| Ralf Kiwit |
producer |
Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No 4 Arie - "Schon eilet froh der Ackersmann", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1a - "Einleitung", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1b Rezitativ - "Seht, wie der strenge Winter flieht!", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 2 Chor des Landvolks - "Komm, holder Lenz!", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 3 Rezitativ - "Vom Widder strahlet jetzt", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 5 Rezitativ - "Der Landmann hat sein Werk vollbracht", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 6 Terzett und Chor: Bittgesang - "Sei nun gnaedig, milder Himmel", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 7 Rezitativ - "Erhoert ist unser Fleh'n", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8a Freudenlied, mit abwechselndem Chor der Jugend - "O wie lieblich", Die Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8b Allegro - "Ehre, Lob und Preis sei dir", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19, Einleitung und Rezitativ - "Was durch seine Bluete", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20, Terzett mit Chor - "So lohnet die Natur den Fleiss", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21, Rezitativ - "Seht, wie zum Haselbusche dort", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22, Duett - "Ihr Schoenen aus der Stadt", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23, Rezitativ - "Nun zeiget das entbloesste Feld", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24, Arie - "Seht auf die breiten Wiesen hin!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25, Rezitativ: "Hier treibt ein dichter Kreis", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26, Chor - "Hoert!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27, Rezitativ: "Am Rebenstocke blinket jetzt", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28a, Chor - "Juchhe, Juchhe!", Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28b, Allegro assai - "Nun toenen die Pfeifen", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 11 Terzett und Chor: "Sie steigt herauf", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 14 Rezitativ: "Willkommen jetzt", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 15 Arie - "Welche Labung fuer die Sinne", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 16 Rezitativ - "O seht!", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No 18b Allegro - "Von oben winkt der helle Stern", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Arie und Rezitativ - "Der munt're Hirt", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12a Rezitativ: "Nun regt und bewegt sich alles umher", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12b Rezitativ - "Die Mittagssonne", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatine - "Dem Druck erlieget die Natur", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chor -"Ach! Das Ungewitter naht!", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18a Terzett und Chor - "Die duest'ren Wolken trennen sich", Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Einleitung und Rezitativ - "In grauem Schleier", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29a, Einleitung, Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29b, Rezitativ - "Nun senket sich das blasse Jahr", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30, Cavatine - "Licht und Leben", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31, Rezitativ - "Gefesselt steht der breite See", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32, Arie: "Hier steht der Wand'rer nun", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33, Rezitativ - "So wie er naht", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34, Lied mit Chor - "Knurre, schnurre", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35, Rezitativ - "Abgesponnen ist der Flachs", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36, Lied mit Cho - "Ein Maedchen", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37, Rezitativ - "Vom duerrem Oste", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38, Arie und Rezitativ - "Erblicke hier", Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39, Terzett und Doppelchor - "Dann bricht der grosse Morgen an", Die Schöpfung: Part I. No. 1. Einleitung: Die Vorstellung des Chaos, Die Schöpfung: Part I. No. 10. Und die himmlischen Heerscharen (tenor), Die Schöpfung: Part I. No. 11. Stimmt an die Saiten (chorus), Die Schöpfung: Part I. No. 13. In vollem Glanze steiget jetzt (tenor), Die Schöpfung: Part I. No. 14. Die Himmel erzählen die Ehre Gottes (chorus, soprano, tenor, baritone), Die Schöpfung: Part I. No. 2. Im Anfange schuf Gott Himmel und Erde (baritone, chorus, tenor), Die Schöpfung: Part I. No. 3. Nun schwanden vor dem heiligen Strahle (tenor, chorus), Die Schöpfung: Part I. No. 4. Und Gott machte das Firmanent (baritone), Die Schöpfung: Part I. No. 5. Mit Staunen sieht das Wunderwerk (soprano, chorus), Die Schöpfung: Part I. No. 6. Und Gott sprach: Es sammle sich das Wasser (baritone), Die Schöpfung: Part I. No. 7. Rollend in schäumenden Wellen (baritone), Die Schöpfung: Part I. No. 8. Und Gott sprach: Es bringe die Erde Gras hervor (soprano), Die Schöpfung: Part I. No. 9. Nun beut die Flur das frische Grün (soprano), Die Schöpfung: Part I. No.12. Und Gott sprarh: Es sei'n Lichter and der Feste (tenor), Die Schöpfung: Part II. No. 15. Und Gott sparch: Es bringe das wesser (soprano), Die Schöpfung: Part II. No. 16. Auf starkem Fittiche schwinget sich (soprano), Die Schöpfung: Part II. No. 17. Und Gott schuf große Walfische (baritone), Die Schöpfung: Part II. No. 18. Und die Engel rührten ihr' unsterblichen Harfen (baritone), Die Schöpfung: Part II. No. 19. In holder Anmut stehn, mit jungem Grün (soprano, tenor, baritone), Die Schöpfung: Part II. No. 20. Der Herr ist groß in seiner Macht (soprano, tenor, baritone, chorus), Die Schöpfung: Part II. No. 21. Und Gott sparch: Es bringe die Erde hervor (baritone), Die Schöpfung: Part II. No. 22. Gleich öffnet sich der Erde Schoß (baritone), Die Schöpfung: Part II. No. 23. Nun scheint in vollem Glanze der Himmel (baritone), Die Schöpfung: Part II. No. 24. Und Gott schuf den Menschen (tenor), Die Schöpfung: Part II. No. 25. Mit würd' und Hoheit angetan (tenor), Die Schöpfung: Part II. No. 26. Und Gott sah jedes Ding (baritone), Die Schöpfung: Part II. No. 27. Vollendet ist das große Werk (chorus), Die Schöpfung: Part II. No. 28. Zu dir, o Herr, blickt alles auf (soprano, tenor, baritone), Die Schöpfung: Part II. No. 29. Vollendet ist das große Werk (chorus), Die Schöpfung: Part III. No. 30. Aus Rosenwolken bricht (tenor), Die Schöpfung: Part III. No. 31. Von deiner Güt', o Herr und Gott (soprano, baritone, chorus), Die Schöpfung: Part III. No. 32. Nun ist die erste Pflicht erfüllt (soprano, baritone), Die Schöpfung: Part III. No. 33. Holde Gattin, dir zur Seite (soprano, baritone), Die Schöpfung: Part III. No. 34. O glücklich Paar, und glücklich immerfort (tenor), Die Schöpfung: Part III. No. 35. Singt dem Herrn alle Stimmen (chorus, soprano, alto, tenor, baritone), Pohjola’s Daughter, op. 49, Roméo et Juliette "Symphonie dramatique": Scène 1a. Introduction. Combats / Tumulte / Intervention du Prince, Roméo et Juliette "Symphonie dramatique": Scène 2. Roméo seul / Tristesse / Concert et bal / Grande fête chez Capulet, Roméo et Juliette "Symphonie dramatique": Scène 4. La Reine Mab, ou La fée des songes (Scherzo), Roméo et Juliette "Symphonie dramatique": Scène 6. Roméo au tombeau des Capulets / Invocation / Reveil de Juliette / Final: La foule accourt au cimetière, Symphony no 99 in E-flat major: I. Adagio - Vivace assai, Symphony no 99 in E-flat major: II. Adagio, Symphony no 99 in E-flat major: III. Menuetto e trio: Allegretto, Symphony no 99 in E-flat major: IV. Finale: Vivace, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo, Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento, Symphony no. 1 in E minor, op. 39: III. Scherzo, allegro, Symphony no. 1 in E minor, op. 39: IV. Finale, quasi una fantasia, andante, Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale. Allegro con fuoco, Symphony no. 1: I. Allegro assai, Symphony no. 1: II. Scherzo - Presto, con malizia, Symphony no. 1: II. Scherzo: Presto, con malizia, Symphony no. 1: III. Andante con malincolia, Symphony no. 1: IV. Maestoso - Brio ed ardentemente vivacissimo maestoso, Symphony no. 1: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso, Symphony no. 2 in D major, op. 43: I. Allegretto, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato, Symphony no. 2 in D major, op. 43: III. Vivacissimo, Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilimente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato allegro, ma non tanto, Symphony no. 3 in C minor: I. Allegro molto maestoso, Symphony no. 3 in C minor: II. Scherzo: Allegretto, Symphony no. 3 in C minor: III. Adagio solenne, Symphony no. 3 in C minor: IV. Allegro, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace, Symphony no. 4 in A minor, op. 63: III. Tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Allegro, Symphony no. 5: I. Adagio non troppo, Symphony no. 5: I. Tempo giusto -, Symphony no. 5: II Allegro - Presto - Andante poco tranquillo - Allegro (Tempo I), Symphony no. 6 in A major: I. Majestoso, Symphony no. 6 in A major: II. Adagio: Sehr feierlich, Symphony no. 6 in A major: III. Scherzo: Nicht schnell – Trio: Langsam – Scherzo, Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in D major, op. 60: I. Allegro non tanto, Symphony no. 6 in D major, op. 60: II. Adagio, Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant), Symphony no. 6 in D major, op. 60: IV. Allegro con spirito, Symphony no. 6 “Sinfonia semplice": I. Tempo giusto, Symphony no. 6 “Sinfonia semplice": II. Humoreske: Allegretto, Symphony no. 6 “Sinfonia semplice": III. Proposta seria: Adagio, Symphony no. 6 “Sinfonia semplice": IV. Tema con variazioni, Symphony no. 7 in C major, op. 105, Symphony no. 7 in D minor, op. 70: Allegro, Symphony no. 7 in D minor, op. 70: Allegro maestoso, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo - Vivace - Poco meno mosso, Symphony no. 7 in D minor, op. 70: IV. Allegro, Symphony no. 7 in D minor, op. 70: Poco adagio, Symphony no. 7 in D minor, op. 70: Scherzo: vivace - Poco meno mosso, Symphony no. 9 in D minor: I. Feierlich, Misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Symphony no. 92 in G major “Oxford”: I. Adagio Allegro spiritoso, Symphony no. 92 in G major “Oxford”: II. Adagio cantabile, Symphony no. 92 in G major “Oxford”: III. Menuetto: Allegretto, Symphony no. 92 in G major “Oxford”: IV. Presto, Symphony no. 93 in D major: I. Adagio Allegro assai, Symphony no. 93 in D major: II. Largo cantabile, Symphony no. 93 in D major: III. Menuetto: Allegro, Symphony no. 93 in D major: IV. Finale: Presto ma non troppo, Symphony no. 97 in C major: I. Adagio Allegro assai, Symphony no. 97 in C major: II. Adagio ma non troppo, Symphony no. 97 in C major: III. Menuetto e trio: Allegretto, Symphony no. 97 in C major: IV. Finale: Presto assai, Symphony no. 98 in B-flat major: I. Adagio Allegro, Symphony no. 98 in B-flat major: II. Adagio, Symphony no. 98 in B-flat major: III. Menuetto: Presto, Symphony no. 98 in B-flat major: IV. Finale: Presto, The Confession of Isobel Gowdie, The Dream of Gerontius (1900): Part 1, 01. Prelude, The Dream of Gerontius (1900): Part 1, 02. Jesu, Maria — I am near to death (Gerontius), The Dream of Gerontius (1900): Part 1, 03. Kyrie eleison ... Holy Mary, pray for him (semi-chorus, chorus), The Dream of Gerontius (1900): Part 1, 04. Rouse thee, my fainting soul (Gerontius), The Dream of Gerontius (1900): Part 1, 05. Be merciful, be gracious (chorus), The Dream of Gerontius (1900): Part 1, 06. Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius (1900): Part 1, 07. I can no more (Gerontius), The Dream of Gerontius (1900): Part 1, 08. Rescue him, O lord (Gerontius, chorus, semi-chorus), The Dream of Gerontius (1900): Part 1, 09. Novissima hora est (Gerontius), The Dream of Gerontius (1900): Part 1, 10. Profisciscere, anima Christiana (priest), The Dream of Gerontius (1900): Part 1, 11. Go, in the name of angels and archangels (chorus, priest, semi-chorus) |
| Bakteria |
producer |
Concerto for Orchestra, Galántai táncok (Dances of Galánta): I. Lento - Maestoso, Galántai táncok (Dances of Galánta): II. Allegretto moderato, Galántai táncok (Dances of Galánta): III. Allegro con moto, grazioso, Galántai táncok (Dances of Galánta): IV. Allegro, Galántai táncok (Dances of Galánta): V. Allegro vivace, Háry János Suite: I. Prelude; the fairy tale begins, Háry János Suite: II. Viennese musical clock, Háry János Suite: III. Song, Háry János Suite: IV. The battle and defeat of Napoleon, Háry János Suite: V. Intermezzo, Háry János Suite: VI. Entrance of the emperor and his court, Marosszéki táncok (Dances of Marosszèk), Summer Evening, Symphony No. 93 in D major, Hob. I:93: I. Adagio - Allegro assai, Symphony No. 93 in D major, Hob. I:93: II. Largo cantabile, Symphony No. 93 in D major, Hob. I:93: III. Menuetto e Trio, Symphony No. 93 in D major, Hob. I:93: IV. Finale. Presto ma non troppo, Symphony No. 97 in C major, Hob. I:97: I. Adagio - Vivace, Symphony No. 97 in C major, Hob. I:97: II. Adagio ma non troppo, Symphony No. 97 in C major, Hob. I:97: III. Menuet: Allegretto e Trio, Symphony No. 97 in C major, Hob. I:97: IV. Finale. Spiritoso, Symphony in C: I. Allegro, Symphony in C: II. Andante moderato, Symphony in C: III. Vivo, Symphony no. 100 in G major, Hob. I:100 “Military”: I. Adagio: Allegro, Symphony no. 100 in G major, Hob. I:100 “Military”: II. Allegretto, Symphony no. 100 in G major, Hob. I:100 “Military”: III. Menuet. Moderato, Symphony no. 100 in G major, Hob. I:100 “Military”: IV. Finale. Presto, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": I. Adagio - Allegro con spirito, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": II. Andante piu tosto Allegretto, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": III. Menuet e Trio, Symphony no. 103 in E-flat major, Hob. I:103 "Drum-roll": IV. Finale. Allegro con spirito, Symphony no. 104 in D major, Hob. I:104 "London": I. Adagio - Allegro, Symphony no. 104 in D major, Hob. I:104 "London": II. Andante, Symphony no. 104 in D major, Hob. I:104 "London": III. Menuetto. Allegro e Trio, Symphony no. 104 in D major, Hob. I:104 "London": IV. Finale. Spirituoso, Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Vivace assai, Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante, Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto, Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto, Theatre Overture, Variations on a Hungarian Folk Song for Orchestra, "The Peacock": I. Moderato (Theme), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": II. Con brio (Variations I-VI), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": III. Vivo (Variations VII-X), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": IV. Andante espressivo (Variations XI-XII), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": V. Tempo di marcia funebre (Variations XIII-XVI), Variations on a Hungarian Folk Song for Orchestra, "The Peacock": VI. Finale: Vivace |
| Sartorius |
producer |
Overture: Waverley, Russia, Stabat Mater: I. Stała Matka bolejąca (Stabat mater dolorosa), Stabat Mater: II. I któż widział tak cierpiącą (Quis est homo qui non fleret), Stabat Mater: III. O Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris), Stabat Mater: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere), Stabat Mater: V. Panno słodka racz mozołem (Virgo virginum praeclara), Stabat Mater: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire), Symphonie fantastique: I. Rêveries - Passions, Symphonie fantastique: II. Un bal, Symphonie fantastique: III. Scène aux champs, Symphonie fantastique: IV. Marche au supplice, Symphonie fantastique: V. Songe d’une nuit de sabbat, Symphony no 3: I. Lento – Allegro moderato - Allegro, Symphony no 3: II. Adagio ma non troppo - Allegro vivace, Symphony no 3: III. Allegro – Allegro vivace – Allegro (Tempo primo) – Allegretto - Allegro vivace, Symphony no. 1 in D minor, op. 13: I. Grave - Allegro non troppo, Symphony no. 1 in D minor, op. 13: II. Allegro animato, Symphony no. 1 in D minor, op. 13: III. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 1 in E major, op. 26: I. Lento, Symphony no. 1 in E major, op. 26: II. Allegro drammatico, Symphony no. 1 in E major, op. 26: III. Lento, Symphony no. 1 in E major, op. 26: IV. Vivace, Symphony no. 1 in E major, op. 26: V. Allegro, Symphony no. 3 in C minor, op. 43, “The Divine Poem”: I. Lento - Luttes, Symphony no. 3 in C minor, op. 43, “The Divine Poem”: II. Voluptés, Symphony no. 3 in C minor, op. 43, “The Divine Poem”: III. Jeu divin, Symphony no. 3: I. Allegro con brio, Symphony no. 3: I. Moderato assai, Symphony no. 3: II. Allegretto tranquillo, Symphony no. 3: II. Andante, Symphony no. 3: III. Largo, Symphony no. 3: III. Poco allegretto, Symphony no. 3: IV. Allegro, Symphony no. 4, op. 54, “The Poem of Ecstasy”, Symphony no. 4: I. Allegro non troppo, Symphony no. 4: I. Moderato, Symphony no. 4: II. Andante moderato, Symphony no. 4: II. Andante molto sostenuto, Symphony no. 4: III. Allegro giocoso, Symphony no. 4: III. Allegro non troppo, Symphony no. 4: IV. Allegro energico e passionato, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Tamara |
| Volker Zander |
producer |
Czech Suite, op. 39: IV. Romanza (Andante con moto), Dance Symphony: I. Lento - Molto allegro - Adagio molto, Dance Symphony: II. Andante moderato, Dance Symphony: III. Allegro vivo, El salón México, Four Dance Episodes From "Rodeo": I. Buckaroo Holiday, Four Dance Episodes From "Rodeo": II. Corral Nocturne, Four Dance Episodes From "Rodeo": III. Saturday Night Waltz, Four Dance Episodes From "Rodeo": IV. Hoe-Down, Music for Strings, Percussion and Celesta: I. Andante tranquillo, Music for Strings, Percussion and Celesta: II. Allegro, Music for Strings, Percussion and Celesta: III. Adagio, Music for Strings, Percussion and Celesta: IV. Allegro molto, Roumanian Rhapsody in A, op. 11, no. 1, Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace, Suite no. 1, op. 3, Sz. 31: 2. Poco adagio, Suite no. 1, op. 3, Sz. 31: 3. Presto, Suite no. 1, op. 3, Sz. 31: 4. Moderato, Suite no. 1, op. 3, Sz. 31: 5. Molto vivace, The Miraculous Mandarin, op. 19 Molto Moderato, The Miraculous Mandarin, op. 19: 1st Decoy Game, The Miraculous Mandarin, op. 19: 2nd Decoy Game, The Miraculous Mandarin, op. 19: 3rd Decoy Game, The Miraculous Mandarin, op. 19: Adagio, The Miraculous Mandarin, op. 19: Agitato, The Miraculous Mandarin, op. 19: Agitato / Molto moderato, The Miraculous Mandarin, op. 19: Allegro, The Miraculous Mandarin, op. 19: Allegro / Curtain, The Miraculous Mandarin, op. 19: Maestoso, The Miraculous Mandarin, op. 19: Maestoso / Allegro, The Miraculous Mandarin, op. 19: Più Mosso, The Miraculous Mandarin, op. 19: Sempre Vivo, The Miraculous Mandarin, op. 19: Sempre vivo / Adagio, Two Pictures, op. 10: I. In Full Flower, Two Pictures, op. 10: II. Village Dance |
| Richard Wagner |
producer |
Ach! Ach! Tiefe Nacht!, Amfortas! Die Wunde! Die Wunde!, Die Zeit ist da. Schon lockt mein Zauberschloss den Toren., Dies alles hab' ich nun getraeumt?, Du siehst, das ist nicht so., Enthuellet den Gral!, Geleiten wir im bergenden Schrein., Grausamer! Fuehlst du im Herzen nur and'rer Schmerzen., He! Ho! Waldhueter ihr!, Heil dir, mein Gast!, Heil mir, dass ich dich wiederfinde!, Hier war das Tosen! Hier, hier!, Hoechsten heiles Wunder!, Ich sah das Kind an seiner Mutter Brust, Komm'! Komm'! Holder Knabe!, Mein Sohn, Amfortas, bist du am Amt?, Mittag. Die Stund' ist da., Nicht Dankt! Ha, ha! Was wird es helfen?, Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad., Nun achte wohl, und lass mich seh'n., Nun sag': nichts weisst du, was ich dich frage., Nur eine Waffe taugt, O wunden-wundervoller heiliger Speer!, Parsifal! Weile!, Recht so! Habt Dank! Ein wenig Rast., Titurel, der fromme Held, der kannt' ihn wohl., Vergeh, unseliges Weib!, Verwandlungsmusik (Transformation Music), Vom Bade kehrt der Koenig heim., Von dorther kam das Stoehen., Weh'! Weh'! Hoho! Auf! Wer ist der Frevler?, Wehe! Wehe! Was tat ich? Wo war ich?, Wein und Brot des letzten Mahles |
| So This Is Suffering |
producer |
The Turn of the Screw: Act I: Prologue, The Turn of the Screw: Act I: Scene I. The Journey, The Turn of the Screw: Act I: Scene II. The Welcome, The Turn of the Screw: Act I: Scene III. The Letter, The Turn of the Screw: Act I: Scene IV. The Tower, The Turn of the Screw: Act I: Scene V. The Window, The Turn of the Screw: Act I: Scene VI. The Lesson, The Turn of the Screw: Act I: Scene VII. The Lake, The Turn of the Screw: Act I: Scene VIII. At Night, The Turn of the Screw: Act I: Theme, The Turn of the Screw: Act I: Variation I, The Turn of the Screw: Act I: Variation II, The Turn of the Screw: Act I: Variation III, The Turn of the Screw: Act I: Variation IV, The Turn of the Screw: Act I: Variation V, The Turn of the Screw: Act I: Variation VI, The Turn of the Screw: Act I: Variation VII, The Turn of the Screw: Act II: Scene I. Colloquy and Soliloquy, The Turn of the Screw: Act II: Scene II. The Bells, The Turn of the Screw: Act II: Scene III. Miss Jessel, The Turn of the Screw: Act II: Scene IV. The Bedroom, The Turn of the Screw: Act II: Scene V. Quint, The Turn of the Screw: Act II: Scene VI. The Piano, The Turn of the Screw: Act II: Scene VII. Flora, The Turn of the Screw: Act II: Scene VIII. Miles, The Turn of the Screw: Act II: Variation IX, The Turn of the Screw: Act II: Variation VIII, The Turn of the Screw: Act II: Variation X, The Turn of the Screw: Act II: Variation XI, The Turn of the Screw: Act II: Variation XII, The Turn of the Screw: Act II: Variation XIII, The Turn of the Screw: Act II: Variation XIV, The Turn of the Screw: Act II: Variation XV |
| Dave Brubeck |
producer |
Beloved Son: Abba Father, Beloved Son: Eli, Beloved Son: Rabboni, Pange Lingua Variations: IIIa. Thus on the Night, Pange Lingua Variations: IIIb. Verbum Caro, Pange Lingua Variations: IIa. To Us is Given, Pange Lingua Variations: IIb. In Supremæ, Pange Lingua Variations: IVa. The Word Made Flesh, Pange Lingua Variations: IVb. Tantum Ergo, Pange Lingua Variations: Ia. Sing My Tongue Sing, Pange Lingua Variations: Ib. Nobis Datus, Pange Lingua Variations: Pange Lingua, Pange Lingua Variations: VI. Praise to the Father!, Pange Lingua Variations: Va. Let Us Bow Down, Pange Lingua Variations: Vb. Brass Chorale, Pange Lingua Variations: Vc. Meditation, Pange Lingua Variations: Vd. Bow Down (improvisation), Pange Lingua Variations: Ve. Interlude, Regret for strings and solo piano, Voice of the Holy Spirit (Tongues of Fire): Be Strong in the Lord, Voice of the Holy Spirit (Tongues of Fire): Benediction, Voice of the Holy Spirit (Tongues of Fire): For Those Who Love God, Voice of the Holy Spirit (Tongues of Fire): Full Authority, Voice of the Holy Spirit (Tongues of Fire): Greater Gifts, Voice of the Holy Spirit (Tongues of Fire): New Wine, Voice of the Holy Spirit (Tongues of Fire): Pentecost, Voice of the Holy Spirit (Tongues of Fire): Peter's Sermon, Voice of the Holy Spirit (Tongues of Fire): Preface, Voice of the Holy Spirit (Tongues of Fire): Silver and Gold, Voice of the Holy Spirit (Tongues of Fire): Though I Speak With the Tongue, Voice of the Holy Spirit (Tongues of Fire): Tongues of Fire, Voice of the Holy Spirit (Tongues of Fire): When I Was a Child, Voice of the Holy Spirit (Tongues of Fire): Witnesses |
| Luis Conti Orchestra |
producer |
Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in der Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Erscheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Still von dem Sturm, Eine Alpensinfonie: Vision, Eine Alpensinfonie: Wanderung neben dem Bache, Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio, Symphony no. 8 in F major, op. 93: II. Allegretto scherzando, Symphony no. 8 in F major, op. 93: III. Tempo di menuetto, Symphony no. 8 in F major, op. 93: IV. Allegro vivace, Symphony no. 9: I. Feierlich, Misterioso, Symphony no. 9: II. Scherzo: Bewegt, Lebhaft - Trio: Schnell - Scherzo, Symphony no. 9: III. Adagio: Langsam, Feierlich |
| Hel Lennart |
producer |
Symphony No. 1 in D major: IV. Stürmisch bewegt, Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso, Symphony No. 2 in C minor "Resurrection": II. Andante moderato, Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo, Symphony No. 3 in D minor: I. Kräftig - Entschieden, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig, Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 4 in G major: IV. Sehr behaglich, Symphony No. 9: I. Andante comodo, Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend, Variations, op. 31: Finale. Mäßig schnell, Variations, op. 31: Introduktion. Mäßig, ruhig, Variations, op. 31: Thema. Molto moderato, Variations, op. 31: Variation I. Moderato, Variations, op. 31: Variation II. Langsam, Variations, op. 31: Variation III. Mäßig, Variations, op. 31: Variation IV. Walzertempo, Variations, op. 31: Variation IX. L'istesso tempo; aber etwas langsamer, Variations, op. 31: Variation V. Bewegt, Variations, op. 31: Variation VI. Andante, Variations, op. 31: Variation VII. Langsam, Variations, op. 31: Variation VIII. Sehr rasch |
| Jules Massenet |
producer |
Don Quichotte: Acte I. "Ah ! Ah ! C'est vous qui lanciez", Don Quichotte: Acte I. "Allégresse !", Don Quichotte: Acte I. "Alza !", Don Quichotte: Acte I. "C'est merveille de voir", Don Quichotte: Acte I. "Dulcinée est jolie", Don Quichotte: Acte I. "O dulcinée", Don Quichotte: Acte I. "Quand apparaissent les étoiles", Don Quichotte: Acte I. "Quand la femme a vingt ans", Don Quichotte: Acte I. "Vous êtes, monseigneur", Don Quichotte: Acte II. "C'est vers ton amour", Don Quichotte: Acte II. "Comment peut-on penser du bien", Don Quichotte: Acte II. "Regarde !", Don Quichotte: Acte III. "Ah ! Voir un corps long", Don Quichotte: Acte III. "C'est ici le chemin", Don Quichotte: Acte III. "O mes rêves divins !", Don Quichotte: Acte III. "Seigneur, reçois mon âme", Don Quichotte: Acte IV. "Ah ! J'ai en ce moment le désir d'autre chose", Don Quichotte: Acte IV. "Alors, traîtresse", Don Quichotte: Acte IV. "Alza ! Ne pensons qu'au plaisir d'aimer", Don Quichotte: Acte IV. "Announce le grand don quichotte", Don Quichotte: Acte IV. "Enfin, te revoilà !", Don Quichotte: Acte IV. "Marchez dans mon chemin", Don Quichotte: Acte IV. "Me marier, moi !", Don Quichotte: Acte IV. "On ne s'explique pas", Don Quichotte: Acte IV. "Riez, allez !", Don Quichotte: Acte V. "L'étoile !", Don Quichotte: Acte V. "Oui ! Je fus le chef", Don Quichotte: Acte V. "Ô mon maître !", Don Quichotte: Deuxième (interlude), Don Quichotte: Premier interlude |
| Java |
producer |
La bohème: Act I. "Che gelida manina" (Rodolfo), La bohème: Act I. "Chi è là?" (Rodolfo), La bohème: Act I. "Io resto" (Rodolfo), La bohème: Act I. "Legna!" (Rodolfo), La bohème: Act I. "Pensier profondo!" (Colline), La bohème: Act I. "Questo mar rosso" (Marcello), La bohème: Act I. "Si può?" (Benoit), La bohème: Act I. "Si sente meglio?" (Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì" (Mimì), La bohème: Act II. "Aranci, ninnoli! Caldi i marroni e caramelle!" (Monelli), La bohème: Act II. "Chi guardi?" (Rodolfo), La bohème: Act II. "Chi l'ha richiesto?" (Colline), La bohème: Act II. "Oh!" - "Essa!" - "Musetta!" (Rodolfo, Schaunard, Colline, Marcello), La bohème: Act II. "Quando men vo" (Musetta), La bohème: Act II. "Viva Parpignol! Parpignol! Parpignol!" (fanciulli, fanciulle), La bohème: Act III. "Donde lieta uscì al tuo grido" (Mimì), La bohème: Act III. "Dunque è proprio finita!" (Rodolfo), La bohème: Act III. "Marcello. Finalmente!" (Rodolfo), La bohème: Act III. "Mimì è tanto malata!" (Rodolfo), La bohème: Act III. "Mimì è una civetta" (Rodolfo), La bohème: Act III. "Mimì!" (Marcello), La bohème: Act III. "Ohè là, le guardie! Aprite!" (Spazzini), La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì), La bohème: Act IV. "C'è Mimì... c'è Mimì che mi segue" (Musetta), La bohème: Act IV. "Che avvien?" (Schaunard), La bohème: Act IV. "In un coupé?" (Marcello), La bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo), La bohème: Act IV. "Si sgombrino le sale!" (Marcello), La bohème: Act IV. "Sono andati? Fingevo di dormire" (Mimì), La bohème: Act IV. "Vecchia zimarra, senti" (Colline) |
| Knelt Rote |
performer, producer |
Academic Festival Overture, Op. 80, Symphony No. 1 in C minor, Op. 68: I. Un poco sustenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto (alternate), Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Allegro non troppo, ma con brio, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (Quasi Andantino), Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Variations on a Theme by Joseph Haydn, Op. 56a: Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo |
| Бессмертные |
producer |
The Mikado: Act I. “A wandering minstrel I”, The Mikado: Act I. “And have I journeyed for a month”, The Mikado: Act I. “As some day it may happen”, The Mikado: Act I. “Behold the Lord High Executioner!”, The Mikado: Act I. “Comes a train of little ladies”, The Mikado: Act I. “I am so proud”, The Mikado: Act I. “If you want to know who we are”, The Mikado: Act I. “Our great Mikado, virtuous man”, The Mikado: Act I. “So please you, sir, we much regret”, The Mikado: Act I. “Three little maids from school are we”, The Mikado: Act I. “Were you not to Ko-Ko plighted”, The Mikado: Act I. “Young man, despair, likewise go to”, The Mikado: Act II. “A more humane Mikado never did in Japan exist”, The Mikado: Act II. “Alone, and yet alive”, The Mikado: Act II. “Braid the raven hair”, The Mikado: Act II. “Brightly dawns our wedding day”, The Mikado: Act II. “For he’s gone and married Yum-Yum”, The Mikado: Act II. “Here’s a how-de-do! If I marry you”, The Mikado: Act II. “Miya sama, miya sama”, The Mikado: Act II. “On a tree by a river, a little tom-tit sang, ‘Willow, tit-willow’”, The Mikado: Act II. “See how the Fates their gifts allot”, The Mikado: Act II. “The criminal cried as he dropped him down”, The Mikado: Act II. “The flowers that bloom in the spring”, The Mikado: Act II. “The sun, whose rays are all ablaze”, The Mikado: Act II. “There is beauty in the bellow of the blast”, The Mikado: Act II. “With aspect stern and gloomy stride” |
| George Frideric Handel |
producer |
All they that see him - Tenor Recitative, And with his stripes we are healed - Chorus, Behold, and see if there be any sorrow - Tenor Arioso, But thou didst not leave his soul in Hell - Tenor Air, He trusted in God - Chorus, He was cut off out of the land of the living - Tenor Recitative, How beautiful are the feet - Soprano Air, If God be for us - Soprano Air, Let all the angels of God worship him - Chorus, Part One, Air: But who may abide, Part One, Air: He shall feed His flock like a shepherd, Part One, Air: The people that walked in darkness, Part One, Chor: Glory to the God, Part One, Recitative: And suddenly there was with the angel, Part One, Recitative: And the angel said unto them, Part One, Recitative: For behold, darkness shall cover the earth, Part One, Recitative: Then shall the eyes of the blind, Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them, Part One, Recitative: Thus saith the Lord, Part Two, Air: He was despised, Part Two, Chor: Behold the lamb of God, Surely he hath borne our griefs (chorus), Thou art gone up on high - Alto Air, Thy rebuke hath broken his heart - Tenor Recitative, Unto which of the angels - Tenor Recitative |
| Carl Orff |
producer |
Blanchefleur and Helen: Hail, most beautiful one, Fortune, Empress of the World: I bemoan the wounds of Fortune, Fortune, Empress of the World: O Fortune, In The Tavern: Burning inside, In The Tavern: I am the abbot, In The Tavern: Once I lived on lakes, In The Tavern: When we are in the tavern, On the green: Dance, On the green: If all the world were mine, On the green: Round dance, On the green: Shopkeeper, give me colour, On the green: The noble woods are burgeoning, Spring: Behold, the pleasant spring, Spring: The merry face of spring, Spring: The sun warms everything, The Court of Love: A girl stood, The Court of Love: Come, come, O come, The Court of Love: Cupid flies everywhere, The Court of Love: Day, night and everything, The Court of Love: If a boy with a girl, The Court of Love: In my heart, The Court of Love: In the balance, The Court of Love: Sweetest one, The Court of Love: This is the joyful time |
| Kavon Salyer |
producer |
The Dream of Gerontius: Part Two: And now the threshold as we traverse it, The Dream of Gerontius: Part Two: But Hark! a grand mysterious harmony, The Dream of Gerontius: Part Two: Glory to Him, The Dream of Gerontius: Part Two: I see not those false spirits, The Dream of Gerontius: Part Two: I went to sleep, The Dream of Gerontius: Part Two: Jesu! by that shuddering dread, The Dream of Gerontius: Part Two: Lord, thou hast been our refuge, The Dream of Gerontius: Part Two: Low-born clouds of brute earth, The Dream of Gerontius: Part Two: My work is done, The Dream of Gerontius: Part Two: Praise to His name, The Dream of Gerontius: Part Two: Praise to the Holiest, The Dream of Gerontius: Part Two: Praise to the Holiest in the height, The Dream of Gerontius: Part Two: Prelude, The Dream of Gerontius: Part Two: Softly and gently, dearly-ransomed soul, The Dream of Gerontius: Part Two: Take me away, The Dream of Gerontius: Part Two: The mind bold and independent, The Dream of Gerontius: Part Two: Thy judgement is now near |
| Reverend Grundarr and the Unholy Trinity |
producer |
Canon in D major, Musical Offering, BWV 1079: Canon a 2, Musical Offering, BWV 1079: Canon a 2 per augmentationem, contrario motu, Musical Offering, BWV 1079: Canon a 2 per motum contrarium, Musical Offering, BWV 1079: Canon a 2 per tonos, Musical Offering, BWV 1079: Canon a 2 violini in unisono, Musical Offering, BWV 1079: Canon a 4, Musical Offering, BWV 1079: Canon perpetuus a 2, Musical Offering, BWV 1079: Canon perpetuus contrario motu, Musical Offering, BWV 1079: Fuga canonica, Musical Offering, BWV 1079: Ricercar a 3, Musical Offering, BWV 1079: Ricercar a 6, Musical Offering, BWV 1079: Sonata a 3: I. Largo, Musical Offering, BWV 1079: Sonata a 3: II. Allegro, Musical Offering, BWV 1079: Sonata a 3: III. Andante, Musical Offering, BWV 1079: Sonata a 3: IV. Allegro, Sheep May Safely Graze (Cantata no. 208) |
| David Tamura |
producer |
An der schönen blauen Donau, op. 314, Auf der Jagd, op. 373, Bei uns z'Haus - waltz, op. 361, Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372, Die Emancipierte - polka-mazur, op. 282, Die schöne Galathee - operetta in 1 Act (1865): Overture, Hereinspaziert, op. 518, Leichtes Blut, polka schnell, op. 319, Loreley-Rhein-Klänge, op. 154, Moulinet - polka française, op. 57, Ohne Bremse - Polka schnell, op. 238, Pizzicato Polka (1870), Radetzky-Marsch, op. 228, Rudolfsheimer - polka schnell, op. 152, Tik-Tak - Polka schnell, op. 365, Wein, Weib und Gesang, op. 333 |
| Wally Rose |
producer |
"A-oo" (The Quest), op. 38 no. 6, Daisies, op. 38 no. 3, Dissonance, op. 34 no. 13, Dreams, op. 38 no. 5, How Beautiful It Is Here, op. 21 no. 7, In My Garden at Night, op. 38 no. 1, Oh, Do Not Sing to Me, op. 4 no. 4, The Harvest of Sorrow, op. 4 no. 5, The Morn of Life, op. 34 no. 10, The Muse, op. 34 no. 1, The Pied Piper, op. 38 no. 4, The Poet, op. 34 no. 9, The Storm, op. 34 no. 3, To Her, op. 38 no. 2, Vocalise, op. 34 no. 14, What Wealth of Rapture, op. 34 no. 12 |
| Antoine Lehembre |
producer |
Ancient Airs and Dances, Suite no. 1: I. Simone Molinaro: Balletto detto "Il conte Orlando", Ancient Airs and Dances, Suite no. 1: II. Vincenzo Galilei: Gagliarda, Ancient Airs and Dances, Suite no. 1: III. Anon.: Villanella, Ancient Airs and Dances, Suite no. 1: IV. Anon.: Passo mezzo e Mascherada, Ancient Airs and Dances, Suite no. 2: I. Fabrizio Caroso: Laura soave, Balletto con gagliarda, Ancient Airs and Dances, Suite no. 2: II. Jean-Baptiste Besard: Danza rustiga, Ancient Airs and Dances, Suite no. 2: III. Anon.: Campanæ parisienses / Marin: Mersenne: Aria, Ancient Airs and Dances, Suite no. 2: IV. Bernardo Gianoncelli, detto il Bernardello: Bergamasca, Ancient Airs and Dances, Suite no. 3: I. Anon.: Italiana, Ancient Airs and Dances, Suite no. 3: II. Jean-Baptiste Besard: Arie di corte, Ancient Airs and Dances, Suite no. 3: III. Anon.: Siciliana, Ancient Airs and Dances, Suite no. 3: IV. Lodovico Roncalli: Passacaglia, Trittico Botticelliano: I. La primavera: Allegro vivace, Trittico Botticelliano: II. L'adorazione dei Magi: Andante lento, Trittico Botticelliano: III. La nascita di Venere: Allegro moderato |
| Owen Knight |
producer |
A Child of Our Time: No 16. A Spiritual, Nobody Knows the Trouble I See, Lord, A Child of Our Time: No 21. A Spiritual of Anger, Go Down Moses, A Child of Our Time: No 25. A Spiritual, O, By and By, A Child of Our Time: No 28. Scene, the Words of Wisdom Are These - Praeludium, A Child of Our Time: No 29. General Ensemble, I Would Know My Shadow and My Light, A Child of Our Time: No 30. A Spiritual, Deep River, A Child of Our Time: No 8. A Spiritual, Steal Away, A Child of Our Time: Nos 1-2. The World Turns On Its Dark Side: Interludium, A Child of Our Time: Nos 17-20. Scene, the Boy Becomes Desperate In His Agony - Men Were Ashamed of What Was Done, A Child of Our Time: Nos 22-24. The Boy Sings In His Prison, My Dreams Are All Shattered - the Dark Forces Rise, A Child of Our Time: Nos 26-27. The Cold Deepens, the Soul of Man, A Child of Our Time: Nos 3-5. Scene: Is Evil Then Good?: Chorus of the Oppressed, When Shall the Userers' City Cease, A Child of Our Time: Nos 6-7. I Have No Money for My Bread - How Can I Cherish My Man In Such Days, A Child of Our Time: Nos 9-15. A Star Rises in Mid-Winter - Scene, O My Son! |
| HOLYCHILD |
producer |
Capriccio Espagnol, op. 34: 1. Alborada, Capriccio Espagnol, op. 34: 2. Variazioni, Capriccio Espagnol, op. 34: 3. Alborada, Capriccio Espagnol, op. 34: 4. Scena e canto gitano, Capriccio Espagnol, op. 34: 5. Fandango asturiano, Russian Easter Festival Overture, op. 36, Suite From "Le Coq D'or": I. King Dodon n His Palace, Suite From "Le Coq D'or": II. King Dodon on the Battlefield, Suite From "Le Coq D'or": III. King Dodon With the Queen of Shemakha, Suite From "Le Coq D'or": IV. The Marriage Feast and Lamentable End of King Dodon, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Deadcollision |
producer |
All We Like Sheep (chorus), And He Shall Purify (chorus), And the Glory of the Lord (chorus), But Thanks Be to God (chorus), Hallelujah (chorus), Let Us Break Their Bounds Asunder (chorus), Lift Up Your Heads (chorus), Part One, Chor: For unto us a Child is born, Part One, Chor: His yoke is easy, Since by Man Came Death (chorus), Sinfonia, The Lord Gave the Word (chorus), Their Sound Is Gone Out (chorus), Worthy Is the Lamb... Amen (chorus) |
| Joe Queer |
producer |
7 Variations in E-flat minor, Sonata for Cello & Piano in C major, op. 65: I. Dialogo: Allegro, Sonata for Cello & Piano in C major, op. 65: II. Scherzo pizzicato: Allegretto, Sonata for Cello & Piano in C major, op. 65: III. Elegia: Lento, Sonata for Cello & Piano in C major, op. 65: IV. Marcia: Energico, Sonata for Cello & Piano in C major, op. 65: V. Moto perpetuo: Presto, Sonata for Cello & Piano in F major, op. 6: I. Allegro con brio, Sonata for Cello & Piano in F major, op. 6: II. Andante ma non troppo, Sonata for Cello & Piano in F major, op. 6: III. Finale: Allegro vivo, Sonata for Cello and Piano in D minor, op. 40: I. Allegro non troppo, Sonata for Cello and Piano in D minor, op. 40: II. Allegro, Sonata for Cello and Piano in D minor, op. 40: III. Largo, Sonata for Cello and Piano in D minor, op. 40: IV. Allegro |
| DJ Guit |
producer |
Elegiac Melodies, op. 34: 1. Hjerterar, Elegiac Melodies, op. 34: 2. Varen, Little Suite, op. 1: I. Praeludium, Little Suite, op. 1: II. Intermezzo, Little Suite, op. 1: III. Finale, Rakastava, op. 14: 1. The lover, Rakastava, op. 14: 2. The Path of his Beloved, Rakastava, op. 14: 3. Good Evening! ... Farewell!, Serenade, Op. 11: 1. Praeludium, Serenade, Op. 11: 2. Andante espressivo, Serenade, Op. 11: 3. Scherzo, Serenade, Op. 11: 4. Marcia, Valse Triste, op. 44 no. 1 |
| The Gift |
producer |
Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse |
| D'va |
producer |
Concerto in D major: I. Allegro, Concerto in D major: II. Adagio, Concerto in D major: II. Andante, Concerto in D major: III. Allegro, Concerto in D major: III. Allegro grazioso, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: I. Allegro con spirito, Concerto in E-flat major: I. Andante, Concerto in E-flat major: II. Allegro, Concerto in E-flat major: II. Andante, Concerto in E-flat major: II. Andante cantabile, Concerto in E-flat major: III. Rondo |
| Wolfgang Schmieder |
producer |
Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey. Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Gloomy Land, Misty Land. Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo. Allegro sherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale. Andante lugubre - Allegro maestoso, The Nutcracker - Suite, op. 71a: I. Ouverture miniature. Allegro giusto, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: a) Marche Tempo di marcia viva, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante non troppo, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Molto vivace, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker - Suite, op. 71a: III. Valse des fleurs. Tempo di valse |
| David Lindsay-Abaire |
producer |
Keyboard Sonata no. 33 in C minor, Hob. XVI:20: I. Moderato, Keyboard Sonata no. 33 in C minor, Hob. XVI:20: II. Antante con moto, Keyboard Sonata no. 33 in C minor, Hob. XVI:20: III. Finale. Allegro, Keyboard Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato, Keyboard Sonata no. 38 in F major, Hob. XVI:23: II. Adagio, Keyboard Sonata no. 38 in F major, Hob. XVI:23: III. Finale. Presto, Keyboard Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione, Keyboard Sonata no. 58 in C major, Hob. XVI:48: II. Rondo. Presto, Keyboard Sonata no. 60 in C major, Hob. XVI:50: I. Allegro, Keyboard Sonata no. 60 in C major, Hob. XVI:50: II. Adagio, Keyboard Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto |
| Short Back & Sides |
producer |
Sinfonia Concertante: I. Andante, Sinfonia Concertante: II. Allegro giusto, Sinfonia Concertante: III. Andante con moto, Variations on a Rococo Theme: Thema, Variations on a Rococo Theme: Variation I - Tempo della thema, Variations on a Rococo Theme: Variation II - Tempo della thema, Variations on a Rococo Theme: Variation III - Andante sostenuto, Variations on a Rococo Theme: Variation IV - Andante grazioso, Variations on a Rococo Theme: Variation V - Allegro moderato, Variations on a Rococo Theme: Variation VI - Andante, Variations on a Rococo Theme: Variation VII & Coda - Allegro vivo |
| Leon Williams |
producer |
Symphony no. 2 in E minor, op. 27: I. Largo — Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 6 in A minor: III. Scherzo. Wuchtig, Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo: Schattenahft, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico |
| Cyril Coppini |
producer |
Circus World: The John 'Duke' Wayne March, Cyrano de Bergerac: Overture, Friendly Persuasion: The Fair, Hitchcock Suite: Dial M for Murder and Strangers on a Train, The Alamo: Suite: I. Overture / II. Davy Crockett / III. Battle / IV. Epilogue, The Fall of the Roman Empire: The Fall of Love (instrumental Theme), The Four Poster: Overture, The High and the Mighty: Suite, The Old Man and the Sea: Theme, Cubana and Finale, The Sundowners: Theme |
| The Spirit of Christmas Performers |
producer |
Capriccio espagnol, op. 34: I. Alborada, Capriccio espagnol, op. 34: II. Variazioni, Capriccio espagnol, op. 34: III. Alborada, Capriccio espagnol, op. 34: IV. Scena e canto gitano, Capriccio espagnol, op. 34: V. Fandango asturiano, Scheherezade, Suite symphonique, op. 35: I. The Sea & Sinbad's Ship, Scheherezade, Suite symphonique, op. 35: II. The Tale of the Kalender Prince, Scheherezade, Suite symphonique, op. 35: III. The Young Prince & the Young Princess, Scheherezade, Suite symphonique, op. 35: IV. The Festival at Baghdad - The Sea - Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion |
| Cliff |
producer |
Suite no. 1 for 2 Pianos, op. 5: 1. Barcarolle, Suite no. 1 for 2 Pianos, op. 5: 2. A night for love, Suite no. 1 for 2 Pianos, op. 5: 3. Tears, Suite no. 1 for 2 Pianos, op. 5: 4. Russian Easter, Suite no. 1 for Two Pianos, op. 5: IV. Pâques: Allegro maestoso, Suite no. 2 for 2 Pianos, op. 17: I. Introduction: Alla marcia, Suite no. 2 for 2 Pianos, op. 17: II. Valse: Presto, Suite no. 2 for 2 Pianos, op. 17: III. Romance: Andantino, Suite no. 2 for 2 Pianos, op. 17: IV. Tarantelle |
| Cindy Wall |
producer |
Sonata No. 17 in D minor, Op. 31/2 (Tempest): I. Largo - Allegro, Sonata No. 17 in D minor, Op. 31/2 (Tempest): II. Adagio, Sonata No. 17 in D minor, Op. 31/2 (Tempest): III. Allegretto, Sonata No. 17 in E-flat, Op. 81a (Les Adieux): I. Das Lebewohl (Les Adieux): Adagio - Allegro, Sonata No. 17 in E-flat, Op. 81a (Les Adieux): II. Abwesenheit (L'Absence): Andante espressivo, Sonata No. 17 in E-flat, Op. 81a (Les Adieux): III. Das Wiedersehen (Le Retour): Vivacissimamente, Sonata No. 21 in C major, Op. 53 (Waldstein): I. Allegro con brio, Sonata No. 21 in C major, Op. 53 (Waldstein): II. Introduzione: Adagio molto, Sonata No. 21 in C major, Op. 53 (Waldstein): III. Rondo: Allegretto moderato |
| Die System |
producer |
Ja! Wehe! Wehe! Weh' ueber mich!, Prelude, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 3 in E flat major, op. 20 "The First of May": I. Allegretto, Symphony no. 3 in E flat major, op. 20 "The First of May": II. Allegro, Vorspiel |
| Сандали |
producer |
The Miraculous Mandarin, Sz. 73: 1st Decoy game: Moderato, The Miraculous Mandarin, Sz. 73: 2nd Decoy game, The Miraculous Mandarin, Sz. 73: Adagio, The Miraculous Mandarin, Sz. 73: Agitato, The Miraculous Mandarin, Sz. 73: Allegro, The Miraculous Mandarin, Sz. 73: Maestoso, The Miraculous Mandarin, Sz. 73: Molto moderato, The Miraculous Mandarin, Sz. 73: Più mosso, The Miraculous Mandarin, Sz. 73: Sempre vivo |
| Tibor de Machula |
producer |
Symphony no. 5 in D minor, op. 47: I. Moderato, Symphony no. 5 in D minor, op. 47: II. Allegretto, Symphony no. 5 in D minor, op. 47: III. Largo, Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo, Symphony no. 8 in C minor, op. 65: I. Adagio – Allegro non troppo, Symphony no. 8 in C minor, op. 65: II. Allegretto, Symphony no. 8 in C minor, op. 65: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65: IV. Largo, Symphony no. 8 in C minor, op. 65: V. Allegretto |
| J Mage |
producer |
"Moscow" Cantata: I. Introduction and Chorus, "Moscow" Cantata: II. Arioso, "Moscow" Cantata: III. Chorus, "Moscow" Cantata: IV. Monologue and Chorus, "Moscow" Cantata: V. Arioso, "Moscow" Cantata: VI. Finale, 1812 Festival Overture, op. 49, Festival Coronation March, Slavonic March "Marche Slave", op. 31 |
| Strange Appeal |
producer |
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in C minor, op. 67: II. Andante con moto, Symphony no. 5 in C minor, op. 67: III. Allegro, Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto |
| Antonín Dvořák |
producer |
String Quintet, op. 77: I. Allegro con fuoco, String Quintet, op. 77: II. Scherzo: Allegro vivace, String Quintet, op. 77: III. Poco andante, String Quintet, op. 77: IV. Allegro assai, String Sextet op. 48: IV. Tema con variazioni: Allegretto grazioso quasi andantino, String Sextet, op. 48: I. Allegro moderato, String Sextet, op. 48: II. Dumka: Poco allegretto, String Sextet, op. 48: III. Furiant: Presto |
| Preston Callahan |
producer |
Rosamunde, D. 797: Ballet Music no. 1, Rosamunde, D. 797: Ballet Music no. 2, Rosamunde, D. 797: Entr'acte no. 1, Rosamunde, D. 797: Entr'acte no. 2, Rosamunde, D. 797: Entr'acte no. 3, Rosamunde, D. 797: Overture (Die Zauberharfe, D. 644), Rosamunde, D. 797: Shepherd's Melody |
| Gustav Mahler |
producer |
Das Lied von der Erde: Das Trinklied vom Jammer der Erde, Das Lied von der Erde: Der Abschied, Das Lied von der Erde: Der Einsame im Herbst, Das Lied von der Erde: Der Trunkene im Fruhling, Das Lied von der Erde: Von der Jugend, Das Lied von der Erde: Von der Schonheit, Symphony no. 1 in D major: IV. Stürmisch bewegt |
| July 4th Toilet |
producer |
Belshazzar's Feast: I. “Thus spake Isaiah”, Belshazzar's Feast: III. “By the waters of Babylon”, Belshazzar's Feast: IX. “The trumpeters and pipers”, Belshazzar's Feast: VI. Allegro molto - “Thus in Babylon”, Belshazzar's Feast: VII. “Thou, O King, art King of Kings”, Belshazzar's Feast: X. Allegro - “Then sing aloud to God our strength” |
| Karl Münchinger |
producer |
Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Agnus Dei, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Benedictus, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Credo, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Gloria, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Kyrie, Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Sanctus |
| Katy Cowan |
producer |
2 Scherzos, D593: 1. Allegretto (B-flat major), 2 Scherzos, D593: 2. Allegro moderato (D-flat major), Piano Sonata in G major, D894: I. Molto moderato e cantabile, Piano Sonata in G major, D894: II. Andante, Piano Sonata in G major, D894: III. Menuetto e trio: Allegro moderato, Piano Sonata in G major, D894: IV. Allegretto |
| Jeff Steeg |
producer |
Adagio and Allegro in A-flat, op. 70, Sonata for Horn and Piano in F, op. 17: 1. Allegro moderato, Sonata for Horn and Piano in F, op. 17: 2. Poco adagio, quasi andante, Sonata for Horn and Piano in F, op. 17: 3. Rondo (Allegro moderato) |
| Plácido Domingo |
producer |
Les Contes d'Hoffman: Acte I. Chanson "Il était une fois à Ia cour d'Eisenach" (Hoffmann, les étudiants, Nathanaël), Les Contes d'Hoffman: Acte II. Récitatif et Romance "Ah ! Vivre deux" (Hoffmann), Les Contes d'Hoffman: Acte IV. Couplets bachiques "Amis, l'amour tendre et rêveur, erreur !" (Hoffmann, les invités), Les Contes d'Hoffman: Acte IV. Récitatif "Et moi, ce n'est pas là" (Hoffmann) |
| Big Apple Band |
producer |
Suite no. 3 in G major, op. 55: I. Elégie: Andantino molto cantabile - Andante, Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato, Suite no. 3 in G major, op. 55: III. Scherzo: Presto, Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto |
| Wizard Union |
producer |
Sonata for Violin and Piano in A: 1. Allegretto ben moderato, Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro), Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace), Sonata for Violin and Piano in A: 4. Allegretto poco mosso |
| Rob Lewis |
producer |
Festklänge, S.101, Les Préludes, S.97, Pomp and Circumstance March no. 1 in D, op. 39 no. 1, Prometheus, S.99 |
| Samuel Dobson |
producer |
Chorale: Ach Herr, laß dein lieb Engelein, Chorale: Christ lag in Todesbanden, Chorale: Den Tod niemand zwingen kunnt, Chorale: Wenn ich einmal soll scheiden |
| Karea |
producer |
Symphony no. 1: I. Apologue: Of Rage And Remembrance, Symphony no. 1: II. Tarantella, Symphony no. 1: III. Chaconne: Giulio's Song, Symphony no. 1: IV. Epilogue |
| Cleveland Quartet |
producer |
Quartet no. 13 in A minor, D. 804: I. Allegro ma non troppo, Quartet no. 13 in A minor, D. 804: II. Andante, Quartet no. 13 in A minor, D. 804: III. Menuetto: Allegretto, Quartet no. 13 in A minor, D. 804: IV. Allegro moderato |
| Jim Robarts |
producer |
Horn Trio in E-flat, op. 40: 1. Andante - Poco più animato, Horn Trio in E-flat, op. 40: 2. Scherzo (Allegro), Horn Trio in E-flat, op. 40: 3. Adagio mesto, Horn Trio in E-flat, op. 40: 4. Finale (Allegro con brio) |
| Storstrøms Kammerensemble |
producer |
Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto, Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace, Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace |
| Pericle Sponzilli |
producer |
Les Contes d'Hoffman: Acte II. Récitatif et Romance "Ils se sont éloignés enfin !" (Hoffman, Olympia), Les Contes d'Hoffman: Acte III. Duo "J'ai le bonheur dans l'âme !" (Hoffmann, Antonia), Les Contes d'Hoffman: Acte III. Récitatif "C'est une chanson d'amour qui s'envole" (Hoffmann, Antonia), Les Contes d'Hoffman: Acte III. Scène "Ne plus chanter !" (Hoffmann, Antonia) |
| Frederick Davidson |
producer |
Roméo et Juliette "Symphonie dramatique": Scène 7b. "Quoi! Romèo de retour!" / Recitatif "Je vais devoiler le mystère", Roméo et Juliette "Symphonie dramatique": Scène 7c. Air "Pauvres enfants que je pleure", Roméo et Juliette "Symphonie dramatique": Scène 7c. Serment "Jurez donc, par l'auguste symbole" |
| Franz Danzi |
producer |
Horn Sonata in E flat, op. 28: I. Adagio, Horn Sonata in E flat, op. 28: II. Larghetto, Horn Sonata in E flat, op. 28: III. Allegretto |
| Tor Lennström |
producer |
Mephisto Waltz no. 1 (The Dance in the Village Inn), Tasso: Lamento e trionfo, S.96, Von der Wiege bis zum Grabe, S.107 |
| Holiday |
producer |
Les Contes d'Hoffman: Acte I. Prélude et Introduction, Les Contes d'Hoffman: Entr'acte |
| Edita Gruberová |
producer |
Les Contes d'Hoffman: Acte II. Aria "Les oiseaux dans Ia charmille" (Olympia, les invités), Les Contes d'Hoffman: Acte III. Romance "Elle a fui, Ia tourterelle" (Antonia) |
| Actionesse |
producer |
Les Contes d'Hoffman: Acte I. Finale "Peuh ! Cette bière est détestable !" (Hoffmann, les étudiants, Nicklausse, Nathanaël, Lindorf), Les Contes d'Hoffman: Acte II. Récitatif "Allons ! Courage et confiance...Ah ! vivre deux" (Hoffman, Nicklausse) |
| Massimo Idà |
producer |
Glagolitic Mass: I. Úvod, Glagolitic Mass: VIII. Intrada |
| BxPsoundsistema |
producer |
Land of the Pharaohs: Theme and Pharaoh's Procession, Wild Is the Wind: Theme |
| New Mixage |
producer |
Roméo et Juliette "Symphonie dramatique": Scène 3. Scène d'amour. Nuit sereine / Le jardin de Capulet silencieux et desert, Roméo et Juliette "Symphonie dramatique": Scène 5. Convoi funèbre de Juliette |
| Julian Berg |
producer |
Les Contes d'Hoffman: Acte II. Scène avec chœur "Non, aucun hôte vraiment" (Les invités, Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia) |
| Los Charoles |
producer |
Les Contes d'Hoffman: Acte V. Entr'acte / Scène "Voilà quelle fut l'histoire de mes amours" (Hoffmann, Luther, Lindorf, Nathanaël, Nicklausse, les étudiants) |
| Los Chevaliers |
producer |
Les Contes d'Hoffman: Acte IV. Septuor "Hélas ! mon coeur s'égare encore" (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlémil, les invités, Pitichinaccio) |
| Los Crema |
producer |
Les Contes d'Hoffman: Acte V. Finale "Des cendres de ton cœur, réchauffe ton génie" (La Muse, les espirits invisibles) |
| Annie Makoma |
producer |
Les Contes d'Hoffman: Acte I. "Glou ! glou ! glou ! glou ! Je suis la bière" (Les espirits invisibles) |
| Mack Tone |
producer |
Les Sylphies: Waltz |
| DJ Normal 4 |
producer |
Les Contes d'Hoffman: Acte II. Couplets "Voyez-la sous son éventail" (Nicklausse) |
| Michel Sénéchal |
producer |
Les Contes d'Hoffman: Acte III. Couplets "Jour et nuit je me mets en quatre" (Frantz) |
| Mortalium |
producer |
Les Contes d'Hoffman: Acte IV. Duo "Malheureux, tu ne comprends donc pas" (Giulietta, Hoffmann) |
| Mt. Doubt |
producer |
Les Contes d'Hoffman: Acte II. Scène "Là ! dors en paix" (Spalanzani, Hoffmann, Cochenille) |
| DJ Romeo |
producer |
Les Contes d'Hoffman: Acte I. Scène "Deux heures devant moi !" (Lindorf, Luther) |
| 5-40am |
producer |
Roméo et Juliette "Symphonie dramatique": Scène 1b. Prologue. "D'anciennes haines endormies" |
| Hitomi Nishiyama Trio "Parallax" |
producer |
Les Contes d'Hoffman: Acte I. Scène "Vive Dieu ! mes amis, Ia belle créature !" (Nathanaël, les étudiants, Hermann, Lindorf, Luther, Hoffmann, Nicklausse) |
| Alex Grata |
producer |
Les Contes d'Hoffman: Acte III. Scène "Malheureuse enfant !" (Crespel, Antonia, Frantz) |
| ID369 |
producer |
Roméo et Juliette "Symphonie dramatique": Scène 1c. Strophes. "Premiers transports que nul n'oublie!" |
| Punky Jimm |
producer |
Les Contes d'Hoffman: Acte IV. Scène "Cher ange !" (Dapertutto, Giulietta, Hoffmann) |
| Rain Pryor |
producer |
Les Sylphides: Nocturne (orch. Douglas) |
| Alfonse |
producer |
Totus Tuus, Op. 60 |
| Raúl García |
producer |
Les Contes d'Hoffman: Acte IV. Barcarolle "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, les invités) |
| Jaes |
producer |
Les Contes d'Hoffman: Acte II. Scène "Hein ! Vous ?" (Spalanzani, Coppélius, Hoffmann, Cochenille) |
| Andreas Schmidt |
producer |
Les Contes d'Hoffman: Acte I. Couplets "Dans les rôles d'amoureux langoureux" (Lindorf) |
| Richie Stacks |
producer |
Die Forelle, S. 564 piano transcription after Schubert |
| Death Curse |
producer |
Roméo et Juliette "Symphonie dramatique": Scène 1c. Recitatif et scherzetto. "C'est lui!" |
| S.A.L.U.E.Ñ.A |
producer |
Les Contes d'Hoffman: Acte III. Scène "Qu'as-tu donc ?" (Hoffmann, Antonia, Crespel, Frantz, Miracle) |
| Coast Of Ghosts |
producer |
Les Contes d'Hoffman: Acte IV. Chanson "Scintille, diamant" (Dapertutto) |
| Doley Bernays |
producer |
Rawhide: Theme |
| Johann Sebastian Bach |
producer |
Partita in D minor: Courante |
| Johnny Phrank |
producer |
Giant: Suite: I. Prelude / II. There's Never Been Anyone Else but You / III. Finale |
| Stella Lee Jones |
producer |
Les Contes d'Hoffman: Acte II. Finale: Scène "Tu me fuis ? qu'ai-je fait ?" (Hoffmann, Nicklausse, Coppélius) |
| Dragan Vujcic |
producer |
Les Contes d'Hoffman: Acte I. Chœur "Drig ! drig ! drig ! maître Luther !" (Nathanaël, Hermann, les étudiants, Luther) |
| Duma Makoma |
producer |
Les Contes d'Hoffman: Acte I. Récitatif "Le conseiller Lindorf, morbleu" (Lindorf, Andrès) |
| Bodmin Town Band |
producer |
Rejoice Greatly, o Daughter of Zion (soprano air) |
| The Nova Mob |
producer |
Les Contes d'Hoffman: Acte II. Finale: Valse "Voici les valseurs !" (Spalanzani, Cochenille, Hoffmann, Olympia, les invités, Nicklausse, Coppélius) |
| The Pro-nouns |
producer |
Les Contes d'Hoffman: Acte I. Finale "Simple échange de politesses !" (Nicklausse, les étudiants, Hoffman, Lindorf) |
| Ellesmere |
producer |
Les Contes d'Hoffman: Acte II. Couplets et Récitatif "Ah ! mon ami! quel accent !" (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille) |
| Elon Katz |
producer |
Les Contes d'Hoffman: Acte III. Scène "Frantz ! ... c'est ici !" (Hoffman, Frantz) |
| Fel |
producer |
Les Contes d'Hoffman: Acte II. Trio "Je me nomme Coppélius" (Coppélius, Hoffmann, Nicklausse) |
| Fran Turner |
producer |
Les Contes d'Hoffman: Acte III. Trio "Pour conjurer le danger" (Miracle, Hoffmann, Crespel) |
| Bornidol |
producer |
Les Contes d'Hoffman: Acte III. Finale: Trio "Tu ne chanteras plus ?" (Miracle, Antonia, la voix de la mère d'Antonia) |
| Walter Almeida |
producer |
Les Contes d'Hoffman: Acte V. Scène et Chœur "Luther est un brave homme" (Les étudiants, Hoffmann, Nicklausse, Lindorf) |
| La Milonga Nacional |
producer |
Les Contes d'Hoffman: Acte IV. Scène "Je vois qu'on est en fête" (Schlémil, Giulietta, Pitichinaccio, Hoffmann, les invités, Nicklausse, Dapertutto) |
| La Nueva Milonga |
producer |
Les Contes d'Hoffman: Acte IV. Scène "Schlémil !" (Giulietta, Schlémil, Hoffman, Pitichinaccio, Dapertutto, Nicklausse, les invités) |
| Young P Streets |
producer |
Le Poème de l'extase, op. 54 |
| DJ Cyco |
producer |
High Noon: Do Not Forsake Me |
| Locus Amoenus |
producer |
Les Contes d'Hoffman: Acte III. Finale: Scène "Mon enfant ! ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Miracle) |
| みーちゃん |
producer |
Friendly Persuasion: Thee I Love |