| London Symphony Orchestra |
performing orchestra |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes, Benedicite, Death of Tintagiles: 1. Lento, Death of Tintagiles: 2. Allegro, Death of Tintagiles: 3. Lento - Andante tranquillo - Lento, Death of Tintagiles: 4 1/2. Allegro, Death of Tintagiles: 4. Moderato, Death of Tintagiles: 5. Lento, Death of Tintagiles: Prelude: Largo - Andantino - Adagio, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantaisie sur ''Greensleeves'', Fantasia On 'Greensleeves', Fantasia on "Greensleeves", Fantasia on 'Greensleeves', Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house", Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, Job: A Masque for Dancing, Scene I: Introduction, Job: A Masque for Dancing, Scene I: Sarabande for the sons of God, Job: A Masque for Dancing, Scene II: Satan's dance of triumph, Job: A Masque for Dancing, Scene III: Minuet of the sons of Job and their wives, Job: A Masque for Dancing, Scene IV: Job's dream, Job: A Masque for Dancing, Scene IX: Epilogue, Job: A Masque for Dancing, Scene V: Dream of the three messengers, Job: A Masque for Dancing, Scene VI: Dance of Job's comforters, Job: A Masque for Dancing, Scene VII: Elihu's dance of youth and beauty, Job: A Masque for Dancing, Scene VII: Pavane of the sons of the morning, Job: A Masque for Dancing, Scene VIII: Altar dance, Job: A Masque for Dancing, Scene VIII: Galliard of the sons of the morning, Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo), Tuba Concerto in F minor: I. Prelude: Allegro moderato, Tuba Concerto in F minor: II. Romanza: Andante sostenuto, Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro) |
| London Philharmonic Orchestra |
performing orchestra |
A London Symphony: I. Lento, A Song of Thanksgiving, Concerto for two pianos and orchestra in C major: I. Toccata: Allegro moderato, Concerto for two pianos and orchestra in C major: II. Romanza: Lento, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 1, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 2, Concerto grosso: I. Intrada: Largo, Concerto grosso: II. Burlesca ostinato: Allegro moderato, Concerto grosso: III. Sarabande: Lento, Concerto grosso: IV. Scherzo: Allegro, tempo di valse, Concerto grosso: V. March (A la marcia) and Reprise, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: I. "Agnus Dei" (lento), Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: III. Reconciliation (andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia, Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo), Dona nobis pacem: VI. "O Man Greatly Beloved", Dona nobis pacem: VI. "O man greatly beloved", Epithalamion: I. Prologue, Epithalamion: II. Wake Now, Epithalamion: III. The Calling of the Bride, Epithalamion: IV. The Minstrels, Epithalamion: IX. The Minstrel's Song, Epithalamion: V. Procession of the Bride, Epithalamion: VI. The Temple Gates, Epithalamion: VII. The Bell Ringers, Epithalamion: VIII. The Lover's Song, Epithalamion: X. Song of the Winged Loves, Epithalamion: XI. Prayer to Juno, Fantasia (quasi variazione) on the Old 104th Psalm Tune, Fantasia on the Old 104th Psalm Tune, Job - A Masque for Dancing (Satan's Dance of Triumph), Prelude and Fugue in C minor: I. Prelude, Prelude and Fugue in C minor: II. Fugue, Serenade to Music, Symphony no. 3 “Pastoral”: II. Lento moderato, The Wasps - Aristophanic Suite: I. Overture, The Wasps - Aristophanic Suite: II. Entr'acte, The Wasps - Aristophanic Suite: III. March Past of the Kitchen Utensils, The Wasps - Aristophanic Suite: IV. Entr'acte, The Wasps - Aristophanic Suite: V. Ballet and Final Tableau, The Wasps: March Past of the Kitchen Utensils (London Philharmonic Orchestra), Toward the Unknown Region |
| Richard Hickox |
conductor |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes, Death of Tintagiles: 1. Lento, Death of Tintagiles: 2. Allegro, Death of Tintagiles: 3. Lento - Andante tranquillo - Lento, Death of Tintagiles: 4 1/2. Allegro, Death of Tintagiles: 4. Moderato, Death of Tintagiles: 5. Lento, Death of Tintagiles: Prelude: Largo - Andantino - Adagio, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Hugh Bean |
violin |
As I walked out, Ballad de Jésus Christ, Bushes and Briars, Chanson de quête, Geordie, How cold the wind doth blow (or The Unquiet Grave), Joseph and Mary, Merciless Beauty: I. Your eyën two, Merciless Beauty: II. So hath your beauty, Merciless Beauty: III. Since I from Love, On Board a Ninety-Eight, On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge, On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning, On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing, On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you, On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill, On Wenlock Edge (voice, string quartet and piano version): VI. Clun, Rolling in the Dew, Réveillez-vous, Piccars, Searching for Lambs, She's like the swallow, The Brewer, The Captain's Apprentice, The Cuckoo, The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean), The Lawyer, The Maiden's Lament, The Morning Dew, The Ploughman, The Saviour's Love, The Truth Sent from Above |
| Sir Adrian Boult |
conductor |
A London Symphony: I. Lento, A Song of Thanksgiving, Concerto grosso: I. Intrada: Largo, Concerto grosso: II. Burlesca ostinato: Allegro moderato, Concerto grosso: III. Sarabande: Lento, Concerto grosso: IV. Scherzo: Allegro, tempo di valse, Concerto grosso: V. March (A la marcia) and Reprise, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: I. "Agnus Dei" (lento), Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: III. Reconciliation (andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia, Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo), Dona nobis pacem: VI. "O Man Greatly Beloved", Dona nobis pacem: VI. "O man greatly beloved", English Folk Song Suite, Fantaisie sur ''Greensleeves'', Fantasia (quasi variazione) on the Old 104th Psalm Tune, Fantasia on Greensleeves, Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love"), Fantasia on the Old 104th Psalm Tune, Serenade to Music, The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean), The Wasps: March Past of the Kitchen Utensils, The Wasps: March Past of the Kitchen Utensils (London Philharmonic Orchestra), Toward the Unknown Region |
| Australian Intervarsity Choral Festival Choir |
vocal |
5 Mystical Songs: Antiphon, 5 Mystical Songs: Easter, 5 Mystical Songs: I got me flowers, 5 Mystical Songs: Love bade me welcome, 5 Mystical Songs: The Call, A Sea Symphony: I. A Song for All Seas, All Ships, A Sea Symphony: II. On the Beach at Night, Alone, A Sea Symphony: III. Scherzo: The Waves, A Sea Symphony: IV. The Explorers, Dona Nobis Pacem, Dutch Folk Song, Festival Te Deum, Mass in G Minor: Credo, Mass in G Minor: Gloria, Mass in G Minor: Kyrie, Mass in G minor: Agnus Dei, Mass in G minor: Credo, Mass in G minor: Gloria, Mass in G minor: Kyrie, Mass in G minor: Sanctus, Mass in G-minor: Agnus Dei, Mass in G-minor: Benedictus, Mass in G-minor: Credo, Mass in G-minor: Gloria, Mass in G-minor: Kyrie, Mass in G-minor: Sanctus |
| Bournemouth Symphony Orchestra |
performing orchestra |
Fantasia on a Theme by Thomas Tallis, Folk songs of the four seasons: Winter: I. Children's Christmas song, Folk songs of the four seasons: Winter: II. Wassail song, Folk songs of the four seasons: Winter: III. In Bethlehem city, Folk songs of the four seasons: Winter: IV. God bless the Master, In Windsor Forest: I. The Conspiracy, In Windsor Forest: II. Drinking Song, In Windsor Forest: III. Falstaff and the Fairies, In Windsor Forest: IV. Wedding Chorus, In Windsor Forest: V. Epilogue, Symphony No.2, A London Symphony: Epilogue, Variations for Orchestra: I. Poco tranquillo, Variations for Orchestra: II. Tranquillo cantabile, Variations for Orchestra: III. Allegro, Variations for Orchestra: IV. Canon (Allegro), Variations for Orchestra: IX. Adagio, Variations for Orchestra: Theme: Andante maestoso, Variations for Orchestra: V. Moderato sostenuto, Variations for Orchestra: VI. Tempo di valse, Variations for Orchestra: VII. Arabesque (Andante sostenuto), Variations for Orchestra: VIII. Alla polacca, Variations for Orchestra: X. Fugato (Allegro moderato e risoluto), Variations for Orchestra: XI: Chorale |
| Philip Ledger |
conductor, organ, piano |
As I walked out, Ballad de Jésus Christ, Bushes and Briars, Chanson de quête, Geordie, How cold the wind doth blow (or The Unquiet Grave), Joseph and Mary, O little town of Bethlehem, On Board a Ninety-Eight, Rolling in the Dew, Réveillez-vous, Piccars, Searching for Lambs, She's like the swallow, The Brewer, The Call, The Captain's Apprentice, The Cuckoo, The Lawyer, The Maiden's Lament, The Morning Dew, The Ploughman, The Saviour's Love, The Truth Sent from Above |
| Robert Tear |
vocal |
As I walked out, Ballad de Jésus Christ, Bushes and Briars, Chanson de quête, Geordie, How cold the wind doth blow (or The Unquiet Grave), Joseph and Mary, On Board a Ninety-Eight, Rolling in the Dew, Réveillez-vous, Piccars, Searching for Lambs, She's like the swallow, The Brewer, The Captain's Apprentice, The Cuckoo, The Lawyer, The Maiden's Lament, The Morning Dew, The Ploughman, The Saviour's Love, The Truth Sent from Above |
| London Symphony Chorus |
vocal |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| The Bach Choir |
vocal |
Benedicite, Epithalamion: I. Prologue, Epithalamion: II. Wake Now, Epithalamion: III. The Calling of the Bride, Epithalamion: IV. The Minstrels, Epithalamion: IX. The Minstrel's Song, Epithalamion: V. Procession of the Bride, Epithalamion: VI. The Temple Gates, Epithalamion: VII. The Bell Ringers, Epithalamion: VIII. The Lover's Song, Epithalamion: X. Song of the Winged Loves, Epithalamion: XI. Prayer to Juno, Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming", Five Tudors Portraits: II. Intermezzo "My Pretty Bess", Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss", Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)", Five Tudors Portraits: V. Scherzo "Jolly Rutterkin", Yorkshire Wassail Song (We've been awhile a-wandering) |
| London Philharmonic Choir |
vocal |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantasia (quasi variazione) on the Old 104th Psalm Tune, Toward the Unknown Region |
| Lajos Lencsés |
oboe |
Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale (Allegro Moderato), Concerto for Oboe and Strings in A Minor: II. Minuet and Musette (Allegro Moderato), Concerto for Oboe and Strings in A Minor: III. Scherzo (Presto - Doppio piu lento - Lento - Presto), Household Music: No. 1. Crug-Y-Bar (Fantasia). Andante Sostenuto., Household Music: No. 2. St. Denio (Scherzo). Allegro Vivace / No. 3. Aberystwyth (Variations), Household Music: Thema. Lento, Household Music: Variations I - VIII, Ten Blake Songs: No. 1. Infant Joy "I have no name", Ten Blake Songs: No. 10. Eternity "He who binds to himself a joy", Ten Blake Songs: No. 2. A Poison Tree "I was angry with my friend", Ten Blake Songs: No. 3. The Piper "Piping down the valleys wild", Ten Blake Songs: No. 4. London "I wander thro' each charter'd street", Ten Blake Songs: No. 5. The Lamb "Little lamb, who made thee?", Ten Blake Songs: No. 6. The Shepherd "How sweet is the shepherd's sweet lot!", Ten Blake Songs: No. 7. Ah! Sunflower "Ah, sun-flower! weary of time", Ten Blake Songs: No. 8. Cruelty has a human heart, Ten Blake Songs: No. 9. The Divine Image "To mercy, pity, peace and love" |
| Christopher Bishop (conductor/producer) |
conductor, producer |
An Acre of Land, Bushes and Briars, Ca' the Yowes, Early in the Spring, Five English Folk Songs: I. The Dark-Eyed Sailor, Five English Folk Songs: II. The Spring Time of the Year, Five English Folk Songs: III. Just as the Tide was Flowing, Five English Folk Songs: IV. The Lover's Ghost (Well met, my own true love), Five English Folk Songs: V. Wassail Song, Greensleeves, John Dory, Loch Lomond, O Clap Your Hands, The Seeds of Love, The Turtle Dove, The Unquiet Grave, Ward, the Pirate |
| Sir David Willcocks |
conductor |
An Oxford Elegy, And all in the morning, Antiphon, Epithalamion: I. Prologue, Epithalamion: II. Wake Now, Epithalamion: III. The Calling of the Bride, Epithalamion: IV. The Minstrels, Epithalamion: IX. The Minstrel's Song, Epithalamion: V. Procession of the Bride, Epithalamion: VI. The Temple Gates, Epithalamion: VII. The Bell Ringers, Epithalamion: VIII. The Lover's Song, Epithalamion: X. Song of the Winged Loves, Epithalamion: XI. Prayer to Juno, O Clap Your Hands, The Truth from Above, Yorkshire Wassail Song (We've been awhile a-wandering) |
| BBC Philharmonic |
performing orchestra |
Job: A Masque for Dancing: Scene 1: Introduction, Pastoral Dance, Satan’s Appeal to God, Saraband to the Sons of God, Job: A Masque for Dancing: Scene 2: Satan’s Dance of Triumph, Job: A Masque for Dancing: Scene 3: Minuet of the Sons of Job and their Wives, Job: A Masque for Dancing: Scene 4. Job’s Dream, Dance of Plague, Pestilence, Famine and Battle, Job: A Masque for Dancing: Scene 5: Dance of the Three Messengers, Job: A Masque for Dancing: Scene 6: Dance of Job’s Comforters, Job’s Curse, A Vision of Satan, Job: A Masque for Dancing: Scene 7: Elihu’s Dance of Youth and Beauty, Pavane of the Sons of the Morning, Job: A Masque for Dancing: Scene 8: Galliard of the Sons of the Morning, Altar Dance and Heavenly Pavane, Job: A Masque for Dancing: Scene 9. Epilogue, The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb” |
| London Madrigal Singers |
vocal |
An Acre of Land, Bushes and Briars, Ca' the Yowes, Early in the Spring, Five English Folk Songs: I. The Dark-Eyed Sailor, Five English Folk Songs: II. The Spring Time of the Year, Five English Folk Songs: III. Just as the Tide was Flowing, Five English Folk Songs: IV. The Lover's Ghost (Well met, my own true love), Five English Folk Songs: V. Wassail Song, Greensleeves, John Dory, Loch Lomond, The Seeds of Love, The Turtle Dove, The Unquiet Grave, Ward, the Pirate |
| Stephen Westrop |
chorus master |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Mark Vigars |
engineer |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Andrew Keener (engineer/editor/producer) |
editor, producer |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Stephen Frost |
editor |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Philippe Fourcade |
vocal |
Songs of Travel - Bright is the ring of words, Songs of Travel - I have trod the upward and the downward slope, Songs of Travel - In Dreams, Songs of Travel - Let Beauty awake, Songs of Travel - The Roadside Fire, Songs of Travel - The Vagabond, Songs of Travel - The infinite shining heavens, Songs of Travel - Whither I must wander?, Songs of Travel - Youth and Love, The House of Life - Death In Love, The House of Life - Heart's Haven, The House of Life - Love - Sight, The House of Life - Love's Last Gift, The House of Life - Love's Minstrels, The House of Life - Silent Noon |
| Enrico De Mori |
piano |
Songs of Travel - Bright is the ring of words, Songs of Travel - I have trod the upward and the downward slope, Songs of Travel - In Dreams, Songs of Travel - Let Beauty awake, Songs of Travel - The Roadside Fire, Songs of Travel - The Vagabond, Songs of Travel - The infinite shining heavens, Songs of Travel - Whither I must wander?, Songs of Travel - Youth and Love, The House of Life - Death In Love, The House of Life - Heart's Haven, The House of Life - Love - Sight, The House of Life - Love's Last Gift, The House of Life - Love's Minstrels, The House of Life - Silent Noon |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
5 Variants on Dives & Lazarus, Dives and Lazarus Variant I, Dives and Lazarus Variant II, Dives and Lazarus Variant III, Dives and Lazarus Variant IV, Dives and Lazarus Variant V, Fantasia On Greensleeves, Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming", Five Tudors Portraits: II. Intermezzo "My Pretty Bess", Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss", Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)", Five Tudors Portraits: V. Scherzo "Jolly Rutterkin", The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean), The Wasps: March Past of the Kitchen Utensils, Theme (Adagio) |
| Sir Thomas Allen (baritone) |
vocal |
Fantasia on Christmas Carols, Five Mystical Songs, No. 1: Easter, Five Mystical Songs, No. 2: I Got Me Flowers, Five Mystical Songs, No. 3: Love Bade Me Welcome, Five Mystical Songs, No. 4: The Call, Five Mystical Songs, No. 5: Antiphon, Linden Lea - A Dorset Song, Serenade to Music, The House of Life: I. Love-sight, The House of Life: II. Silent Noon, The House of Life: III. Love's Minstrels, The House of Life: IV Heart's Haven, The House of Life: V. Death in Love, The House of Life: VI. Love's Last Gift |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
5 Variants of Dives and Lazarus, Coastal Command: Dawn Patrol, Dawn Patrol (from the film Coastal Command), Flos Campi - Suite, Piano Concerto in C: I. Toccata: Allegro moderato, Piano Concerto in C: II. Romanza: Lento, Piano Concerto in C: IIIa. Fuga cromatica (Allegro), Piano Concerto in C: IIIb. con finale alla tedesca, The Sons of Light: I. Darkness and Light, The Sons of Light: II. The Song of the Zodiac, The Sons of Light: III. The Messengers of Speech, The Voice out of the Whirlwind, Toward the Unknown Region, Willow-Wood |
| St Paul’s Cathedral Choir (London) |
vocal |
Five Mystical Songs: The Call, Linden Lea (choral version), Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Howard Shelley (British pianist and conductor) |
piano |
Epithalamion: I. Prologue, Epithalamion: II. Wake Now, Epithalamion: III. The Calling of the Bride, Epithalamion: IV. The Minstrels, Epithalamion: IX. The Minstrel's Song, Epithalamion: V. Procession of the Bride, Epithalamion: VI. The Temple Gates, Epithalamion: VII. The Bell Ringers, Epithalamion: VIII. The Lover's Song, Epithalamion: X. Song of the Winged Loves, Epithalamion: XI. Prayer to Juno |
| New York Philharmonic |
performing orchestra |
Fantasia on 'Greensleeves', Fantasia on a Theme by Thomas Tallis, Pomp and Circumstance: March No. 1 in D major, Op. 39.1, Serenade to Music, Act V, Scene 1: 'Come, ho! and wake Diana with a hymn', Serenade to Music, Act V, Scene 1: 'How many things by season', Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps', Serenade to Music, Act V, Scene 1: 'Look how the floor of heaven is thick inlaid', Serenade to Music, Act V, Scene 1: 'Music! Hark!', Serenade to Music, Act V, Scene 1: 'Soft stillness and the night', Serenade to Music, Act V, Scene 1: 'l am never merry when I hear sweet music', Serenade to Music, Act V, Scene 1: Andante sostenuto |
| Choir of King’s College, Cambridge |
vocal |
All people that on earth do dwell (The Old Hundredth) (brass ensemble and organ version), Alleluya, sing to Jesus (Hyfrydol), An Oxford Elegy, And all in the morning, Antiphon, Come down, O Love divine, Joseph and Mary, O Clap Your Hands, O little town of Bethlehem, The Truth from Above, Wither's Rocking Hymn |
| John Carol Case |
vocal |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming", Five Tudors Portraits: II. Intermezzo "My Pretty Bess", Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss", Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)", Five Tudors Portraits: V. Scherzo "Jolly Rutterkin" |
| Jonathan Snowden |
flute |
Epithalamion: I. Prologue, Epithalamion: II. Wake Now, Epithalamion: III. The Calling of the Bride, Epithalamion: IV. The Minstrels, Epithalamion: IX. The Minstrel's Song, Epithalamion: V. Procession of the Bride, Epithalamion: VI. The Temple Gates, Epithalamion: VII. The Bell Ringers, Epithalamion: VIII. The Lover's Song, Epithalamion: X. Song of the Winged Loves, Epithalamion: XI. Prayer to Juno |
| English Chamber Orchestra |
performing orchestra |
Antiphon, Fantasia on Christmas Carols, Five Mystical Songs, No. 1: Easter, Five Mystical Songs, No. 2: I Got Me Flowers, Five Mystical Songs, No. 3: Love Bade Me Welcome, Five Mystical Songs, No. 4: The Call, Five Mystical Songs, No. 5: Antiphon, Flos Campi, O Clap Your Hands, O clap your hands (Psalm 47), Serenade to Music |
| Ralph Greaves |
arranger |
Fantaisie sur "Greensleeves", Fantaisie sur "Greensleeves" (feat. London Chamber Orchestra, conductor: Christopher Warren-Green), Fantasia on "Greensleeves", Fantasia on "Greensleeves" (1986 Digital Remaster), Fantasia on "Greensleeves" (Sir John in Love) (Arr. Greaves), Fantasia on 'Greensleeves', Fantasia on 'Greensleeves' (Sir John in Love), Fantasia on 'Greensleeves' (extract), Fantasia on Greensleeves, Fantasia on Greensleeves (London Sinfonia feat. conductor: Sir John Barbirolli), Fantasia on “Greensleeves” |
| Andreas Weller |
vocal |
Ten Blake Songs: No. 1. Infant Joy "I have no name", Ten Blake Songs: No. 10. Eternity "He who binds to himself a joy", Ten Blake Songs: No. 2. A Poison Tree "I was angry with my friend", Ten Blake Songs: No. 3. The Piper "Piping down the valleys wild", Ten Blake Songs: No. 4. London "I wander thro' each charter'd street", Ten Blake Songs: No. 5. The Lamb "Little lamb, who made thee?", Ten Blake Songs: No. 6. The Shepherd "How sweet is the shepherd's sweet lot!", Ten Blake Songs: No. 7. Ah! Sunflower "Ah, sun-flower! weary of time", Ten Blake Songs: No. 8. Cruelty has a human heart, Ten Blake Songs: No. 9. The Divine Image "To mercy, pity, peace and love" |
| Vernon Handley |
conductor |
Flos Campi - Suite, Job: A Masque for Dancing: Scene 1: Introduction, Pastoral Dance, Satan’s Appeal to God, Saraband to the Sons of God, Job: A Masque for Dancing: Scene 2: Satan’s Dance of Triumph, Job: A Masque for Dancing: Scene 3: Minuet of the Sons of Job and their Wives, Job: A Masque for Dancing: Scene 4. Job’s Dream, Dance of Plague, Pestilence, Famine and Battle, Job: A Masque for Dancing: Scene 5: Dance of the Three Messengers, Job: A Masque for Dancing: Scene 6: Dance of Job’s Comforters, Job’s Curse, A Vision of Satan, Job: A Masque for Dancing: Scene 7: Elihu’s Dance of Youth and Beauty, Pavane of the Sons of the Morning, Job: A Masque for Dancing: Scene 8: Galliard of the Sons of the Morning, Altar Dance and Heavenly Pavane, Job: A Masque for Dancing: Scene 9. Epilogue |
| Christopher Wellington |
viola |
Four Hymns: I. Lord! come away!, Four Hymns: II. Who is this fair one?, Four Hymns: III. Come Love, come Lord, Four Hymns: IV. Evening Hymn, On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge, On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning, On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing, On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you, On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill, On Wenlock Edge (voice, string quartet and piano version): VI. Clun |
| Thomas Randle |
vocal |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes |
| Bryn Terfel (bass-baritone opera singer) |
vocal |
Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Songs of Travel, Songs of Travel: The Vagabond (extract), Songs of Travels, Nr. 1"The Vagabond" |
| David Parkhouse |
piano |
Four Hymns: I. Lord! come away!, Four Hymns: II. Who is this fair one?, Four Hymns: III. Come Love, come Lord, Four Hymns: IV. Evening Hymn, On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge, On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning, On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing, On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you, On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill, On Wenlock Edge (voice, string quartet and piano version): VI. Clun |
| Janet Craxton |
oboe |
Ten Blake Songs: I. Infant Joy, Ten Blake Songs: II. A Poison Tree, Ten Blake Songs: III. The Piper, Ten Blake Songs: IV. London, Ten Blake Songs: IX. The Divine Image, Ten Blake Songs: V. The Lamb, Ten Blake Songs: VI. The Shepherd, Ten Blake Songs: VII. Ah, Sun-flower!, Ten Blake Songs: VIII. Cruelty has a human heart, Ten Blake Songs: X. Eternity |
| BBC Symphony Orchestra |
performing orchestra |
Dona nobis pacem: I. Agnus Dei, Dona nobis pacem: II. Beat! Beat! Drums!, Dona nobis pacem: III. Reconciliation, Dona nobis pacem: IV. Dirge for Two Veterans, Dona nobis pacem: V. The Angel of Death has been abroad, Dona nobis pacem: VI. O Man Greatly Beloved, Romance in D flat for harmonica with strings and piano, Symphony No. 5. Prelùdio: Moderato (excerpt), Symphony No. 6. Allegro (excerpt), The Lark Ascending (excerpt) |
| John Scott (organist, choirmaster) |
chorus master |
Sancta Civitas: And I saw Heaven opened (Allegro), Sancta Civitas: And I saw a new heaven (Adagio), Sancta Civitas: And I saw a pure river, Sancta Civitas: And I saw an angel standing in the sun (Meno mosso), Sancta Civitas: Babylon the great is fallen (Lento), Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato), Sancta Civitas: Holy, Holy, Holy (Andante sostenuto), Sancta Civitas: I was in the spirit (Lento), Sancta Civitas: Rejoice over her O Heavens (Allegro moderato), Sancta Civitas: Therefore are they before the throne of God (Poco meno largo) |
| Rosa Mannion |
vocal |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes |
| Matthew Brook (bass-baritone) |
vocal |
A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes |
| William Boughton |
conductor |
Concerto Grosso: I. Intrada, Concerto Grosso: II. Burlesca ostinata, Concerto Grosso: III. Sarabande, Concerto Grosso: IV. Scherzo, Concerto Grosso: V. March and Reprise, Fantasia on "Greensleeves", Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, Fantasia on a Theme by Thomas Tallis (extract), The Lark Ascending |
| Emma Johnson (UK clarinettist) |
clarinet |
Six Studies in English Folk Song: I. Adagio, Six Studies in English Folk Song: II. Andante sostenuto, Six Studies in English Folk Song: III. Larghetto, Six Studies in English Folk Song: IV. Lento, Six Studies in English Folk Song: V. Andante tranquillo, Six Studies in English Folk Song: VI. Allegro vivace, Three Vocalises for Soprano and Clarinet: I. Prelude: Moderato, Three Vocalises for Soprano and Clarinet: II. Scherzo: Allegro moderato, Three Vocalises for Soprano and Clarinet: III. Quasi menuetto: Moderato |
| Eileen Croxford |
cello |
Merciless Beauty: I. Your eyën two, Merciless Beauty: II. So hath your beauty, Merciless Beauty: III. Since I from Love, On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge, On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning, On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing, On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you, On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill, On Wenlock Edge (voice, string quartet and piano version): VI. Clun |
| Malcolm Martineau (pianist) |
piano |
Six Studies in English Folk Song: I. Adagio, Six Studies in English Folk Song: II. Andante sostenuto, Six Studies in English Folk Song: III. Larghetto, Six Studies in English Folk Song: IV. Lento, Six Studies in English Folk Song: V. Andante tranquillo, Six Studies in English Folk Song: VI. Allegro vivace, Songs of Travel, Songs of Travel: The Vagabond (extract), Songs of Travels, Nr. 1"The Vagabond" |
| Sir Charles Groves |
conductor |
Coastal Command: Dawn Patrol, Dawn Patrol (from the film Coastal Command), The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb” |
| English String Orchestra |
performing orchestra |
Concerto Grosso: I. Intrada, Concerto Grosso: II. Burlesca ostinata, Concerto Grosso: III. Sarabande, Concerto Grosso: IV. Scherzo, Concerto Grosso: V. March and Reprise, Fantasia on "Greensleeves", Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis, Fantasia on a Theme by Thomas Tallis (extract) |
| Frances Mason |
violin |
Merciless Beauty: I. Your eyën two, Merciless Beauty: II. So hath your beauty, Merciless Beauty: III. Since I from Love, On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge, On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning, On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing, On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you, On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill, On Wenlock Edge (voice, string quartet and piano version): VI. Clun |
| Norman Del Mar |
conductor |
Five Variants of "Dives and Lazarus", In Windsor Forest: I. The Conspiracy, In Windsor Forest: II. Drinking Song, In Windsor Forest: III. Falstaff and the Fairies, In Windsor Forest: IV. Wedding Chorus, In Windsor Forest: V. Epilogue, Norfolk Rhapsody, No. 1 in E minor, Toward the Unknown Region |
| Matthew Best (UK conductor, founder of Corydon Singers) |
conductor |
Fantasia on Christmas Carols, Five Mystical Songs, No. 1: Easter, Five Mystical Songs, No. 2: I Got Me Flowers, Five Mystical Songs, No. 3: Love Bade Me Welcome, Five Mystical Songs, No. 4: The Call, Five Mystical Songs, No. 5: Antiphon, Flos Campi, Serenade to Music |
| David Lloyd-Jones |
conductor |
5 Variants of Dives and Lazarus, The Lark Ascending, The Sons of Light: I. Darkness and Light, The Sons of Light: II. The Song of the Zodiac, The Sons of Light: III. The Messengers of Speech, The Voice out of the Whirlwind, Toward the Unknown Region, Willow-Wood |
| Stephen Roberts (UK bass-baritone) |
vocal |
Epithalamion: II. Wake Now, Epithalamion: IX. The Minstrel's Song, Epithalamion: VIII. The Lover's Song, Epithalamion: XI. Prayer to Juno, Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above", Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen", Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing", Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house" |
| Leonard Slatkin |
conductor |
5 Variants on Dives & Lazarus, Dives and Lazarus Variant I, Dives and Lazarus Variant II, Dives and Lazarus Variant III, Dives and Lazarus Variant IV, Dives and Lazarus Variant V, Theme (Adagio) |
| Helen Watts (contralto) |
vocal |
Magnificat, Riders to the Sea: Bartley Will Be Lost Now, Riders to the Sea: They Are All Gone Now, Riders to the Sea: Wait, Nora, Riders to the Sea: Where Is She?, Riders to the Sea: Where Is the Bit of New Rope, Riders to the Sea: You Didn't Give Him His Bit of Bread? |
| Elsa Kendal |
vocal |
The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb” |
| Robin Leggate (operatic tenor) |
vocal |
The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb” |
| Geoffrey Parsons (pianist) |
piano |
Linden Lea - A Dorset Song, The House of Life: I. Love-sight, The House of Life: II. Silent Noon, The House of Life: III. Love's Minstrels, The House of Life: IV Heart's Haven, The House of Life: V. Death in Love, The House of Life: VI. Love's Last Gift |
| Roy Emerson |
producer |
Linden Lea - A Dorset Song, The House of Life: I. Love-sight, The House of Life: II. Silent Noon, The House of Life: III. Love's Minstrels, The House of Life: IV Heart's Haven, The House of Life: V. Death in Love, The House of Life: VI. Love's Last Gift |
| Royal Liverpool Philharmonic Choir |
vocal |
Flos Campi - Suite, Serenade to Music (choral version), The Sons of Light: I. Darkness and Light, The Sons of Light: II. The Song of the Zodiac, The Sons of Light: III. The Messengers of Speech, The Voice out of the Whirlwind, Toward the Unknown Region |
| Delyth Jones |
vocal |
The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb” |
| Orchestra Nova of London |
performing orchestra |
Magnificat, Riders to the Sea: Bartley Will Be Lost Now, Riders to the Sea: They Are All Gone Now, Riders to the Sea: Wait, Nora, Riders to the Sea: Where Is She?, Riders to the Sea: Where Is the Bit of New Rope, Riders to the Sea: You Didn't Give Him His Bit of Bread? |
| Martin Haskell |
engineer |
Linden Lea - A Dorset Song, The House of Life: I. Love-sight, The House of Life: II. Silent Noon, The House of Life: III. Love's Minstrels, The House of Life: IV Heart's Haven, The House of Life: V. Death in Love, The House of Life: VI. Love's Last Gift |
| The Britten Singers (formerly BBC Northern Singers) |
vocal |
The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb” |
| Meredith Davies |
conductor |
Magnificat, Riders to the Sea: Bartley Will Be Lost Now, Riders to the Sea: They Are All Gone Now, Riders to the Sea: Wait, Nora, Riders to the Sea: Where Is She?, Riders to the Sea: Where Is the Bit of New Rope, Riders to the Sea: You Didn't Give Him His Bit of Bread? |
| The Ambrosian Singers |
vocal |
Magnificat, Riders to the Sea: Bartley Will Be Lost Now, Riders to the Sea: They Are All Gone Now, Riders to the Sea: Wait, Nora, Riders to the Sea: Where Is She?, Riders to the Sea: Where Is the Bit of New Rope, Riders to the Sea: You Didn't Give Him His Bit of Bread? |
| Sheila Armstrong |
vocal |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved" |
| BBC Symphony Chorus (amateur chorus associated with the BBC Symphony Orchestra) |
performer, vocal |
Dona nobis pacem: I. Agnus Dei, Dona nobis pacem: II. Beat! Beat! Drums!, Dona nobis pacem: III. Reconciliation, Dona nobis pacem: IV. Dirge for Two Veterans, Dona nobis pacem: V. The Angel of Death has been abroad, Dona nobis pacem: VI. O Man Greatly Beloved |
| Margaret Price |
vocal |
Riders to the Sea: Bartley Will Be Lost Now, Riders to the Sea: They Are All Gone Now, Riders to the Sea: Wait, Nora, Riders to the Sea: Where Is She?, Riders to the Sea: Where Is the Bit of New Rope, Riders to the Sea: You Didn't Give Him His Bit of Bread? |
| Norma Burrowes |
vocal |
Riders to the Sea: Bartley Will Be Lost Now, Riders to the Sea: They Are All Gone Now, Riders to the Sea: Wait, Nora, Riders to the Sea: Where Is She?, Riders to the Sea: Where Is the Bit of New Rope, Riders to the Sea: You Didn't Give Him His Bit of Bread? |
| Hamer Quartet |
performer |
On Wenlock Edge: I. On Wenlock Edge, On Wenlock Edge: II. From Far, From Eve and Morning, On Wenlock Edge: III. Is My Team Plowing?, On Wenlock Edge: IV. Oh, When I was in Love with You, On Wenlock Edge: V. Bredon Hill, On Wenlock Edge: VI. Clun |
| Benjamin Martin (Australian pianist) |
piano |
On Wenlock Edge: I. On Wenlock Edge, On Wenlock Edge: II. From Far, From Eve and Morning, On Wenlock Edge: III. Is My Team Plowing?, On Wenlock Edge: IV. Oh, When I was in Love with You, On Wenlock Edge: V. Bredon Hill, On Wenlock Edge: VI. Clun |
| Steve Davislim (tenor) |
vocal |
On Wenlock Edge: I. On Wenlock Edge, On Wenlock Edge: II. From Far, From Eve and Morning, On Wenlock Edge: III. Is My Team Plowing?, On Wenlock Edge: IV. Oh, When I was in Love with You, On Wenlock Edge: V. Bredon Hill, On Wenlock Edge: VI. Clun |
| Ian Tracey |
chorus master |
Serenade to Music (choral version), The Sons of Light: I. Darkness and Light, The Sons of Light: II. The Song of the Zodiac, The Sons of Light: III. The Messengers of Speech, The Voice out of the Whirlwind, Toward the Unknown Region |
| Bournemouth Symphony Chorus |
vocal |
In Windsor Forest: I. The Conspiracy, In Windsor Forest: II. Drinking Song, In Windsor Forest: III. Falstaff and the Fairies, In Windsor Forest: IV. Wedding Chorus, In Windsor Forest: V. Epilogue |
| City of Birmingham Symphony Orchestra |
performing orchestra |
Five Variants of "Dives and Lazarus", Norfolk Rhapsody, No. 1 in E minor, The Lark Ascending, The Lark Ascending (excerpt) (feat. violin: Nigel Kennedy), Toward the Unknown Region |
| Elizabeth Bainbridge (mezzo-soprano, contralto) |
vocal |
Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming", Five Tudors Portraits: II. Intermezzo "My Pretty Bess", Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss", Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)", Five Tudors Portraits: V. Scherzo "Jolly Rutterkin" |
| Britten Quartet |
performer |
String Quartet No. 1 in G minor: I. Allegro moderato, String Quartet No. 1 in G minor: II. Minuet and Trio: Tempo di minuetto, String Quartet No. 1 in G minor: III. Romance: Andante sostenuto, String Quartet No. 1 in G minor: IV. Finale: Rondo capriccioso (Allegro molto - Pochettino più mosso) |
| Piers Lane |
piano |
Piano Concerto in C: I. Toccata: Allegro moderato, Piano Concerto in C: II. Romanza: Lento, Piano Concerto in C: IIIa. Fuga cromatica (Allegro), Piano Concerto in C: IIIb. con finale alla tedesca |
| London Festival Orchestra ('house orchestra' of Decca Records, associated since 1980 with conductor Ross Pople) |
performing orchestra |
Partita for Double String Orchestra: I. Prelude: Andante tranquillo, Partita for Double String Orchestra: II. Scherzo: Ostinato - Presto, Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall), Partita for Double String Orchestra: IV. Fantasia: Allegro |
| Vitya Vronsky |
piano |
Concerto for two pianos and orchestra in C major: I. Toccata: Allegro moderato, Concerto for two pianos and orchestra in C major: II. Romanza: Lento, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 1, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 2 |
| Sir John Barbirolli |
conductor |
Fantasia on Greensleeves (London Sinfonia feat. conductor: Sir John Barbirolli), Tuba Concerto in F minor: I. Prelude: Allegro moderato, Tuba Concerto in F minor: II. Romanza: Andante sostenuto, Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro) |
| Béla Bánfalvi (violinist, concert master of Budapest strings) |
conductor |
Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale (Allegro Moderato), Concerto for Oboe and Strings in A Minor: II. Minuet and Musette (Allegro Moderato), Concerto for Oboe and Strings in A Minor: III. Scherzo (Presto - Doppio piu lento - Lento - Presto), Fantasia on a Theme by Thomas Tallis for Double-Stringed Orchestra |
| Budapesti Vonósok (Budapest String Orchestra) |
performing orchestra |
Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale (Allegro Moderato), Concerto for Oboe and Strings in A Minor: II. Minuet and Musette (Allegro Moderato), Concerto for Oboe and Strings in A Minor: III. Scherzo (Presto - Doppio piu lento - Lento - Presto), Fantasia on a Theme by Thomas Tallis for Double-Stringed Orchestra |
| Stephen Cleobury |
chorus master, conductor |
All people that on earth do dwell (The Old Hundredth) (brass ensemble and organ version), Alleluya, sing to Jesus (Hyfrydol), Come down, O Love divine, Wither's Rocking Hymn |
| Victor Babin (pianist) |
piano |
Concerto for two pianos and orchestra in C major: I. Toccata: Allegro moderato, Concerto for two pianos and orchestra in C major: II. Romanza: Lento, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 1, Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 2 |
| Ross Pople |
conductor |
Partita for Double String Orchestra: I. Prelude: Andante tranquillo, Partita for Double String Orchestra: II. Scherzo: Ostinato - Presto, Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall), Partita for Double String Orchestra: IV. Fantasia: Allegro |
| Sir Neville Marriner |
conductor |
Fantasia on a Theme by Thomas Tallis, Prelude "Rhosymedre" (orch. Arnold Foster), The Lark Ascending |
| Robert Joyce |
organ |
Three Preludes Founded on Welsh Hymn Tunes: I. "Bryn Calfaria", Three Preludes Founded on Welsh Hymn Tunes: II. "Rhosymedre", Three Preludes Founded on Welsh Hymn Tunes: III. "Hyfrydol" |
| Jacques Orchestra |
performing orchestra |
An Oxford Elegy, Five Variants of "Dives and Lazarus", Yorkshire Wassail Song (We've been awhile a-wandering) |
| Academy of St Martin in the Fields |
performing orchestra |
Fantasia on a Theme by Thomas Tallis, Prelude "Rhosymedre" (orch. Arnold Foster), The Lark Ascending |
| Donald Spieth (conductor) |
conductor |
Concerto for Oboe and Strings: I. Rondo Pastorale, Concerto for Oboe and Strings: II. Minuet and Musette, Concerto for Oboe and Strings: III. Finale (Scherzo) |
| Lewis Layton (engineer) |
engineer |
English Folk Song Suite, Fantasia on "Greensleeves", Fantasia on a Theme by Thomas Tallis |
| Humbert Lucarelli (oboist) |
oboe |
Concerto for Oboe and Strings: I. Rondo Pastorale, Concerto for Oboe and Strings: II. Minuet and Musette, Concerto for Oboe and Strings: III. Finale (Scherzo) |
| Eugene Ormandy |
conductor |
Fantasia on "Greensleeves", Fantasia on 'Greensleeves' (extract), Fantasia on Greensleeves |
| Philip Catelinet |
tuba |
Tuba Concerto in F minor: I. Prelude: Allegro moderato, Tuba Concerto in F minor: II. Romanza: Andante sostenuto, Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro) |
| Judith Howarth |
vocal |
Three Vocalises for Soprano and Clarinet: I. Prelude: Moderato, Three Vocalises for Soprano and Clarinet: II. Scherzo: Allegro moderato, Three Vocalises for Soprano and Clarinet: III. Quasi menuetto: Moderato |
| Joseph Habig |
producer |
English Folk Song Suite, Fantasia on "Greensleeves", Fantasia on a Theme by Thomas Tallis |
| The Philadelphia Orchestra |
performing orchestra |
Fantasia on "Greensleeves", Fantasia on 'Greensleeves' (extract), Fantasia on Greensleeves |
| Morton Gould |
conductor |
English Folk Song Suite, Fantasia on "Greensleeves", Fantasia on a Theme by Thomas Tallis |
| Andrew Davis (conductor, keyboardist, composer, arranger) |
conductor |
Symphony No. 5. Prelùdio: Moderato (excerpt), Symphony No. 6. Allegro (excerpt), The Lark Ascending (excerpt) |
| Morton Gould Orchestra |
performing orchestra |
English Folk Song Suite, Fantasia on "Greensleeves", Fantasia on a Theme by Thomas Tallis |
| Lehigh Valley Chamber Orchestra |
performing orchestra |
Concerto for Oboe and Strings: I. Rondo Pastorale, Concerto for Oboe and Strings: II. Minuet and Musette, Concerto for Oboe and Strings: III. Finale (Scherzo) |
| Yvonne Kenny |
vocal |
Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved" |
| Julius Drake |
piano |
Linden Lea, Silent Noon |
| London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) |
performing orchestra |
Fantasia on "Greensleeves", The Lark Ascending |
| Elora Festival Singers |
vocal |
Mass in G minor: I. Kyrie, Mass in G minor: Sanctus - Osanna I |
| Royal Philharmonic Orchestra |
performing orchestra |
Fantasia on Greensleeves, Symphony No. 2: II (excerpt) |
| Craig Rutenberg |
piano |
A Clear Midnight, Joy, shipmate, joy! |
| Dame Janet Baker |
vocal |
Linden Lea, The Call |
| Nigel Kennedy |
producer, violin |
The Lark Ascending, The Lark Ascending (excerpt) (feat. violin: Nigel Kennedy) |
| Noel Edison |
chorus master, conductor |
Mass in G minor: I. Kyrie, Mass in G minor: Sanctus - Osanna I |
| Ian Bostridge |
vocal |
Linden Lea, Silent Noon |
| Ian Partridge |
vocal |
Ca' the Yowes, Loch Lomond |
| Sir Simon Rattle |
conductor |
The Lark Ascending, The Lark Ascending (excerpt) (feat. violin: Nigel Kennedy) |
| David Bell (organist) |
organ |
Prelude and Fugue in C minor: I. Prelude, Prelude and Fugue in C minor: II. Fugue |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis |
| David Daniels (American countertenor) |
vocal |
Hands, eyes and heart, Orpheus with his lute (first setting) |
| Bill Ives |
conductor |
The Blessed Son of God, The Truth From Above |
| Philip Gibson (conductor) |
conductor |
Fantasia On 'Greensleeves', Fantasia on "Greensleeves" |
| London Sinfonietta |
performing orchestra |
Five Mystical Songs: The Call, Linden Lea (choral version) |
| Jennifer Partridge |
piano |
The New Ghost, The Water Mill |
| Sydney Symphony Orchestra |
performing orchestra |
Flos Campi, The Lark Ascending |
| Boston Pops Orchestra |
performing orchestra |
Fantasia on Greensleeves, Fantasie Über "Greensleeves" |
| Rafael Frühbeck de Burgos |
conductor |
Fantasia on 'Greensleeves', Fantasia on a Theme by Thomas Tallis |
| John Scott (film composer) |
conductor |
Five Mystical Songs: The Call, Linden Lea (choral version) |
| The Choir of Magdalen College, Oxford |
vocal |
The Blessed Son of God, The Truth From Above |
| Felix Schmidt |
cello |
Fantasia on 'Greensleeves', Fantasia on a Theme by Thomas Tallis |
| Thomas Hampson |
vocal |
A Clear Midnight, Joy, shipmate, joy! |
| Baccholian Singers of London |
vocal |
Bushes and Briars (men's voices version), Five English Folk Songs: V. Wassail Song (men's voices version) |
| Mark Wigglesworth |
conductor |
Flos Campi, The Lark Ascending |
| Barry Wordsworth (conductor) |
conductor |
Fantasia on Greensleeves, Fantasia on a Theme by Thomas Tallis |
| Martin Katz |
piano |
Hands, eyes and heart, Orpheus with his lute (first setting) |
| Benjamin Luxon (baritone) |
vocal |
Riders to the Sea: Where Is the Bit of New Rope, Songs of Travel: Whither Must I Wander |
| Larry Adler |
harmonica |
Romance in D flat for harmonica with strings and piano |
| Carl Talbot |
mix |
Greensleeves |
| Catherine Wyn-Rogers |
vocal |
Serenade to Music |
| Charles Daniels (tenor) |
vocal |
Joseph and Mary |
| Charles Tunnell |
cello |
Fantasia on Christmas Carols |
| Benjamin Bayl |
organ |
All people that on earth do dwell (The Old Hundredth) (brass ensemble and organ version) |
| English Symphony Orchestra |
performing orchestra |
The Lark Ascending |
| Luton Choral Society |
vocal |
A Song of Thanksgiving |
| Choir of Trinity College (Cambridge) |
vocal |
The Blessed Son of God |
| Maldwyn Davies |
vocal |
Serenade to Music |
| Eric Gritton |
piano |
Romance in D flat for harmonica with strings and piano |
| Mark Bensted |
organ |
For All The Saints |
| Christopher Balmer |
viola |
Flos Campi - Suite |
| André Previn |
conductor |
Symphony No. 2: II (excerpt) |
| Mark Williams (organist) |
pipe organ |
A babe is born |
| Martin Ford (British organist) |
organ |
The Truth From Above |
| Christopher Hyde-Smith (British flautist) |
flute |
Magnificat |
| Francis Grier |
organ |
O little town of Bethlehem |
| Martin Neary (organist and choral conductor) |
conductor |
O taste and see (Psalm 34) |
| Martyn Hill |
vocal |
Serenade to Music |
| Christopher Keyte |
vocal |
The Turtle Dove |
| Geoffrey Shaw |
vocal |
The Seeds of Love |
| Max Pollikoff |
violin |
Fantasia on a Theme by Thomas Tallis |
| Geoffrey Simon |
conductor |
Fantasia on "Greensleeves" |
| Michael Black (Australian chorus master) |
chorus master |
Flos Campi |
| Michael Dauth |
violin |
The Lark Ascending |
| Michael Sheady |
balance |
The Lark Ascending |
| Gerald Moore (pianist) |
piano |
Linden Lea |
| Gwynne Howell |
vocal |
Serenade to Music |
| Muir Mathieson |
arranger |
Coastal Command: Dawn Patrol |
| Nat Nyll |
conductor |
Billy Bunter of Greyfriars School: Sea Songs |
| Neville Boyling (engineer) |
balance |
O Clap Your Hands |
| New Concert Orchestra |
performing orchestra |
Billy Bunter of Greyfriars School: Sea Songs |
| Halifax Choral Society |
vocal |
Let all the world in every corner sing |
| New Zealand Symphony Orchestra |
performing orchestra |
Fantasia on a Theme by Thomas Tallis |
| Nicholas Cleobury |
conductor |
The Lark Ascending |
| Christopher Warren-Green |
conductor |
Fantaisie sur "Greensleeves" (feat. London Chamber Orchestra, conductor: Christopher Warren-Green) |
| Harold Bennett |
flute |
Fantasia on "Greensleeves" |
| Harold Kohon |
violin |
Fantasia on a Theme by Thomas Tallis |
| Harry Gabb (organist) |
organ |
A Song of Thanksgiving |
| Oliver Brett |
organ |
Alleluya, sing to Jesus (Hyfrydol) |
| Orchester der Wiener Staatsoper |
performing orchestra |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") |
| Harvey Shapiro (cellist) |
cello |
Fantasia on a Theme by Thomas Tallis |
| Orchestra of Opera North (English Northern Philharmonia) |
performing orchestra |
The Lark Ascending |
| Heather Harper |
vocal |
Benedicite |
| Patrice Michaels |
vocal |
Good-Bye from Along the Field |
| Pauline Stevens |
vocal |
Riders to the Sea: Bartley Will Be Lost Now |
| Peter Katin |
piano |
Fantasia (quasi variazione) on the Old 104th Psalm Tune |
| Anne Dawson (soprano) |
vocal |
Serenade to Music |
| Betty Dolemore |
vocal |
A Song of Thanksgiving |
| Philip Ellis |
conductor |
Fantasia on Greensleeves |
| City of Birmingham Symphony Orchestra Chorus |
vocal |
Toward the Unknown Region |
| Philip Langridge |
vocal |
Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato) |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
Fantasia on Greensleeves (London Sinfonia feat. conductor: Sir John Barbirolli) |
| Corydon Singers |
vocal |
Flos Campi |
| Arthur Davies (tenor) |
vocal |
Serenade to Music |
| Plymouth Festival Orchestra and Chorus |
performing orchestra |
Fantasia on “Greensleeves” |
| Al Swanson |
engineer |
Greensleeves |
| Indianapolis Symphonic Choir |
vocal |
Serenade to Music |
| Iona Brown (violinist and director of the Academy of St Martin in the Fields) |
violin |
The Lark Ascending |
| Richard Marlow |
conductor |
The Blessed Son of God |
| Robert Isaacs |
conductor |
Wither's Rocking Hymn |
| István Kertész (conductor) |
conductor |
Fantasia on a Theme by Thomas Tallis |
| Robert Speaight |
vocal |
A Song of Thanksgiving |
| Ivan Sharpe |
vocal |
O taste and see (Psalm 34) |
| BBC Concert Orchestra |
performing orchestra |
Fantasia on Greensleeves |
| Roderick Williams |
vocal |
Willow-Wood |
| Roger Benedict |
viola |
Flos Campi |
| James Buswell |
violin |
Concerto Accademico in D minor for Violin and Orchestra |
| James Ehnes |
viola, violin |
Greensleeves |
| James Judd (conductor) |
conductor |
Fantasia on a Theme by Thomas Tallis |
| James Lancelot |
organ |
O taste and see (Psalm 34) |
| Alan Opie (baritone) |
vocal |
Serenade to Music |
| Jean Rigby |
vocal |
Serenade to Music |
| Russell Burgess |
conductor |
Te Deum in G |
| Sarah Walker (British mezzosoprano) |
vocal |
Serenade to Music |
| David Greed |
violin |
The Lark Ascending |
| David Groves |
producer |
The Lark Ascending |
| John Connell |
vocal |
Serenade to Music |
| John Mark Ainsley |
vocal |
Serenade to Music |
| John Pryce-Jones (conductor) |
conductor |
Let all the world in every corner sing |
| Sir Malcolm Sargent |
conductor |
Romance in D flat for harmonica with strings and piano |
| Amanda Roocroft |
vocal |
Serenade to Music |
| Sir Roger Norrington |
conductor |
Symphony no. 3 “Pastoral”: II. Lento moderato |
| David Nolan |
violin |
The Lark Ascending |
| John Westbrook |
vocal |
An Oxford Elegy |
| John Williams (soundtrack composer & conductor) |
conductor |
Fantasia on Greensleeves |
| St. Albans School Choir |
vocal |
The Truth from Above |
| Jonathan Small |
conductor |
Fantasia on a Theme by Thomas Tallis |
| Britten Sinfonia |
performing orchestra |
The Lark Ascending |
| David Stanhope |
conductor |
Job - A Masque for Dancing: Elihu's Dance of Youth and Beauty & Pavane of the Sons of Morning |
| David Willison |
piano |
Songs of Travel: Whither Must I Wander |
| Susan Longfield |
vocal |
An Acre of Land |
| Kees Bakels |
conductor |
Symphony No.2, A London Symphony: Epilogue |
| Tasmin Little |
violin |
The Lark Ascending (excerpt) |
| Diana Montague |
vocal |
Serenade to Music |
| Laudibus |
vocal |
Wither's Rocking Hymn |
| The Choir of St. Anne's Anglican Church |
vocal |
For All The Saints |
| The King’s Singers |
vocal |
Rest |
| The New Queen's Hall Orchestra |
performing orchestra |
Fantasia on a Theme by Thomas Tallis |
| Eduard Laurel |
piano |
Greensleeves |
| Leone Buyse |
flute |
Fantasia on Greensleeves |
| Leslie Peeters |
chorus master |
The Turtle Dove |
| Thomas Trotter (organist) |
organ |
Joseph and Mary |
| Thomas Williamson |
organ |
Come down, O Love divine |
| Tim Martyn (engineer) |
engineer, producer |
Greensleeves |
| Timothy Farrell (organist) |
organ |
Te Deum in G |
| Adelaide Symphony Orchestra |
performing orchestra |
Job - A Masque for Dancing: Elihu's Dance of Youth and Beauty & Pavane of the Sons of Morning |
| Linda Kitchen |
vocal |
Serenade to Music |
| London Chamber Orchestra |
performing orchestra |
Fantaisie sur "Greensleeves" (feat. London Chamber Orchestra, conductor: Christopher Warren-Green) |
| Walter Trampler |
viola |
Fantasia on a Theme by Thomas Tallis |
| Cantillation |
vocal |
Flos Campi |
| Winchester Cathedral Choir |
vocal |
O taste and see (Psalm 34) |
| Elizabeth Connell |
vocal |
Serenade to Music |
| 今井信子 |
viola |
Flos Campi |