| Gary Cole (producer/engineer) |
producer |
Alleluia, Alleluia: Ave Maria, Assumpta est Maria, Ave Maria, Beata es, Virgo Maria, Beata viscera, Benedicta et venerabilis, Benedixisti Domine, Diffusa est gratia, Ecce virgo concipiet, Eructavit cor meum, Felix es, sacra virgo, Felix namque es, Gaude Maria, Gaudeamus omnes, Iustitia, Magnus Dominus, Nunc dimittis servum tuum, Optimam partem elegit, Post partum, Propter veritatem, Responsam accepit Simeon, Rorate caeli, Salve sancta parens, Senex puerum, Sicut audivimus, Speciosus forma, Suscepimus Deus, Tollite portas, Virga lesse, Vultum tuum |
| Antony Howell (Engineer) |
recording |
Alleluia, Alleluia: Ave Maria, Assumpta est Maria, Ave Maria, Beata es, Virgo Maria, Beata viscera, Benedicta et venerabilis, Benedixisti Domine, Diffusa est gratia, Ecce virgo concipiet, Eructavit cor meum, Felix es, sacra virgo, Felix namque es, Gaude Maria, Gaudeamus omnes, Iustitia, Magnus Dominus, Nunc dimittis servum tuum, Optimam partem elegit, Post partum, Propter veritatem, Responsam accepit Simeon, Rorate caeli, Salve sancta parens, Senex puerum, Sicut audivimus, Speciosus forma, Suscepimus Deus, Tollite portas, Virga lesse, Vultum tuum |
| Gavin Turner |
conductor |
Alleluia, Alleluia: Ave Maria, Assumpta est Maria, Ave Maria, Beata es, Virgo Maria, Beata viscera, Benedicta et venerabilis, Benedixisti Domine, Diffusa est gratia, Ecce virgo concipiet, Eructavit cor meum, Felix es, sacra virgo, Felix namque es, Gaude Maria, Gaudeamus omnes, Iustitia, Magnus Dominus, Nunc dimittis servum tuum, Optimam partem elegit, Post partum, Propter veritatem, Responsam accepit Simeon, Rorate caeli, Salve sancta parens, Senex puerum, Sicut audivimus, Speciosus forma, Suscepimus Deus, Tollite portas, Virga lesse, Vultum tuum |
| Paul Hillier |
conductor |
Christ rising again (Rom. 6:9-11; Cor. I, 15:20-22), Come to me griefe for ever - The funerall Songs of that honorable Gent. Syr Phillip Sydney, Knight, Come wofull Orpheus, From Virgin's wombe - A Carowle for Christmas Day, Have mercy upon me, O God (Ps. 51:1-2), Lulla, lullaby, Make ye ioy to God (Ps. 100:1-2), Mass for 4 voices: I. Kyrie, Mass for 4 voices: II. Gloria, Mass for 4 voices: III. Credo, Mass for 4 voices: IV. Sanctus, Mass for 4 voices: V. Benedictus, Mass for 4 voices: VI. Agnus Dei, Praise our Lord all yee Gentiles (Ps. 117), Through Amarillis daunce in greene, Turne our captivitie (Ps. 126:5-7), Who made thee, Hob - A dialogue between two shepherds, Ye sacred Muses - Elegy on the death of Thomas Tallis |
| Keith Grant (classical recording engineer) |
engineer |
Alack, When I Look Back, Arise, O Lord: Help Us O God, Blessed Is He That Fears the Lord, Fantasia in A minor, Fantasia in D minor, Have Mercy Upon Me, O God, In nomine a5 (II), In nomine a5 (IV), In nomine a5 (V), Lord in Thy Wrath, O God, That Guides the Cheerful Sun, O Lord, Make Thy Servant Elizabeth, Prevent Us, O Lord, Second Service: Magnificat, Second Service: Nunc dimittis, Thou God That Guid'st, Why Do I Use My Paper, Ink & Pen? |
| Phil Rowlands (engineer) |
editor |
Alack, When I Look Back, Arise, O Lord: Help Us O God, Blessed Is He That Fears the Lord, Fantasia in A minor, Fantasia in D minor, Have Mercy Upon Me, O God, In nomine a5 (II), In nomine a5 (IV), In nomine a5 (V), Lord in Thy Wrath, O God, That Guides the Cheerful Sun, O Lord, Make Thy Servant Elizabeth, Prevent Us, O Lord, Second Service: Magnificat, Second Service: Nunc dimittis, Thou God That Guid'st, Why Do I Use My Paper, Ink & Pen? |
| David Skinner (musicologist and conductor) |
producer |
Alack, When I Look Back, Arise, O Lord: Help Us O God, Blessed Is He That Fears the Lord, Fantasia in A minor, Fantasia in D minor, Have Mercy Upon Me, O God, In nomine a5 (II), In nomine a5 (IV), In nomine a5 (V), Lord in Thy Wrath, O God, That Guides the Cheerful Sun, O Lord, Make Thy Servant Elizabeth, Prevent Us, O Lord, Second Service: Magnificat, Second Service: Nunc dimittis, Thou God That Guid'st, Why Do I Use My Paper, Ink & Pen? |
| Gerry O'Riordan |
engineer |
Alack, When I Look Back, Arise, O Lord: Help Us O God, Blessed Is He That Fears the Lord, Fantasia in A minor, Fantasia in D minor, Have Mercy Upon Me, O God, In nomine a5 (II), In nomine a5 (IV), In nomine a5 (V), Lord in Thy Wrath, O God, That Guides the Cheerful Sun, O Lord, Make Thy Servant Elizabeth, Prevent Us, O Lord, Second Service: Magnificat, Second Service: Nunc dimittis, Thou God That Guid'st, Why Do I Use My Paper, Ink & Pen? |
| Choir of King’s College, Cambridge |
vocal |
Introit: Alleluia, Ascendit Deus, Mass for 3 Voices: Agnus Dei, Mass for 3 Voices: Credo, Mass for 3 Voices: Kyrie - Gloria, Mass for 3 Voices: Sanctus - Benedictus, Mass for 4 Voices: Agnus Dei, Mass for 4 Voices: Credo, Mass for 4 Voices: Gloria, Mass for 4 Voices: Kyrie, Mass for 4 Voices: Sanctus - Benedictus, Mass for 5 Voices: Agnus Dei, Mass for 5 Voices: Credo, Mass for 5 Voices: Gloria, Mass for 5 Voices: Kyrie, Mass for 5 Voices: Sanctus - Benedictus, Nunc Dimmitis |
| The Hilliard Ensemble |
vocal |
Christ rising again (Rom. 6:9-11; Cor. I, 15:20-22), Christe Qui Es Et Dies - Precamur, Come to me griefe for ever - The funerall Songs of that honorable Gent. Syr Phillip Sydney, Knight, Come wofull Orpheus, De Lamentatione Hieremiae, From Virgin's wombe - A Carowle for Christmas Day, Have mercy upon me, O God (Ps. 51:1-2), Laetentur Coeli, Lulla, lullaby, Make ye ioy to God (Ps. 100:1-2), Praise our Lord all yee Gentiles (Ps. 117), Through Amarillis daunce in greene, Turne our captivitie (Ps. 126:5-7), Who made thee, Hob - A dialogue between two shepherds, Ye sacred Muses - Elegy on the death of Thomas Tallis |
| The Sixteen |
vocal |
Beati Mundo Corde, Communio "Beati mundo corde", Decora lux aeternitatis auream / Kyrie, Diliges Dominum, Graduale "Timete Dominum", Introitus "Guadeamus omnes", Mass for 5 Voices: I. Kyrie eleison, Mass for 5 Voices: II. Gloria in excelsis, Mass for 5 Voices: III. Credo in unum Deum, Mass for 5 Voices: IV. Sanctus, Mass for 5 Voices: V. Benedictus, Mass for 5 Voices: VI. Agnus Dei, Motet "Ad Dominum cum tribularer", Motet "Diliges Dominum", Offertorium "Iustorum animae" |
| Harry Christophers |
conductor |
Beati Mundo Corde, Communio "Beati mundo corde", Decora lux aeternitatis auream / Kyrie, Diliges Dominum, Graduale "Timete Dominum", Introitus "Guadeamus omnes", Mass for 5 Voices: I. Kyrie eleison, Mass for 5 Voices: II. Gloria in excelsis, Mass for 5 Voices: III. Credo in unum Deum, Mass for 5 Voices: IV. Sanctus, Mass for 5 Voices: V. Benedictus, Mass for 5 Voices: VI. Agnus Dei, Motet "Ad Dominum cum tribularer", Motet "Diliges Dominum", Offertorium "Iustorum animae" |
| Sir David Willcocks |
conductor |
Mass for 3 Voices: Agnus Dei, Mass for 3 Voices: Credo, Mass for 3 Voices: Kyrie - Gloria, Mass for 3 Voices: Sanctus - Benedictus, Mass for 4 Voices: Agnus Dei, Mass for 4 Voices: Credo, Mass for 4 Voices: Gloria, Mass for 4 Voices: Kyrie, Mass for 4 Voices: Sanctus - Benedictus, Mass for 5 Voices: Agnus Dei, Mass for 5 Voices: Credo, Mass for 5 Voices: Gloria, Mass for 5 Voices: Kyrie, Mass for 5 Voices: Sanctus - Benedictus |
| I Fagiolini |
performer, vocal |
Ad Dominum cum tribularer, Attollite portas, Da mihi auxilium, Deus, venerunt gentes, Domine secundum actum meum, Domine, tu iurasti, Laudibus in sanctis, Miserere mihi, Domine, My Ladye Nevells Booke: The Galliarde to the Firste Pavian (arr. lute), Hirsch Manuscript No. 2, O quam gloriosum est regnum, Quomodo cantabimus, Vigilate, Why do I use my paper, inke and penne? |
| Australian Intervarsity Choral Festival Choir |
vocal |
Ave Verum, Ave verum corpus, Haec Dies, Kyrie (Mass for three voices), Lullaby my Sweet Little Baby, Mass for four voices, Sacerdotes Domine, Terra Tremuit, This sweet and merry month, Though Amaryllis Dance in Green, Though Amaryllis dance |
| Fretwork |
performer, performing orchestra, viola da gamba |
Ah Silly Soul, Christe Redemptor à 4, Farewell, false love, If women could be fair, In Nomine à 5 No. 4, My mind to me a kingdom is, O Lord, how vain, Triumph with pleasant melody, Truth at the first, Who likes to love |
| Phantasm (renaissance viola da gamba consort) |
performer |
Missa a 4, Missa a 4: I. Kyrie, Missa a 4: II. Gloria, Missa a 4: IV. Agnus dei, Missa a 4: IV. Sanctus, Pavan and Galliard a 6 in C major: Galliard, Pavan and Galliard a 6 in C major: Pavan, Queen's Goodnight (Prelude and Ground) |
| Gustav Leonhardt |
conductor, harpsichord, virginal |
Fantasia No. 2 a 6 in G minor BE17, 12, Fantasia No. 3 a 3 in C BK27, Galliard in D BK52b, Galliard in D major, BK52b, Pavan and Galliard a 6 in C major: I. Pavan, Pavan and Galliard a 6 in C major: II. Galliard, Pavan in D BK52a, Pavane in D major, BK52a |
| London Baroque (founded 1978 by Charles Medlam) |
performing orchestra |
Christ rising again (Rom. 6:9-11; Cor. I, 15:20-22), Come to me griefe for ever - The funerall Songs of that honorable Gent. Syr Phillip Sydney, Knight, From Virgin's wombe - A Carowle for Christmas Day, Have mercy upon me, O God (Ps. 51:1-2), Lulla, lullaby, Through Amarillis daunce in greene, Who made thee, Hob - A dialogue between two shepherds, Ye sacred Muses - Elegy on the death of Thomas Tallis |
| Sophie Yates (British harpsichordist) |
harpsichord |
All in a Garden Green, La volta, O Mistrys Myne, Pavan "Sir William Petre", Rowland "Lord Willoughby's welcome home", MB 7, The Queen's Alman, MB 10, Walsingham, MB 8, Wolsey's Wilde |
| Stile Antico |
performer, vocal |
Gradualia I: Ave Maria, Gradualia I: Ecce virgo concipiet, Gradualia I: Rorate caeli desuper, Gradualia I: Tollite portas, Laudibus in sanctis (from Cantiones sacrae II), Plorans ploravit (Gradualia I), Vigilate (from Cantiones sacrae I) |
| The King’s Singers |
vocal |
Ave verum corpus, Beata viscera Maria virginis, Drop, Drop Slow Tears, Haec Dies, Vigilate, Viri Galilei, Who made thee, Hob, forsake the plough? |
| Pro Cantione Antiqua |
performer, vocal |
Come Woeful Orpheus, Mass for Three Voices: Agnus Dei, Mass for Three Voices: Credo, Mass for Three Voices: Gloria, Mass for Three Voices: Kyrie, Mass for Three Voices: Sanctus – Benedictus, Misa tres vocum: Sanctus |
| The Pro Arte Singers |
vocal |
Mass for 4 voices: I. Kyrie, Mass for 4 voices: II. Gloria, Mass for 4 voices: III. Credo, Mass for 4 voices: IV. Sanctus, Mass for 4 voices: V. Benedictus, Mass for 4 voices: VI. Agnus Dei |
| Leonhardt-Consort |
performing orchestra |
Fantasia No. 2 a 6 in G minor BE17, 12, Fantasia No. 3 a 3 in C BK27, Galliard in D BK52b, Pavan and Galliard a 6 in C major: I. Pavan, Pavan and Galliard a 6 in C major: II. Galliard, Pavan in D BK52a |
| Colin Tilney |
harpsichord |
Galliard: The Earl of Salisbury, O Mistress Mine, Pavan: The Earl of Salisbury, The Bells, The Galliard Jig, The Woods So wild |
| Bruno Turner |
conductor |
Mass for Three Voices: Agnus Dei, Mass for Three Voices: Credo, Mass for Three Voices: Gloria, Mass for Three Voices: Kyrie, Mass for Three Voices: Sanctus – Benedictus, Misa tres vocum: Sanctus |
| André Isoir |
organ |
"The Battle": The flute and the droome, "The Battle": The gaillarde for the victoire, "The Battle": The marche of footemen, "The Battle": The marche of horsmen, "The Battle": The souldiers dance |
| Chanticleer |
vocal |
Antiphon: Ave Regina cælorum, Antiphon: Salve Regina, Missa in Assumptione beatæ Mariæ virginis, Missa in tempore Paschali, Motet: Regina cæli |
| Joseph Jennings |
conductor |
Antiphon: Ave Regina cælorum, Antiphon: Salve Regina, Missa in Assumptione beatæ Mariæ virginis, Missa in tempore Paschali, Motet: Regina cæli |
| Rose Consort of Viols |
performing orchestra, viola da gamba |
In Nomine 2 (a 5), In Nomine 3 (a 5), In Nomine 4 (a 5), In Nomine 5 (a 5), Pavan á 6 in C major |
| Zsuzsa Pertis |
harpsichord |
The Fitzwilliam Virginal Book No. 10: John Come Kiss Me Now, MB 81, The Fitzwilliam Virginal Book No. 126: The Maydens Song, MB 81, The Fitzwilliam Virginal Book No. 261: Fantasia, The Fitzwilliam Virginal Book No. 64: Sellinger's Round, MB 84 |
| Peter Phillips (British conductor) |
conductor |
Ne irascaris, Domine, Though, Amaryllis Dance, Tristitia et anxietas, Vigilate |
| Anna Crookes (soprano) |
vocal |
Crowned with flow'rs and lilies, O Lord, how vain, The noble famous Queen "While Phoebus Used to Dwell", Who likes to love |
| Jeremy Summerly |
conductor |
Laudibus in sanctis, Mass for five voices: Agnus Dei, Mass for four voices: Agnus Dei, Messe für 5 Stimmen: Kyrie |
| Concordia (viol consort) |
performer |
Crowned with flow'rs and lilies, Rejoice unto the Lord, The noble famous Queen "While Phoebus Used to Dwell", Why do I use my paper, inke and penne? |
| Julian Bream |
lute |
Mounsiers Almaine, My Lord of Oxenfords Maske, Pavin, The Woods So Wild (transcribed: Francis Cutting) |
| The Tallis Scholars |
vocal |
Ne irascaris, Domine, Though, Amaryllis Dance, Tristitia et anxietas, Vigilate |
| Oxford Camerata |
performing orchestra, vocal |
Laudibus in sanctis, Mass for five voices: Agnus Dei, Mass for four voices: Agnus Dei, Messe für 5 Stimmen: Kyrie |
| Robin Blaze |
vocal |
Farewell, false love, Rejoice unto the Lord, Triumph with pleasant melody, Why do I use my paper, inke and penne? |
| Mary Springfels |
conductor |
An aged dame, Come, woeful Orpheus, Prelude and ground à 5 |
| Robert von Bahr |
producer, recording |
Fantasia a 5, Fantasia a 6 (I), Fantasia a 6 (II) |
| Ray Minshull |
producer |
Mounsiers Almaine, My Lord of Oxenfords Maske, Pavin |
| Nicholas Parker (Producer, Engineer) |
producer |
Ah Silly Soul, Christe Redemptor à 4, In Nomine à 5 No. 4 |
| Musica Dolce |
recorder |
Fantasia a 5, Fantasia a 6 (I), Fantasia a 6 (II) |
| Robert Spencer |
vocal, cittern, lute |
Monsieur's Almaine for Keyboard in C major, MB 44, My Lord of Oxenford's Maske, Work Pavin |
| The Newberry Consort |
performer |
An aged dame, Come, woeful Orpheus, Prelude and ground à 5 |
| Jack Clegg (engineer) |
recording |
Mounsiers Almaine, My Lord of Oxenfords Maske, Pavin |
| Desmond Dupré |
cittern, lute |
Monsieur's Almaine for Keyboard in C major, MB 44, My Lord of Oxenford's Maske, Work Pavin |
| David Sandeman |
flute |
Monsieur's Almaine for Keyboard in C major, MB 44, My Lord of Oxenford's Maske, Work Pavin |
| Tim Handley (engineer/editor/producer) |
sound |
Ah Silly Soul, Christe Redemptor à 4, In Nomine à 5 No. 4 |
| Richard Wyn Roberts |
vocal |
Triumph with pleasant melody, Why do I use my paper, inke and penne? |
| Robert Hollingworth |
conductor, vocal |
My Ladye Nevells Booke: The Galliarde to the Firste Pavian (arr. lute), Hirsch Manuscript No. 2, Why do I use my paper, inke and penne? |
| Michael Chance (British countertenor) |
vocal |
Ah Silly Soul, If women could be fair |
| Monteverdi Choir |
vocal |
Lullaby, O magnum mysterium |
| Joel Cohen (conductor of Boston Camerata) |
conductor |
The buriing of the dead, Turn our captivity, O Lord |
| Nicholas Collon |
conductor |
Bow Thine Ear, O Lord, Miserere mei, Deus |
| Daphne Godson |
viola da gamba |
In angells weede I saw a noble Queene, The noble famous Queene |
| Nico Muhly |
arranger |
Bow Thine Ear, O Lord, Miserere mei, Deus |
| David Griesinger |
sound |
The buriing of the dead, Turn our captivity, O Lord |
| The Amaryllis Consort |
performing orchestra |
Pavane & 2 Galliards "The Earle of Salisbury": I. Pavan, Though Amaryllis Dance in Green |
| The Choir of Magdalen College, Oxford |
vocal |
An Earthly Tree, Sing Joyfully Unto God |
| Warwick Edwards |
conductor, viola da gamba |
In angells weede I saw a noble Queene, The noble famous Queene |
| Bruce Lancaster |
editor, vocal |
The buriing of the dead, Turn our captivity, O Lord |
| Christopher Field (Medieval/Renaissance era instruments) |
violin |
In angells weede I saw a noble Queene, The noble famous Queene |
| Lorna Anderson |
vocal |
In angells weede I saw a noble Queene, The noble famous Queene |
| Aurora Orchestra |
performing orchestra |
Bow Thine Ear, O Lord, Miserere mei, Deus |
| Ralph Couzens (engineer/editor/producer) |
producer, sound |
In angells weede I saw a noble Queene, The noble famous Queene |
| Carys Lane (soprano) |
vocal |
My mind to me a kingdom is, Truth at the first |
| Marjorie Rycroft |
viola da gamba |
In angells weede I saw a noble Queene, The noble famous Queene |
| London Symphony Orchestra |
performing orchestra |
Pavan: The Earl of Salisbury & Galliard (after Francis Tregian) |
| Deller Consort |
vocal |
Renaissance: Cantiones sacrae: Peccantem me quotidie |
| Ludwig Güttler Brass Ensemble |
performing orchestra |
The Earle of Oxford's March |
| Dennis Keene |
conductor |
Ave verum corpus |
| Mark Deller |
conductor |
Renaissance: Cantiones sacrae: Peccantem me quotidie |
| Arthur Lilley |
engineer |
Pavan: The Earl of Salisbury & Galliard (after Francis Tregian) |
| Edward Higginbottom |
conductor |
Ave verum corpus |
| Mike Hatch (engineer/editor) |
engineer, producer |
Beata viscera Maria virginis |
| Elizabeth Farr |
harpsichord |
Lord Willobies Welcome Home |
| Ensemble Vocal Européen de la Chapelle Royale |
vocal |
Renaissance: Cantiones sacrae: Peccantem me quotidie |
| Musica Sacra (Choir based in Auckland, New Zealand) |
performer |
Justorum Animae |
| Erin Headley |
viola da gamba |
Who made thee, Hob, forsake the plough? |
| Frances Conover Fitch |
harpsichord |
The buriing of the dead |
| Frank Kelley (tenor) |
vocal |
Turn our captivity, O Lord |
| Fred Raffensperger |
vocal |
Turn our captivity, O Lord |
| Patrick Thomas (conductor) |
conductor |
Rainforest: Pavana (from William Byrd Suite) |
| Andreas Scholl |
vocal |
Though Amaryllis Dance in Green |
| Choir of New College Oxford |
vocal |
Ave verum corpus |
| Choir of Trinity College (Cambridge) |
vocal |
Rejoice, Rejoice in Christ |
| Geoffrey Mitchell |
conductor |
Come Woeful Orpheus |
| Philip Ledger |
conductor |
Introit: Alleluia, Ascendit Deus |
| Christ Church Cathedral Choir, Oxford |
vocal |
Introitus: Cibavit Eos |
| Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) |
performing orchestra |
Rainforest: Pavana (from William Byrd Suite) |
| Bill Ives |
conductor |
An Earthly Tree |
| Red Byrd (medieval music group) |
vocal |
Pavan á 6 in C major |
| Richard Farnes |
organ |
Nunc Dimmitis |
| Richard Lee (engineer) |
sound |
Ave verum corpus |
| Richard Marlow |
conductor |
Rejoice, Rejoice in Christ |
| Colin Walsh |
conductor |
Teach Me O Lord |
| Robert Aldwinckle |
harpsichord |
The Bells |
| Concerto di Viole |
performing orchestra |
Though Amaryllis Dance in Green |
| Jacob Heringman |
lute |
My Lord Willoughbies Welcom Home by Mr Byrde |
| Jacques Doll |
sound |
Ave verum corpus |
| James Burnett (producer) |
producer |
The Woods So Wild (transcribed: Francis Cutting) |
| Alfred Deller |
vocal |
Non nobis Domine |
| Sanford Sylvan |
vocal |
Turn our captivity, O Lord |
| Sarah Baldock |
organ |
A Fancie |
| Simon Carrington (baritone and conductor) |
vocal |
Who made thee, Hob, forsake the plough? |
| Anthony Holt |
vocal |
Who made thee, Hob, forsake the plough? |
| John Harper |
conductor |
Sing Joyfully Unto God |
| Stephen Cleobury |
conductor |
Nunc Dimmitis |
| John Rutter |
conductor |
Viri Galilaei |
| John W. Bower (recording engineer) |
recording |
The Woods So Wild (transcribed: Francis Cutting) |
| The Boston Camerata |
instrument |
Turn our captivity, O Lord |
| The Cambridge Singers |
vocal |
Viri Galilaei |
| Capricorn Ensemble |
instrument |
Ave verum corpus |
| David Miller (UK period lutist / guitarist) |
lute |
My Ladye Nevells Booke: The Galliarde to the Firste Pavian (arr. lute), Hirsch Manuscript No. 2 |
| Kammerchor CantART Halle Saale |
vocal |
Ave verum corpus |
| The Monks and Choirboys of Downside Abbey |
vocal |
Agnus Dei (feat. choir: The Monks and Choirboys of Downside Abbey) |
| David Ripley (American baritone) |
vocal |
Turn our captivity, O Lord |
| Adrian Hunter (producer and engineer) |
editor, engineer, producer |
My Lord Willoughbies Welcom Home by Mr Byrde |
| Alison Crum |
viola da gamba |
Who made thee, Hob, forsake the plough? |
| Leopold Stokowski |
conductor |
Pavan: The Earl of Salisbury & Galliard (after Francis Tregian) |
| Lincoln Cathedral Choir |
vocal |
Teach Me O Lord |
| Trevor Jones (British violist, ex. Salomon Quartet) |
viola da gamba |
Who made thee, Hob, forsake the plough? |
| Voices of Ascension |
vocal |
Ave verum corpus |
| Catherine Mackintosh (violinist) |
viola da gamba |
Who made thee, Hob, forsake the plough? |
| Westminster Cathedral Choir |
vocal |
Ave verum corpus |
| Kenneth Fitch |
vocal |
Turn our captivity, O Lord |