| Tom Lazarus |
sound |
Canzone for Flute & Piano, Op. 38a, Cello Sonata, Op. 6: I. Allegro ma non troppo, Cello Sonata, Op. 6: II. Adagio - Presto, Cello Sonata, Op. 6: III. Allegro appassionato, Excursions, Op. 20: I. Un poco allegro, Excursions, Op. 20: II. In slow blues tempo, Excursions, Op. 20: III. Allegretto, Excursions, Op. 20: IV. Allegro molto, Nocturne (Homage to John Field), Op. 33, Souvenirs, (Arr. From Op. 28): Pas de deux, Souvenirs, (Arr. From Op. 28): Two step, Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Israela Margalit |
producer, piano |
Canzone for Flute & Piano, Op. 38a, Cello Sonata, Op. 6: I. Allegro ma non troppo, Cello Sonata, Op. 6: II. Adagio - Presto, Cello Sonata, Op. 6: III. Allegro appassionato, Excursions, Op. 20: I. Un poco allegro, Excursions, Op. 20: II. In slow blues tempo, Excursions, Op. 20: III. Allegretto, Excursions, Op. 20: IV. Allegro molto, Nocturne (Homage to John Field), Op. 33, Souvenirs, (Arr. From Op. 28): Pas de deux, Souvenirs, (Arr. From Op. 28): Two step, Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Chris Craker (producer and engineer) |
producer, sound |
Canzone for Flute & Piano, Op. 38a, Cello Sonata, Op. 6: I. Allegro ma non troppo, Cello Sonata, Op. 6: II. Adagio - Presto, Cello Sonata, Op. 6: III. Allegro appassionato, Excursions, Op. 20: I. Un poco allegro, Excursions, Op. 20: II. In slow blues tempo, Excursions, Op. 20: III. Allegretto, Excursions, Op. 20: IV. Allegro molto, Nocturne (Homage to John Field), Op. 33, Souvenirs, (Arr. From Op. 28): Pas de deux, Souvenirs, (Arr. From Op. 28): Two step, Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Eric Parkin (pianist) |
piano |
Ballade, Op. 46: Restless - Allegro con fuoco - Restless, as before, Excursions, Op. 20: I. Un poco allegro, Excursions, Op. 20: II. In slow blues tempo, Excursions, Op. 20: III. Allegretto, Excursions, Op. 20: IV. Allegro molto, Nocturne, Op. 33: Moderato, Sonata for Piano, Op. 26: I. Allegro energico - Un poco meno mosso - Tempo I, Sonata for Piano, Op. 26: II. Allegro vivace e leggero, Sonata for Piano, Op. 26: III. Adagio mesto, Sonata for Piano, Op. 26: IV: Fuga. Allegro con spirito, Souvenirs, Op. 28: I. Waltz, Souvenirs, Op. 28: II. Schottische, Souvenirs, Op. 28: III. Pas de deux, Souvenirs, Op. 28: IV. Two-step, Souvenirs, Op. 28: V. Hesitation-Tango, Souvenirs, Op. 28: VI. Galop |
| Mitchell G. Heller |
engineer |
Prayers of Kierkegaard "Father in Heaven! Hold Not Our Sins Up Against Us", op. 30: Quietly, Prayers of Kierkegaard "Lord Jesus Christ Who Suffer'd", op. 30: Andante con moto tranquillo, Prayers of Kierkegaard "O Thou Who Art Unchangeable", op. 30: Grave and remote, Prayers of Kierkegaard, "Father in Heaven, Well We Know That it is Thou" op. 30: Un poco mosso, Prayers of Kierkegaard, op. 30: Allegro molto, The Lovers, op. 43: I. Body of a Woman, The Lovers, op. 43: II. Lithe Girl, Brown Girl, The Lovers, op. 43: III. In the Hot Depth of This Summer, The Lovers, op. 43: IV. Close Your Eyes, The Lovers, op. 43: IX. Cemetery of Kisses, The Lovers, op. 43: V. The Fortunate Isles, The Lovers, op. 43: VI. Sometimes, The Lovers, op. 43: VII. We Have Lost Even This Twilight, The Lovers, op. 43: VIII. Tonight I Can Write |
| Michael Fine (producer) |
producer |
Prayers of Kierkegaard "Father in Heaven! Hold Not Our Sins Up Against Us", op. 30: Quietly, Prayers of Kierkegaard "Lord Jesus Christ Who Suffer'd", op. 30: Andante con moto tranquillo, Prayers of Kierkegaard "O Thou Who Art Unchangeable", op. 30: Grave and remote, Prayers of Kierkegaard, "Father in Heaven, Well We Know That it is Thou" op. 30: Un poco mosso, Prayers of Kierkegaard, op. 30: Allegro molto, The Lovers, op. 43: I. Body of a Woman, The Lovers, op. 43: II. Lithe Girl, Brown Girl, The Lovers, op. 43: III. In the Hot Depth of This Summer, The Lovers, op. 43: IV. Close Your Eyes, The Lovers, op. 43: IX. Cemetery of Kisses, The Lovers, op. 43: V. The Fortunate Isles, The Lovers, op. 43: VI. Sometimes, The Lovers, op. 43: VII. We Have Lost Even This Twilight, The Lovers, op. 43: VIII. Tonight I Can Write |
| Leonard Slatkin |
conductor |
Souvenirs, op. 28 pour piano a quatre mains: I. Waltz, Souvenirs, op. 28 pour piano a quatre mains: II. Schottische, Souvenirs, op. 28 pour piano a quatre mains: III. Pas de deux, Souvenirs, op. 28 pour piano a quatre mains: IV. Two-step, Souvenirs, op. 28 pour piano a quatre mains: V. Hesitation Tango, Souvenirs, op. 28 pour piano a quatre mains: VI. Galop, Symphonie no. 1, op. 9: I. Allegro ma non troppo, Symphonie no. 1, op. 9: II. Allegro molto, Symphonie no. 1, op. 9: III. Andante tranquillo, Symphonie no. 1, op. 9: IV. Con moto (Passacaille), Third Essay for Orchestra, Op. 47, Vanessa, Op. 32: Act I, Scene I. "Must the winter come so soon?" (Erika) |
| Saint Louis Symphony Orchestra |
performing orchestra |
Souvenirs, op. 28 pour piano a quatre mains: I. Waltz, Souvenirs, op. 28 pour piano a quatre mains: II. Schottische, Souvenirs, op. 28 pour piano a quatre mains: III. Pas de deux, Souvenirs, op. 28 pour piano a quatre mains: IV. Two-step, Souvenirs, op. 28 pour piano a quatre mains: V. Hesitation Tango, Souvenirs, op. 28 pour piano a quatre mains: VI. Galop, Symphonie no. 1, op. 9: I. Allegro ma non troppo, Symphonie no. 1, op. 9: II. Allegro molto, Symphonie no. 1, op. 9: III. Andante tranquillo, Symphonie no. 1, op. 9: IV. Con moto (Passacaille), Third Essay for Orchestra, Op. 47 |
| Jeanne Baxtresser |
flute |
Canzone for Flute & Piano, Op. 38a, Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Philip Myers |
horn |
Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Stanley Drucker |
clarinet |
Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Joseph Robinson (oboist) |
oboe |
Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| Judith LeClair |
bassoon |
Summer Music, Op. 31: Faster -, Summer Music, Op. 31: Joyous and flowing -, Summer Music, Op. 31: Lively, still faster, Summer Music, Op. 31: Slow and indolent, Summer Music, Op. 31: Tempo I, Summer Music, Op. 31: With motion, as before - |
| André Previn |
piano |
Canzone for violin & piano: Moderato, Four Excursions, op. 20 no. 1: Un Poco Allegro, Four Excursions, op. 20 no. 2: In Slow Blues Tempo, Four Excursions, op. 20 no. 3: Allegretto, Four Excursions, op. 20 no. 4: Allegro Molto |
| New York Philharmonic |
performing orchestra |
Adagio for Strings - Molto Adagio, Violin Concerto, Op. 14: I. Allegro, Violin Concerto, Op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuo |
| Gil Shaham (violinist) |
violin |
Canzone for violin & piano: Moderato, Violin Concerto, Op. 14: I. Allegro, Violin Concerto, Op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuo |
| The Philadelphia Orchestra |
performing orchestra |
Adagio for Strings, Adagio for Strings, Op 11, The elephant man - adagio pour cordes, Toccata Festiva, op. 36 |
| Eugene Ormandy |
conductor |
Adagio for Strings, The elephant man - adagio pour cordes, Toccata Festiva, op. 36 |
| Alan Stepansky |
cello |
Cello Sonata, Op. 6: I. Allegro ma non troppo, Cello Sonata, Op. 6: II. Adagio - Presto, Cello Sonata, Op. 6: III. Allegro appassionato |
| Beaux Arts String Quartet |
strings |
String Quartet, op. 11: Molto adagio, String Quartet, op. 11: Molto allegro, String Quartet, op. 11: Molto allegro e appassionato |
| David Robertson (American conductor) |
conductor |
Violin Concerto, Op. 14: I. Allegro, Violin Concerto, Op. 14: II. Andante, Violin Concerto, op. 14: III. Presto in moto perpetuo |
| Boston Symphony Orchestra |
performing orchestra |
Adagio for Strings, Adagio for Strings (extract), Meditation de Medee & Danse de la Vengeance, op.23a |
| Charles Munch (conductor and violinist) |
conductor |
Adagio for Strings, Adagio for Strings (extract), Meditation de Medee & Danse de la Vengeance, op.23a |
| London Symphony Orchestra |
performing orchestra |
Adagio for Strings, Knoxville: Summer of 1915 |
| Robert Grogan (organist) |
organ |
Chorale Prelude on "Silent Night", Wondrous Love; Variations on a Shape-note Hymn |
| Ormond College Choir (Melbourne, Australia) |
vocal |
Agnus Dei, Op. 11, Heaven - Haven (A Nun Takes the Veil) |
| David Hill (organist and conductor) |
chorus master, conductor |
Agnus Dei, Agnus Dei, for chorus & organ/piano, Op. 11: arrangement from the 2nd movement of the String Quartet |
| Douglas Lawrence (organist and conductor) |
conductor |
Agnus Dei, Op. 11, Heaven - Haven (A Nun Takes the Veil) |
| Choir of New College Oxford |
vocal |
Agnus Dei (feat. choir: The Choir of New College Oxford), Agnus Dei, Op. 11 |
| Capella Istropolitana |
performing orchestra |
Adagio pour cordes |
| Erich Kunzel |
conductor |
Adagio for Strings |
| BBC Symphony Orchestra |
performing orchestra |
Vanessa, Op. 32: Act I, Scene I. "Must the winter come so soon?" (Erika) |
| François-René Duchâble |
piano |
Adagio pour cordes (feat. Scottish Chamber Orchestra, conductor: Jukka-Pekka Saraste) |
| Geoffrey Simon |
conductor |
Adagio |
| Gerard Schwarz (conductor) |
conductor |
Overture from "The School for Scandal" (excerpts) |
| Chicago Symphony Chorus |
vocal |
The Lovers, op. 43: IV. Close Your Eyes |
| Hallé Orchestra |
performing orchestra |
Adagio for Strings |
| Humbert Lucarelli (oboist) |
oboe |
Canzonetta for Oboe and String Orchestra |
| I Solisti Italiani |
performer |
Adagio for Strings |
| Chicago Symphony Orchestra |
performing orchestra |
The Lovers, op. 43: IV. Close Your Eyes |
| James Levine (US conductor and pianist) |
conductor |
He Has Come, He Has Come! (Vanessa) |
| Baltimore Symphony Orchestra |
performing orchestra |
Concerto for Violin & Orchestra, op. 14: Andante |
| Joanna Nickrenz |
producer |
Third Essay for Orchestra, Op. 47 |
| Choir of Trinity College (Cambridge) |
vocal |
Agnus Dei |
| Barbara Hendricks |
vocal |
Knoxville: Summer of 1915 |
| Joshua Bell |
violin |
Concerto for Violin & Orchestra, op. 14: Andante |
| Cincinnati Pops Orchestra |
performing orchestra |
Adagio for Strings |
| Jukka-Pekka Saraste |
conductor |
Adagio pour cordes (feat. Scottish Chamber Orchestra, conductor: Jukka-Pekka Saraste) |
| Kate Royal |
vocal |
Barber: Do Not Utter a Word (Vanessa) |
| Kronos Quartet |
strings |
Adagio |
| Laura Ward |
piano |
A Nun Takes the Veil |
| Lawrence Foster |
conductor |
Platoon: Adagio for strings (excerpt) |
| Lehigh Valley Chamber Orchestra |
performing orchestra |
Canzonetta for Oboe and String Orchestra |
| Columbia Symphony Orchestra |
performing orchestra |
Vanessa, op. 32: Intermezzo |
| Libor Pešek |
conductor |
Adagio for Strings |
| Corydon Singers |
vocal |
Agnus Dei |
| Mat Silver vs. Tony Burt |
remixer |
Adagio for Strings (Mat Silver & Tony Burt remix) |
| Matthew Best (UK conductor, founder of Corydon Singers) |
conductor |
Agnus Dei |
| Maurice Handford (horn player / conductor) |
conductor |
Adagio for Strings |
| Metropolitan Opera Orchestra |
performing orchestra |
He Has Come, He Has Come! (Vanessa) |
| Crouch End Festival Chorus |
vocal |
Barber: Do Not Utter a Word (Vanessa) |
| Michael Tilson Thomas |
conductor |
Knoxville: Summer of 1915 |
| Milwaukee Symphony Orchestra |
performing orchestra |
Adagio for Strings (from Platoon) |
| David Gardener |
conductor |
Barber: Do Not Utter a Word (Vanessa) |
| Andrew Schenck |
conductor |
The Lovers, op. 43: IV. Close Your Eyes |
| Orchestre Philharmonique de Monte-Carlo |
performing orchestra |
Platoon: Adagio for strings (excerpt) |
| Berliner Philharmoniker |
performing orchestra |
Adadio for Strings, op. 11 |
| Peter Lawson (pianist) |
piano |
Sonate op. 26: III. Adagio mesto |
| Philadelphia Woodwind Quintet |
performer |
Summer Music, op. 31 |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Adagio |
| Philip Aaberg |
performer |
Adagio for Strings (feat. Philip Aaberg) |
| David Zinman |
conductor |
Concerto for Violin & Orchestra, op. 14: Andante |
| Renée Fleming |
vocal |
He Has Come, He Has Come! (Vanessa) |
| Richard Marlow |
chorus master, conductor |
Agnus Dei |
| Donald Spieth (conductor) |
conductor |
Canzonetta for Oboe and String Orchestra |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Adagio for Strings |
| Семён Маевич Бычков |
conductor |
Adadio for Strings, op. 11 |
| Scottish Chamber Orchestra |
performing orchestra |
Adagio pour cordes (feat. Scottish Chamber Orchestra, conductor: Jukka-Pekka Saraste) |
| E. Power Biggs |
pipe organ |
Toccata Festiva, op. 36 |
| Steven Isserlis |
cello |
Concerto pour violoncelle et orchestre : Andante sostenuto |
| The Cambridge Singers |
vocal |
Agnus Dei |
| Edward Higginbottom |
conductor |
Agnus Dei, Op. 11 |
| The Santa Barbara Quire of Voyces |
vocal |
Agnus Dei |
| Thomas Schippers |
conductor |
Vanessa, op. 32: Intermezzo |
| English National Opera Orchestra |
performing orchestra |
Barber: Do Not Utter a Word (Vanessa) |
| William Hoekstra |
sound |
Third Essay for Orchestra, Op. 47 |
| Winchester Cathedral Choir |
vocal |
Agnus Dei |
| John Rutter |
conductor |
Agnus Dei |