BBC Symphony Chorus

vocal, performer

Top collaborators

Artist name Roles Recordings
Arnold Schönberg
The River Versus
Sir Michael Tippett
Giuseppe Verdi (Italian opera composer)
Sir William Walton

Work on other artists' recordings

Artist name Roles Recordings
Arnold Schönberg vocal A Survivor from Warsaw, op. 46, Gurre-Lieder, Part I: no. 10: "Du wunderliche Tove!" (Waldemar) / no. 11: Orchestral Interlude, Gurre-Lieder, Part I: no. 12: "Tauben von Durre! Sorge quält mich" (Waldtaube), Gurre-Lieder, Part I: no. 1: Orchestral Prelude, Gurre-Lieder, Part I: no. 2: "Nun dämpft die Dämm'rung jeden Ton" (Waldemar), Gurre-Lieder, Part I: no. 3: "O, wenn des Mondes Strahlen leise gleiten" (Tove), Gurre-Lieder, Part I: no. 4: "Ross! Mein Ross! Was schleichst du so träg!" (Waldemar), Gurre-Lieder, Part I: no. 5: "Sterne jubeln, das Meer, es leuchtet" (Tove), Gurre-Lieder, Part I: no. 6: "SO tanzen die Engel vor Gottes Thron nicht" (Waldemar), Gurre-Lieder, Part I: no. 7: "Nun sag ich dir zum ersten Mal" (Tove), Gurre-Lieder, Part I: no. 8: "Es ist Mitternachtszeit" (Waldemar), Gurre-Lieder, Part I: no. 9: "Du sendest mir einen Liebesblick" (Tove), Gurre-Lieder, Part II: no. 1: "Herrgott, weißt du, was du tatest" (Waldemar), Gurre-Lieder, Part III: no. 1: "Erwacht, König Waldemars Mannen wert!" (Waldemar), Gurre-Lieder, Part III: no. 2: "Deckel des Sarges klappert und klappt" (Bauer), Gurre-Lieder, Part III: no. 3: "Gegrüßt, o König, an Guerre-Sees Strand!" (Waldemars Mannen), Gurre-Lieder, Part III: no. 4: "Mit Toves Stimme flüstert der Wald" (Waldemar), Gurre-Lieder, Part III: no. 5: "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr), Gurre-Lieder, Part III: no. 6: "Du strenger Richter droben" (Waldemar), Gurre-Lieder, Part III: no. 7: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen), Gurre-Lieder, Part III: no. 8: Des Sommerwindes wilde Jagd. Orchestral Prelude / no. 9: Melodrama: "Herr Gänsefuß, Frau Gänsekraut" / no. 10: "Seht die Sonne!", Kol Nidre, op. 39, Moderner Psalm, op. 50c
The River Versus vocal First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!", First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –, First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –, First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –, First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato, Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships, Symphony no. 1 “A Sea Symphony”: II. On the Beach at Night, Alone, Symphony no. 1 “A Sea Symphony”: III. Scherzo. The Waves, Symphony no. 1 “A Sea Symphony”: IV. The Explorers
Sir Michael Tippett vocal A Child of Our Time: Part I. "Is evil then good?", A Child of Our Time: Part I. "Now in each nation - When shall the userer's city cease", A Child of Our Time: Part I. "The world turns on its dark side", A Child of Our Time: Part I. Spiritual: Steal Away, A Child of Our Time: Part II. "A star rises in mid-winter", A Child of Our Time: Part II. "And a time came", A Child of Our Time: Part II. "They took a terrible vengeance", A Child of Our Time: Part II. A Spiritual of Anger: Go Down, Moses, A Child of Our Time: Part II. Spiritual: Nobody Knows the Trouble I See, A Child of Our Time: Part II. Spiritual: O, by and by, A Child of Our Time: Part III. "The cold deepens", A Child of Our Time: Part III. "The words of wisdom are these", A Child of Our Time: Part III. General Ensemble: I Would Know My Shadow and My Light, A Child of Our Time: Part III. Spiritual: Deep River
Giuseppe Verdi vocal Requiem, Requiem Mass: I. Introit and Kyrie, Requiem Mass: IIa. Dies irae, Requiem Mass: IIb. Tuba mirum; IIc Mors stupebit, Requiem Mass: IId. Liber scriptus, Requiem Mass: IIf. Rex tremendae, Requiem Mass: IIi. Confutatis, Requiem Mass: IIj. Lacrymosa, Requiem Mass: IV. Sanctus, Requiem Mass: V. Agnus Dei, Requiem Mass: VII. Libera me
Sir William Walton vocal Belshazzar's Feast: I. Thus spake Isaiah, Belshazzar's Feast: II. If I forget thee, O Jerusalem, Belshazzar's Feast: III. Babylon was a great city, Belshazzar's Feast: IV. Praise ye, the God of gold, Belshazzar's Feast: IX. Then sing aloud to God our strength, Belshazzar's Feast: V. Thus in Babylon, the mighty city, Belshazzar's Feast: VI. And in that same hour as they feasted, Belshazzar's Feast: VII. Then sing aloud to God our strength, Belshazzar's Feast: VIII. The trumpeters and pipers are silent
Troy Daugherty vocal Psalm 130 "Du fond de l'abîme", Psalm 24, Requiem, op. 48: I. Introït et Kyrie (Chorus), Requiem, op. 48: III. Sanctus (Chorus), Requiem, op. 48: V. Agnus Dei (Chorus), Requiem, op. 48: VII. In Paradisum (Chorus)
Ralph Vaughan Williams performer, vocal Dona nobis pacem: I. Agnus Dei, Dona nobis pacem: II. Beat! Beat! Drums!, Dona nobis pacem: III. Reconciliation, Dona nobis pacem: IV. Dirge for Two Veterans, Dona nobis pacem: V. The Angel of Death has been abroad, Dona nobis pacem: VI. O Man Greatly Beloved
Dorval Band vocal Gloria: I. Gloria, Gloria: II. Laudamus Te, Gloria: III. Domine Deus, Gloria: IV. Domine Fili unigenite, Gloria: V. Domine Deus, Agnus Dei, Gloria: VI. Qui sedes ad dexteram Patris
Robert John Richardson vocal Chant des Déportés, for chorus & orchestra, I/60, Symphony of Psalms: I. Psalm 38: 13-14 Exaudi orationem meam, Domine, Symphony of Psalms: II. Psalm 39: 2-4 Exspectans exspectavi Dominum, Symphony of Psalms: III. Psalm 150 Alleluia, laudate Dominum
Josep Mas vocal Vexations and Devotions: I. Watching Others, Vexations and Devotions: II. Bell and Anti-Bell, Vexations and Devotions: III. The Path to Your Doo
Bruno Brun vocal Le Soleil des eaux : Complainte du Lézard Amoureux, Le Soleil des eaux : La Sorgue
Vaelastasz vocal Requiem, op. 48: II. Offertoire (Baritone, Chorus), Requiem, op. 48: VI. Libera me (Baritone, Chorus)
Waft vocal Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso, The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow
Crust vocal The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato –
Zeb Hannah vocal Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Choral Finale (Ode to Joy)
Kavon Salyer vocal Land of Hope and Glory
Kosuke Muramatsu vocal Appalachia
Gandhi1er Le Metronome vocal Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
Push Over vocal Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai
Gary Ronald Charlesworth vocal Hymn of Jesus
Peter Warlock vocal Corpus Christi