BBC Philharmonic

performing orchestra, performer

Sample recordings

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Top collaborators

Artist name Roles Recordings
Paul Baron (conductor)
MC Bob Nielsen
Anthony Gardner (Dang We're on Fire guitarist and vocalist)
Ronnie Lewis (drummer)
Lure of Flames

Work on other artists' recordings

Artist name Roles Recordings
Paul Baron performing orchestra A Flourish for Orchestra, op. 112, A Grand Grand Festival Overture, op. 57, A Sussex Overture, op. 31, Anniversary Overture, op. 99, Ballade for Piano and Orchestra from 'Stolen Face', Beckus the Dandipratt, op. 5, Ben-Hur: I. Prelude, Ben-Hur: II. Love Theme, Ben-Hur: III. The Burning Desert, Ben-Hur: IV. The Rowing of the Galley Slaves, Ben-Hur: V. The Mother's Love, Ben-Hur: VI. Parade of the Charioteers, Cinderella, Comedy Suite from 'The Belles of St Trinian's': Finale, Comedy Suite from 'The Belles of St Trinian's': Flash and Miss Fritton, Comedy Suite from 'The Belles of St Trinian's': Prelude, Comedy Suite from 'The Belles of St Trinian's': Races and Games, Comedy Suite from 'The Belles of St Trinian's': Train to Trinians, Comic panic. Allegro, Concert Suite from "Sweeney Todd", op. 68a : Allegretto -, Concert Suite from "Sweeney Todd", op. 68a: Allegretto - Vivace -, Concert Suite from "Sweeney Todd", op. 68a: Allegro con brio - Allegretto (Pas de deux) - Più mosso - Allegretto - Allegro con brio, Concert Suite from "Sweeney Todd", op. 68a: Allegro vivace - Allegro frenetico -, Concert Suite from "Sweeney Todd", op. 68a: Andante - Allegro - Pas de quatre - Vivace - Moderato - Vivace – Frenetico - Molto meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Moderato e misterioso - Vivace - Meno mosso -, Concert Suite from "Sweeney Todd", op. 68a: Vivace - Allegro moderato -, Concerto for String Orchestra, op. 17: I. Moderato, ma risoluto ed energico - Un poco mosso - Ancora più mosso - Meno mosso -, Concerto for String Orchestra, op. 17: II. Lento con gran espressione - Un poco più largamente -, Concerto for String Orchestra, op. 17: III. Allegro giusto - Un poco più mosso - Più vivo - Ancora più vivo - Meno mosso ma non troppo adagio, Dawn after the Murder. Moderato sereno - Bill Sike's rêverie. Poco lento, Death of Mrs Thingummy. Lento, Electra, op. 79: Lento - Allegro ma non troppo - Moderato -, Electra, op. 79: Lento - Vivace - Vivace -, Electra, op. 79: Vivace - Lento, Fagin's romp. Allegro con vivacità, Fantasy on Christmas Carols from 'The Holly and The Ivy', Far From the Madding Crowd, Finale [alternative]. Moderato brillante, Finale [original]. Moderato brillante, Four Weddings and a Funeral: Love Scene, From ‘Blithe Spirit’: Prelude, From ‘Blithe Spirit’: Waltz, From ‘Dangerous Moonlight’: Warsaw Concerto, From ‘Out of the Clouds’: The Flame Tango, From ‘The Admirable Crichton’: Polka and Galop, From ‘The Admirable Crichton’: Waltz Sequence, From ‘Tom Brown’s Schooldays’: Overture, Gay March. Quick march tempo, Joyous Youth: I. Introduction, Joyous Youth: II. Serenade, Joyous Youth: III. Valse "Joyous Youth", London (London Everyday): I. Covent Garden. Tarantelle, London (London Everyday): II. Westminster: Meditation, London (London Everyday): III. Knightsbridge: March, Love Scene from "Four Weddings and a Funeral", March. Lento ma non troppo -, Miniature Suite: I. Children's Dance, Miniature Suite: II. Intermezzo, Miniature Suite: III. Scène du bal, Mr Brownlow's grief. Lento -, Mr Bumble's March. Pomposo, Murder on the Orient Express, Nancy's flight in the rain to meet Mr Brownlow. Moderato, Nancy's hysterical outburst. Allegro moderato - Andante, Nicole's Theme from "Tender Is the Night", Notturno Ungherese, op. 28, Oliver as funeral mute. Molto energico -, Oliver asks for more. Allegro moderato e feroce -, Oliver at Mr Brownlow's house. Poco lento, Oliver at play. Poco lento- Allegretto semplice, Oliver faints in court. Tempo rubato -, Oliver meets the Artful Dodger. Allegro moderato, Oliver sent to bed among the coffins. Moderato, Oliver's abduction. Lento, Oliver's birth. Molto moderato, Oliver's flight to London. Poco allegretto, Oliver's pickpocketing lesson -, Oliver's sleepless night. Andante -, Overture from 'The Roots of Heaven', Peterloo, op. 97, Picking oakum. Poco lento, Pickpocketing. Allegretto semplice -, Postcard from the Med from 'The Captain's Paradise', Prelude. Lento moderato, Quiet Interlude. Allegretto, Rinaldo and Armida, op. 49: Andante con moto - Poco più mosso - Andante con moto - Moderato -, Rinaldo and Armida, op. 49: Lento -, Rinaldo and Armida, op. 49: Lento - Vivace molto - Lento, Rinaldo and Armida, op. 49: Moderato - Andantino - Moderato - Allegro agitato - Molto meno mosso - Andantino -, Rinaldo and Armida, op. 49: Poco lento (Pas de deux) - Moderato - Allegretto -, Rinaldo and Armida, op. 49: Vivace - Lento - Vivace - Moderato - Lento -, Robert Kett, op. 141, Rudyard Kipling's Jungle Book: I. Beginning, Rudyard Kipling's Jungle Book: II. Shere Khan, Rudyard Kipling's Jungle Book: III. Mowgli Wanders, Rudyard Kipling's Jungle Book: IV. Lullaby, Rudyard Kipling's Jungle Book: IX. Victory, Rudyard Kipling's Jungle Book: V. The Ways of Man, Rudyard Kipling's Jungle Book: VI. Cries of the Animals, Rudyard Kipling's Jungle Book: VII. Mowgli Seeks Shere Khan, Rudyard Kipling's Jungle Book: VIII. The Chase, Rudyard Kipling's Jungle Book: X. Bagheera's Contentment, Sahara: Suite, Scherzetto for Clarinet and Orchestra from 'You Know What Sailor Are', Suite from "Homage to the Queen", op. 42: I. Prelude and Opening Scene. Allegro moderato - Marziale - Andante con moto - Allegro molto -, Suite from "Homage to the Queen", op. 42: II. Dance of the Insects. Allegro scherzando (Pas de six), Suite from "Homage to the Queen", op. 42: III. Water. Poco lento - Vivace - [L’istesso tempo] (Pas de trois) - Waltz - [L’istesso tempo] (First Girl’s Solo) - Poco più mosso (Second Girl’s Solo) - Waltz Tempo I (Pas de trois) - Allegretto -, Suite from "Homage to the Queen", op. 42: IV. Fire Dance. Allegro con brio (Man’s Solo) -, Suite from "Homage to the Queen", op. 42: V. Pas de deux. Adagio non troppo - Poco agitato - Tempo I - Poco più mosso - Tempo I -, Suite from "Homage to the Queen", op. 42: VI. Finale. Maestoso - Marziale - Moderato e maestoso (Vision) - Allegro - Lento e maestoso, Suite from 'David Copperfield': Finale, Suite from 'David Copperfield': Main Titles and Opening Scene, Suite from 'David Copperfield': The Micawbers, Suite from 'David Copperfield': Young Lovers, Suite from 'No Love for Johnnie': Alla Marcia, Suite from 'No Love for Johnnie': Moderato, Suite from 'Trapeze': Elephant Waltz, Suite from 'Trapeze': Fanfare, Suite from 'Trapeze': Finale, Suite from 'Trapeze': Mike and Lola, Suite from 'Trapeze': Prelude, Suite from 'Trapeze': Romance, Suite from 'Trapeze': Tino's Arrival in Paris, Suite from ‘Goodbye, Mr Chips’: Finale, Suite from ‘Goodbye, Mr Chips’: In the Mountains, Suite from ‘Goodbye, Mr Chips’: Main Titles and School Song, Suite from ‘Love on the Dole’: Blackpool Outing, Suite from ‘Love on the Dole’: Courting Couples, Suite from ‘Love on the Dole’: End Titles, Suite from ‘Love on the Dole’: Main Titles / Sally Awakes, Suite from ‘Scrooge’, Suite from ‘The Black Rose’: In the Empress’s Palace, Suite from ‘The Black Rose’: Main Titles and Opening Scene, Suite from ‘The Black Rose’: The Black Rose Theme, Symphonic Study 'Machines' for Brass, Percussion and Strings, Op. 30, Tam o' Shanter, op. 51, The Chase. Allegro vivace, The Dam Busters, The Fair Field, op. 110, The Fight. Allegro, The Portrait -, The Selfish Giant, The Smoke, op. 21, The Storm. Con vivo, The Thief of Bagdad: I. Overture, The Thief of Bagdad: II. Cortège, The Thief of Bagdad: III. The Love of the Princess, The Thief of Bagdad: IV. The Sultan's Toys, The Thief of Bagdad: V. The Flying Horse Gallop, The Thief of Bagdad: VI. The Silvermaid's Dance, The Thief of Bagdad: VII. The Market at Basra, The Three Bears, The Vintner's Daughter, op. 23a, Theme, Variations and Finale, op. 13: Finale. Vivace - Più animato - Tempo di Vivace - Più mosso e sempre agitato - Meno mosso e molto largamente - Vivacissimo, Theme, Variations and Finale, op. 13: Theme. Andante rubato, Theme, Variations and Finale, op. 13: Variation I. Poco animato ed al rigore di tempo - L'istesso tempo, Theme, Variations and Finale, op. 13: Variation II. Allegro scherzando, Theme, Variations and Finale, op. 13: Variation III. Un poco meno allegro ma sempre molto energico - Più allegro, Theme, Variations and Finale, op. 13: Variation IV. Moderato con gran espressione, Theme, Variations and Finale, op. 13: Variation V. Vivo con spirito - Vivace, Theme, Variations and Finale, op. 13: Variation VI. Andante quasi pastorale - Tranquillo, Theme, Variations and Finale, op. 13: Variation VII. Allegro molto agitato e tumultuoso, Theme, Variations and Finale, op. 13: Variation VIII. Moderato e molto giusto - Largamente e molto pesante - Più mosso, Things to Come: March, Wanted for Murder. Moderato - Lento, Work and Play. Moderato molto energico -
MC Bob Nielsen performing orchestra An American in Paris, Capriccio espagnol, Op. 34: I. Alborada, Capriccio espagnol, Op. 34: II. Variazioni, Capriccio espagnol, Op. 34: III. Alborada, Capriccio espagnol, Op. 34: IV. Scena e canto gitano, Capriccio espagnol, Op. 34: V. Fandango asturiano, Concert Music for Strings and Bass: First Part. Mäßig schnell, mit Kraft - Sehr breit, aber stets fließend, Concert Music for Strings and Bass: Second Part. Lebhaft - Langsam - Im ersten Zeitmaß, Dances from Das Nusch-Nuschi, Dolly Suite, Op. 56: I. Berceuse, Dolly Suite, Op. 56: II. Mi-a-ou, Dolly Suite, Op. 56: III. Le jardin de Dolly, Dolly Suite, Op. 56: IV. Kitty-valse, Dolly Suite, Op. 56: V. Tendresse, Dolly Suite, Op. 56: VI. Le pas Espagnol, D’un matin de printemps, D’un soir triste, Girl Crazy: Overture, Jupiter, the Bringer of Jollity, La tempête, op. 18: Air de danse, La tempête, op. 18: Danse rustique, Mars, the Bringer of War, Masques and bergamasques, Op. 112: I. Ouverture, Masques and bergamasques, Op. 112: II. Menuet, Masques and bergamasques, Op. 112: III. Gavotte, Masques and bergamasques, Op. 112: IV. Pastorale, Mercury, the Winged Messenger, Mystère de l'instant (grande formation): I. Appels -, Mystère de l'instant (grande formation): II. Echos -, Mystère de l'instant (grande formation): III. Prismes -, Mystère de l'instant (grande formation): IV. Espaces lointains -, Mystère de l'instant (grande formation): IX. Mètamorphoses (sur le nom Sacher) -, Mystère de l'instant (grande formation): V. Litanies -, Mystère de l'instant (grande formation): VI. Choral -, Mystère de l'instant (grande formation): VII. Rumeurs -, Mystère de l'instant (grande formation): VIII. Soliloques -, Mystère de l'instant (grande formation): X. Embrasement, Métaboles: I. Incantatoires -, Métaboles: II. Lineaire -, Métaboles: III. Obsessionnel -, Métaboles: IV. Torpide -, Métaboles: V. Flamboyant, Neptune, the Mystic, Neues vom Tage: Overture, Nobilissima visione: I. Einleitung und Rondo, Nobilissima visione: II. Marsch und Pastorale, Nobilissima visione: III. Passacaglia, Pavane, Op. 50: Andante molto moderato, Pavane, op. 50, Pictures at an Exhibition: Ballet of the Unhatched Chicks, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombae, Pictures at an Exhibition: Cum mortuis in lingua mortua, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Il vecchio castello, Pictures at an Exhibition: Limoges - Le marché, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Pictures at an Exhibition: Tuileries, Polyeucte Overture, Psaume 130: Du Fond de l’Abîme: (extract) C’est Lui Qui Délivera Israël, Saturn, the Bringer of Old Age, Soir de fête, op. 32, Strike Up the Band: Overture, Suite from Tuttifäntchen : X. Wiegenlied, Suite from Tuttifäntchen : XI. Schlußlied, Suite from Tuttifäntchen: I. Vorspiel -, Suite from Tuttifäntchen: II. Lied -, Suite from Tuttifäntchen: III. Intermezzo -, Suite from Tuttifäntchen: IV. Lied, Suite from Tuttifäntchen: IX. Melodram, Suite from Tuttifäntchen: V. Marsch -, Suite from Tuttifäntchen: VI. Musik zum Kaspertheater -, Suite from Tuttifäntchen: VII. Tanz der Holzpuppen -, Suite from Tuttifäntchen: VIII. Lied -, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 1. Allegro, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 2.Turandot, Scherzo. Moderato - Lebhaft, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 3. Andantino, Symphonic Metamorphoses on Themes of Carl Maria Von Weber: 4. Marsch, Symphonie, op. 20: I. Lent, Symphonie, op. 20: II. Très lent, Symphonie, op. 20: III. Animé, Symphony in C major: I. Allegro non troppo vivace, ma con fuoco, Symphony in C major: II. Andante espressivo e sostenuto, Symphony in C major: III. Allegro spiritoso, Symphony in E-flat: II. Sehr langsam, Symphony in E-flat: III. Lebhaft, Symphony in E-flat: IV. Mäßig schnelle Halbe, Symphony no. 1: I. Passacaille. Andante, Symphony no. 1: II. Scherzo. Molto vivace, Symphony no. 1: III. Intermezzo. Lento, Symphony no. 1: IV. Finale, con variazioni. Largamente - Allegro - Scherzo - Lento, Symphony no. 2 "Double": Animato, ma misterioso (excerpt), Symphony no. 2 "Le Double": I. Animato, ma misterioso, Symphony no. 2 "Le Double": II. Andantino sostenuto, Symphony no. 2 "Le Double": III. Allegro fuocoso - Calmato, Symphony no. 2, “Le Double”: Allegro fuocoso - Calmato (extract), Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantablie, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, The Golden Cockerel: Introduction, The Golden Cockerel: Wedding March, The Shadows of Time: I. Les Heures -, The Shadows of Time: II. Ariel malefique -, The Shadows of Time: III. Memoire des ombres -, The Shadows of Time: IV. Vagues de lumiere -, The Shadows of Time: Interlude -, The Shadows of Time: V. Dominante bleue? -, The Young Person's Guide to the Orchestra: Bassoons, The Young Person's Guide to the Orchestra: Brass, The Young Person's Guide to the Orchestra: Cellos, The Young Person's Guide to the Orchestra: Clarinets, The Young Person's Guide to the Orchestra: Double basses, The Young Person's Guide to the Orchestra: Flutes and piccolo, The Young Person's Guide to the Orchestra: Fugue, The Young Person's Guide to the Orchestra: Full orchestra, The Young Person's Guide to the Orchestra: Harp, The Young Person's Guide to the Orchestra: Horns, The Young Person's Guide to the Orchestra: Introduction, The Young Person's Guide to the Orchestra: Oboes, The Young Person's Guide to the Orchestra: Percussion, The Young Person's Guide to the Orchestra: Strings, The Young Person's Guide to the Orchestra: Theme, The Young Person's Guide to the Orchestra: Trombones and bass tuba, The Young Person's Guide to the Orchestra: Trumpets, The Young Person's Guide to the Orchestra: Violas, The Young Person's Guide to the Orchestra: Violins, The Young Person's Guide to the Orchestra: Woodwind, Till eulenspiegels lustige Streiche, Timbres, espaces, mouvement avec interlude: I. (♩ = 72 environ), Timbres, espaces, mouvement avec interlude: II. (♩ = 56 environ), Timbres, espaces, mouvement avec interlude: Interlude -, Uranus, the Magician, Venus, the Bringer of Peace, Viviane, op. 5
Anthony Gardner performing orchestra A Night on the Bare Mountain: Allegro, Adagio in C from BWV 564, American Rhapsody, op. 47: Allegro, Andante cantabile, Andante sostenuto, Aria (Air on the G String) from Orchestral Suite no. 3, BWV 1068, Arioso, Armide: Act V, Scene II: Sicilienne, Auf meinen lieben Gott, BuxWV 179: Sarabande and Courante, Aus der Tiefe rufe ich, Aus tiefer Noth, Boris Gudonov, Symphonic Synthesis: Coronation of Boris, Boris Gudonov, Symphonic Synthesis: Death of Boris, Boris Gudonov, Symphonic Synthesis: Monks Chanting in the Monastery of Choudov, Boris Gudonov, Symphonic Synthesis: Outside the Church of Saint Basil, Boris Gudonov, Symphonic Synthesis: Outside the Novodievichi Monastery, Boris Gudonov, Symphonic Synthesis: Siege of Kazan, Chaconne in D minor, Chorale from the Easter Cantata, BWV 4, Ein' feste Burg, Fantasia and Fugue in G minor, BWV 542: Fantasia, Fantasia and Fugue in G minor, BWV 542: Fuga, Fugue in C Minor, Fugue in G minor, BWV 578 "Little Fugue", In the Manger, Irish Tune from County Derry, Jesu dulcis memoria, Jesu, Joy of Man's Desiring, Khovanshchina: Act IV Entr'acte. Sostenuto assai, Komm süsser Tod, BWV 478, L'estro armonico, Op. 3: Concerto No. 11 in D minor: I. Allegro, L'estro armonico, Op. 3: Concerto No. 11 in D minor: II. Largo, L'estro armonico, Op. 3: Concerto No. 11 in D minor: III. Allegro, Marche funèbre, Mein Jesu, BWV 487, Military March in B-flat major, My soul is athirst, Panis angelicus, Passacaglia and Fugue in C minor, BWV 582: Fugue, Passacaglia and Fugue in C minor, BWV 582: Passacaglia, Pavane and Gigue (from “Parthenia” and “The Fitzwilliam Virginal Book”), Pictures at an Exhibition: Ballet of the Chickens in Their Shells, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombs, Pictures at an Exhibition: Con mortuis in lingua mortua, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenberg and Schmuyle, Pictures at an Exhibition: The Great Gate of Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs (Baba Yaga), Pictures at an Exhibition: The Old Castle, Prelude in B minor from BWV 869, Preludio in E major, Sarabande, Sarabande and Courante, Saul: Act III, Scene IV: Dead March, Sheep May Safely Graze from Cantata no. 208, Siciliano from BWV 1017, Suite: I. Trumpet Tune “The Cebell”, Suite: II. Echo Pastorale (from “The Fairy Queen”), Suite: III. Hornpipe (from “The Fairy Queen”), Suite: IV. “When I am laid in earth” (Dido's Lament) (from “Dido and Aeneas”), Suite: V. Largo and Allegro (from “The Fairy Queen”), Symphonic Minutes, op. 36: I. Capriccio: Vivacissimo possibile, Symphonic Minutes, op. 36: II. Rapsodia: Andante, Symphonic Minutes, op. 36: III. Scherzo: Allegro vivace, Symphonic Minutes, op. 36: IV. Tema con Variazione: Andante poco moto, Symphonic Minutes, op. 36: V. Rondo: Presto, Symphonic Serenade in B-flat major, op. 39: I. Allegro moderato, semplice, Symphonic Serenade in B-flat major, op. 39: II. Intermezzo. Allegro molto, Symphonic Serenade in B-flat major, op. 39: III. Lento religioso, Symphonic Serenade in B-flat major, op. 39: IV. Finale. Allegro con fuoco, Symphony no. 1, op. 9: I. Allegro ma non troppo, Symphony no. 1, op. 9: II. Molto adagio, Symphony no. 1, op. 9: III. Scherzo: Presto, Symphony no. 1, op. 9: IV. Intermezzo: Andante poco moto, Symphony no. 1, op. 9: V. Finale: Introduzione: Molto sostenuto - Tema con variazioni: Allegro non troppo, Symphony no. 2 in E major, op. 40: Coda: Andante maestoso. Alla marcia, Symphony no. 2 in E major, op. 40: Fuga: Adagio ma non troppo –, Symphony no. 2 in E major, op. 40: I. Allegro con brio, ma energico e appassionato, Symphony no. 2 in E major, op. 40: II. Adagio pastorale, molto con sentimento, Symphony no. 2 in E major, op. 40: III. Burla: Allegro, Symphony no. 2 in E major, op. 40: IV. Introduzione: Andante –, Symphony no. 2 in E major, op. 40: Tema: Adagio –, Symphony no. 2 in E major, op. 40: Variazione I: Più mosso (Andante) –, Symphony no. 2 in E major, op. 40: Variazione II: Più mosso, animato, risoluto –, Symphony no. 2 in E major, op. 40: Variazione III: Meno mosso (quasi il tempo del tema) –, Symphony no. 2 in E major, op. 40: Variazione IV: Più mosso, tempestuoso (Circa doppio movimento) –, Symphony no. 2 in E major, op. 40: Variazione V: Adagio (mezzo movimento) –, The Stars and Stripes Forever, Toccata and Fugue in D minor, BWV 565: Fugue, Toccata and Fugue in D minor, BWV 565: Toccata, Trumpet Prelude (“The Prince of Denmark's March”), Tu mancavi a tormentarmi, crudelissima speranza, Turkish March, United Nations March, Violin Sonata in G minor, Op. 5 No. 5: I. Adagio, Wachet auf, Water Music Suite: I. Adagio, Water Music Suite: II. Allegro, Water Music Suite: III. Air, Water Music Suite: IV. Minuet, Water Music Suite: V. Bourrée, Water Music Suite: VI. Hornpipe, Water Music Suite: VII. Andante, Water Music Suite: VIII. Allegro “Alla Hornpipe”, Wir glauben all' an Einen Gott, BWV 680 "Giant Fugue"
Ronnie Lewis performing orchestra Beethoven: Symphony 1, Beethoven: Symphony 2, Beethoven: Symphony 3, Beethoven: Symphony 4, Beethoven: Symphony 5, Beethoven: Symphony 6, Beethoven: Symphony 7, Beethoven: Symphony 8, Beethoven: Symphony 9, Bright Cecilia: Variations on a Theme by Purcell: Fantastico, Bright Cecilia: Variations on a Theme by Purcell: Finale grande, Bright Cecilia: Variations on a Theme by Purcell: Giocoso, Bright Cecilia: Variations on a Theme by Purcell: Scherzando, Bright Cecilia: Variations on a Theme by Purcell: Sognante, Bright Cecilia: Variations on a Theme by Purcell: Solenne, Bright Cecilia: Variations on a Theme by Purcell: Tema, Bright Cecilia: Variations on a Theme by Purcell: Tema elaborata, Caprice bohémien, Op. 12, Concerto for Orchestra, op. 61: I. Sinfonia, Concerto for Orchestra, op. 61: II. Passacaglia, Concerto for Orchestra, op. 61: III. Inno, Die Braut von Messina: Overture, Die Zauberflöte, K. 620: Ouverture, I quattro rusteghi: Intermezzo, I quattro rusteghi: Prelude, Il campiello: Intermezzo, Il campiello: Ritornello, Il segreto di Susanna: Intermezzo, Il segreto di Susanna: Overture, Introduzione, corale e marcia, op. 57: I. Introduzione -, Introduzione, corale e marcia, op. 57: II. Corale -, Introduzione, corale e marcia, op. 57: III. Marcia, Italia, op. 11: Allegretto grazioso, poco mosso - Lento - Sempre più lento -, Italia, op. 11: Allegro molto vivace; giocoso, Italia, op. 11: Lento assai - Lontano –, Italia, op. 11: Lento, grave, tragico; con molta fantasia -, L'heure espagnole: Coda, L'heure espagnole: Introduction / Scenes I & 2, L'heure espagnole: Scenes 12-13, L'heure espagnole: Scenes 14-15, L'heure espagnole: Scenes 16-18, L'heure espagnole: Scenes 19-21, L'heure espagnole: Scenes 3-5, L'heure espagnole: Scenes 6-8, L'heure espagnole: Scenes 9-11, La dama boba: Overture, Legend: St. Francis of Assisi’s Sermon to the Birds for Orchestra, S. 354 No. 1, L’amore medico: Intermezzo, L’amore medico: Overture, Ouverture in Mi minore D. 648, Prince Rostislav, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: I. Andante - Allegro ma non troppo, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: II. Andante con moto, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: III. Scherzo. Allegro vivace, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: IV. Allegro vivace, Sinfonia, op. 63: I. Allegro mosso - Calmato; tranquillo, Sinfonia, op. 63: II. Andante molto moderato, quasi adagio - Lievemente più mosso - Calmato, nuovamente sereno, Sinfonia, op. 63: III. Scherzo minore - maggiore, Sinfonia, op. 63: IV. Rondo finale, Suite from the Opera "I gioielli della Madonna": I. Festa popolare, Suite from the Opera "I gioielli della Madonna": II. Intermezzo, Suite from the Opera "I gioielli della Madonna": III. Serenata, Suite from the Opera "I gioielli della Madonna": IV. Danza napolitana, Symphonic Fragments from "La donna serpente", op. 50: Battaglia e finale, Symphonic Fragments from "La donna serpente", op. 50: Interludio, Symphonic Fragments from "La donna serpente", op. 50: Marcia guerriera, Symphonic Fragments from "La donna serpente", op. 50: Musica del sogno di re altidor, Symphonic Fragments from "La donna serpente", op. 50: Preludio, Symphonic Fragments from "La donna serpente", op. 50: Sinfonia, Symphonic Poem No. 11 for Orchestra, S. 105 “The Battle of the Huns”, Symphonic Poem No. 6 for Orchestra, S. 100 “Mazeppa”, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": I. Adagio - Allegro con spirito, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": II. Andante più tosto allegretto, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": III. Menuet - Trio, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito, Symphony No. 3, Op. 44: I. Lento - Allegro moderato, Symphony No. 3, Op. 44: II. Adagio ma non troppo, Symphony No. 3, Op. 44: III. Allegro, Symphony No. 4 in D minor, Op. 120 (1851 revision): I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120 (1851 revision): II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120 (1851 revision): III. Scherzo. Lebhaft, Symphony No. 4 in D minor, Op. 120 (1851 revision): IV. Lebhaft, Symphony no. 1 in B-flat, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B-flat, op. 38 “Spring”: II. Larghetto, Symphony no. 1 in B-flat, op. 38 “Spring”: III. Scherzo: Molto vivace, Symphony no. 1 in B-flat, op. 38 “Spring”: IV. Allegro animato e grazioso, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: allegro molto vivace - Trio: l'istesso tempo, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: moderato assai - allegro vivo - presto, Symphony no. 3 in F major, op 90: I. Allegro con brio, Symphony no. 3 in F major, op 90: II. Andante, Symphony no. 3 in F major, op 90: III. Poco allegretto, Symphony no. 3 in F major, op 90: IV. Allegro un poco sostenuto, Symphony no. 6 in D major: Allegro moderato - Allegro - Allegro moderato - Allegro vivace, Symphony no. 6 in D major: Largo, Symphony no. 6 in D major: Largo - Adagio - Andante - Allegro con fuoco, Symphony no. 6 in D major: Scherzo. Allegro ma non troppo - Trio, Symphony no. 8: I. Allegro con brio, Symphony no. 8: II. Adagio, Symphony no. 8: III. Allegretto grazioso - Molto vivace, Symphony no. 8: IV. Allegro ma non troppo, The Golden Spinning-Wheel
Lure of Flames performing orchestra "Volochayev Days", op. 48: I. Overture. Allegretto, "Volochayev Days", op. 48: II. The Japanese Attack. Allegretto, "Volochayev Days", op. 48: III. [Fragment] Allegro - Maestoso - Meno mosso, Baba-Yaga, op. 56, Chopiniana, Op. 46: I. Polonaise, Chopiniana, Op. 46: IV. Tarantella, Eight Russian Folksongs, op. 58: I. Religious Chant, Eight Russian Folksongs, op. 58: II. Christmas Carol "Kolyada", Eight Russian Folksongs, op. 58: III. Plaintive Song, Eight Russian Folksongs, op. 58: IV. Humorous Song "I Danced with the Gnat", Eight Russian Folksongs, op. 58: V. Legend of the Birds, Eight Russian Folksongs, op. 58: VI. Cradle Song, Eight Russian Folksongs, op. 58: VII. Round Dance, Eight Russian Folksongs, op. 58: VIII. Village Dance Song, Fragments from the music to the "Maxim" trilogy, op. 50a: Attack. Allegro, Fragments from the music to the "Maxim" trilogy, op. 50a: Death of the Old Worker. Adagio, Fragments from the music to the "Maxim" trilogy, op. 50a: Demonstration. Allegretto, Fragments from the music to the "Maxim" trilogy, op. 50a: Finale, Fragments from the music to the "Maxim" trilogy, op. 50a: Funeral March. Tempo di marcia funèbre, Fragments from the music to the "Maxim" trilogy, op. 50a: Introduction. Moderato, Fragments from the music to the "Maxim" trilogy, op. 50a: Struggle at the Barricades. Allegro con brio, Fragments from the music to the "Maxim" trilogy, op. 50a: Waltz. Allegro sostenuto, From "The Unforgettable Year 1919", From the Apocalypse, op. 66, In Bohemia, Kikimora, op. 63, Mazurka "Village Scene by the Inn", op. 19, Music from "A Girl Alone", op. 26 The Chief Sleeps and Gets Up. Adagio, Music from "A Girl Alone", op. 26: Adagio (Extract No. VII), Music from "A Girl Alone", op. 26: Altai. Adagio, Music from "A Girl Alone", op. 26: Bai Leads the Children to Tend the Sheep, Music from "A Girl Alone", op. 26: Galop 'How Good Life Will Be!'. Allegro, Music from "A Girl Alone", op. 26: In Kuzmina's Hut. Largo, Music from "A Girl Alone", op. 26: Schoolchildren. Adagio - Allegretto, Music from "King Lear", op. 137: After the Storm. Adagio, Music from "King Lear", op. 137: Finale: The Fool. Moderato, Music from "King Lear", op. 137: Lear's Castle. Adagio, Music from "King Lear", op. 137: Prelude: The March of Time. Adagio, Music from "King Lear", op. 137: Storm. Moderato, Music from "King Lear", op. 137: The Catastrophe Begins. Adagio, Music from "King Lear", op. 137: The Fool's Waterpipe. Moderato, Music from "King Lear", op. 137: The Voice of Truth. Adagio, Music from "The Man With a Gun", op. 53: I. Overture. Allegretto, Music from "The Man With a Gun", op. 53: II. October. Allegro moderato, Music from "The Man With a Gun", op. 53: III. Smol'ny Palace. Presto - Allegretto, Music from "The Man With a Gun", op. 53: IV. Finale. Moderato, Overture to "King Lear", Polonaise, op. 49, Polonaise, op. 55, Polonasie in D major, op. 16, Scherzo, op. 16, Suite from "Five Years and Five Nights": I. Introduction. Adagio, Suite from "Five Years and Five Nights": II. Dresden in Ruins. Largo, Suite from "Five Years and Five Nights": III. Liberated Dresden. Moderato - Presto, Suite from "Five Years and Five Nights": IV. Interlude. Andante - Allegro - Tempo I, Suite from "Five Years and Five Nights": V. Finale. Moderato - Allegretto, Suite from "Hamlet": I. Introduction. Largo, Suite from "Hamlet": II. Ball at the Palace. Presto, Suite from "Hamlet": III. The Ghost. Largo, Suite from "Hamlet": V. Scene of the Poisoning. Largo, Suite from "Hamlet": VI. Arrival and Scene of the Players. Allegro, Suite from "Hamlet": VII. Ophelia. Andante, Suite from "Hamlet":: VIII. Duel and Death of Hamlet. Allegro - Largo, Suite from "The Gadfly", op. 97: I. Overture. Moderato con moto, Suite from "The Gadfly", op. 97: II. Contradance. Moderato, Suite from "The Gadfly", op. 97: III. Folk Festival, Suite from "The Gadfly", op. 97: IV. Interlude. Adagio -, Suite from "The Gadfly", op. 97: IX. Intermezzo. Andante - Moderato - Tempo I, Suite from "The Gadfly", op. 97: V. Barrel-organ Waltz. Allegretto, Suite from "The Gadfly", op. 97: VI. Galop. Allegro, Suite from "The Gadfly", op. 97: VII. Introduction. Andantino, Suite from "The Gadfly", op. 97: VIII. Romance. Allegro moderato -, Suite from "The Gadfly", op. 97: X. Nocturne. Moderato, Suite from "The Gadfly", op. 97: XI. Scene. Moderato, Suite from "The Gadfly", op. 97: XII. Finale. Allegro non troppo -, Suite from "The Golden Mountains", op. 30: I. Introduction. Moderato, Suite from "The Golden Mountains", op. 30: II. Waltz. Andante - Più mosso, Suite from "The Golden Mountains", op. 30: IV. Intermezzo. Andante -, Suite from "The Golden Mountains", op. 30: V. Funeral March. Largo -, Suite from "The Golden Mountains", op. 30: VI. Finale. Largo, Suite from "The Young Guard": II. By the River. Moderato - Allegro - Tempo I, Suite from "The Young Guard": IV. Turbulent Night. Moderato - Adagio, Suite from "The Young Guard": V. Song of the Young Guardsmen. Moderato sostenuto, Symphony no. 1 in B minor, op. 12: I. Andantino - Allegro con spirito - Poco più tranquillo - Tempo I (Poco animato) - Poco più tranquillo - Tempo I (Allegro con spirito) - Poco più tranquillo - Più mosso, Symphony no. 1 in B minor, op. 12: II. Andante sostenuto - Pochissimo meno mosso, Symphony no. 1 in B minor, op. 12: III. Scherzo: Allegro vivace - Pochissimo meno mosso - Tempo I, Symphony no. 1 in B minor, op. 12: IV. Finale: Allegro molto - Più animato - Poco più tranquillo - Meno mosso, grandioso - Più animato, Symphony no. 1 in C major: I. Largo - Allegro vivo, Symphony no. 1 in C major: II. Scherzo. Vivo, Symphony no. 1 in C major: III. Andante, Symphony no. 1 in C major: IV. Finale. Allegro moderato, Symphony no. 2 in D minor: I. Allegro ma non troppo, Symphony no. 2 in D minor: II. Scherzo alla cosacca. Allegro non troppo, ma con fuoco ed energico, Symphony no. 2 in D minor: III. Romanza. Andante, Symphony no. 2 in D minor: IV. Finale. Tempo di Polacca, Tamara, The Enchanted Lake, op. 62
Jose Gaspar Perez performing orchestra Caroline Mathilde Concert Suite: I. A Public Square, Caroline Mathilde Concert Suite: II. Inside the Castle, Caroline Mathilde Concert Suite: III. The Queen's Chamber, Caroline Mathilde Concert Suite: IV. The Royal Chambers, Caroline Mathilde, Concert Suite from Act 1: Scene II: Inside the Castle (extract), Caroline Mathilde, Concert Suite from Act 2, 1st movement "A Public Square", Caroline Mathilde: I. A Public Square, Caroline Mathilde: II. The Conspiracy, Caroline Mathilde: III. The Masked Ball-Court Dance, Caroline Mathilde: IV. The Masked Ball-Pas de Deux, Caroline Mathilde: V. The Arrest, Caroline Mathilde: VI. The Execution, Caroline Mathilde: VII. The Exile of Caroline Mathilde, Chat Moss, Cross Lane Fair: Fairground, Cross Lane Fair: Ghost Train, Cross Lane Fair: Introduction, Cross Lane Fair: The Bearded Lady and the Five Legged Sheep, Cross Lane Fair: The Juggler, Cross Lane Fair: The Roundabout, Cross Lane Fair: Transition, Mavis in Las Vegas, Ojai Festival Overture, Sir Charles his Pavan, St Thomas Wake, Sunday Morning, Symphony no. 1: I. Presto, Symphony no. 1: II. Lento - Allegro, Symphony no. 1: III. Adagio, Symphony no. 1: IV. Presto, Symphony no. 2: I. Allegro molto - Allegro, Symphony no. 2: II. Adagio, Symphony no. 2: III. Allegro molto, leggiero, Symphony no. 2: IV. Adagio, flessible - Poco più mosso - Più mosso - Moderato - Allegro, Symphony no. 3: I. Lento - Adagio - Andante - Moderato - Allegretto - Allegro moderato - Allegro - Allegro alla breve, Symphony no. 3: II. Allegro, Symphony no. 3: III. Allegro vivace: Scorrevole e bisbigliando, Symphony no. 3: IV. Lento - Adagio flessible, The Beltane Fire: Interlude I, The Beltane Fire: Interlude II, The Beltane Fire: Scene 1: In the Barn of the Bu, The Beltane Fire: Scene 2: A Field, The Beltane Fire: Scene 3: The Kirk, The Beltane Fire: Scene 4: The Field, The Beltane Fire: Scene 5: The Beltane Fire, The Turn of the Tide: Section I. First Life: I. The creation of underwater plants, The Turn of the Tide: Section I. First Life: II. The creation of plants on land, The Turn of the Tide: Section I. First Life: III. The creation of the first sea creatures, The Turn of the Tide: Section I. First Life: IV. The creation of birds, The Turn of the Tide: Section I. First Life: V. Mammals, and first people, The Turn of the Tide: Section II. Creation Established, Life Flourishes: I. The underwater plants flourish, The Turn of the Tide: Section II. Creation Established, Life Flourishes: II. The trees flourish, The Turn of the Tide: Section II. Creation Established, Life Flourishes: III. The prosperity of fish, The Turn of the Tide: Section II. Creation Established, Life Flourishes: IV. Bird migration, The Turn of the Tide: Section II. Creation Established, Life Flourishes: V. Instinct and intellect in mammals and mankind, The Turn of the Tide: Section V. The Worst that Could Happen…: I. The sea plants are poisoned, The Turn of the Tide: Section V. The Worst that Could Happen…: II. The trees are suffocated, The Turn of the Tide: Section V. The Worst that Could Happen…: III. The fish are deformed and cannot function, The Turn of the Tide: Section V. The Worst that Could Happen…: IV. The birds fall from the sky, The Turn of the Tide: Section V. The Worst that Could Happen…: V. Hubris triumphant, Threnody on a Plainsong for Michael Vyner
r00ms performing orchestra Beni Mora, op. 29 no. 1, H. 107: I. First Dance: Adagio – Vivace, Beni Mora, op. 29 no. 1, H. 107: II. Second Dance: Allegretto, Beni Mora, op. 29 no. 1, H. 107: III. Finale. In the street of the Ouled Naïls: Adagio - Allegro moderato, Coronation March, op. 65, Empire March, Four Orchestral Pieces: I. Pensive Twilight. Andante con moto quasi Allegretto – [Poco animato] – Più tranquillo – A tempo – Steady time – Tempo I – Tempo I, Four Orchestral Pieces: II. Dance in the Sun. Allegro vivo – Poco più mosso – A tempo – Più lento – A tempo – [Poco più mosso] – [Tempo I] – Tempo I, Four Orchestral Pieces: III. From the Mountains of Home (In the Hills of Home). Lento – Molto tranquillo, Four Orchestral Pieces: IV. The Dance of Wild Irravel. Fast valse measure. Very rhythmical – Un poco più lento – Più vivo [Tempo I] – Vivo – [Vigorous and reckless] – Più lento – Tempo I – A tempo – [Più lento. Tranquillo] – [Animato], Imperial March, op. 32, Japanese Suite, op. 33, H. 126: I. Prelude: Song of the Fisherman, Japanese Suite, op. 33, H. 126: II. Ceremonial Dance, Japanese Suite, op. 33, H. 126: III. Dance of the Marionette, Japanese Suite, op. 33, H. 126: IV. Interlude: Song of the Fisherman, Japanese Suite, op. 33, H. 126: V. Dance under the Cherry Tree, Japanese Suite, op. 33, H. 126: VI. Finale: Dance of the Wolves, Overture, Elegy, and Rondo: I. Overture. Allegro – Dolce – Lento lamentoso – Tempo I – Tempo I (Allegro) – Energico – Poco largamente – A tempo – Più mosso – Con vivo, Overture, Elegy, and Rondo: II. Elegy. Lento – Più lento a tempo – Molto tranquillo, Overture, Elegy, and Rondo: III. Rondo. Allegro moderato – Vivo – Vivo – Poco più lento – Allargando – Più Lento – Andante – Tempo primo – Più mosso – Poco ritenuto – Tempo più vivace – Presto – Tempo poco largamente – Allargando – Maestoso – Vivace – Maestoso – Vivace – Poco più lento – Largamente – Molto vivace, Symphony no. 1 in G major, op. 4: I. Allegro assai, Symphony no. 1 in G major, op. 4: II. Larghetto, Symphony no. 1 in G major, op. 4: III. Finale. Allegro con brio, Symphony no. 2 in E minor, op. 31: I. Moderato, Symphony no. 2 in E minor, op. 31: II. Lento. Tranquillo, Symphony no. 2 in E minor, op. 31: III. Allegro scherzando, ma moderato, Symphony no. 2 in E minor, op. 31: IV. Finale. Grave - Allegro molto, con fuoco, The Crown of India, op. 66: No. 7. Interlude, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1a. Introduction, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1b. Sacred measure, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2. Dance of Nautch Girls, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2a. India greets her Cities, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. "Hail, Immemorial Ind!" (Agra), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. Hail, Immemorial India! (Agra), The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3a. Entrance of Calcutta, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3b. Entrance of Delhi, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4a. Introduction, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4b. March of the Mogul Emperors, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5. Entrance of John Company, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5a. Entrance of St. George, The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 6. The Rule of England (St. George), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March, The Crown of India (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March. The Crown of India (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (Agra, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (India), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (India, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (India, Agra, Chorus), The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8a. Introduction, The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8b. Warriors' Dance, The Crown of India, op. 66: Tableau II "Ave Imperator". No. 9. The Cities of Ind, The Planets, op. 32, H. 125: I. Mars, the Bringer of War, The Planets, op. 32, H. 125: II. Venus, the Bringer of Peace, The Planets, op. 32, H. 125: III. Mercury, the Winged Messenger, The Planets, op. 32, H. 125: IV. Jupiter, the Bringer of Jollity, The Planets, op. 32, H. 125: V. Saturn, the Bringer of Old Age, The Planets, op. 32, H. 125: VI. Uranus, the Magician
Max Charbonnier performing orchestra HUL 1325, HUL 1326/9, HUL 1327/2. Allegro moderato, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": I. Allegro collerico - A tempo ma tranquillo - Poco moto - Tempo I - Brioso - A tempo ma molto tranquillo - Poco più (stretto), Symphony no, 2, op. 16, FS 29 "The Four Temperaments": II. Allegro comodo e flemmatico, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": III. Andante malincolico - Poco largamente - Tempo I - Un pochettino più mosso - Tempo I, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": IV. Allegro sanguineo - Adagio molto - Tempo I - Marziale, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico - Tranquillo -, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) - Un poco meno andante - Tempo I - Molto tranquillo - Poco sollecitato - Poco tenuto - Poco sollecitato - Adagio - Tempo I - Poco a poco meno andante - Tempo I - Allargando, Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro - Lento (ma non troppo) - Tempo I - Stretto, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi Una Fantasia). Andante - Poco stretto - Meno andante - Allegro molto - Poco a poco più Allegro - Andante assai - (Poco a poco meno Andante) - Allegro molto come prima - Poco a poco più Allegro - Andante (ma non troppo) - (Poco a poco meno Andante) - Poco tenuto - Più largamente poco a poco, Symphony no. 1, op. 7, FS 16: I. Allegro orgoglioso - Poco meno mosso - Molto tranquillo - Assai più vivo del Tempo I - Tempo I - A tempo, ma un poco sostenuto - Molto tranquillo - Allegro molto - Stretto, Symphony no. 1, op. 7, FS 16: II. Andante - Tranquillo, Symphony no. 1, op. 7, FS 16: III. Allegro comodo - Risoluto - Andante sostenuto - Tempo I (Allegro) - Andante sostenuto - Molto tranquillo - Allegro assai, Symphony no. 1, op. 7, FS 16: IV. Finale. Allegro con fuoco - Poco tranquillo - Più vivo - Tempo I - Poco tranquillo - Allegro molto, Symphony no. 2 in D major, op. 43: Allegretto - Poco Allegro - Poco tranquillo - Poco largamente - Tempo I - Poco Allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Poco allargando - Molto largamente - Più moderato e largamente - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e suave - Tempo I - Lento e suave - Poco accelerando - Largamente - Allargando, Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato - Pesante - Un poco con moto - Moderato assai - Meno moderato e poco a poco ravivando il tempo - Poco allargando - Tempo I - Largamente e pesante - Un poco con moto - Poco largamente - Molto largamente, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto - Un pochettino con moto - Tempo I - Andante, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) - Meno allegro - Più allegro - Poco a poco meno allegro - Allegro (non tanto) - Poco a poco più moderato - Allegro - Sempre energico - Sempre energico - Più energico, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": I. Allegro espansivo - Molto tranquillo - Un pochettino meno - Tempo I - Tranquillo - Tranquillo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale - A tempo, tranquillo - Un poco di più animato - Tempo I, ma molto tranquillo - Adagio - Tranquillo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": III. Allegretto un poco - [ ] - Tempo I - Tranquillo, Symphony no. 3, op. 27, FS 60 "Sinfonia espansiva": IV. Finale. Allegro - [ ] - Tempo I - Un poco allargando, Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio - Adagio - Tempo I - Adagio - Tempo, Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace - Tranquillo - Tranquillo - Doppio più lent, Symphony no. 4 in A minor, op. 63: III. Il tempo largo, Symphony no. 4 in A minor, op. 63: IV. Allegro, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": A tempo [Poco allegretto] - A tempo ma tranquillo, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": Allegro - A tempo ma tranquillo - Un pochettino di più - Tranquillo - Risoluto e giusto - Tempo I - Pesante ma glorioso - Poco più vivo - Con fuoco - Molto tranquillo - Tempo I - Poco allegretto -, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": Allegro – Stabilimento – Poco pesante – Glorioso – Più mosso – Tempo giusto, Symphony no. 4, op. 29, FS 76 "The Inextinquishable": Poco adagio quasi andante - Con fuoco - Poco a poco tranquillo - Poco adagio - Molto tranquillo - Un poco agitato - Tempo I - Un poco agitato - Tempo I - Agitato un poco - Adagio - Un poco più vivo, ma pesante - Più lento - Un poco più vivo, ma tenuto - Con anima -, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto - Poco tranquillo - Poco a poco stretto - Poco a poco a tempo - Poco a poco stretto - Tempo I -, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Poco più largo - Largamente assai - Un pochettino stretto, Symphony no. 5 in E-flat major, op. 82: Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più Presto -, Symphony no. 5, op. 50, FS 97: Adagio – Tranquillo, Symphony no. 5, op. 50, FS 97: Allegro (Tempo I), Symphony no. 5, op. 50, FS 97: Andante poco tranquillo -, Symphony no. 5, op. 50, FS 97: I. Tempo giusto - Tranquillo - [ ] - Tranquillo -, Symphony no. 5, op. 50, FS 97: II. Allegro - Un poco di più -, Symphony no. 5, op. 50, FS 97: Presto -, Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato - Poco allargando - Poco tranquillo, Symphony no. 6 in D minor, op. 104: II. Allegretto moderato - Poco con moto - Poco a poco meno piano - Tempo I, Symphony no. 6 in D minor, op. 104: III. Poco vivace, Symphony no. 6 in D minor, op. 104: IV. Allegro molto – Allegro assai – Doppio più lento, Symphony no. 6, FS 116 "Sinfonia semplice": I. Tempo giusto - Allegro appassionato - Lento, ma non troppo - Tempo I (tempo giusto) - Tranquillo - Più lento - Molto tranquillo, Symphony no. 6, FS 116 "Sinfonia semplice": II. Humoreske. Allegretto - Allegro - Poco a poco tranquillo - Tempo I, Symphony no. 6, FS 116 "Sinfonia semplice": III. Proposta seria. Adagio - Molto tranquillo, Symphony no. 6, FS 116 "Sinfonia semplice": IV. Tema med Variationer Allegro - Tema. Allegretto un poco - Variation 1 - Variation 2. Allegretto quasi andantino - Più vivo - Tempo I - Più vivo - Tempo I - Variation 3. Più vivo - Variation 4 - Variation 5. Brioso - Variation 6. Tempo di valse - Variation 7 - Variation 8. Molto adagio - Un poco di più - Molto adagio - Variation 9. Tempo di tema (allegretto un poco) - Fanfare, Symphony no. 7 in C major, op. 105: Adagio -Un pochettino meno adagio - Poco a poco affrettando il tempo I -, Symphony no. 7 in C major, op. 105: Allegro molto moderato - Allegro moderato, Symphony no. 7 in C major, op. 105: Vivace - Presto - Poco a poco rallentando al adagio - Largamente - Affettuoso - Tempo, Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio -
Ville Hovi performing orchestra Sinfonia drammatica: I. Allegro energico, Sinfonia drammatica: II. Andante sostenuto, Sinfonia drammatica: III. Allegro impetuoso - Tempo di marcia triste, Symphony No. 2 in E-flat major, Op. 63: I. Allegro vivace e nobilmente, Symphony No. 2 in E-flat major, Op. 63: II. Larghetto, Symphony No. 2 in E-flat major, Op. 63: III. Rondo, Symphony No. 2 in E-flat major, Op. 63: IV. Moderato e maestoso, Symphony in F-sharp major, op. 40: I. Moderato, ma energico, Symphony in F-sharp major, op. 40: II. Scherzo. Allegro molto - Trio. Molto meno (tranquillo), Symphony in F-sharp major, op. 40: III. Adagio. Lento, Symphony in F-sharp major, op. 40: IV. Finale. Allegro, Symphony in F-sharp: Adagio (excerpt), Symphony no. 1 in E-flat major, op. 8: I. Andante - Allegro molto - Andante, Symphony no. 1 in E-flat major, op. 8: II. Allegro molto vivace, Symphony no. 1 in E-flat major, op. 8: III. Andante, Symphony no. 1 in E-flat major, op. 8: IV. Finale. Allegro, Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 3 in B minor, op. 42 "Ilya Muromets": I. Wandering Pilgrims; Ilya Muromets and Svyagotor: Allegro risoluto - Tranquillo misterioso - Tempo I, Symphony no. 3 in B minor, op. 42 "Ilya Muromets": I. Wandering Pilgrims; Ilya Muromets and Svyagotor: Andante sostenuto, Symphony no. 3 in B minor, op. 42 "Ilya Muromets": II. Nightingale the Robber: Andante, Symphony no. 3 in B minor, op. 42 "Ilya Muromets": III. At the Court of Vladimir the Mighty Sun: Allegro - Andante - Allegro, Symphony no. 3 in B minor, op. 42 "Ilya Muromets": IV. The Heroic Deeds and Petrification of Ilya Muromets: Allegro tumultuoso - Tranquillo - Giocoso, Symphony no. 3 in B minor, op. 42 "Ilya Muromets": IV. The Heroic Deeds and Petrification of Ilya Muromets: Poco meno - Maestoso solenne, Symphony no. 3 in B minor, op. 42: At the Court of Vladimir the Mighty Sun (extract), Symphony no. 5 in D major, op. 18: I. Allegretto amabile, Symphony no. 5 in D major, op. 18: II. Lento - Andante, Symphony no. 5 in D major, op. 18: III. Allegro burlando, Symphony no. 5 in D major, op. 18: IV. Allegro risoluto e con brio, Symphony no. 9 in E minor, op. 28: I. Andante sostenuto - Moderato malinconico, Symphony no. 9 in E minor, op. 28: II. Presto, Symphony no. 9 in E minor, op. 28: III. Lento molto, Symphony no. 9 in E minor, op. 28: IV. Allegro con grazia, The Red Poppy Suite, op. 70: I. Heroic Coolie Dance, The Red Poppy Suite, op. 70: II. Scene and Dance: Dance. Allegretto, The Red Poppy Suite, op. 70: II. Scene and Dance: Scene. Andante, The Red Poppy Suite, op. 70: III. Chinese Dance, The Red Poppy Suite, op. 70: IV. Phoenix, Variations on an Original Theme ("Enigma"), Op.36: I. C.A.E. L'istesso tempo, Variations on an Original Theme ("Enigma"), Op.36: II. H.D.S.-P Allegro, Variations on an Original Theme ("Enigma"), Op.36: III. R.B.T. Allegretto, Variations on an Original Theme ("Enigma"), Op.36: IV. W.M.B. Allegro di molto, Variations on an Original Theme ("Enigma"), Op.36: IX. Nimrod Adagio, Variations on an Original Theme ("Enigma"), Op.36: Theme. Andante, Variations on an Original Theme ("Enigma"), Op.36: V. R.P.A. Moderato, Variations on an Original Theme ("Enigma"), Op.36: VI. Ysobel Andantino, Variations on an Original Theme ("Enigma"), Op.36: VII. Troyte Presto, Variations on an Original Theme ("Enigma"), Op.36: VIII. W.N. Allegretto, Variations on an Original Theme ("Enigma"), Op.36: X. Dorabella Intermezzo, Allegretto, Variations on an Original Theme ("Enigma"), Op.36: XI. G.R.S. Allegro di molto, Variations on an Original Theme ("Enigma"), Op.36: XII. B.G.N. Andante, Variations on an Original Theme ("Enigma"), Op.36: XIII. *** Romanza, Moderato, Variations on an Original Theme ("Enigma"), Op.36: XIV: E.D.U. Finale, Allegro/Presto
George Washbourne Morgan performing orchestra Aufforderung zum Tanze, op. 65, J 260, Calidoscopi simfònic, op. 61: I. Introducció. Moderato, Calidoscopi simfònic, op. 61: II. Ronda i Pantomima. Allegretto mosso – Meno mosso – Poco più (come prima), Calidoscopi simfònic, op. 61: III. Cànon i Havanera. Allegretto deciso – Meno mosso – Semplice – Tempo d’havanera, Calidoscopi simfònic, op. 61: IV. Final ‘a la Indiana’. Andante ritmico – Poco meno – Tempo I, Divertissements sur un Thème Pastoral, Estancia, op. 8: Cuadro I. El amanecer. II. Pequeña danza. Allegro - Meno mosso, Estancia, op. 8: Cuadro II. La mañana. III. Danza del trigo. Tranquillo - [ ] - Tempo I ma un poco rubato, Estancia, op. 8: Cuadro II. La mañana. IV. Los trabajadores agrícolas. Tempo giusto, Estancia, op. 8: Cuadro II. La mañana. V. Los peones de hacienda. [ ] - Mosso e ruvido, Estancia, op. 8: Cuadro II. La mañana. VI. Los puebleros, Estancia, op. 8: Cuadro III. La tarde. IX. Idilio crepuscular. Adagio, Estancia, op. 8: Cuadro III. La tarde. VIII. La doma. Allegro molto, Estancia, op. 8: Cuadro V. El amanecer. XI. Escena. Andantino - Lento, Estancia, op. 8: Cuadro V. El amanecer. XII. Danza final. Malambo. Allegro - Tempo di malambo, Marche des petits soldats de plomb, Ollantay, op. 17: La muerte de Ollantay. Andante – Adagio – Largo e desolato, Ollantay, op. 17: Los guerreros. Allegro – Poco più mosso – Tempo I – Presto e agitato, Ollantay, op. 17: Paisaje de Ollantaytambo. Lento, Pampeana no. 3, op. 24 (rev. 1967): I. Adagio comtemplativo - Poco più mosso - Tempo I - A tempo ma pochissimo più lento, Pampeana no. 3, op. 24 (rev. 1967): II. Impetuosamente - Intermezzo quasi Trio. Un poco meno mosso [Tempo II] - Più mosso - Tempo II - Più mosso - Tempo II - Tempo I - Poco a poco precipitando - Tempo I, Pampeana no. 3, op. 24 (rev. 1967): III. Largo con poetica esaltazione - Pochissimo più lento, Partita 1958: I. Fanfare. Avec allegresse et dureté, Partita 1958: II. Sarabande. Délicat – Plus animé – Tempo I – Tempo I, Partita 1958: III. Intermezzo. Passioné – Plus calme – Tempo I, Partita 1958: IV. Final. Entraînant – Solennel, Ramuntcho Suite no. 1: Fandango, Ramuntcho Suite no. 1: La Chambre de Franchita, Ramuntcho Suite no. 1: Le Jardin de Gracieuse, Ramuntcho Suite no. 1: Overture, Ramuntcho Suite no. 2: La Cidrerie, Ramuntcho Suite no. 2: Le Couvent, Ramuntcho Suite no. 2: Rapsodie basque, Symphony no. 1 in C major, op. 17, J 50: I. Allegro con fuoco, Symphony no. 1 in C major, op. 17, J 50: II. Andante, Symphony no. 1 in C major, op. 17, J 50: III. Scherzo. Presto - Trio - Scherzo D.C., Symphony no. 1 in C major, op. 17, J 50: IV. Finale. Presto, Symphony no. 2 in C major, J 51: I. Allegro, Symphony no. 2 in C major, J 51: II. Adagio, ma non troppo, Symphony no. 2 in C major, J 51: III. Menuetto. Allegro, Symphony no. 2 in C major, J 51: IV. Finale. Scherzo Presto, Symphony no. 4 in C minor, D417 “Tragic”: I. Adagio molto - Allegro vivace, Symphony no. 4 in C minor, D417 “Tragic”: II. Andante, Symphony no. 4 in C minor, D417 “Tragic”: III. Menuetto: Allegro vivace, Symphony no. 4 in C minor, D417 “Tragic”: IV. Allegro
Ravium performing orchestra Fifth Symphony: I. Poco lento – Allegro con fuoco – Dolce meno mosso – A tempo I (Allegro con fuoco) – Moderato – Tempo I (Poco lento), Fifth Symphony: II. Poco lento – Molto tranquillo – Tempo I, Fifth Symphony: III. Poco moderato – Allegro – Lento – Tempo I (Allegro) – Epilogue. Doppio movimento alla breve – Con brio – Più lento, First Symphony in E-flat major: I. Allegro moderato e feroce – Moderato espressivo – Tempo I, First Symphony in E-flat major: II. Lento solenne, First Symphony in E-flat major: III. Allegro maestoso – Allegro vivace ma non troppo presto, Fourth Symphony: I. Allegro moderato, Fourth Symphony: II. Lento moderato – Più mosso (Allegro mdoerato) – Poco largamente – Tempo I, Fourth Symphony: III. Allegro – Allegro scherzando – Tempo di marcia trionfale – Più largamente – Vivo, In the Faery Hills, Into the Twilight, November Woods, Nympholept, Red Autumn, Rogue's Comedy Overture, Second Symphony in E minor and C major: I. Molto moderato – Allegro moderato – Molto largamente – Moderato semplice – Tempo I – Allegro moderato – Tempo I – Vivace, Second Symphony in E minor and C major: II. Andante – Più mosso – Poco largamente – Tempo I, Second Symphony in E minor and C major: III. Poco largamente – Allegro feroce – Meno mosso – Molto largamente, Seventh Symphony: I. Allegro – Poco meno mosso – Tempo I – Poco largamente – Tempo I, Seventh Symphony: II. Lento – Più mosso. In Legendary Mood – Tempo I, Seventh Symphony: III. Theme and Variations: Allegro – Theme. Meno mosso – Tempo I – Meno mosso – Andante – Più mosso – Vivace – Molto moderato e maestoso, molto legato – Epilogue. Sereno, Sinfonietta "Symphonic Phantasy": I. Alla breve, Sinfonietta "Symphonic Phantasy": II. Andante con moto, Sinfonietta "Symphonic Phantasy": III. Allegro, Sixth Symphony: I. Moderato – Allegro con fuoco, Sixth Symphony: II. Lento, molto espressivo – Andante con moto – Meno mosso – Più lento, Sixth Symphony: III. Introduction. Lento moderato – Poco più vivo – Scherzo and Trio. Allegro vivace – Andante semplice – Allegro vivace – Poco largamente – Molto largamente – Tranquillando – Epilogue. Lento, The Garden of Fand, The Happy Forest, Third Symphony: I. Lento moderato – Allegro moderato – Allegro feroce – Più lento – Lento moderato – Allegro moderato – Allegro, Third Symphony: II. Lento, Third Symphony: III. Moderato – Più mosso – Tempo I – Epilogue. Poco lento, Three Northern Ballads: First Northern Ballad. To Basil Cameron, Three Northern Ballads: Prelude for a Solemn Occasion (Third Northern Ballad), Three Northern Ballads: Second Northern Ballad. To Adam Carse, Tintagel
Felix Heydemann performing orchestra Atom Hearts Club Suite no. 1, op. 70b: I. Allegro molto – Coda, Atom Hearts Club Suite no. 1, op. 70b: II. Andante, Atom Hearts Club Suite no. 1, op. 70b: III. Scherzo. Allegro scherzando – Coda, Atom Hearts Club Suite no. 1, op. 70b: IV. Finale. Allegro molto – Andante – Coda presto, Atom Hearts Club Suite no. 2, op. 79a: I. Pizzicato Steps. Moderato, Atom Hearts Club Suite no. 2, op. 79a: II. Aggressive Rock. Allegro con fuoco, Atom Hearts Club Suite no. 2, op. 79a: III. Brothers Blues. Andante, Atom Hearts Club Suite no. 2, op. 79a: IV. Rag Super Light. Allegro moderato, Atom Hearts Club Suite no. 2, op. 79a: V. Mr G. Returns. Allegro moderato, Atom Hearts Club Suite no. 2, op. 79a: VI. Atomic Boogie. Allegro molto - Moderato - Presto, Kamui-Chikap Symphony (Symphony no. 1), op. 40: I. Ground. Andante, Kamui-Chikap Symphony (Symphony no. 1), op. 40: II. Water. Largo, Kamui-Chikap Symphony (Symphony no. 1), op. 40: III. Fire. Allegro, Kamui-Chikap Symphony (Symphony no. 1), op. 40: IV. Air. Adagio -, Kamui-Chikap Symphony (Symphony no. 1), op. 40: V. Rainbow. Moderato, Ode to Birds and Rainbow, op. 60: I. Introduction. Largo -, Ode to Birds and Rainbow, op. 60: II. Canticle. Andante - Allegro - Moderato - Tempo primo -, Ode to Birds and Rainbow, op. 60: III. Tapestry II. Allegro, Ode to Birds and Rainbow, op. 60: Tapestry I. Allegro -, Prelude to the Celebration of Birds, op. 83, Symphony no. 3, op. 75: I. Allegro. Adagio grave, Allegro molto, Symphony no. 3, op. 75: II. Scherzo. Allegro scherzando, Symphony no. 3, op. 75: III. Adagio. Adagio, Symphony no. 3, op. 75: IV: Finale. Andante - Allegro molto, Symphony no. 4, op. 82: I. Allegro moderato – Moderato – Allegro molto – Allegro – Tempo I, Symphony no. 4, op. 82: II. Waltz. Allegro moderato – Allegro – Tempo I, Symphony no. 4, op. 82: III. Adagietto – Moderato – Andante – Tempo I – Moderato, Symphony no. 4, op. 82: IV. Finale. Allegro molto – Presto, Symphony no. 5, op. 87: I. Andante pesante - Allegro molto, Symphony no. 5, op. 87: II. Allegretto - Allegro molto, Symphony no. 5, op. 87: III. Andante lamentoso, Symphony no. 5, op. 87: IV. Andante maestoso - Allegro molto
Georges Auric performing orchestra From 'Hue and Cry': Overture, Suite from "The Titfield Thunderbolt': End Titles, Suite from "The Titfield Thunderbolt': The Triumph of the Thunderbolt, Suite from "The Titfield Thunderbolt': Titles, Suite from 'Caesar and Cleopatra': At the Sphinx, Suite from 'Caesar and Cleopatra': Main Titles, Suite from 'Caesar and Cleopatra': The Battle, Suite from 'Dead of Night': Main Titles / Waltz / The Mirror / Finale, Suite from 'Father Brown': Channel Crossing, Suite from 'Father Brown': End Titles, Suite from 'Father Brown': Farewell and Getaway / Epilogue / End Titles, Suite from 'Father Brown': Main Titles / The Robbery / The Cross of St Augustine, Suite from 'Father Brown': Tommy and Rosie, Suite from 'Father Brown': Train Journey to Fleurancy, Suite from 'It Always Rains on Sunday': Main Titles and Opening Scene, Suite from 'Moulin rouge': Main Titles, Suite from 'Moulin rouge': Polka, Suite from 'Moulin rouge': Quadrille, Suite from 'Moulin rouge': Waltz, Suite from 'Pasport to Pimlico': Finale and End Titles, Suite from 'Pasport to Pimlico': The Siege of Burgundy, Suite from 'Pasport to Pimlico': Titles, Suite from 'The Innocents': 'O Willow Waly' / Main Titles, Suite from 'The Innocents': Coachride and Arrival at Bly, Suite from 'The Lavender Hill Mob': End Titles, Suite from 'The Lavender Hill Mob': The Eiffel Tower, Suite from 'The Lavender Hill Mob': The Robbery, Suite from 'The Lavender Hill Mob': Titles
Sir Arthur Bliss performing orchestra Caesar and Cleopatra: Suite from the Incidental Film Music: Barcarolle, Caesar and Cleopatra: Suite from the Incidental Film Music: Dance Interlude I, Caesar and Cleopatra: Suite from the Incidental Film Music: Dance Interlude II, Caesar and Cleopatra: Suite from the Incidental Film Music: Dance Interlude III, Caesar and Cleopatra: Suite from the Incidental Film Music: Memphis at Night, Caesar and Cleopatra: Suite from the Incidental Film Music: Overture, Caesar and Cleopatra: Suite from the Incidental Film Music: Supply Sequence, Caesar and Cleopatra: Suite from the Incidental Film Music: The Sea, The Royal Palaces Suite: Joust of the Knights in Armour (George IV's reign), The Royal Palaces Suite: Melodrama: The Murder of Rizzio in Holyrood House, The Royal Palaces Suite: Queen Victoria's Call to the Throne, The Royal Palaces Suite: The Ballroom in Buckingham Palace, The Royal Palaces Suite: Theme, Theme from 'War in the Air', Things to Come: Concert Music from the Film: Attack, Things to Come: Concert Music from the Film: Attack on the Moon Gun, Things to Come: Concert Music from the Film: Ballet for Children, Things to Come: Concert Music from the Film: Epilogue, Things to Come: Concert Music from the Film: Excavation, Things to Come: Concert Music from the Film: Machines, Things to Come: Concert Music from the Film: March, Things to Come: Concert Music from the Film: Pestilence, Things to Come: Concert Music from the Film: Prologue, Things to Come: Concert Music from the Film: The Building of the New World, Things to Come: Concert Music from the Film: The World in Ruins, Welcome the Queen: March
Пётр Ильич Чайковский performing orchestra Sleeping Beauty: Apotheosis, Sleeping Beauty: Aurora's Variation, Sleeping Beauty: Coda, Sleeping Beauty: Dance of the Maids of Honour and Pages, Sleeping Beauty: Introduction, Sleeping Beauty: No. 1: March, Sleeping Beauty: No. 22: Polonzise, Sleeping Beauty: No. 23: Pas De Quatre, Sleeping Beauty: No. 25: Pas De Quatre, Sleeping Beauty: No. 30: Finale, Sleeping Beauty: No. 5: Scene, Sleeping Beauty: No. 6: Waltz, Sleeping Beauty: No. 7: Scene, Sleeping Beauty: No. 8: Pas D'Action - Adagio ('Rose Adagio'), Sleeping Beauty: No. 9: Finale, Sleeping Beauty: Variation 1: Cinderella and Prince Fortune, Sleeping Beauty: Variation 1: The Golden Fairy, Sleeping Beauty: Variation 2: Blubird and Princess Florine, Sleeping Beauty: Variation 2: The Silver Fairy, Sleeping Beauty: Variation 3: The Sapphir Fairy, Sleeping Beauty: Variation 4: The Diamon Fairy, Symphony No. 3 in D major, Op. 29 "Polish": I. Introduzione e allegro, Symphony No. 3 in D major, Op. 29 "Polish": II. Alla tedesca - Allegro moderato e simplice, Symphony No. 3 in D major, Op. 29 "Polish": III. Andante elegiaco, Symphony No. 3 in D major, Op. 29 "Polish": IV. Scherzo. Allegro vivo, Symphony No. 3 in D major, Op. 29 "Polish": V. Finale. Allegro con fuoco - Tempo di polacca
John "Buddy" Williams and His Blue Rhythm Orchestra performing orchestra Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Meno mosso, Piano Concerto no. 1 in D-flat major, op. 10: III. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: IV. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo, Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53: II. Andante, Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato, Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo
"Rural" Merle Hicks performing orchestra Blithe Bells, Colonial Song, Country Gardens, English Dance, Fisher’s Boarding-House, Green Bushes, Harvest Hymn, In a Nutshell Suite: I. Arrival at Platform Humlet, In a Nutshell Suite: II. Gay But Wistful, In a Nutshell Suite: III. Pastoral, In a Nutshell Suite: IV. The Gum-Suckers March, Irish Tune From County Derry (extract), King Arthur Suite: Variations (Extract), Shepherd’s Hey, The Duke of Marlborough Fanfare, There Were Three Friends, Walking Tune, We Were Dreamers
Max Richter performing orchestra Andras, Arbenita (11 Years), Embers, Europe, After the Rain, Fragment, Garden (1973) / Interior, Jan’s Notebook, Laika’s Journey, Landscape With Figure (1922), Last Days, Lines on a Page (One Hundred Violins), Maria, the Poet (1913), November, Quartet Fragment (1908), Sarajevo, Sketchbook, The Twins (Prague), Untitled (Figures)
Wolfgang Winkler performing orchestra Ballad, op. 4 (Arranged for cello and small orchestra by V. Derzhanovsky): Andante, Concert Waltz, op. 90: Allegro, Gyul'sara: Overture: Risoluto, Heroic March for the Buryiat-Mongolian ASSR, op. 71: Tempo di marcia, Holiday at Ferghana, Op. 7: Overture: Allegro assai. Festivo, Overture on Slavonic Themes, Shakh-Senem: Overture: Allegro moderato, Suite from "The Red Poppy": V. Valse, Suite from "The Red Poppy": VI. Russian Sailor's Dance, Symphony no. 2 in C minor, op. 25: I. Allegro pesante, Symphony no. 2 in C minor, op. 25: II. Allegro giocoso, Symphony no. 2 in C minor, op. 25: III. Andante con variazioni, Symphony no. 2 in C minor, op. 25: IV. Allegro vivace, The Zaporozhy Cossacks, op. 64: Finale, The Zaporozhy Cossacks, op. 64: Introduction, The Zaporozhy Cossacks, op. 64: The Cossacks write the letter, then read it, The Zaporozhy Cossacks, op. 64: They dance and rejoice, The Zaporozhy Cossacks, op. 64: They laugh
Flovcut performing orchestra Bassoon Concertino: I. Allegro brillante - Poco adagio -, Bassoon Concertino: II. Allegro moderato [Theme and Variations] -, Bassoon Concertino: III. Polacca, Bassoon Concerto, KV 191: I. Allegro, Bassoon Concerto, KV 191: II. Andante ma adagio, Bassoon Concerto, KV 191: III. Rondo. Tempo di Menuetto, Bassoon Concerto: I. (Allegro), Bassoon Concerto: II. Largo -, Bassoon Concerto: III. (Rondo), Fantasie for Bassoon and Orchestra: Introduction Theme, Variations I and II, Fantasie for Bassoon and Orchestra: Polacca, Fantasie for Bassoon and Orchestra: Variation III, Suite-Concertino in F major, op. 16: I. Notturno. Andante un poco mosso, Suite-Concertino in F major, op. 16: II. Strimpellata. Presto, Suite-Concertino in F major, op. 16: III. Canzone. Andante cantabile, Suite-Concertino in F major, op. 16: IV. Finale. Andante con moto
Ralph Vaughan Williams performing orchestra Job: A Masque for Dancing: Scene 1: Introduction, Pastoral Dance, Satan’s Appeal to God, Saraband to the Sons of God, Job: A Masque for Dancing: Scene 2: Satan’s Dance of Triumph, Job: A Masque for Dancing: Scene 3: Minuet of the Sons of Job and their Wives, Job: A Masque for Dancing: Scene 4. Job’s Dream, Dance of Plague, Pestilence, Famine and Battle, Job: A Masque for Dancing: Scene 5: Dance of the Three Messengers, Job: A Masque for Dancing: Scene 6: Dance of Job’s Comforters, Job’s Curse, A Vision of Satan, Job: A Masque for Dancing: Scene 7: Elihu’s Dance of Youth and Beauty, Pavane of the Sons of the Morning, Job: A Masque for Dancing: Scene 8: Galliard of the Sons of the Morning, Altar Dance and Heavenly Pavane, Job: A Masque for Dancing: Scene 9. Epilogue, The Pilgrim’s Progress: Prelude, The Pilgrim’s Progress: “And now Farewell”, “I will Kneel and Give Thanks to God”, “Peace be to Thee”, The Pilgrim’s Progress: “And their Original had Been the Dunghill”, The Pilgrim’s Progress: “Here I will Spill thy Soul”, The Pilgrim’s Progress: “I’m Sure it Fared Far Otherwise With Me”, Burnt to Ashes, Alleluia, The Pilgrim’s Progress: “The Owner Thereof was Giant Despair”, “Welcome to the Delectable Mountains”, “And That Mysterious Be”, The Pilgrim’s Progress: “They Shall not Overflow Thee”, “All the Days of Eternity”, “Marriage Supper of the Lamb”
Рейнгольд Морицевич Глиэр performing orchestra Bronze Horseman Suite: I. i. Introduction, Bronze Horseman Suite: I. ii. On the Senate Square, Bronze Horseman Suite: I. iii. Dance on the Square, Bronze Horseman Suite: II. i. Eugene, Bronze Horseman Suite: II. ii. Parasha, Bronze Horseman Suite: II. iii. Lyric Scene, Bronze Horseman Suite: III. Dancing Scene, Bronze Horseman Suite: IV. i. Fortune-telling, Bronze Horseman Suite: IV. ii. Dancing in a Ring with Dancing, Bronze Horseman Suite: V. Meeting (second lyric scene), Bronze Horseman Suite: VI. Waltz, Bronze Horseman Suite: VII. Anticipation (Beginning of the Storm), Bronze Horseman Suite: VIII. Hymn to the Great City, Horn Concerto, Op. 91: I. Allegro, Horn Concerto, Op. 91: II. Andante, Horn Concerto, Op. 91: III. Moderato - Allegro vivace
Mr. Stinky performing orchestra Symphony No. 22 in E-flat major "The Philosopher": I. Adagio, Symphony No. 22 in E-flat major "The Philosopher": II. Presto, Symphony No. 22 in E-flat major "The Philosopher": III. Menuetto e trio, Symphony No. 22 in E-flat major "The Philosopher": IV. Presto, Symphony No. 26 in D minor "Lamentatione": I. Allegro assai, Symphony No. 26 in D minor "Lamentatione": II. Adagio, Symphony No. 26 in D minor "Lamentatione": III. Menuetto e trio, Symphony No. 67 in F major: I. Presto, Symphony No. 67 in F major: II. Adagio, Symphony No. 67 in F major: III. Menuetto e trio, Symphony No. 67 in F major: IV. Finale, Symphony No. 80 in D minor: I. Allegro spiritoso, Symphony No. 80 in D minor: II. Adagio, Symphony No. 80 in D minor: III. Menuetto e trio, Symphony No. 80 in D minor: IV. Finale. Presto
Pierre-Luc Dupuis performing orchestra Aleko: Cavatina “The whole camp sleeps” (Aleko), Aleko: Chorus “As dear as freedom is our happy encampment”, Aleko: Chorus “But why did you not immediately hasten after the thankless wretch” (Aleko, Zemfira, Young Gypsy, Old Gypsy), Aleko: Chorus “The fires have gone out”, Aleko: Chorus “The magic power of song” (Old Gypsy), Aleko: Chorus “We are gentle and kind-hearted” (Old Gypsy, Aleko), Aleko: Chorus “What’s all this noise? What is that cry?” (Old Gypsy, Zemfira, Old Gypsy Woman, Aleko), Aleko: Cradle Scene. “Old man, fearful man…” (Zemfira, Aleko), Aleko: Duet “Just one more kiss!” (Young Gypsy, Zemfira), Aleko: Finale. Duet “It’s time to go, my love, it’s time!” (Young Gypsy, Aleko), Aleko: Intermezzo, Aleko: Introduction, Aleko: Men’s Dance, Aleko: Romance “Look how beneath the distant vault of heaven” (Young Gypsy), Aleko: Women’s Dance
Kenny Butterill performing orchestra Il tabarro: [Orchestra], Skupoy Ritsa (The Miserly Knight), Op. 24: Prelude, Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "What has that Idler Solomon to say?" (Albert, Servant), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "What? Poison my father!" (Albert, Jew), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "Whatever happens: I shall appear at the tournament" (Albert, Servant), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "Yes, at the Baron's funeral more money will flow than tears" (Jew, Albert), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "Your humble Servant" (Jew, Albert), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "But after me who will have possession of it?" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "Every time I start to open a chest!" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "It doesnt seem much, but of how many human cares" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "Like some demon, from here I can rule the world!" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "Like the young libertine awaiting a meeting with some wily harlot" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 3. "Baron, I'm pleased to see you so hale and hearty" (Duke, Baron, Albert), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 3. "Believe me, Sire: I have long suffered the shame of bitter poverty" (Albert, Duke), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 3. "You, here? You, here?" (Baron, Albert, Duke)
Prosektor performing orchestra Chaconne from Partita no. 2 in D minor, BWV 1004, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Fugue à la gigue in G major, BWV 577, O Mensch, bewein' dein' Sünde groß, BWV 622, Passacaglia and Fugue in C minor, BWV 582: Fugue, Passacaglia and Fugue in C minor, BWV 582: Passacaglia, Prelude and Fugue in C major, BWV 545: Fugue, Prelude and Fugue in C major, BWV 545: Prelude, Prelude and Fugue in E-flat major, BWV 552 "St Anne": Fugue, Prelude and Fugue in E-flat major, BWV 552 "St Anne": Prelude, The "Giant" Fugue (Wir glauben all' an einen Gott, BWV 680), Wachet auf, ruft uns die Stimme, BWV 645
سمير بشة performing orchestra First Concerto for Piano and Orchestra in A minor, op. 9: I. Moderato quasi andantino – Poco meno mosso – Allegro – Più mosso – Meno mosso, tranquillo – Andante – Più mosso – Allegro moderato – Più mosso – Poco tranquillo – Molto meno mosso – Più mosso – Più mosso – Andante – Poco più mosso – Poco meno mosso – Andante molto sostenuto – Tempo I (Andantino) – Allegro moderato, First Concerto for Piano and Orchestra in A minor, op. 9: III. Vivace marcato – Più mosso – Meno mosso – Più mosso – Vivace (Tempo I) – Cadenza. Lento rubato – Andantino – Allegro – Quasi tempo I (poco meno mosso) – Tempo I (Vivace) – Coda. Più mosso, First Concerto for Piano and Orchestra in A minor, op. 9: IIa. Tema. Moderato –, First Concerto for Piano and Orchestra in A minor, op. 9: IIb. Variation 1. L’istesso tempo –, First Concerto for Piano and Orchestra in A minor, op. 9: IIc. Variation 2. Allegro assai – Andante –, First Concerto for Piano and Orchestra in A minor, op. 9: IId. Variation 3. (Andante) – Poco più mosso –, First Concerto for Piano and Orchestra in A minor, op. 9: IIe. Variation 4. [ ] – Vivace – Più mosso – Tempo I –, First Concerto for Piano and Orchestra in A minor, op. 9: IIf. Variation 5. Funebre (Tempo di marcia moderato) – Maestoso (ma in tempo) –, First Concerto for Piano and Orchestra in A minor, op. 9: IIg. Coda (Tempo di tema) –, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": I. Allegro molto e energico – Meno mosso. Improvisato – Tempo I, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": II. Molto sostenuto. Improvisato – Molto espressivo – Molto sostenuto, Fourth Concerto for Piano and Orchestra, op. 99 "Prague": III. Vivo – Più mosso. Con brio
Christopher Gunning performing orchestra Cold Lazarus, Firelight, Five Little Pigs, La Môme Piaf (La Vie En Rose), Lighthouse Hill, Poirot Variants for Alto Saxophone and Orchestra, Pollyanna, Rebecca, The Hollow, The Rosemary and Thyme Caprice, Under Suspicion, When the Whales Came
Art Carlson performing orchestra Concerto for Organ, Strings and Timpani, Symphony no. 1 for Organ and Orchestra, op. 42: I. Introduction and Allegro. Largo e maestoso - Allegro - Tempo primo, Symphony no. 1 for Organ and Orchestra, op. 42: II. Pastorale. Andante quasi allegretto, Symphony no. 1 for Organ and Orchestra, op. 42: III. Finale. Allegro assai - Andante maestoso - Tempo primo, Symphony no. 2 for Organ and Orchestra, op. 91: I. Introduction et Allegro risoluto, Symphony no. 2 for Organ and Orchestra, op. 91: II. Adagio con affetto, Symphony no. 2 for Organ and Orchestra, op. 91: III. Scherzo: Allegro vivace, Symphony no. 2 for Organ and Orchestra, op. 91: IV. Andante sostenuto, Symphony no. 2 for Organ and Orchestra, op. 91: V. Intermède et Allegro con brio, Symphony no. 3 for Organ and Orchestra, op. 69: I. Adagio - Andante - Allegro, Symphony no. 3 for Organ and Orchestra, op. 69: II. Vivace - Tranquillamente - Allegro - Largo
Gustav Mahler performing orchestra Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: II. Der Einsame in Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Symphony No. 7 in E minor: I. Langsam - Allegretto, Symphony No. 7 in E minor: II. Nachtnusik I: Allegro moderato, Symphony No. 7 in E minor: III. Scherzo: Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II: Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale
Ichiro Inoue performing orchestra Concertino da camera: I. Allegro con moto, Concertino da camera: II. Animato molto, Concertino da camera: II. Larghetto -, Concerto du vent: I. Un vent propice, Concerto du vent: II. La marque du vent, Concerto du vent: III. Un nouveau vent, Concerto for Saxophone and String Orchestra, op. 14: I. Allegro molto moderato, Concerto for Saxophone and String Orchestra, op. 14: II. Adagio, Concerto for Saxophone and String Orchestra, op. 14: III. Allegro scherzando, Saxophone Concerto "Albireo Mode", op. 93: I. Topaz, Saxophone Concerto "Albireo Mode", op. 93: II. Sapphire
Luciano Rubini performing orchestra Allegro, op. 81, Cortège et litanie, op. 19 no. 2, Cyprès et lauriers, op. 156: I. Cyprès -, Cyprès et lauriers, op. 156: II. Lauriers, Fantaisie sur l'hymne national russe, Fantaisie triomphale, Final alla Schumann sur un Noël languedocien, op. 83, Grand chœur dialogué, Marche-fantaisie sur deux chants d'église, op. 44, Méditation sur le Stabat mater, op. 63
Cobra performing orchestra Concierto de Aranjuez: I. Allegro con spirito, Concierto de Aranjuez: II. Adagio, Concierto de Aranjuez: III. Allegro gentile, Concierto para una fiesta: I. Allegro deciso, Concierto para una fiesta: II. Andante calmo, Concierto para una fiesta: III. Allegro moderato, Fantasía para un gentilhombre: I. Villano y ricercare, Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles, Fantasía para un gentilhombre: III. Danza de las hachas, Fantasía para un gentilhombre: IV. Canario
Сергей Рахманинов performing orchestra Francesca Da Rimini, op. 25: Scene II. "The Fair Guinivere..." (Paolo), Francesca Da Rimini, op. 25: Scene II. Epilogue, Francesca da Rimini, op. 25: Prologue. The First Circle of Hell. The Shade of Virgil, Followed by Dante, Francesca da Rimini, op. 25: Prologue. The Second Circle. Dante and Virgil on the Edge of the Precipice, Francesca da Rimini, op. 25: Prologue. [Largo], Francesca da Rimini, op. 25: Scene I. "My Answer Is Plain." (Lanceotto), Francesca da Rimini, op. 25: Scene I. "My Lord Called for Me?" (Francesca), Francesca da Rimini, op. 25: Scene I. "Nothing Can Extinguish These Jealous Thoughts." (Lanceotto), Francesca da Rimini, op. 25: Scene I. Rimini. The Malatesta Castle., Francesca da Rimini, op. 25: Scene II. Rimini. A Room in the Castle.
Dave Giles performing orchestra Piano Concerto no. 1, BB 91: I. Allegro moderato, Piano Concerto no. 1, BB 91: II. Andante, Piano Concerto no. 1, BB 91: III. Allegro, Piano Concerto no. 2, BB 101: I. Allegro, Piano Concerto no. 2, BB 101: II. Adagio - Presto - Adagio, Piano Concerto no. 2, BB 101: III. Allegro molto, Piano Concerto no. 3, BB 127: I. Allegretto, Piano Concerto no. 3, BB 127: II. Adagio religioso, Piano Concerto no. 3, BB 127: III. [Allegro vivace]
Roman Trekel performing orchestra Viola Concerto, Sz 120, BB 128: I. Moderato. Un poco meno mosso, Viola Concerto, Sz 120, BB 128: II. Adagio religioso, Viola Concerto, Sz 120, BB 128: III. Allegro vivace, Violin Concerto no. 1, BB 48a: I. Andante sostenuto, Violin Concerto no. 1, BB 48a: II. Allegro giocoso, Violin Concerto no. 2, BB 117: I. Allegro non troppo, Violin Concerto no. 2, BB 117: II. Andante tranquillo, Violin Concerto no. 2, BB 117: III. Allegro molto
kariiiba performing orchestra Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn, Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning, Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight, Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm, Symphonic Suite from "Gloriana", op. 53a: I. The Tournament, Symphonic Suite from "Gloriana", op. 53a: III. The Courtly Dances, Symphonic Suite from "Gloriana", op. 53a: IV. Gloriana Moritura
Sergio Avil performing orchestra Piano Concerto No. 2 in G minor: I. Andante sostenuto (BBC Philharmonic feat. conductor: Marin Alsop, piano: Kathryn Scott), Piano Concerto No. 2 in G minor: II. Allegro scherzando (BBC Philharmonic feat. conductor: Marin Alsop, piano: Kathryn Scott), Piano Concerto No. 2 in G minor: III. Presto (BBC Philharmonic feat. conductor: Marin Alsop, piano: Kathryn Scott), Symphony No.3 in C minor: I. (con't) Poco adagio (BBC Philharmonic feat. conductor: Marin Alsop, organ: David Goode), Symphony No.3 in C minor: I. Adagio – Allegro moderato (BBC Philharmonic feat. conductor: Marin Alsop, organ: David Goode), Symphony No.3 in C minor: II. (con't) Maestoso – Allegro (BBC Philharmonic feat. conductor: Marin Alsop, organ: David Goode), Symphony No.3 in C minor: II. Allegro moderato – Presto (BBC Philharmonic feat. conductor: Marin Alsop, organ: David Goode)
Alex Bohnhoff performing orchestra The Love for Three Oranges Suite, Op. 33bis: I. Ridiculous Fellows, The Love for Three Oranges Suite, Op. 33bis: II. Magician Celio and Fata Morgan play cards, The Love for Three Oranges Suite, Op. 33bis: III. March, The Love for Three Oranges Suite, Op. 33bis: IV. Scherzo, The Love for Three Oranges Suite, Op. 33bis: V. The Prince and the Princess, The Love for Three Oranges Suite, Op. 33bis: VI. Flight
Robert Radecke performing orchestra Simfonia de Rèquiem: I. Introitus. Andante moderato – Poco più sostenuto – Tempo I (Andante moderato), Simfonia de Rèquiem: II. Kyrie. Andante doloroso, Simfonia de Rèquiem: III. Dies irae. Allegretto con brio – Poco meno mosso – Moderato ritenuto – Tempo I (Allegretto con brio), Simfonia de Rèquiem: IV. Agnus Dei. Adagietto, Simfonia de Rèquiem: V. Lux æterna. Andante moderato, Simfonia de Rèquiem: VI. Libera me, Domine. Moderato solenne, molto tenuto
Chocolate MC performing orchestra Peter and the Wolf: And now, imagine the triumphant procession, Peter and the Wolf: And now, this is how things stood, Peter and the Wolf: Early one morning, Peter and the Wolf: Introduction, Peter and the Wolf: Just then, hunters came, Peter and the Wolf: No sooner had peter gone
David Stuart performing orchestra Symphony no. 7: I. Langsam (Adagio) - Allegro, Symphony no. 7: II. Nachtmusik I. Allegro moderato, Symphony no. 7: III. Scherzo. Schattenhaft, Symphony no. 7: IV. Nachtmusik II. Andante amoroso, Symphony no. 7: V. Rondo-Finale. Tempo I (Allegro ordinario) - Maestoso
ASAF 3.0 performing orchestra Tout un mode lointain: I. Enigme -, Tout un mode lointain: II. Regard -, Tout un mode lointain: III. Houles -, Tout un mode lointain: IV. Miroirs -, Tout un mode lointain: V. Hymne
Frankie Viele performing orchestra Concerto for Orchestra: I. Summa Ferri, Concerto for Orchestra: II. Moonbird, Concerto for Orchestra: III. A Spirit in Mourning, Concerto for Orchestra: IV. Aubade, Concerto for Orchestra: V. Le Grand Concert
Leoš Janáček performing orchestra Sinfonietta: Allegretto (The Street), Sinfonietta: Allegretto - Allegro - Maestoso (Fanfares), Sinfonietta: Andante - Allegretto (The Castle), Sinfonietta: Andante con moto (The Town Hall), Sinfonietta: Moderato (The Queen's Monastery)
House of Discipline performing orchestra L'Arbre des songes: I. Librement -, L'Arbre des songes: II. Vif -, L'Arbre des songes: III. Lent -, L'Arbre des songes: IV. Large et anime, L'Arbre des songes: Interlude -
brent hosier performing orchestra Symphonic Suite "Catfish Row": I. Catfish Row, Symphonic Suite "Catfish Row": III. Fugue, Symphonic Suite "Catfish Row": IV. Hurricane, Symphonic Suite "Catfish Row": V. Good Mornin', Sistuh, Variations on "I Got Rhythm"
Carl August Haupt performing orchestra Cinco Canciones Negras: No. 1. Cuba dentro de un piano (Cuba in a piano). Lento – Rubato – Lento – Rubato – Lento – Rubato – Lento – Rubato – Lento – Rubato (Molto lento) – Violento e rapido – Calmando (lento), Cinco Canciones Negras: No. 2. Punto de Habanera (Habanera rhythm). Tempo de guajiras – A tempo – Coda a tempo, Cinco Canciones Negras: No. 3. Chévere (The dandy). Lentissimo, Cinco Canciones Negras: No. 4. Canción de Cuna para Dormir a un Negrito (Lullaby for a little black boy). Lento, Cinco Canciones Negras: No. 5. Canto Negro (Negro song). Leggiero
Justin Bock performing orchestra Abschiedslieder, op. 14: I. Sterbelied, Abschiedslieder, op. 14: II. Dies eine kann mein Sehnen nimmer fassen, Abschiedslieder, op. 14: III. Mond, so gehst du wieder auf, Abschiedslieder, op. 14: IV. Gefasster Abschied
Michael Buchmiller performing orchestra Concerto for Violin and Orchestra, op. 24: I. Allegro non troppo ma passionato. - Poco animato -, Concerto for Violin and Orchestra, op. 24: II. Lento cantabile - Poco animato - Tempo I - Poco animato - Più largamente -, Concerto for Violin and Orchestra, op. 24: III. Allegro vivace - Tempo I - Poco meno allegro - Meno mosso, Variations on a Hungarian Peasant Song, op. 4
David Richards performing orchestra Caucasian Sketches, op. 10: 1. In the Mountain Pass, Caucasian Sketches, op. 10: 3. In the Mosque, Caucasian Sketches, op. 10: 4. Procession of the Sardar, Triumphal Poem
No-C performing orchestra Symphony no. 6: I. Allegro energico, ma non troppo: Heftig, aber markig, Symphony no. 6: II. Andante moderato, Symphony no. 6: III. Scherzo: Wuchtig, Symphony no. 6: IV. Finale: Sostenuto - Allegro energico
Murat Coşkun performing orchestra Cello Concerto in E minor, op. 85: I. Adagio - Moderato, Cello Concerto in E minor, op. 85: II. Lento - Allegro molto, Cello Concerto in E minor, op. 85: III. Adagio, Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
Totems performing orchestra Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso, Symphony for Cello and Orchestra, op. 68: II. Presto inquieto, Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib, Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
Axis of Blood performing orchestra Concertino for Clarinet and Small Orchestra, op. 48: I. Allegretto sostenuto – Tranquillo – Un poco animato –, Concertino for Clarinet and Small Orchestra, op. 48: II. Andantino – Adagio –, Concertino for Clarinet and Small Orchestra, op. 48: III. Allegro sostenuto – Un poco meno sostenuto –, Concertino for Clarinet and Small Orchestra, op. 48: IV. Allegro – Tempo di minuetto, sostenuto e pomposo
John Calabrese performing orchestra Piano Concerto No. 23 in A major, K. 488: I. Allegro, Piano Concerto No. 23 in A major, K. 488: II. Adagio, Piano Concerto No. 23 in A major, K. 488: III. Allegro assai
Brittany Pogue performing orchestra Dust Clears, New Eyes, Outro Movement III
Jon Mikkelson performing orchestra Extraordinary, Rihanna, Up Again
Cindy Torres performing orchestra Symphony no. 9: Allegro con brio, Symphony no. 9: Allegro con delicatezza, Symphony no. 9: Largo
Luca Fanfoni performing orchestra Concerto for Bassoon and Orchestra in F major, op. 75, J 127: I. Allegro non troppo, Concerto for Bassoon and Orchestra in F major, op. 75, J 127: II. Adagio, Concerto for Bassoon and Orchestra in F major, op. 75, J 127: III. Rondò. Allegro
Wolfgang Kannen performing orchestra Symphony no. 9 in D minor: I. Feierlich, misterioso, Symphony no. 9 in D minor: II. Scherzo (Bewegt, lebhaft) & Trio (Schnell), Symphony no. 9 in D minor: III. Adagio (Langsam, feierlich)
Stefano Galeano performing orchestra Phantasy for Viola and Orchestra: Allegro vivace – Un poco più lento – Tempo I – Allegro moderato – Allegro vivace – Tempo più lento – Allegro – Più mosso – Poco largamente – Largamente molto, Phantasy for Viola and Orchestra: Lento semplice – Tempo I – Più mosso (Allegro moderato), Phantasy for Viola and Orchestra: Poco lento. Largamente – Un pochettino più mosso – Allegro moderato molto ritmico – Tempo poco più tenuto – Agitato – Poco più lento – Meno mosso – Poco più mosso – Animato – Tempo I – Tempo of Introduction – Broadly
Laura Ugarte performing orchestra Cello Concerto: I. Moderato – Allegro non troppo – Poco animato – Più mosso – 12:04 Più lento – Allegro e inquieto – Più vivo – Meno mosso – Allegro marziale – Più lento – Animato – Tempo I – Vivo, Cello Concerto: II. Lento con granole espressione – Poco largamente – Tempo I – 9:51 Poco più largamente – Tempo I e sempre tranquillo, Cello Concerto: III. Allegro vivo – Meno mosso, ma sempre con movimento – Poco più mosso – Più mosso (Tempo I) – Molto ritmico – Più lento e misterioso – Poco più tranquillo – Più mosso – Più mosso – Vivo e marcato – Marcatissimo
Claude Debussy performing orchestra Ibéria: I. Par les rues et par les chemins, Ibéria: II. Les Parfums de la nuit, Ibéria: III. Le matin d'un jour de fête
Vocal Foundry performing orchestra A notte alta, op. 30: Agitando e cresc, molto, A notte alta, op. 30: Andante molto tranquillo e calmo, quasi adagio, A notte alta, op. 30: Lento molto, misterioso
Leslie Brown Katz performing orchestra Symphony no. 3 "Heroic": I. Largo - Allegro energico, un poco più mosso, Symphony no. 3 "Heroic": II. Molto allegro e tempestoso, Symphony no. 3 "Heroic": III. Largo, maestoso - Allegro marciale, ma maestoso - Maestoso
Frankie Starr performing orchestra Chopiniana, Op. 46: II. Nocturne, Chopiniana, Op. 46: III. Mazurka
Falke performing orchestra Konzertstück for Four Horns in F, Op. 86: I. Lebhaft, Konzertstück for Four Horns in F, Op. 86: III. Sehr Lebhaft
Yellow Day Union performing orchestra Il tabarro: "Eccola la passata!", Il tabarro: "O Luigi!"
Terry Heise performing orchestra Concerto for Violin and Orchestra: I. Sostenuto - Allegro non troppo, Concerto for Violin and Orchestra: II. Theme and Variations
Diane Thome performing orchestra Birch, UK Shanty
Richard Fortes performing orchestra Piano Concerto in F-sharp minor, op. 1, Piano Concerto no. 2 in E major, op. 38
Ration-L performing orchestra Symphony no. 3 "Silence", The Confession of Isobel Gowdie
Jane Marshall performing orchestra Lady Caroline Lamb: I. Molto vivo - Lento - Alla marcia - Lento, Lady Caroline Lamb: II. Maestoso - Andante con moto - Poco agitato - Alla breve
Franz Schubert performing orchestra Symphony No. 8 in B minor, D 759 "Unfinished": I. Allegro moderato, Symphony No. 8 in B minor, D 759 "Unfinished": II. Andante con moto
Trio Magneto performing orchestra Deux Sonnets de Jean Cassou: Il n'y avait que des troncs déchirés. Vehement et agite, Deux Sonnets de Jean Cassou: J'ai rêvé que je vous portais entre mes bras
Gabriel Fauré performing orchestra Prelude to Penelope: Andante moderato, Requiem: Agnus Dei
Thomas Roloff performing orchestra Nightingale
Paul Hindemith performing orchestra Symphony in E flat: I. Sehr lebhaft
Otis Harris performing orchestra Psaume 130 “Du fond de l’abîme”
Elbow performing orchestra First Steps
Cadavreski performing orchestra Symphony 2808
Renate Jatzeck performing orchestra Rather Be
My Enemies & I performing orchestra Il tabarro: "Hai ben ragione"
Mike Dillin performing orchestra Cello Concerto in C major, op. 37: Allegro moderato ma con fuoco - Grave - Allegro moderato - Grandioso
Medyahe performing orchestra Cantus in Memory of Benjamin Britten
Curt Allen performing orchestra Catfish Row: Porgy Sings
Mahalia Sibanda performing orchestra Psaume 24
Letters Burning performing orchestra Il tabarro: "Dimmi: perché gli hai chiesto di sbarcati a Rouen?"
Sir Peter Maxwell Davies performing orchestra The Beltane Fire (Excerpt)
Spike Shellcraker performer Silent Night
Koidula Pappel performing orchestra The Red Poppy Suite, op. 70: Phoenix / Russian Sailor’s Dance
Steffi Wolf performing orchestra A&E
Kateri Yager performing orchestra Piano Concerto in C-sharp, op. 17
The Dream The Chase performing orchestra Il tabarro: "To'! guarda la mia vecchia!"
The River 68's performing orchestra Caucasian Sketches, op. 10: 2. In the Village
Rainbow Patrol performing orchestra The Planets, op. 32, H. 125: VII. Neptune, the Mystic
Through the Crowd performing orchestra Il tabarro: "O eterni innamorati"
Tim Moore performing orchestra Konzertstück for Four Horns in F, Op. 86: II. Romanze
Digital Kicks performing orchestra Symphony no. 3 "Simfoniya-poema"
Dust performing orchestra Il tabarro: "È ben altro il mio sogno!"
Jens Büttner performing orchestra Il tabarro: "T'ho colto!"
Viola Martinsson performing orchestra Faust et Hélène
Hernando Manrique performing orchestra The Turn of the Tide: Section VI: The Warning is Heeded - Nature Reborn - The Decline is Reversed
Hello! Jersey performing orchestra Il tabarro: "Come è difficile esser felici!"
Antrodemus performing orchestra Enchanted April
Words Like Daggers performing orchestra Il tabarro: "Ragazzi c'è il padrone!"
Gerard Antonio Coatti performing orchestra Jehan Alain: Prière pour nous autres charnels
Dylan Brown performing orchestra Telephone Banking
EBA performing orchestra Il tabarro: "Nulla! Silenzio!"
Anna Barbara Speckner performing orchestra Silent Night
Николай Яковлевич Мясковский performing orchestra Symfoni nr 5 D-dur, op. 18: Allegretto amabile
Anikiko performing orchestra Il tabarro: "O Michele?"
Foxtrot performing orchestra Symphonic Suite from "Gloriana", op. 53a: II. The Lute Song
Edward Elgar performing orchestra Cello Concerto: Adagio
Liz Jackson performing orchestra Nocturne in A-flat major, Op. 32 No. 2