Klaus Hiemann

balance, sound, recording, engineer, performer, producer, mix

Top collaborators

Artist name Roles Recordings
Seashaped
Maurizio Pollini
Damn City! (positive hardcore)
Davon Wilson
Roger Hand

Work on other artists' recordings

Artist name Roles Recordings
Seashaped balance "Pomp and Circumstance", op. 39: March no. 4 in G major, Pomp and Circumstance: no. 1 in D major, op. 39, Sinfonie No. 4 A-Dur: I. Allegro vivace, Sinfonie No. 4 A-Dur: II. Andante con moto, Sinfonie No. 4 A-Dur: III. Con moto moderato, Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto, Symphony No. 5 in C minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony No. 5 in C minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I. Subito, Symphony No. 5 in C minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C minor: IV. Adagietto. Sehr langsam, Symphony No. 5 in C minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony No. 6 in A minor: Finale. Allegro moderato, Symphony No. 6 in A minor: I. Allegro energico, man non troppo. Heftig, aber markig, Symphony No. 6 in A minor: II. Scherzo. Wuchtig, Symphony No. 6 in A minor: III. Andante moderato, Symphony No. 7 in E minor: I. Langsam. Allegro risoluto, Symphony No. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony No. 7 in E minor: V. Rondo. Finale. Allegro ordinario - Allegro moderato ma energico, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Accende lumen sensibus, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Gloria sit Patri Domino, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Imple superna gratia, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Infirma nostri corporis, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Tempo I. Allegro, etwas hastig, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Veni creator spiritus, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Poco adagio, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: I. Bewegter, Symphony No. 9 in D major: I. Blechbläser, Symphony No. 9 in D major: I. Etwas frischer, Symphony No. 9 in D major: I. Hörner, Symphony No. 9 in D major: I. Mit Wut. Allegro risoluto, Symphony No. 9 in D major: I. Plötzlich bedeutend langsamer und leise, Symphony No. 9 in D major: I. Wie von Anfang, Symphony No. 9 in D major: II. A tempo II, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derp, Symphony No. 9 in D major: II. Poco più mosso subito. Tempo II, Symphony No. 9 in D major: II. Tempo I, Symphony No. 9 in D major: II. Tempo I. Subito, Symphony No. 9 in D major: II. Tempo II, Symphony No. 9 in D major: II. Tempo III, Symphony No. 9 in D major: III. Klarinetten, Symphony No. 9 in D major: III. L'istesso tempo, Symphony No. 9 in D major: III. Più stretto, Symphony No. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9 in D major: III. Sempre l'istesso tempo, Symphony No. 9 in D major: III. Tempo I. Subito, Symphony No. 9 in D major: IV. A tempo. Molto adagio, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony No. 9 in D major: IV. Adagissimo, Symphony No. 9 in D major: IV. Fließender, doch durchaus nicht eilend, Symphony No. 9 in D major: IV. Molto adagio subito, Symphony No. 9 in D major: IV. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd, Symphony No. 9 in D major: IV. Stets sehr lang gehalten, Symphony No. 9 in D major: IV. Tempo I. Molto adagio, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: Va. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in E-flat major, op. 63: 1. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: 2. Larghetto, Symphony no. 2 in E-flat major, op. 63: 3. Rondo. Presto, Symphony no. 2 in E-flat major, op. 63: 4. Moderato e maestoso, Symphony no. 3 in D minor: I. Kräftig. Entscheiden, Symphony no. 3 in D minor: II. Tempo die minuetto. Sehr mäßig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: "O Mensch! Gib acht!", Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel einen süßen Gesang", Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht teilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich. "Wir genießen die himmlischen Freuden", Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Variations on an Original Theme "Enigma", op. 36: Enigma: Andante, Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.): L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. (H.D.S.-p.): Allegro, Variations on an Original Theme "Enigma", op. 36: III. (R.B.T.): Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod): Adagio, Variations on an Original Theme "Enigma", op. 36: V. (R.P.A.): Moderato, Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel): Andantino, Variations on an Original Theme "Enigma", op. 36: VII. (Troyte): Presto, Variations on an Original Theme "Enigma", op. 36: VIII. (W.N.): Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella): Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.): Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***): Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.): Allegro - Presto
Maurizio Pollini balance, engineer, recording Piano Sonata in C minor, D. 958: I. Allegro, Piano Sonata in C minor, D. 958: II. Adagio, Piano Sonata in C minor, D. 958: III. Menuetto. Allegro — Trio, Piano Sonata in C minor, D. 958: IV. Allegro, Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro, Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante, Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai, Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio, Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione, Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto, Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto, Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio, Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione, Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro, Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso, Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro, Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto, Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo, Piano Sonatas, op. 2: No. 1 in F minor: I. Allegro, Piano Sonatas, op. 2: No. 1 in F minor: II. Adagio, Piano Sonatas, op. 2: No. 1 in F minor: III. Menuetto. Allegretto, Piano Sonatas, op. 2: No. 1 in F minor: IV. Prestissimo, Piano Sonatas, op. 2: No. 2 in A major: I. Allegro vivace, Piano Sonatas, op. 2: No. 2 in A major: II. Largo appassionato, Piano Sonatas, op. 2: No. 2 in A major: III. Scherzo. Allegretto, Piano Sonatas, op. 2: No. 2 in A major: IV. Rondo. Grazioso, Piano Sonatas, op. 2: No. 3 in C major: I. Allegro con brio, Piano Sonatas, op. 2: No. 3 in C major: II. Adagio, Piano Sonatas, op. 2: No. 3 in C major: III. Scherzo. Allegro, Piano Sonatas, op. 2: No. 3 in C major: IV. Allegro assai, Piano Variations, op. 27: Ruhig, fliessend, Piano Variations, op. 27: Sehr mässig, Piano Variations, op. 27: Sehr schnell, Polonaise no. 1 in C-sharp minor, op. 26 no. 1, Polonaise no. 2 in E-flat minor, op. 26 no. 2, Polonaise no. 3 in A major, op. 40 no. 1 "Military", Polonaise no. 4 in C minor, op. 40 no. 2, Polonaise no. 5 in F-sharp minor, op. 44, Polonaise no. 6 in A-flat major, op. 53 "Heroic", Polonaise no. 7 in A-flat major, op. 61, Second sonata for Piano: I. Extrêmement rapide, Second sonata for Piano: II. Lent, Second sonata for Piano: III. Modéré, presque vif, Second sonata for Piano: IV. Vif, Sonata in A minor, D. 845: I. Moderato, Sonata in A minor, D. 845: II. Andante, poco mosso, Sonata in A minor, D. 845: III. Scherzo. Allegro vivace - Trio. Un poco più lento, Sonata in A minor, D. 845: IV. Rondo. Allegro vivace, Wanderer-Fantaisie in C-Dur, D. 760: I. Allegro con fuoco ma non troppo, Wanderer-Fantaisie in C-Dur, D. 760: II. Adagio, Wanderer-Fantaisie in C-Dur, D. 760: III. Presto, Wanderer-Fantaisie in C-Dur, D. 760: IV. Allegro
Damn City! sound Hungarian Dances, WoO 1: No. 1 in G minor: Allegro molto, Hungarian Dances, WoO 1: No. 10 in F major: Presto, Hungarian Dances, WoO 1: No. 11 in D minor: Poco andante, Hungarian Dances, WoO 1: No. 12 in D minor: Presto, Hungarian Dances, WoO 1: No. 13 in D major: Adnantino grazioso — Vivace, Hungarian Dances, WoO 1: No. 14 in D minor: Un poco Andante, Hungarian Dances, WoO 1: No. 15 in B-flat major: Allegretto grazioso, Hungarian Dances, WoO 1: No. 16 in F minor: Con moto, Hungarian Dances, WoO 1: No. 17 in F-sharp minor: Andantino vivace, Hungarian Dances, WoO 1: No. 18 in D major: Molto vivace, Hungarian Dances, WoO 1: No. 19 in B minor: Allegretto, Hungarian Dances, WoO 1: No. 2 in D minor: Allegro non assai — Vivace, Hungarian Dances, WoO 1: No. 20 in E minor: Poco allegretto — Vivace, Hungarian Dances, WoO 1: No. 21 in E minor: Vivace, Hungarian Dances, WoO 1: No. 3 in F major: Allegretto, Hungarian Dances, WoO 1: No. 4 in F-sharp minor: Poco sostenuto — Vivace, Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace, Hungarian Dances, WoO 1: No. 6 in D major: Vivace, Hungarian Dances, WoO 1: No. 7 in F major: Allegretto — Vivo, Hungarian Dances, WoO 1: No. 8 in A minor: Presto, Hungarian Dances, WoO 1: No. 9 in E minor: Allegro ma non troppo, Messe Nr. 6 Es-Dur, D 950: I. Kyrie. "Kyrie eleison" Andante con moto, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Cum Sancto spiritu" Moderato, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Domine Deus" Andante con moto, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Gloria in excelsis Deo" Allegro moderato e maestoso, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Quoniam tu solus sanctus" Tempo I, Messe Nr. 6 Es-Dur, D 950: III. Credo. "Credo in unum Deum" Moderato, Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et incarnatus est" Andante, Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et resurrexit" Tempo I, Messe Nr. 6 Es-Dur, D 950: IV. Sanctus. "Osanna in excelsis" Allegro, ma non troppo, Messe Nr. 6 Es-Dur, D 950: IV. Sanctus. "Sanctus, Sanctus, Sanctus Dominus" Adagio, Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Benedictus, qui venit" Andante, Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Osanna in excelsis" Allegro, ma non troppo, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Allegro molto moderato, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Andante con moto, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andante, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andantino
Davon Wilson balance Madama Butterfly: Act I. "Amore o grillo, dir non saprei", Madama Butterfly: Act I. "Bimba, bimba, non piangere", Madama Butterfly: Act I. "Dovunque al mondo lo Yankee vagabondo", Madama Butterfly: Act I. "Ecco! Son giunte al sommo del pendio", Madama Butterfly: Act I. "Ed è bella la sposa?", Madama Butterfly: Act I. "Gran ventura" / "Riverenza" / "È un po' dura la scalata?", Madama Butterfly: Act I. "Ieri son salita tutta sola secreto", Madama Butterfly: Act I. "L'imperial commissario", Madama Butterfly: Act I. "O Kami! O Kami!", Madama Butterfly: Act I. "Sorride Vostro Onore?", Madama Butterfly: Act I. "Tutti zitti!" / "È concesso al nominato Benjamin Franklin Pinkerton", Madama Butterfly: Act I. "Viene la sera", Madama Butterfly: Act I. "Vieni, amor mio", Madama Butterfly: Act I. Introduction / "E soffito e pareti", Madama Butterfly: Act II, Part I. "C'è. Entrate" / "Chiedo scusa", Madama Butterfly: Act II, Part I. "Due cose potrei far", Madama Butterfly: Act II, Part I. "E lzaghi ed Izanami, Sarundasico e Kami", Madama Butterfly: Act II, Part I. "E questo? Egli potrà pure scordare?", Madama Butterfly: Act II, Part I. "Ora a noi. Sedete qui", Madama Butterfly: Act II, Part I. "Scuoti quella fronda di ciliegio", Madama Butterfly: Act II, Part I. "Vedrai, piccolo amor, mia pena e mio conforto", Madama Butterfly: Act II, Part I. "Vespa! Rospo maledetto!", Madama Butterfly: Act II, Part I. "Yamadori, ancor le pene dell'amor non v'han delluso?", Madama Butterfly: Act II, Part II. "Addio fiorito asil", Madama Butterfly: Act II, Part II. "Chi sia?" / "Zitta!" / "Non la destar", Madama Butterfly: Act II, Part II. "Già il sole! Cio-cio-san", Madama Butterfly: Act II, Part II. "Glielo dirai!" / "Prometto", Madama Butterfly: Act II, Part II. "Oh eh! oh eh!", Madama Butterfly: Act II, Part II. "Tu? tu? Piccolo Iddio!", Madama Butterfly: Act II, Part II. "Vespa! Voglio che tu risponda", Madama Butterfly: Act II, Part II. "lo so che alle sue pene non ci sono conforti!"
Roger Hand balance, recording El sombrero de tres picos: II. Atardecer, El sombrero de tres picos: III. Danza de la molinera, El sombrero de tres picos: IV. Las uvas, El sombrero de tres picos: V. Danza del los vecinos, El sombrero de tres picos: VII. Danza del corregidor, El sombrero de tres picos: VIII. Danza final, Feste romane: I. Circenses, Feste romane: II. Il giubileo, Feste romane: III. L'ottobrata, Feste romane: IV. La befana, Fontane di Roma: I. La fontana di Valle Giulia all'alba, Fontane di Roma: II. La fontana del Tritone al mattino, Fontane di Roma: III. La fontana di Trevi al meriggio, Fontane di Roma: IV. La fontana di Villa Medici al tramonto, Pini di Roma: I. I pini di Villa Borghese, Pini di Roma: II. Pini presso una catacomba, Pini di Roma: III. I pini del Gianicolo, Pini di Roma: IV. I pini della Via Appia, Symphonie Nr. 1 D-dur: 1. Langsam. Schleppend. Wie ein Naturlaut - im Anfgang sehr gemächlich, Symphonie Nr. 1 D-dur: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphonie Nr. 1 D-dur: 3. Feierlich und gemessen, ohne zu schleppen, Symphonie Nr. 1 D-dur: 4. Stürmisch bewegt, Symphonie Nr. 1 D-dur: Blumine. Andante allegretto
Arturo Benedetti Michelangeli engineer Préludes, 1er livre: I. Danseuses de Delphes, Préludes, 1er livre: II. Voiles, Préludes, 1er livre: III. Le Vent dans la plaine, Préludes, 1er livre: IV. "Les sons et les parfums tournent dans l'air du soir", Préludes, 1er livre: IX. La Sérénade interrompue, Préludes, 1er livre: V. Les Collines d'Anacapri, Préludes, 1er livre: VI. Des pas sur la neige, Préludes, 1er livre: VII. Ce qu'a vu le vent d'Ouest, Préludes, 1er livre: VIII. La Fille aux cheveux de lin, Préludes, 1er livre: X. La Cathédrale engloutie, Préludes, 1er livre: XI. La Danse de Puck, Préludes, 1er livre: XII. Minstrels
Philliz balance Also sprach Zarathustra, op. 30: I. Einleitung, Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, op. 30: V. Das Grablied, Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, op. 30: VII. Der Genesende, Also sprach Zarathustra, op. 30: VIII. Das Tanzlied, Tod und Verklärung, op. 24
Wolfgang Schmieder balance, sound Scythian Suite, op. 20: I. The Adoration Of Veless And Ala, Scythian Suite, op. 20: II. The Enemy God, Scythian Suite, op. 20: III. Night, Scythian Suite, op. 20: IV. The Glorious Depature, Symphony no. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 5: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5: IV. Adagietto. Sehr langsam, Symphony no. 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Hi-Life recording Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 2 in G minor, op. 16: I. Andantino, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo (Vivace), Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo (Allegro moderato), Piano Concerto no. 2 in G minor, op. 16: IV. Finale (Allegro tempestoso)
Giuseppe Verdi balance Nabucco: Chi s'avanza? / Salgo già del trono aurato, Nabucco: Dio di Guida! / Cadran, cadranno i perfidi, Nabucco: Fenena! Oh mia diletta! / Prode guerrier! / Io t'amava, Nabucco: Parte III, Scena prima. Scena e duetto "Ah, qual suon!" (Nabucco, Abigaille), Nabucco: Parte IV, Scena seconda. Finale ultimo "Oh! chi vegg'io?" / "Su me...morente...esanime" (Nabucco,Abigaille, Coro, Zaccaria), Nabucco: Qual rumore? / Come notte a sol fulgente, Nabucco: S'appressan gl'istanti / Chi mi toglie il regio scettro?
Friedrich Gulda balance Fantasie c-moll, KV 475: Adagio - Allegro - Andantino - Piu allegro - Primo, Klaviersonate B-Dur, KV 570: I. Allegro, Klaviersonate B-Dur, KV 570: II. Adagio, Klaviersonate B-Dur, KV 570: III. Allegretto, Klaviersonate D-dur, KV 576: I. Allegro, Klaviersonate D-dur, KV 576: II. Adagio, Klaviersonate D-dur, KV 576: III. Allegretto
Larry L. King balance Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio (cadenza: Ludwig Beethoven), Piano Concerto no. 1 in C major, op. 15: 2. Largo, Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro (cadenza: Ludwig Beethoven), Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio (cadenza: Ludwig Beethoven), Piano Concerto no. 3 in C minor, op. 37: 2. Largo, Piano Concerto no. 3 in C minor, op. 37: 3. Rondo. Allegro
Uw Hypotheekadvies balance Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato, Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante, Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo, Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non troppo
Dinh Gilly balance Swan Lake, Op. 20: Suite. I. Scène. Allegro Giusto, Swan Lake, Op. 20: Suite. II. Waltz, Swan Lake, Op. 20: Suite. III. Dance of the Little Swans, Swan Lake, Op. 20: Suite. IV. Andante, Swan Lake, Op. 20: Suite. V. Hungarian Dance (Czardas), Swan Lake, Op. 20: Suite. VI. Scène Finale
Aldea balance Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 1. Allegro (kadenz: Mozart), Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 2. Larghetto, Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 3. Allegro (kadenzen: Mozart), Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 1. Allegro aperto (kadenz: Mozart), Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 2. Andante (kadenz: Mozart), Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 3. Rondeau. Tempo di Menuetto (kadenz: Mozart)
Jackie Leite balance Concerto for Violin and Orchestra No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato - attacca:, Concerto for Violin and Orchestra No. 1 in G minor, Op. 26: II. Adagio, Concerto for Violin and Orchestra No. 1 in G minor, Op. 26: III. Finale. Allegro energico - Presto, Violin Concerto in E minor, op. 64, MWV O14: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64, MWV O14: II. Andante, Violin Concerto in E minor, op. 64, MWV O14: III. Allegro non troppo: Allegro molto vivace
Johannes Brahms sound Serenade no. 1 in D major, op. 11: 1. Allegro molto, Serenade no. 1 in D major, op. 11: 2. Scherzo. Allegro non troppo — Trio. Poco più moto, Serenade no. 1 in D major, op. 11: 3. Adagio non troppo, Serenade no. 1 in D major, op. 11: 4. Menuetto I — Menuetto II, Serenade no. 1 in D major, op. 11: 5. Scherzo. Allegro — Trio, Serenade no. 1 in D major, op. 11: 6. Rondo. Allegro
Vilma von Webenau balance "Trumpet Overture", op. 101: Allegro vivace, Meeresstille und glückliche Fahrt, op. 27, Overture for Wind Instruments, op. 24 (für Harmoniemusik), Ruy Blas, op. 95: Overture to Victor Hugo's play
Tonton balance Symphony No. 3 in D minor: I. Gemäßigt, Mehr Bewegt, Misterioso, Symphony No. 3 in D minor: II. Bewegt, Feierlich, Quasi Adagio, Symphony No. 3 in D minor: III. [Scherzo]: Ziemlich Schnell, Symphony No. 3 in D minor: IV. Allegro
Niccolò Paganini producer I palpiti: Larghetto cantabile - Recitativo (con grande espressione) - Tema. Andantino - Variazioni I-III - Coda, Perpetuela: Allegro vivace, Sonata Napoleone: Introduzione. Adagio - Larghetto - Andantino variato - Variazioni I-III - Finale, Sonata con variazioni: Introduzione (Adagio) -- Tema (Andante moderato) -- Variazioni I & II (L'istesso tempo) -- Variazioni III & IV (Più mosso) -- Variazione V (Tempo I) -- Coda (Presto)
A.P.R.I.M.E. balance Nabucco: Parte II, Scena seconda. Recitativo e preghiera, Introduzione, Nabucco: Parte III, Scena seconda. Coro e prefezia, Introduzione, Nabucco: Parte IV, Scena prima. Scena ed aria, Introduzione, Nabucco: Sinfonia
Deaf Goes East balance 3 Nocturnes: I. Nuages: Modéré - Un peu animé, 3 Nocturnes: III. Sirènes: Modérément animé, Gesang der Parzen, Op. 89, Nanie, op. 82
John Hatton & The Devotions balance, engineer Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 1. Allegro, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 2. Adagio un poco mosso - attacca:, Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": 3. Rondo. Allegro
Giacomo Puccini balance Madama Butterfly: Act II, Part I. Duetto. "Scuotti quella fronda di ciliegio" (Butterfly, Suzuki), Madama Butterfly: Act II, Part II. "Chi sai?" - "Zitta! Non la destar!" (Suzuki, Sharpless, Pinkerton), Madama Butterfly: Act II, Part II. "Io so che alle sue pene no ci sono conforti" (Sharpless, Pinkerton, Suzuki)
Yung Boy balance Symphony no. 9 in D minor: 1. Feierlich, misterioso, Symphony no. 9 in D minor: 2. Scherzo. Bewegt - Trio. Schnell, Symphony no. 9 in D minor: 3. Adagio. Langsam, feierlich
Eser Yenenler balance Eine Faust-Symphonie in drei Charakterbildern (nach Goethe) S108: I. Faust: Lento assai - Allegro impetuoso - Allegro agitato ed appassionato, Eine Faust-Symphonie in drei Charakterbildern (nach Goethe) S108: II. Gretchen: Andante soave, Eine Faust-Symphonie in drei Charakterbildern (nach Goethe) S108: III. (1) Mephistopheles: Allegro vivace, ironico
Игорь Фёдорович Стравинский balance Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto
Mohammed Abdo Saleh balance Ariadne auf Naxos: Oper. "Das waren Zauberwörte!" (Ariadne, Bacchus), Ariadne auf Naxos: Oper. "Theseus! Nein, nein!" (Ariadne, Bacchus)
Marco Goldsmith balance Ariadne auf Naxos: Oper. Ouvertüre, Ariadne auf Naxos: Vorspiel. Orchestereinleitung
Manuel de Falla balance El sombrero de tres picos: Danza del molinero, El sombrero de tres picos: Introducción
Jaan Patterson & Friends balance Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?" (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
Mann Racket balance Ariadne auf Naxos: Vorspiel. "Du allmächtiger Gott! O du mein zitterndes Herz!" (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister)
Maryn Jones balance Ariadne auf Naxos: Oper. "Lieben, Hassen, Hoffen, Zagen" (Harlekin, Echo, Zerbinetta)
Madmancircus balance Ariadne auf Naxos: Oper. "Es gibt ein Reich, wo alles rein ist" (Ariadne)
Minor Movement balance Madama Butterfly: Act II, Part I. Coro a bocca chiusa
AG Davis balance Ariadne auf Naxos: Oper. "Großmächtige Prinzessin" (Zerbinetta)
Mr E balance Ariadne auf Naxos: Vorspiel. "Mein Herr Haushofmeister!" (Musiklehrer, Haushofmeister, Lakai, Offizier, Komponist)
Keith Thornton balance Madama Butterfly: Act I. "Bimba dagli occhi pieni di malia"
ODOR BABY balance Ariadne auf Naxos: Vorspiel. "Nein, Herr, so kommt es nicht" (Komponist, Zerbinetta, Musiklehrer)
Osvaldo Cibils balance Ariadne auf Naxos: Vorspiel. "Seien wir wieder gut" (Komponist, Musiklehrer)
Marisa Wildwood balance Ariadne auf Naxos: Vorspiel. "Hast ein Stückerl Notenpapier?" (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai, Haushofmeister)
Hussein Fadel balance Ariadne auf Naxos: Oper. "Ein schönes war: hieß Theseus" (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
Gabe Moon balance Ariadne auf Naxos: Vorspiel. "Ein Augenblick ist wenig - ein Blick ist viel" (Zerbinetta, Komponist, Musiklehrer, Primadonna)
Speed Injektion balance Ariadne auf Naxos: Oper. "Ein schönes Wunder!" - "Ein reizender Knabe!" (Dryade, Najade, Echo)
Fake Cats Project balance Ariadne auf Naxos: Oper. "Schläft sie?" (Najade, Dryade, Echo, Ariadne)
El Sonido Real balance Ariadne auf Naxos: Vorspiel. "Ist schon geschehn. Wir sind bereit" (Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist)
Carolyn Cooper balance Ariadne auf Naxos: Oper. "Wo war ich? Tot?" (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
Wes Statler balance Ariadne auf Naxos: Oper. "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Echo, Dryade)
Bernard Dumaine balance Ariadne auf Naxos: Oper. "Hübsch gepredigt! Aber tauben Ohren!" (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
Ahmed Hefnawi balance Ariadne auf Naxos: Oper. "Die Dame gibt mit trübem Sinn" (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
Kevin Knight balance Madama Butterfly: Act II, Part I. “Un bel dì vedremo levarsi un fil di fumo”