| New York Philharmonic |
performing orchestra |
"Petrushka": DANSE RUSSE (Russian Dance), Circus Polka, for orchestra ("for a young elephant"), Der Feuervogel: Finale, Le Sacre du Printemps, L'Adoration De La Terre: I. Introduction, Le Sacre du Printemps, L'Adoration De La Terre: II. Les augures printaniers / Danses des adolescentes, Le Sacre du Printemps, L'Adoration De La Terre: III. Jeu de rapt, Le Sacre du Printemps, L'Adoration De La Terre: IV. Rondes printanières, Le Sacre du Printemps, L'Adoration De La Terre: V. Jeux des cités rivales, Le Sacre du Printemps, L'Adoration De La Terre: VI. Cortège du sage, Le Sacre du Printemps, L'Adoration De La Terre: VII. Adoration de la Terre (Le Sage), Le Sacre du Printemps, L'Adoration De La Terre: VIII. Danse de la terre, Le Sacre du Printemps, Le Sacrifice: I. Introduction, Le Sacre du Printemps, Le Sacrifice: II. Cercles mysterieux des adolescentes, Le Sacre du Printemps, Le Sacrifice: III. Glorification de l'élue, Le Sacre du Printemps, Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du Printemps, Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du Printemps, Le Sacrifice: VI. Danse sacrale (L'élue), Le Sacre du printemps, Part 1: L'Adoration de la Terre: Adoration de la terre - Le Sage, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Cortège du sage, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Danse de la terre, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Introduction, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeu du rapt, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Jeux des cités rivales, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Le Sage, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Les Augures printaniers - Danses des adolescentes, Le Sacre du printemps, Part 1: L'Adoration de la Terre: Rondes printanières, Le Sacre du printemps, Part 2: Le Sacrifice: Action rituelle des ancêtres, Le Sacre du printemps, Part 2: Le Sacrifice: Cercles mystérieux des adolescentes, Le Sacre du printemps, Part 2: Le Sacrifice: Danse sacrale (L'Élue), Le Sacre du printemps, Part 2: Le Sacrifice: Glorification de l'Élue, Le Sacre du printemps, Part 2: Le Sacrifice: Introduction, Le Sacre du printemps, Part 2: Le Sacrifice: Évocation des ancêtres, L’Oiseau de feu: Suite: Berceuse, L’Oiseau de feu: Suite: Danse infernale du roi Kachtcheï, L’Oiseau de feu: Suite: Finale, L’Oiseau de feu: Suite: Introduction, L’Oiseau de feu: Suite: L’Oiseau de feu et sa danse, L’Oiseau de feu: Suite: Ronde des princesses, L’Oiseau de feu: Suite: Variation de l’Oiseau de feu, Petrushka: Scene I. Russian Dance, Petrushka: Scene I. The Charlatan's Booth (Rehersal no. 58), Petrushka: Scene I. The Shrove-tide Fair, Petrushka: Scene II. Petrushka's Room, Petrushka: Scene III. Dance of the Ballerina (Rehersal no. 134), Petrushka: Scene III. The Moor's Room, Petrushka: Scene III. Waltz. The Ballerina and Moor (Rehersal no. 140), Petrushka: Scene IV. Apparition of Petrushka's Double, Petrushka: Scene IV. Dance of the Coachmen and Grooms, Petrushka: Scene IV. Dance of the Wet Nurses, Petrushka: Scene IV. Death of Petrushka, Petrushka: Scene IV. The Bear and the Peasant, Petrushka: Scene IV. The Fight: The Moor and Petrushka, Petrushka: Scene IV. The Jovial Merchant with Two Gypsy Girls, Petrushka: Scene IV. The Masqueraders, Petrushka: Scene IV. The Police and the Charlatan, Petrushka: Scene IV. The Shrove-tide Fair (towards evening), Pulcinella: Suite: I. Sinfonia (Ouverture). Allegro moderato, Pulcinella: Suite: II. Serenata. Larghetto, Pulcinella: Suite: III. a) Scherzino, Pulcinella: Suite: III. b) Allegro, Pulcinella: Suite: III. c) Andantino, Pulcinella: Suite: IV. Tarantella. Half note = 88, Pulcinella: Suite: V. Toccata. Allegro, Pulcinella: Suite: VI. Gavotta con due variazioni. Allegro moderato, Pulcinella: Suite: VI. Variazione I. Allegretto, Pulcinella: Suite: VI. Variazione II. Allegro più tosto moderato, Pulcinella: Suite: VII. Vivo (Duetto), Pulcinella: Suite: VIII. a) Minuetto. Molto moderato, Pulcinella: Suite: VIII. b) Finale. Allegro assai, Symphony in 3 movements, I: [♩ = 160], Symphony in 3 movements, II: Andante - Interlude: L'istesso tempo, Symphony in 3 movements, III: Con moto, Symphony in Three Movements: I. [ ], Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, The Rite of Spring, Part 1, The Rite of Spring, Part 2 |
| London Symphony Orchestra |
performing orchestra |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto, The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Finale, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses, The Firebird Suite: Lullaby / Finale, The Firebird: Infernal Dance of Kings, The Rake's Progress: Act I, Scene 1. "All is ready, sir", The Rake's Progress: Act I, Scene 1. "Anne, my dear", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "Farewell for now", The Rake's Progress: Act I, Scene 1. "Here I stand" / "Since it is not by merit", The Rake's Progress: Act I, Scene 1. "I'll call the coachman, sir", The Rake's Progress: Act I, Scene 1. "The woods are green", The Rake's Progress: Act I, Scene 1. "Tom Rakewell?", The Rake's Progress: Act I, Scene 2. "Come, Tom", The Rake's Progress: Act I, Scene 2. "How sad a song", The Rake's Progress: Act I, Scene 2. "I go, I go to him", The Rake's Progress: Act I, Scene 2. "Love, too frequently betrayed", The Rake's Progress: Act I, Scene 2. "My father! Can I desert him", The Rake's Progress: Act I, Scene 2. "No word from Tom", The Rake's Progress: Act I, Scene 2. "Quietly, night", The Rake's Progress: Act I, Scene 2. "Sisters of Venus, Brothers of Mars", The Rake's Progress: Act I, Scene 2. "Soon dawn will glitter", The Rake's Progress: Act I, Scene 2. "The sun is bright, the grass is green", The Rake's Progress: Act I, Scene 2. "With air commanding and weapon handy", The Rake's Progress: Act II, Scene 1. "Always the quarry that I stalk", The Rake's Progress: Act II, Scene 1. "Come, master, observe the host of mankind", The Rake's Progress: Act II, Scene 1. "In youth the panting slave pursues", The Rake's Progress: Act II, Scene 1. "Master, are you alone?", The Rake's Progress: Act II, Scene 1. "My tale shall be told", The Rake's Progress: Act II, Scene 1. "O Nature, green unnatural mother", The Rake's Progress: Act II, Scene 1. "Vary the song, O London", The Rake's Progress: Act II, Scene 2. "Anne! here!", The Rake's Progress: Act II, Scene 2. "Could it then have been known", The Rake's Progress: Act II, Scene 2. "How strange!" / "O heart be stronger", The Rake's Progress: Act II, Scene 2. "I have not run away", The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?", The Rake's Progress: Act II, Scene 2. Introduction, The Rake's Progress: Act II, Scene 3. "As I was saying" / "Come, sweet, come" / "Scorned! Abused!", The Rake's Progress: Act II, Scene 3. "Fa la la", The Rake's Progress: Act II, Scene 3. "Forgive me, master, for intruding", The Rake's Progress: Act II, Scene 3. "My heart is cold", The Rake's Progress: Act II, Scene 3. "O, I wish it were true", The Rake's Progress: Act II, Scene 3. "Thanks to this excellent device", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Ladies both fair and gracious", The Rake's Progress: Act III, Scene 1. "Ruin. Disaster. Shame", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "Who hears me, knows me" / "Seven - eleven" / "Behold it, Roman, moral" / "Fifteen - and a half" / "Wonderful" / "An unknown object draws us" / "Fifty - fifty-five", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 2. "How dark and dreadful is this place", The Rake's Progress: Act III, Scene 2. "I burn, I burn! I freeze!", The Rake's Progress: Act III, Scene 2. "Very well then, my dear and good Tom", The Rake's Progress: Act III, Scene 2. "Well then" / "My heart is wild with fear", The Rake's Progress: Act III, Scene 2. "With roses crowned", The Rake's Progress: Act III, Scene 2. Prelude, The Rake's Progress: Act III, Scene 3. "Anne, my dear", The Rake's Progress: Act III, Scene 3. "Every wearied body", The Rake's Progress: Act III, Scene 3. "Gently, little boat", The Rake's Progress: Act III, Scene 3. "I am exceeding weary", The Rake's Progress: Act III, Scene 3. "I have waited", The Rake's Progress: Act III, Scene 3. "In a foolish dream", The Rake's Progress: Act III, Scene 3. "Mourn for Adonis", The Rake's Progress: Act III, Scene 3. "Prepare yourselves, heroic shades" / "Madmen's words are all untrue" / "Leave all love and hope behind", The Rake's Progress: Act III, Scene 3. "There he is. Have no fear", The Rake's Progress: Act III, Scene 3. "Where art thou, Venus?", The Rake's Progress: Epilogue. "Good people, just a moment", The Rake's Progress: Prelude, Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| Sir John Eliot Gardiner |
conductor |
The Rake's Progress: Act I, Scene 1. "All is ready, sir", The Rake's Progress: Act I, Scene 1. "Anne, my dear", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "Farewell for now", The Rake's Progress: Act I, Scene 1. "Here I stand" / "Since it is not by merit", The Rake's Progress: Act I, Scene 1. "I'll call the coachman, sir", The Rake's Progress: Act I, Scene 1. "The woods are green", The Rake's Progress: Act I, Scene 1. "Tom Rakewell?", The Rake's Progress: Act I, Scene 2. "Come, Tom", The Rake's Progress: Act I, Scene 2. "How sad a song", The Rake's Progress: Act I, Scene 2. "I go, I go to him", The Rake's Progress: Act I, Scene 2. "Love, too frequently betrayed", The Rake's Progress: Act I, Scene 2. "My father! Can I desert him", The Rake's Progress: Act I, Scene 2. "No word from Tom", The Rake's Progress: Act I, Scene 2. "Quietly, night", The Rake's Progress: Act I, Scene 2. "Sisters of Venus, Brothers of Mars", The Rake's Progress: Act I, Scene 2. "Soon dawn will glitter", The Rake's Progress: Act I, Scene 2. "The sun is bright, the grass is green", The Rake's Progress: Act I, Scene 2. "With air commanding and weapon handy", The Rake's Progress: Act II, Scene 1. "Always the quarry that I stalk", The Rake's Progress: Act II, Scene 1. "Come, master, observe the host of mankind", The Rake's Progress: Act II, Scene 1. "In youth the panting slave pursues", The Rake's Progress: Act II, Scene 1. "Master, are you alone?", The Rake's Progress: Act II, Scene 1. "My tale shall be told", The Rake's Progress: Act II, Scene 1. "O Nature, green unnatural mother", The Rake's Progress: Act II, Scene 1. "Vary the song, O London", The Rake's Progress: Act II, Scene 2. "Anne! here!", The Rake's Progress: Act II, Scene 2. "Could it then have been known", The Rake's Progress: Act II, Scene 2. "How strange!" / "O heart be stronger", The Rake's Progress: Act II, Scene 2. "I have not run away", The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?", The Rake's Progress: Act II, Scene 2. Introduction, The Rake's Progress: Act II, Scene 3. "As I was saying" / "Come, sweet, come" / "Scorned! Abused!", The Rake's Progress: Act II, Scene 3. "Fa la la", The Rake's Progress: Act II, Scene 3. "Forgive me, master, for intruding", The Rake's Progress: Act II, Scene 3. "My heart is cold", The Rake's Progress: Act II, Scene 3. "O, I wish it were true", The Rake's Progress: Act II, Scene 3. "Thanks to this excellent device", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Ladies both fair and gracious", The Rake's Progress: Act III, Scene 1. "Ruin. Disaster. Shame", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "Who hears me, knows me" / "Seven - eleven" / "Behold it, Roman, moral" / "Fifteen - and a half" / "Wonderful" / "An unknown object draws us" / "Fifty - fifty-five", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 2. "How dark and dreadful is this place", The Rake's Progress: Act III, Scene 2. "I burn, I burn! I freeze!", The Rake's Progress: Act III, Scene 2. "Very well then, my dear and good Tom", The Rake's Progress: Act III, Scene 2. "Well then" / "My heart is wild with fear", The Rake's Progress: Act III, Scene 2. "With roses crowned", The Rake's Progress: Act III, Scene 2. Prelude, The Rake's Progress: Act III, Scene 3. "Anne, my dear", The Rake's Progress: Act III, Scene 3. "Every wearied body", The Rake's Progress: Act III, Scene 3. "Gently, little boat", The Rake's Progress: Act III, Scene 3. "I am exceeding weary", The Rake's Progress: Act III, Scene 3. "I have waited", The Rake's Progress: Act III, Scene 3. "In a foolish dream", The Rake's Progress: Act III, Scene 3. "Mourn for Adonis", The Rake's Progress: Act III, Scene 3. "Prepare yourselves, heroic shades" / "Madmen's words are all untrue" / "Leave all love and hope behind", The Rake's Progress: Act III, Scene 3. "There he is. Have no fear", The Rake's Progress: Act III, Scene 3. "Where art thou, Venus?", The Rake's Progress: Epilogue. "Good people, just a moment", The Rake's Progress: Prelude |
| Koninklijk Concertgebouworkest |
performing orchestra |
Applause, L'Oiseau de feu: I. Introduction, L'Oiseau de feu: I. L'Oiseau de feu et sa danse, L'Oiseau de feu: I. Variation de l'Oiseau de feu, L'Oiseau de feu: II. Ronde des princesses (Khorovode), L'Oiseau de feu: III. Berceuse, L'Oiseau de feu: III. Danse infernale du roi Kachtcheï, L'Oiseau de feu: III. Finale, Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction, Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes), Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage, Le Sacre du printemps: I. L'Adoration de la terre: VII. Adoration de la terre, Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: II. Le Sacrifice: I. Introduction, Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes, Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue, Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'Elue), Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella: Allegro, Pulcinella: Allegro - Alla breve, Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass), Pulcinella: Allegro assai, Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor), Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano), Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass), Pulcinella: Andantino, Pulcinella: Andantino: "Se tu m'ami" (soprano), Pulcinella: Gavotta con due variazioni, Pulcinella: Ouverture: Allegro moderato, Pulcinella: Presto: "Una te fa la zemprece" (tenor), Pulcinella: Scherzino: Allegro, Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor), Pulcinella: Tarantella, Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass), Pulcinella: Vivo, The Firebird (L'oiseau de feu) - Suite: Final Hymn |
| Mariss Jansons (Latvian conductor) |
conductor |
Applause, L'Oiseau de feu: I. Introduction, L'Oiseau de feu: I. L'Oiseau de feu et sa danse, L'Oiseau de feu: I. Variation de l'Oiseau de feu, L'Oiseau de feu: II. Ronde des princesses (Khorovode), L'Oiseau de feu: III. Berceuse, L'Oiseau de feu: III. Danse infernale du roi Kachtcheï, L'Oiseau de feu: III. Finale, Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction, Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes), Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt, Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières, Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales, Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage, Le Sacre du printemps: I. L'Adoration de la terre: VII. Adoration de la terre, Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre, Le Sacre du printemps: II. Le Sacrifice: I. Introduction, Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes, Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue, Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'Elue), Petrushka, Part Four: Apparition of Petrushka's Death, Petrushka, Part Four: Dance of the Coachman, Petrushka, Part Four: Death of Petrushka, Petrushka, Part Four: Gypsies and a Rake Vendor, Petrushka, Part Four: Masqueraders, Petrushka, Part Four: Peasant With Bear, Petrushka, Part Four: Police and the Juggler, Petrushka, Part Four: The Scuffle: Blackamoor and Petrushka, Petrushka, Part Four: The Shrovetide Fair, Petrushka, Part Four: Wet Nurse's Dance, Petrushka, Part One: Danse Russe, Petrushka, Part One: The Shrovetide Fair, Petrushka, Part Three: In the Blackamoor's Room, Petrushka, Part Three: Waltz, Petrushka, Part Two: In Petrushka's Room, The Rite of Spring, First Part: The Adoration of the Earth: Dance of the Earth, The Rite of Spring, First Part: The Adoration of the Earth: Introduction, The Rite of Spring, First Part: The Adoration of the Earth: Procession of the Sage, The Rite of Spring, First Part: The Adoration of the Earth: Ritual of Abduction, The Rite of Spring, First Part: The Adoration of the Earth: Ritual of Rival Tribes, The Rite of Spring, First Part: The Adoration of the Earth: Spring Rounds, The Rite of Spring, First Part: The Adoration of the Earth: The Augers of Spring: Dances of the Young Girls, The Rite of Spring, First Part: The Adoration of the Earth: The Sage, The Rite of Spring, Second Part: The Sacrifice: Evocation of the Ancestors, The Rite of Spring, Second Part: The Sacrifice: Glorification of the Chosen One, The Rite of Spring, Second Part: The Sacrifice: Introduction, The Rite of Spring, Second Part: The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring, Second Part: The Sacrifice: Ritual Action of the Ancestors, The Rite of Spring, Second Part: The Sacrifice: Sacrificial Dances (The Chosen One) |
| Robert Craft |
conductor, grand piano |
Abraham and Isaac, Apollo Pas de Deux, Fanfare for Three Trumpets, Fanfare for a New Theater, Oedipus Rex, Act I: I. Prologue. Speaker - Chorus, Oedipus Rex, Act I: II. Oedipus, Oedipus Rex, Act I: III. Chorus - Oedipus, Oedipus Rex, Act I: IV. Chorus - Speaker - Creon, Oedipus Rex, Act I: V. Oedipus - Chorus, Oedipus Rex, Act I: VI. Speaker - Chorus, Oedipus Rex, Act I: VII. Tiresias - Oedipus - Chorus, Oedipus Rex, Act II: I. Speaker - Jocasta - Chorus, Oedipus Rex, Act II: II. Speaker - Chorus - Messenger, Oedipus Rex, Act II: III. Shepherd - Oedipus - Chorus, Oedipus Rex, Act II: IV. Speaker - Messenger - Chorus, Requiem Canticles: I. Prelude, Requiem Canticles: II. Exaudi, Requiem Canticles: III. Dies Irae, Requiem Canticles: IV. Tuba Mirum, Requiem Canticles: IX. Postlude, Requiem Canticles: V. Interlude, Requiem Canticles: VI. Rex Tremendae, Requiem Canticles: VII. Lacrimosa, Requiem Canticles: VIII. Libera Me, Symphony in Three Movements: I. Allegro, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Interlude - Finale, Symphony of Psalms: I. Psalm 38 (Verses 13, 14), Symphony of Psalms: II. Psalm 39 (Verses 2-4), Symphony of Psalms: III. Psalm 150, The Owl and the Pussy-Cat, The Rite of Spring, Part I: I. Introduction, The Rite of Spring, Part I: II. The Augurs of Spring. Dances of the Young Girls, The Rite of Spring, Part I: III. Ritual of Abduction, The Rite of Spring, Part I: IV. Spring Rounds, The Rite of Spring, Part I: V. Ritual of the Rival Tribes, The Rite of Spring, Part I: VI. Procession of the Sage, The Rite of Spring, Part I: VII. The Sage, The Rite of Spring, Part I: VIII. Dance of the Earth, The Rite of Spring, Part II: I. Introduction, The Rite of Spring, Part II: II. Mystic Circles of the Young Girls, The Rite of Spring, Part II: III. Glorification of the Chosen One, The Rite of Spring, Part II: IV. Evocation of the Ancestors, The Rite of Spring, Part II: V. Ritual Action of the Ancestors, The Rite of Spring, Part II: VI. Sacrificial Dance (The Chosen One), Three Japanese Lyrics: I. Akahito, Three Japanese Lyrics: II. Mazatsumi, Three Japanese Lyrics: III. Tsaraiuki, Tilim-Bom / Klabum-Klabam, Variations: Aldous Huxley in memoriam |
| Esa-Pekka Salonen |
conductor |
Capriccio for Piano and Orchestra: I. Presto, Capriccio for Piano and Orchestra: II. Andante rapsodico, Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto, Concerto for Piano and Wind Instruments: I. Largo - Allegro, Concerto for Piano and Wind Instruments: II. Largo, Concerto for Piano and Wind Instruments: III. Allegro, Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 1 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 2 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 3 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 4 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 5 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 6 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 7 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 8 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Movements for Piano and Orchestra: I, Movements for Piano and Orchestra: II, Movements for Piano and Orchestra: III, Movements for Piano and Orchestra: IV, Movements for Piano and Orchestra: V, Oedipus Rex: Act I. "Caedit nos pestis", Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus), Oedipus Rex: Act I. "Gloria!" (Narrator), Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator), Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus), Oedipus Rex: Act I. "Respondit deus" (Creon), Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus), Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator), Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger), Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus), Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger), Oedipus Rex: Act II. "Ecce! Regem Oedipoda", Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator), Oedipus Rex: Act II. "Gloria!", Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger), Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator), Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus), Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta), Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta), Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus), Oedipus Rex: Act II. "Oportebat tacere" (Shepherd), Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus), Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator), Symphonies of Wind Instruments (1947 version), The Firebird, Finale, Part 1 (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen), The Firebird, Finale, Part 2 (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen), Violin Concerto in D: I. Toccata, Violin Concerto in D: II. Aria 1, Violin Concerto in D: III. Aria 2, Violin Concerto in D: IV. Capriccio |
| Pierre Boulez |
conductor |
Berceuses du chat, Chansons russes, Der Feuervogel: Finale, Le Chant du rossignol: Chant du Rossignol, Le Chant du rossignol: Jeu du rossignol mécanique, Le Chant du rossignol: Marche Chinoise, Le sacre du printemps: II. Le sacrifice: 5. Action rituelle des ancetres, Les Noces, Petrushka (original 1911 version): Tableau I: The Shrove-tide Fair, Petrushka (original 1911 version): Tableau II: In Petrushka's Cell, Petrushka (original 1911 version): Tableau III: In the Blackamoor's Cell, Petrushka (original 1911 version): Tableau IV: The Shrove-tide Fair (evening), Pribaoutki, Pulcinella (Suite): I. Sinfonia (Overture), Pulcinella (Suite): II. Serenata, Pulcinella (Suite): III. a) Scherzino, Pulcinella (Suite): III. b) Allegro, Pulcinella (Suite): III. c) Andantino, Pulcinella (Suite): IV. Tarantella, Pulcinella (Suite): V. Toccata, Pulcinella (Suite): VI. Gavotta (con due variazioni), Pulcinella (Suite): VI. Variazione I. Allegretto, Pulcinella (Suite): VI. Variazione II. Allegro piu tosto, Pulcinella (Suite): VII. Vivo (Duetto), Pulcinella (Suite): VIII. a) Minuetto, Pulcinella (Suite): VIII. b) Finale, Pulcinella: Gavotta con Due Varizioni, Pulcinella: Ouverture, Pulcinella: Serenata; Scherzino, Pulcinella: Tarantella, Quatre chansons paysannes, Scherzo fantastique, Suite No.1 for Small Orchestra: I. Andante, Suite No.1 for Small Orchestra: I. Napolitana, Suite No.1 for Small Orchestra: III. Española, Suite No.1 for Small Orchestra: IV. Balalaika, Suite No.2 for Small Orchestra: I. Marche, Suite No.2 for Small Orchestra: II. Valse, Suite No.2 for Small Orchestra: III. Polka, Suite No.2 for Small Orchestra: IV. Galop, The Firebird Suite: I. Introduction, The Enchanted Garden of Kashchei and Dance of the Firebird, The Firebird Suite: II. The Firebird's Entreaties, The Firebird Suite: III. The Princesses' Game with the Golden Apples, The Firebird Suite: IV. The Princesses' Round, The Firebird Suite: V. Infernal dance of Kaschchei's Subjects |
| Ian Bostridge |
vocal |
Cantata: Ricercar 1, Cantata: Ricercar 2, Cantata: Versus 1, Cantata: Versus 2, Cantata: Versus 3, Cantata: Versus 4, Cantata: Westron Wind, The Rake's Progress: Act I, Scene 1. "All is ready, sir", The Rake's Progress: Act I, Scene 1. "Anne, my dear", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "Farewell for now", The Rake's Progress: Act I, Scene 1. "Here I stand" / "Since it is not by merit", The Rake's Progress: Act I, Scene 1. "The woods are green", The Rake's Progress: Act I, Scene 1. "Tom Rakewell?", The Rake's Progress: Act I, Scene 2. "Come, Tom", The Rake's Progress: Act I, Scene 2. "Love, too frequently betrayed", The Rake's Progress: Act II, Scene 1. "Always the quarry that I stalk", The Rake's Progress: Act II, Scene 1. "Master, are you alone?", The Rake's Progress: Act II, Scene 1. "My tale shall be told", The Rake's Progress: Act II, Scene 1. "O Nature, green unnatural mother", The Rake's Progress: Act II, Scene 1. "Vary the song, O London", The Rake's Progress: Act II, Scene 2. "Anne! here!", The Rake's Progress: Act II, Scene 2. "Could it then have been known", The Rake's Progress: Act II, Scene 2. "I have not run away", The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?", The Rake's Progress: Act II, Scene 3. "As I was saying" / "Come, sweet, come" / "Scorned! Abused!", The Rake's Progress: Act II, Scene 3. "Forgive me, master, for intruding", The Rake's Progress: Act II, Scene 3. "My heart is cold", The Rake's Progress: Act II, Scene 3. "O, I wish it were true", The Rake's Progress: Act II, Scene 3. "Thanks to this excellent device", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 2. "How dark and dreadful is this place", The Rake's Progress: Act III, Scene 2. "Very well then, my dear and good Tom", The Rake's Progress: Act III, Scene 2. "Well then" / "My heart is wild with fear", The Rake's Progress: Act III, Scene 2. "With roses crowned", The Rake's Progress: Act III, Scene 3. "I am exceeding weary", The Rake's Progress: Act III, Scene 3. "I have waited", The Rake's Progress: Act III, Scene 3. "In a foolish dream", The Rake's Progress: Act III, Scene 3. "Prepare yourselves, heroic shades" / "Madmen's words are all untrue" / "Leave all love and hope behind", The Rake's Progress: Act III, Scene 3. "There he is. Have no fear", The Rake's Progress: Act III, Scene 3. "Where art thou, Venus?", The Rake's Progress: Epilogue. "Good people, just a moment" |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Circus Polka, Fireworks, Op. 4, Jeu de cartes: Deuxième donne, Jeu de cartes: Première donne, Jeu de cartes: Troisième donne, Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 1 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 2 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 3 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 4 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 5 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 6 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 7 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 8 (Philharmonia Orchestra feat. conductor: Esa Pekka-Salonen), Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella, suite for orchestra: Finale, Pulcinella, suite for orchestra: Gavotta con variazioni, Pulcinella, suite for orchestra: Minuetto, Pulcinella, suite for orchestra: Scherzino-Allegro-Andantino, Pulcinella, suite for orchestra: Serenata, Pulcinella, suite for orchestra: Sinfonia (Overture), Pulcinella, suite for orchestra: Tarantella, Pulcinella, suite for orchestra: Toccata, Pulcinella, suite for orchestra: Vivo (Duetto), The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses, The Firebird, Finale, Part 1 (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen), The Firebird, Finale, Part 2 (Philharmonia Orchestra feat. conductor: Esa-Pekka Salonen) |
| Chicago Symphony Orchestra |
performing orchestra |
Akt 1: "Dicere non possum", Akt 1: "Edipe interroge la fontaine de vérité", Akt 1: "Gloria! Laudibus regina Jocasta", Akt 1: "Invidia fortunam odit", Akt 1: "Non reperias vetus scelus", Akt 1: "Voici Créon, beau-frère d'Edipe", Akt 1: Prologue: "Spectateurs, vous allez entendre", Akt 2: "Divum Jocastae caput mortuum!", Akt 2: "Divum Jocaste caput mortuum!" "Ecce! Regem Oedipoda", Akt 2: "Divum Jocaste caput mortuum!" "Sanguis ater rigabat", Akt 2: "Ego senem cecidi", Akt 2: "Gloria! Laudibus regina Jocasta", Akt 2: "In monte reppertus est", Akt 2: "La dispute des princes", Akt 2: "Le témoin du meurtre sort de l'ombre", Akt 2: "Nonn' erubescrite reges", Akt 2: "Nonne monstrum rescituri", Akt 2: "Oportebat tacere, nunquam loqui", Fireworks (Fantasy for Orchestra, Op. 4), La Sacre Du Printemps ("Das Frühlingsopfer" - Das Opfer), Symphony in C: I. Moderato alla breve, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. Overture, Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo, Symphony in Three Movements: III. Con moto, Symphony of Psalms (Rev. Version 1948): Part I, Symphony of Psalms (Rev. Version 1948): Part II, Symphony of Psalms (Rev. Version 1948): Part III, The Rite of Spring [Part II]: Introduction, The Rite of Spring [Part I]: Introduction, The Rite of Spring: Adoration of the Earth (Wise Elder), The Rite of Spring: Dance of the Earth, The Rite of Spring: Games of the Rival Tribes, The Rite of Spring: Glorification of the Chosen One, The Rite of Spring: Harbingers of Spring, The Rite of Spring: Mock Abduction, The Rite of Spring: Mystic Circles of the Young Girls, The Rite of Spring: Procession of the Wise Elder, The Rite of Spring: Ritual of the Ancients, The Rite of Spring: Sacrificial Dance (Chosen One), The Rite of Spring: Spring Rounds, The Rite of Spring: Summoning of the Ancients |
| Orchestra of St. Luke’s |
performing orchestra |
Apollo Pas de Deux, Fanfare for Three Trumpets, Fanfare for a New Theater, Oedipus Rex, Act I: I. Prologue. Speaker - Chorus, Oedipus Rex, Act I: II. Oedipus, Oedipus Rex, Act I: III. Chorus - Oedipus, Oedipus Rex, Act I: IV. Chorus - Speaker - Creon, Oedipus Rex, Act I: V. Oedipus - Chorus, Oedipus Rex, Act I: VI. Speaker - Chorus, Oedipus Rex, Act I: VII. Tiresias - Oedipus - Chorus, Oedipus Rex, Act II: I. Speaker - Jocasta - Chorus, Oedipus Rex, Act II: II. Speaker - Chorus - Messenger, Oedipus Rex, Act II: III. Shepherd - Oedipus - Chorus, Oedipus Rex, Act II: IV. Speaker - Messenger - Chorus, Requiem Canticles: I. Prelude, Requiem Canticles: II. Exaudi, Requiem Canticles: III. Dies Irae, Requiem Canticles: IV. Tuba Mirum, Requiem Canticles: IX. Postlude, Requiem Canticles: V. Interlude, Requiem Canticles: VI. Rex Tremendae, Requiem Canticles: VII. Lacrimosa, Requiem Canticles: VIII. Libera Me, Symphony in Three Movements: I. Allegro, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Interlude - Finale, Symphony of Psalms: I. Psalm 38 (Verses 13, 14), Symphony of Psalms: II. Psalm 39 (Verses 2-4), Symphony of Psalms: III. Psalm 150, The Rite of Spring, Part I: I. Introduction, The Rite of Spring, Part I: II. The Augurs of Spring. Dances of the Young Girls, The Rite of Spring, Part I: III. Ritual of Abduction, The Rite of Spring, Part I: IV. Spring Rounds, The Rite of Spring, Part I: V. Ritual of the Rival Tribes, The Rite of Spring, Part I: VI. Procession of the Sage, The Rite of Spring, Part I: VII. The Sage, The Rite of Spring, Part I: VIII. Dance of the Earth, The Rite of Spring, Part II: I. Introduction, The Rite of Spring, Part II: II. Mystic Circles of the Young Girls, The Rite of Spring, Part II: III. Glorification of the Chosen One, The Rite of Spring, Part II: IV. Evocation of the Ancestors, The Rite of Spring, Part II: V. Ritual Action of the Ancestors, The Rite of Spring, Part II: VI. Sacrificial Dance (The Chosen One) |
| The Philadelphia Orchestra |
performing orchestra |
Part I: A Kiss of the Earth, Introduction, Part I: A Kiss of the Earth, Procession of the Oldest and Wisest One, Part I: A Kiss of the Earth, Ritual of Abduction, Part I: A Kiss of the Earth, Ritual of the Two Rival Tribes, Part I: A Kiss of the Earth, Spring Rounds, Part I: A Kiss of the Earth, The Augurs of Spring - Dances of the Young Girls, Part I: A Kiss of the Earth, The Kiss of the Earth (The Oldest and Wisest One) [(The Sage)], Part II: The Exalted Sacrifice, Evocation of the Ancestors, Part II: The Exalted Sacrifice, Glorification of the Chosen One, Part II: The Exalted Sacrifice, Mystic Circles of the Young Girls, Part II: The Exalted Sacrifice, Ritual Action of the Ancestors, Part II: The Exalted Sacrifice, Sacrificial Dance (The Chosen One), Part II: The Exalted Sacrifice: Introduction, Pétrouchka-Chez Pétrouchka, Pétrouchka-Danse de la ballerine, Pétrouchka-Danse des cochers et des palefreniers, Pétrouchka-Danse des nounous, Pétrouchka-Danse des tziganes, Pétrouchka-Danse du paysans et de l'ours, Pétrouchka-Danse russe, Pétrouchka-Fete populaire de Semaine grasse, Pétrouchka-Fete populaire de Semaine grasse (vers le soir), Pétrouchka-La Baraque du charlatan, Pétrouchka-Les Déguisés, Pétrouchka-Les Foules, Pétrouchka-Valse (La ballerine et le maure), The Rite of Spring, Part I "Adoration of the Earth": Introduction, The Rite of Spring, Part I "Adoration of the Earth": Procession of the Sage, The Rite of Spring, Part I "Adoration of the Earth": Ritual of Abduction, The Rite of Spring, Part I "Adoration of the Earth": Ritual of the Rival Tribes, The Rite of Spring, Part I "Adoration of the Earth": Spring Rounds, The Rite of Spring, Part I "Adoration of the Earth": The Augers of Spring - Dance of the Maidens, The Rite of Spring, Part I "Adoration of the Earth": The Sage - Dance of the Earth, The Rite of Spring, Part II "The Sacrifice": Evocation of the Ancestors, The Rite of Spring, Part II "The Sacrifice": Glorification of the Chosen One, The Rite of Spring, Part II "The Sacrifice": Mystic Circles of the Maidens, The Rite of Spring, Part II "The Sacrifice": Ritual of the Ancestors, The Rite of Spring, Part II "The Sacrifice": Sacrificial Dance (The Chosen One), The Rite of Spring, Part II - The Sacrifice: Introduction |
| Riccardo Chailly |
conductor |
Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella: Allegro, Pulcinella: Allegro - Alla breve, Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass), Pulcinella: Allegro assai, Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor), Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano), Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass), Pulcinella: Andantino, Pulcinella: Andantino: "Se tu m'ami" (soprano), Pulcinella: Gavotta con due variazioni, Pulcinella: Ouverture: Allegro moderato, Pulcinella: Presto: "Una te fa la zemprece" (tenor), Pulcinella: Scherzino: Allegro, Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor), Pulcinella: Tarantella, Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass), Pulcinella: Vivo, The Firebird (L'oiseau de feu) - Suite: Final Hymn |
| London Sinfonietta |
performing orchestra |
Capriccio for Piano and Orchestra: I. Presto, Capriccio for Piano and Orchestra: II. Andante rapsodico, Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto, Concerto for Piano and Wind Instruments: I. Largo - Allegro, Concerto for Piano and Wind Instruments: II. Largo, Concerto for Piano and Wind Instruments: III. Allegro, Movements for Piano and Orchestra: I, Movements for Piano and Orchestra: II, Movements for Piano and Orchestra: III, Movements for Piano and Orchestra: IV, Movements for Piano and Orchestra: V, Symphonies of Wind Instruments (1947 version), The Soldier's Tale: Airs by a Stream (Reprise), The Soldier's Tale: Airs by a Stream (Reprise) - They have nothing, The Soldier's Tale: Airs by a Stream - A little old man approaches, The Soldier's Tale: Little Chorale, The Soldier's Tale: Pastorale (Reprise) - He took up the book, The Soldier's Tale: Pastorale - Ah! You dirty cheat, The Soldier's Tale: The Devil's Dance, The Soldier's Tale: The Devil's Song, The Soldier's Tale: The Great Chorale - Suppose, suppose we went then, The Soldier's Tale: The Little Concert, The Soldier's Tale: The Royal March - They gave the word for the band to play, The Soldier's Tale: The Soldier's March (Reprise) - We're home at last, The Soldier's Tale: The Soldier's March - Always on Trek, The Soldier's Tale: The Soldier's March - Now he comes to another land, The Soldier's Tale: Three Dances: Ragtime, The Soldier's Tale: Three Dances: Tango, The Soldier's Tale: Three Dances: Waltz, The Soldier's Tale: Triumphal March of the Devil |
| Oslo-Filharmonien |
performing orchestra |
Petrushka, Part Four: Apparition of Petrushka's Death, Petrushka, Part Four: Dance of the Coachman, Petrushka, Part Four: Death of Petrushka, Petrushka, Part Four: Gypsies and a Rake Vendor, Petrushka, Part Four: Masqueraders, Petrushka, Part Four: Peasant With Bear, Petrushka, Part Four: Police and the Juggler, Petrushka, Part Four: The Scuffle: Blackamoor and Petrushka, Petrushka, Part Four: The Shrovetide Fair, Petrushka, Part Four: Wet Nurse's Dance, Petrushka, Part One: Danse Russe, Petrushka, Part One: The Shrovetide Fair, Petrushka, Part Three: In the Blackamoor's Room, Petrushka, Part Three: Waltz, Petrushka, Part Two: In Petrushka's Room, The Rite of Spring, First Part: The Adoration of the Earth: Dance of the Earth, The Rite of Spring, First Part: The Adoration of the Earth: Introduction, The Rite of Spring, First Part: The Adoration of the Earth: Procession of the Sage, The Rite of Spring, First Part: The Adoration of the Earth: Ritual of Abduction, The Rite of Spring, First Part: The Adoration of the Earth: Ritual of Rival Tribes, The Rite of Spring, First Part: The Adoration of the Earth: Spring Rounds, The Rite of Spring, First Part: The Adoration of the Earth: The Augers of Spring: Dances of the Young Girls, The Rite of Spring, First Part: The Adoration of the Earth: The Sage, The Rite of Spring, Second Part: The Sacrifice: Evocation of the Ancestors, The Rite of Spring, Second Part: The Sacrifice: Glorification of the Chosen One, The Rite of Spring, Second Part: The Sacrifice: Introduction, The Rite of Spring, Second Part: The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring, Second Part: The Sacrifice: Ritual Action of the Ancestors, The Rite of Spring, Second Part: The Sacrifice: Sacrificial Dances (The Chosen One) |
| Pierre Monteux |
conductor |
The Rite of Spring: Part I. Adoration of the Earth - The Sage, The Rite of Spring: Part I. Dance of the Earth, The Rite of Spring: Part I. Dances of the Young Girls, The Rite of Spring: Part I. Game of Abductio, The Rite of Spring: Part I. Games of the Rival Tribes, The Rite of Spring: Part I. Introduction, The Rite of Spring: Part I. Procession of the Sage, The Rite of Spring: Part I. Spring Rounds, The Rite of Spring: Part II. Evocation of the Ancestors, The Rite of Spring: Part II. Glorification of the Chosen One, The Rite of Spring: Part II. Introduction, The Rite of Spring: Part II. Mystic Circles of the Young Girls, The Rite of Spring: Part II. Ritual Action of the Ancestors, The Rite of Spring: Part II. Sacrificial Dance, The Rite of Spring: The Adoration of the Earth, Pt. 1: I. Introduction, The Rite of Spring: The Adoration of the Earth, Pt. 1: II. The Auguries of Spring - Dances of the Young Girls, The Rite of Spring: The Adoration of the Earth, Pt. 1: III. Game of Abduction, The Rite of Spring: The Adoration of the Earth, Pt. 1: IV. Spring Rounds, The Rite of Spring: The Adoration of the Earth, Pt. 1: V. Games of the Rival Tribes, The Rite of Spring: The Adoration of the Earth, Pt. 1: VI. Procession of the Sage, The Rite of Spring: The Adoration of the Earth, Pt. 1: VII. Adoration of the Earth - The Sage, The Rite of Spring: The Adoration of the Earth, Pt. 1: VIII. Dance of the Earth, The Rite of Spring: The Sacrifice, Pt. 2: I. Introduction, The Rite of Spring: The Sacrifice, Pt. 2: II. Mystic Circle of the Young Girls, The Rite of Spring: The Sacrifice, Pt. 2: III. Glorification of the Chosen One, The Rite of Spring: The Sacrifice, Pt. 2: IV. Evocation of the Ancestors, The Rite of Spring: The Sacrifice, Pt. 2: V. Ritual Action of the Ancestors, The Rite of Spring: The Sacrifice, Pt. 2: VI. Sacrificial Dance (The Chosen One) |
| Leonard Bernstein |
conductor |
"Petrushka": DANSE RUSSE (Russian Dance), Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces, Les noces, Première partie: “La tresse”, Mass: Agnus Dei, Mass: Credo, Mass: Gloria, Mass: Kyrie, Mass: Sanctus, Petrushka: Scene I. Russian Dance, Petrushka: Scene I. The Charlatan's Booth (Rehersal no. 58), Petrushka: Scene I. The Shrove-tide Fair, Petrushka: Scene II. Petrushka's Room, Petrushka: Scene III. Dance of the Ballerina (Rehersal no. 134), Petrushka: Scene III. The Moor's Room, Petrushka: Scene III. Waltz. The Ballerina and Moor (Rehersal no. 140), Petrushka: Scene IV. Apparition of Petrushka's Double, Petrushka: Scene IV. Dance of the Coachmen and Grooms, Petrushka: Scene IV. Dance of the Wet Nurses, Petrushka: Scene IV. Death of Petrushka, Petrushka: Scene IV. The Bear and the Peasant, Petrushka: Scene IV. The Fight: The Moor and Petrushka, Petrushka: Scene IV. The Jovial Merchant with Two Gypsy Girls, Petrushka: Scene IV. The Masqueraders, Petrushka: Scene IV. The Police and the Charlatan, Petrushka: Scene IV. The Shrove-tide Fair (towards evening) |
| Peter Hill (pianist) |
piano |
Concerto for Two Pianos: I. Con Moto, Concerto for Two Pianos: II. Notturno, Concerto for Two Pianos: III. Variation 1, Concerto for Two Pianos: IV. Variation 2, Concerto for Two Pianos: V. Variation 3, Concerto for Two Pianos: VI. Variation 4, Concerto for Two Pianos: VII. Preludio e Fuga, Sonata for Two Pianos: I. Moderato, Sonata for Two Pianos: II. Theme With Variations, Sonata for Two Pianos: III. Variation 1, Sonata for Two Pianos: IV. Variation 2, Sonata for Two Pianos: V. Variation 3, Sonata for Two Pianos: VI. Variation 4, Sonata for Two Pianos: VII. Allegretto, The Rite of Spring, Part 1: "The Adoration of the Earth": I. Introduction, The Rite of Spring, Part 1: "The Adoration of the Earth": II. Auguries of Spring (Dances of the Young Girls), The Rite of Spring, Part 1: "The Adoration of the Earth": III. Ritual of Abduction, The Rite of Spring, Part 1: "The Adoration of the Earth": IV. Spring Rounds, The Rite of Spring, Part 1: "The Adoration of the Earth": V. Games of the Rival Tribes, The Rite of Spring, Part 1: "The Adoration of the Earth": VI. Procession of the Wise Elder, The Rite of Spring, Part 1: "The Adoration of the Earth": VII. The Sage, The Rite of Spring, Part 1: "The Adoration of the Earth": VIII. Dance of the Earth, The Rite of Spring, Part 2: "The Sacrifice": I. Introduction, The Rite of Spring, Part 2: "The Sacrifice": II. Mystic Circles of the Young Girls, The Rite of Spring, Part 2: "The Sacrifice": III. Glorification of the Chosen One, The Rite of Spring, Part 2: "The Sacrifice": IV. Evocation of the Ancestors, The Rite of Spring, Part 2: "The Sacrifice": V. Ritual Action of the Ancestors, The Rite of Spring, Part 2: "The Sacrifice": VI. Sacrificial Dance |
| Benjamin Frith |
piano |
Concerto for Two Pianos: I. Con Moto, Concerto for Two Pianos: II. Notturno, Concerto for Two Pianos: III. Variation 1, Concerto for Two Pianos: IV. Variation 2, Concerto for Two Pianos: V. Variation 3, Concerto for Two Pianos: VI. Variation 4, Concerto for Two Pianos: VII. Preludio e Fuga, Sonata for Two Pianos: I. Moderato, Sonata for Two Pianos: II. Theme With Variations, Sonata for Two Pianos: III. Variation 1, Sonata for Two Pianos: IV. Variation 2, Sonata for Two Pianos: V. Variation 3, Sonata for Two Pianos: VI. Variation 4, Sonata for Two Pianos: VII. Allegretto, The Rite of Spring, Part 1: "The Adoration of the Earth": I. Introduction, The Rite of Spring, Part 1: "The Adoration of the Earth": II. Auguries of Spring (Dances of the Young Girls), The Rite of Spring, Part 1: "The Adoration of the Earth": III. Ritual of Abduction, The Rite of Spring, Part 1: "The Adoration of the Earth": IV. Spring Rounds, The Rite of Spring, Part 1: "The Adoration of the Earth": V. Games of the Rival Tribes, The Rite of Spring, Part 1: "The Adoration of the Earth": VI. Procession of the Wise Elder, The Rite of Spring, Part 1: "The Adoration of the Earth": VII. The Sage, The Rite of Spring, Part 1: "The Adoration of the Earth": VIII. Dance of the Earth, The Rite of Spring, Part 2: "The Sacrifice": I. Introduction, The Rite of Spring, Part 2: "The Sacrifice": II. Mystic Circles of the Young Girls, The Rite of Spring, Part 2: "The Sacrifice": III. Glorification of the Chosen One, The Rite of Spring, Part 2: "The Sacrifice": IV. Evocation of the Ancestors, The Rite of Spring, Part 2: "The Sacrifice": V. Ritual Action of the Ancestors, The Rite of Spring, Part 2: "The Sacrifice": VI. Sacrificial Dance |
| Gary Cole (producer/engineer) |
engineer, producer |
Concerto for Two Pianos: I. Con Moto, Concerto for Two Pianos: II. Notturno, Concerto for Two Pianos: III. Variation 1, Concerto for Two Pianos: IV. Variation 2, Concerto for Two Pianos: V. Variation 3, Concerto for Two Pianos: VI. Variation 4, Concerto for Two Pianos: VII. Preludio e Fuga, Sonata for Two Pianos: I. Moderato, Sonata for Two Pianos: II. Theme With Variations, Sonata for Two Pianos: III. Variation 1, Sonata for Two Pianos: IV. Variation 2, Sonata for Two Pianos: V. Variation 3, Sonata for Two Pianos: VI. Variation 4, Sonata for Two Pianos: VII. Allegretto, The Rite of Spring, Part 1: "The Adoration of the Earth": I. Introduction, The Rite of Spring, Part 1: "The Adoration of the Earth": II. Auguries of Spring (Dances of the Young Girls), The Rite of Spring, Part 1: "The Adoration of the Earth": III. Ritual of Abduction, The Rite of Spring, Part 1: "The Adoration of the Earth": IV. Spring Rounds, The Rite of Spring, Part 1: "The Adoration of the Earth": V. Games of the Rival Tribes, The Rite of Spring, Part 1: "The Adoration of the Earth": VI. Procession of the Wise Elder, The Rite of Spring, Part 1: "The Adoration of the Earth": VII. The Sage, The Rite of Spring, Part 1: "The Adoration of the Earth": VIII. Dance of the Earth, The Rite of Spring, Part 2: "The Sacrifice": I. Introduction, The Rite of Spring, Part 2: "The Sacrifice": II. Mystic Circles of the Young Girls, The Rite of Spring, Part 2: "The Sacrifice": III. Glorification of the Chosen One, The Rite of Spring, Part 2: "The Sacrifice": IV. Evocation of the Ancestors, The Rite of Spring, Part 2: "The Sacrifice": V. Ritual Action of the Ancestors, The Rite of Spring, Part 2: "The Sacrifice": VI. Sacrificial Dance |
| Columbia Symphony Orchestra |
performing orchestra |
Abraham and Isaac, Cat's Cradle Songs: I. On the Stove, Cat's Cradle Songs: II. At Home, Cat's Cradle Songs: III. Bye bye, Cat's Cradle Songs: IV. The Cat has..., Le Sacre du Printemps : Danse sacrale, Pribaoutki (Pleasant Songs): I. Uncle Armand, Pribaoutki (Pleasant Songs): II. The Oven, Pribaoutki (Pleasant Songs): III. The Colonel, Pribaoutki (Pleasant Songs): IV. The Old Man and the Hare, Stravinsky in Rehearsal: Apollo, Stravinsky in Rehearsal: Recollections of My Childhood, Stravinsky in Rehearsal: Sleeping Beauty, Three Japanese Lyrics: I. Akahito, Three Japanese Lyrics: II. Mazatsumi, Three Japanese Lyrics: III. Tsaraiuki, Three Little Songs (Recollections of my Childhood): I. The Magpie, Three Little Songs (Recollections of my Childhood): II. The Rook, Three Little Songs (Recollections of my Childhood): III. The Jackdaw, Threni: De Elegia Prima, Threni: De Elegia Quinta, Threni: De Elegia Tertia, Threni: Incipit, Tilim-Bom / Klabum-Klabam, Two Poems of Paul Verlaine: Sleep, Two Poems of Paul Verlaine: The white moon shines in the woods, Variations: Aldous Huxley in memoriam |
| Walter Hilgers |
conductor |
Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": I. Tempo giusto, Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": II. Allegretto, Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": III. Con Moto, Pastorale. Chant sans paroles: Moderato, Pulcinella, Suite for Orchestra: I. Sinf (Ov), Pulcinella, Suite for Orchestra: II. Serenata, Pulcinella, Suite for Orchestra: III. Scherzino: Allegro - Andantino, Pulcinella, Suite for Orchestra: IV. Tarantella, Pulcinella, Suite for Orchestra: V. Toccata: Allegro, Pulcinella, Suite for Orchestra: VI. Gavotta con due variazioni / Var. 1 / Var. 2, Pulcinella, Suite for Orchestra: VII. Vivo, Pulcinella, Suite for Orchestra: VIII. Minuetto / Finale, Suite No. 1 for Chamber Orchestra: I. Andante, Suite No. 1 for Chamber Orchestra: II. Napolitana, Suite No. 1 for Chamber Orchestra: III. Espanola, Suite No. 1 for Chamber Orchestra: IV. Balalaika, Suite No. 2 for Chamber Orchestra: I. Marche, Suite No. 2 for Chamber Orchestra: II. Valse, Suite No. 2 for Chamber Orchestra: IV. Galop / Trio / Galop da capo, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): I. Akahito, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): II. Mazatsumi, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): III. Tsaraiuki, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": I. La petite pie, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": II. Le Corbeau, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": III. Tchitcher-Latcher, Two Poems of Balmont for Voice and Chamber Orchestra: I. The Flower, Two Poems of Balmont for Voice and Chamber Orchestra: II. The Dove |
| Tritonus Wimares |
performing orchestra |
Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": I. Tempo giusto, Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": II. Allegretto, Concerto for Chamber Orchestra in E-flat major "Dumbarton Oaks": III. Con Moto, Pastorale. Chant sans paroles: Moderato, Pulcinella, Suite for Orchestra: I. Sinf (Ov), Pulcinella, Suite for Orchestra: II. Serenata, Pulcinella, Suite for Orchestra: III. Scherzino: Allegro - Andantino, Pulcinella, Suite for Orchestra: IV. Tarantella, Pulcinella, Suite for Orchestra: V. Toccata: Allegro, Pulcinella, Suite for Orchestra: VI. Gavotta con due variazioni / Var. 1 / Var. 2, Pulcinella, Suite for Orchestra: VII. Vivo, Pulcinella, Suite for Orchestra: VIII. Minuetto / Finale, Suite No. 1 for Chamber Orchestra: I. Andante, Suite No. 1 for Chamber Orchestra: II. Napolitana, Suite No. 1 for Chamber Orchestra: III. Espanola, Suite No. 1 for Chamber Orchestra: IV. Balalaika, Suite No. 2 for Chamber Orchestra: I. Marche, Suite No. 2 for Chamber Orchestra: II. Valse, Suite No. 2 for Chamber Orchestra: IV. Galop / Trio / Galop da capo, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): I. Akahito, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): II. Mazatsumi, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): III. Tsaraiuki, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": I. La petite pie, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": II. Le Corbeau, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": III. Tchitcher-Latcher, Two Poems of Balmont for Voice and Chamber Orchestra: I. The Flower, Two Poems of Balmont for Voice and Chamber Orchestra: II. The Dove |
| Riccardo Muti |
conductor |
Part I: A Kiss of the Earth, Introduction, Part I: A Kiss of the Earth, Procession of the Oldest and Wisest One, Part I: A Kiss of the Earth, Ritual of Abduction, Part I: A Kiss of the Earth, Ritual of the Two Rival Tribes, Part I: A Kiss of the Earth, Spring Rounds, Part I: A Kiss of the Earth, The Augurs of Spring - Dances of the Young Girls, Part I: A Kiss of the Earth, The Kiss of the Earth (The Oldest and Wisest One) [(The Sage)], Part II: The Exalted Sacrifice, Evocation of the Ancestors, Part II: The Exalted Sacrifice, Glorification of the Chosen One, Part II: The Exalted Sacrifice, Mystic Circles of the Young Girls, Part II: The Exalted Sacrifice, Ritual Action of the Ancestors, Part II: The Exalted Sacrifice, Sacrificial Dance (The Chosen One), Part II: The Exalted Sacrifice: Introduction, The Rite of Spring, Part I "Adoration of the Earth": Introduction, The Rite of Spring, Part I "Adoration of the Earth": Procession of the Sage, The Rite of Spring, Part I "Adoration of the Earth": Ritual of Abduction, The Rite of Spring, Part I "Adoration of the Earth": Ritual of the Rival Tribes, The Rite of Spring, Part I "Adoration of the Earth": Spring Rounds, The Rite of Spring, Part I "Adoration of the Earth": The Augers of Spring - Dance of the Maidens, The Rite of Spring, Part I "Adoration of the Earth": The Sage - Dance of the Earth, The Rite of Spring, Part II "The Sacrifice": Evocation of the Ancestors, The Rite of Spring, Part II "The Sacrifice": Glorification of the Chosen One, The Rite of Spring, Part II "The Sacrifice": Mystic Circles of the Maidens, The Rite of Spring, Part II "The Sacrifice": Ritual of the Ancestors, The Rite of Spring, Part II "The Sacrifice": Sacrificial Dance (The Chosen One), The Rite of Spring, Part II - The Sacrifice: Introduction |
| London Philharmonic Orchestra |
performing orchestra |
Le Sacre du printemps, Petrouchka Ballet Suite: Dance of the Ballerina, Petrouchka Ballet Suite: Dance of the Coachmen, Petrouchka Ballet Suite: Dance of the Nursemaids, Petrouchka Ballet Suite: Death of Petrouchka, Petrouchka Ballet Suite: Magic Trick, Petrouchka Ballet Suite: Petrouchka Appears, Petrouchka Ballet Suite: Petrouchka's Room, Petrouchka Ballet Suite: Russian Dance, Petrouchka Ballet Suite: The Moor's Room, Petrouchka Ballet Suite: The Mummers, Petrouchka Ballet Suite: The Peasant and the Bear, Petrouchka Ballet Suite: The Shrovetide Fair, Petrouchka Ballet Suite: The Shrovetide Fair (Evening), Petrouchka Ballet Suite: Waltz, Symphony of Psalms: Alleluja, Laudate Dominum, Symphony of Psalms: Exaudi Orationem Meam, Domine, Symphony of Psalms: Expectans Expectavi Dominum, The Firebird Suite: Dance of the Firebird, The Firebird Suite: Dance of the Princess, The Firebird Suite: Finale, The Firebird Suite: Infernal Dance of King Kasschei, The Firebird Suite: Introduction, The Firebird Suite: Lullaby (Berceuse), The Firebird Suite: Scherzo - Dance of the Princess With the Golden Apples (From the original Ballet) |
| Andrew Wedman (producer and engineer) |
engineer |
Concertino, Concerto in D major for String Orchestra: I. Vivace, Concerto in D major for String Orchestra: II. Arioso, Concerto in D major for String Orchestra: III. Rondo, Duet for Bassoons, Fanfare for a new theatre, Octet: I. Sinfonia. Lento - Allegro moderato, Octet: II. Tema con variazioni, Octet: III. Finale, Praeludium for Jazz Ensemble, Ragtime, Scherzo à la Russe for Jazz Orchestra, Suite No. 1: I. Andante, Suite No. 1: II. Napolitana, Suite No. 1: III. Espanola, Suite No. 1: IV. Balalaika, Suite No. 2: I. Marche, Suite No. 2: II. Valse, Suite No. 2: III. Polka, Suite No. 2: IV. Galop, Tango, Three Pieces for String Quartet: I. Danse, Three Pieces for String Quartet: II. Excentrique, Three Pieces for String Quartet: III. Cantique |
| Bryn Terfel (bass-baritone opera singer) |
vocal |
The Rake's Progress: Act I, Scene 1. "All is ready, sir", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "I'll call the coachman, sir", The Rake's Progress: Act I, Scene 1. "Tom Rakewell?", The Rake's Progress: Act I, Scene 2. "Come, Tom", The Rake's Progress: Act I, Scene 2. "Sisters of Venus, Brothers of Mars", The Rake's Progress: Act I, Scene 2. "The sun is bright, the grass is green", The Rake's Progress: Act II, Scene 1. "Come, master, observe the host of mankind", The Rake's Progress: Act II, Scene 1. "In youth the panting slave pursues", The Rake's Progress: Act II, Scene 1. "Master, are you alone?", The Rake's Progress: Act II, Scene 1. "My tale shall be told", The Rake's Progress: Act II, Scene 3. "Fa la la", The Rake's Progress: Act II, Scene 3. "Forgive me, master, for intruding", The Rake's Progress: Act II, Scene 3. "O, I wish it were true", The Rake's Progress: Act II, Scene 3. "Thanks to this excellent device", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 2. "How dark and dreadful is this place", The Rake's Progress: Act III, Scene 2. "I burn, I burn! I freeze!", The Rake's Progress: Act III, Scene 2. "Very well then, my dear and good Tom", The Rake's Progress: Act III, Scene 2. "Well then" / "My heart is wild with fear", The Rake's Progress: Epilogue. "Good people, just a moment" |
| Yoel Levi |
conductor |
Gavotta con due varianzioni, Pulcinella Suite (1949 version): Gavotta con due variazioni, Pulcinella Suite (1949 version): Minuetto - Finale, Pulcinella Suite (1949 version): Overture, Pulcinella Suite (1949 version): Scherzino; Allegro; Andantino, Pulcinella Suite (1949 version): Serenata, Pulcinella Suite (1949 version): Tarantella, Pulcinella Suite (1949 version): Toccata, Pulcinella Suite (1949 version): Vivo, Sacrificial Dance (The Chosen One), The Rite of Spring, part I, The Adoration of the Earth: Dance of the Earth, The Rite of Spring, part I, The Adoration of the Earth: Dances of the Adolescent Girls, The Rite of Spring, part I, The Adoration of the Earth: Game of Abduction, The Rite of Spring, part I, The Adoration of the Earth: Games of Rival Tribes, The Rite of Spring, part I, The Adoration of the Earth: Introduction, The Rite of Spring, part I, The Adoration of the Earth: Procession of the Sage, The Rite of Spring, part I, The Adoration of the Earth: Spring Rounds, The Rite of Spring, part I, The Adoration of the Earth: The Sage, The Rite of Spring, part II, The Sacrifice: Evocation of the Elders, The Rite of Spring, part II, The Sacrifice: Glorification of the Chosen One, The Rite of Spring, part II, The Sacrifice: Introduction, The Rite of Spring, part II, The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring, part II, The Sacrifice: Ritual Action of the Elders, The Rite of Spring, part II, The Sacrifice: Sacrificial Dance (The Chosen One) |
| Rainer Maillard |
engineer |
Concertino, Concerto in D major for String Orchestra: I. Vivace, Concerto in D major for String Orchestra: II. Arioso, Concerto in D major for String Orchestra: III. Rondo, Duet for Bassoons, Fanfare for a new theatre, Octet: I. Sinfonia. Lento - Allegro moderato, Octet: II. Tema con variazioni, Octet: III. Finale, Praeludium for Jazz Ensemble, Ragtime, Scherzo à la Russe for Jazz Orchestra, Suite No. 1: I. Andante, Suite No. 1: II. Napolitana, Suite No. 1: III. Espanola, Suite No. 1: IV. Balalaika, Suite No. 2: I. Marche, Suite No. 2: II. Valse, Suite No. 2: III. Polka, Suite No. 2: IV. Galop, Tango, Three Pieces for String Quartet: I. Danse, Three Pieces for String Quartet: II. Excentrique, Three Pieces for String Quartet: III. Cantique |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
Concertino, Concerto in D major for String Orchestra: I. Vivace, Concerto in D major for String Orchestra: II. Arioso, Concerto in D major for String Orchestra: III. Rondo, Duet for Bassoons, Fanfare for a new theatre, Octet: I. Sinfonia. Lento - Allegro moderato, Octet: II. Tema con variazioni, Octet: III. Finale, Praeludium for Jazz Ensemble, Ragtime, Scherzo à la Russe for Jazz Orchestra, Suite No. 1: I. Andante, Suite No. 1: II. Napolitana, Suite No. 1: III. Espanola, Suite No. 1: IV. Balalaika, Suite No. 2: I. Marche, Suite No. 2: II. Valse, Suite No. 2: III. Polka, Suite No. 2: IV. Galop, Tango, Three Pieces for String Quartet: I. Danse, Three Pieces for String Quartet: II. Excentrique, Three Pieces for String Quartet: III. Cantique |
| Stephan Flock |
engineer |
Concertino, Concerto in D major for String Orchestra: I. Vivace, Concerto in D major for String Orchestra: II. Arioso, Concerto in D major for String Orchestra: III. Rondo, Duet for Bassoons, Fanfare for a new theatre, Octet: I. Sinfonia. Lento - Allegro moderato, Octet: II. Tema con variazioni, Octet: III. Finale, Praeludium for Jazz Ensemble, Ragtime, Scherzo à la Russe for Jazz Orchestra, Suite No. 1: I. Andante, Suite No. 1: II. Napolitana, Suite No. 1: III. Espanola, Suite No. 1: IV. Balalaika, Suite No. 2: I. Marche, Suite No. 2: II. Valse, Suite No. 2: III. Polka, Suite No. 2: IV. Galop, Tango, Three Pieces for String Quartet: I. Danse, Three Pieces for String Quartet: II. Excentrique, Three Pieces for String Quartet: III. Cantique |
| Otto Klemperer |
conductor |
Petrushka: Part I, No. 1a. "The Shrove-tide Fair", Petrushka: Part I, No. 1b. "The Crowds", Petrushka: Part I, No. 1c. "The Charlatan's Booth", Petrushka: Part I, No. 1d. "Russian Dance", Petrushka: Part II, No. 2. "Petrushka's Room", Petrushka: Part III, No. 3a. "The Moor's Room", Petrushka: Part III, No. 3b. "Dance of the Ballerina", Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor), Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening), Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses", Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear", Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls", Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms", Petrushka: Part IV, No. 4f. "The Masqueraders", Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death), Pulcinella, suite for orchestra: Finale, Pulcinella, suite for orchestra: Gavotta con variazioni, Pulcinella, suite for orchestra: Minuetto, Pulcinella, suite for orchestra: Scherzino-Allegro-Andantino, Pulcinella, suite for orchestra: Serenata, Pulcinella, suite for orchestra: Sinfonia (Overture), Pulcinella, suite for orchestra: Tarantella, Pulcinella, suite for orchestra: Toccata, Pulcinella, suite for orchestra: Vivo (Duetto) |
| Deborah York |
vocal |
The Rake's Progress: Act I, Scene 1. "Anne, my dear", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "Farewell for now", The Rake's Progress: Act I, Scene 1. "The woods are green", The Rake's Progress: Act I, Scene 2. "I go, I go to him", The Rake's Progress: Act I, Scene 2. "My father! Can I desert him", The Rake's Progress: Act I, Scene 2. "No word from Tom", The Rake's Progress: Act I, Scene 2. "Quietly, night", The Rake's Progress: Act II, Scene 2. "Anne! here!", The Rake's Progress: Act II, Scene 2. "Could it then have been known", The Rake's Progress: Act II, Scene 2. "How strange!" / "O heart be stronger", The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Ruin. Disaster. Shame", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 2. "Well then" / "My heart is wild with fear", The Rake's Progress: Act III, Scene 3. "Anne, my dear", The Rake's Progress: Act III, Scene 3. "Every wearied body", The Rake's Progress: Act III, Scene 3. "Gently, little boat", The Rake's Progress: Act III, Scene 3. "In a foolish dream", The Rake's Progress: Act III, Scene 3. "There he is. Have no fear", The Rake's Progress: Epilogue. "Good people, just a moment" |
| Ernest Ansermet |
conductor |
Petrouchka Ballet Suite: Dance of the Ballerina, Petrouchka Ballet Suite: Dance of the Coachmen, Petrouchka Ballet Suite: Dance of the Nursemaids, Petrouchka Ballet Suite: Death of Petrouchka, Petrouchka Ballet Suite: Magic Trick, Petrouchka Ballet Suite: Petrouchka Appears, Petrouchka Ballet Suite: Petrouchka's Room, Petrouchka Ballet Suite: Russian Dance, Petrouchka Ballet Suite: The Moor's Room, Petrouchka Ballet Suite: The Mummers, Petrouchka Ballet Suite: The Peasant and the Bear, Petrouchka Ballet Suite: The Shrovetide Fair, Petrouchka Ballet Suite: The Shrovetide Fair (Evening), Petrouchka Ballet Suite: Waltz, Symphony of Psalms: Alleluja, Laudate Dominum, Symphony of Psalms: Exaudi Orationem Meam, Domine, Symphony of Psalms: Expectans Expectavi Dominum, The Firebird Suite: Dance of the Firebird, The Firebird Suite: Dance of the Princess, The Firebird Suite: Finale, The Firebird Suite: Infernal Dance of King Kasschei, The Firebird Suite: Introduction, The Firebird Suite: Lullaby (Berceuse), The Firebird Suite: Scherzo - Dance of the Princess With the Golden Apples (From the original Ballet) |
| Atlanta Symphony Orchestra |
performing orchestra |
Gavotta con due varianzioni, Pulcinella Suite (1949 version): Gavotta con due variazioni, Pulcinella Suite (1949 version): Minuetto - Finale, Pulcinella Suite (1949 version): Overture, Pulcinella Suite (1949 version): Scherzino; Allegro; Andantino, Pulcinella Suite (1949 version): Serenata, Pulcinella Suite (1949 version): Tarantella, Pulcinella Suite (1949 version): Toccata, Pulcinella Suite (1949 version): Vivo, Sacrificial Dance (The Chosen One), The Rite of Spring, part I, The Adoration of the Earth: Dance of the Earth, The Rite of Spring, part I, The Adoration of the Earth: Dances of the Adolescent Girls, The Rite of Spring, part I, The Adoration of the Earth: Game of Abduction, The Rite of Spring, part I, The Adoration of the Earth: Games of Rival Tribes, The Rite of Spring, part I, The Adoration of the Earth: Introduction, The Rite of Spring, part I, The Adoration of the Earth: Procession of the Sage, The Rite of Spring, part I, The Adoration of the Earth: Spring Rounds, The Rite of Spring, part I, The Adoration of the Earth: The Sage, The Rite of Spring, part II, The Sacrifice: Evocation of the Elders, The Rite of Spring, part II, The Sacrifice: Glorification of the Chosen One, The Rite of Spring, part II, The Sacrifice: Introduction, The Rite of Spring, part II, The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring, part II, The Sacrifice: Ritual Action of the Elders, The Rite of Spring, part II, The Sacrifice: Sacrificial Dance (The Chosen One) |
| Christian Gansch |
producer |
Concertino, Concerto in D major for String Orchestra: I. Vivace, Concerto in D major for String Orchestra: II. Arioso, Concerto in D major for String Orchestra: III. Rondo, Duet for Bassoons, Fanfare for a new theatre, Octet: I. Sinfonia. Lento - Allegro moderato, Octet: II. Tema con variazioni, Octet: III. Finale, Praeludium for Jazz Ensemble, Ragtime, Scherzo à la Russe for Jazz Orchestra, Suite No. 1: I. Andante, Suite No. 1: II. Napolitana, Suite No. 1: III. Espanola, Suite No. 1: IV. Balalaika, Suite No. 2: I. Marche, Suite No. 2: II. Valse, Suite No. 2: III. Polka, Suite No. 2: IV. Galop, Tango, Three Pieces for String Quartet: I. Danse, Three Pieces for String Quartet: II. Excentrique, Three Pieces for String Quartet: III. Cantique |
| Sveriges Radios Symfoniorkester |
performing orchestra |
Oedipus Rex: Act I. "Caedit nos pestis", Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus), Oedipus Rex: Act I. "Gloria!" (Narrator), Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator), Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus), Oedipus Rex: Act I. "Respondit deus" (Creon), Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus), Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator), Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger), Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus), Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger), Oedipus Rex: Act II. "Ecce! Regem Oedipoda", Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator), Oedipus Rex: Act II. "Gloria!", Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger), Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator), Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus), Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta), Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta), Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus), Oedipus Rex: Act II. "Oportebat tacere" (Shepherd), Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus), Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator) |
| Antal Doráti |
conductor |
The Firebird, Ballet (1910): Scene I: Appearance of the Firebird, The Firebird, Ballet (1910): Scene I: Appearance of the Firebird pursued by Ivan Tasrevich, The Firebird, Ballet (1910): Scene I: Appearance of the Thirteen Enchanted Princesses, The Firebird, Ballet (1910): Scene I: Arrival of Kaschei the Immortal, The Firebird, Ballet (1910): Scene I: Dance of Kaschei's Retinue under the Firebird's, The Firebird, Ballet (1910): Scene I: Dance of the Firebird, The Firebird, Ballet (1910): Scene I: Daybreak, The Firebird, Ballet (1910): Scene I: His Dialogue with Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Infernal Dance of all Kaschei's Subjects, The Firebird, Ballet (1910): Scene I: Intercession of the Princesses, The Firebird, Ballet (1910): Scene I: Ivan Tsarevich captures the Firebird, The Firebird, Ballet (1910): Scene I: Kaschei's Awakening, The Firebird, Ballet (1910): Scene I: Kaschei's Death - Eclipse, The Firebird, Ballet (1910): Scene I: Kashchei's Enchanted Garden, The Firebird, Ballet (1910): Scene I: Magic Carillon - Appearance of Kascheis's Guardian Monsters and Capture of Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Princesses' Game with the Golden Apples (Scherzo), The Firebird, Ballet (1910): Scene I: Sudden Appearance of Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Supplication of the Firebird, The Firebird, Ballet (1910): Scene I: The Firebird's Lullaby, The Firebird, Ballet (1910): Scene I: The Princesses' Khorovod (Round Dance), The Firebird, Ballet (1910): Scene II: Disappearance of the Palace and Dissolution of Kaschei's Enchantments - Animation of the Petrified Warriors - General Thanksgiving, The Firebird, Ballet (1910):Introduction |
| Royal Philharmonic Orchestra |
performing orchestra |
The Firebird, Ballet (1910): Scene I: Appearance of the Firebird, The Firebird, Ballet (1910): Scene I: Appearance of the Firebird pursued by Ivan Tasrevich, The Firebird, Ballet (1910): Scene I: Appearance of the Thirteen Enchanted Princesses, The Firebird, Ballet (1910): Scene I: Arrival of Kaschei the Immortal, The Firebird, Ballet (1910): Scene I: Dance of Kaschei's Retinue under the Firebird's, The Firebird, Ballet (1910): Scene I: Dance of the Firebird, The Firebird, Ballet (1910): Scene I: Daybreak, The Firebird, Ballet (1910): Scene I: His Dialogue with Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Infernal Dance of all Kaschei's Subjects, The Firebird, Ballet (1910): Scene I: Intercession of the Princesses, The Firebird, Ballet (1910): Scene I: Ivan Tsarevich captures the Firebird, The Firebird, Ballet (1910): Scene I: Kaschei's Awakening, The Firebird, Ballet (1910): Scene I: Kaschei's Death - Eclipse, The Firebird, Ballet (1910): Scene I: Kashchei's Enchanted Garden, The Firebird, Ballet (1910): Scene I: Magic Carillon - Appearance of Kascheis's Guardian Monsters and Capture of Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Princesses' Game with the Golden Apples (Scherzo), The Firebird, Ballet (1910): Scene I: Sudden Appearance of Ivan Tsarevich, The Firebird, Ballet (1910): Scene I: Supplication of the Firebird, The Firebird, Ballet (1910): Scene I: The Firebird's Lullaby, The Firebird, Ballet (1910): Scene I: The Princesses' Khorovod (Round Dance), The Firebird, Ballet (1910): Scene II: Disappearance of the Palace and Dissolution of Kaschei's Enchantments - Animation of the Petrified Warriors - General Thanksgiving, The Firebird, Ballet (1910):Introduction |
| Jahni Mardjani |
conductor |
The Firebird: Appearance of the Thirteen Enchanted Princesses, The Firebird: Arrival of Kastchei the Immortal, The Firebird: Dance of Kastchei's Court, Bewitched by the Firebird, The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Death of Kastchei, The Firebird: Dialogue Between Kastchei and Prince Ivan, The Firebird: Infernal Dance of Kastchei's Subjects, The Firebird: Introduction, The Firebird: Kastchei Awakens, The Firebird: Kastchei's Enchanted Garden, The Firebird: Lullaby, The Firebird: Prince Ivan Enters Kastchei's Palace. Fairy Carillon, The Firebird: Prince Ivan Suddenly Appears, The Firebird: Round Dance of the Princesses, The Firebird: The Firebird Appears, The Firebird: The Firebird Appears, Pursued by Prince Ivan, The Firebird: The Firebird Is Captured by Prince Ivan, The Firebird: The Firebird's Pleading, The Firebird: The Palace and Creatures of Kastchei Disappear., The Firebird: The Princesses Intercede, The Firebird: The Princesses Play With the Golden Apples |
| Robert Woods (classical producer) |
producer |
Pulcinella Suite (1949 version): Gavotta con due variazioni, Pulcinella Suite (1949 version): Minuetto - Finale, Pulcinella Suite (1949 version): Overture, Pulcinella Suite (1949 version): Scherzino; Allegro; Andantino, Pulcinella Suite (1949 version): Serenata, Pulcinella Suite (1949 version): Tarantella, Pulcinella Suite (1949 version): Toccata, Pulcinella Suite (1949 version): Vivo, The Rite of Spring, part I, The Adoration of the Earth: Dance of the Earth, The Rite of Spring, part I, The Adoration of the Earth: Dances of the Adolescent Girls, The Rite of Spring, part I, The Adoration of the Earth: Game of Abduction, The Rite of Spring, part I, The Adoration of the Earth: Games of Rival Tribes, The Rite of Spring, part I, The Adoration of the Earth: Introduction, The Rite of Spring, part I, The Adoration of the Earth: Procession of the Sage, The Rite of Spring, part I, The Adoration of the Earth: Spring Rounds, The Rite of Spring, part I, The Adoration of the Earth: The Sage, The Rite of Spring, part II, The Sacrifice: Evocation of the Elders, The Rite of Spring, part II, The Sacrifice: Glorification of the Chosen One, The Rite of Spring, part II, The Sacrifice: Introduction, The Rite of Spring, part II, The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring, part II, The Sacrifice: Ritual Action of the Elders, The Rite of Spring, part II, The Sacrifice: Sacrificial Dance (The Chosen One) |
| Georgian SIMI Festival Orchestra |
performing orchestra |
The Firebird: Appearance of the Thirteen Enchanted Princesses, The Firebird: Arrival of Kastchei the Immortal, The Firebird: Dance of Kastchei's Court, Bewitched by the Firebird, The Firebird: Dance of the Firebird, The Firebird: Daybreak, The Firebird: Death of Kastchei, The Firebird: Dialogue Between Kastchei and Prince Ivan, The Firebird: Infernal Dance of Kastchei's Subjects, The Firebird: Introduction, The Firebird: Kastchei Awakens, The Firebird: Kastchei's Enchanted Garden, The Firebird: Lullaby, The Firebird: Prince Ivan Enters Kastchei's Palace. Fairy Carillon, The Firebird: Prince Ivan Suddenly Appears, The Firebird: Round Dance of the Princesses, The Firebird: The Firebird Appears, The Firebird: The Firebird Appears, Pursued by Prince Ivan, The Firebird: The Firebird Is Captured by Prince Ivan, The Firebird: The Firebird's Pleading, The Firebird: The Palace and Creatures of Kastchei Disappear., The Firebird: The Princesses Intercede, The Firebird: The Princesses Play With the Golden Apples |
| Michael Bishop (Telarc recording engineer and record producer) |
engineer |
Pulcinella Suite (1949 version): Gavotta con due variazioni, Pulcinella Suite (1949 version): Minuetto - Finale, Pulcinella Suite (1949 version): Overture, Pulcinella Suite (1949 version): Scherzino; Allegro; Andantino, Pulcinella Suite (1949 version): Serenata, Pulcinella Suite (1949 version): Tarantella, Pulcinella Suite (1949 version): Toccata, Pulcinella Suite (1949 version): Vivo, The Rite of Spring, part I, The Adoration of the Earth: Dance of the Earth, The Rite of Spring, part I, The Adoration of the Earth: Dances of the Adolescent Girls, The Rite of Spring, part I, The Adoration of the Earth: Game of Abduction, The Rite of Spring, part I, The Adoration of the Earth: Games of Rival Tribes, The Rite of Spring, part I, The Adoration of the Earth: Introduction, The Rite of Spring, part I, The Adoration of the Earth: Procession of the Sage, The Rite of Spring, part I, The Adoration of the Earth: Spring Rounds, The Rite of Spring, part I, The Adoration of the Earth: The Sage, The Rite of Spring, part II, The Sacrifice: Evocation of the Elders, The Rite of Spring, part II, The Sacrifice: Glorification of the Chosen One, The Rite of Spring, part II, The Sacrifice: Introduction, The Rite of Spring, part II, The Sacrifice: Mystic Circles of the Young Girls, The Rite of Spring, part II, The Sacrifice: Ritual Action of the Elders, The Rite of Spring, part II, The Sacrifice: Sacrificial Dance (The Chosen One) |
| James Levine (US conductor and pianist) |
conductor |
Akt 1: "Dicere non possum", Akt 1: "Edipe interroge la fontaine de vérité", Akt 1: "Gloria! Laudibus regina Jocasta", Akt 1: "Invidia fortunam odit", Akt 1: "Non reperias vetus scelus", Akt 1: "Voici Créon, beau-frère d'Edipe", Akt 1: Prologue: "Spectateurs, vous allez entendre", Akt 2: "Divum Jocastae caput mortuum!", Akt 2: "Divum Jocaste caput mortuum!" "Ecce! Regem Oedipoda", Akt 2: "Divum Jocaste caput mortuum!" "Sanguis ater rigabat", Akt 2: "Ego senem cecidi", Akt 2: "Gloria! Laudibus regina Jocasta", Akt 2: "In monte reppertus est", Akt 2: "La dispute des princes", Akt 2: "Le témoin du meurtre sort de l'ombre", Akt 2: "Nonn' erubescrite reges", Akt 2: "Nonne monstrum rescituri", Akt 2: "Oportebat tacere, nunquam loqui", No Word From Tom (The Rake's Progress), The Rite of Spring: Part I: VI. Procession of the Sage - The Sage |
| Sándor Végh |
conductor |
Apollon Musagèt, Deuxième tableau: Variation d'Apollon, Apollon Musagèt, Premier tableau: Naissance d'Apollon, Apollon Musagèt: Apothéose, Apollon Musagèt: Coda, Apollon Musagèt: Pas d'action, Apollon Musagèt: Pas de deux, Apollon Musagèt: Variation d'Apollon, Apollon Musagèt: Variation de Calliope, Apollon Musagèt: Variation de Polymnie, Apollon Musagèt: Variation de Terpsichore, Apollon Musagète: I. Premier tableau: Naissance d'Appolon, Apollon Musagète: II. Variation, Apollon Musagète: III. Pas d'action, Apollon Musagète: IV. Variation, Apollon Musagète: IX. Coda, Apollon Musagète: V. Variation, Apollon Musagète: VI. Variation, Apollon Musagète: VII. Pas de deux, Apollon Musagète: VII. Variation, Apollon Musagète: X. Apothéose |
| Camerata Salzburg |
performing orchestra |
Apollon Musagèt, Deuxième tableau: Variation d'Apollon, Apollon Musagèt, Premier tableau: Naissance d'Apollon, Apollon Musagèt: Apothéose, Apollon Musagèt: Coda, Apollon Musagèt: Pas d'action, Apollon Musagèt: Pas de deux, Apollon Musagèt: Variation d'Apollon, Apollon Musagèt: Variation de Calliope, Apollon Musagèt: Variation de Polymnie, Apollon Musagèt: Variation de Terpsichore, Apollon Musagète: I. Premier tableau: Naissance d'Appolon, Apollon Musagète: II. Variation, Apollon Musagète: III. Pas d'action, Apollon Musagète: IV. Variation, Apollon Musagète: IX. Coda, Apollon Musagète: V. Variation, Apollon Musagète: VI. Variation, Apollon Musagète: VII. Pas de deux, Apollon Musagète: VII. Variation, Apollon Musagète: X. Apothéose |
| Nederlands Kamerkoor |
performer |
Anthem, Bogoroditse devo reduysya, Cantata: Ricercar 1, Cantata: Ricercar 2, Cantata: Versus 1, Cantata: Versus 2, Cantata: Versus 3, Cantata: Versus 4, Cantata: Westron Wind, Introitus, Mass: I. Kyrie, Mass: II. Gloria, Mass: III. Credo, Mass: IV. Sanctus-Benedictus, Mass: V. Agnus Dei, Otche nash, Simvol very, Tres sacrae cantiones: Assumpta est Maria, Tres sacrae cantiones: Da pacem Domine, Tres sacrae cantiones: Illumina nos |
| Reinbert de Leeuw |
conductor |
Anthem, Bogoroditse devo reduysya, Cantata: Ricercar 1, Cantata: Ricercar 2, Cantata: Versus 1, Cantata: Versus 2, Cantata: Versus 3, Cantata: Versus 4, Cantata: Westron Wind, Introitus, Mass: I. Kyrie, Mass: II. Gloria, Mass: III. Credo, Mass: IV. Sanctus-Benedictus, Mass: V. Agnus Dei, Otche nash, Simvol very, Tres sacrae cantiones: Assumpta est Maria, Tres sacrae cantiones: Da pacem Domine, Tres sacrae cantiones: Illumina nos |
| Kent Nagano |
conductor |
Le Sacre du printemps, The Soldier's Tale: Airs by a Stream (Reprise), The Soldier's Tale: Airs by a Stream (Reprise) - They have nothing, The Soldier's Tale: Airs by a Stream - A little old man approaches, The Soldier's Tale: Little Chorale, The Soldier's Tale: Pastorale (Reprise) - He took up the book, The Soldier's Tale: Pastorale - Ah! You dirty cheat, The Soldier's Tale: The Devil's Dance, The Soldier's Tale: The Devil's Song, The Soldier's Tale: The Great Chorale - Suppose, suppose we went then, The Soldier's Tale: The Little Concert, The Soldier's Tale: The Royal March - They gave the word for the band to play, The Soldier's Tale: The Soldier's March (Reprise) - We're home at last, The Soldier's Tale: The Soldier's March - Always on Trek, The Soldier's Tale: The Soldier's March - Now he comes to another land, The Soldier's Tale: Three Dances: Ragtime, The Soldier's Tale: Three Dances: Tango, The Soldier's Tale: Three Dances: Waltz, The Soldier's Tale: Triumphal March of the Devil |
| Zubin Mehta (conductor) |
conductor |
Le Sacre du Printemps, L'Adoration De La Terre: I. Introduction, Le Sacre du Printemps, L'Adoration De La Terre: II. Les augures printaniers / Danses des adolescentes, Le Sacre du Printemps, L'Adoration De La Terre: III. Jeu de rapt, Le Sacre du Printemps, L'Adoration De La Terre: IV. Rondes printanières, Le Sacre du Printemps, L'Adoration De La Terre: V. Jeux des cités rivales, Le Sacre du Printemps, L'Adoration De La Terre: VI. Cortège du sage, Le Sacre du Printemps, L'Adoration De La Terre: VII. Adoration de la Terre (Le Sage), Le Sacre du Printemps, L'Adoration De La Terre: VIII. Danse de la terre, Le Sacre du Printemps, Le Sacrifice: I. Introduction, Le Sacre du Printemps, Le Sacrifice: II. Cercles mysterieux des adolescentes, Le Sacre du Printemps, Le Sacrifice: III. Glorification de l'élue, Le Sacre du Printemps, Le Sacrifice: IV. Evocation des ancêtres, Le Sacre du Printemps, Le Sacrifice: V. Action rituelle des ancêtres, Le Sacre du Printemps, Le Sacrifice: VI. Danse sacrale (L'élue), Symphony in Three Movements: I. [ ], Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, The Rite of Spring, Part 1, The Rite of Spring, Part 2 |
| Erich Leinsdorf |
conductor |
Firebird - Infernal Dance, Firebird Suite: Berceuse; Finale, Firebird Suite: Dance of the Firebird; Supplication of the Firebird, Firebird Suite: Infernal Dance, Firebird Suite: Introduction: Kastchei's Enchanted Garden, Firebird Suite: The Princesses' Game With the Golden Apples, Firebird Suite: The Princesses' Round Dance, Firebird: Infernal Dance & Main Theme (extract), The Firebird: Berceuse, The Firebird: Finale, The Firebird: Infernal Dance of King Kastchei, The Firebird: Introduction, The Firebird: Pas de Deux, The Firebird: Scherzo (Dance of the Princesses), The Firebird: The Firebird and Its Dance, The Firebird: The Round of the Princesses, The Firebird: Variation of the Firebird |
| 小澤征爾 (conductor) |
conductor |
Fireworks (Fantasy for Orchestra, Op. 4), The Rite of Spring [Part II]: Introduction, The Rite of Spring [Part I]: Introduction, The Rite of Spring: Adoration of the Earth (Wise Elder), The Rite of Spring: Dance of the Earth, The Rite of Spring: Games of the Rival Tribes, The Rite of Spring: Glorification of the Chosen One, The Rite of Spring: Harbingers of Spring, The Rite of Spring: Mock Abduction, The Rite of Spring: Mystic Circles of the Young Girls, The Rite of Spring: Procession of the Wise Elder, The Rite of Spring: Ritual of the Ancients, The Rite of Spring: Sacrificial Dance (Chosen One), The Rite of Spring: Spring Rounds, The Rite of Spring: Summoning of the Ancients |
| CBC Symphony Orchestra |
performing orchestra |
A Sermon, A Narrative and a Prayer: I. A Sermon, A Sermon, A Narrative and a Prayer: II. A Narrative, A Sermon, A Narrative and a Prayer: III. A Prayer, Babel, Chorale Variations: Choral, Chorale Variations: Variation I (In canone all'Ottava), Chorale Variations: Variation II (Alio modo canone alla Quinta), Chorale Variations: Variation III (In canone alla Settima), Chorale Variations: Variation IV (In canone all'Ottava per, Chorale Variations: Variation V (L'altra sorte del canone al, Faun and Shepherdess: I. The Shepherdess, Faun and Shepherdess: II. The Faun, Faun and Shepherdess: III. The Torrent, Suite No. 1 for Small Orchestra: I. Andante, Zvezdoliki |
| Hiroyuki Iwaki |
conductor |
Petrushka: Dance of the bear, Petrushka: Dance of the coachmen, Petrushka: Dance of the gipsy girls, Petrushka: Dance of the nursemaids, Petrushka: Entrance of the Ballerina, Petrushka: Petruska's death, Petrushka: Scene 2, Petrushka: Scene 3, Petrushka: Scene 4, Petrushka: Scene I, Petrushka: The booth, Petrushka: The crowds, Petrushka: The masqueraders, Petrushka: The puppets dance, Petrushka: Waltz |
| Melbourne Symphony Orchestra |
performing orchestra |
Petrushka: Dance of the bear, Petrushka: Dance of the coachmen, Petrushka: Dance of the gipsy girls, Petrushka: Dance of the nursemaids, Petrushka: Entrance of the Ballerina, Petrushka: Petruska's death, Petrushka: Scene 2, Petrushka: Scene 3, Petrushka: Scene 4, Petrushka: Scene I, Petrushka: The booth, Petrushka: The crowds, Petrushka: The masqueraders, Petrushka: The puppets dance, Petrushka: Waltz |
| Monteverdi Choir |
vocal |
The Rake's Progress: Act I, Scene 2. "How sad a song", The Rake's Progress: Act I, Scene 2. "Soon dawn will glitter", The Rake's Progress: Act I, Scene 2. "The sun is bright, the grass is green", The Rake's Progress: Act I, Scene 2. "With air commanding and weapon handy", The Rake's Progress: Act II, Scene 2. "I have not run away", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Ruin. Disaster. Shame", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "Who hears me, knows me" / "Seven - eleven" / "Behold it, Roman, moral" / "Fifteen - and a half" / "Wonderful" / "An unknown object draws us" / "Fifty - fifty-five", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Act III, Scene 3. "Gently, little boat", The Rake's Progress: Act III, Scene 3. "Mourn for Adonis", The Rake's Progress: Act III, Scene 3. "Prepare yourselves, heroic shades" / "Madmen's words are all untrue" / "Leave all love and hope behind", The Rake's Progress: Act III, Scene 3. "Where art thou, Venus?" |
| Пловдивска филхармония |
performing orchestra |
Teil 1: Anbetung der Erde, Teil 1: Auftritt der Weisen, Teil 1: Einleitung. Lento, Teil 1: Frühlingsreigen, Teil 1: Stammeswettspiele, Teil 1: Tanz der Erde, Teil 1: Tanz der Jünglinge, Entführungsspiele, Teil 1: Verheißung des Frühlings, Tanz der Mädchen, Teil 2: Ahnenfeier, Teil 2: Anrufung der Ahnen, Teil 2: Einleitung. Largo, Teil 2: Mystischer Reigen der Mädchen, Teil 2: Opfertanz der Auserwählten, Teil 2: Verherrlichung der Auserwählten |
| Dobrin Petkov |
conductor |
Teil 1: Anbetung der Erde, Teil 1: Auftritt der Weisen, Teil 1: Einleitung. Lento, Teil 1: Frühlingsreigen, Teil 1: Stammeswettspiele, Teil 1: Tanz der Erde, Teil 1: Tanz der Jünglinge, Entführungsspiele, Teil 1: Verheißung des Frühlings, Tanz der Mädchen, Teil 2: Ahnenfeier, Teil 2: Anrufung der Ahnen, Teil 2: Einleitung. Largo, Teil 2: Mystischer Reigen der Mädchen, Teil 2: Opfertanz der Auserwählten, Teil 2: Verherrlichung der Auserwählten |
| David Bernard |
conductor |
The Rite of Spring - Part 1: The Adoration of the Earth: Dance of the Earth, The Rite of Spring - Part 1: The Adoration of the Earth: Introduction, The Rite of Spring - Part 1: The Adoration of the Earth: Procession of the Sage, The Rite of Spring - Part 1: The Adoration of the Earth: Ritual of Abduction, The Rite of Spring - Part 1: The Adoration of the Earth: Ritual of the Rival Tribes, The Rite of Spring - Part 1: The Adoration of the Earth: Spring Rounds, The Rite of Spring - Part 1: The Adoration of the Earth: The Augurs of Spring, The Rite of Spring - Part 1: The Adoration of the Earth: The Sage, The Rite of Spring - Part 2: The Sacrifice: Evocation of the Ancestors, The Rite of Spring - Part 2: The Sacrifice: Glorification of the Chosen One, The Rite of Spring - Part 2: The Sacrifice: Introduction, The Rite of Spring - Part 2: The Sacrifice: Mystic Circle of the Young Girls, The Rite of Spring - Part 2: The Sacrifice: Ritual Action of the Ancestors, The Rite of Spring - Part 2: The Sacrifice: Sacrificial Dance |
| Radiokören |
vocal |
Oedipus Rex: Act I. "Caedit nos pestis", Oedipus Rex: Act I. "Gloria!" (Narrator), Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator), Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus), Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator), Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger), Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus), Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger), Oedipus Rex: Act II. "Ecce! Regem Oedipoda", Oedipus Rex: Act II. "Gloria!", Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger), Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta), Oedipus Rex: Act II. "Oportebat tacere" (Shepherd), Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator) |
| Park Avenue Chamber Symphony |
performing orchestra |
The Rite of Spring - Part 1: The Adoration of the Earth: Dance of the Earth, The Rite of Spring - Part 1: The Adoration of the Earth: Introduction, The Rite of Spring - Part 1: The Adoration of the Earth: Procession of the Sage, The Rite of Spring - Part 1: The Adoration of the Earth: Ritual of Abduction, The Rite of Spring - Part 1: The Adoration of the Earth: Ritual of the Rival Tribes, The Rite of Spring - Part 1: The Adoration of the Earth: Spring Rounds, The Rite of Spring - Part 1: The Adoration of the Earth: The Augurs of Spring, The Rite of Spring - Part 1: The Adoration of the Earth: The Sage, The Rite of Spring - Part 2: The Sacrifice: Evocation of the Ancestors, The Rite of Spring - Part 2: The Sacrifice: Glorification of the Chosen One, The Rite of Spring - Part 2: The Sacrifice: Introduction, The Rite of Spring - Part 2: The Sacrifice: Mystic Circle of the Young Girls, The Rite of Spring - Part 2: The Sacrifice: Ritual Action of the Ancestors, The Rite of Spring - Part 2: The Sacrifice: Sacrificial Dance |
| Anne Sofie von Otter |
vocal |
Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus), Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta), Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta), Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus), The Rake's Progress: Act II, Scene 2. "Could it then have been known", The Rake's Progress: Act II, Scene 2. "I have not run away", The Rake's Progress: Act II, Scene 2. "My love, am I to remain in here for ever?", The Rake's Progress: Act II, Scene 3. "As I was saying" / "Come, sweet, come" / "Scorned! Abused!", The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "Who hears me, knows me" / "Seven - eleven" / "Behold it, Roman, moral" / "Fifteen - and a half" / "Wonderful" / "An unknown object draws us" / "Fifty - fifty-five", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings", The Rake's Progress: Epilogue. "Good people, just a moment" |
| Eugene Ormandy |
conductor |
Pétrouchka-Chez Pétrouchka, Pétrouchka-Danse de la ballerine, Pétrouchka-Danse des cochers et des palefreniers, Pétrouchka-Danse des nounous, Pétrouchka-Danse des tziganes, Pétrouchka-Danse du paysans et de l'ours, Pétrouchka-Danse russe, Pétrouchka-Fete populaire de Semaine grasse, Pétrouchka-Fete populaire de Semaine grasse (vers le soir), Pétrouchka-La Baraque du charlatan, Pétrouchka-Les Déguisés, Pétrouchka-Les Foules, Pétrouchka-Valse (La ballerine et le maure) |
| Boston Symphony Orchestra |
performing orchestra |
Firebird - Infernal Dance, Firebird: Infernal Dance & Main Theme (extract), The Firebird: Berceuse, The Firebird: Finale, The Firebird: Infernal Dance of King Kastchei, The Firebird: Introduction, The Firebird: Pas de Deux, The Firebird: Scherzo (Dance of the Princesses), The Firebird: The Firebird and Its Dance, The Firebird: The Round of the Princesses, The Firebird: Variation of the Firebird, The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice |
| Paul Crossley |
piano |
Capriccio for Piano and Orchestra: I. Presto, Capriccio for Piano and Orchestra: II. Andante rapsodico, Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto, Concerto for Piano and Wind Instruments: I. Largo - Allegro, Concerto for Piano and Wind Instruments: II. Largo, Concerto for Piano and Wind Instruments: III. Allegro, Movements for Piano and Orchestra: I, Movements for Piano and Orchestra: II, Movements for Piano and Orchestra: III, Movements for Piano and Orchestra: IV, Movements for Piano and Orchestra: V, Symphonies of Wind Instruments (1947 version) |
| Samuel Dushkin (American violinist and transcriber) |
violin |
Duo concertant: I. Cantilène, Duo concertant: II. Eclogue I, Duo concertant: III. Eclogue II, Duo concertant: IV. Gigue, Duo concertant: V. Dithyrambe, L'Oiseau de feu: Berceuse, L'Oiseau de feu: Scherzo, Le Chant du rossignol: Airs du rossignol, Le Chant du rossignol: Marche chinoise, Petrushka: Danse russe, Suite italienne: Scherzino, Suite italienne: Serenata |
| Andreas Neubronner (engineer/producer) |
balance |
Dumbarton Oaks: I. Tempo giusto, Dumbarton Oaks: II. Allegretto, Dumbarton Oaks: III. Con moto, Eight Instrumental Miniatures: I. Andantino, II. Vivace, III. Lento, IV. Allegretto, V. Moderato all breve, VI. Tempo di Marcia, VII. Larghetto, VIII. Tempo di Tango, Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato, Pulcinella Suite: II. Serenata: Larghetto, Pulcinella Suite: III. a) Scherzino, b) Allegro, c) Andantino, Pulcinella Suite: IV. Tarantella., Pulcinella Suite: V. Toccata: Allegro, Pulcinella Suite: VI. Gavotta: Allegro moderato, Variazione Ia: Allegretto, Variazione IIa: Allegro più tosto moderato, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. a) Minuetto: Molto moderato, b) Finale: Allegro assai |
| Wolf Erichson (engineer/producer) |
recording |
Dumbarton Oaks: I. Tempo giusto, Dumbarton Oaks: II. Allegretto, Dumbarton Oaks: III. Con moto, Eight Instrumental Miniatures: I. Andantino, II. Vivace, III. Lento, IV. Allegretto, V. Moderato all breve, VI. Tempo di Marcia, VII. Larghetto, VIII. Tempo di Tango, Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato, Pulcinella Suite: II. Serenata: Larghetto, Pulcinella Suite: III. a) Scherzino, b) Allegro, c) Andantino, Pulcinella Suite: IV. Tarantella., Pulcinella Suite: V. Toccata: Allegro, Pulcinella Suite: VI. Gavotta: Allegro moderato, Variazione Ia: Allegretto, Variazione IIa: Allegro più tosto moderato, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. a) Minuetto: Molto moderato, b) Finale: Allegro assai |
| Leopold Stokowski |
conductor |
Petrushka - Suite, Suite from "Petrushka", The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Finale, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses, The Firebird (conclusion), The Firebird Suite, The Firebird Suite: Lullaby / Finale |
| Carlo Maria Giulini (conductor) |
conductor |
Petrushka - Suite: Petrushka's Room, Petrushka - Suite: Russian Dance, Petrushka - Suite: The Moor's Room, Petrushka - Suite: The Shrovetide Fair, The Firebird - Suite: Berceuse, The Firebird - Suite: Dance Of King Kastchel, The Firebird - Suite: Dance Of The Firebird, The Firebird - Suite: Finale, The Firebird - Suite: Introduction, The Firebird - Suite: Round Dance Of The Princess |
| English Bach Festival Chorus |
vocal |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces, Les noces, Première partie: “La tresse”, Mass: Agnus Dei, Mass: Credo, Mass: Gloria, Mass: Kyrie, Mass: Sanctus |
| Sir Georg Solti (conductor) |
conductor |
Symphony in C: I. Moderato alla breve, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. Overture, Symphony in Three Movements: II. Andante - Interlude: L'istesso tempo, Symphony in Three Movements: III. Con moto, Symphony of Psalms (Rev. Version 1948): Part I, Symphony of Psalms (Rev. Version 1948): Part II, Symphony of Psalms (Rev. Version 1948): Part III |
| Columbia Chamber Ensemble |
performer |
Renard the Fox, The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Los Angeles Philharmonic |
performing orchestra |
Firebird Suite: Berceuse; Finale, Firebird Suite: Dance of the Firebird; Supplication of the Firebird, Firebird Suite: Infernal Dance, Firebird Suite: Introduction: Kastchei's Enchanted Garden, Firebird Suite: The Princesses' Game With the Golden Apples, Firebird Suite: The Princesses' Round Dance, Violin Concerto in D: I. Toccata, Violin Concerto in D: II. Aria 1, Violin Concerto in D: III. Aria 2, Violin Concerto in D: IV. Capriccio |
| Ian McKellen |
vocal |
The Soldier's Tale: Airs by a Stream (Reprise) - They have nothing, The Soldier's Tale: Airs by a Stream - A little old man approaches, The Soldier's Tale: Pastorale (Reprise) - He took up the book, The Soldier's Tale: Pastorale - Ah! You dirty cheat, The Soldier's Tale: The Great Chorale - Suppose, suppose we went then, The Soldier's Tale: The Little Concert, The Soldier's Tale: The Royal March - They gave the word for the band to play, The Soldier's Tale: The Soldier's March (Reprise) - We're home at last, The Soldier's Tale: The Soldier's March - Always on Trek, The Soldier's Tale: The Soldier's March - Now he comes to another land |
| Roy d'Antonio |
clarinet |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Berliner Philharmoniker |
performing orchestra |
Apollo (Apollon Musagete), Le Sacre du Printemps / Part 2: Le Sacrifice - 6. Danse sacrale: l'élue, Petrushka - Suite, Suite from "Petrushka", The Firebird (conclusion), The Firebird Suite, The Rite of Spring: Action rituelle des ancêtres, The Rite of Spring: Introduction, The Rite of Spring: Les augures printaniers |
| Stanley Drucker |
clarinet |
Danse du Diable, Grand Choral, Marche de soldat, Marche royale, Marche triomphale du Diable, Pastorale, Petit concert, Petits Airs au bord du ruisseau, Trois Danses (Tango-Valse-Ragtime) |
| Cyrus Segal (American bassoonist) |
bassoon |
Danse du Diable, Grand Choral, Marche de soldat, Marche royale, Marche triomphale du Diable, Pastorale, Petit concert, Petits Airs au bord du ruisseau, Trois Danses (Tango-Valse-Ragtime) |
| Richard D. Kelley |
double bass |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Don Christlieb |
bassoon |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Herbert Sorkin |
violin |
Danse du Diable, Grand Choral, Marche de soldat, Marche royale, Marche triomphale du Diable, Pastorale, Petit concert, Petits Airs au bord du ruisseau, Trois Danses (Tango-Valse-Ragtime) |
| Robert Mandell (American conductor) |
conductor |
Danse du Diable, Grand Choral, Marche de soldat, Marche royale, Marche triomphale du Diable, Pastorale, Petit concert, Petits Airs au bord du ruisseau, Trois Danses (Tango-Valse-Ragtime) |
| Charles Brady (trumpetist) |
trumpet |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| The Ars Nova Ensemble (American classical ensemble founded by Robert Mandell) |
performing orchestra |
Danse du Diable, Grand Choral, Marche de soldat, Marche royale, Marche triomphale du Diable, Pastorale, Petit concert, Petits Airs au bord du ruisseau, Trois Danses (Tango-Valse-Ragtime) |
| Chicago Symphony Chorus |
vocal |
Akt 1: "Non reperias vetus scelus", Akt 2: "Divum Jocastae caput mortuum!", Akt 2: "Divum Jocaste caput mortuum!" "Ecce! Regem Oedipoda", Akt 2: "Divum Jocaste caput mortuum!" "Sanguis ater rigabat", Akt 2: "Gloria! Laudibus regina Jocasta", Akt 2: "In monte reppertus est", Symphony of Psalms (Rev. Version 1948): Part I, Symphony of Psalms (Rev. Version 1948): Part II, Symphony of Psalms (Rev. Version 1948): Part III |
| Israel Baker |
violin |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Martin Robson |
vocal |
The Rake's Progress: Act I, Scene 1. "Anne, my dear", The Rake's Progress: Act I, Scene 1. "Dear father Trulove" / "Laughter and light", The Rake's Progress: Act I, Scene 1. "Fair lady, gracious gentlemen" / "I wished but once", The Rake's Progress: Act I, Scene 1. "I'll call the coachman, sir", The Rake's Progress: Act I, Scene 1. "The woods are green", The Rake's Progress: Act I, Scene 2. "Quietly, night", The Rake's Progress: Act III, Scene 3. "Anne, my dear", The Rake's Progress: Act III, Scene 3. "Every wearied body", The Rake's Progress: Epilogue. "Good people, just a moment" |
| H. David Jandorf (American trumpet player) |
trumpet |
Danse du Diable, Grand Choral, Marche de soldat, Marche royale, Marche triomphale du Diable, Pastorale, Petit concert, Petits Airs au bord du ruisseau, Trois Danses (Tango-Valse-Ragtime) |
| William Kraft |
percussion |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Robert Marsteller |
trombone |
The Soldier's Tale: Scene I. Airs by a Stream, The Soldier's Tale: Scene II. Pastorale, The Soldier's Tale: Scene II. The Devil's Dance, The Soldier's Tale: Scene II. The Great Chorale, The Soldier's Tale: Scene II. The Little Concert, The Soldier's Tale: Scene II. The Royal March, The Soldier's Tale: Scene II. Three Dances (Tango, Waltz, Ragtime), The Soldier's Tale: Scene II. Triumphal March of the Devil, The Soldier's Tale: The Soldier's March |
| Lorin Maazel |
conductor |
Feu d'artifice, Le Chant du Rossignol - Chant du Rossignol, Le Chant du Rossignol - Jeu du Rossignol mécanique, Le Chant du Rossignol - Marche chinoise, Le Chant du Rossignol - presto, Pétrouchka - Deuxième Tableau, Pétrouchka - Premier Tableau, Pétrouchka - Quatrième Tableau, Pétrouchka - Troisième Tableau |
| En Shao |
conductor |
Symphony in C: I. Moderato alla brave, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. ♩=160, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony of Wind Instruments (Original 1920 version) |
| Loren Driscoll |
vocal |
Cantate "A sermon, a Narrative and a Prayer" - III. A Prayer, Cantate "A sermon, a Narrative and a Prayer": I. A Sermon, Cantate "A sermon, a Narrative and a Prayer": II. A Narrative - The Stoning of St. Stephen, Renard the Fox, The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Vinson Cole |
vocal |
Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus), Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator), Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus), Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus), Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium..." (Jocasta, Oedipus), Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus), Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus), Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus) |
| The Cleveland Orchestra |
performing orchestra |
L'Oiseau de feu-Berceuse, L'Oiseau de feu-Danse infernale du roi Kastchei, L'Oiseau de feu-Finale, L'Oiseau de feu-Introduction, L'Oiseau de feu-L'Oiseau de feu et sa danse, L'Oiseau de feu-Ronde des princesses, L'Oiseau de feu-Variation de l'Oiseau de feu, Le sacre du printemps: II. Le sacrifice: 5. Action rituelle des ancetres |
| Frank Douglas (Engineer in New Zealand) |
engineer |
Symphony in C: I. Moderato alla brave, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. ♩=160, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony of Wind Instruments (Original 1920 version) |
| Sting (singer, songwriter & member of The Police) |
vocal |
The Soldier's Tale: Airs by a Stream (Reprise) - They have nothing, The Soldier's Tale: Airs by a Stream - A little old man approaches, The Soldier's Tale: Pastorale (Reprise) - He took up the book, The Soldier's Tale: Pastorale - Ah! You dirty cheat, The Soldier's Tale: The Great Chorale - Suppose, suppose we went then, The Soldier's Tale: The Royal March - They gave the word for the band to play, The Soldier's Tale: The Soldier's March (Reprise) - We're home at last, The Soldier's Tale: The Soldier's March - Always on Trek |
| Norico Kimura |
vocal |
Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): I. Akahito, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): II. Mazatsumi, Three Japanese Lyrics, Song Cycle for Voice and Piano (or Chamber Orchestra): III. Tsaraiuki, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": I. La petite pie, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": II. Le Corbeau, Trois Petites Chansons for Voice and Chamber Orchestra "Souvenir de mon enfance": III. Tchitcher-Latcher, Two Poems of Balmont for Voice and Chamber Orchestra: I. The Flower, Two Poems of Balmont for Voice and Chamber Orchestra: II. The Dove |
| Murray Khouri (Clarinettist and producer) |
producer |
Symphony in C: I. Moderato alla brave, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. ♩=160, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony of Wind Instruments (Original 1920 version) |
| New Zealand Symphony Orchestra |
performing orchestra |
Symphony in C: I. Moderato alla brave, Symphony in C: II. Larghetto concertante, Symphony in C: III. Allegretto, Symphony in C: IV. Largo - Tempo giusto, alla breve, Symphony in Three Movements: I. ♩=160, Symphony in Three Movements: II. Andante, Symphony in Three Movements: III. Con moto, Symphony of Wind Instruments (Original 1920 version) |
| Herbert von Karajan |
conductor |
Apollo (Apollon Musagete), Jeu de cartes: Deuxième donne, Jeu de cartes: Première donne, Jeu de cartes: Troisième donne, The Rite of Spring: Action rituelle des ancêtres, The Rite of Spring: Introduction, The Rite of Spring: Les augures printaniers |
| Rosemary Hardy |
vocal |
Cantata: Ricercar 1, Cantata: Ricercar 2, Cantata: Versus 1, Cantata: Versus 2, Cantata: Versus 3, Cantata: Versus 4, Cantata: Westron Wind |
| Ray Minshull |
producer |
Le Chant du rossignol: I. Presto, Le Chant du rossignol: II. Marche chinoise, Le Chant du rossignol: III. Jeu du rossignol mécanique, Pétrouchka: Tableau I. Fête populaire de la Semaine grasse, Pétrouchka: Tableau II. Chez Pétrouchka, Pétrouchka: Tableau III. Chez le Maure, Pétrouchka: Tableau IV. Fête populaire de la Semaine grasse (vers le soir) |
| Schönberg Ensemble |
performer |
Cantata: Ricercar 1, Cantata: Ricercar 2, Cantata: Versus 1, Cantata: Versus 2, Cantata: Versus 3, Cantata: Versus 4, Cantata: Westron Wind |
| Orchestre symphonique de Montréal |
performing orchestra |
Le Chant du rossignol: I. Presto, Le Chant du rossignol: II. Marche chinoise, Le Chant du rossignol: III. Jeu du rossignol mécanique, Pétrouchka: Tableau I. Fête populaire de la Semaine grasse, Pétrouchka: Tableau II. Chez Pétrouchka, Pétrouchka: Tableau III. Chez le Maure, Pétrouchka: Tableau IV. Fête populaire de la Semaine grasse (vers le soir) |
| Nederlands Blazers Ensemble |
performer |
Octet: II. Coda; Finale, Octet: II. Theme, Octet: II. Variation A, Octet: II. Variation B, Octet: II. Variation C, Octet: II. Variation D, Octet: II. Variation E |
| George Szell |
conductor |
L'Oiseau de feu-Berceuse, L'Oiseau de feu-Danse infernale du roi Kastchei, L'Oiseau de feu-Finale, L'Oiseau de feu-Introduction, L'Oiseau de feu-L'Oiseau de feu et sa danse, L'Oiseau de feu-Ronde des princesses, L'Oiseau de feu-Variation de l'Oiseau de feu |
| Patrice Chéreau |
vocal |
Oedipus Rex: Act I. "Gloria!" (Narrator), Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator), Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator), Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator), Oedipus Rex: Act II. "La dispute des princes attire Jocaste" (Narrator), Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator), Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator) |
| Charles Dutoit |
conductor |
Le Chant du rossignol: I. Presto, Le Chant du rossignol: II. Marche chinoise, Le Chant du rossignol: III. Jeu du rossignol mécanique, Pétrouchka: Tableau I. Fête populaire de la Semaine grasse, Pétrouchka: Tableau II. Chez Pétrouchka, Pétrouchka: Tableau III. Chez le Maure, Pétrouchka: Tableau IV. Fête populaire de la Semaine grasse (vers le soir) |
| Peter Bronder |
vocal |
The Rake's Progress: Act III, Scene 1. "I go to him" / "Who cares a fig", The Rake's Progress: Act III, Scene 1. "Ladies both fair and gracious", The Rake's Progress: Act III, Scene 1. "Ruin. Disaster. Shame", The Rake's Progress: Act III, Scene 1. "Sold! Annoyed!" / "Now what was that!", The Rake's Progress: Act III, Scene 1. "Who hears me, knows me" / "Seven - eleven" / "Behold it, Roman, moral" / "Fifteen - and a half" / "Wonderful" / "An unknown object draws us" / "Fifty - fifty-five", The Rake's Progress: Act III, Scene 1. "You love him" / "If boys had wings" |
| Tony D'Amato |
producer |
The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Finale, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses |
| André Desponds |
arranger, piano |
Petrushka Suite: Dance of the Coachmen and Grooms, Petrushka Suite: Dance of the Wet Nurses, Petrushka Suite: Petrushka's Cell, Petrushka Suite: Russian Dance, Petrushka Suite: The Masquerades, Petrushka Suite: The Shrovetide Fair |
| Arthur Lilley |
engineer |
The Firebird (L'Oiseau de feu) Suite (1919): Berceuse, The Firebird (L'Oiseau de feu) Suite (1919): Dance of the Firebird, The Firebird (L'Oiseau de feu) Suite (1919): Finale, The Firebird (L'Oiseau de feu) Suite (1919): Infernal Dance of King Kaschei, The Firebird (L'Oiseau de feu) Suite (1919): Introduction, The Firebird (L'Oiseau de feu) Suite (1919): Round Dance of the Princesses |
| Tbilisi Symphony Orchestra |
performing orchestra |
Le Sacre du printemps (The Sacrifice): Action rituelle des ancêtres (Ritual Actio of the Ancestors) The Rite of Spring Second Part, Le Sacrifice, Le Sacre du printemps (The Sacrifice): Cercles mystérieux des adolescentes (Mystic Circles of the Young Girls). Andante con molto The Rite of Spring Second Part, Le Sacrifice, Le Sacre du printemps (The Sacrifice): Danse sacrale (L’Élue) (Sacrificial Dance (The Chose One)) The Rite of Spring Second Part, Le Sacrifice, Le Sacre du printemps (The Sacrifice): Evocation des ancêtres (Evocations of the Ancestors) The Rite of Spring Second Part, Le Sacrifice, Le Sacre du printemps (The Sacrifice): Glorification de l’élue (Glorification of the Chosen One) Vivo the Rite of Spring Second Part, Le Sacrifice, Le Sacre du printemps the Rite of Spring Second Part, Le Sacrifice; The Sacrifice: Introduction. Largo |
| Stefan Wirth |
arranger, piano |
Petrushka Suite: Dance of the Coachmen and Grooms, Petrushka Suite: Dance of the Wet Nurses, Petrushka Suite: Petrushka's Cell, Petrushka Suite: Russian Dance, Petrushka Suite: The Masquerades, Petrushka Suite: The Shrovetide Fair |
| Benjamin Engeli |
arranger, piano |
Petrushka Suite: Dance of the Coachmen and Grooms, Petrushka Suite: Dance of the Wet Nurses, Petrushka Suite: Petrushka's Cell, Petrushka Suite: Russian Dance, Petrushka Suite: The Masquerades, Petrushka Suite: The Shrovetide Fair |
| Itzhak Perlman |
violin |
Suite Italienne: I. Introduzione, Suite Italienne: II. Serenata, Suite Italienne: III. Tarantella, Suite Italienne: IV. Gavotte con due variazioni, Suite Italienne: V. Scherzino, Suite Italienne: VI. Menuetto e Finale |
| Mischa Cheung |
arranger, piano |
Petrushka Suite: Dance of the Coachmen and Grooms, Petrushka Suite: Dance of the Wet Nurses, Petrushka Suite: Petrushka's Cell, Petrushka Suite: Russian Dance, Petrushka Suite: The Masquerades, Petrushka Suite: The Shrovetide Fair |
| Philip Langridge |
vocal |
Akt 1: "Dicere non possum", Akt 1: "Invidia fortunam odit", Akt 1: "Non reperias vetus scelus", Akt 2: "Ego senem cecidi", Akt 2: "In monte reppertus est", Akt 2: "Nonne monstrum rescituri" |
| Joseph Szigeti |
violin |
Duo Concertant for Violin and Piano: I. Cantilène, Duo Concertant for Violin and Piano: II. Eclogue I, Duo Concertant for Violin and Piano: III. Eclogue II, Duo Concertant for Violin and Piano: IV. Gigue, Duo Concertant for Violin and Piano: V. Dithyrambe |
| Мстислав Ростропович |
conductor, cello |
Russian Song for Cello and Piano, Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| Česká filharmonie (Czech Philharmonic) |
performing orchestra |
Œdipus Rex: Acte Ⅱ / Épilogue, Œdipus Rex: Prologue / Acte Ⅰ, Симфония псалмов: Ⅰ Exaudi orationem meam, Domine, Симфония псалмов: Ⅱ Expectans expectavi Dominum, Симфония псалмов: Ⅲ Alleluia. Laudate Dominum |
| Karel Ančerl |
conductor |
Œdipus Rex: Acte Ⅱ / Épilogue, Œdipus Rex: Prologue / Acte Ⅰ, Симфония псалмов: Ⅰ Exaudi orationem meam, Domine, Симфония псалмов: Ⅱ Expectans expectavi Dominum, Симфония псалмов: Ⅲ Alleluia. Laudate Dominum |
| James Morris (operatic bass-baritone) |
vocal |
Akt 1: "Voici Créon, beau-frère d'Edipe", Akt 2: "Divum Jocastae caput mortuum!", Akt 2: "Divum Jocaste caput mortuum!" "Ecce! Regem Oedipoda", Akt 2: "Divum Jocaste caput mortuum!" "Sanguis ater rigabat", Akt 2: "In monte reppertus est" |
| Кирилл Петрович Кондрашин (conductor) |
conductor |
Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| Давид Фёдорович Ойстрах |
violin |
Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| Валерий Абисалович Гергиев |
conductor |
Petrushka: Petrushka's Room, Petrushka: The Moor's Room, Petrushka: The Shrovetide Fair, Petrushka: The Shrovetide Fair (Toward evening) |
| Академический симфонический оркестр Московской филармонии |
performing orchestra |
Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| The American Concert Choir |
vocal |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Krystian Zimerman |
piano |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| Lukas Foss |
piano |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| M. Cailly (engineer) |
balance |
Concerto for two solo pianos: I. Con moto, Concerto for two solo pianos: II. Notturno (Adagietto), Concerto for two solo pianos: III. Quattro variazioni, Concerto for two solo pianos: IV: Preludio e Fuga |
| Margaret Hillis |
chorus master |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| BBC Symphony Orchestra |
performing orchestra |
Violin Concerto in D Major: I. Toccata, Violin Concerto in D Major: II. Aria I, Violin Concerto in D Major: III. Aria II, Violin Concerto in D Major: IV. Capriccio |
| 林昭亮 |
violin |
Violin Concerto in D: I. Toccata, Violin Concerto in D: II. Aria 1, Violin Concerto in D: III. Aria 2, Violin Concerto in D: IV. Capriccio |
| John Mitchinson |
vocal |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| Martha Argerich |
piano |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| Soulima Stravinsky |
piano |
Concerto for two solo pianos: I. Con moto, Concerto for two solo pianos: II. Notturno (Adagietto), Concerto for two solo pianos: III. Quattro variazioni, Concerto for two solo pianos: IV: Preludio e Fuga |
| Samuel Barber |
piano |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Maxim Vengerov |
violin |
Violin Concerto in D major: I. Toccata, Violin Concerto in D major: II. Aria I, Violin Concerto in D major: III. Aria II, Violin Concerto in D major: IV. Capriccio |
| Homero Francesch |
piano |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| Roger Sessions |
piano |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Robert Oliver |
vocal |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Columbia Percussion Ensemble |
percussion |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Milfred Allen |
vocal |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Cyprien Katsaris |
piano |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| World Orchestra for Peace |
performing orchestra |
Petrushka: Petrushka's Room, Petrushka: The Moor's Room, Petrushka: The Shrovetide Fair, Petrushka: The Shrovetide Fair (Toward evening) |
| Jules Bastin |
vocal |
Akt 1: "Edipe interroge la fontaine de vérité", Akt 1: Prologue: "Spectateurs, vous allez entendre", Akt 2: "La dispute des princes", Akt 2: "Le témoin du meurtre sort de l'ombre" |
| Regina Sarfaty |
vocal |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| David Robertson (American conductor) |
conductor |
Violin Concerto in D Major: I. Toccata, Violin Concerto in D Major: II. Aria I, Violin Concerto in D Major: III. Aria II, Violin Concerto in D Major: IV. Capriccio |
| Radio-Sinfonieorchester Stuttgart des SWR |
performing orchestra |
Violinkonzert in D: I. Toccata, Violinkonzert in D: II. Aria 1, Violinkonzert in D: III. Aria 2, Violinkonzert in D: IV. Capriccioso |
| Aaron Copland |
piano |
The Wedding: Part I Scene I. The Bride's Chamber, The Wedding: Part I Scene II. At the Bridegroom's, The Wedding: Part I Scene III. The Bride's Departure, The Wedding: Part I Scene IV. The Wedding Feast |
| Vanessa Redgrave |
vocal |
The Soldier's Tale: Airs by a Stream - A little old man approaches, The Soldier's Tale: Pastorale - Ah! You dirty cheat, The Soldier's Tale: The Devil's Song, The Soldier's Tale: The Royal March - They gave the word for the band to play |
| Paul Hudson |
vocal |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| Nicholas Cleobury |
chorus master |
Les Noces: I. Chez le marié, Les Noces: I. La Tresse, Les Noces: I. Le départ de la mariée, Les Noces: II. Le repas de noces |
| Ensemble intercontemporain |
performing orchestra |
Pulcinella: Gavotta con Due Varizioni, Pulcinella: Ouverture, Pulcinella: Serenata; Scherzino, Pulcinella: Tarantella |
| Gil Shaham (violinist) |
violin |
Violin Concerto in D Major: I. Toccata, Violin Concerto in D Major: II. Aria I, Violin Concerto in D Major: III. Aria II, Violin Concerto in D Major: IV. Capriccio |
| Gianluigi Gelmetti |
conductor |
Violinkonzert in D: I. Toccata, Violinkonzert in D: II. Aria 1, Violinkonzert in D: III. Aria 2, Violinkonzert in D: IV. Capriccioso |
| Frank Peter Zimmermann |
violin |
Violinkonzert in D: I. Toccata, Violinkonzert in D: II. Aria 1, Violinkonzert in D: III. Aria 2, Violinkonzert in D: IV. Capriccioso |
| Shirley Verrett |
vocal |
Cantate "A sermon, a Narrative and a Prayer" - III. A Prayer, Cantate "A sermon, a Narrative and a Prayer": I. A Sermon, Cantate "A sermon, a Narrative and a Prayer": II. A Narrative - The Stoning of St. Stephen |
| Orchestre National de France |
performing orchestra |
Le Chant du rossignol: Chant du Rossignol, Le Chant du rossignol: Jeu du rossignol mécanique, Le Chant du rossignol: Marche Chinoise |
| 大植英次 |
conductor |
The Firebird Suite, 1919 Revision, The Rite of Spring, The Song of the Nightingale |
| Liza Ferschtman (Dutch violin player) |
violin |
l'Oiseau de feu (arr. Dushkin): Berceuse, l'Oiseau de feu (arr. Dushkin): Prélude et ronde de princesses, l'Oiseau de feu (arr. Dushkin): Scherzo |
| John Horton |
vocal |
Cantate "A sermon, a Narrative and a Prayer" - III. A Prayer, Cantate "A sermon, a Narrative and a Prayer": I. A Sermon, Cantate "A sermon, a Narrative and a Prayer": II. A Narrative - The Stoning of St. Stephen |
| Bas Verheijden (dutch piano player) |
piano |
l'Oiseau de feu (arr. Dushkin): Berceuse, l'Oiseau de feu (arr. Dushkin): Prélude et ronde de princesses, l'Oiseau de feu (arr. Dushkin): Scherzo |
| Charles Rosen |
grand piano |
Sonata for Piano: I, Sonata for Piano: II, Sonata for Piano: III |
| Sabine Meyer |
clarinet |
Drei Stücke für Klarinette solo, Nr.1, Drei Stücke für Klarinette solo, Nr.2, Drei Stücke für Klarinette solo, Nr.3 |
| Glen Ellyn Children's Chorus |
vocal |
Symphony of Psalms (Rev. Version 1948): Part I, Symphony of Psalms (Rev. Version 1948): Part II, Symphony of Psalms (Rev. Version 1948): Part III |
| Günter Hermanns (producer/engineer) |
balance |
The Rite of Spring: Action rituelle des ancêtres, The Rite of Spring: Introduction, The Rite of Spring: Les augures printaniers |
| Claudio Abbado |
conductor |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto, The Firebird: Infernal Dance of Kings |
| Michael Tilson Thomas |
conductor |
Ebony Concerto (New World Symphony feat. conductor: Michael Tilson Thomas, clarinet: Jerome Simas, trumpet: Mark Niehaus), The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice |
| Philharmonia Slavonica (an Alfred Scholz pseudonym) |
performing orchestra |
Petruchka: Cena III. A casa do Mouro, Petruchka: Cena III. Valsa, Petruchka: Cena IV. Festa de Carnaval |
| Minnesota Orchestra |
performing orchestra |
The Firebird Suite, 1919 Revision, The Rite of Spring, The Song of the Nightingale |
| Hanspeter Gmür (likely Alfred Scholz pseudonym) |
conductor |
Petruchka: Cena III. A casa do Mouro, Petruchka: Cena III. Valsa, Petruchka: Cena IV. Festa de Carnaval |
| Hans Weber (producer/engineer) |
producer |
The Rite of Spring: Action rituelle des ancêtres, The Rite of Spring: Introduction, The Rite of Spring: Les augures printaniers |
| Dimitri Ashkenazy |
clarinet |
Ebony Concerto: I. Allegro moderato, Ebony Concerto: II. Andante, Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo |
| Sir Simon Rattle |
conductor |
Dans sacrale (L'élue) (Le Sacre du Printemps - conclusion), Gailliard, Coda, Interlude & Four Duos - Four Trios - Coda (Agon) |
| Hans Sotin |
vocal |
Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus), Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus) |
| Rainer Brock |
producer |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto |
| David Ohanian |
French horn |
The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice |
| Harry Christophers |
chorus master |
Ave Maria, Pater Noster |
| Donald Kaasch |
vocal |
Akt 2: "In monte reppertus est", Akt 2: "Oportebat tacere, nunquam loqui" |
| Metropolitan Opera Orchestra |
performing orchestra |
No Word From Tom (The Rake's Progress), The Rite of Spring: Part I: VI. Procession of the Sage - The Sage |
| City of Birmingham Symphony Orchestra |
performing orchestra |
Dans sacrale (L'élue) (Le Sacre du Printemps - conclusion), Gailliard, Coda, Interlude & Four Duos - Four Trios - Coda (Agon) |
| Ryland Davies (tenor) |
vocal |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto |
| Paul Fried (flautist) |
flute |
The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice |
| Cathy Berberian |
vocal |
Elegy for J.F.K., Stravinsky in Rehearsal: Recollections of My Childhood |
| Sherman Walt |
bassoon |
The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice |
| Rafael Frühbeck de Burgos |
conductor |
Circus Polka, Fireworks, Op. 4 |
| Marielle Labèque |
piano |
Tango, Waltz |
| Teresa Berganza |
vocal |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto |
| Anne Howells |
vocal |
The Rake's Progress: Act I, Scene 2. "Come, Tom", The Rake's Progress: Act I, Scene 2. "How sad a song" |
| The King’s Singers |
vocal |
Ave Maria, Pater Noster |
| The Sixteen |
vocal |
Ave Maria, Pater Noster |
| Wolfgang Stengel |
producer |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto |
| Nicolai Gedda |
vocal |
Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger), Oedipus Rex: Act II. "Oportebat tacere" (Shepherd) |
| Laurence Thorstenberg |
English horn |
The Rite of Spring: The Adoration of the Earth, The Rite of Spring: The Sacrifice |
| Klaus Hiemann |
balance |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto |
| John Shirley-Quirk (bass-baritone) |
vocal |
Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto |
| Katia Labèque |
piano |
Tango, Waltz |
| City of London Sinfonia (chamber orchestra) |
performing orchestra |
Pulcinella: Serenata - Larghetto (feat. City of London Sinfonia, conductor: Richard Hickox, tenor: Martyn Hill) |
| David Atherton |
conductor |
The Rite of Spring: II. The Sacrifice |
| Charles Russo (Clarinet player) |
clarinet |
Elegy for J.F.K. |
| Renée Fleming |
vocal |
No Word From Tom (The Rake's Progress) |
| SWR Sinfonieorchester Baden-Baden und Freiburg |
performing orchestra |
"The Firebird": Berceuse |
| Paul Howland (Clarinet player) |
clarinet |
Elegy for J.F.K. |
| Matthias Bamert |
conductor |
The Firebird: Infernal Dance |
| Dale Warland Singers (professional mixed chorus from Minnesota) |
vocal |
Ave Maria |
| Dale Warland |
conductor |
Ave Maria |
| Philharmonic Rock Orchestra |
performing orchestra |
Intro Space: Berceuse and Finale From Firebird |
| George Shirley |
vocal |
Renard the Fox |
| Simon Estes |
vocal |
Oedipus Rex: Act I. "Respondit deus" (Creon) |
| Bournemouth Sinfonietta |
performing orchestra |
Pulcinella, 1st scene: Ouverture |
| Benno Moiseiwitsch |
performer |
Etude in F sharp major, Op. 7, No. 4 |
| Richard Hayman |
conductor |
Intro Space: Berceuse and Finale From Firebird |
| Martyn Hill |
vocal |
Pulcinella: Serenata - Larghetto (feat. City of London Sinfonia, conductor: Richard Hickox, tenor: Martyn Hill) |
| Jack Kreiselman (Clarinet player) |
clarinet |
Elegy for J.F.K. |
| Stefan Sanderling |
conductor |
Pulcinella, 1st scene: Ouverture |
| Marin Alsop |
conductor |
Suite From the Firebird (1919 version) |
| Donald Gramm |
vocal |
Renard the Fox |
| Barry Wordsworth (conductor) |
conductor |
The Firebird: Danse infernale |
| Richard Hickox |
conductor |
Pulcinella: Serenata - Larghetto (feat. City of London Sinfonia, conductor: Richard Hickox, tenor: Martyn Hill) |
| Sydney Symphony Orchestra |
performing orchestra |
The Firebird: Infernal Dance |
| BBC National Orchestra of Wales |
performing orchestra |
The Rite of Spring: II. The Sacrifice |
| Lucien Lavaillotte |
flute |
Rag-time for eleven instruments |
| Crouch End Festival Chorus |
vocal |
Stravinsky: The Nightingale's Aria (The Nightingale) |
| Louis Juste |
double bass |
Rag-time for eleven instruments |
| Jan-Hendrik Rootering |
vocal |
Akt 1: "Dicere non possum" |
| The Cambridge Singers |
vocal |
Pater noster |
| Robert Heinrich (Trumpet player) |
trumpet |
Fanfare pour deux trompettes |
| David Gardener |
conductor |
Stravinsky: The Nightingale's Aria (The Nightingale) |
| Jascha Heifetz |
conductor |
"The Firebird": Berceuse |
| Colorado Symphony |
performing orchestra |
Suite From the Firebird (1919 version) |
| Toni Koves-Steiner |
cymbalum |
Renard the Fox |
| Jean Devemy |
horn |
Rag-time for eleven instruments |
| Andrew Staples |
vocal |
Stravinsky: The Nightingale's Aria (The Nightingale) |
| Jean Morel (Conductor) |
percussion |
Rag-time for eleven instruments |
| Alexander Dedyukhin |
piano |
Russian Song for Cello and Piano |
| Aladar Racz |
cymbalum |
Rag-time for eleven instruments |
| Adrienne Albert (Soprano) |
vocal |
The Owl and the Pussy-Cat |
| William Murphy (bass-baritone) |
vocal |
Renard the Fox |
| English National Opera Orchestra |
performing orchestra |
Stravinsky: The Nightingale's Aria (The Nightingale) |
| Robert Nagel (trumpet player) |
trumpet |
Fanfare pour deux trompettes |
| Henri Volant |
violin |
Rag-time for eleven instruments |
| Eugène Foveau |
trumpet |
Rag-time for eleven instruments |
| John McClure (recording engineer and record producer) |
vocal |
Stravinsky in Rehearsal: Apollo |
| Émile Godeau |
clarinet |
Rag-time for eleven instruments |
| Étienne Ginot |
viola |
Rag-time for eleven instruments |
| English Bach Festival Percussion Ensemble |
performer |
Les noces, Première partie: “La tresse” |
| John Rutter |
conductor |
Pater noster |
| New World Symphony |
performing orchestra |
Ebony Concerto (New World Symphony feat. conductor: Michael Tilson Thomas, clarinet: Jerome Simas, trumpet: Mark Niehaus) |
| Roger Tudesq |
trombone |
Rag-time for eleven instruments |
| Roland Charmy |
violin |
Rag-time for eleven instruments |
| Мария Юдина (Soviet pianist) |
piano |
Circus Polka |
| Михаил Васильевич Плетнёв (pianist & conductor) |
conductor |
Firebird Suite - Finale |
| Kate Royal |
vocal |
Stravinsky: The Nightingale's Aria (The Nightingale) |
| Julian Clarkson |
vocal |
The Rake's Progress: Act III, Scene 3. "There he is. Have no fear" |
| Российский национальный оркестр (Russian National Orchestra) |
performing orchestra |
Firebird Suite - Finale |
| 三輪郁 |
piano |
ペトルーシュカからの3楽章より 第1楽章「ロシアの踊り」から |
| 冨田勲 |
arranger |
Firebird Suite; Finale |
| Florence Quivar |
vocal |
Akt 2: "Nonn' erubescrite reges" |
| Orchestra of the Royal Opera House, Covent Garden |
performing orchestra |
The Firebird: Danse infernale |
| English Chamber Orchestra |
performing orchestra |
Concerto in D for String Orchestra: 2. Arioso: Andantino (Stravinsky) |