Musical Bacon: Emma Kirkby (soprano)

Artist name	Roles	Recordings
Second to Sun	vocal	"Crown The Altar, Deck The Shrine", "Olinda In The Shades Unseen", Z.404, "Sweeter Than Roses", Z.585, "The Cares Of Lovers", "Urge Me No More", Z.426, "When First Amintas Sued For A Kiss", Z.430, "Ye Gentle Spirits Of The Air", All ye whom love or fortune hath betrayed (First Book of Songs), part song for 4 voices & lute, Amanti io vo se dire, Amico, hai vint'io, As I Walked Forth, Awake sweet love, thou art returned, part song for 4 voices & lute (First Book of Songs), Behold a wonder here, for voice, lute & bass viol (Third Book of Songs), Birthday Song for Queen Mary: Crown the Altar, Can she excuse my wrongs?, madrigal for 4 voices & lute (First Book of Songs), Come All Ye, Come Let Us Sound, Dear, if you change, I'll never choose again, song for 4 voices & lute (First Book of Songs), Diana, Die not before thy day, for 2 voices & lute (Second Book of Songs), Farewell, Dear Love, Farewell, too fair, for voice, lute & bass viol (Third Book of Songs), Fly from the World, Go to bed, sweet muse, Happy he (from Ultimum Vale), I Saw My Ladye Weepe, I Saw My Ladye Weeping, If in This Flesh, In This Trembling Shadow, Ite caldi sospiri (from "A Musical Dreame"), Lamento d'Olimpia, Lie Down, Poor Heart, Like as the Lute Delights, Love Is a Bable, Love Wing'd My Hopes, Love's god is a boy, Maddalena alla Croce: sonetto spirituale, Maladetto sia l'aspetto, Me, me, and none but me, song for 4 voices & lute (Third Book of Songs), Might I redeem mine errors, for voice & lute, Mourn, mourn, day is with darkness fled, for 2 voices & lute (Second Book of Songs), Mr Dowland's Midnight, almain for lute, P 99, Mrs Winters Jump, dance for lute, P 55, Musick Deare Sollace, Now What Is Love, Now cease, my wand'ring eyes, for 4 voices & lute (Second Book of Songs), O Thred of life (from A Musicall Dreame), Ohime ch'oi cado, Piangono al pianger mio, Quel sguardo sdegnosetto, Rest Sweest Nimphs, Second Booke of Songs or Ayres, Nr. 10: "O sweet woods", Semper Dowland semper dolens, pavan for lute, P 9, Sfere fermate, Shall I strive with words to move, song for 4 voices & lute (A Pilgrimes Solace), Sorrow, stay, lend true repentant tears, song for 2 voices & lute (Second Book of Songs), Stay, Time, awhile thy flying, song for 4 voices & lute (A Pilgrimes Solace), Sweete Birdes Deprive Us Never, The Earl of Derby's Galliard, for lute, P 44, The lowest trees have tops, song for 4 voices & lute (Third Book of Songs), Thou mighty God, sacred song (A Pilgrimes Solace), Torna il sereno zefiro, Voglio di vita uscir, What If I Seek for Love of Thee?, When I sit reading (from A Musicall Dreame), When love on time (from The First Booke of Songes), When to Her Lute, When wil the fountain (from Ultimum Vale), Where Grypinge Griefs, Woeful heart with grief oppressed, for 4 voices & lute (Second Book of Songs)
Kullervo Kojo	vocal	Cantata BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativ: "Schweigt stille, plaudert nicht", Arie: "Hat man nicht mit seinen Kindern", Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße", Cantata BWV 211 "Schweigt stille, plaudert nicht": III. Arie: "Mädchen, die von harten Sinnen", Cantata BWV 211 "Schweigt stille, plaudert nicht": IV. Arie: "Heute noch", Cantata BWV 211 "Schweigt stille, plaudert nicht": V. Terzett: "Die Katze läßt das Mausen nicht", Cantata BWV 212 "Mer hahn en neue Oberkeet": II. Arie: "Mer hahn en neue Oberkeet", Cantata BWV 212 "Mer hahn en neue Oberkeet": III. Duett: "Ach, es schmeckt doch gar zu gut", Cantata BWV 212 "Mer hahn en neue Oberkeet": IV. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm", Cantata BWV 212 "Mer hahn en neue Oberkeet": IX. Arie: "Klein-Zschocher müsse", Cantata BWV 212 "Mer hahn en neue Oberkeet": V. Arie: "Unser trefflicher lieber Kammerherr", Cantata BWV 212 "Mer hahn en neue Oberkeet": VI. Arie: "Das ist galant", Cantata BWV 212 "Mer hahn en neue Oberkeet": VII. Arie: "Fünfzig Taler bares Geld", Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten", Cantata BWV 212 "Mer hahn en neue Oberkeet": XI. Arie: "Gib, Schöne", Cantata BWV 212 "Mer hahn en neue Oberkeet": XII. Arie: "Dein Wachstum sei feste", Cantata BWV 212 "Mer hahn en neue Oberkeet": XIII. Arie: "Und daß ihr's alle wißt", Cantata BWV 212 "Mer hahn en neue Oberkeet": XIV. Duett: "Wir gehn' nun, wo der Tudelsack", Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo "Schweigt stille, plaudert nicht" (Erzähler), Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria "Ei, wie schmeckt der Coffee süße" (Liesgen), Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld", Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse", The Creation, Part II, Scene I. Aria "On mighty pens uplifted soars the eagle aloft" (Gabriel), The Creation: Part I, Scene II. "The marv'lous work beholds amazed" (Gabriel, Chorus), The Creation: Part I, Scene III. Aria "With verdure clad the fields appear" (Gabriel), The Creation: Part I, Scene III. Recitative "And God said: Let the earth bring forth grass" (Gabriel), The Creation: Part I, Scene IV. "The heavens are telling the Glory of God" (Chorus, Gabriel, Uriel, Raphael), The Creation: Part II, Scene I. "Most beautiful appear" (Gabriel, Uriel, Raphael, Chorus), The Creation: Part II, Scene I. Recitative "And God said: Let the waters bring forth" (Gabriel), The Creation: Part II, Scene II. Chorus and trio "Achieved is the glorious work", The Creation: Part III, Final Scene. Chorus "Sing the Lord ye voices all!", The Creation: Part III, Scene II. "By Thee with bliss, o bounteous Lord" (Adam, Eve, Chorus), The Creation: Part III, Scene III. Duet "Graceful consort! At thy side" (Adam, Eve), The Creation: Part III, Scene III. Recitative "Our duty we performed now" (Adam, Eve)
Marc Munz	vocal	A Fantasie, A New Ground, A New Scotch Tune, A Shepherd in a Shade, Away With These Self-Loving Lads, By a Fountain Where I Lay, Come, Heavy Sleep, Disdain Me Still, Echo Dance of the Furies, Fly Swift, Ye Hours, From Silent Shades or Bess of Bedlam, Hornpipe, If That a Sinner’s Sighs, In Darkness Let Me Dwell, Lachrimæ, Lend Your Ears to My Sorrow, Lilliburlero. A New Irish Tune, Music for a While, Oh Lead Me to Some Peaceful Gloom, Ritornello ‘The Grove’, She Loves and She Confesses Too, The Earl of Essex, His Galliard, They Tell Us That You Mighty Powers Above, Toss Not My Soul, Trumpet Tune Called the Cibell, What a Sad Fate Is Mine
U.V.U.K.	vocal	Cœlestis dum spirat aura: "Alleluja", Cœlestis dum spirat aura: "Felix dies, præclara, serena", Cœlestis dum spirat aura: "Tam patrono singulari", Cœlestis dum spirat aura: Recitativo "Cœlestis dum spirat aura", Cœlestis dum spirat aura: Recitativo "Vestro, religiosi principes", Laudate pueri: "A solis ortu usque ad occasum", Laudate pueri: "Excelsus super omnes gentes Dominus", Laudate pueri: "Gloria Patri et Filio et Spiritui Sancto", Laudate pueri: "Laudate pueri Dominum", Laudate pueri: "Qui habitare facit", Laudate pueri: "Quis sicut Dominus", Laudate pueri: "Sit nomen Domini benedictum", Laudate pueri: "Ut collocet eum cum principibus", O qualis de cœlo sonus: "Ad plausus ad jubila", O qualis de cœlo sonus: "Alleluja", O qualis de cœlo sonus: "Gaude, tellus benigna", O qualis de cœlo sonus: Recitativo "Eja ergo, mortalis", O qualis de cœlo sonus: Recitativo "O qualis de cœlo sonus", Salve Regina: Adagissimo "O clemens, o pia", Salve Regina: Allegro "Eja ergo advocata nostra", Salve Regina: Largo - Adagio "Salve Regina"
Claudio Monteverdi	vocal	Lamento d'Arianna a voce sola, Messa a quattro voce et salmi: Confitebor tibi Domine, SV 194, Messa a quattro voce et salmi: Nisi Dominus aedificaverit domum, SV 200, Pianto della Madonna a voce sola, Selva morale e spirituale: Confitebor tibi Domine [II], SV 266, Selva morale e spirituale: Confitebor tibi Domine, SV 267, Selva morale e spirituale: Deus tuorum militum, SV 280, Selva morale e spirituale: Magnificat a 8, Et exsultavit, Selva morale e spirituale: Magnificat a 8, Et misericordia, Selva morale e spirituale: Magnificat a 8, Fecit potentiam... Deposuit... Esurientes, Selva morale e spirituale: Magnificat a 8, Gloria Patri, Selva morale e spirituale: Magnificat a 8, Magnificat, Selva morale e spirituale: Magnificat a 8, Quia fecit, Selva morale e spirituale: Magnificat a 8, Quia respexit, Selva morale e spirituale: Magnificat a 8, Sicut erat, Selva morale e spirituale: Magnificat a 8, Suscepit Israel... Sicut locutus, Selva morale e spirituale: Motet, Jubilet totas civitas: solo "in Dialogo", Selva morale e spirituale: Psalmus 109, Dixit Dominus (secondo) a 8, Vespro della Beata Vergine (1610): Concerto, Audi coelum, Vespro della Beata Vergine (1610): Concerto, Pulchra es
Bobby Champs	vocal	Cantata "Aus der Tiefe rufe ich, Herr, zu dir", BWV 131: II. Herr, höre meine Stimme, Cantata "Aus der Tiefe rufe ich, Herr, zu dir", BWV 131: IV. Ich harre des Herrn, Cantata "Aus der Tiefe rufe ich, Herr, zu dir", BWV 131: VI. Israel, hoffe auf den Herrn, Cantata "Christ lag in Todesbanden", BWV 4: II. Christ lag in Todesbanden, Cantata "Christ lag in Todesbanden", BWV 4: III. Den Tod niemand zwingen kunnt, Cantata "Christ lag in Todesbanden", BWV 4: V. Es war ein wunderlicher Krieg, Cantata "Christ lag in Todesbanden", BWV 4: VII. So feiern wir das hohe Fest, Cantata "Christ lag in Todesbanden", BWV 4: VIII. Wir essen und leben wohl, Cantata "Der Herr denket an uns", BWV 196: II. Der Herr denketan uns und segnet uns, Cantata "Der Herr denket an uns", BWV 196: III. Er segnet, die den Herr fürchten, Cantata "Der Herr denket an uns", BWV 196: V. Ihr seid die Gesegneten des Herrn, Cantata "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. Gottes Zeit ist die allerbeste Zeit, Cantata "Gottes Zeit ist die allerbeste Zeit", BWV 106: V. Es ist der alte Bund, Cantata "Gottes Zeit ist die allerbeste Zeit", BWV 106: VIII. Glorie, Lob, Ehr und Herrlichkeit
William Herbert Brewster	vocal	Das zitternde Glänzen der spielenden Wellen, HWV 203, Die ihr aus dunklen Grüften, HWV 208, Flammende Rose, Zierde der Erden, HWV 210, In den angenehmen Büschenm HWV 209, Künft'ger Zeite eitler Kummer, HWV 202, Meine Seele hört in Sehen, HWV 207, Singe, Seele, Gott zum Preise, HWV 206, Süße Stille, sanfte Quelle, HWV 205, Süßer Blumen Ambraflocken, HWV 204, Violinsonate F-dur, II Allegro, HWV 370, Violinsonate, III Largo, HWV 370, Violinsonate, IV Allegro, HWV 370, Violoinsonate F-dur, I Adagio, HWV 370
Giovanni Battista Pergolesi	vocal	Stabat Mater: I. Stabat Mater, Stabat Mater: II. Cujus animam gementem, Stabat Mater: III. O quam tristis et afflicta, Stabat Mater: IV. Quae moerebat et dolebat, Stabat Mater: IX. Sancta mater, Stabat Mater: V. Quis est homo, Stabat Mater: VI. Vidit suum dulcem Natum, Stabat Mater: VII. Eja, Mater, Stabat Mater: VIII. Fac ut ardeat cor meum, Stabat Mater: X. Fac ut portem, Stabat Mater: XI. Inflammatus et accencus, Stabat Mater: XII. Quando corpus
Antonio Vivaldi	vocal	Magnificat, RV610: I. Chorus: Magnificat anima mea Dominum, Magnificat, RV610: II. Trio and Chorus: Et exultavit spiritus meus, Magnificat, RV610: III. Chorus: Et misericordia, Magnificat, RV610: IV. Chorus: Fecit potentiam, Magnificat, RV610: IX. Chorus: Gloria Patri, Magnificat, RV610: V. Chorus: Deposuit potentes, Magnificat, RV610: VI. Duet: Esurientes implevit bonis, Magnificat, RV610: VII. Chorus: Suscepit Israel, Magnificat, RV610: VIII. Trio: Sicut locutus est, Nulla in Mundo Pax Sincera (feat. soprano: Emma Kirkby)
Donora	vocal	Cantate Domino, Chiome d'oro, Io son pur vezzosetta, Iste confessor, Non è di gentil core, O Bone Jesu, O come sei gentile, Ohimè dovè il mio ben, Sancta Maria, Venite, venite
Henry Purcell	vocal	Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”, Dido and Aeneas: Act I. “Fear no danger” / Dance, Dido and Aeneas: Act I. “Pursue thy conquest, Love”, Dido and Aeneas: Act I. “See, your royal guest appears”, Dido and Aeneas: Act I. “Shake the cloud from off your brow”, Dido and Aeneas: Act I. “Whence could so much virtue spring?”, Dido and Aeneas: Act II. Ritornelle / “Thanks to these lonesome vales”, Dido and Aeneas: Act II. “Haste, haste to town”, Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”
Raphael Sas	vocal	Judas Maccabaeus: Act I. Air "Come, ever-smiling liberty" (Israelitish Woman), Judas Maccabaeus: Act I. Air "O liberty, thou choicest treasure" (Israelitish Woman), Judas Maccabaeus: Act I. Recitative "To heav'n's almighty King" (Israelitish Woman), Judas Maccabaeus: Act II. Air "From mighty kings he took" (Israelitish Woman), Judas Maccabaeus: Act II. Air "Wise men, flatt'ring, may deceive" (Israelitish Woman), Judas Maccabaeus: Act II. Recitative "Oh, let eternal honours crown" (Israelitish Woman), Judas Maccabaeus: Act III. Air "O lovely peace" (Israelitish Woman), Judas Maccabaeus: Act III. Air "So shall the lute and harp awake" (Israelitish Woman), Judas Maccabaeus: Act III. Recitative "Again to earth let gratitude" (Israelitish Woman)
Paul Loren	vocal	In turbato mare irato, RV 627: I. Aria "In turbato mare irato", In turbato mare irato, RV 627: II. Recitative "Splende serena", In turbato mare irato, RV 627: III. Aria "Resplende, bella divina stella", In turbato mare irato, RV 627: IV. Alleluia, Lungi dal vago volto, RV 680: I. Recitative "Lungi dal vago volto", Lungi dal vago volto, RV 680: II. Aria "Augelletti, voi col canto", Lungi dal vago volto, RV 680: III. Recitative "Allegrezza, mio core", Lungi dal vago volto, RV 680: IV. Aria "Mi stringerai sì"
Deams	vocal	Laudate pueri Dominum, HWV237: I. Soprano and Chorus: Laudate pueri Dominum, Laudate pueri Dominum, HWV237: II. Aria: Sit nomen Domini, Laudate pueri Dominum, HWV237: III. Soprano and Chorus: A solis ortu usque ad occasum, Laudate pueri Dominum, HWV237: IV. Soprano: Excelsus super omnes gentes Dominus, Laudate pueri Dominum, HWV237: V. Chorus: Quis sicut Dominus Deus noster, Laudate pueri Dominum, HWV237: VI: Aria: Suscitans a terra inopem, Laudate pueri Dominum, HWV237: VII. Aria: Qui habitare facit sterilem in domo, Laudate pueri Dominum, HWV237: VIII. Chorus: Gloria
Outpatient	vocal	Orlando: Act One VIII. "Quanto diletto avea…Io non so" (Dorinda), Orlando: Act One X. "Ho un certo rossore" (Dorinda), Orlando: Act One XVI. "Povera me!…O care parolette" (Dorinda), Orlando: Act Three IV. "Più obbligata gli sono" (Dorinda), Orlando: Act Three IX. "S'è corrisposto un core…Amor è qual vento" (Dorinda), Orlando: Act Two I. "Quando spieghi i tuoi tormenti" (Dorinda), Orlando: Act Two III. "Se mi rivolgo al prato" (Dorinda)
Scott Steinman	vocal	Cantata, BWV 208 "Was mir behagt": Aria (Diana) "Jagen ist die Lust der Götter", Cantata, BWV 208 "Was mir behagt": Coro "Ihr lieblichste Blicke!", Cantata, BWV 208 "Was mir behagt": Coro "Lebe, Sonne dieser Erden", Cantata, BWV 208 "Was mir behagt": Duetto (Diana and Endymion) "Entzücket uns beide", Cantata, BWV 208 "Was mir behagt": Recitativo (Diana and Endymion) "Ich liebe dich zwar noch!", Cantata, BWV 208 "Was mir behagt": Recitativo (Diana) "So stimmt mit ein", Cantata, BWV 208 "Was mir behagt": Recitativo (Diana) "Was mir behagt"
Greenthief	vocal	Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz", Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt", Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken", Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht", Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht", Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben", Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
John Rizzo	vocal	Gloria: III. Laudamus te, Gloria: IV. Gratias agimus tibi, Gloria: V. Domine Deus, Gloria: VI. Qui tollis, Gloria: VII. Quoniam tu solus sanctus, Gloria: VIII. Cum Sancto Spiritu
Greta Owens	vocal	Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott", Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an", Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte", Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren", Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. Aria "Alleluja"
Alexander Moszkowski	vocal	Judas Maccabaeus: Act I. Duet "Come, ever-smiling liberty" (Israelitish Man, Israelitish Woman), Judas Maccabaeus: Act I. Duet "From this dread scene" (Israelitish Man, Israelitish Woman), Judas Maccabaeus: Act I. Recitative "Well, may your sorrows" (Israelitish Man, Israelitish Woman), Judas Maccabaeus: Act II. Recitative "Ye worshippers of God" (Israelitish Man, Israelitish Woman), Judas Maccabaeus: Act III. Recitative "See, see yon flames" (Israelitish Man, Israelitish Woman)
Adam Massey	vocal	Jauchzet Gott in allen Landen, Cantata BWV51: II. Recitativo: Wir beten zu dem Tempel an, Jauchzet Gott in allen Landen, Cantata BWV51: III. Aria: Hochster, mache deine Güte, Jauchzet Gott in allen Landen, Cantata BWV51: IV. Chorale: Sei Lob und Preis mit Ehren, Jauchzet Gott in allen Landen, Cantata BWV51: V. [Aria]: Alleluja!
Kate Myers	vocal	Messiah: Part I: Rejoice Greatly, O Daughter of Zion, Messiah: Part II: How Beautiful Are the Feet, Messiah: Part III: I Know That My Redeemer Liveth
William Hall Sherwood	vocal	Judas Maccabaeus: Act II. Duet and Chorus "Hail, hail Judea" (Israelitish Man, Israelitish Woman, Chorus), Judas Maccabaeus: Act II. Duet and Chorus "Oh! Never" (Israelitish Man, Israelitish Woman, Chorus), Judas Maccabaeus: Act II. Duet and Chorus "Sion now" (Israelitish Man, Israelitish Woman, Chorus)
John Danyel	vocal	Dost Thou Withdraw Thy Grace?, He Whose Desires Are Still Abroad, Why Canst Thou Not, as Others Do?
John Dowland	vocal	Go Crystal Tears, Shall I Strive With Words to Move?, Shall I Sue, Shall I Seek for Grace?
ワタナベハジメ	vocal	Messe in h-Moll, BWV 232: IIIc. Symbolum nicenum: Duetto (Soprano I, Alto) "Et in unum Dominum", Messe in h-Moll, BWV 232: IIe. Gloria: Duetto (Soprano I, Tenore) "Domine Deus", Messe in h-Moll, BWV 232: Ib. Kyrie: Duetto (Soprano I, Soprano II) "Christe eleison"
Hildegard von Bingen	vocal	Columba aspexit, O Ierusalem
Liz Flyntz	vocal	Hope and Love, Tis Only No Harm to Know It, You Know
Sigismondo d'India	vocal	Da l'onde del mio pianto, Quella vermiglia rosa
Thomas Morley	vocal	Come Sorrow, Come, Thirsis and Milla
Tobias Hume	vocal	A Mery Conceit, Cease leaden slumber
Антон Гореликов	vocal	Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria (Soprano) "Weichet nur, betrübte Schatten", Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Aria (Soprano) "Sehet in Zufriedenheit"
Caroline Ladd	vocal	Orlando: Act One XXII. "Consolati o bella" (Angelica, Medoro, Dorinda)
Georg Schimmelpfennig	vocal	Dolce tempo passato
Georg August Lumbye	vocal	Messiah, HWV 56: Part III. "If God be for us"
Pierre Guédron	vocal	Cessez, mortels, de soupirer
Francesco Antonio Costa	vocal	Pianto d'Arianna a voce sola
Robert Johnson	vocal	Full Fathom Five Thy Father Lies
Damrongchaitham	vocal	Kantate "Jauchzet Gott In Allen Landen", BWV 51 / Arie: Jauchzet Gott
Jürgen Busse	vocal	Orlando: Act One XXI. "O Angelica, o Medoro" (Dorinda, Angelica, Medoro)
Sehnsucht	vocal	Orlando: Act Three XVIII. "Ah! Che fate signore?" (Dorinda, Zoroastro) - Sinfonia
Heinrich Schütz	vocal	Eile mich, Gott, zu erretten
The ???????? ?????? Drumline	vocal	Messiah: Part I: He Shall Feed His Flock Like a Shepherd
The Jacobean Consort of Viols	vocal	Judas Maccabaeus: Act II. Air and Chorus "Ah! wretched Israel!" (Israelitish Woman, Chorus)
Jean-Baptiste Boësset	vocal	Que Philis a l'esprit léger
George Frideric Handel	vocal	Laudate pueri Dominum HWV237 (first movement)
Bims de Bams	vocal	Balade: Un chant novel
Antonio Il Verso	vocal	Lasciatemi morire a 5
Ali Güçlü Şimşek	vocal	Dansa: Donna pos vos ay chausida
William Jackson	vocal	Time Has Not Thinn'd My Flowering Hair
Étienne Moulinié	vocal	Paisible et ténébreuse nuit
Os Quais	vocal	Matthäus-Passion BWV 244
Joseph Haydn	vocal	O Tuneful Voice

"Crown The Altar, Deck The Shrine", "Olinda In The Shades Unseen", Z.404, "Sweeter Than Roses", Z.585, "The Cares Of Lovers", "Urge Me No More", Z.426, "When First Amintas Sued For A Kiss", Z.430, "Ye Gentle Spirits Of The Air", All ye whom love or fortune hath betrayed (First Book of Songs), part song for 4 voices & lute, Amanti io vo se dire, Amico, hai vint'io, As I Walked Forth, Awake sweet love, thou art returned, part song for 4 voices & lute (First Book of Songs), Behold a wonder here, for voice, lute & bass viol (Third Book of Songs), Birthday Song for Queen Mary: Crown the Altar, Can she excuse my wrongs?, madrigal for 4 voices & lute (First Book of Songs), Come All Ye, Come Let Us Sound, Dear, if you change, I'll never choose again, song for 4 voices & lute (First Book of Songs), Diana, Die not before thy day, for 2 voices & lute (Second Book of Songs), Farewell, Dear Love, Farewell, too fair, for voice, lute & bass viol (Third Book of Songs), Fly from the World, Go to bed, sweet muse, Happy he (from Ultimum Vale), I Saw My Ladye Weepe, I Saw My Ladye Weeping, If in This Flesh, In This Trembling Shadow, Ite caldi sospiri (from "A Musical Dreame"), Lamento d'Olimpia, Lie Down, Poor Heart, Like as the Lute Delights, Love Is a Bable, Love Wing'd My Hopes, Love's god is a boy, Maddalena alla Croce: sonetto spirituale, Maladetto sia l'aspetto, Me, me, and none but me, song for 4 voices & lute (Third Book of Songs), Might I redeem mine errors, for voice & lute, Mourn, mourn, day is with darkness fled, for 2 voices & lute (Second Book of Songs), Mr Dowland's Midnight, almain for lute, P 99, Mrs Winters Jump, dance for lute, P 55, Musick Deare Sollace, Now What Is Love, Now cease, my wand'ring eyes, for 4 voices & lute (Second Book of Songs), O Thred of life (from A Musicall Dreame), Ohime ch'oi cado, Piangono al pianger mio, Quel sguardo sdegnosetto, Rest Sweest Nimphs, Second Booke of Songs or Ayres, Nr. 10: "O sweet woods", Semper Dowland semper dolens, pavan for lute, P 9, Sfere fermate, Shall I strive with words to move, song for 4 voices & lute (A Pilgrimes Solace), Sorrow, stay, lend true repentant tears, song for 2 voices & lute (Second Book of Songs), Stay, Time, awhile thy flying, song for 4 voices & lute (A Pilgrimes Solace), Sweete Birdes Deprive Us Never, The Earl of Derby's Galliard, for lute, P 44, The lowest trees have tops, song for 4 voices & lute (Third Book of Songs), Thou mighty God, sacred song (A Pilgrimes Solace), Torna il sereno zefiro, Voglio di vita uscir, What If I Seek for Love of Thee?, When I sit reading (from A Musicall Dreame), When love on time (from The First Booke of Songes), When to Her Lute, When wil the fountain (from Ultimum Vale), Where Grypinge Griefs, Woeful heart with grief oppressed, for 4 voices & lute (Second Book of Songs)

Kullervo Kojo

vocal

Marc Munz

vocal

A Fantasie, A New Ground, A New Scotch Tune, A Shepherd in a Shade, Away With These Self-Loving Lads, By a Fountain Where I Lay, Come, Heavy Sleep, Disdain Me Still, Echo Dance of the Furies, Fly Swift, Ye Hours, From Silent Shades or Bess of Bedlam, Hornpipe, If That a Sinner’s Sighs, In Darkness Let Me Dwell, Lachrimæ, Lend Your Ears to My Sorrow, Lilliburlero. A New Irish Tune, Music for a While, Oh Lead Me to Some Peaceful Gloom, Ritornello ‘The Grove’, She Loves and She Confesses Too, The Earl of Essex, His Galliard, They Tell Us That You Mighty Powers Above, Toss Not My Soul, Trumpet Tune Called the Cibell, What a Sad Fate Is Mine

U.V.U.K.

vocal

Cœlestis dum spirat aura: "Alleluja", Cœlestis dum spirat aura: "Felix dies, præclara, serena", Cœlestis dum spirat aura: "Tam patrono singulari", Cœlestis dum spirat aura: Recitativo "Cœlestis dum spirat aura", Cœlestis dum spirat aura: Recitativo "Vestro, religiosi principes", Laudate pueri: "A solis ortu usque ad occasum", Laudate pueri: "Excelsus super omnes gentes Dominus", Laudate pueri: "Gloria Patri et Filio et Spiritui Sancto", Laudate pueri: "Laudate pueri Dominum", Laudate pueri: "Qui habitare facit", Laudate pueri: "Quis sicut Dominus", Laudate pueri: "Sit nomen Domini benedictum", Laudate pueri: "Ut collocet eum cum principibus", O qualis de cœlo sonus: "Ad plausus ad jubila", O qualis de cœlo sonus: "Alleluja", O qualis de cœlo sonus: "Gaude, tellus benigna", O qualis de cœlo sonus: Recitativo "Eja ergo, mortalis", O qualis de cœlo sonus: Recitativo "O qualis de cœlo sonus", Salve Regina: Adagissimo "O clemens, o pia", Salve Regina: Allegro "Eja ergo advocata nostra", Salve Regina: Largo - Adagio "Salve Regina"

Claudio Monteverdi

vocal

Bobby Champs