Carlo Curley

organ, arranger, harpsichord, instrument arranger

Sample recordings

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Top collaborators

Artist name Roles Recordings
Jenni Whiteside editor Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Robert E. Ridgeway (engineer) engineer Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Paul Vaughan (producer) producer Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Alex Smith (Designer) art direction Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Virgil Fox arranger Arioso (from Harpsichord Concerto No. 5 in F), BWV1056/2, Jesu, Joy of Man's Desiring, BWV147/6, Liebster Jesu, wir sind hier, BWV 373, Now Thank We All Our God (from Cantata 79), Subdue Us By Thy Kindness (from Cantata 22)

Collaborators on this artist's recordings

Artist name Roles Recordings
Jenni Whiteside editor Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Robert E. Ridgeway (engineer) engineer Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Paul Vaughan (producer) producer Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Alex Smith (Designer) art direction Andante in F, Carillon de Westminster, Concerto in F, op. 4 no. 5: Allegro, Fantasia in F minor, K608, Moment Musical in F minor, Now Thank We All Our God (from Cantata 79), Sonata on the First Tone, Subdue Us By Thy Kindness (from Cantata 22), Suite Gothique, op. 25: Toccata, Suite no. 3 in D, BWV 1068/2 "Air on the G String", Symphony no. 5: Toccata, The Swan (from Le Carnaval des animaux), The Washington Post, Tu es Petrus (from Equisses Byzantines), Turkish March (from Die Ruinen von Athen, op. 113), Vocalise
Virgil Fox arranger Arioso (from Harpsichord Concerto No. 5 in F), BWV1056/2, Jesu, Joy of Man's Desiring, BWV147/6, Liebster Jesu, wir sind hier, BWV 373, Now Thank We All Our God (from Cantata 79), Subdue Us By Thy Kindness (from Cantata 22)
Patricia Bird arranger Vocalise
Sir George Thomas Thalben-Ball arranger Andante in F

Work on other artists' recordings

Artist name Roles Recordings
Henry Purcell harpsichord, organ Rondeau, Tune in D major
The Pocket Cats organ 'Awake the Trumpets Lofty Sounds' from 'Samson'
Martin Luther organ A Mighty Fortress Is Our God
George Frideric Handel organ Orgelkonzert F-Dur, op. 4 Nr. 5: Allegro