Tony Faulkner

recording, engineer, sound, balance, producer

Top collaborators

Artist name Roles Recordings
Marc-André Hamelin
Ralf Kiwit
Todd Beene
George Frideric Handel (German‐British baroque composer)
Bigfoot Wallace

Work on other artists' recordings

Artist name Roles Recordings
Marc-André Hamelin engineer, recording Alleluia, op. 25, Alt Wien, Au jardin du vieux sérail (Andrianople), Concert Paraphrase of 'The Song of the Soldiers of the Sea' (The Marines' Hymn), Deux Contrastes: Antigrazioso, Deux Contrastes: Grazioso, Douze Études dans tous les tons mineurs, op. 39: No. 4. Symphony for solo piano: I. Allegro, Douze Études dans tous les tons mineurs, op. 39: No. 5. Symphony for solo piano: II. Marche funèbre: Andantino, Douze Études dans tous les tons mineurs, op. 39: No. 6. Symphony for solo piano: III. Menuet, Douze Études dans tous les tons mineurs, op. 39: No. 7. Symphony for solo piano: IV. Finale: Presto, Etude No.3 (d'après Paganini-Liszt), Etude No.6: Essercizio per pianoforte (Omaggio a Domenico Scarlatti), Etude d'après l'Impromptu en la bémol majeur de Fr. Chopin, Etude in A flat minor, Etude pour la main gauche seule, Five Preludes: Allegretto con moto, Five Preludes: Andante affettuoso, Five Preludes: Lento, Five Preludes: Lento - Rubato, Gigue, Intermezzo in A flat, Kaleidoskop, Nocturne ('Complaint'), Petit Adagio (extrait des 'Saisons'), Piano Sonata No. 1, Piano Sonata No. 2, Piano Sonata No. 5, Piano Sonata in E minor: I. Allegro non troppo, ma appassionato, Polka de W.R., Prelude, Salut, cendre du pauvre !, op. 45, Super flumina Babylonis, op. 52, Three Compositions: Adagio (Nobilissimo), Three Compositions: Agitato con passione, Three Compositions: Allegretto grazioso, Three Etudes: ('Pianissimo') Con dolce maniera, Three Etudes: Affetamente, Three Etudes: Burlando, Toccatina, Trois Morceaux dans le genre pathétique, op. 15: I. Aime-moi, Trois Morceaux dans le genre pathétique, op. 15: II. Le vent, Trois Morceaux dans le genre pathétique, op. 15: III. Morte, Two Compositions: Quasi Poeme: Lent, Two Compositions: Quasi Prelude: Tres modere, Two Poems: Allegretto - Fervido, Two Poems: Moderato - Sempre poco rubato, Valse Phantastique, Valse folle, Étude No. 1, Op. 10 No. 1 (1st version) C major, Étude No. 10, Op. 10 No. 5 (4th version) A major: "Capriccio", Étude No. 11, Op. 10 No. 5 (5th version) G-flat major, Étude No. 12, Op. 10 No. 5 (6th version) G-flat major, Étude No. 12a, Op. 10 No. 5 (7th version) G-flat major (left hand), Étude No. 13, Op. 10 No. 6 E-flat minor (left hand), Étude No. 14, Op. 10 No. 7 (1st version) C major: "Toccata", Étude No. 15, Op. 10 No. 7 (2nd version) G-flat major: "Nocturne", Étude No. 15a, Op. 10 No. 7 (3rd version) E-flat major (left hand), Étude No. 16, Op. 10 No. 8 (1st version) F major, Étude No. 16a, Op. 10 No. 8 (2nd version) G-flat major (left hand), Étude No. 17, Op. 10 No. 9 (1st version) C-sharp minor, Étude No. 18, Op. 10 No. 9 (2nd version) F minor: Imitation of Op. 25, No. 2, Étude No. 18a, Op. 10 No. 9 (3rd version) F-sharp minor (left hand), Étude No. 19, Op. 10 No. 10 (1st version) D major, Étude No. 2, Op. 10 No. 1 (2nd version) D-flat major (left hand), Étude No. 20, Op. 10 No. 10 (2nd version) A-flat major (left hand), Étude No. 21, Op. 10 No. 11 A major (left hand), Étude No. 22, Op. 10 No. 12 C-sharp minor (left hand), Étude No. 23, Op. 25 No. 1 (1st version) A-flat major (left hand), Étude No. 24, Op. 25 No. 1 (2nd version) A-flat major: like for 4 hands, Étude No. 25, Op. 25 No. 1 (3rd version) A-flat major, Étude No. 26, Op. 25 No. 2 (1st version) F minor, Étude No. 27, Op. 25 No. 2 (2nd version) F minor: "Waltz", Étude No. 28, Op. 25 No. 2 (3rd version - A) F minor, Étude No. 28, Op. 25 No. 2 (3rd version - B) F minor, Étude No. 28a, Op. 25 No. 2 (4th version) F-sharp minor (left hand), Étude No. 29, Op. 25 No. 3 (1st version) F major, Étude No. 3, Op. 10 No. 2 (1st version) A minor (left hand), Étude No. 30, Op. 25 No. 3 (2nd version) F major (left hand), Étude No. 31, Op. 25 No. 4 (1st version) A minor (left hand), Étude No. 32, Op. 25 No. 4 (2nd version) F minor: "Polonaise", Étude No. 33, Op. 25 No. 5 (1st version) E minor, Étude No. 34, Op. 25 No. 5 (2nd version) C-sharp minor: "Mazurka", Étude No. 35, Op. 25 No. 5 (3rd version) B-flat minor (left hand), Étude No. 36, Op. 25 No. 6 G-sharp minor, Étude No. 38, Op. 25 No. 8 D-flat major, Étude No. 39, Op. 25 No. 9 (1st version) G-flat major, Étude No. 4, Op. 10 No. 2 (2nd version) A minor: "Ignis fatuus", Étude No. 40, Op. 25 No. 9 (2nd version ) G-flat major (left hand), Étude No. 41, Op. 25 No. 10 B minor (left hand), Étude No. 42, Op. 25 No. 11 A minor, Étude No. 43, Op. 25 No. 12 C-sharp minor (left hand), Étude No. 44 - Méth. M-F No. 1 F minor (left hand), Étude No. 45 - Méth. M-F No. 2 (1st version) E major, Étude No. 45a - Méth. M-F No. 2 (2nd version) D-flat major (left hand), Étude No. 46 - Méth. M-F No. 3 G major - "Menuetto", Étude No. 47, Op. 10 No. 5 and Op 25 No. 9 G-flat major: "Badinage", Étude No. 48, Op. 10 No. 11 and Op 25 No. 3 F major: 2 studies, Étude No. 5, Op. 10 No. 3 D-flat major (left hand), Étude No. 6, Op. 10 No. 4 C-sharp minor (left hand), Étude No. 7, Op. 10 No. 5 (1st version) G-flat major, Étude No. 8, Op. 10 No. 5 (2nd version) C major, Étude No. 9, Op. 10 No. 5 (3rd version) A minor: "Tarantella"
Ralf Kiwit balance, engineer, sound La damnation de Faust : Deuxième Partie : Scène IV : '‘Hélas! doux chants de ciel’ (Faust), La damnation de Faust : Deuxième Partie : Scène IV : Chant de la Fête de Pâques : ‘Christ vient de ressusciter !’ (Chœur, Faust), La damnation de Faust : Deuxième Partie : Scène V : ‘Ô pure émotion !’ (Méphistophélès, Faust), La damnation de Faust : Deuxième Partie : Scène VI : Chanson de Brander : ‘Certain rat, dans une cuisine’ (Brander, Chœur, Méphistophélès), La damnation de Faust : Deuxième Partie : Scène VI : Chanson de Méphistophélès : ‘Une puce gentille’ (Méphistophélès, Chœur), La damnation de Faust : Deuxième Partie : Scène VI : Fugue sur le thème de la Chanson de Brander : ‘Amen’ (Brander, Chœur), La damnation de Faust : Deuxième Partie : Scène VI : La cave d’Auerbach à Leipzig : ‘À boire encor !’ ; Chœur de Buveurs : ‘Oh ! qu’il fait bon’ (Chœur, Méphistophélès, Brander), La damnation de Faust : Deuxième Partie : Scène VI : ‘Assez ! fuyons ces lieux’ (Faust, Méphistophélès), La damnation de Faust : Deuxième Partie : Scène VI : ‘Vrai Dieu ! messieurs’ (Méphistophélès, Chœur), La damnation de Faust : Deuxième Partie : Scène VII : Air de Méphistophélès : ‘Voici des roses’ (Méphistophélès), La damnation de Faust : Deuxième Partie : Scène VII : Ballet des sylphes (Orchestre), La damnation de Faust : Deuxième Partie : Scène VII : Songe de Faust : Chœur de Gnomes et de Sylphes : ‘Dors ! dors !’ (Chœur, Méphistophélès, Faust), La damnation de Faust : Deuxième Partie : Scène VII : ‘Margarita !’ (Faust, Méphistophélès), La damnation de Faust : Deuxième Partie : Scène VIII : Final : Chœur de Soldats : ‘Villes entourées’ (Chœur) ; Chanson des Étudiants : ‘Iam nox stellata velamina pandit’ (Chœur, Faust, Méphistophélès), La damnation de Faust : Première Partie : Scène I : Les plaines d’Hongrie : ‘Le vieil hiver’ (Faust), La damnation de Faust : Première Partie : Scène II Ronde des paysans : ‘Les bergers quittent leurs troupeaux’ (Chœur, Faust), La damnation de Faust : Première Partie : Scène III : Une autre partie de la plaine : ‘Mais d’un éclat guerrier’ (Faust) / Marche Hongroise (Orchestre), La damnation de Faust : Quatrième Partie : Scène XIX : Epilogue : Sur la terre : ‘Alors l’enfer se tut’ (Petite Chœur), La damnation de Faust : Quatrième Partie : Scène XIX : Pandæmonium : ‘Ha ! Irimiru Karabrao !’ (Chœur, Méphistophélès) ; ‘Tradioun Marexil fi r’ (Chœur), La damnation de Faust : Quatrième Partie : Scène XV : Au son des trompettes’ (Chœur, Marguerite), La damnation de Faust : Quatrième Partie : Scène XV : Romance : ‘D’amour l’ardente fl amme’ (Marguerite), La damnation de Faust : Quatrième Partie : Scène XVI : Invocation à la Nature : ‘Nature immense, impénétrable et fi ère’ (Faust), La damnation de Faust : Quatrième Partie : Scène XVII : Récitatif et chasse : ‘À la voûte azurée’ (Méphistophélès, Faust), La damnation de Faust : Quatrième Partie : Scène XVIII : La course à l’abîme : ‘Dans mon cœur retentit sa voix désespérée’ (Faust, Chœur, Méphistophélès), La damnation de Faust : Quatrième Partie : Scène XX : Dans le ciel : ‘Laus ! Laus ! Hosanna ! Hosanna !’ (Chœur, une soprano) ; Apothéose de Marguerite : ‘Remonte au ciel, âme naÏve’ (Chœur), La damnation de Faust : Troisième Partie : Scène IX : Air de Faust : ‘Merci, doux crépuscule !’ (Faust), La damnation de Faust : Troisième Partie : Scène IX : Prélude : Tambours et trompettes sonnant la retraite (Orchestre), La damnation de Faust : Troisième Partie : Scène X : ‘Je l’entends !’ (Méphistophélès, Faust), La damnation de Faust : Troisième Partie : Scène XI : Le roi de Thulé (Chanson gothique) : ‘Autrefois un roi de Thulé’ (Marguerite), La damnation de Faust : Troisième Partie : Scène XI : ‘Que l’air est étouffant !’ (Marguerite), La damnation de Faust : Troisième Partie : Scène XII : Menuet des follets (Orchestre), La damnation de Faust : Troisième Partie : Scène XII : Évocation : ‘Esprits des fl ammes inconstantes’ (Méphistophélès), La damnation de Faust : Troisième Partie : Scène XII : ‘Maintenant chantons à cette belle’ (Méphistophélès) ; Sérénade de Méphistophélès : ‘Devant la maison’ (Méphistophélès, Chœur), La damnation de Faust : Troisième Partie : Scène XIII : Final : ‘Grand Dieu !’ (Marguerite) ; Duo : ‘Ange adoré’ (Faust, Marguerite), La damnation de Faust : Troisième Partie : Scène XIII : Trio et Chœur : ‘Allons, il est trop tard !’ (Faust, Méphistophélès, Marguerite, Chœur), Roméo et Juliette "Symphonie dramatique": Scène 1a. Introduction. Combats / Tumulte / Intervention du Prince, Roméo et Juliette "Symphonie dramatique": Scène 2. Roméo seul / Tristesse / Concert et bal / Grande fête chez Capulet, Roméo et Juliette "Symphonie dramatique": Scène 4. La Reine Mab, ou La fée des songes (Scherzo), Roméo et Juliette "Symphonie dramatique": Scène 6. Roméo au tombeau des Capulets / Invocation / Reveil de Juliette / Final: La foule accourt au cimetière, Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: II. Allegro molto, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilimente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso, Symphony no. 3 in C minor: I. Allegro molto maestoso, Symphony no. 3 in C minor: II. Scherzo: Allegretto, Symphony no. 3 in C minor: III. Adagio solenne, Symphony no. 3 in C minor: IV. Allegro, Symphony no. 6 in A major: I. Majestoso, Symphony no. 6 in A major: II. Adagio: Sehr feierlich, Symphony no. 6 in A major: III. Scherzo: Nicht schnell – Trio: Langsam – Scherzo, Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell, Symphony no. 7 in D minor, op. 70: Allegro, Symphony no. 7 in D minor, op. 70: Allegro maestoso, Symphony no. 7 in D minor, op. 70: I. Allegro maestoso, Symphony no. 7 in D minor, op. 70: II. Poco adagio, Symphony no. 7 in D minor, op. 70: III. Scherzo - Vivace - Poco meno mosso, Symphony no. 7 in D minor, op. 70: IV. Allegro, Symphony no. 7 in D minor, op. 70: Poco adagio, Symphony no. 7 in D minor, op. 70: Scherzo: vivace - Poco meno mosso, Symphony no. 9 in D minor: I. Feierlich, Misterioso, Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo, Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
Todd Beene engineer, recording Mercure: Bain des Graces -, Mercure: Colère de Cerbère -, Mercure: Danse de tendresse -, Mercure: Danse des Graces -, Mercure: Entrée et danse de Mercure -, Mercure: Finale, Mercure: Fuite de Mercure -, Mercure: La nuit -, Mercure: Le Chaos -, Mercure: Nouvelle danse -, Mercure: Ouverture -, Mercure: Polka des Lettres -, Mercure: Signe du Zodiaque -, Parade: Acrobates -, Parade: Choral -, Parade: Final -, Parade: Petite Fille américaine -, Parade: Prestidigitateur chinois -, Parade: Prélude du Rideau Rouge -, Parade: Suite au "Prélude du Rideau Rouge", Relâche, Part 1: Danse de la porte tournante -, Relâche, Part 1: Danse des femmes -, Relâche, Part 1: Danse des hommes -, Relâche, Part 1: Entrée de Borlin -, Relâche, Part 1: Entrée de la femme -, Relâche, Part 1: Entrée des hommes -, Relâche, Part 1: Final -, Relâche, Part 1: Musique -, Relâche, Part 1: Ouverturette -, Relâche, Part 1: Projectionnette -, Relâche, Part 2: Danse de Borlin et de la femme -, Relâche, Part 2: Danse de la brouette -, Relâche, Part 2: Danse de la couronne -, Relâche, Part 2: La Queue du chien (chanson mimée), Relâche, Part 2: La femme rejoint son fauteuil -, Relâche, Part 2: Le danseur repose la couronne sur la tete d'une spectatrice -, Relâche, Part 2: Les Hommes -, Relâche, Part 2: Les hommes se dévêtissent -, Relâche, Part 2: Musique de rentrée -, Relâche, Part 2: Rentrée de la femme -, Relâche, Part 2: Rentrée des hommes -, Summer Day, op. 65b: Evening, Summer Day, op. 65b: March, Summer Day, op. 65b: Morning, Summer Day, op. 65b: Repentance, Summer Day, op. 65b: Tag (Tip and Run), Summer Day, op. 65b: The Moon Sails Over the Meadows, Summer Day, op. 65b: Waltz, Trois gnossiennes: No. 1, Trois gnossiennes: No. 2, Trois gnossiennes: No. 3, Trois gymnopédies: No. 1, Trois gymnopédies: No. 2, Trois gymnopédies: No. 3, Winter Bonfire, op. 122: Chorus of the Pioneers, Winter Bonfire, op. 122: Departure, Winter Bonfire, op. 122: March, Winter Bonfire, op. 122: Snow Outside the Window, Winter Bonfire, op. 122: The Bonfire, Winter Bonfire, op. 122: The Return, Winter Bonfire, op. 122: Waltz on the Ice, Winter Bonfire, op. 122: Winter Evening
George Frideric Handel recording Harp Concerto in B-flat major, Op. 4 No. 6: I. Andante - Allegro, Harp Concerto in B-flat major, Op. 4 No. 6: II. Larghetto, Harp Concerto in B-flat major, Op. 4 No. 6: III. Allegro moderato, Organ Concerto in A major, Op. 7 No. 2: I. Ouverture, Organ Concerto in A major, Op. 7 No. 2: II. A tempo ordinario, Organ Concerto in A major, Op. 7 No. 2: III. Organo ad libitum. Larghetto, Organ Concerto in A major, Op. 7 No. 2: IV. Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: A tempo ordinario e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Adagio e staccato, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro, Organ Concerto in B-flat major, Op. 4 No. 2: Allegro ma non presto, Organ Concerto in B-flat major, Op. 7 No. 1: I. Andante, Organ Concerto in B-flat major, Op. 7 No. 1: II. Adagio, Organ Concerto in B-flat major, Op. 7 No. 1: III. Largo e piano, Organ Concerto in B-flat major, Op. 7 No. 1: IV. Allegro, Organ Concerto in B-flat major, Op. 7 No. 1: V. Bourrée: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Allegro, Organ Concerto in B-flat major, Op. 7 No. 3: Menuet I/II alternativo, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Adagio, Organ Concerto in B-flat major, Op. 7 No. 3: Organo ad libitum. Fugue, Organ Concerto in B-flat major, Op. 7 No. 3: Spiritoso, Organ Concerto in B-flat major, Op. 7 No. 6: I. Pomposa, Organ Concerto in B-flat major, Op. 7 No. 6: II. Organo ad libitum: Allemande, Organ Concerto in B-flat major, Op. 7 No. 6: III. Air: a tempo ordinario, Organ Concerto in D minor Op. 7 No. 4: IV. Allegro, Organ Concerto in D minor, Op. 7 No. 4: I. Adagio, Organ Concerto in D minor, Op. 7 No. 4: II. Allegro cosi cosi, Organ Concerto in D minor, Op. 7 No. 4: III. Organo ad libitum.: Prelude, Organ Concerto in F major, Op. 4 No. 4: Adagio, Organ Concerto in F major, Op. 4 No. 4: Allegro, Organ Concerto in F major, Op. 4 No. 4: Allegro - Choral Alleluia, Organ Concerto in F major, Op. 4 No. 4: Andante, Organ Concerto in F major, Op. 4 No. 5: Alla siciliana, Organ Concerto in F major, Op. 4 No. 5: Allegro, Organ Concerto in F major, Op. 4 No. 5: Larghetto, Organ Concerto in F major, Op. 4 No. 5: Presto, Organ Concerto in G minor, Op. 4 No. 1: Adagio, Organ Concerto in G minor, Op. 4 No. 1: Allegro, Organ Concerto in G minor, Op. 4 No. 1: Andante, Organ Concerto in G minor, Op. 4 No. 1: Larghetto e staccato, Organ Concerto in G minor, Op. 4 No. 3: Adagio, Organ Concerto in G minor, Op. 4 No. 3: Allegro, Organ Concerto in G minor, Op. 7 No. 5: I. Staccato ma non troppo allegro, Organ Concerto in G minor, Op. 7 No. 5: II. Organo ad libitum: Adagio, Organ Concerto in G minor, Op. 7 No. 5: III. Andante larghetto e staccato, Organ Concerto in G minor, Op. 7 No. 5: IV. Organo ad libitum. Adagio, Organ Concerto in G minor, Op. 7 No. 5: V. Menuet, Organ Concerto in G minor, Op. 7 No. 5: VI. Gavotte
Bigfoot Wallace engineer, recording Concerto in C major: I. Allegretto, Concerto in C major: II. Allegro, Concerto in C major: III. Andante, Concerto in C major: IV. Tempo di Minuet, Concerto in F major: I. Affettuoso, Concerto in F major: II. Allegro, Concerto in F major: III. Adagio, Concerto in F major: IV. Menuet 1 & 2, Recorder Concerto in A minor, RV 108: I. Allegro, Recorder Concerto in A minor, RV 108: II. Largo, Recorder Concerto in A minor, RV 108: III. Allegro, Recorder Concerto in A minor, RV 445: I. Allegro, Recorder Concerto in A minor, RV 445: II. Larghetto, Recorder Concerto in A minor, RV 445: III. Allegro, Recorder Concerto in C major, RV 443: I. Allegro, Recorder Concerto in C major, RV 443: II. Largo, Recorder Concerto in C major, RV 443: III. Allegro molto, Recorder Concerto in C major, RV 444: I. Allegro non molto, Recorder Concerto in C major, RV 444: II. Largo, Recorder Concerto in C major, RV 444: III. Allegro molto, Recorder Concerto in C minor, RV 441: I. Allegro non molto, Recorder Concerto in C minor, RV 441: II. Largo, Recorder Concerto in C minor, RV 441: III. Allegro, Recorder Concerto in F major, RV 442: I. Allegro non molto, Recorder Concerto in F major, RV 442: II. Largo e cantabile, Recorder Concerto in F major, RV 442: III. Allegro, Sinfonia in F major: I. Alla breve, Sinfonia in F major: II. Andante, Sinfonia in F major: III. Vivace, Suite in A minor: I. Ouverture, Suite in A minor: II. Les Plaisirs, Suite in A minor: III. Air á I'talien, Suite in A minor: IV. Menuet 1 & 2, Suite in A minor: V. Réjouissance, Suite in A minor: VI. Passepied, Suite in A minor: VII. Polonaise
Sinfonye engineer Avant hier, Azeruz, Bele Aelis par matin / Haro, Haro! / FLOS FILIUS EIUS, Bele Ysabelos, Bien doit joie, Bien doit joie / IN DOMINO, C'est la jus, C'est la jus / PRO PATRIBUS, E! Dame jolie, En Mai / DOMINE, Entre Copin / Je me cuidoie / Bele Ysabelos, Estampie, J'ai les maus / Que ferai / IN SECULUM, J'ai mon cuer, J'ai mon cuer / LETABITUR, Ja n'ert nus, Ja n'ert nus / JUSTUS, La plus bele / PACEM, Li savours / Li grant desirs / No vul maris, Mainte dame / HAN, Ne m'oubliez / DOMINO, Nouvele amor, Nouvele amor / Haute amor / E! Dame jolie, Por conforter, Quant voi yver / Au douz / HODIE PERLUSTRAVIT, Que ferai, Trois sereurs / Trois sereurs / Trois sereurs / PERLUSTRAVIT, Tuit cil, Tuit cil / Li jalous / PROPTER VERITATEM, Un chant renvoisie / DECANTUR, Volez oyer / Volez oyer / Volez oyer
Harouna Dembélé engineer, sound Adagio for Strings, op. 11, Fadograph of a Yestern Scene, op. 44, First Essay for Orchestra, op. 12, Medea Ballet Suite, op. 23: I. Parodos, Medea Ballet Suite, op. 23: II. Choros. Medea and Jason, Medea Ballet Suite, op. 23: III. The Young Princess. Jason, Medea Ballet Suite, op. 23: IV. Choros, Medea Ballet Suite, op. 23: V. Medea, Medea Ballet Suite, op. 23: VI. Kantikos Agonias, Medea Ballet Suite, op. 23: VII. Exodos, Music for a Scene From Shelley, op. 7, Second Essay for Orchestra, op. 17, Serenade for Strings, op. 1: I. Un poco adagio: Allegro con spirito, Serenade for Strings, op. 1: II. Andante con moto, Serenade for Strings, op. 1: III. Dance: Allegro giocoso, Souvenirs (Ballet Suite), op. 28: I. Waltz (The Lobby), Souvenirs (Ballet Suite), op. 28: II. Schottische (Third Floor Hallway), Souvenirs (Ballet Suite), op. 28: III. Pas de Deux (A Corner of the Ballroom), Souvenirs (Ballet Suite), op. 28: IV. Two-Step (Tea in the Palm Court), Souvenirs (Ballet Suite), op. 28: V. Hesitation Tango (A Bedroom Affair), Souvenirs (Ballet Suite), op. 28: VI. Galop (The Next Afternoon), Symphony no. 1, op. 9: Allegro ma non troppo, Symphony no. 1, op. 9: Allegro molto, Symphony no. 1, op. 9: Andante tranquillo, Symphony no. 2, op. 19: I. Allegro ma non troppo, Symphony no. 2, op. 19: II. Andante, un poco mosso, Symphony no. 2, op. 19: III. Presto, senza battuto - Allegro risoluto, The School for Scandal Overture, op. 5
Knelt Rote recording Academic Festival Overture, Op. 80, Symphony No. 1 in C minor, Op. 68: I. Un poco sustenuto - Allegro, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto, Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto (alternate), Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso, Symphony No. 1 in C minor, Op. 68: IV. Adagio - Allegro non troppo, ma con brio, Symphony No. 2 in D major, Op. 73: I. Allegro non troppo, Symphony No. 2 in D major, Op. 73: II. Adagio non troppo, Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (Quasi Andantino), Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito, Symphony No. 3 in F major, Op. 90: I. Allegro con brio, Symphony No. 3 in F major, Op. 90: II. Andante, Symphony No. 3 in F major, Op. 90: III. Poco allegretto, Symphony No. 3 in F major, Op. 90: IV. Allegro, Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo, Symphony No. 4 in E minor, Op. 98: II. Andante moderato, Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso, Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato, Variations on a Theme by Joseph Haydn, Op. 56a: Chorale St. Antoni. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Finale. Andante, Variations on a Theme by Joseph Haydn, Op. 56a: Variation I. Poco più animato, Variations on a Theme by Joseph Haydn, Op. 56a: Variation II. Più vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation III. Con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV. Andante con moto, Variations on a Theme by Joseph Haydn, Op. 56a: Variation V. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI. Vivace, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII. Grazioso, Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII. Presto non troppo
Jarvis recording Concerto no. 1 in G major: I. Grave, Concerto no. 1 in G major: II. Allegro, Concerto no. 1 in G major: III. Un poco andante, Concerto no. 1 in G major: IV. Allegro, Concerto no. 2 in B-flat major: I. Largo andante, Concerto no. 2 in B-flat major: II. Da cappella: Presto, Concerto no. 2 in B-flat major: III. Largo affettuoso, Concerto no. 2 in B-flat major: IV. Allegro moderato, Concerto no. 3 in A major: I. Grave sostenuto, Concerto no. 3 in A major: II. Da cappella — Adagio mordante, Concerto no. 3 in A major: III. Largo andante, Concerto no. 3 in A major: IV. Vivace, Concerto no. 4 in G major: I. Largo, Concerto no. 4 in G major: II. Da cappella: Non presto, Concerto no. 4 in G major: III. Largo affettuoso, Concerto no. 4 in G major: IV. Allegro, Concerto no. 5 in F minor: I. Adagio — Largo, Concerto no. 5 in F minor: II. Da cappella, Concerto no. 5 in F minor: III. Con sordini, Concerto no. 5 in F minor: IV. A tempo giusto, Concerto no. 6 in E-flat major: I. Affettuoso, Concerto no. 6 in E-flat major: II. Presto, Concerto no. 6 in E-flat major: III. Largo, Concerto no. 6 in E-flat major: IV. Vivace
Aklash engineer, recording String Quintet in E-flat major, op. 97: I. Allegro non tanto, String Quintet in E-flat major, op. 97: II. Allegro vivo, String Quintet in E-flat major, op. 97: III. Larghetto, String Quintet in E-flat major, op. 97: IV. Finale. Allegro giusto, String Quintet no. 1 in F major, op. 88: I. Allegro non troppo ma con brio, String Quintet no. 1 in F major, op. 88: II. Grave ed appassionato - Allegretto vivace - Tempo I - Presto, String Quintet no. 1 in F major, op. 88: III. Allegro energico, String Quintet no. 2 in G major, op. 111: I. Allegro non troppo ma con brio, String Quintet no. 2 in G major, op. 111: II. Adagio, String Quintet no. 2 in G major, op. 111: III. Un poco allegretto, String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto, String Sextet in A major, op. 48: I. Allegro moderato, String Sextet in A major, op. 48: II. Dumka (Elegie). Poco allegretto, String Sextet in A major, op. 48: III. Furiant. Presto, String Sextet in A major, op. 48: IV. Finale: Tema con variazioni. Allegretto grazioso, quasi andantino, String Sextet no. 1 in B-flat major, op. 18: I. Allegro ma non troppo, String Sextet no. 1 in B-flat major, op. 18: II. Andante, ma moderato, String Sextet no. 1 in B-flat major, op. 18: III. Scherzo: Allegro molto, String Sextet no. 1 in B-flat major, op. 18: IV. Rondo: Poco allegretto e grazioso, String Sextet no. 2 in G major, op. 36: I. Allegro non troppo, String Sextet no. 2 in G major, op. 36: II. Scherzo: Allegro non troppo, String Sextet no. 2 in G major, op. 36: III. Poco adagio, String Sextet no. 2 in G major, op. 36: IV. Poco allegro
H.D. Manuel engineer Concerto in C major, RV 443: I. Allegro, Concerto in C major, RV 443: II. Largo, Concerto in C major, RV 443: III. Allegro molto, Concerto in C major, RV 444: I. Allegro non molto, Concerto in C major, RV 444: II. Largo, Concerto in C major, RV 444: III. Allegro, Concerto in C minor, RV 441: I. Allegro non molto, Concerto in C minor, RV 441: II. Largo, Concerto in C minor, RV 441: III. Allegro, Concerto in F major, RV 433 "La tempesta di mare": I. Allegro, Concerto in F major, RV 433 "La tempesta di mare": II. Largo, Concerto in F major, RV 433 "La tempesta di mare": III. Presto, Concerto in F major, RV 434: I. Allegro, Concerto in F major, RV 434: II. Largo, Concerto in F major, RV 434: III. Allegro, Concerto in G major, RV 435: I. Allegro, Concerto in G major, RV 435: II. Largo, Concerto in G major, RV 435: III. Allegro, Concerto in G minor, RV 104 "La notte": Allegro, Concerto in G minor, RV 104 "La notte": Largo (Il Sonno), Concerto in G minor, RV 104 "La notte": Largo (La Notte), Concerto in G minor, RV 104 "La notte": Presto (Fantasmi)
Destitutes engineer Concerto in A major, RV 396: I. Allegro, Concerto in A major, RV 396: II. Andante, Concerto in A major, RV 396: III. Allegro, Concerto in A minor, RV 397: I. Allegro, Concerto in A minor, RV 397: II. Largo, Concerto in A minor, RV 397: III. Allegro, Concerto in D major, RV 392: I. Allegro, Concerto in D major, RV 392: II. Largo, Concerto in D major, RV 392: III. Allegro, Concerto in D minor, RV 393: I. Allegro, Concerto in D minor, RV 393: II. Largo, Concerto in D minor, RV 393: III. Allegro, Concerto in D minor, RV 394: I. Allegro, Concerto in D minor, RV 394: II. Largo, Concerto in D minor, RV 394: III. Allegro, Concerto in D minor, RV 395: I. Allegro, Concerto in D minor, RV 395: II. Andante, Concerto in D minor, RV 395: III. Allegro, Concerto in D minor, RV 395: IV. Largo
Böfüms recording Acht Klavierstücke, op. 5: No. 1 in C-sharp minor: Sehr leidenschaftlich bewegt, Acht Klavierstücke, op. 5: No. 2 in A major: Sehr ruhig und ausdruckvoll, Acht Klavierstücke, op. 5: No. 3 in D minor: Bewegt, Acht Klavierstücke, op. 5: No. 4 in B-flat major: Anmuthig bewegt, Acht Klavierstücke, op. 5: No. 5 in E-flat major: Etwas langsam, Acht Klavierstücke, op. 5: No. 6 in E-flat minor: Leidenschaftlich, Acht Klavierstücke, op. 5: No. 7 in A-flat major: Mässig, doch nicht zu langsam, Acht Klavierstücke, op. 5: No. 8 in C-sharp minor: Belebt, doch nicht zu schnell, Capriolen, op. 32: No. 1. Falters Flammentod, Capriolen, op. 32: No. 2. Kose-Walzer, Capriolen, op. 32: No. 3. Rose im Schnee, Capriolen, op. 32: No. 4. Missie-Massa, Capriolen, op. 32: No. 5. Der Zirkus kommt!, Klavierstücke, op. 16: No. 2. Scherzo. Sehr lebhaft, Klavierstücke, op. 16: No. 3. Intermezzo. Anmuthig bewegt, Serenata, Sonata in F-sharp minor, op. 10: Einleitung und Fuge: Sehr breit, Sonata in F-sharp minor, op. 10: Langsam, Sonata in F-sharp minor, op. 10: Mässig, aber leidenschaftlich bewegt
Anonymous 4 recording Antiphon: Ave regina celorum, Conductus: Ave Maria gracia plena, Conductus: Ave Maria salus hominum, Conductus: Memor esto tuorum, Conductus: O Maria stella maris, Conductus: Salve virgo tonantis solium, Hymn: In te concipitur, Hymn: Þe milde lomb isprad o rode, Motet: O mors moreris / O vita vera / Mors, Motet: Veni mater gracie / Dou way, Robin, Processional Hymn: O gloriosa domina, Sequence: Jesu Cristes milde moder, Sequence: Miserere miseris, Sequence: O Maria virgo pia, Sequence: Salve virgo singularis, Sequence: Stabat iuxta Christi crucem, Sequence: Stillat in stellam radium, Sequence: Stond wel, moder, under roode
Abbe Anderson engineer Capriccio in B-flat major, BWV 992: I. Arioso, Capriccio in B-flat major, BWV 992: II. Fugato, Capriccio in B-flat major, BWV 992: III. Adagissimo, Capriccio in B-flat major, BWV 992: IV. Marschmässig, Capriccio in B-flat major, BWV 992: V. Aria di Postiglione, Capriccio in B-flat major, BWV 992: VI. Fuga, Chorale Prelude in F minor, BWV 639, Chorale Prelude in G major, BWV 734: Nun freut euch, lieben Christen gemein, Chorale Prelude in G minor, BWV 659, Prelude and Fuge in E-flat major, BWV 552: Fugue, Prelude and Fuge in E-flat major, BWV 552: Prelude, Toccata and Fugue in D minor, BWV 565: Fugue, Toccata and Fugue in D minor, BWV 565: Toccata, Toccata, Adagio and Fugue in C major, BWV 564: I. Toccata, Toccata, Adagio and Fugue in C major, BWV 564: II. Adagio, Toccata, Adagio and Fugue in C major, BWV 564: III. Fugue
Emma Harvey recording Zaide, K. 336b/344 (fragment): Act II, No. 9 Aria "Der stolze Löw' läßt sich zwar zähmen" (Soliman), Zaïde, K. 336b/344 (fragment): Act I. No. 1 Coro "Brüder, laßt uns lustig sein" (Coro), Zaïde, K. 336b/344 (fragment): Act I. No. 2 Melologo "Unerforschliche Fügung" (Gomatz), Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde), Zaïde, K. 336b/344 (fragment): Act I. No. 4 Aria "Rase, Schicksal, wüte immer" (Gomatz), Zaïde, K. 336b/344 (fragment): Act I. No. 5 Duetto "Meine Seele hüpft vor Freuden" (Zaïde, Gomatz), Zaïde, K. 336b/344 (fragment): Act I. No. 6 Aria "Herr und Freund, wie dank' ich Dir" (Gomatz), Zaïde, K. 336b/344 (fragment): Act I. No. 7 Aria "Nur mutig, mein Herze, versuche dein Glück" (Allazim), Zaïde, K. 336b/344 (fragment): Act I. No. 8 Terzetto "O selige Wonne" (Zaïde, Gomatz, Allazim), Zaïde, K. 336b/344 (fragment): Act II. No. 10 Aria "Wer hungrig bei der Tafel sitzt" (Osmin), Zaïde, K. 336b/344 (fragment): Act II. No. 11 Aria "Ich bin so bös' als gut" (Soliman), Zaïde, K. 336b/344 (fragment): Act II. No. 12 Aria "Trostlos schluchzet Philomele" (Zaïde), Zaïde, K. 336b/344 (fragment): Act II. No. 13 Aria "Tiger! Wetze nur die Klauen" (Zaïde), Zaïde, K. 336b/344 (fragment): Act II. No. 14 Aria "Ihr Mächtigen seht ungerührt" (Allazim), Zaïde, K. 336b/344 (fragment): Act II. No. 15 Quartetto "Freundin, stille deine Tränen" (Zaïde, Gomatz, Soliman, Allazim), Zaïde, K. 336b/344 (fragment): Act II. No. 9 Melologo "Zaïde entflohen" (Soliman, Osmin)
The Asbestos recording Ave verum corpus, Mass for 3 voices: I. Kyrie & Gloria, Mass for 3 voices: II. Credo, Mass for 3 voices: III. Sanctus & Benedictus, Mass for 3 voices: IV. Agnus Dei, Mass for 4 voices: I. Kyrie, Mass for 4 voices: II. Gloria, Mass for 4 voices: III. Credo, Mass for 4 voices: IV. Sanctus & Benedictus, Mass for 4 voices: V. Agnus Dei, Mass for 5 voices: I. Kyrie, Mass for 5 voices: II. Gloria, Mass for 5 voices: III. Credo, Mass for 5 voices: IV. Sanctus & Benedictus, Mass for 5 voices: V. Agnus Dei
Tenille Arts engineer Concerto in C for Recorder, RV 443: Allegro, Concerto in C for Recorder, RV 443: Allegro molto, Concerto in C for Recorder, RV 443: Largo, The Four Seasons. Concerto in E major, RV 269, Op. 8 No. 1, "Spring": I. Allegro, The Four Seasons. Concerto in E major, RV 269, Op. 8 No. 1, "Spring": II. Largo, The Four Seasons. Concerto in E major, RV 269, Op. 8 No. 1, "Spring": III. Allegro, The Four Seasons. Concerto in F major, RV 293, Op. 8 No. 3, "Autumn": I. Allegro, The Four Seasons. Concerto in F major, RV 293, Op. 8 No. 3, "Autumn": II. Adagio molto, The Four Seasons. Concerto in F major, RV 293, Op. 8 No. 3, "Autumn": III. Allegro, The Four Seasons. Concerto in F minor, RV 297, Op. 8 No. 4, "Winter": I. Allegro non molto, The Four Seasons. Concerto in F minor, RV 297, Op. 8 No. 4, "Winter": II. Largo, The Four Seasons. Concerto in F minor, RV 297, Op. 8 No. 4, "Winter": III. Allegro, The Four Seasons. Concerto in G minor, RV 315, Op. 8 No. 2, "Summer": I. Allegro non molto - allegro, The Four Seasons. Concerto in G minor, RV 315, Op. 8 No. 2, "Summer": II. Adagio, The Four Seasons. Concerto in G minor, RV 315, Op. 8 No. 2, "Summer": III. Presto
Sarah Freywald recording Fifine At The Fair: Elvire's Theme, Fifine At The Fair: Epilogue. Lento con malinconia, Fifine At The Fair: Fifine Dances. Allegretto grazioso e capriccioso, Fifine At The Fair: Prologue. Amphibian, Fifine At The Fair: The Fair. Vivace, Pagan Symphony: Allegro con spirito, Pagan Symphony: Fanfare. Allegretto con moto, Pagan Symphony: Finale. Allegro moto e con fuoco, Pagan Symphony: Molto lento, sostenuto e rubato, Pagan Symphony: Scherzo. Dance of Satyrs, Pagan Symphony: Tranquilo molto lento sostenuto, Two Heroic Ballads: Cuchullan's Lament, Two Heroic Ballads: Kishmul's Galley
Kathryn Stott engineer Ballade, Deux Arabesques No. 1: Andantino con moto, Deux Arabesques No. 2: Allegretto scherzando, Images - Livre 1: I. Reflets dans l'eau, Images - Livre 1: II. Hommage à Rameau, Images - Livre 1: III. Mouvement, L'Isle joyeuse, La plus que lente, Rêverie, Suite Bergamasque: I. Prélude, Suite Bergamasque: II. Menuet, Suite Bergamasque: III. Clair de lune, Suite Bergamasque: IV. Passepied
Pete Johnson engineer Quartet in A major, op. 18 no. 5: I. Allegro, Quartet in A major, op. 18 no. 5: II. Menuetto, Quartet in A major, op. 18 no. 5: III. Andante cantabile, Quartet in A major, op. 18 no. 5: IV. Allegro, Quartet in C minor, op. 18 no. 4: I. Allegro ma non tanto, Quartet in C minor, op. 18 no. 4: II. Andante scherzoso quasi Allegretto, Quartet in C minor, op. 18 no. 4: III. Menuetto: Allegro, Quartet in C minor, op. 18 no. 4: IV. Allegretto, Quartet in D major, op. 18 no. 3: I. Allegro, Quartet in D major, op. 18 no. 3: II. Andante con moto, Quartet in D major, op. 18 no. 3: III. Allegro, Quartet in D major, op. 18 no. 3: IV. Presto
Тома Амот engineer Symphony no. 93 in D major: I. Adagio - Allegro assai, Symphony no. 93 in D major: II. Largo cantabile, Symphony no. 93 in D major: III. Menuetto: Allegro - Trio, Symphony no. 93 in D major: IV. Finale: Presto ma non troppo, Symphony no. 94 in G major "Surprise": I. Adagio - Vivace assai, Symphony no. 94 in G major "Surprise": II. Andante, Symphony no. 94 in G major "Surprise": III. Menuet: Allegro molto - Trio, Symphony no. 94 in G major "Surprise": IV. Finale: Allegro di molto, Symphony no. 95 in C minor: I. Allegro moderato, Symphony no. 95 in C minor: II. Andante, Symphony no. 95 in C minor: III. Menuet - Trio, Symphony no. 95 in C minor: IV. Finale: Vivace
David Sanguinetti balance En blanc et noir, for 2 pianos, L. 134: I. Avec Emportement, En blanc et noir, for 2 pianos, L. 134: II. Lent. Sombre, En blanc et noir, for 2 pianos, L. 134: III. Scherzando, Entre cloches, Jeux, ballet, L. 126 (arr. Bavouzet), La valse, Lindaraja, for 2 pianos, L. 97, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: IV. Feria
The River Versus engineer In the South (Alassio), op. 50, Pomp and Circumstance Marches, op. 39: no. 1 in D manor, Pomp and Circumstance Marches, op. 39: no. 3 in C minor, Symphony no. 1 in A-flat major, op. 55: Allegro molto, Symphony no. 1 in A-flat major, op. 55: Andante: Nobilmente e semplice - Allegro, Symphony no. 1 in A-flat major, op. 55: III. Adagio, Symphony no. 1 in A-flat major, op. 55: Lento - Allegro, Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: II. Larghetto, Symphony no. 2 in E-flat major, op. 63: III. Rondo - Presto, Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
Éric Cervera recording First Choral Symphony, op. 41 (H 155): Finale: Chorus. But When Thou Joinest With the Nine, First Choral Symphony, op. 41 (H 155): Finale: Chorus. God of the Golden Bow, First Choral Symphony, op. 41 (H 155): Finale: Chorus. This Awful Silence Then Again, First Choral Symphony, op. 41 (H 155): Ode on a Grecian Urn: Chorus, First Choral Symphony, op. 41 (H 155): Prelude: Invocation to Pan, First Choral Symphony, op. 41 (H 155): Scherzo: Fancy Chorus, First Choral Symphony, op. 41 (H 155): Scherzo: Folly's Song, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Chorus. Bacchus, Young Bacchus!, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Chorus. Whence Came Ye, Jolly Satyrs, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Chorus. Whence Came Ye, Merry Damsels
Gothic Voices engineer Dueil angoisseux, En amours n'a si non bien, La pena sin ser sabida, Le souvenir de vous me tue, Ma dame, trop vous mesprenés, Ne je ne dors, Plus j'ay le monde regardé, Pues serviçio vos desplaze, Puisque ma damme / Je m'en voy, Que pourroit plus
The Dreamers engineer Symphony no. 14 in A major, G498, op. 21 no. 6 : I. Allegro assai, Symphony no. 14 in A major, G498, op. 21 no. 6 : II. Andantino grazioso, Symphony no. 14 in A major, G498, op. 21 no. 6 : III. Tempo di minuetto, con un poco di motto, Symphony no. 6 in D minor, G506, op. 12 no. 4 "La Casa del diavolo": I. Andante sostenuto - allegro assai, Symphony no. 6 in D minor, G506, op. 12 no. 4 "La Casa del diavolo": II. Andantino con moto, Symphony no. 6 in D minor, G506, op. 12 no. 4 "La Casa del diavolo": III. Andante sostenuto - allegro con moto, Symphony no. 8 in A major, G508, op. 12 no. 6 : I. Allegro assai, Symphony no. 8 in A major, G508, op. 12 no. 6 : II. Larghetto, Symphony no. 8 in A major, G508, op. 12 no. 6 : III. Minuetto con molto, Symphony no. 8 in A major, G508, op. 12 no. 6 : IV. Grave - allegro assai
David Lindsay-Abaire engineer Mazurka in A-flat major, op. 59, no. 2, Mazurka in C-sharp minor, op. 6, no. 2, Mazurka op. 24, no. 2 in C major, Mazurka op. 56, no. 3 in C minor, Mazurka op. 59, no. 1 in A minor, Mazurka op. 59, no. 3 in F-sharp minor, Scherzo in E major, op. 54: Presto, Scherzo op. 20 in B minor: Presto con fuoco, Scherzo op. 31 in B-flat minor: Presto, Scherzo op. 39 in C-sharp minor: Presto con fuoco
Kodama & Dub Station recording Piano Sonata no. 4 in E-flat major, K. 282 (189g): I. Adagio, Piano Sonata no. 4 in E-flat major, K. 282 (189g): II. Menuetto I - II, Piano Sonata no. 4 in E-flat major, K. 282 (189g): III. Allegro, Piano Sonata no. 5 in G major, K. 283 (189h): I. Allegro, Piano Sonata no. 5 in G major, K. 283 (189h): II. Andante, Piano Sonata no. 5 in G major, K. 283 (189h): III. Presto, Piano Sonata no. 8 in A minor, K. 310 (300d): I. Allegro maestoso, Piano Sonata no. 8 in A minor, K. 310 (300d): II. Andante cantabile con espressione, Piano Sonata no. 8 in A minor, K. 310 (300d): III. Presto, [Rondo] alla turca. Allegretto (from Piano Sonatano. 11)
Claudio Monteverdi recording La Maddalena: Su le penne de' venti, SV 333, Messa a quattro voce et salmi: Confitebor tibi Domine, SV 194, Messa a quattro voce et salmi: Laudate Dominum, O omnes gentes, SV 197, Messa a quattro voce et salmi: Nisi Dominus aedificaverit domum, SV 200, Selva morale e spirituale: Ab aeterno ordinata sum, SV 262, Selva morale e spirituale: Confitebor tibi Domine [II], SV 266, Selva morale e spirituale: Confitebor tibi Domine, SV 267, Selva morale e spirituale: Deus tuorum militum, SV 280, Selva morale e spirituale: Iste confessor Domini sacratus, SV 279
John Ogdon engineer Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto, Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai – Adagio – Più Allegro, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro
Tony Banks engineer Caroline’s Theme, Finale, Kit’s Theme, Pastorale, Portrait of Jerry Jackson, Prelude to the Wicked Lady, Scherzo, The Wicked Lady
Hildegard von Bingen recording Ave, generosa, Columba aspexit, O Ecclesia, O Euchari, O Ierusalem, O ignis spiritus, O presul vere civitatis, O viridissima virga
Hill Smith engineer Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 22: III. Presto, Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato, Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace, Piano Concerto no. 4 in C minor, op. 44: III. Andante, Piano Concerto no. 4 in C minor, op. 44: IV. Allegro
[anonymous] recording De ce fol pense (after Pierre des Molins), Le gay playsir, Le grant pleyser, Lullay, lullay, Singularis laudis digna, The Agincourt Carol, Ther is no Rose of Swych Virtu
Broeder Hildebrand engineer Hungarian Dances: No. 1 in G minor, Hungarian Dances: No. 10 in F major, Hungarian Dances: No. 3 in F major, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro
Ignatius Johnny recording Ballade no. 1, op. 23 in G minor, Ballade no. 2, op. 38 in F major, Ballade no. 3, op. 47 in A-flat major, Ballade no. 4, op. 52 in F minor, Barcarolle, op. 60, Berceuse, op. 57, Scherzo no. 4, op. 54 in E major
Clay McLeod engineer Piano Concerto in C-sharp minor, op. 30: I. Moderato - Allegretto quasi polacca, Piano Concerto in C-sharp minor, op. 30: II. Andante mosso, Piano Concerto in C-sharp minor, op. 30: III. Allegro, Piano Concerto no. 1 in F-sharp minor, op. 1, Piano Concerto no. 2 in E-flat major, op. posth: I. Allegro non troppo, Piano Concerto no. 2 in E-flat major, op. posth: II. Adagio, Piano Concerto no. 2 in E-flat major, op. posth: III. Allegro risoluto
Martín Codax engineer Cantigas de amigo: I. Ondas do mar de vigo, Cantigas de amigo: II. Mandad' ei comigo, Cantigas de amigo: III. Mia jrmana fremosa, treides comigo, Cantigas de amigo: IV. Aj deus, se sab'ora meu amigo, Cantigas de amigo: V. Quantas sabedes amar amigo, Cantigas de amigo: VI. Eno sagrado en vigo, Cantigas de amigo: VII. Aj ondas que eu vin veer
Franck Talbourdet recording First Choral Symphony, op. 41 (H 155): Finale: Solo. Next They Tasso's Ardet Numbers, First Choral Symphony, op. 41 (H 155): Finale: Solo. Spirit Here That Reignest!, First Choral Symphony, op. 41 (H 155): Finale: Solo. Then, Though Thy Temple Wide, First Choral Symphony, op. 41 (H 155): Song and Bacchanal, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Solo. Onward the Tiger and the Leopard Pants, First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Solo. Within His Car, Aloft, Young Bacchus Stood
[unknown] engineer Danse Royale "No 2", Domna, pos vos ay chausida, Estamie Royal "No 3", Estamie Royal "No 4", Estamie Royal "No 6", Lasse, pour quoi refusai
Emil Wichmann recording Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro, Piano Concerto no. 22 in E-flat major, K. 482: II. Andante, Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro, Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro, Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto, Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto
The Workers sound Symphony no. 3 in C minor: I. Allegro molto maestoso, Symphony no. 3 in C minor: II. Scherzo: Allegretto, Symphony no. 3 in C minor: III. Adagio solenne, Symphony no. 3 in C minor: IV. Allegro
Pamela Landrum engineer Violin Concerto, op. 14: I. Allegro, Violin Concerto, op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuoso
Pierre Moraguès recording Symphony no. 3, op. 36: I. Lento - Sostenuto tranquillo ma cantabile, Symphony no. 3, op. 36: II. Lento e largo - Tranquillissimo, Symphony no. 3, op. 36: III. Lento - Cantabile semplice
Frederick Davidson sound Roméo et Juliette "Symphonie dramatique": Scène 7b. "Quoi! Romèo de retour!" / Recitatif "Je vais devoiler le mystère", Roméo et Juliette "Symphonie dramatique": Scène 7c. Air "Pauvres enfants que je pleure", Roméo et Juliette "Symphonie dramatique": Scène 7c. Serment "Jurez donc, par l'auguste symbole"
Matt Crawford recording Concerto for Orchestra: Allegro - Largo - Allegro maestoso, Symphony no. 8 "Sinfonia Votiva": I. Andante rubato con devozione, Symphony no. 8 "Sinfonia Votiva": II. Allegro assai con passione
N-AyneX engineer Myn hertis lust, So ys emprinted
Echo Drop recording A Choral Fantasia, op. 51 (H 177): I. Man Born of Desire, A Choral Fantasia, op. 51 (H 177): V. Rejoice, Ye Dead
New Mixage sound Roméo et Juliette "Symphonie dramatique": Scène 3. Scène d'amour. Nuit sereine / Le jardin de Capulet silencieux et desert, Roméo et Juliette "Symphonie dramatique": Scène 5. Convoi funèbre de Juliette
Scott Arnold recording A Choral Fantasia, op. 51 (H 177): III. Rejoice, Ye Dead, A Choral Fantasia, op. 51 (H 177): IV. Man Born of Desire
Richard Loqueville recording Je vous pri que j'aye un baysier
Richart de Fournival engineer Onques n'amai tant que jou fui amee
John Dunstable recording Speciosa facta es
Mike Coyle recording A Choral Fantasia, op. 51 (H 177): II. Organ Solo
5-40am sound Roméo et Juliette "Symphonie dramatique": Scène 1b. Prologue. "D'anciennes haines endormies"
Soursby recording Sanctus
Christopher Wilson engineer Mi ut re ut (Venise)
ID369 sound Roméo et Juliette "Symphonie dramatique": Scène 1c. Strophes. "Premiers transports que nul n'oublie!"
The Brigade engineer Pomp and Circumstance March no. 4
La Comtesse de Die engineer A chantar m'er de so qu'ieu non volria
Hector Berlioz sound La damnation de Faust : Deuxième Partie : Scène IV : Nord de l’Allemagne : ‘Sans regrets j’ai quitté les riantes campagnes’ (Faust)
Leonel Power recording Sanctus
Alexander Gorodezki recording Concerto Movement in D major for Basset Clarinet
Philippe de Vitry recording Gratissima virginis / Vos qui admiramini / Gaude gloriosa / Contratenor
Xenia K. engineer Las je ne puis plus nullement durer
Death Curse sound Roméo et Juliette "Symphonie dramatique": Scène 1c. Recitatif et scherzetto. "C'est lui!"
Franchois Lebertoul recording Las, que me demanderoye
John Pyamour recording Quam pulchra es
Pycard recording Gloria