Wolfgang Stengel

producer, recording, editor

Top collaborators

Artist name Roles Recordings
Seashaped
Davon Wilson
Search Yiu
Martha Argerich
Cherry da Vixen

Work on other artists' recordings

Artist name Roles Recordings
Seashaped producer "Pomp and Circumstance", op. 39: March no. 4 in G major, Pomp and Circumstance: no. 1 in D major, op. 39, Sinfonie No. 4 A-Dur: I. Allegro vivace, Sinfonie No. 4 A-Dur: II. Andante con moto, Sinfonie No. 4 A-Dur: III. Con moto moderato, Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto, Symphony No. 5 in C minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I, Symphony No. 5 in C minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I. Subito, Symphony No. 5 in C minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony No. 5 in C minor: IV. Adagietto. Sehr langsam, Symphony No. 5 in C minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch, Symphony No. 7 in E minor: I. Langsam. Allegro risoluto, Symphony No. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony No. 7 in E minor: III. Scherzo. Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony No. 7 in E minor: V. Rondo. Finale. Allegro ordinario - Allegro moderato ma energico, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Accende lumen sensibus, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Gloria sit Patri Domino, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Imple superna gratia, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Infirma nostri corporis, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Tempo I. Allegro, etwas hastig, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Veni creator spiritus, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Poco adagio, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran, Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen, Symphony No. 8 in E-flat major "Symphony of a Thousand": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus, Symphony No. 9 in D major: I. Andante comodo, Symphony No. 9 in D major: I. Bewegter, Symphony No. 9 in D major: I. Blechbläser, Symphony No. 9 in D major: I. Etwas frischer, Symphony No. 9 in D major: I. Hörner, Symphony No. 9 in D major: I. Mit Wut. Allegro risoluto, Symphony No. 9 in D major: I. Plötzlich bedeutend langsamer und leise, Symphony No. 9 in D major: I. Wie von Anfang, Symphony No. 9 in D major: II. A tempo II, Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derp, Symphony No. 9 in D major: II. Poco più mosso subito. Tempo II, Symphony No. 9 in D major: II. Tempo I, Symphony No. 9 in D major: II. Tempo I. Subito, Symphony No. 9 in D major: II. Tempo II, Symphony No. 9 in D major: II. Tempo III, Symphony No. 9 in D major: III. Klarinetten, Symphony No. 9 in D major: III. L'istesso tempo, Symphony No. 9 in D major: III. Più stretto, Symphony No. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig, Symphony No. 9 in D major: III. Sempre l'istesso tempo, Symphony No. 9 in D major: III. Tempo I. Subito, Symphony No. 9 in D major: IV. A tempo. Molto adagio, Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony No. 9 in D major: IV. Adagissimo, Symphony No. 9 in D major: IV. Fließender, doch durchaus nicht eilend, Symphony No. 9 in D major: IV. Molto adagio subito, Symphony No. 9 in D major: IV. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd, Symphony No. 9 in D major: IV. Stets sehr lang gehalten, Symphony No. 9 in D major: IV. Tempo I. Molto adagio, Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich, Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich, Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major: IV. Stürmisch bewegt, Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso, Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich, Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung, Symphony no. 2 in C minor “Resurrection”: Va. Im Tempo des Scherzos. Wild herausfahrend, Symphony no. 2 in E-flat major, op. 63: 1. Allegro vivace e nobilmente, Symphony no. 2 in E-flat major, op. 63: 2. Larghetto, Symphony no. 2 in E-flat major, op. 63: 3. Rondo. Presto, Symphony no. 2 in E-flat major, op. 63: 4. Moderato e maestoso, Symphony no. 3 in D minor: I. Kräftig. Entscheiden, Symphony no. 3 in D minor: II. Tempo die minuetto. Sehr mäßig, Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: "O Mensch! Gib acht!", Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel einen süßen Gesang", Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 4 in G major: I. Bedächtig. Nicht teilen - Recht gemächlich, Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: III. Ruhevoll. Poco adagio, Symphony no. 4 in G major: IV. Sehr behaglich. "Wir genießen die himmlischen Freuden", Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Variations on an Original Theme "Enigma", op. 36: Enigma: Andante, Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.): L'istesso tempo, Variations on an Original Theme "Enigma", op. 36: II. (H.D.S.-p.): Allegro, Variations on an Original Theme "Enigma", op. 36: III. (R.B.T.): Allegretto, Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod): Adagio, Variations on an Original Theme "Enigma", op. 36: V. (R.P.A.): Moderato, Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel): Andantino, Variations on an Original Theme "Enigma", op. 36: VII. (Troyte): Presto, Variations on an Original Theme "Enigma", op. 36: VIII. (W.N.): Allegretto, Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella): Allegretto, Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.): Allegro di molto, Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.): Andante, Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***): Moderato, Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.): Allegro - Presto
Davon Wilson producer Madama Butterfly: Act I. "Amore o grillo, dir non saprei", Madama Butterfly: Act I. "Bimba, bimba, non piangere", Madama Butterfly: Act I. "Dovunque al mondo lo Yankee vagabondo", Madama Butterfly: Act I. "Ecco! Son giunte al sommo del pendio", Madama Butterfly: Act I. "Ed è bella la sposa?", Madama Butterfly: Act I. "Gran ventura" / "Riverenza" / "È un po' dura la scalata?", Madama Butterfly: Act I. "Ieri son salita tutta sola secreto", Madama Butterfly: Act I. "L'imperial commissario", Madama Butterfly: Act I. "O Kami! O Kami!", Madama Butterfly: Act I. "Sorride Vostro Onore?", Madama Butterfly: Act I. "Tutti zitti!" / "È concesso al nominato Benjamin Franklin Pinkerton", Madama Butterfly: Act I. "Viene la sera", Madama Butterfly: Act I. "Vieni, amor mio", Madama Butterfly: Act I. Introduction / "E soffito e pareti", Madama Butterfly: Act II, Part I. "C'è. Entrate" / "Chiedo scusa", Madama Butterfly: Act II, Part I. "Due cose potrei far", Madama Butterfly: Act II, Part I. "E lzaghi ed Izanami, Sarundasico e Kami", Madama Butterfly: Act II, Part I. "E questo? Egli potrà pure scordare?", Madama Butterfly: Act II, Part I. "Ora a noi. Sedete qui", Madama Butterfly: Act II, Part I. "Scuoti quella fronda di ciliegio", Madama Butterfly: Act II, Part I. "Vedrai, piccolo amor, mia pena e mio conforto", Madama Butterfly: Act II, Part I. "Vespa! Rospo maledetto!", Madama Butterfly: Act II, Part I. "Yamadori, ancor le pene dell'amor non v'han delluso?", Madama Butterfly: Act II, Part II. "Addio fiorito asil", Madama Butterfly: Act II, Part II. "Chi sia?" / "Zitta!" / "Non la destar", Madama Butterfly: Act II, Part II. "Già il sole! Cio-cio-san", Madama Butterfly: Act II, Part II. "Glielo dirai!" / "Prometto", Madama Butterfly: Act II, Part II. "Oh eh! oh eh!", Madama Butterfly: Act II, Part II. "Tu? tu? Piccolo Iddio!", Madama Butterfly: Act II, Part II. "Vespa! Voglio che tu risponda", Madama Butterfly: Act II, Part II. "lo so che alle sue pene non ci sono conforti!"
Search Yiu producer Caprice for Solo Violin, op. 1 no. 10: Vivace in G minor, Caprice for Solo Violin, op. 1 no. 11: Andante - Presto - Tempo I in C major, Caprice for Solo Violin, op. 1 no. 12: Allegro in A-flat major, Caprice for Solo Violin, op. 1 no. 13: Allegro in B-flat major, Caprice for Solo Violin, op. 1 no. 14: Moderato in E-flat major, Caprice for Solo Violin, op. 1 no. 15: Posato in G minor, Caprice for Solo Violin, op. 1 no. 16: Presto in G minor, Caprice for Solo Violin, op. 1 no. 17: Sostenuto - Andante in E-flat major, Caprice for Solo Violin, op. 1 no. 18: Corrente - Allegro in C major, Caprice for Solo Violin, op. 1 no. 19: Lento - Allegro assai in E-flat major, Caprice for Solo Violin, op. 1 no. 1: Andante in E major, Caprice for Solo Violin, op. 1 no. 20: Allegretto in D major, Caprice for Solo Violin, op. 1 no. 21: Amoroso - Presto in A major, Caprice for Solo Violin, op. 1 no. 22: Marcato in F major, Caprice for Solo Violin, op. 1 no. 23: Posato in E-flat major, Caprice for Solo Violin, op. 1 no. 24: Tema, Quasi Presto - Variazioni - Finale in A minor, Caprice for Solo Violin, op. 1 no. 2: Moderato in B minor, Caprice for Solo Violin, op. 1 no. 3: Sostenuto - Presto - Sostenuto in E minor, Caprice for Solo Violin, op. 1 no. 4: Maestoso in C minor, Caprice for Solo Violin, op. 1 no. 5: Agitato in A minor, Caprice for Solo Violin, op. 1 no. 6: Lento in G minor, Caprice for Solo Violin, op. 1 no. 7: Posato in A minor, Caprice for Solo Violin, op. 1 no. 8: Maestoso in E-flat major, Caprice for Solo Violin, op. 1 no. 9: Allegretto in E major
Martha Argerich producer Kinderszenen, op. 15: I. Von fremden Ländern und Menschen, Kinderszenen, op. 15: II. Kuriose Geschichte, Kinderszenen, op. 15: III. Haschemann, Kinderszenen, op. 15: IV. Bittendes Kind, Kinderszenen, op. 15: IX. Ritter vom Steckenpferd, Kinderszenen, op. 15: V. Glückes genug, Kinderszenen, op. 15: VI. Wichtige Begebenheit, Kinderszenen, op. 15: VII. Träumerei, Kinderszenen, op. 15: VIII. Am Kamin, Kinderszenen, op. 15: X. Fast zu ernst, Kinderszenen, op. 15: XI. Fürchtenmachen, Kinderszenen, op. 15: XII. Kind im Einschlummern, Kinderszenen, op. 15: XIII. Der Dichter spricht, Kreisleriana, op. 16: I. Äußerst bewegt. Agitatissimo, Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch. Con molta espressione, non troppo presto, Kreisleriana, op. 16: III. Sehr aufgeregt. Molto agitato, Kreisleriana, op. 16: IV. Sehr langsam. Lento assai, Kreisleriana, op. 16: V. Sehr lebhaft. Vivace assai, Kreisleriana, op. 16: VI. Sehr langsam. Lento assai, Kreisleriana, op. 16: VII. Sehr rasch. Molto presto, Kreisleriana, op. 16: VIII. Schnell und spielend. Vivace e scherzando
Cherry da Vixen producer Sonata in A minor, D. 385: I. Allegro Moderato, Sonata in A minor, D. 385: II. Andante, Sonata in A minor, D. 385: III. Menuetto. Allegro, Sonata in A minor, D. 385: IV. Allegro, Sonata in C minor, D. 408: I. Allegro giusto, Sonata in C minor, D. 408: II. Andante, Sonata in C minor, D. 408: III. Menuetto, Sonata in C minor, D. 408: IV. Allegro moderato, Sonata in D major, D. 384: I. Allegro molto, Sonata in D major, D. 384: II. Andante, Sonata in D major, D. 384: III. Allegro vivace, Valse-Caprice No. 6 from "Soirées de Vienne", S. 427 (Schubert: "Valse noble", D. 969 No.9): Allegro con strepito, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: I. Introduktion. Andante, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: II. Thema. Andantino, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: III. Variation I, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: IV. Variation II, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: IX. Variation VII. Allegro, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: V. Variation III, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: VI. Variation IV, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: VII. Variation V, Variations for Violin and Piano on "Trochne Blumen" from "Die schöne Müllerin", D. 802: VIII. Variation VI
Emchy producer Sonata in A major, op. 100: I. Allegro amabile, Sonata in A major, op. 100: II. Andante tranquillo – Vivace – Andante – Vivace di più – Andante – Vivace, Sonata in A major, op. 100: III. Allegretto grazioso (quasi Andante), Sonata in D minor, op. 108: I. Allegro, Sonata in D minor, op. 108: II. Adagio, Sonata in D minor, op. 108: III. Un poco presto e con sentimento, Sonata in D minor, op. 108: IV. Presto agitato, Sonata in G major, op. 78: I. Vivace ma non troppo, Sonata in G major, op. 78: II. Adagio, Sonata in G major, op. 78: III. Allegro molto moderato, Violin Sonata no. 2 in E minor, op. 36a: Alla marcia, vivace (Var. II) –, Violin Sonata no. 2 in E minor, op. 36a: Allegro deciso, un poco maestoso (Var. VI) –, Violin Sonata no. 2 in E minor, op. 36a: Andante (Var. IV) –, Violin Sonata no. 2 in E minor, op. 36a: Andante con moto (Thema) –, Violin Sonata no. 2 in E minor, op. 36a: Andante, piuttosto grave –, Violin Sonata no. 2 in E minor, op. 36a: Langsam –, Violin Sonata no. 2 in E minor, op. 36a: Lo stesso movimento (Var. III) –, Violin Sonata no. 2 in E minor, op. 36a: Più tranquillo, apoteotico (Coda), Violin Sonata no. 2 in E minor, op. 36a: Poco più andante (Var. I) –, Violin Sonata no. 2 in E minor, op. 36a: Presto –, Violin Sonata no. 2 in E minor, op. 36a: Tranquillo assai (Var. V) –
Troy Ave producer Waltz No. 1 in E-flat major "Grande valse brillante", Op. 18, Waltz No. 10 in B minor, Op. 69 No. 2, Waltz No. 11 in G-flat major, Op. 70 No. 1, Waltz No. 12 in F minor, Op. 70 No. 2, Waltz No. 13 in D-flat major, Op. 70 No. 3, Waltz No. 14 in E minor, B. 56, Waltz No. 15 in E major, B. 44, Waltz No. 16 in A-flat major, B. 21, Waltz No. 17 in E-flat major, B. 46, Waltz No. 3 in A minor, Op. 34 No. 2, Waltz No. 4 in F major, Op. 34 No. 3, Waltz No. 5 in A-flat major, Op. 42 "Grande valse", Waltz No. 6 in D flat major "Minute", Op. 64 No. 1, Waltz No. 7 in C-sharp minor, Op. 64 No. 2, Waltz No. 8 in A-flat major, Op. 64 No. 3, Waltz No. 9 in A-flat major, Op. 69 No. 1 "L'adieu", Waltz in A flat major, op. 34 no. 1 “Valse Brilliante”
Freddy Strong producer Symphony no. 1 in D minor, op. 13: I. Grave – Allegro ma non troppo – Allegro vivace, Symphony no. 1 in D minor, op. 13: II. Allegro animato, Symphony no. 1 in D minor, op. 13: III. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 3 in A minor, op. 44: I. Lento – Allegro moderato – Allegro, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo – Allegro vivace, Symphony no. 3 in A minor, op. 44: III. Allegro – Allegro vivace, The Isle of the Dead, op. 29: Lento — Tranquillo — Largo — Allegro molto — Largo — Tempo I, The Rock, op. 7, Vocalise, op. 34 no. 14: Lentamente
Mark Ludwig producer Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto, Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: II. Largo, Symphony no. 6 in E-flat minor, op. 111: III. Vivace
Philliz producer Also sprach Zarathustra, op. 30: I. Einleitung, Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern, Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht, Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften, Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied, Also sprach Zarathustra, op. 30: V. Das Grablied, Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft, Also sprach Zarathustra, op. 30: VII. Der Genesende, Also sprach Zarathustra, op. 30: VIII. Das Tanzlied, Tod und Verklärung, op. 24
Bernhard Fleischmann producer The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Uw Hypotheekadvies producer Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato, Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante, Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo, Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non troppo
Daniel Barenboim producer Moments musicaux: No. 1 in C. Moderato, Moments musicaux: No. 2 in A-flat. Andantino, Moments musicaux: No. 3 in F minor. Allegro moderato, Moments musicaux: No. 4 in C-sharp minor. Moderato, Moments musicaux: No. 5 in F minor. Allegro vivace, Moments musicaux: No. 6 in A-flat. Allegretto
Bob Scumaci Lincoln producer La Mer - Trois esquisses symphoniques: I. De l'aube à midi sur la mer. Trés lent, La Mer - Trois esquisses symphoniques: II. Jeus de vagues. Allegro - Animé, La Mer - Trois esquisses symphoniques: III. Dialogue du vent et de la mer. Animé et tumultueux, Nocturnes - Triptyque symphonique pour orchestre et chœur: I. Nuages: Modéré - Un peu animé, Nocturnes - Triptyque symphonique pour orchestre et chœur: II. Fêtes: Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore en serrant le mouvement
Detached producer Concerto for Piano and Orchestra no. 2 in A major, S. 125: 1. Adagio sostenuto assai - Allegro agitato assai -, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 2. Allegro moderato - Allegro deciso -, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 3. Marziale un poco meno allegro -, Concerto for Piano and Orchestra no. 2 in A major, S. 125: 4. Allegro animato - Stretto (molto accelerando), Totentanz (Danse macabre)
A.P.R.I.M.E. recording Nabucco: Parte II, Scena seconda. Recitativo e preghiera, Introduzione, Nabucco: Parte III, Scena seconda. Coro e prefezia, Introduzione, Nabucco: Parte IV, Scena prima. Scena ed aria, Introduzione, Nabucco: Sinfonia
Tonton producer Symphony No. 3 in D minor: I. Gemäßigt, Mehr Bewegt, Misterioso, Symphony No. 3 in D minor: II. Bewegt, Feierlich, Quasi Adagio, Symphony No. 3 in D minor: III. [Scherzo]: Ziemlich Schnell, Symphony No. 3 in D minor: IV. Allegro
Firth Heath producer Scheherazade, op. 35: I. Largo e maestoso, Scheherazade, op. 35: II. Lento, Scheherazade, op. 35: III. Andantino quasi allegretto, Scheherazade, op. 35: IV. Allegro molto
野中彩央里 producer Aleko, Intermezzo, Allegretto pastorale, Symphonic Dances, op. 45, I. Non allegro, Symphonic Dances, op. 45, II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45, III. Lento assai - Allegro vivace - Lento assai come prima
Jess Vincent producer Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice, Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Giacomo Puccini producer Madama Butterfly: Act II, Part I. Duetto. "Scuotti quella fronda di ciliegio" (Butterfly, Suzuki), Madama Butterfly: Act II, Part II. "Chi sai?" - "Zitta! Non la destar!" (Suzuki, Sharpless, Pinkerton), Madama Butterfly: Act II, Part II. "Io so che alle sue pene no ci sono conforti" (Sharpless, Pinkerton, Suzuki)
Cedar producer Concerto pour piano & Orchestre No.1 en mi mineur, op.11 - 1. Allegro maestoso, Concerto pour piano & Orchestre No.1 en mi mineur, op.11 - 2. Larghetto, Concerto pour piano & Orchestre No.1 en mi mineur, op.11 - 3. Rondo. Vivace
Игорь Фёдорович Стравинский producer Pulcinella: VII. Allegretto: "Contento forse vivere", Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto
Kevin Knight producer Madama Butterfly: Act II, Part I. “Un bel dì vedremo levarsi un fil di fumo”
Minor Movement producer Madama Butterfly: Act II, Part I. Coro a bocca chiusa
Keith Thornton producer Madama Butterfly: Act I. "Bimba dagli occhi pieni di malia"
Berliner Philharmoniker producer Von Himmel hoch, da komm ich her
Big Apple Band producer Macbeth, Op. 23
Gidon Kremer producer Le Roi des aulnes: Grand Caprice Op. 26 from Der Erlkönig (transcription Schubert: D. 328): Presto