| Arthur Rubinstein (pianist) |
piano |
Concert for Piano and Orchestra No. 1 in E-Flat Major, S. 124: I. Allegro Maestoso. Tempo Giusto, Concert for Piano and Orchestra No. 1 in E-Flat Major, S. 124: II. Allegretto Vivace - Allegro Animato, Concert for Piano and Orchestra No. 1 in E-Flat Major, S. 124: II. Quasi Adagio, Concert for Piano and Orchestra No. 1 in E-Flat Major, S. 124: III. Allegro Marziiale Animato - Presto, Concerto No. 1 in E-flat: I. Allegro maestoso, Concerto No. 1 in E-flat: II. Quasi adagio, Concerto No. 1 in E-flat: III. Allegro marziale animato, Concerto for Piano and Orchestra No. 1 in E-flat major S. 124: I. Allegro maestoso. Tempo giusto, Concerto for Piano and Orchestra No. 1 in E-flat major S. 124: II. Allegretto vivace - Allegro animato, Concerto for Piano and Orchestra No. 1 in E-flat major S. 124: II. Quasi Adagio, Concerto for Piano and Orchestra No. 1 in E-flat major S. 124: III. Allegro marziale animato - Presto, Consolation No. 3 in D-flat major S 172/3, Consolation No. 3 in D-flat major S. 172/3, Funerailles, S. 173/7, Hungarian Rhapsody No. 10 in E major S 244/10, Hungarian Rhapsody No. 10 in E major S. 244/10, Hungarian Rhapsody No. 12 in C-sharp minor, S. 244/12, Liebestraum No. 3 in A-flat major S 541/3, Liebestraum No. 3 in A-flat major, S 541/3, Liebestraum No. 3 in A-flat major, S. 541/3, Mephisto Waltz No. 1, S. 514, Ungarische Rhapsody Nr. 10 E-Dur, Valse oubliee No. 1 in F-sharp major, s 215/1, Valse oubliée No. 1 in F-sharp major S 215/1, Valse oubliée, No. 1 in F-sharp major S 215/1, Valse-Impromptu in A-flat major, S. 213 |
| Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) |
performing orchestra |
Deux épisodes d'apres le Faust de Lenau, S. 110: I. Der nächtliche Zug, Deux épisodes d'apres le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer), Fantasy on Hungarian Folk Tunes, S. 123, Hungarian Fantasy, Hungarian Rhapsody No.2 (Who Framed Roger Rabbit?), Hungarian Rhapsody no. 2, Hungarian Rhapsody no. 6, Klavierkonzert No. 2 A-dur: I. Adagio sostenuto assai / II. Allegro agitato assai / III. Allegro moderato / IV. Allegro deciso / V. Marciale, un poco meno allegro / VI. Allegro animato, Poème symphonique No. 1, S. 95 "Ce qu'on entend sur la montagne", Poème symphonique No. 10, S. 104 "Hamlet", Poème symphonique No. 12, S. 106 "Die Ideale", Poème symphonique No. 13, S. 107 "Von der Wiege bis zum Grabe": I. Die Wiege, Poème symphonique No. 13, S. 107 "Von der Wiege bis zum Grabe": II. Der Kampf ums Dasein, Poème symphonique No. 13, S. 107 "Von der Wiege bis zum Grabe": III. Die Wiege des zukunftigen Lebens, Poème symphonique No. 2, S. 96 "Tasso: Lamento e Trionfo", Poème symphonique No. 3, S. 97 "Les Préludes", Poème symphonique No. 4, S. 98 "Orpheus", Poème symphonique No. 5, S. 99 "Prometheus", Poème symphonique No. 6, S. 100 "Mazeppa", Poème symphonique No. 8, S. 102 "Héroïde funèbre", Poème symphonique No. 9, S. 103 "Hungaria", Szózat und Hymnus - Fantasie, S. 353, Totentanz, paraphrase on "Dies irae" for Piano and Orchestra, S. 125, Zweiter Mephisto-Walzer, S. 111 |
| Michele Campanella |
piano |
Hungarian Rhapsody no. 1 in E major, S. 244, Hungarian Rhapsody no. 10 in E major, S. 244 “Preludio”, Hungarian Rhapsody no. 11 in A minor, S. 244, Hungarian Rhapsody no. 12 in C-sharp minor, S. 244, Hungarian Rhapsody no. 13 in A minor, S. 244, Hungarian Rhapsody no. 14 in F minor, S. 244, Hungarian Rhapsody no. 15 in A minor, S. 244 “Rákóczi-Marsch”, Hungarian Rhapsody no. 16 in A minor, S. 244 “Budapest Munkácsy-Festlichkeiten”, Hungarian Rhapsody no. 17 in D minor, S. 244, Hungarian Rhapsody no. 18 in F-sharp minor, S. 244 “Ungarischen Ausstellung in Budapest”, Hungarian Rhapsody no. 19 in D minor, S. 244, Hungarian Rhapsody no. 2 in C-sharp minor, S. 244, Hungarian Rhapsody no. 3 in B-flat major, S. 244, Hungarian Rhapsody no. 4 in E-flat major, S. 244, Hungarian Rhapsody no. 5 in E minor, S. 244 “Héroïde-élégiaque”, Hungarian Rhapsody no. 6 in D-flat major, S. 244, Hungarian Rhapsody no. 7 in D minor, S. 244, Hungarian Rhapsody no. 8 in F-sharp minor, S. 244, Hungarian Rhapsody no. 9 in E-flat major, S. 244 “Pesther Karneval” |
| Alfred Scholz |
conductor |
Hungarian Rhapsody no. 5, Hungarian Rhapsody, No. 5, I Koncert fortepianowy Es-dur - Allegretto vivace - Allegro animato, I Koncert fortepianowy Es-dur - Allegro maestoso, I Koncert fortepianowy Es-dur - Allegro marziale animato - Presto, I Koncert fortepianowy Es-dur - Quasi adagio, Les Preludes Poem No. 3, Les Préludes (London Festival Orchestra feat. conductor: Alfred Scholz), Orpheus Poem No. 4, Piano Concerto no. 1 in E-flat: I. Allegro maestoso, Piano Concerto no. 1 in E-flat: II. Quasi adagio, Piano Concerto no. 1 in E-flat: III. Allegretto vivace - Allegro animato, Piano Concerto no. 1 in E-flat: IV. Allegro marziale animato - Presto, Tasso (London Festival Orchestra feat. conductor: Alfred Scholz), Tasso, Poem No. 2, Ungarische Rhapsodie in B-Dur (London Festival Orchestra feat. conductor: Alfred Scholz), Ungarische Rhapsodie in f-Moll (London Festival Orchestra feat. conductor: Alfred Scholz), V Rapsodia Węgierska |
| Árpád Joó |
conductor |
Deux épisodes d'apres le Faust de Lenau, S. 110: I. Der nächtliche Zug, Deux épisodes d'apres le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer), Poème symphonique No. 1, S. 95 "Ce qu'on entend sur la montagne", Poème symphonique No. 10, S. 104 "Hamlet", Poème symphonique No. 12, S. 106 "Die Ideale", Poème symphonique No. 13, S. 107 "Von der Wiege bis zum Grabe": I. Die Wiege, Poème symphonique No. 13, S. 107 "Von der Wiege bis zum Grabe": II. Der Kampf ums Dasein, Poème symphonique No. 13, S. 107 "Von der Wiege bis zum Grabe": III. Die Wiege des zukunftigen Lebens, Poème symphonique No. 2, S. 96 "Tasso: Lamento e Trionfo", Poème symphonique No. 3, S. 97 "Les Préludes", Poème symphonique No. 4, S. 98 "Orpheus", Poème symphonique No. 5, S. 99 "Prometheus", Poème symphonique No. 6, S. 100 "Mazeppa", Poème symphonique No. 8, S. 102 "Héroïde funèbre", Poème symphonique No. 9, S. 103 "Hungaria", Szózat und Hymnus - Fantasie, S. 353, Zweiter Mephisto-Walzer, S. 111 |
| Евгений Игоревич Кисин |
piano |
Aufenthalt, S 560 No. 3 (from Schubert: Schwanengesang), Die Forelle, S 564 (Schubert), Erlkönig, S 558 No. 4 (Schubert), Etudes d'exécution transcendante, S 139 No. 10: Allegro agitato molto in F minor, Etudes d'exécution transcendante, S 139 No. 11: Harmonies du soir in D-flat major, Etudes d'exécution transcendante, S 139 No. 12: Chasse-neige in B minor, Etudes d'exécution transcendante, S 139 No. 5: Feux follets in B-flat major, Etudes d'exécution transcendante, S 139 No. 8: Wilde Jagd in C minor, Liebeslied, S 566 (Schumann: Widmung), Liebestraum in A-flat major, Notturno, S 541 No. 3, Mephisto Waltz No. 1 (Der Tanz in der Dorfschenke), S 514, Müllerlieder, S 565 (from Schubert: Die schöne Müllerin) No. 1: Das Wandern, Müllerlieder, S 565 (from Schubert: Die schöne Müllerin) No. 5: Wohin?, Rhapsodie espagnole, S 254, Soirées de Vienne, S 527: Valse caprice d'après Schubert No. 6 in A minor, Ständchen, S 560 No. 7 (from Schubert: Schwanengesang), Zwei Konzertetüden, S 145 No. 1: Waldesrauschen in A-flat major |
| Kemal Gekić |
piano |
Les jeux d'eaux a la Villa d'Este, S. 163-164 (feat. piano: Kemal Gekic), Libestraum No. 3, S. 541-3 (feat. piano: Kemal Gekic), Overture de l’opera “Guillaume Tell”, S. 552, R. 237, Soirées musicales, S. 424, R. 236: I. Canzonetta “La promessa”, Soirées musicales, S. 424, R. 236: II. Notturno “La regata veneziana”, Soirées musicales, S. 424, R. 236: III. Bolero “L’invito”, Soirées musicales, S. 424, R. 236: IV. Barcarola “La gita in gondola”, Soirées musicales, S. 424, R. 236: IX. Tarantella “La danza”, Soirées musicales, S. 424, R. 236: V. Canzonetta “Il rimprovero”, Soirées musicales, S. 424, R. 236: VI. Tirolese “La pastorella dell´ Alpi”, Soirées musicales, S. 424, R. 236: VII. Canzonetta “La partenza”, Soirées musicales, S. 424, R. 236: VIII. Notturno “La Pesca”, Soirées musicales, S. 424, R. 236: X. Notturno “La serenata”, Soirées musicales, S. 424, R. 236: XI. Arietta “L’orgia”, Soirées musicales, S. 424, R. 236: XII. Duetto “Li marinari” |
| Daniel Barenboim |
conductor, grand piano, piano |
Annees de Pelerinage II: Sonetto 47 del Petrarca, Après une lecture du Dante (Fantasia quasi sonata), Après une lecture du Dante, "Dante Sonata": Andante maestoso - Presto agitato assai - Tempo I (Andante) - Andante (quasi improvvisato) - Andante - Recitativo - Adagio - Allegro moderato - Più mosso - Tempo rubato e molto ritenuto - Andante - Più mosso - Allegro - Allegro vivace - Presto - Andante (Tempo I), Dante Sonata, Dante Symphony: I. Inferno, Dante Symphony: II. Purgatorio, Dante Symphony: III. Magnificat, Sonata for Piano in B minor: I. Lento assai - Allegro energico, Sonata for Piano in B minor: II. Andante sostenuto, Sonata for Piano in B minor: III. Andante energico, St François d'Assise: La Prédication aux oiseaux, Tre sonetti del Petrarca: Sonetto 104 "Pace non trovo", Tre sonetti del Petrarca: Sonetto 123 "I' vidi in terra angelici costumi", Tre sonetti del Petrarca: Sonetto 47 "Benedetto sia' l giorno" |
| Владимир Самойлович Горовиц |
piano |
Consolation No.2, Consolation No.3, Etude No. 2 in E-flat major, Mephisto Waltz No. 1, Mephisto Waltz No.1, Rhapsodie hongroise No. 15 en La mineur "Rakoczy", Rákóczy March (Hungarian Rhapsody No.15) (Arr. Horowitz), Sonata in B Minor, Part 1: Lento assai - allegro energico - grandioso, Sonata in B Minor, Part 2: Allegro energico, Sonata in B Minor, Part 3: Allegro energico (concluded) - andante sostenuto, Sonata in B Minor, Part 4: Andante sostenuto (concluded), Sonata in B Minor, Part 5: Allegro energico, Sonata in B Minor, Part 6: Allegro energico (concluded) - andante sostenuto - allegro moderato - lento assai, Valse Oubliee No.1 |
| Gábor Mocsáry |
sound |
Overture de l’opera “Guillaume Tell”, S. 552, R. 237, Soirées musicales, S. 424, R. 236: I. Canzonetta “La promessa”, Soirées musicales, S. 424, R. 236: II. Notturno “La regata veneziana”, Soirées musicales, S. 424, R. 236: III. Bolero “L’invito”, Soirées musicales, S. 424, R. 236: IV. Barcarola “La gita in gondola”, Soirées musicales, S. 424, R. 236: IX. Tarantella “La danza”, Soirées musicales, S. 424, R. 236: V. Canzonetta “Il rimprovero”, Soirées musicales, S. 424, R. 236: VI. Tirolese “La pastorella dell´ Alpi”, Soirées musicales, S. 424, R. 236: VII. Canzonetta “La partenza”, Soirées musicales, S. 424, R. 236: VIII. Notturno “La Pesca”, Soirées musicales, S. 424, R. 236: X. Notturno “La serenata”, Soirées musicales, S. 424, R. 236: XI. Arietta “L’orgia”, Soirées musicales, S. 424, R. 236: XII. Duetto “Li marinari” |
| Jenő Simon |
producer |
Overture de l’opera “Guillaume Tell”, S. 552, R. 237, Soirées musicales, S. 424, R. 236: I. Canzonetta “La promessa”, Soirées musicales, S. 424, R. 236: II. Notturno “La regata veneziana”, Soirées musicales, S. 424, R. 236: III. Bolero “L’invito”, Soirées musicales, S. 424, R. 236: IV. Barcarola “La gita in gondola”, Soirées musicales, S. 424, R. 236: IX. Tarantella “La danza”, Soirées musicales, S. 424, R. 236: V. Canzonetta “Il rimprovero”, Soirées musicales, S. 424, R. 236: VI. Tirolese “La pastorella dell´ Alpi”, Soirées musicales, S. 424, R. 236: VII. Canzonetta “La partenza”, Soirées musicales, S. 424, R. 236: VIII. Notturno “La Pesca”, Soirées musicales, S. 424, R. 236: X. Notturno “La serenata”, Soirées musicales, S. 424, R. 236: XI. Arietta “L’orgia”, Soirées musicales, S. 424, R. 236: XII. Duetto “Li marinari” |
| Tamás Benedek |
producer |
Overture de l’opera “Guillaume Tell”, S. 552, R. 237, Soirées musicales, S. 424, R. 236: I. Canzonetta “La promessa”, Soirées musicales, S. 424, R. 236: II. Notturno “La regata veneziana”, Soirées musicales, S. 424, R. 236: III. Bolero “L’invito”, Soirées musicales, S. 424, R. 236: IV. Barcarola “La gita in gondola”, Soirées musicales, S. 424, R. 236: IX. Tarantella “La danza”, Soirées musicales, S. 424, R. 236: V. Canzonetta “Il rimprovero”, Soirées musicales, S. 424, R. 236: VI. Tirolese “La pastorella dell´ Alpi”, Soirées musicales, S. 424, R. 236: VII. Canzonetta “La partenza”, Soirées musicales, S. 424, R. 236: VIII. Notturno “La Pesca”, Soirées musicales, S. 424, R. 236: X. Notturno “La serenata”, Soirées musicales, S. 424, R. 236: XI. Arietta “L’orgia”, Soirées musicales, S. 424, R. 236: XII. Duetto “Li marinari” |
| Lazar Berman |
piano |
Ave Maria, Der Leiermann, Die junge Nonne, Erlkönig, Gretchen am Spinnrade, Piano Concerto No. 1 in E-flat major: II. Quasi adagio - Allegretto vivace - Allegro animato, Transcendental Etudes: I Preludio, Transcendental Etudes: III. Paysage, Transcendental Etudes: V. Feux-Follets, Transcendental Etudes: VI. Vision, Transcendental Etudes: XII. Chasse-Neige, Täuschung |
| Jos van Immerseel |
fortepiano |
Abschied, Am Grabe Richard Wagners, Czardas obstinée, Die Zelle in Nonnenwerth, La lugubre gondola, La notte, Romance oubliée, Schlummerlied im Grabe, Trube Wolken, Unstern sinistre disastro, Wiegenlied, Zweite Elegie |
| The Philadelphia Orchestra |
performing orchestra |
Bugs Bunny: Rhapsody Rabbit: Hungarien Rhapsody No. 2, Hungarian Rhapsody No. 2 (extract), Les préludes, S 97, Liebestraum, Méphisto - Valse, Piano Concerto No. 2 in A major: II. Allegro moderato -, Piano Concerto No. 2 in A major: IIIa. Allegro deciso -, Piano Concerto No. 2 in A major: IIIb. Marziale un poco meno allegro -, Piano Concerto No. 2 in A major: IV. Allegro animato, Piano Concerto No. 2 in A major: Ia. Adagio sostenuto assai -, Piano Concerto No. 2 in A major: Ib. Allegro agitato assai - |
| Boris Berezovsky |
piano |
Fantasia in C major D760 "Wanderer Fantasy", Piano Concerto no. 1 in E-flat major, S124: I. Allegro maestoso - Tempo giusto, Piano Concerto no. 1 in E-flat major, S124: II. Quasi adagio, Piano Concerto no. 1 in E-flat major, S124: III. Allegretto vivace, Piano Concerto no. 1 in E-flat major, S124: IV. Allegro marziale animato - Presto, Piano Concerto no. 2 in A major, S125: I. Adagio sostenuto assai - Allegro agitato assai, Piano Concerto no. 2 in A major, S125: II. Allegro moderato, Piano Concerto no. 2 in A major, S125: III. Allegro deciso, Piano Concerto no. 2 in A major, S125: IV. Marziale, un poco meno allegro, Piano Concerto no. 2 in A major, S125: V. Allegro animato - Stretto, molto accelerando, Totentanz (Danse macabre), S126 |
| André Watts |
piano |
Au Lac de Wallenstadt, Etüde No.3 gis-moll 'La Campanella', Hungarian Rhapsody no. 13 in A minor, Il Penseroso, Les Jeux d'eau a la villa d'este, Six Grand Etudes after Paganini no. 1 in G minor, Six Grand Etudes after Paganini no. 2 in E flat, Six Grand Etudes after Paganini no. 3, La Campanella, Six Grand Etudes after Paganini no. 4 in E, Six Grand Etudes after Paganini no. 5, La Chasse, Six Grand Etudes after Paganini no. 6 in A minor |
| Ivo Pogorelich |
piano |
Piano Sonata in B minor S 178: Allegro energico -, Piano Sonata in B minor S 178: Allegro moderato -, Piano Sonata in B minor S 178: Andante sostenuto -, Piano Sonata in B minor S 178: Grandioso -, Piano Sonata in B minor S 178: Lento assai, Piano Sonata in B minor S 178: Lento assai -, Piano Sonata in B minor S 178: Più mosso -, Piano Sonata in B minor S 178: Presto - Prestissimo -, Piano Sonata in B minor S 178: Quasi adagio -, Piano Sonata in B minor S 178: Recitativo -, Piano Sonata in B minor S 178: Stretta quasi presto - |
| Eugene Ormandy |
conductor |
Bugs Bunny: Rhapsody Rabbit: Hungarien Rhapsody No. 2, Hungarian Rhapsody No. 2 (extract), Liebestraum, Méphisto - Valse, Piano Concerto No. 2 in A major: II. Allegro moderato -, Piano Concerto No. 2 in A major: IIIa. Allegro deciso -, Piano Concerto No. 2 in A major: IIIb. Marziale un poco meno allegro -, Piano Concerto No. 2 in A major: IV. Allegro animato, Piano Concerto No. 2 in A major: Ia. Adagio sostenuto assai -, Piano Concerto No. 2 in A major: Ib. Allegro agitato assai - |
| Cora Irsen |
piano |
Legende No. 2 in E-Dur, S. 175 "St. François de Paule marchant sur les flots", Piano Solo in E-Dur , S. 187a "Resignazione", Piano Solo in Fis-Dur, S. 163 "Les jeux d'eaux á la Ville d'Este", Piano Solo in Fis-Dur, S. 173 "Bénédiction de Dieu dans la solitude": I. Moderato, Piano Solo in Fis-Dur, S. 173 "Bénédiction de Dieu dans la solitude": II. Andante, Piano Solo in Fis-Dur, S. 173 "Bénédiction de Dieu dans la solitude": III. Più sostenuto quasi preludio, Piano Solo, S. 199 "Nuages Gris", Piano Solo, S. 204 "Recueillement", Variationen über ein Motiv von Bach in F-Moll, S. 179 "Weinen, Klagen, Sorgen, Zagen" |
| Silvia Čápová |
piano |
"Un Sospiro" Concert Etude (feat. piano: Silvia Čápová), Consolation, Consolation Des-dur, Consolation E-dur, Consolation in D-flat, Consolation in E, Liebestraum, Love Dreams No. 3 in A-Flat major |
| Artur Pizarro |
piano |
Hungarian Rhapsody No. 10 in E major, Hungarian Rhapsody No. 11 in A major, Hungarian Rhapsody No. 12 in C-sharp minor, Hungarian Rhapsody No. 13 in A minor, Hungarian Rhapsody No. 15 in A minor "Rákóczy March", Hungarian Rhapsody No. 2 in C-sharp minor, Hungarian Rhapsody No. 6 in D-flat major, Hungarian Rhapsody No. 9 in E-flat major "Pesther Carneval" |
| Zubin Mehta (conductor) |
conductor |
Friska from Hungarian Rhapsody No. 2 (Arr. Franz Doppler), Hungarian Rhapsody No. 1 in F major, S 359, Hungarian Rhapsody No. 2 in D minor, S 359, Hungarian Rhapsody No. 3 in D major, S 359, Hungarian Rhapsody No. 4 in D minor, S 359, Hungarian Rhapsody No. 5 in E minor, "Heroide-elegiaque", S 359, Hungarian Rhapsody No. 6 in D major, "The Carnival of Pest", S 359, Hungarian Rhapsody no. 2 |
| Van Cliburn |
piano |
Consolation No. 5, Liebestraum No. 3 in A-flat major, Piano Concerto No. 2 in A major: II. Allegro moderato -, Piano Concerto No. 2 in A major: IIIa. Allegro deciso -, Piano Concerto No. 2 in A major: IIIb. Marziale un poco meno allegro -, Piano Concerto No. 2 in A major: IV. Allegro animato, Piano Concerto No. 2 in A major: Ia. Adagio sostenuto assai -, Piano Concerto No. 2 in A major: Ib. Allegro agitato assai - |
| Leif Ove Andsnes |
piano |
Après une lecture du Dante, Fantasia quasi Sonata, Ballade No. 2, Die Zelle in Nonnenweerth: Élégie, Harmonies poétiques et religieuses, No. 9: Andante lagrimoso, Mephisto Waltz No. 1, Mephisto Waltz No. 2, Mephisto Waltz No. 4, Valse oubliée No. 4 |
| התזמורת הפילהרמונית הישראלית |
performing orchestra |
Friska from Hungarian Rhapsody No. 2 (Arr. Franz Doppler), Hungarian Rhapsody No. 1 in F major, S 359, Hungarian Rhapsody No. 2 in D minor, S 359, Hungarian Rhapsody No. 3 in D major, S 359, Hungarian Rhapsody No. 4 in D minor, S 359, Hungarian Rhapsody No. 5 in E minor, "Heroide-elegiaque", S 359, Hungarian Rhapsody No. 6 in D major, "The Carnival of Pest", S 359, Hungarian Rhapsody no. 2 |
| Mariam Batsashvili |
piano |
Andante lagrimoso (Harmonies poétiques et religieuses), S173/9, Aux cyprès de la Villa d'Este - Thrénodie I, S163/2, Bénédiction de Dieu dans la Solitude (Harmonies poétiques et religieuses), S173/3, Concerto no. 1 in E-flat major, S124, Die Lorelei, S532, Grande Étude de Paganini no. 4, S141/4, Rapsodie hongroise II, S244/2 |
| London Symphony Orchestra |
performing orchestra |
Hungarian Rhapsody no. 1 in F minor, Hungarian Rhapsody no. 2 in D minor, Hungarian Rhapsody no. 3 in D major, Hungarian Rhapsody no. 4 in D minor, Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque", Hungarian Rhapsody no. 6 in D major "Carnival in Pesth", Liebestraum |
| London Festival Orchestra (Alfred Scholz pseudonym, not Decca/Ross Pople orchestra) |
performing orchestra |
Hungarian Rhapsody no. 5, Les Préludes (London Festival Orchestra feat. conductor: Alfred Scholz), Les Préludes, S.97, Tasso (London Festival Orchestra feat. conductor: Alfred Scholz), Ungarische Rhapsodie in B-Dur (London Festival Orchestra feat. conductor: Alfred Scholz), Ungarische Rhapsodie in f-Moll (London Festival Orchestra feat. conductor: Alfred Scholz), V Rapsodia Węgierska |
| Georges Cziffra |
piano |
Fantaisie hongroise en fa majeur, Hungarian Fantasy, S. 123, Les Jeux d'eau à la villa d'Este, Rhapsodie Hongroise No. 2 en ut dièse mineur, Tarantelle de bravoure sur des thèmes de " La Muette de Portici", Totentanz, Paraphrase on the "Dies Irae", S. 126, Valse Oubliées No.1 in F sharp major |
| Thomas Quasthoff |
vocal |
Die Loreley S 273 (1. Fassung), Es muss ein Wunderbares sein S 314, O lieb, so lang du lieben kannst S 298, Tre Sonetti di Petrarca S 270 - I. Pace non trovo, Tre Sonetti di Petrarca S 270 - II. Benedetto sia 'l giorno, Tre Sonetti di Petrarca S 270 - III. I' vidi in terra angelici costumi |
| David Mottley |
producer |
Hungarian Rhapsody No. 1 in F major, S 359, Hungarian Rhapsody No. 2 in D minor, S 359, Hungarian Rhapsody No. 3 in D major, S 359, Hungarian Rhapsody No. 4 in D minor, S 359, Hungarian Rhapsody No. 5 in E minor, "Heroide-elegiaque", S 359, Hungarian Rhapsody No. 6 in D major, "The Carnival of Pest", S 359 |
| Orchestra of the Hungarian State Folk Ensemble |
performing orchestra |
Csárdás Macabre, Hungarian Rhapsody no. 13, Hungarian Rhapsody no. 14, Hungarian Rhapsody no. 15, Hungarian Rhapsody no. 19, Hungarian Rhapsody no. 2 |
| Nürnberger Symphoniker |
performing orchestra |
Les Préludes, Symphonische Dichtung Nr.3 nach Lamartine, Piano Concerto no. 1 in E-flat: I. Allegro maestoso, Piano Concerto no. 1 in E-flat: II. Quasi adagio, Piano Concerto no. 1 in E-flat: III. Allegretto vivace - Allegro animato, Piano Concerto no. 1 in E-flat: IV. Allegro marziale animato - Presto, Ungarische Rhapsodie in D-Dur "Pester Karneval" (Nürnberger Symphoniker feat. conductor: Alfred Scholz) |
| Antal Doráti |
conductor |
Hungarian Rhapsody no. 1 in F minor, Hungarian Rhapsody no. 2 in D minor, Hungarian Rhapsody no. 3 in D major, Hungarian Rhapsody no. 4 in D minor, Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque", Hungarian Rhapsody no. 6 in D major "Carnival in Pesth" |
| Ben Bernfeld |
engineer |
Hungarian Rhapsody No. 1 in F major, S 359, Hungarian Rhapsody No. 2 in D minor, S 359, Hungarian Rhapsody No. 3 in D major, S 359, Hungarian Rhapsody No. 4 in D minor, S 359, Hungarian Rhapsody No. 5 in E minor, "Heroide-elegiaque", S 359, Hungarian Rhapsody No. 6 in D major, "The Carnival of Pest", S 359 |
| Willi Boskovsky |
conductor |
Hungarian Rhapsody for Orchestra No. 1 in F minor, S. 359/1, Hungarian Rhapsody for Orchestra No. 3 in D major, S. 359/3, Hungarian Rhapsody for Orchestra No. 4 in D minor, S. 359/4, Hungarian Rhapsody for Orchestra No. 5 in E minor, S. 359/5, Hungarian Rhapsody for Orchestra No. 6 in D-flat major "Carnival in Pest", S. 359/6, Rákóczi March, S. 608 |
| Justus Zeyen |
piano |
Die Loreley S 273 (1. Fassung), Es muss ein Wunderbares sein S 314, O lieb, so lang du lieben kannst S 298, Tre Sonetti di Petrarca S 270 - I. Pace non trovo, Tre Sonetti di Petrarca S 270 - II. Benedetto sia 'l giorno, Tre Sonetti di Petrarca S 270 - III. I' vidi in terra angelici costumi |
| Pierre Monteux |
conductor |
Les préludes, S. 97: Allegretto pastorale - Allegro marziale, Les préludes, S. 97: Allegro ma non troppo - Allegro tempestuoso, Les préludes, S. 97: Allegro marziale animato - Andante maestoso, Les préludes, S. 97: Andante - Andante maestoso</name>, Les préludes, S. 97: L'istesso tempo |
| Gidon Kremer |
conductor, violin |
Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): I. Andante maestoso, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): II. Presto agitato assai, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): III. Adagio - Allegro moderato, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): IV. Cadenza, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): V. Poco a poco piu di moto - Allegro vivace |
| Herbert von Karajan |
conductor |
Hungarian Rhapsody No. 2, S. 244 (Corresponds piano version no. 12 in C sharp minor), Hungarian Rhapsody no. 2, Mephisto Waltz, Ungarische Fantasie, Ungarische Rhapsodie Nr. 2 |
| Josef Bulva |
performer, piano |
"Dream of Love" No. 3 in A-flat major, Evening Harmony Etude d’Execution Transcendante no.11 in D-flat major, Execution transcendante: Evening Harmony, Hungarian Rhapsody no. 2 for Piano (from Who Framed Roger Rabbit?), Love Dream No. 3 |
| James Levine (US conductor and pianist) |
piano |
Comment, disaient-ils, S. 276, Mignons Lied "Kennst du das Land", S. 275, Oh! quand je dors "Élégie Etienne Monnier", S. 282, Vergiftet sind meine Lieder, S. 289, Über allen Gipfeln ist Ruh' "Wandrers Nachtlied", S. 306 |
| Berliner Philharmoniker |
performing orchestra |
Hungarian Rhapsody No. 1, Hungarian Rhapsody No. 2, S. 244 (Corresponds piano version no. 12 in C sharp minor), Mephisto Waltz, Ungarische Fantasie, Ungarische Rhapsodie Nr. 2 |
| Jennie Tourel |
vocal |
Comment, disaient-ils, S. 276, Mignons Lied "Kennst du das Land", S. 275, Oh! quand je dors "Élégie Etienne Monnier", S. 282, Vergiftet sind meine Lieder, S. 289, Über allen Gipfeln ist Ruh' "Wandrers Nachtlied", S. 306 |
| David Helfgott |
piano |
Hungarian Rhaposdy No. 2, Hungarian Rhapsody No. 2, La Campalesson, La Campanella, Sospiro |
| Sergei Dreznin |
instrument arranger |
Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): I. Andante maestoso, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): II. Presto agitato assai, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): III. Adagio - Allegro moderato, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): IV. Cadenza, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): V. Poco a poco piu di moto - Allegro vivace |
| Kremerata Baltica |
performing orchestra |
Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): I. Andante maestoso, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): II. Presto agitato assai, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): III. Adagio - Allegro moderato, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): IV. Cadenza, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): V. Poco a poco piu di moto - Allegro vivace |
| Marta Sudraba |
cello |
Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): I. Andante maestoso, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): II. Presto agitato assai, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): III. Adagio - Allegro moderato, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): IV. Cadenza, Après une lecture du Dante for Violin and String Orchestra (arrangement: Sergei Dreznin): V. Poco a poco piu di moto - Allegro vivace |
| Peter Schmalfuss (pianist) |
piano |
Forgotten Waltz no. 1, Gondoliera (From "Venezia e napoli"), Gondoliera from "Venezia et Napoli", Premiér valse oubliée, Walc zapomniany nr1 |
| Hélène Gàl (pianist, an Alfred Scholz pseudonym) |
piano |
Liebestraum No.3, Liebestraum Nr. 3, Liebestraum no. 3 in A-flat, Liebestraum op62 No.3 As-dur, Marzenie miłosne nr3 As-dur |
| Murray Perahia |
piano |
Hungarian Rhapsodie No. 12: Introduction: Mesto - Adagio - Allegro zingarese - Allegretto gioioso - Stretta: Vivace, Konzertetüde No.1 "Waldesrauschen", Konzertetüde No.2 "Gnomenreigen", Mephisto Walzer No.1 |
| Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) |
performing orchestra |
Symphonic Poem no. 2: Tasso, Lamento y Triunfo, Symphonic Poem no. 3: Los Preludios, Symphonic Poem no. 5: Prometeo, Symphonic Poem no. 6: Mazeppa |
| Nurnberg Sinfonica (associated with Alfred Scholz) |
performing orchestra |
I Koncert fortepianowy Es-dur - Allegretto vivace - Allegro animato, I Koncert fortepianowy Es-dur - Allegro maestoso, I Koncert fortepianowy Es-dur - Allegro marziale animato - Presto, I Koncert fortepianowy Es-dur - Quasi adagio |
| Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) |
piano |
12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto, 12 Etudes d'exécution transcendante, S.139: No.8 Wilde Jagd (Presto furioso), 2 Etudes de Concert, S.145: No.2 Gnomenreigen, 3 Etudes de Concert, S.144: No. 3 in D flat "Un sospiro" (Allegro affettuoso) |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
performer, performing orchestra, vocal, organ, piano |
Liebestraum Nr. 3, As-Dur, Liebestraume, S541/R211: No. 3: Nocturne in A flat major (arr. for cello and orch.), Transcendental Étude no. 8, 'Wilde Jagd', Un Sospiro (Excerpt) |
| Zsolt Hamar |
conductor |
Symphonic Poem no. 2: Tasso, Lamento y Triunfo, Symphonic Poem no. 3: Los Preludios, Symphonic Poem no. 5: Prometeo, Symphonic Poem no. 6: Mazeppa |
| Donatella Failoni |
piano |
Liebestraum No. 3 in A-flat major, Mephisto-Walzer No. 1, Zwei Konzertstudien, S. 145: Gnomenreigen, Zwei Konzertstudien, S. 145: Waldesrauschen |
| Philharmonia Hungarica |
performing orchestra |
Hungarian Rhapsody for Orchestra No. 1 in F minor, S. 359/1, Hungarian Rhapsody for Orchestra No. 4 in D minor, S. 359/4, Hungarian Rhapsody for Orchestra No. 6 in D-flat major "Carnival in Pest", S. 359/6, Rákóczi March, S. 608 |
| György Oravecz |
piano |
Fantasy on Hungarian Folk Tunes, S. 123, Hungarian Rhapsody No. 14, S. 244/14, Totentanz, paraphrase on "Dies irae" for Piano and Orchestra, S. 125, Totentanz, paraphrase on "Dies irae" for solo piano, S. 525 |
| London Festival Orchestra ('house orchestra' of Decca Records, associated since 1980 with conductor Ross Pople) |
performing orchestra |
Hungarian Rhapsody, No. 5, Les Preludes Poem No. 3, Orpheus Poem No. 4, Tasso, Poem No. 2 |
| Riccardo Muti |
conductor |
Faust: Lento Assai - Allegro impetuoso - Allegro agitato ed appassionato assai, Gretchen : Andante soave, Les préludes, S 97, Mephistopheles: Allegro vivace ironico - Andante mistico |
| Jenő Jandó |
piano |
Etude 3 D'après, No. Paganini, la campanella, Hungarian Fantasy, Klavierkonzert No. 2 A-dur: I. Adagio sostenuto assai / II. Allegro agitato assai / III. Allegro moderato / IV. Allegro deciso / V. Marciale, un poco meno allegro / VI. Allegro animato, Nocturne 3 - rêves D'amour |
| Sergei Istomin (cellist and gambist) |
cello |
Die Zelle in Nonnenwerth, La lugubre gondola, Romance oubliée, Zweite Elegie |
| Robert Wagner (conductor) |
conductor |
Fantazja Węgierska, Hungarian Fantasia, Ungarische Fantasie |
| Fujiko Hemming |
piano |
Au bord d'une source, S. 160-4 (feat. piano: Fuziko Hemming), La campanella, S. 141-3 (feat. piano: Fuziko Hemming), Un Sospiro (feat. piano: Fuziko Hemming) |
| Natalie Shea (Alto and producer) |
producer |
Consolation No. 1, S172, Liebestraum, No. 3, S541, Little Piece, No. 4, S192 |
| Robert Grogan (organist) |
organ |
An Ancient Provençal Carol, An Old Christmas Carol (Psallite), The Shepherds at the Manger |
| László Berki |
conductor |
Csárdás Macabre, Hungarian Rhapsody no. 14, Hungarian Rhapsody no. 19 |
| Boris Krechman |
piano |
Sonnetto del Petrarca No. 104 in E major, Sonnetto del Petrarca No. 123 in A flat major, Sonnetto del Petrarca No. 47 in D flat major |
| Jorge Bolet |
piano |
Au Bord d'une source, Gnomenreigen, Sonetto 104 del Petrarca |
| Tiroler Symphonieorchester Innsbruck |
performing orchestra |
Fantazja Węgierska, Hungarian Fantasia, Ungarische Fantasie |
| John Ogdon |
piano |
Liebestraum No. 3 in A flat major, Paganini Etude No.3, La Campanella (excerpt), Rêve d'amour n° 3 en la bémol majeur |
| Roger Woodward (pianist) |
piano |
Consolation No. 1, S172, Liebestraum, No. 3, S541, Little Piece, No. 4, S192 |
| Yuri Rozum |
piano |
Ave Maria, transcription for piano (after Schubert), S. 558/12 (LW A42/12), Erlkönig (II), transcription for piano (after Schubert, D. 328d), S. 558/4 (LW A42/4), Ständchen, Leise flehen meine Lieder, transcription for piano (after Schubert D. 957), S. 560/7 (LW A49/7) |
| Peter Frankl |
piano |
Fantazja Węgierska, Hungarian Fantasia, Ungarische Fantasie |
| Gerhard Weinberger (German organist and conductor) |
organ |
Fantasie & Fuge über den Choral "Ad nos, ad salutarem undam", Präludium & Fuge über B-A-C-H, Weinen, Klagen, Sorgen, Zagen |
| Hans Pålsson |
piano |
Bagatell utan tonart, Liebestraum nr. 3 Ass-dur, Ungersk rapsodi nr. 11 |
| István Albert |
conductor |
Hungarian Rhapsody no. 13, Hungarian Rhapsody no. 15, Hungarian Rhapsody no. 2 |
| András Kórodi |
conductor |
Hungarian Rhapsody No.2 (Who Framed Roger Rabbit?), Hungarian Rhapsody no. 2, Hungarian Rhapsody no. 6 |
| Andrew McKeich (producer) |
producer |
Consolation No. 1, S172, Liebestraum, No. 3, S541, Little Piece, No. 4, S192 |
| Iolanta Tsitsenaite |
piano |
Fantasia, quasi sonata: "D'Après une lecture de Danté", Liebesträume (Reveries of love): Nocturne No. 1, Liebesträume (Reveries of love): Nocturne No. 3 |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Fantaisie hongroise en fa majeur, Hungarian Fantasia for Piano and Orchestra, Hungarian Rhapsody no. 2 |
| László Gulyás (Hungarian orchestral arranger) |
arranger |
Hungarian Rhapsody no. 15, Hungarian Rhapsody no. 2 |
| 郎朗 (Chinese pianist) |
piano |
Consolation no. 3, Piano Concerto No. 1: II. Quasi Adagio - Allegretto vivace - Allegretto animato |
| Allan Maclean (engineer/editor) |
recording |
Consolation No. 1, S172, Liebestraum, No. 3, S541 |
| Roland de Kroon |
chorus master |
Eine Symphonie zu Dantes Divina Commedia, S. 109: I. Inferno, Eine Symphonie zu Dantes Divina Commedia, S. 109: II. Purgatoire - Magnificat |
| Rotterdams Philharmonisch Orkest |
performing orchestra |
Eine Symphonie zu Dantes Divina Commedia, S. 109: I. Inferno, Eine Symphonie zu Dantes Divina Commedia, S. 109: II. Purgatoire - Magnificat |
| Sarah Chang |
violin |
Consolation No 3, Consolation no. 3 in D-flat |
| Diego Fasolis |
conductor |
Ave Maria (coro misto com órgão), Pater Noster (coro misto a capela) |
| András Ligeti |
conductor |
Hungarian Fantasy, Klavierkonzert No. 2 A-dur: I. Adagio sostenuto assai / II. Allegro agitato assai / III. Allegro moderato / IV. Allegro deciso / V. Marciale, un poco meno allegro / VI. Allegro animato |
| Misha Goldstein |
piano |
Liebestraum, Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 |
| Stedelijk Helmonds Concertkoor |
vocal |
Eine Symphonie zu Dantes Divina Commedia, S. 109: I. Inferno, Eine Symphonie zu Dantes Divina Commedia, S. 109: II. Purgatoire - Magnificat |
| Joseph Cooper (pianist and broadcaster) |
piano |
Valse oubliée No. 1, Widmung (after Schumann) |
| Boston Pops Orchestra |
performing orchestra |
Liebestraum No. 3 (extract), Liebestraum, No. 3 As-Dur, Op. 62 |
| Franz Doppler |
arranger, orchestrator |
Friska from Hungarian Rhapsody No. 2 (Arr. Franz Doppler), Ungarische Rhapsodie No. 2 Cis-Moll (Anfang) |
| François-René Duchâble |
piano |
Consolation No. 3 (feat. piano: François-René Duchâble), Rêve d'amour No. 3 (feat. piano: François-René Duchâble) |
| Valery Kuleshov |
piano |
Annees de pelerinage, 1st year, Switzerland, S160/R10: VI. Vallee D'Obermann, Hungarian Rhapsody No. 19 |
| Béla Vavrinecz (Hungarian orchestral arranger) |
arranger |
Csárdás Macabre, Hungarian Rhapsody no. 19 |
| Ward Botsford |
producer |
Chi mi frena from 'Lucia di Lammermoor', Mephisto Waltz (after Lenau's Faust) |
| Wiener Philharmoniker |
performing orchestra |
Piano Concerto No. 1: II. Quasi Adagio - Allegretto vivace - Allegretto animato, Ungarische Rhapsodie No. 2 Cis-Moll (Anfang) |
| James Conlon |
conductor |
Eine Symphonie zu Dantes Divina Commedia, S. 109: I. Inferno, Eine Symphonie zu Dantes Divina Commedia, S. 109: II. Purgatoire - Magnificat |
| Orchestre de Paris |
performing orchestra |
Hungarian Fantasy, S. 123, Totentanz, Paraphrase on the "Dies Irae", S. 126 |
| Zoltán Kocsis |
piano |
Sunt lacrymae rerum (En mode hongrois), Sursum corda (Erhebet eure Herzen) |
| Orchestre philharmonique de Radio France |
performing orchestra |
Zwei Episoden aus Lenaus Faust, S. 110: Der Tanz in der Dorfschenke, Zwei Episoden aus Lenaus Faust, S. 110: Der nächtliche Zug |
| Pau Casals (cellist, aka. Pablo Casals) |
cello |
Liebestraume, S541/R211, No. 3: Nocturne in A flat major, Liebestraume, S541/R211: No. 3: Nocturne in A flat major (arr. for cello and orch.) |
| Alfred Brendel |
piano |
Chi mi frena from 'Lucia di Lammermoor', Totentanz (Dance Of Death) For Piano And Orchestra: I. Andante - Allegro - Allegro Moderato, II. Variation 1, III. Variation 2, IV. Variation 3, V. Variation 4, VI. Variation 5, VII. Cadenza, VIII. Va |
| Balázs Kocsár |
conductor |
Fantasy on Hungarian Folk Tunes, S. 123, Totentanz, paraphrase on "Dies irae" for Piano and Orchestra, S. 125 |
| Coro della Radio Svizzera, Lugano |
vocal |
Ave Maria (coro misto com órgão), Pater Noster (coro misto a capela) |
| London Philharmonic Orchestra |
performing orchestra |
Hungarian Rhapsody for Orchestra No. 3 in D major, S. 359/3, Hungarian Rhapsody for Orchestra No. 5 in E minor, S. 359/5 |
| Кирилл Петрович Кондрашин (conductor) |
conductor |
Piano Concerto No. 1 in E-flat major, Piano Concerto No. 1 in E-flat major: II. Quasi adagio - Allegretto vivace - Allegro animato |
| Andor Földes |
piano |
Mephisto Waltz No. 1, Mephisto-Walzer |
| György Cziffra, Jr. |
conductor |
Hungarian Fantasy, S. 123, Totentanz, Paraphrase on the "Dies Irae", S. 126 |
| 佐渡裕 |
conductor |
Zwei Episoden aus Lenaus Faust, S. 110: Der Tanz in der Dorfschenke, Zwei Episoden aus Lenaus Faust, S. 110: Der nächtliche Zug |
| Douglas Larter |
balance |
Hungarian Rhapsody no. 2 |
| La Pietà (Canadian all-female string orchestra) |
performing orchestra |
Méphisto-Valse no. 1 |
| Dutsch Concert Ensemble |
performer |
Liebestraum |
| Elizabeth Ostrow |
producer |
Consolation no. 3 in D-flat |
| Leopold Stokowski |
conductor |
Les Préludes, symphonic poem for orchestra, S. 97 (LW G3) |
| Leopold Stokowski Symphony Orchestra |
performing orchestra |
Les Préludes, symphonic poem for orchestra, S. 97 (LW G3) |
| Li Chuanyun |
violin |
Consolation No. 3 |
| Emmanuelle Bertrand |
cello |
Romance oubliée, for viola (or violin, or cello) & piano, S. 132 (LW D16) |
| Eric Schuller (record producer) |
producer |
Hungarian Rhapsody in D flat major, no.6, S244 |
| Erich Höbarth |
violin |
Ave Maria d'Arcadelt |
| Erik Smith (British producer, pianist and harpsichordist) |
producer |
Mephisto Waltz no. 1 |
| Los Angeles Philharmonic |
performing orchestra |
Les Preludes (excerpt) |
| Lydia Rahula |
conductor |
Ave Maria |
| Ayako Shinozaki (harpist) |
performer |
Liebestraume, Notturno For Piano In A-Flat Major, No.3 (O Lieb, So Lang Du Lieben Kanst) S, 541/3 |
| Evgeny Vovkushansky |
conductor |
Fantasy on Hungarian Folk Themes |
| Felix Hell |
organ |
Prelude on B-A-C-H |
| Marcus Kretzer (German pianist and music teacher) |
piano |
La campanella, Paganini-Etüde No.3, gis-moll |
| Ferenc Fricsay |
conductor |
Les Préludes |
| Marina Bolkan |
piano |
Fantasy on Hungarian Folk Themes |
| Francis Bowdery |
arranger |
Fantaisie sur deux thèmes du Figaro de Mozart (ext.) |
| Max Loy |
conductor |
Les Préludes, Symphonische Dichtung Nr.3 nach Lamartine |
| Alexis Descharmes |
cello |
Tristia, from Vallée d'Obermann (III), for violin, cello & piano, S. 378c (LW D18) |
| Miklós Grabócz (Hungarian orchestral arranger) |
arranger |
Hungarian Rhapsody no. 13 |
| Misha Dichter |
piano |
Ungarische Rhapsodie Nr. 6 Des-dur |
| François-Julien Brun |
conductor |
Rapsodie Hongroise No. 2 en ut mineur |
| Morris Stoloff |
conductor |
Les Preludes (excerpt) |
| Bente Sørensen (Organist) |
organ |
Præludium og fuga over B-A-C-H |
| National Philharmonic Orchestra |
performing orchestra |
Consolation No. 3 |
| Alan Reeve |
recording |
Mephisto Waltz no. 1 |
| New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) |
performing orchestra |
Mephisto Waltz no. 1 |
| Norddeutsche Philharmonie (an Alfred Scholz pseudonym) |
performing orchestra |
Hungarian Rhapsody No. 2 (Norddeutsche Philharmonie) |
| André Vandernoot |
conductor |
Fantaisie hongroise en fa majeur |
| Gewandhausorchester Leipzig |
performing orchestra |
Les Preludes (excerpt) |
| Ondrej Lenárd |
conductor |
Tarantelle |
| Alfredo Perl |
piano |
Transcendental Study No. 5 'Flex Follets' |
| Giuseppe Andaloro |
piano |
Valsa Mephisto No. 1 |
| Orchestre de la Garde républicaine |
performing orchestra |
Rapsodie Hongroise No. 2 en ut mineur |
| Giuseppe Sinopoli (conductor) |
conductor |
Ungarische Rhapsodie No. 2 Cis-Moll (Anfang) |
| Oszkár Morzsa (Plays cimbalom (hammered dulcimer)) |
hammered dulcimer |
Hungarian Rhapsody no. 14 |
| Otto Gerdes |
producer |
Les Préludes |
| Paolo Crivellaro |
organ |
Ave Maria (coro misto com órgão) |
| Pascal Amoyel |
piano |
Romance oubliée, for viola (or violin, or cello) & piano, S. 132 (LW D16) |
| Grigory Romanovich Ginzburg |
piano |
Paganini Etude No. 5: La Chasse |
| Pavica Gvozdić |
piano |
Mephistowalzer Nr. 1 in E-Dur (feat. piano: Pavica Gvozdic) |
| Gyula Farkas (Hungarian orchestral arranger) |
arranger |
Hungarian Rhapsody no. 14 |
| Angèle Dubeau (violinist) |
conductor |
Méphisto-Valse no. 1 |
| Budapesti Vonósok (Budapest String Orchestra) |
performing orchestra |
Liebestraum no. 3 |
| Béla Bánfalvi (violinist, concert master of Budapest strings) |
violin |
Liebestraum no. 3 |
| Alexander Borovsky (pianist) |
piano |
Hungarian Rhapsody in D flat major, no.6, S244 |
| Radio Filharmonisch Orkest |
performing orchestra |
Concerto no. 1 in E-flat major, S124 |
| Chicago Symphony Orchestra |
performing orchestra |
A Faust Symphony - Mephistopheles (excerpt) |
| Huang Yameng |
piano |
Consolation No. 3 |
| Christopher Seed |
piano |
Fantaisie sur deux thèmes du Figaro de Mozart (ext.) |
| Roberto Szidon |
piano |
Hungarian Rhapsody |
| Imogen Cooper |
piano |
La Lugubre Gondole |
| Imre Kovács (cymbalum) |
cymbalum |
Hungarian Rhapsody No. 6 in D major, "The Carnival of Pest", S 359 |
| Ron Craig (engineer/editor) |
recording |
Little Piece, No. 4, S192 |
| Cincinnati Symphony Orchestra |
performing orchestra |
Battle of the Huns (excerpt) |
| SWR Sinfonieorchester Baden-Baden und Freiburg |
performing orchestra |
Mephisto Waltz (after Lenau's Faust) |
| Sandra Rivers |
piano |
Consolation no. 3 in D-flat |
| Isabel Mourao |
piano |
Valse Nr.4 aus "Valses Oubliées" |
| Antonella Balducci |
vocal |
Ave Maria (coro misto com órgão) |
| Ivan Ilić (US pianist) |
piano |
Variations on a Theme by Bach 'Weinen Klagen' |
| Arcadi Volodos |
piano |
Variations on Mendelssohn's Wedding March |
| Simone Bernardini |
violin |
Tristia, from Vallée d'Obermann (III), for violin, cello & piano, S. 378c (LW D18) |
| Sir Alexander Gibson |
conductor |
Mephisto Waltz no. 1 |
| Sir Georg Solti (conductor) |
conductor |
A Faust Symphony - Mephistopheles (excerpt) |
| Sonia Wieder-Atherton |
cello |
La Lugubre Gondole |
| St. Petersburg Festival Symphony Orchestra |
performing orchestra |
Fantasy on Hungarian Folk Themes |
| Dame Moura Lympany (pianist) |
piano |
Un sospiro |
| Stephanie McCallum |
piano |
Liebestraum in A-flat major |
| Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) |
performing orchestra |
Tarantelle |
| Sébastien Vichard |
piano |
Tristia, from Vallée d'Obermann (III), for violin, cello & piano, S. 378c (LW D18) |
| Tallinna Poistekoor |
vocal |
Ave Maria |
| James Gaffigan (conductor) |
conductor |
Concerto no. 1 in E-flat major, S124 |
| Tamás Vásáry |
piano |
Réminiscences de Don Juan, S. 418 (after Mozart) |
| James Galway (flautist) |
flute |
Consolation No. 3 |
| Arthur Fiedler |
conductor |
Liebestraum No. 3 (extract) |
| Jascha Horenstein |
conductor |
Mephisto Waltz (after Lenau's Faust) |
| Tom Lazarus |
engineer |
Consolation no. 3 in D-flat |
| Anda Géza |
piano |
2 Etudes De Concert, S.145 3 No.1 Waldesrauschen |
| David Measham |
conductor |
Consolation No. 3 |
| Varda Nishry |
piano |
The Trout (Die Forelle) |
| Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) |
piano |
Transcendental Etude No. 5 in B-flat, Feux Follets (excerpt) |
| Vladimir Krpan |
piano |
Klavieretüde Nr. 10 in f-Moll (feat. piano: Vladimir Krpan) |
| Václav Neumann |
conductor |
Les Preludes (excerpt) |
| Walter Golde |
piano |
Liebestraume, S541/R211, No. 3: Nocturne in A flat major |
| Walter Legge |
producer |
Hungarian Rhapsody no. 2 |
| Alexandre Dossin |
piano |
Paraphrase de concert sobre o Rigoletto |
| Werner Wolf (engineer/producer) |
balance |
Les Préludes |
| Joel Fan |
piano |
Paraphrase on Verdi's 'Rigoletto' |
| Wiener Symphoniker |
performing orchestra |
Totentanz (Dance Of Death) For Piano And Orchestra: I. Andante - Allegro - Allegro Moderato, II. Variation 1, III. Variation 2, IV. Variation 3, V. Variation 4, VI. Variation 5, VII. Cadenza, VIII. Va |
| Deutsches Symphonie-Orchester Berlin (RIAS-Symphonie-Orchester, 1946–1956 / Radio-Symphonie-Orchester Berlin, 1956–1993) |
performing orchestra |
Les Préludes |
| Yossi Shomer (pianist) |
piano |
Liebestraume |
| Didier Réty (pianist) |
piano |
Liebestraum |
| Joris Verdin |
harmonium |
Ave Maria d'Arcadelt |
| Arturo Benedetti Michelangeli |
piano |
Liszt: Totentanz (danse macabre) for Piano and Orchestra, S 126 |
| Dieter Goldmann |
piano |
Hungarian Rhapsody No. 2 in C-sharp minor |
| Dietrich Fischer-Dieskau |
vocal |
Es muss ein Wunderbares sein |
| Jussi Björling |
vocal |
Es muss ein Wunderbares sein, S. 314 |
| Академический симфонический оркестр Московской филармонии |
performing orchestra |
Piano Concerto No. 1 in E-flat major: II. Quasi adagio - Allegretto vivace - Allegro animato |
| Валерий Абисалович Гергиев |
conductor |
Piano Concerto No. 1: II. Quasi Adagio - Allegretto vivace - Allegretto animato |
| Dinu Lipatti |
piano |
Etude de concert "La Leggierezza", S. 144 no. 2 |
| Государственный Академический Симфонический Оркестр России |
performing orchestra |
Piano Concerto No. 1 in E-flat major |
| Dominic Harlan |
piano |
Grey Clouds |
| Kenneth Wilkinson (engineer) |
recording |
Mephisto Waltz no. 1 |
| Klaus Wunderlich |
arranger, electronic organ |
Libesträume |
| Сергей Рахманинов (Sergei Rachmaninoff) |
piano |
Hungarian Rhapsody No. 2 |
| Эмиль Григорьевич Гилельс |
piano |
Piano Concerto No. 1 in E-flat major |
| Artúr Nikisch |
conductor |
Hungarian Rhapsody No. 1 |
| 中村紘子 |
piano |
Liebesträume (Nocturne no. 3 in A-flat major) |
| Kun Woo Paik |
piano |
Liebestraum No.3 |
| 松本あすか |
piano |
愛の夢 |
| 清水和音 |
piano |
Etude no. 3 in G-sharp minor "La campanella" |
| Károly Botvay |
cello |
Liebestraum no. 3 |