London Philharmonic Choir

vocal, performing orchestra

Top collaborators

Artist name Roles Recordings
Gustav Mahler
Ralph Vaughan Williams
Deams (Dutch rapper Deams Tesfah)
Carsten Dämbkes
V.I. Povici

Work on other artists' recordings

Artist name Roles Recordings
Gustav Mahler vocal Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Gloria sit Patri Domino, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis, Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus: Veni, creator spiritus, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest, Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran, Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 in C minor “Resurrection”: II. Andante Moderato. Sehr gemächlich. Nie eilen, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht". Sehr feierlich, aber schlicht, Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso, Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter, Symphony no. 2 in C minor “Resurrection”: V. Finale. Im Tempo des Scherzo. Wild herausfahrend
Ralph Vaughan Williams vocal A Cotswold Romance: 1. The Men of Cotsall, A Cotswold Romance: 10. Freedom at Last, A Cotswold Romance: 2. Sweet Little Linnet, A Cotswold Romance: 3. Hugh' s Song of the Road, A Cotswold Romance: 4. Love at First Sight, A Cotswold Romance: 5. The Best Man in England, A Cotswold Romance: 6. Alone and Friendless, A Cotswold Romance: 7. The Fight and its Sequel, A Cotswold Romance: 8. Hugh in the Stocks, A Cotswold Romance: 9. Mary Escapes, Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved", Fantasia (quasi variazione) on the Old 104th Psalm Tune, Toward the Unknown Region
Deams vocal All we like sheep have gone astray, Amen, And He shall purify the sons of Levi, And the glory of the Lord, And with His stripes we are healed, Behold the Lamb of God, For unto us a Child is born, Glory to God in the highest, Hallelujah, He trusted in God that would deliver Him, His yoke is easy, His burden is light, Let us break their bonds asunder, Lift up your heads, O ye gates, O thou that tellest good tidings to Zion, Since by man came death — for as in Adam, even so in Christ, Surely, He hath borne our griefs, Worthy is the Lamb that was slain
Carsten Dämbkes vocal Carmina Burana: Blanziflor et Helena - XXIV. Ave formosissima, Carmina Burana: Cour d'amours - XIX. Si puer cum puellula, Carmina Burana: Cour d'amours - XVIII. Circa mea pectora, Carmina Burana: Cour d'amours - XX. Veni, Veni, Venias, Carmina Burana: Cour d'amours - XXII. Tempus est iocundum, Carmina Burana: Fortuna imperatrix mundi - II. Fortune plango vulnera, Carmina Burana: Fortuna imperatrix mundi - XXV. O Fortuna, Carmina Burana: In Taberna - XII. Olim lacus colueram, Carmina Burana: In Taberna - XIII. Ego sum abbas, Carmina Burana: In Taberna - XIV. In taberna quando sumus, Carmina Burana: Primo vere - III. Veris leta facies, Carmina Burana: Primo vere - IV. Omnia sol temperat, Carmina Burana: Primo vere - V. Ecce gratum, Carmina Burana: Uf dem anger - IX. Reie - Swaz hie gat umbe - Chume, chum geselle min, Carmina Burana: Uf dem anger - VII. Floret silva, Carmina Burana: Uf dem anger - VIII. Chramer, gip die varwe mir, Carmina Burana: Uf dem anger - X. Were diu werlt alle min
V.I. Povici vocal A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Behold, the sea itself (chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Flaunt out, O sea, your separate flags of nations (soprano & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Today a rude brief recitative (baritone & chorus), A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus), A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus), A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): On the beach, at night, alone (baritone & semi-chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Down from the gardens of Asia descending (chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Greater than stars or suns (chorus, soprano & baritone), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O my brave Soul (soprano, baritone & chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O thou transcendent (soprano, baritone & chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O vast Rondure, swimming in Space (chorus), A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Sail forth (chorus, soprano & baritone), Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso, Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro)
Dennis Roy vocal Christen, atzet diesen Tag, BWV 63: Chorale: Christen, atzet diesen Tag, Christen, atzet diesen Tag, BWV 63: Chorale: Hochster, schau in Gnaden an, The First Nowell: I. Prelude: God rest you merry - The truth from above, The First Nowell: III. Nowell, Nowell, Nowell, Nowell!, The First Nowell: IX. In Bethlehem City, "A Virgin most pure", The First Nowell: VI. The Cherry Tree Carol: Joseph was an old man, The First Nowell: XVI. The Salutation Carol: 'Tidings true be come new, The First Nowell: XVII. How brightly shone the morning star, The Seven Last Words of Our Savior on the Cross: Il terremoto: Er ist nicht mehr, Vom Himmel hoch: Chorale: Lob, Ehr sei Gott im hochsten Thron, Vom Himmel hoch: Er bring euch alle Seligkeit, Vom Himmel hoch: Vom Himmel hoch, da komm ich her
Billy Davis vocal A Midsumme Night's Dream: Allegro "What hempen home-spuns have we here?", A Midsumme Night's Dream: Allegro comodo - Funeral March, A Midsumme Night's Dream: Allegro vivace - Finale, A Midsumme Night's Dream: Dance of the Clowns, A Midsumme Night's Dream: Intermezzo (Allegro appassionato), A Midsumme Night's Dream: L'Istesso Tempo: "Over Hill, Over Dale" - March Of The Fairies (Allegro vivace), A Midsumme Night's Dream: Nocturne, A Midsumme Night's Dream: Overture, Op 21, A Midsumme Night's Dream: Scherzo, A Midsumme Night's Dream: Song With Chorus: "Ye Spotted Snakes", A Midsumme Night's Dream: Wedding March
Giuseppe Verdi vocal Requiem, Requiem Mass: I. Introit and Kyrie, Requiem Mass: IIa. Dies irae, Requiem Mass: IIb. Tuba mirum; IIc Mors stupebit, Requiem Mass: IId. Liber scriptus, Requiem Mass: IIf. Rex tremendae, Requiem Mass: IIi. Confutatis, Requiem Mass: IIj. Lacrymosa, Requiem Mass: IV. Sanctus, Requiem Mass: V. Agnus Dei, Requiem Mass: VII. Libera me
Ron Pember performing orchestra Art Thou Troubled (Rodelinda, HWV 19), Break in Grief (St. Matthew Passio, BWV 244) (arr. Edward Elgar & Ivor Atkins), Gods All Powerful (Radamisto, HWV 11), He Shall Feed His Flock (Messiah, HWV 56), I Know That My Redeemer Liveth (Messiah, HWV 56), If Thou Be Near (arr. Michael Tippett), Jesu, Joy of Man's Desiring (arr. W.G. Whittaker), Oh Sleep, Why Dost Thou Leave Me? (Semele, HWV 28), Praise Ye the Lord (arr. Woodgate; McCormack), Sheep May Safely Graze (Cantata BWV 208 "Was mir behaft, ist nur di muntre Jagd")
Antonín Dvořák vocal Stabat Mater, op. 58: I. Stabat mater dolorosa, Stabat Mater, op. 58: III. Eja, mater, fons amoris, Stabat Mater, op. 58: IV. Fac, ut ardeat cor meum, Stabat Mater, op. 58: V. Tui nati vulnerati, Stabat Mater, op. 58: VI. Fac me vere tecum flere, Stabat Mater, op. 58: VII. Virgo virinum praeclara, Stabat Mater, op. 58: X. Quando corpus morietur, Stabat Mater, op. 58: XI. Amen
Il Civetto vocal Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": II. "Alles was Odem hat, lobe den Herrn", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. b. "Er zählet unsre Tränen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IV. "Sagt es, die ihr erlöset seid", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": V. "Ich harrete des Herrn", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VII. "Die Nacht ist vergangen", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VIII. "Nun danket alle Gott", Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": X. "Ihr Völker! bringet her dem Herrn"
When Particles Collide vocal The Seven Last Words of Our Savior on the Cross: No. 1. "Vater, vergib ihnen, Denn sie wissen nicht, was sie tun", The Seven Last Words of Our Savior on the Cross: No. 2. "Fürwahr, ich sag’ es dir: Heute wirst du bei mir in Paradiese sein", The Seven Last Words of Our Savior on the Cross: No. 3. "Frau, hier siehe deinen Sohn, Und du, siehe deine Mutter!", The Seven Last Words of Our Savior on the Cross: No. 4. "Mein Gott! Warum hast du mich verlassen?", The Seven Last Words of Our Savior on the Cross: No. 5. "Jesus rufet: Ach, mich dürstet!", The Seven Last Words of Our Savior on the Cross: No. 7. "Vater, in deine Hände empfehle ich meinen Geist"
Martin Riedel vocal Carmina Burana - O Fortuna, Nabucco: Chorus of the Hebrew Slaves "Va', pensiero, sull'ali dorate", Symphony no. 9 in D minor, op. 125 "Choral": Ode an die Freude
Nacho Castro vocal Symphony no. 2 in C minor “Resurrection”: V. Etwas bewegter, Symphony no. 2 in C minor “Resurrection”: V. Langsam. Misterioso
Rico Scholz vocal Carmina Burana: O Fortuna, Messa da Requiem: Dies irae - Tuba mirum
Sir William Walton vocal Henry V Suite: Agincourt Song, Henry V Suite: Prelude: The Globe
Guy Malka vocal Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso, Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro)
anubasu-anubasu vocal Requiem, K. 626: Part III, VI. Lacrimosa dies illa, The Messiah, HWV 56: Hallelujah Chorus
Federico Ibarra vocal Overture in D minor, HWV 247
Carl Orff vocal Carmina Burana
Stanaj vocal Symphony No. 8 in E flat major "Symphony of a Thousand": Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
Rafael R. Baixeras vocal O Fortuna
Wan Hewitt vocal The Planets, op. 32: VII. Neptune, the Mystic
風紀委員 桐生 vocal The Seven Last Words of Our Savior on the Cross: No. 6. "Es ist vollbracht"
Media vocal Ave Maria (after J.S. Bach)
Müzeyyen Hanım vocal The First Nowell: XX. The First Nowell