The Gift

Top collaborators

Artist name Roles Recordings
Job Maarse producer Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Erdo Groot balance Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Roger de Schot recording Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Михаил Васильевич Плетнёв (pianist & conductor) conductor Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Российский национальный оркестр (Russian National Orchestra) performing orchestra Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace

Collaborators on this artist's recordings

Artist name Roles Recordings
Job Maarse producer Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Erdo Groot balance Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Roger de Schot recording Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Михаил Васильевич Плетнёв (pianist & conductor) conductor Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
Российский национальный оркестр (Russian National Orchestra) performing orchestra Coronation March, Francesca da Rimini, op. 32, Fantasy for orchestra, after Dante, Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco, Marche Slave, op. 31, Romeo and Juliet: Overture - fantasia (final version dating from 1880), Symphony no 1 "Winter Daydreams": I. Allegro tranquillo - "Daydreams on a winter journey", Symphony no 1 "Winter Daydreams": II. Adagio cantabile ma non tanto - "Land of desolation, land of mists", Symphony no 1 "Winter Daydreams": III. Scherzo - Allegro scherzando giocoso, Symphony no 1 "Winter Daydreams": IV. Finale - Andante lugubre, Symphony no. 3: I. Introduzione e Allegro, Symphony no. 3: II. Alla tedesca - Allegro moderato e semplice, Symphony no. 3: III. Andante - Andante elegiac, Symphony no. 3: IV. Scherzo - Allegro vivo, Symphony no. 3: V. Finale - Allegro con fuoco (tempo di Polacca) - Presto, Symphony no. 4: I. Andante sontenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo - Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale - Allegro con fuoco, Symphony no. 5: I. Andante - Allegro con anima, Symphony no. 5: II. Andante cantabile, con alcuna licenza, Symphony no. 5: III. Valse: Allegro moderato, Symphony no. 5: IV. Finale: Andante maestoso - Allegro vivace
London Symphony Orchestra performing orchestra Dance of The Sugar Plum Fairy (The Nutcracker), The Nutcracker: Chocolate (The Spanish Dance), The Nutcracker: Coda, The Nutcracker: Coffee (The Arabian Dance), The Nutcracker: Dance of the Mirlitons, The Nutcracker: Final Waltz and Apotheosis, The Nutcracker: Journey Through the Snow, The Nutcracker: Mother Gigogne and the Clowns, The Nutcracker: Overture, The Nutcracker: Pas de deux, The Nutcracker: Tea (The Chinese Dance), The Nutcracker: The Christmas Tree, The Nutcracker: The Marche, The Nutcracker: Trepak (The Russian Dance), The Nutcracker: Variation 1: Tarantula, The Nutcracker: Variation 2: Dance of the Sugar Plum Fairy, The Nutcracker: Waltz of the Flowers, The Nutcracker: Waltz of the Snowflakes
Don Jackson (conductor) conductor The Nutcracker: Chocolate (The Spanish Dance), The Nutcracker: Coda, The Nutcracker: Coffee (The Arabian Dance), The Nutcracker: Dance of the Mirlitons, The Nutcracker: Final Waltz and Apotheosis, The Nutcracker: Journey Through the Snow, The Nutcracker: Mother Gigogne and the Clowns, The Nutcracker: Overture, The Nutcracker: Pas de deux, The Nutcracker: Tea (The Chinese Dance), The Nutcracker: The Christmas Tree, The Nutcracker: The Marche, The Nutcracker: Trepak (The Russian Dance), The Nutcracker: Variation 1: Tarantula, The Nutcracker: Variation 2: Dance of the Sugar Plum Fairy, The Nutcracker: Waltz of the Flowers, The Nutcracker: Waltz of the Snowflakes
Royal Philharmonic Orchestra performing orchestra Pas de deux from 'The Nutcracker', Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse, Waltz of the Flowers from the Nutcraker
Charles Mackerras (Australian conductor) conductor Marche Slave, Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse
Thelma Owen harp Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse
Barry Griffiths (Violinist) violin Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse
James Mallinson producer Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse
François Rive (cellist) cello Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse
Jack Renner (engineer for Telarc) engineer Swan Lake Op. 20 - Act IV, Swan Lake Op. 20 - Dance Of The Swans: Act II, No. 13, Swan Lake Op. 20 - Hungarian Dance: Act III, No. 20, Swan Lake Op. 20 - Pas De Deux: Act I, No. 5, Swan Lake Op. 20 - Scene: Act II, No. 10, Swan Lake Op. 20 - Waltz: Act I, No. 2, The Sleeping Beauty Op. 66 - I. Introduction: The Lilac Fairy, The Sleeping Beauty Op. 66 - II. Adagio. Pas D'Action (Rose Adagio), The Sleeping Beauty Op. 66 - III. Pas De Caractére [Puss-In-Boots & The White Cat], The Sleeping Beauty Op. 66 - IV. Panorama, The Sleeping Beauty Op. 66 - Polacca: Act III, No. 22, The Sleeping Beauty Op. 66 - The Three Ivans: Act III, No. 28, The Sleeping Beauty Op. 66 - V. Valse
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) conductor Dance of The Sugar Plum Fairy (The Nutcracker), Lake in the Moonlight (Swan Lake), The Nutcracker Ballet Suite, Op. 71: I. Overture, The Nutcracker Ballet Suite, Op. 71: II. March, The Nutcracker Ballet Suite, Op. 71: III. Fee dragee (Waltz of the Snowflakes), The Nutcracker Ballet Suite, Op. 71: IV. Trepak (Russian Dance), The Nutcracker Ballet Suite, Op. 71: V. Arabian Dance, The Nutcracker Ballet Suite, Op. 71: VI. Chinese Dance, The Nutcracker Ballet Suite, Op. 71: VII. Dance of the Flutes, The Nutcracker Ballet Suite, Op. 71: VIII. Waltz of the Flowers (7:.03), Waltz of the Flowers (The Nutcracker)
London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) performing orchestra Symphony No.6 in B Minor ('Pathetique') (First Movement), The Nutcracker Ballet Suite, Op. 71: I. Overture, The Nutcracker Ballet Suite, Op. 71: II. March, The Nutcracker Ballet Suite, Op. 71: III. Fee dragee (Waltz of the Snowflakes), The Nutcracker Ballet Suite, Op. 71: IV. Trepak (Russian Dance), The Nutcracker Ballet Suite, Op. 71: V. Arabian Dance, The Nutcracker Ballet Suite, Op. 71: VI. Chinese Dance, The Nutcracker Ballet Suite, Op. 71: VII. Dance of the Flutes, The Nutcracker Ballet Suite, Op. 71: VIII. Waltz of the Flowers (7:.03), Waltz of the Flowers (The Nutcracker)
Berlin Festival Orchestra performing orchestra The Nutcracker Suite: Arabian Dance, The Nutcracker Suite: Chinese Dance, The Nutcracker Suite: Dance of the Mirlitons, The Nutcracker Suite: Dance of the Sugar-Plum Fairy, The Nutcracker Suite: March, The Nutcracker Suite: Miniature Overture, The Nutcracker Suite: Trepak: Russian Dance, The Nutcracker Suite: Waltz of the Flowers
Slovenska filharmonija (Ljubljana, Slovenia) performing orchestra Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand), Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King), Iolanta, Op. 69: No. 9, Finale: “Prosti menya” (King, Vaudémont, Alméric), Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus), Iolanta, Op. 69: No. 9b, Finale: "Gde ya?” (Iolanta, Ibn-Hakia), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
Emmanuel Villaume conductor Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand), Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King), Iolanta, Op. 69: No. 9, Finale: “Prosti menya” (King, Vaudémont, Alméric), Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus), Iolanta, Op. 69: No. 9b, Finale: "Gde ya?” (Iolanta, Ibn-Hakia), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) performing orchestra Symphony No. 6 in b minor, Op. 74 "Pathetique": II. Allegro con grazia, Symphony no. 4 in F minor, op. 36: I. Andante sosternuto; Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo, Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
Hein Dekker (recording producer) engineer, producer Romeo and Juliet, fantasy-overture for orchestra in B minor, Symphony no. 4: I. Andante sostenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo; Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale: Allegro con fuoco
Anton Nanut (conductor) conductor Symphony No. 6 in b minor, Op. 74 "Pathetique": II. Allegro con grazia, Symphony no. 4 in F minor, op. 36: I. Andante sosternuto; Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona, Symphony no. 4 in F minor, op. 36: III. Scherzo, Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) performing orchestra The Nutcracker 'Danses caracteristiques': Chinese Dance, The Nutcracker 'Danses caracteristiques': Dance of the Sugar Plum Fairy, The Nutcracker 'Danses caracteristiques': Dance of the Toy Flutes, The Nutcracker 'Danses caracteristiques': March, The Nutcracker 'Danses caracteristiques': Russian dance
Iván Fischer conductor Romeo and Juliet, fantasy-overture for orchestra in B minor, Symphony no. 4: I. Andante sostenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo; Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale: Allegro con fuoco
Budapest Festival Orchestra performing orchestra Romeo and Juliet, fantasy-overture for orchestra in B minor, Symphony no. 4: I. Andante sostenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo; Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale: Allegro con fuoco
C. Jared Sacks (classical producer/engineer) engineer Romeo and Juliet, fantasy-overture for orchestra in B minor, Symphony no. 4: I. Andante sostenuto - Moderato con anima, Symphony no. 4: II. Andantino in modo di canzona, Symphony no. 4: III. Scherzo; Pizzicato ostinato: Allegro, Symphony no. 4: IV. Finale: Allegro con fuoco
Vitalij Kowaljow vocal Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand), Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King), Iolanta, Op. 69: No. 9, Finale: “Prosti menya” (King, Vaudémont, Alméric), Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
Sir Adrian Boult conductor The Nutcracker 'Danses caracteristiques': Chinese Dance, The Nutcracker 'Danses caracteristiques': Dance of the Sugar Plum Fairy, The Nutcracker 'Danses caracteristiques': Dance of the Toy Flutes, The Nutcracker 'Danses caracteristiques': March, The Nutcracker 'Danses caracteristiques': Russian dance
Сергей Скороходов (tenor) vocal Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand), Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King), Iolanta, Op. 69: No. 9, Finale: “Prosti menya” (King, Vaudémont, Alméric), Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
Slovenský filharmonický zbor vocal Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand), Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King), Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
Симфонический оркестр Санкт-Петербургской филармонии performing orchestra Tchaikovsky: Symphony no. 4: I. Andante sostenuto - Moderato con anima, Tchaikovsky: Symphony no. 4: II. Andantino in modo di canzone, Tchaikovsky: Symphony no. 4: III. Scherzo. Pizzicato ostinato, Tchaikovsky: Symphony no. 4: IV. Finale. Allegro con fuoco
Norbert Gembaczka (organist) organ Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante, Manfred Symphony, op. 58: II. Vivace con spirit, Manfred Symphony, op. 58: III. Andante con moto, Manfred Symphony, op. 58: IV. Allegro con fuoco
Евгений Александрович Мравинский conductor Tchaikovsky: Symphony no. 4: I. Andante sostenuto - Moderato con anima, Tchaikovsky: Symphony no. 4: II. Andantino in modo di canzone, Tchaikovsky: Symphony no. 4: III. Scherzo. Pizzicato ostinato, Tchaikovsky: Symphony no. 4: IV. Finale. Allegro con fuoco
Анна Юрьевна Нетребко vocal Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand), Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King), Iolanta, Op. 69: No. 9b, Finale: "Gde ya?” (Iolanta, Ibn-Hakia), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
London Philharmonic Orchestra performing orchestra Grand Waltz from 'Swan Lake', Marche Slave
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) conductor Capriccio Italien, op. 45, Waltz from Sleeping Beauty
Большой симфонический оркестр имени П. И. Чайковского performing orchestra Marche Slave, Op. 31, Sleeping Beauty, Op. 66, Act I, Waltz
Владимир Иванович Федосеев conductor Marche Slave, Op. 31, Sleeping Beauty, Op. 66, Act I, Waltz
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) performing orchestra Swan Lake, Op. 20 / Extracts, Danses Des Cygnes, Waltz from Sleeping Beauty
Alexey Markov (baritone) vocal Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus), Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus)
Paul Tortelier cello Variations rococo (Extr.)
Pavel Urbanek (conductor) conductor Symphony No. 5 in E minor, Op. 64: II: Andante cantabile
Leonard Bernstein conductor Allegro from String Serenade
Philharmonia Slavonica (an Alfred Scholz pseudonym) performing orchestra Lake in the Moonlight (Swan Lake)
RCA Victor Symphony Orchestra performing orchestra Fantasy Overture: Romeo and Juliet
Robert Mandell (American conductor) conductor Pas de deux from 'The Nutcracker'
Ivan Cherkow piano Piano Concerto No. 1 in B Flat 1st Movement
Royal Northern Sinfonia performing orchestra Variations rococo (Extr.)
Houston Symphony performing orchestra Snowflake Waltz from "The Nutcracker"
Hans Vonk conductor The Nutcracker - Waltz Of The Flowers, Op.71
Klaus Wunderlich arranger, electronic organ Nutcracker Suite: Waltz of the Flowers
Sir Alexander Gibson conductor Symphony No.6 in B Minor ('Pathetique') (First Movement)
Eugene Ormandy conductor Bloemenwals
Malcolm McNab trumpet Melody in Eb
Staatskapelle Dresden performing orchestra The Nutcracker - Waltz Of The Flowers, Op.71
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) performing orchestra Swan Lake: Scène finale
Süddeutsche Philharmonie (an Alfred Scholz pseudonym) performing orchestra Piano Concerto No. 1 in B Flat 1st Movement
The Peter Knight Singers vocal None but the Lonely Heart
The Philadelphia Orchestra performing orchestra Bloemenwals
Efrem Kurtz conductor Swan Lake, Op. 20 / Extracts, Danses Des Cygnes
Charles Gerhardt conductor Fantasy Overture: Romeo and Juliet
Yan Pascal Tortelier performer Variations rococo (Extr.)
Yehudi Menuhin violin Swan Lake, Op. 20 / Extracts, Danses Des Cygnes
Massimo Freccia conductor Grand Waltz from 'Swan Lake'
Alexander von Pitamic (an Alfred Scholz pseudonym) conductor Piano Concerto No. 1 in B Flat 1st Movement
New York Philharmonic performing orchestra Allegro from String Serenade
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic or the New Philharmonia) performing orchestra Capriccio Italien, op. 45
Berliner Philharmoniker performing orchestra Andante cantabile
Мстислав Ростропович conductor Andante cantabile
Ayke Agus piano Melody in Eb
Ondrej Lenárd conductor Swan Lake: Scène finale
Festivalový orchestr Praha performing orchestra Symphony No. 5 in E minor, Op. 64: II: Andante cantabile