| Геннадий Николаевич Рождественский |
conductor |
Concertino for Cello and Orchestra in G minor, Op. 132: I. Andante mosso - Cadenza, Concertino for Cello and Orchestra in G minor, Op. 132: II. Andante, Concertino for Cello and Orchestra in G minor, Op. 132: III. Allegretto, Concertino for Cello and Orchestra, Op 132: I. Andante mosso - Cadenza, Concertino for Cello and Orchestra, Op 132: II. Andante, Concertino for Cello and Orchestra, Op 132: III. Allegretto, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I. Andante. Allegro, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Theme with variations. Andantino, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo, Romeo and Juliet, Op. 64: Act I, Scene I. Interlude, Romeo and Juliet, Op. 64: Act I, Scene I. Romeo, Romeo and Juliet, Op. 64: Act I, Scene I. The Duke's Order, Romeo and Juliet, Op. 64: Act I, Scene I. The Fight, Romeo and Juliet, Op. 64: Act I, Scene I. The Morning Dance, Romeo and Juliet, Op. 64: Act I, Scene I. The Quarrel, Romeo and Juliet, Op. 64: Act I, Scene I. The Street Awakens, Romeo and Juliet, Op. 64: Act I, Scene II. Dance of the Knights, Romeo and Juliet, Op. 64: Act I, Scene II. Juliet's Variation, Romeo and Juliet, Op. 64: Act I, Scene II. Juliet, the Young Girl, Romeo and Juliet, Op. 64: Act I, Scene II. Love Dance, Romeo and Juliet, Op. 64: Act I, Scene II. Madrigal, Romeo and Juliet, Op. 64: Act I, Scene II. Masques, Romeo and Juliet, Op. 64: Act I, Scene II. Mercutio, Romeo and Juliet, Op. 64: Act I, Scene II. Preparations for the Feast, Romeo and Juliet, Op. 64: Act I, Scene II. Romeo's Variation, Romeo and Juliet, Op. 64: Act I, Scene II. The Arrival of the Guests, Romeo and Juliet, Op. 64: Act I, Scene II. The Balcony Scene, Romeo and Juliet, Op. 64: Act I, Scene II. The Departure of the Guests, Romeo and Juliet, Op. 64: Act I, Scene II. Tybald Recognizes Romeo, Romeo and Juliet, Op. 64: Act I. Introduction, Romeo and Juliet, Op. 64: Act II, Scene I. Dance of the Five Pairs, Romeo and Juliet, Op. 64: Act II, Scene I. Dance of the People, Romeo and Juliet, Op. 64: Act II, Scene I. Dance with the Mandoline, Romeo and Juliet, Op. 64: Act II, Scene I. Romeo and Mercutio, Romeo and Juliet, Op. 64: Act II, Scene I. The Nurse, Romeo and Juliet, Op. 64: Act II, Scene I. The Nurse Delivers Juliet's Message to Romeo, Romeo and Juliet, Op. 64: Act II, Scene II: Juliet at Friar Laurence's, Romeo and Juliet, Op. 64: Act II, Scene II: Romeo at Friar Laurence's, Romeo and Juliet, Op. 64: Act II, Scene III: Dance of the People, Romeo and Juliet, Op. 64: Act II, Scene III: Finale, Act II, Romeo and Juliet, Op. 64: Act II, Scene III: Mercutio Dies, Romeo and Juliet, Op. 64: Act II, Scene III: People's Merry-Making Is Going On., Romeo and Juliet, Op. 64: Act II, Scene III: Romeo Resolves to Avenge the Death of Mercutio, Romeo and Juliet, Op. 64: Act II, Scene III: Tybald Encounters Mercutio, Romeo and Juliet, Op. 64: Act II, Scene III: Tybald Fights Mercutio, Romeo and Juliet, Op. 64: Act III, Scene I: Interlude, Romeo and Juliet, Op. 64: Act III, Scene I: Introduction, Romeo and Juliet, Op. 64: Act III, Scene I: Juliet Alone, Romeo and Juliet, Op. 64: Act III, Scene I: Juliet Refuses to Marry Paris, Romeo and Juliet, Op. 64: Act III, Scene I: Parting of the Couple, Romeo and Juliet, Op. 64: Act III, Scene I: Romeo and Juliet in Juliet's Chamber, Romeo and Juliet, Op. 64: Act III, Scene I: The Nurse, Romeo and Juliet, Op. 64: Act III, Scene II: At Friar Laurence's, Romeo and Juliet, Op. 64: Act III, Scene II: Interlude, Romeo and Juliet, Op. 64: Act III, Scene III: At Juliet's Again, Romeo and Juliet, Op. 64: Act III, Scene III: At Juliet's Bed, Romeo and Juliet, Op. 64: Act III, Scene III: Dance of the Maids with Lilies, Romeo and Juliet, Op. 64: Act III, Scene III: Juliet Alone, Romeo and Juliet, Op. 64: Act III, Scene III: Morning Serenade, Romeo and Juliet, Op. 64: Epilogue. Juliet's Death, Romeo and Juliet, Op. 64: Epilogue. Juliet's Funeral, Sinfonia Concertante for Cello and Orchestra, Op. 125: I. Andante, Sinfonia Concertante for Cello and Orchestra, Op. 125: II. Allegro giusto, Sinfonia Concertante for Cello and Orchestra, Op. 125: III. Andante con moto - Allegro, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: II. Allegro giusto, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: III. Andante con moto |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Ivan The Terrible, Op. 116 arr. Stasevich: Dance of the Oprichniki, Ivan The Terrible, Op. 116 arr. Stasevich: Feodor Basmanov's Song, Ivan The Terrible, Op. 116 arr. Stasevich: Finale, Ivan The Terrible, Op. 116 arr. Stasevich: Ivan's Illness, Ivan The Terrible, Op. 116 arr. Stasevich: Overture and Chorus, Ivan The Terrible, Op. 116 arr. Stasevich: The Holy Fool, Ivan The Terrible, Op. 116 arr. Stasevich: The Storming of Kazan, Ivan the Terrible, Op. 116: I. Overture and Chorus: Moderato - Allegro, Ivan the Terrible, Op. 116: II. March of the Young Ivan: Moderato, Ivan the Terrible, Op. 116: III. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: IV. I Will Be Tsar!: Moderato, Ivan the Terrible, Op. 116: IX. The Holy Fool: Allegro tempestoso, Ivan the Terrible, Op. 116: Prologue, Ivan the Terrible, Op. 116: V. God is Wondrous!: Allegro, Ivan the Terrible, Op. 116: VI. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: VII. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: VIII. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: X. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XI. Celebration Song: Andante, Ivan the Terrible, Op. 116: XII. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XIII. On the Bones of the Enemy: Andante mosso, Ivan the Terrible, Op. 116: XIV. The Tartars: Allegro moderato, Ivan the Terrible, Op. 116: XIX. Song About the Beaver: Andante assai, Ivan the Terrible, Op. 116: XV. The Gunners: Moderato energico, Ivan the Terrible, Op. 116: XVI. The Storming of Kazan: Moderato pesante - Andante - Allegro, Ivan the Terrible, Op. 116: XVII. Ivan's Appeal to the Boyars: Adagio - Andante sostenuto, Ivan the Terrible, Op. 116: XVIII. Yefrosinia and Anastasia: Moderato, Ivan the Terrible, Op. 116: XX. Ivan at Anastasia's Bier: Andante, Ivan the Terrible, Op. 116: XXI. Chorus of the Oprichniki: Andante risoluto, Ivan the Terrible, Op. 116: XXII. The Oprichniki Oath of Loyalty: Moderato energico, Ivan the Terrible, Op. 116: XXIII. Feodor Basmanov's Song: Allegro moderato, Ivan the Terrible, Op. 116: XXIV. Dance of the Oprichniki: Allegro ben ritmato, Ivan the Terrible, Op. 116: XXV. Finale: Moderato - Moderato fastoso, Peter und der Wolf: Der Großvater kam aus dem Haus (Warnung vor dem Wolf), Peter und der Wolf: Eines morgens früh öffnete Peter das Gartentor und ging auf die große grüne Wiese hinaus, Peter und der Wolf: Gerade dann kamen die Jäger aus dem Wald, Peter und der Wolf: Kaum war Peter gegangen, da kam ein großer, grauer Wolf aus dem Wald, Peter und der Wolf: Peter lief nach Hause und holte ein Seil, Peter und der Wolf: Plötzlich nahm etwas Peters Aufmerksamkeit gefangen (Die Katze erscheint), Peter und der Wolf: Triumphzug, Peter und der Wolf: Und nun standen die Dinge so (Katze und Vogel auf dem Baum, während der Wolf gierig lauerte), Peter und der Wolf: Vorstellung der musikalischen Themen, Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Tema con variazione, Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Symphony No. 1 in D major, Op. 25 "Classical": I. Allegro, Symphony No. 1 in D major, Op. 25 "Classical": II. Larghetto, Symphony No. 1 in D major, Op. 25 "Classical": III. Gavotte: Non troppo allegro, Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale: Molto vivace, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso, The Steel Step, Concert Suite From the Ballet, Op. 41b: I. Entry of the People, The Steel Step, Concert Suite From the Ballet, Op. 41b: II. The Officials, The Steel Step, Concert Suite From the Ballet, Op. 41b: III. The Sailor and the Factory Worker, The Steel Step, Concert Suite From the Ballet, Op. 41b: IV. The Factory |
| Оркестр Большого Театра |
performing orchestra |
Romeo and Juliet, Op. 64: Act I, Scene I. Interlude, Romeo and Juliet, Op. 64: Act I, Scene I. Romeo, Romeo and Juliet, Op. 64: Act I, Scene I. The Duke's Order, Romeo and Juliet, Op. 64: Act I, Scene I. The Fight, Romeo and Juliet, Op. 64: Act I, Scene I. The Morning Dance, Romeo and Juliet, Op. 64: Act I, Scene I. The Quarrel, Romeo and Juliet, Op. 64: Act I, Scene I. The Street Awakens, Romeo and Juliet, Op. 64: Act I, Scene II. Dance of the Knights, Romeo and Juliet, Op. 64: Act I, Scene II. Juliet's Variation, Romeo and Juliet, Op. 64: Act I, Scene II. Juliet, the Young Girl, Romeo and Juliet, Op. 64: Act I, Scene II. Love Dance, Romeo and Juliet, Op. 64: Act I, Scene II. Madrigal, Romeo and Juliet, Op. 64: Act I, Scene II. Masques, Romeo and Juliet, Op. 64: Act I, Scene II. Mercutio, Romeo and Juliet, Op. 64: Act I, Scene II. Preparations for the Feast, Romeo and Juliet, Op. 64: Act I, Scene II. Romeo's Variation, Romeo and Juliet, Op. 64: Act I, Scene II. The Arrival of the Guests, Romeo and Juliet, Op. 64: Act I, Scene II. The Balcony Scene, Romeo and Juliet, Op. 64: Act I, Scene II. The Departure of the Guests, Romeo and Juliet, Op. 64: Act I, Scene II. Tybald Recognizes Romeo, Romeo and Juliet, Op. 64: Act I. Introduction, Romeo and Juliet, Op. 64: Act II, Scene I. Dance of the Five Pairs, Romeo and Juliet, Op. 64: Act II, Scene I. Dance of the People, Romeo and Juliet, Op. 64: Act II, Scene I. Dance with the Mandoline, Romeo and Juliet, Op. 64: Act II, Scene I. Romeo and Mercutio, Romeo and Juliet, Op. 64: Act II, Scene I. The Nurse, Romeo and Juliet, Op. 64: Act II, Scene I. The Nurse Delivers Juliet's Message to Romeo, Romeo and Juliet, Op. 64: Act II, Scene II: Juliet at Friar Laurence's, Romeo and Juliet, Op. 64: Act II, Scene II: Romeo at Friar Laurence's, Romeo and Juliet, Op. 64: Act II, Scene III: Dance of the People, Romeo and Juliet, Op. 64: Act II, Scene III: Finale, Act II, Romeo and Juliet, Op. 64: Act II, Scene III: Mercutio Dies, Romeo and Juliet, Op. 64: Act II, Scene III: People's Merry-Making Is Going On., Romeo and Juliet, Op. 64: Act II, Scene III: Romeo Resolves to Avenge the Death of Mercutio, Romeo and Juliet, Op. 64: Act II, Scene III: Tybald Encounters Mercutio, Romeo and Juliet, Op. 64: Act II, Scene III: Tybald Fights Mercutio, Romeo and Juliet, Op. 64: Act III, Scene I: Interlude, Romeo and Juliet, Op. 64: Act III, Scene I: Introduction, Romeo and Juliet, Op. 64: Act III, Scene I: Juliet Alone, Romeo and Juliet, Op. 64: Act III, Scene I: Juliet Refuses to Marry Paris, Romeo and Juliet, Op. 64: Act III, Scene I: Parting of the Couple, Romeo and Juliet, Op. 64: Act III, Scene I: Romeo and Juliet in Juliet's Chamber, Romeo and Juliet, Op. 64: Act III, Scene I: The Nurse, Romeo and Juliet, Op. 64: Act III, Scene II: At Friar Laurence's, Romeo and Juliet, Op. 64: Act III, Scene II: Interlude, Romeo and Juliet, Op. 64: Act III, Scene III: At Juliet's Again, Romeo and Juliet, Op. 64: Act III, Scene III: At Juliet's Bed, Romeo and Juliet, Op. 64: Act III, Scene III: Dance of the Maids with Lilies, Romeo and Juliet, Op. 64: Act III, Scene III: Juliet Alone, Romeo and Juliet, Op. 64: Act III, Scene III: Morning Serenade, Romeo and Juliet, Op. 64: Epilogue. Juliet's Death, Romeo and Juliet, Op. 64: Epilogue. Juliet's Funeral, War and Peace: Waltz (excerpt) |
| London Symphony Orchestra |
performing orchestra |
Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov, Autumnal, Op. 8, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: I. Allegro brioso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: II. Meno mosso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: III. Andante assai, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: IV. Allegro scherzando, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo: Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo: Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale: Allegro tempestoso, Lieutenant Kijé Suite, Op. 60: I. Birth of Kije, Lieutenant Kijé Suite, Op. 60: II. Romance, Lieutenant Kijé Suite, Op. 60: III. Wedding of Kije, Lieutenant Kijé Suite, Op. 60: IV. Troika, Lieutenant Kijé Suite, Op. 60: V. Burial of Kije, Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando, Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Theme and Variations (Andantino), Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Romeo & Juliet, Act I, Scene 21: Romeo and Juliet's Love Dance, Romeo & Juliet: Dance of the Knights, Symphonic Suite, Op. 60 "Lieutenant Kijé": Troika (The London Symphony Orchestra: Andre Previn, 1985), Symphony No. 1 in D major "Classical", Op. 25: I. Allegro, Symphony No. 1 in D major "Classical", Op. 25: II. Larghetto, Symphony No. 1 in D major "Classical", Op. 25: III. Gavotta - Non troppo allegro, Symphony No. 1 in D major "Classical", Op. 25: IV. Finale - Molto Vivace, Symphony in D Major, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": III. Gavota. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Adagio, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo, Violin Concerto No. 2: I. Allegro moderato, Violin Concerto No. 2: II. Andante assai, Violin Concerto No. 2: III. Allegro ben marcato |
| Royal Philharmonic Orchestra |
performing orchestra |
Peter and the Wolf, Op. 67: I. Introduction, Peter and the Wolf, Op. 67: II. Introduction to the Instruments & Characters 1, Peter and the Wolf, Op. 67: III. Introduction to the Instruments & Characters 2, Peter and the Wolf, Op. 67: IV. Introduction to the Instruments & Characters 3, Peter and the Wolf, Op. 67: IX. The tale of Peter and the Wolf, Peter and the Wolf, Op. 67: V. Introduction to the Instruments & Characters 4, Peter and the Wolf, Op. 67: VI. Introduction to the Instruments & Characters 5, Peter and the Wolf, Op. 67: VII. Introduction to the Instruments & Characters 6, Peter and the Wolf, Op. 67: VIII. Introduction to the Instruments & Characters 7, Peter and the Wolf: (1) Introduction, (2) The Bird, (3) The Duck, (4) The Cat, (5) Grandfather, (6) The Wolf, (7) Peter, (8) Rifles, Peter and the Wolf: A big grey wolf, Peter and the Wolf: A duck came waddling along, Peter and the Wolf: A triumphant procession, Peter and the Wolf: Bird, fly down and circle the wolf's head, Peter and the Wolf: Don't shoot...let's take him to the zoo, Peter and the Wolf: Just then, some hunters came out of the woods, Peter and the Wolf: On a branch sang a little bird, Peter and the Wolf: Peter goes out into the meadow, Peter and the Wolf: Peter made a lassoo, Peter and the Wolf: Peter ran home and took a strong rope, Peter and the Wolf: Peter's grandfather came out, Peter and the Wolf: Suddenly, Peter noticed a cat, Peter and the Wolf: The cat climbed up the tree, Peter and the Wolf: The duck climbed out of the pond, Peter and the Wolf: The duck is alive in the wolf, Peter and the Wolf: This is how things stood, Roméo et Juliette: Danse, Roméo et Juliette: La jeune Juliette, Roméo et Juliette: Masques, Roméo et Juliette: Menuet, Roméo et Juliette: Montaigus et Capulets, Roméo et Juliette: Mort de Tibaldo, Roméo et Juliette: Père Laurence, Roméo et Juliette: Roméo sur la tombe de Juliette, Suite symphonique, Op. 60 "Lieutenant Kijé": I. Naissance de Kijé, Suite symphonique, Op. 60 "Lieutenant Kijé": II. Romance, Suite symphonique, Op. 60 "Lieutenant Kijé": III. Noces de Kijé, Suite symphonique, Op. 60 "Lieutenant Kijé": IV. Troika, Suite symphonique, Op. 60 "Lieutenant Kijé": V. Enterrement de Kijé, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta, non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace |
| Riccardo Muti |
conductor |
Ivan The Terrible, Op. 116 arr. Stasevich: Dance of the Oprichniki, Ivan The Terrible, Op. 116 arr. Stasevich: Feodor Basmanov's Song, Ivan The Terrible, Op. 116 arr. Stasevich: Finale, Ivan The Terrible, Op. 116 arr. Stasevich: Ivan's Illness, Ivan The Terrible, Op. 116 arr. Stasevich: Overture and Chorus, Ivan The Terrible, Op. 116 arr. Stasevich: The Holy Fool, Ivan The Terrible, Op. 116 arr. Stasevich: The Storming of Kazan, Ivan the Terrible, Op. 116: I. Overture and Chorus: Moderato - Allegro, Ivan the Terrible, Op. 116: II. March of the Young Ivan: Moderato, Ivan the Terrible, Op. 116: III. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: IV. I Will Be Tsar!: Moderato, Ivan the Terrible, Op. 116: IX. The Holy Fool: Allegro tempestoso, Ivan the Terrible, Op. 116: Prologue, Ivan the Terrible, Op. 116: V. God is Wondrous!: Allegro, Ivan the Terrible, Op. 116: VI. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: VII. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: VIII. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: X. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XI. Celebration Song: Andante, Ivan the Terrible, Op. 116: XII. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XIII. On the Bones of the Enemy: Andante mosso, Ivan the Terrible, Op. 116: XIV. The Tartars: Allegro moderato, Ivan the Terrible, Op. 116: XIX. Song About the Beaver: Andante assai, Ivan the Terrible, Op. 116: XV. The Gunners: Moderato energico, Ivan the Terrible, Op. 116: XVI. The Storming of Kazan: Moderato pesante - Andante - Allegro, Ivan the Terrible, Op. 116: XVII. Ivan's Appeal to the Boyars: Adagio - Andante sostenuto, Ivan the Terrible, Op. 116: XVIII. Yefrosinia and Anastasia: Moderato, Ivan the Terrible, Op. 116: XX. Ivan at Anastasia's Bier: Andante, Ivan the Terrible, Op. 116: XXI. Chorus of the Oprichniki: Andante risoluto, Ivan the Terrible, Op. 116: XXII. The Oprichniki Oath of Loyalty: Moderato energico, Ivan the Terrible, Op. 116: XXIII. Feodor Basmanov's Song: Allegro moderato, Ivan the Terrible, Op. 116: XXIV. Dance of the Oprichniki: Allegro ben ritmato, Ivan the Terrible, Op. 116: XXV. Finale: Moderato - Moderato fastoso, Montagues And Capulets from 'Romeo and Juliet' ballet, Op.64 (The Philadelphia Orchestra: Riccardo Muti, 1982), Romeo and Juliet: Arrival of the Guests (Minuet), Romeo and Juliet: Balcony Scene, Romeo and Juliet: Dance of the Knights, Romeo and Juliet: Friar Laurence, Romeo and Juliet: Juliet the Young Girl, Romeo and Juliet: Masks, Romeo and Juliet: Romeo and Juliet Before Parting, Romeo and Juliet: Romeo at Juliet's Tomb |
| New York Philharmonic |
performing orchestra |
Peter and the Wolf, Op. 67, Peter and the Wolf, op. 67, Peter and the Wolf: March & Finale, Romeo and Juliet, Op. 64: Death of Tybalt, Romeo and Juliet, Op. 64: Folk Dance, Romeo and Juliet, Op. 64: Friar Laurence, Romeo and Juliet, Op. 64: Juliet, the Young Girl, Romeo and Juliet, Op. 64: Masks, Romeo and Juliet, Op. 64: Romeo and Juliet, Romeo and Juliet, Op. 64: Romeo and Juliet before Parting, Romeo and Juliet, Op. 64: Romeo at Juliet’s Grave, Romeo and Juliet, Op. 64: The Montagues and the Capulets, Romeo and Juliet, Suite No. 2 for orchestra, Op. 64 ter (Montagues et Capulets - Suite 2, No. 1), Scythian Suite "Ala and Lolly", op. 20: I. L'adorazione di Veles e di Ala: Allegro feroce, Scythian Suite "Ala and Lolly", op. 20: II. Il dio nemico e la danza degli spiriti neri: Allegro sostenuto, Scythian Suite "Ala and Lolly", op. 20: III. La notte: Andantino, Scythian Suite "Ala and Lolly", op. 20: IV. La partenza gloriosa di Lolli ed il corteo del Sole: Tempestoso - Un poco sostenuto - Allegro, Scythian Suite: Night, Scythian Suite: The Adoration of Veles and Ala, Scythian Suite: The Enemy God and the Dance of the Black Spirits, Scythian Suite: The Glorious Departure of Lolli and the Procession of the Sun, Suite No.1, Op. 64a "Romeo and Juliet", Folk Dance: Allegro Giocoso, Suite No.1, Op. 64b "Romeo and Juliet", The Montagues and Capulets: Andante - Allegro Pesante - Moderato Tranquillo - Allegro Pesante, Suite No.4, Op. 64b "Romeo and Juliet", Friar Laurence: Andante Espressivo, Suite No.5, Op. 64a "Romeo and Juliet", Masks: Andante Marziale, Suite No.5, Op. 64b "Romeo and Juliet", Romeo at Juliet's before Parting: Lento - Andante - Adagio - Poco Più Animato - Adagio - Andante, Suite No.6, Op. 64a "Romeo and Juliet", Romeo and Juliet: Larghetto - Andante, Suite No.7, Op. 64a "Romeo and Juliet", Death of Tybalt: Precipitato - Presto - Adagio Drammatico, Suite No.7, Op. 64b "Romeo and Juliet", Romeo at Juliet's Grave: Adagio Funembre - Adagio, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Мстислав Ростропович |
conductor, cello |
Concertino for Cello and Orchestra in G minor, Op. 132: I. Andante mosso - Cadenza, Concertino for Cello and Orchestra in G minor, Op. 132: II. Andante, Concertino for Cello and Orchestra in G minor, Op. 132: III. Allegretto, Concertino for Cello and Orchestra, Op 132: I. Andante mosso - Cadenza, Concertino for Cello and Orchestra, Op 132: II. Andante, Concertino for Cello and Orchestra, Op 132: III. Allegretto, Sinfonia Concertante for Cello and Orchestra, Op. 125: I. Andante, Sinfonia Concertante for Cello and Orchestra, Op. 125: II. Allegro giusto, Sinfonia Concertante for Cello and Orchestra, Op. 125: III. Andante con moto - Allegro, Sonata for Cello and Piano in C major, Op 119: I. Andante grave, Sonata for Cello and Piano in C major, Op 119: II. Moderato, Sonata for Cello and Piano in C major, Op 119: III. Allegro, ma non troppo, Sonata for Cello and Piano in C major, Op. 119: I. Andante grave - Moderato animato, Sonata for Cello and Piano in C major, Op. 119: II. Moderato, Sonata for Cello and Piano in C major, Op. 119: II. Moderato - Andante dolce, Sonata for Cello and Piano in C major, Op. 119: III. Allegro, ma non troppo, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony no. 4, op. 112: I. Andante - Allegro eroico, Symphony no. 4, op. 112: II. Andante tranquillo, Symphony no. 4, op. 112: III. Moderato, quasi allegretto, Symphony no. 4, op. 112: IV. Allegro risoluto, Symphony no. 4, op. 47: I. Andante assai - Allegro eroico, Symphony no. 4, op. 47: II. Andante tranquillo, Symphony no. 4, op. 47: III. Moderato quasi allegretto, Symphony no. 4, op. 47: IV. Allegro risoluto, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: I. Andante, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: II. Allegro giusto, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: III. Andante con moto, Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo, Violin Concerto No. 2: I. Allegro moderato, Violin Concerto No. 2: II. Andante assai, Violin Concerto No. 2: III. Allegro ben marcato |
| Ирина Константиновна Архипова |
vocal |
Alexander Nevsky, Op. 78: VI. Field of the Dead, Ivan the Terrible, Op. 116: I. Overture and Chorus: Moderato - Allegro, Ivan the Terrible, Op. 116: II. March of the Young Ivan: Moderato, Ivan the Terrible, Op. 116: III. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: IV. I Will Be Tsar!: Moderato, Ivan the Terrible, Op. 116: IX. The Holy Fool: Allegro tempestoso, Ivan the Terrible, Op. 116: Prologue, Ivan the Terrible, Op. 116: V. God is Wondrous!: Allegro, Ivan the Terrible, Op. 116: VI. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: VII. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: VIII. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: X. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XI. Celebration Song: Andante, Ivan the Terrible, Op. 116: XII. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XIII. On the Bones of the Enemy: Andante mosso, Ivan the Terrible, Op. 116: XIV. The Tartars: Allegro moderato, Ivan the Terrible, Op. 116: XIX. Song About the Beaver: Andante assai, Ivan the Terrible, Op. 116: XV. The Gunners: Moderato energico, Ivan the Terrible, Op. 116: XVI. The Storming of Kazan: Moderato pesante - Andante - Allegro, Ivan the Terrible, Op. 116: XVII. Ivan's Appeal to the Boyars: Adagio - Andante sostenuto, Ivan the Terrible, Op. 116: XVIII. Yefrosinia and Anastasia: Moderato, Ivan the Terrible, Op. 116: XX. Ivan at Anastasia's Bier: Andante, Ivan the Terrible, Op. 116: XXI. Chorus of the Oprichniki: Andante risoluto, Ivan the Terrible, Op. 116: XXII. The Oprichniki Oath of Loyalty: Moderato energico, Ivan the Terrible, Op. 116: XXIII. Feodor Basmanov's Song: Allegro moderato, Ivan the Terrible, Op. 116: XXIV. Dance of the Oprichniki: Allegro ben ritmato, Ivan the Terrible, Op. 116: XXV. Finale: Moderato - Moderato fastoso |
| The Ambrosian Singers |
vocal |
Ivan the Terrible, Op. 116: I. Overture and Chorus: Moderato - Allegro, Ivan the Terrible, Op. 116: II. March of the Young Ivan: Moderato, Ivan the Terrible, Op. 116: III. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: IV. I Will Be Tsar!: Moderato, Ivan the Terrible, Op. 116: IX. The Holy Fool: Allegro tempestoso, Ivan the Terrible, Op. 116: Prologue, Ivan the Terrible, Op. 116: V. God is Wondrous!: Allegro, Ivan the Terrible, Op. 116: VI. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: VII. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: VIII. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: X. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XI. Celebration Song: Andante, Ivan the Terrible, Op. 116: XII. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XIII. On the Bones of the Enemy: Andante mosso, Ivan the Terrible, Op. 116: XIV. The Tartars: Allegro moderato, Ivan the Terrible, Op. 116: XIX. Song About the Beaver: Andante assai, Ivan the Terrible, Op. 116: XV. The Gunners: Moderato energico, Ivan the Terrible, Op. 116: XVI. The Storming of Kazan: Moderato pesante - Andante - Allegro, Ivan the Terrible, Op. 116: XVII. Ivan's Appeal to the Boyars: Adagio - Andante sostenuto, Ivan the Terrible, Op. 116: XVIII. Yefrosinia and Anastasia: Moderato, Ivan the Terrible, Op. 116: XX. Ivan at Anastasia's Bier: Andante, Ivan the Terrible, Op. 116: XXI. Chorus of the Oprichniki: Andante risoluto, Ivan the Terrible, Op. 116: XXII. The Oprichniki Oath of Loyalty: Moderato energico, Ivan the Terrible, Op. 116: XXIII. Feodor Basmanov's Song: Allegro moderato, Ivan the Terrible, Op. 116: XXIV. Dance of the Oprichniki: Allegro ben ritmato, Ivan the Terrible, Op. 116: XXV. Finale: Moderato - Moderato fastoso |
| Anatoly Mokrenko |
vocal |
Ivan the Terrible, Op. 116: I. Overture and Chorus: Moderato - Allegro, Ivan the Terrible, Op. 116: II. March of the Young Ivan: Moderato, Ivan the Terrible, Op. 116: III. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: IV. I Will Be Tsar!: Moderato, Ivan the Terrible, Op. 116: IX. The Holy Fool: Allegro tempestoso, Ivan the Terrible, Op. 116: Prologue, Ivan the Terrible, Op. 116: V. God is Wondrous!: Allegro, Ivan the Terrible, Op. 116: VI. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: VII. Ocean - Sea: Andante, Ivan the Terrible, Op. 116: VIII. Long Life!: Allegro moderato, Ivan the Terrible, Op. 116: X. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XI. Celebration Song: Andante, Ivan the Terrible, Op. 116: XII. The Swan: Allegro fastoso, Ivan the Terrible, Op. 116: XIII. On the Bones of the Enemy: Andante mosso, Ivan the Terrible, Op. 116: XIV. The Tartars: Allegro moderato, Ivan the Terrible, Op. 116: XIX. Song About the Beaver: Andante assai, Ivan the Terrible, Op. 116: XV. The Gunners: Moderato energico, Ivan the Terrible, Op. 116: XVI. The Storming of Kazan: Moderato pesante - Andante - Allegro, Ivan the Terrible, Op. 116: XVII. Ivan's Appeal to the Boyars: Adagio - Andante sostenuto, Ivan the Terrible, Op. 116: XVIII. Yefrosinia and Anastasia: Moderato, Ivan the Terrible, Op. 116: XX. Ivan at Anastasia's Bier: Andante, Ivan the Terrible, Op. 116: XXI. Chorus of the Oprichniki: Andante risoluto, Ivan the Terrible, Op. 116: XXII. The Oprichniki Oath of Loyalty: Moderato energico, Ivan the Terrible, Op. 116: XXIII. Feodor Basmanov's Song: Allegro moderato, Ivan the Terrible, Op. 116: XXIV. Dance of the Oprichniki: Allegro ben ritmato, Ivan the Terrible, Op. 116: XXV. Finale: Moderato - Moderato fastoso |
| Российский национальный оркестр (Russian National Orchestra) |
performing orchestra |
Amoroso, Assepoester, Assepoester verschijnt op het bal, Assepoester vertrekt naar het bal, Bedelvrouwtje, Dans van de stiefzussen, Dansles, De Winterfee, De Zomerfee, De leveranciers / De nieuwe kleren van de stiefzussen, De prins, De prins vindt Assepoester, Goede fee, Het bezoek van de prins, Het glazen schoentje, Introductie, Met de koets, Middernacht, Naar het bal, Nieuw kleren, Op het bal, Stiefmoeder en stiefzussen, Vader, Vertrek van de stiefmoeder en de stiefzussen naar het bal, Voor altijd |
| Saint Louis Symphony Orchestra |
performing orchestra |
Cinderella, op. 87: Amoroso, Cinderella, op. 87: Cinderella's Arrival at the Ball, Cinderella, op. 87: Cinderella's Departure for the Ball, Cinderella, op. 87: Clock Scene, Cinderella, op. 87: Court Dance, Cinderella, op. 87: Duet of the Prince with Cinderella, Cinderella, op. 87: Duet of the Sisters with the Oranges, Cinderella, op. 87: Entertainment of the Guests, Cinderella, op. 87: Grand Waltz, Cinderella, op. 87: Interrupted Departure, Cinderella, op. 87: Introduction, Cinderella, op. 87: Mazurka and Entrance of the Prince, Cinderella, op. 87: Midnight, Cinderella, op. 87: Second Appearance of the Fairy Godmother, Cinderella, op. 87: The Dancing Lesson, Cinderella, op. 87: The Father, Cinderella, op. 87: The Prince Finds Cinderella, Cinderella, op. 87: The Purveyors and the Sisters' New Clothes, Cinderella, op. 87: The Spring Fairy's Variation, Cinderella, op. 87: Waltz Coda, Lieutenant Kijé, Symphonic Suite, op. 60: Kijé's Wedding, Lieutenant Kijé, Symphonic Suite, op. 60: Romance, Lieutenant Kijé, Symphonic Suite, op. 60: The Birth of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: The Burial of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: Troika |
| Leonard Slatkin |
conductor |
Cinderella, op. 87: Amoroso, Cinderella, op. 87: Cinderella's Arrival at the Ball, Cinderella, op. 87: Cinderella's Departure for the Ball, Cinderella, op. 87: Clock Scene, Cinderella, op. 87: Court Dance, Cinderella, op. 87: Duet of the Prince with Cinderella, Cinderella, op. 87: Duet of the Sisters with the Oranges, Cinderella, op. 87: Entertainment of the Guests, Cinderella, op. 87: Grand Waltz, Cinderella, op. 87: Interrupted Departure, Cinderella, op. 87: Introduction, Cinderella, op. 87: Mazurka and Entrance of the Prince, Cinderella, op. 87: Midnight, Cinderella, op. 87: Second Appearance of the Fairy Godmother, Cinderella, op. 87: The Dancing Lesson, Cinderella, op. 87: The Father, Cinderella, op. 87: The Prince Finds Cinderella, Cinderella, op. 87: The Purveyors and the Sisters' New Clothes, Cinderella, op. 87: The Spring Fairy's Variation, Cinderella, op. 87: Waltz Coda, Lieutenant Kijé, Symphonic Suite, op. 60: Kijé's Wedding, Lieutenant Kijé, Symphonic Suite, op. 60: Romance, Lieutenant Kijé, Symphonic Suite, op. 60: The Birth of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: The Burial of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: Troika |
| Михаил Васильевич Плетнёв (pianist & conductor) |
conductor |
Amoroso, Assepoester, Assepoester verschijnt op het bal, Assepoester vertrekt naar het bal, Bedelvrouwtje, Dans van de stiefzussen, Dansles, De Winterfee, De Zomerfee, De leveranciers / De nieuwe kleren van de stiefzussen, De prins, De prins vindt Assepoester, Goede fee, Het bezoek van de prins, Het glazen schoentje, Introductie, Met de koets, Middernacht, Naar het bal, Nieuw kleren, Op het bal, Stiefmoeder en stiefzussen, Vader, Vertrek van de stiefmoeder en de stiefzussen naar het bal, Voor altijd |
| Plamena Mangova |
piano |
Five Melodies for Violin and Piano, Op. 35bis: I. Andante, Five Melodies for Violin and Piano, Op. 35bis: II. Lento, ma non troppo, Five Melodies for Violin and Piano, Op. 35bis: III. Animato, ma non allegro, Five Melodies for Violin and Piano, Op. 35bis: IV. Allegretto leggero e scherzando, Five Melodies for Violin and Piano, Op. 35bis: V. Andante non troppo, Scherzo, Sonata for 2 Violins in C major, Op. 56: I. Andante cantabile (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: II. Allegro (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: III. Commodo (quasi allegretto) (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: IV. Allegro con brio - Più presto (feat. first violin: Boris Brovtsyn), Sonata for Violin Solo in D major, Op. 115: I. Moderato, Sonata for Violin Solo in D major, Op. 115: II. Andante dolce, Sonata for Violin Solo in D major, Op. 115: III. Con brio - Allegro precipitato - Tempo 1 - Allegro precipitato, Sonata for Violin and Piano No. 1 in F minor, Op. 80: I. Andante assai, Sonata for Violin and Piano No. 1 in F minor, Op. 80: II. Allegro brusco, Sonata for Violin and Piano No. 1 in F minor, Op. 80: III. Andante, Sonata for Violin and Piano No. 1 in F minor, Op. 80: IV. Allegrissimo, Sonata for Violin and Piano No. 2 in D major, Op. 94a: I. Moderato, Sonata for Violin and Piano No. 2 in D major, Op. 94a: II. Scherzo. Presto, Sonata for Violin and Piano No. 2 in D major, Op. 94a: III. Andante, Sonata for Violin and Piano No. 2 in D major, Op. 94a: IV. Allegro con brio, The Tale of the Stone Flower, Op. 118: Russian Dance, War and Peace, Op. 91: Valse |
| Tatiana Samouil |
violin |
Five Melodies for Violin and Piano, Op. 35bis: I. Andante, Five Melodies for Violin and Piano, Op. 35bis: II. Lento, ma non troppo, Five Melodies for Violin and Piano, Op. 35bis: III. Animato, ma non allegro, Five Melodies for Violin and Piano, Op. 35bis: IV. Allegretto leggero e scherzando, Five Melodies for Violin and Piano, Op. 35bis: V. Andante non troppo, Scherzo, Sonata for 2 Violins in C major, Op. 56: I. Andante cantabile (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: II. Allegro (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: III. Commodo (quasi allegretto) (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: IV. Allegro con brio - Più presto (feat. first violin: Boris Brovtsyn), Sonata for Violin Solo in D major, Op. 115: I. Moderato, Sonata for Violin Solo in D major, Op. 115: II. Andante dolce, Sonata for Violin Solo in D major, Op. 115: III. Con brio - Allegro precipitato - Tempo 1 - Allegro precipitato, Sonata for Violin and Piano No. 1 in F minor, Op. 80: I. Andante assai, Sonata for Violin and Piano No. 1 in F minor, Op. 80: II. Allegro brusco, Sonata for Violin and Piano No. 1 in F minor, Op. 80: III. Andante, Sonata for Violin and Piano No. 1 in F minor, Op. 80: IV. Allegrissimo, Sonata for Violin and Piano No. 2 in D major, Op. 94a: I. Moderato, Sonata for Violin and Piano No. 2 in D major, Op. 94a: II. Scherzo. Presto, Sonata for Violin and Piano No. 2 in D major, Op. 94a: III. Andante, Sonata for Violin and Piano No. 2 in D major, Op. 94a: IV. Allegro con brio, The Tale of the Stone Flower, Op. 118: Russian Dance, War and Peace, Op. 91: Valse |
| Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) |
performing orchestra |
Peter and the Wolf - And after them Grandfather, complaining, and the Cat, Peter and the Wolf - Grandfather, Peter and the Wolf - Grandfather takes Peter home, Peter and the Wolf - He tells the Bird to distract the Wolf, Peter and the Wolf - Peter catches the wolf with a lasso, Peter and the Wolf - Peter does not listen, Peter and the Wolf - Peter in a meadow, Peter and the Wolf - Peter suggests they all take the Wolf to the zoo, Peter and the Wolf - Peter takes a rope and climbs the tree, Peter and the Wolf - The Bird, Peter and the Wolf - The Cat, Peter and the Wolf - The Cat and the Bird in the trees, Peter and the Wolf - The Cat climbs a tree, Peter and the Wolf - The Duck, Peter and the Wolf - The Duck jumps out of the pond, Peter and the Wolf - The Hunters approach with their guns, Peter and the Wolf - The Wolf, Peter and the Wolf - The Wolf prowls in wait, Peter and the Wolf - The Wolf swallows the Duck, Peter and the Wolf - The Wolf tries to escape, Peter and the Wolf - They all march together, Peter, then the Hunters with the Wolf, Symphonisches Konzert für Violoncello und Orchester in e-Moll, Op. 125: Andante - Allegro giusto (Symphonieorchester Radio Bratislawa feat. conductor: Christian Ewald), Symphonisches Konzert für Violoncello und Orchester in e-Moll, Op. 125: Andante con moto - Allegro (Symphonieorchester Radio Bratislawa feat. conductor: Christian Ewald) |
| André Previn |
conductor |
Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov, Lieutenant Kijé Suite, Op. 60: I. Birth of Kije, Lieutenant Kijé Suite, Op. 60: II. Romance, Lieutenant Kijé Suite, Op. 60: III. Wedding of Kije, Lieutenant Kijé Suite, Op. 60: IV. Troika, Lieutenant Kijé Suite, Op. 60: V. Burial of Kije, Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando, Romeo & Juliet: Dance of the Knights, Scythian Suite, Op. 20: I. L'adoration de Veles et d'Ala, Scythian Suite, Op. 20: II. Le dieu ennemi et la danse des esprits noirs, Scythian Suite, Op. 20: III. La nuit, Scythian Suite, Op. 20: IV. Le départ glorieux de Lolly et le cortège du soleil, Symphonic Suite, Op. 60 "Lieutenant Kijé": Troika (The London Symphony Orchestra: Andre Previn, 1985) |
| Charles Dutoit |
conductor |
Alexander Nevsky: I. Russia Under the Mongol Yoke, Alexander Nevsky: II. Song About Alexander Nevsky, Alexander Nevsky: III. The Crusaders in Pskov, Alexander Nevsky: IV. Arise, Ye Russian People, Alexander Nevsky: V. Battle on the Ice, Alexander Nevsky: VI. The Fields of Death, Alexander Nevsky: VII. Alexander's Entry Into Pskov, Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino, Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo, Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: I. Allegro moderato, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: II. Andante assai, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: III. Allegro, ben marcato, Oranges: La Fuite, Oranges: Le Magicien Tchilio et Fata Morgana jouent aux cartes (Schneinfernale), Oranges: Le Prince et la Princesse, Oranges: Les Ridicules, Oranges: Marche, Oranges: Scherzo, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro |
| London Philharmonic Orchestra |
performing orchestra |
Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: I. Andantino - Andante assai, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: II. Vivacissimo, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: III. Andante - Allegro moderato, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: I. The Birth of Kijé, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: II. Romance, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: III. Wedding of Kijé, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: IV. Troika, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: V. Burial of Kijé, Peter and the Wolf, Op. 67: And Now... Imagine the Triumphant Procession!, Peter and the Wolf, Op. 67: Grandfather Came Out (Grandfather), Peter and the Wolf, Op. 67: Introduction, Peter and the Wolf, Op. 67: Just Then... (The Hunters), Peter and the Wolf, Op. 67: Meanwhile, Peter Made a Lasso, Peter and the Wolf, Op. 67: No Sooner Had Peter Gone (The Wolf), Peter and the Wolf, Op. 67: Now This Is the State of Play, Peter and the Wolf, Op. 67: On the Branch of a Large Tree (The Bird), Peter and the Wolf, Op. 67: One Beautiful Morning (Peter), Peter and the Wolf, Op. 67: Soon a Duck Came Waddling Along (The Duck), Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Eye (The Cat), Piano Concerto No. 3 in C major: I. Andante - Allegro, Piano Concerto No. 3 in C major: II. Theme and Variations. Andantino, Piano Concerto No. 3 in C major: III. Allegro ma non troppo |
| Orchestre National de France |
performing orchestra |
Peter und der Wolf: Eines Morgens öffnet Peter die Gartentür, Peter und der Wolf: Einleitung - Peter und der Wolf - Ein musikalisches Märchen für Kinder, Peter und der Wolf: Nun aber, ...nun kamen die Jäger aus dem Wald, Peter und der Wolf: Plötzlich machte Peter große Augen, Peter und der Wolf: Und nun, ...stellt euch den Triumphzug vor!, Peter und der Wolf: Und so sah es nun aus, Peter und der Wolf: Und wahrhaftig, kaum war Peter fort..., Suite from "Love for Three Oranges": La Fuite, Suite from "Love for Three Oranges": Le Prince et la Princess, Suite from "Love for Three Oranges": Les Ridicules, Suite from "Love for Three Oranges": Marche, Suite from "Love for Three Oranges": Scene infernale, Suite from "Love for Three Oranges": Scherzo, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony no. 4, op. 112: I. Andante - Allegro eroico, Symphony no. 4, op. 112: II. Andante tranquillo, Symphony no. 4, op. 112: III. Moderato, quasi allegretto, Symphony no. 4, op. 112: IV. Allegro risoluto, Symphony no. 4, op. 47: I. Andante assai - Allegro eroico, Symphony no. 4, op. 47: II. Andante tranquillo, Symphony no. 4, op. 47: III. Moderato quasi allegretto, Symphony no. 4, op. 47: IV. Allegro risoluto |
| Orchestre symphonique de Montréal |
performing orchestra |
Alexander Nevsky: I. Russia Under the Mongol Yoke, Alexander Nevsky: II. Song About Alexander Nevsky, Alexander Nevsky: III. The Crusaders in Pskov, Alexander Nevsky: IV. Arise, Ye Russian People, Alexander Nevsky: V. Battle on the Ice, Alexander Nevsky: VI. The Fields of Death, Alexander Nevsky: VII. Alexander's Entry Into Pskov, Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino, Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo, Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: I. Allegro moderato, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: II. Andante assai, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: III. Allegro, ben marcato, Oranges: La Fuite, Oranges: Le Magicien Tchilio et Fata Morgana jouent aux cartes (Schneinfernale), Oranges: Le Prince et la Princesse, Oranges: Les Ridicules, Oranges: Marche, Oranges: Scherzo, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro |
| Frederic Chiu |
piano |
Four Etudes for Piano, Op. 2: I. Allegro, Four Etudes for Piano, Op. 2: II. Moderato, Four Etudes for Piano, Op. 2: III. Andante semplice, Four Etudes for Piano, Op. 2: IV. Presto energico, Four Etudes for Piano, Op. 32: I. Dance, Four Etudes for Piano, Op. 32: II. Minuet, Four Etudes for Piano, Op. 32: III. Gavotte, Four Etudes for Piano, Op. 32: IV. Waltz, Juvenilia: II. Melody in E-flat major, Juvenilia: IV. Allegro in F, Juvenilia: IX. Allegro in A-flat major, Juvenilia: X. Minuet in F minor, Juvenilia: XIII. Waltz in G minor, Juvenilia: XV. Prestissimo in C major, Juvenilia: XVI. Study-Scherzo in C major, Juvenilia: XVII. Fugue in D major, Juvenilia: XVIII. Scherzo in D major, Pensées, Op. 62: I. Adagio penseroso, Pensées, Op. 62: II. Lento, Pensées, Op. 62: III. Andante, Things in Themselves, Op. 45: I. Allegro moderato, Things in Themselves, Op. 45: Moderato scherzando |
| The Philadelphia Orchestra |
performing orchestra |
Concerto No. 1 in D major for Violin and Orchestra Op. 19: I. Andantino - Andante assai, Concerto No. 1 in D major for Violin and Orchestra Op. 19: II. Scherzo. Vivacissimo, Concerto No. 1 in D major for Violin and Orchestra Op. 19: III. Moderato, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: I. Allegro moderato, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: II. Andante assai, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: III. Allegro, ben marcato, Montagues And Capulets from 'Romeo and Juliet' ballet, Op.64 (The Philadelphia Orchestra: Riccardo Muti, 1982), Peter and the Wolf, op. 67, Romeo and Juliet: Arrival of the Guests (Minuet), Romeo and Juliet: Balcony Scene, Romeo and Juliet: Dance of the Knights, Romeo and Juliet: Friar Laurence, Romeo and Juliet: Juliet the Young Girl, Romeo and Juliet: Masks, Romeo and Juliet: Romeo and Juliet Before Parting, Romeo and Juliet: Romeo at Juliet's Tomb, Suite from "Love for Three Oranges", op. 33A: III. Marche, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso |
| Ondrej Lenárd |
conductor |
Peter and the Wolf - And after them Grandfather, complaining, and the Cat, Peter and the Wolf - Grandfather, Peter and the Wolf - Grandfather takes Peter home, Peter and the Wolf - He tells the Bird to distract the Wolf, Peter and the Wolf - Peter catches the wolf with a lasso, Peter and the Wolf - Peter does not listen, Peter and the Wolf - Peter in a meadow, Peter and the Wolf - Peter suggests they all take the Wolf to the zoo, Peter and the Wolf - Peter takes a rope and climbs the tree, Peter and the Wolf - The Bird, Peter and the Wolf - The Cat, Peter and the Wolf - The Cat and the Bird in the trees, Peter and the Wolf - The Cat climbs a tree, Peter and the Wolf - The Duck, Peter and the Wolf - The Duck jumps out of the pond, Peter and the Wolf - The Hunters approach with their guns, Peter and the Wolf - The Wolf, Peter and the Wolf - The Wolf prowls in wait, Peter and the Wolf - The Wolf swallows the Duck, Peter and the Wolf - The Wolf tries to escape, Peter and the Wolf - They all march together, Peter, then the Hunters with the Wolf |
| Carolyn Watkinson |
vocal |
Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov, Alexander Nevsky, Op. 78: Arise, Ye Russian People, Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: Song About Alexander Nevsky, Alexander Nevsky, Op. 78: The Battle on Ice, Alexander Nevsky, Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: The Field of the Dead, Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov, Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun, Scythian Suite, Op. 20: The Adoration of Weles and Ala, Scythian Suite, Op. 20: The Night, Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness |
| Rolf Ludwig |
vocal |
Peter und der Wolf: An einem schönen Morgen…, Peter und der Wolf: Auf einem hohen Baum…, Peter und der Wolf: Aus dem Gebüsch am Zaun…, Peter und der Wolf: Der Grossvater kam heraus…, Peter und der Wolf: Die Ente schnatterte…, Peter und der Wolf: Doch Peter achtete nicht…, Peter und der Wolf: Gib Acht, rief Peter…, Peter und der Wolf: Ihr sollt nicht schiessen…, Peter und der Wolf: Im Nu kletterte die Katze…, Peter und der Wolf: Inzwischen hatte Petter…, Peter und der Wolf: Kaum war Peter fort…, Peter und der Wolf: Nun aber, nun kamen…, Peter und der Wolf: Peter stand hinter der…, Peter und der Wolf: Peter und der Wolf…, Peter und der Wolf: Plötzlich machte Peter…, Peter und der Wolf: Und nun san es so aus…, Peter und der Wolf: Und nun, stellt euch… |
| Staatskapelle Dresden |
performing orchestra |
Peter und der Wolf: An einem schönen Morgen…, Peter und der Wolf: Auf einem hohen Baum…, Peter und der Wolf: Aus dem Gebüsch am Zaun…, Peter und der Wolf: Der Grossvater kam heraus…, Peter und der Wolf: Die Ente schnatterte…, Peter und der Wolf: Doch Peter achtete nicht…, Peter und der Wolf: Gib Acht, rief Peter…, Peter und der Wolf: Ihr sollt nicht schiessen…, Peter und der Wolf: Im Nu kletterte die Katze…, Peter und der Wolf: Inzwischen hatte Petter…, Peter und der Wolf: Kaum war Peter fort…, Peter und der Wolf: Nun aber, nun kamen…, Peter und der Wolf: Peter stand hinter der…, Peter und der Wolf: Peter und der Wolf…, Peter und der Wolf: Plötzlich machte Peter…, Peter und der Wolf: Und nun san es so aus…, Peter und der Wolf: Und nun, stellt euch… |
| György Sándor |
piano |
Despair, Op. 4 No. 3, Diabolic Suggestions, Op. 4 No. 4, Elan, Op. 4 No. 2, Etude in C minor, Op. 2 No. 3, Etude in C minor, Op. 2 No. 4, Etude in D minor, Op. 2 No. 1, Etude in E minor, Op. 2 No. 2, Jest, Op. 3 No. 2, March, Op. 3 No. 3, Phantom, Op. 3 No. 4, Piano Sonata No. 5 in C major (revised version), Op. 115: I. Allegro tranquillo, Piano Sonata No. 5 in C major (revised version), Op. 115: II. Andantino, Piano Sonata No. 5 in C major (revised version), Op. 115: III. Un poco allegretto, Reminiscence, Op. 4 No. 1, Sonatina in E minor, Op. 54 No. 1, Sonatina in G major, Op. 54 No. 2, Story, Op. 3 No. 1 |
| Юрий Иванович Симонов (Yuri Ivanovich Simonov) |
conductor |
Roméo et Juliette: Danse, Roméo et Juliette: La jeune Juliette, Roméo et Juliette: Masques, Roméo et Juliette: Menuet, Roméo et Juliette: Montaigus et Capulets, Roméo et Juliette: Mort de Tibaldo, Roméo et Juliette: Père Laurence, Roméo et Juliette: Roméo sur la tombe de Juliette, Suite symphonique, Op. 60 "Lieutenant Kijé": I. Naissance de Kijé, Suite symphonique, Op. 60 "Lieutenant Kijé": II. Romance, Suite symphonique, Op. 60 "Lieutenant Kijé": III. Noces de Kijé, Suite symphonique, Op. 60 "Lieutenant Kijé": IV. Troika, Suite symphonique, Op. 60 "Lieutenant Kijé": V. Enterrement de Kijé, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto, Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta, non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace |
| Dimitri Mitropoulos |
conductor |
Romeo and Juliet, Suite No. 2 for orchestra, Op. 64 ter (Montagues et Capulets - Suite 2, No. 1), Scythian Suite "Ala and Lolly", op. 20: I. L'adorazione di Veles e di Ala: Allegro feroce, Scythian Suite "Ala and Lolly", op. 20: II. Il dio nemico e la danza degli spiriti neri: Allegro sostenuto, Scythian Suite "Ala and Lolly", op. 20: III. La notte: Andantino, Scythian Suite "Ala and Lolly", op. 20: IV. La partenza gloriosa di Lolli ed il corteo del Sole: Tempestoso - Un poco sostenuto - Allegro, Suite No.1, Op. 64a "Romeo and Juliet", Folk Dance: Allegro Giocoso, Suite No.1, Op. 64b "Romeo and Juliet", The Montagues and Capulets: Andante - Allegro Pesante - Moderato Tranquillo - Allegro Pesante, Suite No.4, Op. 64b "Romeo and Juliet", Friar Laurence: Andante Espressivo, Suite No.5, Op. 64a "Romeo and Juliet", Masks: Andante Marziale, Suite No.5, Op. 64b "Romeo and Juliet", Romeo at Juliet's before Parting: Lento - Andante - Adagio - Poco Più Animato - Adagio - Andante, Suite No.6, Op. 64a "Romeo and Juliet", Romeo and Juliet: Larghetto - Andante, Suite No.7, Op. 64a "Romeo and Juliet", Death of Tybalt: Precipitato - Presto - Adagio Drammatico, Suite No.7, Op. 64b "Romeo and Juliet", Romeo at Juliet's Grave: Adagio Funembre - Adagio, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Owain Arwel Hughes |
conductor |
Peter and the Wolf: (1) Introduction, (2) The Bird, (3) The Duck, (4) The Cat, (5) Grandfather, (6) The Wolf, (7) Peter, (8) Rifles, Peter and the Wolf: A big grey wolf, Peter and the Wolf: A duck came waddling along, Peter and the Wolf: A triumphant procession, Peter and the Wolf: Bird, fly down and circle the wolf's head, Peter and the Wolf: Don't shoot...let's take him to the zoo, Peter and the Wolf: Just then, some hunters came out of the woods, Peter and the Wolf: On a branch sang a little bird, Peter and the Wolf: Peter goes out into the meadow, Peter and the Wolf: Peter made a lassoo, Peter and the Wolf: Peter ran home and took a strong rope, Peter and the Wolf: Peter's grandfather came out, Peter and the Wolf: Suddenly, Peter noticed a cat, Peter and the Wolf: The cat climbed up the tree, Peter and the Wolf: The duck climbed out of the pond, Peter and the Wolf: The duck is alive in the wolf, Peter and the Wolf: This is how things stood |
| Mariss Jansons (Latvian conductor) |
conductor |
Suite No. 1, op. 64b: Balcony Scene, Suite No. 1, op. 64b: Folk Dance, Suite No. 1, op. 64b: Madrigal, Suite No. 1, op. 64b: Masks, Suite No. 1, op. 64b: Minuet, Suite No. 1, op. 64b: Scene, Suite No. 1, op. 64b: Tybalt's Death, Suite No. 2, op. 64c: Dance, Suite No. 2, op. 64c: Dance of the Girls With Lilies, Suite No. 2, op. 64c: Frair Laurence, Suite No. 2, op. 64c: Juliet the Young Girl, Suite No. 2, op. 64c: Montagues and Capulets, Suite No. 2, op. 64c: Romeo and Juliet Before Parting, Suite No. 2, op. 64c: Romeo at Juliet's tomb, Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| Herbert Kegel |
conductor |
Peter und der Wolf: An einem schönen Morgen…, Peter und der Wolf: Auf einem hohen Baum…, Peter und der Wolf: Aus dem Gebüsch am Zaun…, Peter und der Wolf: Der Grossvater kam heraus…, Peter und der Wolf: Die Ente schnatterte…, Peter und der Wolf: Doch Peter achtete nicht…, Peter und der Wolf: Gib Acht, rief Peter…, Peter und der Wolf: Ihr sollt nicht schiessen…, Peter und der Wolf: Im Nu kletterte die Katze…, Peter und der Wolf: Inzwischen hatte Petter…, Peter und der Wolf: Kaum war Peter fort…, Peter und der Wolf: Nun aber, nun kamen…, Peter und der Wolf: Peter stand hinter der…, Peter und der Wolf: Peter und der Wolf…, Peter und der Wolf: Plötzlich machte Peter…, Peter und der Wolf: Und nun san es so aus…, Peter und der Wolf: Und nun, stellt euch… |
| Los Angeles Philharmonic |
performing orchestra |
Romeo and Juliet: Act 1:Introduction; Juliet the Young Girl; Masques; Dance of the Knights, Romeo and Juliet: Act 3: Introduction; Interlude; Again at Juliet's Home, Romeo and Juliet: Dance of the Maidens With Lillies, Romeo and Juliet: Gavotte, Romeo and Juliet: Juliet's Funeral -- Death of Juliet, Romeo and Juliet: Romeo Resolves to Avenge Mercutio; Act 2: Finale, Scythian Suite, Op. 20: I. L'adoration de Veles et d'Ala, Scythian Suite, Op. 20: II. Le dieu ennemi et la danse des esprits noirs, Scythian Suite, Op. 20: III. La nuit, Scythian Suite, Op. 20: IV. Le départ glorieux de Lolly et le cortège du soleil, Violin Concerto No. 1 in D Op. 19: I. Andantino, Violin Concerto No. 1 in D Op. 19: II. Scherzo. Vivacissimo, Violin Concerto No. 1 in D Op. 19: III. Moderato, Violin Concerto No. 2 in G minor Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor Op. 63: III. Allegro, ben marcato |
| Давид Фёдорович Ойстрах |
violin |
Five Melodies for Violin and Piano, op. 35b: I. Andante, Five Melodies for Violin and Piano, op. 35b: II. Lento, ma non troppo, Five Melodies for Violin and Piano, op. 35b: III. Animato, ma non allegro, Five Melodies for Violin and Piano, op. 35b: IV. Allegretto leggero e scherzando, Five Melodies for Violin and Piano, op. 35b: V. Andante non troppo, Sonata for Violin and Piano no. 1 in F minor, op. 80: I. Andante assai, Sonata for Violin and Piano no. 1 in F minor, op. 80: II. Allegro brusco, Sonata for Violin and Piano no. 1 in F minor, op. 80: III. Andante, Sonata for Violin and Piano no. 1 in F minor, op. 80: IV. Allegrissimo - Andante assai, come prima, Violin Concerto No. 1 in D major, Op. 19: I. Andantino, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato, Violin Concerto no. 1 in D major, op. 19: I. Andantino - Andante assai, Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo, Violin Concerto no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo |
| Michael Tilson Thomas |
conductor |
Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: I. Allegro brioso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: II. Meno mosso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: III. Andante assai, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: IV. Allegro scherzando, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo: Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo: Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale: Allegro tempestoso, Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": III. Gavota. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Adagio, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Rotterdams Philharmonisch Orkest |
performing orchestra |
Romeo and Juliet Suite No. 1, Op. 64bis: II. A Scene, Romeo and Juliet Suite No. 1, Op. 64bis: IV. Minuet, Romeo and Juliet Suite No. 1, Op. 64bis: V. Masks, Romeo and Juliet Suite No. 1, Op. 64bis: VII. Tybalt's Death, Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets, Romeo and Juliet Suite No. 2, Op. 64ter: II. The Girl Juliet, Romeo and Juliet Suite No. 2, Op. 64ter: III. Father Lawrence, Romeo and Juliet Suite No. 2, Op. 64ter: IV. Dance, Romeo and Juliet Suite No. 2, Op. 64ter: V. Romeo and Juliet Before Parting, Romeo and Juliet Suite No. 2, Op. 64ter: VI. Dance of the Maids, Romeo and Juliet Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Tomb, Sinfonia Concertante in E minor, Op. 125: I. Andante, Sinfonia Concertante in E minor, Op. 125: II. Allegro giusto, Sinfonia Concertante in E minor, Op. 125: III. Andante con moto |
| Kitty Courbois |
vocal |
Assepoester, Bedelvrouwtje, Dansles, De prins, Goede fee, Het glazen schoentje, Met de koets, Middernacht, Naar het bal, Nieuw kleren, Op het bal, Stiefmoeder en stiefzussen, Vader, Voor altijd |
| Boston Pops Orchestra |
performing orchestra |
Lt. Kije's Wedding (extract), Peter and the Wolf: Grandfather, Peter and the Wolf: Introduction, Peter and the Wolf: Peter Catches the Wolf, Peter and the Wolf: Peter Prepares to Catch the Wolf, Peter and the Wolf: The Bird, Peter and the Wolf: The Bird Diverts the Wolf, Peter and the Wolf: The Duck / Dialogue with the Birds / Attack of the Cat, Peter and the Wolf: The Duck is Caught, Peter and the Wolf: The Hunters Arrive, Peter and the Wolf: The Procession to the Zoo, Peter and the Wolf: The Story Begins, Peter and the Wolf: The Wolf, Peter and the Wolf: The Wolf Stalks the Bird and Cat |
| Arthur Fiedler |
conductor |
Lt. Kije's Wedding (extract), Peter and the Wolf: Grandfather, Peter and the Wolf: Introduction, Peter and the Wolf: Peter Catches the Wolf, Peter and the Wolf: Peter Prepares to Catch the Wolf, Peter and the Wolf: The Bird, Peter and the Wolf: The Bird Diverts the Wolf, Peter and the Wolf: The Duck / Dialogue with the Birds / Attack of the Cat, Peter and the Wolf: The Duck is Caught, Peter and the Wolf: The Hunters Arrive, Peter and the Wolf: The Procession to the Zoo, Peter and the Wolf: The Story Begins, Peter and the Wolf: The Wolf, Peter and the Wolf: The Wolf Stalks the Bird and Cat |
| Oslo-Filharmonien |
performing orchestra |
Suite No. 1, op. 64b: Balcony Scene, Suite No. 1, op. 64b: Folk Dance, Suite No. 1, op. 64b: Madrigal, Suite No. 1, op. 64b: Masks, Suite No. 1, op. 64b: Minuet, Suite No. 1, op. 64b: Scene, Suite No. 1, op. 64b: Tybalt's Death, Suite No. 2, op. 64c: Dance, Suite No. 2, op. 64c: Dance of the Girls With Lilies, Suite No. 2, op. 64c: Frair Laurence, Suite No. 2, op. 64c: Juliet the Young Girl, Suite No. 2, op. 64c: Montagues and Capulets, Suite No. 2, op. 64c: Romeo and Juliet Before Parting, Suite No. 2, op. 64c: Romeo at Juliet's tomb |
| Arthur Rubinstein (pianist) |
piano |
March from The Love for Three Orange, op. 33, Visions fugitives, op. 22: no. 10: Ridicolosamente, Visions fugitives, op. 22: no. 11: Con vivacita, Visions fugitives, op. 22: no. 12: Assai moderato, Visions fugitives, op. 22: no. 14: Feroce, Visions fugitives, op. 22: no. 16: Dolente, Visions fugitives, op. 22: no. 18: Con una dolce lentezza, Visions fugitives, op. 22: no. 1: Lentamente, Visions fugitives, op. 22: no. 2: Andante, Visions fugitives, op. 22: no. 3: Allegretto, Visions fugitives, op. 22: no. 6: Con eleganza, Visions fugitives, op. 22: no. 7: Pittoresco, Visions fugitives, op. 22: no. 9: Allegretto tranquillo |
| Wendy Chen |
piano |
Five Melodies for Violin and Piano, Op. 35bis: I. Andante, Five Melodies for Violin and Piano, Op. 35bis: II. Lento, ma non troppo, Five Melodies for Violin and Piano, Op. 35bis: III. Animato, ma non allegro, Five Melodies for Violin and Piano, Op. 35bis: IV. Allegretto leggero e scherzando, Five Melodies for Violin and Piano, Op. 35bis: V. Andante non troppo, Sonata for Violin and Piano No. 1 in F minor, Op. 80: I. Andante assai, Sonata for Violin and Piano No. 1 in F minor, Op. 80: II. Allegro brusco, Sonata for Violin and Piano No. 1 in F minor, Op. 80: III. Andante, Sonata for Violin and Piano No. 1 in F minor, Op. 80: IV. Allegrissimo, Sonata for Violin and Piano in D major, Op. 94bis: I. Moderato, Sonata for Violin and Piano in D major, Op. 94bis: II. Scherzo: Presto, Sonata for Violin and Piano in D major, Op. 94bis: III. Andante, Sonata for Violin and Piano in D major, Op. 94bis: IV. Allegro con brio |
| Olli Mustonen |
piano |
Allegretto leggero e scherzando (op.35 bis), Allegrissimo (F minor, op.80), Allegro brusco (F minor, op.80), Allegro con brio (D major, op.94 bis), Andante ( op.35 bis), Andante (D major, op.94 bis), Andante (F minor, op.80), Andante assai (F minor, op.80), Andante non troppo (op.35 bis), Animato, ma non allegro (op.35 bis), Lento, ma non troppo (op.35 bis), Moderato (D major, op.94 bis), Presto (D major, op.94 bis) |
| Lorin Maazel |
conductor |
Peter und der Wolf: Eines Morgens öffnet Peter die Gartentür, Peter und der Wolf: Einleitung - Peter und der Wolf - Ein musikalisches Märchen für Kinder, Peter und der Wolf: Nun aber, ...nun kamen die Jäger aus dem Wald, Peter und der Wolf: Plötzlich machte Peter große Augen, Peter und der Wolf: Und nun, ...stellt euch den Triumphzug vor!, Peter und der Wolf: Und so sah es nun aus, Peter und der Wolf: Und wahrhaftig, kaum war Peter fort..., Suite from "Love for Three Oranges": La Fuite, Suite from "Love for Three Oranges": Le Prince et la Princess, Suite from "Love for Three Oranges": Les Ridicules, Suite from "Love for Three Oranges": Marche, Suite from "Love for Three Oranges": Scene infernale, Suite from "Love for Three Oranges": Scherzo |
| Sir Alec Guinness |
vocal |
Peter and the Wolf: Grandfather, Peter and the Wolf: Introduction, Peter and the Wolf: Peter Catches the Wolf, Peter and the Wolf: Peter Prepares to Catch the Wolf, Peter and the Wolf: The Bird, Peter and the Wolf: The Bird Diverts the Wolf, Peter and the Wolf: The Duck / Dialogue with the Birds / Attack of the Cat, Peter and the Wolf: The Duck is Caught, Peter and the Wolf: The Hunters Arrive, Peter and the Wolf: The Procession to the Zoo, Peter and the Wolf: The Story Begins, Peter and the Wolf: The Wolf, Peter and the Wolf: The Wolf Stalks the Bird and Cat |
| Mark Stephenson (conductor/producer) |
conductor |
Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): I. Moderato, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): II. Scherzo, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): III. Andante, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): IV. Allegro Con Brio, Humorous Scherzo for Four Bassoons, Op. 12b, Overture on Hebrew Themes, arrangement for Symphony Orchestra, Op. 34b, Sonata for Violins in Unison in D major, Op. 115: I. Moderato, Sonata for Violins in Unison in D major, Op. 115: II. Andante dolce, Sonata for Violins in Unison in D major, Op. 115: III. Con brio, Symphony No. 1 in D major, Op. 25 "Classical": I. Allegro, Symphony No. 1 in D major, Op. 25 "Classical": II. Larghetto, Symphony No. 1 in D major, Op. 25 "Classical": III. Gavotte: Non troppo allegro, Symphony No. 1 in D major, Op. 25 "Classical": VI. Finale: Molto vivace |
| James Ehnes |
violin |
Five Melodies for Violin and Piano, Op. 35bis: I. Andante, Five Melodies for Violin and Piano, Op. 35bis: II. Lento, ma non troppo, Five Melodies for Violin and Piano, Op. 35bis: III. Animato, ma non allegro, Five Melodies for Violin and Piano, Op. 35bis: IV. Allegretto leggero e scherzando, Five Melodies for Violin and Piano, Op. 35bis: V. Andante non troppo, Sonata for Violin and Piano No. 1 in F minor, Op. 80: I. Andante assai, Sonata for Violin and Piano No. 1 in F minor, Op. 80: II. Allegro brusco, Sonata for Violin and Piano No. 1 in F minor, Op. 80: III. Andante, Sonata for Violin and Piano No. 1 in F minor, Op. 80: IV. Allegrissimo, Sonata for Violin and Piano in D major, Op. 94bis: I. Moderato, Sonata for Violin and Piano in D major, Op. 94bis: II. Scherzo: Presto, Sonata for Violin and Piano in D major, Op. 94bis: III. Andante, Sonata for Violin and Piano in D major, Op. 94bis: IV. Allegro con brio |
| Joshua Bell |
violin |
Allegretto leggero e scherzando (op.35 bis), Allegrissimo (F minor, op.80), Allegro brusco (F minor, op.80), Allegro con brio (D major, op.94 bis), Andante ( op.35 bis), Andante (D major, op.94 bis), Andante (F minor, op.80), Andante assai (F minor, op.80), Andante non troppo (op.35 bis), Animato, ma non allegro (op.35 bis), Lento, ma non troppo (op.35 bis), Moderato (D major, op.94 bis), Presto (D major, op.94 bis) |
| London Musici |
performing orchestra |
Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): I. Moderato, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): II. Scherzo, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): III. Andante, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): IV. Allegro Con Brio, Humorous Scherzo for Four Bassoons, Op. 12b, Overture on Hebrew Themes, arrangement for Symphony Orchestra, Op. 34b, Sonata for Violins in Unison in D major, Op. 115: I. Moderato, Sonata for Violins in Unison in D major, Op. 115: II. Andante dolce, Sonata for Violins in Unison in D major, Op. 115: III. Con brio, Symphony No. 1 in D major, Op. 25 "Classical": I. Allegro, Symphony No. 1 in D major, Op. 25 "Classical": II. Larghetto, Symphony No. 1 in D major, Op. 25 "Classical": III. Gavotte: Non troppo allegro, Symphony No. 1 in D major, Op. 25 "Classical": VI. Finale: Molto vivace |
| Eugene Ormandy |
conductor |
Concerto No. 1 in D major for Violin and Orchestra Op. 19: I. Andantino - Andante assai, Concerto No. 1 in D major for Violin and Orchestra Op. 19: II. Scherzo. Vivacissimo, Concerto No. 1 in D major for Violin and Orchestra Op. 19: III. Moderato, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: I. Allegro moderato, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: II. Andante assai, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: III. Allegro, ben marcato, Peter and the Wolf, op. 67, Suite from "Love for Three Oranges", op. 33A: III. Marche, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso |
| Orchestre Philharmonique de Monte-Carlo |
performing orchestra |
The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: I. Ridiculous Fellows, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: II. Magician Tchélio and Fata Morgana, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: III. March, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: IV. Scherzo, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: V. The Prince and the Princess, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: VI. Flight, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: I. Adagio, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: II. Allegro fastoso, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: III. Presto, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: IV. Andante assai, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: V. Andante pomposo |
| Lawrence Foster |
conductor |
The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: I. Ridiculous Fellows, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: II. Magician Tchélio and Fata Morgana, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: III. March, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: IV. Scherzo, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: V. The Prince and the Princess, The Love of Three Oranges, Concert Suite From the Opera, Op. 33b: VI. Flight, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: I. Adagio, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: II. Allegro fastoso, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: III. Presto, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: IV. Andante assai, The Prodigal Son, Concert Suite From the Ballet, Op. 46b: V. Andante pomposo |
| Kurt Masur |
conductor |
Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov, Alexander Nevsky, Op. 78: Arise, Ye Russian People, Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: Song About Alexander Nevsky, Alexander Nevsky, Op. 78: The Battle on Ice, Alexander Nevsky, Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: The Field of the Dead, Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun, Scythian Suite, Op. 20: The Adoration of Weles and Ala, Scythian Suite, Op. 20: The Night, Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness |
| Imants Cepītis |
chorus master |
Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov, Alexander Nevsky, Op. 78: Arise, Ye Russian People, Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: Song About Alexander Nevsky, Alexander Nevsky, Op. 78: The Battle on Ice, Alexander Nevsky, Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: The Field of the Dead, Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun, Scythian Suite, Op. 20: The Adoration of Weles and Ala, Scythian Suite, Op. 20: The Night, Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness |
| Gewandhausorchester Leipzig |
performing orchestra |
Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov, Alexander Nevsky, Op. 78: Arise, Ye Russian People, Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: Song About Alexander Nevsky, Alexander Nevsky, Op. 78: The Battle on Ice, Alexander Nevsky, Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: The Field of the Dead, Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun, Scythian Suite, Op. 20: The Adoration of Weles and Ala, Scythian Suite, Op. 20: The Night, Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness |
| Sian Edwards (English conductor) |
conductor |
Peter and the Wolf, Op. 67: And Now... Imagine the Triumphant Procession!, Peter and the Wolf, Op. 67: Grandfather Came Out (Grandfather), Peter and the Wolf, Op. 67: Introduction, Peter and the Wolf, Op. 67: Just Then... (The Hunters), Peter and the Wolf, Op. 67: Meanwhile, Peter Made a Lasso, Peter and the Wolf, Op. 67: No Sooner Had Peter Gone (The Wolf), Peter and the Wolf, Op. 67: Now This Is the State of Play, Peter and the Wolf, Op. 67: On the Branch of a Large Tree (The Bird), Peter and the Wolf, Op. 67: One Beautiful Morning (Peter), Peter and the Wolf, Op. 67: Soon a Duck Came Waddling Along (The Duck), Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Eye (The Cat) |
| Національний Симфонічний Оркестр України |
performing orchestra |
Symphony No. 1 in D major, Op. 25 "Classical": Allegro, Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: II. Largo, Symphony no. 6 in E-flat minor, op. 111: III. Vivace, Waltz Suite, op. 110: I. Since We Met, Waltz Suite, op. 110: II. Cinderella in the Palace, Waltz Suite, op. 110: III. Mephisto Waltz, Waltz Suite, op. 110: IV. End of the Fairy Tale, Waltz Suite, op. 110: V. Waltz for the New Year's Ball, Waltz Suite, op. 110: VI. Happiness, Waltzes, Suite for Orchestra, Op. 110 No. 1: Since We Met |
| Willie Rushton |
vocal |
Peter and the Wolf, Op. 67: And Now... Imagine the Triumphant Procession!, Peter and the Wolf, Op. 67: Grandfather Came Out (Grandfather), Peter and the Wolf, Op. 67: Introduction, Peter and the Wolf, Op. 67: Just Then... (The Hunters), Peter and the Wolf, Op. 67: Meanwhile, Peter Made a Lasso, Peter and the Wolf, Op. 67: No Sooner Had Peter Gone (The Wolf), Peter and the Wolf, Op. 67: Now This Is the State of Play, Peter and the Wolf, Op. 67: On the Branch of a Large Tree (The Bird), Peter and the Wolf, Op. 67: One Beautiful Morning (Peter), Peter and the Wolf, Op. 67: Soon a Duck Came Waddling Along (The Duck), Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Eye (The Cat) |
| State Choir Latvija (the largest professional choir in Latvia, founded in 1942) |
vocal |
Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov, Alexander Nevsky, Op. 78: Arise, Ye Russian People, Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: Song About Alexander Nevsky, Alexander Nevsky, Op. 78: The Battle on Ice, Alexander Nevsky, Op. 78: The Crusaders in Pskov, Alexander Nevsky, Op. 78: The Field of the Dead, Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun, Scythian Suite, Op. 20: The Adoration of Weles and Ala, Scythian Suite, Op. 20: The Night, Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness |
| Yefim Bronfman |
piano |
Piano Sonata No. 5 in C major, Op. 38: I. Allegro tranquillo, Piano Sonata No. 5 in C major, Op. 38: II. Andantino, Piano Sonata No. 5 in C major, Op. 38: III. Un poco allegretto, Sonata for Violin and Piano No. 1 in F minor, Op. 80: I. Andante assai, Sonata for Violin and Piano No. 1 in F minor, Op. 80: II. Allegro brusco, Sonata for Violin and Piano No. 1 in F minor, Op. 80: III. Andante, Sonata for Violin and Piano No. 1 in F minor, Op. 80: IV. Allegrissimo, Sonata for Violin and Piano No. 2 in D major, Op. 94a: I. Moderato, Sonata for Violin and Piano No. 2 in D major, Op. 94a: II. Scherzo. Presto, Sonata for Violin and Piano No. 2 in D major, Op. 94a: III. Andante, Sonata for Violin and Piano No. 2 in D major, Op. 94a: IV. Allegro con brio |
| Theodore Kuchar |
conductor |
Symphony No. 1 in D major, Op. 25 "Classical": Allegro, Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato, Symphony no. 6 in E-flat minor, op. 111: II. Largo, Symphony no. 6 in E-flat minor, op. 111: III. Vivace, Waltz Suite, op. 110: I. Since We Met, Waltz Suite, op. 110: II. Cinderella in the Palace, Waltz Suite, op. 110: III. Mephisto Waltz, Waltz Suite, op. 110: IV. End of the Fairy Tale, Waltz Suite, op. 110: V. Waltz for the New Year's Ball, Waltz Suite, op. 110: VI. Happiness, Waltzes, Suite for Orchestra, Op. 110 No. 1: Since We Met |
| Edo de Waart |
conductor |
Romeo and Juliet Suite No. 1, Op. 64bis: II. A Scene, Romeo and Juliet Suite No. 1, Op. 64bis: IV. Minuet, Romeo and Juliet Suite No. 1, Op. 64bis: V. Masks, Romeo and Juliet Suite No. 1, Op. 64bis: VII. Tybalt's Death, Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets, Romeo and Juliet Suite No. 2, Op. 64ter: II. The Girl Juliet, Romeo and Juliet Suite No. 2, Op. 64ter: III. Father Lawrence, Romeo and Juliet Suite No. 2, Op. 64ter: IV. Dance, Romeo and Juliet Suite No. 2, Op. 64ter: V. Romeo and Juliet Before Parting, Romeo and Juliet Suite No. 2, Op. 64ter: VI. Dance of the Maids, Romeo and Juliet Suite No. 2, Op. 64ter: VII. Romeo at Juliet's Tomb |
| Victoria Smolnikova |
vocal |
Ivan the Terrible, Op. 116: Part II, Scene X. The Fiery Furnace (Liturgical Drama). "Song of the Boys", Songs of Our Days, Op. 76: I. March, Songs of Our Days, Op. 76: II. Over The Bridge: Cavalry Song, Songs of Our Days, Op. 76: III. Goodbye!, Songs of Our Days, Op. 76: IV. Golden Ukraine: Folksong, Songs of Our Days, Op. 76: IX. October Flame, Songs of Our Days, Op. 76: V. Brother For Brother, Songs of Our Days, Op. 76: VI. Girls, Songs of Our Days, Op. 76: VII. A Twenty-Year-Old, Songs of Our Days, Op. 76: VIII. Lullaby |
| Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) |
conductor, piano |
Dreams, op. 6, Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando, Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Tema con variazione, Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo, Sonata no. 2 in D major, op. 94a: II. Scherzo: Presto |
| Государственный Академический Симфонический Оркестр России |
performing orchestra |
Concertino for Cello and Orchestra, Op 132: I. Andante mosso - Cadenza, Concertino for Cello and Orchestra, Op 132: II. Andante, Concertino for Cello and Orchestra, Op 132: III. Allegretto, Sinfonia Concertante for Cello and Orchestra, Op. 125: I. Andante, Sinfonia Concertante for Cello and Orchestra, Op. 125: II. Allegro giusto, Sinfonia Concertante for Cello and Orchestra, Op. 125: III. Andante con moto - Allegro, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: I. Andante, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: II. Allegro giusto, Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: III. Andante con moto |
| Andrea Licata |
conductor |
Peter and the Wolf, Op. 67: I. Introduction, Peter and the Wolf, Op. 67: II. Introduction to the Instruments & Characters 1, Peter and the Wolf, Op. 67: III. Introduction to the Instruments & Characters 2, Peter and the Wolf, Op. 67: IV. Introduction to the Instruments & Characters 3, Peter and the Wolf, Op. 67: IX. The tale of Peter and the Wolf, Peter and the Wolf, Op. 67: V. Introduction to the Instruments & Characters 4, Peter and the Wolf, Op. 67: VI. Introduction to the Instruments & Characters 5, Peter and the Wolf, Op. 67: VII. Introduction to the Instruments & Characters 6, Peter and the Wolf, Op. 67: VIII. Introduction to the Instruments & Characters 7 |
| Владимир Фельцман (Russian American classical pianist) |
piano |
Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: I. Allegro brioso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: II. Meno mosso, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: III. Andante assai, Concerto for Piano and Orchestra No. 1 in D-flat major, Op. 10: IV. Allegro scherzando, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo: Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo: Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale: Allegro tempestoso, Romeo Bids Juliet Farewell (Lento) No. 10 From Ten Pieces for Piano From Romeo and Juliet, Op. 75 |
| Romy Schneider |
vocal |
Peter und der Wolf: Der Großvater kam aus dem Haus (Warnung vor dem Wolf), Peter und der Wolf: Eines morgens früh öffnete Peter das Gartentor und ging auf die große grüne Wiese hinaus, Peter und der Wolf: Gerade dann kamen die Jäger aus dem Wald, Peter und der Wolf: Kaum war Peter gegangen, da kam ein großer, grauer Wolf aus dem Wald, Peter und der Wolf: Peter lief nach Hause und holte ein Seil, Peter und der Wolf: Plötzlich nahm etwas Peters Aufmerksamkeit gefangen (Die Katze erscheint), Peter und der Wolf: Triumphzug, Peter und der Wolf: Und nun standen die Dinge so (Katze und Vogel auf dem Baum, während der Wolf gierig lauerte), Peter und der Wolf: Vorstellung der musikalischen Themen |
| Igor Tarasov |
vocal |
Songs of Our Days, Op. 76: I. March, Songs of Our Days, Op. 76: II. Over The Bridge: Cavalry Song, Songs of Our Days, Op. 76: III. Goodbye!, Songs of Our Days, Op. 76: IV. Golden Ukraine: Folksong, Songs of Our Days, Op. 76: IX. October Flame, Songs of Our Days, Op. 76: V. Brother For Brother, Songs of Our Days, Op. 76: VI. Girls, Songs of Our Days, Op. 76: VII. A Twenty-Year-Old, Songs of Our Days, Op. 76: VIII. Lullaby |
| Государственная академическая симфоническая капелла России (Polyansky) |
vocal |
Songs of Our Days, Op. 76: I. March, Songs of Our Days, Op. 76: II. Over The Bridge: Cavalry Song, Songs of Our Days, Op. 76: III. Goodbye!, Songs of Our Days, Op. 76: IV. Golden Ukraine: Folksong, Songs of Our Days, Op. 76: IX. October Flame, Songs of Our Days, Op. 76: V. Brother For Brother, Songs of Our Days, Op. 76: VI. Girls, Songs of Our Days, Op. 76: VII. A Twenty-Year-Old, Songs of Our Days, Op. 76: VIII. Lullaby |
| Frida Bauer |
piano |
Five Melodies for Violin and Piano, op. 35b: I. Andante, Five Melodies for Violin and Piano, op. 35b: II. Lento, ma non troppo, Five Melodies for Violin and Piano, op. 35b: III. Animato, ma non allegro, Five Melodies for Violin and Piano, op. 35b: IV. Allegretto leggero e scherzando, Five Melodies for Violin and Piano, op. 35b: V. Andante non troppo, Sonata for Violin and Piano no. 1 in F minor, op. 80: I. Andante assai, Sonata for Violin and Piano no. 1 in F minor, op. 80: II. Allegro brusco, Sonata for Violin and Piano no. 1 in F minor, op. 80: III. Andante, Sonata for Violin and Piano no. 1 in F minor, op. 80: IV. Allegrissimo - Andante assai, come prima |
| Herbert von Karajan |
conductor |
Peter und der Wolf: Der Großvater kam aus dem Haus (Warnung vor dem Wolf), Peter und der Wolf: Eines morgens früh öffnete Peter das Gartentor und ging auf die große grüne Wiese hinaus, Peter und der Wolf: Gerade dann kamen die Jäger aus dem Wald, Peter und der Wolf: Kaum war Peter gegangen, da kam ein großer, grauer Wolf aus dem Wald, Peter und der Wolf: Peter lief nach Hause und holte ein Seil, Peter und der Wolf: Plötzlich nahm etwas Peters Aufmerksamkeit gefangen (Die Katze erscheint), Peter und der Wolf: Triumphzug, Peter und der Wolf: Und nun standen die Dinge so (Katze und Vogel auf dem Baum, während der Wolf gierig lauerte), Peter und der Wolf: Vorstellung der musikalischen Themen |
| Česká filharmonie (Czech Philharmonic) |
performing orchestra |
Pekka ja susi, Op. 67: "Aamulla varhain pikku Pekka avasi veräjän ja tuli suurelle, vihreälle niitylle.", Pekka ja susi, Op. 67: "Ja niinpä siitä tulikin komeata katseltavaa.", Pekka ja susi, Op. 67: "Jo olikin aika, sillä samalla ilmestyi metsänreunaan suuri, harmaa susi.", Pekka ja susi, Op. 67: "Korkeassa puussa istui pieni lintu, joka oli Pekan ystävä.", Pekka ja susi, Op. 67: "Mutta nytpä ilmestyi isoisä veräjälle.", Pekka ja susi, Op. 67: "Muuta silloin ilmestyi metsän reunasta näkyviin joukko metsästäjiä.", Pekka ja susi, Op. 67: "Yhtäkkiä Pekka häristi korviaan: hän huomasi, että ruohikossa hiiviskeli kissa.", Pekka ja susi, Op. 67: "Yhtäkkiä tepasteli niitylle ankka.", Pekka ja susi, Op. 67: Esittely: "Tämän sadun jokaista henkilöä ja eläintä esittää määrätty orkesterin soitin" |
| Karel Ančerl |
conductor |
Pekka ja susi, Op. 67: "Aamulla varhain pikku Pekka avasi veräjän ja tuli suurelle, vihreälle niitylle.", Pekka ja susi, Op. 67: "Ja niinpä siitä tulikin komeata katseltavaa.", Pekka ja susi, Op. 67: "Jo olikin aika, sillä samalla ilmestyi metsänreunaan suuri, harmaa susi.", Pekka ja susi, Op. 67: "Korkeassa puussa istui pieni lintu, joka oli Pekan ystävä.", Pekka ja susi, Op. 67: "Mutta nytpä ilmestyi isoisä veräjälle.", Pekka ja susi, Op. 67: "Muuta silloin ilmestyi metsän reunasta näkyviin joukko metsästäjiä.", Pekka ja susi, Op. 67: "Yhtäkkiä Pekka häristi korviaan: hän huomasi, että ruohikossa hiiviskeli kissa.", Pekka ja susi, Op. 67: "Yhtäkkiä tepasteli niitylle ankka.", Pekka ja susi, Op. 67: Esittely: "Tämän sadun jokaista henkilöä ja eläintä esittää määrätty orkesterin soitin" |
| Fritz Reiner |
conductor |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov, Alexander Nevsky: Alexanders Einzug in Pskow |
| Chicago Symphony Orchestra |
performing orchestra |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov, Alexander Nevsky: Alexanders Einzug in Pskow |
| Soviet State Orchestra |
performing orchestra |
Rome And Juliet (Scenes Des Ballet) - Romeo And Juliet, Rome And Juliet (Scenes Des Ballet) - Romeo At The Grave Of Juliet, Rome And Juliet (Scenes Des Ballet) - The Montagues And The Capulets, Rome And Juliet (Scenes Des Ballet) - Tybalt's Death, Symphony No 1 'Classical' Op 25 - Allegro, Symphony No 1 'Classical' Op 25 - Finale: Molto Vivace, Symphony No 1 'Classical' Op 25 - Gavotte: Allegro Non Troppo, Symphony No 1 'Classical' Op 25 - Larghetto |
| Shlomo Mintz |
violin |
Sonata for Violin and Piano No. 1 in F minor, Op. 80: I. Andante assai, Sonata for Violin and Piano No. 1 in F minor, Op. 80: II. Allegro brusco, Sonata for Violin and Piano No. 1 in F minor, Op. 80: III. Andante, Sonata for Violin and Piano No. 1 in F minor, Op. 80: IV. Allegrissimo, Sonata for Violin and Piano No. 2 in D major, Op. 94a: I. Moderato, Sonata for Violin and Piano No. 2 in D major, Op. 94a: II. Scherzo. Presto, Sonata for Violin and Piano No. 2 in D major, Op. 94a: III. Andante, Sonata for Violin and Piano No. 2 in D major, Op. 94a: IV. Allegro con brio |
| Sergiu Celibidache |
conductor |
Symphony No.1 in D major, op.25 "Classical": I. Allegro, Symphony No.1 in D major, op.25 "Classical": II. Larghetto, Symphony No.1 in D major, op.25 "Classical": III. Gavotta: Non troppo allegro, Symphony No.1 in D major, op.25 "Classical": IV. Finale: Molto vivace, Symphony No.5 in B flat major, op.100: I. Andante, Symphony No.5 in B flat major, op.100: II. Allegro marcato, Symphony No.5 in B flat major, op.100: III. Adagio, Symphony No.5 in B flat major, op.100: IV. Allegro giocoso |
| Nikolay Tiomkin |
conductor |
Rome And Juliet (Scenes Des Ballet) - Romeo And Juliet, Rome And Juliet (Scenes Des Ballet) - Romeo At The Grave Of Juliet, Rome And Juliet (Scenes Des Ballet) - The Montagues And The Capulets, Rome And Juliet (Scenes Des Ballet) - Tybalt's Death, Symphony No 1 'Classical' Op 25 - Allegro, Symphony No 1 'Classical' Op 25 - Finale: Molto Vivace, Symphony No 1 'Classical' Op 25 - Gavotte: Allegro Non Troppo, Symphony No 1 'Classical' Op 25 - Larghetto |
| Рудольф Борисович Баршай (viola player and conductor) |
conductor |
Symphony No. 1 in D major, Op. 25 "Classical": I. Allegro, Symphony No. 1 in D major, Op. 25 "Classical": II. Larghetto, Symphony No. 1 in D major, Op. 25 "Classical": III. Gavotte: Non troppo allegro, Symphony No. 1 in D major, Op. 25 "Classical": IV. Finale: Molto vivace, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso |
| Münchner Philharmoniker |
performing orchestra |
Symphony No.1 in D major, op.25 "Classical": I. Allegro, Symphony No.1 in D major, op.25 "Classical": II. Larghetto, Symphony No.1 in D major, op.25 "Classical": III. Gavotta: Non troppo allegro, Symphony No.1 in D major, op.25 "Classical": IV. Finale: Molto vivace, Symphony No.5 in B flat major, op.100: I. Andante, Symphony No.5 in B flat major, op.100: II. Allegro marcato, Symphony No.5 in B flat major, op.100: III. Adagio, Symphony No.5 in B flat major, op.100: IV. Allegro giocoso |
| Государственный Симфонический Оркестр Министерства Культуры СССР |
performing orchestra |
Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I. Andante. Allegro, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Theme with variations. Andantino, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo |
| Lewis Layton (engineer) |
recording |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov |
| Anna Reynolds |
vocal |
Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov |
| Margaret Hillis |
chorus master |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov |
| David Mottley |
producer |
Symphony no. 1 in D major, op. 25 "Classical": I. Allegro, Symphony no. 1 in D major, op. 25 "Classical": III. Gavota. Non troppo allegro, Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Adagio, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso |
| Виктория Постникова |
piano |
Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Concerto for Piano and Orchestra No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I. Andante. Allegro, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Theme with variations. Andantino, Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo |
| Erich Leinsdorf |
conductor |
Romeo & Juliet: Montagues & Capulets (extract), Romeo and Juliet: Act 1:Introduction; Juliet the Young Girl; Masques; Dance of the Knights, Romeo and Juliet: Act 3: Introduction; Interlude; Again at Juliet's Home, Romeo and Juliet: Dance of the Maidens With Lillies, Romeo and Juliet: Gavotte, Romeo and Juliet: Juliet's Funeral -- Death of Juliet, Romeo and Juliet: Romeo Resolves to Avenge Mercutio; Act 2: Finale |
| Valsts Akadēmiskais koris "Latvija" |
vocal |
Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, Op. 78: III. The Crusaders in Pskov, Alexander Nevsky, Op. 78: IV. "Arise, Ye Russian People", Alexander Nevsky, Op. 78: V. The Battle on the Ice, Alexander Nevsky, Op. 78: VI. The Field of the Dead, Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov |
| Евгений Игоревич Кисин |
piano |
Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto, Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace, Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato, Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso, Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Tema con variazione, Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo |
| Mathias Wieman (German actor) |
vocal |
Peter und der Wolf: Eines Morgens öffnet Peter die Gartentür, Peter und der Wolf: Einleitung - Peter und der Wolf - Ein musikalisches Märchen für Kinder, Peter und der Wolf: Nun aber, ...nun kamen die Jäger aus dem Wald, Peter und der Wolf: Plötzlich machte Peter große Augen, Peter und der Wolf: Und nun, ...stellt euch den Triumphzug vor!, Peter und der Wolf: Und so sah es nun aus, Peter und der Wolf: Und wahrhaftig, kaum war Peter fort... |
| Richard Mohr (producer) |
producer |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov |
| Chicago Symphony Chorus |
vocal |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, op. 78: II. Song About Alexander Nevsky, Alexander Nevsky, op. 78: III. The Crusaders in Pskov, Alexander Nevsky, op. 78: IV. Arise, Ye Russian People, Alexander Nevsky, op. 78: V. The Battle on the Ice, Alexander Nevsky, op. 78: VI. Field of the Dead, Alexander Nevsky, op. 78: VII. Alexander’s Entry Into Pskov |
| Chœur de l’Orchestre symphonique de Montréal |
vocal |
Alexander Nevsky: I. Russia Under the Mongol Yoke, Alexander Nevsky: II. Song About Alexander Nevsky, Alexander Nevsky: III. The Crusaders in Pskov, Alexander Nevsky: IV. Arise, Ye Russian People, Alexander Nevsky: V. Battle on the Ice, Alexander Nevsky: VI. The Fields of Death, Alexander Nevsky: VII. Alexander's Entry Into Pskov |
| Boston Symphony Orchestra |
performing orchestra |
Romeo & Juliet: Montagues & Capulets (extract), Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai |
| Hans Pålsson |
piano |
Marsch ur Kärleken till de tre apelsinerna, Preludium C-dur, op 12:7, Ur Peter och vargen, Visions fugitives, op 22: nr. 1, Visions fugitives, op 22: nr. 4, Visions fugitives, op 22: nr. 5 |
| Академический симфонический оркестр Московской филармонии |
performing orchestra |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato, Violin Concerto no. 1 in D major, op. 19: I. Andantino - Andante assai, Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo, Violin Concerto no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo |
| 林昭亮 |
violin |
Violin Concerto No. 1 in D Op. 19: I. Andantino, Violin Concerto No. 1 in D Op. 19: II. Scherzo. Vivacissimo, Violin Concerto No. 1 in D Op. 19: III. Moderato, Violin Concerto No. 2 in G minor Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor Op. 63: III. Allegro, ben marcato |
| Doug Sax |
engineer, producer |
Romeo and Juliet: Act 1:Introduction; Juliet the Young Girl; Masques; Dance of the Knights, Romeo and Juliet: Act 3: Introduction; Interlude; Again at Juliet's Home, Romeo and Juliet: Dance of the Maidens With Lillies, Romeo and Juliet: Gavotte, Romeo and Juliet: Juliet's Funeral -- Death of Juliet, Romeo and Juliet: Romeo Resolves to Avenge Mercutio; Act 2: Finale |
| Seattle Symphony |
performing orchestra |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Piu tranquillo, Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai - Allegretto - Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| Esa-Pekka Salonen |
conductor |
Violin Concerto No. 1 in D Op. 19: I. Andantino, Violin Concerto No. 1 in D Op. 19: II. Scherzo. Vivacissimo, Violin Concerto No. 1 in D Op. 19: III. Moderato, Violin Concerto No. 2 in G minor Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor Op. 63: III. Allegro, ben marcato |
| Ladislav Slovák |
conductor |
Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Der Untergang Tybalts (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Die Montagues und Capulets (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Julia (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Pater Lorenzo (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Szene: Im Haus der Capulets (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Tanz der Männer aus dem Hause Monague (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak) |
| Gerard Schwarz (conductor) |
conductor |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Piu tranquillo, Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai - Allegretto - Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| Slovenská filharmónia (Slovak Philharmonic, Bratislava) |
performing orchestra |
Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Der Untergang Tybalts (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Die Montagues und Capulets (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Julia (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Pater Lorenzo (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Szene: Im Haus der Capulets (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak), Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, Op. 64 A und Nr. 2, Op. 64 B: Tanz der Männer aus dem Hause Monague (Slowakisches Philharmonisches Orchester feat. conductor: Ladislav Slovak) |
| Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) |
piano |
Sonata for Cello and Piano in C major, Op 119: I. Andante grave, Sonata for Cello and Piano in C major, Op 119: II. Moderato, Sonata for Cello and Piano in C major, Op 119: III. Allegro, ma non troppo, Sonata for Cello and Piano in C major, Op. 119: I. Andante grave - Moderato animato, Sonata for Cello and Piano in C major, Op. 119: II. Moderato - Andante dolce, Sonata for Cello and Piano in C major, Op. 119: III. Allegro, ma non troppo |
| Leila Josefowicz |
violin |
Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino, Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo, Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: I. Allegro moderato, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: II. Andante assai, Concerto for Violin and Orchestra no. 2 in G minor, op. 63: III. Allegro, ben marcato |
| Leonard Bernstein |
conductor |
Peter and the Wolf, op. 67, Peter and the Wolf: March & Finale, Scythian Suite: Night, Scythian Suite: The Adoration of Veles and Ala, Scythian Suite: The Enemy God and the Dance of the Black Spirits, Scythian Suite: The Glorious Departure of Lolli and the Procession of the Sun |
| Jennifer Frautschi |
violin |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Piu tranquillo, Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai - Allegretto - Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| The Cleveland Orchestra |
performing orchestra |
Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: VI. Field of the Dead, Montagues and Capulets, Romeo & Juliet, Romeo and Juliet: Montagues and Capulets, Romeo at the Grave of Juliet |
| Maxim Vengerov |
violin |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo, Violin Concerto No. 2: I. Allegro moderato, Violin Concerto No. 2: II. Andante assai, Violin Concerto No. 2: III. Allegro ben marcato |
| Isaac Stern |
violin |
Concerto No. 1 in D major for Violin and Orchestra Op. 19: I. Andantino - Andante assai, Concerto No. 1 in D major for Violin and Orchestra Op. 19: II. Scherzo. Vivacissimo, Concerto No. 1 in D major for Violin and Orchestra Op. 19: III. Moderato, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: I. Allegro moderato, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: II. Andante assai, Concerto No. 2 in G minor for Violin and Orchestra Op. 63: III. Allegro, ben marcato |
| Lincoln Mayorga |
producer |
Romeo and Juliet: Act 1:Introduction; Juliet the Young Girl; Masques; Dance of the Knights, Romeo and Juliet: Act 3: Introduction; Interlude; Again at Juliet's Home, Romeo and Juliet: Dance of the Maidens With Lillies, Romeo and Juliet: Gavotte, Romeo and Juliet: Juliet's Funeral -- Death of Juliet, Romeo and Juliet: Romeo Resolves to Avenge Mercutio; Act 2: Finale |
| Симфонический оркестр Санкт-Петербургской филармонии |
performing orchestra |
Lieutenant Kijé, Op. 60: Troika, Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso |
| Thomas Peck |
chorus master |
Lieutenant Kijé, Symphonic Suite, op. 60: Kijé's Wedding, Lieutenant Kijé, Symphonic Suite, op. 60: Romance, Lieutenant Kijé, Symphonic Suite, op. 60: The Birth of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: The Burial of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: Troika |
| Orchestre philharmonique de Strasbourg |
performing orchestra |
Cinderella, First Concert Suite From the Ballet, Op. 107: VII. Cinderella's Waltz / VIII. Midnight, Cinderella, Second Concert Suite From the Ballet, Op. 108: V. Cinderella Arrives at the Ball, Cinderella, Second Concert Suite From the Ballet, Op. 108: VII. Galop, Cinderella, Third Concert Suite From the Ballet, Op. 109: II. Cinderella and the Prince, Cinderella, Third Concert Suite From the Ballet, Op. 109: VIII. Amoroso |
| Arnold Voketaitis |
vocal |
Lieutenant Kijé, Symphonic Suite, op. 60: Kijé's Wedding, Lieutenant Kijé, Symphonic Suite, op. 60: Romance, Lieutenant Kijé, Symphonic Suite, op. 60: The Birth of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: The Burial of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: Troika |
| Alain Lombard |
conductor |
Cinderella, First Concert Suite From the Ballet, Op. 107: VII. Cinderella's Waltz / VIII. Midnight, Cinderella, Second Concert Suite From the Ballet, Op. 108: V. Cinderella Arrives at the Ball, Cinderella, Second Concert Suite From the Ballet, Op. 108: VII. Galop, Cinderella, Third Concert Suite From the Ballet, Op. 109: II. Cinderella and the Prince, Cinderella, Third Concert Suite From the Ballet, Op. 109: VIII. Amoroso |
| Klaus Tennstedt |
conductor |
Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: I. The Birth of Kijé, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: II. Romance, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: III. Wedding of Kijé, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: IV. Troika, Lieutenant Kijé, Concert Suite From the Film Score, Op. 60: V. Burial of Kijé |
| Yoel Levi |
conductor |
Finale: Molto vivace from Symphony No. 1, Larghetto, Montagues and Capulets, Romeo & Juliet, Romeo at the Grave of Juliet |
| Сергей Александрович Кусевицкий |
conductor |
Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai |
| Saint Louis Symphony Chorus |
vocal |
Lieutenant Kijé, Symphonic Suite, op. 60: Kijé's Wedding, Lieutenant Kijé, Symphonic Suite, op. 60: Romance, Lieutenant Kijé, Symphonic Suite, op. 60: The Birth of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: The Burial of Kijé, Lieutenant Kijé, Symphonic Suite, op. 60: Troika |
| Jean-Pierre Rampal |
flute |
Sonata in D major, op. 94: I. Andantino, Sonata in D major, op. 94: I. Moderato, Sonata in D major, op. 94: II. Scherzo, Sonata in D major, op. 94: III. Andante, Sonata in D major, op. 94: IV. Allegro con brio |
| WDR Sinfonieorchester Köln |
performing orchestra |
Romeo And Juilet, Suite No.1 Op. 64: Madrigal, Symphony-Concerto for Cello and Orchestra in E minor op. 125: I. Andante, Symphony-Concerto for Cello and Orchestra in E minor op. 125: II. Allegro giuso, Symphony-Concerto for Cello and Orchestra in E minor op. 125: III Andante con moto |
| Jean-Martial Golaz |
engineer |
Allegretto en La mineur, Quatre pièces pour piano, Op. 3: III. Marche, Scherzo en Ré majeur, Sonate pour piano en Fa mineur No. 1, Op. 1: Allegro |
| London Symphony Chorus |
vocal |
Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov |
| Ivan Pastor |
producer |
Allegretto en La mineur, Quatre pièces pour piano, Op. 3: III. Marche, Scherzo en Ré majeur, Sonate pour piano en Fa mineur No. 1, Op. 1: Allegro |
| Igor Markevitch (conductor) |
conductor |
The Steel Step, Concert Suite From the Ballet, Op. 41b: I. Entry of the People, The Steel Step, Concert Suite From the Ballet, Op. 41b: II. The Officials, The Steel Step, Concert Suite From the Ballet, Op. 41b: III. The Sailor and the Factory Worker, The Steel Step, Concert Suite From the Ballet, Op. 41b: IV. The Factory |
| Abdel Rahman El Bacha (pianist) |
piano |
Allegretto en La mineur, Quatre pièces pour piano, Op. 3: III. Marche, Scherzo en Ré majeur, Sonate pour piano en Fa mineur No. 1, Op. 1: Allegro |
| Jukka-Pekka Saraste |
conductor |
Dance of the Knights From Romeo and Juliet, Symphony-Concerto for Cello and Orchestra in E minor op. 125: I. Andante, Symphony-Concerto for Cello and Orchestra in E minor op. 125: II. Allegro giuso, Symphony-Concerto for Cello and Orchestra in E minor op. 125: III Andante con moto |
| Jonathan Snowden |
flute |
Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): I. Moderato, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): II. Scherzo, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): III. Andante, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): IV. Allegro Con Brio |
| Эмиль Григорьевич Гилельс |
piano |
Klaviersonate d-moll, op. 14 – I. Allegro ma non troppo, Klaviersonate d-moll, op. 14 – II. Scherzo: Allegro marcato, Klaviersonate d-moll, op. 14 – III. Andante, Klaviersonate d-moll, op. 14 – IV. Vivace |
| Christopher Palmer (arranger) |
instrument arranger |
Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): I. Moderato, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): II. Scherzo, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): III. Andante, Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): IV. Allegro Con Brio |
| Pavel Berman (violinist and conductor, son of Lazar Berman) |
violin |
Piano Sonata No. 8 in B-flat major, Op. 84: I. Andante dolce, Piano Sonata No. 8 in B-flat major, Op. 84: II. Andante sognado, Piano Sonata No. 8 in B-flat major, Op. 84: III. Vivace, Toccata for Piano in D minor, Op. 11 |
| Boris Brovtsyn |
violin |
Sonata for 2 Violins in C major, Op. 56: I. Andante cantabile (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: II. Allegro (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: III. Commodo (quasi allegretto) (feat. first violin: Boris Brovtsyn), Sonata for 2 Violins in C major, Op. 56: IV. Allegro con brio - Più presto (feat. first violin: Boris Brovtsyn) |
| Евгений Александрович Мравинский |
conductor |
Symphony No. 5 in B-flat major, Op. 100: I. Andante, Symphony No. 5 in B-flat major, Op. 100: II. Allegro marcato, Symphony No. 5 in B-flat major, Op. 100: III. Adagio, Symphony No. 5 in B-flat major, Op. 100: IV. Allegro giocoso |
| Lazar Berman |
piano |
Piano Sonata No. 8 in B-flat major, Op. 84: I. Andante dolce, Piano Sonata No. 8 in B-flat major, Op. 84: II. Andante sognado, Piano Sonata No. 8 in B-flat major, Op. 84: III. Vivace, Toccata for Piano in D minor, Op. 11 |
| Arthur Oldham |
chorus master |
Alexander Nevsky, Cantata Op. 78: Alexander's Entry into Pskov, Alexander Nevsky, Cantata Op. 78: Russia Under the Mongolian Yoke, Alexander Nevsky, Cantata Op. 78: The Battle on the Ice, Alexander Nevsky, Cantata Op. 78: The Crusaders in Pskov |
| Koninklijk Concertgebouworkest |
performing orchestra |
Dreams, op. 6, Peter and the Wolf, Op. 67, Peter und der Wolf |
| Tzimon Barto |
piano |
Piano Concerto No. 3 in C major: I. Andante - Allegro, Piano Concerto No. 3 in C major: II. Theme and Variations. Andantino, Piano Concerto No. 3 in C major: III. Allegro ma non troppo |
| Ulrich Ruscher |
engineer |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo |
| Daniel Müller-Schott |
cello |
Symphony-Concerto for Cello and Orchestra in E minor op. 125: I. Andante, Symphony-Concerto for Cello and Orchestra in E minor op. 125: II. Allegro giuso, Symphony-Concerto for Cello and Orchestra in E minor op. 125: III Andante con moto |
| Piero Coppola |
conductor |
Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro, Piano Concerto No. 3 in C major, Op. 26: II. Theme and Variations (Andantino), Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo |
| Pieter Wispelwey |
cello |
Sinfonia Concertante in E minor, Op. 125: I. Andante, Sinfonia Concertante in E minor, Op. 125: II. Allegro giusto, Sinfonia Concertante in E minor, Op. 125: III. Andante con moto |
| Nikolaj Znaider |
violin |
Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| Martha Argerich |
piano |
Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro |
| Большой симфонический оркестр имени П. И. Чайковского |
performing orchestra |
Concertino for Cello and Orchestra in G minor, Op. 132: I. Andante mosso - Cadenza, Concertino for Cello and Orchestra in G minor, Op. 132: II. Andante, Concertino for Cello and Orchestra in G minor, Op. 132: III. Allegretto |
| Василий Серафимович Синайский |
conductor |
Sinfonia Concertante in E minor, Op. 125: I. Andante, Sinfonia Concertante in E minor, Op. 125: II. Allegro giusto, Sinfonia Concertante in E minor, Op. 125: III. Andante con moto |
| Юрий Хатуевич Темирканов |
conductor |
Violin Concerto no. 1 in D major, op. 19: I. Andantino - Andante assai, Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo, Violin Concerto no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo |
| Sir Thomas Beecham |
conductor |
Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: I. Andantino - Andante assai, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: II. Vivacissimo, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: III. Andante - Allegro moderato |
| Andrew Davis (conductor, keyboardist, composer, arranger) |
conductor |
Piano Concerto No. 3 in C major: I. Andante - Allegro, Piano Concerto No. 3 in C major: II. Theme and Variations. Andantino, Piano Concerto No. 3 in C major: III. Allegro ma non troppo |
| Joseph Szigeti |
violin |
Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: I. Andantino - Andante assai, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: II. Vivacissimo, Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: III. Andante - Allegro moderato |
| Symphonieorchester des Bayerischen Rundfunks |
performing orchestra |
Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato, Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai, Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato |
| Friedemann Engelbrecht |
producer |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino - Andante assai, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo |
| Кирилл Петрович Кондрашин (conductor) |
conductor |
Violin Concerto No. 1 in D major, Op. 19: I. Andantino, Violin Concerto No. 1 in D major, Op. 19: II. Scherzo: Vivacissimo, Violin Concerto No. 1 in D major, Op. 19: III. Moderato |
| Людмила Васильевна Кузнецова |
vocal |
Ivan the Terrible, Op. 116: Part I, Scene I. Prologue. "The Ocean - The Sea", Ivan the Terrible, Op. 116: Part II, Scene X. The Fiery Furnace (Liturgical Drama). "Song of the Beaver" |
| Atlanta Symphony Orchestra |
performing orchestra |
Finale: Molto vivace from Symphony No. 1, Larghetto |
| Bernard Haitink |
conductor |
Peter and the Wolf, Op. 67, Peter und der Wolf |
| Christian Ehwald (conductor) |
conductor |
Symphonisches Konzert für Violoncello und Orchester in e-Moll, Op. 125: Andante - Allegro giusto (Symphonieorchester Radio Bratislawa feat. conductor: Christian Ewald), Symphonisches Konzert für Violoncello und Orchester in e-Moll, Op. 125: Andante con moto - Allegro (Symphonieorchester Radio Bratislawa feat. conductor: Christian Ewald) |
| Dallas Symphony Orchestra |
performing orchestra |
Lieutenant Kijé Suite: Kijé's Wedding (from Crossing Delancey), Lieutenant Kijé Suite: Troïka (from Love and Death) |
| Сергей Дукачев (Sergei Dukachev) |
piano |
Piano Sonata No. 2 in minor D, Op. 14: I. Allegro non troppo, Piano Sonata No. 2 in minor D, Op. 14: II. Allegro marcato |
| Sergey Toptygin |
vocal |
Ballad of an Unknown Boy, Op. 93, Ivan the Terrible, Op. 116: Part II, Scene XI. The Tsar's Banquet and the Cathedral. "Song of the Oprichniks" |
| Riccardo Chailly |
conductor |
Alexander Nevsky, Op. 78: I. Russia Under the Mongolian Yoke, Alexander Nevsky, Op. 78: VI. Field of the Dead |
| Elena Kozneva |
vocal |
Ivan the Terrible, Op. 116: Part II, Scene X. The Fiery Furnace (Liturgical Drama). "Song of the Boys" |
| Minnesota Orchestra |
performing orchestra |
Romeo and Juliet, Ballet Suite No. 2, Op. 64b: I. Montagues and Capulets |
| Tatiana Zheranzhe |
vocal |
Ivan the Terrible, Op. 116: Part II, Scene X. The Fiery Furnace (Liturgical Drama). "Song of the Boys" |
| François-Frédéric Guy |
piano |
sonate n°8 op84 |
| Franck Krawczyk |
arranger |
Le champs des morts |
| English String Orchestra |
performing orchestra |
Violin Concerto No. 1 in D major, Op. 19: II. Scherzo, vivacissimo |
| Mikhail Makhov |
vocal |
Ivan the Terrible, Op. 116: Part I, Scene VII. The Oath of the Oprichniks. "Come Back!" |
| Thierry Fischer |
conductor |
Pierre et le loup |
| Richard Gardner (engineer) |
recording |
Sonata no. 2 in D major, op. 94a: II. Scherzo: Presto |
| Toronto Symphony Orchestra |
performing orchestra |
Dance of the Knights From Romeo and Juliet |
| Leopold Stokowski |
conductor |
Peter and the Wolf, op. 67 |
| Roberto Carlos |
vocal |
Pedro e o lobo, op. 67 |
| Dr. Stefan Schaub |
vocal |
Klavierkonzert Nr. 5 op. 55 |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
Symphonie Classique: I. Allegro |
| Vienna Pro Musica Orchestra |
performing orchestra |
Peter and the Wolf (extract) |
| Michel Galabru |
vocal |
Pierre et le loup |
| Rosalind Elias |
vocal |
Alexander Nevsky, op. 78: VI. Field of the Dead |
| Cyril Ritchard (Australian actor) |
vocal |
Peter and the Wolf, op. 67 |
| Colorado Symphony |
performing orchestra |
Excerpts from Romeo and Juliet |
| Claus Peter Flor |
conductor |
Roméo et Juliette - les Montaigus et les Capulets |
| Yehudi Menuhin |
conductor |
Violin Concerto No. 1 in D major, Op. 19: II. Scherzo, vivacissimo |
| Laurence Equilbey |
conductor |
Le champs des morts |
| hr-Sinfonieorchester |
performing orchestra |
Iwan der Schreckliche: Finale |
| Jean Martin (classical pianist) |
piano |
Marche, op. 65 |
| Štátna filharmónia Košice (Slovak State Philharmonic, Košice) |
performing orchestra |
Romeo and Juliet - Dance of the Knights |
| Christoph Henschel |
violin |
Sonate für zwei Violinnen in C-Dur: Op. 56: Andante cantabile |
| Александр Дмитриевич Кастальский |
arranger |
Ivan the Terrible, Op. 116: Part I, Scene II. The Coronation. "Sofroniev Cherubic Hymn" (feat. arranger: Alexandr Kastalsky) |
| Александр Мелик-Пашаев |
conductor |
War and Peace: Waltz (excerpt) |
| Андрей Владимирович Гаврилов |
piano |
Suggestion diabologue, op. 4 no. 4 |
| Markus Henschel |
violin |
Sonate für zwei Violinnen in C-Dur: Op. 56: Andante cantabile |
| Jascha Heifetz |
violin |
Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai |
| Samuel Sanders |
piano |
March for Children |
| Brandon de Wilde |
vocal |
Peter and the Wolf (extract) |
| Jard van Nes |
vocal |
Alexander Nevsky: VI. The Fields of Death |
| Marin Alsop |
conductor |
Excerpts from Romeo and Juliet |
| Benno Moiseiwitsch |
performer |
Suggestion Diabolique |
| Basil Rathbone |
vocal |
Peter and the Wolf, op. 67 |
| Barry Wordsworth (conductor) |
conductor |
Romeo and Juliet - Dance of the Knights |
| Дмитрий Степанович Бортнянский |
arranger |
Ivan the Terrible, Op. 116: Part II, Scene X. The Fiery Furnace (Liturgical Drama). "Wondrous Is God" (feat. arranger: Dmytro Bortniansky) |
| Orchestra of the Royal Opera House, Covent Garden |
performing orchestra |
Romeo and Juliet - Dance of the Knights |
| Itzhak Perlman |
violin |
Sonata no. 2 in D major, op. 94a: II. Scherzo: Presto |
| Israel Sinfonietta Beer Sheva |
performing orchestra |
Gavotte aus der Klassischen Sinfonie Op. 25 |
| Israel Gusman |
conductor |
Symphony-Concerto for Cello and Orchestra in E minor, Op. 125: I. Andante |
| Louis de Froment (conductor) |
conductor |
Peter und der Wolf: Finale |
| Людмила Шемчук (mezzo-soprano Ludmila Schemtchuk) |
vocal |
Alexander Nevsky, Op 78 : VI The Field of the Dead |
| Max Wilcox (engineer/editor/producer) |
producer |
Sonata no. 2 in D major, op. 94a: II. Scherzo: Presto |
| Andrew Mogrelia |
conductor |
Romeo and Juliet - Dance of the Knights |
| Hu Kun |
violin |
Violin Concerto No. 1 in D major, Op. 19: II. Scherzo, vivacissimo |
| Олег Маршев |
piano |
Dumka |
| All-American Orchestra |
performing orchestra |
Peter and the Wolf, op. 67 |
| Alexander Tsylinko |
vocal |
Ivan the Terrible, Op. 116: Part I, Scene II. The Coronation. "May he live forever!" |
| Alexander Dedyukhin |
piano |
Sonata for Cello and Piano in C major, Op. 119: II. Moderato |
| Heinrich Schiff |
cello |
March for Children |
| Stanisław Skrowaczewski |
conductor |
Romeo and Juliet, Ballet Suite No. 2, Op. 64b: I. Montagues and Capulets |
| Hans Swarowsky |
conductor |
Peter and the Wolf (extract) |
| Симфонический оркестр Мариинского театра (Kirov Orchestra) |
performing orchestra |
Romeo en Julia: Gavotte |
| Gil Shaham (violinist) |
violin |
The Love for Three Oranges |
| Хор Мариинского театра (Kirov Opera) |
vocal |
Romeo en Julia: Gavotte |
| Symphonie-Orchester Luxembourg |
performing orchestra |
Peter und der Wolf: Finale |
| Accentus (Chœur de Chambre Accentus) |
vocal |
Le champs des morts |
| Orchestre de chambre de Genève |
performing orchestra |
Pierre et le loup |
| התזמורת הפילהרמונית הישראלית |
performing orchestra |
Peter and the Wolf, Op. 67 |
| Mendi Rodan |
conductor |
Gavotte aus der Klassischen Sinfonie Op. 25 |