Anna Reynolds

vocal

Top collaborators

Artist name Roles Recordings
Christopher K. Koenigsberg
Boo Boo
John Tavener (20th century composer)
Сергей Сергеевич Прокофьев (Russian composer)
Deams (Dutch rapper Deams Tesfah)

Work on other artists' recordings

Artist name Roles Recordings
Christopher K. Koenigsberg vocal Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Id. Tempo I. (Allegro, etwas hastig.), Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino", Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIa. Poco adagio, Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIb. Più mosso. (Allegro moderato), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IId. "Ewiger Wonnebrand" (Pater Ecstaticus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIe. "Wie Felsenabgrund mir zu Füßen" (Pater Profundus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo., Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIo. "Bei der Liebe, die den Fen" (Magna Peccatrix), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIq. "Bei dem hochgeweigten Orte" (Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIs. "Neige, neige, du Ohnegleiche" (Una Poenitenium), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIt. "Er überwächst uns schon" (Selige Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIu. "Vom edlen Geisterchor umgeben" (Una Poenitentium (Gretchen)), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus)
Boo Boo vocal Messa da Requiem: I. Requiem & Kyrie. Andante, Messa da Requiem: II. Dies Irae: "Lacrymosa dies illa". Largo, Messa da Requiem: II. Dies Irae: "Liber scriptus proferetur". Allegro molto sostenuto, Messa da Requiem: II. Dies Irae: "Quid sum miser". Adagio, Messa da Requiem: II. Dies Irae: "Recordare, Jesu Pie". Lo stesso tempo, Messa da Requiem: II. Dies Irae: "Rex tremendae majestatis". Adagio maestoso, Messa da Requiem: III. Offertorio: "Domine Jesu". Andante mosso - Allegro mosso, Messa da Requiem: III. Offertorio: "Hostias et preces tibi". Adagio, Messa da Requiem: V. Agnus Dei. Andante, Messa da Requiem: VI. Lux Aeterna. Allegro moderato
John Tavener vocal The Whale: Documentary, The Whale: In the Belly, The Whale: Invocation, The Whale: Melodrama and Pantomime, The Whale: The Prayer, The Whale: The Storm, The Whale: The Swallowing, The Whale: The Vomiting
Сергей Сергеевич Прокофьев vocal Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov
Deams vocal Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 23. Air alto: He was despised", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 3: No. 52. Air alto. "If God be for us", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..."
George Frideric Handel vocal Messiah, Part 1: "Behold, a virgin shall conceive", Messiah, Part 1: "O thou that tellest good tidings to Zion", Messiah, Part 2: "He was despised"
Richard Wagner vocal Das Rheingold: "Zur Burg führt die Brücke" - "Abendlich strahlt der Sonne Auge" (Froh / Wotan), Das Rheingold: »Lugt, Schwestern! Die Weckerin lacht in den Grund.« (1. Szene; Woglinde, Wellgunde, Flosshilde, Alberich)
David Olaizola vocal La Traviata: Act II, Scene II. "Avrem lieta di maschere la notte"
Kristina Mårtensson vocal La Traviata: Act I. "Dell'invito trascorsa è già l'ora"
Eddie Coralnick vocal Die Meistersinger von Nürnberg: Selig wie die Sonne
Layla Brooklyn Allman vocal La traviata: Atto II, Scena 1 (Concluded) / Atto II, Scena 2 (Part 1)
Reptile Rampant vocal La Traviata: Act II, Scene II. "Noi siamo zingarelle"
Antonín Dvořák vocal Stabat Mater for vocal soloists, chorus & orchestra, B. 71 op. 58: IX. Alto solo. Andante maestoso "inflammatus et accensus"
Steve Swell’s Nation of We Orchestra vocal Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai
Köysistö Et Cetera vocal La Traviata: Act II, Scene II. "Alfredo! Voi?"