Sheila Armstrong

vocal

Top collaborators

Artist name Roles Recordings
Franz Schubert (Austrian composer Franz Peter Schubert)
Henry Purcell (baroque composer)
Sir Michael Tippett
Gabriel Fauré
Ralph Vaughan Williams

Work on other artists' recordings

Artist name Roles Recordings
Franz Schubert vocal Magnificat in C, D. 486, Offertorium in B-flat, D. 963, Stabat Mater in F, D. 383: I. Choir, Stabat Mater in F, D. 383: II. Aria, Stabat Mater in F, D. 383: III. Choir, Stabat Mater in F, D. 383: IV. Duetto, Stabat Mater in F, D. 383: IX. Choir, Stabat Mater in F, D. 383: V. Choir, Stabat Mater in F, D. 383: VI. Aria, Stabat Mater in F, D. 383: VII. Choir, Stabat Mater in F, D. 383: VIII. Aria, Stabat Mater in F, D. 383: X. Terzetto, Stabat Mater in F, D. 383: XI. Terzetto - Choir, Stabat Mater in F, D. 383: XII. Choir
Henry Purcell vocal Dido and Aeneas, Z.626: Act 1, "Ah! Belinda"/"Grief increases"/"When monarchs unite", Dido and Aeneas, Z.626: Act 1, "If not for mine, for empire's sake" ... "To the hills and the vales", Dido and Aeneas, Z.626: Act 1, "See, your royal guest appears" / "Cupid only throws..", Dido and Aeneas, Z.626: Act 1, "Shake the cloud from off your brow", Dido and Aeneas, Z.626: Act 1, "Whence could so much virtue spring?" - "Fear no danger", Dido and Aeneas, Z.626: Act 2, "Behold, upon my bending spear" / "Haste, haste to town", Dido and Aeneas, Z.626: Act 2, Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance, Dido and Aeneas, Z.626: Act 3, "Your counsel all is urg'd in vain" - "Great minds against themselves conspire"
Sir Michael Tippett vocal A Spiritual, A Spiritual (1.10), A Spiritual (3.46), General Ensemble (5.15), Scena (Solo Quartet), Soprano solo, The Mother (1.41)
Gabriel Fauré vocal Requiem, op. 48: I. Introït et Kyrie, Requiem, op. 48: II. Offertoire, Requiem, op. 48: III. Sanctus, Requiem, op. 48: IV. Pie Jesu, Requiem, op. 48: V. Agnus Dei, Requiem, op. 48: VI. Libera me
Ralph Vaughan Williams vocal Dona nobis pacem: I. "Agnus Dei" (Lento), Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato), Dona nobis pacem: III. Reconciliation (Andantino), Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia), Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo), Dona nobis pacem: VI. "O man greatly beloved"
Timmy Gibson vocal Carmina Burana: III. Cour d'Amour: Amor volat undique, Carmina Burana: III. Cour d'Amour: Dulcissime, Carmina Burana: III. Cour d'Amour: In trutina, Carmina Burana: III. Cour d'Amour: Stetit puella, Carmina Burana: III. Cour d'Amour: Tempus est iocundum
Сергей Рахманинов vocal The Bells, Op. 35: I. Allegro ma non tanto, The Bells, Op. 35: II. Lento, The Bells, Op. 35: III. Presto, The Bells, Op. 35: IV. Lento lugubre
Joseph Haydn vocal Stabat Mater: IV. Quis non posset, Stabat Mater: VIII. Sancta Mater, Stabat Mater: XIII. Quando corpus - Paradisi Gloria
Guy Malka vocal Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso, Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro)
V.I. Povici vocal Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso, Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro)
Steve Swell’s Nation of We Orchestra vocal Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai
Verena Stanley vocal Carmina Burana: Fortuna Imperatrix Mundi: Ⅰ. O Fortuna
Christopher K. Koenigsberg vocal Symphony no. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
樒マッシュ vocal Peer Gynt, Incidental Music, Op. 23: X. Solveig's Song