| Fritz Werner (German conductor and organist) |
conductor |
Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 26 Chor, Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 27 Rezitativ, Weihnachts-Oratorium: Dritter Teil: Nr. 24 Chor: "Herrscher des Himmels, erhöre das Lallen", Weihnachts-Oratorium: Dritter Teil: Nr. 25 Evangelist - Nr. 26 Chor - Nr. 27 Rezitativ (Baß), Weihnachts-Oratorium: Dritter Teil: Nr. 28 Choral: "Dies hat er alles uns getan", Weihnachts-Oratorium: Dritter Teil: Nr. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen", Weihnachts-Oratorium: Dritter Teil: Nr. 30 Evangelist: "Und sie kamen eilend", Weihnachts-Oratorium: Dritter Teil: Nr. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder", Weihnachts-Oratorium: Dritter Teil: Nr. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren", Weihnachts-Oratorium: Dritter Teil: Nr. 33 Choral: "Ich will dich mit Fleiß bewahren", Weihnachts-Oratorium: Dritter Teil: Nr. 34 Evangelist: "Und die Hirten kehrten wieder um", Weihnachts-Oratorium: Dritter Teil: Nr. 35 Choral: "Seid froh dieweil", Weihnachts-Oratorium: Dritter Teil: Nr. 35a Chor (Wiederholung von Nr. 24), Weihnachts-Oratorium: Erster Teil. Nr. 2 Evangelist: "Es begab sich aber zu der Zeit", Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion", Weihnachts-Oratorium: Erster Teil. Nr. 5 Choral: "Wie soll ich dich empfangen", Weihnachts-Oratorium: Erster Teil. Nr. 6 Evangelist: "Und sie gebar ihren ersten Sohn", Weihnachts-Oratorium: Erster Teil. Nr. 7 Choral und Rezitativ, Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König", Weihnachts-Oratorium: Erster Teil. Nr. 9 Choral: "Ach mein herzliebes Jesulein", Weihnachts-Oratorium: Fünfter Teil: Nr. 43 Chor: "Ehre sei dir, Gott, gesungen", Weihnachts-Oratorium: Fünfter Teil: Nr. 44 Evangelist, Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 46 Choral: "Dein Glanz all Finsternis verzehrt", Weihnachts-Oratorium: Fünfter Teil: Nr. 47 Arie, Weihnachts-Oratorium: Fünfter Teil: Nr. 48 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 49 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 50 Evangelist: "Und ließ versammeln alle Hohepriester", Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon", Weihnachts-Oratorium: Fünfter Teil: Nr. 53 Choral: "Zwar ist solche Herzensstube", Weihnachts-Oratorium: Sechster Teil: Nr. 54 Chor: "Herr, wenn die stolzen Feinde schnauben", Weihnachts-Oratorium: Sechster Teil: Nr. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig", Weihnachts-Oratorium: Sechster Teil: Nr. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen", Weihnachts-Oratorium: Sechster Teil: Nr. 57 Aria (Sopran): "Nur ein Wink von seinen Händen", Weihnachts-Oratorium: Sechster Teil: Nr. 58 Evangelist: "Als sie nun den König gehöret hatten", Weihnachts-Oratorium: Sechster Teil: Nr. 59 Chorale: "Ich steh an deiner Krippen hier", Weihnachts-Oratorium: Sechster Teil: Nr. 60 Evangelist: "Und Gott befahl ihnen im Traum", Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier", Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Sechster Teil: Nr. 64 Choral: "Nun seid ihr wohl gerochen", Weihnachts-Oratorium: Vierter Teil: Nr. 36 Chor: "Fallt mit Danken, fallt mit Loben", Weihnachts-Oratorium: Vierter Teil: Nr. 37 Evangelist: "Und da acht Tage um waren", Weihnachts-Oratorium: Vierter Teil: Nr. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen", Weihnachts-Oratorium: Vierter Teil: Nr. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen", Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne", Weihnachts-Oratorium: Vierter Teil: Nr. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben", Weihnachts-Oratorium: Vierter Teil: Nr. 42 Choral: "Jesus richte mein Beginnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 10 Sinfonia, Weihnachts-Oratorium: Zweiter Teil. Nr. 11 Evangelist: "Und es waren Hirten in derselben Gegend", Weihnachts-Oratorium: Zweiter Teil. Nr. 12 Choral: "Brich an, o schönes Morgenlicht", Weihnachts-Oratorium: Zweiter Teil. Nr. 13 Evangelist, Engel: "Und der Engel sprach zu ihnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen", Weihnachts-Oratorium: Zweiter Teil. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet", Weihnachts-Oratorium: Zweiter Teil. Nr. 16 Rezitativ (Engel): "Und das habt zum Zeichen", Weihnachts-Oratorium: Zweiter Teil. Nr. 17 Choral: "Schaut him, dort liegt im finstern Stall", Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht", Weihnachts-Oratorium: Zweiter Teil. Nr. 19 Aria (Alt): "Schlafe, mein Liebster, geniesse der Ruh", Weihnachts-Oratorium: Zweiter Teil. Nr. 20 Evangelist: "Und alsbald war da bei dem Engel", Weihnachts-Oratorium: Zweiter Teil. Nr. 21 Chor: "Ehre sei Gott in der Höhe", Weihnachts-Oratorium: Zweiter Teil. Nr. 22 Rezitativ (Bass): "So recht, ihr Engel, jauchzt und singet", Weihnachts-Oratorium: Zweiter Teil. Nr. 23 Choral: "Wir singen dir in deinem Heer" |
| Südwestdeutsches Kammerorchester Pforzheim |
performing orchestra |
Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 26 Chor, Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 27 Rezitativ, Weihnachts-Oratorium: Dritter Teil: Nr. 24 Chor: "Herrscher des Himmels, erhöre das Lallen", Weihnachts-Oratorium: Dritter Teil: Nr. 25 Evangelist - Nr. 26 Chor - Nr. 27 Rezitativ (Baß), Weihnachts-Oratorium: Dritter Teil: Nr. 28 Choral: "Dies hat er alles uns getan", Weihnachts-Oratorium: Dritter Teil: Nr. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen", Weihnachts-Oratorium: Dritter Teil: Nr. 30 Evangelist: "Und sie kamen eilend", Weihnachts-Oratorium: Dritter Teil: Nr. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder", Weihnachts-Oratorium: Dritter Teil: Nr. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren", Weihnachts-Oratorium: Dritter Teil: Nr. 33 Choral: "Ich will dich mit Fleiß bewahren", Weihnachts-Oratorium: Dritter Teil: Nr. 34 Evangelist: "Und die Hirten kehrten wieder um", Weihnachts-Oratorium: Dritter Teil: Nr. 35 Choral: "Seid froh dieweil", Weihnachts-Oratorium: Dritter Teil: Nr. 35a Chor (Wiederholung von Nr. 24), Weihnachts-Oratorium: Erster Teil. Nr. 2 Evangelist: "Es begab sich aber zu der Zeit", Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion", Weihnachts-Oratorium: Erster Teil. Nr. 5 Choral: "Wie soll ich dich empfangen", Weihnachts-Oratorium: Erster Teil. Nr. 6 Evangelist: "Und sie gebar ihren ersten Sohn", Weihnachts-Oratorium: Erster Teil. Nr. 7 Choral und Rezitativ, Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König", Weihnachts-Oratorium: Erster Teil. Nr. 9 Choral: "Ach mein herzliebes Jesulein", Weihnachts-Oratorium: Fünfter Teil: Nr. 43 Chor: "Ehre sei dir, Gott, gesungen", Weihnachts-Oratorium: Fünfter Teil: Nr. 44 Evangelist, Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 46 Choral: "Dein Glanz all Finsternis verzehrt", Weihnachts-Oratorium: Fünfter Teil: Nr. 47 Arie, Weihnachts-Oratorium: Fünfter Teil: Nr. 48 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 49 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 50 Evangelist: "Und ließ versammeln alle Hohepriester", Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon", Weihnachts-Oratorium: Fünfter Teil: Nr. 53 Choral: "Zwar ist solche Herzensstube", Weihnachts-Oratorium: Sechster Teil: Nr. 54 Chor: "Herr, wenn die stolzen Feinde schnauben", Weihnachts-Oratorium: Sechster Teil: Nr. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig", Weihnachts-Oratorium: Sechster Teil: Nr. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen", Weihnachts-Oratorium: Sechster Teil: Nr. 57 Aria (Sopran): "Nur ein Wink von seinen Händen", Weihnachts-Oratorium: Sechster Teil: Nr. 58 Evangelist: "Als sie nun den König gehöret hatten", Weihnachts-Oratorium: Sechster Teil: Nr. 59 Chorale: "Ich steh an deiner Krippen hier", Weihnachts-Oratorium: Sechster Teil: Nr. 60 Evangelist: "Und Gott befahl ihnen im Traum", Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier", Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Sechster Teil: Nr. 64 Choral: "Nun seid ihr wohl gerochen", Weihnachts-Oratorium: Vierter Teil: Nr. 36 Chor: "Fallt mit Danken, fallt mit Loben", Weihnachts-Oratorium: Vierter Teil: Nr. 37 Evangelist: "Und da acht Tage um waren", Weihnachts-Oratorium: Vierter Teil: Nr. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen", Weihnachts-Oratorium: Vierter Teil: Nr. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen", Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne", Weihnachts-Oratorium: Vierter Teil: Nr. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben", Weihnachts-Oratorium: Vierter Teil: Nr. 42 Choral: "Jesus richte mein Beginnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 10 Sinfonia, Weihnachts-Oratorium: Zweiter Teil. Nr. 11 Evangelist: "Und es waren Hirten in derselben Gegend", Weihnachts-Oratorium: Zweiter Teil. Nr. 12 Choral: "Brich an, o schönes Morgenlicht", Weihnachts-Oratorium: Zweiter Teil. Nr. 13 Evangelist, Engel: "Und der Engel sprach zu ihnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen", Weihnachts-Oratorium: Zweiter Teil. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet", Weihnachts-Oratorium: Zweiter Teil. Nr. 16 Rezitativ (Engel): "Und das habt zum Zeichen", Weihnachts-Oratorium: Zweiter Teil. Nr. 17 Choral: "Schaut him, dort liegt im finstern Stall", Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht", Weihnachts-Oratorium: Zweiter Teil. Nr. 19 Aria (Alt): "Schlafe, mein Liebster, geniesse der Ruh", Weihnachts-Oratorium: Zweiter Teil. Nr. 20 Evangelist: "Und alsbald war da bei dem Engel", Weihnachts-Oratorium: Zweiter Teil. Nr. 21 Chor: "Ehre sei Gott in der Höhe", Weihnachts-Oratorium: Zweiter Teil. Nr. 22 Rezitativ (Bass): "So recht, ihr Engel, jauchzt und singet", Weihnachts-Oratorium: Zweiter Teil. Nr. 23 Choral: "Wir singen dir in deinem Heer" |
| Christiane Jaccottet (harpsichord) |
performer, harpsichord |
English Suite no. 4 in F major: Allemande, English Suite no. 4 in F major: Corante, English Suite no. 4 in F major: Gigue, English Suite no. 4 in F major: Menuet I & II, English Suite no. 4 in F major: Prélude, English Suite no. 4 in F major: Sarabande, English Suite no. 5 in E minor: Allemande, English Suite no. 5 in E minor: Courante, English Suite no. 5 in E minor: Gigue, English Suite no. 5 in E minor: Passepied I & II, English Suite no. 5 in E minor: Prélude, English Suite no. 5 in E minor: Sarabande, English Suite no. 6 in D minor: Allemande, English Suite no. 6 in D minor: Courante, English Suite no. 6 in D minor: Double, English Suite no. 6 in D minor: Gavotte I & II, English Suite no. 6 in D minor: Gigue, English Suite no. 6 in D minor: Prélude, English Suite no. 6 in D minor: Sarabande, Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Bouree I & II (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Courante (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Echo (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Gavotte I & II (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Gigue (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Ouverture (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Passepied I & II (Christiane Jaccottet), Französische Overtüre BWV 831 h-moll Partita aus Clavierübung II - Sarabande (Christiane Jaccottet), French Suite No. 4 in E-Flat Major, BWV 815: Allemande, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Aria Variatio 1, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 10, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 11, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 12, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 13, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 14, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 15, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 16, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 17, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 18, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 19, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 2, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 20, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 21, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 22, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 23, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 24, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 25, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 26, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 27, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 28, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 29, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 3, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 30, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 4, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 5, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 6, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 7, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 8, Goldberg Variations. Air with variations, 4th part of "Clavier-Übung", BWV 988: Variatio 9, Inventionen für Cempalo Nr. 2 in c-Moll, BWV 773, Inventionen für Cempalo Nr. 3 in D-Dur, BWV 774, Two-Part Invention, for keyboard No. 4 in D minor, BWV 775 (BC L45) |
| Die Kölner Akademie |
performing orchestra |
Markus-Passion, BWV 247: 1. Choral: Geh, Jesu, geh zu deiner Pein (Chorus), Markus-Passion, BWV 247: 10. Recitative: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus), Markus-Passion, BWV 247: 11. Choral: Wach auf, o Mensch, vom Sundenschlaf (Chorus), Markus-Passion, BWV 247: 12. Recitative: Und Petrus sagte zu ihm (Evangelist, Petrus, Jesus), Markus-Passion, BWV 247: 13. Choral: Betrubtes Herz, sei wohlgemut (Chorus), Markus-Passion, BWV 247: 14. Recitative: Und ging ein wenig weiter (Evangelist, Jesus), Markus-Passion, BWV 247: 15. Choral: Machs mit mir, Gott, nach deiner Gut (Chorus), Markus-Passion, BWV 247: 16. Recitative: Und kam und fand sie schlafend (Evangelist, Jesus), Markus-Passion, BWV 247: 17. Aria: Er kommt, er ist vorhanden (Soprano), Markus-Passion, BWV 247: 18. Recitative: Und alsbald, da er noch redete (Evangelist, Judas), Markus-Passion, BWV 247: 19. Aria: Falsche Welt, dein schmeichelnd Kussen (Alto), Markus-Passion, BWV 247: 2. Recitative: Und nach zwei Tagen war Ostern (Evangelist, Chorus), Markus-Passion, BWV 247: 20. Recitative: Die aber legten ihre Hande an ihn (Evangelist, Jesus), Markus-Passion, BWV 247: 21. Choral: Jesu, ohne Missetat (Chorus), Markus-Passion, BWV 247: 22. Recitative: Und die Junger verliessen ihn alle (Evangelist), Markus-Passion, BWV 247: 23. Choral: Ich will hier bei dir stehen (Chorus), Markus-Passion, BWV 247: 24. Aria: Mein Troster ist nicht mehr bei mir (Tenor), Markus-Passion, BWV 247: 25. Recitative: Und sie fuhrten Jesus zu dem Hohenpriester (Evangelist, Falsche Zeugen), Markus-Passion, BWV 247: 26. Choral: Was Menschenkraft und witz anfaht (Chorus), Markus-Passion, BWV 247: 27. Recitative: Und der Hohepriester stand auf (Evangelist, Hohepriester), Markus-Passion, BWV 247: 28. Choral: Befiehl du deine Wege (Chorus), Markus-Passion, BWV 247: 29. Recitative: Da fragte ihn der Hohepriester abermals (Evangelist, Hohepriester, Jesus), Markus-Passion, BWV 247: 3. Choral: Sie stellen uns wie Ketzem nach (Chorus), Markus-Passion, BWV 247: 30. Choral: Du edles Angesichte (Chorus), Markus-Passion, BWV 247: 31. Recitative: Und Petrus war unten im Hof (Evangelist, Magdalene, Petrus, Chorus), Markus-Passion, BWV 247: 32. Choral: Herr, ich habe missgehandelt (Chorus), Markus-Passion, BWV 247: 33.-35. Recitative: Und bald am Morgen hielten die Hohenpriester Rat (Evangelist, Pilatus, Jesus, Chorus), Markus-Passion, BWV 247: 36. Choral: Man hat dich sehr hart verhohnet (Chorus), Markus-Passion, BWV 247: 37. Recitative: Und da sie ihn verspottet hatten (Evangelist), Markus-Passion, BWV 247: 38. Choral: Das Wort sie sollen lassen stahn (Chorus), Markus-Passion, BWV 247: 39. Recitative: Es war aber um die dritte Stunde (Evangelist, Chorus, Jesus), Markus-Passion, BWV 247: 4. Recitative: Jesus aber sprach (Evangelist, Jesus), Markus-Passion, BWV 247: 40. Choral: Keinen hat Gott verlassen (Chorus), Markus-Passion, BWV 247: 41. Recitative: Und etliche, die dabeistanden (Evangelist, Chorus, Soldat), Markus-Passion, BWV 247: 42. Aria: Welt und Himmel, nehmt zu Ohren (Soprano), Markus-Passion, BWV 247: 43. Recitative: Und der Vorhang im Tempel zerriss (Evangelist, Hauptmann), Markus-Passion, BWV 247: 44. Choral: O! Jesu du, mein Hilf und Ruh! (Chorus), Markus-Passion, BWV 247: 45. Recitative: Und er kaufte eine Leinwand (Evangelist), Markus-Passion, BWV 247: 46. Choral: Bei deinem Grab und Leichenstein (Chorus), Markus-Passion, BWV 247: 5. Choral: Mir hat die Welt truglich gericht't (Chorus), Markus-Passion, BWV 247: 6. Recitative: Und am ersten Tage der sussen Brote (Evangelist, Jesus, Junger), Markus-Passion, BWV 247: 7. Choral: Ich, ich und meine Sunden (Chorus), Markus-Passion, BWV 247: 8. Recitative: Er aber sprach zu ihnen (Evangelist, Jesus), Markus-Passion, BWV 247: 9. Aria: Mein Heiland, dich vergess' ich nicht (Alto) |
| Michael Alexander Willens (conductor) |
conductor |
Markus-Passion, BWV 247: 1. Choral: Geh, Jesu, geh zu deiner Pein (Chorus), Markus-Passion, BWV 247: 10. Recitative: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus), Markus-Passion, BWV 247: 11. Choral: Wach auf, o Mensch, vom Sundenschlaf (Chorus), Markus-Passion, BWV 247: 12. Recitative: Und Petrus sagte zu ihm (Evangelist, Petrus, Jesus), Markus-Passion, BWV 247: 13. Choral: Betrubtes Herz, sei wohlgemut (Chorus), Markus-Passion, BWV 247: 14. Recitative: Und ging ein wenig weiter (Evangelist, Jesus), Markus-Passion, BWV 247: 15. Choral: Machs mit mir, Gott, nach deiner Gut (Chorus), Markus-Passion, BWV 247: 16. Recitative: Und kam und fand sie schlafend (Evangelist, Jesus), Markus-Passion, BWV 247: 17. Aria: Er kommt, er ist vorhanden (Soprano), Markus-Passion, BWV 247: 18. Recitative: Und alsbald, da er noch redete (Evangelist, Judas), Markus-Passion, BWV 247: 19. Aria: Falsche Welt, dein schmeichelnd Kussen (Alto), Markus-Passion, BWV 247: 2. Recitative: Und nach zwei Tagen war Ostern (Evangelist, Chorus), Markus-Passion, BWV 247: 20. Recitative: Die aber legten ihre Hande an ihn (Evangelist, Jesus), Markus-Passion, BWV 247: 21. Choral: Jesu, ohne Missetat (Chorus), Markus-Passion, BWV 247: 22. Recitative: Und die Junger verliessen ihn alle (Evangelist), Markus-Passion, BWV 247: 23. Choral: Ich will hier bei dir stehen (Chorus), Markus-Passion, BWV 247: 24. Aria: Mein Troster ist nicht mehr bei mir (Tenor), Markus-Passion, BWV 247: 25. Recitative: Und sie fuhrten Jesus zu dem Hohenpriester (Evangelist, Falsche Zeugen), Markus-Passion, BWV 247: 26. Choral: Was Menschenkraft und witz anfaht (Chorus), Markus-Passion, BWV 247: 27. Recitative: Und der Hohepriester stand auf (Evangelist, Hohepriester), Markus-Passion, BWV 247: 28. Choral: Befiehl du deine Wege (Chorus), Markus-Passion, BWV 247: 29. Recitative: Da fragte ihn der Hohepriester abermals (Evangelist, Hohepriester, Jesus), Markus-Passion, BWV 247: 3. Choral: Sie stellen uns wie Ketzem nach (Chorus), Markus-Passion, BWV 247: 30. Choral: Du edles Angesichte (Chorus), Markus-Passion, BWV 247: 31. Recitative: Und Petrus war unten im Hof (Evangelist, Magdalene, Petrus, Chorus), Markus-Passion, BWV 247: 32. Choral: Herr, ich habe missgehandelt (Chorus), Markus-Passion, BWV 247: 33.-35. Recitative: Und bald am Morgen hielten die Hohenpriester Rat (Evangelist, Pilatus, Jesus, Chorus), Markus-Passion, BWV 247: 36. Choral: Man hat dich sehr hart verhohnet (Chorus), Markus-Passion, BWV 247: 37. Recitative: Und da sie ihn verspottet hatten (Evangelist), Markus-Passion, BWV 247: 38. Choral: Das Wort sie sollen lassen stahn (Chorus), Markus-Passion, BWV 247: 39. Recitative: Es war aber um die dritte Stunde (Evangelist, Chorus, Jesus), Markus-Passion, BWV 247: 4. Recitative: Jesus aber sprach (Evangelist, Jesus), Markus-Passion, BWV 247: 40. Choral: Keinen hat Gott verlassen (Chorus), Markus-Passion, BWV 247: 41. Recitative: Und etliche, die dabeistanden (Evangelist, Chorus, Soldat), Markus-Passion, BWV 247: 42. Aria: Welt und Himmel, nehmt zu Ohren (Soprano), Markus-Passion, BWV 247: 43. Recitative: Und der Vorhang im Tempel zerriss (Evangelist, Hauptmann), Markus-Passion, BWV 247: 44. Choral: O! Jesu du, mein Hilf und Ruh! (Chorus), Markus-Passion, BWV 247: 45. Recitative: Und er kaufte eine Leinwand (Evangelist), Markus-Passion, BWV 247: 46. Choral: Bei deinem Grab und Leichenstein (Chorus), Markus-Passion, BWV 247: 5. Choral: Mir hat die Welt truglich gericht't (Chorus), Markus-Passion, BWV 247: 6. Recitative: Und am ersten Tage der sussen Brote (Evangelist, Jesus, Junger), Markus-Passion, BWV 247: 7. Choral: Ich, ich und meine Sunden (Chorus), Markus-Passion, BWV 247: 8. Recitative: Er aber sprach zu ihnen (Evangelist, Jesus), Markus-Passion, BWV 247: 9. Aria: Mein Heiland, dich vergess' ich nicht (Alto) |
| Eva Hölderlin |
organ |
Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 27 Rezitativ, Weihnachts-Oratorium: Dritter Teil: Nr. 25 Evangelist - Nr. 26 Chor - Nr. 27 Rezitativ (Baß), Weihnachts-Oratorium: Dritter Teil: Nr. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen", Weihnachts-Oratorium: Dritter Teil: Nr. 30 Evangelist: "Und sie kamen eilend", Weihnachts-Oratorium: Dritter Teil: Nr. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder", Weihnachts-Oratorium: Dritter Teil: Nr. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren", Weihnachts-Oratorium: Dritter Teil: Nr. 34 Evangelist: "Und die Hirten kehrten wieder um", Weihnachts-Oratorium: Erster Teil. Nr. 2 Evangelist: "Es begab sich aber zu der Zeit", Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion", Weihnachts-Oratorium: Erster Teil. Nr. 6 Evangelist: "Und sie gebar ihren ersten Sohn", Weihnachts-Oratorium: Erster Teil. Nr. 7 Choral und Rezitativ, Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König", Weihnachts-Oratorium: Fünfter Teil: Nr. 44 Evangelist, Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 47 Arie, Weihnachts-Oratorium: Fünfter Teil: Nr. 48 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 49 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 50 Evangelist: "Und ließ versammeln alle Hohepriester", Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon", Weihnachts-Oratorium: Sechster Teil: Nr. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig", Weihnachts-Oratorium: Sechster Teil: Nr. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen", Weihnachts-Oratorium: Sechster Teil: Nr. 57 Aria (Sopran): "Nur ein Wink von seinen Händen", Weihnachts-Oratorium: Sechster Teil: Nr. 58 Evangelist: "Als sie nun den König gehöret hatten", Weihnachts-Oratorium: Sechster Teil: Nr. 60 Evangelist: "Und Gott befahl ihnen im Traum", Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier", Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Vierter Teil: Nr. 37 Evangelist: "Und da acht Tage um waren", Weihnachts-Oratorium: Vierter Teil: Nr. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen", Weihnachts-Oratorium: Vierter Teil: Nr. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen", Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne", Weihnachts-Oratorium: Vierter Teil: Nr. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben", Weihnachts-Oratorium: Zweiter Teil. Nr. 10 Sinfonia, Weihnachts-Oratorium: Zweiter Teil. Nr. 11 Evangelist: "Und es waren Hirten in derselben Gegend", Weihnachts-Oratorium: Zweiter Teil. Nr. 13 Evangelist, Engel: "Und der Engel sprach zu ihnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen", Weihnachts-Oratorium: Zweiter Teil. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet", Weihnachts-Oratorium: Zweiter Teil. Nr. 16 Rezitativ (Engel): "Und das habt zum Zeichen", Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht", Weihnachts-Oratorium: Zweiter Teil. Nr. 19 Aria (Alt): "Schlafe, mein Liebster, geniesse der Ruh", Weihnachts-Oratorium: Zweiter Teil. Nr. 20 Evangelist: "Und alsbald war da bei dem Engel", Weihnachts-Oratorium: Zweiter Teil. Nr. 22 Rezitativ (Bass): "So recht, ihr Engel, jauchzt und singet" |
| Ruggiero Ricci |
conductor, violin |
Concerto in A minor, BWV 1041: I. (Allegro), Concerto in A minor, BWV 1041: II. Andante, Concerto in A minor, BWV 1041: III. Allegro assai, Concerto in D minor, BWV 1052: I. Allegro, Concerto in D minor, BWV 1052: II. Adagio, Concerto in D minor, BWV 1052: III. Allegro, Concerto in E major, BWV 1042: I. Allegro, Concerto in E major, BWV 1042: II. Adagio, Concerto in E major, BWV 1042: III. Allegro assai, Partita No. 1 in B minor BWV 1002: I. Allemande, Partita No. 1 in B minor BWV 1002: II. Courante, Partita No. 1 in B minor BWV 1002: III. Sarabande, Partita No. 1 in B minor BWV 1002: IV. Bourrée, Partita No. 2 in D minor BWV 1004: I. Allemande, Partita No. 2 in D minor BWV 1004: II. Courante, Partita No. 2 in D minor BWV 1004: III. Sarabande, Partita No. 2 in D minor BWV 1004: IV. Gigue, Partita No. 2 in D minor BWV 1004: V. Chaconne, Partita No. 3 in E major BWV 1006: I. Praeludium, Partita No. 3 in E major BWV 1006: II. Loure, Partita No. 3 in E major BWV 1006: III. Gavotte en Rondeau, Partita No. 3 in E major BWV 1006: IV. Menuets 1-2, Partita No. 3 in E major BWV 1006: V. Bourrée, Partita No. 3 in E major BWV 1006: VI. Gigue, Sonata No. 1 in G minor BWV 1001: I. Adagio, Sonata No. 1 in G minor BWV 1001: II. Fugue, Sonata No. 1 in G minor BWV 1001: III. Siciliana, Sonata No. 1 in G minor BWV 1001: IV. Presto, Sonata No. 2 in A minor BWV 1003: I. Grave, Sonata No. 2 in A minor BWV 1003: II. Fugue, Sonata No. 2 in A minor BWV 1003: III. Andante, Sonata No. 2 in A minor BWV 1003: IV. Allegro, Sonata No. 3 in C major BWV 1005: I. Adagio, Sonata No. 3 in C major BWV 1005: II. Fugue, Sonata No. 3 in C major BWV 1005: III. Largo, Sonata No. 3 in C major BWV 1005: IV. Allegro assai |
| Wanda Landowska |
harpsichord |
English Suite No. 2 In A Minor: Allemande, English Suite No. 2 In A Minor: Bourees I And II, English Suite No. 2 In A Minor: Courante, English Suite No. 2 In A Minor: Gigue, English Suite No. 2 In A Minor: Prelude, English Suite No. 2 In A Minor: Sarabande, English Suite No. 3 In G Minor: Gavotte, English Suite No. 5 In E Minor: Passapieds, Fantasia In C Minor (BWV 906), French Suite No. 6 In E: Allemande, French Suite No. 6 In E: Bouree, French Suite No. 6 In E: Courante, French Suite No. 6 In E: Gavotte, French Suite No. 6 In E: Gigue, French Suite No. 6 In E: Menuet, French Suite No. 6 In E: Polonaise, French Suite No. 6 In E: Sarabande, Fughetta In C Minor (BWV 961), Little Preludes: In C (BWV 924), Little Preludes: In C (BWV 933), Little Preludes: In C (BWV 939), Little Preludes: In C Minor (BWV 934), Little Preludes: In C Minor (BWV 999), Little Preludes: In D (BWV 936), Little Preludes: In D Minor (BWV 935), Little Preludes: In E (BWV 937), Little Preludes: In E Minor (BWV 938), Partita No. 1 In B Flat: Allemande, Partita No. 1 In B Flat: Courante, Partita No. 1 In B Flat: Gigue, Partita No. 1 In B Flat: Menuets I And II, Partita No. 1 In B Flat: Prelude, Partita No. 1 In B Flat: Sarabande, Partita no. 2, BWV 826, in C minor: VI. Capriccio, Toccata In D, Well Tempered Clavier, Book 1: Prelude And Fugue In C Minor |
| Peter Serkin (pianist) |
piano |
Duet for Organ No. 1 in E Minor, BWV 802 (1739), Duet for Organ No. 2 in F Major, BWV 803 (1739), Duet for Organ No. 3 in G Major, BWV 804 (1739), Duet for Organ No. 4 in A Minor, BWV 805 (1739), Three-Part Invention, "Sinfonia," No. 1 in C Major, BWV 787 (1723), Three-Part Invention, "Sinfonia," No. 10 in G Major, BWV 796 (1723), Three-Part Invention, "Sinfonia," No. 11 in G Minor, BWV 797 (1723), Three-Part Invention, "Sinfonia," No. 12 in A Major, BWV 798 (1723), Three-Part Invention, "Sinfonia," No. 13 in A Minor, BWV 799 (1723), Three-Part Invention, "Sinfonia," No. 14 in B-Flat Major, BWV 800 (1723), Three-Part Invention, "Sinfonia," No. 15 in B Minor, BWV 801 (1723), Three-Part Invention, "Sinfonia," No. 2 in C Minor, BWV 788 (1723), Three-Part Invention, "Sinfonia," No. 3 in D Major, BWV 789 (1723), Three-Part Invention, "Sinfonia," No. 4 in D Minor, BWV 790 (1723), Three-Part Invention, "Sinfonia," No. 5 in E-Flat Major, BWV 791 (1723), Three-Part Invention, "Sinfonia," No. 6 in E Major, BWV 792 (1723), Three-Part Invention, "Sinfonia," No. 7 in E Minor, BWV 793 (1723), Three-Part Invention, "Sinfonia," No. 8 in F Major, BWV 794 (1723), Three-Part Invention, "Sinfonia," No. 9 in F Minor, BWV 795 (1723), Two-Part Invention No. 01 in C Major, BWV 772 (1723), Two-Part Invention No. 02 in C Minor, BWV 773 (1723), Two-Part Invention No. 03 in D Major, BWV 774 (1723), Two-Part Invention No. 04 in D Minor, BWV 775 (1723), Two-Part Invention No. 05 in E-Flat Major, BWV 776 (1723), Two-Part Invention No. 06 in E Major, BWV 777 (1723), Two-Part Invention No. 07 in E Minor, BWV 778 (1723), Two-Part Invention No. 08 in F Major, BWV 779 (1723), Two-Part Invention No. 09 in F Minor, BWV 780 (1723), Two-Part Invention No. 10 in G Major, BWV 781 (1723), Two-Part Invention No. 11 in G Minor, BWV 782 (1723), Two-Part Invention No. 12 in A Major, BWV 783 (1723), Two-Part Invention No. 13 in A Minor, BWV 784 (1723), Two-Part Invention No. 14 in B-Flat Major, BWV 785 (1723), Two-Part Invention No. 15 in B Minor, BWV 786 (1723) |
| Bob van Asperen |
harpsichord |
Sonata No.3 in E major, BWV 1016 - Adagio ma non troppo, Toccata in C minor, BWV 911: 1. [Passaggio], Toccata in C minor, BWV 911: 2. Adagio, Toccata in C minor, BWV 911: 3. Allegro - Adagio - Allegro - Adagio - Presto, Toccata in D major, BWV 912: 1. [Presto], Toccata in D major, BWV 912: 2. Allegro, Toccata in D major, BWV 912: 3. Adagio, Toccata in D major, BWV 912: 4. [Fugato], Toccata in D major, BWV 912: 5. con discrezione - Presto, Toccata in D major, BWV 912: 6. [Fuga], Toccata in D minor, BWV 913: 1. [Passaggio], Toccata in D minor, BWV 913: 2. [Adagio], Toccata in D minor, BWV 913: 3. Thema, Toccata in D minor, BWV 913: 4. [Adagissimo - Arioso], Toccata in D minor, BWV 913: 5. [Fuga], Allegro, Toccata in E minor, BWV 914: 1. [Praeludium], Toccata in E minor, BWV 914: 2. Un poco Allegro, Toccata in E minor, BWV 914: 3. Adagio, Toccata in E minor, BWV 914: 4. Fuga, Allegro, Toccata in F sharp minor, BWV 910: 1. [Passaggio], Toccata in F sharp minor, BWV 910: 2. [Adagio], Toccata in F sharp minor, BWV 910: 3. Presto e staccato, Toccata in F sharp minor, BWV 910: 4. [Arioso], Toccata in F sharp minor, BWV 910: 5. [Fuga], Toccata in G major, BWV 916: 1. [Vivace], Toccata in G major, BWV 916: 2. Adagio, Toccata in G major, BWV 916: 3. Allegro e presto, Toccata in G minor, BWV 915: 1. [Passaggio] - Adagio, Toccata in G minor, BWV 915: 2. Allegro, Toccata in G minor, BWV 915: 3. Adagio, Toccata in G minor, BWV 915: 4. Fuga - [Passaggio - Adagio] |
| La Petite Bande (Belgian chamber orchestra) |
performing orchestra |
Evangelista: "Und siehe da, der Vorhang im Tempel zerriß", Johannes-Passion, Second Part: Chorus: Ruth wohl, ihr heiligen Gebeine, Matthäuspassion: Am Abend, sa es kühle war, Matthäuspassion: Mache Dich, mein Herze, rein, Matthäuspassion: So ist mein Jesus nun gefangen, Matthäuspassion: Wir setzen uns mit Tränen nieder, h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Simon Woods (producer) |
producer |
Toccata in C minor, BWV 911: 1. [Passaggio], Toccata in C minor, BWV 911: 2. Adagio, Toccata in C minor, BWV 911: 3. Allegro - Adagio - Allegro - Adagio - Presto, Toccata in D major, BWV 912: 1. [Presto], Toccata in D major, BWV 912: 2. Allegro, Toccata in D major, BWV 912: 3. Adagio, Toccata in D major, BWV 912: 4. [Fugato], Toccata in D major, BWV 912: 5. con discrezione - Presto, Toccata in D major, BWV 912: 6. [Fuga], Toccata in D minor, BWV 913: 1. [Passaggio], Toccata in D minor, BWV 913: 2. [Adagio], Toccata in D minor, BWV 913: 3. Thema, Toccata in D minor, BWV 913: 4. [Adagissimo - Arioso], Toccata in D minor, BWV 913: 5. [Fuga], Allegro, Toccata in E minor, BWV 914: 1. [Praeludium], Toccata in E minor, BWV 914: 2. Un poco Allegro, Toccata in E minor, BWV 914: 3. Adagio, Toccata in E minor, BWV 914: 4. Fuga, Allegro, Toccata in F sharp minor, BWV 910: 1. [Passaggio], Toccata in F sharp minor, BWV 910: 2. [Adagio], Toccata in F sharp minor, BWV 910: 3. Presto e staccato, Toccata in F sharp minor, BWV 910: 4. [Arioso], Toccata in F sharp minor, BWV 910: 5. [Fuga], Toccata in G major, BWV 916: 1. [Vivace], Toccata in G major, BWV 916: 2. Adagio, Toccata in G major, BWV 916: 3. Allegro e presto, Toccata in G minor, BWV 915: 1. [Passaggio] - Adagio, Toccata in G minor, BWV 915: 2. Allegro, Toccata in G minor, BWV 915: 3. Adagio, Toccata in G minor, BWV 915: 4. Fuga - [Passaggio - Adagio] |
| Tony Bridge (mastering engineer) |
editor |
Toccata in C minor, BWV 911: 1. [Passaggio], Toccata in C minor, BWV 911: 2. Adagio, Toccata in C minor, BWV 911: 3. Allegro - Adagio - Allegro - Adagio - Presto, Toccata in D major, BWV 912: 1. [Presto], Toccata in D major, BWV 912: 2. Allegro, Toccata in D major, BWV 912: 3. Adagio, Toccata in D major, BWV 912: 4. [Fugato], Toccata in D major, BWV 912: 5. con discrezione - Presto, Toccata in D major, BWV 912: 6. [Fuga], Toccata in D minor, BWV 913: 1. [Passaggio], Toccata in D minor, BWV 913: 2. [Adagio], Toccata in D minor, BWV 913: 3. Thema, Toccata in D minor, BWV 913: 4. [Adagissimo - Arioso], Toccata in D minor, BWV 913: 5. [Fuga], Allegro, Toccata in E minor, BWV 914: 1. [Praeludium], Toccata in E minor, BWV 914: 2. Un poco Allegro, Toccata in E minor, BWV 914: 3. Adagio, Toccata in E minor, BWV 914: 4. Fuga, Allegro, Toccata in F sharp minor, BWV 910: 1. [Passaggio], Toccata in F sharp minor, BWV 910: 2. [Adagio], Toccata in F sharp minor, BWV 910: 3. Presto e staccato, Toccata in F sharp minor, BWV 910: 4. [Arioso], Toccata in F sharp minor, BWV 910: 5. [Fuga], Toccata in G major, BWV 916: 1. [Vivace], Toccata in G major, BWV 916: 2. Adagio, Toccata in G major, BWV 916: 3. Allegro e presto, Toccata in G minor, BWV 915: 1. [Passaggio] - Adagio, Toccata in G minor, BWV 915: 2. Allegro, Toccata in G minor, BWV 915: 3. Adagio, Toccata in G minor, BWV 915: 4. Fuga - [Passaggio - Adagio] |
| Jacques Doll |
recording, sound |
Johannes-Passion BWV 245: Ruht wohl, Prelude in C major, BWV 846a, Prelude in C minor, BWV 847, Prelude in D minor, BWV 951, Prelude in E minor, BWV 855a, Suite in A major, BWV 832: Air pour les Trompettes, Suite in A major, BWV 832: Allemande, Suite in A major, BWV 832: Bourée, Suite in A major, BWV 832: Gigue, Suite in A major, BWV 832: Sarabande, Suite in A minor BWV818a: Allemande, Suite in A minor BWV818a: Courante, Suite in A minor BWV818a: Fort gai, Suite in A minor BWV818a: Gigue, Suite in A minor BWV818a: Menuet, Suite in A minor BWV818a: Sarabande, Suite in E flat major, BWV 819a: Allemande (BWV 819), Suite in E flat major, BWV 819a: Bourée, Suite in E flat major, BWV 819a: Courante, Suite in E flat major, BWV 819a: Menuet I & II (Trio), Suite in E flat major, BWV 819a: Praeludium (BWV 815a), Suite in E flat major, BWV 819a: Sarabande, Suite in F minor, BWV 823: Gigue, Suite in F minor, BWV 823: Prélude, Suite in F minor, BWV 823: Sarabande en Rondeau, Three Minuets: No. 1 in G major, BWV 841, Three Minuets: No. 2 in G minor, BWV 842, Three Minuets: No. 3 in G major, BWV 843 |
| Olivier Baumont |
harpsichord |
Prelude in C major, BWV 846a, Prelude in C minor, BWV 847, Prelude in D minor, BWV 951, Prelude in E minor, BWV 855a, Suite in A major, BWV 832: Air pour les Trompettes, Suite in A major, BWV 832: Allemande, Suite in A major, BWV 832: Bourée, Suite in A major, BWV 832: Gigue, Suite in A major, BWV 832: Sarabande, Suite in A minor BWV818a: Allemande, Suite in A minor BWV818a: Courante, Suite in A minor BWV818a: Fort gai, Suite in A minor BWV818a: Gigue, Suite in A minor BWV818a: Menuet, Suite in A minor BWV818a: Sarabande, Suite in E flat major, BWV 819a: Allemande (BWV 819), Suite in E flat major, BWV 819a: Bourée, Suite in E flat major, BWV 819a: Courante, Suite in E flat major, BWV 819a: Menuet I & II (Trio), Suite in E flat major, BWV 819a: Praeludium (BWV 815a), Suite in E flat major, BWV 819a: Sarabande, Suite in F minor, BWV 823: Gigue, Suite in F minor, BWV 823: Prélude, Suite in F minor, BWV 823: Sarabande en Rondeau, Three Minuets: No. 1 in G major, BWV 841, Three Minuets: No. 2 in G minor, BWV 842, Three Minuets: No. 3 in G major, BWV 843 |
| Ysabelle Van Wersch-Cot |
producer |
Prelude in C major, BWV 846a, Prelude in C minor, BWV 847, Prelude in D minor, BWV 951, Prelude in E minor, BWV 855a, Suite in A major, BWV 832: Air pour les Trompettes, Suite in A major, BWV 832: Allemande, Suite in A major, BWV 832: Bourée, Suite in A major, BWV 832: Gigue, Suite in A major, BWV 832: Sarabande, Suite in A minor BWV818a: Allemande, Suite in A minor BWV818a: Courante, Suite in A minor BWV818a: Fort gai, Suite in A minor BWV818a: Gigue, Suite in A minor BWV818a: Menuet, Suite in A minor BWV818a: Sarabande, Suite in E flat major, BWV 819a: Allemande (BWV 819), Suite in E flat major, BWV 819a: Bourée, Suite in E flat major, BWV 819a: Courante, Suite in E flat major, BWV 819a: Menuet I & II (Trio), Suite in E flat major, BWV 819a: Praeludium (BWV 815a), Suite in E flat major, BWV 819a: Sarabande, Suite in F minor, BWV 823: Gigue, Suite in F minor, BWV 823: Prélude, Suite in F minor, BWV 823: Sarabande en Rondeau, Three Minuets: No. 1 in G major, BWV 841, Three Minuets: No. 2 in G minor, BWV 842, Three Minuets: No. 3 in G major, BWV 843 |
| Geoffrey Barton (Recording engineer, ambisonics developer) |
recording |
Partita No. 1 in B minor BWV 1002: I. Allemande, Partita No. 1 in B minor BWV 1002: II. Courante, Partita No. 1 in B minor BWV 1002: III. Sarabande, Partita No. 1 in B minor BWV 1002: IV. Bourrée, Partita No. 2 in D minor BWV 1004: I. Allemande, Partita No. 2 in D minor BWV 1004: II. Courante, Partita No. 2 in D minor BWV 1004: III. Sarabande, Partita No. 2 in D minor BWV 1004: IV. Gigue, Partita No. 2 in D minor BWV 1004: V. Chaconne, Partita No. 3 in E major BWV 1006: I. Praeludium, Partita No. 3 in E major BWV 1006: II. Loure, Partita No. 3 in E major BWV 1006: III. Gavotte en Rondeau, Partita No. 3 in E major BWV 1006: IV. Menuets 1-2, Partita No. 3 in E major BWV 1006: V. Bourrée, Partita No. 3 in E major BWV 1006: VI. Gigue, Sonata No. 1 in G minor BWV 1001: I. Adagio, Sonata No. 1 in G minor BWV 1001: II. Fugue, Sonata No. 1 in G minor BWV 1001: III. Siciliana, Sonata No. 1 in G minor BWV 1001: IV. Presto, Sonata No. 2 in A minor BWV 1003: I. Grave, Sonata No. 2 in A minor BWV 1003: II. Fugue, Sonata No. 2 in A minor BWV 1003: III. Andante, Sonata No. 2 in A minor BWV 1003: IV. Allegro, Sonata No. 3 in C major BWV 1005: I. Adagio, Sonata No. 3 in C major BWV 1005: II. Fugue, Sonata No. 3 in C major BWV 1005: III. Largo, Sonata No. 3 in C major BWV 1005: IV. Allegro assai |
| Sigiswald Kuijken |
conductor |
Johannes-Passion, Second Part: Chorus: Ruth wohl, ihr heiligen Gebeine, h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Patrizia Hardt (Belgian contralto) |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Bernard Hunziker (Swiss tenor) |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Jan Van der Crabben |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Gerlinde Sämann |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Australian Intervarsity Choral Festival Choir |
vocal |
Come, Jesu Come, Jesu Meine Freude, Jesu, Meine Freude, Komm, Jesu, Komm, Loben den Herrn, Magnificat: Deposuit, Magnificat: Deposuit Potentes, Magnificat: Esurientes, Magnificat: Et exultavit, Magnificat: Et misericordia, Magnificat: Fecit potentiam, Magnificat: Freut euch, Magnificat: Gloria, Magnificat: Gloria in excelsis Deo, Magnificat: Magnificat, Magnificat: Qui fecit, Magnificat: Quia Respexit, Magnificat: Quia fecit mihi magna, Magnificat: Quia respexit / Omnes generationes, Magnificat: Sicut locutus est, Magnificat: Suscepit Israel, Magnificat: Virga Jesse floruit, Magnificat: Von Himmel hoch, Peasant Cantata, Toccata and Fugue in D minor |
| Petra Noskaiová |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Elisabeth Hermans |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Christoph Genz |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Marcus Niedermeyr |
vocal |
h-Moll-Messe, BWV 232: Part 1. Kyrie. Christe eleison, h-Moll-Messe, BWV 232: Part 1. Kyrie. Kyrie eleison, h-Moll-Messe, BWV 232: Part 2. Gloria. Cum Sancto Spiritu, h-Moll-Messe, BWV 232: Part 2. Gloria. Domine Deus, h-Moll-Messe, BWV 232: Part 2. Gloria. Et in terra pax, h-Moll-Messe, BWV 232: Part 2. Gloria. Gloria in excelsis, h-Moll-Messe, BWV 232: Part 2. Gloria. Gratias agimus tibi, h-Moll-Messe, BWV 232: Part 2. Gloria. Laudamus te, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui sedes ad dexteram Patris, h-Moll-Messe, BWV 232: Part 2. Gloria. Qui tollis peccata mundi, h-Moll-Messe, BWV 232: Part 2. Gloria. Quoniam tu solus sanctus, h-Moll-Messe, BWV 232: Part 3. Credo. Confiteor, h-Moll-Messe, BWV 232: Part 3. Credo. Credo in unum Deum, h-Moll-Messe, BWV 232: Part 3. Credo. Crucifixus, h-Moll-Messe, BWV 232: Part 3. Credo. Et expecto, h-Moll-Messe, BWV 232: Part 3. Credo. Et in Spiritum Sanctum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et in unum Dominum, h-Moll-Messe, BWV 232: Part 3. Credo. Et incarnatus est, h-Moll-Messe, BWV 232: Part 3. Credo. Et resurrexit, h-Moll-Messe, BWV 232: Part 3. Credo. Patrem omnipotentem, h-Moll-Messe, BWV 232: Part 4. Agnus Dei, h-Moll-Messe, BWV 232: Part 4. Benedictus, h-Moll-Messe, BWV 232: Part 4. Dona nobis pacem, h-Moll-Messe, BWV 232: Part 4. Osana in excelsis, h-Moll-Messe, BWV 232: Part 4. Sanctus |
| Helmut Krebs |
vocal |
Weihnachts-Oratorium: Dritter Teil: Nr. 25 Evangelist - Nr. 26 Chor - Nr. 27 Rezitativ (Baß), Weihnachts-Oratorium: Dritter Teil: Nr. 30 Evangelist: "Und sie kamen eilend", Weihnachts-Oratorium: Dritter Teil: Nr. 34 Evangelist: "Und die Hirten kehrten wieder um", Weihnachts-Oratorium: Erster Teil. Nr. 2 Evangelist: "Es begab sich aber zu der Zeit", Weihnachts-Oratorium: Erster Teil. Nr. 6 Evangelist: "Und sie gebar ihren ersten Sohn", Weihnachts-Oratorium: Fünfter Teil: Nr. 44 Evangelist, Weihnachts-Oratorium: Fünfter Teil: Nr. 48 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 50 Evangelist: "Und ließ versammeln alle Hohepriester", Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Sechster Teil: Nr. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig", Weihnachts-Oratorium: Sechster Teil: Nr. 58 Evangelist: "Als sie nun den König gehöret hatten", Weihnachts-Oratorium: Sechster Teil: Nr. 60 Evangelist: "Und Gott befahl ihnen im Traum", Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier", Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Vierter Teil: Nr. 37 Evangelist: "Und da acht Tage um waren", Weihnachts-Oratorium: Vierter Teil: Nr. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben", Weihnachts-Oratorium: Zweiter Teil. Nr. 11 Evangelist: "Und es waren Hirten in derselben Gegend", Weihnachts-Oratorium: Zweiter Teil. Nr. 13 Evangelist, Engel: "Und der Engel sprach zu ihnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet", Weihnachts-Oratorium: Zweiter Teil. Nr. 16 Rezitativ (Engel): "Und das habt zum Zeichen", Weihnachts-Oratorium: Zweiter Teil. Nr. 20 Evangelist: "Und alsbald war da bei dem Engel" |
| Heinrich-Schütz-Chor Heilbronn |
vocal |
Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 26 Chor, Weihnachts-Oratorium: Dritter Teil: Nr. 24 Chor: "Herrscher des Himmels, erhöre das Lallen", Weihnachts-Oratorium: Dritter Teil: Nr. 28 Choral: "Dies hat er alles uns getan", Weihnachts-Oratorium: Dritter Teil: Nr. 33 Choral: "Ich will dich mit Fleiß bewahren", Weihnachts-Oratorium: Dritter Teil: Nr. 35 Choral: "Seid froh dieweil", Weihnachts-Oratorium: Dritter Teil: Nr. 35a Chor (Wiederholung von Nr. 24), Weihnachts-Oratorium: Erster Teil. Nr. 5 Choral: "Wie soll ich dich empfangen", Weihnachts-Oratorium: Erster Teil. Nr. 7 Choral und Rezitativ, Weihnachts-Oratorium: Erster Teil. Nr. 9 Choral: "Ach mein herzliebes Jesulein", Weihnachts-Oratorium: Fünfter Teil: Nr. 43 Chor: "Ehre sei dir, Gott, gesungen", Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 46 Choral: "Dein Glanz all Finsternis verzehrt", Weihnachts-Oratorium: Fünfter Teil: Nr. 53 Choral: "Zwar ist solche Herzensstube", Weihnachts-Oratorium: Sechster Teil: Nr. 54 Chor: "Herr, wenn die stolzen Feinde schnauben", Weihnachts-Oratorium: Sechster Teil: Nr. 59 Chorale: "Ich steh an deiner Krippen hier", Weihnachts-Oratorium: Sechster Teil: Nr. 64 Choral: "Nun seid ihr wohl gerochen", Weihnachts-Oratorium: Vierter Teil: Nr. 36 Chor: "Fallt mit Danken, fallt mit Loben", Weihnachts-Oratorium: Vierter Teil: Nr. 42 Choral: "Jesus richte mein Beginnen", Weihnachts-Oratorium: Zweiter Teil. Nr. 12 Choral: "Brich an, o schönes Morgenlicht", Weihnachts-Oratorium: Zweiter Teil. Nr. 17 Choral: "Schaut him, dort liegt im finstern Stall", Weihnachts-Oratorium: Zweiter Teil. Nr. 21 Chor: "Ehre sei Gott in der Höhe", Weihnachts-Oratorium: Zweiter Teil. Nr. 23 Choral: "Wir singen dir in deinem Heer" |
| Kenneth Gilbert |
harpsichord |
Chromatische Fantasie und Fuge d-moll BWV 903: I. Fantasia, Chromatische Fantasie und Fuge d-moll BWV 903: II. Recitativ, Chromatische Fantasie und Fuge d-moll BWV 903: III. Fuga, Fantasie c-moll BWV 906, Praeludium & Fuga (a 4 voci) in b-Moll, BWV 891, Toccata D-dur BWV 912: I. [Presto], Toccata D-dur BWV 912: II. Allegro, Toccata D-dur BWV 912: III. Adagio, Toccata D-dur BWV 912: IV. [ohne Tempoangabe], Toccata D-dur BWV 912: V. con discrezione – Presto, Toccata D-dur BWV 912: VI. [ohne Tempoangabe], Toccata G-dur BWV 916: I. [ohne Tempoangabe], Toccata G-dur BWV 916: II. Adagio, Toccata G-dur BWV 916: III. Allegro e presto, Toccata d-moll BWV 913: I. [ohne Tempoangabe] – presto, Toccata d-moll BWV 913: II. Thema, Toccata d-moll BWV 913: III. [ohne Tempoangabe] – presto, Toccata d-moll BWV 913: IV. Allegro, Toccata e-moll BWV 914: I. [ohne Tempoangabe], Toccata e-moll BWV 914: II. Un poco Allegro, Toccata e-moll BWV 914: III. Adagio, Toccata e-moll BWV 914: IV. Fuga. Allegro |
| Gewandhausorchester Leipzig |
performing orchestra |
Weihnachtsoratorium, BWV 248: 1. Teil: Ach mein herzliebes Jesulein (Choral), Weihnachtsoratorium, BWV 248: 1. Teil: Bereite dich, Zion, Weihnachtsoratorium, BWV 248: 1. Teil: Er ist auf Erden kommen arm (Choral), Weihnachtsoratorium, BWV 248: 1. Teil: Großer Herr und starker König, Weihnachtsoratorium, BWV 248: 1. Teil: Wie soll ich dich empfangen (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Brich an, o schönes Morgenlicht (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Ehre sei Gott in der Höhe, Weihnachtsoratorium, BWV 248: 2. Teil: Frohe Hirten, eilt, ach eilet, Weihnachtsoratorium, BWV 248: 2. Teil: Schaut hin, dort liegt im finstern Stall (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Schlafe, mein Liebster, Weihnachtsoratorium, BWV 248: 2. Teil: Sinfonia, Weihnachtsoratorium, BWV 248: 2. Teil: Wir singen dir in deinem Heer (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Dies hat er alles uns getan (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Er hat sein Volk getröst', Weihnachtsoratorium, BWV 248: 3. Teil: Herr, dein Mitleid, Weihnachtsoratorium, BWV 248: 3. Teil: Herrscher des Himmels, Weihnachtsoratorium, BWV 248: 3. Teil: Ich will dich mit Fleiß bewahren (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Lasset uns nun gehen, Weihnachtsoratorium, BWV 248: 3. Teil: Schließe, mein Herze, dies selige Wunder, Weihnachtsoratorium, BWV 248: 3. Teil: Seid froh dieweil (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Und da die Engel von ihnen gen Himmel fuhren |
| Bernard Foccroulle |
organ |
Group 1: the contrapuncti with a single object - Contrapunctus 1, Group 1: the contrapuncti with a single object - Contrapunctus 2, Group 1: the contrapuncti with a single object - Contrapunctus 3, Group 1: the contrapuncti with a single object - Contrapunctus 4, Group 1: the contrapuncti with a single object - Contrapunctus 5, Group 1: the contrapuncti with a single object - Contrapunctus 6, Group 1: the contrapuncti with a single object - Contrapunctus 7, Group 2: the canons and the mirror fugues - Canon alla Decima (in Contrapunto alla terza), Group 2: the canons and the mirror fugues - Canon alla Duodecima (in Contrapunto alla Quinta), Group 2: the canons and the mirror fugues - Canon in Hypodiapason (Canon alla Ottava), Group 2: the canons and the mirror fugues - Canon per Augmentationem in Contrario Motu, Group 2: the canons and the mirror fugues - Contrapunctus 12 inversus, Group 2: the canons and the mirror fugues - Contrapunctus 12 rectus, Group 2: the canons and the mirror fugues - Contrapunctus 13 inversus, Group 2: the canons and the mirror fugues - Contrapunctus 13 rectus, Group 3: the fugues contrapuncti with more than one subject - Contrapunctus 10, Group 3: the fugues contrapuncti with more than one subject - Contrapunctus 11, Group 3: the fugues contrapuncti with more than one subject - Contrapunctus 14 (completed), Group 3: the fugues contrapuncti with more than one subject - Contrapunctus 14 (unfinished), Group 3: the fugues contrapuncti with more than one subject - Contrapunctus 8, Group 3: the fugues contrapuncti with more than one subject - Contrapunctus 9 |
| Jordi Savall |
conductor, viola da gamba |
Die Kunst der Fuge: Canon 14 per Augmentationem in Contrario Motu, Die Kunst der Fuge: Canon 15 alla Ottava, Die Kunst der Fuge: Canon 16 alla Decima Contrapunto alla Terza, Die Kunst der Fuge: Canon 17 alla Duodecima in Contrapunto alla Quinta, Die Kunst der Fuge: Contrapunctus 1, Die Kunst der Fuge: Contrapunctus 10 alla Decima, Die Kunst der Fuge: Contrapunctus 11, Die Kunst der Fuge: Contrapunctus 12a, Die Kunst der Fuge: Contrapunctus 12b, Die Kunst der Fuge: Contrapunctus 13a, Die Kunst der Fuge: Contrapunctus 13b inversus, Die Kunst der Fuge: Contrapunctus 18 Fuga a 3 Soggetti, Die Kunst der Fuge: Contrapunctus 2, Die Kunst der Fuge: Contrapunctus 3, Die Kunst der Fuge: Contrapunctus 4, Die Kunst der Fuge: Contrapunctus 5, Die Kunst der Fuge: Contrapunctus 6 in Stylo Francese, Die Kunst der Fuge: Contrapunctus 7 per Augment. et Diminut., Die Kunst der Fuge: Contrapunctus 8, Die Kunst der Fuge: Contrapunctus 9 alla Duodecima, Viola da Gamba Sonata in G minor |
| Kurt Thomas |
conductor |
Weihnachtsoratorium, BWV 248: 1. Teil: Ach mein herzliebes Jesulein (Choral), Weihnachtsoratorium, BWV 248: 1. Teil: Bereite dich, Zion, Weihnachtsoratorium, BWV 248: 1. Teil: Er ist auf Erden kommen arm (Choral), Weihnachtsoratorium, BWV 248: 1. Teil: Großer Herr und starker König, Weihnachtsoratorium, BWV 248: 1. Teil: Wie soll ich dich empfangen (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Brich an, o schönes Morgenlicht (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Ehre sei Gott in der Höhe, Weihnachtsoratorium, BWV 248: 2. Teil: Frohe Hirten, eilt, ach eilet, Weihnachtsoratorium, BWV 248: 2. Teil: Schaut hin, dort liegt im finstern Stall (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Schlafe, mein Liebster, Weihnachtsoratorium, BWV 248: 2. Teil: Sinfonia, Weihnachtsoratorium, BWV 248: 2. Teil: Wir singen dir in deinem Heer (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Dies hat er alles uns getan (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Er hat sein Volk getröst', Weihnachtsoratorium, BWV 248: 3. Teil: Herr, dein Mitleid, Weihnachtsoratorium, BWV 248: 3. Teil: Herrscher des Himmels, Weihnachtsoratorium, BWV 248: 3. Teil: Ich will dich mit Fleiß bewahren (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Lasset uns nun gehen, Weihnachtsoratorium, BWV 248: 3. Teil: Schließe, mein Herze, dies selige Wunder, Weihnachtsoratorium, BWV 248: 3. Teil: Seid froh dieweil (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Und da die Engel von ihnen gen Himmel fuhren |
| Andrea Oliva (Italian flautist) |
flute |
Sonata in B minor, BWV 1030: Andante, Sonata in B minor, BWV 1030: Largo e dolce, Sonata in B minor, BWV 1030: Presto – Allegro, Sonata in C major, BWV 1033: Adagio, Sonata in C major, BWV 1033: Allegro, Sonata in C major, BWV 1033: Andante, Sonata in C major, BWV 1033: Menuetto I and II, Sonata in E major, BWV 1035: Adagio ma non tanto, Sonata in E major, BWV 1035: Allegro, Sonata in E major, BWV 1035: Allegro assai, Sonata in E major, BWV 1035: Siciliano, Sonata in E minor, BWV 1034: Adagio ma non tanto, Sonata in E minor, BWV 1034: Allegro, Sonata in E minor, BWV 1034: Andante, Sonata in E-flat major, BWV 1031: Allegro, Sonata in E-flat major, BWV 1031: Allegro moderato, Sonata in E-flat major, BWV 1031: Siciliano, Sonata in G minor, BWV 1020: Adagio, Sonata in G minor, BWV 1020: Allegro, Sonata in G minor, BWV 1020: [Allegro] |
| Orchestra della Svizzera italiana (known by this name since 1991) |
performing orchestra |
Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Chorale, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus I, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus II, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus III, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus IV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus IX, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus V, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VI, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VIII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus X, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XI, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XIII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XIV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVI, fuga A, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVI, fuga B, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVII a, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVIII |
| Hespèrion XXI |
performer |
Die Kunst der Fuge: Canon 14 per Augmentationem in Contrario Motu, Die Kunst der Fuge: Canon 15 alla Ottava, Die Kunst der Fuge: Canon 16 alla Decima Contrapunto alla Terza, Die Kunst der Fuge: Canon 17 alla Duodecima in Contrapunto alla Quinta, Die Kunst der Fuge: Contrapunctus 1, Die Kunst der Fuge: Contrapunctus 10 alla Decima, Die Kunst der Fuge: Contrapunctus 11, Die Kunst der Fuge: Contrapunctus 12a, Die Kunst der Fuge: Contrapunctus 12b, Die Kunst der Fuge: Contrapunctus 13a, Die Kunst der Fuge: Contrapunctus 13b inversus, Die Kunst der Fuge: Contrapunctus 18 Fuga a 3 Soggetti, Die Kunst der Fuge: Contrapunctus 2, Die Kunst der Fuge: Contrapunctus 3, Die Kunst der Fuge: Contrapunctus 4, Die Kunst der Fuge: Contrapunctus 5, Die Kunst der Fuge: Contrapunctus 6 in Stylo Francese, Die Kunst der Fuge: Contrapunctus 7 per Augment. et Diminut., Die Kunst der Fuge: Contrapunctus 8, Die Kunst der Fuge: Contrapunctus 9 alla Duodecima |
| Hermann Scherchen |
conductor |
Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Chorale, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus I, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus II, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus III, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus IV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus IX, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus V, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VI, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VIII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus X, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XI, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XIII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XIV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVI, fuga A, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVI, fuga B, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVII a, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVIII |
| Helmut Winschermann |
conductor |
Jauchzet Gott in allen Landen 1, Jauchzet Gott in allen Landen 2, Jauchzet Gott in allen Landen 3, Jauchzet Gott in allen Landen 4, Jauchzet Gott in allen Landen 5, Konzert für 2 Blockflöten, Cembalo, Streicher und Bass continuo, F-dur 1, Konzert für 2 Blockflöten, Cembalo, Streicher und Bass continuo, F-dur 2, Konzert für 2 Blockflöten, Cembalo, Streicher und Bass continuo, F-dur 3, Konzert für Flöte, Oboe, Violine, Streicher und Basso continuo in D-dur 1, Konzert für Flöte, Oboe, Violine, Streicher und Basso continuo in D-dur 2, Konzert für Flöte, Oboe, Violine, Streicher und Basso continuo in D-dur 3, Mein Herze schwimmt im Blut 1, Mein Herze schwimmt im Blut 2, Mein Herze schwimmt im Blut 3, Mein Herze schwimmt im Blut 4, Mein Herze schwimmt im Blut 5, Mein Herze schwimmt im Blut 6, Mein Herze schwimmt im Blut 7, Mein Herze schwimmt im Blut 8, Minuet & Badinerie |
| Angela Hewitt |
piano |
Sonata in B minor, BWV 1030: Andante, Sonata in B minor, BWV 1030: Largo e dolce, Sonata in B minor, BWV 1030: Presto – Allegro, Sonata in C major, BWV 1033: Adagio, Sonata in C major, BWV 1033: Allegro, Sonata in C major, BWV 1033: Andante, Sonata in C major, BWV 1033: Menuetto I and II, Sonata in E major, BWV 1035: Adagio ma non tanto, Sonata in E major, BWV 1035: Allegro, Sonata in E major, BWV 1035: Allegro assai, Sonata in E major, BWV 1035: Siciliano, Sonata in E minor, BWV 1034: Adagio ma non tanto, Sonata in E minor, BWV 1034: Allegro, Sonata in E minor, BWV 1034: Andante, Sonata in E-flat major, BWV 1031: Allegro, Sonata in E-flat major, BWV 1031: Allegro moderato, Sonata in E-flat major, BWV 1031: Siciliano, Sonata in G minor, BWV 1020: Adagio, Sonata in G minor, BWV 1020: Allegro, Sonata in G minor, BWV 1020: [Allegro] |
| Andreas Staier |
harpsichord |
Italian Concerto in F major - second movement, Andante |
| Luciano Sgrizzi |
harpsichord |
Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Chorale, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus I, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus II, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus III, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus IV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus IX, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus V, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VI, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus VIII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus X, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XI, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XIII, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XIV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XV, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVI, fuga A, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVI, fuga B, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVII a, Die Kunst der Fuge, BWV 1080 (arr. for harpsichord and orchestra): Contrapunctus XVIII |
| Deutsche Bachsolisten |
performer, performing orchestra |
Jauchzet Gott in allen Landen 1, Jauchzet Gott in allen Landen 2, Jauchzet Gott in allen Landen 3, Jauchzet Gott in allen Landen 4, Jauchzet Gott in allen Landen 5, Konzert für 2 Blockflöten, Cembalo, Streicher und Bass continuo, F-dur 1, Konzert für 2 Blockflöten, Cembalo, Streicher und Bass continuo, F-dur 2, Konzert für 2 Blockflöten, Cembalo, Streicher und Bass continuo, F-dur 3, Konzert für Flöte, Oboe, Violine, Streicher und Basso continuo in D-dur 1, Konzert für Flöte, Oboe, Violine, Streicher und Basso continuo in D-dur 2, Konzert für Flöte, Oboe, Violine, Streicher und Basso continuo in D-dur 3, Mein Herze schwimmt im Blut 1, Mein Herze schwimmt im Blut 2, Mein Herze schwimmt im Blut 3, Mein Herze schwimmt im Blut 4, Mein Herze schwimmt im Blut 5, Mein Herze schwimmt im Blut 6, Mein Herze schwimmt im Blut 7, Mein Herze schwimmt im Blut 8, Minuet & Badinerie |
| Günter Kehr (conductor) |
conductor |
Concerto in A minor for 4 Harpsichords, BMV 1065, Allegro, Concerto in A minor for 4 Harpsichords, BMV 1065, Largo, Concerto in A minor for 4 Harpsichords, BMV 1065, Tempo unmarked, Concerto in C major for 3 Harpsichords, BMV 1064, Adagio, Concerto in C major for 3 Harpsichords, BMV 1064, Allegro, Concerto in C major for 3 Harpsichords, BMV 1064, Tempo unmarked, Concerto in D minor for 3 Harpsichords, BMV 1063, Alla Sicilinana, Concerto in D minor for 3 Harpsichords, BMV 1063, Allegro, Concerto in D minor for 3 Harpsichords, BMV 1063, Tempo unmarked, Orchestral Suite #3 In D, BWV 1068 - Bourrée, Orchestral Suite #3 In D, BWV 1068 - Gigue, Orchestral Suite #4 In D, BWV 1069 - Bourrée I & II, Orchestral Suite #4 In D, BWV 1069 - Gavotte, Orchestral Suite #4 In D, BWV 1069 - Menuetto I & II, Orchestral Suite #4 In D, BWV 1069 - Ouverture, Orchestral Suite #4 In D, BWV 1069 - Réjouissance, Suite no. 2 in B minor (Menuet) |
| Mainzer Kammerorchester |
performing orchestra |
Concerto in A minor for 4 Harpsichords, BMV 1065, Allegro, Concerto in A minor for 4 Harpsichords, BMV 1065, Largo, Concerto in A minor for 4 Harpsichords, BMV 1065, Tempo unmarked, Concerto in C major for 3 Harpsichords, BMV 1064, Adagio, Concerto in C major for 3 Harpsichords, BMV 1064, Allegro, Concerto in C major for 3 Harpsichords, BMV 1064, Tempo unmarked, Concerto in D minor for 3 Harpsichords, BMV 1063, Alla Sicilinana, Concerto in D minor for 3 Harpsichords, BMV 1063, Allegro, Concerto in D minor for 3 Harpsichords, BMV 1063, Tempo unmarked, Orchestral Suite #3 In D, BWV 1068 - Bourrée, Orchestral Suite #3 In D, BWV 1068 - Gigue, Orchestral Suite #4 In D, BWV 1069 - Bourrée I & II, Orchestral Suite #4 In D, BWV 1069 - Gavotte, Orchestral Suite #4 In D, BWV 1069 - Menuetto I & II, Orchestral Suite #4 In D, BWV 1069 - Ouverture, Orchestral Suite #4 In D, BWV 1069 - Réjouissance, Suite no. 2 in B minor (Menuet) |
| Thomanerchor |
vocal |
Gloria in excelsis Deo, In Dulci Jubilo, In dulci jubilo, Vom Himmel hoch..., Weihnachtsoratorium, BWV 248: 1. Teil: Ach mein herzliebes Jesulein (Choral), Weihnachtsoratorium, BWV 248: 1. Teil: Er ist auf Erden kommen arm (Choral), Weihnachtsoratorium, BWV 248: 1. Teil: Wie soll ich dich empfangen (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Brich an, o schönes Morgenlicht (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Ehre sei Gott in der Höhe, Weihnachtsoratorium, BWV 248: 2. Teil: Schaut hin, dort liegt im finstern Stall (Choral), Weihnachtsoratorium, BWV 248: 2. Teil: Wir singen dir in deinem Heer (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Dies hat er alles uns getan (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Herrscher des Himmels, Weihnachtsoratorium, BWV 248: 3. Teil: Ich will dich mit Fleiß bewahren (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Lasset uns nun gehen, Weihnachtsoratorium, BWV 248: 3. Teil: Seid froh dieweil (Choral) |
| Ton Koopman |
conductor, instrument arranger, bass, cello, organ |
Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (soprano, alto, tenor, bass) "O kalter Männer Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (alto, tenor, bass) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Es danke, Gott, und lobe dich das Volk in guten Taten, BWV 76, Fallt Mit Danken, Fallt Mit Loben, Ich ruf zu dir, Herr Jesu Christ, BWV 639, Präludium, Viola da Gamba Sonata in G minor |
| Wilbert Hazelzet |
flute |
Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 1, Allegro moderato, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 2, Adagio, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 3, Allegro, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 1, Vivace, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 2, Largo, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 3, Allegro, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 1, Andante, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 3, Vivace, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): Aria, for organ in F major (doubtful), BWV 587, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 1, Adagio, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 2, Andante, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 3, Un poco allegro, Trio, for organ in D minor, BWV 583 (BC J8): No. 1, Adagio |
| Isidro Matamoros |
engineer |
Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 1, Allegro moderato, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 2, Adagio, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 3, Allegro, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 1, Vivace, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 2, Largo, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 3, Allegro, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 1, Andante, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 3, Vivace, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): Aria, for organ in F major (doubtful), BWV 587, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 1, Adagio, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 2, Andante, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 3, Un poco allegro, Trio, for organ in D minor, BWV 583 (BC J8): No. 1, Adagio |
| Carlos Céster (producer and engineer) |
engineer |
Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 1, Allegro moderato, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 2, Adagio, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 3, Allegro, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 1, Vivace, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 2, Largo, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 3, Allegro, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 1, Andante, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 3, Vivace, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): Aria, for organ in F major (doubtful), BWV 587, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 1, Adagio, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 2, Andante, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 3, Un poco allegro, Trio, for organ in D minor, BWV 583 (BC J8): No. 1, Adagio |
| Emilio Moreno (violist/violinist) |
producer |
Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 1, Allegro moderato, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 2, Adagio, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 3, Allegro, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 1, Vivace, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 2, Largo, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 3, Allegro, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 1, Andante, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 3, Vivace, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): Aria, for organ in F major (doubtful), BWV 587, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 1, Adagio, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 2, Andante, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 3, Un poco allegro, Trio, for organ in D minor, BWV 583 (BC J8): No. 1, Adagio |
| Amsterdam Baroque Orchestra |
performer, performing orchestra |
Easter Oratorio, BWV 249: I. Sinfonia, Easter Oratorio, BWV 249: II. Adagio, Easter Oratorio, BWV 249: III. Chorus "Kommt eilet und laufet", Easter Oratorio, BWV 249: IV. Recitative (soprano, alto, tenor, bass) "O kalter Männer Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VI. Recitative (alto, tenor, bass) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Es danke, Gott, und lobe dich das Volk in guten Taten, BWV 76, Fallt Mit Danken, Fallt Mit Loben |
| Yehudi Menuhin |
conductor, violin |
Concerto for Two Violins: Allegro, Concerto for Two Violins: Largo Ma Non Tanto, Concerto for Two Violins: Vivace, Concerto for Violin, Oboe and Strings in D Minor, BWV 1060, Double Violin Concerto in D minor, BWV 1043: II. Largo ma non tanto, Konzert für 2 Cembali c-moll, BWV 1060: III. Allegro, Sonata No. 2 in A Minor: Andante, Violin Concerto No. 1 in A Minor: Allegro (Non Tanto), Violin Concerto No. 1 in A Minor: Allegro Assai, Violin Concerto No. 1 in A Minor: Andante, Violin Concerto No. 2 in E Major: Adagio, Violin Concerto No. 2 in E Major: Allegro, Violin Concerto No. 2 in E Major: Allegro Assai |
| Jacques Ogg |
harpsichord |
Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 1, Allegro moderato, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 2, Adagio, Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1): No. 3, Allegro, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 1, Vivace, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 2, Largo, Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2): No. 3, Allegro, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 1, Andante, Trio Sonata for organ No. 3 in D minor, BWV 527 (BC J3): No. 3, Vivace, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): Aria, for organ in F major (doubtful), BWV 587, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 1, Adagio, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 2, Andante, Trio Sonata for organ No. 4 in E minor, BWV 528 (BC J4): No. 3, Un poco allegro, Trio, for organ in D minor, BWV 583 (BC J8): No. 1, Adagio |
| Barry McDaniel |
vocal |
Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 27 Rezitativ, Weihnachts-Oratorium: Dritter Teil: Nr. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen", Weihnachts-Oratorium: Erster Teil. Nr. 7 Choral und Rezitativ, Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König", Weihnachts-Oratorium: Fünfter Teil: Nr. 47 Arie, Weihnachts-Oratorium: Sechster Teil: Nr. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Vierter Teil: Nr. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen", Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne", Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen", Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht", Weihnachts-Oratorium: Zweiter Teil. Nr. 22 Rezitativ (Bass): "So recht, ihr Engel, jauchzt und singet" |
| Pierre Pierlot |
English horn, oboe, oboe d'amore |
Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion", Weihnachts-Oratorium: Erster Teil. Nr. 7 Choral und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 47 Arie, Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon", Weihnachts-Oratorium: Sechster Teil: Nr. 57 Aria (Sopran): "Nur ein Wink von seinen Händen", Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier", Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium: Vierter Teil: Nr. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen", Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen", Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht" |
| Otto Büchner (violinist) |
violin |
Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 1, a 2, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 2, a 2 Violini in unisono, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 3, a 2, per Motum contrarium, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 4, a 2, per Augmentationem contratio Motu, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 5, a 2, per Tonos, Musikalisches Opfer c-Moll BWV 1079: Canon perpetuus super Thema Regium, Musikalisches Opfer c-Moll BWV 1079: Fuga canonica in Epidiapente, Musikalisches Opfer c-Moll BWV 1079: Trio: Allegro, Musikalisches Opfer c-Moll BWV 1079: Trio: Andante, Musikalisches Opfer c-Moll BWV 1079: Trio: Canone perpetuo, Musikalisches Opfer c-Moll BWV 1079: Trio: Largo |
| Daniele Boccaccio (harpsichordist) |
harpsichord |
Sonate No. 1 G-Dur, BWV 1027: I. Adagio, Sonate No. 1 G-Dur, BWV 1027: II. Allegro ma non tanto, Sonate No. 1 G-Dur, BWV 1027: III. Andante, Sonate No. 1 G-Dur, BWV 1027: IV. Allegro moderato, Sonate No. 2 D-Dur, BWV 1028: I. Adagio, Sonate No. 2 D-Dur, BWV 1028: II. Allegro, Sonate No. 2 D-Dur, BWV 1028: III. Andante, Sonate No. 2 D-Dur, BWV 1028: IV. Allegro, Sonate No. 3 g-Moll, BWV 1029: I. Vivace, Sonate No. 3 g-Moll, BWV 1029: II. Adagio, Sonate No. 3 g-Moll, BWV 1029: III. Allegro |
| Agnes Giebel |
vocal |
Weihnachts-Oratorium: Dritter Teil: Nr. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen", Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Sechster Teil: Nr. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen", Weihnachts-Oratorium: Sechster Teil: Nr. 57 Aria (Sopran): "Nur ein Wink von seinen Händen", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Vierter Teil: Nr. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen", Weihnachts-Oratorium: Vierter Teil: Nr. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen", Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne", Weihnachts-Oratorium: Zweiter Teil. Nr. 13 Evangelist, Engel: "Und der Engel sprach zu ihnen", Weihnachtsoratorium, BWV 248: 1. Teil: Er ist auf Erden kommen arm (Choral), Weihnachtsoratorium, BWV 248: 3. Teil: Herr, dein Mitleid |
| Patxi Montero |
viola da gamba |
Sonate No. 1 G-Dur, BWV 1027: I. Adagio, Sonate No. 1 G-Dur, BWV 1027: II. Allegro ma non tanto, Sonate No. 1 G-Dur, BWV 1027: III. Andante, Sonate No. 1 G-Dur, BWV 1027: IV. Allegro moderato, Sonate No. 2 D-Dur, BWV 1028: I. Adagio, Sonate No. 2 D-Dur, BWV 1028: II. Allegro, Sonate No. 2 D-Dur, BWV 1028: III. Andante, Sonate No. 2 D-Dur, BWV 1028: IV. Allegro, Sonate No. 3 g-Moll, BWV 1029: I. Vivace, Sonate No. 3 g-Moll, BWV 1029: II. Adagio, Sonate No. 3 g-Moll, BWV 1029: III. Allegro |
| Karl Richter (conductor/ choir master/ organist/ harpsichordist) |
conductor, harpsichord |
Johannes-Passion, BWV 245: Aria: "Zerfließe, mein Herze", Musikalisches Opfer c-Moll BWV 1079: Canon a 4, Musikalisches Opfer c-Moll BWV 1079: Trio: Allegro, Musikalisches Opfer c-Moll BWV 1079: Trio: Andante, Musikalisches Opfer c-Moll BWV 1079: Trio: Canone perpetuo, Musikalisches Opfer c-Moll BWV 1079: Trio: Largo, Sinfonias: Sinfonia aus der Kantate »Christ lag in Todesbanden« BWV 4, Sinfonias: Sinfonia aus der Kantate »Gottes Zeit« BWV 106, Sinfonias: Sinfonia aus der Kantate »Himmelskönig sei willkommen« BWV 182, Sinfonias: Sinfonia aus der Kantate »Ich hatte viel Bekümmernis« BWV 21, Sinfonias: Sinfonia aus der Kantate »Weinen, Klagen« BWV 12 |
| Claudia Hellmann |
vocal |
Weihnachts-Oratorium: Dritter Teil: Nr. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder", Weihnachts-Oratorium: Dritter Teil: Nr. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren", Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion", Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 49 Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon", Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?", Weihnachts-Oratorium: Zweiter Teil. Nr. 19 Aria (Alt): "Schlafe, mein Liebster, geniesse der Ruh" |
| Antony Hodgson |
producer |
Concerto in A minor, BWV 1041: I. (Allegro), Concerto in A minor, BWV 1041: II. Andante, Concerto in A minor, BWV 1041: III. Allegro assai, Concerto in D minor, BWV 1052: I. Allegro, Concerto in D minor, BWV 1052: II. Adagio, Concerto in D minor, BWV 1052: III. Allegro, Concerto in E major, BWV 1042: I. Allegro, Concerto in E major, BWV 1042: II. Adagio, Concerto in E major, BWV 1042: III. Allegro assai |
| Gustav Leonhardt |
conductor, harpsichord, organ |
Concerto in A minor, BWV 1044: I. Allegro, Concerto in A minor, BWV 1044: II. Adagio ma non tanto e dolce, Concerto in A minor, BWV 1044: III. Alla breve, Evangelista: "Und siehe da, der Vorhang im Tempel zerriß", Matthäuspassion: Am Abend, sa es kühle war, Matthäuspassion: Mache Dich, mein Herze, rein, Matthäuspassion: So ist mein Jesus nun gefangen, Matthäuspassion: Wir setzen uns mit Tränen nieder, Toccata und Fugue in D minor |
| City of London Ensemble |
performing orchestra |
Concerto in A minor, BWV 1041: I. (Allegro), Concerto in A minor, BWV 1041: II. Andante, Concerto in A minor, BWV 1041: III. Allegro assai, Concerto in D minor, BWV 1052: I. Allegro, Concerto in D minor, BWV 1052: II. Adagio, Concerto in D minor, BWV 1052: III. Allegro, Concerto in E major, BWV 1042: I. Allegro, Concerto in E major, BWV 1042: II. Adagio, Concerto in E major, BWV 1042: III. Allegro assai |
| Bob Auger |
engineer |
Concerto in A minor, BWV 1041: I. (Allegro), Concerto in A minor, BWV 1041: II. Andante, Concerto in A minor, BWV 1041: III. Allegro assai, Concerto in D minor, BWV 1052: I. Allegro, Concerto in D minor, BWV 1052: II. Adagio, Concerto in D minor, BWV 1052: III. Allegro, Concerto in E major, BWV 1042: I. Allegro, Concerto in E major, BWV 1042: II. Adagio, Concerto in E major, BWV 1042: III. Allegro assai |
| Česká filharmonie (Czech Philharmonic) |
performing orchestra |
Chorale Prelude For Organ; 'Wir glauben all an einen Gott', Easter Cantata: Chorale, Easter Cantata; Chorale, Passacaglia & Fugue in C Minor, Schemellis Gesangbuch: Mein Jesu! Was für Seelenweh, BWV 487, Schemellis Gesangbuch; Mein Jesu! Was fur Seelenweh, Toccata And Fugue In D Minor, BWV 565, Well-Tempered Clavier; Prelude in E Flat Minor |
| Arts Music Recording (Recording studios, Rotterdam) |
recording |
Goldberg Variations, BWV 988: Variation 26, Partita No. 4 in D major, BWV 828: I. Ouvertüre, Partita No. 4 in D major, BWV 828: II. Allemande, Partita No. 4 in D major, BWV 828: III. Courante, Partita No. 4 in D major, BWV 828: IV. Aria, Partita No. 4 in D major, BWV 828: V. Sarabande, Partita No. 4 in D major, BWV 828: VI. Menuet, Partita No. 4 in D major, BWV 828: VII. Gigue |
| Fritz Kiskalt (cellist) |
cello |
Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 2, a 2 Violini in unisono, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 5, a 2, per Tonos, Musikalisches Opfer c-Moll BWV 1079: Canon perpetuus super Thema Regium, Musikalisches Opfer c-Moll BWV 1079: Fuga canonica in Epidiapente, Musikalisches Opfer c-Moll BWV 1079: Trio: Allegro, Musikalisches Opfer c-Moll BWV 1079: Trio: Andante, Musikalisches Opfer c-Moll BWV 1079: Trio: Canone perpetuo, Musikalisches Opfer c-Moll BWV 1079: Trio: Largo |
| Yolanda Kondonassis |
harp |
Jesu, Joy of Man's Desiring, Prelude No. 1 in C major, Suite For Lute, I. Prelude, Presto, Suite For Lute, II. Allemande, Suite For Lute, III. Courante, Suite For Lute, IV. Sarabande, Suite For Lute, V. Bourree, Suite For Lute, VI. Gigue |
| Leopold Stokowski |
arranger, conductor |
Chorale Prelude For Organ; 'Wir glauben all an einen Gott', Easter Cantata: Chorale, Easter Cantata; Chorale, Passacaglia & Fugue in C Minor, Schemellis Gesangbuch: Mein Jesu! Was für Seelenweh, BWV 487, Schemellis Gesangbuch; Mein Jesu! Was fur Seelenweh, Toccata And Fugue In D Minor, BWV 565, Well-Tempered Clavier; Prelude in E Flat Minor |
| Jacques Chambon (oboist) |
English horn, oboe d'amore |
Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam", Weihnachts-Oratorium: Fünfter Teil: Nr. 45 Chor und Rezitativ, Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon", Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier", Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken", Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen", Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht" |
| Diego Fasolis |
conductor |
Der Geist hilft unsrer Schwachheit auf, BWV 226, Fürchte dich nicht, ich bin bei dir, BWV 228, Jesu meine Freude, BWV 227, Komm, Jesu, komm, BWV 229, Lobet den Herren, alle Heiden, BWV 230, Singet dem Herrn ein neues Lied, BWV 225 |
| Poul Skjølstrup Larsen (organist) |
pipe organ |
Flösst, mein Heiland, O Jesulil min, Orgelkoral "Lovet være du, Jesus Krist!", Pastorale 1. og 2. sats, Pastorale 3. sats, Pastorale 4. sats |
| Martha Goldstein |
performer |
Italian Concerto in F major I,, Italian Concerto in F major II Andante,, Italian Concerto in F major III Presto,, Sonata in B minor for Traverso and Harpsichord BWV 1030, Sonata in E major for Traverso and Continuo BWV1035, Sonata in E minor for Traverso and Continuo BWV 1034 |
| Magdalena Kožená |
vocal |
Die Güldne Sonne, BWV 451, Komm, Süßer Tod, Komm, Sel'ge Ruh!, BWV 478, Kommt, Seelen, Dieser Tag, BWV 479, Mein Jesu, Was Für Seelenweh, BWV 487, So Gibst Du Nun, Mein Jesu, Gute Nacht!, BWV 501, Was Mir Behagt (Kantate bwv Schafe können sicher weiden) |
| Aurèle Nicolet |
concert flute, flute |
Musikalisches Opfer c-Moll BWV 1079: Trio: Allegro, Musikalisches Opfer c-Moll BWV 1079: Trio: Andante, Musikalisches Opfer c-Moll BWV 1079: Trio: Canone perpetuo, Musikalisches Opfer c-Moll BWV 1079: Trio: Largo, Overture II, BVW1067, Trio, BVW1079 |
| Helmuth Rilling |
conductor, performer |
Christmas Oratorio, BWV 248: LIX "Ich steh’ an deiner Krippen hier" (I Stand Here by Thy Crib), Magnificat in D: Freut euch und jubillieret, Magnificat in D: Gloria in excelsis, Magnificat in D: Virga jesse floruit, Magnificat in D: Vom Himmel hoch, Messe H-Moll: Et Incarnatus Est / Crucifixus |
| Kim Heindel |
lautenwerck |
Suite for lute in E minor, BWV 996 (BC L166): Allemande, Suite for lute in E minor, BWV 996 (BC L166): Bourrée, Suite for lute in E minor, BWV 996 (BC L166): Courante, Suite for lute in E minor, BWV 996 (BC L166): Gigue, Suite for lute in E minor, BWV 996 (BC L166): Praeludio: Passaggio - Presto, Suite for lute in E minor, BWV 996 (BC L166): Sarabande |
| I Barocchisti |
performer |
Der Geist hilft unsrer Schwachheit auf, BWV 226, Fürchte dich nicht, ich bin bei dir, BWV 228, Jesu meine Freude, BWV 227, Komm, Jesu, komm, BWV 229, Lobet den Herren, alle Heiden, BWV 230, Singet dem Herrn ein neues Lied, BWV 225 |
| Ralph Kirshbaum |
cello |
Unaccompanied Cello Suite no. 1: II., Unaccompanied Cello Suite no. 1: III., Unaccompanied Cello Suite no. 1: IV., Unaccompanied Cello Suite no. 1: V., Unaccompanied Cello Suite no. 1: VI. |
| The Aulos Ensemble |
performer |
Sonata in C Minor for Flute, Violin and Basso Continuo (From the Musical Offering, S. 1079) - Allegro, Sonata in E Minor for Oboe D'Amore, Viola da Gamba and Basso Continuo, After S. 528 - Adagio - Vivace, Sonata in E Minor for Violin and Basso Continuo s. 1023 - Adagio ma non tanto, Sonata in E Minor for Violin and Basso Continuo s. 1023 - Gigue, Sonata in G Major for Flute, Viola da Gamba and Basso Continuo, after s. 1027 and 1039 - Allegro ma non presto |
| Maria Teresa Garatti (keyboardist) |
harpsichord |
Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Adagio ma non tanto e dolce, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Allegro, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Tempo di Allabreve, Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: Adagio, Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: Allegro |
| Andrés Segovia |
classical guitar |
Courante, Fugue in G minor, Gavotte, Gavotte en rondeau, Loure |
| René Möller |
balance |
Die Güldne Sonne, BWV 451, Komm, Süßer Tod, Komm, Sel'ge Ruh!, BWV 478, Kommt, Seelen, Dieser Tag, BWV 479, Mein Jesu, Was Für Seelenweh, BWV 487, So Gibst Du Nun, Mein Jesu, Gute Nacht!, BWV 501 |
| Edita Gruberová |
vocal |
Jauchzet Gott in allen Landen 1, Jauchzet Gott in allen Landen 2, Jauchzet Gott in allen Landen 3, Jauchzet Gott in allen Landen 4, Jauchzet Gott in allen Landen 5 |
| Ward Swingle |
arranger |
Largo (From the Harpsichord Concerto in F Minor), Preambule (From the Partita No. 5 in G Major), Prelude No. 19 (From the Well Tempered Clavier, 1st Book), Prelude No. 24 (From the Well Tempered Clavier, 2nd Book), Prelude No. 7 (From the Well Tempered Clavier, 2nd Book) |
| Hedwig Bilgram |
harpsichord |
Musikalisches Opfer c-Moll BWV 1079: Canon a 2 (Quaerendo invenietis): Fassung A, Musikalisches Opfer c-Moll BWV 1079: Canon a 2 (Quaerendo invenietis): Fassung B, Musikalisches Opfer c-Moll BWV 1079: Canon a 4, Musikalisches Opfer c-Moll BWV 1079: Ricercare a 3, Musikalisches Opfer c-Moll BWV 1079: Ricercare a 6 |
| Bach-Collegium Stuttgart |
performer, performing orchestra |
Christmas Oratorio, BWV 248: LIX "Ich steh’ an deiner Krippen hier" (I Stand Here by Thy Crib), Magnificat in D: Freut euch und jubillieret, Magnificat in D: Gloria in excelsis, Magnificat in D: Virga jesse floruit, Messe H-Moll: Et Incarnatus Est / Crucifixus |
| Christian Schmitt (organist) |
organ |
Die Güldne Sonne, BWV 451, Komm, Süßer Tod, Komm, Sel'ge Ruh!, BWV 478, Kommt, Seelen, Dieser Tag, BWV 479, Mein Jesu, Was Für Seelenweh, BWV 487, So Gibst Du Nun, Mein Jesu, Gute Nacht!, BWV 501 |
| Christoph Franke (producer and sound engineer) |
producer |
Die Güldne Sonne, BWV 451, Komm, Süßer Tod, Komm, Sel'ge Ruh!, BWV 478, Kommt, Seelen, Dieser Tag, BWV 479, Mein Jesu, Was Für Seelenweh, BWV 487, So Gibst Du Nun, Mein Jesu, Gute Nacht!, BWV 501 |
| Pierre Fatosme (Sound Engineer) |
producer, recording |
Largo (From the Harpsichord Concerto in F Minor), Preambule (From the Partita No. 5 in G Major), Prelude No. 19 (From the Well Tempered Clavier, 1st Book), Prelude No. 24 (From the Well Tempered Clavier, 2nd Book), Prelude No. 7 (From the Well Tempered Clavier, 2nd Book) |
| Klaus Mertens (classical singer, bass-baritone) |
vocal |
Easter Oratorio, BWV 249: IV. Recitative (soprano, alto, tenor, bass) "O kalter Männer Sinn", Easter Oratorio, BWV 249: VI. Recitative (alto, tenor, bass) "Hier ist die Gruft", Easter Oratorio, BWV 249: X. Recitative (bass) "Wir sind erfreut", Matthäuspassion: Am Abend, sa es kühle war, Matthäuspassion: Mache Dich, mein Herze, rein |
| Salvatore Accardo |
violin |
Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Adagio ma non tanto e dolce, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Allegro, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Tempo di Allabreve, Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: Adagio, Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: Allegro |
| Münchener Bach-Orchester |
performing orchestra |
Sinfonias: Sinfonia aus der Kantate »Christ lag in Todesbanden« BWV 4, Sinfonias: Sinfonia aus der Kantate »Gottes Zeit« BWV 106, Sinfonias: Sinfonia aus der Kantate »Himmelskönig sei willkommen« BWV 182, Sinfonias: Sinfonia aus der Kantate »Ich hatte viel Bekümmernis« BWV 21, Sinfonias: Sinfonia aus der Kantate »Weinen, Klagen« BWV 12 |
| I Musici |
performing orchestra |
Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Adagio ma non tanto e dolce, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Allegro, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Tempo di Allabreve, Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: Adagio, Concerto for Harpsichord, Strings and Continuo no. 1 in D minor, BWV 1052: Allegro |
| Siegfried Meinecke (violist) |
viola |
Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 3, a 2, per Motum contrarium, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 4, a 2, per Augmentationem contratio Motu, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 5, a 2, per Tonos, Musikalisches Opfer c-Moll BWV 1079: Canon perpetuus super Thema Regium, Musikalisches Opfer c-Moll BWV 1079: Fuga canonica in Epidiapente |
| Musica ad Rhenum |
performer |
Sonata in C minor for traverso, violin & basso continuo from BWV 1097; I. Largo, Sonata in C minor for traverso, violin & basso continuo from BWV 1097; II. Allegro, Sonata in C minor for traverso, violin & basso continuo from BWV 1097; III. Andante, Sonata in C minor for traverso, violin & basso continuo from BWV 1097; IV. Allegro |
| Thomas Demenga |
instrument arranger |
Das Alte Jahr Vergangen Ist (arrangement: Thomas Demenga), Herr Gott, Nun Schleuss' den Himmel Auf (arrangement: Thomas Demenga), Ich Ruf' zu Dir, Herr Jesu Christ (arrangement: Thomas Demenga), Meine Seele Erhebt den Herrn (arrangement: Thomas Demenga) |
| Maurice André |
trumpet |
Concerto Brandebourgeois: I. Allegro, Concerto Brandebourgeois: II. Choral, Concerto Brandebourgeois: III. Badinerie, Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König" |
| Terence Dennis |
piano |
Minuet No. 1, Minuet No. 2, Minuet in G, BWV Anh. 114, Minuet in G, BWV Anh. 116 |
| Kurt Guntner (violinist) |
violin |
Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 1, a 2, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 2, a 2 Violini in unisono, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 3, a 2, per Motum contrarium, Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 4, a 2, per Augmentationem contratio Motu |
| Alexander Murray (flautist) |
performer |
Partita in A minor for Traverso alone BWV1013, Sonata in B minor for Traverso and Harpsichord BWV 1030, Sonata in E major for Traverso and Continuo BWV1035, Sonata in E minor for Traverso and Continuo BWV 1034 |
| Christopher Parkening |
guitar |
Courante From Cello Suite No. 3, Fugue From Violin Sonata No. 1, Prelude From Cello Suite No. 1, Prelude for Lute |
| James Parsons (organist) |
organ |
Gigue Fugue, Jesu, Joy of Man's Desiring, Toccata and Fugue in D minor, Wachet auf |
| Elisabeth von Magnus |
vocal |
Easter Oratorio, BWV 249: IV. Recitative (soprano, alto, tenor, bass) "O kalter Männer Sinn", Easter Oratorio, BWV 249: IX. Aria (alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV 249: VI. Recitative (alto, tenor, bass) "Hier ist die Gruft", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir" |
| Kathleen Ferrier |
vocal |
Mass in B Minor - Aria (Agnus Dei), Mass in B Minor - Aria (Qui Sedes as Dextram Patris), St. John Passion - Aria (All Is Fulfilled), St. Matthew Passion - Aria (Grief for Sin) |
| György Terebesi |
violin |
Weihnachts-Oratorium: Dritter Teil: Nr. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder", Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion", Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?", Weihnachts-Oratorium: Vierter Teil: Nr. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben" |
| Tölzer Knabenchor |
vocal |
Matthäuspassion: Am Abend, sa es kühle war, Matthäuspassion: Mache Dich, mein Herze, rein, Matthäuspassion: So ist mein Jesus nun gefangen, Matthäuspassion: Wir setzen uns mit Tränen nieder |
| Kammerensemble "Viva la musica" (Streicherensemble der Musikschule Meckenheim Rheinbach Swisttal) |
performing orchestra |
Konzert d-moll BWV 1043: 1. Vivace, Konzert d-moll BWV 1043: 2. Largo, Konzert d-moll BWV 1043: 3. Allegro, Sonate g-moll für Violine Solo: 1. Adagio |
| Dietrich Fischer-Dieskau |
vocal |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach", Weihnachtsoratorium, BWV 248: 1. Teil: Großer Herr und starker König, Weihnachtsoratorium, BWV 248: 3. Teil: Er hat sein Volk getröst', Weihnachtsoratorium, BWV 248: 3. Teil: Herr, dein Mitleid |
| Hartmut Strebel |
flute |
Weihnachts-Oratorium: Dritter Teil: Am dritten Weihnachtsfesttag. Nr. 27 Rezitativ, Weihnachts-Oratorium: Dritter Teil: Nr. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren", Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König", Weihnachts-Oratorium: Zweiter Teil. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" |
| Jed Wentz (flautist/conductor) |
flute |
Sonata in C minor for traverso, violin & basso continuo from BWV 1097; I. Largo, Sonata in C minor for traverso, violin & basso continuo from BWV 1097; II. Allegro, Sonata in C minor for traverso, violin & basso continuo from BWV 1097; III. Andante, Sonata in C minor for traverso, violin & basso continuo from BWV 1097; IV. Allegro |
| Figuralchor der Gedächtniskirche Stuttgart |
vocal |
Magnificat in D: Freut euch und jubillieret, Magnificat in D: Gloria in excelsis, Magnificat in D: Vom Himmel hoch |
| Georg Christoph Biller |
chorus master |
Gloria in excelsis Deo, In dulci jubilo, Vom Himmel hoch... |
| Gerd Türk (German tenor) |
vocal |
Easter Oratorio, BWV 249: IV. Recitative (soprano, alto, tenor, bass) "O kalter Männer Sinn", Easter Oratorio, BWV 249: VI. Recitative (alto, tenor, bass) "Hier ist die Gruft", Easter Oratorio, BWV 249: VII. Aria (tenor) "Sanfte soll mein Todeskummer" |
| Academy of St Martin in the Fields |
performing orchestra |
Concerto for Violin, Strings and Continuo in a minor, BWV 1041: II. Andante, Jesus bleibet meine Freude, Keyboard Concerto no. 6: 1st movement |
| Bath Festival Orchestra |
performing orchestra |
Concerto for Violin, Oboe and Strings in D Minor, BWV 1060, Double Violin Concerto in D minor, BWV 1043: II. Largo ma non tanto, Konzert für 2 Cembali c-moll, BWV 1060: III. Allegro |
| Glenn Gould (pianist) |
piano |
Prelude from English Suite no. 2, Prélude No. 6, Prélude et fugue |
| Edward Fowler (engineer) |
engineer |
Courante, Fugue in G minor, Gavotte en rondeau |
| Manuel Barrueco |
classical guitar |
Suite No 4 In E (III. Gavotte en Rondeau), Suite No. 4 In E (V. Bourrée), Suite No. 4 In E (VI. Gigue) |
| Severino Gazzelloni |
flute |
Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Adagio ma non tanto e dolce, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Allegro, Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: Tempo di Allabreve |
| Amsterdam Baroque Choir |
performer, vocal |
Easter Oratorio, BWV 249: III. Chorus "Kommt eilet und laufet", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank", Fallt Mit Danken, Fallt Mit Loben |
| Hannes Kästner (German organist and cembalist) |
performer, organ |
Toccata and Fugue in D minor, Toccata d-Moll, Toccata in D |
| Lisa Larsson |
vocal |
Easter Oratorio, BWV 249: IV. Recitative (soprano, alto, tenor, bass) "O kalter Männer Sinn", Easter Oratorio, BWV 249: V. Aria (soprano) "Seele, deine Spezereien", Easter Oratorio, BWV 249: VIII. Recitative (soprano, alto) "Indessen seufzen wir" |
| Rudolf Baumgartner (conductor) |
conductor |
Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: I. Allegro, Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: II. Andante, Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: III. Allegro assai |
| Nigel Kennedy |
conductor, violin |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort), Invention à 2 voix No. 8 en Fa majeur BWV 779: Presto, Two-Part Invention No. 6 in E major |
| Wilhelm Kempff |
piano |
Das wohltemperierte Klavier - Teil 1, Präludium C-dur, BWV 846, Italian Concerto BWV 971: Allegro (Shellac Disc), Largo, BWV 1056 |
| Leonhardt-Consort |
performing orchestra |
Concerto in A minor, BWV 1044: I. Allegro, Concerto in A minor, BWV 1044: II. Adagio ma non tanto e dolce, Concerto in A minor, BWV 1044: III. Alla breve |
| 鷺巣詩郎 |
arranger |
II Air [ORCHESTRAL SUITE №3 In D Major, BWV. 1068], Partita III für Violino solo E-dur, BWV.1006 3. Gavotte in Rondo, Suiten für Violoncello solo №. 1 G-dur, BWV. 1007 1. Vorspier |
| Musica Antiqua Köln |
performing orchestra |
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: I. Sinfonia, Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: II. Adagio, Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: III. Allegro |
| Mieczysław Horszowski |
fortepiano |
Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: I. Allegro, Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: II. Andante, Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: III. Allegro assai |
| Festival Strings Lucerne |
performing orchestra |
Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: I. Allegro, Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: II. Andante, Concerto per pianoforte e orchestra d'archi in sol minore, BWV 1058: III. Allegro assai |
| Konrad Ragossnig (lutenist) |
lute |
Fuge g-moll BWV 1000 für Laute solo, Lute Suite No. 3 In G Minor (IV. Sarabande), Präludium c-moll BWV 999 für Laute solo |
| Klaus-Peter Hahn |
conductor |
Orchestral Suite No. 1, V. Menuet, Orchestral Suite No. 1, VII. Passepied, Violin Concerto in E, I. Allegro |
| 布谷史人 |
marimba |
無伴奏ヴァイオリンソナタ第一番：フーガ / Sonata No. 1 for solo violin: Fuga, 無伴奏ヴァイオリンパルチィータ第1番：ダブル / Partita No. 1 for solo violin: Double, 無伴奏ヴァイオリンパルチィータ第1番：ブーレーのテンポで / Partita No. 1 for solo violin: Tempo di Borea |
| Frances Thomas (Pianist) |
piano |
Sinfonia, Sinfonia (Accompaniment Track), Sinfonia (Ornamented version) |
| Большой симфонический оркестр имени П. И. Чайковского |
performing orchestra |
Orchestral Suite No. 1, V. Menuet, Orchestral Suite No. 1, VII. Passepied, Violin Concerto in E, I. Allegro |
| Frans Brüggen |
transverse flute |
Concerto in A minor, BWV 1044: I. Allegro, Concerto in A minor, BWV 1044: II. Adagio ma non tanto e dolce, Concerto in A minor, BWV 1044: III. Alla breve |
| Fred Gaisberg |
producer |
Courante, Fugue in G minor, Gavotte en rondeau |
| Reinhard Goebel |
conductor |
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: I. Sinfonia, Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: II. Adagio, Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major, BWV deest: III. Allegro |
| David Bicknell (producer and engineer) |
producer |
Courante, Fugue in G minor, Gavotte en rondeau |
| Marie Leonhardt |
violin |
Concerto in A minor, BWV 1044: I. Allegro, Concerto in A minor, BWV 1044: II. Adagio ma non tanto e dolce, Concerto in A minor, BWV 1044: III. Alla breve |
| Davitt Moroney |
harpsichord |
Italian Concerto, BWV 971: I. Allegro (Davitt Moroney), Italian Concerto, BWV 971: II. Andante (Davitt Moroney), Italian Concerto, BWV 971: III. Presto (Davitt Moroney) |
| Marga Höffgen |
vocal |
Weihnachtsoratorium, BWV 248: 1. Teil: Bereite dich, Zion, Weihnachtsoratorium, BWV 248: 2. Teil: Schlafe, mein Liebster, Weihnachtsoratorium, BWV 248: 3. Teil: Schließe, mein Herze, dies selige Wunder |
| Arthur Rubinstein (pianist) |
piano |
Toccata, Adagio and Fugue in C major, BWV 564: Adagio, Toccata, Adagio and Fugue in C major, BWV 564: Fugue, Toccata, Adagio and Fugue in C major, BWV 564: Preludio |
| Eberhard Kraus |
organ |
Toccata and Fugue in D minor BWV.565, Trio Sonate G-Dur BWV 530 |
| Stuttgarter Kammerorchester |
performing orchestra |
Jauchzet und frohlocket, Wie soll ich dich empfangen |
| Virgil Fox |
arranger, organ |
Come Sweet Death, Come Sweet Death (Komm süsser Tod), S. 478 |
| Stefano Molardi (Italian organist) |
organ |
O Gott, du frommer Gott, BWV 767: Partita I, Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro |
| Edward Higginbottom |
conductor |
Gloria Sie Dir Gesungen (Glory Is Sung Unto You), Johannes-Passion BWV 245: Ruht wohl |
| Sofia Radio Symphony Orchestra |
performing orchestra |
St. Matthew Passion: O Haupt voll Blut und Wunden, St. Matthew Passion: O Mensch, bewein dein Sünde groß |
| Marco Gerboni (saxophonist) |
alto saxophone |
Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): I. Preludio, Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): II. Fuga |
| Sir Neville Marriner |
conductor |
Concerto for Violin, Strings and Continuo in a minor, BWV 1041: II. Andante, Jesus bleibet meine Freude |
| Manuel Mohino (engineer/producer) |
recording |
Concerto en la mineur, BWV 593: Adagio, Concerto en la mineur, BWV 593: Allegro |
| Andrea Vigh (harpist) |
harp |
Prelude in C, Prelude in C minor |
| Chorus of Radio Sofia |
vocal |
St. Matthew Passion: O Haupt voll Blut und Wunden, St. Matthew Passion: O Mensch, bewein dein Sünde groß |
| Gyula Németh |
conductor |
Concerto em ré menor: II. Adagio, Suite para orquestra No. 3 em ré maior: II. Ária |
| Pau Casals (cellist, aka. Pablo Casals) |
conductor, cello |
Concerto pour violon et hautbois en ut mineur, Prelude from Cello Suite no.1 in G |
| Gächinger Kantorei Stuttgart |
performer, vocal |
Christmas Oratorio, BWV 248: LIX "Ich steh’ an deiner Krippen hier" (I Stand Here by Thy Crib), Messe H-Moll: Et Incarnatus Est / Crucifixus |
| Anthony Newman |
conductor, harpsichord, organ |
Orchestral Suite no.2 in B minor BWV1067 Polonaise & Double (Excerpts), Toccata in F major BWV540 |
| Andrew McKeich (producer) |
producer |
Jesu, Joy of Man's Desiring, Prelude in C Major |
| Lübecker Kantorei |
vocal |
Jauchzet und frohlocket, Wie soll ich dich empfangen |
| Léon Goossens |
conductor, oboe |
Concerto for Violin, Oboe and Strings in D Minor, BWV 1060, Konzert für 2 Cembali c-moll, BWV 1060: III. Allegro |
| Simon Wynberg (classical guitarist) |
classical guitar |
Keyboard Concerto In F Minor (Largo), Partita No. 1 For Violin (Double) |
| Ludwig Güttler |
brass |
Lobe den Herren, Valet will ich dir geben |
| London Symphony Orchestra |
performing orchestra |
Minuet - Anna Magdelena, Musette - Anna Magdelena |
| Andrew Parrott |
conductor |
Easter Oratorio: Kommt eilet, Passion according to St John, BWV 245: Chorale "Ach, großer König" |
| Nikolaus Harnoncourt |
conductor |
Coro: Christen atzet diesen Tag, Weihnachtsoratorium, BWV 248: Aria (Soprano, Echo) - Flößt mein Heiland |
| Simon Schouten |
chorus master |
Easter Oratorio, BWV 249: III. Chorus "Kommt eilet und laufet", Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" |
| Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) |
performing orchestra |
Concerto em ré menor: II. Adagio, Suite para orquestra No. 3 em ré maior: II. Ária |
| Natalie Shea (Alto and producer) |
producer |
Jesu, Joy of Man's Desiring, Prelude in C Major |
| Lynn Harrell |
cello |
Invention à 2 voix No. 8 en Fa majeur BWV 779: Presto, Two-Part Invention No. 6 in E major |
| Württembergisches Kammerorchester Heilbronn |
performing orchestra |
Mvt 3 (Allegro) from Brandenberg Concerto No.3, Sinfonia From the "Christmas Oratorio" |
| Federico Mondelci |
soprano saxophone |
Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): I. Preludio, Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): II. Fuga |
| Cary Lewis (pianist) |
piano |
Minuets in G major & G minor, BWV anh. 114 & 115, Minuets in G major & G minor, BWV anh. 114 & 115 (piano accompaniment) |
| Catrin Finch |
harp |
Violin Partita no. 2: Giga, Violin Partita no. 3: Prelude |
| Roger Woodward (pianist) |
piano |
Jesu, Joy of Man's Desiring, Prelude in C Major |
| Choir of New College Oxford |
vocal |
Gloria Sie Dir Gesungen (Glory Is Sung Unto You), Johannes-Passion BWV 245: Ruht wohl |
| Michael Teuchert |
acoustic guitar |
Fuge a-moll, Kontrapunkt Nr. 1 aus der „Kunst der Fuge“ |
| Richard Marlow |
conductor |
O Little One Sweet, Wake, O Wake |
| Arthur Frackenpohl |
arranger |
The Art of the Fugue, BWV 1080: Contrapunctus I, The Art of the Fugue, BWV 1080: Contrapunctus XIII |
| Choir of Trinity College (Cambridge) |
vocal |
O Little One Sweet, Wake, O Wake |
| Karl Münchinger (German conductor) |
conductor |
Jauchzet und frohlocket, Wie soll ich dich empfangen |
| Richard Bowden |
arranger |
Three-Part Invention - Excerpt No. 1, Three-Part Invention - Excerpt No. 2 |
| Massimo Mazzoni (saxophonist) |
baritone saxophone |
Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): I. Preludio, Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): II. Fuga |
| Isaac Stern |
violin |
Concerto pour violon et hautbois en ut mineur, Konzert für 2 Violinen |
| Concentus Musicus Wien |
performer, performing orchestra |
Coro: Christen atzet diesen Tag, Weihnachtsoratorium, BWV 248: Aria (Soprano, Echo) - Flößt mein Heiland |
| Ivan Marinov |
conductor |
St. Matthew Passion: O Haupt voll Blut und Wunden, St. Matthew Passion: O Mensch, bewein dein Sünde groß |
| Jackie Lamar (Saxophonist, educator) |
alto saxophone |
Sinfonia, Sinfonia (Ornamented version) |
| René Jacobs |
vocal |
Matthäuspassion: So ist mein Jesus nun gefangen, Passion selon Saint Matthieu: Aria "Erbarme dich" |
| Josef Traxel |
vocal |
Weihnachtsoratorium, BWV 248: 2. Teil: Frohe Hirten, eilt, ach eilet, Weihnachtsoratorium, BWV 248: 3. Teil: Und da die Engel von ihnen gen Himmel fuhren |
| Friedrich Kircheis |
organ |
Lobe den Herren, Valet will ich dir geben |
| Arthur Lilley |
engineer |
Easter Cantata: Chorale, Schemellis Gesangbuch: Mein Jesu! Was für Seelenweh, BWV 487 |
| James Last |
arranger, conductor |
Largo From Concerto for Two Violins, Toccata and Fugue |
| James Last Orchestra |
performing orchestra |
Largo From Concerto for Two Violins, Toccata and Fugue |
| Daniel Meylan |
organ |
Concerto en la mineur, BWV 593: Adagio, Concerto en la mineur, BWV 593: Allegro |
| Mario Marzi (saxophonist) |
tenor saxophone |
Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): I. Preludio, Preludio and Fuga, No. 16 in G minor (WTC I/16), BWV 861 (BC L95): II. Fuga |
| 西崎崇子 |
violin |
Minuet No. 1, Minuet No. 2 |
| Paul Badura-Skoda |
piano |
Sarabande de la Partita VI en mi mineur, BWV 830 |
| Jeanne Lamon |
conductor, violin |
Concerto for Violin in A minor, BWV 1041: I. [ ] |
| Jens Christiansen (recording engineer) |
recording |
Lobet den Herrn, alle Heiden |
| Jenő Jandó |
piano |
Clavier bien tempéré, prélude 1 |
| Jerry Goldsmith (soundtrack composer & conductor) |
arranger, conductor |
The Decoders |
| Joanna Nickrenz |
producer |
Orchestral Suite no.2 in B minor BWV1067 Polonaise & Double (Excerpts) |
| John Butt |
performer |
Organ Prelude: Vom Himmel kam, BWV 607 |
| John Hugh Thomas |
conductor |
Jesu, Joy of Man's Desiring |
| John Williams (classical guitarist) |
arranger |
Suite Nr. 3 in A-Dur für Violoncello: Bourée 1+2 |
| Jonathan Allen (Engineer) |
balance |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Jonathan Gandelsman |
violin |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Jonathan Stokes (engineer) |
balance |
Partita in D minor: Courante |
| Jacquie Turner |
producer |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Arturo Toscanini |
conductor |
Passacaglia & Fugue in C minor |
| Julian Podger |
conductor |
Zünd uns ein Licht an im Verstand |
| Julius Baker (flautist) |
flute |
Orchestral Suite no.2 in B minor BWV1067 Polonaise & Double (Excerpts) |
| János Bálint |
flute |
Largo |
| Jörg Faerber |
conductor |
Mvt 3 (Allegro) from Brandenberg Concerto No.3 |
| Kammerchor Stuttgart |
vocal |
Motette "Komm, Jesu, komm" |
| Athesinus Consort Berlin |
vocal |
Ich steh an deiner Krippen hier |
| Håkan Hagegård |
vocal |
O, Jesulein Suss |
| Arthur Grumiaux (Belgian violinist) |
violin |
Partita no. 3 |
| Kathleen Battle |
vocal |
Jauzet Gott in allen laden |
| Huw Tregelles Williams (organist) |
organ |
Jesu, Joy of Man's Desiring |
| Katia Labèque |
piano |
Jesu, Joy of Man's Desiring |
| Hjalmar Jensen (Organist) |
organ |
Komm süsser Tod |
| Kim Borg |
vocal |
Komm süsser Tod |
| Atlanta Symphony Orchestra |
performing orchestra |
Christmas Oratorio, BWV 248: Sinfonia in G Major, "And There Where Shepherds" |
| Augsburger Domsingknaben |
vocal |
Wachet auf, ruft uns die Stimme |
| Klaus-Martin Bresgott |
conductor |
Ich steh an deiner Krippen hier |
| Hermann Max |
conductor |
O Haupt voll Blut und Wunden |
| Kolja Blacher |
violin |
Trio, BVW1079 |
| Herbert von Karajan |
conductor |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach" |
| Konstantin Lifschitz |
performer |
Goldberg Variations (Aria) |
| Kun Woo Paik |
performer |
Nun komm’ der Heiden Heiland |
| BBC National Chorus of Wales |
vocal |
Jesu, Joy of Man's Desiring |
| Kurt Schneeweiß |
classical guitar |
Prelude in D major |
| Antony Walker (conductor) |
conductor |
Jesu, Joy of Man's Desiring: Cantata No. 147 (Sydney Philharmonia Symphonic Choir & Orchestra feat Antony Walker) |
| Helligåndskirkens Kor (Flensborg) |
vocal |
Lobet den Herrn, alle Heiden |
| Laurence Equilbey |
conductor |
Drei Psalmlieder nach Klaviersatzen - 2 |
| Layton James |
harpsichord |
First Movement From Concerto for Violin, Strings, and Continuo in A major |
| Heinz Teuchert |
arranger |
Fuge a-moll |
| Hanspeter Gmür (likely Alfred Scholz pseudonym) |
conductor |
Sinfonia in D major, Op. 3, No. 1: II. Andante |
| Les Baxter |
arranger |
Prelude No. 1 in C minor |
| Hans-Dieter Weber |
organ |
Wachet auf, ruft uns die Stimme BWV 645 |
| London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) |
performing orchestra |
Sleepers, Wake |
| Hans-Christoph Becker-Foss |
organ |
Toccata and Fugue |
| Los Angeles Philharmonic |
performing orchestra |
Suite für Orgel, Cembalo und Orchester: Air |
| Louis Thiry |
organ |
The Well-Tempered Clavier, Book I: Prelude No. 8 in E-flat major - Fugue No. 8 in D-sharp minor, BWV 853 |
| Anton Diakov (Bulgarian operatic bass) |
vocal |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach" |
| Lucy van Dael |
violin |
Sonata No.3 in E major, BWV 1016 - Adagio ma non troppo |
| Hans Christian Hein (Organist) |
conductor |
Lobet den Herrn, alle Heiden |
| Luis Tabuenca |
marimba |
Invenciones |
| Caroline Haigh |
editor |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Hanne Petri |
keyboard |
Siciliano |
| Baltic Festival Orchestra |
performing orchestra |
Piano Concerto No. 5 in F major, BWV 1056: III. Presto |
| Madeira Festival Orchestra |
performing orchestra |
Orchestral Suite no.2 in B minor BWV1067 Polonaise & Double (Excerpts) |
| Götz Schumacher |
piano |
Jesus bleibet meine Freude (Choral from Cantata 147) - Transcription for two pianos |
| Gérard Reyne |
arranger |
Kontrapunkt Nr. 1 aus der „Kunst der Fuge“ |
| Manfred Zmarsly |
engineer |
Suite Nr. 3 in A-Dur für Violoncello: Bourée 1+2 |
| Gustav Mahler |
arranger |
Suite für Orgel, Cembalo und Orchester: Air |
| Gothart Stier |
conductor |
O Jesulein süß |
| Marc Aubort |
producer |
Orchestral Suite no.2 in B minor BWV1067 Polonaise & Double (Excerpts) |
| Marcel Ponseele |
instrument arranger, oboe da caccia |
Ich bin der Welt abhanden gekommen |
| Marcel Tabuteau |
oboe |
Concerto pour violon et hautbois en ut mineur |
| Barockorchester Stuttgart |
performing orchestra |
Motette "Komm, Jesu, komm" |
| Gerhard Meinl's Tuba Sextet |
performing orchestra |
Fugue in G minor |
| Marek Štryncl |
conductor |
Was Mir Behagt (Kantate bwv Schafe können sicher weiden) |
| Berliner Philharmoniker |
performing orchestra |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach" |
| Mari Fujiwara |
cello |
Trio, BVW1079 |
| Maria Graf (harpist) |
harp |
Suite in E-flat for Harp: Gavotte en rondeau |
| Gary Karr |
cello |
March in G |
| Marian Anderson (classical contralto singer) |
performer |
St. John Passion, BWV 245: "All Is Fulfilled" |
| Gaby Casadesus (French pianist) |
piano |
Konzert für 2 Klaviere c-Moll BWV 1060: Largo ovvero Adagio |
| Marielle Labèque |
piano |
Jesu, Joy of Man's Desiring |
| Bernhard Güttler (engineer) |
editor, producer |
Partite diverse sopra il Corale "Sei gergrüßet, Jesu gütig", BWV 768: Choral |
| Markus Ullrich |
performer |
Christmas Oratorio, BWV 248: Chorale No. 64 in D Major: Nun Seid Ihr Wohl Gerochen |
| Marshall McGuire |
harp |
Siciliana from Sonata No. 3 in E-flat major for flute and harpsichord, BWV 1031, arranged for harp solo by Dewey Owens |
| Martha Argerich |
piano |
Partita no. 2 in C minor: Capriccio |
| Frieder Bernius |
conductor |
Motette "Komm, Jesu, komm" |
| Martin Flämig |
conductor |
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht" |
| Franz Lehrndorfer |
organ |
Kommst du nun, jesu, vom Himmel herunter |
| Mathieu Papadiamandis (pianist) |
piano |
Two Part Invention No.4 BWV 775 |
| Matthias Liefke |
organ |
Lob, Ehr und Dank sei Gott dem Vater |
| Frank Berger |
trumpet |
Wachet auf, ruft uns die Stimme BWV 645 |
| Max Pommer |
conductor |
Oboe Concerto in D minor (excerpt) |
| André Isoir |
organ |
Nun freut euch, lieben Christen, BWV 734 |
| Michael Hedges |
performer |
Prelude to Cello Suite #1 (feat. Michael Hedges) |
| Michael Kieran Harvey |
piano |
Prelude in C major |
| Fine Arts Brass Ensemble |
instrument |
Jesu Joy of Man's Desiring |
| Michala Petri |
recorder |
Siciliano |
| Michio Kobayashi |
harpsichord |
Trio, BVW1079 |
| Mie Miki |
accordion |
Prelude and Fugue in D major, BWV 874: Prelude |
| Ferruccio Busoni |
instrument arranger |
Toccata in C major |
| Mika Ahika (violinist) |
viola |
Ich bin der Welt abhanden gekommen |
| Mike Batt |
conductor |
Toccata and Fugue in D minor (feat. violin: Vanessa-Mae) |
| Monteverdi-Chor Hamburg |
vocal |
O Jesulein süß |
| Murray Perahia |
piano |
Keyboard Concerto no. 6: 1st movement |
| Fernando Llopis |
marimba |
Invenciones |
| Musica Florea |
performer |
Was Mir Behagt (Kantate bwv Schafe können sicher weiden) |
| Fazıl Say |
piano |
Italian Concerto (excerpt) |
| Blai Justo (violinist) |
violin |
Ich bin der Welt abhanden gekommen |
| NBC Symphony Orchestra |
performing orchestra |
Passacaglia & Fugue in C minor |
| Eugene Ormandy |
conductor |
Notenbüchlein der Anna Magdalena Bach - Kleine Suite |
| National Philharmonic Orchestra |
performing orchestra |
Orkesterisarja D-duuri nro 3/5: Gigue |
| Eugen Duvier (an Alfred Scholz pseudonym) |
conductor |
Suite for Orchestra no. 2 in B minor: Polonaise-Double |
| Neues Bachisches Collegium Musicum |
performing orchestra |
Oboe Concerto in D minor (excerpt) |
| Nigel Clayton |
piano |
G線上のアリア / Air on the G String |
| Esa-Pekka Salonen |
conductor |
Suite für Orgel, Cembalo und Orchester: Air |
| Nigel Simpson (conductor/harpsichordist) |
harpsichord |
Sonata in E Wq. 48 'Presto' |
| Nikolai Demidenko |
piano |
Toccata in C major |
| Erich Wenk (bass-baritone) |
vocal |
Magnificat in D: Virga jesse floruit |
| Noel Rawsthorne |
organ |
Jesu, Joy Of Man's Desiring |
| Olaf Van Gonnissen |
acoustic guitar |
Kontrapunkt Nr. 1 aus der „Kunst der Fuge“ |
| Oliver Kurth (engineer) |
recording |
Partite diverse sopra il Corale "Sei gergrüßet, Jesu gütig", BWV 768: Choral |
| Andrew Wilde |
piano |
Jesu, Joy of Man's Desiring |
| Enrique Crespo |
arranger |
Fuge / Fugue |
| Orchestra of the Age of Enlightenment |
performing orchestra |
Violin Concerto in G minor |
| Elizabeth Wallfisch |
conductor, violin |
Violin Concerto in G minor |
| Andreas Grau |
piano |
Jesus bleibet meine Freude (Choral from Cantata 147) - Transcription for two pianos |
| Andreas Glatt |
producer |
Ich bin der Welt abhanden gekommen |
| Elizabeth Anderson (harpsichordist) |
harpsichord |
Small Prelude in C minor |
| James Mallinson |
producer |
Partita in D minor: Courante |
| Paul Isom (Organist) |
organ |
Fuga G-moll, BWV 578 |
| Peter Cornelius (German composer, lived from 1824 to 1874) |
arranger |
Drei Psalmlieder nach Klaviersatzen - 2 |
| Peter Schreier |
vocal |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach" |
| Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) |
vocal |
Jauchzet Gott in allen Landen - Cantata 51 |
| Bobby McFerrin |
vocal |
First Movement From Concerto for Violin, Strings, and Continuo in A major |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Notenbüchlein der Anna Magdalena Bach - Kleine Suite |
| Philip Brunelle (organist and conductor) |
organ |
Sheep May Safely Graze |
| Edward Witsenburg |
harp |
Largo (from Violin Sonata V) |
| Pierre Fournier |
cello |
무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello No.1, Sarabande] (feat. Pierre Fournier) |
| Allan Maclean (engineer/editor) |
recording |
Prelude in C Major |
| Pinchas Zukerman |
violin |
Konzert für 2 Violinen |
| Piotr Anderszewski |
piano |
Suite Française no. 5 in G major, BWV 816 |
| Edmond de Stoutz |
conductor |
Konzert für 2 Klaviere c-Moll BWV 1060: Largo ovvero Adagio |
| Prades Festival Orchester |
performing orchestra |
Concerto pour violon et hautbois en ut mineur |
| Projektchor Berlin-Brandenburg (New Apostolic Church Berlin-Brandeburg) |
vocal |
Lob, Ehr und Dank sei Gott dem Vater |
| RCA Victor Symphony Orchestra |
performing orchestra |
St. John Passion, BWV 245: "All Is Fulfilled" |
| Radio-Sinfonieorchester Stuttgart des SWR |
performing orchestra |
Sinfonia From "Christmas Oratorio" |
| Dubravka Tomšič |
piano |
Partita No.1 (Giga) |
| Reinhard Armleder (cellist) |
violoncello piccolo |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Dresdner Philharmonie |
performing orchestra |
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht" |
| Dresdner Kreuzchor |
vocal |
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht" |
| Dr. Stefan Schaub |
vocal |
Magnificat |
| René Schiffer |
cello |
Ich bin der Welt abhanden gekommen |
| Rheinische Kantorei |
vocal |
O Haupt voll Blut und Wunden |
| Don Dorsey |
synthesizer |
Diverse Kanons: 14 (synthesized) |
| Richard Lawrence |
arranger, producer |
Prelude No 1 in C |
| Richard Lee (engineer) |
sound |
Johannes-Passion BWV 245: Ruht wohl |
| Dietmar Staffe (engineer) |
balance |
Partite diverse sopra il Corale "Sei gergrüßet, Jesu gütig", BWV 768: Choral |
| Robert Brophy |
viola |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Robert Casadesus (French pianist/composer) |
piano |
Konzert für 2 Klaviere c-Moll BWV 1060: Largo ovvero Adagio |
| Robert King (conductor) |
conductor |
Concerto in C minor for Oboe and Violin: Allegro |
| Robert Shaw (conductor) |
conductor |
Christmas Oratorio, BWV 248: Sinfonia in G Major, "And There Where Shepherds" |
| Brigham Young University Concert Choir |
vocal |
Come, Gentle Death |
| Roman Perucki |
organ |
Fantasia G-dur (Piece d'Orgue), BWV 572 |
| Romy Gundermann (soprano) |
vocal |
Magnificat in D: Virga jesse floruit |
| Ron Craig (engineer/editor) |
recording |
Jesu, Joy of Man's Desiring |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Orchestral Suite no. 2: Badinerie |
| Royal Philharmonic Orchestra |
performing orchestra |
Toccata and Fugue in D minor (feat. violin: Vanessa-Mae) |
| Rubén García (Spanish percussionist) |
marimba |
Invenciones |
| Rubén Isla |
marimba |
Invenciones |
| Didier Réty (pianist) |
piano |
Minuet BWV anh. 118 |
| Algis Donavichius (pianist) |
piano |
Piano Concerto No. 5 in F major, BWV 1056: III. Presto |
| Ryo Terakado |
violin |
Ich bin der Welt abhanden gekommen |
| Dick Sanderman (Dutch organist) |
organ |
Preludium es-moll aus dem Wohltemperirten Clavier (organ: Dick Sanderman) |
| Samuel Kummer |
organ |
Partite diverse sopra il Corale "Sei gergrüßet, Jesu gütig", BWV 768: Choral |
| Samuel Mayes |
cello |
St. John Passion, BWV 245: "All Is Fulfilled" |
| Scottish Chamber Chorus |
performing orchestra |
Oratorio de Noël, BWV 248 : Cantate no. 2 : Sinfonia-Choral final |
| Diana Yukawa |
violin |
G線上のアリア / Air on the G String |
| Shalev Ad-El |
harpsichord |
Ich bin der Welt abhanden gekommen |
| Sibylla Rubens |
vocal |
Weihnachts-Oratorium, BWV 248: 3. Teil, XXIX. Duetto "Herr, dein Mitleid, dein Erbarmen" |
| Dewey Owens |
instrument arranger |
Siciliana from Sonata No. 3 in E-flat major for flute and harpsichord, BWV 1031, arranged for harp solo by Dewey Owens |
| Alfred Gross |
harpsichord |
Toccata D-Dur BWV912 |
| Simon Preston |
organ |
Rollerball: Toccata in D minor |
| Burkhard Glaetzner |
oboe |
Oboe Concerto in D minor (excerpt) |
| Alexis Weissenberg |
piano |
Sicilienne |
| Deborah Sipkai |
harp |
Largo |
| Singer Pur (German vocal ensemble) |
vocal |
Wie schön leuchtet der Morgenstern |
| Sir Georg Solti (conductor) |
conductor |
Mass in B minor - Et incarnatus est |
| David Stanhope |
piano |
Jesu, Joy of Man’s Desiring |
| David Petri |
cello |
Siciliano |
| St. Albans School Choir |
vocal |
O Little One Sweet |
| St. Louis Brass Quintet |
performing orchestra |
Jesu, Joy of Man's Desiring |
| David Groves |
producer |
Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) |
| Das Kleine Konzert |
performing orchestra |
O Haupt voll Blut und Wunden |
| Susanne Lautenbacher |
violin |
Violin Concerto No. 1 In A Minor (I. Allegro) |
| Sven-Ingvart Mikkelsen |
organ |
Lobet den Herrn, alle Heiden |
| Sydney Philharmonia Orchestra |
performing orchestra |
Jesu, Joy of Man's Desiring: Cantata No. 147 (Sydney Philharmonia Symphonic Choir & Orchestra feat Antony Walker) |
| Sydney Philharmonia Symphonic Choir |
vocal |
Jesu, Joy of Man's Desiring: Cantata No. 147 (Sydney Philharmonia Symphonic Choir & Orchestra feat Antony Walker) |
| Camerata Bern |
performing orchestra |
Overture II, BVW1067 |
| Tafelmusik |
performing orchestra |
Concerto for Violin in A minor, BWV 1041: I. [ ] |
| Taverner Consort |
performing orchestra, vocal |
Passion according to St John, BWV 245: Chorale "Ach, großer König" |
| Taverner Players |
performing orchestra |
Passion according to St John, BWV 245: Chorale "Ach, großer König" |
| Collegium Danicum |
performer |
Lobet den Herrn, alle Heiden |
| The Arcangelos Chamber Ensemble |
performer |
Prelude No 1 in C |
| Clifford F. Gilmore (producer) |
producer |
Toccata in F major BWV540 |
| The Baby Einstein Music Box Orchestra |
performing orchestra |
Minuet in G from Anna Magdalena |
| The King's Consort |
instrument |
Concerto in C minor for Oboe and Violin: Allegro |
| The Taverner Choir, Consort & Players |
performer |
Easter Oratorio: Kommt eilet |
| Alan Stringer (trumpet player) |
trumpet |
Jesu, Joy Of Man's Desiring |
| Christopher Hogwood |
conductor |
Suite no. 3 in D: Air |
| Thomas Füri |
conductor |
Overture II, BVW1067 |
| Thomas Hampson |
vocal |
Höchsterwünschtes Freudenfest BWV 194: "Was des Höchsten Glanz erfüllt" |
| Thomas Krack |
conductor |
Lob, Ehr und Dank sei Gott dem Vater |
| Timo Korhonen |
classical guitar |
Violin Sonata No. 2 In A minor: 4th Movement |
| Tinebeth Hartkopf |
vocal |
O Jesulil min |
| Adelheid Glatt |
producer |
Ich bin der Welt abhanden gekommen |
| Accentus (Chœur de Chambre Accentus) |
vocal |
Drei Psalmlieder nach Klaviersatzen - 2 |
| Torsdagskoret (Flensborg) |
vocal |
Lobet den Herrn, alle Heiden |
| Trevor Pinnock |
performer |
Sonata in D major, BWV 1028: Siciliano |
| Trinity Baroque |
vocal |
Zünd uns ein Licht an im Verstand |
| Christoph Prégardien |
vocal |
Evangelista: "Und siehe da, der Vorhang im Tempel zerriß" |
| Vanessa-Mae |
violin |
Toccata and Fugue in D minor (feat. violin: Vanessa-Mae) |
| Vasily Petrenko |
conductor |
Orchestral Suite no. 2: Badinerie |
| Camerata Budapest |
performing orchestra |
Sinfonia in D major, Op. 3, No. 1: II. Andante |
| Vitas Antonavichius |
conductor |
Piano Concerto No. 5 in F major, BWV 1056: III. Presto |
| Vito Paternoster (cellist) |
performer |
Partita Terza in La maggiore Preludio (Allegro) |
| Voices of Music |
performer |
Prelude in G Major |
| Christiane Wuyts |
harpsichord |
Fugue over a theme of Tommaso Albinoni in B minor, BWV 951a |
| Camerata Romana (an Alfred Scholz pseudonym) |
performing orchestra |
Suite for Orchestra no. 2 in B minor: Polonaise-Double |
| Werner Hucks |
arranger, guitar |
Suite Nr. 3 in A-Dur für Violoncello: Bourée 1+2 |
| Wiener Singverein |
vocal |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach" |
| Academy of Ancient Music |
performing orchestra |
Suite no. 3 in D: Air |
| Wilfried Zahn |
recording |
Toccata D-Dur BWV912 |
| Christian Fliegner (boy soprano / tenor) |
vocal |
Matthäuspassion: So ist mein Jesus nun gefangen |
| William Preucil |
violin |
Minuets in G major & G minor, BWV anh. 114 & 115 |
| Christian Ferras |
violin |
Double Violin Concerto in D minor, BWV 1043: II. Largo ma non tanto |
| Christ Church Cathedral Choir, Oxford |
vocal |
Jesu, Joy of Man's Desiring (Adapted From Cantata No.147) |
| Yo-Yo Ma |
cello |
Es danke, Gott, und lobe dich das Volk in guten Taten, BWV 76 |
| Chor der Deutschen Staatsoper Berlin |
vocal |
La passion selon Saint Matthieu- La Cène - Choral "Ich bin’s, ich sollte büßen" Récitatif: "Er antworte und sprach" |
| Zubin Mehta (conductor) |
conductor |
Concerto in D minor for Two Violins and Orchestra, BWV 1043: II. Largo, ma non tanto |
| Zürcher Kammerorchester |
performing orchestra |
Konzert für 2 Klaviere c-Moll BWV 1060: Largo ovvero Adagio |
| Ángel Romero (guitarist/conductor) |
classical guitar |
Largo from Concerto No. 5 in F Minor |
| Chicago Trombone Consort |
trombone |
Passacaglia in C minor |
| Chicago Symphony Orchestra |
performing orchestra |
Mass in B minor - Et incarnatus est |
| Владимир Самойлович Горовиц |
piano |
Organ Toccata in C Major (Busoni) |
| Гордан Николић |
violin |
Partita in D minor: Courante |
| Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) |
piano |
The Well-Tempered Clavier, Book I - No. 4 in C sharp minor, BWV 849: Fugue |
| 何崇志 |
arranger |
大提琴無伴奏組曲 No. 3 in C: Bourrées I & II |
| Charles Gerhardt |
conductor |
Orkesterisarja D-duuri nro 3/5: Gigue |
| Celia Nicklin |
oboe |
Jesus bleibet meine Freude |
| Capricorn Ensemble |
instrument |
Johannes-Passion BWV 245: Ruht wohl |