| Gewandhausorchester Leipzig |
performing orchestra |
"Trompeten-Ouvertüre" C-Dur, Op. 101, Das Märchen von der schönen Melusine F-Dur, Op. 32, Die Hebriden (Die Fingalshöhle) h-Moll, Op. 26, Ein Sommernachtstraum, Op. 61: Elfenmarsch, Ein Sommernachtstraum, Op. 61: Nr. 11: Ein Tanz von Rüpeln, Ein Sommernachtstraum, Op. 61: Nr. 12: Melodram. "Jetzt beheult der Wolf den Mond", Ein Sommernachtstraum, Op. 61: Nr. 13: Finale. "Bei des Feuers mattem Flimmern", Ein Sommernachtstraum, Op. 61: Nr. 1: Scherzo, Ein Sommernachtstraum, Op. 61: Nr. 2: Melodram. "Über Täler und Höh'n", Ein Sommernachtstraum, Op. 61: Nr. 3: Lied mit Chor. "Kommt! Einen Ringel-, einen Feengesang!", Ein Sommernachtstraum, Op. 61: Nr. 4: Melodram. "Was du wirst erwachend sehn", Ein Sommernachtstraum, Op. 61: Nr. 5: Intermezzo, Ein Sommernachtstraum, Op. 61: Nr. 6: Melodram. "Welch hausgebackenes Volk", Ein Sommernachtstraum, Op. 61: Nr. 7: Notturno, Ein Sommernachtstraum, Op. 61: Nr. 9: Hochzeitsmarsch, Ein Sommernachtstraum, Op. 61: Overtüre, Op. 21, Ein Sommernachtstraum, Op. 61: Text: "Beliebt es Euer Hoheit", Ein Sommernachtstraum, Op. 61: Text: "Hier ist das Blatt", Ein Sommernachtstraum, Op. 61: Text: "Nun kommt!" - Nr. 10: Melodram. "Was dies bedeuten soll", Ein Sommernachtstraum, Op. 61: Text: "Nun, toller Geist" - Nr.8: Melodram. "Sei, als wäre nichts geschehn!", Ein Sommernachtstraum, Op. 61: Text: "Zu Bett, geliebte Freunde!", Paulus, Op. 36: I. Ouvertüre, Paulus, Op. 36: II. Chor "Herr! Der du bist der Gott", Paulus, Op. 36: III. Choral "Allein Gott in der Höh' sei Ehr", Paulus, Op. 36: IV. Rezitativ und Duett "Die Menge der Gläubigen", Paulus, Op. 36: IX. Rezitativ und Choral "Und sie steinigten ihn", Paulus, Op. 36: V. Chor "Dieser Mensch hört nicht auf", Paulus, Op. 36: VI. Rezitativ "Und sie sahen auf ihn", Paulus, Op. 36: VII. Arie "Jerusalem! Die du tötest die Propheten", Paulus, Op. 36: VIII. Rezitativ und Chor "Sie aber stürmten auf ihn ein", Paulus, Op. 36: X. Rezitativ "Und die Zeugen legten ab ihre Kleider", Paulus, Op. 36: XI. Chor "Siehe! Wir preisen selig", Paulus, Op. 36: XII. Rezitativ und Arie "Saulus aber zerstörte die Gemeinde", Paulus, Op. 36: XIII. Rezitativ und Arioso "Und zog mit einer Schar", Paulus, Op. 36: XIV. Rezitativ mit Chor "Und als er auf dem Wege war", Paulus, Op. 36: XIX. Rezitativ "Es war aber ein Jünger", Paulus, Op. 36: XL. Kavatine "Sei getreu bis in den Tod", Paulus, Op. 36: XLI. Rezitativ "Paulus sandte hin", Paulus, Op. 36: XLII. Chor und Rezitativ "Schone doch deiner selbst" / "Was machet ihr", Paulus, Op. 36: XLIII. Chor "Sehet, welche Liebe", Paulus, Op. 36: XLIV. Rezitativ "Und wenn er gleich geopfert wird", Paulus, Op. 36: XLV. Schlusschor "Nicht aber ihm allein", Paulus, Op. 36: XV. Chor "Mache dich auf! Werde Licht!", Paulus, Op. 36: XVI. Choral "Wachet auf! ruft uns die Stimme", Paulus, Op. 36: XVII. Rezitativ "Die Männer aber", Paulus, Op. 36: XVIII. Arie "Gott, sei mir gnädig", Paulus, Op. 36: XX. Arie mit Chor "Ich danke dir, Herr, mein Gott", Paulus, Op. 36: XXI. Rezitativ "Und Ananias ging hin", Paulus, Op. 36: XXII. Chor "O welch eine Tiefe des Reichtums", Paulus, Op. 36: XXIII. Chor "Der Erdkreis ist nun des Herrn", Paulus, Op. 36: XXIV. Rezitativ "Und Paulus kam", Paulus, Op. 36: XXIX. Chor und Choral "Ist das nicht" / "O Jesu Christe", Paulus, Op. 36: XXV. Duettino "So sind wir nun Botschafter", Paulus, Op. 36: XXVI. Chor "Wie lieblich sind die Boten", Paulus, Op. 36: XXVII. Rezitativ und Arioso "Und wie sie ausgesandt" / "Lasst uns singen von der Gnade", Paulus, Op. 36: XXVIII. Rezitativ und Chor "Da aber die Juden das Volk sahen", Paulus, Op. 36: XXX. Rezitativ "Paulus aber und Barnabas sprachen" / XXXI. Duett "Denn also hat uns der Herr geboten", Paulus, Op. 36: XXXII. Rezitativ "Und es war ein Mann" / XXXIII, Chor "Die Götter sind den Menschen gleich geworden" / Rezitativ "Und nannten Barnabas", Paulus, Op. 36: XXXV. Chor "Seid uns gnädig", Paulus, Op. 36: XXXVI. "Wisset ihr nicht", Paulus, Op. 36: XXXVI. Rezitativ, Arie und Chor "Da das die Apostel hörten", Paulus, Op. 36: XXXVII. Rezitativ "Da ward das Volk erreget" / XXXVIII. Chor "Hier ist des Herren Tempel!" / XXXIX. Rezitativ "Und sie alle verfolgten Paulus", Ruy Blas c-Moll, Op. 95, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ia. Maestoso con moto - Allegro - Maestoso con moto come I, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ib. Allegretto un poco agitato, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ic. Adagio religioso, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor), Symphony no. 3 op. 56 in A Minor "Scottish" |
| Kurt Masur |
conductor |
"Trompeten-Ouvertüre" C-Dur, Op. 101, Das Märchen von der schönen Melusine F-Dur, Op. 32, Die Hebriden (Die Fingalshöhle) h-Moll, Op. 26, Ein Sommernachtstraum, Op. 61: Elfenmarsch, Ein Sommernachtstraum, Op. 61: Nr. 11: Ein Tanz von Rüpeln, Ein Sommernachtstraum, Op. 61: Nr. 12: Melodram. "Jetzt beheult der Wolf den Mond", Ein Sommernachtstraum, Op. 61: Nr. 13: Finale. "Bei des Feuers mattem Flimmern", Ein Sommernachtstraum, Op. 61: Nr. 1: Scherzo, Ein Sommernachtstraum, Op. 61: Nr. 2: Melodram. "Über Täler und Höh'n", Ein Sommernachtstraum, Op. 61: Nr. 3: Lied mit Chor. "Kommt! Einen Ringel-, einen Feengesang!", Ein Sommernachtstraum, Op. 61: Nr. 4: Melodram. "Was du wirst erwachend sehn", Ein Sommernachtstraum, Op. 61: Nr. 5: Intermezzo, Ein Sommernachtstraum, Op. 61: Nr. 6: Melodram. "Welch hausgebackenes Volk", Ein Sommernachtstraum, Op. 61: Nr. 7: Notturno, Ein Sommernachtstraum, Op. 61: Nr. 9: Hochzeitsmarsch, Ein Sommernachtstraum, Op. 61: Overtüre, Op. 21, Ein Sommernachtstraum, Op. 61: Text: "Beliebt es Euer Hoheit", Ein Sommernachtstraum, Op. 61: Text: "Hier ist das Blatt", Ein Sommernachtstraum, Op. 61: Text: "Nun kommt!" - Nr. 10: Melodram. "Was dies bedeuten soll", Ein Sommernachtstraum, Op. 61: Text: "Nun, toller Geist" - Nr.8: Melodram. "Sei, als wäre nichts geschehn!", Ein Sommernachtstraum, Op. 61: Text: "Zu Bett, geliebte Freunde!", Paulus, Op. 36: I. Ouvertüre, Paulus, Op. 36: II. Chor "Herr! Der du bist der Gott", Paulus, Op. 36: III. Choral "Allein Gott in der Höh' sei Ehr", Paulus, Op. 36: IV. Rezitativ und Duett "Die Menge der Gläubigen", Paulus, Op. 36: IX. Rezitativ und Choral "Und sie steinigten ihn", Paulus, Op. 36: V. Chor "Dieser Mensch hört nicht auf", Paulus, Op. 36: VI. Rezitativ "Und sie sahen auf ihn", Paulus, Op. 36: VII. Arie "Jerusalem! Die du tötest die Propheten", Paulus, Op. 36: VIII. Rezitativ und Chor "Sie aber stürmten auf ihn ein", Paulus, Op. 36: X. Rezitativ "Und die Zeugen legten ab ihre Kleider", Paulus, Op. 36: XI. Chor "Siehe! Wir preisen selig", Paulus, Op. 36: XII. Rezitativ und Arie "Saulus aber zerstörte die Gemeinde", Paulus, Op. 36: XIII. Rezitativ und Arioso "Und zog mit einer Schar", Paulus, Op. 36: XIV. Rezitativ mit Chor "Und als er auf dem Wege war", Paulus, Op. 36: XIX. Rezitativ "Es war aber ein Jünger", Paulus, Op. 36: XL. Kavatine "Sei getreu bis in den Tod", Paulus, Op. 36: XLI. Rezitativ "Paulus sandte hin", Paulus, Op. 36: XLII. Chor und Rezitativ "Schone doch deiner selbst" / "Was machet ihr", Paulus, Op. 36: XLIII. Chor "Sehet, welche Liebe", Paulus, Op. 36: XLIV. Rezitativ "Und wenn er gleich geopfert wird", Paulus, Op. 36: XLV. Schlusschor "Nicht aber ihm allein", Paulus, Op. 36: XV. Chor "Mache dich auf! Werde Licht!", Paulus, Op. 36: XVI. Choral "Wachet auf! ruft uns die Stimme", Paulus, Op. 36: XVII. Rezitativ "Die Männer aber", Paulus, Op. 36: XVIII. Arie "Gott, sei mir gnädig", Paulus, Op. 36: XX. Arie mit Chor "Ich danke dir, Herr, mein Gott", Paulus, Op. 36: XXI. Rezitativ "Und Ananias ging hin", Paulus, Op. 36: XXII. Chor "O welch eine Tiefe des Reichtums", Paulus, Op. 36: XXIII. Chor "Der Erdkreis ist nun des Herrn", Paulus, Op. 36: XXIV. Rezitativ "Und Paulus kam", Paulus, Op. 36: XXIX. Chor und Choral "Ist das nicht" / "O Jesu Christe", Paulus, Op. 36: XXV. Duettino "So sind wir nun Botschafter", Paulus, Op. 36: XXVI. Chor "Wie lieblich sind die Boten", Paulus, Op. 36: XXVII. Rezitativ und Arioso "Und wie sie ausgesandt" / "Lasst uns singen von der Gnade", Paulus, Op. 36: XXVIII. Rezitativ und Chor "Da aber die Juden das Volk sahen", Paulus, Op. 36: XXX. Rezitativ "Paulus aber und Barnabas sprachen" / XXXI. Duett "Denn also hat uns der Herr geboten", Paulus, Op. 36: XXXII. Rezitativ "Und es war ein Mann" / XXXIII, Chor "Die Götter sind den Menschen gleich geworden" / Rezitativ "Und nannten Barnabas", Paulus, Op. 36: XXXV. Chor "Seid uns gnädig", Paulus, Op. 36: XXXVI. "Wisset ihr nicht", Paulus, Op. 36: XXXVI. Rezitativ, Arie und Chor "Da das die Apostel hörten", Paulus, Op. 36: XXXVII. Rezitativ "Da ward das Volk erreget" / XXXVIII. Chor "Hier ist des Herren Tempel!" / XXXIX. Rezitativ "Und sie alle verfolgten Paulus", Ruy Blas c-Moll, Op. 95, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ia. Maestoso con moto - Allegro - Maestoso con moto come I, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ib. Allegretto un poco agitato, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ic. Adagio religioso, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor), Symphony no. 3 op. 56 in A Minor "Scottish" |
| Orchestre des Champs-Élysées |
performing orchestra |
A Midsummer Night's Dream: Scherzo, Ein Sommernachtstraum, op. 21: Ouvertüre. Allegro di molto, Ein Sommernachtstraum, op. 61: Ein Tanz von Rüppeln. Allegro di molto, Ein Sommernachtstraum, op. 61: Elfenmarsch. Allegro vivace, Ein Sommernachtstraum, op. 61: Fanfare. Allegro comodo, Ein Sommernachtstraum, op. 61: Finale "Bei des Feuers mattem Flimmern". Allegro di molto, Ein Sommernachtstraum, op. 61: Hochzeitsmarsch. Allegro vivace, Ein Sommernachtstraum, op. 61: Intermezzo. Allegro appassionato, Ein Sommernachtstraum, op. 61: Lied mit Chor "Bunte Schlangen, zweigezüngt!". Allegro ma non troppo, Ein Sommernachtstraum, op. 61: Marcia funebre. Andante comodo, Ein Sommernachtstraum, op. 61: Notturno. Con moto tranquillo, Ein Sommernachtstraum, op. 61: Scherzo. Allegro vivace, Elias: No. 28, Trio "Hebe deine Augen auf", Ouvertüre, "Die Hebriden oder die Fingalshöhle", op. 26: Allegro moderato - Animato, Paulus, Op. 36: Erster Teil. Aria "Gott, sei mir gnädig", Paulus, Op. 36: Erster Teil. Aria "Jerusalem, die du tödtest die Propheten", Paulus, Op. 36: Erster Teil. Aria mit Chor "Ich danke dir, Herr, mein Gott", Paulus, Op. 36: Erster Teil. Chor "Dieser Mensch hört nicht auf", Paulus, Op. 36: Erster Teil. Chor "Herr, der du bist der Gott", Paulus, Op. 36: Erster Teil. Chor "Mache dich auf!", Paulus, Op. 36: Erster Teil. Chor "O welch eine Tiefe", Paulus, Op. 36: Erster Teil. Chor "Siehe, wir preisen selig die erdultet haben", Paulus, Op. 36: Erster Teil. Choral "Allein Gott in der Höh’ sei Ehr", Paulus, Op. 36: Erster Teil. Choral "Wachet auf, ruft uns die Stimme", Paulus, Op. 36: Erster Teil. Ouvertüre, Paulus, Op. 36: Erster Teil. Rezitativ "Die Menge der Gläubigen", Paulus, Op. 36: Erster Teil. Rezitativ "Die Männer aber", Paulus, Op. 36: Erster Teil. Rezitativ "Es war aber ein Jünger zu Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ "Und Ananias ging hin", Paulus, Op. 36: Erster Teil. Rezitativ "Und die Zeugen legten ab ihre Kleider", Paulus, Op. 36: Erster Teil. Rezitativ mit Chor "Und als er auf dem Wege war", Paulus, Op. 36: Erster Teil. Rezitativ und Aria "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth", Paulus, Op. 36: Erster Teil. Rezitativ und Arioso "Und zog mit einer Schaar gen Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Sie aber stürmten auf ihn ein. Steiniget ihn!", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Und sie sahen auf ihn alle. Weg mit dem!", Paulus, Op. 36: Erster Teil. Rezitativ und Choral "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben", Paulus, Op. 36: Zweiter Teil. Cavatine "Sei getreu bis in den Tod", Paulus, Op. 36: Zweiter Teil. Chor "Der Erdkreis ist nun des Herren", Paulus, Op. 36: Zweiter Teil. Chor "Die Götter sind den Menschen gleich geworden", Paulus, Op. 36: Zweiter Teil. Chor "Hier ist des Herren Tempel!", Paulus, Op. 36: Zweiter Teil. Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht", Paulus, Op. 36: Zweiter Teil. Chor "Sehet, welch eine Liebe", Paulus, Op. 36: Zweiter Teil. Chor "Seid uns gnädig, hohe Götter", Paulus, Op. 36: Zweiter Teil. Chor "Wie lieblich sind die Boten", Paulus, Op. 36: Zweiter Teil. Chor und Rezitativ "Schone doch deiner selbst! Was machet ihr", Paulus, Op. 36: Zweiter Teil. Duettino "So sind wir nun Botschafter", Paulus, Op. 36: Zweiter Teil. Duetto "Denn also hat uns der Herr geboten", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da ward das Volk erreget wider sie", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus aber und Barnabas sprachen", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus sandte hin", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und Paulus kam zu der Gemeinde", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und es war ein Mann zu Lystra", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und nannten Barnabas Jupiter", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und sie alle verfolgten Paulus", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und wenn er gleich geopfert wird", Paulus, Op. 36: Zweiter Teil. Rezitativ und Aria "Da das die Apostel hörten. Ihr Männer" - Chor "Aber unser Gott ist im Himmel", Paulus, Op. 36: Zweiter Teil. Rezitativ und Arioso "Und wie sie ausgesandt", Paulus, Op. 36: Zweiter Teil. Schlußchor "Nicht aber ihm allein", Paulus: No. 10 "Siehe, wir preisen selig" |
| Philippe Herreweghe |
conductor |
A Midsummer Night's Dream: Scherzo, Ein Sommernachtstraum, op. 21: Ouvertüre. Allegro di molto, Ein Sommernachtstraum, op. 61: Ein Tanz von Rüppeln. Allegro di molto, Ein Sommernachtstraum, op. 61: Elfenmarsch. Allegro vivace, Ein Sommernachtstraum, op. 61: Fanfare. Allegro comodo, Ein Sommernachtstraum, op. 61: Finale "Bei des Feuers mattem Flimmern". Allegro di molto, Ein Sommernachtstraum, op. 61: Hochzeitsmarsch. Allegro vivace, Ein Sommernachtstraum, op. 61: Intermezzo. Allegro appassionato, Ein Sommernachtstraum, op. 61: Lied mit Chor "Bunte Schlangen, zweigezüngt!". Allegro ma non troppo, Ein Sommernachtstraum, op. 61: Marcia funebre. Andante comodo, Ein Sommernachtstraum, op. 61: Notturno. Con moto tranquillo, Ein Sommernachtstraum, op. 61: Scherzo. Allegro vivace, Elias: No. 28, Trio "Hebe deine Augen auf", Ouvertüre, "Die Hebriden oder die Fingalshöhle", op. 26: Allegro moderato - Animato, Paulus, Op. 36: Erster Teil. Aria "Gott, sei mir gnädig", Paulus, Op. 36: Erster Teil. Aria "Jerusalem, die du tödtest die Propheten", Paulus, Op. 36: Erster Teil. Aria mit Chor "Ich danke dir, Herr, mein Gott", Paulus, Op. 36: Erster Teil. Chor "Dieser Mensch hört nicht auf", Paulus, Op. 36: Erster Teil. Chor "Herr, der du bist der Gott", Paulus, Op. 36: Erster Teil. Chor "Mache dich auf!", Paulus, Op. 36: Erster Teil. Chor "O welch eine Tiefe", Paulus, Op. 36: Erster Teil. Chor "Siehe, wir preisen selig die erdultet haben", Paulus, Op. 36: Erster Teil. Choral "Allein Gott in der Höh’ sei Ehr", Paulus, Op. 36: Erster Teil. Choral "Wachet auf, ruft uns die Stimme", Paulus, Op. 36: Erster Teil. Ouvertüre, Paulus, Op. 36: Erster Teil. Rezitativ "Die Menge der Gläubigen", Paulus, Op. 36: Erster Teil. Rezitativ "Die Männer aber", Paulus, Op. 36: Erster Teil. Rezitativ "Es war aber ein Jünger zu Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ "Und Ananias ging hin", Paulus, Op. 36: Erster Teil. Rezitativ "Und die Zeugen legten ab ihre Kleider", Paulus, Op. 36: Erster Teil. Rezitativ mit Chor "Und als er auf dem Wege war", Paulus, Op. 36: Erster Teil. Rezitativ und Aria "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth", Paulus, Op. 36: Erster Teil. Rezitativ und Arioso "Und zog mit einer Schaar gen Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Sie aber stürmten auf ihn ein. Steiniget ihn!", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Und sie sahen auf ihn alle. Weg mit dem!", Paulus, Op. 36: Erster Teil. Rezitativ und Choral "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben", Paulus, Op. 36: Zweiter Teil. Cavatine "Sei getreu bis in den Tod", Paulus, Op. 36: Zweiter Teil. Chor "Der Erdkreis ist nun des Herren", Paulus, Op. 36: Zweiter Teil. Chor "Die Götter sind den Menschen gleich geworden", Paulus, Op. 36: Zweiter Teil. Chor "Hier ist des Herren Tempel!", Paulus, Op. 36: Zweiter Teil. Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht", Paulus, Op. 36: Zweiter Teil. Chor "Sehet, welch eine Liebe", Paulus, Op. 36: Zweiter Teil. Chor "Seid uns gnädig, hohe Götter", Paulus, Op. 36: Zweiter Teil. Chor "Wie lieblich sind die Boten", Paulus, Op. 36: Zweiter Teil. Chor und Rezitativ "Schone doch deiner selbst! Was machet ihr", Paulus, Op. 36: Zweiter Teil. Duettino "So sind wir nun Botschafter", Paulus, Op. 36: Zweiter Teil. Duetto "Denn also hat uns der Herr geboten", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da ward das Volk erreget wider sie", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus aber und Barnabas sprachen", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus sandte hin", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und Paulus kam zu der Gemeinde", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und es war ein Mann zu Lystra", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und nannten Barnabas Jupiter", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und sie alle verfolgten Paulus", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und wenn er gleich geopfert wird", Paulus, Op. 36: Zweiter Teil. Rezitativ und Aria "Da das die Apostel hörten. Ihr Männer" - Chor "Aber unser Gott ist im Himmel", Paulus, Op. 36: Zweiter Teil. Rezitativ und Arioso "Und wie sie ausgesandt", Paulus, Op. 36: Zweiter Teil. Schlußchor "Nicht aber ihm allein", Paulus: No. 10 "Siehe, wir preisen selig" |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Elijah, oratorio, Op. 70: "And then Shall Your Light Break Forth", Elijah: Introduction. "As God the Lord of Israel liveth" (Elijah), Elijah: No. 1. "Help, Lord! Wilt thou quite destroy us?" (Chorus), Elijah: No. 10. "As God the Lord of Sabaoth liveth" (Elijah, Ahab, Chorus), Elijah: No. 11. "Baal, we cry to thee; hear and answer us!" (Chorus), Elijah: No. 12. "Call him louder, for he is a god!" (Elijah, Chorus), Elijah: No. 13. "Call him louder! He heareth not!" (Elijah, Chorus), Elijah: No. 14. "Lord God of Abraham, Isaac and Israel!" (Elijah), Elijah: No. 15. "Cast thy burden upon the Lord" (Chorus), Elijah: No. 16. "O Thou, who makest Thine angels Spirits" (Elijah, Chorus), Elijah: No. 17. "Is not his word like a fire?" (Elijah), Elijah: No. 18. "Woe unto them who forsake Him!" (Contralto), Elijah: No. 19. "O man of God, help thy people!, Elijah: No. 2. "Lord! Bow Thine ear to our prayer!" (Chorus, Soprano, Alto), Elijah: No. 20. "Thanks be to God!" (Chorus), Elijah: No. 21. "Hear ye, Israel; hear what the Lord speaketh" (Soprano), Elijah: No. 22. "Be not afraid, saith God the Lord" (Chorus), Elijah: No. 23. "The Lord hath exalted thee" (Elijah, The Queen, Chorus), Elijah: No. 24. "Woe to him, he shall perish" (Chorus), Elijah: No. 25. "Man of god, now let my words be precious" (Obadiah), Elijah: No. 26. "It is enough; O Lord now take my life" (Elijah), Elijah: No. 27. "See, now he sleepeth" (Tenor), Elijah: No. 28. "Lift thine eyes to the mountains" (Chorus), Elijah: No. 29. "He, watching over Israel, slumbers not" (Chorus), Elijah: No. 3. "Ye people, rend your hearts" (Obadiah), Elijah: No. 30. "Arise, Elijah, for thou has a long journey" (The Angel, Elijah), Elijah: No. 31. "O rest in the Lord" (The Angel), Elijah: No. 32. "He that shall endure to the end, shall be saved" (Chorus), Elijah: No. 33. "Night falleth round me, O Lord!" (Elijah, The Angel), Elijah: No. 34. "Behold! God the Lord passed by!" (Chorus), Elijah: No. 35. "Above him stood the Seraphim" (Contralto, Chorus), Elijah: No. 36. "Go, return upon thy way" (Chorus, Elijah), Elijah: No. 37. "For the mountains shall depart" (Elijah), Elijah: No. 38. "Then did Elijah the prophet break forth" (Chorus), Elijah: No. 39. "Then shall the righteous shine forth" (Tenor), Elijah: No. 4. "If with all your hearts" (Obadiah), Elijah: No. 40. "Behold, God hath sent Elijah" (Soprano), Elijah: No. 41. "But the Lord, from the north hath raised one" (Chorus), Elijah: No. 41a. "O come everyone that thirsteth" (Soprano, Contralto, Tenor, Bass), Elijah: No. 42. "And then shall your light break forth" (Chorus), Elijah: No. 5. "Yet doth the Lord see it not" (Chorus), Elijah: No. 6. "Elijah! Get thee hence" (An Angel), Elijah: No. 7. "For He shall give His angels charge over thee" (Semi-Chorus), Elijah: No. 7. Recitative "Now Cherith's brook is dried up" (An Angel), Elijah: No. 8. "What have I to do with thee?" (The Window, Elijah), Elijah: No. 9. "Blessed are the men who fear Him" (Chorus), Elijah: Overture, Fingal's Cave, Hark! The Herald Angels Sing, Hebrides Overture (Fingal's Cave), Op. 26, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): I. Allegro vivace - Più animato, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): II. Andante con moto, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): III. Con moto moderato, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): IV. Saltarello (Presto), Symphony No. 4, "Italian": II. Andante con moto, Violin Concerto in E minor, Op. 64: III. Allegro molto vivace, Violin Concerto in E minor, op. 64: III. Finale. Allegretto non troppo - Allegro molto vivace |
| MDR Rundfunkchor Leipzig |
vocal |
6 Lieder, opus 48: Die Primel, 6 Lieder, opus 48: Frühlingsahnung, 6 Lieder, opus 48: Frühlingsfeier, 6 Lieder, opus 48: Lerchengesang, 6 Lieder, opus 88: Der Glückliche, 6 Lieder, opus 88: Der wandernde Musikant, 6 Lieder, opus 88: Die Waldvögelein, 6 Lieder, opus 88: Neujahrslied, Abschied vom Walde, op. 59, Auf dem See, op. 41, Auf ihrem Grab, op. 41, Der Jäger Abschied, op. 50, Der frohe Wandersmann, op. 75, Die Nachtigall, op. 59, Ein Sommernachtstraum, Op. 61: Elfenmarsch, Ein Sommernachtstraum, Op. 61: Nr. 11: Ein Tanz von Rüpeln, Ein Sommernachtstraum, Op. 61: Nr. 12: Melodram. "Jetzt beheult der Wolf den Mond", Ein Sommernachtstraum, Op. 61: Nr. 13: Finale. "Bei des Feuers mattem Flimmern", Ein Sommernachtstraum, Op. 61: Nr. 1: Scherzo, Ein Sommernachtstraum, Op. 61: Nr. 2: Melodram. "Über Täler und Höh'n", Ein Sommernachtstraum, Op. 61: Nr. 3: Lied mit Chor. "Kommt! Einen Ringel-, einen Feengesang!", Ein Sommernachtstraum, Op. 61: Nr. 4: Melodram. "Was du wirst erwachend sehn", Ein Sommernachtstraum, Op. 61: Nr. 5: Intermezzo, Ein Sommernachtstraum, Op. 61: Nr. 6: Melodram. "Welch hausgebackenes Volk", Ein Sommernachtstraum, Op. 61: Nr. 7: Notturno, Ein Sommernachtstraum, Op. 61: Nr. 9: Hochzeitsmarsch, Ein Sommernachtstraum, Op. 61: Overtüre, Op. 21, Ein Sommernachtstraum, Op. 61: Text: "Beliebt es Euer Hoheit", Ein Sommernachtstraum, Op. 61: Text: "Hier ist das Blatt", Ein Sommernachtstraum, Op. 61: Text: "Nun kommt!" - Nr. 10: Melodram. "Was dies bedeuten soll", Ein Sommernachtstraum, Op. 61: Text: "Nun, toller Geist" - Nr.8: Melodram. "Sei, als wäre nichts geschehn!", Ein Sommernachtstraum, Op. 61: Text: "Zu Bett, geliebte Freunde!", Entflieh mit mir und sei mein Weib, op. 41, Es fiel ein Reif, op. 41, Frühzeitiger Frühling, op. 59, Im Walde, op. 41, Jagdlied, op. 59, Lob des Frühlings, op. 100, Mailied, op. 41, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor), Sommerlied, op. 50, Wasserfahrt, op. 50 |
| Collegium Vocale Gent |
vocal |
Ein Sommernachtstraum, op. 61: Finale "Bei des Feuers mattem Flimmern". Allegro di molto, Ein Sommernachtstraum, op. 61: Lied mit Chor "Bunte Schlangen, zweigezüngt!". Allegro ma non troppo, Elias: No. 28, Trio "Hebe deine Augen auf", Paulus, Op. 36: Erster Teil. Aria "Gott, sei mir gnädig", Paulus, Op. 36: Erster Teil. Aria "Jerusalem, die du tödtest die Propheten", Paulus, Op. 36: Erster Teil. Aria mit Chor "Ich danke dir, Herr, mein Gott", Paulus, Op. 36: Erster Teil. Chor "Dieser Mensch hört nicht auf", Paulus, Op. 36: Erster Teil. Chor "Herr, der du bist der Gott", Paulus, Op. 36: Erster Teil. Chor "Mache dich auf!", Paulus, Op. 36: Erster Teil. Chor "O welch eine Tiefe", Paulus, Op. 36: Erster Teil. Chor "Siehe, wir preisen selig die erdultet haben", Paulus, Op. 36: Erster Teil. Choral "Allein Gott in der Höh’ sei Ehr", Paulus, Op. 36: Erster Teil. Choral "Wachet auf, ruft uns die Stimme", Paulus, Op. 36: Erster Teil. Ouvertüre, Paulus, Op. 36: Erster Teil. Rezitativ "Die Menge der Gläubigen", Paulus, Op. 36: Erster Teil. Rezitativ "Die Männer aber", Paulus, Op. 36: Erster Teil. Rezitativ "Es war aber ein Jünger zu Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ "Und Ananias ging hin", Paulus, Op. 36: Erster Teil. Rezitativ "Und die Zeugen legten ab ihre Kleider", Paulus, Op. 36: Erster Teil. Rezitativ mit Chor "Und als er auf dem Wege war", Paulus, Op. 36: Erster Teil. Rezitativ und Aria "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth", Paulus, Op. 36: Erster Teil. Rezitativ und Arioso "Und zog mit einer Schaar gen Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Sie aber stürmten auf ihn ein. Steiniget ihn!", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Und sie sahen auf ihn alle. Weg mit dem!", Paulus, Op. 36: Erster Teil. Rezitativ und Choral "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben", Paulus, Op. 36: Zweiter Teil. Cavatine "Sei getreu bis in den Tod", Paulus, Op. 36: Zweiter Teil. Chor "Der Erdkreis ist nun des Herren", Paulus, Op. 36: Zweiter Teil. Chor "Die Götter sind den Menschen gleich geworden", Paulus, Op. 36: Zweiter Teil. Chor "Hier ist des Herren Tempel!", Paulus, Op. 36: Zweiter Teil. Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht", Paulus, Op. 36: Zweiter Teil. Chor "Sehet, welch eine Liebe", Paulus, Op. 36: Zweiter Teil. Chor "Seid uns gnädig, hohe Götter", Paulus, Op. 36: Zweiter Teil. Chor "Wie lieblich sind die Boten", Paulus, Op. 36: Zweiter Teil. Chor und Rezitativ "Schone doch deiner selbst! Was machet ihr", Paulus, Op. 36: Zweiter Teil. Duettino "So sind wir nun Botschafter", Paulus, Op. 36: Zweiter Teil. Duetto "Denn also hat uns der Herr geboten", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da ward das Volk erreget wider sie", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus aber und Barnabas sprachen", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus sandte hin", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und Paulus kam zu der Gemeinde", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und es war ein Mann zu Lystra", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und nannten Barnabas Jupiter", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und sie alle verfolgten Paulus", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und wenn er gleich geopfert wird", Paulus, Op. 36: Zweiter Teil. Rezitativ und Aria "Da das die Apostel hörten. Ihr Männer" - Chor "Aber unser Gott ist im Himmel", Paulus, Op. 36: Zweiter Teil. Rezitativ und Arioso "Und wie sie ausgesandt", Paulus, Op. 36: Zweiter Teil. Schlußchor "Nicht aber ihm allein", Paulus: No. 10 "Siehe, wir preisen selig" |
| Rafael Frühbeck de Burgos |
conductor |
Elijah, oratorio, Op. 70: "And then Shall Your Light Break Forth", Elijah: Introduction. "As God the Lord of Israel liveth" (Elijah), Elijah: No. 1. "Help, Lord! Wilt thou quite destroy us?" (Chorus), Elijah: No. 10. "As God the Lord of Sabaoth liveth" (Elijah, Ahab, Chorus), Elijah: No. 11. "Baal, we cry to thee; hear and answer us!" (Chorus), Elijah: No. 12. "Call him louder, for he is a god!" (Elijah, Chorus), Elijah: No. 13. "Call him louder! He heareth not!" (Elijah, Chorus), Elijah: No. 14. "Lord God of Abraham, Isaac and Israel!" (Elijah), Elijah: No. 15. "Cast thy burden upon the Lord" (Chorus), Elijah: No. 16. "O Thou, who makest Thine angels Spirits" (Elijah, Chorus), Elijah: No. 17. "Is not his word like a fire?" (Elijah), Elijah: No. 18. "Woe unto them who forsake Him!" (Contralto), Elijah: No. 19. "O man of God, help thy people!, Elijah: No. 2. "Lord! Bow Thine ear to our prayer!" (Chorus, Soprano, Alto), Elijah: No. 20. "Thanks be to God!" (Chorus), Elijah: No. 21. "Hear ye, Israel; hear what the Lord speaketh" (Soprano), Elijah: No. 22. "Be not afraid, saith God the Lord" (Chorus), Elijah: No. 23. "The Lord hath exalted thee" (Elijah, The Queen, Chorus), Elijah: No. 24. "Woe to him, he shall perish" (Chorus), Elijah: No. 25. "Man of god, now let my words be precious" (Obadiah), Elijah: No. 26. "It is enough; O Lord now take my life" (Elijah), Elijah: No. 27. "See, now he sleepeth" (Tenor), Elijah: No. 28. "Lift thine eyes to the mountains" (Chorus), Elijah: No. 29. "He, watching over Israel, slumbers not" (Chorus), Elijah: No. 3. "Ye people, rend your hearts" (Obadiah), Elijah: No. 30. "Arise, Elijah, for thou has a long journey" (The Angel, Elijah), Elijah: No. 31. "O rest in the Lord" (The Angel), Elijah: No. 32. "He that shall endure to the end, shall be saved" (Chorus), Elijah: No. 33. "Night falleth round me, O Lord!" (Elijah, The Angel), Elijah: No. 34. "Behold! God the Lord passed by!" (Chorus), Elijah: No. 35. "Above him stood the Seraphim" (Contralto, Chorus), Elijah: No. 36. "Go, return upon thy way" (Chorus, Elijah), Elijah: No. 37. "For the mountains shall depart" (Elijah), Elijah: No. 38. "Then did Elijah the prophet break forth" (Chorus), Elijah: No. 39. "Then shall the righteous shine forth" (Tenor), Elijah: No. 4. "If with all your hearts" (Obadiah), Elijah: No. 40. "Behold, God hath sent Elijah" (Soprano), Elijah: No. 41. "But the Lord, from the north hath raised one" (Chorus), Elijah: No. 41a. "O come everyone that thirsteth" (Soprano, Contralto, Tenor, Bass), Elijah: No. 42. "And then shall your light break forth" (Chorus), Elijah: No. 5. "Yet doth the Lord see it not" (Chorus), Elijah: No. 6. "Elijah! Get thee hence" (An Angel), Elijah: No. 7. "For He shall give His angels charge over thee" (Semi-Chorus), Elijah: No. 7. Recitative "Now Cherith's brook is dried up" (An Angel), Elijah: No. 8. "What have I to do with thee?" (The Window, Elijah), Elijah: No. 9. "Blessed are the men who fear Him" (Chorus), Elijah: Overture, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante |
| Atlanta Symphony Orchestra |
performing orchestra |
Air (Angel) - "O rest in the Lord", Air (Elijah) - "Is not His word like a fire?", Air (Elijah) - "It is enough, O Lord", Air (Elijah) - "Lord God of Abraham, Isaac and Israel", Air (Obadiah) - "If with all your hearts", Air - "Hear ye, Israel!", Air - "Then shall the righteous shine forth", Air - "Woe unto them who forsake Him", Arioso (Elijah) - "For the mountains shall depart", Chorus - "And then shall your light break forth", Chorus - "Baal, answer us", Chorus - "Be not afraid", Chorus - "Behold, Gold the Lord passed by", Chorus - "Blessed are they that fear Him", Chorus - "Go, return upon thy way", and Recitative (Elijah), "I go on my way", Chorus - "He that shall endure to the end", Chorus - "He, watching over Israel", Chorus - "Help, Lord!", Chorus - "Thanks be to God!", Chorus - "Thus did Elijah the prophet break forth", Chorus - "Thus saith the Lord", Chorus - "Woe to him!", Chorus - "Yet doth the Lord see it not", Double Quartet - "For He shall give His angels", Duet with Chorus - "Zion spreadeth he hands for aid", Introduction (Elijah) - "As God the Lord of Israel Liveth", Overture, Quartet (Angels) - "Cast thy burden upon the Lord", Quartet - "O come, everyone that thirsteth", Quartet: Recitative - "The deep affords no water", RecitAir (Widow) - "What have I to do with Thee", and Recitative (Elijah, Widow) - "Give me Thy son!", Recitative (Angel) - "Elijah! Get thee hence", Recitative (Angel) - "Now Cherith's Brook is dried up", Recitative (Angel, Elijah) - "Arise, Elijah", Recitative (Elijah and Chorus) - "Call him louder! He heareth not!", Recitative (Elijah and Chorus) - "Call him louder, for he is a god!", Recitative (Elijah) and Chorus - "O Thou who makest Thine angels spirits", Recitative (Elijah, Ahab) with Chorus - "As God the Lord of Saboath liveth", Recitative (Elijah, Angel) - "Night falleth 'round me", Recitative (Elijah, Queen) and Chorus - "The Lord hath exalted thee", Recitative (Obadiah) - "Ye people rend your hearts", Recitative (Obadiah, Elijah) - "Man of God, now let my words be precious", Recitative (Obadiah, Elijah, Youth) and Chorus - "O man of God, help Thy people!", Recitative - "For God sent his people the prophet Elijah", Recitative - "See, now he sleepeth", Recitative, Quartet and Chorus - "Above him stood the seraphim", Scherzo, Trio of Angels - "Lift thine eyes" |
| La Chapelle Royale |
performing orchestra |
Elias: No. 28, Trio "Hebe deine Augen auf", Paulus, Op. 36: Erster Teil. Aria "Gott, sei mir gnädig", Paulus, Op. 36: Erster Teil. Aria "Jerusalem, die du tödtest die Propheten", Paulus, Op. 36: Erster Teil. Aria mit Chor "Ich danke dir, Herr, mein Gott", Paulus, Op. 36: Erster Teil. Chor "Dieser Mensch hört nicht auf", Paulus, Op. 36: Erster Teil. Chor "Herr, der du bist der Gott", Paulus, Op. 36: Erster Teil. Chor "Mache dich auf!", Paulus, Op. 36: Erster Teil. Chor "O welch eine Tiefe", Paulus, Op. 36: Erster Teil. Chor "Siehe, wir preisen selig die erdultet haben", Paulus, Op. 36: Erster Teil. Choral "Allein Gott in der Höh’ sei Ehr", Paulus, Op. 36: Erster Teil. Choral "Wachet auf, ruft uns die Stimme", Paulus, Op. 36: Erster Teil. Ouvertüre, Paulus, Op. 36: Erster Teil. Rezitativ "Die Menge der Gläubigen", Paulus, Op. 36: Erster Teil. Rezitativ "Die Männer aber", Paulus, Op. 36: Erster Teil. Rezitativ "Es war aber ein Jünger zu Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ "Und Ananias ging hin", Paulus, Op. 36: Erster Teil. Rezitativ "Und die Zeugen legten ab ihre Kleider", Paulus, Op. 36: Erster Teil. Rezitativ mit Chor "Und als er auf dem Wege war", Paulus, Op. 36: Erster Teil. Rezitativ und Aria "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth", Paulus, Op. 36: Erster Teil. Rezitativ und Arioso "Und zog mit einer Schaar gen Damaskus", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Sie aber stürmten auf ihn ein. Steiniget ihn!", Paulus, Op. 36: Erster Teil. Rezitativ und Chor "Und sie sahen auf ihn alle. Weg mit dem!", Paulus, Op. 36: Erster Teil. Rezitativ und Choral "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben", Paulus, Op. 36: Zweiter Teil. Cavatine "Sei getreu bis in den Tod", Paulus, Op. 36: Zweiter Teil. Chor "Der Erdkreis ist nun des Herren", Paulus, Op. 36: Zweiter Teil. Chor "Die Götter sind den Menschen gleich geworden", Paulus, Op. 36: Zweiter Teil. Chor "Hier ist des Herren Tempel!", Paulus, Op. 36: Zweiter Teil. Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht", Paulus, Op. 36: Zweiter Teil. Chor "Sehet, welch eine Liebe", Paulus, Op. 36: Zweiter Teil. Chor "Seid uns gnädig, hohe Götter", Paulus, Op. 36: Zweiter Teil. Chor "Wie lieblich sind die Boten", Paulus, Op. 36: Zweiter Teil. Chor und Rezitativ "Schone doch deiner selbst! Was machet ihr", Paulus, Op. 36: Zweiter Teil. Duettino "So sind wir nun Botschafter", Paulus, Op. 36: Zweiter Teil. Duetto "Denn also hat uns der Herr geboten", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr", Paulus, Op. 36: Zweiter Teil. Rezitativ "Da ward das Volk erreget wider sie", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus aber und Barnabas sprachen", Paulus, Op. 36: Zweiter Teil. Rezitativ "Paulus sandte hin", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und Paulus kam zu der Gemeinde", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und es war ein Mann zu Lystra", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und nannten Barnabas Jupiter", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und sie alle verfolgten Paulus", Paulus, Op. 36: Zweiter Teil. Rezitativ "Und wenn er gleich geopfert wird", Paulus, Op. 36: Zweiter Teil. Rezitativ und Aria "Da das die Apostel hörten. Ihr Männer" - Chor "Aber unser Gott ist im Himmel", Paulus, Op. 36: Zweiter Teil. Rezitativ und Arioso "Und wie sie ausgesandt", Paulus, Op. 36: Zweiter Teil. Schlußchor "Nicht aber ihm allein", Paulus: No. 10 "Siehe, wir preisen selig" |
| Robert Shaw (conductor) |
conductor |
Air (Angel) - "O rest in the Lord", Air (Elijah) - "Is not His word like a fire?", Air (Elijah) - "It is enough, O Lord", Air (Elijah) - "Lord God of Abraham, Isaac and Israel", Air (Obadiah) - "If with all your hearts", Air - "Hear ye, Israel!", Air - "Then shall the righteous shine forth", Air - "Woe unto them who forsake Him", Arioso (Elijah) - "For the mountains shall depart", Chorus - "And then shall your light break forth", Chorus - "Baal, answer us", Chorus - "Be not afraid", Chorus - "Behold, Gold the Lord passed by", Chorus - "Blessed are they that fear Him", Chorus - "Go, return upon thy way", and Recitative (Elijah), "I go on my way", Chorus - "He that shall endure to the end", Chorus - "He, watching over Israel", Chorus - "Help, Lord!", Chorus - "Thanks be to God!", Chorus - "Thus did Elijah the prophet break forth", Chorus - "Thus saith the Lord", Chorus - "Woe to him!", Chorus - "Yet doth the Lord see it not", Double Quartet - "For He shall give His angels", Duet with Chorus - "Zion spreadeth he hands for aid", Introduction (Elijah) - "As God the Lord of Israel Liveth", Overture, Quartet (Angels) - "Cast thy burden upon the Lord", Quartet - "O come, everyone that thirsteth", Quartet: Recitative - "The deep affords no water", RecitAir (Widow) - "What have I to do with Thee", and Recitative (Elijah, Widow) - "Give me Thy son!", Recitative (Angel) - "Elijah! Get thee hence", Recitative (Angel) - "Now Cherith's Brook is dried up", Recitative (Angel, Elijah) - "Arise, Elijah", Recitative (Elijah and Chorus) - "Call him louder! He heareth not!", Recitative (Elijah and Chorus) - "Call him louder, for he is a god!", Recitative (Elijah) and Chorus - "O Thou who makest Thine angels spirits", Recitative (Elijah, Ahab) with Chorus - "As God the Lord of Saboath liveth", Recitative (Elijah, Angel) - "Night falleth 'round me", Recitative (Elijah, Queen) and Chorus - "The Lord hath exalted thee", Recitative (Obadiah) - "Ye people rend your hearts", Recitative (Obadiah, Elijah) - "Man of God, now let my words be precious", Recitative (Obadiah, Elijah, Youth) and Chorus - "O man of God, help Thy people!", Recitative - "For God sent his people the prophet Elijah", Recitative - "See, now he sleepeth", Recitative, Quartet and Chorus - "Above him stood the seraphim", Trio of Angels - "Lift thine eyes" |
| Arts Music Recording (Recording studios, Rotterdam) |
producer |
Songs without Words in A flat major, Op. 38 No. 6: Andante con moto, Songs without Words in A flat major, Op. 53 No. 1: Andante con moto, Songs without Words in A major, Op. 102 No. 5 "Kinderstück": Allegro vivace, Songs without Words in A major, Op. 19 No. 4: Moderato, Songs without Words in A major, Op. 38 No. 4: Andante, Songs without Words in A major, Op. 53 No. 6: Molto allegro vivace, Songs without Words in A major, Op. 85 No. 5: Allegro, Songs without Words in A minor, Op. 19 No. 2: Andante espressivo, Songs without Words in A minor, Op. 38 No. 5: Agitato, Songs without Words in A minor, Op. 53 No. 5 "Volkslied": Allegro, Songs without Words in A minor, Op. 62 No. 5 "Venetian Gondola Song": Andante, Songs without Words in A minor, Op. 85 No. 2: Allegro agitato, Songs without Words in B flat major, Op. 62 No. 2: Allegro con fuoco, Songs without Words in B flat major, Op. 67 No. 3: Andante tranquillo, Songs without Words in B flat major, Op. 85 No. 6: Allegro con moto, Songs without Words in B flat minor, Op. 30 No. 2: Allegro di molto, Songs without Words in B minor, Op. 30 No. 4: Agitato e con fuoco, Songs without Words in B minor, Op. 67 No. 5: Moderato, Songs without Words in C major, Op. 102 No. 3: Presto, Songs without Words in C major, Op. 102 No. 6: Andante, Songs without Words in C major, Op. 67 No. 4 "Spinnerlied: The Bee's Wedding": Presto, Songs without Words in C minor, Op. 38 No. 2: Allegro non troppo, Songs without Words in D major, Op. 102 No. 2: Adagio, Songs without Words in D major, Op. 30 No. 5: Andante grazioso, Songs without Words in D major, Op. 85 No. 4: Andante sostenuto, Songs without Words in E flat major, Op. 30 No. 1: Andante espressivo, Songs without Words in E flat major, Op. 38 No. 1: Con moto, Songs without Words in E flat major, Op. 53 No. 2: Allegro non troppo, Songs without Words in E flat major, Op. 67 No. 1: Andante, Songs without Words in E flat major, Op. 85 No. 3: Presto, Songs without Words in E major, Op. 19 No. 1: Andante con moto, Songs without Words in E major, Op. 30 No. 3: Andante sostenuto, Songs without Words in E major, Op. 38 No. 3: Presto, Songs without Words in E major, Op. 67 No. 6: Allegretto non troppo, Songs without Words in E minor, Op. 102 No. 1: Andante un poco, Songs without Words in E minor, Op. 62 No. 3 "Trauermarsch": Andante maestoso, Songs without Words in F major, Op. 53 No. 4: Adagio, Songs without Words in F major, Op. 85 No. 1: Andante espressivo, Songs without Words in F sharp major, Op. 30 No. 6 "Venetian Gondola Song": Allegretto, Songs without Words in F sharp major, Op. 67 No. 2: Allegro leggiero, Songs without Words in F sharp minor, Op. 19 No. 5: Agitato, Songs without Words in G major, Op. 62 No. 1: Andante espressivo, Songs without Words in G major, Op. 62 No. 4: Allegro con anima, Songs without Words in G minor, Op. 102 No. 4: Un poco agitato, Songs without Words in G minor, Op. 19 No. 6 "Venetian Gondola Song": Andante sostenuto, Songs without Words in G minor, Op. 53 No. 3: Presto agitato |
| Frank van de Laar |
piano |
Songs without Words in A flat major, Op. 38 No. 6: Andante con moto, Songs without Words in A flat major, Op. 53 No. 1: Andante con moto, Songs without Words in A major, Op. 102 No. 5 "Kinderstück": Allegro vivace, Songs without Words in A major, Op. 19 No. 4: Moderato, Songs without Words in A major, Op. 38 No. 4: Andante, Songs without Words in A major, Op. 53 No. 6: Molto allegro vivace, Songs without Words in A major, Op. 85 No. 5: Allegro, Songs without Words in A minor, Op. 19 No. 2: Andante espressivo, Songs without Words in A minor, Op. 38 No. 5: Agitato, Songs without Words in A minor, Op. 53 No. 5 "Volkslied": Allegro, Songs without Words in A minor, Op. 62 No. 5 "Venetian Gondola Song": Andante, Songs without Words in A minor, Op. 85 No. 2: Allegro agitato, Songs without Words in B flat major, Op. 62 No. 2: Allegro con fuoco, Songs without Words in B flat major, Op. 67 No. 3: Andante tranquillo, Songs without Words in B flat major, Op. 85 No. 6: Allegro con moto, Songs without Words in B flat minor, Op. 30 No. 2: Allegro di molto, Songs without Words in B minor, Op. 30 No. 4: Agitato e con fuoco, Songs without Words in B minor, Op. 67 No. 5: Moderato, Songs without Words in C major, Op. 102 No. 3: Presto, Songs without Words in C major, Op. 102 No. 6: Andante, Songs without Words in C major, Op. 67 No. 4 "Spinnerlied: The Bee's Wedding": Presto, Songs without Words in C minor, Op. 38 No. 2: Allegro non troppo, Songs without Words in D major, Op. 102 No. 2: Adagio, Songs without Words in D major, Op. 30 No. 5: Andante grazioso, Songs without Words in D major, Op. 85 No. 4: Andante sostenuto, Songs without Words in E flat major, Op. 30 No. 1: Andante espressivo, Songs without Words in E flat major, Op. 38 No. 1: Con moto, Songs without Words in E flat major, Op. 53 No. 2: Allegro non troppo, Songs without Words in E flat major, Op. 67 No. 1: Andante, Songs without Words in E flat major, Op. 85 No. 3: Presto, Songs without Words in E major, Op. 19 No. 1: Andante con moto, Songs without Words in E major, Op. 30 No. 3: Andante sostenuto, Songs without Words in E major, Op. 38 No. 3: Presto, Songs without Words in E major, Op. 67 No. 6: Allegretto non troppo, Songs without Words in E minor, Op. 102 No. 1: Andante un poco, Songs without Words in E minor, Op. 62 No. 3 "Trauermarsch": Andante maestoso, Songs without Words in F major, Op. 53 No. 4: Adagio, Songs without Words in F major, Op. 85 No. 1: Andante espressivo, Songs without Words in F sharp major, Op. 30 No. 6 "Venetian Gondola Song": Allegretto, Songs without Words in F sharp major, Op. 67 No. 2: Allegro leggiero, Songs without Words in F sharp minor, Op. 19 No. 5: Agitato, Songs without Words in G major, Op. 62 No. 1: Andante espressivo, Songs without Words in G major, Op. 62 No. 4: Allegro con anima, Songs without Words in G minor, Op. 102 No. 4: Un poco agitato, Songs without Words in G minor, Op. 19 No. 6 "Venetian Gondola Song": Andante sostenuto, Songs without Words in G minor, Op. 53 No. 3: Presto agitato |
| Chor der Vocapella |
vocal |
Aber der Herr sieht es nicht, Arie: 'Höre, Israel, höre des Herrn Stimme', Arie: Dann werden die Gerechten leuchten, Arie: Es ist genug, so nimm nun, Herr, Arie: Sei stille dem Herrn, Arioso: Ja, es sollen Berge weichen, Baal, erhöre uns, Chor und Rezitativ: Gehe wiederum hinab!, Chor: Aber einer erwachet vor Mitternacht, Chor: Alsdann wird euer Licht hervorbrechen, Chor: Der Herr ging vorüber, Chor: Fürchte dich nicht, spricht unser Gott, Chor: Siehe, der Hüter Israels, Chor: Und der Prophet Elias brach hervor, Chor: Wer bis an das Ende beharrt, Dank sei dir Gott, Denn er hat seinen Engeln, Der du deine Diener, Duett mit Chor: Wehe ihm, er muß sterben, Elias, gehe hinweg von hinnen, Hebe deine Augen auf, Herr, höre unser Gebet, Hilf Herr!, Hilf deinem Volk, Ist nicht des Herrn Wort wie ein Feuer, Kommt her, alles Volk / Herr Gott Abrahams, Nun auch der Bach vertrocknet ist, Ouvertüre, Quartett: Wohlan, alle, die ihr durstig seid, Rezetativ mit Chor: Der Herr hat dich, Rezitativ mit Chor: Seraphim standen über ihm / Heilig ist Gott, Rezitativ: Darum ward gesendet, Rezitativ: Du Mann Gottes, laß meine Rede, Rezitativ: Herr, es wird Nacht um mich, Rezitativ: Stehe auf, Elias, So ihr mich von ganzem Herzen suchet, So wahr der Herr, Was hast du an mir getan, Weh ihnen, dass sie von mir weichen, Wirf dein Anliegen auf den Herrn, Wohl dem, der den Herrn fürchtet, Zerreißet eure Herzen |
| Orchester der Vocapella |
performing orchestra |
Aber der Herr sieht es nicht, Arie: 'Höre, Israel, höre des Herrn Stimme', Arie: Dann werden die Gerechten leuchten, Arie: Es ist genug, so nimm nun, Herr, Arie: Sei stille dem Herrn, Arioso: Ja, es sollen Berge weichen, Baal, erhöre uns, Chor und Rezitativ: Gehe wiederum hinab!, Chor: Aber einer erwachet vor Mitternacht, Chor: Alsdann wird euer Licht hervorbrechen, Chor: Der Herr ging vorüber, Chor: Fürchte dich nicht, spricht unser Gott, Chor: Siehe, der Hüter Israels, Chor: Und der Prophet Elias brach hervor, Chor: Wer bis an das Ende beharrt, Dank sei dir Gott, Denn er hat seinen Engeln, Der du deine Diener, Duett mit Chor: Wehe ihm, er muß sterben, Elias, gehe hinweg von hinnen, Hebe deine Augen auf, Herr, höre unser Gebet, Hilf Herr!, Hilf deinem Volk, Ist nicht des Herrn Wort wie ein Feuer, Kommt her, alles Volk / Herr Gott Abrahams, Nun auch der Bach vertrocknet ist, Ouvertüre, Quartett: Wohlan, alle, die ihr durstig seid, Rezetativ mit Chor: Der Herr hat dich, Rezitativ mit Chor: Seraphim standen über ihm / Heilig ist Gott, Rezitativ: Darum ward gesendet, Rezitativ: Du Mann Gottes, laß meine Rede, Rezitativ: Herr, es wird Nacht um mich, Rezitativ: Stehe auf, Elias, So ihr mich von ganzem Herzen suchet, So wahr der Herr, Was hast du an mir getan, Weh ihnen, dass sie von mir weichen, Wirf dein Anliegen auf den Herrn, Wohl dem, der den Herrn fürchtet, Zerreißet eure Herzen |
| RIAS Kammerchor |
vocal |
Choralmotette, Op. 23 No. 3 "Mitten wir im Leben sind", Missa breve: "Kyrie eleison" - "Ehre sei Gott in der Höhe" - "Heilig, heilig, heilig", Motette, Op. 69 No. 1 "Herr, nun lässest du deinen Diener in Frieden fahren", Motette, Op. 69 No. 2 "Jauchzet dem Herrn alle Welt", Motette, Op. 69 No. 3 "Mein Herz erhebet Gott, den Herrn", Psalm 100 "Jauchzet dem Herrn alle Welt", Psalm 2, Op. 78 No. 1 "Warum toben die Heiden", Psalm 22, Op. 78 No. 3 "Mein Gott, warum hast du mich verlassen?", Psalm 43, Op. 78 No. 2 "Richte mich, Gott", Sechs Lieder im Freien zu singen, Op. 41: No. 1. Im Walde, Sechs Lieder im Freien zu singen, Op. 41: No. 2. Entflieh' mit mir, Sechs Lieder im Freien zu singen, Op. 41: No. 3. Es fiel ein Reif, Sechs Lieder im Freien zu singen, Op. 41: No. 4. Auf ihrem Grab, Sechs Lieder im Freien zu singen, Op. 41: No. 5. Mailied, Sechs Lieder im Freien zu singen, Op. 41: No. 6. Auf dem See, Sechs Lieder im Freien zu singen, Op. 48: No. 1. Frühlingsahnung, Sechs Lieder im Freien zu singen, Op. 48: No. 2. Die Primel, Sechs Lieder im Freien zu singen, Op. 48: No. 3. Frühlingsfeier, Sechs Lieder im Freien zu singen, Op. 48: No. 4. Lerchengesang, Sechs Lieder im Freien zu singen, Op. 48: No. 5. Morgengebet, Sechs Lieder im Freien zu singen, Op. 48: No. 6. Herbstlied, Sechs Lieder im Freien zu singen, Op. 59: No. 1. Im Grünen, Sechs Lieder im Freien zu singen, Op. 59: No. 2. Frühzeitiger Frühling, Sechs Lieder im Freien zu singen, Op. 59: No. 3. Abschied vom Walde, Sechs Lieder im Freien zu singen, Op. 59: No. 4. Die Nachtigall, Sechs Lieder im Freien zu singen, Op. 59: No. 5. Ruhetal, Sechs Lieder im Freien zu singen, Op. 59: No. 6. Jagdlied, Sechs Lieder, Op. 88: No. 1. Neujahrslied, Sechs Lieder, Op. 88: No. 2. Der Glückliche, Sechs Lieder, Op. 88: No. 3. Hirtenlied, Sechs Lieder, Op. 88: No. 4. Die Waldvögelein, Sechs Lieder, Op. 88: No. 5. Deutschland, Sechs Lieder, Op. 88: No. 6. Der wandernde Musikant, Vier Lieder, Op. 100: No. 1. Andenken, Vier Lieder, Op. 100: No. 2. Lob des Frühlings, Vier Lieder, Op. 100: No. 3. Frühlingslied, Vier Lieder, Op. 100: No. 4. Im Wald, Zum Abendsegen: "Herr, sei gnädig unserm Flehn" |
| London Symphony Orchestra |
performing orchestra |
Concerto pour violon No. 2 en mi mineur, Op. 64: I. Allegro molto appassionato, Concerto pour violon No. 2 en mi mineur, Op. 64: II. Andante, Concerto pour violon No. 2 en mi mineur, Op. 64: III. Allegro molto vivace, Das Märchen der Schönen Melusine - Overtüre, Die Hebriden - Overtüre, Elijah, op. 70: Part II, no. 40. Recitative (Soprano), Elijah, op. 70: Part II, no. 41. Chorus / No. 41a. Quartet, Elijah, op. 70: Part II, no. 42. Chorus, Introduction From Symphony No.4 'Italian', Overture: A Midsummer Night’s Dream, op. 21, Rondo Brilliant in E-flat major, op. 29, Symphonie No. 5, Op. 107, d-moll / in D minor: Andante, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: I. Maestoso con moto, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: II. Allegretto un poco agitato, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: III. Adagio religioso, Symphonie Nr. 2 "Lobgesang": 10. Allegro non troppo - Più vivace - Maestoso come I, Symphonie Nr. 2 "Lobgesang": 2. Cantate: I. Allegro moderato maestoso - Allegro di molto, Symphonie Nr. 2 "Lobgesang": 2. Cantate: II. Molto più moderato ma con fuoco, Symphonie Nr. 2 "Lobgesang": 3. I. Recitativo, Symphonie Nr. 2 "Lobgesang": 3. II. Allegro moderato, Symphonie Nr. 2 "Lobgesang": 4. Chor. A tempo moderato, Symphonie Nr. 2 "Lobgesang": 5. Andante, Symphonie Nr. 2 "Lobgesang": 6. Allegro un poco agitato - Allegro assai agitato - Tempo I moderato, Symphonie Nr. 2 "Lobgesang": 7. Allegro maestoso e molto vivace, Symphonie Nr. 2 "Lobgesang": 8. Choral. Andante con moto - Un poco più animato, Symphonie Nr. 2 "Lobgesang": 9. Andante sostenuto assai, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": I. Allegro vivace, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": II. Andante con moto, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": III. Con moto moderato, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": IV. Saltarello: Presto, Symphony no. 1 in C minor, op. 11: iii. Scherzo: Sempre pianissimo e leggiero (1829 London version third movement), The Hebrides, op. 26: Overture (Fingal’s Cave), Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante, Wedding March from "A Midsummer Night's Dream" |
| Württembergisches Kammerorchester Heilbronn |
performing orchestra |
Concerto for Violin, Piano and Strings in d, MWV O4 (1823): I. Allegro, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): II. Adagio, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): III. Allegro molto, Sinfonia for String Orchestra No. 10 in B minor (in one movement): Adagio, Allegro, Sinfonia for String Orchestra No. 11 in D minor: I. Adagio. Allegro molto, Sinfonia for String Orchestra No. 11 in D minor: II. Scherzo, Sinfonia for String Orchestra No. 11 in D minor: III. Adagio, Sinfonia for String Orchestra No. 11 in D minor: IV. Menuetto: Allegro moderato, Sinfonia for String Orchestra No. 11 in D minor: V. Allegro molto, Sinfonia for String Orchestra No. 12 in G minor: I. Grave. Allegro, Sinfonia for String Orchestra No. 12 in G minor: II. Andante, Sinfonia for String Orchestra No. 12 in G minor: III. Allegro, Sinfonia for String Orchestra No. 3 in E minor: I. Allegro di moto, Sinfonia for String Orchestra No. 3 in E minor: II. Andante, Sinfonia for String Orchestra No. 3 in E minor: III. Allegro, Sinfonia for String Orchestra No. 4 in C minor: I. Grave. Allegro, Sinfonia for String Orchestra No. 4 in C minor: II. Andante, Sinfonia for String Orchestra No. 4 in C minor: III. Allegro, Sinfonia for String Orchestra No. 5 in B-flat: I. Allegro vivace, Sinfonia for String Orchestra No. 5 in B-flat: II. Andante, Sinfonia for String Orchestra No. 5 in B-flat: III. Presto, Sinfonia for String Orchestra No. 6 in E-flat: I. Allegro, Sinfonia for String Orchestra No. 6 in E-flat: II. Menuetto, Sinfonia for String Orchestra No. 6 in E-flat: III. Prestissimo, Sinfonia for String Orchestra No. 7 in D minor: I. Allegro, Sinfonia for String Orchestra No. 7 in D minor: II. Andante, Sinfonia for String Orchestra No. 7 in D minor: III. Menuetto, Sinfonia for String Orchestra No. 7 in D minor: IV. Allegro molto, Sinfonia for String Orchestra No. 9 in C minor: I. Grave. Allegro, Sinfonia for String Orchestra No. 9 in C minor: II. Andante, Sinfonia for String Orchestra No. 9 in C minor: III. Scherzo, Sinfonia for String Orchestra No. 9 in C minor: IV. Allegro vivace, Weihnachtskantate "Vom Himmel hoch: IV. Arie "Sei willkommen" (Sopran) |
| Artis Quartett |
performer |
Capriccio Op.80 no. 3, Fuga Op.81 no. 4, String Quartet No. 2 in A minor, Op. 13: I. Adagio - Allegro Vivace, String Quartet No. 2 in A minor, Op. 13: II. Adagio Non Lento, String Quartet No. 2 in A minor, Op. 13: III. Intermezzo, String Quartet No. 2 in A minor, Op. 13: IV. Presto - Adagio Non Lento, String Quartet No. 6 in F minor, Op. 80: I. Allegro Assai, String Quartet No. 6 in F minor, Op. 80: II. Allegro Assai, String Quartet No. 6 in F minor, Op. 80: III. Adagio, String Quartet No. 6 in F minor, Op. 80: IV. Finale - Allegro Molto, String Quartet in B-flat major, Op.44 no.3: I. allegro vivace, String Quartet in B-flat major, Op.44 no.3: II. scherzo: assai leggiero vivace, String Quartet in B-flat major, Op.44 no.3: III. adagio non troppo, String Quartet in B-flat major, Op.44 no.3: IV. molto allegro con fuoco, String Quartet in E flat major, Op.12: I. Adagio-Allegro, String Quartet in E flat major, Op.12: II. Canzonetta Allegretto, String Quartet in E flat major, Op.12: III. Andante Espressivo, String Quartet in E flat major, Op.12: IV. Molto Allegro E Vivace, String Quartet in E flat major: I. Allegro Moderato, String Quartet in E flat major: II. Adagio Non Troppo, String Quartet in E flat major: III. Menuetto, String Quartet in E flat major: IV. Fuga, String Quartet in E major, Op 44 no.1: I. molto allegro vivace, String Quartet in E major, Op 44 no.1: II. menuetto. un poco allegro, String Quartet in E major, Op 44 no.1: III. andante espressivo con moto, String Quartet in E major, Op 44 no.1: IV. presto con brio, String Quartet in e minor, Op.44 No.2: I. Allegro Assai, String Quartet in e minor, Op.44 No.2: II. Scherzo, String Quartet in e minor, Op.44 No.2: III. Andante, String Quartet in e minor, Op.44 No.2: IV. Presto Agitato, String Quartet, Op.81 - andante: tema con variazione, Op. 81 no.1, String Quartet, Op.81 - scherzo: allegro leggiero, Op.81 no.2 |
| Barbara Bonney |
vocal |
12 Lieder Op. 8: VIII. Andres Maienlied, 12 Lieder Op. 9: I. Frage, 12 Lieder Op. 9: IX. Ferne, 12 Lieder Op. 9: V. Im Herbst, 12 Lieder Op. 9: VII. Sehnsucht, 12 Lieder Op. 9: VIII. Frühlingsglaube, 12 Lieder Op. 9: X. Verlust, 12 Lieder Op. 9: XII. Die Nonne, 12 Songs Op. 8: X. Romanze, 6 Lieder Op. 34: III. 'Frühlingslied', 6 Lieder Op. 57: III. Suleika, 6 Lieder Op. 71: II. 'Frühlingslied', 6 Lieder Op. 71: VI. Nachtlied, 6 Songs Op. 19a: III. Winterlied, 6 Songs Op. 19a: IV. Neue Liebe, 6 Songs Op. 34: IV. Suleika, 6 Songs Op. 34: No. 2 Auf Flügeln des Gesanges, 6 Songs Op. 34: V. Sonntagslied, 6 Songs Op. 47: III. 'Frühlingslied', 6 Songs Op. 47: V. Der Blumenstrau, 6 Songs Op. 47: VI. Bei der Wiege, 6 Songs Op. 86: III. Die Liebende schreibt, 6 Songs Op. 86: V. Der Mond, 6 Songs Op. 99: I. Erster Verlust, 6 Songs Op. 99: V. Wenn sich zwei Herzen scheiden, 6 Songs Op. 99: VI. Es wei, Pagenlied WoO, Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran) |
| Geoffrey Parsons (pianist) |
piano |
12 Lieder Op. 8: VIII. Andres Maienlied, 12 Lieder Op. 9: I. Frage, 12 Lieder Op. 9: IX. Ferne, 12 Lieder Op. 9: V. Im Herbst, 12 Lieder Op. 9: VII. Sehnsucht, 12 Lieder Op. 9: VIII. Frühlingsglaube, 12 Lieder Op. 9: X. Verlust, 12 Lieder Op. 9: XII. Die Nonne, 12 Songs Op. 8: X. Romanze, 3 Lieder Op. 84: III. Jagdlied, 6 Lieder Op. 34: III. 'Frühlingslied', 6 Lieder Op. 57: III. Suleika, 6 Lieder Op. 71: II. 'Frühlingslied', 6 Lieder Op. 71: VI. Nachtlied, 6 Lieder Op. 86: VI. Altdeutsches Frühlingslied, 6 Songs Op. 19a: III. Winterlied, 6 Songs Op. 19a: IV. Neue Liebe, 6 Songs Op. 34: IV. Suleika, 6 Songs Op. 34: No. 2 Auf Flügeln des Gesanges, 6 Songs Op. 34: V. Sonntagslied, 6 Songs Op. 47: III. 'Frühlingslied', 6 Songs Op. 47: V. Der Blumenstrau, 6 Songs Op. 47: VI. Bei der Wiege, 6 Songs Op. 86: III. Die Liebende schreibt, 6 Songs Op. 86: V. Der Mond, 6 Songs Op. 99: I. Erster Verlust, 6 Songs Op. 99: V. Wenn sich zwei Herzen scheiden, 6 Songs Op. 99: VI. Es wei, Pagenlied WoO |
| Stefan Johannes Bleicher |
organ |
Allegro in B-flat major, Allegro moderato maestoso in C major, Allegro, Chorale and Fugue in D minor, Andante alla marcia in B-flat major, Andante con moto in G minor, Andante in D major, Chorale with Variations on "Wie groß ist des Allmächt'gen Güte", Fantasia in G minor, Fughetta in A major, Fughetta in D major, Fugue and Trio in D minor, Fugue and Trio in G minor, Fugue in E minor, Fugue in F minor, Organ Sonatas, Op. 65 : No. 1 in F minor, Organ Sonatas, Op. 65 : No. 2 in C minor, Organ Sonatas, Op. 65 : No. 3 in A major, Organ Sonatas, Op. 65 : No. 4 in B-flat major, Organ Sonatas, Op. 65 : No. 5 in D major, Organ Sonatas, Op. 65 : No. 6 in D minor, Ostinato in C minor, Postlude in D major, Prelude in C minor, Prelude in D minor, Theme and Variations in D major, Three Preludes and Fugues, Op. 37: No. 1 in C minor, Three Preludes and Fugues, Op. 37: No. 2 in G major, Three Preludes and Fugues, Op. 37: No. 3 in D minor, Trio in F major |
| Jörg Faerber |
conductor |
Sinfonia for String Orchestra No. 10 in B minor (in one movement): Adagio, Allegro, Sinfonia for String Orchestra No. 11 in D minor: I. Adagio. Allegro molto, Sinfonia for String Orchestra No. 11 in D minor: II. Scherzo, Sinfonia for String Orchestra No. 11 in D minor: III. Adagio, Sinfonia for String Orchestra No. 11 in D minor: IV. Menuetto: Allegro moderato, Sinfonia for String Orchestra No. 11 in D minor: V. Allegro molto, Sinfonia for String Orchestra No. 12 in G minor: I. Grave. Allegro, Sinfonia for String Orchestra No. 12 in G minor: II. Andante, Sinfonia for String Orchestra No. 12 in G minor: III. Allegro, Sinfonia for String Orchestra No. 3 in E minor: I. Allegro di moto, Sinfonia for String Orchestra No. 3 in E minor: II. Andante, Sinfonia for String Orchestra No. 3 in E minor: III. Allegro, Sinfonia for String Orchestra No. 4 in C minor: I. Grave. Allegro, Sinfonia for String Orchestra No. 4 in C minor: II. Andante, Sinfonia for String Orchestra No. 4 in C minor: III. Allegro, Sinfonia for String Orchestra No. 5 in B-flat: I. Allegro vivace, Sinfonia for String Orchestra No. 5 in B-flat: II. Andante, Sinfonia for String Orchestra No. 5 in B-flat: III. Presto, Sinfonia for String Orchestra No. 6 in E-flat: I. Allegro, Sinfonia for String Orchestra No. 6 in E-flat: II. Menuetto, Sinfonia for String Orchestra No. 6 in E-flat: III. Prestissimo, Sinfonia for String Orchestra No. 7 in D minor: I. Allegro, Sinfonia for String Orchestra No. 7 in D minor: II. Andante, Sinfonia for String Orchestra No. 7 in D minor: III. Menuetto, Sinfonia for String Orchestra No. 7 in D minor: IV. Allegro molto, Sinfonia for String Orchestra No. 9 in C minor: I. Grave. Allegro, Sinfonia for String Orchestra No. 9 in C minor: II. Andante, Sinfonia for String Orchestra No. 9 in C minor: III. Scherzo, Sinfonia for String Orchestra No. 9 in C minor: IV. Allegro vivace |
| Hans-Christoph Rademann |
conductor |
Sechs Lieder im Freien zu singen, Op. 41: No. 1. Im Walde, Sechs Lieder im Freien zu singen, Op. 41: No. 2. Entflieh' mit mir, Sechs Lieder im Freien zu singen, Op. 41: No. 3. Es fiel ein Reif, Sechs Lieder im Freien zu singen, Op. 41: No. 4. Auf ihrem Grab, Sechs Lieder im Freien zu singen, Op. 41: No. 5. Mailied, Sechs Lieder im Freien zu singen, Op. 41: No. 6. Auf dem See, Sechs Lieder im Freien zu singen, Op. 48: No. 1. Frühlingsahnung, Sechs Lieder im Freien zu singen, Op. 48: No. 2. Die Primel, Sechs Lieder im Freien zu singen, Op. 48: No. 3. Frühlingsfeier, Sechs Lieder im Freien zu singen, Op. 48: No. 4. Lerchengesang, Sechs Lieder im Freien zu singen, Op. 48: No. 5. Morgengebet, Sechs Lieder im Freien zu singen, Op. 48: No. 6. Herbstlied, Sechs Lieder im Freien zu singen, Op. 59: No. 1. Im Grünen, Sechs Lieder im Freien zu singen, Op. 59: No. 2. Frühzeitiger Frühling, Sechs Lieder im Freien zu singen, Op. 59: No. 3. Abschied vom Walde, Sechs Lieder im Freien zu singen, Op. 59: No. 4. Die Nachtigall, Sechs Lieder im Freien zu singen, Op. 59: No. 5. Ruhetal, Sechs Lieder im Freien zu singen, Op. 59: No. 6. Jagdlied, Sechs Lieder, Op. 88: No. 1. Neujahrslied, Sechs Lieder, Op. 88: No. 2. Der Glückliche, Sechs Lieder, Op. 88: No. 3. Hirtenlied, Sechs Lieder, Op. 88: No. 4. Die Waldvögelein, Sechs Lieder, Op. 88: No. 5. Deutschland, Sechs Lieder, Op. 88: No. 6. Der wandernde Musikant, Vier Lieder, Op. 100: No. 1. Andenken, Vier Lieder, Op. 100: No. 2. Lob des Frühlings, Vier Lieder, Op. 100: No. 3. Frühlingslied, Vier Lieder, Op. 100: No. 4. Im Wald |
| Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) |
vocal |
Elijah: No. 1. "Help, Lord! Wilt thou quite destroy us?" (Chorus), Elijah: No. 10. "As God the Lord of Sabaoth liveth" (Elijah, Ahab, Chorus), Elijah: No. 11. "Baal, we cry to thee; hear and answer us!" (Chorus), Elijah: No. 12. "Call him louder, for he is a god!" (Elijah, Chorus), Elijah: No. 13. "Call him louder! He heareth not!" (Elijah, Chorus), Elijah: No. 15. "Cast thy burden upon the Lord" (Chorus), Elijah: No. 16. "O Thou, who makest Thine angels Spirits" (Elijah, Chorus), Elijah: No. 2. "Lord! Bow Thine ear to our prayer!" (Chorus, Soprano, Alto), Elijah: No. 20. "Thanks be to God!" (Chorus), Elijah: No. 22. "Be not afraid, saith God the Lord" (Chorus), Elijah: No. 23. "The Lord hath exalted thee" (Elijah, The Queen, Chorus), Elijah: No. 24. "Woe to him, he shall perish" (Chorus), Elijah: No. 28. "Lift thine eyes to the mountains" (Chorus), Elijah: No. 29. "He, watching over Israel, slumbers not" (Chorus), Elijah: No. 32. "He that shall endure to the end, shall be saved" (Chorus), Elijah: No. 34. "Behold! God the Lord passed by!" (Chorus), Elijah: No. 35. "Above him stood the Seraphim" (Contralto, Chorus), Elijah: No. 36. "Go, return upon thy way" (Chorus, Elijah), Elijah: No. 38. "Then did Elijah the prophet break forth" (Chorus), Elijah: No. 41. "But the Lord, from the north hath raised one" (Chorus), Elijah: No. 42. "And then shall your light break forth" (Chorus), Elijah: No. 5. "Yet doth the Lord see it not" (Chorus), Elijah: No. 7. "For He shall give His angels charge over thee" (Semi-Chorus), Elijah: No. 9. "Blessed are the men who fear Him" (Chorus) |
| Horst Neumann (choir master and conductor) |
conductor |
6 Lieder, opus 48: Die Primel, 6 Lieder, opus 48: Frühlingsahnung, 6 Lieder, opus 48: Frühlingsfeier, 6 Lieder, opus 48: Lerchengesang, 6 Lieder, opus 88: Der Glückliche, 6 Lieder, opus 88: Der wandernde Musikant, 6 Lieder, opus 88: Die Waldvögelein, 6 Lieder, opus 88: Neujahrslied, Abschied vom Walde, op. 59, Auf dem See, op. 41, Auf ihrem Grab, op. 41, Der Jäger Abschied, op. 50, Der frohe Wandersmann, op. 75, Die Nachtigall, op. 59, Entflieh mit mir und sei mein Weib, op. 41, Es fiel ein Reif, op. 41, Frühzeitiger Frühling, op. 59, Im Walde, op. 41, Jagdlied, op. 59, Lob des Frühlings, op. 100, Mailied, op. 41, Sommerlied, op. 50, Wasserfahrt, op. 50 |
| Boston Symphony Orchestra |
performing orchestra |
A Midsummer Night's Dream, Op. 61 No. 10a: Prologue, A Midsummer Night's Dream, Op. 61 No. 10b: Marcia funebre. Allegro comodo, A Midsummer Night's Dream, Op. 61 No. 11: Dance of the Clowns, A Midsummer Night's Dream, Op. 61 No. 12: Allegro vivace come 1, A Midsummer Night's Dream, Op. 61 No. 1: Scherzo - Allegro vivace, A Midsummer Night's Dream, Op. 61 No. 2: L'istesso tempo, A Midsummer Night's Dream, Op. 61 No. 3: Song with Chorus "Bunte Schlangen, zweigezüngt". Allegro ma non troppo, A Midsummer Night's Dream, Op. 61 No. 4: The Speels. Andante - Allegro molto, A Midsummer Night's Dream, Op. 61 No. 5: Intermezzo. Allegro appassionato, A Midsummer Night's Dream, Op. 61 No. 7: Notturno, A Midsummer Night's Dream, Op. 61 No. 8: Melodram. Andante, A Midsummer Night's Dream, Op. 61 No. 9: Wedding March. Allegro vivace, A Midsummer Night's Dream, Op. 61: Finale "Bei des Feuers mattem Flimmern", A Midsummer Night's Dream, Op. 61: March of the Fairies. Allegro vivace, A Midsummer Night's Dream: March of the Fairies, A Midsummer Night's Dream: You Spotted Snakes, Overture "A Midsummer Night's Dream", Op. 21, Symphony No. 4, "Italian": IV. Saltarello. Presto (extract), Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo |
| Morten Winding |
producer |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: I. Kyrie eleison. Andante sostenuto, Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Die deutsche Liturgie: III. Heilig. Con moto, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 2. Der dreiundvierzigste Psalm "Richte mich, Gott", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante, Hear my prayer: II. O for the wings of a dove! Con un poco più di moto, Laudate pueri, Op. 39 No. 2: I. Chor. Allegro moderato assai, Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio, Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: I. Weihnachten. Allegro moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: II. Am Neujahrstage. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: III. Am Himmelfahrtstage. Allegro maestoso e moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio, Sechs Sprüche für das Kirchenjahr, Op. 79: V. Im Advent. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: VI. Am Charfreitage. Sostenuto e grave |
| 小澤征爾 (conductor) |
conductor |
A Midsummer Night's Dream, Op. 61 No. 10a: Prologue, A Midsummer Night's Dream, Op. 61 No. 10b: Marcia funebre. Allegro comodo, A Midsummer Night's Dream, Op. 61 No. 11: Dance of the Clowns, A Midsummer Night's Dream, Op. 61 No. 12: Allegro vivace come 1, A Midsummer Night's Dream, Op. 61 No. 1: Scherzo - Allegro vivace, A Midsummer Night's Dream, Op. 61 No. 2: L'istesso tempo, A Midsummer Night's Dream, Op. 61 No. 3: Song with Chorus "Bunte Schlangen, zweigezüngt". Allegro ma non troppo, A Midsummer Night's Dream, Op. 61 No. 4: The Speels. Andante - Allegro molto, A Midsummer Night's Dream, Op. 61 No. 5: Intermezzo. Allegro appassionato, A Midsummer Night's Dream, Op. 61 No. 7: Notturno, A Midsummer Night's Dream, Op. 61 No. 8: Melodram. Andante, A Midsummer Night's Dream, Op. 61 No. 9: Wedding March. Allegro vivace, A Midsummer Night's Dream, Op. 61: Finale "Bei des Feuers mattem Flimmern", A Midsummer Night's Dream, Op. 61: March of the Fairies. Allegro vivace, A Midsummer Night's Dream: March of the Fairies, A Midsummer Night's Dream: You Spotted Snakes, Overture "A Midsummer Night's Dream", Op. 21, Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo |
| Richard Marlow |
conductor |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: I. Kyrie eleison. Andante sostenuto, Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Die deutsche Liturgie: III. Heilig. Con moto, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 2. Der dreiundvierzigste Psalm "Richte mich, Gott", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante, Hear my prayer: II. O for the wings of a dove! Con un poco più di moto, Laudate pueri, Op. 39 No. 2: I. Chor. Allegro moderato assai, Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio, Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: I. Weihnachten. Allegro moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: II. Am Neujahrstage. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: III. Am Himmelfahrtstage. Allegro maestoso e moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio, Sechs Sprüche für das Kirchenjahr, Op. 79: V. Im Advent. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: VI. Am Charfreitage. Sostenuto e grave |
| Simon Eadon |
editor, sound |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: I. Kyrie eleison. Andante sostenuto, Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Die deutsche Liturgie: III. Heilig. Con moto, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 2. Der dreiundvierzigste Psalm "Richte mich, Gott", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante, Hear my prayer: II. O for the wings of a dove! Con un poco più di moto, Laudate pueri, Op. 39 No. 2: I. Chor. Allegro moderato assai, Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio, Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: I. Weihnachten. Allegro moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: II. Am Neujahrstage. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: III. Am Himmelfahrtstage. Allegro maestoso e moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio, Sechs Sprüche für das Kirchenjahr, Op. 79: V. Im Advent. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: VI. Am Charfreitage. Sostenuto e grave |
| Arthur Hannes |
vocal |
A Midsummer Night's Dream, op. 61: Scherzo, A Midsummer Night's Dream, op. 61: Wedding March, Bach: St. Mathew Passion - Chorale, Concerto for 2 Pianos in A-flat major: Allegro vivace - Presto, Hebrides Overture, op. 26 "Fingal's Cave", Octet in E-flat major, op. 20: Scherzo, On Wings of Song, op. 34 no. 2, Overture to "Ruy Blas", Overture to 'A Midsummer Night's Dream', Overture to 'Calm Sea and Prosperous Voyage', Piano Concerto no. 1 in G minor, op. 25: Molto allegro con fuoco, Song Without Words no, 23 in C major, op. 67 no. 4 "Spinning Song", Song Without Words no. 30 in A major, op. 62 no. 6 "Spring Song", St. Paul, op. 36: Dir Herr, dir will ich michs Ergeben, Symphony no. 3 in A minor, op. 56 "Scottish": Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 "Scottish": Vivace non troppo, Symphony no. 4 in A major, op. 90 "Italian": Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": Con molto moderato, Symphony no. 4 in A major, op. 90 "Italian": Saltarello. Presto, Violin Concerto in E minor, op. 63: Allegretto non troppo |
| Choir of Trinity College (Cambridge) |
vocal |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: I. Kyrie eleison. Andante sostenuto, Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Die deutsche Liturgie: III. Heilig. Con moto, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 2. Der dreiundvierzigste Psalm "Richte mich, Gott", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante, Hear my prayer: II. O for the wings of a dove! Con un poco più di moto, Laudate pueri, Op. 39 No. 2: I. Chor. Allegro moderato assai, Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio, Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: I. Weihnachten. Allegro moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: II. Am Neujahrstage. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: III. Am Himmelfahrtstage. Allegro maestoso e moderato, Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio, Sechs Sprüche für das Kirchenjahr, Op. 79: V. Im Advent. Andante, Sechs Sprüche für das Kirchenjahr, Op. 79: VI. Am Charfreitage. Sostenuto e grave |
| Scottish Chamber Orchestra |
performing orchestra |
A Midsummer Night's Dream: I. Overture, A Midsummer Night's Dream: II. Scherzo, A Midsummer Night's Dream: III. Intermezzo, A Midsummer Night's Dream: IV. Nocturne, A Midsummer Night's Dream: V. Wedding March, A Midsummer Night's Dream: VI. Bergamask Dance, Concerto in E minor for Violin and Orchestra, Op. 64: I. Allegro molto appassionato (attacca), Concerto in E minor for Violin and Orchestra, op. 64: I. Allegro molto appassionato (attacca), Concerto in E minor for Violin and Orchestra, op. 64: II. Andante, Concerto in E minor for Violin and Orchestra, op. 64: III. Allegro molto vivace, Hebrides, Op. 26: Overture "Fingal's Cave", Symphony no. 3 in A-minor "Scottish": I. Andante con molto - Allegro un poco agitato, Symphony no. 3 in A-minor "Scottish": II. Vivace non troppo, Symphony no. 3 in A-minor "Scottish": III. Adagio, Symphony no. 3 in A-minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, The Hebrides, op. 26, Violin Concerto no. 2 in E-minor: I. Allegro molto appassionato - Presto, Violin Concerto no. 2 in E-minor: II. Andante - Allegretto non troppo, Violin Concerto no. 2 in E-minor: III. Allegretto non troppo - Allegro molto vivace |
| Northern Chamber Orchestra |
performing orchestra |
Symphony No. 1 in C major: I. Allegro, Symphony No. 1 in C major: II. Andante, Symphony No. 1 in C major: III. Allegro, Symphony No. 2 in D major: I. Allegro, Symphony No. 2 in D major: II. Andante, Symphony No. 2 in D major: III. Allegro vivace, Symphony No. 3 in E minor: I. Allegro di molto, Symphony No. 3 in E minor: II. Andante, Symphony No. 3 in E minor: III. Allegro, Symphony No. 4 in C minor: I. Grave - Allegro, Symphony No. 4 in C minor: II. Andante, Symphony No. 4 in C minor: III. Allegro vivace, Symphony No. 5 in B-flat major: I. Allegro vivace, Symphony No. 5 in B-flat major: II. Andante, Symphony No. 5 in B-flat major: III. Presto, Symphony No. 6 in E-flat major: I. Allegro, Symphony No. 6 in E-flat major: II. Menuetto - Trio I - Menuetto - Trio II, Symphony No. 6 in E-flat major: III. Prestissimo |
| Nicholas Ward |
conductor |
Symphony No. 1 in C major: I. Allegro, Symphony No. 1 in C major: II. Andante, Symphony No. 1 in C major: III. Allegro, Symphony No. 2 in D major: I. Allegro, Symphony No. 2 in D major: II. Andante, Symphony No. 2 in D major: III. Allegro vivace, Symphony No. 3 in E minor: I. Allegro di molto, Symphony No. 3 in E minor: II. Andante, Symphony No. 3 in E minor: III. Allegro, Symphony No. 4 in C minor: I. Grave - Allegro, Symphony No. 4 in C minor: II. Andante, Symphony No. 4 in C minor: III. Allegro vivace, Symphony No. 5 in B-flat major: I. Allegro vivace, Symphony No. 5 in B-flat major: II. Andante, Symphony No. 5 in B-flat major: III. Presto, Symphony No. 6 in E-flat major: I. Allegro, Symphony No. 6 in E-flat major: II. Menuetto - Trio I - Menuetto - Trio II, Symphony No. 6 in E-flat major: III. Prestissimo |
| Ullrich Böhme |
organ |
Sonate A-Dur op. 65 Nr. 3: I. Con moto maestoso (Choral "Aus tiefer Not Schrei ich zu dir"), Sonate A-Dur op. 65 Nr. 3: II. Andante tranquillo, Sonate B-Dur op. 65 Nr. 4: I. Allegro con brio, Sonate B-Dur op. 65 Nr. 4: II. Andante religioso, Sonate B-Dur op. 65 Nr. 4: III. Allegretto, Sonate B-Dur op. 65 Nr. 4: IV. Allegro maestoso e vivace, Sonate D-Dur op. 65 Nr. 5. III. Allegro maestoso, Sonate D-Dur op. 65 Nr. 5: I. Andante, Sonate D-Dur op. 65 Nr. 5: II. Andante con moto, Sonate c-moll op. 65 Nr. 2: I. Grave / Adagio, Sonate c-moll op. 65 Nr. 2: II. Allegro maestoso e vivace, Sonate c-moll op. 65 Nr. 2: III. Fuga. Allegro moderato, Sonate d-moll op. 65 Nr. 6 über "Vater unser im Himmelreich": I. Choral. Andante sostenuto - Allegro molto, Sonate d-moll op. 65 Nr. 6 über "Vater unser im Himmelreich": II. Fuga. Sostenuto e legato, Sonate d-moll op. 65 Nr. 6 über "Vater unser im Himmelreich": III. Finale. Andante, Sonate f-moll op. 65 Nr. 1: I. Allegro moderato e serioso (Choral "Was mein Gott will, das gscheh allzeit"), Sonate f-moll op. 65 Nr. 1: II. Adagio, Sonate f-moll op. 65 Nr. 1: III. Andante Recit. - Allegro assai vivace |
| Franco Rossi |
cello |
Piano & Strings Quartet No. 2 in F minor, Op. 2: I. Allegro molto, Piano & Strings Quartet No. 2 in F minor, Op. 2: II. Adagio, Piano & Strings Quartet No. 2 in F minor, Op. 2: III. Intermezzo: Allegro moderato, Piano & Strings Quartet No. 2 in F minor, Op. 2: IV. Allegro molto vivace, Piano & Strings Quartet No. 3 in B minor, Op. 3: I. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: II. Andante, Piano & Strings Quartet No. 3 in B minor, Op. 3: III. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: IV. Allegro vivace, Piano Quartet No. 1, Op. 1: I. Allegro vivace, Piano Quartet No. 1, Op. 1: II. Adagio, Piano Quartet No. 1, Op. 1: III. Scherzo, Presto, Piano Quartet No. 1, Op. 1: IV. Allegro moderato, Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| Alfred Scholz |
conductor |
Marcha nupcial, Symphonie No. 5, Op. 107, d-moll / in D minor: Andante, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": I. Allegro vivace, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": II. Andante con moto, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": III. Con moto moderato, Symphonie Nr. 4 in A-Dur, Op. 90 "Italienische": IV. Saltarello: Presto, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in A minor: I. Andante con moto - Allegro un poco agitato, Symphony No. 3 in A minor: II. Vivace non troppo, Symphony No. 3 in A minor: III. Adagio cantabile, Symphony No. 3 in A minor: IV. Allegro vivacissimo. Allegro maestoso assai, Symphony No. 4 in A Major 'Italian', op. 90: Saltarello: Presto / Song Without Words, op. 62 no. 3: Andante maestoso, Wedding March: Hochzeitsmarsch |
| Pier Narciso Masi |
piano |
Piano & Strings Quartet No. 2 in F minor, Op. 2: I. Allegro molto, Piano & Strings Quartet No. 2 in F minor, Op. 2: II. Adagio, Piano & Strings Quartet No. 2 in F minor, Op. 2: III. Intermezzo: Allegro moderato, Piano & Strings Quartet No. 2 in F minor, Op. 2: IV. Allegro molto vivace, Piano & Strings Quartet No. 3 in B minor, Op. 3: I. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: II. Andante, Piano & Strings Quartet No. 3 in B minor, Op. 3: III. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: IV. Allegro vivace, Piano Quartet No. 1, Op. 1: I. Allegro vivace, Piano Quartet No. 1, Op. 1: II. Adagio, Piano Quartet No. 1, Op. 1: III. Scherzo, Presto, Piano Quartet No. 1, Op. 1: IV. Allegro moderato, Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| Matthias Buchholz |
viola |
Piano & Strings Quartet No. 2 in F minor, Op. 2: I. Allegro molto, Piano & Strings Quartet No. 2 in F minor, Op. 2: II. Adagio, Piano & Strings Quartet No. 2 in F minor, Op. 2: III. Intermezzo: Allegro moderato, Piano & Strings Quartet No. 2 in F minor, Op. 2: IV. Allegro molto vivace, Piano & Strings Quartet No. 3 in B minor, Op. 3: I. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: II. Andante, Piano & Strings Quartet No. 3 in B minor, Op. 3: III. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: IV. Allegro vivace, Piano Quartet No. 1, Op. 1: I. Allegro vivace, Piano Quartet No. 1, Op. 1: II. Adagio, Piano Quartet No. 1, Op. 1: III. Scherzo, Presto, Piano Quartet No. 1, Op. 1: IV. Allegro moderato, Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| Bartholdy Piano Quartet |
performer |
Piano & Strings Quartet No. 2 in F minor, Op. 2: I. Allegro molto, Piano & Strings Quartet No. 2 in F minor, Op. 2: II. Adagio, Piano & Strings Quartet No. 2 in F minor, Op. 2: III. Intermezzo: Allegro moderato, Piano & Strings Quartet No. 2 in F minor, Op. 2: IV. Allegro molto vivace, Piano & Strings Quartet No. 3 in B minor, Op. 3: I. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: II. Andante, Piano & Strings Quartet No. 3 in B minor, Op. 3: III. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: IV. Allegro vivace, Piano Quartet No. 1, Op. 1: I. Allegro vivace, Piano Quartet No. 1, Op. 1: II. Adagio, Piano Quartet No. 1, Op. 1: III. Scherzo, Presto, Piano Quartet No. 1, Op. 1: IV. Allegro moderato, Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| Jörg-Wolfgang Jahn |
violin |
Piano & Strings Quartet No. 2 in F minor, Op. 2: I. Allegro molto, Piano & Strings Quartet No. 2 in F minor, Op. 2: II. Adagio, Piano & Strings Quartet No. 2 in F minor, Op. 2: III. Intermezzo: Allegro moderato, Piano & Strings Quartet No. 2 in F minor, Op. 2: IV. Allegro molto vivace, Piano & Strings Quartet No. 3 in B minor, Op. 3: I. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: II. Andante, Piano & Strings Quartet No. 3 in B minor, Op. 3: III. Allegro molto, Piano & Strings Quartet No. 3 in B minor, Op. 3: IV. Allegro vivace, Piano Quartet No. 1, Op. 1: I. Allegro vivace, Piano Quartet No. 1, Op. 1: II. Adagio, Piano Quartet No. 1, Op. 1: III. Scherzo, Presto, Piano Quartet No. 1, Op. 1: IV. Allegro moderato, Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| Jaime Laredo (violinist & conductor) |
conductor, violin |
A Midsummer Night's Dream: I. Overture, A Midsummer Night's Dream: II. Scherzo, A Midsummer Night's Dream: III. Intermezzo, A Midsummer Night's Dream: IV. Nocturne, A Midsummer Night's Dream: V. Wedding March, A Midsummer Night's Dream: VI. Bergamask Dance, Concerto in E minor for Violin and Orchestra, op. 64: I. Allegro molto appassionato (attacca), Concerto in E minor for Violin and Orchestra, op. 64: II. Andante, Concerto in E minor for Violin and Orchestra, op. 64: III. Allegro molto vivace, Hebrides, Op. 26: Overture "Fingal's Cave", Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Claudio Abbado |
conductor |
Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: I. Maestoso con moto, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: II. Allegretto un poco agitato, Symphonie Nr. 2 "Lobgesang": 1. Sinfonia: III. Adagio religioso, Symphonie Nr. 2 "Lobgesang": 10. Allegro non troppo - Più vivace - Maestoso come I, Symphonie Nr. 2 "Lobgesang": 2. Cantate: I. Allegro moderato maestoso - Allegro di molto, Symphonie Nr. 2 "Lobgesang": 2. Cantate: II. Molto più moderato ma con fuoco, Symphonie Nr. 2 "Lobgesang": 3. I. Recitativo, Symphonie Nr. 2 "Lobgesang": 3. II. Allegro moderato, Symphonie Nr. 2 "Lobgesang": 4. Chor. A tempo moderato, Symphonie Nr. 2 "Lobgesang": 5. Andante, Symphonie Nr. 2 "Lobgesang": 6. Allegro un poco agitato - Allegro assai agitato - Tempo I moderato, Symphonie Nr. 2 "Lobgesang": 7. Allegro maestoso e molto vivace, Symphonie Nr. 2 "Lobgesang": 8. Choral. Andante con moto - Un poco più animato, Symphonie Nr. 2 "Lobgesang": 9. Andante sostenuto assai |
| Andreas Groethuysen |
piano |
Andante and Allegro brillant in A Major, Op. 92, Andante and Variations in B-flat Major, Op. 83a, Octet for violins, violas & cellos, op. 20: I. Allegro con fuoco mo moderato (arr. for piano duet by the composer), Octet for violins, violas & cellos, op. 20: II. Andante (arr. for piano duet by the composer), Octet for violins, violas & cellos, op. 20: III. Scherzo, allegro leggiero (arr. for piano duet by the composer), Octet for violins, violas & cellos, op. 20: IV. Presto (arr. for piano duet by the composer), Piano Trio No. 2 in C minor, op. 66: I. Allegro energico e con fuoco, Piano Trio No. 2 in C minor, op. 66: II. Andante espressivo, Piano Trio No. 2 in C minor, op. 66: III. Scherzo. Molto allegro quasi presto, Piano Trio No. 2 in C minor, op. 66: IV. Finale. Allegro appassionato, Symphony no. 1, op. 11: I. Molto allegro et vivace (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: II. Andante con moto (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: III. Intermezzo (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: IV. Finale, allegro vivace (arr. for piano duet, violin & cello by the composer) |
| Yaara Tal |
piano |
Andante and Allegro brillant in A Major, Op. 92, Andante and Variations in B-flat Major, Op. 83a, Octet for violins, violas & cellos, op. 20: I. Allegro con fuoco mo moderato (arr. for piano duet by the composer), Octet for violins, violas & cellos, op. 20: II. Andante (arr. for piano duet by the composer), Octet for violins, violas & cellos, op. 20: III. Scherzo, allegro leggiero (arr. for piano duet by the composer), Octet for violins, violas & cellos, op. 20: IV. Presto (arr. for piano duet by the composer), Piano Trio No. 2 in C minor, op. 66: I. Allegro energico e con fuoco, Piano Trio No. 2 in C minor, op. 66: II. Andante espressivo, Piano Trio No. 2 in C minor, op. 66: III. Scherzo. Molto allegro quasi presto, Piano Trio No. 2 in C minor, op. 66: IV. Finale. Allegro appassionato, Symphony no. 1, op. 11: I. Molto allegro et vivace (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: II. Andante con moto (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: III. Intermezzo (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: IV. Finale, allegro vivace (arr. for piano duet, violin & cello by the composer) |
| Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) |
performing orchestra |
A Midsummer Night's Dream Suite: Dance of the Clowns, A Midsummer Night's Dream Suite: Nocturne, A Midsummer Night's Dream Suite: Scherzo, A Midsummer Night's Dream Suite: Wedding March, Overture to “A Midsummer Night’s Dream”, op. 21, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in A minor: I. Andante con moto - Allegro un poco agitato, Symphony No. 3 in A minor: II. Vivace non troppo, Symphony No. 3 in A minor: III. Adagio cantabile, Symphony No. 3 in A minor: IV. Allegro vivacissimo. Allegro maestoso assai |
| Stephen Kennedy (choir director of the Christ Church Schola Cantorum) |
conductor, pipe organ |
Allegro in B-Flat Major, MWV W47, Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: Choral, "Ob bei uns ist der Sünden viel", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: I. Choral, "Aus teifer Noth", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: II. Fuga, "Aus teifer Noth", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: III. Aria, "Bei dir gilt nichts den Gnad' und Gunst", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: IV. Choral, "Und ob es w"ahrt bis in die Nacht", Sechs Sprüche, Op. 79, Spruch No. 1: Weihnachten, MWV B42, Sechs Sprüche, Op. 79, Spruch No. 2: Am Neujahrstage, MWV B44, Sechs Sprüche, Op. 79, Spruch No. 3: MWV B55, Sechs Sprüche, Op. 79, Spruch No. 4: In der Passionszeit, MWV B50, Sechs Sprüche, Op. 79, Spruch No. 5: Im Advent, MWV B54, Sechs Sprüche, Op. 79, Spruch No. 6: Am Charfreitage, MWV B52, Verleih uns Frieden, MWV A11 |
| London Philharmonic Orchestra |
performing orchestra |
A Midsummer Night's Dream: I. Overture, A Midsummer Night's Dream: II. Scherzo, A Midsummer Night's Dream: III. Intermezzo, A Midsummer Night's Dream: IV. Nocturne, A Midsummer Night's Dream: V. Wedding March, Romance Andante, Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto (London Philharmonic Orchestra feat. conductor: Semyon Bychkov), Symphonie Nr. 4: 2. Andante con moto, Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio, Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai, Violinkonzert e-moll, Op. 64: 2. Andante |
| Christ Church Schola Cantorum |
vocal |
Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: Choral, "Ob bei uns ist der Sünden viel", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: I. Choral, "Aus teifer Noth", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: II. Fuga, "Aus teifer Noth", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: III. Aria, "Bei dir gilt nichts den Gnad' und Gunst", Aus tiefer Noth schrei ich zu dir, Op. 23 No. 1, MWV B20: IV. Choral, "Und ob es w"ahrt bis in die Nacht", Sechs Sprüche, Op. 79, Spruch No. 1: Weihnachten, MWV B42, Sechs Sprüche, Op. 79, Spruch No. 2: Am Neujahrstage, MWV B44, Sechs Sprüche, Op. 79, Spruch No. 3: MWV B55, Sechs Sprüche, Op. 79, Spruch No. 4: In der Passionszeit, MWV B50, Sechs Sprüche, Op. 79, Spruch No. 5: Im Advent, MWV B54, Sechs Sprüche, Op. 79, Spruch No. 6: Am Charfreitage, MWV B52, Verleih uns Frieden, MWV A11 |
| Frieder Bernius |
conductor |
Der 115. Psalm, Op. 31 "Nicht unserm Namen, Herr": IV. Coro "Die Toten werden dich nicht loben", Der 42. Psalm, Op. 42 "Wie der Hirsch schreit": II. Aria "Meine Seele dürstet" (Sopran), Der 43. Psalm, Op. 78 No. 2 "Richte mich Gott", Der 95. Psalm, Op. 46 "Kommt, lasst uns anbeten": II. "Kommet herzu", Elias, Op. 70: Teil II, No. 28. Terzett "Hebe deine Augen auf", Elias, Op. 70: Teil II, No. 37. Arioso "Ja, es sollen wohl Berge weichen" (Elias), Elias, Op. 70: Teil II, No. 38. Chor "Und der Prophet Elias brach hervor", Gloria in Es: I. "Gloria in excelsis Deo", Motette "Denn er hat seinen Engeln befohlen", Paulus, Op. 36: Teil I, No. 14. Rezitativ mit Chor "Und als er auf dem Weg war" - "Saul, was verfolgst du mich", Sinfonie-Kantate "Lobgesang", Op. 52: Ib. Allegretto un poco agitato, Weihnachtskantate "Vom Himmel hoch: IV. Arie "Sei willkommen" (Sopran) |
| Gert Frischmuth |
chorus master |
Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor) |
| Hans Vonk |
conductor |
Die Hebriden: Ouvertüre, Ein Sommernachtstraum: Elfenlied, Ein Sommernachtstraum: Elfenmarsch, Ein Sommernachtstraum: Finale, Ein Sommernachtstraum: Hochzeitsmarsch, Ein Sommernachtstraum: Intermezzo, Ein Sommernachtstraum: Marcia funebre, Ein Sommernachtstraum: Notturno, Ein Sommernachtstraum: Ouvertüre, Ein Sommernachtstraum: Rüpeltanz, Ein Sommernachtstraum: Scherzo |
| WDR Sinfonieorchester Köln |
performing orchestra |
Die Hebriden: Ouvertüre, Ein Sommernachtstraum: Elfenlied, Ein Sommernachtstraum: Elfenmarsch, Ein Sommernachtstraum: Finale, Ein Sommernachtstraum: Hochzeitsmarsch, Ein Sommernachtstraum: Intermezzo, Ein Sommernachtstraum: Marcia funebre, Ein Sommernachtstraum: Notturno, Ein Sommernachtstraum: Ouvertüre, Ein Sommernachtstraum: Rüpeltanz, Ein Sommernachtstraum: Scherzo |
| Hans Fagius |
pipe organ |
Sonata no. 1 in F minor for Organ, op. 65: I. Allegro moderato e serioso, Sonata no. 1 in F minor for Organ, op. 65: II. Adagio, Sonata no. 1 in F minor for Organ, op. 65: III. Andante, Sonata no. 1 in F minor for Organ, op. 65: IV. Allegro assai vivace, Sonata no. 4 in B-flat major for Organ, op. 65: I. Allegro con brio, Sonata no. 4 in B-flat major for Organ, op. 65: II. Andante religioso, Sonata no. 4 in B-flat major for Organ, op. 65: III. Allegretto, Sonata no. 4 in B-flat major for Organ, op. 65: IV. Allegro maestoso e vivace, Three Preludes and Fugues for Organ, op. 37: I. Prelude and Fugue in C minor, Three Preludes and Fugues for Organ, op. 37: II. Prelude and Fugue in G major, Three Preludes and Fugues for Organ, op. 37: III. Prelude and Fugue in D minor |
| Matthew Glandorf |
conductor |
Symphony no. 2, "Lobgesang": I. Sinfonia, Symphony no. 2, "Lobgesang": II. Coro e Soprano: Alles was Odem Hat Lobe den Herrn, meine Seele, Symphony no. 2, "Lobgesang": III. Recitative e Tenor Solo: Saget es, die ihr erlöst seid durch den Herrn / Er zählet unsre Tränen in der Zeit der Not, Symphony no. 2, "Lobgesang": IV. Coro: Saget es, die ihr erlöset seid, Symphony no. 2, "Lobgesang": IX. Soprano e Tenor: Drum sing ich mit meinem Liede, Symphony no. 2, "Lobgesang": Ib. Sinfonia, Symphony no. 2, "Lobgesang": V. Solo e Coro: Ich harrete des Herrn, Symphony no. 2, "Lobgesang": VI. Tenor e Soprano Solo: Stricke des Todes, Symphony no. 2, "Lobgesang": VII. Coro: Die Nacht ist vergangen, Symphony no. 2, "Lobgesang": VIII. Coro: Nun danket alle Gott, Symphony no. 2, "Lobgesang": X. Coro: Ihr Völker! bringet her dem Herrn |
| Marcus Creed |
conductor |
Choralmotette, Op. 23 No. 3 "Mitten wir im Leben sind", Missa breve: "Kyrie eleison" - "Ehre sei Gott in der Höhe" - "Heilig, heilig, heilig", Motette, Op. 69 No. 1 "Herr, nun lässest du deinen Diener in Frieden fahren", Motette, Op. 69 No. 2 "Jauchzet dem Herrn alle Welt", Motette, Op. 69 No. 3 "Mein Herz erhebet Gott, den Herrn", Psalm 100 "Jauchzet dem Herrn alle Welt", Psalm 2, Op. 78 No. 1 "Warum toben die Heiden", Psalm 22, Op. 78 No. 3 "Mein Gott, warum hast du mich verlassen?", Psalm 43, Op. 78 No. 2 "Richte mich, Gott", Zum Abendsegen: "Herr, sei gnädig unserm Flehn" |
| George Szell |
conductor |
Incidental Music to A Midsummer Night’s Dream, op. 61: I. Overture, Incidental Music to A Midsummer Night’s Dream, op. 61: II. Scherzo, Incidental Music to A Midsummer Night’s Dream, op. 61: III. Nocturne, Incidental Music to A Midsummer Night’s Dream, op. 61: IV. Intermezzo, Incidental Music to A Midsummer Night’s Dream, op. 61: V. Wedding March, Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace, Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto, Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato, Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto, The Hebrides Overture, op. 26 “Fingal’s Cave” |
| The Cleveland Orchestra |
performing orchestra |
Incidental Music to A Midsummer Night’s Dream, op. 61: I. Overture, Incidental Music to A Midsummer Night’s Dream, op. 61: II. Scherzo, Incidental Music to A Midsummer Night’s Dream, op. 61: III. Nocturne, Incidental Music to A Midsummer Night’s Dream, op. 61: IV. Intermezzo, Incidental Music to A Midsummer Night’s Dream, op. 61: V. Wedding March, Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace, Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto, Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato, Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto, The Hebrides Overture, op. 26 “Fingal’s Cave” |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
performing orchestra |
Concerto in A minor for Piano and String Orchestra: I. Allegro, Concerto in A minor for Piano and String Orchestra: II. Adagio, Concerto in A minor for Piano and String Orchestra: III. Finale - Allegro ma non troppo, Concerto in A-flat major for Two Pianos and Orchestra: I. Allegro vivace, Concerto in A-flat major for Two Pianos and Orchestra: II. Andante, Concerto in A-flat major for Two Pianos and Orchestra: III. Allegro vivace, Concerto in E major for Two Pianos and Orchestra: I. Allegro vivace, Concerto in E major for Two Pianos and Orchestra: II. Adagio non troppo, Concerto in E major for Two Pianos and Orchestra: III. Allegro |
| Alberto Lizzio (conductor, an Alfred Scholz pseudonym) |
conductor |
A Midsummer Night's Dream Suite: Dance of the Clowns, A Midsummer Night's Dream Suite: Nocturne, A Midsummer Night's Dream Suite: Scherzo, A Midsummer Night's Dream Suite: Wedding March, Overture to “A Midsummer Night’s Dream”, op. 21, The Hebrides, op. 26: Overture (Fingal’s Cave), Violin Concerto in E minor op. 64: I. Allegro molto appassionato, Violin Concerto in E minor op. 64: II. Andante, Violin Concerto in E minor op. 64: III. Allegro molto vivace |
| Concerto Köln |
performing orchestra |
Sinfonia No. 10 in B minor: Adagio - Più presto, Sinfonia No. 8 in D major: Adagio, Sinfonia No. 8 in D major: Adagio e grave - Allegro, Sinfonia No. 8 in D major: Allegro molto, Sinfonia No. 8 in D major: Menuetto - Trio: presto, Sinfonia No. 9 in C minor: Allegro vivace - Presto - Più stretto, Sinfonia No. 9 in C minor: Andante, Sinfonia No. 9 in C minor: Grave - Allegro, Sinfonia No. 9 in C minor: Scherzo - Trio: Più lento ("La Suisse") |
| Choral Arts Philadelphia |
vocal |
Symphony no. 2, "Lobgesang": II. Coro e Soprano: Alles was Odem Hat Lobe den Herrn, meine Seele, Symphony no. 2, "Lobgesang": III. Recitative e Tenor Solo: Saget es, die ihr erlöst seid durch den Herrn / Er zählet unsre Tränen in der Zeit der Not, Symphony no. 2, "Lobgesang": IV. Coro: Saget es, die ihr erlöset seid, Symphony no. 2, "Lobgesang": IX. Soprano e Tenor: Drum sing ich mit meinem Liede, Symphony no. 2, "Lobgesang": V. Solo e Coro: Ich harrete des Herrn, Symphony no. 2, "Lobgesang": VI. Tenor e Soprano Solo: Stricke des Todes, Symphony no. 2, "Lobgesang": VII. Coro: Die Nacht ist vergangen, Symphony no. 2, "Lobgesang": VIII. Coro: Nun danket alle Gott, Symphony no. 2, "Lobgesang": X. Coro: Ihr Völker! bringet her dem Herrn |
| Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) |
conductor |
Musik Zu 'Ein Sommernachtstraum': Hochzeitsmarsch, Musik Zu 'Ein Sommernachtstraum': Notturno, Musik Zu 'Ein Sommernachtstraum': Overtüre, Musik Zu 'Ein Sommernachtstraum': Rüpeltanz, Musik Zu 'Ein Sommernachtstraum': Scherzo, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Allegro vivace, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Andante con moto, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Con moto moderato, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Saltarello: Presto |
| Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) |
performing orchestra |
Musik Zu 'Ein Sommernachtstraum': Hochzeitsmarsch, Musik Zu 'Ein Sommernachtstraum': Notturno, Musik Zu 'Ein Sommernachtstraum': Overtüre, Musik Zu 'Ein Sommernachtstraum': Rüpeltanz, Musik Zu 'Ein Sommernachtstraum': Scherzo, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Allegro vivace, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Andante con moto, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Con moto moderato, Symphonie Nr.4 A-Dur op. 90 'Die Italienische': Saltarello: Presto |
| Bertrand Dutour de Salvert |
conductor |
Choeur no 1 - Tout l'univers est plein de sa magnificence, Choeur no 2 - Quel astre à nos yeux vient de luire, Choeur no 3 - Que du Seigneur la voix se fasse entendre, Choeur no 4 - O promesse, O menace, O tenebreux mystere, Choeur no 5 - Partez, enfants d'Aaron, partez, Final, La marche des prêtres, Ouverture |
| Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) |
conductor |
Symphony no. 1 in C minor, op. 11: I. Allegro molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante - Allegro con fuoco, Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace, Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante, Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral: Andante con moto - Allegro maestoso |
| Josef Klusoň |
viola |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): I. Allegro - Vivace, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): II. Adagio, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): III. Minuetto. Agitato, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): IV. Allegro vivace |
| Slovenská filharmónia (Slovak Philharmonic, Bratislava) |
performing orchestra |
A Midsummer Night's Dream: Overture, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: I. Molto allegro con fuoco, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: II. Andante, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: III. Presto, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: I. Allegro appassionato, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: II. Adagio, Molto sostenuto, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: III. Finale, Presto scherzando, Overture "Ruy Blas", Op. 95 |
| Calum Malcolm |
engineer |
Symphony no. 3 in A-minor "Scottish": I. Andante con molto - Allegro un poco agitato, Symphony no. 3 in A-minor "Scottish": II. Vivace non troppo, Symphony no. 3 in A-minor "Scottish": III. Adagio, Symphony no. 3 in A-minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, The Hebrides, op. 26, Violin Concerto no. 2 in E-minor: I. Allegro molto appassionato - Presto, Violin Concerto no. 2 in E-minor: II. Andante - Allegretto non troppo, Violin Concerto no. 2 in E-minor: III. Allegretto non troppo - Allegro molto vivace |
| London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) |
performing orchestra |
A Midsummer Night’s Dream: Wedding March, Marcha nupcial, Ouverture to "A Midsummer Night's Dream", Symphonie no. 3, op. 56 "Ecossaise": Adagio, Symphonie no. 3, op. 56 "Ecossaise": Allegro, Symphonie no. 3, op. 56 "Ecossaise": Andante con Moto, Symphonie no. 3, op. 56 "Ecossaise": Vivace, Wedding March: Hochzeitsmarsch |
| Andrew Keener (engineer/editor/producer) |
producer |
Symphony no. 3 in A-minor "Scottish": I. Andante con molto - Allegro un poco agitato, Symphony no. 3 in A-minor "Scottish": II. Vivace non troppo, Symphony no. 3 in A-minor "Scottish": III. Adagio, Symphony no. 3 in A-minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, The Hebrides, op. 26, Violin Concerto no. 2 in E-minor: I. Allegro molto appassionato - Presto, Violin Concerto no. 2 in E-minor: II. Andante - Allegretto non troppo, Violin Concerto no. 2 in E-minor: III. Allegretto non troppo - Allegro molto vivace |
| Robert-Schumann-Philharmonie Chemnitz |
performing orchestra |
Ah, ritorna, eta dell’oro: Andante sostenuto, D’amor nel regno non v’e contento: Allegro vivace, Infelice! Gia dal mio sguardo si diliguo: Recitative (Allegro vivace), On Lena’s gloomy heath: Moderato - Andante / My soul brightens in danger: Allegro con brio, Symphony in A major “Italian” (revised version of 1833-34): (Attacca subito) IV. Saltarello: Allegro di molto, Symphony in A major “Italian” (revised version of 1833-34): I. Allegro vivace, Symphony in A major “Italian” (revised version of 1833-34): II. Andante con moto, Symphony in A major “Italian” (revised version of 1833-34): III. Menuetto: Con moto grazioso |
| Philip Hobbs (Engineer) |
engineer |
Symphony no. 3 in A-minor "Scottish": I. Andante con molto - Allegro un poco agitato, Symphony no. 3 in A-minor "Scottish": II. Vivace non troppo, Symphony no. 3 in A-minor "Scottish": III. Adagio, Symphony no. 3 in A-minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, The Hebrides, op. 26, Violin Concerto no. 2 in E-minor: I. Allegro molto appassionato - Presto, Violin Concerto no. 2 in E-minor: II. Andante - Allegretto non troppo, Violin Concerto no. 2 in E-minor: III. Allegretto non troppo - Allegro molto vivace |
| Macquarie Trio |
performer |
Piano Trio no. 1 in D minor, op. 49: Andante con moto tranquillo, Piano Trio no. 1 in D minor, op. 49: Finale (Allegro assai appassionato), Piano Trio no. 1 in D minor, op. 49: Molto allegro ed agitato, Piano Trio no. 1 in D minor, op. 49: Scherzo (Leggiero e vivace), Piano Trio no. 2 in C minor, op. 66: Allegro energico e con fuoco, Piano Trio no. 2 in C minor, op. 66: Andante espressivo, Piano Trio no. 2 in C minor, op. 66: Fnale (Allegro appassionato), Piano Trio no. 2 in C minor, op. 66: Scherzo (Molto allegro quasi presto) |
| Clare Wilkinson |
vocal |
Ave Maria, Op. 23 No. 2, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio, Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio |
| Václav Bernášek |
cello |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): I. Allegro - Vivace, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): II. Adagio, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): III. Minuetto. Agitato, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): IV. Allegro vivace |
| Kammerchor Stuttgart |
vocal |
Der 115. Psalm, Op. 31 "Nicht unserm Namen, Herr": IV. Coro "Die Toten werden dich nicht loben", Der 43. Psalm, Op. 78 No. 2 "Richte mich Gott", Der 95. Psalm, Op. 46 "Kommt, lasst uns anbeten": II. "Kommet herzu", Elias, Op. 70: Teil II, No. 28. Terzett "Hebe deine Augen auf", Elias, Op. 70: Teil II, No. 38. Chor "Und der Prophet Elias brach hervor", Gloria in Es: I. "Gloria in excelsis Deo", Motette "Denn er hat seinen Engeln befohlen", Paulus, Op. 36: Teil I, No. 14. Rezitativ mit Chor "Und als er auf dem Weg war" - "Saul, was verfolgst du mich" |
| Oleg Caetani |
conductor |
Ah, ritorna, eta dell’oro: Andante sostenuto, D’amor nel regno non v’e contento: Allegro vivace, Infelice! Gia dal mio sguardo si diliguo: Recitative (Allegro vivace), On Lena’s gloomy heath: Moderato - Andante / My soul brightens in danger: Allegro con brio, Symphony in A major “Italian” (revised version of 1833-34): (Attacca subito) IV. Saltarello: Allegro di molto, Symphony in A major “Italian” (revised version of 1833-34): I. Allegro vivace, Symphony in A major “Italian” (revised version of 1833-34): II. Andante con moto, Symphony in A major “Italian” (revised version of 1833-34): III. Menuetto: Con moto grazioso |
| Chamber Orchestra of Europe |
performing orchestra |
A Midsummer Night’s Dream: Nocturne, Concerto for Violin and Orchestra in E minor, Op. 64: I. Allegro con fuoco, Concerto for Violin and Orchestra in E minor, Op. 64: II. Andante, Concerto for Violin and Orchestra in E minor, Op. 64: III. Allegretto non troppo, Allegro molto vivace, Octet for Strings in E-flat major, Op. 20: I. Allegro moderato ma con fuoco, Octet for Strings in E-flat major, Op. 20: II. Andante, Octet for Strings in E-flat major, Op. 20: III. Scherzo: Allegro leggierissimo, Octet for Strings in E-flat major, Op. 20: IV. Presto |
| Jascha Heifetz |
violin |
Auf Fluegeln (Arr. Joachim), Auf Flügeln des Gesanges, Octet, Op. 20: Scherzo. Allegro leggierissimo, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo – Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante, Violinkonzert E-moll: I Allegro molto appassionato, Violinkonzert E-moll: II. Andante, Violinkonzert E-moll: III. Allegretto non troppo. Allegro molto vivace |
| Zbyněk Paďourek |
viola |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): I. Allegro - Vivace, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): II. Adagio, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): III. Minuetto. Agitato, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): IV. Allegro vivace |
| Ensemble Lachrymae (French orchestra) |
performing orchestra |
Choeur no 1 - Tout l'univers est plein de sa magnificence, Choeur no 2 - Quel astre à nos yeux vient de luire, Choeur no 3 - Que du Seigneur la voix se fasse entendre, Choeur no 4 - O promesse, O menace, O tenebreux mystere, Choeur no 5 - Partez, enfants d'Aaron, partez, Final, La marche des prêtres, Ouverture |
| Pavel Hůla |
violin |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): I. Allegro - Vivace, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): II. Adagio, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): III. Minuetto. Agitato, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): IV. Allegro vivace |
| Joseph Swensen |
conductor, violin |
Symphony no. 3 in A-minor "Scottish": I. Andante con molto - Allegro un poco agitato, Symphony no. 3 in A-minor "Scottish": II. Vivace non troppo, Symphony no. 3 in A-minor "Scottish": III. Adagio, Symphony no. 3 in A-minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, The Hebrides, op. 26, Violin Concerto no. 2 in E-minor: I. Allegro molto appassionato - Presto, Violin Concerto no. 2 in E-minor: II. Andante - Allegretto non troppo, Violin Concerto no. 2 in E-minor: III. Allegretto non troppo - Allegro molto vivace |
| Mendelssohn String Quartet (US string quartet) |
strings |
String Quintet no. 1 in A major, op. 18: I. Allegro con moto, String Quintet no. 1 in A major, op. 18: II. Intermezzo: Andante sostenuto, String Quintet no. 1 in A major, op. 18: III. Scherzo: Allegro di molto, String Quintet no. 1 in A major, op. 18: IV. Allegro vivace, String Quintet no. 2 in B-flat major, op. 87: I. Allegro vivace, String Quintet no. 2 in B-flat major, op. 87: II. Andante scherzando, String Quintet no. 2 in B-flat major, op. 87: III. Adagio e lento, String Quintet no. 2 in B-flat major, op. 87: IV. Allegro molto vivace |
| Deutsches Symphonie-Orchester Berlin (RIAS-Symphonie-Orchester, 1946–1956 / Radio-Symphonie-Orchester Berlin, 1956–1993) |
performing orchestra |
Symphony no. 1 in C minor, op. 11: I. Allegro molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante - Allegro con fuoco, Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace, Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante, Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral: Andante con moto - Allegro maestoso |
| Andrés Segovia |
arranger, classical guitar |
Canzonetta, Canzonetta dal Quartetto No.1 Op. 12, Canzonetta from String Quartet No.1 in E Flat Major, Op. 12, Lied ohne Worte, Op. 30 No. 3, Lied ohne Worte, Op. 30, No. 3, Lieder ohne Worte, Op.19 - No.6 Venetian Gondola Song, String quartet, No. 1 in E-flat major, Op. 12: Canzonetta |
| Ronald Brautigam |
piano |
Concerto for Violin, Piano and Strings in d, MWV O4 (1823): I. Allegro, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): II. Adagio, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): III. Allegro molto, Concerto in A minor for Piano and String Orchestra: I. Allegro, Concerto in A minor for Piano and String Orchestra: II. Adagio, Concerto in A minor for Piano and String Orchestra: III. Finale - Allegro ma non troppo, Piano Concerto No.1 In G Minor, Op.25 - II. Andante |
| Rachel Bennett |
vocal |
Ave Maria, Op. 23 No. 2, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante, Hear my prayer: II. O for the wings of a dove! Con un poco più di moto, Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio, Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio |
| Orkiestra Symfoniczna Filharmonii Narodowej |
performing orchestra |
A Midsummer Night’s Dream, op. 61 no. 4: Wedding March, Suita "Sen nocy letniej": I. Overture, Suita "Sen nocy letniej": II. Intermezzo, Suita "Sen nocy letniej": III. Nocturne, Suita "Sen nocy letniej": IV. Dance, Suita "Sen nocy letniej": V. Scherzo, Suita "Sen nocy letniej": VI. Marsz weselny |
| Stellenbosch University Camerata |
performing orchestra |
Concerto for Violin and Piano in D minor: I. Allegro, Concerto for Violin and Piano in D minor: II. Adagio, Concerto for Violin and Piano in D minor: III. Allegro molto, Sinfonia No. 10 in B minor, Violin Concerto in D minor: I. Allegro, Violin Concerto in D minor: II. Andante, Violin Concerto in D minor: III. Allegro |
| Angus McCarey |
vocal |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio |
| John Lubbock |
conductor |
A Midsummer Night's Dream: Notturno, A Midsummer Nights Dream: Nocturne, Nocturne From a Midsummer Night's Dream, Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio, Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai |
| Oliver von Dohnányi |
conductor |
Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: I. Molto allegro con fuoco, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: II. Andante, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: III. Presto, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: I. Allegro appassionato, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: II. Adagio, Molto sostenuto, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: III. Finale, Presto scherzando, Overture "Ruy Blas", Op. 95 |
| Arturo Toscanini |
conductor |
A Midsummer Night's Dream, op. 21: Scherzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March |
| Andrew Tortise |
vocal |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord", Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio |
| Давид Фёдорович Ойстрах |
violin |
Piano Trio in C minor, Op. 66: I. Allegro energico e con fuoco, Piano Trio in C minor, Op. 66: II. Andante espressivo, Piano Trio in C minor, Op. 66: III. Scherzo. Molto allegro quasi presto, Piano Trio in C minor, Op. 66: IV. Finale. Allegro appassionato, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Isaac Stern |
violin |
On Wings of Song, Songs, Op. 34 No. 2 "On Wings of Song", Trio pour piano, violon et violoncelle n°2, op.66 en do mineur : III. Scherzo. Molto allegro - quasi presto, Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegretto non troppo |
| Love Derwinger |
piano |
Concerto in A-flat major for Two Pianos and Orchestra: I. Allegro vivace, Concerto in A-flat major for Two Pianos and Orchestra: II. Andante, Concerto in A-flat major for Two Pianos and Orchestra: III. Allegro vivace, Concerto in E major for Two Pianos and Orchestra: I. Allegro vivace, Concerto in E major for Two Pianos and Orchestra: II. Adagio non troppo, Concerto in E major for Two Pianos and Orchestra: III. Allegro |
| Bamberger Symphoniker |
performing orchestra |
A Midsummer Night's Dream, A Midsummer Night's Dream: Nocturne, A Midsummer Night’s Dream, op. 61: IV. Dance of the Clowns, Overture to “A Midsummer Night’s Dream”, op. 21, Symphony No. 4 in A major, Op. 90 "Italian", Symphony no.4: Allegro |
| Isabelle van Keulen (Dutch violinist) |
violin |
Concerto for Violin, Piano and Strings in d, MWV O4 (1823): I. Allegro, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): II. Adagio, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): III. Allegro molto, Concerto in D minor for Violin and Strings (1823): I. Allegro molto, Concerto in D minor for Violin and Strings (1823): II. Andante, Concerto in D minor for Violin and Strings (1823): III. Allegro |
| Edna Phillips (Soprano, not the harpist Edna Phillips Rosenbaum) |
vocal |
Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March |
| Witold Rowicki |
conductor |
Suita "Sen nocy letniej": I. Overture, Suita "Sen nocy letniej": II. Intermezzo, Suita "Sen nocy letniej": III. Nocturne, Suita "Sen nocy letniej": IV. Dance, Suita "Sen nocy letniej": V. Scherzo, Suita "Sen nocy letniej": VI. Marsz weselny |
| Shlomo Mintz |
violin |
Sonata for Violin and Piano in F major (without opus number): I. Allegro vivace, Sonata for Violin and Piano in F major (without opus number): II. Adagio, Sonata for Violin and Piano in F major (without opus number): III. Assai vivace, Sonata for Violin and Piano in F minor, op. 4: I. Adagio - Allegro moderato, Sonata for Violin and Piano in F minor, op. 4: II. Poco adagio, Sonata for Violin and Piano in F minor, op. 4: III. Allegro agitato |
| Peter Schmidl |
clarinet |
Konzertstück No. 1. in F minor for Clarinet, Basset-horn, and Piano: I. Allegro con fuoco, Konzertstück No. 1. in F minor for Clarinet, Basset-horn, and Piano: II. Andante, Konzertstück No. 1. in F minor for Clarinet, Basset-horn, and Piano: III. Presto, Konzertstück No. 2. in D minor for Clarinet, Basset-horn, and Piano: I. Presto, Konzertstück No. 2. in D minor for Clarinet, Basset-horn, and Piano: II. Andante, Konzertstück No. 2. in D minor for Clarinet, Basset-horn, and Piano: III. Allegro grazioso |
| Ida Černecká |
piano |
Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: I. Molto allegro con fuoco, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: II. Andante, Konzert für Klavier und Orchestern Nr. 1. g-moll, Op. 25: III. Presto, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: I. Allegro appassionato, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: II. Adagio, Molto sostenuto, Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: III. Finale, Presto scherzando |
| Peter J. Wilhousky |
chorus master |
Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March |
| Zoë Beyers |
violin |
Concerto for Violin and Piano in D minor: I. Allegro, Concerto for Violin and Piano in D minor: II. Adagio, Concerto for Violin and Piano in D minor: III. Allegro molto, Violin Concerto in D minor: I. Allegro, Violin Concerto in D minor: II. Andante, Violin Concerto in D minor: III. Allegro |
| Deutsche Kammerphilharmonie Bremen (German Chamber Philharmonic Bremen) |
performing orchestra |
Der 115. Psalm, Op. 31 "Nicht unserm Namen, Herr": IV. Coro "Die Toten werden dich nicht loben", Der 42. Psalm, Op. 42 "Wie der Hirsch schreit": II. Aria "Meine Seele dürstet" (Sopran), Der 95. Psalm, Op. 46 "Kommt, lasst uns anbeten": II. "Kommet herzu", Gloria in Es: I. "Gloria in excelsis Deo", Paulus, Op. 36: Teil I, No. 14. Rezitativ mit Chor "Und als er auf dem Weg war" - "Saul, was verfolgst du mich", Sinfonie-Kantate "Lobgesang", Op. 52: Ib. Allegretto un poco agitato |
| Association des Chorales du Bas-Vivarais |
vocal |
Choeur no 1 - Tout l'univers est plein de sa magnificence, Choeur no 2 - Quel astre à nos yeux vient de luire, Choeur no 3 - Que du Seigneur la voix se fasse entendre, Choeur no 4 - O promesse, O menace, O tenebreux mystere, Choeur no 5 - Partez, enfants d'Aaron, partez, Final |
| Paul Ostrovsky |
piano |
Sonata for Violin and Piano in F major (without opus number): I. Allegro vivace, Sonata for Violin and Piano in F major (without opus number): II. Adagio, Sonata for Violin and Piano in F major (without opus number): III. Assai vivace, Sonata for Violin and Piano in F minor, op. 4: I. Adagio - Allegro moderato, Sonata for Violin and Piano in F minor, op. 4: II. Poco adagio, Sonata for Violin and Piano in F minor, op. 4: III. Allegro agitato |
| Christopher Adams (Bass singer) |
vocal |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?", Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord" |
| NBC Symphony Orchestra Women's Chorus |
vocal |
Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March |
| NBC Symphony Orchestra |
performing orchestra |
Incidental Music to A Midsummer Night's Dream, opp. 21/61: Finale, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Intermezzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Nocturne, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Overture, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Scherzo, Incidental Music to A Midsummer Night's Dream, opp. 21/61: Wedding March |
| Pau Casals (cellist, aka. Pablo Casals) |
conductor, cello |
Song without Words No. 49 in D major, Op. 109, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello: Presto, Traditional (arr. Pablo Casals): Sant Martí del Canigó |
| Roland Pöntinen |
piano |
Concerto in A-flat major for Two Pianos and Orchestra: I. Allegro vivace, Concerto in A-flat major for Two Pianos and Orchestra: II. Andante, Concerto in A-flat major for Two Pianos and Orchestra: III. Allegro vivace, Concerto in E major for Two Pianos and Orchestra: I. Allegro vivace, Concerto in E major for Two Pianos and Orchestra: II. Adagio non troppo, Concerto in E major for Two Pianos and Orchestra: III. Allegro |
| Helmuth Rilling |
conductor |
A Midsummer Night's Dream, incidental music, Op. 61: Overture, A Midsummer Night's Dream, incidental music, Op. 61: Scherzo, Elias: Hilf, Herr!, Hochzeitsmarsch, Psalm 42: Finale. "Warum betrübst du dich" |
| Charles Dutoit |
conductor |
Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato, Concerto for Violin and Orchestra in E minor, op. 64: II. Andante, Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace, Ein Sommernachtstraum - Nocturne, Violinkonzert e-moll, Op. 64: 2. Andante |
| Silvia Čápová |
piano |
Barcarolle, Spring Song, Venetian Gondola Song, Venetian Gondola Song, no. 12 in F‐sharp minor from “Songs Without Words”, Venezianisches Gondellied op. 62 Nr. 6 F sharp minor |
| Georg Christoph Biller |
conductor |
Denn er hat seinen Engeln befohlen über dir, Ehre sei Gott in der Höhe, Herr, nun lässest du deinen Diener in Frieden fahren, Jauchzet dem Herrn, alle Welt, Kyrie Eleison |
| Thomanerchor |
vocal |
Denn er hat seinen Engeln befohlen über dir, Ehre sei Gott in der Höhe, Herr, nun lässest du deinen Diener in Frieden fahren, Jauchzet dem Herrn, alle Welt, Kyrie Eleison |
| Paul Casey (Tenor) |
vocal |
Ave Maria, Op. 23 No. 2, Beati mortui, Op. 115 No. 1, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?" |
| Jenő Jandó |
piano |
Duetto (From "Songs Without Words"), Song Without Words in G Major, Op. 62: No. 1, Songs Without Words In E Major Op.19,1, Spinning Song, The Venetian Gondola |
| Radio-Symphonieorchester Wien (previously ORF-Symphonieorchester) |
performing orchestra |
Symphonie Nr. 4 A-Dur, op. 90 "Italienische": Andante con moto, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": I. Andante. Allegro con fuoco, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": II. Allegro vivace, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": III. Andante, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": IV. Choral: Ein' feste Burg ist unser Gott! Andante con moto |
| Royal Philharmonic Orchestra |
performing orchestra |
Overture "The Fair Melusina", Op. 32, Songs Without Words: No. 44 in D major, Op. 102, No. 2: Adagio, Songs Without Words: No. 45 in C major, Op. 102, No. 3 "Kinderstück": Presto, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Violin Concerto in E minor, op. 64: II. Andante |
| Maria Mohrmann-Messing |
vocal |
Lieder, op. 57: Wanderlied (Wanderer’s Song), Lieder, op. 71: Nachtlied (Night Song), Lieder, op. 99: Die Stille (The Silence), Lieder, op. Posth: Waldschloss (Forest Castle), Maria Mohrmann-Messing - Lieder, op. Posth: Pagenlied |
| Musopen Symphony Orchestra |
performing orchestra |
Hebrides Overture Fingal's Cave, Symphony no. 3 in A minor "Scottish", op. 56: I. Andante con moto, Symphony no. 3 in A minor "Scottish", op. 56: II. Vivace non troppo, Symphony no. 3 in A minor "Scottish", op. 56: III. Adagio, Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo |
| Freiburger Uni-Chor (Freiburg University Chorus) |
vocal |
Die Deutsche Liturgie: II. Sanctus (Heilig, heilig, heilig), Hör’ mein Bitten (1844), anthem for Soprano, Choir and Orchestra, Sechs Sprüche for Choir, op. 79: II. Herr Gott, du bist unsre Zuflucht, Sechs Sprüche for Choir, op. 79: IV. Herr, gedenke nicht unsrer Übelthaten, Three Psalms for Choir, op. 78: III. Mein Gott, warum hast du mich verlassen |
| Mark Williams (organist) |
organ |
Ave Maria, Op. 23 No. 2, Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante, Hear my prayer: II. O for the wings of a dove! Con un poco più di moto, Laudate pueri, Op. 39 No. 2: I. Chor. Allegro moderato assai, Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio |
| Milan Horvat |
conductor |
Symphonie Nr. 4 A-Dur, op. 90 "Italienische": Andante con moto, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": I. Andante. Allegro con fuoco, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": II. Allegro vivace, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": III. Andante, Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": IV. Choral: Ein' feste Burg ist unser Gott! Andante con moto |
| David Soyer |
cello |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Hamburger Symphoniker |
performing orchestra |
A Midsummer Nights Dream Excerpts, Concerto para violino e orquestra em mi menor, Op. 64: III. Allegretto non troppo - Allegro molto vivace, Overture: The Hebrides - Fingal's Cave, The Hebrides: Overture Op. 26 |
| Владимир Самойлович Горовиц |
piano |
Marche nuptiale et variations, Scherzo a Capriccio, Scherzo a capriccio: Presto, Spring Song (Lieder Ohne Worte) |
| Wiener Oktett |
instrument |
Octet in E flat major, Op. 20: I. Allegro moderato, ma con fuoco, Octet in E flat major, Op. 20: II. Andante, Octet in E flat major, Op. 20: III. Scherzo. Allegro leggierissimo, Octet in E flat major, Op. 20: IV. Presto |
| Vlastimil Holek |
violin |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto |
| Oliver Wille |
violin |
Symphony no. 1, op. 11: I. Molto allegro et vivace (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: II. Andante con moto (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: III. Intermezzo (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: IV. Finale, allegro vivace (arr. for piano duet, violin & cello by the composer) |
| Miloš Černý |
violin |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto |
| Amsterdam Sinfonietta |
performing orchestra |
Concerto in D minor for Violin and Strings (1823): I. Allegro molto, Concerto in D minor for Violin and Strings (1823): II. Andante, Concerto in D minor for Violin and Strings (1823): III. Allegro, Piano Concerto No.1 In G Minor, Op.25 - II. Andante |
| Fritz Kreisler (violinist / composer) |
violin |
A May Breeze, Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Presto, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto Vivace |
| Václav Remeš |
violin |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto |
| Orchestre Philharmonique de Monte-Carlo |
performer, performing orchestra |
Violin Concerto No.2 in E minor, Op.64: Andante, Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| Eugenie Cheng |
vocal |
Ave Maria, Op. 23 No. 2, Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro, Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden", Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio |
| Mikayel Hakhnazaryan |
cello |
Symphony no. 1, op. 11: I. Molto allegro et vivace (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: II. Andante con moto (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: III. Intermezzo (arr. for piano duet, violin & cello by the composer), Symphony no. 1, op. 11: IV. Finale, allegro vivace (arr. for piano duet, violin & cello by the composer) |
| Michal Kaňka |
cello |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto |
| Michael Tree |
viola |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Menuhin Festival Piano Quartet |
performer |
Felix Mendelssohn-Bartholdy: Quatuor II, op. 2: 1. Allegro molto, Felix Mendelssohn-Bartholdy: Quatuor II, op. 2: 2. Adagio, Felix Mendelssohn-Bartholdy: Quatuor II, op. 2: 3. Intermezzo - Allegro moderato, Felix Mendelssohn-Bartholdy: Quatuor II, op. 2: 4. Allegro molto vivace |
| Alexander Schneider |
violin |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Samuel Rhodes |
viola |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Melos Ensemble |
performer |
Octet in E-flat major, op. 20: I. Allegro moderato, ma con fuoco, Octet in E-flat major, op. 20: II. Andante, Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo, Octet in E-flat major, op. 20: IV. Presto |
| Лев Николаевич Оборин |
piano |
Piano Trio in C minor, Op. 66: I. Allegro energico e con fuoco, Piano Trio in C minor, Op. 66: II. Andante espressivo, Piano Trio in C minor, Op. 66: III. Scherzo. Molto allegro quasi presto, Piano Trio in C minor, Op. 66: IV. Finale. Allegro appassionato |
| Wolfgang Wagner (double bassist) |
double bass |
Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| James Levine (US conductor and pianist) |
conductor, grand piano |
Bei Der Wiege Op. 47, No. 6, Ein Sommernachtstraum, Op.61: V. Intermezzo, Neue Liebe Op. 19a No.4, Wedding March (A Midsummer Night's Dream) |
| Marlboro Festival Orchestra |
performing orchestra |
Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello: Presto |
| Orchestre symphonique de Montréal |
performing orchestra |
Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato, Concerto for Violin and Orchestra in E minor, op. 64: II. Andante, Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace, Ein Sommernachtstraum - Nocturne |
| Jaromír Klepáč |
piano |
Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): I. Allegro - Vivace, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): II. Adagio, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): III. Minuetto. Agitato, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): IV. Allegro vivace |
| Guido Cantelli (conductor) |
conductor |
Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): I. Allegro vivace - Più animato, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): II. Andante con moto, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): III. Con moto moderato, Symphony No. 4 in A (Italian) Op. 90 (2001 Digital Remaster): IV. Saltarello (Presto) |
| English Chamber Orchestra |
performing orchestra |
Symphony No. 4 in A major ('Italian'), Op. 90: Allegro vivace, Symphony No. 4 in A major ('Italian'), Op. 90: Andante con moto, Symphony No. 4 in A major ('Italian'), Op. 90: Con moto moderato, Symphony No. 4 in A major ('Italian'), Op. 90: Saltarello, Presto |
| Peter Schreier |
vocal |
Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran) |
| Wiener Sängerknaben |
vocal |
Abschiedslied der Zugvögel Op. 63 no. 2, Herbstlied Op. 63 no. 4, Maiglöckchen und die Blümelein Op. 63 no. 6, O, for the Wings of a Dove |
| Jela Špitková |
violin |
Violin Concerto in E minor op. 64: I. Allegro molto appassionato, Violin Concerto in E minor op. 64: II. Andante, Violin Concerto in E minor op. 64: III. Allegro molto vivace, Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| Philharmonia Slavonica (an Alfred Scholz pseudonym) |
performing orchestra |
Violin Concerto in E minor op. 64: I. Allegro molto appassionato, Violin Concerto in E minor op. 64: II. Andante, Violin Concerto in E minor op. 64: III. Allegro molto vivace, Violin Concerto: Finale |
| Максим Дмитриевич Шостакович (conductor and pianist, son of the composer) |
conductor |
Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto: Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco |
| Jiří Hudec (double bass player) |
double bass |
Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): I. Allegro - Vivace, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): II. Adagio, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): III. Minuetto. Agitato, Sextet for Piano, Violin, Two Altos, Violoncello and Double Bass in D major, Op. 110 (1824): IV. Allegro vivace |
| Pražák Quartet |
strings |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto |
| John Dalley |
violin |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Academy of St Martin in the Fields |
performing orchestra |
Violin Concerto in E Minor, Op. 64: Allegro Molto Appassionato, Violin Concerto in E minor, Op. 64: Allegretto non troppo - allegro molto vivace, Violin Concerto in E minor, Op. 64: Andante, Violin Concerto in E minor, op. 64: II. Andante |
| Trio Pro Arte (Danish piano trio, Westenholz / Vitek / Honnens) |
cello, piano, violin |
Trio in D minor for Violin, Cello and Piano, op. 49: I. Molto allegro ed agitato, Trio in D minor for Violin, Cello and Piano, op. 49: II. Andante con moto tranquillo, Trio in D minor for Violin, Cello and Piano, op. 49: III. Scherzo: Leggiero e vivace, Trio in D minor for Violin, Cello and Piano, op. 49: IV. Finale: Allegro assai appassionato |
| Sir Thomas Beecham |
conductor |
Overture "The Fair Melusina", Op. 32, Songs Without Words: No. 44 in D major, Op. 102, No. 2: Adagio, Songs Without Words: No. 45 in C major, Op. 102, No. 3 "Kinderstück": Presto, Violin Concerto in E minor, op. 64: II. Andante |
| Lev Markiz |
conductor |
Concerto in D minor for Violin and Strings (1823): I. Allegro molto, Concerto in D minor for Violin and Strings (1823): II. Andante, Concerto in D minor for Violin and Strings (1823): III. Allegro, Piano Concerto No.1 In G Minor, Op.25 - II. Andante |
| Leslie Parnas |
cello |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Leopold Hager |
conductor |
Symphony No. 4 in A major ('Italian'), Op. 90: Allegro vivace, Symphony No. 4 in A major ('Italian'), Op. 90: Andante con moto, Symphony No. 4 in A major ('Italian'), Op. 90: Con moto moderato, Symphony No. 4 in A major ('Italian'), Op. 90: Saltarello, Presto |
| Smithsonian Chamber Players |
instrument |
Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro, Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante, Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo, Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 4. Presto |
| Arnold Steinhardt |
violin |
Octet, op. 20: I. Allegro moderato ma con fuoco, Octet, op. 20: II. Andante, Octet, op. 20: III. Scherzo: Allegro leggierissimo, Octet, op. 20: IV. Presto |
| Московский Симфонический Оркестр (founded 1989) |
performing orchestra |
Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto: Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco |
| L'Archibudelli |
instrument |
Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 1. Allegro, Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 2. Andante, Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 3. Scherzo. Allegro leggierissimo, Octet for 4 violins, 2 violas & 2 cellos in E flat major, Op.20, 4. Presto |
| Akademisches Orchester Freiburg |
performing orchestra |
Psalm 42, op. 42: Final chorus: Was betrübst du dich, meine Seele, Psalm 42, op. 42: Meine Seele dürstet nach Gott, Psalm 42, op. 42: Was betrübst du dich, meine Seele, Psalm 42, op. 42: Wie der Hirsch schreit |
| Kocian Quartet |
strings |
Octet for strings in E flat major, Op. 20 (1825): I. Allegro moderato, ma con fuoco, Octet for strings in E flat major, Op. 20 (1825): II. Andante, Octet for strings in E flat major, Op. 20 (1825): III. Scherzo. Allegro leggierissimo, Octet for strings in E flat major, Op. 20 (1825): IV. Presto |
| Thomas Hampson |
vocal |
3 Lieder Op. 84: III. Jagdlied, 6 Lieder Op. 86: VI. Altdeutsches Frühlingslied, Die erste Walpurgisnacht, op. 60: "So weit gebracht, dass wir bei Nacht", Drei Lieder, op. 84: Nr. 3. Jagdlied |
| Святослав Кнушевицкий |
cello |
Piano Trio in C minor, Op. 66: I. Allegro energico e con fuoco, Piano Trio in C minor, Op. 66: II. Andante espressivo, Piano Trio in C minor, Op. 66: III. Scherzo. Molto allegro quasi presto, Piano Trio in C minor, Op. 66: IV. Finale. Allegro appassionato |
| Andra Darzins |
viola |
Piano Sextet, Op. 110 : I. Allegro vivace, Piano Sextet, Op. 110: II. Adagio, Piano Sextet, Op. 110: III. Menuetto, Agitato, Piano Sextet, Op. 110: IV. Allegro vivace |
| International Festival Orchestra |
performing orchestra |
Violin Concerto in E Minor, Op. 64: Allegro Molto Appassionato, Violin Concerto in E Minor, Op. 64: Allegro Molto Vivace, Violin Concerto in E Minor, Op. 64: Andante - Allegro Non Troppo |
| Francine Van der Heijden |
vocal |
Ah, ritorna, eta dell’oro: Andante sostenuto, D’amor nel regno non v’e contento: Allegro vivace, Infelice! Gia dal mio sguardo si diliguo: Recitative (Allegro vivace) |
| Augustin Dumay |
violin |
Concerto pour violon No. 2 en mi mineur, Op. 64: I. Allegro molto appassionato, Concerto pour violon No. 2 en mi mineur, Op. 64: II. Andante, Concerto pour violon No. 2 en mi mineur, Op. 64: III. Allegro molto vivace |
| Frank Braley |
piano |
Albumblatt pour piano en mi mineur, Op. 117, Romance sans paroles pour violoncelle et piano en Ré majeur, Op. 109, Variations concertantes pour violoncelle et piano, Op. 17 |
| Orchestra Of Radio Luxemburg |
performing orchestra |
Violin Concerto in E minor, op. 64: Allegro molto appassionata, Violin Concerto in E minor, op. 64: Allegro molto vivace, Violin Concerto in E minor, op. 64: Andante |
| Staatskapelle Berlin |
performing orchestra |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Presto, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto Vivace |
| Aaron Rosand (violinist) |
violin |
Violin Concerto in E minor, op. 64: Allegro molto appassionata, Violin Concerto in E minor, op. 64: Allegro molto vivace, Violin Concerto in E minor, op. 64: Andante |
| Olivier Charlier |
violin |
Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante, Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| Государственный Академический Симфонический Оркестр России |
performing orchestra |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Roman Ortner (pianist) |
piano |
Abschiedslied der Zugvögel Op. 63 no. 2, Herbstlied Op. 63 no. 4, Maiglöckchen und die Blümelein Op. 63 no. 6 |
| Thomas Hengelbrock |
conductor |
Concerto for Violin and Orchestra in E minor, Op. 64: I. Allegro con fuoco, Concerto for Violin and Orchestra in E minor, Op. 64: II. Andante, Concerto for Violin and Orchestra in E minor, Op. 64: III. Allegretto non troppo, Allegro molto vivace |
| Wilhem Klepper |
violin |
Sonata for Violin and Piano in F minor, op. 4: I. Adagio - Allegro moderato, Sonata for Violin and Piano in F minor, op. 4: II. Poco adagio, Sonata for Violin and Piano in F minor, op. 4: III. Allegro agitato |
| Roger Woodward (pianist) |
piano |
On Wings of Song, Song without Words, Song without Words, Op. 19 No. 4 |
| Simon Petrov (Violinist) |
violin |
Violin Concerto in E Minor, Op. 64: Allegro Molto Appassionato, Violin Concerto in E Minor, Op. 64: Allegro Molto Vivace, Violin Concerto in E Minor, Op. 64: Andante - Allegro Non Troppo |
| Кирилл Петрович Кондрашин (conductor) |
conductor |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Mariko Honda (classical violinist) |
violin |
Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato, Violin Concerto in E minor, Op. 64: II. Andante - Allegro non troppo, Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| The Philadelphia Orchestra |
performing orchestra |
Concerto pour violon en mi mineur, op.64 : III. Allegro ma non troppo – Allegro molto vivace, Klavierkonzert No.1 G-Moll. Op. 25, Midsummer Night's Dream: Wedding March (extract) |
| The Orchestra of St. John’s, Smith Square |
performing orchestra |
A Midsummer Night's Dream: Notturno, A Midsummer Nights Dream: Nocturne, Nocturne From a Midsummer Night's Dream |
| Catherine Arnold |
vocal |
Ave Maria, Op. 23 No. 2, Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden" |
| Claudio Roma (Conductor) |
conductor |
Violin Concerto in E Minor, Op. 64: Allegro Molto Appassionato, Violin Concerto in E Minor, Op. 64: Allegro Molto Vivace, Violin Concerto in E Minor, Op. 64: Andante - Allegro Non Troppo |
| Andrew McKeich (producer) |
producer |
On Wings of Song, Song without Words, Song without Words, Op. 19 No. 4 |
| Емил Чакъров |
conductor |
Concerto pour violon No. 2 en mi mineur, Op. 64: I. Allegro molto appassionato, Concerto pour violon No. 2 en mi mineur, Op. 64: II. Andante, Concerto pour violon No. 2 en mi mineur, Op. 64: III. Allegro molto vivace |
| Gidon Kremer |
conductor |
Concerto for Violin and String Orchestra in D minor: I. Allegro molto, Concerto for Violin and String Orchestra in D minor: II. Andante, Concerto for Violin and String Orchestra in D minor: III. Allegro |
| Natalie Shea (Alto and producer) |
producer |
On Wings of Song, Song without Words, Song without Words, Op. 19 No. 4 |
| NDR Elbphilharmonie Orchester (1945–2016: NDR Sinfonieorchester) |
performing orchestra |
Konzert für Violine und Orchester e-moll, op. 64: I. Allegro molto appassionato, Konzert für Violine und Orchester e-moll, op. 64: II. Andante, Konzert für Violine und Orchester e-moll, op. 64: III. Allegro molto vivace |
| Luis Magalhães |
piano |
Concerto for Violin and Piano in D minor: I. Allegro, Concerto for Violin and Piano in D minor: II. Adagio, Concerto for Violin and Piano in D minor: III. Allegro molto |
| Richard Hickox |
conductor |
Elijah, op. 70: Part II, no. 40. Recitative (Soprano), Elijah, op. 70: Part II, no. 41. Chorus / No. 41a. Quartet, Elijah, op. 70: Part II, no. 42. Chorus |
| Pavel Eret |
violin |
Sonata in F major for Violin and Piano (1838): I. Allegro vivace, Sonata in F major for Violin and Piano (1838): II. Adagio, Sonata in F major for Violin and Piano (1838): III. Assai vivace |
| Louis de Froment (conductor) |
conductor |
Violin Concerto in E minor, op. 64: Allegro molto appassionata, Violin Concerto in E minor, op. 64: Allegro molto vivace, Violin Concerto in E minor, op. 64: Andante |
| Sebastian Knauer |
piano |
Auf den Flügeln des Gesanges, Op. 34 No. 2 (arranged for violin and piano), Hexenlied, Op. 8 No. 8 (arranged for violin and piano), Suleika, Op. 34 No. 4 (arranged for violin and piano) |
| Symphonieorchester des Bayerischen Rundfunks |
performing orchestra |
Ein Sommernachtstraum: Fairies' March, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio |
| Saschko Gawriloff |
violin |
Konzert für Violine und Orchester e-moll, op. 64: I. Allegro molto appassionato, Konzert für Violine und Orchester e-moll, op. 64: II. Andante, Konzert für Violine und Orchester e-moll, op. 64: III. Allegro molto vivace |
| Lidia Baich |
performer |
Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato, Konzert für Violine und Orchester e-Moll, Op. 64: II. Andante, Konzert für Violine und Orchester e-Moll, Op. 64: III. Allegro non troppo - Allegro molto vivace |
| Orpheus Chamber Orchestra (US orchestra) |
performing orchestra |
Concerto for Violin and String Orchestra in D minor: I. Allegro molto, Concerto for Violin and String Orchestra in D minor: II. Andante, Concerto for Violin and String Orchestra in D minor: III. Allegro |
| Daniel Wiesner (pianist) |
piano |
Sonata in F major for Violin and Piano (1838): I. Allegro vivace, Sonata in F major for Violin and Piano (1838): II. Adagio, Sonata in F major for Violin and Piano (1838): III. Assai vivace |
| Ernst Gröschel (classical pianist) |
piano |
Sonata for Violin and Piano in F minor, op. 4: I. Adagio - Allegro moderato, Sonata for Violin and Piano in F minor, op. 4: II. Poco adagio, Sonata for Violin and Piano in F minor, op. 4: III. Allegro agitato |
| Leo Blech |
conductor |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Presto, Violin Concerto in E minor, op. 64: II. Andante, Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto Vivace |
| David Higgs |
pipe organ |
Andante in F Major, MWV W30, Andante with variations in D Major, MWV W32, March in C Major, MWV W44: Allegro moderato maestoso |
| Leila Josefowicz |
violin |
Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato, Concerto for Violin and Orchestra in E minor, op. 64: II. Andante, Concerto for Violin and Orchestra in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace |
| Hartmut Schill |
violin |
Ah, ritorna, eta dell’oro: Andante sostenuto, D’amor nel regno non v’e contento: Allegro vivace, Infelice! Gia dal mio sguardo si diliguo: Recitative (Allegro vivace) |
| Дмитрий Юлианович Ситковецкий |
violin |
Violin Concerto in E Minor, Op. 64: Allegro Molto Appassionato, Violin Concerto in E minor, Op. 64: Allegretto non troppo - allegro molto vivace, Violin Concerto in E minor, Op. 64: Andante |
| Eugene Ormandy |
conductor |
Concerto pour violon en mi mineur, op.64 : III. Allegro ma non troppo – Allegro molto vivace, Klavierkonzert No.1 G-Moll. Op. 25, Midsummer Night's Dream: Wedding March (extract) |
| Ruben Gazarian (conductor) |
conductor |
Concerto for Violin, Piano and Strings in d, MWV O4 (1823): I. Allegro, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): II. Adagio, Concerto for Violin, Piano and Strings in d, MWV O4 (1823): III. Allegro molto |
| Eva Knardahl |
piano |
Sonata in E-flat major for Clarinet and Piano (1824): I. Adagio - Allegro moderato, Sonata in E-flat major for Clarinet and Piano (1824): II. Andante, Sonata in E-flat major for Clarinet and Piano (1824): III. Allegro moderato |
| Kjell-Inge Stevensson |
clarinet |
Sonata in E-flat major for Clarinet and Piano (1824): I. Adagio - Allegro moderato, Sonata in E-flat major for Clarinet and Piano (1824): II. Andante, Sonata in E-flat major for Clarinet and Piano (1824): III. Allegro moderato |
| Kathleen Battle |
vocal |
A Midsummer Night's Dream: You Spotted Snakes, Bei Der Wiege Op. 47, No. 6, Neue Liebe Op. 19a No.4 |
| Horst Stein |
conductor |
Konzert für Violine und Orchester e-moll, op. 64: I. Allegro molto appassionato, Konzert für Violine und Orchester e-moll, op. 64: II. Andante, Konzert für Violine und Orchester e-moll, op. 64: III. Allegro molto vivace |
| Uwe Christian Harrer |
conductor |
Abschiedslied der Zugvögel Op. 63 no. 2, Herbstlied Op. 63 no. 4, Maiglöckchen und die Blümelein Op. 63 no. 6 |
| Orchestra of the Age of Enlightenment |
performing orchestra |
Ein Sommernachtstraum: Nocturne, Elijah - Part 1: O Thou Who Makest... Is Not His Word Like A Fire, Le songe d'une nuit d'été : Nocturne (feat. Orchestra of the Age of Enlightement, Charles Mackerras) |
| David Zinman |
conductor |
Midsummer's Night Dream, Symphony no. 5 in D minor: Andante |
| 田部京子 |
performer |
Song Without Words, Op. 19, No. 6, Songs Without Words Vol.1 Op. 19, No.6 In G Minor: Andante Sostenuto "Venetian Gondola Song" |
| Justus Zeyen |
piano |
Auf Flügeln des Gesanges, Op. 34 No. 2, Frühlingsglaube, Op. 9 No. 8 |
| Klassische Philharmonie Stuttgart |
performing orchestra |
Elias, Op. 70: Teil II, No. 37. Arioso "Ja, es sollen wohl Berge weichen" (Elias), Elias, Op. 70: Teil II, No. 38. Chor "Und der Prophet Elias brach hervor" |
| Klaus-Jürgen Kamprad |
producer |
Abschied vom Walde, Wasserfahrt |
| Kovács János |
conductor |
Fairies' March (From "A Midsummer Night's Dream"), Wedding March, from "A Midsummer Night's Dream" |
| Julian Bream |
classical guitar |
Song Without Words for Piano in G minor, Op. 19b No. 6 "Venetian Boating Song", String Quartet No. 1 in E-flat major, Op. 12: II. Canzonetta |
| Joshua Bell |
violin |
Concerto for Violin and Orchestra: Allegretto non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante |
| John W. Bower (recording engineer) |
recording |
Song Without Words for Piano in G minor, Op. 19b No. 6 "Venetian Boating Song", String Quartet No. 1 in E-flat major, Op. 12: II. Canzonetta |
| Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) |
performing orchestra |
Symphonie n°8 pour cordes: Allegro molto, Symphonie n°9 pour cordes: Allegro vivace |
| Ludwig Böhme |
vocal |
Abschied vom Walde, Wasserfahrt |
| Marián Pivka |
piano |
Song Without Words, Op. 62, Symphony No. 4 in A Major 'Italian', op. 90: Saltarello: Presto / Song Without Words, op. 62 no. 3: Andante maestoso |
| Martin Lattke |
vocal |
Abschied vom Walde, Wasserfahrt |
| James Last Orchestra |
performing orchestra |
Andante From Violin Concerto, Spring Song |
| James Last |
arranger, conductor |
Andante From Violin Concerto, Spring Song |
| James Burnett (producer) |
producer |
Song Without Words for Piano in G minor, Op. 19b No. 6 "Venetian Boating Song", String Quartet No. 1 in E-flat major, Op. 12: II. Canzonetta |
| Ivry Gitlis |
violin |
Auf Flügeln des Gesanges (On Wings of Song), song for voice & piano, Op. 34/2, Sur les ailes du chant op.34 n°.2 |
| Michael Volle |
vocal |
Elias, Op. 70: Teil II, No. 37. Arioso "Ja, es sollen wohl Berge weichen" (Elias), Paulus, Op. 36: Teil I, No. 14. Rezitativ mit Chor "Und als er auf dem Weg war" - "Saul, was verfolgst du mich" |
| Misha Goldstein |
piano |
Lied ohne Worte Op. 19/1, Venetianisches Gondellied Op. 30/6 |
| Helen Deeming |
vocal |
Der hundertste Psalm "Jauchzet dem Herrn, alle Welt", Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?" |
| Gächinger Kantorei Stuttgart |
performer, vocal |
Elias: Hilf, Herr!, Psalm 42: Finale. "Warum betrübst du dich" |
| New York Philharmonic |
performing orchestra |
Ein Sommernachtstraum, Op. 61: No.1: Scherzo. Allegro vivace, Ein Sommernachtstraum, Op. 61: No.7: Nocturne. Con moto tranquillo |
| Gabriel Chmura |
conductor |
Das Märchen der Schönen Melusine - Overtüre, Die Hebriden - Overtüre |
| Oliver Rogalla |
balance |
Auf Flügeln des Gesanges, Op. 34 No. 2, Frühlingsglaube, Op. 9 No. 8 |
| Frank Brieff |
conductor |
On Wings of Song, Songs, Op. 34 No. 2 "On Wings of Song" |
| Oregon Bach Festival Orchestra |
performing orchestra |
A Midsummer Night's Dream, incidental music, Op. 61: Overture, A Midsummer Night's Dream, incidental music, Op. 61: Scherzo |
| Orquesta Manuel de Falla (existing in 1970s) |
performing orchestra |
Cuarta Sinfonia en La Mayor, Sinfonia No 5 in D Opus 107 |
| Otto Klemperer |
conductor |
Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio |
| Ensemble Vocal Européen de la Chapelle Royale |
vocal |
Ein Sommernachtstraum, op. 61: Finale "Bei des Feuers mattem Flimmern". Allegro di molto, Ein Sommernachtstraum, op. 61: Lied mit Chor "Bunte Schlangen, zweigezüngt!". Allegro ma non troppo |
| English String Orchestra |
performing orchestra |
String Symphony No. 4: Andante, String Symphony no. 4: II. Andante |
| Edith Wiens |
vocal |
Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor), Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor) |
| Didier Réty (pianist) |
piano |
Piano Concerto no. 1: Andante, Piano Concerto no. 1: Playback |
| Delphine Collot |
vocal |
Ein Sommernachtstraum, op. 61: Finale "Bei des Feuers mattem Flimmern". Allegro di molto, Ein Sommernachtstraum, op. 61: Lied mit Chor "Bunte Schlangen, zweigezüngt!". Allegro ma non troppo |
| János Rolla |
conductor |
Symphonie n°8 pour cordes: Allegro molto, Symphonie n°9 pour cordes: Allegro vivace |
| David Kinsela (NSW, Australia based organist) |
organ |
Bridal March, Wedding March |
| Dame Janet Baker |
vocal |
Auf Flugeln Des Gesanges, Elijah: "O Rest in the Lord" |
| Kammerchor CantART Halle Saale |
vocal |
Abschied vom Walde, Herr, nun lässest du deinen Diener in Frieden fahren |
| Columbia Symphony Orchestra |
performing orchestra |
On Wings of Song, Songs, Op. 34 No. 2 "On Wings of Song" |
| Richard Kraus (conductor) |
conductor |
Symphony No. 4 in A major, Op. 90 "Italian", Symphony no.4: Allegro |
| Christopher Alder (editor/engineer/producer) |
producer |
Auf Flügeln des Gesanges, Op. 34 No. 2, Frühlingsglaube, Op. 9 No. 8 |
| Rochester Philharmonic Orchestra |
performing orchestra |
Midsummer's Night Dream, Symphony no. 5 in D minor: Andante |
| Ron Craig (engineer/editor) |
recording |
On Wings of Song, Song without Words, Op. 19 No. 4 |
| Sabine Meyer |
clarinet |
Konzertstück für Klarinette, Bassethorn und Orchester Nr.1, op.113, Konzertstück für Klarinette, Bassethorn und Orchester Nr.2, op.114 (Orch. Carl Baermann) |
| Chicago Symphony Orchestra |
performing orchestra |
Ein Sommernachtstraum, Op.61: V. Intermezzo, Wedding March (A Midsummer Night's Dream) |
| Sandrine Piau |
vocal |
Ein Sommernachtstraum, op. 61: Finale "Bei des Feuers mattem Flimmern". Allegro di molto, Ein Sommernachtstraum, op. 61: Lied mit Chor "Bunte Schlangen, zweigezüngt!". Allegro ma non troppo |
| Charles Mackerras (Australian conductor) |
conductor |
Ein Sommernachtstraum: Nocturne, Le songe d'une nuit d'été : Nocturne (feat. Orchestra of the Age of Enlightement, Charles Mackerras) |
| Sebastian Krause |
vocal |
Abschied vom Walde, Wasserfahrt |
| Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) |
performing orchestra |
Symphony no. 3 in a “Italian”: Con moto moderato, The Hebrides, op. 26: Overture (Fingal’s Cave) |
| St. Petersburg Camerata |
performing orchestra |
A Midsummer Night’s Dream, op. 61: I. Scherzo, A Midsummer Night’s Dream, op. 61: III. Wedding March |
| Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) |
performing orchestra |
Fairies' March (From "A Midsummer Night's Dream"), Wedding March, from "A Midsummer Night's Dream" |
| Sven Schönborn |
vocal |
Abschied vom Walde, Wasserfahrt |
| Talichovo kvarteto (Talich Quartet) |
strings |
Pièces pour quatuor, Op. 81 No. 2: Scherzo en la mineur, String Quartet No. 4 in E minor, Op. 44 No. 2: III. Andante |
| Thatcher Lyman |
pipe organ |
Andante con moto in G Minor, MWV W15, Präludium in C Minor, MWV W28 |
| Thomas Quasthoff |
vocal |
Auf Flügeln des Gesanges, Op. 34 No. 2, Frühlingsglaube, Op. 9 No. 8 |
| Thomas Ratzak |
editor, recording |
Abschied vom Walde, Wasserfahrt |
| Ulrich Barthel |
vocal |
Abschied vom Walde, Wasserfahrt |
| Australian Intervarsity Choral Festival Choir |
vocal |
Ave maria, Hebrides Overture |
| Waldo de los Ríos |
conductor |
Cuarta Sinfonia en La Mayor, Sinfonia No 5 in D Opus 107 |
| William Boughton |
conductor |
String Symphony No. 4: Andante, String Symphony no. 4: II. Andante |
| William Porter (organist) |
pipe organ |
Andante - Sanft in D Major, MWV W6, Choral and Fugue in D Minor/Major, MWV W33: Allegro |
| Anja Pöche |
vocal |
Abschied vom Walde, Wasserfahrt |
| Yehudi Menuhin |
violin |
Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace, Violin Concerto in E minor, op. 64: II. Andante |
| András Schiff |
piano |
Romance sans paroles, Op. 62 No. 1, Song WIthout Words op. 67 no. 4: Bee's Wedding |
| Alois Springer (Conductor) |
conductor |
Overture: The Hebrides - Fingal's Cave, The Hebrides: Overture Op. 26 |
| Семён Маевич Бычков |
conductor |
Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto (London Philharmonic Orchestra feat. conductor: Semyon Bychkov), Symphonie Nr. 4: 2. Andante con moto |
| Шура Черкасский (Shura Cherkassky, American pianist) |
piano |
Prélude – e-Moll op. 35, Nr. 1, Scherzo – e-Moll op. 16, Nr. 2 |
| Ray Minshull |
producer |
Hark! The Herald Angels Sing |
| Jorge Bolet |
piano |
Hunting Song, Op. 19 No. 3 |
| Leonard Rose (cellist) |
cello |
Trio pour piano, violon et violoncelle n°2, op.66 en do mineur : III. Scherzo. Molto allegro - quasi presto |
| Hans Kalafusz |
violin |
Frühlingslied |
| Hans Davidsson |
pipe organ |
Nachspiel in D Major, MWV W12 |
| Jonathan Wessler |
pipe organ |
Präludium in D Minor, MWV W2 |
| Gregor Piatigorsky |
cello |
Octet, Op. 20: Scherzo. Allegro leggierissimo |
| Gordon Langford (English composer, arranger and pianist) |
arranger |
O for the Wings of a Dove |
| Gil Shaham (violinist) |
violin |
Andres Maienlied "Hexenlied" / "Die Schwalbe fliegt", Op. 8 No. 8 |
| National Philharmonic Orchestra |
performing orchestra |
Nocturne From 'A Midsummer Night's Dream' |
| Nederlands Kamerorkest |
performing orchestra |
Violin Concerto in E Minor Op. 64: Andante |
| Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) |
performing orchestra |
Violin Concerto in E minor, Op. 64 |
| New Philharmonic Orchestra (probably bogus) |
performing orchestra |
Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) |
performing orchestra |
Fingal's Cave Overture |
| Jonathan Feldman |
piano |
Andres Maienlied "Hexenlied" / "Die Schwalbe fliegt", Op. 8 No. 8 |
| Gerald Moore (pianist) |
piano |
Song Without Words in D, op. 109 |
| Nikolaus Harnoncourt |
conductor |
A Midsummer Night’s Dream: Nocturne |
| George Stangelberger |
organ |
O, for the Wings of a Dove |
| Nürnberger Symphoniker |
performing orchestra |
Ouverture: Die Heimkehr aus der Fremde, Op 89 (Nürnberger Symphonie Orchester) |
| Johnny Green (composer and conductor, often credited as John Green) |
conductor |
Spinning Song |
| Liam Abramson |
cello |
Cello Sonata no. 1 in B-flat major, op. 45: I. Allegro vivace |
| Gabor Rejto |
cello |
Octet, Op. 20: Scherzo. Allegro leggierissimo |
| Frederica von Stade |
vocal |
A Midsummer Night's Dream: You Spotted Snakes |
| Franz Liszt |
arranger |
Marche nuptiale et variations |
| Ondrej Lenárd |
conductor |
Song of the Venetian Gondolier |
| Frank Vignola |
arranger, guitar |
Violin Concerto in E minor, Op. 64, MWV O14: I. Allegro molto appassionato |
| Klaus von Wildemann |
piano |
Frühlingslied |
| Orchestra dell’Accademia Nazionale di Santa Cecilia |
performing orchestra |
Symphony No.4 in A Major ('Italian') (First Movement) |
| Florian Zwiauer |
violins |
Concerto for Violin and Orchestra in E minor, Op. 64: I. Allegro molto appassionato |
| Festival Strings Lucerne |
performing orchestra |
Sinfonia per orchestra d'archi in re minore no. 10: Adagio - Allegro |
| Eugene Istomin |
piano |
Trio pour piano, violon et violoncelle n°2, op.66 en do mineur : III. Scherzo. Molto allegro - quasi presto |
| Erwin Van Bogaert |
pipe organ |
Praeludium in G |
| Kalevi Kiviniemi |
organ |
Hark! The Herald Angels Sing |
| Ernest Lough |
vocal |
Hear My Prayer: O for the Wings of a Dove |
| Erich Riede |
conductor |
A Midsummer Nights Dream Excerpts |
| John Scott (organist, choirmaster) |
conductor |
Hear my prayer |
| Abbey Simon (pianist) |
piano |
'Variations Sérieuses', op.54 |
| Palace (Joseph Will Oldham) |
publishing |
Hark! The Herald Angels Sing |
| Patrice Michaels |
vocal |
Bei der Weige, op. 47 no. 6 |
| Patricia Clarke (Soprano) |
vocal |
On Wings of Song |
| Patrick Thomas (conductor) |
conductor |
Storm at Sea: The Hebrides (Fingal's Cave): Overture |
| Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) |
conductor |
On Wings of Song |
| Epiphanias Orchester (Orchestra of the Epiphanias church in Frankfurt am Main) |
performing orchestra |
Psalm 42, Eingangschor: "Wie der Hirsch schreit" |
| Paul Daniel (conductor) |
conductor |
Elijah - Part 1: O Thou Who Makest... Is Not His Word Like A Fire |
| Paul McCandless |
performer |
Songs Without Words, Op. 19, No. 2 |
| Paul Myers (producer) |
producer |
Ein Sommernachtstraum - Nocturne |
| Epiphanias Kantorei (Choir of the Epiphanias church in Frankfurt am Main) |
vocal |
Psalm 42, Eingangschor: "Wie der Hirsch schreit" |
| Paul Tortelier |
cello |
Chant Populaire |
| Paula Downes |
vocal |
Der hundertste Psalm "Jauchzet dem Herrn, alle Welt" |
| John Ogdon |
piano |
Rondo Brilliant in E-flat major, op. 29 |
| John Dunkerley (engineer) |
balance |
Ein Sommernachtstraum - Nocturne |
| Emil Klein (conductor / cellist) |
cello |
Sonate pour violoncelle et piano no. 2, op. 58 : Molto allegro & vivace |
| Peter Marschik |
conductor |
O, for the Wings of a Dove |
| Peter Schmalfuss (pianist) |
piano |
Song Without Words for piano No. 12 in F sharp minor ('Venetianisches Gondellied'), Op. 30/6 |
| Elisso Bolkvadze |
piano |
Songs Without Words, op. 30: Song of the Venetian Gondolier |
| Elias String Quartet |
performer |
String Quartet No. 2 in A minor, Op. 13: III. Intermezzo |
| Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) |
conductor |
Sartarella |
| Edward Higginbottom |
conductor |
Hear My Prayer |
| Joanna Nickrenz |
producer |
'Variations Sérieuses', op.54 |
| Edinburgh Festival Chorus |
vocal |
Elijah - Part 1: O Thou Who Makest... Is Not His Word Like A Fire |
| Douglas E. Bush |
organ |
Andante |
| Philip Aaberg |
performer |
Duet From Songs Without Words, Op. 38, No. 6 |
| Philip Gibson (conductor) |
conductor |
Wedding March from "A Midsummer Night's Dream" |
| Dolph Taylor (Production music composer) |
arranger |
Wedding March |
| Luc Antonini |
organ |
Sonate n°6 en ré mineur "Notre père" |
| Derek Han |
piano |
Capriccio Brilliant in B minor for Piano and Orchestra, op. 22: Andante - Allegro con fuoco |
| Pierre Monteux |
conductor |
Ruy Blas, op. 95: Overture |
| Pietro di la Corona |
conductor |
Concerto para violino e orquestra em mi menor, Op. 64: III. Allegretto non troppo - Allegro molto vivace |
| Prades Festival Orchester |
performing orchestra |
Traditional (arr. Pablo Casals): Sant Martí del Canigó |
| Julius Katchen |
piano |
Auf Flügeln des Gesangs |
| RCA Victor Symphony Orchestra |
performing orchestra |
On Wings of Song |
| Joan Sutherland |
vocal |
Hark! The Herald Angels Sing |
| Jeremy Budd |
vocal |
Hear my prayer |
| Radio-Sinfonieorchester Stuttgart des SWR |
performing orchestra |
Elias: Hilf, Herr! |
| Daniel Adni |
piano |
Spring Song no. 30 "Songs Without Words" |
| Jean-Jacques Kantorow |
violin |
Violin Concerto in E Minor Op. 64: Andante |
| Rafael Kubelík |
conductor |
Ein Sommernachtstraum: Overtüre |
| Marc Aubort |
producer |
'Variations Sérieuses', op.54 |
| Richard Bonynge (conductor and pianist) |
conductor |
Hark! The Herald Angels Sing |
| Jean Gofor |
organ |
Songe d'une nuit d'été : Marche nuptiale |
| Jascha Zayde (pianist, composer and conductor) |
arranger |
Spinning Song |
| Claus Peter Flor |
performer |
Songe D'une Nuit D'eté - Marche Nuptiale |
| Robert Irving (ballet conductor) |
conductor |
Bee’s Wedding no. 34 "Songs Without Words" |
| Robert Randles |
arranger |
A Midsummer Night's Dream, op. 61: Fair Lovers You Are Fortunately Met |
| Marie-Claire Alain |
organ |
Wedding March (From A Midsummer's Night Dream) |
| Christoph von Dohnányi (German conductor) |
conductor |
Athalia: War March of the Priests |
| Janos Lukacs |
conductor |
Violin Concerto in E minor, Op. 64 |
| Christian Rainer |
conductor |
A Midsummer Night's Dream |
| Christian Beldi |
piano |
Sonate pour violoncelle et piano no. 2, op. 58 : Molto allegro & vivace |
| Christ Church Cathedral Choir, Oxford |
vocal |
O for the Wings of a Dove |
| Kenneth Wilkinson (engineer) |
engineer |
Hark! The Herald Angels Sing |
| Chris Hazell |
producer |
O for the wings of a dove |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Fingal's Cave, Op. 26: Concert Overture |
| Choir of New College Oxford |
vocal |
Hear My Prayer |
| Choir of King’s College, Cambridge |
vocal |
O for the wings of a dove |
| Rudolf Baumgartner (conductor) |
conductor |
Sinfonia per orchestra d'archi in re minore no. 10: Adagio - Allegro |
| Russell Emanuel (Production music composer) |
arranger |
Wedding March |
| Ruth Ziesak |
vocal |
Der 42. Psalm, Op. 42 "Wie der Hirsch schreit": II. Aria "Meine Seele dürstet" (Sopran) |
| Mark Brown (early music singer, conductor, and producer) |
producer |
Hear my prayer |
| Salvatore Accardo |
violin |
Violinkonzert e-moll, Op. 64: 2. Andante |
| Mark Egan |
bass guitar |
Violin Concerto in E minor, Op. 64, MWV O14: I. Allegro molto appassionato |
| Samuel Sanders |
piano |
Songs without words, vol 1, Op. 19b: no 1, Andante con moto in E major |
| Mark Levinson |
arranger |
Wedding March |
| Charles Wiffen |
piano |
Cello Sonata no. 1 in B-flat major, op. 45: I. Allegro vivace |
| Charles Munch (conductor and violinist) |
conductor |
Symphony No. 4, "Italian": IV. Saltarello. Presto (extract) |
| James Walker (ballet/opera conductor, classical recordings producer for Decca) |
conductor |
War March of the Priests, From "Athalie" |
| Marko Munih |
conductor |
The Hebrides, op. 26: Overture (Fingal’s Cave) |
| Sebastian Lang-Lessing |
conductor |
Overture from "A Midsummer Night's Dream" (excerpt) |
| Sergio Tiempo |
piano |
Rondo Capriccioso in E major, op. 14: Andante - Presto (live) |
| Sergiu Comissiona (conductor and violinist) |
conductor |
Wedding March |
| Casey Ayers |
piano |
Scherzo, Op. 16, No. 2 |
| Carl Schuricht |
conductor |
Ein Sommernachtstraum: Fairies' March |
| James Vivian |
organ |
O for the wings of a dove |
| Cardiff Symphony Orchestra |
performing orchestra |
Capriccio Brilliant for Piano & Orchestra Op. 22 |
| Cantus (US vocal ensemble) |
vocal |
Elijah: Lift Thine Eyes |
| Sinfonia of London (British session orchestra) |
performing orchestra |
Bee’s Wedding no. 34 "Songs Without Words" |
| Sir Adrian Boult |
conductor |
Fingal's Cave Overture |
| Sir George Thomas Thalben-Ball |
chorus master, organ |
Hear My Prayer: O for the Wings of a Dove |
| Sir John Eliot Gardiner |
conductor |
Symphony no. 1 in C minor, op. 11: iii. Scherzo: Sempre pianissimo e leggiero (1829 London version third movement) |
| Sir Neville Marriner |
conductor |
Violin Concerto in E minor, op. 64: II. Andante |
| Sir Roger Norrington |
conductor |
Concerto for Violin and Orchestra: Allegretto non troppo - Allegro molto vivace |
| Camerata Salzburg |
instrument |
Concerto for Violin and Orchestra: Allegretto non troppo - Allegro molto vivace |
| Byron Janis |
piano |
Song Without Words, op. 62, no. 1 |
| Slovenský komorný orchester Bohdana Warchala |
performing orchestra |
Symphonie Nr. 10 H-Dur: I. Adagio (attacca) / II. Allegro (Slovak Chamber Orchestra feat. conductor: Bohdan Warchal) |
| Budapesti Vonósok (Budapest String Orchestra) |
performing orchestra |
Scherzo, from Octet in E Flat, op. 20 |
| St Paul’s Cathedral Choir (London) |
vocal |
Hear my prayer |
| Martin Ford (British organist) |
organ |
Hark! The Herald Angels Sing |
| Martin Jones (pianist) |
piano |
Romanzas sin palabras, Op. 30: No. 6 en fa sostenido menor |
| Stefan Askenase |
piano |
Song Without Words, op. 19 no. 1 |
| Bryn Terfel (bass-baritone opera singer) |
vocal |
Elijah - Part 1: O Thou Who Makest... Is Not His Word Like A Fire |
| Stefan Sanderling |
conductor |
Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto |
| Bruno Grynszpan |
conductor |
A Midsummer Night’s Dream, op. 61 no. 4: Wedding March |
| Stephen Cleobury |
conductor |
O for the wings of a dove |
| Stephen Gunzenhauser |
conductor |
Capriccio Brilliant in B minor for Piano and Orchestra, op. 22: Andante - Allegro con fuoco |
| Brigham Young University Singers |
vocal |
Hark, the Herald Angels Sing |
| Steven Landau |
arranger |
Hark, the Herald Angels Sing |
| Sukův komorní orchestr |
performing orchestra |
Songs Without Words: Confidence |
| Krisztina Laki |
vocal |
Weihnachtskantate "Vom Himmel hoch: IV. Arie "Sei willkommen" (Sopran) |
| Sydney Symphony Orchestra |
performing orchestra |
Storm at Sea: The Hebrides (Fingal's Cave): Overture |
| Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) |
performing orchestra |
Song of the Venetian Gondolier |
| Brigham Young University Concert Choir |
vocal |
Judge Me, O God |
| Massimo Freccia |
conductor |
Symphony No.4 in A Major ('Italian') (First Movement) |
| Tanglewood Festival Chorus |
vocal |
A Midsummer Night's Dream: You Spotted Snakes |
| Tasmanian Symphony Orchestra |
performing orchestra |
Overture from "A Midsummer Night's Dream" (excerpt) |
| János Sándor |
conductor |
Symphony No. 4, "Italian": II. Andante con moto |
| The Ambrosian Singers |
vocal |
Hark! The Herald Angels Sing |
| The Choir of Magdalen College, Oxford |
vocal |
Hark! The Herald Angels Sing |
| The Choir of Temple Church |
vocal |
Hear My Prayer: O for the Wings of a Dove |
| Brandis Quartett |
performer |
Octet in E flat major, Op. 20: II. Andante |
| The Lansdowne String Quartet |
strings |
Canzonetta |
| Boris Statsenko |
vocal |
On Lena’s gloomy heath: Moderato - Andante / My soul brightens in danger: Allegro con brio |
| Bohdan Warchal |
conductor |
Symphonie Nr. 10 H-Dur: I. Adagio (attacca) / II. Allegro (Slovak Chamber Orchestra feat. conductor: Bohdan Warchal) |
| The Virtuoso Piano Quartet |
performer |
Spinning Song |
| Blas Net |
piano |
Song without Words No. 49 in D major, Op. 109 |
| Bill Ives |
conductor |
Hark! The Herald Angels Sing |
| Besses o’ th’ Barn Band |
performer |
O for the Wings of a Dove |
| Juilliard String Quartet |
strings |
String Quartet no. 2 in A minor, op. 13: II. Adagio non lento |
| James Galway (flautist) |
flute |
Scherzo (A Midsummer Night's Dream) |
| Bernhard Bücker (german pianist) |
piano |
Lieder, op. Posth: Waldschloss (Forest Castle) |
| Turun linnan kamarikuoro |
performer |
Hark! The Herald Angels Sing |
| Berliner Philharmoniker |
performing orchestra |
Hebrides Overture, Op. 26 "Fingal's Cave" |
| Karl Richter (conductor/ choir master/ organist/ harpsichordist) |
conductor |
Elias, op.70: Aria: "Höre, Israel, höre des Herrn Stimme!" |
| Benjamin Schmidinger (singer) |
vocal |
O, for the Wings of a Dove |
| Valery Kuleshov |
piano |
Wedding March and Variations |
| Van Baerle Trio |
performing orchestra |
Piano Trio 1 in d, Op. 49: II. Andante con moto tranquillo |
| Vinny Raniolo |
guitar |
Violin Concerto in E minor, Op. 64, MWV O14: I. Allegro molto appassionato |
| Bamberg Philharmonic (Pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) |
performing orchestra |
Symphony no. 4, "Italian": IV. Saltarello. Presto (from A Midsummer Night's Dream) |
| Balint Vazsonyi |
piano |
Frühlingslied |
| Bach-Collegium Stuttgart |
performing orchestra |
Psalm 42: Finale. "Warum betrübst du dich" |
| Jacqueline du Pré |
cello |
Song Without Words in D, op. 109 |
| Arthur Rubinstein (pianist) |
piano |
Song without Words in C major, Op. 67/4 "Spinning Song" |
| Arthur Harris |
arranger |
Songs, Op. 34 No. 2 "On Wings of Song" |
| Metropolitan Symphony Orchestra |
performing orchestra |
War March of the Priests, From "Athalie" |
| Walter Klien |
performer |
Spring Song |
| Werner Güra (German classical tenor) |
vocal |
Paulus, Op. 36: Teil I, No. 14. Rezitativ mit Chor "Und als er auf dem Weg war" - "Saul, was verfolgst du mich" |
| Westphal Quartett |
performer |
Octet in E flat major, Op. 20: II. Andante |
| Artemis Quartet |
strings |
Intermezzo uit Strijkkwartet nr.2 in A op.13 |
| Wiener Philharmoniker |
performing orchestra |
Athalia: War March of the Priests |
| Arnold Belnick |
violin |
Octet, Op. 20: Scherzo. Allegro leggierissimo |
| Antony Howell (Engineer) |
engineer |
Hear my prayer |
| Michael Tilson Thomas |
conductor |
Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| LaSalle Quartet |
strings |
String Quartet No. 1 in E-flat major, Op.12: II. Canzonetta - Allegretto |
| William Primrose |
viola |
Octet, Op. 20: Scherzo. Allegro leggierissimo |
| Anthony Bramall |
conductor |
A Midsummer Night's Dream: Overture |
| Annette Servadei |
piano |
Song Without Words in E major, Op. 30 No. 2 |
| Anne Akiko Meyers |
violin |
Violin Concerto in E minor, op. 64: III. Finale. Allegretto non troppo - Allegro molto vivace |
| Josef Suk (violinist) |
violin |
Songs Without Words: Confidence |
| Itzhak Perlman |
violin |
Songs without words, vol 1, Op. 19b: no 1, Andante con moto in E major |
| Yoel Levi |
conductor |
Scherzo |
| André Previn |
conductor |
Overture: A Midsummer Night’s Dream, op. 21 |
| Michel Simone (pianist) |
piano |
Song of Spring |
| Andrew Olleson |
vocal |
O for the Wings of a Dove |
| Štátna filharmónia Košice (Slovak State Philharmonic, Košice) |
performing orchestra |
Hark! The Herald Angels Sing |
| Арнольд Кац |
conductor |
A Midsummer Night’s Dream, op. 61: III. Wedding March |
| Andrew Lucas |
organ |
Hear my prayer |
| Andrew Litton |
conductor |
Violin Concerto in E minor, op. 64: III. Finale. Allegretto non troppo - Allegro molto vivace |
| Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) |
performing orchestra |
Sartarella |
| Israel Baker |
violin |
Octet, Op. 20: Scherzo. Allegro leggierissimo |
| Allan Maclean (engineer/editor) |
recording |
Song without Words |
| Alfred Walter |
conductor |
Hark! The Herald Angels Sing |
| Aled Jones |
performer |
O For The Wings Of A Dove |
| Aldo Ceccato |
conductor |
Rondo Brilliant in E-flat major, op. 29 |
| Alastair Brookshaw |
vocal |
Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden" |
| Санкт-Петербургский государственный академический симфонический оркестр |
performing orchestra |
A Midsummer Night's Dream, Op. 61: III. Wedding March |
| Adrian Leaper |
conductor |
Concerto for Violin and Orchestra in E minor, Op. 64: I. Allegro molto appassionato |
| Houston Symphony |
performing orchestra |
Wedding March |
| Сергей Рахманинов (Sergei Rachmaninoff) |
piano |
Lieder ohne Worte, Op. 67: Spinnerlied |
| Milan Pohronec |
conductor |
Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| Լորիս Ճգնավորյան |
conductor |
Fingal's Cave, Op. 26: Concert Overture |
| התזמורת הקאמרית הישראלית |
performing orchestra |
Capriccio Brilliant in B minor for Piano and Orchestra, op. 22: Andante - Allegro con fuoco |
| Academy of St Martin in the Fields Chamber Ensemble |
performer |
Octet in E flat, op. 20, MWV R20: I. Allegro moderato, ma con fuoco |
| 日本フィルハーモニー交響楽団 |
performing orchestra |
Six Songs, op. 34: II. Auf Flügeln des Gesanges (On Wings of Song) |
| 林昭亮 |
violin |
Violin Concerto in E minor, Op. 64: III. Allegro molto vivace |
| 河原忠之 |
piano |
♪メンデルスゾーン:歌の翼に |
| 渡邉昌子 |
arranger |
♪メンデルスゾーン:歌の翼に |
| 現田茂夫 |
conductor |
Six Songs, op. 34: II. Auf Flügeln des Gesanges (On Wings of Song) |
| Herbert von Karajan |
conductor |
Hebrides Overture (Fingal's Cave), Op. 26 |
| 足立さつき |
vocal |
♪メンデルスゾーン:歌の翼に |
| 金子詠美 |
piano |
♪メンデルスゾーン:歌の翼に |
| 阿部一樹 |
trumpet |
♪メンデルスゾーン:歌の翼に |