Lewis Layton

recording, engineer, balance

Top collaborators

Artist name Roles Recordings
Rob Downbeat
Giacomo Puccini (Italian composer)
János Szebenyi (flautist)
OD Vicious
Alluvial (Metal project featuring Keith Merrow and Wes Hauch.)

Work on other artists' recordings

Artist name Roles Recordings
Rob Downbeat balance, recording 1812 Overture, op. 49, Alborada del gracioso, Also sprach Zarathustra, op. 30: Das Grablied, Also sprach Zarathustra, op. 30: Das Nachtwandlerlied, Also sprach Zarathustra, op. 30: Das Tanzlied, Also sprach Zarathustra, op. 30: Der Genesende, Also sprach Zarathustra, op. 30: Einleitung, Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: Von den Hinterweltlern, Also sprach Zarathustra, op. 30: Von der Wissenschaft, Also sprach Zarathustra, op. 30: Von der großen Sehnsucht, An der schönen, blauen Donau Walzer, op. 314, Aufforderung zum Tanz, op. 65, Carnival Overture, op. 92, Chant du rossignol: Funeral March and Finale, Chant du rossignol: I. Introduction, Chant du rossignol: II. Marche chinoise, Chant du rossignol: III. Chant du rossignol, Chant du rossignol: IV. Jeu du rossignol mécanique, Chant du rossignol: The Emperor's Displeasure at the Real Nightingale, Chant du rossignol: The Emperor's Sickroom, Chant du rossignol: The Real Nightingale Returns to Thwart Death, Colas Breugnon, op. 24: Overture, Concerto for Orchestra: I. Introduzione, Concerto for Orchestra: II. Giuoco delle coppie, Concerto for Orchestra: III. Elegia, Concerto for Orchestra: IV. Intermezzo interrotto, Concerto for Orchestra: V. Finale, Der Rosenkavalier: Waltzes, Die Meistersinger von Nürnberg: Dance of the Apprentices, Die Meistersinger von Nürnberg: Entry of the Masters, Die Meistersinger von Nürnberg: Prelude Act I, Die Meistersinger von Nürnberg: Prelude Act III, Divertimento from "The Fairy's Kiss": I. Sinfonia, Divertimento from "The Fairy's Kiss": II. Danses suisses, Divertimento from "The Fairy's Kiss": III. Scherzo, Divertimento from "The Fairy's Kiss": IV. Pas de deux, Divertimento no. 17 in D major, K. 334 (320b): I. Allegro, Divertimento no. 17 in D major, K. 334 (320b): II. Tema con variazioni. Andante, Divertimento no. 17 in D major, K. 334 (320b): III. Menuetto - Trio, Divertimento no. 17 in D major, K. 334 (320b): IV. Adagio, Divertimento no. 17 in D major, K. 334 (320b): V. Menuetto - Trio I - Trio II, Divertimento no. 17 in D major, K. 334 (320b): VI. Rondo. Allegro, Don Juan, op. 20, Don Quizote, op. 35: Finale. The Death of Don Quixote, Don Quizote, op. 35: Introduction, Don Quizote, op. 35: Sancho Panza, Don Quizote, op. 35: Theme: Don Quixote, the Knight of the Sorrowful Countenance, Don Quizote, op. 35: Variation I. The Adventure With the Windmills, Don Quizote, op. 35: Variation II. The Battle With the Sheep, Don Quizote, op. 35: Variation III. Dialogue of Knight and Squire, Don Quizote, op. 35: Variation IV. The Adventure With the Penitents, Don Quizote, op. 35: Variation IX. The Combat With the Two Magicians, Don Quizote, op. 35: Variation V. The Knight’s Vigil, Don Quizote, op. 35: Variation VI. The False Dulcinea, Don Quizote, op. 35: Variation VII. The Ride Through the Air, Don Quizote, op. 35: Variation VIII. The Adventure With the Enchanted Boat, Don Quizote, op. 35: Variation X. The Defeat of Don Quixote by the Knight of the White Moon, Dorfschwalben aus Österreich Walzer, op. 164, El amor brujo: I. Introducción y Escena, El amor brujo: II. En la cueva: La noche, El amor brujo: III. Canción del amor dolido, El amor brujo: IV. El aparecido, El amor brujo: IX. Escena, El amor brujo: V. Danza del terror, El amor brujo: VI. El círculo mágico, El amor brujo: VII. A media noche: Los sortilegios, El amor brujo: VIII. Danza ritual del fuego: Para ahuyentar los malos espíritus, El amor brujo: X. Canción del fuego fatuo, El amor brujo: XI. Pamtomima, El amor brujo: XII. Danza del juego de amor, El amor brujo: XIII. Final. Las campanas, El sombreo de tres picos - Suite no. 2: I. Danza de los vecinos (Seguidilla), El sombreo de tres picos - Suite no. 2: II. Danza del molinero (Farruca), El sombreo de tres picos - Suite no. 2: III. Danza final (Jota), Fidelio, op. 72: Overture, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Goyescas, op. 11: Intermezzo, Goyescas: Intermezzo, Guillaume Tell, Götterdämmerung: Dawn and Siegfried's Rhine Journey, Götterdämmerung: Funeral Music, Hungarian Sketches: I. An Evening in the Village, Hungarian Sketches: II. Bear Dance, Hungarian Sketches: III. Melody, Hungarian Sketches: IV. Slightly Tipsy, Hungarian Sketches: V. Swineherd's Dance, Iberia, Book 1: Fête-Dieu à Seville, Iberia, Book 2: Triana, Iberia, Book I: Fête-dieu à Seville, Iberia, Book II: Triana, no. 3, Ibéria: I. Par les rues et par les chemins, Ibéria: II. Les parfums de la nuit, Ibéria: III. Le matin d'un jour de fête, Il barbiere di Siviglia, Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Il signor Bruschino, Isle of the Dead, op. 29, Kaiser-Walzer, op. 437, Künstlerleben - Walzer, op. 316, La Cenerentola, La Mer: I. De l'aube à midi sur la mer. Très lent, La Mer: II. Jeux de vagues. Allegro, La Mer: III. Dialoguedu vent et de la mer. Animé et tumultueux, La gazza ladra, La scala di seta, La vida breve: Dance, La vida breve: Interlude, Le Bourgeois Gentilhomme Suite: Entrance and Dance of the Tailors, Le Bourgeois Gentilhomme Suite: Entrance of Clionte, Le Bourgeois Gentilhomme Suite: Minuet, Le Bourgeois Gentilhomme Suite: Overture, Le Bourgeois Gentilhomme Suite: Prelude to Act II (Intermezzo), Le Bourgeois Gentilhomme Suite: The Dinner, Le Bourgeois Gentilhomme Suite: The Fencing Master, Lieutenant Kijé, op. 60: I. The Birth of Kijé, Lieutenant Kijé, op. 60: II. Romance, Lieutenant Kijé, op. 60: III. Kijé's Wedding, Lieutenant Kijé, op. 60: IV. Troika, Lieutenant Kijé, op. 60: V. The Burial of Kijé, Marche Slave, op. 31, Mein Lebenslauf ist Lieb' und Lust! - Walzer op. 263, Mephisto Waltz, Morgenblätter - Walzer, op. 279, Music for Strings, Percussion and Celesta: I. Andante tranquillo, Music for Strings, Percussion and Celesta: II. Allegro, Music for Strings, Percussion and Celesta: III. Adagio, Music for Strings, Percussion and Celesta: IV. Allegro molto, Navarra, Night on the Bare Mountain, Overture "The Hebrides", op. 26, Pavane pour une infante défunte, Pictures at an Exhibition: Ballet of the Chicks in Their Shells, Pictures at an Exhibition: Bydlo, Pictures at an Exhibition: Catacombae, sepulchrum romanum, Pictures at an Exhibition: Con mortuis in lingua mortua, Pictures at an Exhibition: Gnomus, Pictures at an Exhibition: Il Vecchio Castello, Pictures at an Exhibition: Promenade, Pictures at an Exhibition: Samuel Goldenburg and Schmuyle, Pictures at an Exhibition: The Great Gate at Kiev, Pictures at an Exhibition: The Hut on Fowl's Legs, Pictures at an Exhibition: The Marketplace at Limoges, Pictures at an Exhibition: Tuileries, Pini di Roma: I. I Pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I Pini del Gianicolo, Pini di Roma: IV. I Pini della Via Appia, Prince Igor: Polovtsian March, Rapsodie espagnole: I. Prélude à la nuit, Rapsodie espagnole: II. Malagueña, Rapsodie espagnole: III. Habanera, Rapsodie espagnole: IV. Feria, Rosen aus dem Süden, Roses from the South, op. 388, Russian and Lyudmila: Overture, Schatz-Walzer, op. 418, Scheherazade, op. 35: Festival in Bagdad / The Sea / Shipwreck on a Rock Surmounted by a Bronze Warrior / Conclusion, Scheherazade, op. 35: The Sea and Sinbad's Ship, Scheherazade, op. 35: The Story of the Kalendar Prince, Scheherazade, op. 35: The Young Prince and the Young Princess, Schwanda: Polka and Fugue, Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante, Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto - Trio, Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro, Suite no. 1 in D minor, op. 43: IV. Marche Miniature, Symphonia Domestica, op. 53: I. Bewegt, Symphonia domestica, op. 53: II. Scherzo, Symphonia domestica, op. 53: III. Wiegenlied / Cradle song, Symphonia domestica, op. 53: IV. Adagio, Symphonia domestica, op. 53: V. Finale, Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio, Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto, Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace, Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace, Symphony no. 2, op. 132 "Mysterious Mountain": I. Andante, Symphony no. 2, op. 132 "Mysterious Mountain": II. Moderato maestoso, Symphony no. 2, op. 132 "Mysterious Mountain": III. Allegro vivo, Symphony no. 2, op. 132 "Mysterious Mountain": IV. Andante espressivo, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - Allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Andante, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto - Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Presto, Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto - Trio, Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in G major: I. Bedächtig. Nicht eilen, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll, Symphony no. 40 in G minor, K. 550: I. Molto allegro, Symphony no. 40 in G minor, K. 550: II. Andante, Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio, Symphony no. 40 in G minor, K. 550: IV. Allegro assai, Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio, Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro, Symphony no. 5 n B-flat major, D. 485: I. Allegro, Symphony no. 5 n B-flat major, D. 485: II. Andante con moto, Symphony no. 5 n B-flat major, D. 485: III. Menuetto. Allegro molto - Trio, Symphony no. 5 n B-flat major, D. 485: IV. Allegro vivace, Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Adagio lamentoso, Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach, Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute, Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter - Sturm, Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm, Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace, Symphony no. 7 in A major, op. 92: II. Allegretto, Symphony no. 7 in A major, op. 92: III. Presto, Symphony no. 7 in A major, op. 92: IV. Allegro con brio, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro, Symphony no. 88 in G major, Hob. I:88: II. Largo, Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto, Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito, Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace – Presto, Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante Moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo, Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95: II. Largo, Symphony no. 9 in E minor, op. 95: III. Scherzo. Molto vivace, Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco, The Bartered Bride: Overture, The Nutcracker, op. 71: Apothéose, The Nutcracker, op. 71: Divertissement. Danse des mirlitons, The Nutcracker, op. 71: Divertissement. La Mère Gigogne et les polichinelles, The Nutcracker, op. 71: Divertissement. Le Café (Danse arabe), The Nutcracker, op. 71: Divertissement. Le Chocolat (Danse espagnole), The Nutcracker, op. 71: Divertissement. Le Thé (Danse chinoise), The Nutcracker, op. 71: Divertissement. Trépak (Danse russe), The Nutcracker, op. 71: L'Ornement et l'illumination de l'arbre de Noël, The Nutcracker, op. 71: Marche, The Nutcracker, op. 71: Ouverture, The Nutcracker, op. 71: Pas de deux. Coda, The Nutcracker, op. 71: Pas de deux. La Fée Dragée et le prince Orgeat, The Nutcracker, op. 71: Pas de deux. Variation I (pour le danseur), The Nutcracker, op. 71: Pas de deux. Variation II (pour la danseuse), The Nutcracker, op. 71: Valse des fleurs, The Nutcracker, op. 71: Valse finale, Thunder and Lightning, op. 324, Treasure Waltz, op. 418, Unter Donner und Blitz, Valses nobles et sentimentales: I. Modéré, Valses nobles et sentimentales: II. Assez lent, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent, Valses nobles et sentimentales: VI. Assez vif, Valses nobles et sentimentales: VII. Moins vif, Valses nobles et sentimentales: VIII. Epiloque Lent, Vienna Blood, op. 354, Wiener Blut - Walzer, op. 354
Giacomo Puccini recording La bohme: Mi chiamano Mimì, La bohème: Act I. “Che gelida manina”, La bohème: Act I. “Chi è la! – Scusi. – Una donna!”, La bohème: Act I. “Ehi! Rodolfo!”, La bohème: Act I. “Già dell’Apocalisse appariscono i segni”, La bohème: Act I. “Legna! – Sigari! – Bordò!”, La bohème: Act I. “Nei cieli bigi”, La bohème: Act I. “O soave fanciulla”, La bohème: Act I. “Oh! sventata!”, La bohème: Act I. “Pensier profondo!”, La bohème: Act I. “Questo Mar Rosso”, La bohème: Act I. “Si può? – Chi è la? – Benoît”, La bohème: Act I. “Sì. Mi chiamano Mimì”, La bohème: Act I. “Timido in gioventù”, La bohème: Act II. “Aranci, ninnoli!”, La bohème: Act II. “Caro! – Fuori il danaro!”, La bohème: Act II. “Gioventù mia – Sciogli, slaccia!”, La bohème: Act II. “Oh! – Essa! – Musetta!”, La bohème: Act II. “Quando me’n vo’” (Musetta’s Waltz Song), La bohème: Act II. “Questa è Mimì”, La bohème: Act II. “Una cuffietta a pizzi”, La bohème: Act III. Addio, senza rancor! (Mimì’s Farewell), La bohème: Act III. Mimì è una civetta, La bohème: Act III. “Che facevi, che dicevi”, La bohème: Act III. “Chi nel ber trovò il piacer”, La bohème: Act III. “Marcello, finalmente!”, La bohème: Act III. “Mimì è una civetta”, La bohème: Act III. “O buon Marcello, aiuto!”, La bohème: Act III. “Ohè, là, le guardi! Aprite!”, La bohème: Act III. “Sa dirmi, scusi, qual’è l'osteria”, La bohème: Act IV. Eccoci. – Ebben?, La bohème: Act IV. The Quadrille, La bohème: Act IV. The Quadrille and Duel, La bohème: Act IV. Vezzosa damigella, La bohème: Act IV. “Che ha detto il medico?”, La bohème: Act IV. “C’è Mimì che mi seque e che sta male”, La bohème: Act IV. “Eccoci. – Ebben?”, La bohème: Act IV. “In un coupè?”, La bohème: Act IV. “O Mimì, tu più non torni”, La bohème: Act IV. “Sono andati? Fingevo di dormire”, La bohème: Act IV. “Vecchia zimarra, senti”, La rondine: “Chi il bel sogno di Doretta”, Madama Butterfly: Act I. Orchestra Opening, Madama Butterfly: Act I. “Amore o grillo”, Madama Butterfly: Act I. “Ancora un passo or via”, Madama Butterfly: Act I. “Bimba dagli occhi”, Madama Butterfly: Act I. “Bimba, bimba, non piangere”, Madama Butterfly: Act I. “Cio-Cio-San!”, Madama Butterfly: Act I. “Dovunque al mondo lo Yankee”, Madama Butterfly: Act I. “E soffitto e pareti”, Madama Butterfly: Act I. “Gran ventura”, Madama Butterfly: Act I. “Ieri son salita tutta sola”, Madama Butterfly: Act I. “L’Imperial Commissario”, Madama Butterfly: Act I. “Madama Butterfly!”, Madama Butterfly: Act I. “Tutti zitti!”, Madama Butterfly: Act I. “Vieni, amor mio!”, Madama Butterfly: Act I. “Vogliatemi bene”, Madama Butterfly: Act II. Humming Chorus, Madama Butterfly: Act II. “Ah! M’ha scordata?”, Madama Butterfly: Act II. “C’è. Entrate”, Madama Butterfly: Act II. “Due cose potrei far”, Madama Butterfly: Act II. “E lzaghi ed lzanami”, Madama Butterfly: Act II. “Il cannone del porto!”, Madama Butterfly: Act II. “Io scendo al piano”, Madama Butterfly: Act II. “Or vienmi ad adornar”, Madama Butterfly: Act II. “Ora a noi”, Madama Butterfly: Act II. “Tuti i fior?”, Madama Butterfly: Act II. “Un bel dì”, Madama Butterfly: Act II. “Yamadori, ancor le pene”, Madama Butterfly: Act III. “Addio, fiorito asil”, Madama Butterfly: Act III. “Come una mosca”, Madama Butterfly: Act III. “Con onor muore…”, Madama Butterfly: Act III. “Già il sole!”, Madama Butterfly: Act III. “Io so che alle sue pene”, Madama Butterfly: Act III. “Oh eh! Oh eh!”, Madama Butterfly: Act III. “Suzuki, Suzuki!”, Madama Butterfly: Atto I. “Cio-Cio-San!”, Madama Butterfly: Atto I. “E soffito e pareti”, Madama Butterfly: Atto I. “Gran ventura”, Madama Butterfly: Atto I. “Ieri son salita tutta sola”, Madama Butterfly: Atto I. “L'Imperial Commissario”, Madama Butterfly: Atto I. “Madama Butterfly”, Madama Butterfly: Atto I. “Tutti zitti!”, Madama Butterfly: Atto I. “Vieni, amor mio!”, Madama Butterfly: Atto II. “Ah! M'ha scordata?”, Madama Butterfly: Atto II. “C'e, Entrate.”, Madama Butterfly: Atto II. “Due cose potrei far”, Madama Butterfly: Atto II. “E Izaghi ed Izanami”, Madama Butterfly: Atto II. “Io scendo al piano”, Madama Butterfly: Atto II. “Or vienmi ad adornar”, Madama Butterfly: Atto II. “Yamadori, ancor le pene”, Madama Butterfly: Atto III. “Addio, fiorito asil”, Madama Butterfly: Atto III. “Gia il sole!”, Madama Butterfly: Atto III. “Io so che alle sue pene”, Madama Butterfly: Atto III. “Oh eh! Oh eh!”, Madama Butterfly: Atto III. “Suzuki, Suzuki!”, Madama Butterfly: Orchestra Opening, Madama Butterfly: “Tu? tu? piccolo Iddio!”, Madama Butterfly: “Un bel dì vedremo”, Tosca: “Vissi d’arte”, Turandot: Act I. "Ah! Per l'ultima volta!", Turandot: Act I. "Fermo! Che fai? T'arresta!", Turandot: Act I. "Figlio, che fai?", Turandot: Act I. "Gira la cote, gira, gira!", Turandot: Act I. "Non indugiare!", Turandot: Act I. "Non piangere, Liù!", Turandot: Act I. "O divina bellezza!", Turandot: Act I. "O giovinotto" (Funeral March), Turandot: Act I. "Perché tarda la luna?", Turandot: Act I. "Popolo di Pekino!", Turandot: Act I. "Signore, ascolta!", Turandot: Act II, Scene I. "Ho una casa nell'Honan", Turandot: Act II, Scene I. "Non v'è in China per nostra fortuna", Turandot: Act II, Scene I. "O mondo... O mondo...", Turandot: Act II, Scene I. "Olà, Pang! Olà, Pong!", Turandot: Act II, Scene II. "'Giuzza al pari di fiamma'", Turandot: Act II, Scene II. "Ai tuoi piedi ci postriam", Turandot: Act II, Scene II. "Figlio del Cielo!", Turandot: Act II, Scene II. "Gelo che ti dà foco", Turandot: Act II, Scene II. "Gravi, enormi ed imponenti", Turandot: Act II, Scene II. "In questa Reggia", Turandot: Act II, Scene II. "Popolo di Pekino!", Turandot: Act II, Scene II. "Straniero, ascolta", Turandot: Act II, Scene II. "Tre enigmi m'hai proposto", Turandot: Act II, Scene II. "Un giuramento atroce mi costringe", Turandot: Act III, Scene I. "Ah! Tu sei morta", Turandot: Act III, Scene I. "Che è mai di me?", Turandot: Act III, Scene I. "Chi pose tanta forza", Turandot: Act III, Scene I. "Così comanda Turandot", Turandot: Act III, Scene I. "Del primo pianto", Turandot: Act III, Scene I. "Principessa di morte!", Turandot: Act III, Scene I. "Principessa divina!", Turandot: Act III, Scene I. "Straniero, tu non sai", Turandot: Act III, Scene I. "Tu che di gel sei cinta" (Death of Liù), Turandot: Act III, Scene I. "Tu che guardi le stelle", Turandot: Act III, Scene II. "Diecimila anni", Turandot: “Signore, ascolta!”, Turandot: “Tu che di gel sei cinta”
János Szebenyi engineer Aida: Act I, Scene I. "Quale insolita gioia" (Amneris, Radamès, Aida), Aida: Act I, Scene I. "Ritorna vincitor!" (Aida), Aida: Act I, Scene I. "Se quel guerrier io fossi!..Celeste Aida" (Radamès), Aida: Act I, Scene I. "Sì: corre voce che l'Etiope ardisca" (Ramfis, Radamès), Aida: Act I, Scene I."Alta cagion v'aduna ... Su! del Nilo al sacro lido" (Il Re, Messaggero, Radamès, Ramfis, Aida, Amneris, Sacerdoti, Ministri, Capitani), Aida: Act I, Scene II. "Mortal, diletto ai Numi" (Ramfis, Radamès, Sacerdoti, Sacerdotesse), Aida: Act I, Scene II. "Possente Fthà" (Sacerdotessa, Ramfis, Sacerdotesse, Sacerdoti), Aida: Act II, Scene I. "Chi mai fra gl'inni e i plausi" (Schiave etiope, Amneris), Aida: Act II, Scene I. "Fu la sorte dell'armi a'tuoi funesta" (Amneris, Aida), Aida: Act II, Scene I. "Su! del Nilo al sacro lido ... Numi, pietà del mio martir" (Coro, Amneris, Aida), Aida: Act II, Scene II. "Che veggo!...Egli?...Mio padre!" (Aida, Amneris, il Re, Radamès, Amonasro, Ramfis, Sacerdoti, Popolo egizio), Aida: Act II, Scene II. "Gloria all'Egitto, ad Iside" (Il Re, Ramfis, Aida, Radamès, Amneris, Amonasro, Popolo egizio, Sacerdoti, Schiave e Prigionieri etiope), Aida: Act II, Scene II. "Gloria all'Egitto, ad Iside" (Popolo egizio, Ramfis, Sacerdoti), Aida: Act II, Scene II. "Ma tu, Re, tu signore possente" (Amonasro, Aida, Ramfis, AMneris, il Re, Radamès, Schiave e Prigionieri etiope, Sacerdoti, Popolo egizio), Aida: Act II, Scene II. "O Re: pei sacri Numi" (Radamès, il Re, Amneris, Ramfis, Sacerdoti, Popolo egizio), Aida: Act II, Scene II. "Quest'assisa ch'io vesto vi dica" (Amonasro), Aida: Act II, Scene II. "Salvator della patria, io ti saluto" (Il Re, Radamès, Ramfis, Sacerdoti), Aida: Act II, Scene II. "Vieni, o guerriero vindice" (Popolo egizio, Ramfis, Sacerdoti), Aida: Act II, Scene II. Marcia e Ballabile, Aida: Act III. "Ciel! mio padre! ... Rivedria le foreste imbalsamate" (Aida, Amonasro), Aida: Act III. "Fuggiam gli ardori inospiti" (Aida, Radamès, Amonasro), Aida: Act III. "O tu che sei d'Osiride" (Sancerdotesse, Sacerdoti, Ramfis, Amneris, Aida: Act III. "Pur ti riveggo, mia dolce Aida" (Radamès, Aida), Aida: Act III. "Qui Radamès verrà!...O Patria mia" (Aida), Aida: Act III. "Tu, Amonasro!... tu, il Re?" (Radamès, Aida, Amonasro, Amneris, Ramfis), Aida: Act IV, Scene I. "Già i Sacerdoti adunansi" (Amneris, Radamès), Aida: Act IV, Scene I. "L'aborrita rivale a me sfuggia" (Amneris), Aida: Act IV, Scene I. "Ohimè!...morir mi sento! Oh! chi lo salva?" (Amneris, Ramfis, Sacerdoti), Aida: Act IV, Scene I. "Radamès! Radamès! Radamès!" (Ramfis, Amneris, Sacerdoti), Aida: Act IV, Scene II. "La fatal pietra sovra me si chiuse" (Radamès, Aida), Aida: Act IV, Scene II. "O terra, addio" (Aida, Radamès, Amneris, Sacerdotesse, Sacerdoti), Aida: Act IV, Scene II. "Presago il core della tua condonna" (Aida, Radamès, Sacerdotesse, Sacerdoti)
OD Vicious recording American Patrol, American Youth March, Battle Hymn, Dixie, El Capitan, Fourth of July, Hands Across the Sea, Happy Go Lucky, Jericho, Jubilee, Manhattan Beach, National Emblem, National Fencibles March, On Parade, On the Mall, Parade (for percussion), Semper Fidelis, Sound Off, The Chimes of Liberty, The Corcoran Cadets March, The Gladiator, The High School Cadets, The Stars and Stripes Forever, The Thunderer, The U.S. Field Artillery March, Washington Post, Yankee Doodle
Alluvial recording Rhapsody on a Theme of Paganini, op. 43: Introduction: Allegro vivace, Rhapsody on a Theme of Paganini, op. 43: Tema: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation I (Precedente), Rhapsody on a Theme of Paganini, op. 43: Variation II: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation III: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation IV: Più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation IX: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation V: Tempo precedente, Rhapsody on a Theme of Paganini, op. 43: Variation VI: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation VII: Meno mosso, a tempo moderato, Rhapsody on a Theme of Paganini, op. 43: Variation VIII: Tempo I, Rhapsody on a Theme of Paganini, op. 43: Variation X: Poco marcato, Rhapsody on a Theme of Paganini, op. 43: Variation XI: Moderato, Rhapsody on a Theme of Paganini, op. 43: Variation XII: Tempo di minuetto, Rhapsody on a Theme of Paganini, op. 43: Variation XIII: Allegro, Rhapsody on a Theme of Paganini, op. 43: Variation XIV: L'istessso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XIX: A tempo vivace, Rhapsody on a Theme of Paganini, op. 43: Variation XV: Più vivo scherzando, Rhapsody on a Theme of Paganini, op. 43: Variation XVI: Allegretto, Rhapsody on a Theme of Paganini, op. 43: Variation XVII: [Allegretto], Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile, Rhapsody on a Theme of Paganini, op. 43: Variation XX: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXI: Un poco più vivo, Rhapsody on a Theme of Paganini, op. 43: Variation XXII: Un poco più vivo (Alla breve), Rhapsody on a Theme of Paganini, op. 43: Variation XXIII: L'istesso tempo, Rhapsody on a Theme of Paganini, op. 43: Variation XXIV: A tempo un poco meno mosso
Richard Wagner balance Der Fliegende Holländer: Act 1: "Durch Sturm und bösen Wind verschlagen", Der Fliegende Holländer: Act 1: "Mit Gewitter und Sturm aus fernem Meer", Der Fliegende Holländer: Act 1: 1. Introduktion. "Hojoje! Hojoje! Hallojo! Ho!" - "Kein Zweifel! Sieben Meilen fort", Der Fliegende Holländer: Act 1: 3. Szene, Duett und Chor. "He! Holla! Steuermann", Der Fliegende Holländer: Act 1: Die Frist ist um...Wie oft in Meeres tiefsten Schlund, Der Fliegende Holländer: Act 1: Wie? Hört' ich recht?...Südwind! Südwind!, Der Fliegende Holländer: Act 2: "Ach, wo weilt sie", Der Fliegende Holländer: Act 2: "Auf hohem Felsen lag ich träumend", Der Fliegende Holländer: Act 2: "Du böses Kind, wenn du nicht spinnst", Der Fliegende Holländer: Act 2: "Johohoe! Traft ihr das Schiff im Meere an", Der Fliegende Holländer: Act 2: "Mögst du, mein Kind, den fremden Mann willkommen heißen", Der Fliegende Holländer: Act 2: "Senta! Willst du mich verderben?", Der Fliegende Holländer: Act 2: "Verzeiht! Mein Volk hält draußen sich nicht mehr", Der Fliegende Holländer: Act 2: "Wie aus der Ferne längst vergang'ner Zeiten", Der Fliegende Holländer: Act 2: 4. Szene, Lied und Ballade. "Summ und brumm, du gutes Rädchen", Der Fliegende Holländer: Act 2: 5. Duett. "Bleib, Senta! Bleib nur einen Augenblick!", Der Fliegende Holländer: Act 2: 6. Finale. "Mein Kind, du siehst mich auf der Schwelle", Der Fliegende Holländer: Act 2: Wirst du des Vaters Wahl..Ein heil'ger Balsam, Der Fliegende Holländer: Act 3: "Erfahre das Geschick" - "Du kennst mich nicht, du ahnst nicht wer ich bin!", Der Fliegende Holländer: Act 3: "Johohoe! Johohoe! Hoe! Hoe!", Der Fliegende Holländer: Act 3: "Willst jenen Tag du nicht dich mehr entsinnen" (Kavatine), Der Fliegende Holländer: Act 3: 8. Finale. "Was mußt ich hören", Der Fliegende Holländer: Act 3: Du kennst mich nicht, du ahnest nicht, Der Fliegende Holländer: Act 3: Entr'acte ... Steuerman, laß die Wacht, Der Fliegende Holländer: Act 3: Verloren! Ach, verloren!
Peter Mansfield recording El amor brujo: Dance of Terror, El amor brujo: Dance of the Game of Love, El amor brujo: Finale: The Bells of Dawn, El amor brujo: In the Cave: At Evening, El amor brujo: Introduction and Scene, El amor brujo: Midnight: The Spells, El amor brujo: Pantomime, El amor brujo: Ritual Fire Dance: To Chase Away the Evil Spirits, El amor brujo: Scene, El amor brujo: Song of Love's Sorrow, El amor brujo: Song of the Will-o'-the Wisp, El amor brujo: The Ghost, El amor brujo: The Magic Circle, Les Nuits d'été, op. 7 : Absence, Les Nuits d'été, op. 7 : Au cimetière (Claire de lune), Les Nuits d'été, op. 7 : L'île inconnue, Les Nuits d'été, op. 7 : Le spectre de la rose, Les Nuits d'été, op. 7 : Sur les lagunes (Lamento), Les Nuits d'été, op. 7 : Villanelle, Les Nuits d'été, op. 7: I. Villanelle, Les Nuits d'été, op. 7: II. Le Spectre de la rose, Les Nuits d'été, op. 7: III. Sur les lagunes, Les Nuits d'été, op. 7: IV. Absence, Les Nuits d'été, op. 7: V. Au cimetière (Claire de lune), Les Nuits d'été, op. 7: VI. L’île inconnue
Ruggero Leoncavallo balance Pagliacci: Atto I. "Cammina adagio e li sorprenderai" (Tonio, Silvio, Nedda, Canio, Beppe), Pagliacci: Atto I. "Don, din, don, din" (Coro), Pagliacci: Atto I. "E allor perché, di', tu m'hai stregato" (Silvio, Nedda), Pagliacci: Atto I. "E fra quest'ansie in eterno vivrai" (Silvio, Nedda), Pagliacci: Atto I. "Eh! Son qua! Son qua!" (Coro, Canio, Beppe), Pagliacci: Atto I. "Nedda!" - "Silvio! A quest'ora che imprudenza!" (Silvio, Nedda), Pagliacci: Atto I. "Non mi tentar!" (Nedda, Silvio, Tonio), Pagliacci: Atto I. "Qual fiamma avea nel guardo ... Hui! Stridono lassù" (Nedda), Pagliacci: Atto I. "Recitar! Mentre preso dal delirio" (Canio), Pagliacci: Atto I. "Sei là! Credea che te ne fossi andato" (Nedda, Tonio), Pagliacci: Atto I. "So ben che difforme contorto son io" (Tonio, Nedda), Pagliacci: Atto I. "Un grande spettacolo a ventité ore" (Canio, Coro, Tonio, Contadini, Beppe), Pagliacci: Atto I. "Un tal gioco, credeterni" (Canio, Nedda, Contadini, Coro), Pagliacci: Atto I. "Vesti la giubba" (Canio), Pagliacci: Atto I. Intermezzo, Pagliacci: Atto II. "Ah! Colombina, il tenero" (Arlecchino), Pagliacci: Atto II. "Arlecchin!" - "Colombina!" (Colombina, Arlecchino, Taddeo, Pagliaccio), Pagliacci: Atto II. "Coraggio! Un uomo era con te" (Canio, Nedda, Tonio), Pagliacci: Atto II. "Di fare il segno convenuto appressa" (Colombina, Taddeo, Coro, Arlecchino), Pagliacci: Atto II. "No, Pagliaccio non son" (Canio, Coro, Silvio, Nedda), Pagliacci: Atto II. "Ohè! Ohè! Presto" (Coro, Tonio), Pagliacci: Atto II. "Pagliaccio, mio marito" (Colombina), Pagliacci: Atto II. "Suvvia, così terribile" (Nedda, Canio, Beppe, Tonio, Silvio, Coro), Pagliacci: Prologo. "Si può? Si può?" (Tonio)
Naked Lunch recording Billy the Kid Suite: Billy’s Death, Billy the Kid Suite: Celebration: After Billy’s Capture, Billy the Kid Suite: Gun Battle, Billy the Kid Suite: Introduction: The Open Prairie, Billy the Kid Suite: Mexican Dance and Finale, Billy the Kid Suite: Prairie Night: Card Game, Billy the Kid Suite: Street in a Frontier Town, Billy the Kid Suite: The Open Prairie (reprise), Billy the Kid: Waltz, Grand Canyon Suite: Cloudburst, Grand Canyon Suite: On the Trail, Grand Canyon Suite: Painted Desert, Grand Canyon Suite: Sunrise, Grand Canyon Suite: Sunset, Rodeo Suite: Buckaroo Holiday, Rodeo Suite: Corral Nocturne, Rodeo Suite: Hoe-Down, Rodeo Suite: Honky Tonk Interlude, Rodeo Suite: Saturday Night Waltz
Giuseppe Verdi recording Il Trovatore: “Timor di me?… D’amor sull’ali rosee”, Rigoletto: Ah! veglia, o donna, Rigoletto: Bella figlia dell'amore (Quartet), Rigoletto: Cortigiani, vil razza dannata, Rigoletto: Ella Mi Fu Rapita Parmi Veder Le Lagrime, Rigoletto: Figlia! Mio padre!, Rigoletto: Gualtier Maldè! ... Caro nome, Rigoletto: La donna è mobile, Rigoletto: Lassù in cielo, Rigoletto: Pari siamo! lo la lingua, Rigoletto: Povero Rigoletto!, Rigoletto: Prelude, Rigoletto: Questa o quella, Rigoletto: Tutte le feste al tempio, Rigoletto: Un dì, se ben rammentomi, Rigoletto: V'ho ingannato, colpevole fui, Rigoletto: Zitti, zitti, moviamo a vendetta, Rigoletto: È il sol dell'anima, Rigoletto: È là il vostr'uomo
Anna Moffo recording Carmen: Act III. "Je dis que rien ne m’épouvante (Micaela's Air)" (Micaela), Dinorah: Act II. "Ombre légère (Shadow Song)" (Dinorah), Faust: Act III. "Air des bijoux (Jewel Song)" (Marguerite), La Traviata: Act I. "Follie! Delirio vano è questo!", La Traviata: Act I. "Sempre libera", La Traviata: Act III, "Teneste la promessa...", La Traviata: Atto I. "È strano!" - "Ah, fors'è lui" / "Sempre libera" (Violetta), La bohème: Act I. "Mi chiamano Mimì" (Mimì), La bohème: Act III. “Donde lieta; Addio, senza rancor!” (Mimì’s Farewell), La traviata: Atto III. “Addio del passato”, Lakmé: Act II. "Air des clochettes (Bell Song)" (Lakmé, Nilankantha), Madama Butterfly: Atto II. “Un bel di vedremo”, Madama Butterfly: Atto III. “Con onor muore…” (Death of Butterfly), Semiramide: Act I. "Bel raggio lusinghier" (Semiramide), Turandot: Act I. "Signore, ascolta" (Liù), Turandot: Act III. "Tu che di gel sei cinta" (Liù)
Yussef Dayes recording Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (Alla marcia) - Moderato, Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto, Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto, Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo, Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Concerto no. 2 in B-flat major, op. 83: III. Andante, Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso (feat. cello: Robert La Marchina), Piano Concerto no. 2 in C minor, op. 18: I. Moderato - Allegro, Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto, Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando, Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato, Piano Concerto no. 4 in G major, op. 58: II. Andante con moto, Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro
Kristina Mårtensson recording La Traviata: Act I. "Che è cio?", La Traviata: Act I. "Dell'invito trascorsa è già l'ora", La Traviata: Act I. "Ebben? Che diavol fate?", La Traviata: Act I. "Libiamo ne'lieti calici", La Traviata: Act II, Scene I. "Ah! Dite alla giovine", La Traviata: Act II, Scene I. "Annina, donde vieni?", La Traviata: Act II, Scene I. "Lunge da lei", La Traviata: Act II, Scene I. "Morro! Morro!", La Traviata: Act II, Scene I. "Non sapete quale affetto", La Traviata: Act II, Scene II. "Invitato a qui seguirmi", La Traviata: Act III, "Ah! Gran Dio! Morir sì giovine", La Traviata: Act III, "Ah, non più", La Traviata: Act III, "Parigi, o cara", La Traviata: Act III, "Signora" - "Che t'accadde", La Traviata: Atto III, "Parigi, o cara" (Alfredo, Violetta)
Daikei recording Egmont, op. 84: Overture, Finlandia, op. 26, Hungarian Dances: No. 1 in G minor, Hungarian Dances: No. 17 in C-sharp minor, Hungarian Dances: No. 20 in E minor, Hungarian Dances: No. 21 in E minor, La Gioconda: Danza delle ore, Le Carnaval romain, Ouverture, op. 9, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Zampa: Overture
David Elitch recording Accelerations, Bahn frei - Polka, Doctrines, Fledermaus, Kriegsabenteur - Schnell Polka, Music of the Spheres, One Thousand and One Nights, Pizzicato Polka, Roses From the South, Secret Attractions / Dynamiden, Thunder and Lightning - Schnell Polka, Where the Citrons Bloom
George Gershwin recording Porgy and Bess: A Woman Is a Sometime Thing, Porgy and Bess: Gone, Gone, Gone, Porgy and Bess: I Got Plenty o’ Nuttin’, Porgy and Bess: I Loves You, Porgy, Porgy and Bess: Introduction / Summertime, Porgy and Bess: It Ain’t Necessarily So, Porgy and Bess: My Man’s Gone Now, Porgy and Bess: Oh Bess, Oh Where’s My Bess, Porgy and Bess: Oh Lawd, I’m on My Way, Porgy and Bess: There’s a Boat Dat’s Leavin’ Soon for New York, Porgy and Bess: What You Want Wid Bess?
Principal Dean recording Concerto no. 2 in G minor, op. 22: I. Andante sostenuto, Concerto no. 2 in G minor, op. 22: II. Allegro scherzando, Concerto no. 2 in G minor, op. 22: III. Presto, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace, Symphonic Variations: Allegro non troppo, Symphonic Variations: Poco allegro
Sumerluft recording Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto, Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante, Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuetto. Allegretto - Trio, Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale. Vivace, Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato, Symphony no. 95 in C minor, Hob. I:95: II. Andante, Symphony no. 95 in C minor, Hob. I:95: III. Menuetto - Trio, Symphony no. 95 in C minor, Hob. I:95: IV. Finale. Vivace
Peter recording Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso, Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino, Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace, Concerto for Piano and Orchestra, no. 1 in F-sharp minor, op. 1: I. Vivace, Concerto for Piano and Orchestra, no. 1 in F-sharp minor, op. 1: II. Andante, Concerto for Piano and Orchestra, no. 1 in F-sharp minor, op. 1: III. Allegro vivace, Totentanz, S. 126
Her & Everything recording Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo, Piano sonata No. 1, Op. 1: I. Allegro, Piano sonata No. 1, Op. 1: II. Andante, Piano sonata No. 1, Op. 1: III. Scherzo: Allegro molto e con fuoco, Piano sonata No. 1, Op. 1: IV. Finale: Allegro con fuoco
Luftrum recording Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino simplice - Prestissimo - Tempo I, Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Piú adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco piú presto
Kandy Man recording Burleske for Piano and Orchestra in D minor, Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Allegro vivacissimo, Violin Concerto in D major, op. 77: I. Allegro non troppo, Violin Concerto in D major, op. 77: II. Adagio, Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace
Сергей Сергеевич Прокофьев recording Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov
Arthur Honegger engineer Symphonie nº 2 pour cordes et trompette ad libitum: Adagio mesto, Symphonie nº 2 pour cordes et trompette ad libitum: Molto adagio, Symphonie nº 2 pour cordes et trompette ad libitum: Vivace non troppo, Symphonie nº 5 “di tre Re”: Allegretto, Symphonie nº 5 “di tre Re”: Allegro marcato, Symphonie nº 5 “di tre Re”: Grave
Hedd Wyn recording Masquerade Suite: I. Waltz, Masquerade Suite: II. Nocturne, Masquerade Suite: III. Mazurka, Masquerade Suite: IV. Romance, Masquerade Suite: V. Galop, The Comedians, op. 26
Darius Milhaud engineer La création du monde, Suite provençale pour orchestre, op. 152: Animé, Suite provençale pour orchestre, op. 152: Lent, Suite provençale pour orchestre, op. 152: Modéré, Suite provençale pour orchestre, op. 152: Très modéré, Suite provençale pour orchestre, op. 152: Vif
東亜佐美 recording Violin Concerto in D major, op. 61: I. Allegro, ma non troppo, Violin Concerto in D major, op. 61: II. Larghetto, Violin Concerto in D major, op. 61: III. Rondo. Allegro, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Atomstaub recording Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso, Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio, Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo, Concerto no. 2 for Piano and Orchestra in C minor, op. 18: I. Allegro, Concerto no. 2 for Piano and Orchestra in C minor, op. 18: II. Sostenuto, Concerto no. 2 for Piano and Orchestra in C minor, op. 18: III. Scherzando
Julian Bream recording Segovia op. 29, Segovia, op. 29, Sonatina, op. 52 no. 1: I. Allegretto, Sonatina, op. 52 no. 1: II. Lento, Sonatina, op. 52 no. 1: III. Rondo
Manuel de Falla recording La vida breve: Dance, La vida breve: Interlude, The Three-Cornered Hat: Final Dance, The Three-Cornered Hat: The Miller’s Dance, The Three-Cornered Hat: The Neighbors’ Dance
César Franck engineer Le Chasseur Maudit: The Curse, Le Chasseur Maudit: The Demon’s Chase, Le Chasseur Maudit: The Hunt, Le Chasseur Maudit: The Peaceful Sunday Landscape
Renée Martin recording Concerto in F: I. Allegro, Concerto in F: II. Adagio - Andante con moto, Concerto in F: III. Allegro agitato, Rhapsody in Blue
Paweł Romańczuk recording Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso
Sergio Avil engineer Symphony no. 3 in C minor, op. 78 (“Organ”): Part I: Adagio; Allegro moderato, Symphony no. 3 in C minor, op. 78 (“Organ”): Part I: Poco adagio, Symphony no. 3 in C minor, op. 78 (“Organ”): Part II: Allegro moderato, Symphony no. 3 in C minor, op. 78 (“Organ”): Part II: Maestoso; Allegro
The Miecia recording Madama Butterfly: Atto I. “Amore o grillo”, Madama Butterfly: Atto I. “Dovunque al mondo lo Yankee”, Madama Butterfly: Atto III. "Addio, fiorito asil" (Pinkerton, Sharpless)
Ralph Vaughan Williams engineer English Folk Song Suite, Fantasia on "Greensleeves", Fantasia on a Theme by Thomas Tallis
Heavy Metal Ninjas recording Symphony in D minor: I. Lento, Symphony in D minor: II. Allegretto, Symphony in D minor: III. Allegro non troppo
Tadashi Tanaka recording Aida: “O patria mia”, Aida: “Qui Radamès verrà!”, Aida: “Ritorna vincitor!”
LRX recording Concerto for Piano and Orchestra no. 25 in C major, K. 503: I. Allegro maestoso (cadenza: André Tchaikowsky), Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante, Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. [Allegretto]
Layla Brooklyn Allman recording La traviata: Atto 1 (Concluded) / Atto II. Scena 1 (Part 1), La traviata: Atto II, Scena 1 (Concluded) / Atto II, Scena 2 (Part 1), La traviata: Atto III (Concluded)
Rodney Berthold recording Il Trovatore: “Che più t’arresti?”, Il Trovatore: “Di tale amor”, Il Trovatore: “Tacea la notte”
정현재 recording Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso, Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso, Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace
Pooh & Eros Ramazzotti, RAF, Enrico Ruggeri, Umberto Tozzi recording La traviata: Atto II, Scena 1 (Concluded) / Atto II, Scena 2 (Part 1), La traviata: Atto II, Scena 2 (Concluded) / Atto III (Part 1), La traviata: Atto III (Concluded)
Philippe de Vuyst recording La Traviata: Act II, Scene I. "Ah, vive sol quel core all'amor mio!", La Traviata: Act II, Scene I. "Ne rispondi", La Traviata: Act II, Scene II. "Di sprezzo degno se stesso rende"
Mr. Badweather recording Elektra, op. 58: Elektra’s Soliloquy “Allein! Weh, ganz allein”, Salome, op. 54: Dance of the Seven Veils, Salome, op. 54: Final Scene “Ah! Du wolltest mich nicht deinen Mund”
Najaf Ali recording Cello Concerto: I. Moderato, Cello Concerto: II. Allegro appassionato, Cello Concerto: III. Tema ed improvvisazioni: Lento - Allegro moderato
C O /\/\ /\/\ /\ /\/ D O recording Noches en los jardines de España: I. En el Generalife, Noches en los jardines de España: II. Danza lejana - attacca, Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba
RÁN recording Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto, Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio, Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla Breve
OldStyle recording Concerto no. 3, op. 30 in D minor: Allegro ma non tanto, Concerto no. 3, op. 30 in D minor: Finale: Alla breve, Concerto no. 3, op. 30 in D minor: Intermezzo - Adagio
Jazzrausch Bigband recording Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: VI. Der Abschied
Николай Николаевич Сидельников recording La Traviata: Act I. "Si ridesta in ciel l'aurora", La Traviata: Act III, "Largo al quadrupede", Madama Butterfly: Atto II. Coro a bocca chiusa
Arthur Rubinstein recording Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux", Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence", Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour"
Thomas Albertus Irnberger recording Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: V. Der Trunkene im Frühling
Domenico Scarlatti recording Sonata in B minor, K. 87 (played in E minor), Sonata in C minor, K. 11 (played in E minor)
Bob Hermans recording Madama Butterfly: Atto III (Concluded), Madama Butterfly: Atto III (Part I)
Isaac Albéniz recording Iberia, Book 4: Navarra, Sonata
Rob Brinkman recording Madama Butterfly: Atto II (Concluded), Madama Butterfly: Atto II (Part I)
Ian Pollock recording Madama Butterfly: Atto I (Concluded), Madama Butterfly: Atto I (Part 1)
Sir Lennox Berkeley recording Sonatina op. Op.52, No.1, Sonatina, Op. 52 No. 1: I. Allegretto
Stan Eimers recording Madama Butterfly: Atto I. “Bimba, bimba, non piangere”, Madama Butterfly: Atto I. “Vogliatemi bene”
Peio Dospital recording La Traviata: Act III, "Ah, Violetta!" "Voi? Signor?", La Traviata: Act III, "Prendi, quest'e l'immagine"
Domenico Cimarosa recording Sonata in A, Sonata in C-sharp minor
Tomas Järmyr recording Madama Butterfly: Atto II. “Il cannone del porto!”, Madama Butterfly: Atto III. “Come una mosca”
Дана recording La Traviata: Act III, Prelude, La Traviata: Prelude
Carlos Liger recording Sonatina, Op. 52/1 II. Lento, Sonatina, Op. 52/1 III. Rondo
Bullyweee Man recording Tannhäuser: Overture and Venusberg Music, Tristan und Isolde: Prelude to Act III
Francis Poulenc engineer Concerto in G minor for Organ, Strings and Timpani
Richard Tucker recording La Traviata: Act II, Scene II. "Ogni suo aver tal femmina"
Pascal Ondarts recording La Traviata: Act III, "È strano!"
Peio Hargouet recording La Traviata: Act III, "Annina?" - "Comandate?"
Paola Folzini recording La Traviata: Act II, Scene I. "Pura siccome un angelo"
Robert Merrill recording La Traviata: Atto II, Scena I. "Di Provenza il mar" (Gerrmont)
Rod Chambers recording Symphony no. 9 in D minor, op. 125 “Choral”: IV. Recitative. Presto – Allegro assai
Hedwig Humperdinck engineer Aida: Preludio
Rosalind Elias recording Madama Butterfly: Atto II. “Tutti i fior?” (Flower Duet)
Girolamo Frescobaldi recording Aria detta la frescobalda
GC Eternal recording Elektra, op. 58: Recognition Scene “Was willst du, fremder Mensch?”
Pebbles recording Concerto for Jazz Band and Symphony Orchestra
Simple Style recording La Traviata: Act II, Scene I. "Dammi tu forza, o cielo!"
Omar Falcon recording La Traviata: Act II, Scene II. "Di Madride noi siam mattadori"
Michael Exodus recording Elektra, op. 58: Finale “Elektra! Schwester! Kommmit uns!”
Eric Coates engineer London Suite
Maurice Ravel recording Pavane para une infante defunte
The Home Conversion recording Turandot: Act III, Scene I. “Nessun dorma!”
The Mercenaries recording La Traviata: Act III, "Signora" - "Che t'accadde"
Köysistö Et Cetera recording La Traviata: Act II, Scene II. "Alfredo! Voi?"
Diadem recording La Traviata: Act II, Scene II. "Di sprezzo degno se stesso rende"
Tim Elfring recording Madama Butterfly: Atto I. "Che burletta" (Pinkerton, Parenti, Amici, Butterfly, La Madre)
Priscilla Bailey recording Madama Butterfly: Atto II. “Ora a noi”
Tommy Voss und sein Orchester recording La Traviata: Atto III, Prelude
William Short recording Symphony no. 4 in G major: IV: Sehr behaglich
Within the Last Wish recording Madama Butterfly: Atto I. “Bimba dagli occhi”
Yfere recording Madama Butterfly: Atto II. "Or vienni ad adornar" (Butterfly, Suzuki)
David Olaizola recording La Traviata: Act II, Scene II. "Avrem lieta di maschere la notte"
Rafael Hurtado de Mendoza recording Madama Butterfly: Atto I. “Ancora un passo or via” (Butterfly's Entrance)
Лариса Дрёмина recording Madama Butterfly: Atto III. "Io so che alle sue pene" (Sharpless, Suzuki, Pinkerton)
Karl Steinberg recording Mysterious Mountain: Double Fugue, Moderato maestoso
Joaquín Rodrigo recording En los trigales
星谷悠太 recording La Traviata: Act II, Scene II. "Ogni suo aver tal femmina"
Reptile Rampant recording La Traviata: Act II, Scene II. "Noi siamo zingarelle"
Pampi Laduche recording La Traviata: Act II, Scene I. "Alfredo?" - "Per Parigi or or partiva"