Rainer Maillard

balance, engineer, recording, producer, editor, sound, mix, piano

Top collaborators

Artist name Roles Recordings
Synthlabor
Martina Fabová (Slovak singer)
Brannon Cho
Samuel Shipway
Jan Jelys

Work on other artists' recordings

Artist name Roles Recordings
Synthlabor balance, recording Af lotusdoft och månens sken, Afskedet, Aspåkers-polska, Barnlige Sange Op. 61: III. Lok, Böljeby-vals, Bön till natten, De vilda svanarna: De vilda svanarna, De vilda svanarna: Människans lott, De vilda svanarna: Vårnattsregnet, Det far ett skepp, op. 26 No. 5, Digte af Vilhelm Krag Op. 60: III. Mens Jeg Venter, Du schaust mich an mit stummen Fragen, op. 12 no. 1, En strandvisa, op. 26 no. 9, Fem Digte af John Paulsen Op. 26: 1. Et Håb, Gammalsvenskt, Hab' ein Röslein dir gebrochen, op. 12 no. 4, I lönnens skymning, op. 37 no. 2, I månaden Tjaitra, Ich möchte schweben über Tal und Hügel, op. 12 no. 6, Intet är som väntanstider, Jag kysser din vita hand, op. 28 no. 3, Jungfru Blond och jungfru Brunett, op. 26 no. 4, Jutta kommer till Folkungarna, Marits visor, op. 12: Holder du af mig, Marits visor, op. 12: Kom bukken til gutten, Marits visor, op. 12: Solen skinner vakkert om kvælden, Melodi, När jag för mig själv, Pan, Romancer Op. 39: I. Fra Monte Pincio, Seks Digte af Henrik Ibsen Op. 25: II. En Svane, Seks Digte af Henrik Ibsen Op. 25: IV. Med en Vandlilje, Seks Digte af Holger Drachmann Op. 49: VI. Forårsregn, Seks Sange Op. 48: I. Gruß, Seks Sange Op. 48: II. Dereinst, Gedanke mein, Seks Sange Op. 48: III. Lauf der Welt, Seks Sange Op. 48: IV. Die Verschwiegene Nachtigall, Seks Sange Op. 48: V. Zur Rosenzeit, Seks Sange Op. 48: VI. Ein Traum, Skogen sover, op. 28 no. 6, Som stjärnorna på himmelen, Tolv Melodier til Digte af Aasmund Olavsson Vinje Op. 33: II. Våren, Tolv Melodier til Digte af Aasmund Olavsson Vinje op. 33: V. Langs ei Å, Vandraren, op. 26 no. 1, Vingar i natten, »Haugtussa« Op. 67: I. Det Syng, »Haugtussa« Op. 67: II. Veslemøy, »Haugtussa« Op. 67: III. Blåbær-Li, »Haugtussa« Op. 67: IV. Møte, »Haugtussa« Op. 67: V. Elsk, »Haugtussa« Op. 67: VI. Killingdans, »Haugtussa« Op. 67: VII. Vond Dag, »Haugtussa« Op. 67: VIII. Ved Gjætle-Bekken, »Hjertets Melodier« af H. C. Andersen Op. 5: I. To Brune Øjne, »Hjertets Melodier« af H. C. Andersen Op. 5: III. Jeg Elsker Dig, Återkomst
Martina Fabová balance, engineer, producer Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirito, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Symphony no. 2 in E minor, op. 27: 1. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: 2. Allegro molto, Symphony no. 2 in E minor, op. 27: 3. Adagio, Symphony no. 2 in E minor, op. 27: 4. Allegro vivace, Symphony no. 3 in C minor "Le Divin Poème", op. 43: 1. Lento - Luttes. Allegro, Symphony no. 3 in C minor "Le Divin Poème", op. 43: 2. Voluptés. Lento, Symphony no. 3 in C minor "Le Divin Poème", op. 43: 3. Jeu divin Allegro, The Nutcracker: Act I, Tableau I. Children's Galop and Entry of the Parents, The Nutcracker: Act I, Tableau I. Decoration of the Christmas tree, The Nutcracker: Act I, Tableau I. Departure of the Guests, Night, The Nutcracker: Act I, Tableau I. March, The Nutcracker: Act I, Tableau I. Scene Dansante, The Nutcracker: Act I, Tableau I. Scene and Grandfather's Dance, The Nutcracker: Act I, Tableau I. The Battle and Transformation Scene, The Nutcracker: Act I, Tableau II. The Forest of Fir Trees in Winter, The Nutcracker: Act I, Tableau II. Waltz of the Snowflakes, The Nutcracker: Act II, Tableau III. Apotheosis, The Nutcracker: Act II, Tableau III. Arrival of Clara and the Nutcracker, The Nutcracker: Act II, Tableau III. Coda, The Nutcracker: Act II, Tableau III. Divertissement: a. Chocolate: Spanish Dance, The Nutcracker: Act II, Tableau III. Divertissement: b. Coffee: Arabian Dance, The Nutcracker: Act II, Tableau III. Divertissement: c. Tea: Chinese Dance, The Nutcracker: Act II, Tableau III. Divertissement: d. Trepak: Russian Dance, The Nutcracker: Act II, Tableau III. Divertissement: e. Dance of the Toy Flutes, The Nutcracker: Act II, Tableau III. Divertissement: f. Mother Gigogne and the Clowns, The Nutcracker: Act II, Tableau III. Final Waltz, The Nutcracker: Act II, Tableau III. Pas de Deux: The Prince and the Sugar-Plum Fairy, The Nutcracker: Act II, Tableau III. The Enchanted Palace of the Kingdom of Sweets, The Nutcracker: Act II, Tableau III. Variation I: Tarantella, The Nutcracker: Act II, Tableau III. Variation II: Dance of the Sugar-Plum Fairy, The Nutcracker: Act II, Tableau III. Waltz of the Flowers, The Nutcracker: Overture
Brannon Cho balance Capriccio italien, op. 45, Fate, op. 77, Francesca da Rimini, op. 32: Symphonic Fantasia after Dante, Hamlet, op. 67: Fantasy Overture after Shakespeare, Marche slave, op. 31, Ouverture solennelle “1812”, op. 49, Overture in F major, op. 67, Romeo and Juliet: Fantasy Overture after Shakespeare, Symphony no. 1 in G minor, op. 13: 1. Daydreams on a Wintry Road, Symphony no. 1 in G minor, op. 13: 2. O land of gloom, O land of mist!, Symphony no. 1 in G minor, op. 13: 3. Scherzo. Allegro scherzando giocoso, Symphony no. 1 in G minor, op. 13: 4. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo, Symphony no. 2 in C minor, op. 17 “Little Russian”: 1. Andante sostenuto – Allegro vivo, Symphony no. 2 in C minor, op. 17 “Little Russian”: 2. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 “Little Russian”: 3. Scherzo. Allegro molto vivace – Trio, Symphony no. 2 in C minor, op. 17 “Little Russian”: 4. Moderato assai – Allegro vivo – Presto, Symphony no. 3 in D major, op. 29 “Polish”: 1. Introduzione e Allegro. Moderato assai (tempo di marcia funebre) – Allegro brillante, Symphony no. 3 in D major, op. 29 “Polish”: 2. Alla tedesca. Allegro moderato e semplice – Trio, Symphony no. 3 in D major, op. 29 “Polish”: 3. Andante elegiaco, Symphony no. 3 in D major, op. 29 “Polish”: 4. Scherzo. Allegro vivo – Trio, Symphony no. 3 in D major, op. 29 “Polish”: 5. Finale. Allegro con fuoco (tempo di polacca), Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima – Moderato assai, quasi Andante – Allegro vivo, Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato – Allegro, Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco, Symphony no. 5 in E minor, op. 64: 1. Andante – Allegro con anima, Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza – Moderato con anima – Andante mosso – Allegro non troppo – Tempo I, Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso – Allegro vivace – Molto vivace – Moderato assai e molto maestoso – Presto, Symphony no. 6 in B minor, op. 74 “Pathétique”: 1. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso, Symphony no. 6 in B minor, op. 74 “Pathétique”: 2. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathétique”: 3. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathétique”: 4. Finale. Adagio lamentoso – Andante, The Tempest, op. 18, Voyevoda, op. 78
Samuel Shipway producer 12 études d'exécution transcendante: I. Preludio, 12 études d'exécution transcendante: II. Molto vivace, 12 études d'exécution transcendante: III. Paysage, 12 études d'exécution transcendante: IV. Mazeppa, 12 études d'exécution transcendante: IX. Ricordanza, 12 études d'exécution transcendante: V. Feux follets, 12 études d'exécution transcendante: VI. Vision, 12 études d'exécution transcendante: VII. Eroica, 12 études d'exécution transcendante: VIII. Wilde Jagd, 12 études d'exécution transcendante: X. Allegro agitato molto, 12 études d'exécution transcendante: XI. Harmonies du soir, 12 études d'exécution transcendante: XII. Chasse-neige, Grande valse brillante in E-flat major, op. 18: Vivo, Waltz in A minor, KK IVb No. 11: Allegretto, Waltz in A minor, Op. 34 No. 2: Lento, Waltz in A-flat major, KK IVa No. 13, Waltz in A-flat major, Op. 34 No. 1: Vivace, Waltz in A-flat major, Op. 42, Waltz in A-flat major, Op. 64 No. 3: Moderato, Waltz in A-flat major, Op. posth. 69 No. 1 "Farewell": Tempo di Valse, Waltz in B minor, Op. posth. 69 No. 2, Waltz in C-sharp minor, Op. 64 No. 2: Tempo giusto, Waltz in D-flat major, Op. 64 No. 1 "Minute": Molto vivace, Waltz in D-flat major, Op. posth. 70 No. 3: Moderato, Waltz in E major, KK IVa No. 12: Tempo di Valse, Waltz in E minor, KK IVa No. 15, Waltz in E-flat major, KK IVa No. 14, Waltz in E-flat major, KK IVb No. 10: Sostenuto, Waltz in F major, Op. 34 No. 3: Vivace, Waltz in F minor, Op. posth. 70 No. 2, Waltz in G-flat major, Op. posth. 70 No. 1
Jan Jelys balance Carnaval, op. 9: I. Préamble, Carnaval, op. 9: II. Pierrot, Carnaval, op. 9: III. Arlequin, Carnaval, op. 9: IV. Valse noble, Carnaval, op. 9: IX. Papillons, Carnaval, op. 9: V. Eusebius, Carnaval, op. 9: VI. Florestan, Carnaval, op. 9: VII. Coquette, Carnaval, op. 9: VIII. Réplique (Sphinxes), Carnaval, op. 9: X. A.S.C.H. - S.C.H.A (Lettres dansantes), Carnaval, op. 9: XI. Chiarina, Carnaval, op. 9: XII. Chopin, Carnaval, op. 9: XIII. Estrella, Carnaval, op. 9: XIV. Reconnaissance, Carnaval, op. 9: XIX. Pause, Carnaval, op. 9: XV. Pantalon Et Colombine, Carnaval, op. 9: XVII. Aveu, Carnaval, op. 9: XVIII. Promenade, Carnaval, op. 9: XVIa Valse allemande, Carnaval, op. 9: XVIb Intermezzo: Paganini, Carnaval, op. 9: XX. Marche des “Davidsbündler” contre les Philistins, Grandes Etudes de Paganini: No. 3 in G sharp minor "La Campanella", S.141, Liebestraum nr. 2 in As, Rhapsodie espagnole, S. 254, R. 90, Sonata for Piano no. 10 in C major, K. 330 (300h): I. Allegro moderato, Sonata for Piano no. 10 in C major, K. 330 (300h): II. Andante cantabile, Sonata for Piano no. 10 in C major, K. 330 (300h): III. Allegretto, Sonata in E major, K. 380, L 23: Andante comodo, Sonata in G major, K. 13, L 486: Presto
Nuorisokuoro Juventus balance, engineer Introduction in C minor and Rondo in E flat major, Op. 16, Variations on a Theme of Corelli, op. 42: Coda (andante), Variations on a Theme of Corelli, op. 42: Intermezzo. A tempo rubato, Variations on a Theme of Corelli, op. 42: Theme (andante), Variations on a Theme of Corelli, op. 42: Variation 1. Poco più mosso, Variations on a Theme of Corelli, op. 42: Variation 10. Allegro scherzando, Variations on a Theme of Corelli, op. 42: Variation 11. Allegro vivace, Variations on a Theme of Corelli, op. 42: Variation 12. L'istesso tempo, Variations on a Theme of Corelli, op. 42: Variation 13. Agitato, Variations on a Theme of Corelli, op. 42: Variation 14. Andante, Variations on a Theme of Corelli, op. 42: Variation 15. L'istesso tempo, Variations on a Theme of Corelli, op. 42: Variation 16. Allegro vivace, Variations on a Theme of Corelli, op. 42: Variation 17. Meno mosso, Variations on a Theme of Corelli, op. 42: Variation 18. Allegro con brio, Variations on a Theme of Corelli, op. 42: Variation 19. Più mosso. Agitato, Variations on a Theme of Corelli, op. 42: Variation 2. L'istesso tempo, Variations on a Theme of Corelli, op. 42: Variation 20. Più mosso, Variations on a Theme of Corelli, op. 42: Variation 3. Tempo di menuetto, Variations on a Theme of Corelli, op. 42: Variation 4. Andante, Variations on a Theme of Corelli, op. 42: Variation 5. Allegro, Variations on a Theme of Corelli, op. 42: Variation 6. L'istesso tempo, Variations on a Theme of Corelli, op. 42: Variation 7. Vivace, Variations on a Theme of Corelli, op. 42: Variation 8. Adagio misterioso, Variations on a Theme of Corelli, op. 42: Variation 9. Un poco più mosso
Игорь Фёдорович Стравинский engineer Concertino, Concerto in D major for String Orchestra: I. Vivace, Concerto in D major for String Orchestra: II. Arioso, Concerto in D major for String Orchestra: III. Rondo, Duet for Bassoons, Fanfare for a new theatre, Octet: I. Sinfonia. Lento - Allegro moderato, Octet: II. Tema con variazioni, Octet: III. Finale, Praeludium for Jazz Ensemble, Ragtime, Scherzo à la Russe for Jazz Orchestra, Suite No. 1: I. Andante, Suite No. 1: II. Napolitana, Suite No. 1: III. Espanola, Suite No. 1: IV. Balalaika, Suite No. 2: I. Marche, Suite No. 2: II. Valse, Suite No. 2: III. Polka, Suite No. 2: IV. Galop, Tango, Three Pieces for String Quartet: I. Danse, Three Pieces for String Quartet: II. Excentrique, Three Pieces for String Quartet: III. Cantique
Ruutu Poiss balance Baba Yaga, op. 56, Colas Breugnon, op. 24: Overture, Festival Overture on the Danish Anthem, op. 15, Festival Overture, op. 96, Khovanshchina Act I: Prelude: Dawn on the Moscow River, Kikimora, op. 63, La Princesse lointaine, op. 4: Prelude, Le Coq d'or, Suite: I. Tsar Dondon in his Palace, Le Coq d'or, Suite: II. Tsar Dondon on Campaign, Le Coq d'or, Suite: III. Tsar Dondon as guest of the Queen Shemakha, Le Coq d'or, Suite: IV. The Wedding and Lamentable End of Tsar Dodon, Le Royaume enchanté, op. 39: Prelude, Overture solennelle, op. 73, Prince Igor: Overture, Ruslan & Ludmilla: Overture, Semyon Kotko, Suite, op. 81a: Introduction, Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato, The Enchanted Lake, op. 62, The Tsar's Bride: Overture
Santiago balance Concerto in C major RV 187: I. Allegro, Concerto in C major RV 187: II. Largo ma non molto, Concerto in C major RV 187: III. Allegro, Concerto in D major RV 232: I. Allegro, Concerto in D major RV 232: II. Largo, Concerto in D major RV 232: III. Allegro, Concerto in D minor RV 243: I. Allegro, Concerto in D minor RV 243: II. Andante molto, Concerto in D minor RV 243: III. Allegro, Concerto in E minor RV 281: I. Allegro, Concerto in E minor RV 281: II. Largo, Concerto in E minor RV 281: III. Allegro, Concerto in E-flat major RV 254: I. Allegro, Concerto in E-flat major RV 254: II. Largo, Concerto in E-flat major RV 254: III. Allegro, Concerto in F major RV 283: I. Allegro, Concerto in F major RV 283: II. Largo e spiccato, Concerto in F major RV 283: III. Allegro
Nami engineer Capricho árabe, Catalan Folksongs: El testament d'Amelia, Danzas (12) españolas for Piano, Op. 37: no 2, Oriental, Danzas (12) españolas for Piano, Op. 37: no 5, Andaluza, Epitaphs: 3. A Day in May, Epitaphs: 4. You Have Set, My Star, Jeux interdits, Koyunbaba, Op. 19: I. Moderato, Koyunbaba, Op. 19: II. Mosso, Koyunbaba, Op. 19: III. Cantabile, Koyunbaba, Op. 19: IV. Presto, Mazurkas (4) for Guitar: no 1 in G minor, Adelita, Prelude for guitar No. 8 in A minor "Lágrima", Recuerdos de la Alhambra, Suite española, Op. 47: No. 5 Asturias, Suite española, Op. 47: no 1, Granada, Suite española, Op. 47: no 3, Sevilla
허도익 balance Music for Strings, Percussion and Celesta, Sz 106: Adagio, Music for Strings, Percussion and Celesta, Sz 106: Allegro, Music for Strings, Percussion and Celesta, Sz 106: Allegro molto, Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo, The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio), The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro), The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato), The Miraculous Mandarin, op. 19, Sz 73: Second seduction game, The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo), The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso), The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro), The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato), The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo, The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)
Goose balance, engineer Ma mère l'Oye: I. Pavane de la belle au bois dormant, Ma mère l'Oye: II. Petit Poucet, Ma mère l'Oye: III. Laideronnette, impératrice des pagodes, Ma mère l'Oye: IV. Les entretiens de la belle et de la bête, Ma mère l'Oye: V. Le jardin féerique, Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce, Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto, Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio, Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio, Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato, Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto, Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Presto, Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto, Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio
Billy Rudling balance 4 Romantic Pieces, op. 75: Allegro appassionato, 4 Romantic Pieces, op. 75: Allegro maestoso, 4 Romantic Pieces, op. 75: Allegro moderato, 4 Romantic Pieces, op. 75: Larghetto in G minor, Sonata in F major, op. 57: Allegro Molto, Sonata in F major, op. 57: Allegro, ma non troppo, Sonata in F major, op. 57: Poco sostenuto, Sonatina for Violin and Piano in G, op. 100: Allegro risoluto, Sonatina for Violin and Piano in G, op. 100: Finale. Allegro, Sonatina for Violin and Piano in G, op. 100: Larghetto, Sonatina for Violin and Piano in G, op. 100: Scherzo. Molto vivace
Paul Seidel engineer Concerto for Violin and Orchestra in A minor, op. 82: I. Moderato -, Concerto for Violin and Orchestra in A minor, op. 82: II. Andante sostenuto - Tempo I -, Concerto for Violin and Orchestra in A minor, op. 82: III. Allegro, Concerto for Violin and Orchestra in C major, op. 48: I. Allegro molto e con brio, Concerto for Violin and Orchestra in C major, op. 48: II. Andantino cantabile, Concerto for Violin and Orchestra in C major, op. 48: III. Vivace giocoso, Souvenir d'un lieu cher, op. 42: I. Méditation: Andante molto cantabile, Souvenir d'un lieu cher, op. 42: II. Scherzo: Presto giocoso, Souvenir d'un lieu cher, op. 42: III. Mélodie: Moderato con moto, Valse-Scherzo, op. 34 for Violin and Orchestra
Kruhy balance Liebesfreud, Liebesleid, Romance in F minor, op. 11, Romance in G major, Romance no. 1 in G major, op. 40, Romance no. 2 in F major, op. 50, Romanza Andaluza, op. 22 no. 1, Salut d'amour, Schön Rosmarin, Serenade melancolique in B minor, op. 26
Bill Fielder balance Symphony no. 2 "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck, Symphony no. 2 "Resurrection": 2. Andante moderato. Sehr gemächlich, Symphony no. 2 "Resurrection": 3. Scherzo. In ruhig fließender Bewegung, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Scherzo. Wuchtig, Symphony no. 6 in A minor: III. Andante, Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico
Rafał Blechacz recording 2 Polonaises, op. 26: No. 1 in C-sharp minor. Allegro appassionato, 2 Polonaises, op. 26: No. 2. in E-flat minor. Maestoso, 2 Polonaises, op. 40: No. 1 in A major. Allegro con brio, 2 Polonaises, op. 40: No. 2 in C minor. Allegro maestoso, Polonaise in A-flat major, op. 53: Maestoso, Polonaise in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I, Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso
Costin Miereanu balance Symphony no. 7 In E minor: I. Langsam (Adagio), Symphony no. 7 In E minor: II. Nachtmusik I (Allegro moderato), Symphony no. 7 In E minor: III. Scherzo. Schattenhaft, Symphony no. 7 In E minor: IV. Nachtmusik II (Andante amoroso), Symphony no. 7 In E minor: V. Rondo - Finale. Tempo I (Allegro ordinario)
Running Death balance Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck, Fantasiestücke, op. 88: II. Humoreske: Lebhaft, Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck, Fantasiestücke, op. 88: IV. Finale: Im Marschtempo, Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese
The Absence recording I Capuleti e i Montecchi: Atto I, Scena VI. "Ah, crudel, d'onor ragioni" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto I, Scena VI. "Odi tu? L'altar funesto" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto I, Scena VI. "Vieni, ah! vieni, in me riposa" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto II, Scena IX. "O tu, mia sola speme" (Romeo, Giulietta)
Hélène Grimaud balance Fantasia on an Ostinato, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto
Hot City Bump Band balance Foreign Bodies: I. Body Language, Foreign Bodies: II. Language, Foreign Bodies: III. Dance, Insomnia
Anton Bruckner balance Symphony No. 5 in B-flat major: I. Introduction: Adagio - Allegro, Symphony No. 5 in B-flat major: II. Adagio: Sehr langsam, Symphony No. 5 in B-flat major: III. Scherzo. Molto vivace (Schnell) - Trio im gleichen Tempo, Symphony No. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato
Robert Schumann recording Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo, Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter, Fantasy in C major, op. 17: III.. Langsam getragen. Durchweg leise zu halten - Etwas bewegter
The Blow Up recording I Capuleti e i Montecchi: Atto I, Scena IV. Andante maestoso, I Capuleti e i Montecchi: Atto I. Sinfonia, I Capuleti e i Montecchi: Atto II, Scena I. Allegro moderato
이겅우 engineer Trio Sonata in C major, RV 82: 1. Allegro non molto (quasi andante), Trio Sonata in C major, RV 82: 2. Larghetto, Trio Sonata in C major, RV 82: 3. Allegro
Matthias Schweighöfer recording Hamlet - Fantasy Overture after Shakespeare, op. 67, Romeo and Juliet - Fantasy Overture after Shakespeare, The Tempest - Symphonic Fantasy after Shakespeare, op. 18
Standard Symphony Orchestra recording I Capuleti e i Montecchi: Atto I, Scena III. "Ascolta. Se Romeo t'uccise un figlio" (Romeo), I Capuleti e i Montecchi: Atto II, Scena V. "Deserto è il luogo" (Romeo), I Capuleti e i Montecchi: Atto II, Scena VIII. "Deh! Tu, bell'anima" (Romeo)
Sol Gabetta editor, recording Grāmata čellam: I. Fortissimo, Grāmata čellam: II. Pianissimo
The Das Kaput recording I Capuleti e i Montecchi: Atto II, Scena VII. "Ecco la tomba" (Romeo, Montecchi), I Capuleti e i Montecchi: Atto II, Scena VII. Coro, Aria e Duetto finale "Siam giunti" (Montecchi, Romeo)
Pop Experience recording I Capuleti e i Montecchi: Atto I, Scena IX. "Tace il fragor... silenzio" (Giulietta, Romeo), I Capuleti e i Montecchi: Atto I, Scena VI. "Si, fuggire: a noi non resta" (Romeo, Giulietta)
Julia Reinhardt balance 2 Klavierstücke, WoO 19, MWV U 93-94: 2. Presto agitato, Etude-Tableau in G minor, op. 33: No. 8. Moderato
Il Sorenti recording I Capuleti e i Montecchi: Atto I, Scena I. Coro d'introduzione "Aggiorna appena..." (Capuleti), I Capuleti e i Montecchi: Atto I, Scena VII. Coro "Lieta notte, avventurosa" (Capuleti)
Leafy recording I Capuleti e i Montecchi: Atto I, Scena XI. "Accorriam...Romeo!" (Montecchi, Tebaldo, Capellio, Romeo, Giulietta, Lorenzo), I Capuleti e i Montecchi: Atto I, Scena XI. "Se ogni speme è a noi rapita" (Giulietta, Romeo, Tebaldo, Capellio, Montecchi, Lorenzo)
Alexander Pinderak recording I Capuleti e i Montecchi: Atto II, Scena VI. "Chi sei tu, che ardisci" (Tebaldo, Romeo), I Capuleti e i Montecchi: Atto II, Scena VII. "Ella è morta, o sciagurato" (Romeo, Tebaldo)
SNR balance Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
Daniel Mezquita Hardy balance Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio, Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro. Meno allegro. Allegro molto. Adagio ma non troppo. Marcia, assai vivace
Jesper Mikkelsen recording I Capuleti e i Montecchi: Atto II, Scena III. "Ah! non poss'io partire" (Giulietta, Capellio, Capuleti, Lorenzo), I Capuleti e i Montecchi: Atto II, Scena III. "Prendi, gl'istanti volano" (Lorenzo, Giulietta, Capellio, Capuleti)
One From Yellow balance Symphony, op. 21: 1. Ruhig schreitend, Symphony, op. 21: 2. Variationen
Jesé Rodríguez editor Symphony no. 4 in G major: I. Bedächtig, nicht eilen, Symphony no. 4 in G major: III. Ruhevoll
Gary Lawrence Soubrier recording I Capuleti e i Montecchi: Atto I, Scena V. Scena e Duetto "Propizia è I'ora" (Lorenzo, Giulietta, Romeo)
Namita Mehta balance Wing on Wing
Jonathan Bentley Murray balance Credo, for Piano, Chorus & Orchestra
Prostecutioner recording I Capuleti e i Montecchi: Atto I, Scena XI. "Che miro?" (Tebaldo, Lorenzo, Giulietta, Romeo, Capellio)
Raf Gees recording I Capuleti e i Montecchi: Atto II, Scena I. Scena ed Aria "Né alcun ritorna!" (Giulietta, Lorenzo)
Jon Strahl Band recording I Capuleti e i Montecchi: Atto II, Scena VII. "Qua' voci! Oh, Dio!" (Romeo, Tebaldo, Capuleti)
Rapsusklei,Sharif y Juaninacka recording I Capuleti e i Montecchi: Atto I, Scena II. "È serbata a questo acciaro" (Tebaldo)
Ray Niznik editor Symphony no. 4 in G major: IV. Sehr behaglich
Rob Miller recording I Capuleti e i Montecchi: Atto I, Scena II. "L'amo tanto, e m'e sl cara" (Tebaldo, Capellio, Capuleti, Lorenzo)
Rob Willy balance, producer Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra
Joe Soler recording I Capuleti e i Montecchi: Atto I, Scena XI. "Soccorso, sostegno accordagli" (Giulietta, Romeo, Tebaldo, Capellio, Lorenzo)
Jeremy Lopez recording I Capuleti e i Montecchi: Atto I, Scena X. "Io te lo chiedo in nome" (Romeo, Capuleti, Giulietta, Capellio)
Jan Krzysztof Broja recording I Capuleti e i Montecchi: Atto II, Scena IV. Scena e Duetto "Qual turbamento io provo!" (Capellio)
Gerry Garszwa recording I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "Vanne Lorenzo; e tu, che il puoi" (Capellio, Tebaldo, Capuleti)
Anne Bisgaard recording I Capuleti e i Montecchi: Atto II, Scena II. "Morte io non temo, il sai" (Giulietta, Lorenzo)
Event recording I Capuleti e i Montecchi: Atto I, Scena III. "La tremenda ultrice spada" (Romeo, Capellio, Tebaldo, Capuleti)
Delta Catfish recording I Capuleti e i Montecchi: Atto I, Scena IV. Recitativo e Romanza "Eccomi in lieta vesta" (Giulietta)
Dave Kuhn mix Chiaroscuro
Daniel Torrico Menacho recording I Capuleti e i Montecchi: Atto I, Scena III. "Lieto del dolce incarco" (Romeo, Tebaldo, Capellio, Capuleti)
Daniel Spaleniak recording I Capuleti e i Montecchi: Atto I, Scena IV. "Oh! quante volte" (Giulietta)
Brad Wentworth recording I Capuleti e i Montecchi: Atto II, Scena X. "Ah! crudel! che mai facesti?" (Giulietta, Romeo, Montecchi, Capellio, Lorenzo, Capuleti)
Boom Tali Posse recording I Capuleti e i Montecchi: Atto I, Scena III. "Riedi al campo, e di allo stolto" (Capellio, Romeo, Tebaldo, Capuleti)
The Mission Creeps editor Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
Thomas Hampson balance Le nozze di Figaro: Atto terzo. N. 18 Recitativo ed aria: Hai già vinta la causa!
Vilma von Webenau editor Meeresstille und glückliche Fahrt, op. 27
Boaz Bentur recording I Capuleti e i Montecchi: Atto I, Scena VIII. Finale primo "Deh! per pietà, t'arresta" (Lorenzo, Romeo, Capuleti)
Anne Sofie von Otter balance Le nozze di Figaro: Atto quarto. Presto, avvertiam Susanna!
Luciferian Rites recording I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "O di Capellio, generosi amici" (Tebaldo, Capuleti, Capellio, Lorenzo)