| Taiwan |
producer |
Boléro, Daphnis et Chloé, Suite nº 2: I. Lever du jour, Daphnis et Chloé, Suite nº 2: II. Pantomime, Daphnis et Chloé, Suite nº 2: III. Danse générale, Daphnis et Chloé: Deuxième Partie. Danse guerrière, Daphnis et Chloé: Deuxième Partie. Introduction, Daphnis et Chloé: Deuxième Partie. Scène - Danse suppliante de Chloé, Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon - Scène, Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis, Daphnis et Chloé: Première Partie. Introduction et Danse religieuse, Daphnis et Chloé: Première Partie. Scène - Dance de Lycéion - Scène (les pirates), Daphnis et Chloé: Première Partie. Scène - Danse générale, Daphnis et Chloé: Première Partie. Scène - Danse lente et mystèrieuse, Daphnis et Chloé: Troisième Partie. Danse générale, Daphnis et Chloé: Troisième Partie. Daphnis et Chloé miment l'aventure de Pan et de Syrinx, Daphnis et Chloé: Troisième Partie. Lever du jour - Scène, Faust Ballet Music, GaÎté parisienne: Nos 15 - 23, GaÎté parisienne: Overture / Nos 1 - 14, Images pour orchestre, Gigues: Gigues, Images pour orchestre, Ibéria: I. Par les rues et par les chemins, Images pour orchestre, Ibéria: II.Les Parfums de la nuit, Images pour orchestre, Ibéria: III. Le Matin d'un jour de fête, Images pour orchestre, Rondes de printemps: Rondes de printemps, Jeux, La Boîte a joujoux: II. Le Champ de bataille, La Boîte a joujoux: IV. Après fortune faite, La Boîte à joujoux: I. Le Magasin de jouets, La Boîte à joujoux: III. La Bergerie à vendre, La Boîte à joujoux: Prélude. Le Sommeil de la boîte, La Boîte à joujoux: V. Épilogue, La Mer: I. De l'aube à midi sur la mer, La Mer: II. Jeux de vagues, La Mer: III. Dialogue du vent et de la mer, La Valse, Le Martyre de Saint Sébastien: I. La Cour des lys, Le Martyre de Saint Sébastien: II. Danse extatique et Final du Premier Acte, Le Martyre de Saint Sébastien: III. La Passion, Le Martyre de Saint Sébastien: IV. Le Bon Pasteur, Pavane pour une infante défunte, Quatre Études: I. Danse, Quatre Études: II. Excentrique, Quatre Études: III. Cantique, Quatre Études: IV. Madrid, Romeo and Juliet, op. 64: Dance of the Girls With Lilies, Swan Lake: Act 1: II. Valse (Tempo di valse), Swan Lake: Act 1: IX. Finale (Andante), Swan Lake: Act 3: VII. Danse hongroise. Czardas (Moderato assai. Allegro moderato. Vivace), Symphony no. 1 in F minor, op. 10: I. Allegretto, Symphony no. 1 in F minor, op. 10: II. Allegro, Symphony no. 1 in F minor, op. 10: III. Lento, Symphony no. 1 in F minor, op. 10: IV. Allegro molto - Lento, Symphony no. 15 in A major, op. 141: I. Allegretto, Symphony no. 15 in A major, op. 141: II. Adagio, Symphony no. 15 in A major, op. 141: III. Allegretto, Symphony no. 15 in A major, op. 141: IV. Adagio, Trois Nocturnes: I. Nuages, Trois Nocturnes: II. Fêtes |
| Reverend Grundarr and the Unholy Trinity |
producer |
Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig", Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" / Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen", Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" / Teil I, IVb. Cori "Ja nicht auf das Fest", Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" / Teil I, IVd. Coro "Wozu dienet dieser Unrat", Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete", Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" / Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" / Teil I, IXc. "Er sprach: Gehet hin in die Stadt" / Teil I, X. Corale "Ich bin's, ich sollte büssen", Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du", Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu" / Teil I, VII. "Da ging hin der Zwölfen einer", Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz", Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach", Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt", Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken", Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten / Teil I, XV. Corale "Erkenne mich, mein Hüter", Matthäus-Passion, BWV 244: Teil I, XIX. Recitativo (Tenore) "O Schmerz! Hier zittert das gequälte Herz" - Corale "Was ist die Ursach' aller solcher Plagen", Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" / Teil I, XVII. Corale "Ich will hier bei dir stehen", Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe", Matthäus-Passion, BWV 244: Teil I, XX. Aria (Tenore) "Ich will bei meinen Jesu wachen" - Coro "So schlafen unsre Sünden ein" / Teil I, XXI. "Und ging hin ein wenig", Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder", Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen", Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern"/ Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit", Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross", Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend", Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren", Matthäus-Passion, BWV 244: Teil I, XXVIIa. Duetto (Soprano, Alto) "So ist mein Jesus nun gefangen" - Coro "Lasst ihn, haltet, bindet nicht", Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott", Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen", Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" / Teil II, LIV. Corale "O Haupt voll Blut und Wunden" / Teil II, LV. "Und da sie ihn verspottet hatten", Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha", Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut", Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen", Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" / Teil II, LVIIIc. "Desgleichen auch die Hohenpriester", Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?", Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden", Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss", Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war", Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an", Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein", Matthäus-Passion, BWV 244: Teil II, LXVII. Recit "Nun ist der Herr zur Ruh gebracht", Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder", Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib", Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" / Teil II, Lb. Cori "Lass ihn kreuzigen", Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen", Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder", Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat", Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege", Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben", Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" / Teil II, XLIc. "Und er warf die Silberlinge in den Tempel", Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" / Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan", Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" / Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe", Matthäus-Passion, BWV 244: Teil II, XXX. Aria (Alto) "Ach! nun ist mein Jesus hin" - Coro "Wo ist denn dein Freund hingegangen", Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" / Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'", Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten", Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille", Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott", Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen" / Teil II, XXXVIa. "Und der Hohepriester antwortete" / Teil II, XXXVIc. "Da speieten sie aus" / Teil II, XXXVII. Corale "Wer hat dich so geschlagen", Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" / Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen", String Quartet in F major, op. 3 no. 5: Andante cantabile |
| Coyote |
producer |
Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo: Adagio, Piano Concerto No. 3 in D minor, Op. 30: III. Finale alla breve, Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace, Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante, Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Piano Concerto no. 3 in D minor, op. 30: 1. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Rhapsody on a Theme of Paganini, Op. 43: Introduction and Variation 1, Rhapsody on a Theme of Paganini, Op. 43: Theme, Rhapsody on a Theme of Paganini, Op. 43: Variation 10, Rhapsody on a Theme of Paganini, Op. 43: Variation 11, Rhapsody on a Theme of Paganini, Op. 43: Variation 12, Rhapsody on a Theme of Paganini, Op. 43: Variation 13, Rhapsody on a Theme of Paganini, Op. 43: Variation 14, Rhapsody on a Theme of Paganini, Op. 43: Variation 15, Rhapsody on a Theme of Paganini, Op. 43: Variation 16, Rhapsody on a Theme of Paganini, Op. 43: Variation 17, Rhapsody on a Theme of Paganini, Op. 43: Variation 18, Rhapsody on a Theme of Paganini, Op. 43: Variation 19, Rhapsody on a Theme of Paganini, Op. 43: Variation 2, Rhapsody on a Theme of Paganini, Op. 43: Variation 20, Rhapsody on a Theme of Paganini, Op. 43: Variation 21, Rhapsody on a Theme of Paganini, Op. 43: Variation 22, Rhapsody on a Theme of Paganini, Op. 43: Variation 23, Rhapsody on a Theme of Paganini, Op. 43: Variation 24, Rhapsody on a Theme of Paganini, Op. 43: Variation 3, Rhapsody on a Theme of Paganini, Op. 43: Variation 4, Rhapsody on a Theme of Paganini, Op. 43: Variation 5, Rhapsody on a Theme of Paganini, Op. 43: Variation 6, Rhapsody on a Theme of Paganini, Op. 43: Variation 7, Rhapsody on a Theme of Paganini, Op. 43: Variation 8, Rhapsody on a Theme of Paganini, Op. 43: Variation 9, Rhapsody on a Theme of Paganini, op. 43: Introduction / Variation 1, Rhapsody on a Theme of Paganini, op. 43: Theme, Rhapsody on a Theme of Paganini, op. 43: Variation 10, Rhapsody on a Theme of Paganini, op. 43: Variation 11, Rhapsody on a Theme of Paganini, op. 43: Variation 12, Rhapsody on a Theme of Paganini, op. 43: Variation 13, Rhapsody on a Theme of Paganini, op. 43: Variation 14, Rhapsody on a Theme of Paganini, op. 43: Variation 15, Rhapsody on a Theme of Paganini, op. 43: Variation 16, Rhapsody on a Theme of Paganini, op. 43: Variation 17, Rhapsody on a Theme of Paganini, op. 43: Variation 18, Rhapsody on a Theme of Paganini, op. 43: Variation 19, Rhapsody on a Theme of Paganini, op. 43: Variation 2, Rhapsody on a Theme of Paganini, op. 43: Variation 20, Rhapsody on a Theme of Paganini, op. 43: Variation 21, Rhapsody on a Theme of Paganini, op. 43: Variation 22, Rhapsody on a Theme of Paganini, op. 43: Variation 23, Rhapsody on a Theme of Paganini, op. 43: Variation 24, Rhapsody on a Theme of Paganini, op. 43: Variation 3, Rhapsody on a Theme of Paganini, op. 43: Variation 4, Rhapsody on a Theme of Paganini, op. 43: Variation 5, Rhapsody on a Theme of Paganini, op. 43: Variation 6, Rhapsody on a Theme of Paganini, op. 43: Variation 7, Rhapsody on a Theme of Paganini, op. 43: Variation 8, Rhapsody on a Theme of Paganini, op. 43: Variation 9 |
| Miles Robinson |
producer |
Domov můj Overture, op. 62 “My Home”, Husitsk Overture, op. 67 (Hussite), Hussite Overture, op. 67, B. 132, Háry János Suite: Entrance of the emperor and his court, Háry János Suite: Prelude; the fairy tale begins, Háry János Suite: The battle and defeat of Napoleon, Háry János Suite: Viennese musical clock, In Nature’s Realm Overture, op. 91 “V přírodě”, Masonic Funeral Music, K. 477, Othello Overture, op. 93, Overture, op. 92 “Karneval”, Scherzo capriccioso, op. 66, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Andante quasi allegretto, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Bewegt, nicht zu schnell, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Finale: Bewegt, doch nicht zu schnell, Sinfonie Nr. 4 in Es-Dur "Romantische" (Originalfassung): Scherzo: Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: I. Maestoso - Allegro, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: II. Adagio molto, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: III. Allegretto, Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: IV. Finale (Allegro animato), Symphony no. 2 in B flat major, op. 4: III. Scherzo (Allegro con brio), Symphony no. 2 in B flat major, op. 4: IV. Finale (Allegro con fuoco), Symphony no. 2 in B-flat major, op. 4: I. Allegro con moto, Symphony no. 2 in B-flat major, op. 4: II. Poco adagio, Symphony no. 3 in E-flat major, op. 10: I. Allegro moderato, Symphony no. 3 in E-flat major, op. 10: II. Adagio molto, tempo di marcia, Symphony no. 3 in E-flat major, op. 10: III. Finale. Allegro vivace, Symphony no. 4 in D minor, op. 13: I. Allegro, Symphony no. 4 in D minor, op. 13: II. Andante sostenuto e molto cantabile, Symphony no. 4 in D minor, op. 13: III. Scherzo (Allegro feroce), Symphony no. 4 in D minor, op. 13: IV. Finale. (Allegro con brio), Symphony no. 5 in F major, op. 76: I. Allegro, ma non troppo, Symphony no. 5 in F major, op. 76: II. Andante con moto, Symphony no. 5 in F major, op. 76: III. Scherzo. Allegro scherzando, Symphony no. 5 in F major, op. 76: IV. Finale. Allegro molto, Symphony no. 6 in D major, op. 60: I. Allegro non tanto, Symphony no. 6 in D major, op. 60: II. Adagio, Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant. Presto), Symphony no. 6 in D major, op. 60: IV. Finale (Allegro con spirito), Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace), Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro), Symphony no. 8 in G major, op. 88: I. Allegro con brio, Symphony no. 8 in G major, op. 88: II. Adagio, Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace, Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo, Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo, Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco |
| Blugazer |
producer |
An American in Paris, Appalachian Spring (1945 Suite): 1. Very slowly, Appalachian Spring (1945 Suite): 2. Allegro, Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended, Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock, Appalachian Spring (1945 Suite): 5. Allegro: Solo Dance of the Bride, Appalachian Spring (1945 Suite): 6. Meno mosso, Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn, Appalachian Spring (1945 Suite): 8. Moderato: Coda, Appalachian Spring, Conclusion - 1812 -- Festival Overture, for orchestra in E flat major, Op. 49, Contextures: 1/2. Interlude, Prestissimo,, Contextures: 3., Contextures: 4/5. Very slow, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Variation I, Enigma Variations, op. 36: Variation II, Enigma Variations, op. 36: Variation III, Enigma Variations, op. 36: Variation IV, Enigma Variations, op. 36: Variation IX, Enigma Variations, op. 36: Variation V, Enigma Variations, op. 36: Variation VI, Enigma Variations, op. 36: Variation VII, Enigma Variations, op. 36: Variation VIII, Enigma Variations, op. 36: Variation X, Enigma Variations, op. 36: Variation XI, Enigma Variations, op. 36: Variation XII, Enigma Variations, op. 36: Variation XIII, Enigma Variations, op. 36: Variation XIV (Finale), Fanfare for the Common Man, Overture Candide, Slavonic March - Slavonic March, for orchestra, Op. 31, Star Wars Suite: I. Main Title, Star Wars Suite: II. Princess Leia's Theme, Star Wars Suite: III. The Little People, Star Wars Suite: IV. The Battle, Star Wars Suite: V. The Throne Room and End Title, Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt), Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell), Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam), Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro) |
| Bisse |
producer |
Eugene Onegin: Act I, Scene 1. "A, vot i vi!" (Madame Larina), Eugene Onegin: Act I, Scene 1. "Bolyat moyi skori nozhenki" (Peasant Leader), Eugene Onegin: Act I, Scene 1. "Kak shchastliv, kak shchastliv ya!" (Lenski), Eugene Onegin: Act I, Scene 1. "Kak ya lyublu pod zvuki pesen etikh" (Tatyana), Eugene Onegin: Act I, Scene 1. "Mesdames! Ya na sebya vzyal smyelost" (Lenski), Eugene Onegin: Act I, Scene 1. "Nu ti, moya vostrushka" (Madame Larina), Eugene Onegin: Act I, Scene 1. "Skazhi, kotoraya Tatyana?" (Onegin), Eugene Onegin: Act I, Scene 1. "Slikhali l vi za roschei glas nochnai" (Tatyana, Olga), Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Olga), Eugene Onegin: Act I, Scene 1. "Uzh kak po mostu, mostochku" (Peasants), Eugene Onegin: Act I, Scene 1. "Ya lyublyu vas" (Lenski), Eugene Onegin: Act I, Scene 1. Introduction, Eugene Onegin: Act I, Scene 2. "Nu, zabolta las ya!" (Filipyevna), Eugene Onegin: Act I, Scene 2. "Puskai pogibnu ya, no pryezhde" (Tatyana), Eugene Onegin: Act I, Scene 2. Akh, noch minula" (Tatyana), Eugene Onegin: Act I, Scene 3. "Dyevitsi-krasavtsi" (Servant Girls), Eugene Onegin: Act I, Scene 3. "Kogda bi zhizn domashnim krugom" (Onegin), Eugene Onegin: Act I, Scene 3. "Zdyes on, zdyes on, Yevgeni!" (Tatyana), Eugene Onegin: Act II, Scene 1. "A cette fête convié" (Triquet), Eugene Onegin: Act II, Scene 1. "Messieurs, mesdames, mesta zanyat izvolte" (Captain), Eugene Onegin: Act II, Scene 1. "Ti ne tantsuyesh, Lenski?" (Onegin), Eugene Onegin: Act II, Scene 1. "Uzhel ya zasluzhil ot vas nasmyeshku etu?" (Lenski), Eugene Onegin: Act II, Scene 1. "V vashem dome! V vashem dome!" (Lenski), Eugene Onegin: Act II, Scene 1. "Vot tak syurpriz!" (Guests), Eugene Onegin: Act II, Scene 1. Waltz, Eugene Onegin: Act II, Scene 2. "A, vot oni!" (Zaretsky), Eugene Onegin: Act II, Scene 2. "Kuda, kuda, kuda vi udalilis" (Lenski), Eugene Onegin: Act II, Scene 2. "Nu, shto zhe?" (Zaretsky), Eugene Onegin: Act III, Scene 1. "I zdyes mnye skuchno!" (Onegin), Eugene Onegin: Act III, Scene 1. "Itak, poidyom, tebya predstavlyu ya" (Prince Germin), Eugene Onegin: Act III, Scene 1. "Knayaginya Gremina! Smotrite!" (Guests), Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin), Eugene Onegin: Act III, Scene 1. "Uzhel ta samaya Tatyana" (Onegin), Eugene Onegin: Act III, Scene 1. Polonaise, Eugene Onegin: Act III, Scene 2. "O! Kak mnye tyazhelo!" (Tatyana), Eugene Onegin: Act III, Scene 2. "Onegin! Ya togda molozhe" (Tatyana), Faust, Ballet Music (1869) |
| Java |
producer |
La bohème: Act I. "Che gelida manina" (Rodolfo), La bohème: Act I. "Chi è là?" (Rodolfo), La bohème: Act I. "Io resto" (Rodolfo), La bohème: Act I. "Legna!" (Rodolfo), La bohème: Act I. "Pensier profondo!" (Colline), La bohème: Act I. "Questo mar rosso" (Marcello), La bohème: Act I. "Si può?" (Benoit), La bohème: Act I. "Si sente meglio?" (Rodolfo), La bohème: Act I. "Sì. Mi chiamano Mimì" (Mimì), La bohème: Act II. "Aranci, ninnoli! Caldi i marroni e caramelle!" (Monelli), La bohème: Act II. "Chi guardi?" (Rodolfo), La bohème: Act II. "Chi l'ha richiesto?" (Colline), La bohème: Act II. "Oh!" - "Essa!" - "Musetta!" (Rodolfo, Schaunard, Colline, Marcello), La bohème: Act II. "Quando men vo" (Musetta), La bohème: Act II. "Viva Parpignol! Parpignol! Parpignol!" (fanciulli, fanciulle), La bohème: Act III. "Donde lieta uscì al tuo grido" (Mimì), La bohème: Act III. "Dunque è proprio finita!" (Rodolfo), La bohème: Act III. "Marcello. Finalmente!" (Rodolfo), La bohème: Act III. "Mimì è tanto malata!" (Rodolfo), La bohème: Act III. "Mimì è una civetta" (Rodolfo), La bohème: Act III. "Mimì!" (Marcello), La bohème: Act III. "Ohè là, le guardie! Aprite!" (Spazzini), La bohème: Act III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì), La bohème: Act IV. "C'è Mimì... c'è Mimì che mi segue" (Musetta), La bohème: Act IV. "Che avvien?" (Schaunard), La bohème: Act IV. "In un coupé?" (Marcello), La bohème: Act IV. "O Mimì, tu più non torni" (Rodolfo), La bohème: Act IV. "Si sgombrino le sale!" (Marcello), La bohème: Act IV. "Sono andati? Fingevo di dormire" (Mimì), La bohème: Act IV. "Vecchia zimarra, senti" (Colline) |
| Giuseppe Verdi |
producer |
Aida: Act I, Scene I. "Alta cagion v'aduna" (Il Re), Aida: Act I, Scene I. "Quale insolita gioia" (Amneris), Aida: Act I, Scene I. "Ritorna vincitor! (Aida), Aida: Act I, Scene I. "Sì: corre voce che l'Etiope ardisca" (Ramfis), Aida: Act I, Scene II. "Mortal, diletto ai Numi" (Ramfis), Aida: Act I, Scene II. "Possente, possente Fthà" (Sacerdotessa), Aida: Act I. Preludio, Aida: Act II, Scene I: "Chi mai fra gl' inni e i plausi" (Schiave), Aida: Act II, Scene I: "Fu la sorte dell'armi a' tuoi funesta" (Amneris), Aida: Act II, Scene I: "Su! del Nilo al sacro lido" (Coro), Aida: Act II, Scene II: "Che veggo!...Egli?...Mio padre!" (Aida), Aida: Act II, Scene II: "Gloria all'Egitto, ad Iside" (Il Re, Popolo), Aida: Act II, Scene II: "Gloria all'Egitto, ad Iside" (Popolo), Aida: Act II, Scene II: "Ma tu, Re, tu signore possente" (Amonasro), Aida: Act II, Scene II: "O Re: pei sacri Numi" (Radamès), Aida: Act II, Scene II: "Quest'assisa ch'io vesto vi dica" (Amonasro), Aida: Act II, Scene II: "Salvator della patria, io ti saluto" (Il Re), Aida: Act II, Scene II: "Vieni, o guerriero vindice" (Popolo), Aida: Act II, Scene II: Marcia, Aida: Act III. "Ciel! mio padre!" (Aida), Aida: Act III. "Fuggiam gli ardori inospiti" (Aida), Aida: Act III. "O tu che sei d'Osiride" (Sacerdotesse, Sacerdoti), Aida: Act III. "Qui Radamès verrà!...Che vorrà dirmi?" (Aida), Aida: Act III. "Tu...Amonasro!...tu!...il Re?" (Radamès), Aida: Act IV, Scene I. "Già i Sacerdoti adunansi" (Amneris), Aida: Act IV, Scene I. "L'aborrita rivale a me sfuggia..." (Amneris), Aida: Act IV, Scene I. "Ohimè!...morir mi sento! Oh! chi lo salva?" (Amneris), Aida: Act IV, Scene I. "Radamès! Radamès! Radamès!" (Ramfis), Va, pensiero ... / Oh, chi piange? ... / Del futuro nel buio discermo |
| Hel Lennart |
producer |
Boléro, M. 81, Enigma Variations, op. 36: Variation IX. Nimrod, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 1. Introduction, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 2. Les Augures printaniers, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 3. Jeu du rapt, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 4. Rondes printanières, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 5. Jeux des cités rivales, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6a. Cortège du sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 6b. Le sage, Le Sacre du Printemps, Part 1: L'Adoration de la Terre: 7. Danse de la terre, Le Sacre du Printemps, Part 2: Le Sacrifice: 1. Introduction, Le Sacre du Printemps, Part 2: Le Sacrifice: 2. Cercles mystérieux des adolescentes, Le Sacre du Printemps, Part 2: Le Sacrifice: 3. Glorification de l'élue, Le Sacre du Printemps, Part 2: Le Sacrifice: 4. Évocation des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 5. Action rituelle des ancêtres, Le Sacre du Printemps, Part 2: Le Sacrifice: 6. Danse sacrale: L'Élue, Symphony no. 6 in A major, WAB 106: I. Majestoso, Symphony no. 6 in A major, WAB 106: II. Adagio: Sehr feierlich, Symphony no. 6 in A major, WAB 106: III. Scherzo: Nicht schnell - Trio: Langsam, Symphony no. 6 in A major, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso |
| Karl Münchinger |
producer |
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos, Die Schöpfung, Hob. XX1:2: Teil I, No. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) / Teil I, No. 11. Chor "Stimmt an die Saiten" (Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) / Teil I, No. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel), Die Schöpfung, Hob. XX1:2: Teil I, No. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" (Chor, Gabriel, Uriel, Raphael), Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel), Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) / Teil I, No. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor), Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach" (Raphael) / Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael), Die Schöpfung, Hob. XX1:2: Teil I, No. 8. Rezitativ "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) / Teil I, No. 9. Arie "Nun beut die Flur das frische Grün" (Gabriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) / Teil II, No. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) / Teil II, No. 19. Terzett und Chor "In holder Anmut steh'n" (Gabriel, Uriel, Raphael, Chor), Die Schöpfung, Hob. XX1:2: Teil II, No. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) / Teil II, No. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael), Die Schöpfung, Hob. XX1:2: Teil II, No. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) / Teil II, No. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel), Die Schöpfung, Hob. XX1:2: Teil II, No. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) / Teil II, No. 26. Chor und Terzett "Vollendet ist das große Werk" (Chor, Gabriel, Uriel, Raphael), Die Schöpfung, Hob. XX1:2: Teil III, No. 27. Rezitativ "Aus Rosenwolken" (Uriel), Die Schöpfung, Hob. XX1:2: Teil III, No. 28. Duett und Chor "Von deiner Güt', o Herr und Gott" (Eva, Adam, Chor), Die Schöpfung, Hob. XX1:2: Teil III, No. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva), Die Schöpfung, Hob. XX1:2: Teil III, No. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva), Die Schöpfung, Hob. XX1:2: Teil III, No. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) / Teil III, No. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) |
| Wilhelm Kempff |
producer |
Andante spianato & Grande Polonaise brillante in E-flat major, op. 22, Ballade no. 3 in A flat major, op. 47, Barcarolle in F-sharp major, op. 60, Berceuse in D-flat major, op. 57, Fantaisie-Impromptu no. 4 in C-sharp minor, op. 66, Fantasie in F minor, op. 49, Impromptu no. 1 in A-flat major, op. 29, Impromptu no. 2 in F-sharp major, op. 36, Impromptu no. 3 in G-flat major, op. 51, Nocturne in B major, op. 9 no. 3, Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento, Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo, Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funébre (Lento), Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto, Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso, Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: molto vivace, Piano Sonata no. 3 in B minor, op. 58: III. Largo, Piano Sonata no. 3 in B minor, op. 58: IV. Finale, presto non tanto, Polonaise-fantaisie in A-flat major, op. 61, Scherzo no. 3 in C-sharp minor, op. 39 |
| Κωνσταντίνος Κατωμέρης |
producer |
Piano Sonata no. 21 in C, op. 53 "Waldstein": 1. Allegro con brio, Piano Sonata no. 21 in C, op. 53 "Waldstein": 2. Introduzione (Adagio molto), Piano Sonata no. 21 in C, op. 53 "Waldstein": 3. Rondo (Allegretto moderato - Prestissimo), Piano Sonata no. 27 in E minor, op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, Piano Sonata no. 27 in E minor, op. 90: 2. Nicht zu geschwind und sehr singbar vorgetragen, Piano Sonata no. 3 in F-sharp minor, op. 23: I. Drammatico, Piano Sonata no. 3 in F-sharp minor, op. 23: II. Allegretto, Piano Sonata no. 3 in F-sharp minor, op. 23: III. Andante —, Piano Sonata no. 3 in F-sharp minor, op. 23: IV. Presto con fuoco, Piano Sonata no. 4 in F-sharp major, op. 30: I. Andante -, Piano Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo volando, Piano Sonata no. 5, op. 53, Piano Sonata no. 9, op. 68 "Black Mass", Variations on a Theme of Corelli, op. 42 |
| MeCha |
producer |
Swan Lake, op. 20: Act 1. No. 1.. Scène (Allegro giusto), Swan Lake, op. 20: Act 1. No. 2. Valse (Corps de Ballet), Swan Lake, op. 20: Act 1. No. 8. Danse des coupes (Tempo di polacca), Swan Lake, op. 20: Act 2. No. 10. Scène (Moderato), Swan Lake, op. 20: Act 2. No. 11. Scène (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13d. Danse des petits cygnes (Allegro moderato), Swan Lake, op. 20: Act 2. No. 13e. Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante), Swan Lake, op. 20: Act 3. No. 20. Danse hongroise (Czárdás), Swan Lake, op. 20: Act 3. No. 24. Scène (Allegro - Valse - Allegro vivo), Swan Lake, op. 20: Act 3. No. 27. Danses des petits cygnes (Moderato), Swan Lake, op. 20: Act 3. No. 29. Scène finale (Andante), Swan Lake, op. 20: Act 3. Pas de deux, Swan Lake, op. 20: Introduction |
| Thomas Buffum |
producer |
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend —, Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend —, Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt —, Tragic Overture, op. 81 |
| Julian Woods |
producer |
Concerto in D major for strings: I. Vivace, Concerto in D major for strings: II. Arioso, Concerto in D major for strings: III. Rondo, Concerto in E flat major (Dumbarton Oaks): I. Tempo giusto, Concerto in E flat major (Dumbarton Oaks): II. Allegretto, Concerto in E flat major (Dumbarton Oaks): III. Con moto, Danses concertantes: I. I. Marche: Introduction, Danses concertantes: II. Pas d'action, Danses concertantes: III. Thème varié, Danses concertantes: IV. Pas de deux, Danses concertantes: V. Marche: Conclusion |
| Storstrøms Kammerensemble |
producer |
Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro, Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo, Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace, Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto -, Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace, Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso, Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo, Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace, Symphony no. 2 in C major, op. 61: III. Adagio espressivo, Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace |
| Gabriela Herrera |
producer |
Violin Sonata no. 1 in G major, op. 78: I. Vivace ma non troppo, Violin Sonata no. 1 in G major, op. 78: II. Adagio, Violin Sonata no. 1 in G major, op. 78: III. Allegro molto moderato, Violin Sonata no. 2 in A major, op. 100: I. Allegro amabile, Violin Sonata no. 2 in A major, op. 100: II. Andante tranquillo - Vivace, Violin Sonata no. 2 in A major, op. 100: III. Allegretto grazioso (quasi andante), Violin Sonata no. 3 in D minor, op. 108: I. Allegro, Violin Sonata no. 3 in D minor, op. 108: II. Adagio, Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento, Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato |
| Police Truck |
producer |
Symphony no. 3 in F major, op. 90: I. Allegro con brio, Symphony no. 3 in F major, op. 90: II. Andante, Symphony no. 3 in F major, op. 90: III. Poco allegretto, Symphony no. 3 in F major, op. 90: IV. Allegro, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Variations on a Theme of Haydn (St. Antoni Chorale), op. 56a |
| Rob Lewis |
producer |
Symphony no. 1 in A-flat major, op. 55: I. Andante, nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso |
| 高橋兄弟 |
producer |
La fille mal gardée Act 1: 1. Intro II Dance III Lise and the Ribbon Lise, La fille mal gardée Act 1: 10. Thomas and Alain, La fille mal gardée Act 1: 12. Picnic - XV The Fanny Ellsler Pas-de-Deux, La fille mal gardée Act 1: 16. Simone - XIX Storm and Finale, La fille mal gardée Act 2: 22. Spinning - XXIV Harvesters, La fille mal gardée Act 2: 27. Thomas, Alain and the Notaries, La fille mal gardée Act 2: 28. Pas-de-Deux - 30 Finale |
| Игорь Фёдорович Стравинский |
producer |
Le Chant du rossignol: I. Presto, Le Chant du rossignol: II. Marche chinoise, Le Chant du rossignol: III. Jeu du rossignol mécanique, Pétrouchka: Tableau I. Fête populaire de la Semaine grasse, Pétrouchka: Tableau II. Chez Pétrouchka, Pétrouchka: Tableau III. Chez le Maure, Pétrouchka: Tableau IV. Fête populaire de la Semaine grasse (vers le soir) |
| Kevin Tandu |
producer |
Dance Suite, Sz. 77: I. Moderato, Dance Suite, Sz. 77: II. Allegro molto, Dance Suite, Sz. 77: III. Allegro vivace, Dance Suite, Sz. 77: IV. Molto tranquillo, Dance Suite, Sz. 77: V. Comodo, Dance Suite, Sz. 77: VI. Finale: Allegro |
| TWINKIDS |
producer |
Piano Concerto no. 23 in A major, K. 488: I. Allegro, Piano Concerto no. 23 in A major, K. 488: II. Adagio, Piano Concerto no. 23 in A major, K. 488: III. Allegro assai, Piano Concerto no. 24 in C minor, K. 491: I .Allegro, Piano Concerto no. 24 in C minor, K. 491: II. Larghetto, Piano Concerto no. 24 in C minor, K. 491: III. Allegretto |
| Liza Boldyreva |
producer |
Prometheus Overture, op. 43, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio |
| John Dowland |
producer |
Dowlands Adew, Fantasie, Gallard. Can She Excuse, Lachrimae Pavin, Tarletons Resurrection |
| Zoltán Kodály |
producer |
Dances Of Galanta: 1. Lento maestoso, Dances Of Galanta: 2. Allegretto moderato, Dances Of Galanta: 3. Allegro con moto, grazioso, Dances Of Galanta: 4. Allegro, Dances Of Galanta: 5. Allegro vivace |
| Paper Doll Scissor Fight |
producer |
Il barbiere di Siviglia: Overture (Sinfonia), La gazza ladra: Overture, La scala di seta: Overture, Semiramide: Overture, William Tell: Overture |
| Johannes Brahms |
producer |
Symphony no. 2 In D Major, op. 73: I. Allegro non troppo, Symphony no. 2 In D Major, op. 73: II. Adagio non troppo — l'istesso tempo, ma grazioso, Symphony no. 2 In D Major, op. 73: III. Allegro grazioso — Presto ma non assai, Symphony no. 2 In D Major, op. 73: IV. Allegro con spirito |
| Laura Aqui |
producer |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso, Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (excerpt), Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice, Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco |
| Zeb Hannah |
producer |
Symphony no. 9 in C, D. 944 "The Great": 1. Andante - Allegro ma non troppo, Symphony no. 9 in C, D. 944 "The Great": 2. Andante con moto, Symphony no. 9 in C, D. 944 "The Great": 3. Scherzo (Allegro vivace), Symphony no. 9 in C, D. 944 "The Great": 4. Allegro vivace |
| Bernd Seuffert |
producer |
Aida: Act I, Scene I. "Se quel guerrier io fossi!" (Radamès), Aida: Act III. "Pur ti riveggo, mia dolce Aida..." (Radamès), Aida: Act IV, Scene II. "La fatal pietra sovra me si chiuse" (Radamès), Aida: Act IV, Scene II. "Presago il core della tua condanna" (Aida) |
| Thomas Morley |
producer |
Fantasie. Lan Rondinella, Joyne Hands, O Mistresse Mine, The Frog Galliard |
| Steven Van Havere |
producer |
Swan Lake: Dance of the Little Swans° (Act 2: from No. 13), Swan Lake: Pas d'action - Tempo di valse, Swan Lake: Scène (Act 2: No. 10), Swan Lake: Scène finale (Act 4: from No. 29) |
| Goblin Hovel |
producer |
Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto, Symphony no. 40 in G minor, K. 550: IV. Allegro assai |
| Acacia |
producer |
Horn Concerto no. 2 in E-flat major, K. 417: II. Andante, Horn Concerto no. 3 in E-flat major, K. 447: II. Romance: Larghetto, Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso, Horn Concerto no. 4 in E-flat major, K. 495: II. Romance: Andante cantabile |
| The Deep North |
producer |
Two Serenades, op. 69a: I. Andante assai, Two Serenades, op. 69b: II. Lento assai, Two Serious Melodies, op. 77a: I. "Cantique, Laetare anima mea", Two Serious Melodies, op. 77b: II. "Devotion, Ab imo pectore" |
| Coconut Mushroom |
producer |
Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto |
| Richard Strauss |
producer |
Horn Concerto no. 1 in E-flat major, op. 11: I. Allegro, Horn Concerto no. 1 in E-flat major, op. 11: II. Andante, Horn Concerto no. 1 in E-flat major, op. 11: III. Allegro |
| Hinako Omori |
producer |
Aida: "Ritorna vincitor!", I Masnadieri: "Dall' infame banchetto ... Tu del mio Carlo", I vespri siciliani: Bolero "Mercè, dilette amiche" |
| [anonymous] |
producer |
Deck the Hall, The Twelve Days of Christmas, What Child Is This |
| Julian Corales |
producer |
La Ronde des Lutins, Scherzo fantastique, op. 25, Le Vent, Scherzo-Tarantelle, op. 16 |
| Mantilla |
producer |
Carmen-Fantasie, op. 25, Havanaise, op. 83, Introduction and Rondo capriccioso, op. 28 |
| Melos Ensemble |
producer |
Sonata for Flute, Viola & Harp, L. 137: I. Pastorale, Sonata for Flute, Viola & Harp, L. 137: II. Interlude, Sonata for Flute, Viola & Harp, L. 137: III. Finale |
| Charlie Darling |
producer |
Clarinet Concerto in A major, K. 622: I. Allegro, Clarinet Concerto in A major, K. 622: II. Adagio, Clarinet Concerto in A major, K. 622: III. Rondo. Allegro |
| Franz Strauss |
producer |
Horn Concerto in C minor, op. 8: I. Allegro molto, Horn Concerto in C minor, op. 8: II. Andante, Horn Concerto in C minor, op. 8: III. Allegro molto |
| William Byrd |
producer |
Mounsiers Almaine, My Lord of Oxenfords Maske, Pavin |
| Noah Geller |
producer |
Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro, Symphonie espagnole: Scherzando: Allegro molto |
| Frank Hyde |
producer |
Háry János Suite: Intermezzo, Háry János Suite: Song |
| Trim Tabs |
producer |
La bohème: Act 3. "Marcello. Finalmente!", La bohème: Act 3. "Mimì è tanto malata!" |
| Richard Alison |
producer |
De La Tomba Pavin, The Bacthelars Delight |
| IAmFire |
producer |
Variations and Fugue on a Theme by Handel, op. 24, Variations on a Theme by Haydn, op. 56a |
| Preston Callahan |
producer |
Overture "Preciosa", op. 78, Overture Genoveva, op. 81 |
| Stand Alones |
producer |
Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso, Prelude and Fugue for 18-part String Orchestra, op. 29 |
| MoFizzay |
producer |
Daphnis et Chloé: Part 1 / Part 2 / Part 3, Trois Nocturnes: III. Sirènes |
| [unknown] |
producer |
Kemps Jig, La Rosignoll |
| Andy Hellaby |
producer |
Schelomo, Voice in the Wilderness |
| Maurice Larcanche |
producer |
La bohème: Act 1. "Io resto", La bohème: Act 1. "Legna!" |
| Song and Dance Ensemble of the Carpathian Foothills |
producer |
La bohème: Act 1. "Chi è là?", La bohème: Act 1. "Si sente meglio?" |
| Hernardo Alfonso |
producer |
La bohème: Act 4. "In un coupé?" |
| Esther Valles |
producer |
Faust: Act 3: Quel trouble inconnu... Salut! Demeure chaste et pure |
| Nihilum |
producer |
Ave Maria "Ellens Gesang III", D. 839 |
| FDC |
producer |
Otello: "Era più calmo?... Piangea cantando ... Ave Maria" |
| Ilana Schapira-Marinescu |
producer |
La bohème: Act 3. :"Dunque: è proprio finita!...Addio, dolce svegliare" |
| Peter Philips |
producer |
Phillips Pavin |
| Felix Mendelssohn |
producer |
Hark! The Herald Angels Sing |
| Finding Core |
producer |
La bohème: Act 2. "Chi l'ha richiesto?...Caro! - Fuori il danaro!" |
| R.J. McEwan & Committed Praise |
producer |
Concerto for Flute and Orchestra: II. Andante |
| Rawls Royce |
producer |
Háry János Suite, Singspiel in 5 Scenes, op. 15: Szegény vagyok |
| Regurgitated Discharge |
producer |
Aida: Act IV, Scene II. "O terra, addio; addio valle di pianti" (Aida, poi con Radamès) |
| Finger of Knowledge |
producer |
La bohème: Act 3. "Donde lieta uscì" |
| John Findlay |
producer |
La bohème: Act 3. "Sa dirmi, scusi" |
| Richard Storrs Willis |
producer |
It Came Upon a Midnight Clear |
| John Francis Wade |
producer |
Adeste Fideles |
| Frank Auburn Orchestra |
producer |
Autumnal, op. 8 |
| Robert Johnson |
producer |
The Flatt Pavin |
| SUÐ |
producer |
La bohème: Act 1. "O soave fanciulla" |
| Scottish Festival Orchestra |
producer |
La bohème: Act 4. "O Mimì, tu più non torni" (Duetto) - "Che ora sia" |
| Ben Hirst |
producer |
La bohème: Act 1. "Pensier profondo" |
| Space Guerrilla |
producer |
La bohème: Act 2. "Quando m'en vo'" (Musetta's Waltz) |
| KLASSIC DA DON |
producer |
La bohème: Act 3. "Ohè, là, le guardie!" - "Aprite!" |
| Franz Schubert |
producer |
Ave Maria |
| 유이 |
producer |
La bohème: Act 2. "Chi guardi?" - "Ecco i giocattoli di Parpignol" |
| Collective Dialect |
producer |
La bohème: Act 2. "Arranci, datteri!" |
| Taavi Tuisk |
producer |
Largo From 'the New World' Symphony No. 9 |
| Lefteris Loukissas |
producer |
La bohème: Act 2. "Viva Parpignol..." - "Una cuffietta a pizzi" |
| George Frideric Handel |
producer |
Joy to the World |
| Loco Ironico |
producer |
La bohème: Act 2. "Oh!...Essa!...Musetta!" |
| Thomas Campion |
producer |
It Fell on a Summers Day |
| Luigi Cherubini |
producer |
Anacréon - Ouvertüre |
| Tony Kent |
producer |
La bohème: Act I. “Questo mar rosso” |
| Trevor Morrison |
producer |
La bohème: Act 3. "Mimì!" - "Rodolfo m'ama e mi fugge" |
| Casper Allen |
producer |
La bohème: Act 4. "Che avvien?...Che ha detto il medico?" |
| Tubalaté |
producer |
Lincoln Portrait |
| UMZE Chamber Ensemble |
producer |
Faust: Act 2: No.7 Ronde du veau d'or: "Le veau d'or" |
| Viciouskratch |
producer |
Introduction & Allegro |
| Victor Pasowisty and His Band |
producer |
La bohème: Act 3. "Mimì è una civetta" |
| Martha Schuster |
producer |
La bohème: Act 1. "Si può" - "Chi è là?" |
| Matt Woods |
producer |
La bohème: Act 4. "Gavotta" |
| Cyanide |
producer |
La bohème: Act 1. "Che gelida manina" |
| Maurice Ravel |
producer |
Bolero |
| Adolphe Adam |
producer |
O Holy Night |
| Deats Ad Design |
producer |
Violin Concerto in D major, op. 35: II. Canzonetta. Andante |
| Helzgloriam |
producer |
La bohème: Act 4. "Vecchia zimarra, senti" |
| Michael Hanke |
producer |
La bohème: Act 4. "C'è Mimì..." |
| Michael Lesousky |
producer |
La bohème: Act 4. "Sono andati" |
| 귓방망이 |
producer |
La bohème: Act 1. "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" |
| Max Reger |
producer |
The Virgin's Slumber Song |