur: 2. Adagio e staccato, Water Music: Suite 1 in F, Allegro, Xerxes: Largo |
| George Malcolm (English harpsichordist, conductor) |
conductor, harpsichord |
Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro, Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante, Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano, Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano, Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe, Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave, Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro, Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio, Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto, e staccato, Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto, Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo, Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro, Concerto grosso in D major, op. 66, no. 5, HWV 323: VI. Menuet: Un poco larghetto, Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato, Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto, Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante, Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro, Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante), Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro, Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo, Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo, Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto, Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuett, Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue, Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio, Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto, Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro, Sonata in D major, op. 1 no. 13, HWV 371: I. Affettuoso, Sonata in E major, op. 1 no. 15 HWV 373: II. Allegro, Sonata in G minor, op. 1 no. 10, HWV 368: I. Andante, The Water Music, HWV 348-50, Suite in D, No. 11: Maestoso, The Water Music, HWV 348-50, Suite in D, No. 12: Hornpipe, The Water Music, HWV 348-50, Suite in D, No. 13: Minuet, The Water Music, HWV 348-50, Suite in D, No. 14: Lentement, The Water Music, HWV 348-50, Suite in D, No. 15: Bourree, The Water Music, HWV 348-50, Suite in F, No. 10: Hornpipe, The Water Music, HWV 348-50, Suite in F, No. 1: Overture, The Water Music, HWV 348-50, Suite in F, No. 2: Adagio e staccato, The Water Music, HWV 348-50, Suite in F, No. 5: Tempo ordinario, The Water Music, HWV 348-50, Suite in F, No. 6: Air, The Water Music, HWV 348-50, Suite in F, No. 7: Minuet, The Water Music, HWV 348-50, Suite in F, No. 8: Bourree, The Water Music, HWV 348-50, Suite in F, No. 9: Tempo ordinario, The Water Music, HWV 348-50, Suite in F, Nos. 3 & 4: Allegro - Andante - Allegro, The Water Music, HWV 348-50, Suite in G, No. 16: Minuet, The Water Music, HWV 348-50, Suite in G, No. 17: Rigaudon, The Water Music, HWV 348-50, Suite in G, No. 18: Allegro, The Water Music, HWV 348-50, Suite in G, No. 19: Minuet, The Water Music, HWV 348-50, Suite in G, No. 20: Minuet II, The Water Music, HWV 348-50, Suite in G, No. 21: Tempo ordinario, The Water Music, HWV 348-50, Suite in G, No. 22: Andante |
| Sir John Eliot Gardiner |
conductor |
Agrippina: Ballo, Agrippina: Coll'ardor del tuo bel core, Agrippina: Come nube che fugge dal vento, Agrippina: Di timpani e trombe, Agrippina: Favorevol la sorte oggi m'arride - Ogni vento ch'al porto lo spinga, Agrippina: L'alma mia fra le tempeste, Agrippina: Lieto il Tebro increspi l'onda, Agrippina: Non ho cor che per amarti, Agrippina: Otton, qual portentoso fulmine, Agrippina: Par che amor sia cagion - Vaghe fonti, Agrippina: Piega pur del mio cor - Bel piacer, Agrippina: Qual bramato piacere - Quando invita la donna l'amante, Agrippina: Se giunge un dispetto, Agrippina: Se vuoi pace, o volto amato, Agrippina: Sinfonia, Agrippina: Tacerò, tacerò, Agrippina: Vaghe perle, eletti fiori, Agrippina: Vieni, o cara, Agrippina: Voi che udite il mio lamento, Arrival of the Queen of Sheba, Concerto Grosso in C "Alexander's Feast", Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: I. Allegro, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: II. Larghetto, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: III. Allegro moderato, Il Moderato - As steals the morn upon the night, Il Moderato - Come, with gentle hand restrain, Il Moderato - Hence, boast not - All this company serene, Il Moderato - No more short life, Il Moderato - Thy pleasures, Moderation, give, Il Penseroso - But let my due feet never fail, Il Penseroso - Come, but keep thy wonted state - Join with thee (chorus), Il Penseroso - Come, pensive nun, Il Penseroso - Come, rather, Goddess, Il Penseroso - Far from all resort of Mirth, Il Penseroso - First, and chief, on golden wing, Il Penseroso - Hence vain deluding joys, Il Penseroso - Hence, vain deluding joys, Il Penseroso - May at last my weary age - These pleasures, Melancholy, give (solo, chorus), Il Penseroso - Me, when the sun begins to fling, Il Penseroso - Oft on a plat of rising ground, Il Penseroso - There let the pealing organ blow (chorus) - And let their sweetness, Il Penseroso - Thus night oft see me, L'Allegro - And ever against eating cares, L'Allegro - Come, and trip it (solo, chorus), L'Allegro - Come, thou Goddess, L'Allegro - Haste thee, nymph, L'Allegro - Haste thee, nymph (chorus), L'Allegro - Hence loathed Melancholy, L'Allegro - Hence, loathed Melancholy - And if I give thee honour due, L'Allegro - I'll to the well-trod stage anon, L'Allegro - If I give thee honour due, L'Allegro - Or let the merry bells - And young and old come (chorus), L'Allegro - Orpheus 'self may heave his head, L'Allegro - Populous cities, L'Allegro - Straight mine eye, L'Allegro - There let Hymen oft appear, L'Allegro - These delights if thou canst give (solo, chorus), Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth", Messiah, HWV 56: Part I, V. Recitative (Bass) "Thus saith the Lord of Hosts", Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?", Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion", Messiah, HWV 56: Part I, VIIa. Chorus "And He shall purify the sons of Levi", Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive", Messiah, HWV 56: Part I, X. Air (Bass) "The people that walked in darkness", Messiah, HWV 56: Part I, XIIa. Pifa "Pastoral Symphony", Messiah, HWV 56: Part I, XIIb. Recitative (Treble) "There were shepherds" / XIII. Accompagnato (Treble): "And lo, the angel of the Lord" / XIV. Accompagnato (Treble) "And suddenly there was with the angel", Messiah, HWV 56: Part I, XV. Chorus "Glory to God in the highest", Messiah, HWV 56: Part II, XXI. Chorus "Surely, He hath borne our griefs", Messiah, HWV 56: Part II, XXII. Chorus "And with His stripes", Messiah, HWV 56: Part II, XXIII. Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn", Messiah, HWV 56: Part II, XXIX. Air (Soprano I) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart", Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow", Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano I): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him", Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written", Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?", Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory", Music for the Royal Fireworks: Suite HWV 351 V. Menuet I-II, Water Music Suite No. 2 in D Major, HWV 349: II. Alla hornpipe |
| Yehudi Menuhin |
conductor, violin |
Concerto a due cori in B-flat major, HWV 332: I. Overture: Grave / Allegro ma non troppo, Concerto a due cori in B-flat major, HWV 332: II. Allegro, Concerto a due cori in B-flat major, HWV 332: III. Largo, Concerto a due cori in B-flat major, HWV 332: IV. A tempo ordinario / Alla breve (Moderato), Concerto a due cori in B-flat major, HWV 332: V. Menuet, Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro, Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante, Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano, Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano, Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe, Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave, Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro, Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio, Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto, e staccato, Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto, Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo, Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro, Concerto grosso in D major, op. 66, no. 5, HWV 323: VI. Menuet: Un poco larghetto, Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato, Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto, Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante, Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro, Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante), Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro, Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo, Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo, Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto, Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuett, Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue, Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio, Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto, Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro, Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Organo ad libitum: Largo, Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: III. Allegro, Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante / II. Allegro, Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante, Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo, Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Organo ad libitum, Organ Concerto in F major, no. 13, HWV 295 “The Cuckoo and the Nightingale”: V. Allegro, Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio, Sonata in D major, op. 1 no. 13, HWV 371: I. Affettuoso, Sonata in E major, op. 1 no. 15 HWV 373: II. Allegro, Sonata in G minor, op. 1 no. 10, HWV 368: I. Andante, The Madness of King George: Zadok the Priest, Trio Sonata in G minor, Op. 2 No. 8: I. Andante, Water Music: Suite no. 1 in F major, HWV 348: Air, Water Music: Suite no. 2 in D major, HWV 349: Menuet, Water Music: Suite no. 3 in G major, HWV 350: Andante, Water Music: Suite no. 3 in G major, HWV 350: Menuet |
| Choir of King’s College, Cambridge |
vocal |
Chandos Anthem No. 10: For who is God but the Lord (chorus), Chandos Anthem No. 10: I will offer in His dwelling an oblation (chorus), Chandos Anthem No. 10: It is the Lord that ruleth the sea (soprano), Chandos Anthem No. 10: One thing have I desired of the Lord (tenor), Chandos Anthem No. 10: Overture, Chandos Anthem No. 10: Sing praises unto the Lord (chorus), Chandos Anthem No. 10: The Lord is my light and my salvation (tenor), Chandos Anthem No. 10: The Lord is my strength and my shield (tenor), Chandos Anthem No. 10: Though an host of men were laid against me (chorus), Coronation Anthems, Let thy hand be strengthened: I. "Let thy hand be strengthened", Coronation Anthems, Let thy hand be strengthened: II." Let justice and judgement", Coronation Anthems, Let thy hand be strengthened: III. "Alleluja!", Coronation Anthems, My heart is inditing: I. "My heart is inditing", Coronation Anthems, My heart is inditing: II. "King's daughters", Coronation Anthems, My heart is inditing: III. "Upon thy right hand", Coronation Anthems, My heart is inditing: IV. "Kings shall be thy nursing fathers", Coronation Anthems, The King shall rejoice: I. "The King shall rejoice", Coronation Anthems, The King shall rejoice: II. "Exceeding glad shall he be", Coronation Anthems, The King shall rejoice: III. "Glory and great worship", Coronation Anthems, The King shall rejoice: IV. "Thou hast prevented him", Coronation Anthems, The King shall rejoice: V. "Alleluja!", Coronation Anthems, Zadok the Priest, Dixit Dominus: I. Chorus with Solos "Dixit Dominus", Dixit Dominus: IV. Chorus "Juravit Dominus", Dixit Dominus: V. Chorus "Secundum ordinem Melchisedech", Dixit Dominus: VI. Solos with Chorus "Dominus a dextris tuis", Dixit Dominus: VII. Solos with Chorus "De terrente in via bibit", Dixit Dominus: VIII. Chorus "Gloria Patri et Filio et Spiritui Sancto", Messiah, Chorus “For Unto Us a Child Is Born”, Messiah: Part I. Aria "But who may abide" (bass), Messiah: Part I. Aria "Ev'ry valley shall be exalted" (tenor), Messiah: Part I. Aria "O thou that tellest" (alto), Messiah: Part I. Aria "Rejoice greatly, o daughter of Zioin" (soprano), Messiah: Part I. Aria "The people that walked in darkness" (bass), Messiah: Part I. Chorus "And He shall purify", Messiah: Part I. Chorus "And the glory, the glory of the Lord", Messiah: Part I. Chorus "For unto us a Child is born", Messiah: Part I. Chorus "Glory to God in the highest", Messiah: Part I. Chorus "His yoke is easy", Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano), Messiah: Part I. Pifa (Pastoral Symphony), Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano), Messiah: Part I. Recitative "And the angels said unto them" (soprano), Messiah: Part I. Recitative "Behold, a virgin" (alto), Messiah: Part I. Recitative "Comfort ye my people" (tenor), Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass), Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto), Messiah: Part I. Recitative "There were shepherds" (soprano), Messiah: Part I. Recitative "Thus said the Lord" (bass), Messiah: Part I. Sinfonia, Messiah: Part II. "Why do the nations?" (bass), Messiah: Part II. Aria "Behold, and see if there be any sorrow" (tenor), Messiah: Part II. Aria "But thou didst not leave" (tenor), Messiah: Part II. Aria "He was despised" (alto), Messiah: Part II. Aria "How beautiful are the feet" (soprano), Messiah: Part II. Aria "Thou art gone up on high" (alto), Messiah: Part II. Aria "Thou shalt break them" (tenor), Messiah: Part II. Chorus "All we like sheep", Messiah: Part II. Chorus "And with his stripes we are healed", Messiah: Part II. Chorus "Behold the Lamb of God", Messiah: Part II. Chorus "He trusted in God", Messiah: Part II. Chorus "Let all the angels of God worship Him", Messiah: Part II. Chorus "Let us break their bonds asunder", Messiah: Part II. Chorus "Lift up your heads", Messiah: Part II. Chorus "Surely he haath borne out grieves", Messiah: Part II. Chorus "The Lord gave the word", Messiah: Part II. Chorus "Their sound is gone out", Messiah: Part II. Recitative "All they that see Him" (tenor), Messiah: Part II. Recitative "He that dwelleth in heaven" (tenor), Messiah: Part II. Recitative "He was cut off out of the land" (tenor), Messiah: Part II. Recitative "Thy rebuke hath broken His heart" (tenor), Messiah: Part II. Recitative "Unto which of the angels" (tenor), Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano), Messiah: Part III. Aria "If God be for us" (soprano), Messiah: Part III. Aria "The trumpet shall sound" (bass), Messiah: Part III. Chorus "But thanks be to God", Messiah: Part III. Chorus "Since by man came death", Messiah: Part III. Chorus "Worthy is the Lamb...Amen", Messiah: Part III. Duet "O death, where is thy sting" (alto & soprano), Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass), Messiah: Part III. Recitative "Then shall be brought to pass" (alto), Zadok the Priest |
| London Symphony Orchestra |
performing orchestra |
Alcina: Act I, Scene I. "Chi m'insega il caro padre?" (Oberto, Oronte, Bradamante, Morgana), Alcina: Act I, Scene I. "Di te mi rido, semplice stolto" (Ruggiero, Oberto, Melisso, Bradamante), Alcina: Act I, Scene I. "Di', cor mio, quanto t'amai" (Alcina), Alcina: Act I, Scene I. "E gelosia, forza è d'amore" (Bradamante) / Scene II. "Vo cercando la bella cagion delle mie pene" (Ruggiero), Alcina: Act I, Scene I. "O s'apre al riso" (Morgana), Alcina: Act I, Scene I. "Questo è il cielo contenti" (Coro, Bradamante, Melisso, Alcina), Alcina: Act I, Scene I. "Sin per le vie del sole" (Coro, Bradamante, Ruggiero, Melisso), Alcina: Act I, Scene I. Overture / "Oh Dei!" (Bradamante, Melisso, Morgana), Alcina: Act I, Scene II. "Bramo di trionfar" (Ruggiero, Oronte), Alcina: Act I, Scene II. "La bocca vaga" (Ruggiero, Melisso, Bradamante, Morgana, Alcina), Alcina: Act I, Scene II. "Semplicetto! a donna credi?" (Oronte, Ruggiero, Alcina), Alcina: Act I, Scene II. "Sì, son quella, non più bella" (Alcina, Bradamante, Ruggiero, Melisso), Alcina: Act I, Scene II. Gavotte I — Sarabande — Menuet — Gavotte II, Alcina: Act II, Scene I. "Col celarvi a chi v'ama un momento" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Act II, Scene I. "Pensa a chi geme" (Melisso, Bradamante, Ruggiero), Alcina: Act II, Scene I. "Qual portento mi richiama" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Vorrei vendicarmi del perfido cor" (Bradamante, Ruggiero), Alcina: Act II, Scene I. Musette — Menuet, Alcina: Act II, Scene II. "Ah! mio cor! schemito sei!" (Alcina, Morgana, Oronto), Alcina: Act II, Scene II. "Ama, sospira, ma non t'offende" (Morgana, Alcina, Ruggiero), Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act II, Scene II. "Mio bel tesoro" (Ruggiero, Oberto, Alcina), Alcina: Act II, Scene II. "S'acquieti il rio sospetto" (Alcina, Morgana, Ruggiero), Alcina: Act II, Scene II. "Tra speme e timore" (Oberto, Oronte, Alcina), Alcina: Act II, Scene II. "Verdi parti, selve amene" (Ruggiero), Alcina: Act II, Scene III. "Ah! Ruggiero crudel, tu non mi amasti!" (Alcina), Alcina: Act II, Scene III. "Ombre pallide, lo so, mu udite" (Alcina), Alcina: Act II, Scene III. Ballet, Alcina: Act III, Scene I. "Credete al mio dolore" (Morgana, Oronte), Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Sta nell'Ircana pietrosa tana" (Ruggiero), Alcina: Act III, Scene I. "Un momento di contento" (Oronte, Ruggiero, Alcina), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene I. Sinfonia / "Vogliio amar e disamar" (Oronte, Morgana), Alcina: Act III, Scene II. "Mi restano le lagrime" (Alcina) / Scene III. "Già vicino è 'l momento" (Oberto, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero), Alcina: Act III, Scene III. "Dopo tante amare pepe" (Coro), Alcina: Act III, Scene III. "Non è amor, né gelosia" (Alcina, Bradamante, Ruggiero), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro), Bourree in D - Water Music, Der Messias: Halleluja (London Symphony Chorus & Orchestra (feat. conductor: Colin Davis), Giulio Cesare: Act I. "Priva son d'ogni conforti" (Cornelia), Giulio Cesare: Act I. "Tu la mia stella sei" (Cleopatra), Giulio Cesare: Act I. "Va tacito e nascosto" (Cesare), Giulio Cesare: Act II. "Se pietà di me non senti" (Cleopatra), Giulio Cesare: Act II. "Sì spietata, il tuo rigore" (Tolomeo), Giulio Cesare: Act II. "V'adoro, pupille" (Cleopatra), Giulio Cesare: Act II. "Venere bella" (Cleopatra), Giulio Cesare: Act III. "Aure, deh, per pietà" (Cesare), Giulio Cesare: Act III. "Da tempeste il legno infranto" (Cleopatra), Giulio Cesare: Act III. "Piangerò la sorte mia" (Cleopatra), Giulio Cesare: Act III. "Sperai né m'ingannai" (Sesto), Hornpipe From 'Winter Music', LARGO, Messiah, HWV. 56: Part 1, XII. For Unto Us a Child Is Born, Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: Glory to God in the highest, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen, Oboe Concerto #3 in G minor, Ombra mai fu (Handel's Largo), Ombra mai tu ("Handel's Largo"), Rejoice greatly (Messiah, ed. Herbage), The Messiah: For Unto Us a Child Is Born, The Messiah: Hallelujah Chorus, Water Music, Water Music - Allegro, Water Music - Andante, Water Music - Hornpipe |
| Christopher Hogwood |
conductor, harpsichord |
Arias for Wind Ensemble: No 1 in F major, HWV 410, Arias for Wind Ensemble: No 2 in F major, HWV 411, Arrival of the Queen of Sheba, Bernice, Concerto "A due cori", No. 2: I. Pomposo, Concerto "A due cori", No. 2: II. Allegro, Concerto "A due cori", No. 2: III. A tempo giusto, Concerto "A due cori", No. 2: IV. Largo, Concerto "A due cori", No. 2: V. Allegro ma non troppo, Concerto "A due cori", No. 2: VI. A tempo ordinario, Concerto a due cori No. 1, HWV 332: I. Ouverture, Concerto a due cori No. 1, HWV 332: II. Allegro ma non troppo, Concerto a due cori No. 1, HWV 332: III. Allegro, Concerto a due cori No. 1, HWV 332: IV. Largo, Concerto a due cori No. 1, HWV 332: V. A tempo ordinario, Concerto a due cori No. 1, HWV 332: VI. Alla breve. Moderato, Concerto a due cori No. 1, HWV 332: VII. Menuet. Allegro, Concerto a due cori No. 2, HWV 333: I. Pomposo, Concerto a due cori No. 2, HWV 333: II. Allegro, Concerto a due cori No. 2, HWV 333: III. A tempo giusto, Concerto a due cori No. 2, HWV 333: IV. Largo, Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo - Adagio, Concerto a due cori No. 2, HWV 333: VI. A tempo ordinario, Concerto a due cori No. 3, HWV 334: I. Ouverture, Concerto a due cori No. 3, HWV 334: III. Adagio, Concerto a due cori No. 3, HWV 334: IIa. Allegro, Concerto a due cori No. 3, HWV 334: IIb. Allegro ma non troppo, Concerto a due cori No. 3, HWV 334: IV. Andante larghetto, Concerto a due cori No. 3, HWV 334: V. Allegro, Giulio Cesare Act 3: "Piangerò, la sorte mia", Horn Suite in F major "Water Music", Sonata No. 11 in F, Op. 1 No. 11: I, Larghetto, Sonata No. 11 in F, Op. 1 No. 11: II, Allegro, Sonata No. 11 in F, Op. 1 No. 11: III, Sicilliana, Sonata No. 11 in F, Op. 1 No. 11: IV, Allegro, Sonata No. 2 in G Minor, Op. 1 No. 2: I, Larghetto, Sonata No. 2 in G Minor, Op. 1 No. 2: II, Andante, Sonata No. 2 in G Minor, Op. 1 No. 2: III, Adagio, Sonata No. 2 in G Minor, Op. 1 No. 2: IV, Presto, Sonata No. 4 in C Minor, Op. 1 No. 4: I, Larghetto, Sonata No. 4 in C Minor, Op. 1 No. 4: II, Allegro, Sonata No. 4 in C Minor, Op. 1 No. 4: III, Adagio, Sonata No. 4 in C Minor, Op. 1 No. 4: IV, Allegro, Sonata No. 7 in C, Op. 1 No. 7: I, Larghetto, Sonata No. 7 in C, Op. 1 No. 7: II, Allegro, Sonata No. 7 in C, Op. 1 No. 7: III, Larghetto, Sonata No. 7 in C, Op. 1 No. 7: IV, A tempo di gavotta, Sonata No. 7 in C, Op. 1 No. 7: V, Allegro, The Alchymist, Incidental Music: I. Overture, The Alchymist, Incidental Music: II. Prelude - Minuet, The Alchymist, Incidental Music: III. Saraband - Borée - Aire - Borée, The Alchymist, Incidental Music: IV. Minuet - Aire - Jigg, Water Music Suite No. 1 in F major, HWV 348: I. Overture: Largo - Allegro, Water Music Suite No. 1 in F major, HWV 348: II. Adagio e staccato, Water Music Suite No. 1 in F major, HWV 348: III. Allegro - Andante - Allegro, Water Music Suite No. 1 in F major, HWV 348: IV. Presto, Water Music Suite No. 1 in F major, HWV 348: IX. Allegro, Water Music Suite No. 1 in F major, HWV 348: V. Air, Water Music Suite No. 1 in F major, HWV 348: VI. Minuet for the French Horn, Water Music Suite No. 1 in F major, HWV 348: VII. Bourrée, Water Music Suite No. 1 in F major, HWV 348: VIII. Hornpipe, Water Music Suite No. 1 in F major, HWV 348: X. Allegro, Water Music Suite No. 1 in F major, HWV 348: XI. Alla hornpipe, Water Music Suite No. 2 in D major, HWV 349: I. Allegro, Water Music Suite No. 2 in D major, HWV 349: II. Alla hornpipe, Water Music Suite No. 2 in D major, HWV 349: III. Trumpet minuet, Water Music Suite No. 2 in D major, HWV 349: IV. Lentement, Water Music Suite No. 2 in D major, HWV 349: V. Air, Water Music Suite No. 3 in G major, HWV 350: I. Menuet, Water Music Suite No. 3 in G major, HWV 350: II. Presto, Water Music Suite No. 3 in G major, HWV 350: III. Menuet, Water Music Suite No. 3 in G major, HWV 350: IV. Menuet, Water Music Suite No. 3 in G major, HWV 350: V. Country dance |
| Concentus Musicus Wien |
performer, performing orchestra, vocal |
Glory to God (from the Messiah), Hallelujah (from The Messiah), Hallelujah Chorus From 'The Messiah', Largo From Concerto for Oboe, Strings & Continuo, Messiah, HWV 56: Part I: I. Symphony (Overture), Messiah, HWV 56: Part I: II. Recitative "Comfort ye my people" (tenor), Messiah, HWV 56: Part I: III. Air "Ev'ry valley shall be exalted" (tenor), Messiah, HWV 56: Part I: IV. Chorus "And the glory of the Lord shall be revealed", Messiah, HWV 56: Part I: IX: Air and Chorus "O though that tellest good tidings to Zion" (alto), Messiah, HWV 56: Part I: V. Recitative "Thus saith the Lord" (bass), Messiah, HWV 56: Part I: VI. Air "But who may abide the day of his coming" (alto), Messiah, HWV 56: Part I: VII. Chorus "And he shall purify the sons of Levi", Messiah, HWV 56: Part I: VIII: Recitative "Behold, a virgin shall conceive, and bear a son" (alto), Messiah, HWV 56: Part I: X: Recitative "For behold, darkness shall cover the earth" (bass), Messiah, HWV 56: Part I: XI: Air "The people that walked in darknesshave seen a great light" (bass), Messiah, HWV 56: Part I: XII: Chorus "For unto us a Child is born", Messiah, HWV 56: Part I: XIII: Pifa (Pastoral Symphony), Messiah, HWV 56: Part I: XIVa: Recitative "There were shepherds abiding in the field" (soprano), Messiah, HWV 56: Part I: XIVb: Recitative "And lo, the angel of the Lord came upon them" (soprano), Messiah, HWV 56: Part I: XIX: Recitative "Then shall the eyes of the blind be opened" (alto), Messiah, HWV 56: Part I: XV: Recitative "And the angel said unto them: Fear not" (soprano), Messiah, HWV 56: Part I: XVI: Recitative "And suddenly there was with the angel a multitude of the heav'nly host" (soprano), Messiah, HWV 56: Part I: XVII: Chorus "Glory to God in the highest", Messiah, HWV 56: Part I: XVIII: Air "Rejoice greatly, o daughter of Zion" (soprano), Messiah, HWV 56: Part I: XX: Air "He shall feed His flock like a shepherd" (soprano, alto), Messiah, HWV 56: Part I: XXI: Chorus "His yoke is easy", Messiah, HWV 56: Part II: XL: Air "Why do the nations so furiously rage together" (bass), Messiah, HWV 56: Part II: XLI: Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II: XLII: Recitative "He that dwelleth in heaven shall laugh them to scorn" (tenor), Messiah, HWV 56: Part II: XLIII: Air "Thou shalt break them with a rod of iron" (tenor), Messiah, HWV 56: Part II: XLIV: Chorus "Hallelujah", Messiah, HWV 56: Part II: XXII: Chorus "Behold the Lamb of God, that taketh away the sin of the world", Messiah, HWV 56: Part II: XXIII: Air "He was despised and rejected of men" (alto), Messiah, HWV 56: Part II: XXIV: Chorus "Surely he hath borne our griefs and carried our sorrows", Messiah, HWV 56: Part II: XXIX: Recitative "Thy rebuke hath broken his heart" (soprano), Messiah, HWV 56: Part II: XXV: Chorus "And with his stripes we are healed", Messiah, HWV 56: Part II: XXVI: Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II: XXVII: Recitative "All they that see him laugh him to scorn" (tenor), Messiah, HWV 56: Part II: XXVIII: Chorus "He trusted in God that he would deliver him", Messiah, HWV 56: Part II: XXX: Air "Behold, and see if there be any sorrow like unto his sorrow" (soprano), Messiah, HWV 56: Part II: XXXI: Recitative "He was cut off out of the land of the living" (tenor), Messiah, HWV 56: Part II: XXXII: Air "But thou didst not leave his soul in hell" (tenor), Messiah, HWV 56: Part II: XXXIII: Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II: XXXIV: Recitative "Unto which of the angels said he at any time" (tenor), Messiah, HWV 56: Part II: XXXIX: Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II: XXXV: Chorus "Let all the angels of God worship him", Messiah, HWV 56: Part II: XXXVI: Air "Though art gone up on high, thou hast led captivity captive" (alto), Messiah, HWV 56: Part II: XXXVII: Chorus "The Lord gave the word: great was the company of the preachers", Messiah, HWV 56: Part II: XXXVIII: Air "How beautiful are the feet of them that preach the gospel of peace" (soprano), Messiah, HWV 56: Part III: L: Duet "O death, where is thy sting?" (alto, tenor), Messiah, HWV 56: Part III: LI: Chorus "But thanks be to God, who giveth us the victory", Messiah, HWV 56: Part III: LII: Air "If God be for us, who can be against us?" (soprano), Messiah, HWV 56: Part III: LIII: Chorus "Worthy is the Lamb that was slain", Messiah, HWV 56: Part III: XLIX: Recitative"Then shall be brought to pass the saying that is written" (alto), Messiah, HWV 56: Part III: XLV: Air "I know that my Redeemer liveth" (soprano), Messiah, HWV 56: Part III: XLVI: Chorus "Since by man came death", Messiah, HWV 56: Part III: XLVII: Recitative: "Behold, I tell you a mystery" (bass), Messiah, HWV 56: Part III: XLVIII: Air "The trumpet shall sound" (bass), Ode for St Cecilia's Day, HWV 76: Accompagnato "But bright Cecilia rais'd the wonder high'r" (Soprano), Ode for St Cecilia's Day, HWV 76: Chorus "As from the pow'r of sacred lays" (Chorus), Ode for St. Cecilia's Day, HWV 76: Aria "But oh! what art can teach", Ode for St. Cecilia's Day, HWV 76: Aria "Orpheus ould lead the savage race", Ode for St. Cecilia's Day, HWV 76: Aria "Sharp Violins proclaim", Ode for St. Cecilia's Day, HWV 76: Aria "The soft complaining Flute", Ode for St. Cecilia's Day, HWV 76: Aria "What passion cannot Music raise and quell!", Ode for St. Cecilia's Day, HWV 76: Chorus "From Harmony, from Heav'nly Harmony", Ode for St. Cecilia's Day, HWV 76: La Marche, Ode for St. Cecilia's Day, HWV 76: Overture - Recitativo "From Harmony, from heav'nly Harmony" - Accompagnato "When Nature underneath a heap", Ode for St. Cecilia's Day, HWV 76: Solo and Chorus "The Trumpet's loud clangor" |
| Rudolph Palmer |
conductor |
Aus: "Xerxes": Serse: "Ombra mai fu", Faramondo: Act I. "Chiede l'ombra", Faramondo: Act I. Aria "Conoscero" (Clotilde), Faramondo: Act I. Aria "Mi parto lieta" (Clotilde), Faramondo: Act I. Aria "Rival si tono" (Faramondo), Faramondo: Act I. Aria "Se ben" (Faramondo), Faramondo: Act I. Aria "Vado a recar" (Gustavo), Faramondo: Act I. Aria "Vanne" (Rosimonda), Faramondo: Act I. Aria "Viva, si" (Gustavo), Faramondo: Act I. Arioso "Si, tornero" (Faramondo), Faramondo: Act I. Choir "Pera, pera", Faramondo: Act I. Concerto grosso No. 4, Op. 6: Allegro, Faramondo: Act I. Concerto grosso No. 4, Op. 6: Larghetto, Faramondo: Act I. Recitative Accompagnato "Popolo, figlio", Faramondo: Act I. Recitativo "A me dunque", Faramondo: Act I. Recitativo "Dalla cittade", Faramondo: Act I. Recitativo "Faramondo infelice", Faramondo: Act I. Recitativo "Fra quest'ombre", Faramondo: Act I. Recitativo "Si, Clotilde", Faramondo: Act I. Recitativo "Siam pur fuori", Faramondo: Act I. Recitativo "Sino ad ora", Faramondo: Act I. Recitativo & Aria "Perdoni...chi ben" (Adolfo), Faramondo: Act I. Recitativo & Aria "Quel..sento" (Rosimonda), Faramondo: Act I. Recitativo & Aria "Va voglio" (Gernando), Faramondo: Act II. Aria "Combattuta" (Clotilde), Faramondo: Act II. Aria "Nella terra" (Gernando), Faramondo: Act II. Aria "Poi che pria" (Faramondo), Faramondo: Act II. Aria "Se a piedi" (Adolfo), Faramondo: Act II. Aria "Si, l'intendesti" (Rosimonda), Faramondo: Act II. Aria "Sol la brama" (Gustavo), Faramondo: Act II. Concerto grosso No. 4, Op. 6: Allegro, Faramondo: Act II. Concerto grosso No. 4, Op. 6: Largo, Faramondo: Act II. Duetto "Vado e vivo", Faramondo: Act II. Recitativo "Childerico", Faramondo: Act II. Recitativo "Faramondo in catene", Faramondo: Act II. Recitativo "Gia udisti", Faramondo: Act II. Recitativo "Misero", Faramondo: Act II. Recitativo "Signor, umil", Faramondo: Act II. Recitativo "Tentai d'aver", Faramondo: Act II. Recitativo & Aria "Si sdegna" (Gernando), Faramondo: Act II. Sinfonia, Faramondo: Act III. Aria "Cosi suole" (Gernando), Faramondo: Act III. Aria "Sappi, crudel" (Rosimonda), Faramondo: Act III. Aria "Se ria procella" (Adolfo), Faramondo: Act III. Aria "Un'aura placida" (Clotilde), Faramondo: Act III. Aria "Voglio che sia" (Faramondo), Faramondo: Act III. Aria & Choir "Virtu che rende", Faramondo: Act III. Duetto "Caro, cara", Faramondo: Act III. Recitativo "Clotilde, il tuo dolor", Faramondo: Act III. Recitativo "D'un oltraggiato", Faramondo: Act III. Recitativo "Gia nel campo", Faramondo: Act III. Recitativo "Mi tradiscono", Faramondo: Act III. Recitativo "Non isdegnar", Faramondo: Act III. Recitativo "Reggi il mio brando", Faramondo: Act III. Recitativo "Ritorna pur", Faramondo: Act III. Sinfonia, Faramondo: Overture, Imeneo: Act I, Scene I. Arioso "La mia bella" (Tirinto) - Recitative "Tirinto!" (Argenio) - Recitativo "Dal di ch'io la perdei" (Tirinto) - Aria "Se potessero" (Tirinto), Imeneo: Act I, Scene II. Recitativo "Cerere omnipotente" (Argenio) - Choir "Vien Imeneo fra voi" - Recitativo "Valoroso Imeneo!" (Tirinto) - Aria "Di ciceca notte allor" (Imeneo), Imeneo: Act I, Scene III-IV. Recitativo "Rosmene, alfin dovresti" (Imeneo) - Aria "Ingrata mai no fui" (Rosmene) - Aria "Mi chiederesti meno" (Tirinto), Imeneo: Act I, Scene V-VI. Recitativo "Se non era il tuo braccio" (Clomiri) - Aria "v'e un infelice" (Clomiri) - Recitativo "Paventar non degg'io che non" (Imeneo) - Aria "Esser mia dovra" (Imeneo) - Choir "Vien Imemeo fra voi...", Imeneo: Act II, Scene I. Arioso "Deh, m'aiutate, o Dei!" (Rosmene) - Recitativo "Vogliono i tuoi maggiori" (Argenio) - Aria "Su l'arena di barbara scene" (Argenio), Imeneo: Act II, Scene II-III. Recitativo "La mia mente or confusa vorria" (Rosmene) - Aria "Semplicetta, la saetta" (Rosmene) - Recitativo "Tirinto, era poc'anzi" (Clomiri) - Aria "Sorge nell'alma mia" (Imeneo), Imeneo: Act II, Scene IV-V. Recitativo "Imeneo, lieto in viso tutto" (Clomiri) - Aria "E si vaga del tuo bene" (Clomiri) - Recitativo "Sembra un fanciullo, Amore" (Imeneo) - Aria "Chi scherza colle rose" (Imeneo), Imeneo: Act II, Scene VI. Recitativo "Udisti gia" (Argenio) - Trio "Consolami, mio bene" (Imeneo, Rosmene, Tirinto) - Choir "E troppa bel trofeo", Imeneo: Act III, Scene I-II. Recitativo "Alfin decidi!" (Tirinto, Imeneo) - Aria "In mezzo a voi dui" (Rosmene) - Recitativo "Se tua sara Rosmene" (Imeneo) - Aria "Pieno il core di timore" (Tirinto), Imeneo: Act III, Scene III-VI. Recitativo "Sarei lieta ancor io se Rosmene" (Clomiri) / Aria "Se ricordar ten vuoi" (Clomiri) / Aria "D'amor nei primi istanti" (Imeneo) / Recitativo "Perdonami, Clomiri, d'altro amore" (Imeneo) / Arioso "Se la mia pace a me" (Imeneo) / Recitativo "Sentimi, er pieta!" (Tirinto) / Arioso "Se la mia pace..." (Tirinto) / Recitativo "E questo il di per definir la lite?" (Rosmene) / Duetto "Se la mia pace..." (Tirinto, Imeneo) / Recitativo "La vita?" (Rosmene), Imeneo: Overture, Imeneo: Recitativo accompagnato "Miratela! Che arriva cinta di" / Recitativo "Misera!" (Imeneo) / Arioso "Al voler del tua fortuna" (Rosmene) / Recitativo "Paelai da stolta" (Rosmene) / Duetto "Per le porte del tormento" (Rosmene, Tirinto) / Choir "Se consulta il suo dover" |
| Brewer Chamber Orchestra |
performing orchestra |
Faramondo: Act I. "Chiede l'ombra", Faramondo: Act I. Aria "Conoscero" (Clotilde), Faramondo: Act I. Aria "Mi parto lieta" (Clotilde), Faramondo: Act I. Aria "Rival si tono" (Faramondo), Faramondo: Act I. Aria "Se ben" (Faramondo), Faramondo: Act I. Aria "Vado a recar" (Gustavo), Faramondo: Act I. Aria "Vanne" (Rosimonda), Faramondo: Act I. Aria "Viva, si" (Gustavo), Faramondo: Act I. Arioso "Si, tornero" (Faramondo), Faramondo: Act I. Choir "Pera, pera", Faramondo: Act I. Concerto grosso No. 4, Op. 6: Allegro, Faramondo: Act I. Concerto grosso No. 4, Op. 6: Larghetto, Faramondo: Act I. Recitative Accompagnato "Popolo, figlio", Faramondo: Act I. Recitativo "A me dunque", Faramondo: Act I. Recitativo "Dalla cittade", Faramondo: Act I. Recitativo "Faramondo infelice", Faramondo: Act I. Recitativo "Fra quest'ombre", Faramondo: Act I. Recitativo "Si, Clotilde", Faramondo: Act I. Recitativo "Siam pur fuori", Faramondo: Act I. Recitativo "Sino ad ora", Faramondo: Act I. Recitativo & Aria "Perdoni...chi ben" (Adolfo), Faramondo: Act I. Recitativo & Aria "Quel..sento" (Rosimonda), Faramondo: Act I. Recitativo & Aria "Va voglio" (Gernando), Faramondo: Act II. Aria "Combattuta" (Clotilde), Faramondo: Act II. Aria "Nella terra" (Gernando), Faramondo: Act II. Aria "Poi che pria" (Faramondo), Faramondo: Act II. Aria "Se a piedi" (Adolfo), Faramondo: Act II. Aria "Si, l'intendesti" (Rosimonda), Faramondo: Act II. Aria "Sol la brama" (Gustavo), Faramondo: Act II. Concerto grosso No. 4, Op. 6: Allegro, Faramondo: Act II. Concerto grosso No. 4, Op. 6: Largo, Faramondo: Act II. Duetto "Vado e vivo", Faramondo: Act II. Recitativo "Childerico", Faramondo: Act II. Recitativo "Faramondo in catene", Faramondo: Act II. Recitativo "Gia udisti", Faramondo: Act II. Recitativo "Misero", Faramondo: Act II. Recitativo "Signor, umil", Faramondo: Act II. Recitativo "Tentai d'aver", Faramondo: Act II. Recitativo & Aria "Si sdegna" (Gernando), Faramondo: Act II. Sinfonia, Faramondo: Act III. Aria "Cosi suole" (Gernando), Faramondo: Act III. Aria "Sappi, crudel" (Rosimonda), Faramondo: Act III. Aria "Se ria procella" (Adolfo), Faramondo: Act III. Aria "Un'aura placida" (Clotilde), Faramondo: Act III. Aria "Voglio che sia" (Faramondo), Faramondo: Act III. Aria & Choir "Virtu che rende", Faramondo: Act III. Duetto "Caro, cara", Faramondo: Act III. Recitativo "Clotilde, il tuo dolor", Faramondo: Act III. Recitativo "D'un oltraggiato", Faramondo: Act III. Recitativo "Gia nel campo", Faramondo: Act III. Recitativo "Mi tradiscono", Faramondo: Act III. Recitativo "Non isdegnar", Faramondo: Act III. Recitativo "Reggi il mio brando", Faramondo: Act III. Recitativo "Ritorna pur", Faramondo: Act III. Sinfonia, Faramondo: Overture, Imeneo: Act I, Scene I. Arioso "La mia bella" (Tirinto) - Recitative "Tirinto!" (Argenio) - Recitativo "Dal di ch'io la perdei" (Tirinto) - Aria "Se potessero" (Tirinto), Imeneo: Act I, Scene II. Recitativo "Cerere omnipotente" (Argenio) - Choir "Vien Imeneo fra voi" - Recitativo "Valoroso Imeneo!" (Tirinto) - Aria "Di ciceca notte allor" (Imeneo), Imeneo: Act I, Scene III-IV. Recitativo "Rosmene, alfin dovresti" (Imeneo) - Aria "Ingrata mai no fui" (Rosmene) - Aria "Mi chiederesti meno" (Tirinto), Imeneo: Act I, Scene V-VI. Recitativo "Se non era il tuo braccio" (Clomiri) - Aria "v'e un infelice" (Clomiri) - Recitativo "Paventar non degg'io che non" (Imeneo) - Aria "Esser mia dovra" (Imeneo) - Choir "Vien Imemeo fra voi...", Imeneo: Act II, Scene I. Arioso "Deh, m'aiutate, o Dei!" (Rosmene) - Recitativo "Vogliono i tuoi maggiori" (Argenio) - Aria "Su l'arena di barbara scene" (Argenio), Imeneo: Act II, Scene II-III. Recitativo "La mia mente or confusa vorria" (Rosmene) - Aria "Semplicetta, la saetta" (Rosmene) - Recitativo "Tirinto, era poc'anzi" (Clomiri) - Aria "Sorge nell'alma mia" (Imeneo), Imeneo: Act II, Scene IV-V. Recitativo "Imeneo, lieto in viso tutto" (Clomiri) - Aria "E si vaga del tuo bene" (Clomiri) - Recitativo "Sembra un fanciullo, Amore" (Imeneo) - Aria "Chi scherza colle rose" (Imeneo), Imeneo: Act II, Scene VI. Recitativo "Udisti gia" (Argenio) - Trio "Consolami, mio bene" (Imeneo, Rosmene, Tirinto) - Choir "E troppa bel trofeo", Imeneo: Act III, Scene I-II. Recitativo "Alfin decidi!" (Tirinto, Imeneo) - Aria "In mezzo a voi dui" (Rosmene) - Recitativo "Se tua sara Rosmene" (Imeneo) - Aria "Pieno il core di timore" (Tirinto), Imeneo: Act III, Scene III-VI. Recitativo "Sarei lieta ancor io se Rosmene" (Clomiri) / Aria "Se ricordar ten vuoi" (Clomiri) / Aria "D'amor nei primi istanti" (Imeneo) / Recitativo "Perdonami, Clomiri, d'altro amore" (Imeneo) / Arioso "Se la mia pace a me" (Imeneo) / Recitativo "Sentimi, er pieta!" (Tirinto) / Arioso "Se la mia pace..." (Tirinto) / Recitativo "E questo il di per definir la lite?" (Rosmene) / Duetto "Se la mia pace..." (Tirinto, Imeneo) / Recitativo "La vita?" (Rosmene), Imeneo: Overture, Imeneo: Recitativo accompagnato "Miratela! Che arriva cinta di" / Recitativo "Misera!" (Imeneo) / Arioso "Al voler del tua fortuna" (Rosmene) / Recitativo "Paelai da stolta" (Rosmene) / Duetto "Per le porte del tormento" (Rosmene, Tirinto) / Choir "Se consulta il suo dover" |
| Ivor Bolton |
conductor |
Alcina: Act I, I. Overture, Alcina: Act I, II. Musette. Menuet, Alcina: Act I, III. Recitative "Oh Dei! Quivi non scorgo alcun sentiero" (Bradamante, Melisso, Morgana), Alcina: Act I, IV. Aria "O s'apre al riso" (Morgana), Alcina: Act I, IX. Recitative "Generosi guerrier, deh!" (Oberto), Alcina: Act I, V. Chorus "Questo è il cielo de' contenti" (Chorus), Alcina: Act I, VI. Gavotte. Sarabande. Gavotte, Alcina: Act I, VII. Recitative "Ecco L'infido" (Bradamante, Melisso, Alcina), Alcina: Act I, VIII. Aria "Di', cor mio, quanto t'amai" (Alcina), Alcina: Act I, X. Aria "Chi m'insegna il caro padre?" (Oberto), Alcina: Act I, XI. Recitative "Mi ravvisi, Rugiier, dimmi?" (Bradamante, Ruggiero, Melisso), Alcina: Act I, XII. Aria "De te mi rido, semplice stolto" (Ruggiero), Alcina: Act I, XIII. Recitative "Qua dunque ne veniste" (Oronte, Bradamante) / "...Io sono tua difesa" (Morgana, Bradamante), Alcina: Act I, XIV. Aria "È gelosia" (Bradamante), Alcina: Act I, XIX. Recitative "Se nemico mi fossi" (Bradamante, Ruggiero) / "...Bradamante favella?" (Ruggiero, Melisso, Bradamante), Alcina: Act I, XV. Recitative "Io dunque" (Oronto, Morgana, Ruggiero, Oronte), Alcina: Act I, XVI. Aria "Semplicetto! A donna credi?" (Oronte), Alcina: Act I, XVII. Recitative "Ah, infidele, infidel" (Ruggiero, Alcina) / "...Regina, il tuo soggiorno" (Bradamante, Alcina, Ruggiero), Alcina: Act I, XVIII. Aria "Si son quella" (Alcina), Alcina: Act I, XX. Recitative "A quai strani perigli" (Melisso, Bradamante) / "...Fuggi, cor mio, ti affreta" (Morgana, Bradamante), Alcina: Act I, XXI. Aria "Tornami a vagheggiar" (Morgana), Alcina: Act II, I. Aria "Col celarvi, a chi v'ama un momento (Ruggiero), Alcina: Act II, II. Recitative "Taci, taci, codardo" (Melisso, Ruggiero), Alcina: Act II, III. Aria "Qual portento mi richiama" (Ruggiero), Alcina: Act II, IV. Recitative "Atlante, dove sei?" (Ruggiero, Melisso), Alcina: Act II, IX. Aria "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Act II, V. Aria "Pensa a chi geme" (Melisso), Alcina: Act II, VI. Recitative "Qual odio ingusto contro me?" (Bradamante, Ruggiero), Alcina: Act II, VII. Aria "Vorrei vendicarmi" (Bradamante), Alcina: Act II, VIII. Recitative "Chi scopre al mio pensiero" (Ruggiero), Alcina: Act II, X. Recitative "S'acquieti il rio sospetto" (Alcina, Morgana) / "...E la tua pace" (Morgana, Alcina, Ruggiero), Alcina: Act II, XI. Aria "Ama, sospira" (Morgana), Alcina: Act II, XII. Recitative "Non scorgo nel tuo viso" (Alcina, Ruggiero), Alcina: Act II, XIII. Aria "Mio bel tesoro" (Ruggiero), Alcina: Act II, XIV. Recitative "Regina; io cerco in vano" (Oberto, Alcina), Alcina: Act II, XIX. Aria "È un folle, è un vile affetto" (Oronte), Alcina: Act II, XV. Aria "Tra speme e timore" (Oberto), Alcina: Act II, XVI. Recitative "Regina, sei tradita" (Oronte, Alcina), Alcina: Act II, XVII. Aria "Ah! mio cor!" (Alcina), Alcina: Act II, XVIII. Recitative "Oh. che dici, Morgana?" (Oronte, Morgana) / "...All' offesa, il disprezzo giunge L'ingrata" (Oronte), Alcina: Act II, XX. Recitative "Ed è ver che mi narri?" (Oberto, Bradamante) / "...Eccomi a' piedi tuoi" (Ruggiero, Bradamante, Morgana), Alcina: Act II, XXI. Aria "Verdi prati, selve amente" (Ruggiero), Alcina: Act II, XXII. Recitative "Ah! Ruggiero crudel" (Alcina), Alcina: Act II, XXIII. Aria "Ombre pallide, lo so, mi udite" (Alcina), Alcina: Act II, XXIV. Il Ballo, Alcina: Act III, I. Sinfonia, Alcina: Act III, II. Recitative "Voglio amar e disamar" (Oronte, Morgana), Alcina: Act III, III. Aria "Credete al mio dolore" (Morgana), Alcina: Act III, IV. Recitative "M'inganna, me n'avveggo" (Oronte), Alcina: Act III, IX. Aria "Sta nell'Ircana pietrosa tana" (Ruggiero), Alcina: Act III, V. Aria "Un momento di contento" (Oronte), Alcina: Act III, VI. Recitative "Molestissimo incontro!" (Ruggiero, Alcina), Alcina: Act III, VII. Aria "Ma quando tornerai" (Alcina), Alcina: Act III, VIII. Recitative "Tutto armante squadre" (Melisso, Ruggiero, Bradamante), Alcina: Act III, X. Recitative "Vanne tu seco ancora" (Melisso, Bradamante), Alcina: Act III, XI. Aria "All'alma fedel" (Bradamante), Alcina: Act III, XII. Recitative "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, XIII. Aria "Mi restano le lagrime" (Alcina), Alcina: Act III, XIV. Chorus "Sin per le vie del sole" (Chorus), Alcina: Act III, XIX. Recitative "Prendi, e vivi" (Ruggiero, Oronte) / ... / "...A che tardi?" (Melisso, Ruggiero, Oronte, Bradamante, Alcina, Morgana), Alcina: Act III, XV. Recitative "Già vicino è il momento" (Oborto, Alcina), Alcina: Act III, XVI. Aria "Barbara! lo ben lo so" (Oberto), Alcina: Act III, XVII. Recitative "Le lunsinghe, gl'inganni, non udir più" (Bradamante, Alcina, Ruggiero), Alcina: Act III, XVIII. Trio "Non è amor, nè geliosa" (Alcina, Bradamante, Ruggiero), Alcina: Act III, XX. Chorus "Dall'orror di notte cieca" (Chorus), Alcina: Act III, XXI. Tamburino, Alcina: Act III, XXII. Chorus "Doppo tante amare pene" (Chorus), Lascia Ch'Io Pianga (Harrods) |
| Nikolaus Harnoncourt |
conductor |
Glory to God (from the Messiah), Hallelujah (from The Messiah), Hallelujah Chorus From 'The Messiah', Messiah, HWV 56: Part I: I. Symphony (Overture), Messiah, HWV 56: Part I: II. Recitative "Comfort ye my people" (tenor), Messiah, HWV 56: Part I: III. Air "Ev'ry valley shall be exalted" (tenor), Messiah, HWV 56: Part I: IV. Chorus "And the glory of the Lord shall be revealed", Messiah, HWV 56: Part I: IX: Air and Chorus "O though that tellest good tidings to Zion" (alto), Messiah, HWV 56: Part I: V. Recitative "Thus saith the Lord" (bass), Messiah, HWV 56: Part I: VI. Air "But who may abide the day of his coming" (alto), Messiah, HWV 56: Part I: VII. Chorus "And he shall purify the sons of Levi", Messiah, HWV 56: Part I: VIII: Recitative "Behold, a virgin shall conceive, and bear a son" (alto), Messiah, HWV 56: Part I: X: Recitative "For behold, darkness shall cover the earth" (bass), Messiah, HWV 56: Part I: XI: Air "The people that walked in darknesshave seen a great light" (bass), Messiah, HWV 56: Part I: XII: Chorus "For unto us a Child is born", Messiah, HWV 56: Part I: XIII: Pifa (Pastoral Symphony), Messiah, HWV 56: Part I: XIVa: Recitative "There were shepherds abiding in the field" (soprano), Messiah, HWV 56: Part I: XIVb: Recitative "And lo, the angel of the Lord came upon them" (soprano), Messiah, HWV 56: Part I: XIX: Recitative "Then shall the eyes of the blind be opened" (alto), Messiah, HWV 56: Part I: XV: Recitative "And the angel said unto them: Fear not" (soprano), Messiah, HWV 56: Part I: XVI: Recitative "And suddenly there was with the angel a multitude of the heav'nly host" (soprano), Messiah, HWV 56: Part I: XVII: Chorus "Glory to God in the highest", Messiah, HWV 56: Part I: XVIII: Air "Rejoice greatly, o daughter of Zion" (soprano), Messiah, HWV 56: Part I: XX: Air "He shall feed His flock like a shepherd" (soprano, alto), Messiah, HWV 56: Part I: XXI: Chorus "His yoke is easy", Messiah, HWV 56: Part II: XL: Air "Why do the nations so furiously rage together" (bass), Messiah, HWV 56: Part II: XLI: Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II: XLII: Recitative "He that dwelleth in heaven shall laugh them to scorn" (tenor), Messiah, HWV 56: Part II: XLIII: Air "Thou shalt break them with a rod of iron" (tenor), Messiah, HWV 56: Part II: XLIV: Chorus "Hallelujah", Messiah, HWV 56: Part II: XXII: Chorus "Behold the Lamb of God, that taketh away the sin of the world", Messiah, HWV 56: Part II: XXIII: Air "He was despised and rejected of men" (alto), Messiah, HWV 56: Part II: XXIV: Chorus "Surely he hath borne our griefs and carried our sorrows", Messiah, HWV 56: Part II: XXIX: Recitative "Thy rebuke hath broken his heart" (soprano), Messiah, HWV 56: Part II: XXV: Chorus "And with his stripes we are healed", Messiah, HWV 56: Part II: XXVI: Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II: XXVII: Recitative "All they that see him laugh him to scorn" (tenor), Messiah, HWV 56: Part II: XXVIII: Chorus "He trusted in God that he would deliver him", Messiah, HWV 56: Part II: XXX: Air "Behold, and see if there be any sorrow like unto his sorrow" (soprano), Messiah, HWV 56: Part II: XXXI: Recitative "He was cut off out of the land of the living" (tenor), Messiah, HWV 56: Part II: XXXII: Air "But thou didst not leave his soul in hell" (tenor), Messiah, HWV 56: Part II: XXXIII: Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II: XXXIV: Recitative "Unto which of the angels said he at any time" (tenor), Messiah, HWV 56: Part II: XXXIX: Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II: XXXV: Chorus "Let all the angels of God worship him", Messiah, HWV 56: Part II: XXXVI: Air "Though art gone up on high, thou hast led captivity captive" (alto), Messiah, HWV 56: Part II: XXXVII: Chorus "The Lord gave the word: great was the company of the preachers", Messiah, HWV 56: Part II: XXXVIII: Air "How beautiful are the feet of them that preach the gospel of peace" (soprano), Messiah, HWV 56: Part III: L: Duet "O death, where is thy sting?" (alto, tenor), Messiah, HWV 56: Part III: LI: Chorus "But thanks be to God, who giveth us the victory", Messiah, HWV 56: Part III: LII: Air "If God be for us, who can be against us?" (soprano), Messiah, HWV 56: Part III: LIII: Chorus "Worthy is the Lamb that was slain", Messiah, HWV 56: Part III: XLIX: Recitative"Then shall be brought to pass the saying that is written" (alto), Messiah, HWV 56: Part III: XLV: Air "I know that my Redeemer liveth" (soprano), Messiah, HWV 56: Part III: XLVI: Chorus "Since by man came death", Messiah, HWV 56: Part III: XLVII: Recitative: "Behold, I tell you a mystery" (bass), Messiah, HWV 56: Part III: XLVIII: Air "The trumpet shall sound" (bass), Ode for St Cecilia's Day, HWV 76: Accompagnato "But bright Cecilia rais'd the wonder high'r" (Soprano), Ode for St Cecilia's Day, HWV 76: Chorus "As from the pow'r of sacred lays" (Chorus), Ode for St. Cecilia's Day, HWV 76: Aria "But oh! what art can teach", Ode for St. Cecilia's Day, HWV 76: Aria "Orpheus ould lead the savage race", Ode for St. Cecilia's Day, HWV 76: Aria "Sharp Violins proclaim", Ode for St. Cecilia's Day, HWV 76: Aria "The soft complaining Flute", Ode for St. Cecilia's Day, HWV 76: Aria "What passion cannot Music raise and quell!", Ode for St. Cecilia's Day, HWV 76: Chorus "From Harmony, from Heav'nly Harmony", Ode for St. Cecilia's Day, HWV 76: La Marche, Ode for St. Cecilia's Day, HWV 76: Overture - Recitativo "From Harmony, from heav'nly Harmony" - Accompagnato "When Nature underneath a heap", Ode for St. Cecilia's Day, HWV 76: Solo and Chorus "The Trumpet's loud clangor" |
| Pál Németh |
conductor |
Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Ma gia sento", Cantata, HWV 142 "Notte placida e cheta": Accompagnato "Oh delizie d'amor", Cantata, HWV 142 "Notte placida e cheta": Aria "Che non si da", Cantata, HWV 142 "Notte placida e cheta": Aria "Luci belle, vaghe stelle", Cantata, HWV 142 "Notte placida e cheta": Aria "Per un istante", Cantata, HWV 142 "Notte placida e cheta": Aria "Zeffiretti, deh venite", Cantata, HWV 142 "Notte placida e cheta": Recitativo "Momento fortunato", Cantata, HWV 142 "Notte placida e cheta": Recitativo "Notte placida e cheta", Cantata, HWV 150 "Ero e Leandro": Aria "Empio mare", Cantata, HWV 150 "Ero e Leandro": Aria "Se la morte non vorra", Cantata, HWV 150 "Ero e Leandro": Aria "Si muora", Cantata, HWV 150 "Ero e Leandro": Recitativo "Amore, che ascoso", Cantata, HWV 150 "Ero e Leandro": Recitativo "Ecco, gelide labbra", Cantata, HWV 150 "Ero e Leandro": Recitativo "Qual ti riveggio, oh Dio", Cantata, HWV 150 "Ero e Leandro": Recitativo "Questi dalla mia fronte", Cantata, HWV 82 "Il duello amoroso": Aria "E vanita d'un cor" (Daliso), Cantata, HWV 82 "Il duello amoroso": Aria "Piacer che non si dona" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Aria "Pietoso sguardo" (Daliso), Cantata, HWV 82 "Il duello amoroso": Aria "Quel nocchiero" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Arioso "Si, si lasciami, ingrata" (Daliso), Cantata, HWV 82 "Il duello amoroso": Arioso "Su, su, restati in prace" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Duetto "Si, si / Su, su": ritornello (Daliso, Amarilli), Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli vezzosa" (Daliso), Cantata, HWV 82 "Il duello amoroso": Recitativo "Amarilli, Amarilli" (Daliso), Cantata, HWV 82 "Il duello amoroso": Recitativo "Dunque tanto s'avanza" (Amarilli), Cantata, HWV 82 "Il duello amoroso": Recitativo "Or su gia che ostinato" (Amarilli, Daliso), Cantata, HWV 82 "Il duello amoroso": Recitativo "Si, si crudel" (Daliso, Amarilli), Cantata, HWV 82 "Il duello amoroso": Sonata, Johannes Passion: Aria "Bebet, ihr Berge" (soprano), Johannes Passion: Aria "Boheit ohne Zahl" (soprano), Johannes Passion: Aria "Du musst den Rock verlieren" (tenore), Johannes Passion: Aria "Durch dien Gefängnis" (soprano), Johannes Passion: Aria "Erschüttere mit Krachen" (basso), Johannes Passion: Aria "Getrost, mein Herz" (alto), Johannes Passion: Aria "Jesu, wonach dürstet dich" (soprano), Johannes Passion: Aria "O grosses Werk" (basso) / Recitativo "Und neigte das Haupt und verschied" (evangelist), Johannes Passion: Coro "Schlafe wohl nach deinen Leiden", Johannes Passion: Duetto "Ich gehe mit in's Grab" (soprano, basso), Johannes Passion: Duetto "Schauet, mein Jesus ist Rosen zu gleichen" (soprano I, soprano II), Johannes Passion: Duetto "War das Wasser denn zu schlecht" (soprano, basso), Johannes Passion: Duetto "Welche sind des Heilands Erben?" (tenore I, tenore II), Johannes Passion: Recitativo "Also ging Jesus heraus" (evangelist), Johannes Passion: Recitativo "Aus dass erfüllet würde Schrift" (evangelist) / Accompagnato "Sie haben meine Kleider unter sich erteilet" (evangelist) / Recitativo "Solches taten die Kriegsknechte" (evangelist), Johannes Passion: Recitativo "Da Pilatus das Wort höret" (Pilatus, evangelist) / Arioso "Redest du nicht mit mir?" (Pilatus), Johannes Passion: Recitativo "Da Pilatus das Wort höret" (evangelist) / Arioso "Sehet, das ist euer König!" (Pilatus), Johannes Passion: Recitativo "Da ihn Hohenpriester" (evangelist) / Coro "Kreuzige, kreuzige!", Johannes Passion: Recitativo "Da stund ein Gefäss voll Essig" (evangelist) / Arioso "Es ist vollbracht!" (Jesus), Johannes Passion: Recitativo "Da überantwortet er ihn" (evangelist), Johannes Passion: Recitativo "Der Rock aber war ungenäht" (evangelist) / Coro "Lasset uns den nicht zerteilen", Johannes Passion: Recitativo "Die Hohenpriester antworteten" (evangelist) / Coro "Wir haben keinen König", Johannes Passion: Recitativo "Die Juden aber schrieen" (evangelist) / Coro "Lässest du diesen los", Johannes Passion: Recitativo "Die Juden aber" (evangelist), Johannes Passion: Recitativo "Die Juden antworteten ihm" (evangelist) / Coro "Wir haben ein Gesetze", Johannes Passion: Recitativo "Die Kriegsknechte aber" (evangelist), Johannes Passion: Recitativo "Es stund aber bei dem Kreuz" (evangelist) / Arioso "Weib, siehe, das ist dein Sohn" (Jesus) / Recitativo "Darnach spricht er zu dem Jünger" (evangelist) / Arioso "Siehe, das ist deine Mutter" (Jesus), Johannes Passion: Recitativo "Es war aber an der Stätte" (evangelist), Johannes Passion: Recitativo "Jesus antwortet" (evangelist) / Aria "Du hättest kein Maht über mir" (Jesus) / Recitativo "Von dem an trachtet Pilatus" (evangelist), Johannes Passion: Recitativo "Pilatus aber schrieb eine Überschrift" (evangelist) / Coro "Schreib'nicht "Der Juden König" " / Recitativo "Pilatus antwortet" (evangelist) / Arioso "Was ich geschrieben habe" (Pilatus), Johannes Passion: Recitativo "Pilatus spricht zu ihnen" (evangelist) / Arioso "Nehmet ihr ihn hin" (Pilatus), Johannes Passion: Recitativo "Sie schrieen alle" (evangelist) / Coro "Weg, weg mit dem", Johannes Passion: Recitativo "Spricht Pilatus zu ihnen" (evangelist) / Arioso "Soll ich euren König kreuzigen?" (Pilatus), Johannes Passion: Recitativo "Und der es gesehen hat" (evangelist), Johannes Passion: Recitativo "Und die Kriegsknechte" (evangelist) / Coro "Sei gegrüsset", Johannes Passion: Recitativo "Und er spricht zu ihnen" (evangelist) / Arioso "Sehet, welch ein Mensch" (Pilatus), Johannes Passion: Recitativo "Und gaben ihm Backenstreiche" (evangelist) / Arioso "Sehet, ich führe ihn heraus" (Pilatus), Johannes Passion: Recitativo "Und von Stund an" (evangelist) / Arioso "Mich Dürstet!" (Jesus), Johannes Passion: Sinfonia / Recitativo "Da nahm Pilatus Jesum" (evangelist) |
| Bayerisches Staatsorchester |
performing orchestra |
Alcina: Act I, I. Overture, Alcina: Act I, II. Musette. Menuet, Alcina: Act I, III. Recitative "Oh Dei! Quivi non scorgo alcun sentiero" (Bradamante, Melisso, Morgana), Alcina: Act I, IV. Aria "O s'apre al riso" (Morgana), Alcina: Act I, IX. Recitative "Generosi guerrier, deh!" (Oberto), Alcina: Act I, V. Chorus "Questo è il cielo de' contenti" (Chorus), Alcina: Act I, VI. Gavotte. Sarabande. Gavotte, Alcina: Act I, VII. Recitative "Ecco L'infido" (Bradamante, Melisso, Alcina), Alcina: Act I, VIII. Aria "Di', cor mio, quanto t'amai" (Alcina), Alcina: Act I, X. Aria "Chi m'insegna il caro padre?" (Oberto), Alcina: Act I, XI. Recitative "Mi ravvisi, Rugiier, dimmi?" (Bradamante, Ruggiero, Melisso), Alcina: Act I, XII. Aria "De te mi rido, semplice stolto" (Ruggiero), Alcina: Act I, XIII. Recitative "Qua dunque ne veniste" (Oronte, Bradamante) / "...Io sono tua difesa" (Morgana, Bradamante), Alcina: Act I, XIV. Aria "È gelosia" (Bradamante), Alcina: Act I, XIX. Recitative "Se nemico mi fossi" (Bradamante, Ruggiero) / "...Bradamante favella?" (Ruggiero, Melisso, Bradamante), Alcina: Act I, XV. Recitative "Io dunque" (Oronto, Morgana, Ruggiero, Oronte), Alcina: Act I, XVI. Aria "Semplicetto! A donna credi?" (Oronte), Alcina: Act I, XVII. Recitative "Ah, infidele, infidel" (Ruggiero, Alcina) / "...Regina, il tuo soggiorno" (Bradamante, Alcina, Ruggiero), Alcina: Act I, XVIII. Aria "Si son quella" (Alcina), Alcina: Act I, XX. Recitative "A quai strani perigli" (Melisso, Bradamante) / "...Fuggi, cor mio, ti affreta" (Morgana, Bradamante), Alcina: Act I, XXI. Aria "Tornami a vagheggiar" (Morgana), Alcina: Act II, I. Aria "Col celarvi, a chi v'ama un momento (Ruggiero), Alcina: Act II, II. Recitative "Taci, taci, codardo" (Melisso, Ruggiero), Alcina: Act II, III. Aria "Qual portento mi richiama" (Ruggiero), Alcina: Act II, IV. Recitative "Atlante, dove sei?" (Ruggiero, Melisso), Alcina: Act II, IX. Aria "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Act II, V. Aria "Pensa a chi geme" (Melisso), Alcina: Act II, VI. Recitative "Qual odio ingusto contro me?" (Bradamante, Ruggiero), Alcina: Act II, VII. Aria "Vorrei vendicarmi" (Bradamante), Alcina: Act II, VIII. Recitative "Chi scopre al mio pensiero" (Ruggiero), Alcina: Act II, X. Recitative "S'acquieti il rio sospetto" (Alcina, Morgana) / "...E la tua pace" (Morgana, Alcina, Ruggiero), Alcina: Act II, XI. Aria "Ama, sospira" (Morgana), Alcina: Act II, XII. Recitative "Non scorgo nel tuo viso" (Alcina, Ruggiero), Alcina: Act II, XIII. Aria "Mio bel tesoro" (Ruggiero), Alcina: Act II, XIV. Recitative "Regina; io cerco in vano" (Oberto, Alcina), Alcina: Act II, XIX. Aria "È un folle, è un vile affetto" (Oronte), Alcina: Act II, XV. Aria "Tra speme e timore" (Oberto), Alcina: Act II, XVI. Recitative "Regina, sei tradita" (Oronte, Alcina), Alcina: Act II, XVII. Aria "Ah! mio cor!" (Alcina), Alcina: Act II, XVIII. Recitative "Oh. che dici, Morgana?" (Oronte, Morgana) / "...All' offesa, il disprezzo giunge L'ingrata" (Oronte), Alcina: Act II, XX. Recitative "Ed è ver che mi narri?" (Oberto, Bradamante) / "...Eccomi a' piedi tuoi" (Ruggiero, Bradamante, Morgana), Alcina: Act II, XXI. Aria "Verdi prati, selve amente" (Ruggiero), Alcina: Act II, XXII. Recitative "Ah! Ruggiero crudel" (Alcina), Alcina: Act II, XXIII. Aria "Ombre pallide, lo so, mi udite" (Alcina), Alcina: Act II, XXIV. Il Ballo, Alcina: Act III, I. Sinfonia, Alcina: Act III, II. Recitative "Voglio amar e disamar" (Oronte, Morgana), Alcina: Act III, III. Aria "Credete al mio dolore" (Morgana), Alcina: Act III, IV. Recitative "M'inganna, me n'avveggo" (Oronte), Alcina: Act III, IX. Aria "Sta nell'Ircana pietrosa tana" (Ruggiero), Alcina: Act III, V. Aria "Un momento di contento" (Oronte), Alcina: Act III, VI. Recitative "Molestissimo incontro!" (Ruggiero, Alcina), Alcina: Act III, VII. Aria "Ma quando tornerai" (Alcina), Alcina: Act III, VIII. Recitative "Tutto armante squadre" (Melisso, Ruggiero, Bradamante), Alcina: Act III, X. Recitative "Vanne tu seco ancora" (Melisso, Bradamante), Alcina: Act III, XI. Aria "All'alma fedel" (Bradamante), Alcina: Act III, XII. Recitative "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, XIII. Aria "Mi restano le lagrime" (Alcina), Alcina: Act III, XIV. Chorus "Sin per le vie del sole" (Chorus), Alcina: Act III, XIX. Recitative "Prendi, e vivi" (Ruggiero, Oronte) / ... / "...A che tardi?" (Melisso, Ruggiero, Oronte, Bradamante, Alcina, Morgana), Alcina: Act III, XV. Recitative "Già vicino è il momento" (Oborto, Alcina), Alcina: Act III, XVI. Aria "Barbara! lo ben lo so" (Oberto), Alcina: Act III, XVII. Recitative "Le lunsinghe, gl'inganni, non udir più" (Bradamante, Alcina, Ruggiero), Alcina: Act III, XVIII. Trio "Non è amor, nè geliosa" (Alcina, Bradamante, Ruggiero), Alcina: Act III, XX. Chorus "Dall'orror di notte cieca" (Chorus), Alcina: Act III, XXI. Tamburino, Alcina: Act III, XXII. Chorus "Doppo tante amare pene" (Chorus) |
| Bath Festival Orchestra |
performing orchestra |
Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro, Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante, Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano, Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano, Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe, Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave, Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro, Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio, Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto, e staccato, Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto, Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo, Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro, Concerto grosso in D major, op. 66, no. 5, HWV 323: VI. Menuet: Un poco larghetto, Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato, Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto, Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante, Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro, Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante), Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro, Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo, Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo, Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto, Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuett, Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue, Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio, Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto, Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro, Water Music: Suite no. 1 in F major, HWV 348: Air, Water Music: Suite no. 2 in D major, HWV 349: Menuet, Water Music: Suite no. 3 in G major, HWV 350: Andante, Water Music: Suite no. 3 in G major, HWV 350: Menuet |
| Sir Neville Marriner |
conductor, violin |
Concerto Grosso in a Minor (Larghetto Affettuoso), Der Messias: Accompagnato, Der Messias: No 2 Accompagnato / 3. Arie, Der Messias: No. 1 Sinfonia, Der Messias: No. 10 Arie, Der Messias: No. 11 Chor, Der Messias: No. 12 Pifa Symphony, Der Messias: No. 14 Accompagnato, Der Messias: No. 15 Chor, Der Messias: No. 16 Arie, Der Messias: No. 17 Duett, Der Messias: No. 18 Chor, Der Messias: No. 19 Chor, Der Messias: No. 20 Arie, Der Messias: No. 21 Chor, Der Messias: No. 22 Chor, Der Messias: No. 23 Chor, Der Messias: No. 24 Accompagnato, Der Messias: No. 25 Chor, Der Messias: No. 26 Accompagnato, Der Messias: No. 27 Arioso, Der Messias: No. 28 Accompagnato, Der Messias: No. 29 Arie, Der Messias: No. 30 Chor, Der Messias: No. 31 Chor, Der Messias: No. 32 Arie, Der Messias: No. 33 Chor, Der Messias: No. 34 Arie, Der Messias: No. 35 Arie, Der Messias: No. 36 Arie, Der Messias: No. 37 Chor, Der Messias: No. 38 Arie, Der Messias: No. 39 Chor, Der Messias: No. 4 Chor, Der Messias: No. 40 Arie, Der Messias: No. 41 Chor, Der Messias: No. 42 Accompagnato, Der Messias: No. 43 Arie, Der Messias: No. 44 Duett / No. 45 Chor, Der Messias: No. 46 Arie, Der Messias: No. 47 Chor, Der Messias: No. 5 Accompagnato, Der Messias: No. 6 Arie, Der Messias: No. 7 Chor, Der Messias: No. 8 Arie, Der Messias: Rezitativ, Der Messias: Rezitativ / No. 13 Accompagnato & Rezitativ, Messiah, Part 1: "Behold, a virgin shall conceive", Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 1: And suddenly there was with the angel, Messiah, Part 1: Comfort Ye, Messiah, Part 1: Ev'ry Valley, Messiah, Part 2: "He was despised", Messiah, Part 3: "The trumpet shall sound", Messiah, Part 3: "Worthy is the Lamb...Blessing and honour", Messiah, Part 3: Amen, Messiah: Hallelujah Chorus, Messiah: I Know that my Redeemer Liveth, Messiah: Rejoice Greatly, Rejouissance (From Fireworks Music), Samson: No. 42 Sinfonia "The Arrival of the Queen of Sheba", Wassermusik Suite Nr. 1 F-Dur: 2. Adagio e staccato, Water Music: Suite 1 in F, Allegro, Xerxes: Largo |
| English Baroque Soloists |
performing orchestra |
Arrival of the Queen of Sheba, Concerto Grosso in C "Alexander's Feast", Il Moderato - As steals the morn upon the night, Il Moderato - Come, with gentle hand restrain, Il Moderato - Hence, boast not - All this company serene, Il Moderato - No more short life, Il Moderato - Thy pleasures, Moderation, give, Il Penseroso - But let my due feet never fail, Il Penseroso - Come, but keep thy wonted state - Join with thee (chorus), Il Penseroso - Come, pensive nun, Il Penseroso - Come, rather, Goddess, Il Penseroso - Far from all resort of Mirth, Il Penseroso - First, and chief, on golden wing, Il Penseroso - Hence vain deluding joys, Il Penseroso - Hence, vain deluding joys, Il Penseroso - May at last my weary age - These pleasures, Melancholy, give (solo, chorus), Il Penseroso - Me, when the sun begins to fling, Il Penseroso - Oft on a plat of rising ground, Il Penseroso - There let the pealing organ blow (chorus) - And let their sweetness, Il Penseroso - Thus night oft see me, L'Allegro - And ever against eating cares, L'Allegro - Come, and trip it (solo, chorus), L'Allegro - Come, thou Goddess, L'Allegro - Haste thee, nymph, L'Allegro - Haste thee, nymph (chorus), L'Allegro - Hence loathed Melancholy, L'Allegro - Hence, loathed Melancholy - And if I give thee honour due, L'Allegro - I'll to the well-trod stage anon, L'Allegro - If I give thee honour due, L'Allegro - Or let the merry bells - And young and old come (chorus), L'Allegro - Orpheus 'self may heave his head, L'Allegro - Populous cities, L'Allegro - Straight mine eye, L'Allegro - There let Hymen oft appear, L'Allegro - These delights if thou canst give (solo, chorus), Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth", Messiah, HWV 56: Part I, V. Recitative (Bass) "Thus saith the Lord of Hosts", Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?", Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion", Messiah, HWV 56: Part I, VIIa. Chorus "And He shall purify the sons of Levi", Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive", Messiah, HWV 56: Part I, X. Air (Bass) "The people that walked in darkness", Messiah, HWV 56: Part I, XIIa. Pifa "Pastoral Symphony", Messiah, HWV 56: Part I, XIIb. Recitative (Treble) "There were shepherds" / XIII. Accompagnato (Treble): "And lo, the angel of the Lord" / XIV. Accompagnato (Treble) "And suddenly there was with the angel", Messiah, HWV 56: Part I, XV. Chorus "Glory to God in the highest", Messiah, HWV 56: Part II, XXI. Chorus "Surely, He hath borne our griefs", Messiah, HWV 56: Part II, XXII. Chorus "And with His stripes", Messiah, HWV 56: Part II, XXIII. Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn", Messiah, HWV 56: Part II, XXIX. Air (Soprano I) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart", Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow", Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano I): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him", Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written", Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?", Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory", Music for the Royal Fireworks: Suite HWV 351 V. Menuet I-II, Water Music Suite No. 2 in D Major, HWV 349: II. Alla hornpipe |
| Robert Masters |
violin |
Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro, Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante, Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano, Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano, Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe, Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave, Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro, Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio, Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto, e staccato, Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto, Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo, Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro, Concerto grosso in D major, op. 66, no. 5, HWV 323: VI. Menuet: Un poco larghetto, Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato, Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto, Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante, Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro, Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante), Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro, Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo, Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo, Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto, Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuett, Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue, Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio, Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto, Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro |
| Ben Turner (Producer) |
producer |
Joshua: Act I. "Awful, pleasing being, say", Joshua: Act I. "Behold, my friends", Joshua: Act I. "But who is he?", Joshua: Act I. "Caleb, attend to all I now prescribe", Joshua: Act I. "Hark! 'tis the linnet and the thrush", Joshua: Act I. "Haste, Israel haste", Joshua: Act I. "In these blest scenes", Joshua: Act I. "Joshua, I come commission'd from on high", Joshua: Act I. "Matrons and virgins", Joshua: Act I. "May all the host of heav'n attend him round", Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight", Joshua: Act I. "O first in wisdom", Joshua: Act I. "Oh! who can tell", Joshua: Act I. "Our limpid streams with freedom flow", Joshua: Act I. "So long the memory shall last", Joshua: Act I. "The Lord commands", Joshua: Act I. "The trumpet calls", Joshua: Act I. "To long posterity we here record", Joshua: Act I. "While Kedron's brook to Jordan's stream", Joshua: Act I. "Ye sons of Israel", Joshua: Act I. Introduction, Joshua: Act II. "'Tis well", Joshua: Act II. "A Solemn March During the Circumvection of the Ark of the Covenant", Joshua: Act II. "Almight ruler of the skies", Joshua: Act II. "As cheers the sun the tender flow'r", Joshua: Act II. "Brethren and friends", Joshua: Act II. "Glory to God!", Joshua: Act II. "Heroes when with glory burning", Joshua: Act II. "How soon our tow'ring hopes are cross'd!", Joshua: Act II. "Indulgent heav'n hath heard my virgin pray'r", Joshua: Act II. "Joshua, the men dispatch'd by thee to learn", Joshua: Act II. "Let all the seed of Abrah'm now prepare", Joshua: Act II. "Nations, who in future story", Joshua: Act II. "Now give the army breath", Joshua: Act II. "Oh! thou bright orb", Joshua: Act II. "See, the raging flames arise", Joshua: Act II. "Sure I'm deceiv'd", Joshua: Act II. "The walls are levell'd", Joshua: Act II. "To Vanity and earthly Pride", Joshua: Act II. "Whence this dejection?", Joshua: Act II. "With redoubled rage return", Joshua: Act III. "Caleb, for holy Eleazer send", Joshua: Act III. "Father of mercy, hear the pray'r we make", Joshua: Act III. "Hail! mighty Joshua, hail!", Joshua: Act III. "Happy, Oh, thrice happy we", Joshua: Act III. "In bloom of youth, this stripling hath achiev'd", Joshua: Act III. "O Caleb, fear'd by foes", Joshua: Act III. "O peerless maid", Joshua: Act III. "Oh! had I Jubal's lyre", Joshua: Act III. "Place danger around me", Joshua: Act III. "See the conqu'ring hero comes!", Joshua: Act III. "Shall I in Mamre's fertile plain", Joshua: Act III. "The great Jehovah is our awful theme", Joshua: Act III. "Welcome! my son", Joshua: Act III. "While lawless tyrants", Joshua: Act III. "While life shall last", Water Music Suite in F major, HWV 348: Adagio e staccato, Water Music Suite in F major, HWV 348: Air, Water Music Suite in F major, HWV 348: Menuet, Water Music Suite in F major, HWV 348: Ouverture. Largo – Allegro, Water Music Suite in F major, HWV 348: [Allegro] – Andante – [Allegro], Water Music Suite in F major, HWV 348: [Menuet] |
| Roy Jesson |
organ |
Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro, Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante, Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano, Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano, Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe, Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave, Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro, Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio, Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto, e staccato, Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto, Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo, Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro, Concerto grosso in D major, op. 66, no. 5, HWV 323: VI. Menuet: Un poco larghetto, Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato, Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto, Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante, Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro, Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante), Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro, Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo, Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo, Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto, Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuett, Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue, Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio, Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto, Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro |
| Derek Simpson (cellist) |
cello |
Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro, Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato, Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante, Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro, Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano, Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro, Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano, Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo, Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe, Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave, Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro, Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio, Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana. Andante, Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto, e staccato, Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro, Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto, Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo, Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro, Concerto grosso in D major, op. 66, no. 5, HWV 323: VI. Menuet: Un poco larghetto, Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro, Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato, Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto, Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante, Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro, Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise (Andante), Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro, Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo, Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo, Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo, Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto, Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro, Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuett, Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue, Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio, Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro, Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto, Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro |
| Iona Brown (violinist and director of the Academy of St Martin in the Fields) |
conductor |
Concerti Grossi Op. 6, No. 1 in G major: I. A tempo giusto, Concerti Grossi Op. 6, No. 1 in G major: II. Allegro, Concerti Grossi Op. 6, No. 1 in G major: III. Adagio, Concerti Grossi Op. 6, No. 1 in G major: IV. Allegro, Concerti Grossi Op. 6, No. 1 in G major: V. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: I. Ouverture, Concerti Grossi Op. 6, No. 10 in D minor: II. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: III. Air (Lento), Concerti Grossi Op. 6, No. 10 in D minor: IV. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: V. Allegro, Concerti Grossi Op. 6, No. 10 in D minor: VI. Allegro moderato, Concerti Grossi Op. 6, No. 11 in A major: Allegro, Concerti Grossi Op. 6, No. 11 in A major: Andante, Concerti Grossi Op. 6, No. 11 in A major: Andante larghetto, e staccato, Concerti Grossi Op. 6, No. 11 in A major: Largo, e staccato, Concerti Grossi Op. 6, No. 12 in B minor: I. Largo, Concerti Grossi Op. 6, No. 12 in B minor: II. Allegro, Concerti Grossi Op. 6, No. 12 in B minor: III. Larghetto, e piano, Concerti Grossi Op. 6, No. 12 in B minor: IV. Largo, Concerti Grossi Op. 6, No. 12 in B minor: V. Allegro, Concerti Grossi Op. 6, No. 2 in F major: I. Andante larghetto, Concerti Grossi Op. 6, No. 2 in F major: II. Allegro, Concerti Grossi Op. 6, No. 2 in F major: III. Largo - Adagio - Larghetto andante, e piano, Concerti Grossi Op. 6, No. 2 in F major: IV. Allegro, ma non troppo, Concerti Grossi Op. 6, No. 3 in E minor: I. Larghetto, Concerti Grossi Op. 6, No. 3 in E minor: II. Andante, Concerti Grossi Op. 6, No. 3 in E minor: III. Allegro, Concerti Grossi Op. 6, No. 3 in E minor: IV. Polonaise. Andante, Concerti Grossi Op. 6, No. 3 in E minor: V. Allegro, ma non troppo, Concerti Grossi Op. 6, No. 4 in A minor: I. Larghetto affettuoso, Concerti Grossi Op. 6, No. 4 in A minor: II. Allegro, Concerti Grossi Op. 6, No. 4 in A minor: III. Largo, e piano, Concerti Grossi Op. 6, No. 4 in A minor: IV. Allegro, Concerti Grossi Op. 6, No. 5 in D major: I. Larghetto, e staccato, Concerti Grossi Op. 6, No. 5 in D major: II. Allegro, Concerti Grossi Op. 6, No. 5 in D major: III. Presto, Concerti Grossi Op. 6, No. 5 in D major: IV. Largo, Concerti Grossi Op. 6, No. 5 in D major: V. Allegro, Concerti Grossi Op. 6, No. 5 in D major: VI. Menuet. Un poco larghetto., Concerti Grossi Op. 6, No. 6 in G minor: I. Larghetto e affettuoso, Concerti Grossi Op. 6, No. 6 in G minor: II. Allegro, ma non troppo, Concerti Grossi Op. 6, No. 6 in G minor: III. Musette. Larghetto, Concerti Grossi Op. 6, No. 6 in G minor: IV. Allegro, Concerti Grossi Op. 6, No. 6 in G minor: V. Allegro, Concerti Grossi Op. 6, No. 7 in B flat major: I. Largo, Concerti Grossi Op. 6, No. 7 in B flat major: II. Allegro, Concerti Grossi Op. 6, No. 7 in B flat major: III. Largo, e piano, Concerti Grossi Op. 6, No. 7 in B flat major: IV. Andante, Concerti Grossi Op. 6, No. 7 in B flat major: V. Hornpipe, Concerti Grossi Op. 6, No. 8 in C minor: I. Allemande. Andante, Concerti Grossi Op. 6, No. 8 in C minor: II. Grave, Concerti Grossi Op. 6, No. 8 in C minor: III. Andante allegro, Concerti Grossi Op. 6, No. 8 in C minor: IV. Adagio, Concerti Grossi Op. 6, No. 8 in C minor: V. Siciliana. Andante, Concerti Grossi Op. 6, No. 8 in C minor: VI. Allegro, Concerti Grossi Op. 6, No. 9 in F major: I. Largo, Concerti Grossi Op. 6, No. 9 in F major: II. Allegro, Concerti Grossi Op. 6, No. 9 in F major: III. Larghetto, Concerti Grossi Op. 6, No. 9 in F major: IV. Allegro, Concerti Grossi Op. 6, No. 9 in F major: V. Menuet, Concerti Grossi Op. 6, No. 9 in F major: VI. Gigue |
| Antony Howell (Engineer) |
engineer, recording |
Joshua: Act I. "Awful, pleasing being, say", Joshua: Act I. "Behold, my friends", Joshua: Act I. "But who is he?", Joshua: Act I. "Caleb, attend to all I now prescribe", Joshua: Act I. "Hark! 'tis the linnet and the thrush", Joshua: Act I. "Haste, Israel haste", Joshua: Act I. "In these blest scenes", Joshua: Act I. "Joshua, I come commission'd from on high", Joshua: Act I. "Matrons and virgins", Joshua: Act I. "May all the host of heav'n attend him round", Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight", Joshua: Act I. "O first in wisdom", Joshua: Act I. "Oh! who can tell", Joshua: Act I. "Our limpid streams with freedom flow", Joshua: Act I. "So long the memory shall last", Joshua: Act I. "The Lord commands", Joshua: Act I. "The trumpet calls", Joshua: Act I. "To long posterity we here record", Joshua: Act I. "While Kedron's brook to Jordan's stream", Joshua: Act I. "Ye sons of Israel", Joshua: Act I. Introduction, Joshua: Act II. "'Tis well", Joshua: Act II. "A Solemn March During the Circumvection of the Ark of the Covenant", Joshua: Act II. "Almight ruler of the skies", Joshua: Act II. "As cheers the sun the tender flow'r", Joshua: Act II. "Brethren and friends", Joshua: Act II. "Glory to God!", Joshua: Act II. "Heroes when with glory burning", Joshua: Act II. "How soon our tow'ring hopes are cross'd!", Joshua: Act II. "Indulgent heav'n hath heard my virgin pray'r", Joshua: Act II. "Joshua, the men dispatch'd by thee to learn", Joshua: Act II. "Let all the seed of Abrah'm now prepare", Joshua: Act II. "Nations, who in future story", Joshua: Act II. "Now give the army breath", Joshua: Act II. "Oh! thou bright orb", Joshua: Act II. "See, the raging flames arise", Joshua: Act II. "Sure I'm deceiv'd", Joshua: Act II. "The walls are levell'd", Joshua: Act II. "To Vanity and earthly Pride", Joshua: Act II. "Whence this dejection?", Joshua: Act II. "With redoubled rage return", Joshua: Act III. "Caleb, for holy Eleazer send", Joshua: Act III. "Father of mercy, hear the pray'r we make", Joshua: Act III. "Hail! mighty Joshua, hail!", Joshua: Act III. "Happy, Oh, thrice happy we", Joshua: Act III. "In bloom of youth, this stripling hath achiev'd", Joshua: Act III. "O Caleb, fear'd by foes", Joshua: Act III. "O peerless maid", Joshua: Act III. "Oh! had I Jubal's lyre", Joshua: Act III. "Place danger around me", Joshua: Act III. "See the conqu'ring hero comes!", Joshua: Act III. "Shall I in Mamre's fertile plain", Joshua: Act III. "The great Jehovah is our awful theme", Joshua: Act III. "Welcome! my son", Joshua: Act III. "While lawless tyrants", Joshua: Act III. "While life shall last", Musick for the Royal Fireworks: Bourrée, Musick for the Royal Fireworks: La Paix, Musick for the Royal Fireworks: La Réjouissance, Musick for the Royal Fireworks: Menuet I and II, Musick for the Royal Fireworks: Ouverture |
| Les Agrémens |
performing orchestra |
Judas Maccabaeus, HWV 63: Acte I, No. 1. (Recitative: Israelitish Man and Woman) "Well may your sorrows...", Judas Maccabaeus, HWV 63: Acte I, No. 1. Chorus of Israëlites "Mourn, ye afflicted children...", Judas Maccabaeus, HWV 63: Acte I, No. 10. "Recitative: Judas Maccabaeus) "'Tis well, my friends...", Judas Maccabaeus, HWV 63: Acte I, No. 11. (Air: Judas Maccabaeus) "Call forth thy powe'rs...", Judas Maccabaeus, HWV 63: Acte I, No. 12. (Recitative: Israelitish Woman) "To Heaven's almighty King...", Judas Maccabaeus, HWV 63: Acte I, No. 13. (Air: Israelitish Woman) "O liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 14. (Duet: Israelitish Woman and Israelitish Man) "Come, ever-smiling liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 15. Chorus of Israelites "Lead on, lead on!", Judas Maccabaeus, HWV 63: Acte I, No. 16. (Recitative: Judas Maccabaeus) "So will'd my father...", Judas Maccabaeus, HWV 63: Acte I, No. 17. Chorus of Israelites "Disdainful of danger...", Judas Maccabaeus, HWV 63: Acte I, No. 18. (Recitative: Judas Maccabeus) "Ambition!", Judas Maccabaeus, HWV 63: Acte I, No. 19. (Air: Judas Maccabeus) "No unhallow'd desire...", Judas Maccabaeus, HWV 63: Acte I, No. 2. (Duet: Israelitish man and Israelitish Woman) "From this dread scene...", Judas Maccabaeus, HWV 63: Acte I, No. 20. Chorus of Israelites "Hear us, O Lord...", Judas Maccabaeus, HWV 63: Acte I, No. 3. Chorus of Israelites "For Sion lamentation make...", Judas Maccabaeus, HWV 63: Acte I, No. 4. (Recitative: Simon) "Not vain is all this storm of grief...", Judas Maccabaeus, HWV 63: Acte I, No. 5. (Air: Simon) "Pious orgies, pious airs", Judas Maccabaeus, HWV 63: Acte I, No. 6. Chorus of Israelits "O Father...", Judas Maccabaeus, HWV 63: Acte I, No. 7. (Accompagnato: Simon) "I feel the deity...", Judas Maccabaeus, HWV 63: Acte I, No. 8. (Air: Simon) "Arm! Ye brave...", Judas Maccabaeus, HWV 63: Acte I, No. 9. Chorus of Israelites "We come, in bright array...", Judas Maccabaeus, HWV 63: Acte II, No. 1. Chorus of Israelites "Fall'n is the foe...", Judas Maccabaeus, HWV 63: Acte II, No. 10. (Air: Judas Maccabaeus) "How vain is man...", Judas Maccabaeus, HWV 63: Acte II, No. 11. (Recitative: Messenger) "O Judas...", Judas Maccabaeus, HWV 63: Acte II, No. 12. (Air: Israelitish Woman and chorus) "Ah. wretched...", Judas Maccabaeus, HWV 63: Acte II, No. 13. (Recitative: Simon) "Be conforted...", Judas Maccabaeus, HWV 63: Acte II, No. 14. (Air: Simon) "The Lord worketh wonders...", Judas Maccabaeus, HWV 63: Acte II, No. 15. (Recitative: Judas Maccabaeus) "My arms!", Judas Maccabaeus, HWV 63: Acte II, No. 16. (Air: Judas Maccabaeus) "Sound an alarm!", Judas Maccabaeus, HWV 63: Acte II, No. 17. Solemn March "during the circumvection of the Ark of the Covenant", Judas Maccabaeus, HWV 63: Acte II, No. 18. (Recitative: Simon) "Enough! To Heaven", Judas Maccabaeus, HWV 63: Acte II, No. 19. (Air: Simon) "With pious hearts...", Judas Maccabaeus, HWV 63: Acte II, No. 2. (Recitative: Israelitish Man) "Victorious hero!", Judas Maccabaeus, HWV 63: Acte II, No. 20. (Recitative: Israelitish Man and Woman) "Ye workshippers... / No more in Sion", Judas Maccabaeus, HWV 63: Acte II, No. 21. (Duet: Israelitish Man and Woman and Chorus of Israelites), Judas Maccabaeus, HWV 63: Acte II, No. 3. (Air: Israelitish Man) "So rapid thy course is...", Judas Maccabaeus, HWV 63: Acte II, No. 4. (Recitative: Israelitish Man) "Well may we hope...", Judas Maccabaeus, HWV 63: Acte II, No. 5. (Duet: Israelitish Woman and Israelitish Man + chorus) "Sion now...", Judas Maccabaeus, HWV 63: Acte II, No. 6. (Recitative: Israelitish Woman) "Oh, let eternal honours...", Judas Maccabaeus, HWV 63: Acte II, No. 7. (Air: Israelitish Woman) "From mighty kings...", Judas Maccabaeus, HWV 63: Acte II, No. 8. (Duet: Israelitish woman and Israelitish man + chorus) "Hail, hail...", Judas Maccabaeus, HWV 63: Acte II, No. 9. (Recitative: Judas Maccabaeus) "Thanks to my brethren...", Judas Maccabaeus, HWV 63: Acte III, No. 1. Introduction, Judas Maccabaeus, HWV 63: Acte III, No. 10. (Recitative: Judas Maccabaeus) "Sweet flow the strains...", Judas Maccabaeus, HWV 63: Acte III, No. 11. (Air: Judas Maccabaeus) "With honour let desert be crown'd...", Judas Maccabaeus, HWV 63: Acte III, No. 12. (Recitative: Eupolemus) "Peace to my contrymen...", Judas Maccabaeus, HWV 63: Acte III, No. 13. (Recitative: Israelitish Woman) "Again to earth...", Judas Maccabaeus, HWV 63: Acte III, No. 14. (Duet: Israelitish Woman and Israelitish Man) "O lovely peace...", Judas Maccabaeus, HWV 63: Acte III, No. 15. (Air: Simon and chorus) "Rejoice, O Judah... / Hallelujah! Amen", Judas Maccabaeus, HWV 63: Acte III, No. 2. (Air: Priest) "Father of Heaven...", Judas Maccabaeus, HWV 63: Acte III, No. 3. (Accompagnato: Israelitish Man & Recitative: Israelitish Woman) "See, see yon flames... / Oh, grant it...", Judas Maccabaeus, HWV 63: Acte III, No. 4. (Air: Israelitish Woman) "So shall the lute...", Judas Maccabaeus, HWV 63: Acte III, No. 5. (Recitative: Messenger) "From Capharsalama...", Judas Maccabaeus, HWV 63: Acte III, No. 6. (Air: Messenger) "Cease thy anguish...", Judas Maccabaeus, HWV 63: Acte III, No. 7. (Recitative: Messenger) "Yet more, Nicamor...", Judas Maccabaeus, HWV 63: Acte III, No. 8. Chorus of Youth, Virgins and Israelites "See! The conqu'ring hero comes...", Judas Maccabaeus, HWV 63: Acte III, No. 9. Chorus of Israelites "Sing unto God...", Judas Maccabaeus, HWV 63: Ouverture |
| Leonardo García-Alarcón |
conductor |
Judas Maccabaeus, HWV 63: Acte I, No. 1. (Recitative: Israelitish Man and Woman) "Well may your sorrows...", Judas Maccabaeus, HWV 63: Acte I, No. 1. Chorus of Israëlites "Mourn, ye afflicted children...", Judas Maccabaeus, HWV 63: Acte I, No. 10. "Recitative: Judas Maccabaeus) "'Tis well, my friends...", Judas Maccabaeus, HWV 63: Acte I, No. 11. (Air: Judas Maccabaeus) "Call forth thy powe'rs...", Judas Maccabaeus, HWV 63: Acte I, No. 12. (Recitative: Israelitish Woman) "To Heaven's almighty King...", Judas Maccabaeus, HWV 63: Acte I, No. 13. (Air: Israelitish Woman) "O liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 14. (Duet: Israelitish Woman and Israelitish Man) "Come, ever-smiling liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 15. Chorus of Israelites "Lead on, lead on!", Judas Maccabaeus, HWV 63: Acte I, No. 16. (Recitative: Judas Maccabaeus) "So will'd my father...", Judas Maccabaeus, HWV 63: Acte I, No. 17. Chorus of Israelites "Disdainful of danger...", Judas Maccabaeus, HWV 63: Acte I, No. 18. (Recitative: Judas Maccabeus) "Ambition!", Judas Maccabaeus, HWV 63: Acte I, No. 19. (Air: Judas Maccabeus) "No unhallow'd desire...", Judas Maccabaeus, HWV 63: Acte I, No. 2. (Duet: Israelitish man and Israelitish Woman) "From this dread scene...", Judas Maccabaeus, HWV 63: Acte I, No. 20. Chorus of Israelites "Hear us, O Lord...", Judas Maccabaeus, HWV 63: Acte I, No. 3. Chorus of Israelites "For Sion lamentation make...", Judas Maccabaeus, HWV 63: Acte I, No. 4. (Recitative: Simon) "Not vain is all this storm of grief...", Judas Maccabaeus, HWV 63: Acte I, No. 5. (Air: Simon) "Pious orgies, pious airs", Judas Maccabaeus, HWV 63: Acte I, No. 6. Chorus of Israelits "O Father...", Judas Maccabaeus, HWV 63: Acte I, No. 7. (Accompagnato: Simon) "I feel the deity...", Judas Maccabaeus, HWV 63: Acte I, No. 8. (Air: Simon) "Arm! Ye brave...", Judas Maccabaeus, HWV 63: Acte I, No. 9. Chorus of Israelites "We come, in bright array...", Judas Maccabaeus, HWV 63: Acte II, No. 1. Chorus of Israelites "Fall'n is the foe...", Judas Maccabaeus, HWV 63: Acte II, No. 10. (Air: Judas Maccabaeus) "How vain is man...", Judas Maccabaeus, HWV 63: Acte II, No. 11. (Recitative: Messenger) "O Judas...", Judas Maccabaeus, HWV 63: Acte II, No. 12. (Air: Israelitish Woman and chorus) "Ah. wretched...", Judas Maccabaeus, HWV 63: Acte II, No. 13. (Recitative: Simon) "Be conforted...", Judas Maccabaeus, HWV 63: Acte II, No. 14. (Air: Simon) "The Lord worketh wonders...", Judas Maccabaeus, HWV 63: Acte II, No. 15. (Recitative: Judas Maccabaeus) "My arms!", Judas Maccabaeus, HWV 63: Acte II, No. 16. (Air: Judas Maccabaeus) "Sound an alarm!", Judas Maccabaeus, HWV 63: Acte II, No. 17. Solemn March "during the circumvection of the Ark of the Covenant", Judas Maccabaeus, HWV 63: Acte II, No. 18. (Recitative: Simon) "Enough! To Heaven", Judas Maccabaeus, HWV 63: Acte II, No. 19. (Air: Simon) "With pious hearts...", Judas Maccabaeus, HWV 63: Acte II, No. 2. (Recitative: Israelitish Man) "Victorious hero!", Judas Maccabaeus, HWV 63: Acte II, No. 20. (Recitative: Israelitish Man and Woman) "Ye workshippers... / No more in Sion", Judas Maccabaeus, HWV 63: Acte II, No. 21. (Duet: Israelitish Man and Woman and Chorus of Israelites), Judas Maccabaeus, HWV 63: Acte II, No. 3. (Air: Israelitish Man) "So rapid thy course is...", Judas Maccabaeus, HWV 63: Acte II, No. 4. (Recitative: Israelitish Man) "Well may we hope...", Judas Maccabaeus, HWV 63: Acte II, No. 5. (Duet: Israelitish Woman and Israelitish Man + chorus) "Sion now...", Judas Maccabaeus, HWV 63: Acte II, No. 6. (Recitative: Israelitish Woman) "Oh, let eternal honours...", Judas Maccabaeus, HWV 63: Acte II, No. 7. (Air: Israelitish Woman) "From mighty kings...", Judas Maccabaeus, HWV 63: Acte II, No. 8. (Duet: Israelitish woman and Israelitish man + chorus) "Hail, hail...", Judas Maccabaeus, HWV 63: Acte II, No. 9. (Recitative: Judas Maccabaeus) "Thanks to my brethren...", Judas Maccabaeus, HWV 63: Acte III, No. 1. Introduction, Judas Maccabaeus, HWV 63: Acte III, No. 10. (Recitative: Judas Maccabaeus) "Sweet flow the strains...", Judas Maccabaeus, HWV 63: Acte III, No. 11. (Air: Judas Maccabaeus) "With honour let desert be crown'd...", Judas Maccabaeus, HWV 63: Acte III, No. 12. (Recitative: Eupolemus) "Peace to my contrymen...", Judas Maccabaeus, HWV 63: Acte III, No. 13. (Recitative: Israelitish Woman) "Again to earth...", Judas Maccabaeus, HWV 63: Acte III, No. 14. (Duet: Israelitish Woman and Israelitish Man) "O lovely peace...", Judas Maccabaeus, HWV 63: Acte III, No. 15. (Air: Simon and chorus) "Rejoice, O Judah... / Hallelujah! Amen", Judas Maccabaeus, HWV 63: Acte III, No. 2. (Air: Priest) "Father of Heaven...", Judas Maccabaeus, HWV 63: Acte III, No. 3. (Accompagnato: Israelitish Man & Recitative: Israelitish Woman) "See, see yon flames... / Oh, grant it...", Judas Maccabaeus, HWV 63: Acte III, No. 4. (Air: Israelitish Woman) "So shall the lute...", Judas Maccabaeus, HWV 63: Acte III, No. 5. (Recitative: Messenger) "From Capharsalama...", Judas Maccabaeus, HWV 63: Acte III, No. 6. (Air: Messenger) "Cease thy anguish...", Judas Maccabaeus, HWV 63: Acte III, No. 7. (Recitative: Messenger) "Yet more, Nicamor...", Judas Maccabaeus, HWV 63: Acte III, No. 8. Chorus of Youth, Virgins and Israelites "See! The conqu'ring hero comes...", Judas Maccabaeus, HWV 63: Acte III, No. 9. Chorus of Israelites "Sing unto God...", Judas Maccabaeus, HWV 63: Ouverture |
| Berliner Singakademie |
vocal |
Belsazar: Act I. "O meines Lebens Lust" (Nitocris, Belsazar (duet)), Belsazar: Act I. Aria "Das falbe Laub" (Nitocris), Belsazar: Act I. Aria "Du Gott! Der, mir nur fern bekannt" (Cyrus), Belsazar: Act I. Aria "Du, Gott der Höh'" (Nitocris), Belsazar: Act I. Aria "Ein freudig Fest" (Belsazar), Belsazar: Act I. Aria "Gebeugt von unheilbarem Schmerz" (Gobrias), Belsazar: Act I. Aria "O Heil'ges Buch" (Daniel), Belsazar: Act I. Aria "O schau den Wüstling" (Gobrias), Belsazar: Act I. Aria "Still' der eitlen Tränen Flut" (Cyrus), Belsazar: Act I. Aria "Wehlage nicht im eitlem Schmerz" (Daniel), Belsazar: Act I. Choir "Da seht, wie Persiens junger Held", Belsazar: Act I. Choir "Die Reiche stehn in Gottes Rat", Belsazar: Act I. Choir "Singt, Himmel singt", Belsazar: Act I. Choir of the Jews "Allmählich steigt Jehovas Zorn", Belsazar: Act I. Choir of the Jews "Verwirf', o Herr", Belsazar: Act I. Recitativo "Ach, unstet eitles Los" (Nitocris), Belsazar: Act I. Recitativo "Befremdet's dich denn so" (Cyrus), Belsazar: Act I. Recitativo "Das Schicksal Babylons" (Nitocris, Daniel), Belsazar: Act I. Recitativo "Dies ist die Sitte" (Belsazar), Belsazar: Act I. Recitativo "Ermanne dich" (Cyrus, Gobrias), Belsazar: Act I. Recitativo "Freunde, habt Zuversicht" (Cyrus), Belsazar: Act I. Recitativo "Sie reden wahr" (Nitocris), Belsazar: Act I. Recitativo "Uns gilt ihr Hohn" (Gobrias, Cyrus), Belsazar: Act I. Recitativo Für euch, o Freunde"" (Belsazar, Nitocris), Belsazar: Act II. Aria "Kränzet den Becher rings im Kreis" (Belsazar), Belsazar: Act II. Aria "erstarrt, so nah den Feind zu seh'n" (Cyrus), Belsazar: Act II. Choir "Helft unserm Herrn", Belsazar: Act II. Choir "Ihr schützenden Götter", Belsazar: Act II. Choir "Missgeschick", Belsazar: Act II. Choir "Voran, voran", Belsazar: Act II. Choir Seht, wie schnell der Euphrat flieht"", Belsazar: Act II. Recitativo "Ihr seht es, Freunde" (Cyrus), Belsazar: Act II. Recitativo "Ruft meine Weisen" (Belsazar), Belsazar: Act II. Recitativo & Choir "Ihr Weisen", Belsazar: Act II. Sinfonia, Belsazar: Act III. "Kündet überall den Heiden" (Soloist & Choir), Belsazar: Act III. "O Held, gebeugt siehst du mich nah'n" (Nitocris, Cyrus (duet)), Belsazar: Act III. "Sei von mir gepriesen" (Soloist & Choir), Belsazar: Act III. Aria "Den ew'gen Mächten sei der der erste Dank" (Gobrias), Belsazar: Act III. Aria "Ich danke, Sesach" (Belsazar), Belsazar: Act III. Aria "Lässt denn der Löwe die Natur" (Daniel), Belsazar: Act III. Aria "O Gott des Heils" (Cyrus), Belsazar: Act III. Aria "O blick' auf deiner Mutter Gram" (Nitocris), Belsazar: Act III. Aria "Vorahnend hofft und bangt" (Nitocris), Belsazar: Act III. Aria "Zerstör'nder Krieg, hier ist dein Ziel" (Cyrus), Belsazar: Act III. Aria & Recitativo "Nein! Du behalte deinen Prunk" (Daniel), Belsazar: Act III. Choir "O tapfrer Fürst", Belsazar: Act III. Choir of the Jews "Baal sank dahin", Belsazar: Act III. Recitativo "Du Gobrias" (Cyrus), Belsazar: Act III. Recitativo "Gern hofft'ich noch" (Nitocris, Daniel), Belsazar: Act III. Recitativo "Ich hoff' auf's neu" (Nitocris, Arioch, messenger), Belsazar: Act III. Recitativo "Ja, ich bau'deine Stadt dir" (Cyrus), Belsazar: Act III. Recitativo "O Herr, nicht verzage" (Nitocris), Belsazar: Act III. Recitativo "O du allzu strenger Spruch" (Nitocris), Belsazar: Act III. Recitativo "Sprich, ehrwürdiger Seher" (Cyrus, Daniel), Belsazar: Act III. Recitativo "Suche nun eilig" (Cyrus), Belsazar: Act III. War's music, Belsazar: Ouverture |
| Dietrich Knothe |
conductor |
Belsazar: Act I. "O meines Lebens Lust" (Nitocris, Belsazar (duet)), Belsazar: Act I. Aria "Das falbe Laub" (Nitocris), Belsazar: Act I. Aria "Du Gott! Der, mir nur fern bekannt" (Cyrus), Belsazar: Act I. Aria "Du, Gott der Höh'" (Nitocris), Belsazar: Act I. Aria "Ein freudig Fest" (Belsazar), Belsazar: Act I. Aria "Gebeugt von unheilbarem Schmerz" (Gobrias), Belsazar: Act I. Aria "O Heil'ges Buch" (Daniel), Belsazar: Act I. Aria "O schau den Wüstling" (Gobrias), Belsazar: Act I. Aria "Still' der eitlen Tränen Flut" (Cyrus), Belsazar: Act I. Aria "Wehlage nicht im eitlem Schmerz" (Daniel), Belsazar: Act I. Choir "Da seht, wie Persiens junger Held", Belsazar: Act I. Choir "Die Reiche stehn in Gottes Rat", Belsazar: Act I. Choir "Singt, Himmel singt", Belsazar: Act I. Choir of the Jews "Allmählich steigt Jehovas Zorn", Belsazar: Act I. Choir of the Jews "Verwirf', o Herr", Belsazar: Act I. Recitativo "Ach, unstet eitles Los" (Nitocris), Belsazar: Act I. Recitativo "Befremdet's dich denn so" (Cyrus), Belsazar: Act I. Recitativo "Das Schicksal Babylons" (Nitocris, Daniel), Belsazar: Act I. Recitativo "Dies ist die Sitte" (Belsazar), Belsazar: Act I. Recitativo "Ermanne dich" (Cyrus, Gobrias), Belsazar: Act I. Recitativo "Freunde, habt Zuversicht" (Cyrus), Belsazar: Act I. Recitativo "Sie reden wahr" (Nitocris), Belsazar: Act I. Recitativo "Uns gilt ihr Hohn" (Gobrias, Cyrus), Belsazar: Act I. Recitativo Für euch, o Freunde"" (Belsazar, Nitocris), Belsazar: Act II. Aria "Kränzet den Becher rings im Kreis" (Belsazar), Belsazar: Act II. Aria "erstarrt, so nah den Feind zu seh'n" (Cyrus), Belsazar: Act II. Choir "Helft unserm Herrn", Belsazar: Act II. Choir "Ihr schützenden Götter", Belsazar: Act II. Choir "Missgeschick", Belsazar: Act II. Choir "Voran, voran", Belsazar: Act II. Choir Seht, wie schnell der Euphrat flieht"", Belsazar: Act II. Recitativo "Ihr seht es, Freunde" (Cyrus), Belsazar: Act II. Recitativo "Ruft meine Weisen" (Belsazar), Belsazar: Act II. Recitativo & Choir "Ihr Weisen", Belsazar: Act II. Sinfonia, Belsazar: Act III. "Kündet überall den Heiden" (Soloist & Choir), Belsazar: Act III. "O Held, gebeugt siehst du mich nah'n" (Nitocris, Cyrus (duet)), Belsazar: Act III. "Sei von mir gepriesen" (Soloist & Choir), Belsazar: Act III. Aria "Den ew'gen Mächten sei der der erste Dank" (Gobrias), Belsazar: Act III. Aria "Ich danke, Sesach" (Belsazar), Belsazar: Act III. Aria "Lässt denn der Löwe die Natur" (Daniel), Belsazar: Act III. Aria "O Gott des Heils" (Cyrus), Belsazar: Act III. Aria "O blick' auf deiner Mutter Gram" (Nitocris), Belsazar: Act III. Aria "Vorahnend hofft und bangt" (Nitocris), Belsazar: Act III. Aria "Zerstör'nder Krieg, hier ist dein Ziel" (Cyrus), Belsazar: Act III. Aria & Recitativo "Nein! Du behalte deinen Prunk" (Daniel), Belsazar: Act III. Choir "O tapfrer Fürst", Belsazar: Act III. Choir of the Jews "Baal sank dahin", Belsazar: Act III. Recitativo "Du Gobrias" (Cyrus), Belsazar: Act III. Recitativo "Gern hofft'ich noch" (Nitocris, Daniel), Belsazar: Act III. Recitativo "Ich hoff' auf's neu" (Nitocris, Arioch, messenger), Belsazar: Act III. Recitativo "Ja, ich bau'deine Stadt dir" (Cyrus), Belsazar: Act III. Recitativo "O Herr, nicht verzage" (Nitocris), Belsazar: Act III. Recitativo "O du allzu strenger Spruch" (Nitocris), Belsazar: Act III. Recitativo "Sprich, ehrwürdiger Seher" (Cyrus, Daniel), Belsazar: Act III. Recitativo "Suche nun eilig" (Cyrus), Belsazar: Act III. War's music, Belsazar: Ouverture |
| Kammerorchester Berlin |
performing orchestra |
Belsazar: Act I. "O meines Lebens Lust" (Nitocris, Belsazar (duet)), Belsazar: Act I. Aria "Das falbe Laub" (Nitocris), Belsazar: Act I. Aria "Du Gott! Der, mir nur fern bekannt" (Cyrus), Belsazar: Act I. Aria "Du, Gott der Höh'" (Nitocris), Belsazar: Act I. Aria "Ein freudig Fest" (Belsazar), Belsazar: Act I. Aria "Gebeugt von unheilbarem Schmerz" (Gobrias), Belsazar: Act I. Aria "O Heil'ges Buch" (Daniel), Belsazar: Act I. Aria "O schau den Wüstling" (Gobrias), Belsazar: Act I. Aria "Still' der eitlen Tränen Flut" (Cyrus), Belsazar: Act I. Aria "Wehlage nicht im eitlem Schmerz" (Daniel), Belsazar: Act I. Choir "Da seht, wie Persiens junger Held", Belsazar: Act I. Choir "Die Reiche stehn in Gottes Rat", Belsazar: Act I. Choir "Singt, Himmel singt", Belsazar: Act I. Choir of the Jews "Allmählich steigt Jehovas Zorn", Belsazar: Act I. Choir of the Jews "Verwirf', o Herr", Belsazar: Act I. Recitativo "Ach, unstet eitles Los" (Nitocris), Belsazar: Act I. Recitativo "Befremdet's dich denn so" (Cyrus), Belsazar: Act I. Recitativo "Das Schicksal Babylons" (Nitocris, Daniel), Belsazar: Act I. Recitativo "Dies ist die Sitte" (Belsazar), Belsazar: Act I. Recitativo "Ermanne dich" (Cyrus, Gobrias), Belsazar: Act I. Recitativo "Freunde, habt Zuversicht" (Cyrus), Belsazar: Act I. Recitativo "Sie reden wahr" (Nitocris), Belsazar: Act I. Recitativo "Uns gilt ihr Hohn" (Gobrias, Cyrus), Belsazar: Act I. Recitativo Für euch, o Freunde"" (Belsazar, Nitocris), Belsazar: Act II. Aria "Kränzet den Becher rings im Kreis" (Belsazar), Belsazar: Act II. Aria "erstarrt, so nah den Feind zu seh'n" (Cyrus), Belsazar: Act II. Choir "Helft unserm Herrn", Belsazar: Act II. Choir "Ihr schützenden Götter", Belsazar: Act II. Choir "Missgeschick", Belsazar: Act II. Choir "Voran, voran", Belsazar: Act II. Choir Seht, wie schnell der Euphrat flieht"", Belsazar: Act II. Recitativo "Ihr seht es, Freunde" (Cyrus), Belsazar: Act II. Recitativo "Ruft meine Weisen" (Belsazar), Belsazar: Act II. Recitativo & Choir "Ihr Weisen", Belsazar: Act II. Sinfonia, Belsazar: Act III. "Kündet überall den Heiden" (Soloist & Choir), Belsazar: Act III. "O Held, gebeugt siehst du mich nah'n" (Nitocris, Cyrus (duet)), Belsazar: Act III. "Sei von mir gepriesen" (Soloist & Choir), Belsazar: Act III. Aria "Den ew'gen Mächten sei der der erste Dank" (Gobrias), Belsazar: Act III. Aria "Ich danke, Sesach" (Belsazar), Belsazar: Act III. Aria "Lässt denn der Löwe die Natur" (Daniel), Belsazar: Act III. Aria "O Gott des Heils" (Cyrus), Belsazar: Act III. Aria "O blick' auf deiner Mutter Gram" (Nitocris), Belsazar: Act III. Aria "Vorahnend hofft und bangt" (Nitocris), Belsazar: Act III. Aria "Zerstör'nder Krieg, hier ist dein Ziel" (Cyrus), Belsazar: Act III. Aria & Recitativo "Nein! Du behalte deinen Prunk" (Daniel), Belsazar: Act III. Choir "O tapfrer Fürst", Belsazar: Act III. Choir of the Jews "Baal sank dahin", Belsazar: Act III. Recitativo "Du Gobrias" (Cyrus), Belsazar: Act III. Recitativo "Gern hofft'ich noch" (Nitocris, Daniel), Belsazar: Act III. Recitativo "Ich hoff' auf's neu" (Nitocris, Arioch, messenger), Belsazar: Act III. Recitativo "Ja, ich bau'deine Stadt dir" (Cyrus), Belsazar: Act III. Recitativo "O Herr, nicht verzage" (Nitocris), Belsazar: Act III. Recitativo "O du allzu strenger Spruch" (Nitocris), Belsazar: Act III. Recitativo "Sprich, ehrwürdiger Seher" (Cyrus, Daniel), Belsazar: Act III. Recitativo "Suche nun eilig" (Cyrus), Belsazar: Act III. War's music, Belsazar: Ouverture |
| Academy of Ancient Music |
performer, performing orchestra |
Arias for Wind Ensemble: No 1 in F major, HWV 410, Arias for Wind Ensemble: No 2 in F major, HWV 411, Arrival of the Queen of Sheba, Bernice, Concerto "A due cori", No. 2: I. Pomposo, Concerto "A due cori", No. 2: II. Allegro, Concerto "A due cori", No. 2: III. A tempo giusto, Concerto "A due cori", No. 2: IV. Largo, Concerto "A due cori", No. 2: V. Allegro ma non troppo, Concerto "A due cori", No. 2: VI. A tempo ordinario, Concerto Grosso, No. 5, Op. 6 (excerpt), Concerto a due cori No. 1, HWV 332: I. Ouverture, Concerto a due cori No. 1, HWV 332: II. Allegro ma non troppo, Concerto a due cori No. 1, HWV 332: III. Allegro, Concerto a due cori No. 1, HWV 332: IV. Largo, Concerto a due cori No. 1, HWV 332: V. A tempo ordinario, Concerto a due cori No. 1, HWV 332: VI. Alla breve. Moderato, Concerto a due cori No. 1, HWV 332: VII. Menuet. Allegro, Concerto a due cori No. 2, HWV 333: I. Pomposo, Concerto a due cori No. 2, HWV 333: II. Allegro, Concerto a due cori No. 2, HWV 333: III. A tempo giusto, Concerto a due cori No. 2, HWV 333: IV. Largo, Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo - Adagio, Concerto a due cori No. 2, HWV 333: VI. A tempo ordinario, Concerto a due cori No. 3, HWV 334: I. Ouverture, Concerto a due cori No. 3, HWV 334: III. Adagio, Concerto a due cori No. 3, HWV 334: IIa. Allegro, Concerto a due cori No. 3, HWV 334: IIb. Allegro ma non troppo, Concerto a due cori No. 3, HWV 334: IV. Andante larghetto, Concerto a due cori No. 3, HWV 334: V. Allegro, Giulio Cesare Act 3: "Piangerò, la sorte mia", Horn Suite in F major "Water Music", The Alchymist, Incidental Music: I. Overture, The Alchymist, Incidental Music: II. Prelude - Minuet, The Alchymist, Incidental Music: III. Saraband - Borée - Aire - Borée, The Alchymist, Incidental Music: IV. Minuet - Aire - Jigg, Water Music Suite No. 1 in F major, HWV 348: I. Overture: Largo - Allegro, Water Music Suite No. 1 in F major, HWV 348: II. Adagio e staccato, Water Music Suite No. 1 in F major, HWV 348: III. Allegro - Andante - Allegro, Water Music Suite No. 1 in F major, HWV 348: IV. Presto, Water Music Suite No. 1 in F major, HWV 348: IX. Allegro, Water Music Suite No. 1 in F major, HWV 348: V. Air, Water Music Suite No. 1 in F major, HWV 348: VI. Minuet for the French Horn, Water Music Suite No. 1 in F major, HWV 348: VII. Bourrée, Water Music Suite No. 1 in F major, HWV 348: VIII. Hornpipe, Water Music Suite No. 1 in F major, HWV 348: X. Allegro, Water Music Suite No. 1 in F major, HWV 348: XI. Alla hornpipe, Water Music Suite No. 2 in D major, HWV 349: I. Allegro, Water Music Suite No. 2 in D major, HWV 349: II. Alla hornpipe, Water Music Suite No. 2 in D major, HWV 349: III. Trumpet minuet, Water Music Suite No. 2 in D major, HWV 349: IV. Lentement, Water Music Suite No. 2 in D major, HWV 349: V. Air, Water Music Suite No. 3 in G major, HWV 350: I. Menuet, Water Music Suite No. 3 in G major, HWV 350: II. Presto, Water Music Suite No. 3 in G major, HWV 350: III. Menuet, Water Music Suite No. 3 in G major, HWV 350: IV. Menuet, Water Music Suite No. 3 in G major, HWV 350: V. Country dance |
| King's Consort (Ben Tavera King & Jessita Reyes) |
performing orchestra |
Joshua: Act I. "Awful, pleasing being, say", Joshua: Act I. "Behold, my friends", Joshua: Act I. "But who is he?", Joshua: Act I. "Caleb, attend to all I now prescribe", Joshua: Act I. "Hark! 'tis the linnet and the thrush", Joshua: Act I. "Haste, Israel haste", Joshua: Act I. "In these blest scenes", Joshua: Act I. "Joshua, I come commission'd from on high", Joshua: Act I. "Matrons and virgins", Joshua: Act I. "May all the host of heav'n attend him round", Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight", Joshua: Act I. "O first in wisdom", Joshua: Act I. "Oh! who can tell", Joshua: Act I. "Our limpid streams with freedom flow", Joshua: Act I. "So long the memory shall last", Joshua: Act I. "The Lord commands", Joshua: Act I. "The trumpet calls", Joshua: Act I. "To long posterity we here record", Joshua: Act I. "While Kedron's brook to Jordan's stream", Joshua: Act I. "Ye sons of Israel", Joshua: Act I. Introduction, Joshua: Act II. "'Tis well", Joshua: Act II. "A Solemn March During the Circumvection of the Ark of the Covenant", Joshua: Act II. "Almight ruler of the skies", Joshua: Act II. "As cheers the sun the tender flow'r", Joshua: Act II. "Brethren and friends", Joshua: Act II. "Glory to God!", Joshua: Act II. "Heroes when with glory burning", Joshua: Act II. "How soon our tow'ring hopes are cross'd!", Joshua: Act II. "Indulgent heav'n hath heard my virgin pray'r", Joshua: Act II. "Joshua, the men dispatch'd by thee to learn", Joshua: Act II. "Let all the seed of Abrah'm now prepare", Joshua: Act II. "Nations, who in future story", Joshua: Act II. "Now give the army breath", Joshua: Act II. "Oh! thou bright orb", Joshua: Act II. "See, the raging flames arise", Joshua: Act II. "Sure I'm deceiv'd", Joshua: Act II. "The walls are levell'd", Joshua: Act II. "To Vanity and earthly Pride", Joshua: Act II. "Whence this dejection?", Joshua: Act II. "With redoubled rage return", Joshua: Act III. "Caleb, for holy Eleazer send", Joshua: Act III. "Father of mercy, hear the pray'r we make", Joshua: Act III. "Hail! mighty Joshua, hail!", Joshua: Act III. "Happy, Oh, thrice happy we", Joshua: Act III. "In bloom of youth, this stripling hath achiev'd", Joshua: Act III. "O Caleb, fear'd by foes", Joshua: Act III. "O peerless maid", Joshua: Act III. "Oh! had I Jubal's lyre", Joshua: Act III. "Place danger around me", Joshua: Act III. "See the conqu'ring hero comes!", Joshua: Act III. "Shall I in Mamre's fertile plain", Joshua: Act III. "The great Jehovah is our awful theme", Joshua: Act III. "Welcome! my son", Joshua: Act III. "While lawless tyrants", Joshua: Act III. "While life shall last" |
| Radio-Sinfonieorchester Stuttgart des SWR |
performing orchestra |
"Messiah": Pastorale (Stuttgart Radio Orchestra feat. conductor: Garcia Navarro), Der Messias: Accompagnato, Der Messias: No 2 Accompagnato / 3. Arie, Der Messias: No. 1 Sinfonia, Der Messias: No. 10 Arie, Der Messias: No. 11 Chor, Der Messias: No. 12 Pifa Symphony, Der Messias: No. 14 Accompagnato, Der Messias: No. 15 Chor, Der Messias: No. 16 Arie, Der Messias: No. 17 Duett, Der Messias: No. 18 Chor, Der Messias: No. 19 Chor, Der Messias: No. 20 Arie, Der Messias: No. 21 Chor, Der Messias: No. 22 Chor, Der Messias: No. 23 Chor, Der Messias: No. 24 Accompagnato, Der Messias: No. 25 Chor, Der Messias: No. 26 Accompagnato, Der Messias: No. 27 Arioso, Der Messias: No. 28 Accompagnato, Der Messias: No. 29 Arie, Der Messias: No. 30 Chor, Der Messias: No. 31 Chor, Der Messias: No. 32 Arie, Der Messias: No. 33 Chor, Der Messias: No. 34 Arie, Der Messias: No. 35 Arie, Der Messias: No. 36 Arie, Der Messias: No. 37 Chor, Der Messias: No. 38 Arie, Der Messias: No. 39 Chor, Der Messias: No. 4 Chor, Der Messias: No. 40 Arie, Der Messias: No. 41 Chor, Der Messias: No. 42 Accompagnato, Der Messias: No. 43 Arie, Der Messias: No. 44 Duett / No. 45 Chor, Der Messias: No. 46 Arie, Der Messias: No. 47 Chor, Der Messias: No. 5 Accompagnato, Der Messias: No. 6 Arie, Der Messias: No. 7 Chor, Der Messias: No. 8 Arie, Der Messias: Rezitativ, Der Messias: Rezitativ / No. 13 Accompagnato & Rezitativ, Larghetto C-DUR, Messiah: Symphony in E major, Pastorale C-Dur aus 'Der Messias', Sinfonia e-Moll aus 'Der Messias', Sinfonia from "The Messiah I" (Radio Symphony Orchestra Stuttgart feat. conductor: García Navarro), Sinfonia from 'messiah', The Messiah - I. Sinfonietta - Grave, The Messiah - II. Allegro moderato, The Messiah - III. Pastorale: Larghetto |
| Harry Christophers |
conductor |
Messiah: Part I. I. Symphony, Messiah: Part I. II. Tenor recitative "Comfort ye, My people", Messiah: Part I. III. Tenor aria "Every valley shall be exhalted", Messiah: Part I. IV. Chorus "And the glory of the Lord", Messiah: Part I. IX. Contralto aria and Chorus "O thou that tellest good tidings", Messiah: Part I. V. Bass recitative "Thus saith the Lord of hosts", Messiah: Part I. VI. Countertenor aria "But who may abide the days of his coming?", Messiah: Part I. VII. Chorus "And He shall purify the sons of Levi", Messiah: Part I. VIII. Contralto recitative "Behold, a virgin shall conceive", Messiah: Part I. X. Bass recitative "For behold, darkness shall cover the earth", Messiah: Part I. XI. Bass aria "The people that walked in darkness", Messiah: Part I. XII. Chorus "For unto us a child is born", Messiah: Part I. XIII. Pifa, Messiah: Part I. XIVa. Soprano recitative "There were shepherds abiding in a field", Messiah: Part I. XIVb. Soprano recitative "And lo, the angel of the Lord", Messiah: Part I. XIX. Contralto recitative "Then shall the eyes of the blind be opened", Messiah: Part I. XV. Soprano recitative "And the angel said unto them, fear not", Messiah: Part I. XVI. Soprano recitative "And suddently there was with the angel", Messiah: Part I. XVII. Chorus "Glory to God in the highest", Messiah: Part I. XVIII. Soprano aria "Rejoice greatly, O daughter of Zion", Messiah: Part I. XX. Contralto aria "He shall feed His flock like a shepherd" / Soprano aria "Come unto Him all ye that labour", Messiah: Part I. XXI. Chorus "His yoke is easy and his burthen is light", Messiah: Part II. XL. Bass aria "Why do the nations so furiously rage", Messiah: Part II. XLI. Chorus "Let us break their bonds asunder", Messiah: Part II. XLII. Tenor recitative "He that dwelleth in Heaven", Messiah: Part II. XLIII. Tenor aria "Thou shalt break them with a rod of iron", Messiah: Part II. XLIV. Chorus "Hallelujah", Messiah: Part II. XXII. Chorus "Behold the Lamb of God", Messiah: Part II. XXIII. Contralto aria "He was despised and rejected of men", Messiah: Part II. XXIV. Chorus "Surely He hath borne our griefs", Messiah: Part II. XXIX. Tenor recitative "Thy rebuke hath broken His heart", Messiah: Part II. XXV. Chorus "And with His stripes we are healed", Messiah: Part II. XXVI. Chorus "All we like sheep have gone astray", Messiah: Part II. XXVII. Tenor recitative "All they that see Him laugh Him to scorn", Messiah: Part II. XXVIII. Chorus "He trusted in God", Messiah: Part II. XXX. Tenor aria "Behold and see if there be any sorrow", Messiah: Part II. XXXI. Tenor recitative "He was cut off out of the land", Messiah: Part II. XXXII. Tenor aria "But Thou didst not leave His soul in hell", Messiah: Part II. XXXIII. Chorus "Lift up your heads, O ye gates", Messiah: Part II. XXXIV. Tenor recitative "Unto which of the angels said He", Messiah: Part II. XXXIX. Chorus "Their sound is gone out into all lands", Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him", Messiah: Part II. XXXVI. Countertenor aria "Thou art gone up on high", Messiah: Part II. XXXVII. Chorus "The Lord gave the word", Messiah: Part II. XXXVIII. Soprano aria "How beautiful are the feet", Messiah: Part III. L. Countertenor/tenor aria "O Death, where is thy sting?", Messiah: Part III. LI. Chorus "But thanks be to God", Messiah: Part III. LII. Soprano aria "If God be for us, who can be against us", Messiah: Part III. LIIIa. Chorus "Worthy is the Lamb that was slain", Messiah: Part III. LIIIb. Chorus "Amen", Messiah: Part III. XLIX. Countertenor recitative "Then shall be brought to pass", Messiah: Part III. XLV. Soprano aria "I know that my Redeener liveth", Messiah: Part III. XLVI. Chorus "Since by man came death", Messiah: Part III. XLVII. Bass recitative "Behold, I tell you a mystery", Messiah: Part III. XLVIII. Bass aria "The trumpet shall sound", Samson: Air and Chorus. "Let the Bright Seraphim in Burning Row" |
| The Symphony of Harmony and Invention |
performing orchestra |
Messiah: Part I. I. Symphony, Messiah: Part I. II. Tenor recitative "Comfort ye, My people", Messiah: Part I. III. Tenor aria "Every valley shall be exhalted", Messiah: Part I. IV. Chorus "And the glory of the Lord", Messiah: Part I. IX. Contralto aria and Chorus "O thou that tellest good tidings", Messiah: Part I. V. Bass recitative "Thus saith the Lord of hosts", Messiah: Part I. VI. Countertenor aria "But who may abide the days of his coming?", Messiah: Part I. VII. Chorus "And He shall purify the sons of Levi", Messiah: Part I. VIII. Contralto recitative "Behold, a virgin shall conceive", Messiah: Part I. X. Bass recitative "For behold, darkness shall cover the earth", Messiah: Part I. XI. Bass aria "The people that walked in darkness", Messiah: Part I. XII. Chorus "For unto us a child is born", Messiah: Part I. XIII. Pifa, Messiah: Part I. XIVa. Soprano recitative "There were shepherds abiding in a field", Messiah: Part I. XIVb. Soprano recitative "And lo, the angel of the Lord", Messiah: Part I. XIX. Contralto recitative "Then shall the eyes of the blind be opened", Messiah: Part I. XV. Soprano recitative "And the angel said unto them, fear not", Messiah: Part I. XVI. Soprano recitative "And suddently there was with the angel", Messiah: Part I. XVII. Chorus "Glory to God in the highest", Messiah: Part I. XVIII. Soprano aria "Rejoice greatly, O daughter of Zion", Messiah: Part I. XX. Contralto aria "He shall feed His flock like a shepherd" / Soprano aria "Come unto Him all ye that labour", Messiah: Part I. XXI. Chorus "His yoke is easy and his burthen is light", Messiah: Part II. XL. Bass aria "Why do the nations so furiously rage", Messiah: Part II. XLI. Chorus "Let us break their bonds asunder", Messiah: Part II. XLII. Tenor recitative "He that dwelleth in Heaven", Messiah: Part II. XLIII. Tenor aria "Thou shalt break them with a rod of iron", Messiah: Part II. XLIV. Chorus "Hallelujah", Messiah: Part II. XXII. Chorus "Behold the Lamb of God", Messiah: Part II. XXIII. Contralto aria "He was despised and rejected of men", Messiah: Part II. XXIV. Chorus "Surely He hath borne our griefs", Messiah: Part II. XXIX. Tenor recitative "Thy rebuke hath broken His heart", Messiah: Part II. XXV. Chorus "And with His stripes we are healed", Messiah: Part II. XXVI. Chorus "All we like sheep have gone astray", Messiah: Part II. XXVII. Tenor recitative "All they that see Him laugh Him to scorn", Messiah: Part II. XXVIII. Chorus "He trusted in God", Messiah: Part II. XXX. Tenor aria "Behold and see if there be any sorrow", Messiah: Part II. XXXI. Tenor recitative "He was cut off out of the land", Messiah: Part II. XXXII. Tenor aria "But Thou didst not leave His soul in hell", Messiah: Part II. XXXIII. Chorus "Lift up your heads, O ye gates", Messiah: Part II. XXXIV. Tenor recitative "Unto which of the angels said He", Messiah: Part II. XXXIX. Chorus "Their sound is gone out into all lands", Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him", Messiah: Part II. XXXVI. Countertenor aria "Thou art gone up on high", Messiah: Part II. XXXVII. Chorus "The Lord gave the word", Messiah: Part II. XXXVIII. Soprano aria "How beautiful are the feet", Messiah: Part III. L. Countertenor/tenor aria "O Death, where is thy sting?", Messiah: Part III. LI. Chorus "But thanks be to God", Messiah: Part III. LII. Soprano aria "If God be for us, who can be against us", Messiah: Part III. LIIIa. Chorus "Worthy is the Lamb that was slain", Messiah: Part III. LIIIb. Chorus "Amen", Messiah: Part III. XLIX. Countertenor recitative "Then shall be brought to pass", Messiah: Part III. XLV. Soprano aria "I know that my Redeener liveth", Messiah: Part III. XLVI. Chorus "Since by man came death", Messiah: Part III. XLVII. Bass recitative "Behold, I tell you a mystery", Messiah: Part III. XLVIII. Bass aria "The trumpet shall sound" |
| Philharmonia Baroque Orchestra |
performing orchestra |
Agrippina, HWV 6: Ogni vento, ch'al porto lo spinga, Arianna in Creta, HWV 32: Mirami altero in volto, Giulio Cesare in Egitto, HWV 17: Figlio non è, Giulio Cesare in Egitto, HWV 17: L'angue offeso mai riposa, Giulio Cesare in Egitto, HWV 17: La giustizia ha già sull'arco, Ottone, re di Germania, HWV 15: Ben a raggion, Ottone, re di Germania, HWV 15: Vieni, o figlio, e mi consola, Radamisto, HWV 12: Ombra cara di mia sposa, Radamisto, HWV 12: Qual nave smarrita, Susanna: Part I, Scene 1. "Clouds o'ertake the brightest day", Susanna: Part I, Scene 1. "How long, oh Lord, shall Israel groan?", Susanna: Part I, Scene 1. "Peace crown'd with roses", Susanna: Part I, Scene 1. "The parent bird in search of food", Susanna: Part I, Scene 1. "When first I saw my lovely maid", Susanna: Part I, Scene 1. "When thou art nigh", Susanna: Part I, Scene 1. "Who fears the Lord may dare all foes", Susanna: Part I, Scene 1. "Without the swain's assiduous care", Susanna: Part I, Scene 1. "Would custom bid", Susanna: Part I, Scene 1. Overture, Susanna: Part I, Scene 2. "Bending to the throne of glory", Susanna: Part I, Scene 2. "On Joacim may every joy attend", Susanna: Part I, Scene 3. "Tyrannic love", Susanna: Part I, Scene 3. "Ye verdant hills, ye balmy vales", Susanna: Part I, Scene 4. "Righteous heav'n beholds their guile", Susanna: Part I, Scene 4. "Say is it fit that age?", Susanna: Part I, Scene 4. "The oak that for a thousand years", Susanna: Part I, Scene 4. "When the trumpet sounds to arms", Susanna: Part II, Scene 1. "Frost nips the flowers", Susanna: Part II, Scene 1. "On fair Euphrates' verdant side", Susanna: Part II, Scene 2. "Ask if yon damask rose", Susanna: Part II, Scene 2. "Beneath the cypress' gloomy shade", Susanna: Part II, Scene 2. "Crystal streams in murmurs flowing", Susanna: Part II, Scene 2. "Lead me to some cool retreat", Susanna: Part II, Scene 3. "Away, ye tempt me both in vain", Susanna: Part II, Scene 3. "Blooming as the face of spring", Susanna: Part II, Scene 3. "But hark, what sudden noise?", Susanna: Part II, Scene 3. "The torrent that sweeps in its course", Susanna: Part II, Scene 4. "I caught the fair delinquent", Susanna: Part II, Scene 4. "If guiltless blood be your intent", Susanna: Part II, Scene 4. "Let justice reign", Susanna: Part II, Scene 5. "Is fair Susanna false?", Susanna: Part II, Scene 5. "O Joachim, thy wedded truth!", Susanna: Part II, Scene 5. "On the rapid whirlwind's wing", Susanna: Part III, Scene 1. "'Tis not age's sullen face", Susanna: Part III, Scene 1. "Chastity, thou cherub bright", Susanna: Part III, Scene 1. "Faith displays her rosy wing", Susanna: Part III, Scene 1. "Impartial heav'n!", Susanna: Part III, Scene 1. "Round thy urn my tears shall flow", Susanna: Part III, Scene 1. "The cause is decided", Susanna: Part III, Scene 2. "Bless'd be the day that gave Susanna birth!", Susanna: Part III, Scene 2. "Gold within the furnace try'd", Susanna: Part III, Scene 2. "Guilt trembling spoke my doom", Susanna: Part III, Scene 2. "Raise your voice to sounds of joy", Susanna: Part III, Scene 2. "To my chaste Susanna's praise", Water Musik, Suite in D major: II. Alla hornpipe |
| Richard Bonynge (conductor and pianist) |
conductor |
Alcina: Act I, Scene I. "Chi m'insega il caro padre?" (Oberto, Oronte, Bradamante, Morgana), Alcina: Act I, Scene I. "Di te mi rido, semplice stolto" (Ruggiero, Oberto, Melisso, Bradamante), Alcina: Act I, Scene I. "Di', cor mio, quanto t'amai" (Alcina), Alcina: Act I, Scene I. "E gelosia, forza è d'amore" (Bradamante) / Scene II. "Vo cercando la bella cagion delle mie pene" (Ruggiero), Alcina: Act I, Scene I. "O s'apre al riso" (Morgana), Alcina: Act I, Scene I. "Questo è il cielo contenti" (Coro, Bradamante, Melisso, Alcina), Alcina: Act I, Scene I. "Sin per le vie del sole" (Coro, Bradamante, Ruggiero, Melisso), Alcina: Act I, Scene I. Overture / "Oh Dei!" (Bradamante, Melisso, Morgana), Alcina: Act I, Scene II. "Bramo di trionfar" (Ruggiero, Oronte), Alcina: Act I, Scene II. "La bocca vaga" (Ruggiero, Melisso, Bradamante, Morgana, Alcina), Alcina: Act I, Scene II. "Semplicetto! a donna credi?" (Oronte, Ruggiero, Alcina), Alcina: Act I, Scene II. "Sì, son quella, non più bella" (Alcina, Bradamante, Ruggiero, Melisso), Alcina: Act I, Scene II. Gavotte I — Sarabande — Menuet — Gavotte II, Alcina: Act II, Scene I. "Col celarvi a chi v'ama un momento" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Act II, Scene I. "Pensa a chi geme" (Melisso, Bradamante, Ruggiero), Alcina: Act II, Scene I. "Qual portento mi richiama" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Vorrei vendicarmi del perfido cor" (Bradamante, Ruggiero), Alcina: Act II, Scene I. Musette — Menuet, Alcina: Act II, Scene II. "Ah! mio cor! schemito sei!" (Alcina, Morgana, Oronto), Alcina: Act II, Scene II. "Ama, sospira, ma non t'offende" (Morgana, Alcina, Ruggiero), Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act II, Scene II. "Mio bel tesoro" (Ruggiero, Oberto, Alcina), Alcina: Act II, Scene II. "S'acquieti il rio sospetto" (Alcina, Morgana, Ruggiero), Alcina: Act II, Scene II. "Tra speme e timore" (Oberto, Oronte, Alcina), Alcina: Act II, Scene II. "Verdi parti, selve amene" (Ruggiero), Alcina: Act II, Scene III. "Ah! Ruggiero crudel, tu non mi amasti!" (Alcina), Alcina: Act II, Scene III. "Ombre pallide, lo so, mu udite" (Alcina), Alcina: Act II, Scene III. Ballet, Alcina: Act III, Scene I. "Credete al mio dolore" (Morgana, Oronte), Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Sta nell'Ircana pietrosa tana" (Ruggiero), Alcina: Act III, Scene I. "Un momento di contento" (Oronte, Ruggiero, Alcina), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene I. Sinfonia / "Vogliio amar e disamar" (Oronte, Morgana), Alcina: Act III, Scene II. "Mi restano le lagrime" (Alcina) / Scene III. "Già vicino è 'l momento" (Oberto, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero), Alcina: Act III, Scene III. "Dopo tante amare pepe" (Coro), Alcina: Act III, Scene III. "Non è amor, né gelosia" (Alcina, Bradamante, Ruggiero), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro), Giulio Cesare: Act I. "Priva son d'ogni conforti" (Cornelia), Giulio Cesare: Act I. "Tu la mia stella sei" (Cleopatra), Giulio Cesare: Act I. "Va tacito e nascosto" (Cesare), Giulio Cesare: Act II. "Se pietà di me non senti" (Cleopatra), Giulio Cesare: Act II. "Sì spietata, il tuo rigore" (Tolomeo), Giulio Cesare: Act II. "V'adoro, pupille" (Cleopatra), Giulio Cesare: Act II. "Venere bella" (Cleopatra), Giulio Cesare: Act III. "Aure, deh, per pietà" (Cesare), Giulio Cesare: Act III. "Da tempeste il legno infranto" (Cleopatra), Giulio Cesare: Act III. "Piangerò la sorte mia" (Cleopatra), Giulio Cesare: Act III. "Sperai né m'ingannai" (Sesto), Joy to the World |
| Mark Brown (early music singer, conductor, and producer) |
conductor, producer |
Musick for the Royal Fireworks: Bourrée, Musick for the Royal Fireworks: La Paix, Musick for the Royal Fireworks: La Réjouissance, Musick for the Royal Fireworks: Menuet I and II, Musick for the Royal Fireworks: Ouverture, Part I. "And He Shall Purify", Part I. "And Suddenly There Was With The Angel - Glory To God", Part I. "And The Glory Of The Lord", Part I. "Behold, A Virgin Shall Conceive", Part I. "But Who May Abide The Day Of His Coming?", Part I. "Comfort Ye My People", Part I. "Every Valley Shall Be Exalted", Part I. "For Behold, Darkness", Part I. "For Unto Us A Child Is Born", Part I. "He Shall Feed His Flock", Part I. "His Yoke Is Easy, And His Burden Is Light", Part I. "O Thou That Tellest", Part I. "Overture", Part I. "Pastoral Symphony - There Were Shepherds", Part I. "Rejoice Greatly, O Daughter Of Zion!", Part I. "The People That Walked In Darkness", Part I. "Then Shall The Eyes Of The Blind", Part I. "Thus Saith The Lord", Part II. "All they that see Him", Part II. "All we like sheep have gone astray", Part II. "And with His stripes we are healed", Part II. "Behold The Lamb Of God", Part II. "Behold, and see if there be any sorrow", Part II. "Hallelujah", Part II. "He Was Cut Off Out Of The Land - But Thou Dids't Not Leave His Soul", Part II. "He Was Despised And Rejected", Part II. "He that dwelleth in heaven / Thou shalt break them", Part II. "He trusted in God", Part II. "How beautiful are the feet", Part II. "Let us break their bonds asunder", Part II. "Lift Up Your Heads, O Ye Gates", Part II. "Surely He Hath Born Our Griefs", Part II. "The Lord gave the word", Part II. "Their sound is gone out", Part II. "Thou art gone up on high", Part II. "Thy Rebuke Hath Broken His Heart", Part II. "Unto Which Of The Angels - Let All The Angels", Part II. "Why do the nations", Part III. "Amen", Part III. "Behold, I tell you a mystery", Part III. "I Know That My Redeemer Liveth", Part III. "If God Be For Us", Part III. "Since by man came death", Part III. "The Trumpet Shall Sound", Part III. "Then shall be brought to pass . . . O Death, where is thy sting?", Part III. "Worthy is the Lamb that was slain" |
| Orchestra del Teatro La Fenice |
performing orchestra |
Rinaldo, HWV 7: Act I. "Al valor del mio brando" (Armida), Rinaldo, HWV 7: Act I. "Augelletti" (Almirena), Rinaldo, HWV 7: Act I. "Che insolito stupore" (Goffredo), Rinaldo, HWV 7: Act I. "Combatti da forte" (Almirena), Rinaldo, HWV 7: Act I. "Cor ingrato" (Rinaldo), Rinaldo, HWV 7: Act I. "Delle nostre fatiche (Goffredo), Rinaldo, HWV 7: Act I. "Furie terribill" (Armida), Rinaldo, HWV 7: Act I. "Goffredo, se t'amse" (Argante), Rinaldo, HWV 7: Act I. "Molto voglio, molto spero" (Armida), Rinaldo, HWV 7: Act I. "Ogni indulgio" (Rinaldo), Rinaldo, HWV 7: Act I. "Questi saggi consigli" (Goffredo), Rinaldo, HWV 7: Act I. "Scherzano sul tuo volto" (Almirena, Rinaldo), Rinaldo, HWV 7: Act I. "Sibliar gl'angui d'Aletto" (Argante), Rinaldo, HWV 7: Act I. "Signor, che delle stelle" (Araldo), Rinaldo, HWV 7: Act I. "Signor, gia dal tuo senno" (Rinaldo), Rinaldo, HWV 7: Act I. "Sovre balze scoscese" (Goffredo), Rinaldo, HWV 7: Act I. "Un mio giusto dolor" (Goffredo), Rinaldo, HWV 7: Act I. "Venti, turbine" (Rinaldo), Rinaldo, HWV 7: Act I. Come a tempo giungesti" (Argante), Rinaldo, HWV 7: Act I. Overuture, Rinaldo, HWV 7: Act I. Sinfonia, Rinaldo, HWV 7: Act II. "Ah! Crudel!" (Almirena), Rinaldo, HWV 7: Act II. "Ah! Rinaldo crudel" (Almirena), Rinaldo, HWV 7: Act II. "Anima mia, ti rasserena" (Argante), Rinaldo, HWV 7: Act II. "Armida dispietata" (Almirena), Rinaldo, HWV 7: Act II. "Basta che sol tu chieda" (Argante), Rinaldo, HWV 7: Act II. "Cara sposa" (Rinaldo), Rinaldo, HWV 7: Act II. "Cingetemi d'alloro" (Armida), Rinaldo, HWV 7: Act II. "Dunque lacci d'un volto" (Armida), Rinaldo, HWV 7: Act II. "Fermati! No, crudel!" (Armida, Rinaldo), Rinaldo, HWV 7: Act II. "Il tricerbero umilato" (Rinaldo), Rinaldo, HWV 7: Act II. "Il vostro maggio" (Sirena), Rinaldo, HWV 7: Act II. "Lascia ch'io pianga" (Almirena), Rinaldo, HWV 7: Act II. "Per raccor d'Almirena" (Sirena), Rinaldo, HWV 7: Act II. "Qual incognita forza" (Rinaldo), Rinaldo, HWV 7: Act II. "Siam prossimi al porto" (Goffredo), Rinaldo, HWV 7: Act II. "Vo far Guerra" (Armida), Rinaldo, HWV 7: Act III. "Al trionfo del nostro furore" (Armida, Argante), Rinaldo, HWV 7: Act III. "Andate o forti" (Mago), Rinaldo, HWV 7: Act III. "Bel picaere" (Almirena), Rinaldo, HWV 7: Act III. "Cara, perdon ti chiedo" (Argante), Rinaldo, HWV 7: Act III. "Ecco il superbo" (Rinaldo), Rinaldo, HWV 7: Act III. "Or la tromba" (Rinaldo), Rinaldo, HWV 7: Act III. "Orrori menzogneri" (Rinaldo), Rinaldo, HWV 7: Act III. "Tu a cul vien concesso" (Goffredo), Rinaldo, HWV 7: Act III. "Vinto e sol" (Tutti), Rinaldo, HWV 7: Act III. Battaglia, Rinaldo, HWV 7: Act III. Marcia, Rinaldo, HWV 7: Act III. Sinfonia |
| John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.) |
conductor |
Rinaldo, HWV 7: Act I. "Al valor del mio brando" (Armida), Rinaldo, HWV 7: Act I. "Augelletti" (Almirena), Rinaldo, HWV 7: Act I. "Che insolito stupore" (Goffredo), Rinaldo, HWV 7: Act I. "Combatti da forte" (Almirena), Rinaldo, HWV 7: Act I. "Cor ingrato" (Rinaldo), Rinaldo, HWV 7: Act I. "Delle nostre fatiche (Goffredo), Rinaldo, HWV 7: Act I. "Furie terribill" (Armida), Rinaldo, HWV 7: Act I. "Goffredo, se t'amse" (Argante), Rinaldo, HWV 7: Act I. "Molto voglio, molto spero" (Armida), Rinaldo, HWV 7: Act I. "Ogni indulgio" (Rinaldo), Rinaldo, HWV 7: Act I. "Questi saggi consigli" (Goffredo), Rinaldo, HWV 7: Act I. "Scherzano sul tuo volto" (Almirena, Rinaldo), Rinaldo, HWV 7: Act I. "Sibliar gl'angui d'Aletto" (Argante), Rinaldo, HWV 7: Act I. "Signor, che delle stelle" (Araldo), Rinaldo, HWV 7: Act I. "Signor, gia dal tuo senno" (Rinaldo), Rinaldo, HWV 7: Act I. "Sovre balze scoscese" (Goffredo), Rinaldo, HWV 7: Act I. "Un mio giusto dolor" (Goffredo), Rinaldo, HWV 7: Act I. "Venti, turbine" (Rinaldo), Rinaldo, HWV 7: Act I. Come a tempo giungesti" (Argante), Rinaldo, HWV 7: Act I. Overuture, Rinaldo, HWV 7: Act I. Sinfonia, Rinaldo, HWV 7: Act II. "Ah! Crudel!" (Almirena), Rinaldo, HWV 7: Act II. "Ah! Rinaldo crudel" (Almirena), Rinaldo, HWV 7: Act II. "Anima mia, ti rasserena" (Argante), Rinaldo, HWV 7: Act II. "Armida dispietata" (Almirena), Rinaldo, HWV 7: Act II. "Basta che sol tu chieda" (Argante), Rinaldo, HWV 7: Act II. "Cara sposa" (Rinaldo), Rinaldo, HWV 7: Act II. "Cingetemi d'alloro" (Armida), Rinaldo, HWV 7: Act II. "Dunque lacci d'un volto" (Armida), Rinaldo, HWV 7: Act II. "Fermati! No, crudel!" (Armida, Rinaldo), Rinaldo, HWV 7: Act II. "Il tricerbero umilato" (Rinaldo), Rinaldo, HWV 7: Act II. "Il vostro maggio" (Sirena), Rinaldo, HWV 7: Act II. "Lascia ch'io pianga" (Almirena), Rinaldo, HWV 7: Act II. "Per raccor d'Almirena" (Sirena), Rinaldo, HWV 7: Act II. "Qual incognita forza" (Rinaldo), Rinaldo, HWV 7: Act II. "Siam prossimi al porto" (Goffredo), Rinaldo, HWV 7: Act II. "Vo far Guerra" (Armida), Rinaldo, HWV 7: Act III. "Al trionfo del nostro furore" (Armida, Argante), Rinaldo, HWV 7: Act III. "Andate o forti" (Mago), Rinaldo, HWV 7: Act III. "Bel picaere" (Almirena), Rinaldo, HWV 7: Act III. "Cara, perdon ti chiedo" (Argante), Rinaldo, HWV 7: Act III. "Ecco il superbo" (Rinaldo), Rinaldo, HWV 7: Act III. "Or la tromba" (Rinaldo), Rinaldo, HWV 7: Act III. "Orrori menzogneri" (Rinaldo), Rinaldo, HWV 7: Act III. "Tu a cul vien concesso" (Goffredo), Rinaldo, HWV 7: Act III. "Vinto e sol" (Tutti), Rinaldo, HWV 7: Act III. Battaglia, Rinaldo, HWV 7: Act III. Marcia, Rinaldo, HWV 7: Act III. Sinfonia |
| Roy Goodman |
conductor |
Apollo e Dafme, HWV 122: Aria: Felicissima quest'alma, Harp Concerto in B-flat major, Op. 4 No. 6: I. Andante - Allegro, Harp Concerto in B-flat major, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat major, Op. 4 No. 6: III. Allegro moderato, Organ Concerto in A major, Op. 7 No. 2: I. Ouverture, Organ Concerto in A major, Op. 7 No. 2: II. A tempo ordinario, Organ Concerto in A major, Op. 7 No. 2: III. Organo ad libitum. Larghetto, Organ Concerto in A major, Op. 7 No. 2: IV. Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: A tempo ordinario e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Adagio e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro ma non presto, Organ Concerto in B-flat major, Op. 7 No. 1: I. Andante, Organ Concerto in B-flat major, Op. 7 No. 1: II. Adagio, Organ Concerto in B-flat major, Op. 7 No. 1: III. Largo e piano, Organ Concerto in B-flat major, Op. 7 No. 1: IV. Allegro, Organ Concerto in B-flat major, Op. 7 No. 1: V. Bourrée: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Menuet I/II alternativo, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Adagio, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Fugue, Organ Concerto in B-flat major, Op. 7 No. 3: Spiritoso, Organ Concerto in B-flat major, Op. 7 No. 6: I. Pomposa, Organ Concerto in B-flat major, Op. 7 No. 6: II. Organo ad libitum: Allemande, Organ Concerto in B-flat major, Op. 7 No. 6: III. Air: a tempo ordinario, Organ Concerto in D minor Op. 7 No. 4: IV. Allegro, Organ Concerto in D minor, Op. 7 No. 4: I. Adagio, Organ Concerto in D minor, Op. 7 No. 4: II. Allegro cosi cosi, Organ Concerto in D minor, Op. 7 No. 4: III. Organo ad libitum.: Prelude, Organ Concerto in F major, Op. 4 No. 4: Adagio, Organ Concerto in F major, Op. 4 No. 4: Allegro, Organ Concerto in F major, Op. 4 No. 4: Allegro - Choral Alleluia, Organ Concerto in F major, Op. 4 No. 4: Andante, Organ Concerto in F major, Op. 4 No. 5: Alla siciliana, Organ Concerto in F major, Op. 4 No. 5: Allegro, Organ Concerto in F major, Op. 4 No. 5: Larghetto, Organ Concerto in F major, Op. 4 No. 5: Presto, Organ Concerto in G minor, Op. 4 No. 1: Adagio, Organ Concerto in G minor, Op. 4 No. 1: Allegro, Organ Concerto in G minor, Op. 4 No. 1: Andante, Organ Concerto in G minor, Op. 4 No. 1: Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 3: Adagio, Organ Concerto in G minor, Op. 4 No. 3: Allegro, Organ Concerto in G minor, Op. 7 No. 5: I. Staccato ma non troppo allegro, Organ Concerto in G minor, Op. 7 No. 5: II. Organo ad libitum: Adagio, Organ Concerto in G minor, Op. 7 No. 5: III. Andante larghetto e staccato, Organ Concerto in G minor, Op. 7 No. 5: IV. Organo ad libitum. Adagio, Organ Concerto in G minor, Op. 7 No. 5: V. Menuet, Organ Concerto in G minor, Op. 7 No. 5: VI. Gavotte |
| Collegium Aureum |
performer, performing orchestra |
Joseph: Ouvertüre, Music for the Fireworks: Bourree, Music for the Fireworks: La Paix, Music for the Fireworks: La Rejouissance, Music for the Fireworks: Manuet I, Music for the Fireworks: Manuet II, Music for the Fireworks: Ouverture, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: I. Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: II. Allegro, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: III. Adagio, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: IV. Andante, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: I. A tempo ordinario e staccato, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: II. Allegro, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: III. Adagio e staccato, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: IV. Allegro ma non presto, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: I. Adagio, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: II. Allegro, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: III. Adagio, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: IV. Allegro (Gavotte), Organ Concerto in G minor, Op. 4 No. 4, HWV 292: I. Allegro, Organ Concerto in G minor, Op. 4 No. 4, HWV 292: II. Andante, Organ Concerto in G minor, Op. 4 No. 4, HWV 292: III. Adagio - Allegro, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: I. Larghetto, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: II. Allegro, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: III. Alla Siciliana, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: IV. Presto, Organ Concerto in G minor, Op. 4 No. 6, HWV 294: I. Andante allegro, Organ Concerto in G minor, Op. 4 No. 6, HWV 294: II. Larghetto, Organ Concerto in G minor, Op. 4 No. 6, HWV 294: III. Allegro moderato, Silete Venti: 2 Italienische Kantate, HV 242, Suit in C Major: Andante, Suit in C Major: Gigue I & II, Suit in C Major: Menuet I & II, Suit in C Major: Rigauden I & II, Suit in D Major: Alla Hornpipe, Suit in D Major: Bourree, Suit in D Major: Lentement, Suit in D Major: Minuet, Suit in D Major: Ouverture, Water Music: Adagio e Staccato, Water Music: Air, Water Music: Allegro, Water Music: Allegro / Andante / Allegro, Water Music: Andante, Water Music: Bourree, Water Music: Hornpipe, Water Music: Minuet, Water Music: Ouverture |
| Tony Faulkner (recording engineer) |
recording |
Harp Concerto in B-flat major, Op. 4 No. 6: I. Andante - Allegro, Harp Concerto in B-flat major, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat major, Op. 4 No. 6: III. Allegro moderato, Organ Concerto in A major, Op. 7 No. 2: I. Ouverture, Organ Concerto in A major, Op. 7 No. 2: II. A tempo ordinario, Organ Concerto in A major, Op. 7 No. 2: III. Organo ad libitum. Larghetto, Organ Concerto in A major, Op. 7 No. 2: IV. Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: A tempo ordinario e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Adagio e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro ma non presto, Organ Concerto in B-flat major, Op. 7 No. 1: I. Andante, Organ Concerto in B-flat major, Op. 7 No. 1: II. Adagio, Organ Concerto in B-flat major, Op. 7 No. 1: III. Largo e piano, Organ Concerto in B-flat major, Op. 7 No. 1: IV. Allegro, Organ Concerto in B-flat major, Op. 7 No. 1: V. Bourrée: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Menuet I/II alternativo, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Adagio, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Fugue, Organ Concerto in B-flat major, Op. 7 No. 3: Spiritoso, Organ Concerto in B-flat major, Op. 7 No. 6: I. Pomposa, Organ Concerto in B-flat major, Op. 7 No. 6: II. Organo ad libitum: Allemande, Organ Concerto in B-flat major, Op. 7 No. 6: III. Air: a tempo ordinario, Organ Concerto in D minor Op. 7 No. 4: IV. Allegro, Organ Concerto in D minor, Op. 7 No. 4: I. Adagio, Organ Concerto in D minor, Op. 7 No. 4: II. Allegro cosi cosi, Organ Concerto in D minor, Op. 7 No. 4: III. Organo ad libitum.: Prelude, Organ Concerto in F major, Op. 4 No. 4: Adagio, Organ Concerto in F major, Op. 4 No. 4: Allegro, Organ Concerto in F major, Op. 4 No. 4: Allegro - Choral Alleluia, Organ Concerto in F major, Op. 4 No. 4: Andante, Organ Concerto in F major, Op. 4 No. 5: Alla siciliana, Organ Concerto in F major, Op. 4 No. 5: Allegro, Organ Concerto in F major, Op. 4 No. 5: Larghetto, Organ Concerto in F major, Op. 4 No. 5: Presto, Organ Concerto in G minor, Op. 4 No. 1: Adagio, Organ Concerto in G minor, Op. 4 No. 1: Allegro, Organ Concerto in G minor, Op. 4 No. 1: Andante, Organ Concerto in G minor, Op. 4 No. 1: Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 3: Adagio, Organ Concerto in G minor, Op. 4 No. 3: Allegro, Organ Concerto in G minor, Op. 7 No. 5: I. Staccato ma non troppo allegro, Organ Concerto in G minor, Op. 7 No. 5: II. Organo ad libitum: Adagio, Organ Concerto in G minor, Op. 7 No. 5: III. Andante larghetto e staccato, Organ Concerto in G minor, Op. 7 No. 5: IV. Organo ad libitum. Adagio, Organ Concerto in G minor, Op. 7 No. 5: V. Menuet, Organ Concerto in G minor, Op. 7 No. 5: VI. Gavotte |
| Bohdan Warchal |
conductor, violin |
Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: I. Moderato, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: II. Andante larghetto e staccato, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: III. Minuet, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: IV. Gavotte: Allegro moderato, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: I. Allegro, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: II. Andante, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: III. Adagio, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: IV. Finale: Allegro, Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Allegro, Concerto for organ No. 1 in B-flat major, Op. 7: V. Organo ad libitum, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Allegro, Concerto for organ No. 1 in G minor, Op. 4: I. Larghetto e staccato, Concerto for organ No. 1 in G minor, Op. 4: II. Allegro, Concerto for organ No. 1 in G minor, Op. 4: III. Adagio, Concerto for organ No. 1 in G minor, Op. 4: IV. Andante, Concerto for organ No. 2 in A major, Op. 7: I. Ouverture, Concerto for organ No. 2 in A major, Op. 7: II. A tempo ordinario, Concerto for organ No. 2 in A major, Op. 7: III. Organo ad libitum, Concerto for organ No. 2 in A major, Op. 7: IV. Allegro, Concerto for organ No. 2 in B-flat major, Op. 4: I. A tempo ordinario e staccato, Concerto for organ No. 2 in B-flat major, Op. 4: II. Allegro, Concerto for organ No. 2 in B-flat major, Op. 4: III. Adagio e staccato, Concerto for organ No. 2 in B-flat major, Op. 4: IV. Allegro ma non troppo, Concerto for organ No. 3 in B-flat major, Op. 7: I. Allegro, Concerto for organ No. 3 in B-flat major, Op. 7: II. Organo ad libitum, Concerto for organ No. 3 in B-flat major, Op. 7: III. Spiritoso, Concerto for organ No. 3 in B-flat major, Op. 7: IV. Menuet, Concerto for organ No. 3 in G minor, Op. 4: I. Adagio, Concerto for organ No. 3 in G minor, Op. 4: II. Allegro, Concerto for organ No. 3 in G minor, Op. 4: III. Adagio, Concerto for organ No. 3 in G minor, Op. 4: IV. Allegro, Concerto for organ No. 4 in F major, Op. 4: I. Allegro, Concerto for organ No. 4 in F major, Op. 4: II. Andante, Concerto for organ No. 4 in F major, Op. 4: III. Adagio, Concerto for organ No. 4 in F major, Op. 4: IV. Allegro, Concerto for organ No. 5 in F major, Op. 4: I. Larghetto, Concerto for organ No. 5 in F major, Op. 4: II. Allegro, Concerto for organ No. 5 in F major, Op. 4: III. Alla Sicilliana, Concerto for organ No. 5 in F major, Op. 4: IV. Presto, Concerto for organ No. 6 in B-flat major, Op. 4: I. Andante - allegro, Concerto for organ No. 6 in B-flat major, Op. 4: II. Larghetto, Concerto for organ No. 6 in B-flat major, Op. 4: III. Allegro moderato, Water Music: Allegro, Water Music: Suite No. 2 in D major, HWV 349: V. Lentement |
| Gioia della Musica Praha |
performing orchestra |
Part I. "And He Shall Purify", Part I. "And Suddenly There Was With The Angel - Glory To God", Part I. "And The Glory Of The Lord", Part I. "Behold, A Virgin Shall Conceive", Part I. "But Who May Abide The Day Of His Coming?", Part I. "Comfort Ye My People", Part I. "Every Valley Shall Be Exalted", Part I. "For Behold, Darkness", Part I. "For Unto Us A Child Is Born", Part I. "He Shall Feed His Flock", Part I. "His Yoke Is Easy, And His Burden Is Light", Part I. "O Thou That Tellest", Part I. "Overture", Part I. "Pastoral Symphony - There Were Shepherds", Part I. "Rejoice Greatly, O Daughter Of Zion!", Part I. "The People That Walked In Darkness", Part I. "Then Shall The Eyes Of The Blind", Part I. "Thus Saith The Lord", Part II. "All they that see Him", Part II. "All we like sheep have gone astray", Part II. "And with His stripes we are healed", Part II. "Behold The Lamb Of God", Part II. "Behold, and see if there be any sorrow", Part II. "Hallelujah", Part II. "He Was Cut Off Out Of The Land - But Thou Dids't Not Leave His Soul", Part II. "He Was Despised And Rejected", Part II. "He that dwelleth in heaven / Thou shalt break them", Part II. "He trusted in God", Part II. "How beautiful are the feet", Part II. "Let us break their bonds asunder", Part II. "Lift Up Your Heads, O Ye Gates", Part II. "Surely He Hath Born Our Griefs", Part II. "The Lord gave the word", Part II. "Their sound is gone out", Part II. "Thou art gone up on high", Part II. "Thy Rebuke Hath Broken His Heart", Part II. "Unto Which Of The Angels - Let All The Angels", Part II. "Why do the nations", Part III. "Amen", Part III. "Behold, I tell you a mystery", Part III. "I Know That My Redeemer Liveth", Part III. "If God Be For Us", Part III. "Since by man came death", Part III. "The Trumpet Shall Sound", Part III. "Then shall be brought to pass . . . O Death, where is thy sting?", Part III. "Worthy is the Lamb that was slain" |
| Slovenský komorný orchester Bohdana Warchala |
performing orchestra |
Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: I. Moderato, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: II. Andante larghetto e staccato, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: III. Minuet, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: IV. Gavotte: Allegro moderato, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: I. Allegro, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: II. Andante, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: III. Adagio, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: IV. Finale: Allegro, Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Allegro, Concerto for organ No. 1 in B-flat major, Op. 7: V. Organo ad libitum, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Allegro, Concerto for organ No. 1 in G minor, Op. 4: I. Larghetto e staccato, Concerto for organ No. 1 in G minor, Op. 4: II. Allegro, Concerto for organ No. 1 in G minor, Op. 4: III. Adagio, Concerto for organ No. 1 in G minor, Op. 4: IV. Andante, Concerto for organ No. 2 in A major, Op. 7: I. Ouverture, Concerto for organ No. 2 in A major, Op. 7: II. A tempo ordinario, Concerto for organ No. 2 in A major, Op. 7: III. Organo ad libitum, Concerto for organ No. 2 in A major, Op. 7: IV. Allegro, Concerto for organ No. 2 in B-flat major, Op. 4: I. A tempo ordinario e staccato, Concerto for organ No. 2 in B-flat major, Op. 4: II. Allegro, Concerto for organ No. 2 in B-flat major, Op. 4: III. Adagio e staccato, Concerto for organ No. 2 in B-flat major, Op. 4: IV. Allegro ma non troppo, Concerto for organ No. 3 in B-flat major, Op. 7: I. Allegro, Concerto for organ No. 3 in B-flat major, Op. 7: II. Organo ad libitum, Concerto for organ No. 3 in B-flat major, Op. 7: III. Spiritoso, Concerto for organ No. 3 in B-flat major, Op. 7: IV. Menuet, Concerto for organ No. 3 in G minor, Op. 4: I. Adagio, Concerto for organ No. 3 in G minor, Op. 4: II. Allegro, Concerto for organ No. 3 in G minor, Op. 4: III. Adagio, Concerto for organ No. 3 in G minor, Op. 4: IV. Allegro, Concerto for organ No. 4 in F major, Op. 4: I. Allegro, Concerto for organ No. 4 in F major, Op. 4: II. Andante, Concerto for organ No. 4 in F major, Op. 4: III. Adagio, Concerto for organ No. 4 in F major, Op. 4: IV. Allegro, Concerto for organ No. 5 in F major, Op. 4: I. Larghetto, Concerto for organ No. 5 in F major, Op. 4: II. Allegro, Concerto for organ No. 5 in F major, Op. 4: III. Alla Sicilliana, Concerto for organ No. 5 in F major, Op. 4: IV. Presto, Concerto for organ No. 6 in B-flat major, Op. 4: I. Andante - allegro, Concerto for organ No. 6 in B-flat major, Op. 4: II. Larghetto, Concerto for organ No. 6 in B-flat major, Op. 4: III. Allegro moderato |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Messiah, HWV 56: All They That See Him (tenor recit.), Messiah, HWV 56: All we like sheep have gone astray (chorus), Messiah, HWV 56: And He Shall Purify, Messiah, HWV 56: And Suddenly There Was With The Angel, Messiah, HWV 56: And The Angel Said Unto Them, Fear Not, Messiah, HWV 56: And The Glory Of The Lord, Messiah, HWV 56: And with his stripes we are healed-Chorus, Messiah, HWV 56: Behold the Lamb of God (Chorus), Messiah, HWV 56: Behold, A Virgin Shall Conceive, Messiah, HWV 56: Behold, And See If There Be Any Sorrow (chorus), Messiah, HWV 56: Behold, I Tell You A Mystery (bass recit.), Messiah, HWV 56: But Thou Didst Not Leave His Soul In Hell (tenor), Messiah, HWV 56: But Who May Abide, Messiah, HWV 56: Comfort Ye / Ev'ry Valley / And the Glory of the Lord, Messiah, HWV 56: Comfort Ye, My People, Messiah, HWV 56: Ev'ry Valley Shall Be Exalted, Messiah, HWV 56: For Behold, Darkness Shall Cover The Earth, Messiah, HWV 56: Glory To God, Messiah, HWV 56: Hallelujah Chorus, Messiah, HWV 56: He Shall Feed His Flock, Messiah, HWV 56: He That Dwelleth In Heaven (tenor recit.), Messiah, HWV 56: He Was Cut Off Out Of The Land Of The Living (tenor recit.), Messiah, HWV 56: He Was Despised (alto), Messiah, HWV 56: He trusted in God-Chorus, Messiah, HWV 56: His Yoke Is Easy, Messiah, HWV 56: How Beautiful Are The Feet (soprano), Messiah, HWV 56: I Know That My Redeemer Liveth (soprano), Messiah, HWV 56: Let us break their bonds asunder-Chorus, Messiah, HWV 56: Lift up your heads, O ye gates (chorus), Messiah, HWV 56: O Thou That Tellest Good Tidings To Zion, Messiah, HWV 56: Pifa, Messiah, HWV 56: Rejoice Greatly, Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: Sinfony, Messiah, HWV 56: Surely he hath borne our griefs (chorus), Messiah, HWV 56: The Lord gave the word (chorus), Messiah, HWV 56: The People That Walked In Darkness, Messiah, HWV 56: Their Sound Is Gone Out Into All Lands (chorus), Messiah, HWV 56: Then Shall The Eyes Of The Blind, Messiah, HWV 56: Then Shall the Eyes of the Blind / He Shall Feed his Flock, Messiah, HWV 56: There Were Shepherds, Messiah, HWV 56: Thou Shalt Break Them With A Rod Of Iron (tenor), Messiah, HWV 56: Thus Saith The Lord, Messiah, HWV 56: Thy Rebuke Hath Broken His Heart (tenor recit.), Messiah, HWV 56: Why Do Nations So Furiously Rage Together (bass) |
| Sir Malcolm Sargent |
conductor |
Messiah, HWV 56: All They That See Him (tenor recit.), Messiah, HWV 56: All we like sheep have gone astray (chorus), Messiah, HWV 56: And He Shall Purify, Messiah, HWV 56: And Suddenly There Was With The Angel, Messiah, HWV 56: And The Angel Said Unto Them, Fear Not, Messiah, HWV 56: And The Glory Of The Lord, Messiah, HWV 56: And with his stripes we are healed-Chorus, Messiah, HWV 56: Behold the Lamb of God (Chorus), Messiah, HWV 56: Behold, A Virgin Shall Conceive, Messiah, HWV 56: Behold, And See If There Be Any Sorrow (chorus), Messiah, HWV 56: Behold, I Tell You A Mystery (bass recit.), Messiah, HWV 56: But Thou Didst Not Leave His Soul In Hell (tenor), Messiah, HWV 56: But Who May Abide, Messiah, HWV 56: Comfort Ye / Ev'ry Valley / And the Glory of the Lord, Messiah, HWV 56: Comfort Ye, My People, Messiah, HWV 56: Ev'ry Valley Shall Be Exalted, Messiah, HWV 56: For Behold, Darkness Shall Cover The Earth, Messiah, HWV 56: Glory To God, Messiah, HWV 56: Hallelujah Chorus, Messiah, HWV 56: He Shall Feed His Flock, Messiah, HWV 56: He That Dwelleth In Heaven (tenor recit.), Messiah, HWV 56: He Was Cut Off Out Of The Land Of The Living (tenor recit.), Messiah, HWV 56: He Was Despised (alto), Messiah, HWV 56: He trusted in God-Chorus, Messiah, HWV 56: His Yoke Is Easy, Messiah, HWV 56: How Beautiful Are The Feet (soprano), Messiah, HWV 56: I Know That My Redeemer Liveth (soprano), Messiah, HWV 56: Let us break their bonds asunder-Chorus, Messiah, HWV 56: Lift up your heads, O ye gates (chorus), Messiah, HWV 56: O Thou That Tellest Good Tidings To Zion, Messiah, HWV 56: Pifa, Messiah, HWV 56: Rejoice Greatly, Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: Sinfony, Messiah, HWV 56: Surely he hath borne our griefs (chorus), Messiah, HWV 56: The Lord gave the word (chorus), Messiah, HWV 56: The People That Walked In Darkness, Messiah, HWV 56: Their Sound Is Gone Out Into All Lands (chorus), Messiah, HWV 56: Then Shall The Eyes Of The Blind, Messiah, HWV 56: Then Shall the Eyes of the Blind / He Shall Feed his Flock, Messiah, HWV 56: There Were Shepherds, Messiah, HWV 56: Thou Shalt Break Them With A Rod Of Iron (tenor), Messiah, HWV 56: Thus Saith The Lord, Messiah, HWV 56: Thy Rebuke Hath Broken His Heart (tenor recit.), Messiah, HWV 56: Why Do Nations So Furiously Rage Together (bass) |
| Ivan Sokol |
organ, pipe organ |
Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: I. Moderato, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: II. Andante larghetto e staccato, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: III. Minuet, Concerto No. 11 in G Minor for Organ and Orchestra, HWV 310, Op. 7: IV. Gavotte: Allegro moderato, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: I. Allegro, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: II. Andante, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: III. Adagio, Concerto No. 4 in F Major for Organ and Orchestra, HWV 292, Op. 4: IV. Finale: Allegro, Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Allegro, Concerto for organ No. 1 in B-flat major, Op. 7: V. Organo ad libitum, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Allegro, Concerto for organ No. 1 in G minor, Op. 4: I. Larghetto e staccato, Concerto for organ No. 1 in G minor, Op. 4: II. Allegro, Concerto for organ No. 1 in G minor, Op. 4: III. Adagio, Concerto for organ No. 1 in G minor, Op. 4: IV. Andante, Concerto for organ No. 2 in A major, Op. 7: I. Ouverture, Concerto for organ No. 2 in A major, Op. 7: II. A tempo ordinario, Concerto for organ No. 2 in A major, Op. 7: III. Organo ad libitum, Concerto for organ No. 2 in A major, Op. 7: IV. Allegro, Concerto for organ No. 2 in B-flat major, Op. 4: I. A tempo ordinario e staccato, Concerto for organ No. 2 in B-flat major, Op. 4: II. Allegro, Concerto for organ No. 2 in B-flat major, Op. 4: III. Adagio e staccato, Concerto for organ No. 2 in B-flat major, Op. 4: IV. Allegro ma non troppo, Concerto for organ No. 3 in B-flat major, Op. 7: I. Allegro, Concerto for organ No. 3 in B-flat major, Op. 7: II. Organo ad libitum, Concerto for organ No. 3 in B-flat major, Op. 7: III. Spiritoso, Concerto for organ No. 3 in B-flat major, Op. 7: IV. Menuet, Concerto for organ No. 3 in G minor, Op. 4: I. Adagio, Concerto for organ No. 3 in G minor, Op. 4: II. Allegro, Concerto for organ No. 3 in G minor, Op. 4: III. Adagio, Concerto for organ No. 3 in G minor, Op. 4: IV. Allegro, Concerto for organ No. 4 in F major, Op. 4: I. Allegro, Concerto for organ No. 4 in F major, Op. 4: II. Andante, Concerto for organ No. 4 in F major, Op. 4: III. Adagio, Concerto for organ No. 4 in F major, Op. 4: IV. Allegro, Concerto for organ No. 5 in F major, Op. 4: I. Larghetto, Concerto for organ No. 5 in F major, Op. 4: II. Allegro, Concerto for organ No. 5 in F major, Op. 4: III. Alla Sicilliana, Concerto for organ No. 5 in F major, Op. 4: IV. Presto, Concerto for organ No. 6 in B-flat major, Op. 4: I. Andante - allegro, Concerto for organ No. 6 in B-flat major, Op. 4: II. Larghetto, Concerto for organ No. 6 in B-flat major, Op. 4: III. Allegro moderato |
| L'ecole d'orphee |
performing orchestra |
Hallenser sonata No. 1 for flute in A minor: Adagio - allegro - adagio - allegro, Hallenser sonata No. 2 for flute in E minor: Adagio - allegro - grave - minuet, Hallenser sonata No. 3 for flute in B minor: Adagio - allegro - largo - allegro, Movement for violin in A minor, Movement for violin in C minor: (Allegro), Sinfonia for 2 violins and basso continuo in B-flat major: Allegro - adagio - allegro, Sonata for flute No. 1a in E minor, Op. 1: Larghetto (adagio) - andante - largo - allegro - presto, Sonata for flute No. 1b in E minor: Grave - allegro - adagio - allegro, Sonata for flute No. 5 in G major, Op. 1: Adagio - allegro - adagio - boree - menuetto, Sonata for flute No. 9 in B minor, Op. 1: Largo - vivace - presto - adagio - alla breve - andante - a tempo di minuet, Sonata for flute in D major, HWV 378: Adagio - allegro - adagio - allegro, Sonata for oboe in B-flat major: Andante - grave - allegro, Sonata for oboe in C minor: Largo - allegro - bourrée angloise - allegro, Sonata for oboe in F major: Adagio - allegro - adagio - bourrée angloise - menuetto, Sonata for recorder in A minor: Larghetto - allegro - adagio - allegro, Sonata for recorder in B-flat major: Allegro - adagio - allegro, Sonata for recorder in C major: Larghetto - allegro - larghetto - a tempo di gavotta - allegro, Sonata for recorder in D minor: Largo - vivace - presto - adagio - alla breve - andante - a tempo di minuet, Sonata for recorder in F major: Larghetto - allegro - alla siciliana - allegro, Sonata for recorder in G major: Allegro - adagio - allegro, Sonata for recorder in G minor: Larghetto - andante - adagio - presto, Sonata for violin in A major: Andante - allegro - adagio - allegro, Sonata for violin in D major: Affettuoso - allegro - larghetto - allegro, Sonata for violin in D minor: Grave - allegro - adagio - allegro, Sonata for violin in G minor: Larghetto - allegro - adagio - allegro, Trio sonata No. 1 in A major, Op. 5: Andante - allegro - larghetto - allegro - gavotte (allegro), Trio sonata No. 1 in B minor, Op. 2, HWV 386b: Andante - Allegro - Largo - Allegro, Trio sonata No. 2 for 2 violins & basso continuo in G minor: Andante - allegro - largo - allegro, Trio sonata No. 2 in D major, Op 5: Adagio - allegro - musette (andante, allegro, andante) - marche - gavotte (allegro), Trio sonata No. 3 for 2 violins & basso continuo in B-flat major: Andante - allegro - larghetto - allegro, Trio sonata No. 3 in E minor, Op. 5: Andante larghetto - allegro - sarabande (largo assai) - allemande (andante allegro) - rondeau - gavotte (allegro), Trio sonata No. 4 for recorder, violin, & basso continuo in F major: Larghetto - allegro - adagio - allegro (adagio) - allegro, Trio sonata No. 4 in G major, Op. 5: Allegro - A tempo ordinario (allegro non presto) - passacaille - gigue (presto) - minuetto (allegro moderato), Trio sonata No. 5 for 2 violins & basso continuo in G minor: Larghetto - allegro - adagio - allegro, Trio sonata No. 5 in G minor, Op. 5: Largo - come alla breve - larghetto - a tempo giusto - air (andante) - bouree, Trio sonata No. 6 for 2 violins & basso continuo in G minor: Andante - allegro - arioso - allegro, Trio sonata No. 6 in F major, Op. 5: Largo - allegro, adagio - adagio - allegro - andante variatio, Trio sonata No. 7 in B-flat major, Op. 5: Larghetto - allegro ma non presto - adagio, allegro - gavotte (allegro) - menuet (andante allegro), Trio sonata for 2 violins and basso continuo No. 1a in C minor, Op. 2: Andante - allegro - andante - allegro, Trio sonata for 2 violins and basso continuo in C major: Allegro - andante larghetto - allegro - allegro, Trio sonata for 2 violins and basso continuo in E major: Adagio - allegro - adagio - allegro, Trio sonata for 2 violins and basso continuo in F major: Andante - allegro - adagio - allegro, Trio sonata for 2 violins and basso continuo in G minor: Andante - allegro - largo - allegro, Trio sonata for recorder in F major: Allegro - grave - allegro |
| Paul Nicholson |
organ |
Organ Concerto in A major, Op. 7 No. 2: I. Ouverture, Organ Concerto in A major, Op. 7 No. 2: II. A tempo ordinario, Organ Concerto in A major, Op. 7 No. 2: III. Organo ad libitum. Larghetto, Organ Concerto in A major, Op. 7 No. 2: IV. Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: A tempo ordinario e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Adagio e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro ma non presto, Organ Concerto in B-flat major, Op. 7 No. 1: I. Andante, Organ Concerto in B-flat major, Op. 7 No. 1: II. Adagio, Organ Concerto in B-flat major, Op. 7 No. 1: IV. Allegro, Organ Concerto in B-flat major, Op. 7 No. 1: V. Bourrée: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Menuet I/II alternativo, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Adagio, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Fugue, Organ Concerto in B-flat major, Op. 7 No. 3: Spiritoso, Organ Concerto in B-flat major, Op. 7 No. 6: I. Pomposa, Organ Concerto in B-flat major, Op. 7 No. 6: II. Organo ad libitum: Allemande, Organ Concerto in B-flat major, Op. 7 No. 6: III. Air: a tempo ordinario, Organ Concerto in D minor Op. 7 No. 4: IV. Allegro, Organ Concerto in D minor, Op. 7 No. 4: I. Adagio, Organ Concerto in D minor, Op. 7 No. 4: II. Allegro cosi cosi, Organ Concerto in D minor, Op. 7 No. 4: III. Organo ad libitum.: Prelude, Organ Concerto in F major, Op. 4 No. 4: Adagio, Organ Concerto in F major, Op. 4 No. 4: Allegro, Organ Concerto in F major, Op. 4 No. 4: Allegro - Choral Alleluia, Organ Concerto in F major, Op. 4 No. 4: Andante, Organ Concerto in F major, Op. 4 No. 5: Alla siciliana, Organ Concerto in F major, Op. 4 No. 5: Allegro, Organ Concerto in F major, Op. 4 No. 5: Larghetto, Organ Concerto in F major, Op. 4 No. 5: Presto, Organ Concerto in G minor, Op. 4 No. 1: Adagio, Organ Concerto in G minor, Op. 4 No. 1: Allegro, Organ Concerto in G minor, Op. 4 No. 1: Andante, Organ Concerto in G minor, Op. 4 No. 1: Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 3: Adagio, Organ Concerto in G minor, Op. 4 No. 3: Allegro, Organ Concerto in G minor, Op. 7 No. 5: I. Staccato ma non troppo allegro, Organ Concerto in G minor, Op. 7 No. 5: II. Organo ad libitum: Adagio, Organ Concerto in G minor, Op. 7 No. 5: III. Andante larghetto e staccato, Organ Concerto in G minor, Op. 7 No. 5: IV. Organo ad libitum. Adagio, Organ Concerto in G minor, Op. 7 No. 5: V. Menuet, Organ Concerto in G minor, Op. 7 No. 5: VI. Gavotte |
| Stuttgarter Kammerorchester |
performing orchestra |
Allegro, Concerto No. 1 in G minor, HWV 289: I. Larghetto e staccato, Concerto No. 1 in G minor, HWV 289: II. Allegro, Concerto No. 1 in G minor, HWV 289: III. Adagio, Concerto No. 1 in G minor, HWV 289: IV. Andante, Concerto No. 2 in B-flat major, HWV 290: I. A tempo ordinario e staccato, Concerto No. 2 in B-flat major, HWV 290: II. Allegro, Concerto No. 2 in B-flat major, HWV 290: III. Adagio e staccato, Concerto No. 2 in B-flat major, HWV 290: IV. Allegro ma non presto, Concerto No. 3 in G minor, HWV 291: I. Adagio, Concerto No. 3 in G minor, HWV 291: II. Allegro, Concerto No. 3 in G minor, HWV 291: III. Adagio, Concerto No. 3 in G minor, HWV 291: IV. Allegro, Concerto No. 4 in F major, HWV 292: I. Allegro, Concerto No. 4 in F major, HWV 292: II. Andante, Concerto No. 4 in F major, HWV 292: III. Adagio, Concerto No. 4 in F major, HWV 292: IV. Allegro, Concerto grosso in G minor, op. 6, no. 6: Musette, Feuerwerksmusik: I. Ouvertüre, Feuerwerksmusik: II. Bourrée, Feuerwerksmusik: III. Le Paix, Feuerwerksmusik: V. Menuet I - Menuet II, Larghetto, Minuet, Organ Concerto No.13 'The Cuckoo and the Nightningale', Suite No.3 (from the Water Music), Wassermusik Suite No. 1 F-Dur: I. Ouvertüre - Largo - Allegro, Wassermusik Suite No. 1 F-Dur: II. Adagio e staccato, Wassermusik Suite No. 1 F-Dur: III. Allegro - Andante, Wassermusik Suite No. 1 F-Dur: IV. Presto, Wassermusik Suite No. 1 F-Dur: V. Air, Wassermusik Suite No. 1 F-Dur: VI. Minuet, Wassermusik Suite No. 1 F-Dur: VII. Bourrée. Hornpipe, Wassermusik Suite No. 1 F-Dur: VIII. Allegro, Water Music, Suite No.2 in D major: Allegro, Water Music, Suite No.2 in D major: Bourée, Water Music, Suite No.2 in D major: Hornpipe, Water Music, Suite No.2 in D major: Lentement, Water Music, Suite No.2 in D major: Minuet, Water Music, Suite No.3 in G major: Menuet & Trio, Water Music, Suite No.3 in G major: Minuet I - Minuet II - Country Dance, Water Music, Suite No.3 in G major: Rigaudon I and II |
| Trevor Pinnock |
conductor, harpsichord, organ, pipe organ |
Alceste, HWV 45: Maestoso, Belshazzar, HWV 61: Maestoso - Allegro, Concerto Grosso Op. 6 Concerto No. 7 HWV 325: Andante B-dur, Concerto Grosso Op. 6 Concerto No. 7 HWV 325: Largo B dur, Concerto No.1 for Oboe and String Orchestra in B flat major (No.1), HWV 302a: Adagio - Allegro, Concerto No.12 in B minor, Op.6/12, HWV 330: Aria. Larghetto e piano, Concerto a due cori in B-flat major, HWV 332: 1. Ouverture, Concerto a due cori in B-flat major, HWV 332: 2. Allegro ma non troppo, Concerto a due cori in B-flat major, HWV 332: 3. Allegro, Concerto a due cori in B-flat major, HWV 332: 4. Largo, Concerto a due cori in B-flat major, HWV 332: 5. A tempo ordinario, Concerto a due cori in B-flat major, HWV 332: 6. Alla breve moderato, Concerto a due cori in B-flat major, HWV 332: 7. Minuet, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 1. Andante allegro, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 2. Larghetto - Adagio, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 3. Allegro moderato, Dettingen Te Deum: And We Worship Thy name, Dettingen Te Deum: Vouchsafe, O Lord, Il Pasto Fido, HWV 8a - Allegro, Il Pastor Fido, HWV 8a - (Menuet), Il Pastor Fido, HWV 8a - (Without tempo indication) - Lentement, Il Pastor Fido, HWV 8a - Largo, Let Thy Hand Be Strengthened: HWV 259, My Heart is Inditing: HWV 261, Organ Concerto in F major, Orgelkonzert "Der Kuckuk und die Nachtigall": III. Allegro, Samson, HWV 57: I. Andante - Adagio, Samson, HWV 57: II. Allegro, Samson, HWV 57: III. Menuetto, Saul, HWV 53: I. Allegro, Saul, HWV 53: II. Larghetto - Adagio, Saul, HWV 53: III. Allegro, Saul, HWV 53: IV. Andante Larghetto, Suite No. 5 'Harmonious Blacksmith' Air with Variations, Suite No. 5 'Harmonious Blacksmith' Allemande, Suite No. 5 'Harmonious Blacksmith' Courante, Suite No. 5 'Harmonious Blacksmith' Prelude, The King Shall Rejoice: HWV 260, Water Music No. 11: Alla Hornpipe |
| Anthony Newman |
harpsichord |
Suite (Sonata) in F major: I. Adagio, Suite (Sonata) in F major: II. Allegro, Suite (Sonata) in F major: III. Adagio, Suite (Sonata) in F major: IV. Allegro, Suite in A Major: IV. Gigue, Suite in A major: I. Prelude, Suite in A major: II. Allemande, Suite in A major: III. Courante, Suite in D minor: I. Prelude, Suite in D minor: II. Allegro, Suite in D minor: III. Allemande, Suite in D minor: IV. Courante, Suite in D minor: V. Air and variations, Suite in D minor: VI. Presto, Suite in E major: I. Prelude, Suite in E major: II. Allemande, Suite in E major: III. Courante, Suite in E major: IV. Air and 5 Variations ("The Harmonious Blacksmith"), Suite in E minor: I. Allegro, Suite in E minor: II. Allemande, Suite in E minor: III. Courante, Suite in E minor: IV. Sarabande, Suite in E minor: V. Gigue, Suite in F minor: I. Prelude, Suite in F minor: II. Fugue, Suite in F minor: III. Allemande, Suite in F minor: IV. Courante, Suite in F minor: V. Gigue, Suite in F-sharp minor: I. Prelude, Suite in F-sharp minor: II. Largo, Suite in F-sharp minor: III. Allegro, Suite in F-sharp minor: IV. Gigue, Suite in G minor: I. Overture, Suite in G minor: II. Andante, Suite in G minor: III. Allegro, Suite in G minor: IV. Sarabande, Suite in G minor: V. Gigue, Suite in G minor: VI. Chaconne (Passacaille) |
| Leopold Stokowski |
conductor |
Amen, And the Glory of the Lord, Every Valley Shall Be Exalted, Hallelujah!, He Was Cut Off Out of the Land of the Living / But Thou Didst Not Leave His Sould in Hell, I Know That My Redeemer Liveth, Music For The Royal Fireworks: II. Bourrée, Music For The Royal Fireworks: III. La paix - Largo alla siciliana, Music For The Royal Fireworks: IV. La réjouissance - Allegro, Music For The Royal Fireworks: V. Menuet I and II - Andante, Music for the Royal Fireworks: I. Overture, Music for the Royal Fireworks: II. Bourrée, Music for the Royal Fireworks: III. La paix: Largo alla sicilliana, Music for the Royal Fireworks: IV. La réjouissance: Allegro, Music for the Royal Fireworks: V. Menuet I and II: Andante, Overture, Pastoral Symphon, Since by Man Came Death, Suite: Water Music/Wassermusik: I. Menuet, Suite: Water Music/Wassermusik: II. Andante, Suite: Water Music/Wassermusik: III. Allegro, Suite: Water Music/Wassermusik: IV. Adagio e staccato, Suite: Water Music/Wassermusik: V. Bourrée, Suite: Water Music/Wassermusik: VI. Hornpipe, Suite: Water Music/Wassermusik: VII. Air, Suite: Water Music/Wassermusik: VIII. Alla Hornpipe, Then Shall the Eyes of the Blind Be Opened / He Shall Feed His Flock / Come Unto Him, Thy Rebuke Hath Broken His Heart / Behold and See If There Be Any Sorrow, Water Music: I. Menuet, Water Music: II. Andante, Water Music: III. Allegro, Water Music: IV. Adagio e staccato, Water Music: V. Bourée, Water Music: VI. Hornpipe, Water Music: VII. Air, Water Music: VIII. Alla Hornpipe, Why Do the Nations |
| The King's Consort |
performing orchestra, vocal |
Alcina, HWV 34: "Verdi prati" (Ruggiero), Amadigi di Gaula, HWV 11: "Pena tiranna" (Dardano), Ariodante, HWV 33: "E vivo ancora?" / "Scherza infida" (Ariodante), Giulio Cesare in Egitto, HWV 17: "Al lampo dell'armi" (Cesare), Giulio Cesare in Egitto, HWV 17: "Va tacito e nascosto" (Cesare), Giustino, HWV 37: "Se parla nel mio cor" (Giustino), Giustino, HWV 37: "Zeffiretto, che scorre nel prato" (Giustino), Let the Bright Seraphim, Musick for the Royal Fireworks: Bourrée, Musick for the Royal Fireworks: La Paix, Musick for the Royal Fireworks: La Réjouissance, Musick for the Royal Fireworks: Menuet I and II, Musick for the Royal Fireworks: Ouverture, Ottone, re di Germania, HWV 15: "Io son tradito" / "Tanti affanni" (Ottone), Rinaldo, HWV 7: "Cara sposa" (Rinaldo), Rinaldo, HWV 7: "Or la tromba" (Rinaldo) / Battaglia, Rinaldo, HWV 7: "Venti turbini" (Rinaldo), Serse, HWV 40: Overture, Water Music Suite in D/G major, HWV 349/350: Alla Hornpipe, Water Music Suite in D/G major, HWV 349/350: Bourrée, Water Music Suite in D/G major, HWV 349/350: Lentement, Water Music Suite in D/G major, HWV 349/350: Menuet [I], Water Music Suite in D/G major, HWV 349/350: Rigaudon, Water Music Suite in D/G major, HWV 349/350: [Country Dance I & II], Water Music Suite in D/G major, HWV 349/350: [Menuet II], Water Music Suite in D/G major, HWV 349/350: [Menuet], Water Music Suite in D/G major, HWV 349/350: [Ouverture], Water Music Suite in D/G major, HWV 349/350: [Trumpet Menuet], Water Music Suite in F major, HWV 348: Adagio e staccato, Water Music Suite in F major, HWV 348: Air, Water Music Suite in F major, HWV 348: Bourrée, Water Music Suite in F major, HWV 348: Hornpipe, Water Music Suite in F major, HWV 348: Menuet, Water Music Suite in F major, HWV 348: Ouverture. Largo – Allegro, Water Music Suite in F major, HWV 348: [Allegro] – Andante – [Allegro], Water Music Suite in F major, HWV 348: [Andante], Water Music Suite in F major, HWV 348: [Menuet] |
| Tafelmusik |
performing orchestra |
"Entrance of the Queen of Sheba" from "Solomon", Arrival of the Queen of Sheba (From Solomon), Selections from Water Music: Overture and Second Movement / Air No. 6 - Bourree No. 8 - Hornpipe No. 9, Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro, Suite from "Il pastor fido", HWV 8c: 10. Gavotte, Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto, Suite from "Il pastor fido", HWV 8c: 12. Chacconne, Suite from "Il pastor fido", HWV 8c: 2. (Ballo), Suite from "Il pastor fido", HWV 8c: 3. (Tambourin), Suite from "Il pastor fido", HWV 8c: 4. Musette, Suite from "Il pastor fido", HWV 8c: 5. Menuet, Suite from "Il pastor fido", HWV 8c: 8. (Ballo), Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai, Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo, Wassermusik: Alla Hornpipe, Wassermusik: Allegro, Wassermusik: Rigaudon I & II, Wassermusik: Sarabande, Water Music, Suite No. 1 in F major, HWV 348: 10. (Andante), Water Music, Suite No. 1 in F major, HWV 348: 3. (Allegro) / 4. Andante / 3. (Allegro) da capo, Water Music, Suite No. 1 in F major, HWV 348: 5. (Minuet I/II/I), Water Music, Suite No. 1 in F major, HWV 348: 6. Air, Water Music, Suite No. 1 in F major, HWV 348: 7. Minuet, Water Music, Suite No. 1 in F major, HWV 348: 8. Bourrée, Water Music, Suite No. 1 in F major, HWV 348: 9. Hornpipe, Water Music, Suite No. 1 in F major, HWV 348: I. Overture. Largo - Allegro, Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato, Water Music, Suite No. 2 in D major, HWV 349: 11. (Allegro), Water Music, Suite No. 2 in D major, HWV 349: 12. Alla hornpipe, Water Music, Suite No. 2 in D major, HWV 349: 13. Minuet, Water Music, Suite No. 2 in D major, HWV 349: 14. Lentement, Water Music, Suite No. 2 in D major, HWV 349: 15. Bourrée, Water Music, Suite No. 3 in G major, HWV 350: 16: (Sarabande), Water Music, Suite No. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon I da capo, Water Music, Suite No. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet), Water Music, Suite No. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo |
| Raymond Leppard |
conductor, harpsichord |
"Eternal Source of Light Divine" from Birthday Ode For Queen Anne, "Let the Bright Seraphim" from Samson, Concerto grosso in D minor, Op. 3, No. 5: I. (without Tempo Indication), Concerto grosso in D minor, Op. 3, No. 5: II. Fuga (Allegro), Concerto grosso in D minor, Op. 3, No. 5: III. Adagio, Concerto grosso in D minor, Op. 3, No. 5: IV. Allegro ma non troppo, Concerto grosso in D minor, Op. 3, No. 5: V. Allegro, Concerto grosso in D, Op. 3, No. 6: I. Vivace, Concerto grosso in D, Op. 3, No. 6: II. Allegro, Concerto grosso in b flat, Op. 3, No. 1: I. Allegro, Concerto grosso in b flat, Op. 3, No. 1: II. Largo, Concerto grosso in b flat, Op. 3, No. 1: III. Allegro, Concerto grosso in b flat, Op. 3, No. 1: IV. Allegro, Concerto grosso in b flat, Op. 3, No. 2: I. Vivace, Concerto grosso in b flat, Op. 3, No. 2: II. Largo, Concerto grosso in b flat, Op. 3, No. 2: III. Allegro, Concerto grosso in b flat, Op. 3, No. 2: IV. [Allegro], Concerto grosso in f, Op. 3, No. 2bis: Largo, Concerto grosso in f, Op. 3, No. 4: II. Andante, Concerto grosso in f, Op. 3, No. 4: III. Allegro, Concerto grosso in f, Op. 3, No. 4: IV. Minuetto, Concerto grosso in f, Op. 3, No. 4: Ia. Andante, Concerto grosso in f, Op. 3, No. 4: Ib. Allegro-lentement, Concerto grosso in f, Op. 3, No. 4bis: I. Largo, Concerto grosso in f, Op. 3, No. 4bis: II. Allegro, Concerto grosso in f, Op. 3, No. 4bis: III. Largo, Concerto grosso in f, Op. 3, No. 4bis: IV. Allegro, Concerto grosso in g, Op. 3, No. 3: I. Largo e staccato, Concerto grosso in g, Op. 3, No. 3: II. Allegro, Concerto grosso in g, Op. 3, No. 3: III. Adagio, Concerto grosso in g, Op. 3, No. 3: IV. Allegro, Hallelujah Chorus From Messiah, Solomon, HWV 67: The Arrival of the Queen of Sheba (English Chamber Orchestra feat. conductor: Raymond Leppard), Trio Sonata in G minor, Op. 2 No. 8: I. Andante, Water Music Suite No.1 in F major, HWV 348: Air |
| The English Concert |
performer, performing orchestra, harpsichord |
Alceste, HWV 45: Maestoso, Belshazzar, HWV 61: Maestoso - Allegro, Concerto Grosso Op. 6 Concerto No. 7 HWV 325: Andante B-dur, Concerto Grosso Op. 6 Concerto No. 7 HWV 325: Largo B dur, Concerto No.1 for Oboe and String Orchestra in B flat major (No.1), HWV 302a: Adagio - Allegro, Concerto No.12 in B minor, Op.6/12, HWV 330: Aria. Larghetto e piano, Concerto a due cori in B-flat major, HWV 332: 1. Ouverture, Concerto a due cori in B-flat major, HWV 332: 2. Allegro ma non troppo, Concerto a due cori in B-flat major, HWV 332: 3. Allegro, Concerto a due cori in B-flat major, HWV 332: 4. Largo, Concerto a due cori in B-flat major, HWV 332: 5. A tempo ordinario, Concerto a due cori in B-flat major, HWV 332: 6. Alla breve moderato, Concerto a due cori in B-flat major, HWV 332: 7. Minuet, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 1. Andante allegro, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 2. Larghetto - Adagio, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 3. Allegro moderato, Dettingen Te Deum: And We Worship Thy name, Dettingen Te Deum: Vouchsafe, O Lord, Il Pasto Fido, HWV 8a - Allegro, Il Pastor Fido, HWV 8a - (Menuet), Il Pastor Fido, HWV 8a - (Without tempo indication) - Lentement, Il Pastor Fido, HWV 8a - Largo, Let Thy Hand Be Strengthened: HWV 259, My Heart is Inditing: HWV 261, Organ Concerto in F major, Orgelkonzert "Der Kuckuk und die Nachtigall": III. Allegro, Samson, HWV 57: I. Andante - Adagio, Samson, HWV 57: II. Allegro, Samson, HWV 57: III. Menuetto, Saul, HWV 53: I. Allegro, Saul, HWV 53: II. Larghetto - Adagio, Saul, HWV 53: III. Allegro, Saul, HWV 53: IV. Andante Larghetto, The King Shall Rejoice: HWV 260, Water Music No. 11: Alla Hornpipe |
| Leslie Pearson |
organ |
Concerto a due cori in B-flat major, HWV 332: I. Overture: Grave / Allegro ma non troppo, Concerto a due cori in B-flat major, HWV 332: II. Allegro, Concerto a due cori in B-flat major, HWV 332: III. Largo, Concerto a due cori in B-flat major, HWV 332: IV. A tempo ordinario / Alla breve (Moderato), Concerto a due cori in B-flat major, HWV 332: V. Menuet, Concerto grosso in D minor, Op. 3, No. 5: I. (without Tempo Indication), Concerto grosso in D minor, Op. 3, No. 5: II. Fuga (Allegro), Concerto grosso in D minor, Op. 3, No. 5: III. Adagio, Concerto grosso in D minor, Op. 3, No. 5: IV. Allegro ma non troppo, Concerto grosso in D minor, Op. 3, No. 5: V. Allegro, Concerto grosso in D, Op. 3, No. 6: I. Vivace, Concerto grosso in D, Op. 3, No. 6: II. Allegro, Concerto grosso in b flat, Op. 3, No. 1: I. Allegro, Concerto grosso in b flat, Op. 3, No. 1: II. Largo, Concerto grosso in b flat, Op. 3, No. 1: III. Allegro, Concerto grosso in b flat, Op. 3, No. 1: IV. Allegro, Concerto grosso in b flat, Op. 3, No. 2: I. Vivace, Concerto grosso in b flat, Op. 3, No. 2: II. Largo, Concerto grosso in b flat, Op. 3, No. 2: III. Allegro, Concerto grosso in b flat, Op. 3, No. 2: IV. [Allegro], Concerto grosso in f, Op. 3, No. 2bis: Largo, Concerto grosso in f, Op. 3, No. 4: II. Andante, Concerto grosso in f, Op. 3, No. 4: III. Allegro, Concerto grosso in f, Op. 3, No. 4: IV. Minuetto, Concerto grosso in f, Op. 3, No. 4: Ia. Andante, Concerto grosso in f, Op. 3, No. 4: Ib. Allegro-lentement, Concerto grosso in f, Op. 3, No. 4bis: I. Largo, Concerto grosso in f, Op. 3, No. 4bis: II. Allegro, Concerto grosso in f, Op. 3, No. 4bis: III. Largo, Concerto grosso in f, Op. 3, No. 4bis: IV. Allegro, Concerto grosso in g, Op. 3, No. 3: I. Largo e staccato, Concerto grosso in g, Op. 3, No. 3: II. Allegro, Concerto grosso in g, Op. 3, No. 3: III. Adagio, Concerto grosso in g, Op. 3, No. 3: IV. Allegro |
| Stanley Goodall (engineer) |
engineer |
Allegro, Feuerwerksmusik: I. Ouvertüre, Feuerwerksmusik: II. Bourrée, Feuerwerksmusik: III. Le Paix, Feuerwerksmusik: V. Menuet I - Menuet II, Larghetto, Messiah, Part 1: "Behold, a virgin shall conceive", Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 1: And suddenly there was with the angel, Messiah, Part 1: Comfort Ye, Messiah, Part 1: Ev'ry Valley, Messiah, Part 2: "He was despised", Messiah, Part 3: "The trumpet shall sound", Messiah, Part 3: "Worthy is the Lamb...Blessing and honour", Messiah, Part 3: Amen, Minuet, Organ Concerto No.13 'The Cuckoo and the Nightningale', Suite No.3 (from the Water Music), Wassermusik Suite No. 1 F-Dur: I. Ouvertüre - Largo - Allegro, Wassermusik Suite No. 1 F-Dur: II. Adagio e staccato, Wassermusik Suite No. 1 F-Dur: III. Allegro - Andante, Wassermusik Suite No. 1 F-Dur: IV. Presto, Wassermusik Suite No. 1 F-Dur: V. Air, Wassermusik Suite No. 1 F-Dur: VI. Minuet, Wassermusik Suite No. 1 F-Dur: VII. Bourrée. Hornpipe, Wassermusik Suite No. 1 F-Dur: VIII. Allegro, Water Music, Suite No.2 in D major: Allegro, Water Music, Suite No.2 in D major: Bourée, Water Music, Suite No.2 in D major: Hornpipe, Water Music, Suite No.2 in D major: Lentement, Water Music, Suite No.2 in D major: Minuet, Water Music, Suite No.3 in G major: Menuet & Trio, Water Music, Suite No.3 in G major: Minuet I - Minuet II - Country Dance, Water Music, Suite No.3 in G major: Rigaudon I and II |
| Jeanne Lamon |
conductor |
Arrival of the Queen of Sheba (From Solomon), Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro, Suite from "Il pastor fido", HWV 8c: 10. Gavotte, Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto, Suite from "Il pastor fido", HWV 8c: 12. Chacconne, Suite from "Il pastor fido", HWV 8c: 2. (Ballo), Suite from "Il pastor fido", HWV 8c: 3. (Tambourin), Suite from "Il pastor fido", HWV 8c: 4. Musette, Suite from "Il pastor fido", HWV 8c: 5. Menuet, Suite from "Il pastor fido", HWV 8c: 8. (Ballo), Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai, Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo, Wassermusik: Alla Hornpipe, Wassermusik: Allegro, Wassermusik: Rigaudon I & II, Wassermusik: Sarabande, Water Music, Suite No. 1 in F major, HWV 348: 10. (Andante), Water Music, Suite No. 1 in F major, HWV 348: 3. (Allegro) / 4. Andante / 3. (Allegro) da capo, Water Music, Suite No. 1 in F major, HWV 348: 5. (Minuet I/II/I), Water Music, Suite No. 1 in F major, HWV 348: 6. Air, Water Music, Suite No. 1 in F major, HWV 348: 7. Minuet, Water Music, Suite No. 1 in F major, HWV 348: 8. Bourrée, Water Music, Suite No. 1 in F major, HWV 348: 9. Hornpipe, Water Music, Suite No. 1 in F major, HWV 348: I. Overture. Largo - Allegro, Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato, Water Music, Suite No. 2 in D major, HWV 349: 11. (Allegro), Water Music, Suite No. 2 in D major, HWV 349: 12. Alla hornpipe, Water Music, Suite No. 2 in D major, HWV 349: 13. Minuet, Water Music, Suite No. 2 in D major, HWV 349: 14. Lentement, Water Music, Suite No. 2 in D major, HWV 349: 15. Bourrée, Water Music, Suite No. 3 in G major, HWV 350: 16: (Sarabande), Water Music, Suite No. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon I da capo, Water Music, Suite No. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet), Water Music, Suite No. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo |
| Pierre Lavoix (engineer) |
engineer |
Il Moderato - As steals the morn upon the night, Il Moderato - Come, with gentle hand restrain, Il Moderato - Hence, boast not - All this company serene, Il Moderato - No more short life, Il Moderato - Thy pleasures, Moderation, give, Il Penseroso - But let my due feet never fail, Il Penseroso - Come, but keep thy wonted state - Join with thee (chorus), Il Penseroso - Come, pensive nun, Il Penseroso - Come, rather, Goddess, Il Penseroso - Far from all resort of Mirth, Il Penseroso - First, and chief, on golden wing, Il Penseroso - Hence vain deluding joys, Il Penseroso - Hence, vain deluding joys, Il Penseroso - May at last my weary age - These pleasures, Melancholy, give (solo, chorus), Il Penseroso - Me, when the sun begins to fling, Il Penseroso - Oft on a plat of rising ground, Il Penseroso - There let the pealing organ blow (chorus) - And let their sweetness, Il Penseroso - Thus night oft see me, L'Allegro - And ever against eating cares, L'Allegro - Come, and trip it (solo, chorus), L'Allegro - Come, thou Goddess, L'Allegro - Haste thee, nymph, L'Allegro - Haste thee, nymph (chorus), L'Allegro - Hence loathed Melancholy, L'Allegro - Hence, loathed Melancholy - And if I give thee honour due, L'Allegro - I'll to the well-trod stage anon, L'Allegro - If I give thee honour due, L'Allegro - Or let the merry bells - And young and old come (chorus), L'Allegro - Orpheus 'self may heave his head, L'Allegro - Populous cities, L'Allegro - Straight mine eye, L'Allegro - There let Hymen oft appear, L'Allegro - These delights if thou canst give (solo, chorus) |
| Michel Garcin |
producer |
Il Moderato - As steals the morn upon the night, Il Moderato - Come, with gentle hand restrain, Il Moderato - Hence, boast not - All this company serene, Il Moderato - No more short life, Il Moderato - Thy pleasures, Moderation, give, Il Penseroso - But let my due feet never fail, Il Penseroso - Come, but keep thy wonted state - Join with thee (chorus), Il Penseroso - Come, pensive nun, Il Penseroso - Come, rather, Goddess, Il Penseroso - Far from all resort of Mirth, Il Penseroso - First, and chief, on golden wing, Il Penseroso - Hence vain deluding joys, Il Penseroso - Hence, vain deluding joys, Il Penseroso - May at last my weary age - These pleasures, Melancholy, give (solo, chorus), Il Penseroso - Me, when the sun begins to fling, Il Penseroso - Oft on a plat of rising ground, Il Penseroso - There let the pealing organ blow (chorus) - And let their sweetness, Il Penseroso - Thus night oft see me, L'Allegro - And ever against eating cares, L'Allegro - Come, and trip it (solo, chorus), L'Allegro - Come, thou Goddess, L'Allegro - Haste thee, nymph, L'Allegro - Haste thee, nymph (chorus), L'Allegro - Hence loathed Melancholy, L'Allegro - Hence, loathed Melancholy - And if I give thee honour due, L'Allegro - I'll to the well-trod stage anon, L'Allegro - If I give thee honour due, L'Allegro - Or let the merry bells - And young and old come (chorus), L'Allegro - Orpheus 'self may heave his head, L'Allegro - Populous cities, L'Allegro - Straight mine eye, L'Allegro - There let Hymen oft appear, L'Allegro - These delights if thou canst give (solo, chorus) |
| Huddersfield Choral Society |
vocal |
Messiah, HWV 56: All we like sheep have gone astray (chorus), Messiah, HWV 56: And He Shall Purify, Messiah, HWV 56: And Suddenly There Was With The Angel, Messiah, HWV 56: And The Angel Said Unto Them, Fear Not, Messiah, HWV 56: And The Glory Of The Lord, Messiah, HWV 56: And with his stripes we are healed-Chorus, Messiah, HWV 56: Behold the Lamb of God (Chorus), Messiah, HWV 56: Behold, A Virgin Shall Conceive, Messiah, HWV 56: But Who May Abide, Messiah, HWV 56: Comfort Ye / Ev'ry Valley / And the Glory of the Lord, Messiah, HWV 56: Comfort Ye, My People, Messiah, HWV 56: Ev'ry Valley Shall Be Exalted, Messiah, HWV 56: For Behold, Darkness Shall Cover The Earth, Messiah, HWV 56: Glory To God, Messiah, HWV 56: Hallelujah Chorus, Messiah, HWV 56: He Shall Feed His Flock, Messiah, HWV 56: He trusted in God-Chorus, Messiah, HWV 56: His Yoke Is Easy, Messiah, HWV 56: Let us break their bonds asunder-Chorus, Messiah, HWV 56: Lift up your heads, O ye gates (chorus), Messiah, HWV 56: O Thou That Tellest Good Tidings To Zion, Messiah, HWV 56: Pifa, Messiah, HWV 56: Rejoice Greatly, Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: Sinfony, Messiah, HWV 56: Surely he hath borne our griefs (chorus), Messiah, HWV 56: The Lord gave the word (chorus), Messiah, HWV 56: The People That Walked In Darkness, Messiah, HWV 56: Their Sound Is Gone Out Into All Lands (chorus), Messiah, HWV 56: Then Shall The Eyes Of The Blind, Messiah, HWV 56: There Were Shepherds, Messiah, HWV 56: Thus Saith The Lord |
| Maurice André |
trumpet |
Concerto in G minor: Grave, Concerto pour Trompette et Orchestre No. 9 en Si Bémol Majeur (I), Concerto pour Trompette et Orchestre No. 9 en Si Bémol Majeur (II), Concerto pour Trompette et Orchestre No. 9 en Si Bémol Majeur (III), Concerto pour Trompette et Orchestre No. 9 en Si Bémol Majeur (IV), Concerto pour Trompette, Cordes et Continuo no. 8 en Si majeur: I. Adagio, Concerto pour Trompette, Cordes et Continuo no. 8 en Si majeur: II. Allegro, Concerto pour Trompette, Cordes et Continuo no. 8 en Si majeur: III. Siciliana - Largo, Concerto pour Trompette, Cordes et Continuo no. 8 en Si majeur: IV. Vivace, Konzert für Trompete B-dur: I. Adagio, Konzert für Trompete B-dur: II. Allegro, Konzert für Trompete B-dur: III. Siciliani. Largo, Konzert für Trompete B-dur: IV. Vivace, Suite for trumpet in D: I. Overture, Suite for trumpet in D: II. Gigue, Suite for trumpet in D: III. Air, Suite for trumpet in D: IV. Bouree, Suite for trumpet in D: V. Marche, Trompetenkonzert B-dur: I. Adagio, Trompetenkonzert B-dur: II. Allegro, Trompetenkonzert B-dur: III. Siciliana. Largo, Trompetenkonzert B-dur: IV. Vivace, Trumpet Concerto in B-flat: I. Vivace, Trumpet Concerto in B-flat: II. Fuga - Allegro, Trumpet Concerto in B-flat: III. Andante, Trumpet Concerto in B-flat: IV. Allegro, Trumpet Concerto in D minor: I. Largo, Trumpet Concerto in D minor: II. Vivace, Trumpet Concerto in D minor: III. Furioso, Trumpet Concerto in D minor: IV. Adagio, Trumpet Concerto in D minor: V. Alla breve |
| Concerto Köln |
performing orchestra |
Giulio Cesare: Atto II, Scena VIII. "Che sento?" (Cleopatra) - Aria "Se pietà" (Cleopatra), Sinfonia B-dur HWV 339 - 1 - Allegro, Sinfonia B-dur HWV 339 - 2 - Adagio, Sinfonia B-dur HWV 339 - 3 - Allegro, Sinfonia B-dur HWV 347 - 1 - Pomposo, Sinfonia B-dur HWV 347 - 2 - Air lentement, Sinfonia B-dur HWV 347 - 3 - Air: A tempo ordinario, Wassermusik Suite 1 F-dur HWV 348 - 1 - Ouverture: Largo-Allegro, Wassermusik Suite 1 F-dur HWV 348 - 10 - Hornpipe, Wassermusik Suite 1 F-dur HWV 348 - 11 - ohne Tempoangabe, Wassermusik Suite 1 F-dur HWV 348 - 2 - Adagio e staccato, Wassermusik Suite 1 F-dur HWV 348 - 3 - ohne Tempoangabe, Wassermusik Suite 1 F-dur HWV 348 - 4 - Andante, Wassermusik Suite 1 F-dur HWV 348 - 5 - No.3 da capo, Wassermusik Suite 1 F-dur HWV 348 - 6 - ohne Tempoangabe, Wassermusik Suite 1 F-dur HWV 348 - 7 - Air, Wassermusik Suite 1 F-dur HWV 348 - 8 - Minuet, Wassermusik Suite 1 F-dur HWV 348 - 9 - Bourrée, Wassermusik Suite 2 D-dur HWV 349 - 1 - ohne Tempoangabe, Wassermusik Suite 2 D-dur HWV 349 - 2 - Alla Hornpipe, Wassermusik Suite 2 D-dur HWV 349 - 3 - Minuet, Wassermusik Suite 2 D-dur HWV 349 - 4 - Lentement, Wassermusik Suite 2 D-dur HWV 349 - 5 - Bourrée, Wassermusik Suite 3 G-dur HWV 350 - 1 - ohne Tempoangabe, Wassermusik Suite 3 G-dur HWV 350 - 2 - Rigaudon, Wassermusik Suite 3 G-dur HWV 350 - 3 - ohne Tempoangabe, Wassermusik Suite 3 G-dur HWV 350 - 4 - No.3 da capo, Wassermusik Suite 3 G-dur HWV 350 - 5 - Menuet, Wassermusik Suite 3 G-dur HWV 350 - 6 - ohne Tempoangabe, Wassermusik Suite 3 G-dur HWV 350 - 7 - ohne Tempoangabe, Wassermusik Suite 3 G-dur HWV 350 - 8 - ohne Tempoangabe |
| Sir David Willcocks |
conductor |
Anthem, "Let Thy Hand Be Strengthened": "Allelujah!", Anthem, "Let Thy Hand Be Strengthened": "Let justice and judgement", Anthem, "Let Thy Hand Be Strengthened": "Let thy hand be strengthened", Anthem, "The King Shall Rejoice": "Exceedingly glad shall he be", Anthem, "The King Shall Rejoice": "Glory and great worship hast Thou laid upon him", Anthem, "The King Shall Rejoice": "The King shall rejoice", Anthem, "Zadok the Priest", Chandos Anthem No. 10: For who is God but the Lord (chorus), Chandos Anthem No. 10: I will offer in His dwelling an oblation (chorus), Chandos Anthem No. 10: It is the Lord that ruleth the sea (soprano), Chandos Anthem No. 10: One thing have I desired of the Lord (tenor), Chandos Anthem No. 10: Overture, Chandos Anthem No. 10: Sing praises unto the Lord (chorus), Chandos Anthem No. 10: The Lord is my light and my salvation (tenor), Chandos Anthem No. 10: The Lord is my strength and my shield (tenor), Chandos Anthem No. 10: Though an host of men were laid against me (chorus), Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Adagio, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: V. Fuga ex B, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Larghetto, Concerto for organ No. 1 in B-flat major, Op. 7: VII. Bourrée, Dixit Dominus: I. Chorus with Solos "Dixit Dominus", Dixit Dominus: II. Aria "Virgam virtutis tuae", Dixit Dominus: III. Aria "Tecum principium in die virtutis", Dixit Dominus: IV. Chorus "Juravit Dominus", Dixit Dominus: V. Chorus "Secundum ordinem Melchisedech", Dixit Dominus: VI. Solos with Chorus "Dominus a dextris tuis", Dixit Dominus: VII. Solos with Chorus "De terrente in via bibit", Dixit Dominus: VIII. Chorus "Gloria Patri et Filio et Spiritui Sancto" |
| Ama Deus Ensemble |
instrument, performing orchestra |
Acis & Galatea: Act I. Aria "As when the dove" (Galatea), Acis & Galatea: Act I. Aria "Hush, ye pretty" (Galatea), Acis & Galatea: Act I. Aria "Love in her eyes" (Acis), Acis & Galatea: Act I. Aria "Shepherd, what" (Damon), Acis & Galatea: Act I. Aria "Where shall I seek" (Acis), Acis & Galatea: Act I. Choir "Oh, the pleasure", Acis & Galatea: Act I. Duet & Choir "Happy we", Acis & Galatea: Act I. Recitavive "O didst thou know", Acis & Galatea: Act I. Recitavive "Stay, shepherd, stay", Acis & Galatea: Act I. Recitavive "Ye verdant plains", Acis & Galatea: Act I. Recitavive: "Lo, here my love", Acis & Galatea: Act I. Sinfonia, Acis & Galatea: Act II. "Must I my Acis" (Galatea, choir), Acis & Galatea: Act II. Aria "Cease to beauty" (Polyphemus), Acis & Galatea: Act II. Aria "Consider" (Damon), Acis & Galatea: Act II. Aria "Heart, the seat" (Galatea), Acis & Galatea: Act II. Aria "Love sounds th'alarm" (Acis), Acis & Galatea: Act II. Aria "O ruddier" (Polyphemus), Acis & Galatea: Act II. Aria "Would you gain" (Damon), Acis & Galatea: Act II. Choir "Galatea, dry thy tears", Acis & Galatea: Act II. Choir "Mourn, all ye muses", Acis & Galatea: Act II. Choir "Wretched lovers", Acis & Galatea: Act II. Recitativo "Cease, o cease", Acis & Galatea: Act II. Recitativo "Help, Galatea", Acis & Galatea: Act II. Recitativo "His hideous love", Acis & Galatea: Act II. Recitativo "Tis done", Acis & Galatea: Act II. Recitativo "Whither, fairest", Acis & Galatea: Act II. Recitativo accompagnato "I rage", Acis & Galatea: Act II. Trio "The flocks shall leave", The Messiah, HWV 56: Every Valley Shall Be Exalted |
| Didier Jean |
editor, sound |
Acis and Galatea: Act I. "As when the dove laments her love" (Galatea), Acis and Galatea: Act I. "Happy we!" (Acis, Galatea), Acis and Galatea: Act I. "Hush, ye pretty warbling quire!" (Galatea), Acis and Galatea: Act I. "Love in her eyes sits playing" (Acis), Acis and Galatea: Act I. "Shepherd, what art thou pursuing" (Damon), Acis and Galatea: Act I. "Where shall I seek the charming fair?" (Acis), Acis and Galatea: Act I. Chorus "Happy we!", Acis and Galatea: Act I. Chorus "Oh, the pleasure of the plains", Acis and Galatea: Act I. Recitativo "Lo! Here my love" (Acis), Acis and Galatea: Act I. Recitativo "Oh! Didst thou know the pains" (Galatea), Acis and Galatea: Act I. Recitativo "Stay, shepherd, stay!" (Damon), Acis and Galatea: Act I. Recitativo "Ye verdant plains and woody mountains" (Galatea), Acis and Galatea: Act I. Sinfonia, Acis and Galatea: Act II. "Cease to beauty to be suing" (Polyphemus), Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon), Acis and Galatea: Act II. "Heart, the seat of soft delight" (Galatea), Acis and Galatea: Act II. "Love sounds th'alarm" (Acis), Acis and Galatea: Act II. "Must I my Acis still bemoan" (Galatea, Chorus), Acis and Galatea: Act II. "O ruddier than the cherry" (Polyphemus), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. "Would you gain the tender creature" (Damon), Acis and Galatea: Act II. Chorus "Galatea, dry thy tears", Acis and Galatea: Act II. Chorus "Mourn, all ye muses!", Acis and Galatea: Act II. Chorus "Wretched lovers!", Acis and Galatea: Act II. Recitativo "'Tis done: thus I exert pow'r divine" (Galatea), Acis and Galatea: Act II. Recitativo "Cease, oh cease, thou gentle youth" (Galatea), Acis and Galatea: Act II. Recitativo "His hideous love provokes my rage" (Acis), Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea), Acis and Galatea: Act II. Recitativo accompagnato "Help, Galatea! Help, ye parent gods!", Acis and Galatea: Act II. Recitativo accompagnato "I rage, I melt, I burn" (Polyphemus) |
| Adriaan Verstijnen |
engineer |
Aminta e Fillide, HWV 83: Aria "Al dispetto di sorte crudele", Aminta e Fillide, HWV 83: Aria "Chi ben ama non paventi", Aminta e Fillide, HWV 83: Aria "Fermati, non fuggir!", Aminta e Fillide, HWV 83: Aria "Fiamma bella ch'al ciel s'invia", Aminta e Fillide, HWV 83: Aria "Forse ch'un giorno", Aminta e Fillide, HWV 83: Aria "Fu scherzo, fu gioco", Aminta e Fillide, HWV 83: Aria "Non si può dar un cor", Aminta e Fillide, HWV 83: Aria "Se vago rio", Aminta e Fillide, HWV 83: Aria "Sento ch'il Dio bambin", Aminta e Fillide, HWV 83: Aria "È un foco quel d'amore", Aminta e Fillide, HWV 83: Duetto "Per abbattere il rigore", Aminta e Fillide, HWV 83: Recitativo "Credi a'miei detti, Aminta", Aminta e Fillide, HWV 83: Recitativo "D'un incognito foco", Aminta e Fillide, HWV 83: Recitativo "E pur, Filli vezzosa", Aminta e Fillide, HWV 83: Recitativo "Felicissimo punto, in cui nel seno", Aminta e Fillide, HWV 83: Recitativo "Gloria bella d'Aminta", Aminta e Fillide, HWV 83: Recitativo "Invano, invan presumi", Aminta e Fillide, HWV 83: Recitativo "Libero piè fugga dal laccio", Aminta e Fillide, HWV 83: Recitativo "O felice in amor dolce tormento", Aminta e Fillide, HWV 83: Recitativo "Questa sol volta almen", Aminta e Fillide, HWV 83: Recitativo "Vincesti, Aminta, e l'amoroso affanno", Aminta e Fillide, HWV 83: Sinfonia & Recitativo "Arresta il passo", Clori, mia bella Clori, HWV 92: Aria "Chiari lumi, voi che siete", Clori, mia bella Clori, HWV 92: Aria "Di gelosia il timore", Clori, mia bella Clori, HWV 92: Aria "Mie pupille", Clori, mia bella Clori, HWV 92: Aria "Ne'gigli e nelle rose", Clori, mia bella Clori, HWV 92: Recitativo "Clori, mia bella Clori", Clori, mia bella Clori, HWV 92: Recitativo "Non è però che non molesta e grave", Clori, mia bella Clori, HWV 92: Recitativo "Temo, ma pure io spero", Clori, mia bella Clori, HWV 92: Recitativo "Tu, nobil alma, intanto" |
| Martin Sauer (engineer/producer) |
producer |
Acis and Galatea: Act I. "As when the dove laments her love" (Galatea), Acis and Galatea: Act I. "Happy we!" (Acis, Galatea), Acis and Galatea: Act I. "Hush, ye pretty warbling quire!" (Galatea), Acis and Galatea: Act I. "Love in her eyes sits playing" (Acis), Acis and Galatea: Act I. "Shepherd, what art thou pursuing" (Damon), Acis and Galatea: Act I. "Where shall I seek the charming fair?" (Acis), Acis and Galatea: Act I. Chorus "Happy we!", Acis and Galatea: Act I. Chorus "Oh, the pleasure of the plains", Acis and Galatea: Act I. Recitativo "Lo! Here my love" (Acis), Acis and Galatea: Act I. Recitativo "Oh! Didst thou know the pains" (Galatea), Acis and Galatea: Act I. Recitativo "Stay, shepherd, stay!" (Damon), Acis and Galatea: Act I. Recitativo "Ye verdant plains and woody mountains" (Galatea), Acis and Galatea: Act I. Sinfonia, Acis and Galatea: Act II. "Cease to beauty to be suing" (Polyphemus), Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon), Acis and Galatea: Act II. "Heart, the seat of soft delight" (Galatea), Acis and Galatea: Act II. "Love sounds th'alarm" (Acis), Acis and Galatea: Act II. "Must I my Acis still bemoan" (Galatea, Chorus), Acis and Galatea: Act II. "O ruddier than the cherry" (Polyphemus), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. "Would you gain the tender creature" (Damon), Acis and Galatea: Act II. Chorus "Galatea, dry thy tears", Acis and Galatea: Act II. Chorus "Mourn, all ye muses!", Acis and Galatea: Act II. Chorus "Wretched lovers!", Acis and Galatea: Act II. Recitativo "'Tis done: thus I exert pow'r divine" (Galatea), Acis and Galatea: Act II. Recitativo "Cease, oh cease, thou gentle youth" (Galatea), Acis and Galatea: Act II. Recitativo "His hideous love provokes my rage" (Acis), Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea), Acis and Galatea: Act II. Recitativo accompagnato "Help, Galatea! Help, ye parent gods!", Acis and Galatea: Act II. Recitativo accompagnato "I rage, I melt, I burn" (Polyphemus) |
| Tini Mathot |
producer |
Aminta e Fillide, HWV 83: Aria "Al dispetto di sorte crudele", Aminta e Fillide, HWV 83: Aria "Chi ben ama non paventi", Aminta e Fillide, HWV 83: Aria "Fermati, non fuggir!", Aminta e Fillide, HWV 83: Aria "Fiamma bella ch'al ciel s'invia", Aminta e Fillide, HWV 83: Aria "Forse ch'un giorno", Aminta e Fillide, HWV 83: Aria "Fu scherzo, fu gioco", Aminta e Fillide, HWV 83: Aria "Non si può dar un cor", Aminta e Fillide, HWV 83: Aria "Se vago rio", Aminta e Fillide, HWV 83: Aria "Sento ch'il Dio bambin", Aminta e Fillide, HWV 83: Aria "È un foco quel d'amore", Aminta e Fillide, HWV 83: Duetto "Per abbattere il rigore", Aminta e Fillide, HWV 83: Recitativo "Credi a'miei detti, Aminta", Aminta e Fillide, HWV 83: Recitativo "D'un incognito foco", Aminta e Fillide, HWV 83: Recitativo "E pur, Filli vezzosa", Aminta e Fillide, HWV 83: Recitativo "Felicissimo punto, in cui nel seno", Aminta e Fillide, HWV 83: Recitativo "Gloria bella d'Aminta", Aminta e Fillide, HWV 83: Recitativo "Invano, invan presumi", Aminta e Fillide, HWV 83: Recitativo "Libero piè fugga dal laccio", Aminta e Fillide, HWV 83: Recitativo "O felice in amor dolce tormento", Aminta e Fillide, HWV 83: Recitativo "Questa sol volta almen", Aminta e Fillide, HWV 83: Recitativo "Vincesti, Aminta, e l'amoroso affanno", Aminta e Fillide, HWV 83: Sinfonia & Recitativo "Arresta il passo", Clori, mia bella Clori, HWV 92: Aria "Chiari lumi, voi che siete", Clori, mia bella Clori, HWV 92: Aria "Di gelosia il timore", Clori, mia bella Clori, HWV 92: Aria "Mie pupille", Clori, mia bella Clori, HWV 92: Aria "Ne'gigli e nelle rose", Clori, mia bella Clori, HWV 92: Recitativo "Clori, mia bella Clori", Clori, mia bella Clori, HWV 92: Recitativo "Non è però che non molesta e grave", Clori, mia bella Clori, HWV 92: Recitativo "Temo, ma pure io spero", Clori, mia bella Clori, HWV 92: Recitativo "Tu, nobil alma, intanto" |
| Simon Preston |
conductor, organ |
Dettingen Te Deum: And We Worship Thy name, Dettingen Te Deum: Vouchsafe, O Lord, Israel in Egypt: Part I, Exodus: 1. Now there arose a new king (tenor recitative) / 2. And the children of Israel (alto & chorus), Israel in Egypt: Part I, Exodus: 10. But as for His people (chorus), Israel in Egypt: Part I, Exodus: 11. Egypt was glad when they departed (chorus), Israel in Egypt: Part I, Exodus: 12. He rebuked the Red Sea (chorus), Israel in Egypt: Part I, Exodus: 13. He led them through the deep (chorus), Israel in Egypt: Part I, Exodus: 14. But the waters overwhelmed their enemies (chorus), Israel in Egypt: Part I, Exodus: 15. And Israel saw that great work (chorus) / 16. And believed the Lord (chorus), Israel in Egypt: Part I, Exodus: 3. Then sent He Moses (tenor recitative) / 4. They loathed to drink of the river (chorus), Israel in Egypt: Part I, Exodus: 5. Their land brought forth frogs (alto), Israel in Egypt: Part I, Exodus: 6. He spake the word (chorus), Israel in Egypt: Part I, Exodus: 7. He gave them hallstones (chorus), Israel in Egypt: Part I, Exodus: 8. He sent a thick darkness (chorus), Israel in Egypt: Part I, Exodus: 9. He smote all the first-born of Egypt (chorus), Israel in Egypt: Part I, Exodus: Overture, Let Thy Hand Be Strengthened: HWV 259, My Heart is Inditing: HWV 261, Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Organo ad libitum: Largo, Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: III. Allegro, Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante / II. Allegro, Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante, Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo, Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Organo ad libitum, Organ Concerto in F major, Organ Concerto in F major, no. 13, HWV 295 “The Cuckoo and the Nightingale”: V. Allegro, Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio, Orgelkonzert "Der Kuckuk und die Nachtigall": III. Allegro, The King Shall Rejoice: HWV 260 |
| Valentin Radu |
conductor |
Acis & Galatea: Act I. Aria "As when the dove" (Galatea), Acis & Galatea: Act I. Aria "Hush, ye pretty" (Galatea), Acis & Galatea: Act I. Aria "Love in her eyes" (Acis), Acis & Galatea: Act I. Aria "Shepherd, what" (Damon), Acis & Galatea: Act I. Aria "Where shall I seek" (Acis), Acis & Galatea: Act I. Choir "Oh, the pleasure", Acis & Galatea: Act I. Duet & Choir "Happy we", Acis & Galatea: Act I. Recitavive "O didst thou know", Acis & Galatea: Act I. Recitavive "Stay, shepherd, stay", Acis & Galatea: Act I. Recitavive "Ye verdant plains", Acis & Galatea: Act I. Recitavive: "Lo, here my love", Acis & Galatea: Act I. Sinfonia, Acis & Galatea: Act II. "Must I my Acis" (Galatea, choir), Acis & Galatea: Act II. Aria "Cease to beauty" (Polyphemus), Acis & Galatea: Act II. Aria "Consider" (Damon), Acis & Galatea: Act II. Aria "Heart, the seat" (Galatea), Acis & Galatea: Act II. Aria "Love sounds th'alarm" (Acis), Acis & Galatea: Act II. Aria "O ruddier" (Polyphemus), Acis & Galatea: Act II. Aria "Would you gain" (Damon), Acis & Galatea: Act II. Choir "Galatea, dry thy tears", Acis & Galatea: Act II. Choir "Mourn, all ye muses", Acis & Galatea: Act II. Choir "Wretched lovers", Acis & Galatea: Act II. Recitativo "Cease, o cease", Acis & Galatea: Act II. Recitativo "Help, Galatea", Acis & Galatea: Act II. Recitativo "His hideous love", Acis & Galatea: Act II. Recitativo "Tis done", Acis & Galatea: Act II. Recitativo "Whither, fairest", Acis & Galatea: Act II. Recitativo accompagnato "I rage", Acis & Galatea: Act II. Trio "The flocks shall leave" |
| John Constable |
harpsichord |
Concerto grosso in D minor, Op. 3, No. 5: I. (without Tempo Indication), Concerto grosso in D minor, Op. 3, No. 5: II. Fuga (Allegro), Concerto grosso in D minor, Op. 3, No. 5: III. Adagio, Concerto grosso in D minor, Op. 3, No. 5: IV. Allegro ma non troppo, Concerto grosso in D minor, Op. 3, No. 5: V. Allegro, Concerto grosso in D, Op. 3, No. 6: I. Vivace, Concerto grosso in D, Op. 3, No. 6: II. Allegro, Concerto grosso in b flat, Op. 3, No. 1: I. Allegro, Concerto grosso in b flat, Op. 3, No. 1: II. Largo, Concerto grosso in b flat, Op. 3, No. 1: III. Allegro, Concerto grosso in b flat, Op. 3, No. 1: IV. Allegro, Concerto grosso in b flat, Op. 3, No. 2: I. Vivace, Concerto grosso in b flat, Op. 3, No. 2: II. Largo, Concerto grosso in b flat, Op. 3, No. 2: III. Allegro, Concerto grosso in b flat, Op. 3, No. 2: IV. [Allegro], Concerto grosso in f, Op. 3, No. 2bis: Largo, Concerto grosso in f, Op. 3, No. 4: II. Andante, Concerto grosso in f, Op. 3, No. 4: III. Allegro, Concerto grosso in f, Op. 3, No. 4: IV. Minuetto, Concerto grosso in f, Op. 3, No. 4: Ia. Andante, Concerto grosso in f, Op. 3, No. 4: Ib. Allegro-lentement, Concerto grosso in f, Op. 3, No. 4bis: I. Largo, Concerto grosso in f, Op. 3, No. 4bis: II. Allegro, Concerto grosso in f, Op. 3, No. 4bis: III. Largo, Concerto grosso in f, Op. 3, No. 4bis: IV. Allegro, Concerto grosso in g, Op. 3, No. 3: I. Largo e staccato, Concerto grosso in g, Op. 3, No. 3: II. Allegro, Concerto grosso in g, Op. 3, No. 3: III. Adagio, Concerto grosso in g, Op. 3, No. 3: IV. Allegro |
| Губернаторский симфонический оркестр Санкт-Петербурга |
performing orchestra |
Music for the Royal Fireworks, HWV 351: I. Overture: Adagio - Allegro - Lentement - Allegro, Music for the Royal Fireworks, HWV 351: II. Bourrée, Music for the Royal Fireworks, HWV 351: III. La paix: Largo alla siciliana, Music for the Royal Fireworks, HWV 351: IV. La réjouissance: Allegro, Music for the Royal Fireworks, HWV 351: V. Minuet I, Music for the Royal Fireworks, HWV 351: VI. Minuet II, Water Music Suite No. 1 In F Major, Hwv 348: VIII. Bourrée, Water Music Suite No. 1 in F Major, HWV 348: I. Overture: Grave - Allegro, Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato, Water Music Suite No. 1 in F Major, HWV 348: III. Allegro, Water Music Suite No. 1 in F Major, HWV 348: IV. Andante - Allegro, Water Music Suite No. 1 in F Major, HWV 348: IX. Hornpipe, Water Music Suite No. 1 in F Major, HWV 348: V. A tempo di minueto, Water Music Suite No. 1 in F Major, HWV 348: VI. Air, Water Music Suite No. 1 in F Major, HWV 348: VII. Minuet, Water Music Suite No. 1 in F Major, HWV 348: X. Allegro moderato, Water Music Suite No. 2 in D Major, HWV 349: I. Andante - Allegro, Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe, Water Music Suite No. 2 in D Major, HWV 349: III. Coro, Water Music Suite No. 2 in D Major, HWV 349: IV. Lorne, Water Music Suite No. 2 in D Major, HWV 349: V. Bourrée, Water Music Suite No. 3 in G Major, HWV 350: I. Minuet, Water Music Suite No. 3 in G Major, HWV 350: II. Rigaudon I, Water Music Suite No. 3 in G Major, HWV 350: III. Rigaudon II, Water Music Suite No. 3 in G Major, HWV 350: IV. Minuet I, Water Music Suite No. 3 in G Major, HWV 350: V. Minuet II, Water Music Suite No. 3 in G Major, HWV 350: VI. Affetuoso, Water Music Suite No. 3 in G Major, HWV 350: VII. Cantabile |
| Stanislav Gorkovenko |
conductor |
Music for the Royal Fireworks, HWV 351: I. Overture: Adagio - Allegro - Lentement - Allegro, Music for the Royal Fireworks, HWV 351: II. Bourrée, Music for the Royal Fireworks, HWV 351: III. La paix: Largo alla siciliana, Music for the Royal Fireworks, HWV 351: IV. La réjouissance: Allegro, Music for the Royal Fireworks, HWV 351: V. Minuet I, Music for the Royal Fireworks, HWV 351: VI. Minuet II, Water Music Suite No. 1 In F Major, Hwv 348: VIII. Bourrée, Water Music Suite No. 1 in F Major, HWV 348: I. Overture: Grave - Allegro, Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato, Water Music Suite No. 1 in F Major, HWV 348: III. Allegro, Water Music Suite No. 1 in F Major, HWV 348: IV. Andante - Allegro, Water Music Suite No. 1 in F Major, HWV 348: IX. Hornpipe, Water Music Suite No. 1 in F Major, HWV 348: V. A tempo di minueto, Water Music Suite No. 1 in F Major, HWV 348: VI. Air, Water Music Suite No. 1 in F Major, HWV 348: VII. Minuet, Water Music Suite No. 1 in F Major, HWV 348: X. Allegro moderato, Water Music Suite No. 2 in D Major, HWV 349: I. Andante - Allegro, Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe, Water Music Suite No. 2 in D Major, HWV 349: III. Coro, Water Music Suite No. 2 in D Major, HWV 349: IV. Lorne, Water Music Suite No. 2 in D Major, HWV 349: V. Bourrée, Water Music Suite No. 3 in G Major, HWV 350: I. Minuet, Water Music Suite No. 3 in G Major, HWV 350: II. Rigaudon I, Water Music Suite No. 3 in G Major, HWV 350: III. Rigaudon II, Water Music Suite No. 3 in G Major, HWV 350: IV. Minuet I, Water Music Suite No. 3 in G Major, HWV 350: V. Minuet II, Water Music Suite No. 3 in G Major, HWV 350: VI. Affetuoso, Water Music Suite No. 3 in G Major, HWV 350: VII. Cantabile |
| Jordi Savall |
conductor |
Music for the Royal Fireworks: Allegro "La Réjouissance", Music for the Royal Fireworks: Allegro - Lentement - Allegro, Music for the Royal Fireworks: Bourrée, Music for the Royal Fireworks: Largo alla Siciliana "La paix", Music for the Royal Fireworks: Menuet I [Da Capo], Music for the Royal Fireworks: Menuet I en Ré majeur, Music for the Royal Fireworks: Menuet II en Ré mineur, Music for the Royal Fireworks: Ouverture, Adagio, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Alla Hornpipe, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Bourrée, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Gigue I, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Gigue II, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Lentement, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Menuet I, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Menuet II, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Rigaudon I, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Rigaudon II, Water Music, Suite No. 1 en Ré majeur et sol majeur/mineur: Menuet I, Water Music, Suite No. 1 en Ré majeur et sol majeur/mineur: Prélude, Water Music, Suite No. 2 en Fa majeur: Adagio e staccato, Water Music, Suite No. 2 en Fa majeur: Air, Water Music, Suite No. 2 en Fa majeur: Allegro, Water Music, Suite No. 2 en Fa majeur: Andante - Allegro, Water Music, Suite No. 2 en Fa majeur: Aria, Water Music, Suite No. 2 en Fa majeur: Bourrée, Water Music, Suite No. 2 en Fa majeur: Hornpipe, Water Music, Suite No. 2 en Fa majeur: Menuet, Water Music, Suite No. 2 en Fa majeur: Ouverture |
| Le Concert des Nations |
performing orchestra |
Music for the Royal Fireworks: Allegro "La Réjouissance", Music for the Royal Fireworks: Allegro - Lentement - Allegro, Music for the Royal Fireworks: Bourrée, Music for the Royal Fireworks: Largo alla Siciliana "La paix", Music for the Royal Fireworks: Menuet I [Da Capo], Music for the Royal Fireworks: Menuet I en Ré majeur, Music for the Royal Fireworks: Menuet II en Ré mineur, Music for the Royal Fireworks: Ouverture, Adagio, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Alla Hornpipe, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Bourrée, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Gigue I, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Gigue II, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Lentement, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Menuet I, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Menuet II, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Rigaudon I, Water Music, Suite No. 1 en Ré majeur et Sol majeur/mineur: Rigaudon II, Water Music, Suite No. 1 en Ré majeur et sol majeur/mineur: Menuet I, Water Music, Suite No. 1 en Ré majeur et sol majeur/mineur: Prélude, Water Music, Suite No. 2 en Fa majeur: Adagio e staccato, Water Music, Suite No. 2 en Fa majeur: Air, Water Music, Suite No. 2 en Fa majeur: Allegro, Water Music, Suite No. 2 en Fa majeur: Andante - Allegro, Water Music, Suite No. 2 en Fa majeur: Aria, Water Music, Suite No. 2 en Fa majeur: Bourrée, Water Music, Suite No. 2 en Fa majeur: Hornpipe, Water Music, Suite No. 2 en Fa majeur: Menuet, Water Music, Suite No. 2 en Fa majeur: Ouverture |
| Joan Sutherland |
vocal |
Alcina: Act I, Scene I. "Di', cor mio, quanto t'amai" (Alcina), Alcina: Act I, Scene II. "Sì, son quella, non più bella" (Alcina, Bradamante, Ruggiero, Melisso), Alcina: Act II, Scene II. "Ah! mio cor! schemito sei!" (Alcina, Morgana, Oronto), Alcina: Act II, Scene II. "Ama, sospira, ma non t'offende" (Morgana, Alcina, Ruggiero), Alcina: Act II, Scene II. "Mio bel tesoro" (Ruggiero, Oberto, Alcina), Alcina: Act II, Scene II. "S'acquieti il rio sospetto" (Alcina, Morgana, Ruggiero), Alcina: Act II, Scene II. "Tra speme e timore" (Oberto, Oronte, Alcina), Alcina: Act II, Scene III. "Ah! Ruggiero crudel, tu non mi amasti!" (Alcina), Alcina: Act II, Scene III. "Ombre pallide, lo so, mu udite" (Alcina), Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Un momento di contento" (Oronte, Ruggiero, Alcina), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene II. "Mi restano le lagrime" (Alcina) / Scene III. "Già vicino è 'l momento" (Oberto, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero), Alcina: Act III, Scene III. "Non è amor, né gelosia" (Alcina, Bradamante, Ruggiero), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro), Giulio Cesare: Act I. "Tu la mia stella sei" (Cleopatra), Giulio Cesare: Act II. "Se pietà di me non senti" (Cleopatra), Giulio Cesare: Act II. "V'adoro, pupille" (Cleopatra), Giulio Cesare: Act II. "Venere bella" (Cleopatra), Giulio Cesare: Act III. "Da tempeste il legno infranto" (Cleopatra), Giulio Cesare: Act III. "Piangerò la sorte mia" (Cleopatra), Joy to the World, Messiah: And suddenly..., Messiah: I know that my redeemer liveth, Messiah: Rejoice greatly, Rejoice greatly (Messiah, ed. Herbage) |
| Hans-Martin Linde |
conductor, flute, recorder |
Oboe Concerto in B-flat major, HWV 302a: Vivace - Fuga, Sonata No. 11 in F, Op. 1 No. 11: I, Larghetto, Sonata No. 11 in F, Op. 1 No. 11: II, Allegro, Sonata No. 11 in F, Op. 1 No. 11: III, Sicilliana, Sonata No. 11 in F, Op. 1 No. 11: IV, Allegro, Sonata No. 2 in G Minor, Op. 1 No. 2: I, Larghetto, Sonata No. 2 in G Minor, Op. 1 No. 2: II, Andante, Sonata No. 2 in G Minor, Op. 1 No. 2: III, Adagio, Sonata No. 2 in G Minor, Op. 1 No. 2: IV, Presto, Sonata No. 4 in C Minor, Op. 1 No. 4: I, Larghetto, Sonata No. 4 in C Minor, Op. 1 No. 4: II, Allegro, Sonata No. 4 in C Minor, Op. 1 No. 4: III, Adagio, Sonata No. 4 in C Minor, Op. 1 No. 4: IV, Allegro, Sonata No. 7 in C, Op. 1 No. 7: I, Larghetto, Sonata No. 7 in C, Op. 1 No. 7: II, Allegro, Sonata No. 7 in C, Op. 1 No. 7: III, Larghetto, Sonata No. 7 in C, Op. 1 No. 7: IV, A tempo di gavotta, Sonata No. 7 in C, Op. 1 No. 7: V, Allegro, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: I. Larghetto, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: II. Allegro, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: III. Largo, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: IV. Allegro, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: I. Andante, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: II. Allegro ma non troppo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: III. Largo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: IV. Allegro, Water Music Suite No. 2 in D, HWV 349: Alla Hornpipe |
| Igor Ivanenko |
conductor |
Music For The Royal Fireworks HWV 351: 1 Ouverture Largo Allegro, Music For The Royal Fireworks HWV 351: 2 Bourree, Music For The Royal Fireworks HWV 351: 3 La Paix. Largo, Alla Siciliana, Music For The Royal Fireworks HWV 351: 4 La Rejouissance Allegro, Music For The Royal Fireworks HWV 351: 5 Minuet 1, Music For The Royal Fireworks HWV 351: 6 Minuet 2, Water Music Suite No. 1 in F major HWV 348: 1 Ouverture Allegro, Water Music Suite No. 1 in F major HWV 348: 10 Finale, Water Music Suite No. 1 in F major HWV 348: 2 Adagio E Staccato, Water Music Suite No. 1 in F major HWV 348: 3 Allegro, Water Music Suite No. 1 in F major HWV 348: 4 Andante, Water Music Suite No. 1 in F major HWV 348: 5 Presto, Water Music Suite No. 1 in F major HWV 348: 6 Air, Water Music Suite No. 1 in F major HWV 348: 7 Minuet, Water Music Suite No. 1 in F major HWV 348: 8 Bourree Presto, Water Music Suite No. 1 in F major HWV 348: 9 Hornpipe, Water Music Suite No. 2 in D major HWV 349: 1 Allegro, Water Music Suite No. 2 in D major HWV 349: 2 In Hornpipe Manner, Water Music Suite No. 2 in D major HWV 349: 3 Minuet, Water Music Suite No. 2 in D major HWV 349: 4 Lentement, Water Music Suite No. 2 in D major HWV 349: 5 Bourree, Water Music Suite No. 3 in G major HWV 350: 1 [untitled], Water Music Suite No. 3 in G major HWV 350: 2 Presto, Water Music Suite No. 3 in G major HWV 350: 3 Menuet, Water Music Suite No. 3 in G major HWV 350: 4 [untitled], Water Music Suite No. 3 in G major HWV 350: 5 Country Dance, Water Music Suite No. 3 in G major HWV 350: 6 Country Dance |
| Philharmonica Symphony Orchestra |
performing orchestra |
Music For The Royal Fireworks HWV 351: 1 Ouverture Largo Allegro, Music For The Royal Fireworks HWV 351: 2 Bourree, Music For The Royal Fireworks HWV 351: 3 La Paix. Largo, Alla Siciliana, Music For The Royal Fireworks HWV 351: 4 La Rejouissance Allegro, Music For The Royal Fireworks HWV 351: 5 Minuet 1, Music For The Royal Fireworks HWV 351: 6 Minuet 2, Water Music Suite No. 1 in F major HWV 348: 1 Ouverture Allegro, Water Music Suite No. 1 in F major HWV 348: 10 Finale, Water Music Suite No. 1 in F major HWV 348: 2 Adagio E Staccato, Water Music Suite No. 1 in F major HWV 348: 3 Allegro, Water Music Suite No. 1 in F major HWV 348: 4 Andante, Water Music Suite No. 1 in F major HWV 348: 5 Presto, Water Music Suite No. 1 in F major HWV 348: 6 Air, Water Music Suite No. 1 in F major HWV 348: 7 Minuet, Water Music Suite No. 1 in F major HWV 348: 8 Bourree Presto, Water Music Suite No. 1 in F major HWV 348: 9 Hornpipe, Water Music Suite No. 2 in D major HWV 349: 1 Allegro, Water Music Suite No. 2 in D major HWV 349: 2 In Hornpipe Manner, Water Music Suite No. 2 in D major HWV 349: 3 Minuet, Water Music Suite No. 2 in D major HWV 349: 4 Lentement, Water Music Suite No. 2 in D major HWV 349: 5 Bourree, Water Music Suite No. 3 in G major HWV 350: 1 [untitled], Water Music Suite No. 3 in G major HWV 350: 2 Presto, Water Music Suite No. 3 in G major HWV 350: 3 Menuet, Water Music Suite No. 3 in G major HWV 350: 4 [untitled], Water Music Suite No. 3 in G major HWV 350: 5 Country Dance, Water Music Suite No. 3 in G major HWV 350: 6 Country Dance |
| Karl Münchinger (German conductor) |
conductor |
Allegro, Concerto grosso in G minor, op. 6, no. 6: Musette, Feuerwerksmusik: I. Ouvertüre, Feuerwerksmusik: II. Bourrée, Feuerwerksmusik: III. Le Paix, Feuerwerksmusik: V. Menuet I - Menuet II, Larghetto, Minuet, Organ Concerto No.13 'The Cuckoo and the Nightningale', Suite No.3 (from the Water Music), Wassermusik Suite No. 1 F-Dur: I. Ouvertüre - Largo - Allegro, Wassermusik Suite No. 1 F-Dur: II. Adagio e staccato, Wassermusik Suite No. 1 F-Dur: III. Allegro - Andante, Wassermusik Suite No. 1 F-Dur: IV. Presto, Wassermusik Suite No. 1 F-Dur: V. Air, Wassermusik Suite No. 1 F-Dur: VI. Minuet, Wassermusik Suite No. 1 F-Dur: VII. Bourrée. Hornpipe, Wassermusik Suite No. 1 F-Dur: VIII. Allegro, Water Music, Suite No.2 in D major: Allegro, Water Music, Suite No.2 in D major: Bourée, Water Music, Suite No.2 in D major: Hornpipe, Water Music, Suite No.2 in D major: Lentement, Water Music, Suite No.2 in D major: Minuet, Water Music, Suite No.3 in G major: Menuet & Trio, Water Music, Suite No.3 in G major: Minuet I - Minuet II - Country Dance, Water Music, Suite No.3 in G major: Rigaudon I and II |
| RCA Victor Symphony Orchestra |
performing orchestra |
Music For The Royal Fireworks: II. Bourrée, Music For The Royal Fireworks: III. La paix - Largo alla siciliana, Music For The Royal Fireworks: IV. La réjouissance - Allegro, Music For The Royal Fireworks: V. Menuet I and II - Andante, Music for the Royal Fireworks: I. Overture, Music for the Royal Fireworks: II. Bourrée, Music for the Royal Fireworks: III. La paix: Largo alla sicilliana, Music for the Royal Fireworks: IV. La réjouissance: Allegro, Music for the Royal Fireworks: V. Menuet I and II: Andante, Royal Fireworks Music Overture (RCA Victor Symphony feat. conductor Leopold Stokowski), Suite: Water Music/Wassermusik: I. Menuet, Suite: Water Music/Wassermusik: II. Andante, Suite: Water Music/Wassermusik: III. Allegro, Suite: Water Music/Wassermusik: IV. Adagio e staccato, Suite: Water Music/Wassermusik: V. Bourrée, Suite: Water Music/Wassermusik: VI. Hornpipe, Suite: Water Music/Wassermusik: VII. Air, Suite: Water Music/Wassermusik: VIII. Alla Hornpipe, Water Music: I. Menuet, Water Music: II. Andante, Water Music: III. Allegro, Water Music: IV. Adagio e staccato, Water Music: V. Bourée, Water Music: VI. Hornpipe, Water Music: VII. Air, Water Music: VIII. Alla Hornpipe |
| Pavol Bagin |
conductor |
Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: I. Allemande. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: II. Grave, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: III. Andante allegro, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: IV. Adagio, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: V. Sicilliana. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: VI. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: I. Overture. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: II. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: III. Air. Lento, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: IV. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: V. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: VI. Allegro moderato, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: I. Largo, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: II. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: III. Larghetto, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: IV. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: V. Menuet, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: VI. Gigue. Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano, Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| Quido Hölbling |
violin |
Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: I. Allemande. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: II. Grave, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: III. Andante allegro, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: IV. Adagio, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: V. Sicilliana. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: VI. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: I. Overture. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: II. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: III. Air. Lento, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: IV. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: V. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: VI. Allegro moderato, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: I. Largo, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: II. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: III. Larghetto, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: IV. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: V. Menuet, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: VI. Gigue. Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano, Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| Ton Koopman |
conductor, pipe organ |
Concerto Op. 4 No. 1 in G minor: I. Larghetto, Concerto Op. 4 No. 1 in G minor: II. Allegro, Concerto Op. 4 No. 1 in G minor: III. Adagio, Concerto Op. 4 No. 1 in G minor: IV. Andante, Concerto Op. 4 No. 2 in B flat major: I. A tempo ordinario, Concerto Op. 4 No. 2 in B flat major: II. Allegro, Concerto Op. 4 No. 2 in B flat major: III. Adagio, Concerto Op. 4 No. 2 in B flat major: IV. Allegro ma non troppo, Concerto Op. 4 No. 3 in G minor: I. Adagio, Concerto Op. 4 No. 3 in G minor: II. Allegro, Concerto Op. 4 No. 3 in G minor: III. Adagio, Concerto Op. 4 No. 3 in G minor: IV. Allegro (Gavotte), Concerto Op. 4 No. 4 in F major: I. Allegro, Concerto Op. 4 No. 4 in F major: II. Andante, Concerto Op. 4 No. 4 in F major: III. Adagio (Ad Libitum), Concerto Op. 4 No. 4 in F major: IV. Allegro, Concerto Op. 4 No. 5 in F major: I. Larghetto, Concerto Op. 4 No. 5 in F major: II. Allegro, Concerto Op. 4 No. 5 in F major: III. Alla siciliana, Concerto Op. 4 No. 5 in F major: IV. Presto, Concerto Op. 4 No. 6 in B flat major: I. Andante, Allegro, Concerto Op. 4 No. 6 in B flat major: II. Larghetto, Concerto Op. 4 No. 6 in B flat major: III. Allegro moderato, Concerto Op. 7 No. 6 in B flat major: I. Pomposo, Concerto Op. 7 No. 6 in B flat major: II. Adagio (Ad Libitum), Concerto Op. 7 No. 6 in B flat major: III. A tempo ordinario |
| Anna Hölblingová |
violin |
Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: I. Allemande. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: II. Grave, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: III. Andante allegro, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: IV. Adagio, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: V. Sicilliana. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: VI. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: I. Overture. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: II. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: III. Air. Lento, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: IV. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: V. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: VI. Allegro moderato, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: I. Largo, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: II. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: III. Larghetto, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: IV. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: V. Menuet, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: VI. Gigue. Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano, Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| Edward Carroll |
conductor |
Music for the Royal Fireworks, HWV 351: I. Ouverture, Music for the Royal Fireworks, HWV 351: II. Bourrée, Music for the Royal Fireworks, HWV 351: III. La paix, Music for the Royal Fireworks, HWV 351: IV. La Réjouissance, Music for the Royal Fireworks, HWV 351: V. Menuet I, Music for the Royal Fireworks, HWV 351: VI. Menuet II, Water Music, HWV 348-350: I. Ouverture, Water Music, HWV 348-350: II. Adagio e staccato, Water Music, HWV 348-350: III. Allegro - Andante, Water Music, HWV 348-350: IV. Menuet, Water Music, HWV 348-350: IX. Andante, Water Music, HWV 348-350: V. Air, Water Music, HWV 348-350: VI. Menuet, Water Music, HWV 348-350: VII. Bourrée, Water Music, HWV 348-350: VIII. Hornpipe, Water Music, HWV 348-350: X. Allegro, Water Music, HWV 348-350: XI. Hornpipe, Water Music, HWV 348-350: XII. Menuet, Water Music, HWV 348-350: XIII. Rigaudon, Water Music, HWV 348-350: XIV. Lentement (Loure), Water Music, HWV 348-350: XIX. Gigue 2 - Gigue 1 da capo, Water Music, HWV 348-350: XV. Air (Bourrée), Water Music, HWV 348-350: XVI: Menuet, Water Music, HWV 348-350: XVII. Air, Water Music, HWV 348-350: XVIII. Gigue 1, Water Music, HWV 348-350: XX. Coro |
| 鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) |
conductor, harpsichord |
Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn", Messiah, HWV 56: Part II, XXIX. Air (Soprano) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart", Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow", Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him", Messiah, HWV 56: Part II, XXXII. Air (Soprano) "Thou art gone up on high", Messiah, HWV 56: Part II, XXXIII. Chorus "The Lord gave the world", Messiah, HWV 56: Part II, XXXIVa. Air (Soprano) "How beautiful are the feet of them", Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together", Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXVIIa. Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn", Messiah, HWV 56: Part II, XXXVa. Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II, XXXa. Chorus "Lift up your heads, O ye gates", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written", Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?", Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory", Messiah, HWV 56: Part III, XLVI. Air (Soprano) "If God be for us, who can be against us?", Recorder Sonata in C Major, HWV 365: I. Larghetto, Recorder Sonata in C Major, HWV 365: II. Allegro, Recorder Sonata in C Major, HWV 365: III. Larghetto, Recorder Sonata in C Major, HWV 365: IV. A Tempo di Gavotta, Recorder Sonata in C Major, HWV 365: V. Allegro |
| Chamber Soloists of Washington |
performing orchestra |
Music for the Royal Fireworks, HWV 351: I. Ouverture, Music for the Royal Fireworks, HWV 351: II. Bourrée, Music for the Royal Fireworks, HWV 351: III. La paix, Music for the Royal Fireworks, HWV 351: IV. La Réjouissance, Music for the Royal Fireworks, HWV 351: V. Menuet I, Music for the Royal Fireworks, HWV 351: VI. Menuet II, Water Music, HWV 348-350: I. Ouverture, Water Music, HWV 348-350: II. Adagio e staccato, Water Music, HWV 348-350: III. Allegro - Andante, Water Music, HWV 348-350: IV. Menuet, Water Music, HWV 348-350: IX. Andante, Water Music, HWV 348-350: V. Air, Water Music, HWV 348-350: VI. Menuet, Water Music, HWV 348-350: VII. Bourrée, Water Music, HWV 348-350: VIII. Hornpipe, Water Music, HWV 348-350: X. Allegro, Water Music, HWV 348-350: XI. Hornpipe, Water Music, HWV 348-350: XII. Menuet, Water Music, HWV 348-350: XIII. Rigaudon, Water Music, HWV 348-350: XIV. Lentement (Loure), Water Music, HWV 348-350: XIX. Gigue 2 - Gigue 1 da capo, Water Music, HWV 348-350: XV. Air (Bourrée), Water Music, HWV 348-350: XVI: Menuet, Water Music, HWV 348-350: XVII. Air, Water Music, HWV 348-350: XVIII. Gigue 1, Water Music, HWV 348-350: XX. Coro |
| Amsterdam Baroque Orchestra |
performing orchestra |
Concerto Op. 4 No. 1 in G minor: I. Larghetto, Concerto Op. 4 No. 1 in G minor: II. Allegro, Concerto Op. 4 No. 1 in G minor: III. Adagio, Concerto Op. 4 No. 1 in G minor: IV. Andante, Concerto Op. 4 No. 2 in B flat major: I. A tempo ordinario, Concerto Op. 4 No. 2 in B flat major: II. Allegro, Concerto Op. 4 No. 2 in B flat major: III. Adagio, Concerto Op. 4 No. 2 in B flat major: IV. Allegro ma non troppo, Concerto Op. 4 No. 3 in G minor: I. Adagio, Concerto Op. 4 No. 3 in G minor: II. Allegro, Concerto Op. 4 No. 3 in G minor: III. Adagio, Concerto Op. 4 No. 3 in G minor: IV. Allegro (Gavotte), Concerto Op. 4 No. 4 in F major: I. Allegro, Concerto Op. 4 No. 4 in F major: II. Andante, Concerto Op. 4 No. 4 in F major: III. Adagio (Ad Libitum), Concerto Op. 4 No. 4 in F major: IV. Allegro, Concerto Op. 4 No. 5 in F major: I. Larghetto, Concerto Op. 4 No. 5 in F major: II. Allegro, Concerto Op. 4 No. 5 in F major: III. Alla siciliana, Concerto Op. 4 No. 5 in F major: IV. Presto, Concerto Op. 4 No. 6 in B flat major: I. Andante, Allegro, Concerto Op. 4 No. 6 in B flat major: II. Larghetto, Concerto Op. 4 No. 6 in B flat major: III. Allegro moderato, Concerto Op. 7 No. 6 in B flat major: I. Pomposo, Concerto Op. 7 No. 6 in B flat major: II. Adagio (Ad Libitum), Concerto Op. 7 No. 6 in B flat major: III. A tempo ordinario |
| Tony Bridge (mastering engineer) |
editor |
All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative |
| James Mallinson |
producer |
All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative |
| Michael Haas (classical music producer) |
producer |
Allegro, Feuerwerksmusik: I. Ouvertüre, Feuerwerksmusik: II. Bourrée, Feuerwerksmusik: III. Le Paix, Feuerwerksmusik: V. Menuet I - Menuet II, Larghetto, Minuet, Organ Concerto No.13 'The Cuckoo and the Nightningale', Suite No.3 (from the Water Music), Wassermusik Suite No. 1 F-Dur: I. Ouvertüre - Largo - Allegro, Wassermusik Suite No. 1 F-Dur: II. Adagio e staccato, Wassermusik Suite No. 1 F-Dur: III. Allegro - Andante, Wassermusik Suite No. 1 F-Dur: IV. Presto, Wassermusik Suite No. 1 F-Dur: V. Air, Wassermusik Suite No. 1 F-Dur: VI. Minuet, Wassermusik Suite No. 1 F-Dur: VII. Bourrée. Hornpipe, Wassermusik Suite No. 1 F-Dur: VIII. Allegro, Water Music, Suite No.2 in D major: Allegro, Water Music, Suite No.2 in D major: Bourée, Water Music, Suite No.2 in D major: Hornpipe, Water Music, Suite No.2 in D major: Lentement, Water Music, Suite No.2 in D major: Minuet, Water Music, Suite No.3 in G major: Menuet & Trio, Water Music, Suite No.3 in G major: Minuet I - Minuet II - Country Dance, Water Music, Suite No.3 in G major: Rigaudon I and II |
| Elaine Martone (engineer) |
producer |
All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative |
| John Newton (editor, engineer mixer) |
misc |
All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative |
| Jack Renner (engineer for Telarc) |
engineer |
All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative |
| Chœur ENS Lyon |
vocal |
All They That See Him, All We Like Sheep, Amen, And He Shall Purify, And With His Stripes, And the Glory of the Lord, Behold and See, Behold the Lamb of God, Behold, a Virgin Shall Conceive, But Who May Abide, Comfort Ye My People, Ev'ry Valley Shall Be Exalted, Hallelujah, He Trusted in God, He Was Despised, His Yoke Is Easy, How Beautiful Are the Feet of Him, I Know That My Redeemer, O Thou That Tellest, Since by Man Came Death, Surely, Symphony, They Rebuke Hath Broken His Heart, Thou Art Gone Upon High, Worthy Is the Lamb |
| Peter Marschik |
conductor |
No. 24: Chor: 'All we, like sheep, have gone astray', No.12: Chor: 'For unto us a Child is born', No.13: Pifa (Pastoral Sym), No.14: Recitative accompagnato (Soprano), No.15: Chor: 'Glory to God in the highest', No.16: Aria (Sop): 'Rejoice greatly, O daughter of Zion, No.18: Duet (Sop & Countertenor), No.19: Chor: 'His yoke is easy, his burthen is light', No.1: Accompagnato (Tenor): 'Comfort ye, comfort ye my people', No.22: Chor: 'Surely, he hath borne our griefs', No.23: Chor: 'And with his stripes we are healed', No.2: Aria (Tenor): 'Ev'ry valley shall be exalted', No.36: Aria (Sop): 'How beautiful are the feet', No.37: Chor: 'Their sound is gone out', No.3: Chor: 'And the glory of the Lord shall be revealed', No.41: Aria (Ten): 'Thou shalt break them', No.42: Chor: 'Hallelujah', No.43: Aria (Sop): 'I know that my Redeemer liveth', No.44: Chor: 'Since by man came death', No.46: Aria (Bass): 'The trumpet shall sound', No.48: Duet (Countertenor & Ten): 'Oh death, where is thy, No.49: Chor: 'But thanks be to God', No.51: Chor: 'Worthy is the Lamb that was slain' - 'Amen', Sin (Grave - Allegro moderato) |
| Thierry Schorr (Harpsichordists and organist) |
harpsichord, organ |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Emmanuel Balssa |
cello |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Myriam Gevers |
violin |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Michel Henry (Oboist) |
oboe |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Jonathan Rubin (Archlute player) |
lute |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Hiro Kurosaki |
violin |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Geoffrey Burgess (oboist) |
oboe |
Concerto grosso in B-flat major, op. 6 no. 7: I. Largo, Concerto grosso in B-flat major, op. 6 no. 7: II. Allegro, Concerto grosso in B-flat major, op. 6 no. 7: III. Largo, e piano, Concerto grosso in B-flat major, op. 6 no. 7: IV. Andante, Concerto grosso in B-flat major, op. 6 no. 7: V. Hornpipe, Concerto grosso in D minor, op. 6 no. 10: I. Ouverture, Concerto grosso in D minor, op. 6 no. 10: II. Air, Concerto grosso in D minor, op. 6 no. 10: III. Allegro, Concerto grosso in D minor, op. 6 no. 10: IV. Allegro, Concerto grosso in D minor, op. 6 no. 10: V. Allegro moderato, Concerto grosso in F major, op. 6 no. 2: I. Andante larghetto, Concerto grosso in F major, op. 6 no. 2: II. Allegro, Concerto grosso in F major, op. 6 no. 2: III. Largo, Larghetto andante e piano, Concerto grosso in F major, op. 6 no. 2: IV. Allegro ma non troppo, Concerto grosso in G major, op. 6 no. 1 : III. Adagio, Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto, Concerto grosso in G major, op. 6 no. 1: II. Allegro, Concerto grosso in G major, op. 6 no. 1: IV. Allegro, Concerto grosso in G major, op. 6 no. 1: V. Allegro, Concerto grosso in G minor, op. 6 no. 6: I. Largo e affettuoso, Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto: Allegro, ma non troppo, Concerto grosso in G minor, op. 6 no. 6: III. Musette: Larghetto, Concerto grosso in G minor, op. 6 no. 6: IV. Allegro, Concerto grosso in G minor, op. 6 no. 6: V. Allegro |
| Schola Cantorum Basiliensis |
performing orchestra |
Oboe Concerto in B-flat major, HWV 302a: Vivace - Fuga, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": I. Larghetto, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": II. Allegro, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": III. Larghetto, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": IV. Allegro, Wassermusik: I. Ouverture. Largo - Allegro, Wassermusik: II. Adagio e staccato, Wassermusik: III. Allegro - Andante - Allegro, Wassermusik: IV. Minuet, Wassermusik: IX. Andante, Wassermusik: V. Air, Wassermusik: VI. Minuet, Wassermusik: VII. Bourrée, Wassermusik: VIII. Hornpipe, Wassermusik: X. Allegro, Wassermusik: XI. Alla Hornpipe, Wassermusik: XII. Minuet, Wassermusik: XIII. Lentement, Wassermusik: XIV. Bourrée, Wassermusik: XIX. Country Dance I & II, Wassermusik: XV. Minuet, Wassermusik: XVI. Aria, Wassermusik: XVII. Minuet, Wassermusik: XVIII. Minuet |
| Academy of London |
performing orchestra |
No. 24: Chor: 'All we, like sheep, have gone astray', No.12: Chor: 'For unto us a Child is born', No.13: Pifa (Pastoral Sym), No.14: Recitative accompagnato (Soprano), No.15: Chor: 'Glory to God in the highest', No.16: Aria (Sop): 'Rejoice greatly, O daughter of Zion, No.18: Duet (Sop & Countertenor), No.19: Chor: 'His yoke is easy, his burthen is light', No.1: Accompagnato (Tenor): 'Comfort ye, comfort ye my people', No.22: Chor: 'Surely, he hath borne our griefs', No.23: Chor: 'And with his stripes we are healed', No.2: Aria (Tenor): 'Ev'ry valley shall be exalted', No.36: Aria (Sop): 'How beautiful are the feet', No.37: Chor: 'Their sound is gone out', No.3: Chor: 'And the glory of the Lord shall be revealed', No.41: Aria (Ten): 'Thou shalt break them', No.42: Chor: 'Hallelujah', No.43: Aria (Sop): 'I know that my Redeemer liveth', No.44: Chor: 'Since by man came death', No.46: Aria (Bass): 'The trumpet shall sound', No.48: Duet (Countertenor & Ten): 'Oh death, where is thy, No.49: Chor: 'But thanks be to God', No.51: Chor: 'Worthy is the Lamb that was slain' - 'Amen', Sin (Grave - Allegro moderato) |
| August Wenzinger |
conductor |
Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": I. Larghetto, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": II. Allegro, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": III. Larghetto, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": IV. Allegro, Wassermusik: I. Ouverture. Largo - Allegro, Wassermusik: II. Adagio e staccato, Wassermusik: III. Allegro - Andante - Allegro, Wassermusik: IV. Minuet, Wassermusik: IX. Andante, Wassermusik: V. Air, Wassermusik: VI. Minuet, Wassermusik: VII. Bourrée, Wassermusik: VIII. Hornpipe, Wassermusik: X. Allegro, Wassermusik: XI. Alla Hornpipe, Wassermusik: XII. Minuet, Wassermusik: XIII. Lentement, Wassermusik: XIV. Bourrée, Wassermusik: XIX. Country Dance I & II, Wassermusik: XV. Minuet, Wassermusik: XVI. Aria, Wassermusik: XVII. Minuet, Wassermusik: XVIII. Minuet |
| Karl Richter (conductor/ choir master/ organist/ harpsichordist) |
conductor, harpsichord |
Concerto a due cori No. 2 in F major: I. Pomposo, Concerto a due cori No. 2 in F major: II. Allegro, Concerto a due cori No. 2 in F major: III. A tempo giusto, Concerto a due cori No. 2 in F major: IV. Largo, Concerto a due cori No. 2 in F major: V. Allegro ma non troppo, Concerto a due cori No. 2 in F major: VI. A tempo ordinario, Concerto a due cori No. 3 in F major, HWV 334: I. Ouverture, Concerto a due cori No. 3 in F major, HWV 334: II. Allegro, Concerto a due cori No. 3 in F major, HWV 334: III. Allegro ma non troppo, Concerto a due cori No. 3 in F major, HWV 334: IV. Adagio, Concerto a due cori No. 3 in F major, HWV 334: V. Andante larghetto, Concerto a due cori No. 3 in F major, HWV 334: VI. Allegro, Der Messias: Halleluja, Konzert für Trompete B-dur: I. Adagio, Konzert für Trompete B-dur: II. Allegro, Konzert für Trompete B-dur: III. Siciliani. Largo, Konzert für Trompete B-dur: IV. Vivace, Messiah: For Unto Us a Child Is Born, Suite pour Clavecin No. 5, en mi majeur, HWV 430: Air Con Variazon, Trompetenkonzert B-dur: I. Adagio, Trompetenkonzert B-dur: II. Allegro, Trompetenkonzert B-dur: III. Siciliana. Largo, Trompetenkonzert B-dur: IV. Vivace |
| Bratislava Chamber Orchestra |
performing orchestra |
Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: I. Allemande. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: II. Grave, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: III. Andante allegro, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: IV. Adagio, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: V. Sicilliana. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: VI. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: I. Overture. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: II. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: III. Air. Lento, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: IV. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: V. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: VI. Allegro moderato, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: I. Largo, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: II. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: III. Larghetto, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: IV. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: V. Menuet, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: VI. Gigue. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| Robert von Bahr |
engineer, producer |
Messiah, HWV 56: Epigraph "And without Controversy", Sonata no. 1 in G minor, HWV 360: Adagio, Sonata no. 1 in G minor, HWV 360: Andante, Sonata no. 1 in G minor, HWV 360: Larghetto, Sonata no. 1 in G minor, HWV 360: Presto, Sonata no. 2 in A minor, HWV 362: Adagio, Sonata no. 2 in A minor, HWV 362: Allegro, Sonata no. 2 in A minor, HWV 362: Larghetto, Sonata no. 3 in C major, HWV 365: A tempo di gavotta, Sonata no. 3 in C major, HWV 365: Allegro, Sonata no. 3 in C major, HWV 365: Larghetto, Sonata no. 4 in F major, HWV 369: Alla siciliana, Sonata no. 4 in F major, HWV 369: Allegro, Sonata no. 4 in F major, HWV 369: Larghetto, Sonata no. 5 in B-flat major, HWV 377: Adagio, Sonata no. 5 in B-flat major, HWV 377: Allegro, Sonata no. 6 in D minor, HWV 367a: A tempo di minuet, Sonata no. 6 in D minor, HWV 367a: Adagio, Sonata no. 6 in D minor, HWV 367a: Alla breve, Sonata no. 6 in D minor, HWV 367a: Andante, Sonata no. 6 in D minor, HWV 367a: Largo, Sonata no. 6 in D minor, HWV 367a: Presto, Sonata no. 6 in D minor, HWV 367a: Vivace |
| Albrecht Mayer |
English horn, oboe |
Alcina, HWV 34: "Tornami a vagheggiar": Allegro, Alcina, HWV 34: "Verdi prati": Larghetto, Ariodante, HWV 32: "Doppo notte": Allegro, Cantata "Aci, Galatea e Poliremo", HWV 72: "Qui l'augel da pianta in pianta": Andante - Allegro, Cantata "Il delirio amoroso", HWV 99 / Suite for Harpsichord No. 3, HWV 436, Cantata "Tra le fiamme", HWV 170: "Voli per l'aria": Allegro, Giulio Cesare, HWV 17: "Più amabile beltà": Allegro ma non troppo, Oratorio "Alexander's Feast", HWV 75: "Softly Sweet in Lydian Measures": Largo, Oratorio "Semele", HWV 58: "Hence, Iris, Hence Away": Allegro, Oratorio "Semele", HWV 58: "Where'er You Walk": Largo, Oratorio "Solomon", HWV 67: "Will the Sun Forget to Streak": Largo, Organ Concerto No. 14, HWV 296a: Grave, Organ Concerto Op. 4, HWV 209: Adagio e staccato, Organ Concerto Op. 4, HWV 291: Adagio, Organ Concerto Op. 7, HWV 309: Adagio, Organ Concerto Op. 7, HWV 309: Allegro, Rinaldo, HWV 7: "Lascia ch'io pianga", Serse, HWV 40: "Ombra mai fu", Solomon, HWV 67: "The Arrival of the Queen of Sheba", Sonata a cinque, HWV 288: Adagio, Trio Sonata in G minor, HWV 393: Largo for Oboe, Violin and B.c., Variations "The Harmonious Blacksmith" for Oboe, Bassoon and Harpsichord, HWV 430, Water Music Suite No. 3 in G major, HWV 350: Country Dance |
| Josef Sikora |
cello |
Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: I. Allemande. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: II. Grave, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: III. Andante allegro, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: IV. Adagio, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: V. Sicilliana. Andante, Concerto Grosso in C minor, Op. 6 No. 8, HWV 326: VI. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: I. Overture. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: II. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: III. Air. Lento, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: IV. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: V. Allegro, Concerto Grosso in D minor, Op. 6 No. 10, HWV 328: VI. Allegro moderato, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: I. Largo, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: II. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: III. Larghetto, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: IV. Allegro, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: V. Menuet, Concerto Grosso in F major, Op. 6 No. 9, HWV 327: VI. Gigue. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| Clas Pehrsson |
recorder |
Sonata no. 1 in G minor, HWV 360: Adagio, Sonata no. 1 in G minor, HWV 360: Andante, Sonata no. 1 in G minor, HWV 360: Larghetto, Sonata no. 1 in G minor, HWV 360: Presto, Sonata no. 2 in A minor, HWV 362: Adagio, Sonata no. 2 in A minor, HWV 362: Allegro, Sonata no. 2 in A minor, HWV 362: Larghetto, Sonata no. 3 in C major, HWV 365: A tempo di gavotta, Sonata no. 3 in C major, HWV 365: Allegro, Sonata no. 3 in C major, HWV 365: Larghetto, Sonata no. 4 in F major, HWV 369: Alla siciliana, Sonata no. 4 in F major, HWV 369: Allegro, Sonata no. 4 in F major, HWV 369: Larghetto, Sonata no. 5 in B-flat major, HWV 377: Adagio, Sonata no. 5 in B-flat major, HWV 377: Allegro, Sonata no. 6 in D minor, HWV 367a: A tempo di minuet, Sonata no. 6 in D minor, HWV 367a: Adagio, Sonata no. 6 in D minor, HWV 367a: Alla breve, Sonata no. 6 in D minor, HWV 367a: Andante, Sonata no. 6 in D minor, HWV 367a: Largo, Sonata no. 6 in D minor, HWV 367a: Presto, Sonata no. 6 in D minor, HWV 367a: Vivace |
| London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) |
performer, performing orchestra |
Concerto Grosso in D major "Fireworks Music": I. Overture, Concerto Grosso in D major "Fireworks Music": II. Bourrée, Concerto Grosso in D major "Fireworks Music": III. La paix (largo alla Siciliana), Concerto Grosso in D major "Fireworks Music": IV. La réjouissance (allegro), Concerto Grosso in D major "Fireworks Music": V. Menuet I, Concerto Grosso in D major "Fireworks Music": VI. Menuet II, Concerto Grosso op. 6, no. 7 in B-flat major: I. Largo, Concerto Grosso op. 6, no. 7 in B-flat major: II. Allegro, Concerto Grosso op. 6, no. 7 in B-flat major: III. Largo e piano, Concerto Grosso op. 6, no. 7 in B-flat major: IV. Andante, Concerto Grosso op. 6, no. 7 in B-flat major: V. Hornpipe, Concerto Grosso op. 6, no. 8 in C minor: I. Allemande: Andante, Concerto Grosso op. 6, no. 8 in C minor: II. Grave, Concerto Grosso op. 6, no. 8 in C minor: III. Andante Allegro, Concerto Grosso op. 6, no. 8 in C minor: IV. Adagio, Concerto Grosso op. 6, no. 8 in C minor: V. Siciliano: Andante, Concerto Grosso op. 6, no. 8 in C minor: VI. Allegro, Hallelujah (Der Messias), Hallelujah Chorus, Water Music Suite: Hornpipe, Xerxes: Largo, Zadok the Priest |
| Rudolf Ewerhart |
organ |
Organ Concerto in G minor, Op. 4 No. 1, HWV 289: I. Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: II. Allegro, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: III. Adagio, Organ Concerto in G minor, Op. 4 No. 1, HWV 289: IV. Andante, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: I. A tempo ordinario e staccato, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: II. Allegro, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: III. Adagio e staccato, Organ Concerto in G minor, Op. 4 No. 2, HWV 290: IV. Allegro ma non presto, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: I. Adagio, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: II. Allegro, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: III. Adagio, Organ Concerto in G minor, Op. 4 No. 3, HWV 291: IV. Allegro (Gavotte), Organ Concerto in G minor, Op. 4 No. 4, HWV 292: I. Allegro, Organ Concerto in G minor, Op. 4 No. 4, HWV 292: II. Andante, Organ Concerto in G minor, Op. 4 No. 4, HWV 292: III. Adagio - Allegro, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: I. Larghetto, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: II. Allegro, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: III. Alla Siciliana, Organ Concerto in G minor, Op. 4 No. 5, HWV 293: IV. Presto, Organ Concerto in G minor, Op. 4 No. 6, HWV 294: I. Andante allegro, Organ Concerto in G minor, Op. 4 No. 6, HWV 294: II. Larghetto, Organ Concerto in G minor, Op. 4 No. 6, HWV 294: III. Allegro moderato |
| Thomas Schuback |
harpsichord |
Sonata no. 1 in G minor, HWV 360: Adagio, Sonata no. 1 in G minor, HWV 360: Andante, Sonata no. 1 in G minor, HWV 360: Larghetto, Sonata no. 1 in G minor, HWV 360: Presto, Sonata no. 2 in A minor, HWV 362: Adagio, Sonata no. 2 in A minor, HWV 362: Allegro, Sonata no. 2 in A minor, HWV 362: Larghetto, Sonata no. 3 in C major, HWV 365: A tempo di gavotta, Sonata no. 3 in C major, HWV 365: Allegro, Sonata no. 3 in C major, HWV 365: Larghetto, Sonata no. 4 in F major, HWV 369: Alla siciliana, Sonata no. 4 in F major, HWV 369: Allegro, Sonata no. 4 in F major, HWV 369: Larghetto, Sonata no. 5 in B-flat major, HWV 377: Adagio, Sonata no. 5 in B-flat major, HWV 377: Allegro, Sonata no. 6 in D minor, HWV 367a: A tempo di minuet, Sonata no. 6 in D minor, HWV 367a: Adagio, Sonata no. 6 in D minor, HWV 367a: Alla breve, Sonata no. 6 in D minor, HWV 367a: Andante, Sonata no. 6 in D minor, HWV 367a: Largo, Sonata no. 6 in D minor, HWV 367a: Presto, Sonata no. 6 in D minor, HWV 367a: Vivace |
| Bengt Ericson |
cello |
Sonata no. 1 in G minor, HWV 360: Adagio, Sonata no. 1 in G minor, HWV 360: Andante, Sonata no. 1 in G minor, HWV 360: Larghetto, Sonata no. 1 in G minor, HWV 360: Presto, Sonata no. 2 in A minor, HWV 362: Adagio, Sonata no. 2 in A minor, HWV 362: Allegro, Sonata no. 2 in A minor, HWV 362: Larghetto, Sonata no. 3 in C major, HWV 365: A tempo di gavotta, Sonata no. 3 in C major, HWV 365: Allegro, Sonata no. 3 in C major, HWV 365: Larghetto, Sonata no. 4 in F major, HWV 369: Alla siciliana, Sonata no. 4 in F major, HWV 369: Allegro, Sonata no. 4 in F major, HWV 369: Larghetto, Sonata no. 5 in B-flat major, HWV 377: Adagio, Sonata no. 5 in B-flat major, HWV 377: Allegro, Sonata no. 6 in D minor, HWV 367a: A tempo di minuet, Sonata no. 6 in D minor, HWV 367a: Adagio, Sonata no. 6 in D minor, HWV 367a: Alla breve, Sonata no. 6 in D minor, HWV 367a: Andante, Sonata no. 6 in D minor, HWV 367a: Largo, Sonata no. 6 in D minor, HWV 367a: Presto, Sonata no. 6 in D minor, HWV 367a: Vivace |
| Bach Collegium Japan |
performing orchestra, vocal |
Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn", Messiah, HWV 56: Part II, XXIX. Air (Soprano) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart", Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow", Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him", Messiah, HWV 56: Part II, XXXII. Air (Soprano) "Thou art gone up on high", Messiah, HWV 56: Part II, XXXIII. Chorus "The Lord gave the world", Messiah, HWV 56: Part II, XXXIVa. Air (Soprano) "How beautiful are the feet of them", Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together", Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXVIIa. Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn", Messiah, HWV 56: Part II, XXXVa. Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II, XXXa. Chorus "Lift up your heads, O ye gates", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written", Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?", Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory", Messiah, HWV 56: Part III, XLVI. Air (Soprano) "If God be for us, who can be against us?" |
| Brensky akademicky sbor |
vocal |
Part I. "And He Shall Purify", Part I. "And Suddenly There Was With The Angel - Glory To God", Part I. "And The Glory Of The Lord", Part I. "For Unto Us A Child Is Born", Part I. "His Yoke Is Easy, And His Burden Is Light", Part I. "O Thou That Tellest", Part I. "Rejoice Greatly, O Daughter Of Zion!", Part II. "All we like sheep have gone astray", Part II. "And with His stripes we are healed", Part II. "Behold The Lamb Of God", Part II. "Hallelujah", Part II. "He trusted in God", Part II. "Let us break their bonds asunder", Part II. "Lift Up Your Heads, O Ye Gates", Part II. "Surely He Hath Born Our Griefs", Part II. "The Lord gave the word", Part II. "Their sound is gone out", Part II. "Unto Which Of The Angels - Let All The Angels", Part III. "Amen", Part III. "Since by man came death", Part III. "Worthy is the Lamb that was slain" |
| Münchener Kammerorchester |
performing orchestra |
Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: I. Larghetto e staccato, Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: II. Allegro, Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: IV. Adagio, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: I. Larghetto, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: II. Allegro, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: III. Larghetto, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: IV. Allegro, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: I. Allegro, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: II. Andante, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: III. Adagio, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: IV. Allegro, Orgelkonzert mit Orchester Nr. 1 in g-Moll, Op. 4 Nr. 1: Adagio, Suite in G-Dur für Cembalo: Allegro (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Allemande (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Aria (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Courante (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Gavotte (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Gigue (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Menuett (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Variationen (feat. harpsichord: Eberhard Kraus) |
| Stockholms kammarkör (Stockholm Chamber Choir) |
vocal |
Messiah, HWV 56: Part I: IV. Chorus "And the glory of the Lord shall be revealed", Messiah, HWV 56: Part I: IX: Air and Chorus "O though that tellest good tidings to Zion" (alto), Messiah, HWV 56: Part I: VII. Chorus "And he shall purify the sons of Levi", Messiah, HWV 56: Part I: XII: Chorus "For unto us a Child is born", Messiah, HWV 56: Part I: XVII: Chorus "Glory to God in the highest", Messiah, HWV 56: Part I: XXI: Chorus "His yoke is easy", Messiah, HWV 56: Part II: XLI: Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II: XLIV: Chorus "Hallelujah", Messiah, HWV 56: Part II: XXII: Chorus "Behold the Lamb of God, that taketh away the sin of the world", Messiah, HWV 56: Part II: XXIV: Chorus "Surely he hath borne our griefs and carried our sorrows", Messiah, HWV 56: Part II: XXV: Chorus "And with his stripes we are healed", Messiah, HWV 56: Part II: XXVI: Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II: XXVIII: Chorus "He trusted in God that he would deliver him", Messiah, HWV 56: Part II: XXXIII: Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II: XXXIX: Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II: XXXV: Chorus "Let all the angels of God worship him", Messiah, HWV 56: Part II: XXXVII: Chorus "The Lord gave the word: great was the company of the preachers", Messiah, HWV 56: Part III: LI: Chorus "But thanks be to God, who giveth us the victory", Messiah, HWV 56: Part III: LIII: Chorus "Worthy is the Lamb that was slain", Messiah, HWV 56: Part III: XLVI: Chorus "Since by man came death" |
| Südwestdeutsches Kammerorchester Pforzheim |
performing orchestra |
Concerto Grosso in C-Dur „Alexanderfest“: I. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: II. Largo, Concerto Grosso in C-Dur „Alexanderfest“: III. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: IV. Andante non presto, Dettinger Te Deum (1743): I. Herr Gott! Dir sei Lob!, Dettinger Te Deum (1743): II. Alle Welt verehret dich, Dettinger Te Deum (1743): III. Dir singt der Engel reiner Chor, Dettinger Te Deum (1743): IV. Vor dir Cherubim und Seraphim, Dettinger Te Deum (1743): IX. Du sitzest zu der Rechten des Herrn, Dettinger Te Deum (1743): V. Der hochgelobte Chor der Apostel, Dettinger Te Deum (1743): VI. Du bist der Ehren König, Dettinger Te Deum (1743): VII. Als du auf dich genommen, Dettinger Te Deum (1743): VIII. Als du siegreich zerbrachst, Dettinger Te Deum (1743): X. Nimm uns auf in deiner Heil'gen Zahl, Dettinger Te Deum (1743): XI. Tag für Tag sei Dank und Lob dir, Dettinger Te Deum (1743): XII. Bewahr, o Herr, du treuer Gott, Dettinger Te Deum (1743): XIII. O Herr, aud dich steht mein Hoffen, Violinkonzert (Sonata) in B-Dur: I. Andante, Violinkonzert (Sonata) in B-Dur: II. Adagio, Violinkonzert (Sonata) in B-Dur: III. Allegro |
| Orchestre de Chambre de Toulouse |
performing orchestra |
Concerto grosso in G major, Op. 6, No. 1 HWV 319: I. A tempo giusto, Concerto grosso in G major, Op. 6, No. 1 HWV 319: II. Allegro, Concerto grosso in G major, Op. 6, No. 1 HWV 319: III. Adagio, Concerto grosso in G major, Op. 6, No. 1 HWV 319: IV. Allegro, Concerto grosso in G major, Op. 6, No. 1 HWV 319: V. Allegro, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: III. Musette: Larghetto, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: IV. Allegro, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: V. Allegro, Harp Concerto in B-flat, Op. 4 No. 6: I. Andante / Allegro, Harp Concerto in B-flat, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat, Op. 4 No. 6: III. Allegro moderato, Oboe Concerto in G minor: I. Grave / Allegro, Oboe Concerto in G minor: II. Sarabande (Largo), Oboe Concerto in G minor: III. Allegro, Organ Concerto in G minor, Op. 7 No. 5 HWV 310: I., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: II., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: III., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: IV. |
| Eric Ericson |
chorus master |
Messiah, HWV 56: Part I: IV. Chorus "And the glory of the Lord shall be revealed", Messiah, HWV 56: Part I: IX: Air and Chorus "O though that tellest good tidings to Zion" (alto), Messiah, HWV 56: Part I: VII. Chorus "And he shall purify the sons of Levi", Messiah, HWV 56: Part I: XII: Chorus "For unto us a Child is born", Messiah, HWV 56: Part I: XVII: Chorus "Glory to God in the highest", Messiah, HWV 56: Part I: XXI: Chorus "His yoke is easy", Messiah, HWV 56: Part II: XLI: Chorus "Let us break their bonds asunder", Messiah, HWV 56: Part II: XLIV: Chorus "Hallelujah", Messiah, HWV 56: Part II: XXII: Chorus "Behold the Lamb of God, that taketh away the sin of the world", Messiah, HWV 56: Part II: XXIV: Chorus "Surely he hath borne our griefs and carried our sorrows", Messiah, HWV 56: Part II: XXV: Chorus "And with his stripes we are healed", Messiah, HWV 56: Part II: XXVI: Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II: XXVIII: Chorus "He trusted in God that he would deliver him", Messiah, HWV 56: Part II: XXXIII: Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II: XXXIX: Chorus "Their sound is gone out into all lands", Messiah, HWV 56: Part II: XXXV: Chorus "Let all the angels of God worship him", Messiah, HWV 56: Part II: XXXVII: Chorus "The Lord gave the word: great was the company of the preachers", Messiah, HWV 56: Part III: LI: Chorus "But thanks be to God, who giveth us the victory", Messiah, HWV 56: Part III: LIII: Chorus "Worthy is the Lamb that was slain", Messiah, HWV 56: Part III: XLVI: Chorus "Since by man came death" |
| David Hill (organist and conductor) |
conductor |
Anthem for the Foundling Hospital: Blessed are they that considereth the poor, Anthem for the Foundling Hospital: Blessed are they... They deliver the poor, Anthem for the Foundling Hospital: Comfort them, O Lord, Anthem for the Foundling Hospital: Hallelujah!, Anthem for the Foundling Hospital: O God who from the suckling's mouth, Anthem for the Foundling Hospital: The charitable shall be had, Anthem for the Foundling Hospital: The people will tell of their wisdom, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): I. Let thy hand be strengthened, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): II. Let justice and judgement, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): III. Alleluia, My Heart is Inditing (Coronation Anthem No.4, HWV 261): I. My heart is inditing, My Heart is Inditing (Coronation Anthem No.4, HWV 261): II. King's daughters were among thy honourable women, My Heart is Inditing (Coronation Anthem No.4, HWV 261): III. Upon thy right hand, My Heart is Inditing (Coronation Anthem No.4, HWV 261): IV. Kings, kings shall be thy nursing fathers, The King shall rejoice (Coronation Anthem No.3, HWV 260): I. The King shall Rejoice, The King shall rejoice (Coronation Anthem No.3, HWV 260): II. Exceeding Glad shall he be, The King shall rejoice (Coronation Anthem No.3, HWV 260): III. Glory and Worship, The King shall rejoice (Coronation Anthem No.3, HWV 260): IV. Alleluia, Zadok the Priest (Coronation Anthem No.1, HWV 258) |
| Kamerkoris "Ave Sol" (Ave Sol Chamber Choir) |
vocal |
The Messiah, HWV 56 - Part 1, "The Birth": I. Sinfonia, The Messiah, HWV 56 - Part 1, "The Birth": II. Accompagnato: "Comfort ye, my people", The Messiah, HWV 56 - Part 1, "The Birth": III. Aria: "Every valley shall be exalted", The Messiah, HWV 56 - Part 1, "The Birth": IV. Chorus: "And He shall purify the sons of Levi", The Messiah, HWV 56 - Part 1, "The Birth": IX. Recitativo accompagnato: "There were shepherds abiding in the field", The Messiah, HWV 56 - Part 1, "The Birth": V. Aria (O thou that tellest good tidings to Zion), The Messiah, HWV 56 - Part 1, "The Birth": VI. Chorus: "O thou that tellest good tidings to Zion", The Messiah, HWV 56 - Part 1, "The Birth": VII. Chorus: "For unto us a child is born", The Messiah, HWV 56 - Part 1, "The Birth": X. Chorus: "Glory to God in the Highest", The Messiah, HWV 56 - Part 1, "The Birth": XI. Duetto: "He shall feed His flock like a shepherd", The Messiah, HWV 56 - Part 2, "The Passion": I. Chorus: "Are we like Sheep have gone astray", The Messiah, HWV 56 - Part 2, "The Passion": II. Accompagnato: "Thy rebuke has broken His heart", The Messiah, HWV 56 - Part 2, "The Passion": III. Arioso: "Behold, and see if there be any sorrow", The Messiah, HWV 56 - Part 2, "The Passion": IV. Chorus: "The Lord gave the word", The Messiah, HWV 56 - Part 2, "The Passion": V. Aria: "Why do the nations", The Messiah, HWV 56 - Part 2, "The Passion": VI. Chorus: "Halleluja!", The Messiah, HWV 56 - Part 3, "The Aftermath": I. Aria: "I know that my redeemer liveth", The Messiah, HWV 56 - Part 3, "The Aftermath": II. Chorus: "Amen", The Messiah, Hwv 56 - Part 1, "The Birth": VIII. Pifa (Pastoral Sinfonia): Larghetto |
| Imants Kokars |
conductor |
The Messiah, HWV 56 - Part 1, "The Birth": I. Sinfonia, The Messiah, HWV 56 - Part 1, "The Birth": II. Accompagnato: "Comfort ye, my people", The Messiah, HWV 56 - Part 1, "The Birth": III. Aria: "Every valley shall be exalted", The Messiah, HWV 56 - Part 1, "The Birth": IV. Chorus: "And He shall purify the sons of Levi", The Messiah, HWV 56 - Part 1, "The Birth": IX. Recitativo accompagnato: "There were shepherds abiding in the field", The Messiah, HWV 56 - Part 1, "The Birth": V. Aria (O thou that tellest good tidings to Zion), The Messiah, HWV 56 - Part 1, "The Birth": VI. Chorus: "O thou that tellest good tidings to Zion", The Messiah, HWV 56 - Part 1, "The Birth": VII. Chorus: "For unto us a child is born", The Messiah, HWV 56 - Part 1, "The Birth": X. Chorus: "Glory to God in the Highest", The Messiah, HWV 56 - Part 1, "The Birth": XI. Duetto: "He shall feed His flock like a shepherd", The Messiah, HWV 56 - Part 2, "The Passion": I. Chorus: "Are we like Sheep have gone astray", The Messiah, HWV 56 - Part 2, "The Passion": II. Accompagnato: "Thy rebuke has broken His heart", The Messiah, HWV 56 - Part 2, "The Passion": III. Arioso: "Behold, and see if there be any sorrow", The Messiah, HWV 56 - Part 2, "The Passion": IV. Chorus: "The Lord gave the word", The Messiah, HWV 56 - Part 2, "The Passion": V. Aria: "Why do the nations", The Messiah, HWV 56 - Part 2, "The Passion": VI. Chorus: "Halleluja!", The Messiah, HWV 56 - Part 3, "The Aftermath": I. Aria: "I know that my redeemer liveth", The Messiah, HWV 56 - Part 3, "The Aftermath": II. Chorus: "Amen", The Messiah, Hwv 56 - Part 1, "The Birth": VIII. Pifa (Pastoral Sinfonia): Larghetto |
| Gottfried von der Goltz |
conductor, violin |
"Il duello amoroso", HWV. 82: I. Sonata: Allegro Menuetto, "Il duello amoroso", HWV. 82: II. Recitativo (Daliso), "Il duello amoroso", HWV. 82: III. Aria (Daliso), "Il duello amoroso", HWV. 82: IV. Recitativo (Amarilli), "Il duello amoroso", HWV. 82: IX. Aria (Daliso), "Il duello amoroso", HWV. 82: V. Aria (Amarilli), "Il duello amoroso", HWV. 82: VI. Recitativo (Daliso/Amarilli), "Il duello amoroso", HWV. 82: VII. Aria (Amarilli), "Il duello amoroso", HWV. 82: VIII. Recitativo (Daliso), "Il duello amoroso", HWV. 82: X. Recitativo (Amarilli/Daliso), Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: I. Larghetto affetuoso, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: II. Allegro, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: III. Largo e piano, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: IV. Allegro, Concerto grosso, Op. 6 No. 6: I. Largo e affettuoso, Concerto grosso, Op. 6 No. 6: II. A tempo giusto, Concerto grosso, Op. 6 No. 6: III. Musette - Larghetto, Concerto grosso, Op. 6 No. 6: IV. Allegro, Concerto grosso, Op. 6 No. 6: V. Allegro |
| Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) |
performing orchestra |
The Messiah, HWV 56 - Part 1, "The Birth": I. Sinfonia, The Messiah, HWV 56 - Part 1, "The Birth": II. Accompagnato: "Comfort ye, my people", The Messiah, HWV 56 - Part 1, "The Birth": III. Aria: "Every valley shall be exalted", The Messiah, HWV 56 - Part 1, "The Birth": IV. Chorus: "And He shall purify the sons of Levi", The Messiah, HWV 56 - Part 1, "The Birth": IX. Recitativo accompagnato: "There were shepherds abiding in the field", The Messiah, HWV 56 - Part 1, "The Birth": V. Aria (O thou that tellest good tidings to Zion), The Messiah, HWV 56 - Part 1, "The Birth": VI. Chorus: "O thou that tellest good tidings to Zion", The Messiah, HWV 56 - Part 1, "The Birth": VII. Chorus: "For unto us a child is born", The Messiah, HWV 56 - Part 1, "The Birth": X. Chorus: "Glory to God in the Highest", The Messiah, HWV 56 - Part 1, "The Birth": XI. Duetto: "He shall feed His flock like a shepherd", The Messiah, HWV 56 - Part 2, "The Passion": I. Chorus: "Are we like Sheep have gone astray", The Messiah, HWV 56 - Part 2, "The Passion": II. Accompagnato: "Thy rebuke has broken His heart", The Messiah, HWV 56 - Part 2, "The Passion": III. Arioso: "Behold, and see if there be any sorrow", The Messiah, HWV 56 - Part 2, "The Passion": IV. Chorus: "The Lord gave the word", The Messiah, HWV 56 - Part 2, "The Passion": V. Aria: "Why do the nations", The Messiah, HWV 56 - Part 2, "The Passion": VI. Chorus: "Halleluja!", The Messiah, HWV 56 - Part 3, "The Aftermath": I. Aria: "I know that my redeemer liveth", The Messiah, HWV 56 - Part 3, "The Aftermath": II. Chorus: "Amen", The Messiah, Hwv 56 - Part 1, "The Birth": VIII. Pifa (Pastoral Sinfonia): Larghetto |
| Winchester Cathedral Choir |
vocal |
Anthem for the Foundling Hospital: Blessed are they that considereth the poor, Anthem for the Foundling Hospital: Blessed are they... They deliver the poor, Anthem for the Foundling Hospital: Comfort them, O Lord, Anthem for the Foundling Hospital: Hallelujah!, Anthem for the Foundling Hospital: O God who from the suckling's mouth, Anthem for the Foundling Hospital: The charitable shall be had, Anthem for the Foundling Hospital: The people will tell of their wisdom, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): I. Let thy hand be strengthened, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): II. Let justice and judgement, Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259): III. Alleluia, My Heart is Inditing (Coronation Anthem No.4, HWV 261): I. My heart is inditing, My Heart is Inditing (Coronation Anthem No.4, HWV 261): II. King's daughters were among thy honourable women, My Heart is Inditing (Coronation Anthem No.4, HWV 261): III. Upon thy right hand, My Heart is Inditing (Coronation Anthem No.4, HWV 261): IV. Kings, kings shall be thy nursing fathers, The King shall rejoice (Coronation Anthem No.3, HWV 260): I. The King shall Rejoice, The King shall rejoice (Coronation Anthem No.3, HWV 260): II. Exceeding Glad shall he be, The King shall rejoice (Coronation Anthem No.3, HWV 260): III. Glory and Worship, The King shall rejoice (Coronation Anthem No.3, HWV 260): IV. Alleluia, Zadok the Priest (Coronation Anthem No.1, HWV 258) |
| Neues Bachisches Collegium Musicum |
performing orchestra |
Concerto a due chori in B-flat major, HWV 332: I. Ouvertüre, Concerto a due chori in B-flat major, HWV 332: II. Allegro ma non troppo, Concerto a due chori in B-flat major, HWV 332: III. Allegro, Concerto a due chori in B-flat major, HWV 332: IV. Largo, Concerto a due chori in B-flat major, HWV 332: V. A tempo ordinario, Concerto a due chori in B-flat major, HWV 332: VI. Alla breve moderato, Concerto a due chori in B-flat major, HWV 332: VII. Minuet, Concerto a due chori in F major, HWV 333: I. Pomposo, Concerto a due chori in F major, HWV 333: II. Allegro, Concerto a due chori in F major, HWV 333: III. A tempo giusto, Concerto a due chori in F major, HWV 333: IV. Largo, Concerto a due chori in F major, HWV 333: V. Allegro ma non troppo, Concerto a due chori in F major, HWV 333: VI. A tempo ordinario, Concerto a due chori in F major, HWV 334: I. Ouvertüre, Concerto a due chori in F major, HWV 334: II. Allegro, Concerto a due chori in F major, HWV 334: III. Allegro ma non troppo, Concerto a due chori in F major, HWV 334: IV. Adagio, Concerto a due chori in F major, HWV 334: V. Andante Larghetto, Concerto a due chori in F major, HWV 334: VI. Allegro |
| Philip Hobbs (Engineer) |
recording |
Water Music Suite in D/G major, HWV 349/350: Alla Hornpipe, Water Music Suite in D/G major, HWV 349/350: Bourrée, Water Music Suite in D/G major, HWV 349/350: Lentement, Water Music Suite in D/G major, HWV 349/350: Menuet [I], Water Music Suite in D/G major, HWV 349/350: Rigaudon, Water Music Suite in D/G major, HWV 349/350: [Country Dance I & II], Water Music Suite in D/G major, HWV 349/350: [Menuet II], Water Music Suite in D/G major, HWV 349/350: [Menuet], Water Music Suite in D/G major, HWV 349/350: [Ouverture], Water Music Suite in D/G major, HWV 349/350: [Trumpet Menuet], Water Music Suite in F major, HWV 348: Adagio e staccato, Water Music Suite in F major, HWV 348: Air, Water Music Suite in F major, HWV 348: Bourrée, Water Music Suite in F major, HWV 348: Hornpipe, Water Music Suite in F major, HWV 348: Menuet, Water Music Suite in F major, HWV 348: Ouverture. Largo – Allegro, Water Music Suite in F major, HWV 348: [Allegro] – Andante – [Allegro], Water Music Suite in F major, HWV 348: [Andante], Water Music Suite in F major, HWV 348: [Menuet] |
| Max Pommer |
conductor |
Concerto a due chori in B-flat major, HWV 332: I. Ouvertüre, Concerto a due chori in B-flat major, HWV 332: II. Allegro ma non troppo, Concerto a due chori in B-flat major, HWV 332: III. Allegro, Concerto a due chori in B-flat major, HWV 332: IV. Largo, Concerto a due chori in B-flat major, HWV 332: V. A tempo ordinario, Concerto a due chori in B-flat major, HWV 332: VI. Alla breve moderato, Concerto a due chori in B-flat major, HWV 332: VII. Minuet, Concerto a due chori in F major, HWV 333: I. Pomposo, Concerto a due chori in F major, HWV 333: II. Allegro, Concerto a due chori in F major, HWV 333: III. A tempo giusto, Concerto a due chori in F major, HWV 333: IV. Largo, Concerto a due chori in F major, HWV 333: V. Allegro ma non troppo, Concerto a due chori in F major, HWV 333: VI. A tempo ordinario, Concerto a due chori in F major, HWV 334: I. Ouvertüre, Concerto a due chori in F major, HWV 334: II. Allegro, Concerto a due chori in F major, HWV 334: III. Allegro ma non troppo, Concerto a due chori in F major, HWV 334: IV. Adagio, Concerto a due chori in F major, HWV 334: V. Andante Larghetto, Concerto a due chori in F major, HWV 334: VI. Allegro |
| Daniel Chorzempa |
organ |
Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: I. Allegro ma non troppo e staccato, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: II. Adagio, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: III. Andante larghetto e staccato, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: IV. Menuet, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: I. Larghetto - Allegro, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: II. Adagio, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: III. Allegro, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: IV. Larghetto, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: V. Allegro, Organ Concerto No.5 in F, Op.4 No.5: I / II. Larghetto - Allegro, Organ Concerto No.5 in F, Op.4 No.5: III. Alla siciliana, Organ Concerto No.5 in F, Op.4 No.5: IV. Presto, Organ Concerto No.6 in B flat, Op.4 No.6: I. Andante allegro, Organ Concerto No.6 in B flat, Op.4 No.6: II. Larghetto, Organ Concerto No.6 in B flat, Op.4 No.6: III. Allegro moderato, Organ Concerto No.8 in A, Op.7 No.2: I. Overture / II. A tempo ordinario, Organ Concerto No.8 in A, Op.7 No.2: III. Adagio, Organ Concerto No.8 in A, Op.7 No.2: IV. Allegro |
| Südfunk-Chor Stuttgart |
vocal |
Der Messias: No. 11 Chor, Der Messias: No. 15 Chor, Der Messias: No. 18 Chor, Der Messias: No. 19 Chor, Der Messias: No. 21 Chor, Der Messias: No. 22 Chor, Der Messias: No. 23 Chor, Der Messias: No. 25 Chor, Der Messias: No. 30 Chor, Der Messias: No. 31 Chor, Der Messias: No. 33 Chor, Der Messias: No. 37 Chor, Der Messias: No. 39 Chor, Der Messias: No. 4 Chor, Der Messias: No. 41 Chor, Der Messias: No. 44 Duett / No. 45 Chor, Der Messias: No. 47 Chor, Der Messias: No. 8 Arie |
| Milan Munclinger |
conductor |
Music for the Royal Fireworks: I. Ouverture (Adagio - Allegro - Lentement - Allegro D.C.), Music for the Royal Fireworks: II. Bourrée, Music for the Royal Fireworks: III. La Paix (Largo alla Siciliana), Music for the Royal Fireworks: IV. La Réjouissance (Allegro), Music for the Royal Fireworks: V. Menuet I, Music for the Royal Fireworks: VI. Menuet II, Water Music Suite No. 1 in F major: I. Ouverture, Water Music Suite No. 1 in F major: II. Adagio e staccato, Water Music Suite No. 1 in F major: III. Allegro, Water Music Suite No. 1 in F major: IV. Andante (Allegro D.C.), Water Music Suite No. 1 in F major: IX. Hornpipe, Water Music Suite No. 1 in F major: V. Allegro, Water Music Suite No. 1 in F major: VI. Air, Water Music Suite No. 1 in F major: VII. Minuet, Water Music Suite No. 1 in F major: VIII. Bourrée, Water Music Suite No. 1 in F major: X. Poco allegro, Water Music Suite No. 1 in F major: XI. Alla Hornpipe, Watermusic Suite No. 1 in F: Allegro, Andante, Allegro |
| Concerto Amsterdam |
performing orchestra |
Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: I. Allegro ma non troppo e staccato, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: II. Adagio, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: III. Andante larghetto e staccato, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: IV. Menuet, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: I. Larghetto - Allegro, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: II. Adagio, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: III. Allegro, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: IV. Larghetto, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: V. Allegro, Organ Concerto No.5 in F, Op.4 No.5: I / II. Larghetto - Allegro, Organ Concerto No.5 in F, Op.4 No.5: III. Alla siciliana, Organ Concerto No.5 in F, Op.4 No.5: IV. Presto, Organ Concerto No.6 in B flat, Op.4 No.6: I. Andante allegro, Organ Concerto No.6 in B flat, Op.4 No.6: II. Larghetto, Organ Concerto No.6 in B flat, Op.4 No.6: III. Allegro moderato, Organ Concerto No.8 in A, Op.7 No.2: I. Overture / II. A tempo ordinario, Organ Concerto No.8 in A, Op.7 No.2: III. Adagio, Organ Concerto No.8 in A, Op.7 No.2: IV. Allegro |
| Jaap Schröder (Dutch musician) |
conductor |
Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: I. Allegro ma non troppo e staccato, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: II. Adagio, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: III. Andante larghetto e staccato, Organ Concerto No.11 in G minor, Op.7 No.5 HWV 310: IV. Menuet, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: I. Larghetto - Allegro, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: II. Adagio, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: III. Allegro, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: IV. Larghetto, Organ Concerto No.13 in F "Cuckoo and the Nightingale" HWV 295: V. Allegro, Organ Concerto No.5 in F, Op.4 No.5: I / II. Larghetto - Allegro, Organ Concerto No.5 in F, Op.4 No.5: III. Alla siciliana, Organ Concerto No.5 in F, Op.4 No.5: IV. Presto, Organ Concerto No.6 in B flat, Op.4 No.6: I. Andante allegro, Organ Concerto No.6 in B flat, Op.4 No.6: II. Larghetto, Organ Concerto No.6 in B flat, Op.4 No.6: III. Allegro moderato, Organ Concerto No.8 in A, Op.7 No.2: I. Overture / II. A tempo ordinario, Organ Concerto No.8 in A, Op.7 No.2: III. Adagio, Organ Concerto No.8 in A, Op.7 No.2: IV. Allegro |
| l’arte del mondo |
performing orchestra |
Agrippina: "No, no ch'io bon apprezzo" (Ottone, Poppea), Alcina: Overture, Alcina: Prelude "Dream music", Alcina: Tamburino, Giulio Cesare: "Empio, dirò, tu sei" (Giulio Cesare), Giulio Cesare: "Piangerò la sorte mia" (Cleopatra), Giulio Cesare: "Se pietà di me non senti" (Cleopatra), Giulio Cesare: "Son nata" (Cornelia, Sesto), Rinaldo: "Ah crudel" (Armida), Rinaldo: "Augelletti che cantate" (Armida), Rinaldo: "Fermati ... Non, crudel" (Armida, Rinaldo), Rinaldo: "Furie terribili" (Rinaldo), Rinaldo: "Or la tromba in suon festante" (Rinaldo), Rinaldo: "Scherzano sul tuo volto" - "Ridono sul tuo labbro", Rinaldo: "Venti, turbini, prestate" (Rinaldo), Rinaldo: Battaglia, Rinaldo: Prelude, Serse: "Ombra mai fù di vegetabile" (Serse) |
| Ars Rediviva |
performing orchestra |
Music for the Royal Fireworks: I. Ouverture (Adagio - Allegro - Lentement - Allegro D.C.), Music for the Royal Fireworks: II. Bourrée, Music for the Royal Fireworks: III. La Paix (Largo alla Siciliana), Music for the Royal Fireworks: IV. La Réjouissance (Allegro), Music for the Royal Fireworks: V. Menuet I, Music for the Royal Fireworks: VI. Menuet II, Water Music Suite No. 1 in F major: I. Ouverture, Water Music Suite No. 1 in F major: II. Adagio e staccato, Water Music Suite No. 1 in F major: III. Allegro, Water Music Suite No. 1 in F major: IV. Andante (Allegro D.C.), Water Music Suite No. 1 in F major: IX. Hornpipe, Water Music Suite No. 1 in F major: V. Allegro, Water Music Suite No. 1 in F major: VI. Air, Water Music Suite No. 1 in F major: VII. Minuet, Water Music Suite No. 1 in F major: VIII. Bourrée, Water Music Suite No. 1 in F major: X. Poco allegro, Water Music Suite No. 1 in F major: XI. Alla Hornpipe, Watermusic Suite No. 1 in F: Allegro, Andante, Allegro |
| Sidney Lark (possibly an Alfred Scholtz pseudonym) |
conductor |
Concerto Grosso in D major "Fireworks Music": I. Overture, Concerto Grosso in D major "Fireworks Music": II. Bourrée, Concerto Grosso in D major "Fireworks Music": III. La paix (largo alla Siciliana), Concerto Grosso in D major "Fireworks Music": IV. La réjouissance (allegro), Concerto Grosso in D major "Fireworks Music": V. Menuet I, Concerto Grosso in D major "Fireworks Music": VI. Menuet II, Concerto Grosso op. 6, no. 7 in B-flat major: I. Largo, Concerto Grosso op. 6, no. 7 in B-flat major: II. Allegro, Concerto Grosso op. 6, no. 7 in B-flat major: III. Largo e piano, Concerto Grosso op. 6, no. 7 in B-flat major: IV. Andante, Concerto Grosso op. 6, no. 7 in B-flat major: V. Hornpipe, Concerto Grosso op. 6, no. 8 in C minor: I. Allemande: Andante, Concerto Grosso op. 6, no. 8 in C minor: II. Grave, Concerto Grosso op. 6, no. 8 in C minor: III. Andante Allegro, Concerto Grosso op. 6, no. 8 in C minor: IV. Adagio, Concerto Grosso op. 6, no. 8 in C minor: V. Siciliano: Andante, Concerto Grosso op. 6, no. 8 in C minor: VI. Allegro |
| Teresa Berganza |
vocal |
Alcina: Act I, Scene I. "Di te mi rido, semplice stolto" (Ruggiero, Oberto, Melisso, Bradamante), Alcina: Act I, Scene II. "Bramo di trionfar" (Ruggiero, Oronte), Alcina: Act I, Scene II. "La bocca vaga" (Ruggiero, Melisso, Bradamante, Morgana, Alcina), Alcina: Act II, Scene I. "Col celarvi a chi v'ama un momento" (Ruggiero, Melisso), Alcina: Act II, Scene I. "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Act II, Scene I. "Qual portento mi richiama" (Ruggiero, Melisso), Alcina: Act II, Scene II. "Ama, sospira, ma non t'offende" (Morgana, Alcina, Ruggiero), Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act II, Scene II. "Mio bel tesoro" (Ruggiero, Oberto, Alcina), Alcina: Act II, Scene II. "S'acquieti il rio sospetto" (Alcina, Morgana, Ruggiero), Alcina: Act II, Scene II. "Verdi parti, selve amene" (Ruggiero), Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Sta nell'Ircana pietrosa tana" (Ruggiero), Alcina: Act III, Scene I. "Un momento di contento" (Oronte, Ruggiero, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero), Alcina: Act III, Scene III. "Non è amor, né gelosia" (Alcina, Bradamante, Ruggiero), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro) |
| Pere Ros |
viola da gamba |
Sonata No. 11 in F, Op. 1 No. 11: I, Larghetto, Sonata No. 11 in F, Op. 1 No. 11: II, Allegro, Sonata No. 11 in F, Op. 1 No. 11: III, Sicilliana, Sonata No. 11 in F, Op. 1 No. 11: IV, Allegro, Sonata No. 2 in G Minor, Op. 1 No. 2: I, Larghetto, Sonata No. 2 in G Minor, Op. 1 No. 2: II, Andante, Sonata No. 2 in G Minor, Op. 1 No. 2: III, Adagio, Sonata No. 2 in G Minor, Op. 1 No. 2: IV, Presto, Sonata No. 4 in C Minor, Op. 1 No. 4: I, Larghetto, Sonata No. 4 in C Minor, Op. 1 No. 4: II, Allegro, Sonata No. 4 in C Minor, Op. 1 No. 4: III, Adagio, Sonata No. 4 in C Minor, Op. 1 No. 4: IV, Allegro, Sonata No. 7 in C, Op. 1 No. 7: I, Larghetto, Sonata No. 7 in C, Op. 1 No. 7: II, Allegro, Sonata No. 7 in C, Op. 1 No. 7: III, Larghetto, Sonata No. 7 in C, Op. 1 No. 7: IV, A tempo di gavotta, Sonata No. 7 in C, Op. 1 No. 7: V, Allegro |
| Chœur de Chambre de Namur |
vocal |
Judas Maccabaeus, HWV 63: Acte I, No. 1. Chorus of Israëlites "Mourn, ye afflicted children...", Judas Maccabaeus, HWV 63: Acte I, No. 15. Chorus of Israelites "Lead on, lead on!", Judas Maccabaeus, HWV 63: Acte I, No. 17. Chorus of Israelites "Disdainful of danger...", Judas Maccabaeus, HWV 63: Acte I, No. 20. Chorus of Israelites "Hear us, O Lord...", Judas Maccabaeus, HWV 63: Acte I, No. 3. Chorus of Israelites "For Sion lamentation make...", Judas Maccabaeus, HWV 63: Acte I, No. 6. Chorus of Israelits "O Father...", Judas Maccabaeus, HWV 63: Acte I, No. 9. Chorus of Israelites "We come, in bright array...", Judas Maccabaeus, HWV 63: Acte II, No. 1. Chorus of Israelites "Fall'n is the foe...", Judas Maccabaeus, HWV 63: Acte II, No. 12. (Air: Israelitish Woman and chorus) "Ah. wretched...", Judas Maccabaeus, HWV 63: Acte II, No. 19. (Air: Simon) "With pious hearts...", Judas Maccabaeus, HWV 63: Acte II, No. 21. (Duet: Israelitish Man and Woman and Chorus of Israelites), Judas Maccabaeus, HWV 63: Acte II, No. 5. (Duet: Israelitish Woman and Israelitish Man + chorus) "Sion now...", Judas Maccabaeus, HWV 63: Acte II, No. 8. (Duet: Israelitish woman and Israelitish man + chorus) "Hail, hail...", Judas Maccabaeus, HWV 63: Acte III, No. 13. (Recitative: Israelitish Woman) "Again to earth...", Judas Maccabaeus, HWV 63: Acte III, No. 15. (Air: Simon and chorus) "Rejoice, O Judah... / Hallelujah! Amen", Judas Maccabaeus, HWV 63: Acte III, No. 8. Chorus of Youth, Virgins and Israelites "See! The conqu'ring hero comes...", Judas Maccabaeus, HWV 63: Acte III, No. 9. Chorus of Israelites "Sing unto God..." |
| Philip Ledger |
conductor, harpsichord |
Coronation Anthems, Let thy hand be strengthened: I. "Let thy hand be strengthened", Coronation Anthems, Let thy hand be strengthened: II." Let justice and judgement", Coronation Anthems, Let thy hand be strengthened: III. "Alleluja!", Coronation Anthems, My heart is inditing: I. "My heart is inditing", Coronation Anthems, My heart is inditing: II. "King's daughters", Coronation Anthems, My heart is inditing: III. "Upon thy right hand", Coronation Anthems, My heart is inditing: IV. "Kings shall be thy nursing fathers", Coronation Anthems, The King shall rejoice: I. "The King shall rejoice", Coronation Anthems, The King shall rejoice: II. "Exceeding glad shall he be", Coronation Anthems, The King shall rejoice: III. "Glory and great worship", Coronation Anthems, The King shall rejoice: IV. "Thou hast prevented him", Coronation Anthems, The King shall rejoice: V. "Alleluja!", Coronation Anthems, Zadok the Priest, Trio Sonata in G minor: I. Grave, Trio Sonata in G minor: II. Allegro, Trio Sonata in G minor: III. Largo, Trio Sonata in G minor: IV. Fugue |
| Christian Schmitt (organist) |
organ |
Concerto No. 1 in G minor, HWV 289: I. Larghetto e staccato, Concerto No. 1 in G minor, HWV 289: II. Allegro, Concerto No. 1 in G minor, HWV 289: III. Adagio, Concerto No. 1 in G minor, HWV 289: IV. Andante, Concerto No. 2 in B-flat major, HWV 290: I. A tempo ordinario e staccato, Concerto No. 2 in B-flat major, HWV 290: II. Allegro, Concerto No. 2 in B-flat major, HWV 290: III. Adagio e staccato, Concerto No. 2 in B-flat major, HWV 290: IV. Allegro ma non presto, Concerto No. 3 in G minor, HWV 291: I. Adagio, Concerto No. 3 in G minor, HWV 291: II. Allegro, Concerto No. 3 in G minor, HWV 291: III. Adagio, Concerto No. 3 in G minor, HWV 291: IV. Allegro, Concerto No. 4 in F major, HWV 292: I. Allegro, Concerto No. 4 in F major, HWV 292: II. Andante, Concerto No. 4 in F major, HWV 292: III. Adagio, Concerto No. 4 in F major, HWV 292: IV. Allegro |
| Australian Intervarsity Choral Festival Choir |
vocal |
Dixit Dominus: De Torrente, Dixit Dominus: De torrenti, Dixit Dominus: Dixit Dominus, Dixit Dominus: Dominus, Dixit Dominus: Dominus a Dextris Tuis, Dixit Dominus: Gloria, Dixit Dominus: Judicabit, Dixit Dominus: Juravit Dominus, Dixit Dominus: Tecum Principium, Dixit Dominus: Tecum principium, Dixit Dominus: Tu es Sacerdos, Dixit Dominus: Tu es sacerdos, Dixit Dominus: Virgam Virtutis, Dixit Dominus: Virgam virtutis, Solomon: May no rash intruder, Solomon: Praise the Lord |
| Susan Graham (mezzo-soprano) |
vocal |
Alcina: Atto I, Scena IV. Aria "Di te mi rido" (Ruggiero), Alcina: Atto I, Scena IX. Recitativo "Ah, infedele, infedel!" (Ruggiero), Alcina: Atto I, Scena VII. Recitativo "lo dunque" (Oronte) / Atto I, Scena VIII. Recitativo "La cerco in vano" (Ruggiero), Alcina: Atto I, Scena XI. Recitativo "Se nemico mi fossi" (Bradamante) / Atto I, Scena XII. Recitativo "Bradamante favella?" (Ruggiero), Alcina: Atto I, Scena XII. Aria "La bocca vaga" (Ruggiero), Alcina: Atto II, Scena I. Arioso "Col celarvi a chi v'ama" (Ruggiero) - Recitativo "Taci, taci codardo" (Melisso), Alcina: Atto II, Scena I. Arioso "Qual portento mi richiama" (Ruggiero), Alcina: Atto II, Scena I. Recitativo "Ah, Bradamante!" (Ruggiero), Alcina: Atto II, Scena III. Aria "Mi lusinga il dolce affetto" (Ruggiero), Alcina: Atto II, Scena III. Recitativo "Chi scopre al mio pensiero" (Ruggiero), Alcina: Atto II, Scena VI. Aria "Mio bel tesoro" (Ruggiero), Alcina: Atto II, Scena XI. Aria "Verdi prati" (Ruggiero), Alcina: Atto II, Scena XI. Recitativo "Eccomi a' piedi tuoi" (Ruggiero), Alcina: Atto III, Scena II. Recitativo "Molestissimo incontro!" (Ruggiero), Alcina: Atto III, Scena III. Aria "Sta nell'lrcana" (Ruggiero), Alcina: Atto III, Scena VII. Terzetto "Non è amor, nè gelosia" (Ruggiero, Alcina, Bradamante) |
| Maria Soledad de la Rosa |
vocal |
Judas Maccabaeus, HWV 63: Acte I, No. 1. (Recitative: Israelitish Man and Woman) "Well may your sorrows...", Judas Maccabaeus, HWV 63: Acte I, No. 12. (Recitative: Israelitish Woman) "To Heaven's almighty King...", Judas Maccabaeus, HWV 63: Acte I, No. 13. (Air: Israelitish Woman) "O liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 14. (Duet: Israelitish Woman and Israelitish Man) "Come, ever-smiling liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 2. (Duet: Israelitish man and Israelitish Woman) "From this dread scene...", Judas Maccabaeus, HWV 63: Acte II, No. 12. (Air: Israelitish Woman and chorus) "Ah. wretched...", Judas Maccabaeus, HWV 63: Acte II, No. 20. (Recitative: Israelitish Man and Woman) "Ye workshippers... / No more in Sion", Judas Maccabaeus, HWV 63: Acte II, No. 21. (Duet: Israelitish Man and Woman and Chorus of Israelites), Judas Maccabaeus, HWV 63: Acte II, No. 5. (Duet: Israelitish Woman and Israelitish Man + chorus) "Sion now...", Judas Maccabaeus, HWV 63: Acte II, No. 6. (Recitative: Israelitish Woman) "Oh, let eternal honours...", Judas Maccabaeus, HWV 63: Acte II, No. 7. (Air: Israelitish Woman) "From mighty kings...", Judas Maccabaeus, HWV 63: Acte II, No. 8. (Duet: Israelitish woman and Israelitish man + chorus) "Hail, hail...", Judas Maccabaeus, HWV 63: Acte III, No. 13. (Recitative: Israelitish Woman) "Again to earth...", Judas Maccabaeus, HWV 63: Acte III, No. 14. (Duet: Israelitish Woman and Israelitish Man) "O lovely peace...", Judas Maccabaeus, HWV 63: Acte III, No. 3. (Accompagnato: Israelitish Man & Recitative: Israelitish Woman) "See, see yon flames... / Oh, grant it...", Judas Maccabaeus, HWV 63: Acte III, No. 4. (Air: Israelitish Woman) "So shall the lute..." |
| Sir Adrian Boult |
conductor |
Messiah - He Was Despised, Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen, Orgelkonzert Nr. 13 F-Dur: II. Allegro "Kuckuck und Nachtigall", Rejoice greatly (Messiah, ed. Herbage) |
| Wolfgang Helbich |
conductor |
"Dettingen" Te Deum: O Lord, in Thee Have I Trusted, Air and chorus: As from the powers of sacred lays, Air and chorus: The trumpet's loud clangour, Air: But oh! what art can teach, Air: Orpheus could lead the savage race, Air: Sharp violins proclaim, Air: The soft complaining flute, Chorus: From harmony, Interlude, March, Ode for St Cecilia's Day, HWV 76: IV. What passion cannot music raise and quell, Ode for St. Cecilia's Day, HWV 76: March, Overture, Recitative: But bright Cecilia, Recitative: From harmony, from heav'nly harmony |
| Freiburger Barockorchester |
performing orchestra |
"Il duello amoroso", HWV. 82: I. Sonata: Allegro Menuetto, "Il duello amoroso", HWV. 82: II. Recitativo (Daliso), "Il duello amoroso", HWV. 82: III. Aria (Daliso), "Il duello amoroso", HWV. 82: IV. Recitativo (Amarilli), "Il duello amoroso", HWV. 82: IX. Aria (Daliso), "Il duello amoroso", HWV. 82: V. Aria (Amarilli), "Il duello amoroso", HWV. 82: VI. Recitativo (Daliso/Amarilli), "Il duello amoroso", HWV. 82: VII. Aria (Amarilli), "Il duello amoroso", HWV. 82: VIII. Recitativo (Daliso), "Il duello amoroso", HWV. 82: X. Recitativo (Amarilli/Daliso), Concerto grosso, Op. 6 No. 6: I. Largo e affettuoso, Concerto grosso, Op. 6 No. 6: II. A tempo giusto, Concerto grosso, Op. 6 No. 6: III. Musette - Larghetto, Concerto grosso, Op. 6 No. 6: IV. Allegro, Concerto grosso, Op. 6 No. 6: V. Allegro |
| Concerto Polacco |
performer, performing orchestra |
"Dettingen" Te Deum: O Lord, in Thee Have I Trusted, Air and chorus: As from the powers of sacred lays, Air and chorus: The trumpet's loud clangour, Air: But oh! what art can teach, Air: Orpheus could lead the savage race, Air: Sharp violins proclaim, Air: The soft complaining flute, Chorus: From harmony, Interlude, March, Ode for St Cecilia's Day, HWV 76: IV. What passion cannot music raise and quell, Ode for St. Cecilia's Day, HWV 76: March, Overture, Recitative: But bright Cecilia, Recitative: From harmony, from heav'nly harmony |
| Menuhin Festival Orchestra |
performing orchestra |
Concerto a due cori in B-flat major, HWV 332: I. Overture: Grave / Allegro ma non troppo, Concerto a due cori in B-flat major, HWV 332: II. Allegro, Concerto a due cori in B-flat major, HWV 332: III. Largo, Concerto a due cori in B-flat major, HWV 332: IV. A tempo ordinario / Alla breve (Moderato), Concerto a due cori in B-flat major, HWV 332: V. Menuet, Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Organo ad libitum: Largo, Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: III. Allegro, Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante / II. Allegro, Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante, Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo, Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Organo ad libitum, Organ Concerto in F major, no. 13, HWV 295 “The Cuckoo and the Nightingale”: V. Allegro, Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio, The Madness of King George: Zadok the Priest |
| London Symphony Chorus |
vocal |
Der Messias: Halleluja (London Symphony Chorus & Orchestra (feat. conductor: Colin Davis), Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: Glory to God in the highest, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen |
| Antony Walker (conductor) |
conductor |
Care selve, ombre beate (Atlanta) HWV35, Ev'ry Valley (Messiah), Hallelujah! (Messiah), He Was Despised (excerpt Messiah), I Know That My Redeemer Liveth (Messiah), Laudate pueri Dominum HWV237 (first movement), Love in Her Eyes Sits Playing (Acis and Galatea HWV49b), Oh! Had I Jubal's Lyre (Joshua HWV64), Pifa (Messiah HWV56), Sound an Alarm (Judas Maccabaeus HWV63), The Trumpet Shall Sound (excerpt, Messiah), The Trumpet's Loud Clangor (Ode for St Cecilia's Day HWV76), Waft Her, Angels, Through the Skies (Jeptha HWV70), Where'er You Walk (Semele HWV58) |
| Alsfelder Vokalensemble |
vocal |
"Dettingen" Te Deum: O Lord, in Thee Have I Trusted, Air and chorus: As from the powers of sacred lays, Air and chorus: The trumpet's loud clangour, Air: But oh! what art can teach, Air: Orpheus could lead the savage race, Air: Sharp violins proclaim, Air: The soft complaining flute, Chorus: From harmony, Interlude, March, Ode for St Cecilia's Day, HWV 76: IV. What passion cannot music raise and quell, Overture, Recitative: But bright Cecilia, Recitative: From harmony, from heav'nly harmony |
| Dutch Baroque Orchestra |
performing orchestra |
Anthem, "Let Thy Hand Be Strengthened": "Allelujah!", Anthem, "Let Thy Hand Be Strengthened": "Let justice and judgement", Anthem, "Let Thy Hand Be Strengthened": "Let thy hand be strengthened", Anthem, "The King Shall Rejoice": "Exceedingly glad shall he be", Anthem, "The King Shall Rejoice": "Glory and great worship hast Thou laid upon him", Anthem, "The King Shall Rejoice": "The King shall rejoice", Anthem, "Zadok the Priest", Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Adagio, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: V. Fuga ex B, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Larghetto, Concerto for organ No. 1 in B-flat major, Op. 7: VII. Bourrée |
| Andreas Scholl |
vocal |
Flavio, re de' longobardi, HWV 16: Bel contento già gode quest'alma, Giulio Cesare in Egitto, HWV 17: Al lampo dell'armi, Giulio Cesare in Egitto, HWV 17: Aure, deh, per pietà, Giulio Cesare in Egitto, HWV 17: Dall'ondoso periglio, Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?", Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive" / VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion", Messiah, HWV 56: Part I, XVIb. Recitative (Soprano I) "Then shall the eyes of the blind be opened" / XVII. Duet (Alto & Soprano I) "He shall feed His flock like a shepherd", Messiah, HWV 56: Part II, XX. Air (Alto) "He was despised and rejected of men", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" / XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" / XLV. Chorus "But thanks be to God who giveth us the victory", Rinaldo, HWV 7: Cara sposa, Rodelinda, regina de' Langobardi, HWV 19: Dove sei, amato bene?, Rodelinda, regina de' Langobardi, HWV 19: Pompe vane di morte!, Serse, HWV 40: Act I, Scene I. "Frondi tenere", Serse, HWV 40: Act I, Scene I. "Ombra mai fù" |
| Georges Armand |
conductor |
Concerto grosso in G major, Op. 6, No. 1 HWV 319: I. A tempo giusto, Concerto grosso in G major, Op. 6, No. 1 HWV 319: II. Allegro, Concerto grosso in G major, Op. 6, No. 1 HWV 319: III. Adagio, Concerto grosso in G major, Op. 6, No. 1 HWV 319: IV. Allegro, Concerto grosso in G major, Op. 6, No. 1 HWV 319: V. Allegro, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: I. Larghetto e affettuoso, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: II. Allegro, ma non troppo, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: III. Musette: Larghetto, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: IV. Allegro, Concerto grosso in G minor, Op. 6, No. 6 HWV 324: V. Allegro, Organ Concerto in G minor, Op. 7 No. 5 HWV 310: I., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: II., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: III., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: IV. |
| Holland Boys Choir |
vocal |
Anthem, "Let Thy Hand Be Strengthened": "Allelujah!", Anthem, "Let Thy Hand Be Strengthened": "Let justice and judgement", Anthem, "Let Thy Hand Be Strengthened": "Let thy hand be strengthened", Anthem, "The King Shall Rejoice": "Exceedingly glad shall he be", Anthem, "The King Shall Rejoice": "Glory and great worship hast Thou laid upon him", Anthem, "The King Shall Rejoice": "The King shall rejoice", Anthem, "Zadok the Priest", Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Adagio, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: V. Fuga ex B, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Larghetto, Concerto for organ No. 1 in B-flat major, Op. 7: VII. Bourrée |
| Christ Church Cathedral Choir, Oxford |
vocal |
Israel in Egypt: Part I, Exodus: 1. Now there arose a new king (tenor recitative) / 2. And the children of Israel (alto & chorus), Israel in Egypt: Part I, Exodus: 10. But as for His people (chorus), Israel in Egypt: Part I, Exodus: 11. Egypt was glad when they departed (chorus), Israel in Egypt: Part I, Exodus: 12. He rebuked the Red Sea (chorus), Israel in Egypt: Part I, Exodus: 13. He led them through the deep (chorus), Israel in Egypt: Part I, Exodus: 14. But the waters overwhelmed their enemies (chorus), Israel in Egypt: Part I, Exodus: 15. And Israel saw that great work (chorus) / 16. And believed the Lord (chorus), Israel in Egypt: Part I, Exodus: 3. Then sent He Moses (tenor recitative) / 4. They loathed to drink of the river (chorus), Israel in Egypt: Part I, Exodus: 5. Their land brought forth frogs (alto), Israel in Egypt: Part I, Exodus: 6. He spake the word (chorus), Israel in Egypt: Part I, Exodus: 7. He gave them hallstones (chorus), Israel in Egypt: Part I, Exodus: 8. He sent a thick darkness (chorus), Israel in Egypt: Part I, Exodus: 9. He smote all the first-born of Egypt (chorus), Israel in Egypt: Part I, Exodus: Overture |
| Süddeutscher Madrigalchor |
vocal |
Dettinger Te Deum (1743): I. Herr Gott! Dir sei Lob!, Dettinger Te Deum (1743): II. Alle Welt verehret dich, Dettinger Te Deum (1743): III. Dir singt der Engel reiner Chor, Dettinger Te Deum (1743): IV. Vor dir Cherubim und Seraphim, Dettinger Te Deum (1743): IX. Du sitzest zu der Rechten des Herrn, Dettinger Te Deum (1743): V. Der hochgelobte Chor der Apostel, Dettinger Te Deum (1743): VI. Du bist der Ehren König, Dettinger Te Deum (1743): VII. Als du auf dich genommen, Dettinger Te Deum (1743): VIII. Als du siegreich zerbrachst, Dettinger Te Deum (1743): X. Nimm uns auf in deiner Heil'gen Zahl, Dettinger Te Deum (1743): XI. Tag für Tag sei Dank und Lob dir, Dettinger Te Deum (1743): XII. Bewahr, o Herr, du treuer Gott, Dettinger Te Deum (1743): XIII. O Herr, aud dich steht mein Hoffen |
| Wolfgang Gönnenwein (conductor) |
conductor |
Dettinger Te Deum (1743): I. Herr Gott! Dir sei Lob!, Dettinger Te Deum (1743): II. Alle Welt verehret dich, Dettinger Te Deum (1743): III. Dir singt der Engel reiner Chor, Dettinger Te Deum (1743): IV. Vor dir Cherubim und Seraphim, Dettinger Te Deum (1743): IX. Du sitzest zu der Rechten des Herrn, Dettinger Te Deum (1743): V. Der hochgelobte Chor der Apostel, Dettinger Te Deum (1743): VI. Du bist der Ehren König, Dettinger Te Deum (1743): VII. Als du auf dich genommen, Dettinger Te Deum (1743): VIII. Als du siegreich zerbrachst, Dettinger Te Deum (1743): X. Nimm uns auf in deiner Heil'gen Zahl, Dettinger Te Deum (1743): XI. Tag für Tag sei Dank und Lob dir, Dettinger Te Deum (1743): XII. Bewahr, o Herr, du treuer Gott, Dettinger Te Deum (1743): XIII. O Herr, aud dich steht mein Hoffen |
| Andrew Walton (producer) |
producer |
Air and chorus: As from the powers of sacred lays, Air and chorus: The trumpet's loud clangour, Air: But oh! what art can teach, Air: Orpheus could lead the savage race, Air: Sharp violins proclaim, Air: The soft complaining flute, Chorus: From harmony, Interlude, March, Ode for St Cecilia's Day, HWV 76: IV. What passion cannot music raise and quell, Overture, Recitative: But bright Cecilia, Recitative: From harmony, from heav'nly harmony |
| Chicago Symphony Orchestra |
performing orchestra |
Israel in Egypt, HWV 54: Part I, No. 12 Chorus "He rebuked the Red Sea", Israel in Egypt, HWV 54: Part I, No. 13 Chorus "He led them through the deep", Israel in Egypt, HWV 54: Part I, No. 14 Chorus "But the waters overwhelmed their enemies", Israel in Egypt, HWV 54: Part II, No. 17 Chorus "Moses and the children of Israel", Israel in Egypt, HWV 54: Part II. No. 18 Chorus "I will sing unto the Lord", Messiah No. 14: And Suddenly There Was With the Angel / No. 15: Glory to God in the Highest, Messiah No. 17: He Shall Feed His Flock, Messiah No. 2: Comfort Ye My People, Messiah No. 30: Lift Up Your Heads, Messiah No. 34a: How Beautiful Are the Feet, Messiah No. 36: Why Do the Nations So Furiously Rage Together? / No. 37: Let Us Break Their Bonds Asunder, Messiah No. 3: Every Valley Shall Be Exalted, Messiah No. 47: Worthy Is the Lamb / Amen |
| Eleanor Thomason (engineer) |
engineer |
Air and chorus: As from the powers of sacred lays, Air and chorus: The trumpet's loud clangour, Air: But oh! what art can teach, Air: Orpheus could lead the savage race, Air: Sharp violins proclaim, Air: The soft complaining flute, Chorus: From harmony, Interlude, March, Ode for St Cecilia's Day, HWV 76: IV. What passion cannot music raise and quell, Overture, Recitative: But bright Cecilia, Recitative: From harmony, from heav'nly harmony |
| Scottish Chamber Orchestra |
performing orchestra |
Amadigi di Gaula HWV 11: Desterò dall'empia dite, Ariodante HWV 33: Orrida a gl'occhi miei, Deidamia HWV 42: M'hai resa infelice, Giulio Cesare in Egitto HWV 17 ; E pur cosi in un giorno... Piangerò, la sorte mia, I Know That My Redeemer Liveth (Messiah), Lotario HWV 26: Scherza in mar, Publio Cornelio Scipione HWV 20: Tutta raccolta ancor, Radamisto HWV 12a: Barbaro, partirò, Radamisto HWV 12a: Sommi dei, Rinaldo HWV 7a: Dunque, i lacci d'un volto... Ah! crudel, Rodelinda HWV 19: Ombre piante, urne funeste, Rodelinda HWV 19: Se'l mio duol, Water Music Suite No. 2 - Hornpipe |
| James Bowman (UK operatic countertenor) |
vocal |
Alcina, HWV 34: "Verdi prati" (Ruggiero), Amadigi di Gaula, HWV 11: "Pena tiranna" (Dardano), Ariodante, HWV 33: "E vivo ancora?" / "Scherza infida" (Ariodante), Giulio Cesare in Egitto, HWV 17: "Al lampo dell'armi" (Cesare), Giulio Cesare in Egitto, HWV 17: "Va tacito e nascosto" (Cesare), Giustino, HWV 37: "Se parla nel mio cor" (Giustino), Giustino, HWV 37: "Zeffiretto, che scorre nel prato" (Giustino), Israel in Egypt: Part I, Exodus: 1. Now there arose a new king (tenor recitative) / 2. And the children of Israel (alto & chorus), Israel in Egypt: Part I, Exodus: 5. Their land brought forth frogs (alto), Ottone, re di Germania, HWV 15: "Io son tradito" / "Tanti affanni" (Ottone), Rinaldo, HWV 7: "Cara sposa" (Rinaldo), Rinaldo, HWV 7: "Or la tromba" (Rinaldo) / Battaglia, Rinaldo, HWV 7: "Venti turbini" (Rinaldo) |
| City of Prague Philharmonic Orchestra |
performing orchestra |
"All We Like Sheep" from Messiah, HWV 56, "Hallelujah Chorus" from Messiah, HWV 56, "Pifa" (Pastoral Symphony) from Messiah, HWV 56, Arrival of the Queen of Sheba, from Solomon, HWV 67, Concerto Grosso in C "Alexander's Feast", HWV 318: I.Allegro, Concerto Grosso in C "Alexander's Feast", HWV 318: III. Allegro, Adagio, Concerto Grosso in C "Alexander's Feast", HWV 318: IV. Andante Non Presto, Music For the Royal Fireworks, HWV 351: II. Bourree, Music For the Royal Fireworks, HWV 351: IV. La Rejouissance, Music For the Royal Fireworks, HWV 351: V. Minuet I, Music for the Royal Fireworks, HWV 351: I. Overture, Water Music, Suite in F Major, HWV 348: II.Air, Water Music, Suite in F Major, HWV 348: XI. Alla Hornpipe |
| Margaret Hillis |
chorus master, conductor |
Israel in Egypt, HWV 54: Part I, No. 12 Chorus "He rebuked the Red Sea", Israel in Egypt, HWV 54: Part I, No. 13 Chorus "He led them through the deep", Israel in Egypt, HWV 54: Part I, No. 14 Chorus "But the waters overwhelmed their enemies", Israel in Egypt, HWV 54: Part II, No. 17 Chorus "Moses and the children of Israel", Israel in Egypt, HWV 54: Part II. No. 18 Chorus "I will sing unto the Lord", Messiah No. 14: And Suddenly There Was With the Angel / No. 15: Glory to God in the Highest, Messiah No. 17: He Shall Feed His Flock, Messiah No. 2: Comfort Ye My People, Messiah No. 30: Lift Up Your Heads, Messiah No. 34a: How Beautiful Are the Feet, Messiah No. 36: Why Do the Nations So Furiously Rage Together? / No. 37: Let Us Break Their Bonds Asunder, Messiah No. 3: Every Valley Shall Be Exalted, Messiah No. 47: Worthy Is the Lamb / Amen |
| Kenneth Wilkinson (engineer) |
engineer |
Joy to the World, Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen |
| Adele Stolte |
vocal |
Arie: Pastorella vagha bella, Arie: Solo per voi tra mille, Das zitternde Glänzen der spielenden Wellen, Die ihr aus dunklen Grüften den eitlen Mammon grabt, Flammend Rose, Zierde der Erden, In den angenehmen Büschen, Künft'ger Zeiten eitler Kummer, Meine Seele hört im Sehen, Rezitativ: Cosi alle belle Nicea, Singe, Seele, Gott zum Preise, Süße Stille, Süßer Blumen Ambraflocken |
| Renée Fleming |
vocal |
Alcina, HWV 34: Act II, Scene I. Aria "Ah! Mio cor!" (Alcina), Alcina: Atto I, Scena II. Aria "Di', cor mio, quanto t'amai" (Alcina), Alcina: Atto I, Scena X. Aria "Sì, son quella!" (Alcina), Alcina: Atto II, Scena IV. Recitativo "S'acquieti il rio sospetto" (Alcina) / Atto II, Scena V. Recitativo "E la tua pace" (Morgana), Alcina: Atto II, Scena VI. Recitativo "Non scorgo nel tuo viso" (Alcina), Alcina: Atto II, Scena VIII. Aria "Ah! mio cor!" (Alcina), Alcina: Atto II, Scena XII. Aria "Ombre pallide" (Alcina), Alcina: Atto II, Scena XII. Recitativo accompagnato "Ah! Ruggiero crude!" (Alcina), Alcina: Atto III, Scena II. Aria "Ma quando tornerai" (Alcina), Alcina: Atto III, Scena V. Aria "Mi restano le lagrime" (Alcina), Alcina: Atto III, Scena VII. Terzetto "Non è amor, nè gelosia" (Ruggiero, Alcina, Bradamante), Alcina: Atto III, Scena VIII. Recitativo "Ah mio Ruggier, che tenti?" (Alcina) / Atto III, Scena IX. Recitativo "Misera, ah, no!" (Alcina) / Atto III, Scena ultima. Recitativo "A che tardi?" (Melisso) |
| Laurence Cummings |
conductor |
Arianna in Creta: Oh patria! - Sol ristoro, Arianna in Creta: Ove son - Arie: Qui ti sfido, Arianna in Creta: Qual leon, Arianna in Creta: Salda quercia, Arianna in Creta: Sdegnata sei, Ariodante: Dopo notte, Ariodante: Qui d' amor, Ariodante: Scherza infida, Ariodante: T' amerò dunque - Arie: Con l' ali di costanza, Giulio Cesare: Cara speme, Giulio Cesare: L' angue offeso, Giulio Cesare: Svegliatevi nel core |
| Brewer Chamber Chorus |
vocal |
Imeneo: Act I, Scene I. Arioso "La mia bella" (Tirinto) - Recitative "Tirinto!" (Argenio) - Recitativo "Dal di ch'io la perdei" (Tirinto) - Aria "Se potessero" (Tirinto), Imeneo: Act I, Scene II. Recitativo "Cerere omnipotente" (Argenio) - Choir "Vien Imeneo fra voi" - Recitativo "Valoroso Imeneo!" (Tirinto) - Aria "Di ciceca notte allor" (Imeneo), Imeneo: Act I, Scene III-IV. Recitativo "Rosmene, alfin dovresti" (Imeneo) - Aria "Ingrata mai no fui" (Rosmene) - Aria "Mi chiederesti meno" (Tirinto), Imeneo: Act I, Scene V-VI. Recitativo "Se non era il tuo braccio" (Clomiri) - Aria "v'e un infelice" (Clomiri) - Recitativo "Paventar non degg'io che non" (Imeneo) - Aria "Esser mia dovra" (Imeneo) - Choir "Vien Imemeo fra voi...", Imeneo: Act II, Scene I. Arioso "Deh, m'aiutate, o Dei!" (Rosmene) - Recitativo "Vogliono i tuoi maggiori" (Argenio) - Aria "Su l'arena di barbara scene" (Argenio), Imeneo: Act II, Scene II-III. Recitativo "La mia mente or confusa vorria" (Rosmene) - Aria "Semplicetta, la saetta" (Rosmene) - Recitativo "Tirinto, era poc'anzi" (Clomiri) - Aria "Sorge nell'alma mia" (Imeneo), Imeneo: Act II, Scene IV-V. Recitativo "Imeneo, lieto in viso tutto" (Clomiri) - Aria "E si vaga del tuo bene" (Clomiri) - Recitativo "Sembra un fanciullo, Amore" (Imeneo) - Aria "Chi scherza colle rose" (Imeneo), Imeneo: Act II, Scene VI. Recitativo "Udisti gia" (Argenio) - Trio "Consolami, mio bene" (Imeneo, Rosmene, Tirinto) - Choir "E troppa bel trofeo", Imeneo: Act III, Scene I-II. Recitativo "Alfin decidi!" (Tirinto, Imeneo) - Aria "In mezzo a voi dui" (Rosmene) - Recitativo "Se tua sara Rosmene" (Imeneo) - Aria "Pieno il core di timore" (Tirinto), Imeneo: Act III, Scene III-VI. Recitativo "Sarei lieta ancor io se Rosmene" (Clomiri) / Aria "Se ricordar ten vuoi" (Clomiri) / Aria "D'amor nei primi istanti" (Imeneo) / Recitativo "Perdonami, Clomiri, d'altro amore" (Imeneo) / Arioso "Se la mia pace a me" (Imeneo) / Recitativo "Sentimi, er pieta!" (Tirinto) / Arioso "Se la mia pace..." (Tirinto) / Recitativo "E questo il di per definir la lite?" (Rosmene) / Duetto "Se la mia pace..." (Tirinto, Imeneo) / Recitativo "La vita?" (Rosmene), Imeneo: Overture, Imeneo: Recitativo accompagnato "Miratela! Che arriva cinta di" / Recitativo "Misera!" (Imeneo) / Arioso "Al voler del tua fortuna" (Rosmene) / Recitativo "Paelai da stolta" (Rosmene) / Duetto "Per le porte del tormento" (Rosmene, Tirinto) / Choir "Se consulta il suo dover" |
| 豊田耕児 (violinist) |
violin |
Sonata in A major, Op. 1 No. 3, HWV 361: I. Andante, Sonata in A major, Op. 1 No. 3, HWV 361: II. Allegro, Sonata in A major, Op. 1 No. 3, HWV 361: III. Adagio, Sonata in A major, Op. 1 No. 3, HWV 361: IV. Allegro, Violin Sonata in D major, Op. 1 No. 13, HWV 371: I. Affettuoso, Violin Sonata in D major, Op. 1 No. 13, HWV 371: II. Allegro, Violin Sonata in D major, Op. 1 No. 13, HWV 371: III. Larghetto, Violin Sonata in D major, Op. 1 No. 13, HWV 371: IV. Allegro, Violin Sonata in F Major, Op. 1 No. 12, HWV 370: I. Adagio, Violin Sonata in F Major, Op. 1 No. 12, HWV 370: II. Allegro, Violin Sonata in F Major, Op. 1 No. 12, HWV 370: III. Largo, Violin Sonata in F Major, Op. 1 No. 12, HWV 370: IV. Allegro |
| James Walker (ballet/opera conductor, classical recordings producer for Decca) |
producer |
Messiah: And suddenly..., Messiah: And the glory of the Lord, Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Behold a virgin shall conceive...O thou that tellest, Messiah: Comfort ye, Messiah: Every valley shall be exalted, Messiah: For unto us a child is born, Messiah: I know that my redeemer liveth, Messiah: Let us break their bonds, Messiah: Rejoice greatly, Messiah: Why do the nations, Messiah: Worthy is the lamb...Amen |
| Johann Biber (organist) |
organ |
Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: I. Larghetto e staccato, Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: II. Allegro, Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: IV. Adagio, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: I. Larghetto, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: II. Allegro, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: III. Larghetto, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: IV. Allegro, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: I. Allegro, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: II. Andante, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: III. Adagio, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: IV. Allegro, Orgelkonzert mit Orchester Nr. 1 in g-Moll, Op. 4 Nr. 1: Adagio |
| Angelika Kirchschlager |
vocal |
Arianna in Creta: Oh patria! - Sol ristoro, Arianna in Creta: Ove son - Arie: Qui ti sfido, Arianna in Creta: Qual leon, Arianna in Creta: Salda quercia, Arianna in Creta: Sdegnata sei, Ariodante: Dopo notte, Ariodante: Qui d' amor, Ariodante: Scherza infida, Ariodante: T' amerò dunque - Arie: Con l' ali di costanza, Giulio Cesare: Cara speme, Giulio Cesare: L' angue offeso, Giulio Cesare: Svegliatevi nel core |
| Royal Philharmonic Orchestra |
performing orchestra |
Amaryllis Suite: Minuet, Amaryllis Suite: Sarabande, Largo, Marche de Saül, Messiah: Comfort Ye, Messiah: Glory to God, Messiah: Hallelujah Chorus (extract), Messiah: Hallelujah!, Messiah: Overture, Semele: Where'er you walk, Solomon: Arrival of the Queen of Sheba, Symphonie martiale de "Belshazzar" |
| Pro Musica Antiqua |
performer, performing orchestra |
Fireworks Music Concerto Grosso No.26 in D Major - Bourée, Sonata in F major: I. Larghetto, Sonata in F major: II. Allegro, Sonata in F major: III. Sicillano, Sonata in F major: IV. Gigue, Trio Sonata in F major Op. 2 No. 5a HWV 390a for basson, oboe and basso continuo: I. Adagio, Trio Sonata in F major Op. 2 No. 5a HWV 390a for basson, oboe and basso continuo: II. Allegro, Trio Sonata in F major Op. 2 No. 5a HWV 390a for basson, oboe and basso continuo: III. Largo / Allegro, Trio Sonata in G minor Op. 2 No. 6a HWV 390a for flute, oboe and basso continuo: I. Larghetto, Trio Sonata in G minor Op. 2 No. 6a HWV 390a for flute, oboe and basso continuo: II. Allegro, Trio Sonata in G minor Op. 2 No. 6a HWV 390a for flute, oboe and basso continuo: III. Adagio, Trio Sonata in G minor Op. 2 No. 6a HWV 390a for flute, oboe and basso continuo: IV. Allegro |
| Mariana Rewerski |
vocal |
Judas Maccabaeus, HWV 63: Acte I, No. 1. (Recitative: Israelitish Man and Woman) "Well may your sorrows...", Judas Maccabaeus, HWV 63: Acte I, No. 14. (Duet: Israelitish Woman and Israelitish Man) "Come, ever-smiling liberty...", Judas Maccabaeus, HWV 63: Acte I, No. 2. (Duet: Israelitish man and Israelitish Woman) "From this dread scene...", Judas Maccabaeus, HWV 63: Acte II, No. 2. (Recitative: Israelitish Man) "Victorious hero!", Judas Maccabaeus, HWV 63: Acte II, No. 20. (Recitative: Israelitish Man and Woman) "Ye workshippers... / No more in Sion", Judas Maccabaeus, HWV 63: Acte II, No. 21. (Duet: Israelitish Man and Woman and Chorus of Israelites), Judas Maccabaeus, HWV 63: Acte II, No. 3. (Air: Israelitish Man) "So rapid thy course is...", Judas Maccabaeus, HWV 63: Acte II, No. 4. (Recitative: Israelitish Man) "Well may we hope...", Judas Maccabaeus, HWV 63: Acte II, No. 5. (Duet: Israelitish Woman and Israelitish Man + chorus) "Sion now...", Judas Maccabaeus, HWV 63: Acte II, No. 8. (Duet: Israelitish woman and Israelitish man + chorus) "Hail, hail...", Judas Maccabaeus, HWV 63: Acte III, No. 14. (Duet: Israelitish Woman and Israelitish Man) "O lovely peace...", Judas Maccabaeus, HWV 63: Acte III, No. 3. (Accompagnato: Israelitish Man & Recitative: Israelitish Woman) "See, see yon flames... / Oh, grant it..." |
| Georg Hlinka (conductor) |
conductor |
Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: I. Larghetto e staccato, Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: II. Allegro, Orgelkonzert Nr. 1 g-Moll, Op. 4 Nr. 1: IV. Adagio, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: I. Larghetto, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: II. Allegro, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: III. Larghetto, Orgelkonzert Nr. 13 F-Dur "Der Kuckuck und die Nachtigall", HWV 295: IV. Allegro, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: I. Allegro, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: II. Andante, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: III. Adagio, Orgelkonzert Nr. 4 F-Dur, Op. 4 Nr. 4: IV. Allegro, Orgelkonzert mit Orchester Nr. 1 in g-Moll, Op. 4 Nr. 1: Adagio |
| Kammerorchester Basel |
performing orchestra |
Arianna in Creta: Oh patria! - Sol ristoro, Arianna in Creta: Ove son - Arie: Qui ti sfido, Arianna in Creta: Qual leon, Arianna in Creta: Salda quercia, Arianna in Creta: Sdegnata sei, Ariodante: Dopo notte, Ariodante: Qui d' amor, Ariodante: Scherza infida, Ariodante: T' amerò dunque - Arie: Con l' ali di costanza, Giulio Cesare: Cara speme, Giulio Cesare: L' angue offeso, Giulio Cesare: Svegliatevi nel core |
| Richard Lewis (Welsh tenor) |
vocal |
Messiah, HWV 56: All They That See Him (tenor recit.), Messiah, HWV 56: Behold, And See If There Be Any Sorrow (chorus), Messiah, HWV 56: But Thou Didst Not Leave His Soul In Hell (tenor), Messiah, HWV 56: Comfort Ye / Ev'ry Valley / And the Glory of the Lord, Messiah, HWV 56: Comfort Ye, My People, Messiah, HWV 56: Ev'ry Valley Shall Be Exalted, Messiah, HWV 56: He That Dwelleth In Heaven (tenor recit.), Messiah, HWV 56: He Was Cut Off Out Of The Land Of The Living (tenor recit.), Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: Thou Shalt Break Them With A Rod Of Iron (tenor), Messiah, HWV 56: Thy Rebuke Hath Broken His Heart (tenor recit.) |
| Gabrieli Consort & Players |
vocal |
Saul, HWV 53: Act I, I. Chorus "How excellent thy Name, O Lord", Saul, HWV 53: Act I, IV. Chorus "The youth inspir'd by thee, O Lord", Saul, HWV 53: Act I, V. Chorus "How excellent thy name, O Lord", Saul, HWV 53: Act I, XLI. Chorus "Preserve him for the glory of thy name", Saul, HWV 53: Act I, XX. Symphony / XXI. Recitative "Already see, the daughters of the land" (Michal) / XXII. Chorus "Welcome, welcome, mighty king", Saul, HWV 53: Act I, XXIII. Accompagnato "What do I hear?" (Saul) / XXIV. Chorus "David his tenthousand slew" / XXV. Accompagnato "To him ten thousands!" (Saul), Saul, HWV 53: Act II, LXVIII. Chorus "O fatal consequence of rage", Saul, HWV 53: Act II, XLII. Chorus "Envy! eldest-born of Hell!", Saul, HWV 53: Act III. LXXVIII. Chorus "Mourn, Israel, mourn", Saul, HWV 53: Act III. LXXXIV. Solo and Chorus "O fatal day!" (David), Saul, HWV 53: Act III. LXXXVI. Chorus "Gird on thy sword" |
| Pierre Boulez |
conductor |
Berenice, HWV 38: Andante larghetto (Philharmonia Chamber Orchestra feat. conductor: Pierre Boulez), Berenice, HWV 38: Gigue (Philharmonia Chamber Orchestra feat. conductor: Pierre Boulez), Berenice, HWV 38: Ouverture - Allegro (Philharmonia Chamber Orchestra feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: I. Ouverture (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: II. Allegro (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: III. Allegro ma non troppo (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: IV. Adagio (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: V. Andante larghetto (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: VI. Allegro (New York Philharmonic feat. conductor: Pierre Boulez), Feuerwerksmusik - La Paix, Feuerwerksmusik: La Paix: Largo alla Siciliana |
| Emma Bell |
vocal |
Amadigi di Gaula HWV 11: Desterò dall'empia dite, Ariodante HWV 33: Orrida a gl'occhi miei, Deidamia HWV 42: M'hai resa infelice, Giulio Cesare in Egitto HWV 17 ; E pur cosi in un giorno... Piangerò, la sorte mia, Lotario HWV 26: Scherza in mar, Publio Cornelio Scipione HWV 20: Tutta raccolta ancor, Radamisto HWV 12a: Barbaro, partirò, Radamisto HWV 12a: Sommi dei, Rinaldo HWV 7a: Dunque, i lacci d'un volto... Ah! crudel, Rodelinda HWV 19: Ombre piante, urne funeste, Rodelinda HWV 19: Se'l mio duol |
| Elizabeth Gale |
vocal |
Messiah, HWV 56: Part I: XIVa: Recitative "There were shepherds abiding in the field" (soprano), Messiah, HWV 56: Part I: XIVb: Recitative "And lo, the angel of the Lord came upon them" (soprano), Messiah, HWV 56: Part I: XV: Recitative "And the angel said unto them: Fear not" (soprano), Messiah, HWV 56: Part I: XVI: Recitative "And suddenly there was with the angel a multitude of the heav'nly host" (soprano), Messiah, HWV 56: Part I: XVIII: Air "Rejoice greatly, o daughter of Zion" (soprano), Messiah, HWV 56: Part I: XX: Air "He shall feed His flock like a shepherd" (soprano, alto), Messiah, HWV 56: Part II: XXIX: Recitative "Thy rebuke hath broken his heart" (soprano), Messiah, HWV 56: Part II: XXX: Air "Behold, and see if there be any sorrow like unto his sorrow" (soprano), Messiah, HWV 56: Part II: XXXVIII: Air "How beautiful are the feet of them that preach the gospel of peace" (soprano), Messiah, HWV 56: Part III: LII: Air "If God be for us, who can be against us?" (soprano), Messiah, HWV 56: Part III: XLV: Air "I know that my Redeemer liveth" (soprano) |
| Makoto Sakurada |
vocal |
Judas Maccabaeus, HWV 63: Acte I, No. 10. "Recitative: Judas Maccabaeus) "'Tis well, my friends...", Judas Maccabaeus, HWV 63: Acte I, No. 11. (Air: Judas Maccabaeus) "Call forth thy powe'rs...", Judas Maccabaeus, HWV 63: Acte I, No. 16. (Recitative: Judas Maccabaeus) "So will'd my father...", Judas Maccabaeus, HWV 63: Acte I, No. 18. (Recitative: Judas Maccabeus) "Ambition!", Judas Maccabaeus, HWV 63: Acte I, No. 19. (Air: Judas Maccabeus) "No unhallow'd desire...", Judas Maccabaeus, HWV 63: Acte II, No. 10. (Air: Judas Maccabaeus) "How vain is man...", Judas Maccabaeus, HWV 63: Acte II, No. 15. (Recitative: Judas Maccabaeus) "My arms!", Judas Maccabaeus, HWV 63: Acte II, No. 16. (Air: Judas Maccabaeus) "Sound an alarm!", Judas Maccabaeus, HWV 63: Acte II, No. 9. (Recitative: Judas Maccabaeus) "Thanks to my brethren...", Judas Maccabaeus, HWV 63: Acte III, No. 10. (Recitative: Judas Maccabaeus) "Sweet flow the strains...", Judas Maccabaeus, HWV 63: Acte III, No. 11. (Air: Judas Maccabaeus) "With honour let desert be crown'd..." |
| Richard Egarr |
conductor |
Amadigi di Gaula HWV 11: Desterò dall'empia dite, Ariodante HWV 33: Orrida a gl'occhi miei, Deidamia HWV 42: M'hai resa infelice, Giulio Cesare in Egitto HWV 17 ; E pur cosi in un giorno... Piangerò, la sorte mia, Lotario HWV 26: Scherza in mar, Publio Cornelio Scipione HWV 20: Tutta raccolta ancor, Radamisto HWV 12a: Barbaro, partirò, Radamisto HWV 12a: Sommi dei, Rinaldo HWV 7a: Dunque, i lacci d'un volto... Ah! crudel, Rodelinda HWV 19: Ombre piante, urne funeste, Rodelinda HWV 19: Se'l mio duol |
| Sophie Daneman |
vocal |
Acis and Galatea: Act I. "As when the dove laments her love" (Galatea), Acis and Galatea: Act I. "Happy we!" (Acis, Galatea), Acis and Galatea: Act I. "Hush, ye pretty warbling quire!" (Galatea), Acis and Galatea: Act I. Recitativo "Oh! Didst thou know the pains" (Galatea), Acis and Galatea: Act I. Recitativo "Ye verdant plains and woody mountains" (Galatea), Acis and Galatea: Act II. "Heart, the seat of soft delight" (Galatea), Acis and Galatea: Act II. "Must I my Acis still bemoan" (Galatea, Chorus), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. Recitativo "'Tis done: thus I exert pow'r divine" (Galatea), Acis and Galatea: Act II. Recitativo "Cease, oh cease, thou gentle youth" (Galatea), Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea) |
| Lorraine Hunt Lieberson |
vocal |
Agrippina, HWV 6: Ogni vento, ch'al porto lo spinga, Arianna in Creta, HWV 32: Mirami altero in volto, Giulio Cesare in Egitto, HWV 17: Figlio non è, Giulio Cesare in Egitto, HWV 17: L'angue offeso mai riposa, Giulio Cesare in Egitto, HWV 17: La giustizia ha già sull'arco, Giulio Cesare, Akt I: "Son nata/nato a lagrimar", Ottone, re di Germania, HWV 15: Ben a raggion, Ottone, re di Germania, HWV 15: Vieni, o figlio, e mi consola, Radamisto, HWV 12: Ombra cara di mia sposa, Radamisto, HWV 12: Qual nave smarrita, Theodora, HWV 68: Angels, ever bright and fair |
| Lucia Popp (soprano) |
vocal |
Der Messias: No. 14 Accompagnato, Der Messias: No. 16 Arie, Der Messias: No. 17 Duett, Der Messias: No. 34 Arie, Der Messias: No. 40 Arie, Der Messias: No. 46 Arie, Der Messias: Rezitativ / No. 13 Accompagnato & Rezitativ, Ho perduto il caro sposo (Rodelinda, Act I), O had I Jubel's lyre (Joshua, Act III), Un cenno leggiadretto (Serse, Act I) |
| Nancy Argenta |
vocal |
"Il duello amoroso", HWV. 82: I. Sonata: Allegro Menuetto, "Il duello amoroso", HWV. 82: II. Recitativo (Daliso), "Il duello amoroso", HWV. 82: III. Aria (Daliso), "Il duello amoroso", HWV. 82: IV. Recitativo (Amarilli), "Il duello amoroso", HWV. 82: IX. Aria (Daliso), "Il duello amoroso", HWV. 82: V. Aria (Amarilli), "Il duello amoroso", HWV. 82: VI. Recitativo (Daliso/Amarilli), "Il duello amoroso", HWV. 82: VII. Aria (Amarilli), "Il duello amoroso", HWV. 82: VIII. Recitativo (Daliso), "Il duello amoroso", HWV. 82: X. Recitativo (Amarilli/Daliso) |
| Susan Hamilton |
vocal |
Air: Behold and see, Air: But thou didst not leave, Air: Rejoice greatly, Part III. Air: I know my redeemer liveth, Recitative, accompanied: He was cut off, Recitative, accompanied: Thy rebuke, Recitative: And lo!, Recitative: And suddenly, Recitative: And the angel said unto them, Recitative: There were shepherds |
| Monteverdi Choir |
vocal |
Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion", Messiah, HWV 56: Part I, VIIa. Chorus "And He shall purify the sons of Levi", Messiah, HWV 56: Part I, XV. Chorus "Glory to God in the highest", Messiah, HWV 56: Part II, XXI. Chorus "Surely, He hath borne our griefs", Messiah, HWV 56: Part II, XXII. Chorus "And with His stripes", Messiah, HWV 56: Part II, XXIII. Chorus "All we like sheep have gone astray", Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him", Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him", Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory", Zadok the Priest |
| Michael Chance (British countertenor) |
vocal |
"Il duello amoroso", HWV. 82: I. Sonata: Allegro Menuetto, "Il duello amoroso", HWV. 82: II. Recitativo (Daliso), "Il duello amoroso", HWV. 82: III. Aria (Daliso), "Il duello amoroso", HWV. 82: IV. Recitativo (Amarilli), "Il duello amoroso", HWV. 82: IX. Aria (Daliso), "Il duello amoroso", HWV. 82: V. Aria (Amarilli), "Il duello amoroso", HWV. 82: VI. Recitativo (Daliso/Amarilli), "Il duello amoroso", HWV. 82: VII. Aria (Amarilli), "Il duello amoroso", HWV. 82: VIII. Recitativo (Daliso), "Il duello amoroso", HWV. 82: X. Recitativo (Amarilli/Daliso) |
| John Elwes |
vocal |
Anthem for the Foundling Hospital: Blessed are they that considereth the poor, Anthem for the Foundling Hospital: The charitable shall be had, Messiah, HWV 56: Epigraph "And without Controversy", Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart", Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow", Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time", Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?" |
| Robert Gambill |
vocal |
Der Messias: No 2 Accompagnato / 3. Arie, Der Messias: No. 24 Accompagnato, Der Messias: No. 26 Accompagnato, Der Messias: No. 27 Arioso, Der Messias: No. 28 Accompagnato, Der Messias: No. 29 Arie, Der Messias: No. 35 Arie, Der Messias: No. 38 Arie, Der Messias: No. 44 Duett / No. 45 Chor, Der Messias: Rezitativ |
| Kathleen Kuhlmann (mezzo-soprano) |
vocal |
Alcina: Atto I, Scena I. Recitativo "Oh Dei! Quivi non scorgo alcun sentiero!" (Bradamante), Alcina: Atto I, Scena II. Recitativo "Ecco l'infido" (Bradamante), Alcina: Atto I, Scena IV. Recitativo "Mi ravvisi" (Bradamante), Alcina: Atto I, Scena VI. Aria "E gelosia" (Bradamante), Alcina: Atto I, Scena XI. Recitativo "Se nemico mi fossi" (Bradamante) / Atto I, Scena XII. Recitativo "Bradamante favella?" (Ruggiero), Alcina: Atto II, Scena II. Aria "Vorrei vendicarmi" (Bradamante), Alcina: Atto II, Scena II. Recitativo "Qual odio ingiusto contro me?" (Bradamante), Alcina: Atto III, Scena IV. Aria "All'alma fedel" (Bradamante), Alcina: Atto III, Scena VII. Recitativo "Le lusinghe" (Bradamante), Alcina: Atto III, Scena VII. Terzetto "Non è amor, nè gelosia" (Ruggiero, Alcina, Bradamante) |
| Timothy Robinson |
vocal |
Alcina: Atto I, Scena V. Recitativo "Qua dunque ne veniste" (Oronte), Alcina: Atto I, Scena VII. Recitativo "lo dunque" (Oronte) / Atto I, Scena VIII. Recitativo "La cerco in vano" (Ruggiero), Alcina: Atto I, Scena VIII. Aria "Semplicetto!" (Oronte), Alcina: Atto II, Scena IX. Recitativo "Or, che dici, Morgana?" (Oronte), Alcina: Atto II, Scena VIII. Recitativo "Regina, sei tradita" (Oronte), Alcina: Atto II, Scena X. Aria "E un folle" (Oronte), Alcina: Atto III, Scena I. Aria "Un momento di contento" (Oronte), Alcina: Atto III, Scena I. Recitativo "M'inganna, me n'avveggo" (Oronte), Alcina: Atto III, Scena I. Recitativo "Voglio amar e disamar" (Oronte), Alcina: Atto III, Scena V. Recitativo "Niuna forza lo arresta" (Oronte) |
| Chris Hazell |
producer |
Messiah, Part 1: "Behold, a virgin shall conceive", Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 1: And suddenly there was with the angel, Messiah, Part 1: Comfort Ye, Messiah, Part 1: Ev'ry Valley, Messiah, Part 2: "He was despised", Messiah, Part 3: "The trumpet shall sound", Messiah, Part 3: "Worthy is the Lamb...Blessing and honour", Messiah, Part 3: Amen, Zadok the Priest |
| Werner Hollweg |
vocal |
Messiah, HWV 56: Part I: II. Recitative "Comfort ye my people" (tenor), Messiah, HWV 56: Part I: III. Air "Ev'ry valley shall be exalted" (tenor), Messiah, HWV 56: Part II: XLII: Recitative "He that dwelleth in heaven shall laugh them to scorn" (tenor), Messiah, HWV 56: Part II: XLIII: Air "Thou shalt break them with a rod of iron" (tenor), Messiah, HWV 56: Part II: XXVII: Recitative "All they that see him laugh him to scorn" (tenor), Messiah, HWV 56: Part II: XXXI: Recitative "He was cut off out of the land of the living" (tenor), Messiah, HWV 56: Part II: XXXII: Air "But thou didst not leave his soul in hell" (tenor), Messiah, HWV 56: Part II: XXXIV: Recitative "Unto which of the angels said he at any time" (tenor), Messiah, HWV 56: Part III: L: Duet "O death, where is thy sting?" (alto, tenor) |
| Alejandro Meerapfel |
vocal |
Judas Maccabaeus, HWV 63: Acte I, No. 4. (Recitative: Simon) "Not vain is all this storm of grief...", Judas Maccabaeus, HWV 63: Acte I, No. 5. (Air: Simon) "Pious orgies, pious airs", Judas Maccabaeus, HWV 63: Acte I, No. 7. (Accompagnato: Simon) "I feel the deity...", Judas Maccabaeus, HWV 63: Acte I, No. 8. (Air: Simon) "Arm! Ye brave...", Judas Maccabaeus, HWV 63: Acte II, No. 13. (Recitative: Simon) "Be conforted...", Judas Maccabaeus, HWV 63: Acte II, No. 14. (Air: Simon) "The Lord worketh wonders...", Judas Maccabaeus, HWV 63: Acte II, No. 18. (Recitative: Simon) "Enough! To Heaven", Judas Maccabaeus, HWV 63: Acte II, No. 19. (Air: Simon) "With pious hearts...", Judas Maccabaeus, HWV 63: Acte III, No. 15. (Air: Simon and chorus) "Rejoice, O Judah... / Hallelujah! Amen" |
| Eberhard Kraus |
harpsichord |
Suite für Cembalo in B-Dur, Suite in G-Dur für Cembalo: Allegro (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Allemande (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Aria (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Courante (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Gavotte (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Gigue (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Menuett (feat. harpsichord: Eberhard Kraus), Suite in G-Dur für Cembalo: Variationen (feat. harpsichord: Eberhard Kraus) |
| Budapesti Vonósok (Budapest String Orchestra) |
performer, performing orchestra |
Largo (aus "Xerxes"), Largo, from "Xerxes", Ode for St. Cecillia's Day: Minuet, Wassermusik: Alla Hornpipe, Water Music Suite, no. 2 for orchestra in D major, HWV 349: Alla hornpipe, Water Music Suite, no. 2 for orchestra in D major, HWV 349: Allegro, Water Music: Suite No. 1, Allegro, Water Music: Suite No. 1, Minuet, Water Music: Suite No. 1, Moderato |
| Luis Antonio García Navarro (conductor) |
conductor |
"Messiah": Pastorale (Stuttgart Radio Orchestra feat. conductor: Garcia Navarro), Larghetto C-DUR, Messiah: Symphony in E major, Pastorale C-Dur aus 'Der Messias', Sinfonia e-Moll aus 'Der Messias', Sinfonia from "The Messiah I" (Radio Symphony Orchestra Stuttgart feat. conductor: García Navarro), The Messiah - I. Sinfonietta - Grave, The Messiah - II. Allegro moderato, The Messiah - III. Pastorale: Larghetto |
| Gabrieli Players |
performing orchestra |
Messiah, HWV 56: Part I, Scene I. Chorus "And the Glory of the Lord shall be revealed", Messiah, HWV 56: Part I, Scene I. Sinfony, Messiah, HWV 56: Part I, Scene I. Song "Ev'ry Valley shall be exalted", Messiah, HWV 56: Part I, Scene II. Chorus "And He shall purify the Sons of Levi", Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born", Messiah, HWV 56: Part I, Scene V. Song "He shall feed his Flock", Messiah, HWV 56: Part II, Scene III. Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!", Messiah, HWV 56: Part III, Scene IV. Chorus "Worthy is the lamb that was slain - amen" |
| Württembergisches Kammerorchester Heilbronn |
performing orchestra |
Orgelkonzert nr. 13 in F-Dur: I. Larghetto, Orgelkonzert nr. 13 in F-Dur: II. Allegro, Orgelkonzert nr. 13 in F-Dur: III. Larghetto, Orgelkonzert nr. 13 in F-Dur: IV. Allegro, Suite for trumpet in D: I. Overture, Suite for trumpet in D: II. Gigue, Suite for trumpet in D: III. Air, Suite for trumpet in D: IV. Bouree, Suite for trumpet in D: V. Marche |
| Chicago Symphony Chorus |
vocal |
Israel in Egypt, HWV 54: Part I, No. 12 Chorus "He rebuked the Red Sea", Israel in Egypt, HWV 54: Part I, No. 13 Chorus "He led them through the deep", Israel in Egypt, HWV 54: Part I, No. 14 Chorus "But the waters overwhelmed their enemies", Israel in Egypt, HWV 54: Part II, No. 17 Chorus "Moses and the children of Israel", Israel in Egypt, HWV 54: Part II. No. 18 Chorus "I will sing unto the Lord", Messiah No. 14: And Suddenly There Was With the Angel / No. 15: Glory to God in the Highest, Messiah No. 30: Lift Up Your Heads, Messiah No. 36: Why Do the Nations So Furiously Rage Together? / No. 37: Let Us Break Their Bonds Asunder, Messiah No. 47: Worthy Is the Lamb / Amen |
| Münchener Bach-Orchester |
performing orchestra |
Der Messias: Halleluja, Konzert für Trompete B-dur: I. Adagio, Konzert für Trompete B-dur: II. Allegro, Konzert für Trompete B-dur: III. Siciliani. Largo, Konzert für Trompete B-dur: IV. Vivace, Trompetenkonzert B-dur: I. Adagio, Trompetenkonzert B-dur: II. Allegro, Trompetenkonzert B-dur: III. Siciliana. Largo, Trompetenkonzert B-dur: IV. Vivace |
| Paul McCreesh |
conductor |
Messiah, HWV 56: Part I, Scene I. Chorus "And the Glory of the Lord shall be revealed", Messiah, HWV 56: Part I, Scene I. Sinfony, Messiah, HWV 56: Part I, Scene I. Song "Ev'ry Valley shall be exalted", Messiah, HWV 56: Part I, Scene II. Chorus "And He shall purify the Sons of Levi", Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born", Messiah, HWV 56: Part I, Scene V. Song "He shall feed his Flock", Messiah, HWV 56: Part II, Scene III. Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!", Messiah, HWV 56: Part III, Scene IV. Chorus "Worthy is the lamb that was slain - amen" |
| Diego Fasolis |
conductor |
Dixit Dominus: I. Dixit Dominus, Dixit Dominus: II. Virgam virtutis, Dixit Dominus: III. Tecum principium, Dixit Dominus: IV. Juravit Dominus, Dixit Dominus: IX. Gloria Patri, Dixit Dominus: V. Tu es sacerdos, Dixit Dominus: VI. Dominus a dextris tuis -, Dixit Dominus: VII. Judicabit in nationibus, Dixit Dominus: VIII. De torrente in via bibet |
| Marjana Lipovšek |
vocal |
Messiah, HWV 56: Part I: IX: Air and Chorus "O though that tellest good tidings to Zion" (alto), Messiah, HWV 56: Part I: VI. Air "But who may abide the day of his coming" (alto), Messiah, HWV 56: Part I: VIII: Recitative "Behold, a virgin shall conceive, and bear a son" (alto), Messiah, HWV 56: Part I: XIX: Recitative "Then shall the eyes of the blind be opened" (alto), Messiah, HWV 56: Part I: XX: Air "He shall feed His flock like a shepherd" (soprano, alto), Messiah, HWV 56: Part II: XXIII: Air "He was despised and rejected of men" (alto), Messiah, HWV 56: Part II: XXXVI: Air "Though art gone up on high, thou hast led captivity captive" (alto), Messiah, HWV 56: Part III: L: Duet "O death, where is thy sting?" (alto, tenor), Messiah, HWV 56: Part III: XLIX: Recitative"Then shall be brought to pass the saying that is written" (alto) |
| Elsie Morison |
vocal |
Messiah, HWV 56: And Suddenly There Was With The Angel, Messiah, HWV 56: And The Angel Said Unto Them, Fear Not, Messiah, HWV 56: He Shall Feed His Flock, Messiah, HWV 56: How Beautiful Are The Feet (soprano), Messiah, HWV 56: I Know That My Redeemer Liveth (soprano), Messiah, HWV 56: Rejoice Greatly, Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: Then Shall the Eyes of the Blind / He Shall Feed his Flock, Messiah, HWV 56: There Were Shepherds |
| Coro della Radio Svizzera, Lugano |
vocal |
Dixit Dominus: I. Dixit Dominus, Dixit Dominus: II. Virgam virtutis, Dixit Dominus: III. Tecum principium, Dixit Dominus: IV. Juravit Dominus, Dixit Dominus: IX. Gloria Patri, Dixit Dominus: V. Tu es sacerdos, Dixit Dominus: VI. Dominus a dextris tuis -, Dixit Dominus: VII. Judicabit in nationibus, Dixit Dominus: VIII. De torrente in via bibet |
| I Barocchisti |
performer |
Dixit Dominus: I. Dixit Dominus, Dixit Dominus: II. Virgam virtutis, Dixit Dominus: III. Tecum principium, Dixit Dominus: IV. Juravit Dominus, Dixit Dominus: IX. Gloria Patri, Dixit Dominus: V. Tu es sacerdos, Dixit Dominus: VI. Dominus a dextris tuis -, Dixit Dominus: VII. Judicabit in nationibus, Dixit Dominus: VIII. De torrente in via bibet |
| Jörg Faerber |
conductor |
Orgelkonzert nr. 13 in F-Dur: I. Larghetto, Orgelkonzert nr. 13 in F-Dur: II. Allegro, Orgelkonzert nr. 13 in F-Dur: III. Larghetto, Orgelkonzert nr. 13 in F-Dur: IV. Allegro, Suite for trumpet in D: I. Overture, Suite for trumpet in D: II. Gigue, Suite for trumpet in D: III. Air, Suite for trumpet in D: IV. Bouree, Suite for trumpet in D: V. Marche |
| Tasmanian Symphony Orchestra |
performing orchestra |
Adagio e staccato (Water Music Suite No 1 in F), Air (Water Music Suite No 1 in F HWV348), Alla hornpipe (Water Music: Suite No 2 in D HWV349), Allegro (Water Music: suite No 1 in F), Andante (Water Music: Suite No 1 in F), Andante - Allegro, first movement (Organ Concerto in B flat minor HWV294), Hornpipe (Water Music Suite No 1 in F), La Rejouissance (Music for the Royal Fireworks HWV351) |
| Sir Colin Davis |
conductor |
Amen, Behold, a virgin shall conceive, Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache), Der Messias: Halleluja (London Symphony Chorus & Orchestra (feat. conductor: Colin Davis), Messiah, HWV. 56: Part 1, XII. For Unto Us a Child Is Born, Messiah: Glory to God in the highest, O Thou That Tellest Good Tidings, There were shepherds |
| Eduard Melkus |
violin |
Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: I. Larghetto, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: II. Allegro, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: III. Largo, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: IV. Allegro, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: I. Andante, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: II. Allegro ma non troppo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: III. Largo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: IV. Allegro |
| Kamil Roško |
trumpet |
Amadigi: Dite destero, Amadigi: Sinfonia, Sonata in A major: 1. Andante, Sonata in A major: 2. Allegro, Sonata in A major: 3. Adagio, Sonata in A major: 4. Adagio, Xerxes: Cio che giove, Xerxes: Gia la tromba |
| Hugo Ruf (harpsichordist) |
harpsichord |
Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: I. Larghetto, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: II. Allegro, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: III. Largo, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: IV. Allegro, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: I. Andante, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: II. Allegro ma non troppo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: III. Largo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: IV. Allegro |
| Johannes Koch (viola da gamba player) |
viola da gamba |
Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: I. Larghetto, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: II. Allegro, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: III. Largo, Sonate in E-Dur für Blockflöte, Violine und Basso Continuo: IV. Allegro, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: I. Andante, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: II. Allegro ma non troppo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: III. Largo, Triosonate in H-Moll für Traversflöte, Violine und Basso Continuo: IV. Allegro |
| Vladimír Rusó |
organ |
Amadigi: Dite destero, Amadigi: Sinfonia, Sonata in A major: 1. Andante, Sonata in A major: 2. Allegro, Sonata in A major: 3. Adagio, Sonata in A major: 4. Adagio, Xerxes: Cio che giove, Xerxes: Gia la tromba |
| New York Philharmonic |
performing orchestra |
Concerto in F major, HWV 334: I. Ouverture (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: II. Allegro (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: III. Allegro ma non troppo (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: IV. Adagio (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: V. Andante larghetto (New York Philharmonic feat. conductor: Pierre Boulez), Concerto in F major, HWV 334: VI. Allegro (New York Philharmonic feat. conductor: Pierre Boulez), Feuerwerksmusik - La Paix, Feuerwerksmusik: La Paix: Largo alla Siciliana |
| Collegium Musicum (German orchestra) |
performing orchestra |
Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: I. Vivace, Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: II. Fugue: Allegro, Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: III. Andante, Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: IV. Allegro, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: I. Grave, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: II. Allegro, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: III. Sarabande: Largo, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: IV. Allegro |
| Sir Georg Solti (conductor) |
conductor |
Messiah No. 14: And Suddenly There Was With the Angel / No. 15: Glory to God in the Highest, Messiah No. 17: He Shall Feed His Flock, Messiah No. 2: Comfort Ye My People, Messiah No. 30: Lift Up Your Heads, Messiah No. 34a: How Beautiful Are the Feet, Messiah No. 36: Why Do the Nations So Furiously Rage Together? / No. 37: Let Us Break Their Bonds Asunder, Messiah No. 3: Every Valley Shall Be Exalted, Messiah No. 47: Worthy Is the Lamb / Amen |
| Paul Agnew |
vocal |
Acis and Galatea: Act I. "Happy we!" (Acis, Galatea), Acis and Galatea: Act I. "Love in her eyes sits playing" (Acis), Acis and Galatea: Act I. "Where shall I seek the charming fair?" (Acis), Acis and Galatea: Act I. Recitativo "Lo! Here my love" (Acis), Acis and Galatea: Act II. "Love sounds th'alarm" (Acis), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. Recitativo "His hideous love provokes my rage" (Acis), Acis and Galatea: Act II. Recitativo accompagnato "Help, Galatea! Help, ye parent gods!" |
| Joachim Schäfer |
piccolo trumpet |
Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): I. Adagio, Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): II. Allegro, Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): III. Siciliana, Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): IV. Vivace, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": I. Andante, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": II. Presto, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": III. Menuett, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": IV. Country Dance |
| Edward H. Tarr |
producer |
Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine, Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament), Samson, HWV 57, Act III: Let the Bright Seraphim, Water Music Suite i D-dur, HWV 341: I. Overture, Water Music Suite i D-dur, HWV 341: II. Allegro (Gigue), Water Music Suite i D-dur, HWV 341: III. Air (Minuett), Water Music Suite i D-dur, HWV 341: IV. Marsch (Bourrée), Water Music Suite i D-dur, HWV 341: V. Marsch |
| Niklas Eklund (Swedish baroque trumpeter, Gothenburg) |
baroque trumpet, trumpet |
Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine, Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament), Samson, HWV 57, Act III: Let the Bright Seraphim, Water Music Suite i D-dur, HWV 341: I. Overture, Water Music Suite i D-dur, HWV 341: II. Allegro (Gigue), Water Music Suite i D-dur, HWV 341: III. Air (Minuett), Water Music Suite i D-dur, HWV 341: IV. Marsch (Bourrée), Water Music Suite i D-dur, HWV 341: V. Marsch |
| Matthias Eisenberg |
organ |
Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): I. Adagio, Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): II. Allegro, Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): III. Siciliana, Konzert Nr. 2 HV 301 B-Dur (orig. für Oboe): IV. Vivace, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": I. Andante, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": II. Presto, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": III. Menuett, Suite Nr. 3 HV 350 G-Dur aus der "Wassermusik": IV. Country Dance |
| Südwest-Studioorchester (an Alfred Scholz pseudonym) |
performing orchestra |
Concerto Grosso B-Dur, op. 6 Nr. 7: Allegro, Concerto Grosso B-Dur, op. 6 Nr. 7: Largo, Feuerwerksmusik (Ouvertüre), Wassermusik: Air, Wassermusik: Andante, Wassermusik: Bourrée, Wassermusik: Hornpipe, Wassermusik: Overtüre |
| Victoria Anderson (oboist) |
oboe |
Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: I. Vivace, Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: II. Fugue: Allegro, Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: III. Andante, Concerto No. 2 in B-Flat Major for Oboe and Orchestra, HWV 302a: IV. Allegro, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: I. Grave, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: II. Allegro, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: III. Sarabande: Largo, Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: IV. Allegro |
| Béla Bánfalvi (violinist, concert master of Budapest strings) |
conductor, performer |
Largo (aus "Xerxes"), Ode for St. Cecillia's Day: Minuet, Wassermusik: Alla Hornpipe, Water Music Suite, no. 2 for orchestra in D major, HWV 349: Alla hornpipe, Water Music Suite, no. 2 for orchestra in D major, HWV 349: Allegro, Water Music: Suite No. 1, Allegro, Water Music: Suite No. 1, Minuet, Water Music: Suite No. 1, Moderato |
| Luigi Alva |
vocal |
Alcina: Act II, Scene II. "Ah! mio cor! schemito sei!" (Alcina, Morgana, Oronto), Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act II, Scene II. "Tra speme e timore" (Oberto, Oronte, Alcina), Alcina: Act III, Scene I. "Credete al mio dolore" (Morgana, Oronte), Alcina: Act III, Scene I. "Un momento di contento" (Oronte, Ruggiero, Alcina), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene I. Sinfonia / "Vogliio amar e disamar" (Oronte, Morgana), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro) |
| Jozef Podhoranský |
cello |
Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano, Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| Murray Khouri (Clarinettist and producer) |
engineer, producer |
Behold a virgin shall conceive ... O thou that tellest good tidings to Zion, Behold, I tell you a mystery ... The trumpet shall sound, Comfort ye my people ... Every valley shall be exalted, Messiah, HWV 56, Part II: He was despised, Pifa, Rejoice greatly, O daughter of Zion, Then shall the eyes of the blind be open'd ... He shall feed His flock |
| Mark Padmore |
vocal |
Messiah, HWV 56: Part I, II. Accompagnato (Tenor) "Comfort ye, my people, saith your God", Messiah, HWV 56: Part I, III. Air (Tenor): "Every valley shall be exalted", Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn" / XXV. Chorus "He trusted in God that He would deliver Him", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart" / XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow" / XXVIII. Accompagnato (Soprano I): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn" / XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time" / XXXI. Chorus "Let all the angels of God worship Him", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" / XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" / XLV. Chorus "But thanks be to God who giveth us the victory" |
| Robert Holl |
vocal |
Der Messias: Accompagnato, Der Messias: No. 10 Arie, Der Messias: No. 32 Arie, Der Messias: No. 36 Arie, Der Messias: No. 42 Accompagnato, Der Messias: No. 43 Arie, Der Messias: No. 5 Accompagnato |
| Mike Skeet |
engineer, producer |
Behold a virgin shall conceive ... O thou that tellest good tidings to Zion, Behold, I tell you a mystery ... The trumpet shall sound, Comfort ye my people ... Every valley shall be exalted, Messiah, HWV 56, Part II: He was despised, Pifa, Rejoice greatly, O daughter of Zion, Then shall the eyes of the blind be open'd ... He shall feed His flock |
| Catherine Robbin (Canadian mezzo-soprano) |
vocal |
Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion", Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written", Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?", Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part Two, Air: He was despised |
| Netherlands Händel Ensemble |
performing orchestra, vocal |
Messiah: All we like sheep, Messiah: And with his stripes, Messiah: For unto us a Child is born, Messiah: Hallelujah, Messiah: His yoke is easy, Messiah: Let all the angels, Messiah: Let us break their bounds |
| Pierre Pierlot |
oboe |
Oboe Concerto in G minor: I. Grave / Allegro, Oboe Concerto in G minor: II. Sarabande (Largo), Oboe Concerto in G minor: III. Allegro, Sonata in G Minor, Op.1 No.6: I. Larghetto, Sonata in G Minor, Op.1 No.6: II. Allegro, Sonata in G Minor, Op.1 No.6: III. Adagio, Sonata in G Minor, Op.1 No.6: IV. Allegro |
| Sinfonia Australis |
performing orchestra |
Care selve, ombre beate (Atlanta) HWV35, Love in Her Eyes Sits Playing (Acis and Galatea HWV49b), Messiah: Pifa, Oh! Had I Jubal's Lyre (Joshua HWV64), Sound an Alarm (Judas Maccabaeus HWV63), The Trumpet's Loud Clangor (Ode for St Cecilia's Day HWV76), Waft Her, Angels, Through the Skies (Jeptha HWV70) |
| Martin Galling |
harpsichord |
Concerto Grosso in C-Dur „Alexanderfest“: I. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: II. Largo, Concerto Grosso in C-Dur „Alexanderfest“: III. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: IV. Andante non presto, Violinkonzert (Sonata) in B-Dur: I. Andante, Violinkonzert (Sonata) in B-Dur: II. Adagio, Violinkonzert (Sonata) in B-Dur: III. Allegro |
| Susanne Lautenbacher |
violin |
Concerto Grosso in C-Dur „Alexanderfest“: I. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: II. Largo, Concerto Grosso in C-Dur „Alexanderfest“: III. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: IV. Andante non presto, Violinkonzert (Sonata) in B-Dur: I. Andante, Violinkonzert (Sonata) in B-Dur: II. Adagio, Violinkonzert (Sonata) in B-Dur: III. Allegro |
| Dorothee Mields (German soprano) |
performer, vocal |
Air and chorus: As from the powers of sacred lays, Air: But oh! what art can teach, Air: Orpheus could lead the savage race, Air: The soft complaining flute, Ode for St Cecilia's Day, HWV 76: IV. What passion cannot music raise and quell, Ode for St. Cecilia's Day, HWV 76: March, Recitative: But bright Cecilia |
| Anthony Rolfe Johnson |
vocal |
Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart", Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow", Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron", Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn", Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time", Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" |
| Graham Abbott |
conductor |
Adagio e staccato (Water Music Suite No 1 in F), Air (Water Music Suite No 1 in F HWV348), Alla hornpipe (Water Music: Suite No 2 in D HWV349), Allegro (Water Music: suite No 1 in F), Andante (Water Music: Suite No 1 in F), Hornpipe (Water Music Suite No 1 in F), La Rejouissance (Music for the Royal Fireworks HWV351) |
| Rien Voskuilen |
organ |
Concerto for organ No. 1 in B-flat major, Op. 7: I. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: II. Andante, Concerto for organ No. 1 in B-flat major, Op. 7: III. Adagio, Concerto for organ No. 1 in B-flat major, Op. 7: IV. Largo e piano, Concerto for organ No. 1 in B-flat major, Op. 7: V. Fuga ex B, Concerto for organ No. 1 in B-flat major, Op. 7: VI. Larghetto, Concerto for organ No. 1 in B-flat major, Op. 7: VII. Bourrée |
| Graziella Sciutti |
vocal |
Alcina: Act II, Scene II. "Ah! mio cor! schemito sei!" (Alcina, Morgana, Oronto), Alcina: Act II, Scene II. "Ama, sospira, ma non t'offende" (Morgana, Alcina, Ruggiero), Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act II, Scene II. "S'acquieti il rio sospetto" (Alcina, Morgana, Ruggiero), Alcina: Act III, Scene I. "Credete al mio dolore" (Morgana, Oronte), Alcina: Act III, Scene I. Sinfonia / "Vogliio amar e disamar" (Oronte, Morgana), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro) |
| Heribert Münchner (Alfred Scholz pseudonym) |
conductor |
Concerto Grosso B-Dur, op. 6 Nr. 7: Allegro, Concerto Grosso B-Dur, op. 6 Nr. 7: Largo, Wassermusik: Air, Wassermusik: Andante, Wassermusik: Bourrée, Wassermusik: Hornpipe, Wassermusik: Overtüre |
| Lily Laskine |
harp |
Concerto for Harp & Strings in B-Flat, Op. 4 No. 6 - Allegro moderato, Concerto for Harp & Strings in B-Flat, Op. 4 No. 6 - Andante - Allegro, Concerto for Harp & Strings in B-Flat, Op. 4 No. 6 - Larghetto, Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana, Harp Concerto in B-flat, Op. 4 No. 6: I. Andante / Allegro, Harp Concerto in B-flat, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat, Op. 4 No. 6: III. Allegro moderato |
| Marjorie Thomas |
vocal |
Messiah, HWV 56: Behold, A Virgin Shall Conceive, Messiah, HWV 56: He Shall Feed His Flock, Messiah, HWV 56: He Was Despised (alto), Messiah, HWV 56: O Thou That Tellest Good Tidings To Zion, Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: Then Shall The Eyes Of The Blind, Messiah, HWV 56: Then Shall the Eyes of the Blind / He Shall Feed his Flock |
| Scholars Baroque Ensemble |
performer, performing orchestra |
Behold a virgin shall conceive ... O thou that tellest good tidings to Zion, Behold, I tell you a mystery ... The trumpet shall sound, Comfort ye my people ... Every valley shall be exalted, Dixit Dominus: Gloria Patri, Pifa, Rejoice greatly, O daughter of Zion, Then shall the eyes of the blind be open'd ... He shall feed His flock |
| Günther Wich (German conductor) |
conductor |
Concerto Grosso in C-Dur „Alexanderfest“: I. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: II. Largo, Concerto Grosso in C-Dur „Alexanderfest“: III. Allegro, Concerto Grosso in C-Dur „Alexanderfest“: IV. Andante non presto, Violinkonzert (Sonata) in B-Dur: I. Andante, Violinkonzert (Sonata) in B-Dur: II. Adagio, Violinkonzert (Sonata) in B-Dur: III. Allegro |
| James Milligan (bass) |
performer, vocal |
Messiah, HWV 56: Behold, I Tell You A Mystery (bass recit.), Messiah, HWV 56: But Who May Abide, Messiah, HWV 56: For Behold, Darkness Shall Cover The Earth, Messiah, HWV 56: Since by man came death-Chorus, Messiah, HWV 56: The People That Walked In Darkness, Messiah, HWV 56: Thus Saith The Lord, Messiah, HWV 56: Why Do Nations So Furiously Rage Together (bass) |
| Paul Dyer |
conductor |
Allegro (Concerto Grosso in D minor Op 6 No 10 HWV328), Andante larghetto e staccato (Concerto Grosso in A major Op 6 No 11 HWV329), Oh Sleep, Why Dost Thou Leave Me? (Semele), Piangero la sorte mia (Julius Caesar in Egypt), Siciliana (Concerto Grosso in C Minor Op 6 No 8 HWV326), V'adoro pupille (Julius caesar in Egypt), Va tacito e nascotto (Julius Caesar in Egypt HWV17) |
| Australian Brandenburg Orchestra |
performing orchestra |
Allegro (Concerto Grosso in D minor Op 6 No 10 HWV328), Andante larghetto e staccato (Concerto Grosso in A major Op 6 No 11 HWV329), Oh Sleep, Why Dost Thou Leave Me? (Semele), Piangero la sorte mia (Julius Caesar in Egypt), Siciliana (Concerto Grosso in C Minor Op 6 No 8 HWV326), V'adoro pupille (Julius caesar in Egypt), Va tacito e nascotto (Julius Caesar in Egypt HWV17) |
| Monica Sinclair |
vocal |
Alcina: Act II, Scene II. "E' un folle, è un vil affetto" (Oronte, Ruggiero, Bradamante, Morgana), Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero), Alcina: Act III, Scene III. "Non è amor, né gelosia" (Alcina, Bradamante, Ruggiero), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro), Giulio Cesare: Act II. "Sì spietata, il tuo rigore" (Tolomeo) |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
Arrival of the Queen of Sheba from 'Soloman', Concerto in F minor: I. Grave, Concerto in F minor: II. Allegro, Concerto in F minor: III. Sarabande - Largo, Concerto in F minor: IV. Allegro, Solomon: The Arrival of the Queen of Sheba |
| 鈴木美登里 (vocalist) |
vocal |
Messiah, HWV 56: Part I, XIIb. Recitative (Soprano) "There were Shepherds abiding in the Field", Messiah, HWV 56: Part II, XXIX. Air (Soprano) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXII. Air (Soprano) "Thou art gone up on high", Messiah, HWV 56: Part II, XXXIVa. Air (Soprano) "How beautiful are the feet of them", Messiah, HWV 56: Part III, XLVI. Air (Soprano) "If God be for us, who can be against us?" |
| Capella Istropolitana |
performing orchestra |
Orgelkonzert in d-moll, Op. 7/4, HWV 306: Adagio, Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro, Orgelkonzert in d-moll, Op. 7/4, HWV 306: Organo ad libitum, Water Music, Suite in D major, HWV 349: V. Presto, Water Music: Allegro, Water Music: Suite No. 2 in D major, HWV 349: V. Lentement |
| Monteverdi Orchestra |
performing orchestra |
Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: I. Allegro, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: II. Larghetto, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: III. Allegro moderato, Dixit Dominus (Psalmus 109), Zadok the Priest, Zadok the Priest: Coronation Anthem no. 1 |
| Roderick Kennedy |
vocal |
Messiah, HWV 56: Part I: V. Recitative "Thus saith the Lord" (bass), Messiah, HWV 56: Part I: X: Recitative "For behold, darkness shall cover the earth" (bass), Messiah, HWV 56: Part I: XI: Air "The people that walked in darknesshave seen a great light" (bass), Messiah, HWV 56: Part II: XL: Air "Why do the nations so furiously rage together" (bass), Messiah, HWV 56: Part III: XLVII: Recitative: "Behold, I tell you a mystery" (bass), Messiah, HWV 56: Part III: XLVIII: Air "The trumpet shall sound" (bass) |
| Brigitte Fassbaender (mezzo-soprano) |
vocal |
Der Messias: No. 17 Duett, Der Messias: No. 20 Arie, Der Messias: No. 44 Duett / No. 45 Chor, Der Messias: No. 6 Arie, Der Messias: No. 8 Arie, Der Messias: Rezitativ |
| Barbara Schlick |
vocal |
Giulio Cesare: Atto II, Scena VIII. "Che sento?" (Cleopatra) - Aria "Se pietà" (Cleopatra), Messiah, HWV 56: Part I, XVIb. Recitative (Soprano I) "Then shall the eyes of the blind be opened" / XVII. Duet (Alto & Soprano I) "He shall feed His flock like a shepherd", Messiah, HWV 56: Part II, XXIX. Air (Soprano I) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart" / XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow" / XXVIII. Accompagnato (Soprano I): "He was cut off out of the land of the living", Messiah, HWV 56: Part II, XXXIVa. Air (Soprano I) "How beautiful are the feet of them", Messiah, HWV 56: Part III, XL. Air (Soprano I) "I know that my Redeemer liveth" |
| Matthew Brook (bass-baritone) |
vocal |
Air: But who may abide, Air: The people that walked in darkness, Recitative, accompanied: Behold I tell you a mystery, Recitative: For behold!, Recitative: Thou art gone up, Recitative: Thus saith the Lord |
| Helmuth Rilling |
conductor, organ |
Chor "Halleluja", Messiah: Overture, Orgelkonzert nr. 13 in F-Dur: I. Larghetto, Orgelkonzert nr. 13 in F-Dur: II. Allegro, Orgelkonzert nr. 13 in F-Dur: III. Larghetto, Orgelkonzert nr. 13 in F-Dur: IV. Allegro |
| Jaromír Klepáč |
piano |
Air mit Variationen from The Aylesford Pieces, Sonata for Piano and Violin in A Major, HWV 361: I. Andante, Sonata for Piano and Violin in A Major, HWV 361: IV. Allegro, Sonata for Piano and Violin in F Major, Op.1, No. 12, HWV 370: I. Adagio, Sonata for Piano and Violin in F major, Op.1, No. 12, HWV 370: III. Largo, Sonatina from The Aylesford Pieces |
| Juanita Lascarro |
vocal |
Alcina: Atto I, Scena III. Aria "Chi m'insegna il caro padre?" (Oberto), Alcina: Atto I, Scena III. Recitativo "Generosi guerrier" (Oberto), Alcina: Atto II, Scena VII. Aria "Tra speme e timore" (Oberto), Alcina: Atto II, Scena VII. Recitativo "Regina, io cerco in vano" (Oberto), Alcina: Atto III, Scena VI. Aria "Barbara!" (Oberto), Alcina: Atto III, Scena VI. Recitativo "Già vicino è il momento" (Oberto) |
| Nicholas Mulroy |
vocal |
Air: Every valley shall be exalted, Duet: O death where is thy sting, Recitative, accompanied: All they that see Him, Recitative: Comfort ye!, Recitative: He that dwelleth, Recitative: Unto which of the angels |
| Gabrieli Consort |
vocal |
Messiah, HWV 56: Part I, Scene I. Chorus "And the Glory of the Lord shall be revealed", Messiah, HWV 56: Part I, Scene II. Chorus "And He shall purify the Sons of Levi", Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born", Messiah, HWV 56: Part II, Scene III. Chorus "Lift up your heads, o ye gates", Messiah, HWV 56: Part II, Scene VII. Chorus "Hallelujah!", Messiah, HWV 56: Part III, Scene IV. Chorus "Worthy is the lamb that was slain - amen" |
| The Soloists of Marseille |
performing orchestra |
Concerto Grosso Op. 10, No. 10 - I. Overture, Concerto Grosso Op. 10, No. 10 - II. Allegro, Concerto Grosso Op. 10, No. 10 - III. Air: Lentement, Concerto Grosso Op. 10, No. 10 - IV. Allegro, Concerto Grosso Op. 10, No. 10 - V. Allegro, Concerto Grosso Op. 10, No. 10 - VI. Allegro moderato |
| Klaus-Peter Hahn |
conductor |
Concerto Grosso Op. 10, No. 10 - I. Overture, Concerto Grosso Op. 10, No. 10 - II. Allegro, Concerto Grosso Op. 10, No. 10 - III. Air: Lentement, Concerto Grosso Op. 10, No. 10 - IV. Allegro, Concerto Grosso Op. 10, No. 10 - V. Allegro, Concerto Grosso Op. 10, No. 10 - VI. Allegro moderato |
| Valda Aveling |
harpsichord |
Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Organo ad libitum: Largo, Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: III. Allegro, Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante / II. Allegro, Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante, Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo, Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Organo ad libitum |
| London Philharmonic Orchestra |
performer, performing orchestra |
Messiah - He Was Despised, Messiah: For Unto Us a Child Is Born, Orgelkonzert Nr. 13 F-Dur: II. Allegro "Kuckuck und Nachtigall", The Messiah, HWV 56: Hallelujah Chorus, Work(s): Lucrezia (based on fragments of the aria Già nel s, Zadok the Priest |
| Orchestra of the Antipodes |
performing orchestra |
Ev'ry Valley (Messiah), He Was Despised (excerpt Messiah), I Know That My Redeemer Liveth (Messiah), Laudate pueri Dominum HWV237 (first movement), Pifa (Messiah HWV56), The Trumpet Shall Sound (excerpt, Messiah) |
| Ursula Holliger |
harp |
Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 1. Andante allegro, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 2. Larghetto - Adagio, Concerto for harp in Si b M., Op. 4, n. 6, HWV 294 - 3. Allegro moderato, Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante allegro, Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto, Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato |
| David Hobson |
vocal |
Care selve, ombre beate (Atlanta) HWV35, Love in Her Eyes Sits Playing (Acis and Galatea HWV49b), Sound an Alarm (Judas Maccabaeus HWV63), The Trumpet's Loud Clangor (Ode for St Cecilia's Day HWV76), Waft Her, Angels, Through the Skies (Jeptha HWV70) |
| Bläservereinigung der Archiv-Produktion |
performer |
Feuerwerksmusik: I. Ouverture - Allegro, Feuerwerksmusik: II. Bourrée, Feuerwerksmusik: III. Largo alla Siciliana, Feuerwerksmusik: IV. Allegro, Feuerwerksmusik: V. Menuets I & II |
| Yvonne Kenny |
vocal |
Let the Bright Seraphim (Samson HWV57), Oh Sleep, Why Dost Thou Leave Me? (Semele), Piangero la sorte mia (Julius Caesar in Egypt), Rejoice Greatly (Messiah), V'adoro pupille (Julius caesar in Egypt) |
| Karen Clift |
vocal |
Part One, Air: He shall feed His flock like a shepherd, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them |
| Drottningholms Barockensemble |
performer |
Water Music Suite i D-dur, HWV 341: I. Overture, Water Music Suite i D-dur, HWV 341: II. Allegro (Gigue), Water Music Suite i D-dur, HWV 341: III. Air (Minuett), Water Music Suite i D-dur, HWV 341: IV. Marsch (Bourrée), Water Music Suite i D-dur, HWV 341: V. Marsch |
| Ludovít Kanta |
cello |
Concerto grosso No. 11 in A Major, HWV 329, Op. 6: I. Andante larghetto, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: II. Allegro, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: III. Largo e staccato, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: IV. Andante, Concerto grosso No. 11 in A Major, HWV 329, Op. 6: V. Allegro |
| 鈴木秀美 |
cello |
Recorder Sonata in C Major, HWV 365: I. Larghetto, Recorder Sonata in C Major, HWV 365: II. Allegro, Recorder Sonata in C Major, HWV 365: III. Larghetto, Recorder Sonata in C Major, HWV 365: IV. A Tempo di Gavotta, Recorder Sonata in C Major, HWV 365: V. Allegro |
| Choir of Westminster Abbey |
vocal |
Dettingen Te Deum: And We Worship Thy name, Dettingen Te Deum: Vouchsafe, O Lord, Let Thy Hand Be Strengthened: HWV 259, My Heart is Inditing: HWV 261, The King Shall Rejoice: HWV 260 |
| Nils-Erik Sparf |
conductor |
Water Music Suite i D-dur, HWV 341: I. Overture, Water Music Suite i D-dur, HWV 341: II. Allegro (Gigue), Water Music Suite i D-dur, HWV 341: III. Air (Minuett), Water Music Suite i D-dur, HWV 341: IV. Marsch (Bourrée), Water Music Suite i D-dur, HWV 341: V. Marsch |
| Kathleen Ferrier |
vocal |
Judas Maccabaeus - Aria (Father of Heaven), Messiah - Aria (He Was Despised), Messiah - Aria (O Thou That Tellest Good Tidings to Zion), Messiah - He Was Despised, Samson - Aria (Return, O God of Hosts) |
| Alan Ewing |
vocal |
Acis and Galatea: Act II. "Cease to beauty to be suing" (Polyphemus), Acis and Galatea: Act II. "O ruddier than the cherry" (Polyphemus), Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus), Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea), Acis and Galatea: Act II. Recitativo accompagnato "I rage, I melt, I burn" (Polyphemus) |
| Fabián Schofrin |
vocal |
Judas Maccabaeus, HWV 63: Acte II, No. 11. (Recitative: Messenger) "O Judas...", Judas Maccabaeus, HWV 63: Acte III, No. 2. (Air: Priest) "Father of Heaven...", Judas Maccabaeus, HWV 63: Acte III, No. 5. (Recitative: Messenger) "From Capharsalama...", Judas Maccabaeus, HWV 63: Acte III, No. 6. (Air: Messenger) "Cease thy anguish...", Judas Maccabaeus, HWV 63: Acte III, No. 7. (Recitative: Messenger) "Yet more, Nicamor..." |
| Kiri Te Kanawa |
vocal |
Giulio Cesare Act 3: "Piangerò, la sorte mia", Messiah No. 14: And Suddenly There Was With the Angel / No. 15: Glory to God in the Highest, Messiah No. 17: He Shall Feed His Flock, Messiah No. 34a: How Beautiful Are the Feet, Samson: Act III, Scene 3. "Let the Bright Seraphim" |
| Louis Auriacombe |
conductor |
Harp Concerto in B-flat, Op. 4 No. 6: I. Andante / Allegro, Harp Concerto in B-flat, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat, Op. 4 No. 6: III. Allegro moderato, Oboe Concerto in G minor: I. Grave / Allegro, Oboe Concerto in G minor: II. Sarabande (Largo) |
| Slovenská filharmónia (Slovak Philharmonic, Bratislava) |
performing orchestra |
Feuerwerksmusik: La Paix, Feuerwerksmusik: La Rèjouissance, Feuerwerksmusik: Menuett II, Feuerwerksmusik: Overtüre, Fireworks Music:La Paix/Reace |
| Bernard Salles |
double bass |
Rinaldo, HWV 7 : "Armida dispietata... Lascia ch'io pianga mia cruda sorte", Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : I. Grave, Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : II. Allegro, Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : III. Largo, Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : IV. Allegro vivace |
| Morten Lindberg |
engineer |
Water Music Suite i D-dur, HWV 341: I. Overture, Water Music Suite i D-dur, HWV 341: II. Allegro (Gigue), Water Music Suite i D-dur, HWV 341: III. Air (Minuett), Water Music Suite i D-dur, HWV 341: IV. Marsch (Bourrée), Water Music Suite i D-dur, HWV 341: V. Marsch |
| Annie Gill |
vocal |
Air: O thou that tellest good tidings, Duet and Chorus: How beautiful are the feet, Duet: O death where is thy sting, Recitative: Behold a Virgin shall conceive, Recitative: Then shall be brought |
| Laurent Naouri |
vocal |
Alcina: Atto II, Scena I. Aria "Pensa a chi geme d'amor" (Melisso), Alcina: Atto II, Scena I. Arioso "Col celarvi a chi v'ama" (Ruggiero) - Recitativo "Taci, taci codardo" (Melisso), Alcina: Atto III, Scena III. Recitativo "Tutta d'armate squadre" (Melisso), Alcina: Atto III, Scena IV. Recitativo "Vanne tu seco ancora" (Melisso), Alcina: Atto III, Scena VIII. Recitativo "Ah mio Ruggier, che tenti?" (Alcina) / Atto III, Scena IX. Recitativo "Misera, ah, no!" (Alcina) / Atto III, Scena ultima. Recitativo "A che tardi?" (Melisso) |
| Ole Edvard Antonsen |
conductor, trumpet |
Suite in D minor: I. Overture, Suite in D minor: II. Allegro. Gigue, Suite in D minor: III. Aire. Menuetto, Suite in D minor: IV. March. Bourrée, Suite in D minor: V. March |
| Natalie Dessay |
vocal |
Alcina: Atto I, Scena I. Aria "O s'apre al riso" (Morgana), Alcina: Atto I, Scena XIII. Recitativo "Fuggi cor mio" (Morgana), Alcina: Atto II, Scena IV. Recitativo "S'acquieti il rio sospetto" (Alcina) / Atto II, Scena V. Recitativo "E la tua pace" (Morgana), Alcina: Atto II, Scena V. Aria "Ama, sospira" (Morgana), Alcina: Atto III, Scena I. Aria "Credete al mio dolore" (Morgana) |
| TrondheimSolistene |
performing orchestra |
Suite in D minor: I. Overture, Suite in D minor: II. Allegro. Gigue, Suite in D minor: III. Aire. Menuetto, Suite in D minor: IV. March. Bourrée, Suite in D minor: V. March |
| Dan Laurin |
recorder |
Recorder Sonata in C Major, HWV 365: I. Larghetto, Recorder Sonata in C Major, HWV 365: II. Allegro, Recorder Sonata in C Major, HWV 365: III. Larghetto, Recorder Sonata in C Major, HWV 365: IV. A Tempo di Gavotta, Recorder Sonata in C Major, HWV 365: V. Allegro |
| Wiener Sängerknaben |
vocal |
Hallelujah!, Lascia ch'io pianga (Rinaldo), Let the Bright Seraphim, Let the Bright Seraphim (Samson) |
| Egbert Lewark (German trumpeter) |
trumpet |
Suite No. 2 in D Major for Trumpet and Organ, HWV 341: I. Overture: Gigue, Suite No. 2 in D Major for Trumpet and Organ, HWV 341: II. Aire: Tempo di Minuetto, Suite No. 2 in D Major for Trumpet and Organ, HWV 341: III. March: Tempo di Bourrée, Suite No. 2 in D Major for Trumpet and Organ, HWV 341: IV. Maestoso |
| Orchestra of the Age of Enlightenment |
performing orchestra |
L'Allegro, il Penseroso ed il Moderato, HWV 55: III. Il Moderato "As Steals the Morn", Serse, Act I: "Frondi tenere", Serse, HWV 40: "Frondi tenere... ombra mai fù" (Serse), Serse: Ombra Mai Fu |
| Lionel Rogg |
organ |
Organ Concerto in G minor, Op. 7 No. 5 HWV 310: I., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: II., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: III., Organ Concerto in G minor, Op. 7 No. 5 HWV 310: IV. |
| Janáčkova filharmonie Ostrava |
performing orchestra |
Allegro moderato From Harp Concerto, Harp Concerto in B-flat major: I. Allegro moderato, Harp Concerto in B-flat major: II. Larghetto, Harp Concerto in B-flat major: III. Allegro moderato |
| Eduard Müller |
organ |
Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": I. Larghetto, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": II. Allegro, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": III. Larghetto, Organ Concerto in F major, HWV 295, "The Cuckoo and the Nightingale": IV. Allegro |
| London Mozart Players |
performing orchestra |
Trio Sonata in G minor: I. Grave, Trio Sonata in G minor: II. Allegro, Trio Sonata in G minor: III. Largo, Trio Sonata in G minor: IV. Fugue |
| Jan Stanienda |
conductor |
Koncert na obój i smyczki g-moll: I. Grave, Koncert na obój i smyczki g-moll: II. Allegro, Koncert na obój i smyczki g-moll: III. Sarabanda. Largo, Koncert na obój i smyczki g-moll: IV. Allegro |
| Norbert Kraft (classical guitarist and producer) |
engineer, producer |
Sonata in D major, op.1 no. 13: I. Affetuoso, Sonata in D major, op.1 no. 13: II. Allegro, Sonata in D major, op.1 no. 13: III. Larghetto, Sonata in D major, op.1 no. 13: IV. Allegro |
| Ernest Lush |
piano |
Cello Sonata in G minor, HWV 287: I. Grave, Cello Sonata in G minor, HWV 287: II. Allegro, Cello Sonata in G minor, HWV 287: III. Sarabande (Largo), Cello Sonata in G minor, HWV 287: IV. Allegro |
| Paul Tortelier |
cello |
Trio Sonata in G minor: I. Grave, Trio Sonata in G minor: II. Allegro, Trio Sonata in G minor: III. Largo, Trio Sonata in G minor: IV. Fugue |
| Arte dei Suonatori |
performing orchestra |
Concerto grosso No. 12 in B Minor, HWV 330: II. Allegro, Concerto grosso No. 12 in B Minor, HWV 330: III. Aria: Larghetto e piano, Concerto grosso No. 12 in B Minor, HWV 330: IV. Largo, Concerto grosso No. 12 in B Minor, HWV 330: V. Allegro |
| Eduard Fischer |
conductor |
Concerto Grosso in G major, Op. 6 No. 1: I. A tempo giusto / II. Allegro, Concerto Grosso in G major, Op. 6 No. 1: III. Adagio, Concerto Grosso in G major, Op. 6 No. 1: IV. Allegro, Concerto Grosso in G major, Op. 6 No. 1: V. Allegro |
| Lothar Koch (oboist) |
oboe |
Water Music Suite No. 1 in F major, HWV 348: IV. Air, Water Music Suite No. 1 in F major, HWV 348: V. Menuet, Water Music Suite No. 2 in D major, HWV 349: XII. Lentement, Water Music Suite No. 2 in D major, HWV 349: XIII. Presto |
| Klaus Lieb (violinist) |
violin |
Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: I. Larghetto affetuoso, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: II. Allegro, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: III. Largo e piano, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: IV. Allegro |
| Kathleen Battle |
vocal |
Eternal Source of Light Divine, Let the Bright Seraphim, O Had I Jubal's Lyre (Joshua), Rejoice Greatly |
| George Lloyd (British composer) |
conductor |
Concerto in F minor: I. Grave, Concerto in F minor: II. Allegro, Concerto in F minor: III. Sarabande - Largo, Concerto in F minor: IV. Allegro |
| E. Power Biggs |
organ |
Marche de Saül, Orgelkonzert Nr. 13 F-Dur: II. Allegro "Kuckuck und Nachtigall", Semele: Where'er you walk, Symphonie martiale de "Belshazzar" |
| Sylvain Rastoul |
double bass |
Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : I. Grave, Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : II. Allegro, Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : III. Largo, Sonate pour 2 violons et basse continue en sol mineur, HWV 393, Op. 2 No. 8 : IV. Allegro vivace |
| Bin Huang |
violin |
Sonata in D major, op.1 no. 13: I. Affetuoso, Sonata in D major, op.1 no. 13: II. Allegro, Sonata in D major, op.1 no. 13: III. Larghetto, Sonata in D major, op.1 no. 13: IV. Allegro |
| Berliner Barock-Compagney |
performing orchestra |
Sonata in A: Allegro, Sonata in A: Andante, Sonata in A: Gavotte, Sonata in A: Larghetto |
| Kama Grott |
oboe |
Koncert na obój i smyczki g-moll: I. Grave, Koncert na obój i smyczki g-moll: II. Allegro, Koncert na obój i smyczki g-moll: III. Sarabanda. Largo, Koncert na obój i smyczki g-moll: IV. Allegro |
| Bohumil Kotmel |
violin |
Sonata for Piano and Violin in A Major, HWV 361: I. Andante, Sonata for Piano and Violin in A Major, HWV 361: IV. Allegro, Sonata for Piano and Violin in F Major, Op.1, No. 12, HWV 370: I. Adagio, Sonata for Piano and Violin in F major, Op.1, No. 12, HWV 370: III. Largo |
| Stuart Eltham |
balance |
Trio Sonata in G minor: I. Grave, Trio Sonata in G minor: II. Allegro, Trio Sonata in G minor: III. Largo, Trio Sonata in G minor: IV. Fugue |
| Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) |
performing orchestra |
Chorus from Judas Maccabaeus, Concerto em fá maior: II. Andante, Concerto grosso em sol menor: III. Musette. Larghetto, Música aquática: IV. Lentamente - Loure |
| Engadiner Kammermusiker |
performing orchestra |
Kantate "Dalla guerra amorosa": Teil 1 (Engadiner Kammermusiker feat. bass-baritone: Mark Stehle), Kantate "Dalla guerra amorosa": Teil 2 (Engadiner Kammermusiker feat. bass-baritone: Mark Stehle), Kantate "Dalla guerra amorosa": Teil 3 (Engadiner Kammermusiker feat. bass-baritone: Mark Stehle), Kantate "Dalla guerra amorosa": Teil 4 (Engadiner Kammermusiker feat. bass-baritone: Mark Stehle) |
| Maria Grafova |
harp |
Allegro moderato From Harp Concerto, Harp Concerto in B-flat major: I. Allegro moderato, Harp Concerto in B-flat major: II. Larghetto, Harp Concerto in B-flat major: III. Allegro moderato |
| Pražští komorní sólisté |
performer |
Concerto Grosso in G major, Op. 6 No. 1: I. A tempo giusto / II. Allegro, Concerto Grosso in G major, Op. 6 No. 1: III. Adagio, Concerto Grosso in G major, Op. 6 No. 1: IV. Allegro, Concerto Grosso in G major, Op. 6 No. 1: V. Allegro |
| Nathan Berg |
vocal |
Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth" / X. Air (Bass) "The people that walked in darkness", Messiah, HWV 56: Part I, V. Recitative (Bass) "Thus saith the Lord of Hosts", Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together", Messiah, HWV 56: Part III, XLII. Accompagnato (Bass) "Behold, I tell you a mystery" / XLIIIa. Air (Bass) "The trumpet shall sound" |
| Hans Wolfgang Dünschede |
flute, recorder |
Water Music Suite No. 1 in F major, HWV 348: IV. Air, Water Music Suite No. 1 in F major, HWV 348: V. Menuet, Water Music Suite No. 2 in D major, HWV 349: XII. Lentement, Water Music Suite No. 2 in D major, HWV 349: XIII. Presto |
| Conrad von der Goltz Chamber Orchestra |
performing orchestra |
Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: I. Larghetto affetuoso, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: II. Allegro, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: III. Largo e piano, Concerto grosso No. 4 in A Minor, HWV 322, Op. 6: IV. Allegro |
| Bonnie Silver (producer/engineer) |
producer |
Sonata in D major, op.1 no. 13: I. Affetuoso, Sonata in D major, op.1 no. 13: II. Allegro, Sonata in D major, op.1 no. 13: III. Larghetto, Sonata in D major, op.1 no. 13: IV. Allegro |
| Wolfgang Portugall |
pipe organ |
Suite No. 2 in D Major for Trumpet and Organ, HWV 341: I. Overture: Gigue, Suite No. 2 in D Major for Trumpet and Organ, HWV 341: II. Aire: Tempo di Minuetto, Suite No. 2 in D Major for Trumpet and Organ, HWV 341: III. March: Tempo di Bourrée, Suite No. 2 in D Major for Trumpet and Organ, HWV 341: IV. Maestoso |
| Clare Wilkinson |
vocal |
Air: He shall feed His flock, Air: He was despised, Air: If God be for us, Recitative: Then shall the eyes of the blind |
| Reinhold Friedrich |
baroque trumpet |
Sonata in A: Allegro, Sonata in A: Andante, Sonata in A: Gavotte, Sonata in A: Larghetto |
| Wratislavia Chamber Orchestra |
performing orchestra |
Koncert na obój i smyczki g-moll: I. Grave, Koncert na obój i smyczki g-moll: II. Allegro, Koncert na obój i smyczki g-moll: III. Sarabanda. Largo, Koncert na obój i smyczki g-moll: IV. Allegro |
| Hartmut Haenchen |
conductor |
Allegro moderato From Harp Concerto, Harp Concerto in B-flat major: I. Allegro moderato, Harp Concerto in B-flat major: II. Larghetto, Harp Concerto in B-flat major: III. Allegro moderato |
| Mark Wilde |
performer, vocal |
Air and chorus: The trumpet's loud clangour, Air: Sharp violins proclaim, Ode for St. Cecilia's Day, HWV 76: March, Recitative: From harmony, from heav'nly harmony |
| Martin Gester |
conductor |
Concerto grosso No. 12 in B Minor, HWV 330: II. Allegro, Concerto grosso No. 12 in B Minor, HWV 330: III. Aria: Larghetto e piano, Concerto grosso No. 12 in B Minor, HWV 330: IV. Largo, Concerto grosso No. 12 in B Minor, HWV 330: V. Allegro |
| Martin Haselböck |
organ |
Allegro, Larghetto, Minuet, Organ Concerto No.13 'The Cuckoo and the Nightningale' |
| Hyun Sun Kim |
piano |
Sonata in D major, op.1 no. 13: I. Affetuoso, Sonata in D major, op.1 no. 13: II. Allegro, Sonata in D major, op.1 no. 13: III. Larghetto, Sonata in D major, op.1 no. 13: IV. Allegro |
| Charles Brett (English counter-tenor active in late 20th century) |
vocal |
Anthem for the Foundling Hospital: O God who from the suckling's mouth, Anthem for the Foundling Hospital: The charitable shall be had, Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?", Messiah, HWV 56: Part III, XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" |
| John Fraser |
producer |
Trio Sonata in G minor: I. Grave, Trio Sonata in G minor: II. Allegro, Trio Sonata in G minor: III. Largo, Trio Sonata in G minor: IV. Fugue |
| Academy of St. Martin in the Fields Chorus |
vocal |
Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 3: "Worthy is the Lamb...Blessing and honour", Messiah, Part 3: Amen, Messiah: Hallelujah Chorus |
| Jacqueline du Pré |
cello |
Cello Sonata in G minor, HWV 287: I. Grave, Cello Sonata in G minor, HWV 287: II. Allegro, Cello Sonata in G minor, HWV 287: III. Sarabande (Largo), Cello Sonata in G minor, HWV 287: IV. Allegro |
| James Griffett |
vocal |
Part I. "Comfort Ye My People", Part I. "Every Valley Shall Be Exalted", Part II. "Behold, and see if there be any sorrow", Part II. "Thy Rebuke Hath Broken His Heart" |
| 西崎崇子 |
violin |
Bourrée, Chorus from Judas Maccabaeus, Largo (Ombra mai fu) from Serse, Lascia ch'io pianga (fra Rinaldo) |
| Jean-Pierre Chevailler |
euphonium |
Concerto in F minor: I. Grave, Concerto in F minor: II. Allegro, Concerto in F minor: III. Sarabande - Largo, Concerto in F minor: IV. Allegro |
| Ruggero Gerlin (Harpsichordist) |
harpsichord |
Sonata in G Minor, Op.1 No.6: I. Larghetto, Sonata in G Minor, Op.1 No.6: II. Allegro, Sonata in G Minor, Op.1 No.6: III. Adagio, Sonata in G Minor, Op.1 No.6: IV. Allegro |
| Mirella Freni |
vocal |
Alcina: Act II, Scene II. "Mio bel tesoro" (Ruggiero, Oberto, Alcina), Alcina: Act II, Scene II. "Tra speme e timore" (Oberto, Oronte, Alcina), Alcina: Act III, Scene II. "Mi restano le lagrime" (Alcina) / Scene III. "Già vicino è 'l momento" (Oberto, Alcina), Alcina: Act III, Scene III. "Barbara! io ben lo so" (Oberto, Bradamante, Alcina, Ruggiero) |
| J. W. Slatter |
arranger |
Cello Sonata in G minor, HWV 287: I. Grave, Cello Sonata in G minor, HWV 287: II. Allegro, Cello Sonata in G minor, HWV 287: III. Sarabande (Largo), Cello Sonata in G minor, HWV 287: IV. Allegro |
| Sir Thomas Beecham |
arranger, conductor |
Amaryllis Suite: Sarabande, Messiah: Hallelujah Chorus (extract), Solomon: Arrival of the Queen of Sheba |
| Frances Kelly (harpist) |
harp |
Harp Concerto in B-flat major, Op. 4 No. 6: I. Andante - Allegro, Harp Concerto in B-flat major, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat major, Op. 4 No. 6: III. Allegro moderato |
| Jamie Hey |
cello |
Allegro (Concerto Grosso in D minor Op 6 No 10 HWV328), Andante larghetto e staccato (Concerto Grosso in A major Op 6 No 11 HWV329), Siciliana (Concerto Grosso in C Minor Op 6 No 8 HWV326) |
| Harald Feller |
organ |
Orgelkonzert in d-moll, Op. 7/4, HWV 306: Adagio, Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro, Orgelkonzert in d-moll, Op. 7/4, HWV 306: Organo ad libitum |
| Fabio Bonizzoni |
conductor |
Alpestre monte (HWV 81), Duello amoroso (Amarilli vezzosa) (HWV 82), Olinto, pastore arcade (Oh! Come chiare e belle) (HWV 143) |
| Victor Ledbetter |
vocal |
Part One, Air: The people that walked in darkness, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Thus saith the Lord |
| Lucinda Moon |
violin |
Allegro (Concerto Grosso in D minor Op 6 No 10 HWV328), Andante larghetto e staccato (Concerto Grosso in A major Op 6 No 11 HWV329), Siciliana (Concerto Grosso in C Minor Op 6 No 8 HWV326) |
| Philharmonia Chamber Orchestra |
performing orchestra |
Berenice, HWV 38: Andante larghetto (Philharmonia Chamber Orchestra feat. conductor: Pierre Boulez), Berenice, HWV 38: Gigue (Philharmonia Chamber Orchestra feat. conductor: Pierre Boulez), Berenice, HWV 38: Ouverture - Allegro (Philharmonia Chamber Orchestra feat. conductor: Pierre Boulez) |
| Ezio Flagello (bass / baritone) |
vocal |
Alcina: Act III, Scene I. "Ma quando tonerai" (Alcina, Melisso, Ruggiero, Bradamante), Alcina: Act III, Scene I. "Vane tu seco ancora" (Melisso, Bradamante) / Scene II "Niuna forza lo arresta" (Oronte, Alcina), Alcina: Act III, Scene III. "Prendi, e vivi. Ruggiero vuol la tua libertà" (Ruggiero, Oronte, Alcina, Bradamante, Morgana, Melisso, Coro) |
| Jean-Claude Hermanjat |
transverse flute |
Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante allegro, Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto, Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato |
| Eugen Duvier (an Alfred Scholz pseudonym) |
conductor |
Orgelkonzert F-Dur, op. 4 Nr. 13, Orgelkonzert F-Dur, op. 4 Nr. 4, Orgelkonzert g-Moll, op. 4 Nr. 1 |
| Berlin Pro Musica Chamber Orchestra |
performing orchestra |
Concerto Grosso, Op. 3 No. 1 in B-flat, Concerto grosso, Op. 3 No. 4 in F major, Water Music (Excerpts): Allegro / Air / Hornpipe |
| Nicholas Kraemer (harpsichordist and conductor) |
harpsichord |
Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: I. Allegro, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: II. Larghetto, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: III. Allegro moderato |
| Ben Dollman |
violin |
Allegro (Concerto Grosso in D minor Op 6 No 10 HWV328), Andante larghetto e staccato (Concerto Grosso in A major Op 6 No 11 HWV329), Siciliana (Concerto Grosso in C Minor Op 6 No 8 HWV326) |
| André Pépin |
transverse flute |
Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante allegro, Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto, Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato |
| Julian Bream |
lute |
Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: I. Allegro, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: II. Larghetto, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: III. Allegro moderato |
| David Daniels (American countertenor) |
vocal |
Serse, Act I: "Frondi tenere", Serse, HWV 40: "Frondi tenere... ombra mai fù" (Serse), Serse: Ombra Mai Fu |
| Hans-Jürgen Walther |
conductor |
Concerto Grosso, Op. 3 No. 1 in B-flat, Concerto grosso, Op. 3 No. 4 in F major, Water Music (Excerpts): Allegro / Air / Hornpipe |
| La Risonanza (Italian vocal & instrumental ensemble) |
performing orchestra |
Alpestre monte (HWV 81), Duello amoroso (Amarilli vezzosa) (HWV 82), Olinto, pastore arcade (Oh! Come chiare e belle) (HWV 143) |
| Akademie für Alte Musik Berlin |
performing orchestra |
Serse, HWV 40: Act I, Scene I. "Frondi tenere", Serse, HWV 40: Act I, Scene I. "Ombra mai fù", Serse, HWV 40: Act III. Sinfonia |
| Adelaide Symphony Orchestra |
performing orchestra |
Iris, Hence, Away (Semele), Verdi prati, selve amene (Alcina HWV34), Water Music: Air |
| Berliner Philharmoniker |
performing orchestra |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano, Music for the Royal Fireworks, Water Music: Alla Hornpipe (Orchestre philarmonique de Berlin feat. conductor: Rafael Kubelik) |
| Marie-Claire Jamet |
harp |
Harfenkonzert in B-Dur, Op. 4, Nr. 6: Allegro Moderato, Harfenkonzert in B-Dur, Op. 4, Nr. 6: Andante - Allegro, Harfenkonzert in B-Dur, Op. 4, Nr. 6: Larghetto |
| Marilyn Sansom |
cello |
Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: I. Allegro, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: II. Larghetto, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: III. Allegro moderato |
| Sir Charles Groves |
conductor |
Marche de Saül, Semele: Where'er you walk, Symphonie martiale de "Belshazzar" |
| Paul Kuentz |
conductor |
Harfenkonzert in B-Dur, Op. 4, Nr. 6: Allegro Moderato, Harfenkonzert in B-Dur, Op. 4, Nr. 6: Andante - Allegro, Harfenkonzert in B-Dur, Op. 4, Nr. 6: Larghetto |
| Torbjörn Samuelsson (engineer) |
editor, engineer |
Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine, Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament), Samson, HWV 57, Act III: Let the Bright Seraphim |
| Sandrine Piau |
vocal |
Messiah, HWV 56: Part I, XVIa. Air (Soprano II) "Rejoice greatly, O daughter of Zion", Messiah, HWV 56: Part II, XXXII. Air (Soprano II) "Thou art gone up on high", Messiah, HWV 56: Part III, XLVI. Air (Soprano II) "If God be for us, who can be against us?" |
| I Musici |
performing orchestra |
Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante allegro, Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto, Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato |
| Elly Ameling |
vocal |
Messiah, Part 1: And suddenly there was with the angel, Messiah: I Know that my Redeemer Liveth, Messiah: Rejoice Greatly |
| Robert Hale (US bass-baritone) |
vocal |
Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth", Messiah, HWV 56: Part I, V. Recitative (Bass) "Thus saith the Lord of Hosts", Messiah, HWV 56: Part I, X. Air (Bass) "The people that walked in darkness" |
| Atlanta Symphony Orchestra |
performing orchestra |
Acis and Galatea: Happy We!, Messiah: All They That See Him, He Trusted in God, The Messiah, HWV 56: Hallelujah Chorus |
| Patricia Petibon |
vocal |
Acis and Galatea: Act I. "Shepherd, what art thou pursuing" (Damon), Acis and Galatea: Act I. Recitativo "Stay, shepherd, stay!" (Damon), Acis and Galatea: Act II. "Would you gain the tender creature" (Damon) |
| Handel Festival Chamber Orchestra |
performing orchestra |
Concerto Grosso a-Moll, op.6 Nr. 4: Allegro, Concerto Grosso a-Moll, op.6 Nr. 4: Larghetto, Concerto Grosso a-Moll, op.6 Nr. 4: Largo |
| Charles Medlam |
conductor |
Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine, Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament), Samson, HWV 57, Act III: Let the Bright Seraphim |
| Gyula Németh |
conductor |
Concerto em fá maior: II. Andante, Concerto grosso em sol menor: III. Musette. Larghetto, Música aquática: IV. Lentamente - Loure |
| James Galway (flautist) |
conductor, flute |
Arrival of the Queen of Sheba, Solomon, Act III: The Arrival Of The Queen Of Sheba, Solomon: Arrival of the Queen of Sheba |
| Uwe Christian Harrer |
conductor |
Lascia ch'io pianga (Rinaldo), Let the Bright Seraphim, Let the Bright Seraphim (Samson) |
| Susanne Rydén |
vocal |
Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine, Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament), Samson, HWV 57, Act III: Let the Bright Seraphim |
| Anna Reynolds |
vocal |
Messiah, Part 1: "Behold, a virgin shall conceive", Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 2: "He was despised" |
| London Baroque (founded 1978 by Charles Medlam) |
performer |
Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine, Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament), Samson, HWV 57, Act III: Let the Bright Seraphim |
| Kammerorchester Paris |
performing orchestra |
Harfenkonzert in B-Dur, Op. 4, Nr. 6: Allegro Moderato, Harfenkonzert in B-Dur, Op. 4, Nr. 6: Andante - Allegro, Harfenkonzert in B-Dur, Op. 4, Nr. 6: Larghetto |
| Jeremy Ward |
bassoon |
Amadigi di Gaula, HWV 11: "Pena tiranna" (Dardano), Ariodante, HWV 33: "E vivo ancora?" / "Scherza infida" (Ariodante), Rinaldo, HWV 7: "Venti turbini" (Rinaldo) |
| 米良美一 |
vocal |
Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?", Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written", Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?" |
| Andreas N. Tarkmann |
arranger |
Serse, HWV 40: "Ombra mai fu", Trio Sonata in G minor, HWV 393: Largo for Oboe, Violin and B.c., Water Music Suite No. 3 in G major, HWV 350: Country Dance |
| Robert Spencer |
theorbo |
Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: I. Allegro, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: II. Larghetto, Concerto for Lute and Harp in B-flat major, Op. 4 No. 6: III. Allegro moderato |
| Cantillation |
vocal |
Laudate pueri Dominum HWV237 (first movement), Sound an Alarm (Judas Maccabaeus HWV63), The Trumpet's Loud Clangor (Ode for St Cecilia's Day HWV76) |
| Camerata Romana (an Alfred Scholz pseudonym) |
performing orchestra |
Orgelkonzert F-Dur, op. 4 Nr. 13, Orgelkonzert F-Dur, op. 4 Nr. 4, Orgelkonzert g-Moll, op. 4 Nr. 1 |
| Ambrose Gauntlett |
viola da gamba |
Sonata in D major, op. 1 no. 13, HWV 371: I. Affettuoso, Sonata in E major, op. 1 no. 15 HWV 373: II. Allegro, Sonata in G minor, op. 1 no. 10, HWV 368: I. Andante |
| Sir Roger Norrington |
conductor |
Serse, Act I: "Frondi tenere", Serse, HWV 40: "Frondi tenere... ombra mai fù" (Serse), Serse: Ombra Mai Fu |
| Camerata Bratislava |
performing orchestra |
Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro, Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano, Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo |
| Robert Shaw (conductor) |
conductor |
Acis and Galatea: Happy We!, Messiah: All They That See Him, He Trusted in God, The Messiah, HWV 56: Hallelujah Chorus |
| Paul Kantschieder |
conductor |
Orgelkonzert in d-moll, Op. 7/4, HWV 306: Adagio, Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro, Orgelkonzert in d-moll, Op. 7/4, HWV 306: Organo ad libitum |
| Daniel Shores (engineer) |
editor, mix, recording |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| Vladimir Kamirski |
conductor |
Let the Bright Seraphim (Samson HWV57), Rejoice Greatly (Messiah) |
| Sally-Anne Russell |
vocal |
Iris, Hence, Away (Semele), Verdi prati, selve amene (Alcina HWV34) |
| El Mundo (chamber group) |
performing orchestra |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| Herbert von Karajan |
conductor |
Aria Larghetto E Piano, Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| Wynton Marsalis |
trumpet |
"Eternal Source of Light Divine" from Birthday Ode For Queen Anne, "Let the Bright Seraphim" from Samson |
| Danielle de Niese |
vocal |
Lascia ch'io pianga, Work(s): Lucrezia (based on fragments of the aria Già nel s |
| Chicago Chamber Orchestra |
performing orchestra |
Water Music (Original No. 15), Water Music (Original No. 18) |
| Jean-François Paillard (French conductor) |
conductor |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana, La Réjouissance From Music From the Royal Fireworks |
| Victor Ledin |
producer |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
performing orchestra |
Serse (Xerxes), HWV 40, Act I: Ombra mai fu, "Largo" (arr. for cello and orchestra), Serse (Xerxes), HWV 40: Ombra mai fu (Largo) |
| Royal Philharmonic Chorus |
vocal |
Messiah: Glory to God, Messiah: Hallelujah! |
| Pierre Fatosme (Sound Engineer) |
producer, recording |
Air (From the Harpsichord Suite in E Minor), Allegro (From the Concerto Grosso, Op. 6, No. 4) |
| Rolf Reinhardt |
conductor |
Joseph: Ouvertüre, Silete Venti: 2 Italienische Kantate, HV 242 |
| Gottfried Roth (horn) |
horn |
Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: I. Ohne Bezeichung, Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: II. à la Hornpipe |
| Francesco Macci (an Alfred Scholz pseudonym) |
conductor |
Hallelujah (Der Messias), Hallelujah Chorus |
| Chamber Orchestra of Europe |
performing orchestra |
Solomon, Act III: The Arrival Of The Queen Of Sheba, Solomon: Arrival of the Queen of Sheba |
| David Measham |
conductor |
Arrival of the Queen of Sheba (Solomon), The Arrival of the Queen of Sheba from "Solomon" |
| Nicholas Milton |
conductor |
Iris, Hence, Away (Semele), Verdi prati, selve amene (Alcina HWV34) |
| Philip Langridge |
vocal |
Messiah, Part 1: Comfort Ye, Messiah, Part 1: Ev'ry Valley |
| Jessye Norman |
vocal |
Armida, dispietata! - Lascia ch'io pianga, from <Rinaldo> (Rossi), Dank sei dir, Herr |
| Susan Gritton |
vocal |
Messiah, HWV 56: Part I, Scene V. Song "He shall feed his Flock", Messiah, HWV 56: Part II, Scene V. Song "How beautiful are the feet" |
| Mainzer Kammerorchester |
performing orchestra |
Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: I. Ohne Bezeichung, Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: II. à la Hornpipe |
| Kenneth McKellar |
vocal |
Messiah: Comfort ye, Messiah: Every valley shall be exalted |
| Ian Partridge |
vocal |
Israel in Egypt: Part I, Exodus: 1. Now there arose a new king (tenor recitative) / 2. And the children of Israel (alto & chorus), Israel in Egypt: Part I, Exodus: 3. Then sent He Moses (tenor recitative) / 4. They loathed to drink of the river (chorus) |
| Philip Gibson (conductor) |
conductor |
Ombra mai fu (Handel's Largo), Ombra mai tu ("Handel's Largo") |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Joy to the World, Lascia Ch'Io Pianga (Harrods) |
| Margaret Marshall (Scots soprano active in late 20th century) |
vocal |
Messiah, HWV 56: Part II, XXIX. Air (Soprano I) "But Thou didst not leave His soul in hell", Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano I): "He was cut off out of the land of the living" |
| Margreta Elkins |
vocal |
Giulio Cesare: Act I. "Va tacito e nascosto" (Cesare), Giulio Cesare: Act III. "Aure, deh, per pietà" (Cesare) |
| Andrew Manze |
conductor |
Concerto Grosso, No. 5, Op. 6 (excerpt), The Arrival of the Queen of Sheba |
| The English Concert Choir |
vocal |
Concerto No.1 for Oboe and String Orchestra in B flat major (No.1), HWV 302a: Adagio - Allegro, Concerto No.12 in B minor, Op.6/12, HWV 330: Aria. Larghetto e piano |
| The Choir of Trinity Church (Boston) |
vocal |
Messiah, HWV 56: Hallelujah Chorus, Messiah, HWV 56: Pastorale |
| Il Complesso Barocco |
performing orchestra |
Rodelinda: "Io t'abbraccio", Rodelinda: Overture |
| Marijana Mijanovic |
vocal |
Rodelinda: "Io t'abbraccio", Rodelinda: Overture |
| Marilyn Horne |
vocal |
Giulio Cesare: Act I. "Priva son d'ogni conforti" (Cornelia), O Thou that tellest (Messiah) |
| Gwynne Howell |
vocal, bass |
Messiah No. 36: Why Do the Nations So Furiously Rage Together? / No. 37: Let Us Break Their Bonds Asunder, Messiah, Part 3: "The trumpet shall sound" |
| Marina A. Ledin |
producer |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| David Nadien |
violin |
Judas Maccabaeus: Act III, 58. "See, The Conquering Hero Comes!", Sonata in F major, HWV 363a: IV. Bourree |
| Günter Kehr (conductor) |
conductor |
Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: I. Ohne Bezeichung, Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: II. à la Hornpipe |
| Simone Kermes |
vocal |
Rodelinda: "Io t'abbraccio", Rodelinda: Overture |
| Edita Gruberová |
vocal |
"Eternal Source of Light Divine" from Birthday Ode For Queen Anne, "Let the Bright Seraphim" from Samson |
| Halina Łukomska (soprano) |
vocal |
Joseph: Ouvertüre, Silete Venti: 2 Italienische Kantate, HV 242 |
| West Australian Symphony Orchestra |
performing orchestra |
Arrival of the Queen of Sheba (Solomon), The Arrival of the Queen of Sheba from "Solomon" |
| Laura Ward |
piano |
Come and Trip It, Here Amid the Shady Woods |
| Richard Savino |
conductor |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| Keith Lewis (tenor) |
vocal |
Messiah No. 2: Comfort Ye My People, Messiah No. 3: Every Valley Shall Be Exalted |
| Ward Swingle |
arranger |
Air (From the Harpsichord Suite in E Minor), Allegro (From the Concerto Grosso, Op. 6, No. 4) |
| Alois Spach (horn) |
horn |
Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: I. Ohne Bezeichung, Konzert für 2 Hörner, 2 Oboen & Streichorchester in F: II. à la Hornpipe |
| Geert Bierling |
organ |
Orgelkonzert in B, HWV 290: I. Adagio e staccato (Adagio e staccato (organ: Geert Bierling), Orgelkonzert in B, HWV 290: II. Allegro ma non presto (organ: Geert Bierling) |
| Terence Dennis |
piano |
Bourrée, Chorus from Judas Maccabaeus |
| Bamberg Philharmonic (Pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) |
performing orchestra |
Overture to Royal Fireworks Music, Royal Fireworks Music |
| David Thomas (British bass singer) |
vocal |
Messiah, HWV 56: Part I, V. Accompagnato (Bass) "Thus saith the Lord of Hosts", Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together" |
| Pau Casals (cellist, aka. Pablo Casals) |
cello |
Serse (Xerxes), HWV 40, Act I: Ombra mai fu, "Largo" (arr. for cello and orchestra), Serse (Xerxes), HWV 40: Ombra mai fu (Largo) |
| David Ward |
vocal |
Messiah: Behold I tell you a mystery...The trumpet shall sound, Messiah: Why do the nations |
| Reinhard Goebel |
conductor |
Donna, che in ciel de tanta luce splendi HWV 233: Aria con coro "Maria, salute e speme", Haec est Regina virginum |
| Owen Burdick |
conductor |
Messiah, HWV 56: Hallelujah Chorus, Messiah, HWV 56: Pastorale |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
The Arrival of the Queen of Sheba, HWV 67: Solomon, Oratorio, Xerxes, opera, HWV 40: Largo |
| Melbourne Symphony Orchestra |
performing orchestra |
Let the Bright Seraphim (Samson HWV57), Rejoice Greatly (Messiah) |
| Orchestre de chambre Jean-François Paillard |
performing orchestra |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana, La Réjouissance From Music From the Royal Fireworks |
| Rafael Kubelík |
conductor |
Music for the Royal Fireworks, Water Music: Alla Hornpipe (Orchestre philarmonique de Berlin feat. conductor: Rafael Kubelik) |
| Geoffrey Parsons (pianist) |
piano |
Armida, dispietata! - Lascia ch'io pianga, from <Rinaldo> (Rossi), Dank sei dir, Herr |
| Alan Curtis (harpsichordist, musicologist, and conductor) |
conductor |
Rodelinda: "Io t'abbraccio", Rodelinda: Overture |
| Dan Merceruio (engineer) |
editor |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| Judy Kirschner |
engineer |
Cantata a voce sola con Chitarra Espagnola - Aria, Cantata a voce sola con Chitarra Espagnola - Recatative |
| Cecilia Bartoli |
vocal |
Lascia la spina, cogli la rosa, Serse: Ombra mai fu |
| Colin Tilney |
harpsichord |
Organ Concerto in F major, no. 13, HWV 295 “The Cuckoo and the Nightingale”: V. Allegro, Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio |
| George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) |
conductor |
The Messiah: For Unto Us a Child Is Born, The Messiah: Hallelujah Chorus |
| Jascha Heifetz |
violin |
No. 6, Harpsichord Suite No. 7: Passacaglia |
| Michel Schwalbé (Polish violinist) |
violin |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| Mogens Wöldike |
organ |
Dank sei dir Herr (Arioso) |
| Monica Huggett |
conductor |
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" |
| Michala Petri |
recorder |
Andante |
| Michael Jarvis |
harpsichord |
Rejoice Greatly |
| Max Emanuel Cenčić |
vocal |
Let the Bright Seraphim |
| Arion Orchestre Baroque |
performing orchestra |
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" |
| Motettenchor Pforzheim |
vocal |
Aus dem "Messias": Hallelujah |
| Arkady Terentiev |
conductor |
Largo From The Opera 'Xerxes': 7 |
| Musica Antiqua Köln |
performing orchestra |
Haec est Regina virginum |
| Musica Sacra (New York based choir) |
vocal |
Messiah: Overture |
| Martin Heimgartner |
editor |
Serse: Ombra mai fu |
| Münchener Bach-Chor |
vocal |
Der Messias: Halleluja |
| Mark Stephenson (conductor/producer) |
conductor |
Messiah, HWV 56: Pastoral Symphony |
| Mark Buecker |
engineer |
Serse: Ombra mai fu |
| Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) |
performing orchestra |
Music for the Royal Fireworks |
| Marion Schwebel |
sound |
Messiah, HWV 56: Epigraph "And without Controversy" |
| Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach |
performing orchestra |
Lascia ch'io pianga (fra Rinaldo) |
| Marion Hofmann |
harp |
Passacaglia in G minor |
| Mario-Ratko Delorko |
piano |
Fantasy in C Major, HWV 490 |
| National Philharmonic Orchestra |
performing orchestra |
Konsertto harpulle, jousille ja basso continuolle B-duuri: Allegro |
| National Symphony Orchestra (of London) |
performing orchestra |
Music for the Royal Fireworks |
| Neal Peres Da Costa |
organ |
Aria: ‘Par che mi nasca in seno’ (excerpt) |
| Nello Salza |
trombone |
The Royal Fireworks |
| Margaret Gay |
cello |
Rejoice Greatly |
| Marcus Creed |
conductor |
"Hallelujah" (aus "Der Messias") |
| Magdalena Kožená |
vocal |
Joshua: Oh! Had I Jubal's Lyre |
| New World Symphony |
performing orchestra |
Waltz No. 15 in A Sharp Minor Op. 4 |
| New York Philharmonia Virtuosi |
performing orchestra |
Barry lyndon - suite No.11 pour clavecin Sarabande |
| MDR Rundfunkchor Leipzig |
vocal |
Der Messias: "Kommt her und seht das Lamm" |
| New York Studio Orchestra |
performing orchestra |
"Serse"- Ombra mai fu (Largo) in Italian |
| Nicanor Zabaleta |
harp |
Theme and Variations for harp in G minor (spurious) |
| MDR Kammerphilharmonie |
performing orchestra |
Der Messias: "Kommt her und seht das Lamm" |
| Aradia Ensemble |
performer |
Water Music: Suite No. 1 in F major, HWV 348: I. Overture: Largo - Allegro |
| Lëtzebuerger philharmoneschen Orchester |
performing orchestra |
Largo |
| László Kovács |
conductor |
Xerxes: Ombra mai fù |
| Nigel Kennedy |
violin |
Passacaglia |
| Lynn Harrell |
cello |
Passacaglia |
| Brigham Young University Singers |
vocal |
Joy to the World |
| Louis de Froment (conductor) |
conductor |
Largo |
| London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic or the New Philharmonia) |
performing orchestra |
Zadok the Priest |
| London Musici |
performing orchestra |
Messiah, HWV 56: Pastoral Symphony |
| Olga Pasichnyk |
vocal |
Apollo e Dafme, HWV 122: Aria: Felicissima quest'alma |
| Oliver von Dohnányi |
conductor |
„Wassermusik“: 1. Suite |
| Olivier Baumont |
harpsichord |
Barry Lyndon: Suite No. 4 for Harpsichord: Sarabande |
| Orchester der Wiener Volksoper |
performing orchestra |
Let the Bright Seraphim |
| London Festival Orchestra ('house orchestra' of Decca Records, associated since 1980 with conductor Ross Pople) |
performing orchestra |
Hallelujah aus 'Der Messias' |
| Orchestra of The Sixteen |
performing orchestra |
Samson: Air and Chorus. "Let the Bright Seraphim in Burning Row" |
| Linde Consort |
performer |
Water Music Suite No. 2 in D, HWV 349: Alla Hornpipe |
| Liliane Beguin (violinist) |
violin |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana |
| Libby Crabtree |
vocal |
Anthem for the Foundling Hospital: The people will tell of their wisdom |
| Arthur Fiedler |
conductor |
'Hallelujah' Chorus |
| Lesley Garrett |
vocal |
Lascia Ch'Io Pianga (Harrods) |
| Ottomar Borwitzky |
cello |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| Les Talens Lyriques |
performer |
Hercules, Akt III: "Where shall I fly" |
| Paolo Capirci |
flute |
The Royal Fireworks |
| Les Concerts du Monde |
performing orchestra |
Entrance of the Queen of Sheba |
| Atlanta Symphony Orchestra Chamber Chorus |
vocal |
Messiah: All They That See Him, He Trusted in God |
| Paul A. Schwartz |
performer |
Sarabande (feat. Paul Schwartz) |
| Atlanta Symphony Orchestra Chorus |
vocal |
Acis and Galatea: Happy We! |
| Paul Bateman |
conductor |
Rinaldo, HWV 7: "Lascia ch'io pianga" (Almirena) |
| Leonard Grigoryan |
guitar |
Andante - Allegro, first movement (Organ Concerto in B flat minor HWV294) |
| Paul Goodwin (conductor / oboist) |
oboe |
Amadigi di Gaula, HWV 11: "Pena tiranna" (Dardano) |
| Leanne Sullivan |
trumpet |
The Trumpet Shall Sound (excerpt, Messiah) |
| Lawrence Tibbett |
vocal |
Theodora, HWV 68: "Defend Her! Heaven" |
| La Stravaganza Köln |
vocal |
The Arrival of the Queen of Sheba |
| Paul McMahon (Australian tenor) |
vocal |
Ev'ry Valley (Messiah) |
| La Grande Écurie et la Chambre du Roy |
performer |
Rinaldo overture (extract) |
| Kulka János (conductor and composer) |
conductor |
Feuerwerksmusik, HV 351 |
| Anne-Marie Beckensteiner |
harpsichord |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana |
| Kirsten Flagstad |
vocal |
Serse (Xerxes), HWV 40, Act I: Frondi tenere e belle… Ombra mai fu, "Largo" |
| Peter Breiner |
arranger, conductor, instrument arranger |
Lascia ch'io pianga (fra Rinaldo) |
| BBC Concert Orchestra |
performing orchestra |
Zadok the Priest (Coronation Anthem No.1, HWV 258) |
| Peter Randolph Edwards |
conductor |
Hallelujah aus 'Der Messias' |
| Peter Serkin (pianist) |
piano |
Giulio Cesare, Akt I: "Son nata/nato a lagrimar" |
| Anne Sofie von Otter |
vocal |
Haec est Regina virginum |
| Kimberly Barber (Mezzo-soprano) |
vocal |
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" |
| Kim Borg |
vocal |
Dank sei dir Herr (Arioso) |
| Anne Gjevang |
vocal |
Messiah No. 17: He Shall Feed His Flock |
| Kevin Mallon (conductor) |
conductor |
Water Music: Suite No. 1 in F major, HWV 348: I. Overture: Largo - Allegro |
| Kenneth Heath |
cello |
Concerto Grosso in a Minor (Larghetto Affettuoso) |
| Keith Clark |
conductor |
Entrance of the Queen of Sheba |
| Kate Royal |
vocal |
L'Allegro, il Penseroso ed il Moderato, HWV 55: III. Il Moderato "As Steals the Morn" |
| Philip Siney |
recording |
Serse: Ombra mai fu |
| Karol Teutsch |
conductor |
La Grande Sarabande |
| Karl Scheit (classical guitarist) |
plucked string instruments |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| Kammerorchester Brewer |
performing orchestra |
Aus: "Xerxes": Serse: "Ombra mai fu" |
| Bach-Collegium Stuttgart |
performer |
Messiah: Overture |
| Plácido Domingo |
vocal |
"Serse"- Ombra mai fu (Largo) in Italian |
| József Mukk |
vocal |
Xerxes: Ombra mai fù |
| Junge Kantorei (Not the choir based in Freiburg) |
producer |
Saul: Act III, Scene 5: March: Grave |
| Angus Young (tenor) |
vocal |
Where'er You Walk (Semele HWV58) |
| Angus Davidson (Countertenor) |
vocal |
Messiah, HWV 56, Part II: He was despised |
| Julius Drake |
piano |
Theodora, HWV 68: Angels, ever bright and fair |
| RIAS Berlin Sinfonietta |
performing orchestra |
"Hallelujah" (aus "Der Messias") |
| RIAS Kammerchor |
vocal |
"Hallelujah" (aus "Der Messias") |
| Judith Malafronte |
vocal |
Serse, HWV 40: Ombra mai fu |
| Joyce DiDonato |
vocal |
Hercules, Akt III: "Where shall I fly" |
| Randolph Jones (conductor) |
conductor |
Fireworks Music Concerto Grosso No.26 in D Major - Bourée |
| Ray Minshull |
producer |
Joy to the World |
| Andrew Watkinson (violinist/conductor) |
conductor |
Arrival of the Queen of Sheba from 'Soloman' |
| Joseph Cornwell |
vocal |
Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon) |
| Josef Suk (violinist) |
violin |
Largo |
| René Jacobs |
conductor |
Giulio Cesare: Atto II, Scena VIII. "Che sento?" (Cleopatra) - Aria "Se pietà" (Cleopatra) |
| Jonathan Tunick |
conductor |
"Serse"- Ombra mai fu (Largo) in Italian |
| Jon Humphrey |
vocal |
Messiah: All They That See Him, He Trusted in God |
| Richard Conrad |
vocal |
Giulio Cesare: Act III. "Sperai né m'ingannai" (Sesto) |
| Richard Edlinger |
conductor |
Water Music, Suite in D major, HWV 349: V. Presto |
| John Wilbraham |
trumpet |
Messiah, Part 3: "The trumpet shall sound" |
| Richard Kapp (conductor) |
conductor |
Barry lyndon - suite No.11 pour clavecin Sarabande |
| Richard Lavallée (Engineer) |
recording |
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" |
| John Wallace (trumpetist) |
trumpet |
Mr Handel's Water Piece |
| John Shinebourne |
cello |
Trio Sonata in G minor, Op. 2 No. 8: I. Andante |
| Richard Westenburg (choral conductor and founder of Musica Sacra Chorus and Orchestra in New York) |
conductor |
Messiah: Overture |
| John O'Donnell (Australian music journalist & manager) |
organ |
Passacaglia (Keyboard Suite No 7 in G minor HWV432) |
| Robert Aldwinckle |
harpsichord |
Suite V (The Harmonious Blacksmith) |
| John Georgiadis |
conductor |
LARGO |
| Bamberger Symphoniker |
performing orchestra |
Hornpipe From Water Music |
| John Boyden |
engineer, producer |
Zadok the Priest |
| Andrew Parrott |
conductor |
Harfenkonzert B-Dur: II. Larghetto |
| Barbara Vignanelli |
harpsichord |
The Royal Fireworks |
| Robert Quinney |
organ |
Zadok the Priest |
| Joachim Carlos Martini |
conductor |
Saul: Act III, Scene 5: March: Grave |
| Jerry Goldsmith (soundtrack composer & conductor) |
conductor |
Music for the Royal Fireworks |
| Jeremy Summerly |
conductor |
Zadok the Priest |
| Jennifer Lane (mezzo soprano vocalist) |
vocal |
Aus: "Xerxes": Serse: "Ombra mai fu" |
| Jeff Johnson (New Age artist based in Camano Island, WA, USA) |
performer |
Adagio from Sonata in G (feat. Jeff Johnson & Brian Dunning) |
| Rolf Schweizer |
conductor |
Aus dem "Messias": Hallelujah |
| Ross Wood |
conductor |
Allegro Maestoso aus der Wassermusik |
| Andrew Lawrence-King |
harp |
Harfenkonzert B-Dur: II. Larghetto |
| Andrew Davis (conductor, keyboardist, composer, arranger) |
conductor |
Zadok the Priest |
| Royal Choral Society |
performer, vocal |
Zadok the Priest |
| Andrew Clark (french horn) |
French horn |
Giulio Cesare in Egitto, HWV 17: "Va tacito e nascosto" (Cesare) |
| Barockorchester Frankfurt |
performing orchestra |
Saul: Act III, Scene 5: March: Grave |
| Jean-Pierre Rampal |
flute |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana |
| Jean-Claude Malgoire |
conductor |
Rinaldo overture (extract) |
| Andreas Staier |
harpsichord |
Chaconne G-dur, HWV 435 |
| Arend Prohmann |
producer |
Serse: Ombra mai fu |
| Sally Maer (English/Australian cellist) |
arranger, cello |
Lascia ch'io pianga from Rinaldo |
| Jana Boušková |
harp |
Preludium a toccata |
| James Vivian |
organ |
Zadok the Priest |
| Sara Macliver |
vocal |
I Know That My Redeemer Liveth (Messiah) |
| Sarah Brightman |
vocal |
Rinaldo, HWV 7: "Lascia ch'io pianga" (Almirena) |
| Saul Quirke (English boy soprano, late 20th cent.) |
vocal |
Messiah, HWV 56: Part I, XIIb. Recitative (Treble) "There were shepherds" / XIII. Accompagnato (Treble): "And lo, the angel of the Lord" / XIV. Accompagnato (Treble) "And suddenly there was with the angel" |
| James Morgan (conductor) |
conductor |
Work(s): Lucrezia (based on fragments of the aria Già nel s |
| James Levine (US conductor and pianist) |
grand piano |
O Had I Jubal's Lyre (Joshua) |
| Jacques Berthier (Organist (St Ignace), Composer (Taize)) |
organ |
Sonate en si mineur, op. 1 no. 9: Andante |
| Shu-Cheen Yu |
vocal |
Oh! Had I Jubal's Lyre (Joshua HWV64) |
| Jackson Berkey |
arranger |
Joy to the World |
| Barry Rose (organist / choirmaster) |
conductor |
Samson: Act III, Scene 3. "Let the Bright Seraphim" |
| Barry Wordsworth (conductor) |
conductor |
Zadok the Priest (Coronation Anthem No.1, HWV 258) |
| Itzhak Perlman |
violin |
"Serse"- Ombra mai fu (Largo) in Italian |
| Sinfonia Varsovia |
performing orchestra |
Concerto in F major, HWV 335b |
| Igor Kipnis |
harpsichord |
Sarabande |
| Ian Bostridge |
vocal |
L'Allegro, il Penseroso ed il Moderato, HWV 55: III. Il Moderato "As Steals the Morn" |
| Huguette Fernandez (violinist) |
violin |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana |
| Bengt Hallberg |
piano |
Sarabande |
| Henry Lewis (conductor) |
conductor |
O Thou that tellest (Messiah) |
| Andrea Marcon |
conductor |
Joshua: Oh! Had I Jubal's Lyre |
| American Horn Quartet |
performer |
Concerto in F major, HWV 335b |
| Heinz Zickler |
piano |
Suite For 2 Trumpets, 2 Oboes & Strings (II. Largo) |
| Heather Cairncross |
vocal |
Duet and Chorus: How beautiful are the feet |
| Benjamin Northey |
conductor |
Andante - Allegro, first movement (Organ Concerto in B flat minor HWV294) |
| Sirius Ensemble |
performing orchestra |
Where'er You Walk (Semele HWV58) |
| Skaila Kanga |
harp |
Konsertto harpulle, jousille ja basso continuolle B-duuri: Allegro |
| Slava Grigoryan |
guitar |
Andante - Allegro, first movement (Organ Concerto in B flat minor HWV294) |
| Harry Bicket |
conductor |
L'Allegro, il Penseroso ed il Moderato, HWV 55: III. Il Moderato "As Steals the Morn" |
| Harmon Lewis (Pianist) |
piano |
Sonata in F major, HWV 363a: IV. Bourrée |
| Sonnerie |
performer |
Sonata No. 2 in G minor (Allegro) |
| Hans–Peter Rauscher |
chorus master |
Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache) |
| St. Petersburg Chamber Festival Orchestra |
performing orchestra |
Largo From The Opera 'Xerxes': 7 |
| Hans Kipfer |
producer |
Messiah, HWV 56: Epigraph "And without Controversy" |
| Alisa Bratslavskaya (pianist) |
piano |
Suite de Pièce No. 4 in D Minor: Sarabande, "La Folia" |
| Stanley Drummond Wolff |
instrument arranger |
Allegro Maestoso aus der Wassermusik |
| Alfred Sous |
oboe |
Oboe Concerto in B-flat major, HWV 302a: Vivace - Fuga |
| Alfred Halbartschlager (organist) |
organ |
Let the Bright Seraphim |
| Stephen Varcoe |
vocal |
Dettingen Te Deum: Vouchsafe, O Lord |
| Hanns-Joachim Westphal |
violin |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| Hanne Petri |
keyboard |
Andante |
| Alexandra Sherman |
vocal |
He Was Despised (excerpt Messiah) |
| Sukův komorní orchestr |
performing orchestra |
Largo |
| Guy Noble (conductor) |
conductor |
Messiah: Pifa |
| Graham Pushee |
vocal |
Va tacito e nascotto (Julius Caesar in Egypt HWV17) |
| Grace Bumbry |
vocal |
Messiah: Behold a virgin shall conceive...O thou that tellest |
| Gottfried Gindlhumer (trumpet) |
organ |
Let the Bright Seraphim |
| Gioconda de Vito |
violin |
Trio Sonata in G minor, Op. 2 No. 8: I. Andante |
| Sydney Philharmonia Choirs |
vocal |
Hallelujah! (Messiah) |
| Sydney Philharmonia Orchestra |
performing orchestra |
Hallelujah! (Messiah) |
| Gillian Welch |
vocal |
Let the Bright Seraphim |
| Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) |
performing orchestra |
„Wassermusik“: 1. Suite |
| Symphonieorchester des Bayerischen Rundfunks |
performing orchestra |
Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache) |
| Symphonisches Orchester Bamberg |
performing orchestra |
Feuerwerksmusik, HV 351 |
| Gillian Fisher |
vocal |
Anthem for the Foundling Hospital: The people will tell of their wisdom |
| Geraint Jones Singers and Orchestra |
performing orchestra, vocal |
Jubilate (100. Psalm) |
| Geraint Jones (conductor, organist/harpsichordist) |
conductor |
Jubilate (100. Psalm) |
| Südwestdeutsche Barocksolisten |
performer |
Aus dem "Messias": Hallelujah |
| Berliner Festspielorchester |
performing orchestra |
Feuerwerksmusik (Allegro) |
| Geoffrey Payne (trumpeter) |
trumpet |
Let the Bright Seraphim (Samson HWV57) |
| Tallis Chamber Choir |
vocal |
Zadok the Priest |
| Genevieve Lang (Australian harpist) |
arranger, harp |
Lascia ch'io pianga from Rinaldo |
| Teddy Tahu Rhodes |
vocal |
The Trumpet Shall Sound (excerpt, Messiah) |
| Tenebrae (UK choir) |
vocal |
Messiah, HWV. 56: Part 1, XII. For Unto Us a Child Is Born |
| Genevieve Lacey |
recorder |
Aria: ‘Par che mi nasca in seno’ (excerpt) |
| Gary Karr |
double bass |
Sonata in F major, HWV 363a: IV. Bourrée |
| The Ambrosian Singers |
vocal |
The Madness of King George: Zadok the Priest |
| Frère Hubert (flutist, Pierre-Qui-Vire) |
flute |
Sonate en si mineur, op. 1 no. 9: Andante |
| Fritz Kreisler (violinist / composer) |
instrument arranger |
Largo (Ombra mai fu) from Serse |
| Alberto Lizzio (conductor, an Alfred Scholz pseudonym) |
conductor |
Music for the Royal Fireworks |
| Friedrich Fischer |
performer |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| The Hanover Band |
performing orchestra |
Serse, HWV 40: Ombra mai fu |
| The John Alldis Choir |
vocal |
Messiah: For Unto Us a Child Is Born |
| Alan Stringer (trumpet player) |
trumpet |
Messiah: Behold I tell you a mystery...The trumpet shall sound |
| The Philadelphia Orchestra |
performing orchestra |
Wassermusik |
| The Royal Academy Consort |
instrument |
Zadok the Priest |
| The Sixteen |
vocal |
Samson: Air and Chorus. "Let the Bright Seraphim in Burning Row" |
| Frankfurt Baroque Orchestra |
performing orchestra |
Saul: Act III, Scene 5: March: Grave |
| Felicity Lott |
vocal |
I Know That My Redeemer Liveth (Messiah) |
| The Taverner Choir, Consort & Players |
performer |
Harfenkonzert B-Dur: II. Larghetto |
| European Union Baroque Orchestra |
performing orchestra |
Apollo e Dafme, HWV 122: Aria: Felicissima quest'alma |
| Eugene Ormandy |
conductor |
Wassermusik |
| Timothy Brown (classical choral conductor) |
chorus master |
Organ Concerto in F major, Op. 4 No. 4: Allegro - Choral Alleluia |
| Ettore Pellegrino |
violin |
The Royal Fireworks |
| Enoch zu Guttenberg |
conductor |
Der Messias: "Kommt her und seht das Lamm" |
| Alain Chénier (Engineer) |
sound |
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" |
| Ennio Morricone |
conductor |
The Royal Fireworks |
| English String Orchestra |
performing orchestra |
Mr Handel's Water Piece |
| Bernard Fonteny |
cello |
Concerto for Organ in F major, Op. 4 No. 5, HWV 293: III. Alla siciliana |
| Toronto Symphony Orchestra |
performing orchestra |
Arrival of the Queen of Sheba From 'Solomon' |
| Trevor Connah |
violin |
Concerto Grosso in a Minor (Larghetto Affettuoso) |
| Emma Kirkby (soprano) |
vocal |
Laudate pueri Dominum HWV237 (first movement) |
| Trinity Brass Ensemble |
performer |
Allegro Maestoso aus der Wassermusik |
| Elizabeth Anderson (harpsichordist) |
harpsichord |
The Harmonious Blacksmith |
| Edward Witsenburg |
harp |
Passacaglia (from Suite VII) |
| Edward Caswell |
vocal |
Air: Why do the nations |
| Eduard Grigoryan |
instrument arranger |
Andante - Allegro, first movement (Organ Concerto in B flat minor HWV294) |
| Adele Pierre |
violin |
Rejoice Greatly |
| Venice Baroque Orchestra |
performing orchestra |
Joshua: Oh! Had I Jubal's Lyre |
| Edith Picht-Axenfeld |
wind instruments |
Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano |
| Drew Minter |
vocal |
Giulio Cesare, Akt I: "Son nata/nato a lagrimar" |
| Dominic Harvey |
horn |
Va tacito e nascotto (Julius Caesar in Egypt HWV17) |
| Vienna Cantata Orchestra |
vocal |
O Thou that tellest (Messiah) |
| Dieter Kober |
conductor |
Water Music (Original No. 15) |
| Denis Frenette |
editor |
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" |
| Walter Süsskind |
conductor |
The Messiah, HWV 56: Hallelujah Chorus |
| David Stanhope |
piano |
Courante: Keyboard Suite No.1 (feat. David Stanhope) |
| David Reichenberg |
oboe |
Concerto No.1 for Oboe and String Orchestra in B flat major (No.1), HWV 302a: Adagio - Allegro |
| Werner Simons |
performer |
Largo from Xerxes |
| David Petri |
cello |
Andante |
| Daniel Yeadon |
cello |
Aria: ‘Par che mi nasca in seno’ (excerpt) |
| William Boughton |
conductor |
Mr Handel's Water Piece |
| Daniel Pinkham (American composer, organist, and harpsichordist) |
arranger |
Semele: Where'er you walk |
| William Primrose |
viola |
No. 6, Harpsichord Suite No. 7: Passacaglia |
| Dame Janet Baker |
vocal |
Messiah: "He Was Despised" |
| Wolf Harden |
piano |
Largo (Ombra mai fu) from Serse |
| Cristiano Holtz |
harpsichord |
Suite V in E minor, HWV 438: Jigg, HWV 438/3b |
| Crispian Steele-Perkins |
trumpet |
Samson: Act III, Scene 3. "Let the Bright Seraphim" |
| Wolfgang Meyer (organist, harpsichordist) |
harpsichord |
Music for the Royal Fireworks |
| Boston Pops Orchestra |
performing orchestra |
'Hallelujah' Chorus |
| Wolfgang Seikritt |
producer |
Largo (Ombra mai fu) from Serse |
| Christophe Rousset |
conductor |
Hercules, Akt III: "Where shall I fly" |
| Chor des Bayerischen Rundfunks |
vocal |
Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache) |
| Charles Mackerras (Australian conductor) |
conductor |
Israel in Egypt - Part 2: "He Spake the Word"; "He Gave Them Hailstones" |
| Accademia Musicale Italiana |
performing orchestra |
The Royal Fireworks |
| Charles Gerhardt |
conductor |
Konsertto harpulle, jousille ja basso continuolle B-duuri: Allegro |
| Charles Daniels (tenor) |
vocal |
Messiah, HWV 56: Part I, Scene I. Song "Ev'ry Valley shall be exalted" |
| Brian Dunning |
performer |
Adagio from Sonata in G (feat. Jeff Johnson & Brian Dunning) |
| Étienne Debaisieux |
vocal |
Judas Maccabaeus, HWV 63: Acte III, No. 12. (Recitative: Eupolemus) "Peace to my contrymen..." |
| Catherine Mackintosh (violinist) |
violin |
Rinaldo, HWV 7: "Venti turbini" (Rinaldo) |
| 松本あすか |
piano |
Water Music: Greeting |
| Carolyn Sinclair |
vocal |
Rejoice Greatly |
| Carlo Curley |
organ |
Orgelkonzert F-Dur, op. 4 Nr. 5: Allegro |
| Brian Jones (organist and choir director) |
organ |
Allegro Maestoso aus der Wassermusik |
| Camerata Budapest |
performing orchestra |
Xerxes: Ombra mai fù |
| Budapest Philharmonic Chorus |
vocal |
Chorus from Judas Maccabaeus |
| Brigham Young University Concert Choir |
vocal |
Hallelujah, Amen |