| Academy of St Martin in the Fields |
performing orchestra |
Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325, Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in D major, op. 6 no. 5, HWV 323, Concerto grosso in D minor, op. 6 no. 10, HWV 328, Concerto grosso in E minor, op. 6 no. 3, HWV 321, Concerto grosso in F major, op. 6 no. 2, HWV 320, Concerto grosso in F major, op. 6 no. 9, HWV 327, Concerto grosso in G minor, op. 6 no. 6, HWV 324, Hallelujah Chorus, Messiah, Part 1: No. 1. Symphony, Messiah, Part 1: No. 13. Pifa, Messiah, Part 1: No. 21. Chorus. "His yoke is easy", Messiah, Part 1: No. 7. Chorus. "And he shall purify", Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness", Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel", Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock", Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted", Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 23. Air alto: He was despised", Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs", Messiah, Part 2: No. 25. Chorus. "And with his stripes", Messiah, Part 2: No. 33. Chorus. "Lift up you heads", Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high", Messiah, Part 2: No. 37. Chorus. "The Lord gave the world", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see", Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living...", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together...", Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven...", Messiah, Part 3: No. 46. Chorus. "Since by man came death", Messiah, Part 3: No. 52. Air alto. "If God be for us", Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen", Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery...", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass...", Messiah: Overture (extract A), Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": I. Garghetto, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": II. Allegro, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": IV. Larghetto, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": V. Allegro, Organ Concerto no. 14 in A major, HWV 296: I. Largo e staccato, Organ Concerto no. 14 in A major, HWV 296: II. Organo ad libitum, Organ Concerto no. 14 in A major, HWV 296: III. Andante, Organ Concerto no. 14 in A major, HWV 296: IV. Grave, Organ Concerto no. 14 in A major, HWV 296: V. Allegro, Organ Concerto no. 15 in D minor, HWV 304: I. Andante, Organ Concerto no. 15 in D minor, HWV 304: II. (Organ adagio e fuga allegro), Organ Concerto no. 15 in D minor, HWV 304: III. Allegro, Organ Concerto no. 16 in F major, HWV 305: I. Ouverture, Organ Concerto no. 16 in F major, HWV 305: II. Allegro, Organ Concerto no. 16 in F major, HWV 305: III. Allegro ma non troppo, Organ Concerto no. 16 in F major, HWV 305: IV. Adagio, Organ Concerto no. 16 in F major, HWV 305: V. Andante, Organ Concerto no. 16 in F major, HWV 305: VI. Allegro, Sinfonia in B-flat for 2 violins and continuo: I. Allegro, Sinfonia in B-flat for 2 violins and continuo: II. Adagio, Sinfonia in B-flat for 2 violins and continuo: III. Allegro, Sonata in A minor for recorder and continuo: I. Larghetto, Adagio, Sonata in A minor for recorder and continuo: II. Allegro, Sonata in A minor for recorder and continuo: III. Adagio, Sonata in A minor for recorder and continuo: IV. Allegro, Sonata in B-flat for oboe and continuo: I. (Andante), Sonata in B-flat for oboe and continuo: II. Grave, Sonata in B-flat for oboe and continuo: III. Allegro, Sonata in B-flat for recorder and continuo: I. (Allegro), Sonata in B-flat for recorder and continuo: II. Adagio, Sonata in B-flat for recorder and continuo: III. Allegro, Sonata in C for recorder and continuo: I. Larghetto - Adagio, Sonata in C for recorder and continuo: II. Allegro, Sonata in C for recorder and continuo: III. Larghetto, Sonata in C for recorder and continuo: IV. A tempo di gavotta, Sonata in C for recorder and continuo: V. Allegro, Sonata in C minor, op. 1 no. 8 for oboe and continuo: I. Largo, Sonata in C minor, op. 1 no. 8 for oboe and continuo: II. Allegro, Sonata in C minor, op. 1 no. 8 for oboe and continuo: III. Adagio, Sonata in C minor, op. 1 no. 8 for oboe and continuo: IV. Bourrée angloise. Allegro, Sonata in D minor for recorder and continuo: I. Largo, Sonata in D minor for recorder and continuo: II. Vivace, Sonata in D minor for recorder and continuo: III. Presto, Sonata in D minor for recorder and continuo: IV. Adagio, Sonata in D minor for recorder and continuo: V. Alla breve, Sonata in D minor for recorder and continuo: VI. Andante, Sonata in D minor for recorder and continuo: VII. A tempo di menuet, Sonata in E minor for 2 flutes and continuo: I. Largo, Sonata in E minor for 2 flutes and continuo: II. Allegro, Sonata in E minor for 2 flutes and continuo: III. Largo, Sonata in E minor for 2 flutes and continuo: IV. Allegro, Sonata in F for 2 recorders and continuo: I. Allegro, Sonata in F for 2 recorders and continuo: II. Grave, Sonata in F for 2 recorders and continuo: III. Allegro, Sonata in F for recorder and continuo: I. Larghetto, Sonata in F for recorder and continuo: II. Allegro, Sonata in F for recorder and continuo: III. Alla siciliana, Sonata in F for recorder and continuo: IV. Allegro, Sonata in F, op. 1 no. 5 for oboe and continuo: I. Adagio, Sonata in F, op. 1 no. 5 for oboe and continuo: II. Allegro, Sonata in F, op. 1 no. 5 for oboe and continuo: III. Adagio, Sonata in F, op. 1 no. 5 for oboe and continuo: IV. Bourrée (angloise), Sonata in F, op. 1 no. 5 for oboe and continuo: V. Menuetto, Sonata in G minor for recorder and continuo: I. Larghetto - Adagio, Sonata in G minor for recorder and continuo: II. Andante, Sonata in G minor for recorder and continuo: III. Adagio, Sonata in G minor for recorder and continuo: IV. Presto, Sonata: Il Trionfo del Tempo e del Disinganno, HWV 46a, The Choice of Hercules: Yet, can I hear that dulcet lay |
| English Chamber Orchestra |
performing orchestra |
Arrivo della regina di Saba, da "Solomon", Dixit Dominus: Judicabit in Nationibus, Judas Maccabaeus, HWV 63: Act I, no. 10: Aria "Arm, arm, ye brave!" (Simon), Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array", Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 13: Aria "Call forth thy pow'rs, my soul" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To Heav'n's Almighty king we kneel" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 15: Aria "Oh liberty, thou choicest treasure" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 16: Aria "Come, ever-smiling liberty" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "Oh Judas, may these noble views inspire" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 18: Aria "Tis liberty, dear liberty alone" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on ! Juhad disdains", Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father, now at rest" (Judas Maccabaeus, Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-chorus "Disdainful of danger, we'll rush on the foe", Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour was thine aim" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 24: Aria "No unhallow'd desire" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 25: Recitative "Haste we, my brethren" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, oh Lord, on Thee we call", Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children", Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make", Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm of grief" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 7: Aria "Pious orgies, pious aris" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "Oh Father, whose Almighty pow'r", Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes, oh Lord!", Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 29: Aria "So rapid thy course is" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom to receive" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise", Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh let eternal honours crown his name" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 34: Aria "From mighty kings he took the spoil" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail, Judea, happy land", Judas Maccabaeus, HWV 63: Act II, no. 37: Recitative "Thanks to my breathen; but look up to Heav'n (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man, who boasts in fight" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "Oh Judas, oh my brethren!" (Messenger), Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!", Judas Maccabaeus, HWV 63: Act II, no. 42: Recitative "Be comforted, - nor think these plagues are sent" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 43: Aria "The Lord worketh wonders" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 44: Recitative "My arms! - against this Gorgias will I go" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call", Judas Maccabaeus, HWV 63: Act II, no. 47: Recitative "Enough! To heav'n we leave the rest" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 48: Aria "With pious hearts, and brave as pious" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act II, no. 50: Aria "Wise men, flatt'ring, may deceive us" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down", Judas Maccabaeus, HWV 63: Act III, no. 53: Aria "Father of Heav'n! Thy eternal throne" (Israelitish Man), Judas Maccabaeus, HWV 63: Act III, no. 54: Recitative "See, see yon flames, that from the altar broke" (Israelitish Man), Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 56: Aria "So shall the lute and harp awake" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon), Judas Maccabaeus, HWV 63: Act III, no. 58: Chorus "See, the conqu'ring hero comes!", Judas Maccabaeus, HWV 63: Act III, no. 59: March, Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections rise", Judas Maccabaeus, HWV 63: Act III, no. 61: Recitative "Sweet flow the strains, that strike my feasted ear" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act III, no. 62: Aria "With honour let desert be crown'd" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen; peace, and liberty" (Eupolemus), Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n", Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude descend (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 66: Aria, Duet "O lovely peace, with plenty crown'd" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act III, no. 67: Aria "Rejoice, oh Judah! and in songs divine" (Simon), Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen", Judas Maccabaeus, HWV 63: no. 1: Overture, Messiah, HWV 56 Pt. 1: And He Shall Purify, Messiah, HWV 56 Pt. 1: But Who May Abide, Messiah, HWV 56 Pt. 1: For Behold, Darkness Shall Cover the Earth, Messiah, HWV 56 Pt. 1: His Yoke Is Easy, Messiah, HWV 56 Pt. 1: The People That Walked in Darkness, Messiah, HWV 56 Pt. 1: Then Shall the Eyes of the Blind... He Shall Feed His Flock, Messiah, HWV 56 Pt. 1: There Were Shepherds, Abiding in the Field, Messiah, HWV 56 Pt. 1: Thus Saith the Lord, Messiah, HWV 56 Pt. 2: All They That See Him.... He Trusted in God, Messiah, HWV 56 Pt. 2: And With His Stripes, Messiah, HWV 56 Pt. 2: Behold and See, Messiah, HWV 56 Pt. 2: He That Dwelleth in Heaven, Messiah, HWV 56 Pt. 2: He Was Cut Off, Messiah, HWV 56 Pt. 2: He Was Despised, Messiah, HWV 56 Pt. 2: Let Us Break Their Bonds Asunder, Messiah, HWV 56 Pt. 2: Lift Up Your Heads, Messiah, HWV 56 Pt. 2: Messiah, HWV 56 Pt. 2: The Lord Gave the Word, Messiah, HWV 56 Pt. 2: Surely He Hath Borne Our Griefs, Messiah, HWV 56 Pt. 2: Their Sound Is Gone Out, Messiah, HWV 56 Pt. 2: Thou Are Gone Up on High, Messiah, HWV 56 Pt. 2: Thy Rebuke That Broken His Heart, Messiah, HWV 56 Pt. 2: Unto Which of the Angels.... Let All the Angels of God, Messiah, HWV 56 Pt. 3: If God Be for Us, Messiah, HWV 56 Pt. 3: Since by Man Came Death, Messiah, HWV 56 Pt. 3: Then Shall Be Brought to Pass.... O Death, Where Is Thy Sting?, Messiah: All we like sheep, Messiah: And suddenly, Messiah: Comfort Ye, Messiah: Ev'ry Valley, Messiah: For unto us, Messiah: Glory to God, Messiah: Hallelujah, Messiah: He was despised, Messiah: I know that my Redeemer liveth, Messiah: Pifa, Messiah: Rejoice greatly, Messiah: Sinfonia, Messiah: Surely he hath borne, Messiah: The Lord gave the word, Messiah: Why do the nations?, Messiah: Worthy is the Lamb... Amen, Samson : Let the Bright Seraphim, Saül: O Lord, whose mercies numberless, Saül: Your works, oh king, Water Music: Suite no.1 in F: Air |
| Junge Kantorei (Not the choir based in Freiburg) |
producer, vocal |
Saul: Act I, Scene 1: Air: An Infant rais'd by thy Command (Soprano), Saul: Act I, Scene 1: How excellent Thy name, O Lord (Chorus), Saul: Act I, Scene 1: How excellent thy name, O Lord (Chorus), Saul: Act I, Scene 1: The Youth inspir'd by Thee, O Lord (Chorus), Saul: Act I, Scene 1: Trio: Along the Monster Atheist strode (Chorus), Saul: Act I, Scene 2: Air: Ah, lovely Youth! (Michal), Saul: Act I, Scene 2: Air: Birth and Fortune I despise! (Jonathan), Saul: Act I, Scene 2: Air: My Soul rejects the Thought with scorn (Merab), Saul: Act I, Scene 2: Air: O God - like Youth! (Michal), Saul: Act I, Scene 2: Air: O King, your Favours with Delight (David), Saul: Act I, Scene 2: Air: See with what a scornful Air (Michal), Saul: Act I, Scene 2: Air: What abject Thoughts a Prince can have (Merab), Saul: Act I, Scene 2: Air: While yet thy Tide of Blood runs high (High Priest), Saul: Act I, Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David), Saul: Act I, Scene 2: Recitative: Go on, illustrious Pair! (High Priest), Saul: Act I, Scene 2: Recitative: He comes! (Michal), Saul: Act I, Scene 2: Recitative: O early Piety! (Jonathan), Saul: Act I, Scene 2: Recitative: Thou, Merab, first in Birth (Saul), Saul: Act I, Scene 2: Recitative: Yet think with whom this Honour you bestow (Merab), Saul: Act I, Scene 3: Accompagnato: To him Ten Thousands! (Saul), Saul: Act I, Scene 3: Accompagnato: What do I hear (Saul), Saul: Act I, Scene 3: Air: With Rage I shall burst his Praises to hear! (Saul), Saul: Act I, Scene 3: David his Ten Thousands slew (Chorus), Saul: Act I, Scene 3: Recitative: Already see the Daughters of the Land (Michal), Saul: Act I, Scene 3: Symphony: Andante allegro, Saul: Act I, Scene 3: Welcome, welcome, mighty King! (Chorus), Saul: Act I, Scene 4: Accompagnato: By thee this Universal Frame (High Priest), Saul: Act I, Scene 4: Air: Fell Rage and black Despair possest (Michal), Saul: Act I, Scene 4: Recitative: Imprudent Women!… 'Tis but his old Disease (Jonathan, Michal), Saul: Act I, Scene 4: Recitative: This but the smallest part of Harmony (High Priest), Saul: Act I, Scene 5: Air: A Serpent, in my Bosom warm'd (Saul), Saul: Act I, Scene 5: Air: Capricious Man, in Humour lost (Merab), Saul: Act I, Scene 5: Air: Fly, malicious Spirit, fly (David), Saul: Act I, Scene 5: Air: O Lord, whose Mercies numberless (David), Saul: Act I, Scene 5: Recitative: 'Tis all in vain (Jonathan), Saul: Act I, Scene 5: Recitative: Has he escap'd my Rage (Saul), Saul: Act I, Scene 5: Recitative: Rack'd with Infernal Pains (Abner), Saul: Act I, Scene 5: Symphony (Arpa): Largo, Saul: Act I, Scene 6: Accompagnato: O Filial Piety! (Jonathan), Saul: Act I, Scene 6: Air: No, cruel Father, no (Jonathan), Saul: Act I, Scene 6: Air: O Lord, whose Providence (High Priest), Saul: Act I, Scene 6: Preserve him for the Glory of thy Name (Chorus), Saul: Act II, Scene 10: O fatal Consequence (Chorus), Saul: Act II, Scene 10: Recitative: Where is the Son of Jesse… He earnestly asked Leave (Saul, Jonathan), Saul: Act II, Scene 1: Envy! Eldest - born of Hell! (Chorus), Saul: Act II, Scene 2: Air: But sooner Jordan's Stream, I swear (Jonathan), Saul: Act II, Scene 2: Air: Such haughty Beauties (David), Saul: Act II, Scene 2: Recitative: Ah, dearest Friend (Jonathan), Saul: Act II, Scene 2: Recitative: My Father comes (Jonathan), Saul: Act II, Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan), Saul: Act II, Scene 3: Air: As Great Jehovah lives, I swear (Saul), Saul: Act II, Scene 3: Air: From Cities storm'd, and Battles won (Jonathan), Saul: Act II, Scene 3: Air: Sin not, O King, against the Youth (Jonathan), Saul: Act II, Scene 3: Recitative: Hast thou obey'd my orders… Alas, my Father! (Saul, Jonathan), Saul: Act II, Scene 4: Air: Your words, O King, my Loyal Heart (David), Saul: Act II, Scene 4: Recitative: Appear, my Friend… No more imagine Danger (Jonathan, Saul), Saul: Act II, Scene 4: Recitative: Yes, he shall wed my Daughter! (Saul), Saul: Act II, Scene 5: Duet: O Fairest of ten thousand fair (Michal, David), Saul: Act II, Scene 5: Is there a Man, who all his Ways Directs (Chorus), Saul: Act II, Scene 5: Recitative: A Father's Will has authoriz'd my Love (Michal), Saul: Act II, Scene 5: Symphony: Gavotte, Saul: Act II, Scene 5: Symphony: Largo - Allegro -, Saul: Act II, Scene 6: Duet: At Persecution I can laugh (David, Michal), Saul: Act II, Scene 6: Recitative: Thy Father is as cruel, and as false (David), Saul: Act II, Scene 7: Air: No, no, let the Guilty tremble (Michal), Saul: Act II, Scene 7: Recitative: Whom dost thou seek… I seek for David (Michal, Doeg), Saul: Act II, Scene 8: Air: Author of Peace, who canst controll (Merab), Saul: Act II, Scene 8: Recitative: Mean as he was, he is my Brother now (Merab), Saul: Act II, Scene 9: Accompagnato: The Time at length is come (Saul), Saul: Act II, Scene 9: Symphony: Allegro, Saul: Act III, Scene 1: Accompagnato: Wretch that I am! (Saul), Saul: Act III, Scene 1: Recitative and Accompagnato: 'Tis said, here lives a Woman (Saul), Saul: Act III, Scene 2: Air: Infernal Spirits, by wose Pow'r (Witch of Endor), Saul: Act III, Scene 2: Recitative: With me what would'st thou… I wou'd (Witch of Endor, Saul), Saul: Act III, Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace… O holy Prophet, holy Prophet! (Samuel, Saul), Saul: Act III, Scene 3: Symphony: Allegro, Saul: Act III, Scene 4: Air: Impious Wretch, of Race accurst! (David), Saul: Act III, Scene 4: Recitative: Whence com'st thou… Out of the Camp of Israel (David, Amalekite), Saul: Act III, Scene 5: Air: Brave Jonathan his Bow ne'er drew (David), Saul: Act III, Scene 5: Air: From this unhappy Day (Merab), Saul: Act III, Scene 5: Air: In sweetest Harmony they liv'd (Michal), Saul: Act III, Scene 5: Air: O let it not in Gath be heard (High Priest), Saul: Act III, Scene 5: Air: Ye men of Judah, weep no more (High Priest), Saul: Act III, Scene 5: Eagles were not so swift as they (Chorus), Saul: Act III, Scene 5: Gird on thy Sword, thou Man of Might (Chorus), Saul: Act III, Scene 5: Mourn, Israel, mourn thy Beauty lost (Chorus), Saul: Act III, Scene 5: O fatal Day! How low the Mighty lie! (David, Chorus), Saul: Symphony: Allegro - Larghetto - Allegro - Andante larghetto |
| Barockorchester Frankfurt |
performing orchestra |
Saul: Act I, Scene 1: Air: An Infant rais'd by thy Command (Soprano), Saul: Act I, Scene 1: How excellent Thy name, O Lord (Chorus), Saul: Act I, Scene 1: How excellent thy name, O Lord (Chorus), Saul: Act I, Scene 1: The Youth inspir'd by Thee, O Lord (Chorus), Saul: Act I, Scene 1: Trio: Along the Monster Atheist strode (Chorus), Saul: Act I, Scene 2: Air: Ah, lovely Youth! (Michal), Saul: Act I, Scene 2: Air: Birth and Fortune I despise! (Jonathan), Saul: Act I, Scene 2: Air: My Soul rejects the Thought with scorn (Merab), Saul: Act I, Scene 2: Air: O God - like Youth! (Michal), Saul: Act I, Scene 2: Air: O King, your Favours with Delight (David), Saul: Act I, Scene 2: Air: See with what a scornful Air (Michal), Saul: Act I, Scene 2: Air: What abject Thoughts a Prince can have (Merab), Saul: Act I, Scene 2: Air: While yet thy Tide of Blood runs high (High Priest), Saul: Act I, Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David), Saul: Act I, Scene 2: Recitative: Go on, illustrious Pair! (High Priest), Saul: Act I, Scene 2: Recitative: He comes! (Michal), Saul: Act I, Scene 2: Recitative: O early Piety! (Jonathan), Saul: Act I, Scene 2: Recitative: Thou, Merab, first in Birth (Saul), Saul: Act I, Scene 2: Recitative: Yet think with whom this Honour you bestow (Merab), Saul: Act I, Scene 3: Accompagnato: To him Ten Thousands! (Saul), Saul: Act I, Scene 3: Accompagnato: What do I hear (Saul), Saul: Act I, Scene 3: Air: With Rage I shall burst his Praises to hear! (Saul), Saul: Act I, Scene 3: David his Ten Thousands slew (Chorus), Saul: Act I, Scene 3: Recitative: Already see the Daughters of the Land (Michal), Saul: Act I, Scene 3: Symphony: Andante allegro, Saul: Act I, Scene 3: Welcome, welcome, mighty King! (Chorus), Saul: Act I, Scene 4: Accompagnato: By thee this Universal Frame (High Priest), Saul: Act I, Scene 4: Air: Fell Rage and black Despair possest (Michal), Saul: Act I, Scene 4: Recitative: Imprudent Women!… 'Tis but his old Disease (Jonathan, Michal), Saul: Act I, Scene 4: Recitative: This but the smallest part of Harmony (High Priest), Saul: Act I, Scene 5: Air: A Serpent, in my Bosom warm'd (Saul), Saul: Act I, Scene 5: Air: Capricious Man, in Humour lost (Merab), Saul: Act I, Scene 5: Air: Fly, malicious Spirit, fly (David), Saul: Act I, Scene 5: Air: O Lord, whose Mercies numberless (David), Saul: Act I, Scene 5: Recitative: 'Tis all in vain (Jonathan), Saul: Act I, Scene 5: Recitative: Has he escap'd my Rage (Saul), Saul: Act I, Scene 5: Recitative: Rack'd with Infernal Pains (Abner), Saul: Act I, Scene 5: Symphony (Arpa): Largo, Saul: Act I, Scene 6: Accompagnato: O Filial Piety! (Jonathan), Saul: Act I, Scene 6: Air: No, cruel Father, no (Jonathan), Saul: Act I, Scene 6: Air: O Lord, whose Providence (High Priest), Saul: Act I, Scene 6: Preserve him for the Glory of thy Name (Chorus), Saul: Act II, Scene 10: O fatal Consequence (Chorus), Saul: Act II, Scene 10: Recitative: Where is the Son of Jesse… He earnestly asked Leave (Saul, Jonathan), Saul: Act II, Scene 1: Envy! Eldest - born of Hell! (Chorus), Saul: Act II, Scene 2: Air: But sooner Jordan's Stream, I swear (Jonathan), Saul: Act II, Scene 2: Air: Such haughty Beauties (David), Saul: Act II, Scene 2: Recitative: Ah, dearest Friend (Jonathan), Saul: Act II, Scene 2: Recitative: My Father comes (Jonathan), Saul: Act II, Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan), Saul: Act II, Scene 3: Air: As Great Jehovah lives, I swear (Saul), Saul: Act II, Scene 3: Air: From Cities storm'd, and Battles won (Jonathan), Saul: Act II, Scene 3: Air: Sin not, O King, against the Youth (Jonathan), Saul: Act II, Scene 3: Recitative: Hast thou obey'd my orders… Alas, my Father! (Saul, Jonathan), Saul: Act II, Scene 4: Air: Your words, O King, my Loyal Heart (David), Saul: Act II, Scene 4: Recitative: Appear, my Friend… No more imagine Danger (Jonathan, Saul), Saul: Act II, Scene 4: Recitative: Yes, he shall wed my Daughter! (Saul), Saul: Act II, Scene 5: Duet: O Fairest of ten thousand fair (Michal, David), Saul: Act II, Scene 5: Is there a Man, who all his Ways Directs (Chorus), Saul: Act II, Scene 5: Recitative: A Father's Will has authoriz'd my Love (Michal), Saul: Act II, Scene 5: Symphony: Gavotte, Saul: Act II, Scene 5: Symphony: Largo - Allegro -, Saul: Act II, Scene 6: Duet: At Persecution I can laugh (David, Michal), Saul: Act II, Scene 6: Recitative: Thy Father is as cruel, and as false (David), Saul: Act II, Scene 7: Air: No, no, let the Guilty tremble (Michal), Saul: Act II, Scene 7: Recitative: Whom dost thou seek… I seek for David (Michal, Doeg), Saul: Act II, Scene 8: Air: Author of Peace, who canst controll (Merab), Saul: Act II, Scene 8: Recitative: Mean as he was, he is my Brother now (Merab), Saul: Act II, Scene 9: Accompagnato: The Time at length is come (Saul), Saul: Act II, Scene 9: Symphony: Allegro, Saul: Act III, Scene 1: Accompagnato: Wretch that I am! (Saul), Saul: Act III, Scene 1: Recitative and Accompagnato: 'Tis said, here lives a Woman (Saul), Saul: Act III, Scene 2: Air: Infernal Spirits, by wose Pow'r (Witch of Endor), Saul: Act III, Scene 2: Recitative: With me what would'st thou… I wou'd (Witch of Endor, Saul), Saul: Act III, Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace… O holy Prophet, holy Prophet! (Samuel, Saul), Saul: Act III, Scene 3: Symphony: Allegro, Saul: Act III, Scene 4: Air: Impious Wretch, of Race accurst! (David), Saul: Act III, Scene 4: Recitative: Whence com'st thou… Out of the Camp of Israel (David, Amalekite), Saul: Act III, Scene 5: Air: Brave Jonathan his Bow ne'er drew (David), Saul: Act III, Scene 5: Air: From this unhappy Day (Merab), Saul: Act III, Scene 5: Air: In sweetest Harmony they liv'd (Michal), Saul: Act III, Scene 5: Air: O let it not in Gath be heard (High Priest), Saul: Act III, Scene 5: Air: Ye men of Judah, weep no more (High Priest), Saul: Act III, Scene 5: Eagles were not so swift as they (Chorus), Saul: Act III, Scene 5: Gird on thy Sword, thou Man of Might (Chorus), Saul: Act III, Scene 5: Mourn, Israel, mourn thy Beauty lost (Chorus), Saul: Act III, Scene 5: O fatal Day! How low the Mighty lie! (David, Chorus), Saul: Symphony: Allegro - Larghetto - Allegro - Andante larghetto |
| Joachim Carlos Martini |
conductor |
Saul: Act I, Scene 1: Air: An Infant rais'd by thy Command (Soprano), Saul: Act I, Scene 1: How excellent Thy name, O Lord (Chorus), Saul: Act I, Scene 1: How excellent thy name, O Lord (Chorus), Saul: Act I, Scene 1: The Youth inspir'd by Thee, O Lord (Chorus), Saul: Act I, Scene 1: Trio: Along the Monster Atheist strode (Chorus), Saul: Act I, Scene 2: Air: Ah, lovely Youth! (Michal), Saul: Act I, Scene 2: Air: Birth and Fortune I despise! (Jonathan), Saul: Act I, Scene 2: Air: My Soul rejects the Thought with scorn (Merab), Saul: Act I, Scene 2: Air: O God - like Youth! (Michal), Saul: Act I, Scene 2: Air: O King, your Favours with Delight (David), Saul: Act I, Scene 2: Air: See with what a scornful Air (Michal), Saul: Act I, Scene 2: Air: What abject Thoughts a Prince can have (Merab), Saul: Act I, Scene 2: Air: While yet thy Tide of Blood runs high (High Priest), Saul: Act I, Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David), Saul: Act I, Scene 2: Recitative: Go on, illustrious Pair! (High Priest), Saul: Act I, Scene 2: Recitative: He comes! (Michal), Saul: Act I, Scene 2: Recitative: O early Piety! (Jonathan), Saul: Act I, Scene 2: Recitative: Thou, Merab, first in Birth (Saul), Saul: Act I, Scene 2: Recitative: Yet think with whom this Honour you bestow (Merab), Saul: Act I, Scene 3: Accompagnato: To him Ten Thousands! (Saul), Saul: Act I, Scene 3: Accompagnato: What do I hear (Saul), Saul: Act I, Scene 3: Air: With Rage I shall burst his Praises to hear! (Saul), Saul: Act I, Scene 3: David his Ten Thousands slew (Chorus), Saul: Act I, Scene 3: Recitative: Already see the Daughters of the Land (Michal), Saul: Act I, Scene 3: Symphony: Andante allegro, Saul: Act I, Scene 3: Welcome, welcome, mighty King! (Chorus), Saul: Act I, Scene 4: Accompagnato: By thee this Universal Frame (High Priest), Saul: Act I, Scene 4: Air: Fell Rage and black Despair possest (Michal), Saul: Act I, Scene 4: Recitative: Imprudent Women!… 'Tis but his old Disease (Jonathan, Michal), Saul: Act I, Scene 4: Recitative: This but the smallest part of Harmony (High Priest), Saul: Act I, Scene 5: Air: A Serpent, in my Bosom warm'd (Saul), Saul: Act I, Scene 5: Air: Capricious Man, in Humour lost (Merab), Saul: Act I, Scene 5: Air: Fly, malicious Spirit, fly (David), Saul: Act I, Scene 5: Air: O Lord, whose Mercies numberless (David), Saul: Act I, Scene 5: Recitative: 'Tis all in vain (Jonathan), Saul: Act I, Scene 5: Recitative: Has he escap'd my Rage (Saul), Saul: Act I, Scene 5: Recitative: Rack'd with Infernal Pains (Abner), Saul: Act I, Scene 5: Symphony (Arpa): Largo, Saul: Act I, Scene 6: Accompagnato: O Filial Piety! (Jonathan), Saul: Act I, Scene 6: Air: No, cruel Father, no (Jonathan), Saul: Act I, Scene 6: Air: O Lord, whose Providence (High Priest), Saul: Act I, Scene 6: Preserve him for the Glory of thy Name (Chorus), Saul: Act II, Scene 10: O fatal Consequence (Chorus), Saul: Act II, Scene 10: Recitative: Where is the Son of Jesse… He earnestly asked Leave (Saul, Jonathan), Saul: Act II, Scene 1: Envy! Eldest - born of Hell! (Chorus), Saul: Act II, Scene 2: Air: But sooner Jordan's Stream, I swear (Jonathan), Saul: Act II, Scene 2: Air: Such haughty Beauties (David), Saul: Act II, Scene 2: Recitative: Ah, dearest Friend (Jonathan), Saul: Act II, Scene 2: Recitative: My Father comes (Jonathan), Saul: Act II, Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan), Saul: Act II, Scene 3: Air: As Great Jehovah lives, I swear (Saul), Saul: Act II, Scene 3: Air: From Cities storm'd, and Battles won (Jonathan), Saul: Act II, Scene 3: Air: Sin not, O King, against the Youth (Jonathan), Saul: Act II, Scene 3: Recitative: Hast thou obey'd my orders… Alas, my Father! (Saul, Jonathan), Saul: Act II, Scene 4: Air: Your words, O King, my Loyal Heart (David), Saul: Act II, Scene 4: Recitative: Appear, my Friend… No more imagine Danger (Jonathan, Saul), Saul: Act II, Scene 4: Recitative: Yes, he shall wed my Daughter! (Saul), Saul: Act II, Scene 5: Duet: O Fairest of ten thousand fair (Michal, David), Saul: Act II, Scene 5: Is there a Man, who all his Ways Directs (Chorus), Saul: Act II, Scene 5: Recitative: A Father's Will has authoriz'd my Love (Michal), Saul: Act II, Scene 5: Symphony: Gavotte, Saul: Act II, Scene 5: Symphony: Largo - Allegro -, Saul: Act II, Scene 6: Duet: At Persecution I can laugh (David, Michal), Saul: Act II, Scene 6: Recitative: Thy Father is as cruel, and as false (David), Saul: Act II, Scene 7: Air: No, no, let the Guilty tremble (Michal), Saul: Act II, Scene 7: Recitative: Whom dost thou seek… I seek for David (Michal, Doeg), Saul: Act II, Scene 8: Air: Author of Peace, who canst controll (Merab), Saul: Act II, Scene 8: Recitative: Mean as he was, he is my Brother now (Merab), Saul: Act II, Scene 9: Accompagnato: The Time at length is come (Saul), Saul: Act II, Scene 9: Symphony: Allegro, Saul: Act III, Scene 1: Accompagnato: Wretch that I am! (Saul), Saul: Act III, Scene 1: Recitative and Accompagnato: 'Tis said, here lives a Woman (Saul), Saul: Act III, Scene 2: Air: Infernal Spirits, by wose Pow'r (Witch of Endor), Saul: Act III, Scene 2: Recitative: With me what would'st thou… I wou'd (Witch of Endor, Saul), Saul: Act III, Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace… O holy Prophet, holy Prophet! (Samuel, Saul), Saul: Act III, Scene 3: Symphony: Allegro, Saul: Act III, Scene 4: Air: Impious Wretch, of Race accurst! (David), Saul: Act III, Scene 4: Recitative: Whence com'st thou… Out of the Camp of Israel (David, Amalekite), Saul: Act III, Scene 5: Air: Brave Jonathan his Bow ne'er drew (David), Saul: Act III, Scene 5: Air: From this unhappy Day (Merab), Saul: Act III, Scene 5: Air: In sweetest Harmony they liv'd (Michal), Saul: Act III, Scene 5: Air: O let it not in Gath be heard (High Priest), Saul: Act III, Scene 5: Air: Ye men of Judah, weep no more (High Priest), Saul: Act III, Scene 5: Eagles were not so swift as they (Chorus), Saul: Act III, Scene 5: Gird on thy Sword, thou Man of Might (Chorus), Saul: Act III, Scene 5: Mourn, Israel, mourn thy Beauty lost (Chorus), Saul: Act III, Scene 5: O fatal Day! How low the Mighty lie! (David, Chorus), Saul: Symphony: Allegro - Larghetto - Allegro - Andante larghetto |
| Robert King (conductor) |
conductor |
Eternal Source of Light Divine, Joseph and His Brethren: Part I. Accompagnato "Pharaoh, thy dreams are one" (Joseph), Joseph and His Brethren: Part I. Air "Be firm, my soul! nor faint beneath" (Joseph), Joseph and His Brethren: Part I. Air "Come, divine inspirer, com" (Joseph), Joseph and His Brethren: Part I. Air "I feel a spreading flame within my veins" (Asenath), Joseph and His Brethren: Part I. Air "Ingratitude's the queen of crimes" (Phanor), Joseph and His Brethren: Part I. Air "O lovely youth, with wisdom crown'd" (Asenath), Joseph and His Brethren: Part I. Air "Since the race of time begun" (Pharaoh), Joseph and His Brethren: Part I. Chorus "Immortal pleasures crown this pair", Joseph and His Brethren: Part I. Chorus "Joyful sounds, melodious strain!", Joseph and His Brethren: Part I. Chorus "O God of Joseph, gracious shed thy spirit on thy servant's head", Joseph and His Brethren: Part I. Chorus "Swift our numbers, swiftly roll", Joseph and His Brethren: Part I. Duet "Celestial virgin! Godlike youth!" (Joseph, Asenath), Joseph and His Brethren: Part I. Grand March During the Procession, Joseph and His Brethren: Part I. Recitative "'Tis done, - the sacred knot is tied" (High Priest), Joseph and His Brethren: Part I. Recitative "Divine interpreter! What oracle" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Fair Asenath" (Joseph), Joseph and His Brethren: Part I. Recitative "Glorious and happy is thy lot, O Zaphnath!" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Joseph, thy fame has reach'd great Pharaoh's ear" (Phanor), Joseph and His Brethren: Part I. Recitative "Now, Potiphera, instant to the temple" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Pardon, that I so long forgot thee, Joseph!" (Phanor), Joseph and His Brethren: Part I. Recitative "Thus, stranger, I have laid my troubled thoughts" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Wear, worthy man, this Royal signet wear" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Whence this unwonted ardour in my breast?" (Asenath), Joseph and His Brethren: Part II. Accompagnato "Once more, O pious Zaphnath, at thy feet" (Reuben), Joseph and His Brethren: Part II. Accompagnato "Where are these Brethren... Why this base delay!" (Simeon), Joseph and His Brethren: Part II. Accompagnato "Ye departed hours, what happier moment have I seen?" (Joseph), Joseph and His Brethren: Part II. Air "Impostor! Ah! my foul offence" (Simeon), Joseph and His Brethren: Part II. Air "Our fruits, whilst yet in blossom, die" (Asenath), Joseph and His Brethren: Part II. Air "Remorse, confusion, horror, fear" (Simeon), Joseph and His Brethren: Part II. Air "The peasant tastes the sweets of life" (Joseph), Joseph and His Brethren: Part II. Air "The silver stream, that all it's way" (Asenath), Joseph and His Brethren: Part II. Air "Thou deign'st to call thy servant 'son'" (Benjamin), Joseph and His Brethren: Part II. Air "To keep afar from all offence" (Judah), Joseph and His Brethren: Part II. Air "Together, lovely innocents, grow up" (Asenath), Joseph and His Brethren: Part II. Chorus "Blest be the man by pow'r unstain'd", Joseph and His Brethren: Part II. Chorus "Hail, thou youth, by Heaven belov'd!", Joseph and His Brethren: Part II. Chorus "O God, who in thy heav'nly hand", Joseph and His Brethren: Part II. Recitative "But Simeon comes" (Joseph), Joseph and His Brethren: Part II. Recitative "He then is silent, then again exclaims" (Asenath), Joseph and His Brethren: Part II. Recitative "He's Egypt's common parent, gives her bread" (Phanor), Joseph and His Brethren: Part II. Recitative "How vast a theme has Egypt for applause!" (Phanor), Joseph and His Brethren: Part II. Recitative "Phanor, we mention not his highest glory!" (Asenath), Joseph and His Brethren: Part II. Recitative "Sweet innocence! divine simplicity!" (Joseph), Joseph and His Brethren: Part II. Recitative "Tell me, O tell me thy heart's malady" (Asenath), Joseph and His Brethren: Part II. Recitative "This Hebrew prisoner" (Phanor), Joseph and His Brethren: Part II. Recitative "This kiss, my gracious Lord" (Benjamin), Joseph and His Brethren: Part II. Recitative "Whence, Asenath, this grief that hangs upon thee?" (Joseph), Joseph and His Brethren: Part III. Accompagnato ""What! without me? Ah, how return in peace!" (Benjamin), Joseph and His Brethren: Part III. Air "Ah Jealousy, thou pelican" (Asenath), Joseph and His Brethren: Part III. Air "Prophetic raptures swell my breast" (Asenath), Joseph and His Brethren: Part III. Air "The people's favour, and the smiles of pow'r" (Joseph), Joseph and His Brethren: Part III. Air "The wanton favours of the great" (Phanor), Joseph and His Brethren: Part III. Air "Thou hdast, my Lord, a father once" (Simeon), Joseph and His Brethren: Part III. Arioso "O gracious God" (Simeon), Joseph and His Brethren: Part III. Arioso "O pity!" (Benjamin), Joseph and His Brethren: Part III. Chorus "Alleluia. We will rejoice in thy salvation", Joseph and His Brethren: Part III. Chorus "Eternal Monarch of the sky", Joseph and His Brethren: Part III. Duet "What's sweeter than the new-blown rose" (Asenath, Joseph), Joseph and His Brethren: Part III. Recitative "Ath thou not Zaphnath? Is not Egypt sav'd?" (Asenath), Joseph and His Brethren: Part III. Recitative "But peace, Zaphnath returns" (Simeon), Joseph and His Brethren: Part III. Recitative "Give, give him up the lad" (Simeon), Joseph and His Brethren: Part III. Recitative "I can no longer" (Joseph), Joseph and His Brethren: Part III. Recitative "O wrong me not! thy Zaphnath never harbour'd" (Joseph), Joseph and His Brethren: Part III. Recitative "They come, - and indignation in their looks" (Joseph), Joseph and His Brethren: Part III. Recitative "To prison with him!" (Joseph), Joseph and His Brethren: Part III. Recitative "What say'st thou, Phanor?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whence so disturb'd, my Lord?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whilst the Nile and Memphis" (Asenath), Joseph and His Brethren: Part III. Recitative "With songs of ardent gratitude and praise" (Joseph), Joseph and His Brethren: Part III. Sinfonia, Ouverture, Pena Tirrana, from Amadigi, Réjouissance, from Musick for the Royal Fireworks, The Flocks Shall Leave the Mountains, from Acis and Galatea, The Great Jehova Is Our Awful Theme, from Joshua, To Vanity and Earthly Pride, from Joshua |
| Choir of the King’s Consort |
performing orchestra |
Joseph and His Brethren: Part I. Accompagnato "Pharaoh, thy dreams are one" (Joseph), Joseph and His Brethren: Part I. Air "Be firm, my soul! nor faint beneath" (Joseph), Joseph and His Brethren: Part I. Air "Come, divine inspirer, com" (Joseph), Joseph and His Brethren: Part I. Air "I feel a spreading flame within my veins" (Asenath), Joseph and His Brethren: Part I. Air "Ingratitude's the queen of crimes" (Phanor), Joseph and His Brethren: Part I. Air "O lovely youth, with wisdom crown'd" (Asenath), Joseph and His Brethren: Part I. Air "Since the race of time begun" (Pharaoh), Joseph and His Brethren: Part I. Chorus "Immortal pleasures crown this pair", Joseph and His Brethren: Part I. Chorus "Joyful sounds, melodious strain!", Joseph and His Brethren: Part I. Chorus "O God of Joseph, gracious shed thy spirit on thy servant's head", Joseph and His Brethren: Part I. Chorus "Swift our numbers, swiftly roll", Joseph and His Brethren: Part I. Duet "Celestial virgin! Godlike youth!" (Joseph, Asenath), Joseph and His Brethren: Part I. Grand March During the Procession, Joseph and His Brethren: Part I. Recitative "'Tis done, - the sacred knot is tied" (High Priest), Joseph and His Brethren: Part I. Recitative "Divine interpreter! What oracle" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Fair Asenath" (Joseph), Joseph and His Brethren: Part I. Recitative "Glorious and happy is thy lot, O Zaphnath!" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Joseph, thy fame has reach'd great Pharaoh's ear" (Phanor), Joseph and His Brethren: Part I. Recitative "Now, Potiphera, instant to the temple" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Pardon, that I so long forgot thee, Joseph!" (Phanor), Joseph and His Brethren: Part I. Recitative "Thus, stranger, I have laid my troubled thoughts" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Wear, worthy man, this Royal signet wear" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Whence this unwonted ardour in my breast?" (Asenath), Joseph and His Brethren: Part II. Accompagnato "Once more, O pious Zaphnath, at thy feet" (Reuben), Joseph and His Brethren: Part II. Accompagnato "Where are these Brethren... Why this base delay!" (Simeon), Joseph and His Brethren: Part II. Accompagnato "Ye departed hours, what happier moment have I seen?" (Joseph), Joseph and His Brethren: Part II. Air "Impostor! Ah! my foul offence" (Simeon), Joseph and His Brethren: Part II. Air "Our fruits, whilst yet in blossom, die" (Asenath), Joseph and His Brethren: Part II. Air "Remorse, confusion, horror, fear" (Simeon), Joseph and His Brethren: Part II. Air "The peasant tastes the sweets of life" (Joseph), Joseph and His Brethren: Part II. Air "The silver stream, that all it's way" (Asenath), Joseph and His Brethren: Part II. Air "Thou deign'st to call thy servant 'son'" (Benjamin), Joseph and His Brethren: Part II. Air "To keep afar from all offence" (Judah), Joseph and His Brethren: Part II. Air "Together, lovely innocents, grow up" (Asenath), Joseph and His Brethren: Part II. Chorus "Blest be the man by pow'r unstain'd", Joseph and His Brethren: Part II. Chorus "Hail, thou youth, by Heaven belov'd!", Joseph and His Brethren: Part II. Chorus "O God, who in thy heav'nly hand", Joseph and His Brethren: Part II. Recitative "But Simeon comes" (Joseph), Joseph and His Brethren: Part II. Recitative "He then is silent, then again exclaims" (Asenath), Joseph and His Brethren: Part II. Recitative "He's Egypt's common parent, gives her bread" (Phanor), Joseph and His Brethren: Part II. Recitative "How vast a theme has Egypt for applause!" (Phanor), Joseph and His Brethren: Part II. Recitative "Phanor, we mention not his highest glory!" (Asenath), Joseph and His Brethren: Part II. Recitative "Sweet innocence! divine simplicity!" (Joseph), Joseph and His Brethren: Part II. Recitative "Tell me, O tell me thy heart's malady" (Asenath), Joseph and His Brethren: Part II. Recitative "This Hebrew prisoner" (Phanor), Joseph and His Brethren: Part II. Recitative "This kiss, my gracious Lord" (Benjamin), Joseph and His Brethren: Part II. Recitative "Whence, Asenath, this grief that hangs upon thee?" (Joseph), Joseph and His Brethren: Part III. Accompagnato ""What! without me? Ah, how return in peace!" (Benjamin), Joseph and His Brethren: Part III. Air "Ah Jealousy, thou pelican" (Asenath), Joseph and His Brethren: Part III. Air "Prophetic raptures swell my breast" (Asenath), Joseph and His Brethren: Part III. Air "The people's favour, and the smiles of pow'r" (Joseph), Joseph and His Brethren: Part III. Air "The wanton favours of the great" (Phanor), Joseph and His Brethren: Part III. Air "Thou hdast, my Lord, a father once" (Simeon), Joseph and His Brethren: Part III. Arioso "O gracious God" (Simeon), Joseph and His Brethren: Part III. Arioso "O pity!" (Benjamin), Joseph and His Brethren: Part III. Chorus "Alleluia. We will rejoice in thy salvation", Joseph and His Brethren: Part III. Chorus "Eternal Monarch of the sky", Joseph and His Brethren: Part III. Duet "What's sweeter than the new-blown rose" (Asenath, Joseph), Joseph and His Brethren: Part III. Recitative "Ath thou not Zaphnath? Is not Egypt sav'd?" (Asenath), Joseph and His Brethren: Part III. Recitative "But peace, Zaphnath returns" (Simeon), Joseph and His Brethren: Part III. Recitative "Give, give him up the lad" (Simeon), Joseph and His Brethren: Part III. Recitative "I can no longer" (Joseph), Joseph and His Brethren: Part III. Recitative "O wrong me not! thy Zaphnath never harbour'd" (Joseph), Joseph and His Brethren: Part III. Recitative "They come, - and indignation in their looks" (Joseph), Joseph and His Brethren: Part III. Recitative "To prison with him!" (Joseph), Joseph and His Brethren: Part III. Recitative "What say'st thou, Phanor?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whence so disturb'd, my Lord?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whilst the Nile and Memphis" (Asenath), Joseph and His Brethren: Part III. Recitative "With songs of ardent gratitude and praise" (Joseph), Joseph and His Brethren: Part III. Sinfonia, Ouverture |
| Philip Hobbs (Engineer) |
engineer |
Joseph and His Brethren: Part I. Accompagnato "Pharaoh, thy dreams are one" (Joseph), Joseph and His Brethren: Part I. Air "Be firm, my soul! nor faint beneath" (Joseph), Joseph and His Brethren: Part I. Air "Come, divine inspirer, com" (Joseph), Joseph and His Brethren: Part I. Air "I feel a spreading flame within my veins" (Asenath), Joseph and His Brethren: Part I. Air "Ingratitude's the queen of crimes" (Phanor), Joseph and His Brethren: Part I. Air "O lovely youth, with wisdom crown'd" (Asenath), Joseph and His Brethren: Part I. Air "Since the race of time begun" (Pharaoh), Joseph and His Brethren: Part I. Chorus "Immortal pleasures crown this pair", Joseph and His Brethren: Part I. Chorus "Joyful sounds, melodious strain!", Joseph and His Brethren: Part I. Chorus "O God of Joseph, gracious shed thy spirit on thy servant's head", Joseph and His Brethren: Part I. Chorus "Swift our numbers, swiftly roll", Joseph and His Brethren: Part I. Duet "Celestial virgin! Godlike youth!" (Joseph, Asenath), Joseph and His Brethren: Part I. Grand March During the Procession, Joseph and His Brethren: Part I. Recitative "'Tis done, - the sacred knot is tied" (High Priest), Joseph and His Brethren: Part I. Recitative "Divine interpreter! What oracle" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Fair Asenath" (Joseph), Joseph and His Brethren: Part I. Recitative "Glorious and happy is thy lot, O Zaphnath!" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Joseph, thy fame has reach'd great Pharaoh's ear" (Phanor), Joseph and His Brethren: Part I. Recitative "Now, Potiphera, instant to the temple" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Pardon, that I so long forgot thee, Joseph!" (Phanor), Joseph and His Brethren: Part I. Recitative "Thus, stranger, I have laid my troubled thoughts" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Wear, worthy man, this Royal signet wear" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Whence this unwonted ardour in my breast?" (Asenath), Joseph and His Brethren: Part II. Accompagnato "Once more, O pious Zaphnath, at thy feet" (Reuben), Joseph and His Brethren: Part II. Accompagnato "Where are these Brethren... Why this base delay!" (Simeon), Joseph and His Brethren: Part II. Accompagnato "Ye departed hours, what happier moment have I seen?" (Joseph), Joseph and His Brethren: Part II. Air "Impostor! Ah! my foul offence" (Simeon), Joseph and His Brethren: Part II. Air "Our fruits, whilst yet in blossom, die" (Asenath), Joseph and His Brethren: Part II. Air "Remorse, confusion, horror, fear" (Simeon), Joseph and His Brethren: Part II. Air "The peasant tastes the sweets of life" (Joseph), Joseph and His Brethren: Part II. Air "The silver stream, that all it's way" (Asenath), Joseph and His Brethren: Part II. Air "Thou deign'st to call thy servant 'son'" (Benjamin), Joseph and His Brethren: Part II. Air "To keep afar from all offence" (Judah), Joseph and His Brethren: Part II. Air "Together, lovely innocents, grow up" (Asenath), Joseph and His Brethren: Part II. Chorus "Blest be the man by pow'r unstain'd", Joseph and His Brethren: Part II. Chorus "Hail, thou youth, by Heaven belov'd!", Joseph and His Brethren: Part II. Chorus "O God, who in thy heav'nly hand", Joseph and His Brethren: Part II. Recitative "But Simeon comes" (Joseph), Joseph and His Brethren: Part II. Recitative "He then is silent, then again exclaims" (Asenath), Joseph and His Brethren: Part II. Recitative "He's Egypt's common parent, gives her bread" (Phanor), Joseph and His Brethren: Part II. Recitative "How vast a theme has Egypt for applause!" (Phanor), Joseph and His Brethren: Part II. Recitative "Phanor, we mention not his highest glory!" (Asenath), Joseph and His Brethren: Part II. Recitative "Sweet innocence! divine simplicity!" (Joseph), Joseph and His Brethren: Part II. Recitative "Tell me, O tell me thy heart's malady" (Asenath), Joseph and His Brethren: Part II. Recitative "This Hebrew prisoner" (Phanor), Joseph and His Brethren: Part II. Recitative "This kiss, my gracious Lord" (Benjamin), Joseph and His Brethren: Part II. Recitative "Whence, Asenath, this grief that hangs upon thee?" (Joseph), Joseph and His Brethren: Part III. Accompagnato ""What! without me? Ah, how return in peace!" (Benjamin), Joseph and His Brethren: Part III. Air "Ah Jealousy, thou pelican" (Asenath), Joseph and His Brethren: Part III. Air "Prophetic raptures swell my breast" (Asenath), Joseph and His Brethren: Part III. Air "The people's favour, and the smiles of pow'r" (Joseph), Joseph and His Brethren: Part III. Air "The wanton favours of the great" (Phanor), Joseph and His Brethren: Part III. Air "Thou hdast, my Lord, a father once" (Simeon), Joseph and His Brethren: Part III. Arioso "O gracious God" (Simeon), Joseph and His Brethren: Part III. Arioso "O pity!" (Benjamin), Joseph and His Brethren: Part III. Chorus "Alleluia. We will rejoice in thy salvation", Joseph and His Brethren: Part III. Chorus "Eternal Monarch of the sky", Joseph and His Brethren: Part III. Duet "What's sweeter than the new-blown rose" (Asenath, Joseph), Joseph and His Brethren: Part III. Recitative "Ath thou not Zaphnath? Is not Egypt sav'd?" (Asenath), Joseph and His Brethren: Part III. Recitative "But peace, Zaphnath returns" (Simeon), Joseph and His Brethren: Part III. Recitative "Give, give him up the lad" (Simeon), Joseph and His Brethren: Part III. Recitative "I can no longer" (Joseph), Joseph and His Brethren: Part III. Recitative "O wrong me not! thy Zaphnath never harbour'd" (Joseph), Joseph and His Brethren: Part III. Recitative "They come, - and indignation in their looks" (Joseph), Joseph and His Brethren: Part III. Recitative "To prison with him!" (Joseph), Joseph and His Brethren: Part III. Recitative "What say'st thou, Phanor?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whence so disturb'd, my Lord?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whilst the Nile and Memphis" (Asenath), Joseph and His Brethren: Part III. Recitative "With songs of ardent gratitude and praise" (Joseph), Joseph and His Brethren: Part III. Sinfonia, Ouverture |
| Ben Turner (Producer) |
producer |
Joseph and His Brethren: Part I. Accompagnato "Pharaoh, thy dreams are one" (Joseph), Joseph and His Brethren: Part I. Air "Be firm, my soul! nor faint beneath" (Joseph), Joseph and His Brethren: Part I. Air "Come, divine inspirer, com" (Joseph), Joseph and His Brethren: Part I. Air "I feel a spreading flame within my veins" (Asenath), Joseph and His Brethren: Part I. Air "Ingratitude's the queen of crimes" (Phanor), Joseph and His Brethren: Part I. Air "O lovely youth, with wisdom crown'd" (Asenath), Joseph and His Brethren: Part I. Air "Since the race of time begun" (Pharaoh), Joseph and His Brethren: Part I. Chorus "Immortal pleasures crown this pair", Joseph and His Brethren: Part I. Chorus "Joyful sounds, melodious strain!", Joseph and His Brethren: Part I. Chorus "O God of Joseph, gracious shed thy spirit on thy servant's head", Joseph and His Brethren: Part I. Chorus "Swift our numbers, swiftly roll", Joseph and His Brethren: Part I. Duet "Celestial virgin! Godlike youth!" (Joseph, Asenath), Joseph and His Brethren: Part I. Grand March During the Procession, Joseph and His Brethren: Part I. Recitative "'Tis done, - the sacred knot is tied" (High Priest), Joseph and His Brethren: Part I. Recitative "Divine interpreter! What oracle" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Fair Asenath" (Joseph), Joseph and His Brethren: Part I. Recitative "Glorious and happy is thy lot, O Zaphnath!" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Joseph, thy fame has reach'd great Pharaoh's ear" (Phanor), Joseph and His Brethren: Part I. Recitative "Now, Potiphera, instant to the temple" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Pardon, that I so long forgot thee, Joseph!" (Phanor), Joseph and His Brethren: Part I. Recitative "Thus, stranger, I have laid my troubled thoughts" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Wear, worthy man, this Royal signet wear" (Pharaoh), Joseph and His Brethren: Part I. Recitative "Whence this unwonted ardour in my breast?" (Asenath), Joseph and His Brethren: Part II. Accompagnato "Once more, O pious Zaphnath, at thy feet" (Reuben), Joseph and His Brethren: Part II. Accompagnato "Where are these Brethren... Why this base delay!" (Simeon), Joseph and His Brethren: Part II. Accompagnato "Ye departed hours, what happier moment have I seen?" (Joseph), Joseph and His Brethren: Part II. Air "Impostor! Ah! my foul offence" (Simeon), Joseph and His Brethren: Part II. Air "Our fruits, whilst yet in blossom, die" (Asenath), Joseph and His Brethren: Part II. Air "Remorse, confusion, horror, fear" (Simeon), Joseph and His Brethren: Part II. Air "The peasant tastes the sweets of life" (Joseph), Joseph and His Brethren: Part II. Air "The silver stream, that all it's way" (Asenath), Joseph and His Brethren: Part II. Air "Thou deign'st to call thy servant 'son'" (Benjamin), Joseph and His Brethren: Part II. Air "To keep afar from all offence" (Judah), Joseph and His Brethren: Part II. Air "Together, lovely innocents, grow up" (Asenath), Joseph and His Brethren: Part II. Chorus "Blest be the man by pow'r unstain'd", Joseph and His Brethren: Part II. Chorus "Hail, thou youth, by Heaven belov'd!", Joseph and His Brethren: Part II. Chorus "O God, who in thy heav'nly hand", Joseph and His Brethren: Part II. Recitative "But Simeon comes" (Joseph), Joseph and His Brethren: Part II. Recitative "He then is silent, then again exclaims" (Asenath), Joseph and His Brethren: Part II. Recitative "He's Egypt's common parent, gives her bread" (Phanor), Joseph and His Brethren: Part II. Recitative "How vast a theme has Egypt for applause!" (Phanor), Joseph and His Brethren: Part II. Recitative "Phanor, we mention not his highest glory!" (Asenath), Joseph and His Brethren: Part II. Recitative "Sweet innocence! divine simplicity!" (Joseph), Joseph and His Brethren: Part II. Recitative "Tell me, O tell me thy heart's malady" (Asenath), Joseph and His Brethren: Part II. Recitative "This Hebrew prisoner" (Phanor), Joseph and His Brethren: Part II. Recitative "This kiss, my gracious Lord" (Benjamin), Joseph and His Brethren: Part II. Recitative "Whence, Asenath, this grief that hangs upon thee?" (Joseph), Joseph and His Brethren: Part III. Accompagnato ""What! without me? Ah, how return in peace!" (Benjamin), Joseph and His Brethren: Part III. Air "Ah Jealousy, thou pelican" (Asenath), Joseph and His Brethren: Part III. Air "Prophetic raptures swell my breast" (Asenath), Joseph and His Brethren: Part III. Air "The people's favour, and the smiles of pow'r" (Joseph), Joseph and His Brethren: Part III. Air "The wanton favours of the great" (Phanor), Joseph and His Brethren: Part III. Air "Thou hdast, my Lord, a father once" (Simeon), Joseph and His Brethren: Part III. Arioso "O gracious God" (Simeon), Joseph and His Brethren: Part III. Arioso "O pity!" (Benjamin), Joseph and His Brethren: Part III. Chorus "Alleluia. We will rejoice in thy salvation", Joseph and His Brethren: Part III. Chorus "Eternal Monarch of the sky", Joseph and His Brethren: Part III. Duet "What's sweeter than the new-blown rose" (Asenath, Joseph), Joseph and His Brethren: Part III. Recitative "Ath thou not Zaphnath? Is not Egypt sav'd?" (Asenath), Joseph and His Brethren: Part III. Recitative "But peace, Zaphnath returns" (Simeon), Joseph and His Brethren: Part III. Recitative "Give, give him up the lad" (Simeon), Joseph and His Brethren: Part III. Recitative "I can no longer" (Joseph), Joseph and His Brethren: Part III. Recitative "O wrong me not! thy Zaphnath never harbour'd" (Joseph), Joseph and His Brethren: Part III. Recitative "They come, - and indignation in their looks" (Joseph), Joseph and His Brethren: Part III. Recitative "To prison with him!" (Joseph), Joseph and His Brethren: Part III. Recitative "What say'st thou, Phanor?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whence so disturb'd, my Lord?" (Asenath), Joseph and His Brethren: Part III. Recitative "Whilst the Nile and Memphis" (Asenath), Joseph and His Brethren: Part III. Recitative "With songs of ardent gratitude and praise" (Joseph), Joseph and His Brethren: Part III. Sinfonia, Ouverture |
| Charles Mackerras (Australian conductor) |
conductor |
Giulio Cesare: Deep within my bosom burning, Judas Maccabaeus, HWV 63: Act I, no. 10: Aria "Arm, arm, ye brave!" (Simon), Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array", Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 13: Aria "Call forth thy pow'rs, my soul" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To Heav'n's Almighty king we kneel" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 15: Aria "Oh liberty, thou choicest treasure" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 16: Aria "Come, ever-smiling liberty" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "Oh Judas, may these noble views inspire" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 18: Aria "Tis liberty, dear liberty alone" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on ! Juhad disdains", Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father, now at rest" (Judas Maccabaeus, Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-chorus "Disdainful of danger, we'll rush on the foe", Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour was thine aim" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 24: Aria "No unhallow'd desire" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 25: Recitative "Haste we, my brethren" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, oh Lord, on Thee we call", Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children", Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make", Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm of grief" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 7: Aria "Pious orgies, pious aris" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "Oh Father, whose Almighty pow'r", Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes, oh Lord!", Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 29: Aria "So rapid thy course is" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom to receive" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise", Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh let eternal honours crown his name" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 34: Aria "From mighty kings he took the spoil" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail, Judea, happy land", Judas Maccabaeus, HWV 63: Act II, no. 37: Recitative "Thanks to my breathen; but look up to Heav'n (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man, who boasts in fight" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "Oh Judas, oh my brethren!" (Messenger), Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!", Judas Maccabaeus, HWV 63: Act II, no. 42: Recitative "Be comforted, - nor think these plagues are sent" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 43: Aria "The Lord worketh wonders" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 44: Recitative "My arms! - against this Gorgias will I go" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call", Judas Maccabaeus, HWV 63: Act II, no. 47: Recitative "Enough! To heav'n we leave the rest" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 48: Aria "With pious hearts, and brave as pious" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act II, no. 50: Aria "Wise men, flatt'ring, may deceive us" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down", Judas Maccabaeus, HWV 63: Act III, no. 53: Aria "Father of Heav'n! Thy eternal throne" (Israelitish Man), Judas Maccabaeus, HWV 63: Act III, no. 54: Recitative "See, see yon flames, that from the altar broke" (Israelitish Man), Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 56: Aria "So shall the lute and harp awake" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon), Judas Maccabaeus, HWV 63: Act III, no. 58: Chorus "See, the conqu'ring hero comes!", Judas Maccabaeus, HWV 63: Act III, no. 59: March, Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections rise", Judas Maccabaeus, HWV 63: Act III, no. 61: Recitative "Sweet flow the strains, that strike my feasted ear" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act III, no. 62: Aria "With honour let desert be crown'd" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen; peace, and liberty" (Eupolemus), Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n", Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude descend (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 66: Aria, Duet "O lovely peace, with plenty crown'd" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act III, no. 67: Aria "Rejoice, oh Judah! and in songs divine" (Simon), Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen", Judas Maccabaeus, HWV 63: no. 1: Overture, Water Music - Air (Suite no. 1 in F), Water Music - Alla Hornpipe (Suite no. 2 in D) |
| Sir Neville Marriner |
conductor, violin |
Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325, Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in D major, op. 6 no. 5, HWV 323, Concerto grosso in D minor, op. 6 no. 10, HWV 328, Concerto grosso in E minor, op. 6 no. 3, HWV 321, Concerto grosso in F major, op. 6 no. 2, HWV 320, Concerto grosso in F major, op. 6 no. 9, HWV 327, Concerto grosso in G minor, op. 6 no. 6, HWV 324, Messiah, Part 1: No. 1. Symphony, Messiah, Part 1: No. 13. Pifa, Messiah, Part 1: No. 21. Chorus. "His yoke is easy", Messiah, Part 1: No. 7. Chorus. "And he shall purify", Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness", Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel", Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock", Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted", Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 23. Air alto: He was despised", Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs", Messiah, Part 2: No. 25. Chorus. "And with his stripes", Messiah, Part 2: No. 33. Chorus. "Lift up you heads", Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high", Messiah, Part 2: No. 37. Chorus. "The Lord gave the world", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see", Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living...", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together...", Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven...", Messiah, Part 3: No. 46. Chorus. "Since by man came death", Messiah, Part 3: No. 52. Air alto. "If God be for us", Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen", Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery...", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass...", Messiah: Overture (extract A), Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": I. Garghetto, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": II. Allegro, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": IV. Larghetto, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": V. Allegro, Organ Concerto no. 14 in A major, HWV 296: I. Largo e staccato, Organ Concerto no. 14 in A major, HWV 296: II. Organo ad libitum, Organ Concerto no. 14 in A major, HWV 296: III. Andante, Organ Concerto no. 14 in A major, HWV 296: IV. Grave, Organ Concerto no. 14 in A major, HWV 296: V. Allegro, Organ Concerto no. 15 in D minor, HWV 304: I. Andante, Organ Concerto no. 15 in D minor, HWV 304: II. (Organ adagio e fuga allegro), Organ Concerto no. 15 in D minor, HWV 304: III. Allegro, Organ Concerto no. 16 in F major, HWV 305: I. Ouverture, Organ Concerto no. 16 in F major, HWV 305: II. Allegro, Organ Concerto no. 16 in F major, HWV 305: III. Allegro ma non troppo, Organ Concerto no. 16 in F major, HWV 305: IV. Adagio, Organ Concerto no. 16 in F major, HWV 305: V. Andante, Organ Concerto no. 16 in F major, HWV 305: VI. Allegro, Solomon, HWV 67: The Arrival of the Queen of Saba, Sonata: Il Trionfo del Tempo e del Disinganno, HWV 46a |
| Akademie für Alte Musik Berlin |
performing orchestra |
Agrippina, HWV 6: Sinfonia, Solomon, HWV 67: Act I, No. 1 Overture, Solomon, HWV 67: Act I, Scene I. No. 10 Air "What though I trace each herb and flow'r" (Solomon), Solomon, HWV 67: Act I, Scene I. No. 2 Chorus "Your harps and cymbals sound" (Priests), Solomon, HWV 67: Act I, Scene I. No. 3 Air "Praise ye the Lord for all his mercies past" (Levite), Solomon, HWV 67: Act I, Scene I. No. 4 Chorus "With pious heart, and holy tongue" (Priests), Solomon, HWV 67: Act I, Scene I. No. 5 Accompagnato "Almighty pow'r" (Solomon), Solomon, HWV 67: Act I, Scene I. No. 6 Recitative "Imperial Solomon" (Zadok), Solomon, HWV 67: Act I, Scene I. No. 7 Air "Sacred raptures cheer my breast" (Zadok), Solomon, HWV 67: Act I, Scene I. No. 8 Chorus "Throughout the land Jehovah's praise record" (Israelites), Solomon, HWV 67: Act I, Scene I. No. 9 Recitative "Bless'd be the Lord" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 11 Recitative "And see my queen, my wedded love" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 12 Air "Bless'd the day when first my eyes" (Queen), Solomon, HWV 67: Act I, Scene II. No. 13 Recitative "Thou fair inhabitant of Nile" (Solomon, Queen), Solomon, HWV 67: Act I, Scene II. No. 14 Duet "Welcome as the dawn of day" (Queen, Solomon), Solomon, HWV 67: Act I, Scene II. No. 17 Recitative "My blooming fair" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 18 Air "Haste, haste to the cedar grove" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 19 Recitative "When thou art absent from my sight" (Queen), Solomon, HWV 67: Act I, Scene II. No. 20 Air "With thee th'unshelter'd moor I'd tread" (Queen), Solomon, HWV 67: Act I, Scene II. No. 21 Recitative "Search round the world" (Zadok), Solomon, HWV 67: Act I, Scene II. No. 22 Chorus "May no rash intruder disturb their soft hours", Solomon, HWV 67: Act II, Scene I. No. 23 Chorus "From the censer curling rise" (Israelites), Solomon, HWV 67: Act II, Scene I. No. 24 Recitative "Prais'd be the Lord" (Solomon), Solomon, HWV 67: Act II, Scene I. No. 25 Air "When the sun o'er yonder hills" (Solomon), Solomon, HWV 67: Act II, Scene I. No. 26 Recitative "Great Prince, thy resolution's just" (Levite), Solomon, HWV 67: Act II, Scene I. No. 27 Air "Thrice bless'd that wise discerning king" (Levite), Solomon, HWV 67: Act II, Scene II. No. 28 Recitative "My sovereign leige / Thou son of David, hear a mother's grief" (Solomon), Solomon, HWV 67: Act II, Scene III. No. 29 Trio "Words are weak to paint my fears" (Solomon, Two Harlots), Solomon, HWV 67: Act II, Scene III. No. 30 Recitative "What says the other to th'imputed charge?" (Solomon, Second Harlot), Solomon, HWV 67: Act II, Scene III. No. 31 Air "Thy sentence, great king" (Second Harlot), Solomon, HWV 67: Act II, Scene III. No. 32 Recitative "Withhold, withhold the executing hand" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 33 Air "Can I see my enfant gor'd" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 34 Accompagnato "Israel, attend to what your king shall say" (Solomon), Solomon, HWV 67: Act II, Scene III. No. 35 Duet "Thrice bless'd the king" (First Harlot, Solomon), Solomon, HWV 67: Act II, Scene III. No. 36 Chorus "From the east unto the west" (Israelites), Solomon, HWV 67: Act II, Scene III. No. 37 Recitative "From morn to eve I could enraptur'd sing" (Zadok), Solomon, HWV 67: Act II, Scene III. No. 38 Air "See the tall palm that lifts the head" (Zadok), Solomon, HWV 67: Act II, Scene III. No. 39 Recitative "No more shall armed bands our hopes destroy" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 40 Air "Beneath the vine, or fig-tree's shade" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 41 Chorus "Swell, swell the full chorus to Solomon's praise" (Priests), Solomon, HWV 67: Act III, No. 42 Symphony "Arrival of the Queen of Sheba", Solomon, HWV 67: Act III, No. 43 Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon), Solomon, HWV 67: Act III, No. 44 Air "Ev'ry sight these eyes behold" (Queen of Sheba), Solomon, HWV 67: Act III, No. 45 Recitative "Sweep, sweep the string" (Solomon), Solomon, HWV 67: Act III, No. 46 Solo "Music, spread thy voice around" (Solomon, Israelites), Solomon, HWV 67: Act III, No. 47 Solo "Now a diff'rent measure try" (Solomon, Israelites), Solomon, HWV 67: Act III, No. 48 Recitative "Then at once from rage remove" (Solomon), Solomon, HWV 67: Act III, No. 49 Chorus "Draw the tear from hopeless love" (Israelites), Solomon, HWV 67: Act III, No. 50 Recitative "Next the tortur'd soul release" (Solomon), Solomon, HWV 67: Act III, No. 51 Solo "Thus rolling surges rise" (Solomon, Israelites), Solomon, HWV 67: Act III, No. 52 Recitative "Thy harmony's divine, great king" (Queen of Sheba), Solomon, HWV 67: Act III, No. 53 Recitative "Thrice happy king, to have achiev'd" (Zadok), Solomon, HWV 67: Act III, No. 54 Air "Golden columns, fair and bright" (Zadok), Solomon, HWV 67: Act III, No. 55 Recitative "Gold now is common on our happy shore" (Solomon), Solomon, HWV 67: Act III, No. 56 Air "How green our fertile pastures look" (Solomon), Solomon, HWV 67: Act III, No. 57 Recitative "May peace in Salem ever dwell" (Queen of Sheba), Solomon, HWV 67: Act III, No. 58 Air "Will the sun forget to streak" (Queen of Sheba), Solomon, HWV 67: Act III, No. 59 Recitative "Adieu, fair queen, and in thy breast" (Solomon), Solomon, HWV 67: Act III, No. 60 Duet "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon), Solomon, HWV 67: Act III, No. 61 Double Chorus "Praise the Lord with harp and tongue!" |
| Daniel Reuss |
conductor |
Solomon, HWV 67: Act I, No. 1 Overture, Solomon, HWV 67: Act I, Scene I. No. 10 Air "What though I trace each herb and flow'r" (Solomon), Solomon, HWV 67: Act I, Scene I. No. 2 Chorus "Your harps and cymbals sound" (Priests), Solomon, HWV 67: Act I, Scene I. No. 3 Air "Praise ye the Lord for all his mercies past" (Levite), Solomon, HWV 67: Act I, Scene I. No. 4 Chorus "With pious heart, and holy tongue" (Priests), Solomon, HWV 67: Act I, Scene I. No. 5 Accompagnato "Almighty pow'r" (Solomon), Solomon, HWV 67: Act I, Scene I. No. 6 Recitative "Imperial Solomon" (Zadok), Solomon, HWV 67: Act I, Scene I. No. 7 Air "Sacred raptures cheer my breast" (Zadok), Solomon, HWV 67: Act I, Scene I. No. 8 Chorus "Throughout the land Jehovah's praise record" (Israelites), Solomon, HWV 67: Act I, Scene I. No. 9 Recitative "Bless'd be the Lord" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 11 Recitative "And see my queen, my wedded love" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 12 Air "Bless'd the day when first my eyes" (Queen), Solomon, HWV 67: Act I, Scene II. No. 13 Recitative "Thou fair inhabitant of Nile" (Solomon, Queen), Solomon, HWV 67: Act I, Scene II. No. 14 Duet "Welcome as the dawn of day" (Queen, Solomon), Solomon, HWV 67: Act I, Scene II. No. 17 Recitative "My blooming fair" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 18 Air "Haste, haste to the cedar grove" (Solomon), Solomon, HWV 67: Act I, Scene II. No. 19 Recitative "When thou art absent from my sight" (Queen), Solomon, HWV 67: Act I, Scene II. No. 20 Air "With thee th'unshelter'd moor I'd tread" (Queen), Solomon, HWV 67: Act I, Scene II. No. 21 Recitative "Search round the world" (Zadok), Solomon, HWV 67: Act I, Scene II. No. 22 Chorus "May no rash intruder disturb their soft hours", Solomon, HWV 67: Act II, Scene I. No. 23 Chorus "From the censer curling rise" (Israelites), Solomon, HWV 67: Act II, Scene I. No. 24 Recitative "Prais'd be the Lord" (Solomon), Solomon, HWV 67: Act II, Scene I. No. 25 Air "When the sun o'er yonder hills" (Solomon), Solomon, HWV 67: Act II, Scene I. No. 26 Recitative "Great Prince, thy resolution's just" (Levite), Solomon, HWV 67: Act II, Scene I. No. 27 Air "Thrice bless'd that wise discerning king" (Levite), Solomon, HWV 67: Act II, Scene II. No. 28 Recitative "My sovereign leige / Thou son of David, hear a mother's grief" (Solomon), Solomon, HWV 67: Act II, Scene III. No. 29 Trio "Words are weak to paint my fears" (Solomon, Two Harlots), Solomon, HWV 67: Act II, Scene III. No. 30 Recitative "What says the other to th'imputed charge?" (Solomon, Second Harlot), Solomon, HWV 67: Act II, Scene III. No. 31 Air "Thy sentence, great king" (Second Harlot), Solomon, HWV 67: Act II, Scene III. No. 32 Recitative "Withhold, withhold the executing hand" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 33 Air "Can I see my enfant gor'd" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 34 Accompagnato "Israel, attend to what your king shall say" (Solomon), Solomon, HWV 67: Act II, Scene III. No. 35 Duet "Thrice bless'd the king" (First Harlot, Solomon), Solomon, HWV 67: Act II, Scene III. No. 36 Chorus "From the east unto the west" (Israelites), Solomon, HWV 67: Act II, Scene III. No. 37 Recitative "From morn to eve I could enraptur'd sing" (Zadok), Solomon, HWV 67: Act II, Scene III. No. 38 Air "See the tall palm that lifts the head" (Zadok), Solomon, HWV 67: Act II, Scene III. No. 39 Recitative "No more shall armed bands our hopes destroy" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 40 Air "Beneath the vine, or fig-tree's shade" (First Harlot), Solomon, HWV 67: Act II, Scene III. No. 41 Chorus "Swell, swell the full chorus to Solomon's praise" (Priests), Solomon, HWV 67: Act III, No. 42 Symphony "Arrival of the Queen of Sheba", Solomon, HWV 67: Act III, No. 43 Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon), Solomon, HWV 67: Act III, No. 44 Air "Ev'ry sight these eyes behold" (Queen of Sheba), Solomon, HWV 67: Act III, No. 45 Recitative "Sweep, sweep the string" (Solomon), Solomon, HWV 67: Act III, No. 46 Solo "Music, spread thy voice around" (Solomon, Israelites), Solomon, HWV 67: Act III, No. 47 Solo "Now a diff'rent measure try" (Solomon, Israelites), Solomon, HWV 67: Act III, No. 48 Recitative "Then at once from rage remove" (Solomon), Solomon, HWV 67: Act III, No. 49 Chorus "Draw the tear from hopeless love" (Israelites), Solomon, HWV 67: Act III, No. 50 Recitative "Next the tortur'd soul release" (Solomon), Solomon, HWV 67: Act III, No. 51 Solo "Thus rolling surges rise" (Solomon, Israelites), Solomon, HWV 67: Act III, No. 52 Recitative "Thy harmony's divine, great king" (Queen of Sheba), Solomon, HWV 67: Act III, No. 53 Recitative "Thrice happy king, to have achiev'd" (Zadok), Solomon, HWV 67: Act III, No. 54 Air "Golden columns, fair and bright" (Zadok), Solomon, HWV 67: Act III, No. 55 Recitative "Gold now is common on our happy shore" (Solomon), Solomon, HWV 67: Act III, No. 56 Air "How green our fertile pastures look" (Solomon), Solomon, HWV 67: Act III, No. 57 Recitative "May peace in Salem ever dwell" (Queen of Sheba), Solomon, HWV 67: Act III, No. 58 Air "Will the sun forget to streak" (Queen of Sheba), Solomon, HWV 67: Act III, No. 59 Recitative "Adieu, fair queen, and in thy breast" (Solomon), Solomon, HWV 67: Act III, No. 60 Duet "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon), Solomon, HWV 67: Act III, No. 61 Double Chorus "Praise the Lord with harp and tongue!" |
| La Grande Écurie et la Chambre du Roy |
performer, performing orchestra |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia, Concerto Grosso B-Dur op.6 No.7 - Hornpipe, La réjouissance dalla "Musica per i fuochi d'artificio", Le Messie - Alleluia, Rinaldo, Act 2:‘Cingetimi d’alloro’, Rinaldo, Act l: ‘Goffredo, se t’arrise’ |
| Emmanuelle Haïm |
conductor |
Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Crede l'uom ch'egli riposi" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Fido specchio, in te vagheggio" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Folle, dunque tu sola presumi" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Fosco genio, e nero duolo" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "L'uomo sempre se stesso distrugge" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Nasce l'uomo" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Se la bellezza perde vaghezza" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Un leggiadro giovinetto" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Un pensiero nemico di pace" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Una schiera di piaceri" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Urne voi, che racchiudete" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Venga il Tempo" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Duetto "Il voler nel fior degl'anni" (Bellezza, Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Quartetto "Se non sei più ministro di pene" (Bellezza, Piacere, Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Della vita mortale" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Dunque si prendan l'armi" (Piacere, Bellezza, Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ed io, che 'l Tempo sono" (Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Folle, tu nieghi il Tempo" (Disinganno, Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ha nella destra l'ali" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "I colossi del sole" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Io, che sono il Piacere" (Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "La reggia del Piacere vedesti" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Questa è la reggia mia" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Sono troppo crudeli i tuoi consigli" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Tu credi che sia lungi" (Tempo, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Sonata "Taco: qual suono ascolto?" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Chi già fu del biondo crine" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Chiudi, chiudi i vaghi rai" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Come nembo que fugge col vento" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io sperai trovar nel vero" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io vorrei due cori in seno" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Lascia la spina" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Più non cura" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Ricco pino nel cammino" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Tu del Ciel ministro eletto" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Tu giurasti di mai non lasciarmi" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Voglio cangiar desio" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "È ben folle quel nocchier" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Duetto "Il bel pianto dell'aurora" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Quartetto "Voglio Tempo per risolvere" (Bellezza, Tempo, Disinganno, Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Con troppo chiare note" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Dicesti il vero, e benché tardi intesi" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "In tre parti divise" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Io giurerei, che tu chiudesti i lumi" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Ma che veggio, che miro?" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Or che tiene la destra" (Bellezza, Piacere, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Piacer, che meco già vivesti" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Presso la reggia ove il Piacer risiede" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Pure del Cielo intelligenze eterne" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Se del falso piacere" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Sguardo, ch infermo ai rai del sol si volge" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Sì, bella Penitenza" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Tu vivi invan dolente" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "È un ostinato errore" (Tempo), Il trionfo del Tempo e del Disinganno: Sonata: Allegro - Adagio - Allegro |
| Jean-Claude Malgoire |
conductor |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia, Concerto Grosso B-Dur op.6 No.7 - Hornpipe, La réjouissance dalla "Musica per i fuochi d'artificio", Le Messie - Alleluia, Rinaldo, Act 2:‘Cingetimi d’alloro’, Rinaldo, Act l: ‘Goffredo, se t’arrise’ |
| Le Concert d'Astrée |
performing orchestra |
Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Crede l'uom ch'egli riposi" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Fido specchio, in te vagheggio" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Folle, dunque tu sola presumi" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Fosco genio, e nero duolo" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "L'uomo sempre se stesso distrugge" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Nasce l'uomo" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Se la bellezza perde vaghezza" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Un leggiadro giovinetto" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Un pensiero nemico di pace" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Una schiera di piaceri" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Urne voi, che racchiudete" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Venga il Tempo" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Duetto "Il voler nel fior degl'anni" (Bellezza, Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Quartetto "Se non sei più ministro di pene" (Bellezza, Piacere, Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Della vita mortale" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Dunque si prendan l'armi" (Piacere, Bellezza, Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ed io, che 'l Tempo sono" (Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Folle, tu nieghi il Tempo" (Disinganno, Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ha nella destra l'ali" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "I colossi del sole" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Io, che sono il Piacere" (Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "La reggia del Piacere vedesti" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Questa è la reggia mia" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Sono troppo crudeli i tuoi consigli" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Tu credi che sia lungi" (Tempo, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Sonata "Taco: qual suono ascolto?" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Chi già fu del biondo crine" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Chiudi, chiudi i vaghi rai" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Come nembo que fugge col vento" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io sperai trovar nel vero" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io vorrei due cori in seno" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Lascia la spina" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Più non cura" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Ricco pino nel cammino" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Tu del Ciel ministro eletto" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Tu giurasti di mai non lasciarmi" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Voglio cangiar desio" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "È ben folle quel nocchier" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Duetto "Il bel pianto dell'aurora" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Quartetto "Voglio Tempo per risolvere" (Bellezza, Tempo, Disinganno, Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Con troppo chiare note" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Dicesti il vero, e benché tardi intesi" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "In tre parti divise" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Io giurerei, che tu chiudesti i lumi" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Ma che veggio, che miro?" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Or che tiene la destra" (Bellezza, Piacere, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Piacer, che meco già vivesti" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Presso la reggia ove il Piacer risiede" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Pure del Cielo intelligenze eterne" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Se del falso piacere" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Sguardo, ch infermo ai rai del sol si volge" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Sì, bella Penitenza" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Tu vivi invan dolente" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "È un ostinato errore" (Tempo), Il trionfo del Tempo e del Disinganno: Sonata: Allegro - Adagio - Allegro |
| London Philharmonic Orchestra |
performing orchestra |
All they that see Him, laugh Him to scorn, All we like sheep have gone astray, Amen, And He shall purify the sons of Levi, And the Glory of the Lord, And the glory of the Lord, And with His stripes we are healed, Behold a Virgin Shall Conceive, Behold a virgin shall conceive, Behold the Lamb of God, Behold, I tell you a mystery, Behold, and see if there be any sorrow, But thou didst not leave His soul in hell, But who may abide the day of His coming, Comfort ye, my people, Ev'ry valley shall be exalted, For Unto Us a Child Is Born, For behold, darkness shall cover the earth, For unto us a Child is born, Glory to God in the highest, Hallelujah, He Shall Feed His Flock Like a Shepherd, He Was Despised and Rejected of Men, He shall feed His flock like a shepherd, He that dwelleth in heaven, He trusted in God that would deliver Him, He was cut off out of the land of the living, He was despised and rejected of men, His yoke is easy, His burden is light, How beautiful are the feet of them, I know that my Redeemer liveth, Let us break their bonds asunder, Lift Up Your Heads, O Ye Gates, Lift up your heads, O ye gates, Messiah: Overture (extract B), O thou that tellest good tidings to Zion, Overture, Pastorale Symphony, Rejoice greatly, O daughter of Zion, Since by Man Came Death, Since by man came death — for as in Adam, even so in Christ, Surely, He hath borne our griefs, The people that walked in darkness, The trumpet shall sound, Then shall the eyes of the blind be open'd, There Were Shepherds Abiding in the Fields, There were shepherds abiding in the field, Thou shalt break them with a rod of iron, Thus saith the Lord of hosts, Thy rebuke hath broken His heart, Why Do the Nations So Furiously Rage, Why do the nations so furiously rage, Worthy Is the Lamb That Was Slain / Amen, Worthy is the Lamb that was slain |
| Jean-Pierre Rampal |
flute |
Concerto grosso in G major, HWV 314: I. Largo e staccato, Concerto grosso in G major, HWV 314: II. Allegro, Concerto grosso in G major, HWV 314: III. Adagio, Concerto grosso in G major, HWV 314: IV. Allegro, Concerto in F major, HWV 293: I. Larghetto, Concerto in F major, HWV 293: II. Allegro, Concerto in F major, HWV 293: III. Alla Siciliana, Concerto in F major, HWV 293: IV. Presto, Sonata in A minor, HWV 362: I. Larghetto, Sonata in A minor, HWV 362: II. Allegro, Sonata in A minor, HWV 362: III. Adagio, Sonata in A minor, HWV 362: IV. Allegro, Sonata in A minor, HWV 374: I. Adagio, Sonata in A minor, HWV 374: II. Allegro, Sonata in A minor, HWV 374: III. Adagio, Sonata in A minor, HWV 374: IV. Allegro, Sonata in B minor, HWV 367b: I. Largo, Sonata in B minor, HWV 367b: II. Vivace, Sonata in B minor, HWV 367b: III. Presto, Sonata in B minor, HWV 367b: IV. Adagio, Sonata in B minor, HWV 367b: V. Alla breve, Sonata in B minor, HWV 367b: VI. Andante, Sonata in B minor, HWV 367b: VII. A tempo di Minuet, Sonata in B minor, HWV 376: I. Adagio, Sonata in B minor, HWV 376: II. Allegro, Sonata in B minor, HWV 376: III. Largo, Sonata in B minor, HWV 376: IV. Allegro, Sonata in C major, HWV 365: I. Larghetto, Sonata in C major, HWV 365: II. Allegro, Sonata in C major, HWV 365: III. Larghetto, Sonata in C major, HWV 365: IV. A tempo di Gavotti, Sonata in C major, HWV 365: V. Allegro, Sonata in E minor, HWV 359b: I. Grave, Sonata in E minor, HWV 359b: II. Allegro, Sonata in E minor, HWV 359b: III. Adagio, Sonata in E minor, HWV 359b: IV. Allegro, Sonata in E minor, HWV 375: I. Adagio, Sonata in E minor, HWV 375: II. Allegro, Sonata in E minor, HWV 375: III. Grave, Sonata in E minor, HWV 375: IV. Minuet, Sonata in F major, HWV 369: I. Larghetto, Sonata in F major, HWV 369: II. Allegro, Sonata in F major, HWV 369: III. Siciliana, Sonata in F major, HWV 369: IV. Allegro, Sonata in G major, HWV 363b: I. Adagio, Sonata in G major, HWV 363b: II. Allegro, Sonata in G major, HWV 363b: III. Adagio, Sonata in G major, HWV 363b: IV. Bourrée, Sonata in G major, HWV 363b: V. Menuetto, Sonata in G minor, HWV 360: I. Larghetto, Sonata in G minor, HWV 360: II. Andante, Sonata in G minor, HWV 360: III. Adagio, Sonata in G minor, HWV 360: IV. Presto |
| Walter Süsskind |
conductor |
All they that see Him, laugh Him to scorn, All we like sheep have gone astray, Amen, And He shall purify the sons of Levi, And the Glory of the Lord, And the glory of the Lord, And with His stripes we are healed, Behold a Virgin Shall Conceive, Behold a virgin shall conceive, Behold the Lamb of God, Behold, I tell you a mystery, Behold, and see if there be any sorrow, But thou didst not leave His soul in hell, But who may abide the day of His coming, Comfort ye, my people, Ev'ry valley shall be exalted, For Unto Us a Child Is Born, For behold, darkness shall cover the earth, For unto us a Child is born, Glory to God in the highest, Hallelujah, He Shall Feed His Flock Like a Shepherd, He Was Despised and Rejected of Men, He shall feed His flock like a shepherd, He that dwelleth in heaven, He trusted in God that would deliver Him, He was cut off out of the land of the living, He was despised and rejected of men, His yoke is easy, His burden is light, How beautiful are the feet of them, I know that my Redeemer liveth, Let us break their bonds asunder, Lift Up Your Heads, O Ye Gates, Lift up your heads, O ye gates, O thou that tellest good tidings to Zion, Overture, Pastorale Symphony, Rejoice greatly, O daughter of Zion, Since by Man Came Death, Since by man came death — for as in Adam, even so in Christ, Surely, He hath borne our griefs, The people that walked in darkness, The trumpet shall sound, Then shall the eyes of the blind be open'd, There Were Shepherds Abiding in the Fields, There were shepherds abiding in the field, Thou shalt break them with a rod of iron, Thus saith the Lord of hosts, Thy rebuke hath broken His heart, Why Do the Nations So Furiously Rage, Why do the nations so furiously rage, Worthy Is the Lamb That Was Slain / Amen, Worthy is the Lamb that was slain |
| Fabrice di Falco |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Philippe Jaroussky |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Nigel Smith |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Véronique Gens |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Ingrid Perruche |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Alain Buet |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Thierry Grégoire |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| Academy of Ancient Music |
performing orchestra |
Anthem for the Foundling Hospital: Blessed Are They That Considereth the Poor and Needy, Anthem for the Foundling Hospital: Blessed Are They... They Deliver the Poor That Crieth, Anthem for the Foundling Hospital: Comfort Them, O Lord, When They Are Sick, Anthem for the Foundling Hospital: Hallelujah!, Anthem for the Foundling Hospital: O God, Who From the Suckling’s Mouth, Anthem for the Foundling Hospital: The Charitable Shall Be Had in Everlasting Remembrance, Anthem for the Foundling Hospital: The People Will Tell of Their Wisdom, Concerto pour orgue, Op. 4 No. 3: I. Adagio, Concerto pour orgue, Op. 4 No. 3: II. Allegro, Concerto pour orgue, Op. 4 No. 3: III. Adagio, Concerto pour orgue, Op. 4 No. 3: IV. Allegro, Messiah: Hallelujah Chorus, Messiah: Overture (extract C), Messiah: ‘He trusted in God’ (extract), Missa Brevis in F major: I. Kyrie, Missa Brevis in F major: II. Gloria, Missa Brevis in F major: III. Credo, Missa Brevis in F major: IV. Sanctus, Missa Brevis in F major: V. Benedictus, Missa Brevis in F major: VI. Agnus Dei, Ode for the Birthday of Queen Anne: Eternal Source of Light Divine, Ode for the Birthday of Queen Anne: Kind Health Descends on Downy Wings, Ode for the Birthday of Queen Anne: Let All the Winged Race With Joy, Ode for the Birthday of Queen Anne: Let Envy Then Conceal Her Head, Ode for the Birthday of Queen Anne: Let Flocks and Herds Their Fear Forget, Ode for the Birthday of Queen Anne: Let Rolling Streams Their Gladness Show, Ode for the Birthday of Queen Anne: United Nations Shall Combine, Organ Concerto In B-Flat, op. 4 no. 2: I. A tempo ordinario, e staccato, Organ Concerto In B-Flat, op. 4 no. 2: II. Allegro, Organ Concerto In B-Flat, op. 4 no. 2: III. Adagio e staccato, Organ Concerto In B-Flat, op. 4 no. 2: IV. Allegro, ma non presto, Organ Concerto In B-Flat, op. 4 no. 6: I. Andante allegro, Organ Concerto In B-Flat, op. 4 no. 6: II. Larghetto, Organ Concerto In B-Flat, op. 4 no. 6: III. Allegro moderato, Organ Concerto In F, op. 4 no. 4: I. Allegro, Organ Concerto In F, op. 4 no. 4: II. Andante, Organ Concerto In F, op. 4 no. 4: III. Adagio, Organ Concerto In F, op. 4 no. 4: IV. Allegro, Organ Concerto In F, op. 4 no. 5: I. Larghetto, Organ Concerto In F, op. 4 no. 5: II. Allegro, Organ Concerto In F, op. 4 no. 5: III. Alla Siciliana, Organ Concerto In F, op. 4 no. 5: IV. Presto, Organ Concerto In G Minor, op. 4 no. 1: I. Larghetto, e staccato, Organ Concerto In G Minor, op. 4 no. 1: II. Allegro, Organ Concerto In G Minor, op. 4 no. 1: III. Adagio, Organ Concerto In G Minor, op. 4 no. 1: IV, Andante, Organ Concerto In G Minor, op. 4 no. 3: I. Adagio, Organ Concerto In G Minor, op. 4 no. 3: II. Allegro, Organ Concerto In G Minor, op. 4 no. 3: III. Adagio, Organ Concerto In G Minor, op. 4 no. 3: IV. Allegro |
| Bernard Deletré |
vocal |
Agrippina, HWV 6, Act I, Scene 10: Allegrezza, Allegrezza! (Lesbo), Agrippina, HWV 6, Act I, Scene 10: Che Sento! (Pallante, Narciso, Agrippina, Nerone) - Scene 11: Alla Tue (Ottone, Agrippina, Narciso, Pallante, Nerone) - Scene 12: Augusta (Ottone, Agrippina), Agrippina, HWV 6, Act I, Scene 12: Tu Be Degno (Agrippina), Agrippina, HWV 6, Act I, Scene 13: Lusinghiera Mia Speranza (Ottone), Agrippina, HWV 6, Act I, Scene 13: l'ultima del Gioir Meta Gradita (Ottone), Agrippina, HWV 6, Act I, Scene 14: Otton, Claudio, Nerone (Poppea) - Scene 15: Signora (Lesbo, Poppea) - Scene 16: Di Lieta (Lesbo, Agrippina, Poppea) - Scene 17: Perche Invece (Poppea), Agrippina, HWV 6, Act I, Scene 14: Vaghe Perle, Eletti Fiori (Poppea), Agrippina, HWV 6, Act I, Scene 17: E' un Foco Quel D'amore (Poppea), Agrippina, HWV 6, Act I, Scene 18: Ho un non So Che Nel Cor (Agrippina), Agrippina, HWV 6, Act I, Scene 18: Ma Qui Agrippina Viene (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 19: Cieli, Quai Strani Casi (Poppea), Agrippina, HWV 6, Act I, Scene 19: Fa Quanto Vuoi (Poppea), Agrippina, HWV 6, Act I, Scene 1: Col Saggio Tuo Consiglio (Nerone), Agrippina, HWV 6, Act I, Scene 1: Nerone, Amato Figlio! (Argrippina, Nerone), Agrippina, HWV 6, Act I, Scene 20: Non Veggo Alcun (Lesbo), Agrippina, HWV 6, Act I, Scene 21: Che Mai Faro? (Poppea) - Scene 22: Signor, Signor (Lesbo, Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Il Tuo Duol non Celar (Claudio, Poppea), Agrippina, HWV 6, Act I, Scene 21: Pur Ritorno a Rimirarvi (Claudio), Agrippina, HWV 6, Act I, Scene 21: Vieni, O Cara (Claudio), Agrippina, HWV 6, Act I, Scene 22: E Quando Mai I Sensi (Claudio, Poppea, Lesbo), Agrippina, HWV 6, Act I, Scene 22: Pur Al Fin Si Riando (Poppea) - Scene 23: O Mia Liberatrice (Poppea, Agrippina), Agrippina, HWV 6, Act I, Scene 23: Non Ho Che Cor Per Amarti (Agrippina), Agrippina, HWV 6, Act I, Scene 24: Se Giunge un Dispetto (Poppea), Agrippina, HWV 6, Act I, Scene 24: Se Ottone M'inganno (Poppea), Agrippina, HWV 6, Act I, Scene 2: Per Cosi Grande Impresa (Agrippina) - Scene 3: A' Cenni Tuoi Sovrani (Pallante, Agrippina), Agrippina, HWV 6, Act I, Scene 3: La Mia Sorte Fortunata (Pallante), Agrippina, HWV 6, Act I, Scene 4: Or Che Pallante e Vinto (Agrippina) - Scene 5: Umile All Tue Piante … (Narciso, Agrippina), Agrippina, HWV 6, Act I, Scene 5: Volo Pronto, e Lieto Il Core (Narciso), Agrippina, HWV 6, Act I, Scene 6: Quanto Fa, Quanto Puote (Agrippina), Agrippina, HWV 6, Act I, Scene 6: l'alma Mia Fra Te Tempeste (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Amici, Al Sen Vi Stringo (Nerone) - Scene 8: Ecco Chi Presto (Pallante, Narciso) - Scene 9: Voi, Che (Agrippina), Agrippina, HWV 6, Act I, Scene 7: Qual Piacere a un Cor Pietoso (Nerone), Agrippina, HWV 6, Act I, Scene 9: Il Tuo Figlio … (Pallante, Narciso, Agrippina, Nerone), Agrippina, HWV 6, Act I, Scene 9: Ma Qual Di Liete Trombe (Agrippina), Agrippina, HWV 6, Act II, Scene 1: Dunque Noi Siam Traditi (Pallante, Narciso), Agrippina, HWV 6, Act II, Scene 2: Coronato Il Crin D'altro (Ottone), Agrippina, HWV 6, Act II, Scene 2: Roma, Piu Ch'il Trionfo (Pallante, Narciso, Ottone) - Scene 3: Ecco Il Superbo (Agrippina, Poppea, Nerone), Agrippina, HWV 6, Act II, Scene 3: Di Timpani e Trombe (Poppea, Nerone, Agrippina, Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Cade Il Mondo Soggiogato (Claudio), Agrippina, HWV 6, Act II, Scene 4: E Tu, Poppea, Mio Bene? (Ottone), Agrippina, HWV 6, Act II, Scene 4: Nella Britannia Vinta (Claudio), Agrippina, HWV 6, Act II, Scene 4: Nulla Sperar de Me (Agrippina), Agrippina, HWV 6, Act II, Scene 4: Scherzo Son del Destino (Ottone, Narciso, Pallante, Lesbo), Agrippina, HWV 6, Act II, Scene 4: Signor, Quanto Il Mio Core (Agrippina, Claudio, Poppea, Ottone, Nerone, Narciso, Pallante), Agrippina, HWV 6, Act II, Scene 4: Soccori Almen, Neron! (Ottone, Nerone), Agrippina, HWV 6, Act II, Scene 4: Tuo Ben e 'l Trono (Poppea), Agrippina, HWV 6, Act II, Scene 5: Otton, Quai Portentoso (Ottone), Agrippina, HWV 6, Act II, Scene 5: Voi Che Udite Il Mio Lamento (Ottone), Agrippina, HWV 6, Act II, Scene 6: Bella Pur Nel Mio Diletto (Poppea), Agrippina, HWV 6: Sinfonia |
| La Chapelle Rhénane |
performing orchestra |
Messiah, HWV 56: I. Sinfony (Grave: Allegro Moderato), Messiah, HWV 56: II. Accompagnato (Tenor) "Comfort Ye My People", Messiah, HWV 56: III. Air (Tenor) "Ev'ry Valley Shall Be Exalted", Messiah, HWV 56: IV. Chorus "And the Glory of the Lord Shall Be Revealed", Messiah, HWV 56: LI. Chorus "But Thanks Be to God", Messiah, HWV 56: LII. Air (Contralto) "If God Be for Us", Messiah, HWV 56: LIII. Chorus "Worthy Is the Lamb That Was Slain" - "Amen", Messiah, HWV 56: V. Accompagnato (Bass) "Thus Saith the Lord of Hosts", Messiah, HWV 56: VI. Air (Alto) "But Who May Abide the Day of His Coming", Messiah, HWV 56: VII. Chorus "And He Shall Purify", Messiah, HWV 56: VIII. Recitative (Contralto) "Behold, a Virgin Shall Conceive" - IX. Air (Contralto) and Chorus: "O Thou That Tellest Good Tidings", Messiah, HWV 56: X. Accompagnato (Bass) "For Behold, Darkness Shall Cover", Messiah, HWV 56: XI. Air (Bass) "The People That Walked in Darkness", Messiah, HWV 56: XIII. Pifa (Pastoral Symphony), Messiah, HWV 56: XIV. Recitative (Soprano) "There Were Shepherds Abiding in the Field" - XV. Accompagnato (Soprano) "And Lo, the Angel of the Lord" (1:15), Messiah, HWV 56: XIX. Recitative (Contralto) "Then Shall the Eyes of the Blind" - XX. Air (Contralto & Soprano) "He Shall Feed His Flock", Messiah, HWV 56: XL. Air (Bass) "Why Do the Nations So Furiously Rage", Messiah, HWV 56: XLI. Chorus "Let Us Break Their Bonds Asunder", Messiah, HWV 56: XLII. Recitative (Tenor) "He That Dwelleth in Heaven" - XLIII. Air (Tenor) "Thou Shalt Break Them", Messiah, HWV 56: XLIV. Chorus "Hallelujah", Messiah, HWV 56: XLIX. Recitative (Alto) "Then Shall Be Brought to Pass" - L. Duet (Alto & Tenor) "O Death, Where Is Thy Sting?", Messiah, HWV 56: XLV. Air (Soprano) "I Know That My Redeemer Liveth", Messiah, HWV 56: XLVI. Chorus "Since by Man Came Death", Messiah, HWV 56: XLVII. Recitative (Bass) "Behold, I Tell You a Mystery", Messiah, HWV 56: XVI. Accompagnato (Soprano) "And Suddenly There Was With the Angel", Messiah, HWV 56: XVII. Chorus "Glory to God in the Highest", Messiah, HWV 56: XVIII. Air (Soprano) "Rejoice Greatly, o Daughter of Zion", Messiah, HWV 56: XXI. Chorus "His Yoke Is Easy, His Burthen Is Light", Messiah, HWV 56: XXII. Chorus "Behold the Lamb of God", Messiah, HWV 56: XXIII. Air (Contralto) "He Was Despised", Messiah, HWV 56: XXIV. Chorus "Surely He Hath Borne Our Griefs", Messiah, HWV 56: XXIX. Accompagnato (Tenor) "Thy Rebuke Hath Broken His Heart", Messiah, HWV 56: XXV. Chorus "And With His Stripes We Are Healed", Messiah, HWV 56: XXVI. Chorus "All We Like Sheep Have Gone Astray", Messiah, HWV 56: XXVII. Accompagnato (Tenor) "All They That See Him", Messiah, HWV 56: XXVIII. Chorus "He Trusted in God", Messiah, HWV 56: XXX. Arioso (Tenor) "Behold, and See If There Be Any Sorrow", Messiah, HWV 56: XXXI. Accompagnato (Soprano) "He Was Cut Off Out of the Land", Messiah, HWV 56: XXXII. Air (Soprano) "But Thou Didst Not Leave His Soul", Messiah, HWV 56: XXXIII. Chorus "Lift Up Your Heads, o Ye Gates", Messiah, HWV 56: XXXIV. Recitative (Tenor) "Unto Which of the Angels" - XXXV. Chorus "Let All the Angels of God Worship Him", Messiah, HWV 56: XXXIX. Chorus "The Sound Is Gone Out", Messiah, HWV 56: XXXVI. Air (Alto) "Thou Art Gone Up on High", Messiah, HWV 56: XXXVII. Chorus "The Lord Gave the Word", Messiah, HWV 56: XXXVIII. Air (Soprano) "How Beautiful Are the Feet" |
| Benoît Haller |
conductor |
Messiah, HWV 56: I. Sinfony (Grave: Allegro Moderato), Messiah, HWV 56: II. Accompagnato (Tenor) "Comfort Ye My People", Messiah, HWV 56: III. Air (Tenor) "Ev'ry Valley Shall Be Exalted", Messiah, HWV 56: IV. Chorus "And the Glory of the Lord Shall Be Revealed", Messiah, HWV 56: LI. Chorus "But Thanks Be to God", Messiah, HWV 56: LII. Air (Contralto) "If God Be for Us", Messiah, HWV 56: LIII. Chorus "Worthy Is the Lamb That Was Slain" - "Amen", Messiah, HWV 56: V. Accompagnato (Bass) "Thus Saith the Lord of Hosts", Messiah, HWV 56: VI. Air (Alto) "But Who May Abide the Day of His Coming", Messiah, HWV 56: VII. Chorus "And He Shall Purify", Messiah, HWV 56: VIII. Recitative (Contralto) "Behold, a Virgin Shall Conceive" - IX. Air (Contralto) and Chorus: "O Thou That Tellest Good Tidings", Messiah, HWV 56: X. Accompagnato (Bass) "For Behold, Darkness Shall Cover", Messiah, HWV 56: XI. Air (Bass) "The People That Walked in Darkness", Messiah, HWV 56: XIII. Pifa (Pastoral Symphony), Messiah, HWV 56: XIV. Recitative (Soprano) "There Were Shepherds Abiding in the Field" - XV. Accompagnato (Soprano) "And Lo, the Angel of the Lord" (1:15), Messiah, HWV 56: XIX. Recitative (Contralto) "Then Shall the Eyes of the Blind" - XX. Air (Contralto & Soprano) "He Shall Feed His Flock", Messiah, HWV 56: XL. Air (Bass) "Why Do the Nations So Furiously Rage", Messiah, HWV 56: XLI. Chorus "Let Us Break Their Bonds Asunder", Messiah, HWV 56: XLII. Recitative (Tenor) "He That Dwelleth in Heaven" - XLIII. Air (Tenor) "Thou Shalt Break Them", Messiah, HWV 56: XLIV. Chorus "Hallelujah", Messiah, HWV 56: XLIX. Recitative (Alto) "Then Shall Be Brought to Pass" - L. Duet (Alto & Tenor) "O Death, Where Is Thy Sting?", Messiah, HWV 56: XLV. Air (Soprano) "I Know That My Redeemer Liveth", Messiah, HWV 56: XLVI. Chorus "Since by Man Came Death", Messiah, HWV 56: XLVII. Recitative (Bass) "Behold, I Tell You a Mystery", Messiah, HWV 56: XVI. Accompagnato (Soprano) "And Suddenly There Was With the Angel", Messiah, HWV 56: XVII. Chorus "Glory to God in the Highest", Messiah, HWV 56: XVIII. Air (Soprano) "Rejoice Greatly, o Daughter of Zion", Messiah, HWV 56: XXI. Chorus "His Yoke Is Easy, His Burthen Is Light", Messiah, HWV 56: XXII. Chorus "Behold the Lamb of God", Messiah, HWV 56: XXIII. Air (Contralto) "He Was Despised", Messiah, HWV 56: XXIV. Chorus "Surely He Hath Borne Our Griefs", Messiah, HWV 56: XXIX. Accompagnato (Tenor) "Thy Rebuke Hath Broken His Heart", Messiah, HWV 56: XXV. Chorus "And With His Stripes We Are Healed", Messiah, HWV 56: XXVI. Chorus "All We Like Sheep Have Gone Astray", Messiah, HWV 56: XXVII. Accompagnato (Tenor) "All They That See Him", Messiah, HWV 56: XXVIII. Chorus "He Trusted in God", Messiah, HWV 56: XXX. Arioso (Tenor) "Behold, and See If There Be Any Sorrow", Messiah, HWV 56: XXXI. Accompagnato (Soprano) "He Was Cut Off Out of the Land", Messiah, HWV 56: XXXII. Air (Soprano) "But Thou Didst Not Leave His Soul", Messiah, HWV 56: XXXIII. Chorus "Lift Up Your Heads, o Ye Gates", Messiah, HWV 56: XXXIV. Recitative (Tenor) "Unto Which of the Angels" - XXXV. Chorus "Let All the Angels of God Worship Him", Messiah, HWV 56: XXXIX. Chorus "The Sound Is Gone Out", Messiah, HWV 56: XXXVI. Air (Alto) "Thou Art Gone Up on High", Messiah, HWV 56: XXXVII. Chorus "The Lord Gave the Word", Messiah, HWV 56: XXXVIII. Air (Soprano) "How Beautiful Are the Feet" |
| Bohdan Warchal |
conductor |
1. (Allegro), 1. -, 1. A Tempo Giusto, 1. Andante Larghetto, 1. Overture (Largo - Allegro), 10. (Allegro Moderato), 2. Adagio E Stacatto, 2. Alla Hornpipe, 2. Allegro, 2. Rigaudon, 3. Adagio, 3. Allegro, 3. Largo, 3. Menuet, 4. -, 4. Allegro, 4. Allegro Ma Non Troppo, 4. Andante, 4. Lentement, 5. (A Tempo Di Minuetto), 5. Allegro, 5. Bourree, 6. Air, 7. Menuet, 8. Bourree, 9. Hornpipe, Royal Fireworks Music: I. Overture, Royal Fireworks Music: II. Bouree, Royal Fireworks Music: III. La paix, Royal Fireworks Music: IV. La rejouissance, Royal Fireworks Music: V. Menuet I, Royal Fireworks Music: VI. Menuet II, Water Music: I. Allegro, Water Music: II. Air, Water Music: III. Bouree, Water Music: IV. Hornpipe, Water Music: V. Andante expressivo, Water Music: VI. Hornpipe |
| Slovenský komorný orchester Bohdana Warchala |
performing orchestra |
1. (Allegro), 1. -, 1. A Tempo Giusto, 1. Andante Larghetto, 1. Overture (Largo - Allegro), 10. (Allegro Moderato), 2. Adagio E Stacatto, 2. Alla Hornpipe, 2. Allegro, 2. Rigaudon, 3. Adagio, 3. Allegro, 3. Largo, 3. Menuet, 4. -, 4. Allegro, 4. Allegro Ma Non Troppo, 4. Andante, 4. Lentement, 5. (A Tempo Di Minuetto), 5. Allegro, 5. Bourree, 6. Air, 7. Menuet, 8. Bourree, 9. Hornpipe, Royal Fireworks Music: I. Overture, Royal Fireworks Music: II. Bouree, Royal Fireworks Music: III. La paix, Royal Fireworks Music: IV. La rejouissance, Royal Fireworks Music: V. Menuet I, Royal Fireworks Music: VI. Menuet II, Water Music: I. Allegro, Water Music: II. Air, Water Music: III. Bouree, Water Music: IV. Hornpipe, Water Music: V. Andante expressivo, Water Music: VI. Hornpipe |
| Paul Baxter (engineer,producer) |
editor, engineer, producer |
Athalia, HWV 52 - Overture: Allegro, Athalia, HWV 52 - Overture: Grave, Il Pastor Fido, HWV 8A - Overture: A Tempo Di Bourree, Il Pastor Fido, HWV 8A - Overture: Allegro, Il Pastor Fido, HWV 8A - Overture: Largo, Occasional Oratorio, HWV 62 - Overture: Adagio, Occasional Oratorio, HWV 62 - Overture: Allegro, Occasional Oratorio, HWV 62 - Overture: Largo, Occasional Oratorio, HWV 62 - Overture: March, Radamisto, HWV 12 - Overture: Allegro, Radamisto, HWV 12 - Overture: Largo, Rinaldo, HWV 7 - Overture: Adagio, Rinaldo, HWV 7 - Overture: Allegro, Rinaldo, HWV 7 - Overture: Giga, Presto, Rinaldo, HWV 7 - Overture: Largo, Samson, HWV 57 - Overture: Adagio, Samson, HWV 57 - Overture: Allegro, Samson, HWV 57 - Overture: Andante, Samson, HWV 57 - Overture: Minuet, Saul, HWV 53 - Overture: Allegro, Saul, HWV 53 - Overture: Andante Larghetto- Minuet, Saul, HWV 53 - Overture: Larghetto, Suite In A, HWV 454 - Allemande, Suite In A, HWV 454 - Courante, Suite In A, HWV 454 - Gigue, Suite In A, HWV 454 - Sarabande, Suite In G, HWV 450 - Allemande, Suite In G, HWV 450 - Courante, Suite In G, HWV 450 - Gigue, Suite In G, HWV 450 - Menuet, Suite In G, HWV 450 - Preludio, Suite In G, HWV 450 - Sarabande, Teseo, HWV 9 - Overture: Allegro, Teseo, HWV 9 - Overture: Largo, Teseo, HWV 9 - Overture: Lentement |
| Concentus Musicus Wien |
performing orchestra |
Concerto Grosso in F major, Op.3/4b (spurious): Allegro, Concerto Grosso in F major, Op.3/4b (spurious): Largo, Messiah: Hallelujah, Oboe Concerto in G minor (No.3), HWV 287: Allegro, Oboe Concerto in G minor (No.3), HWV 287: Grave, Oboe Concerto in G minor (No.3), HWV 287: Sarabande. Largo, Organ Concerto In D Minor, HWV 304 - Adagio, Organo Adagio Ad Libitum, E Poi Una Fuga Allegro Ad Libitum, Organ Concerto In D Minor, HWV 304 - Allegro, Organ Concerto In D Minor, HWV 304 - Andante, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Allegro, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Larghetto, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Organo Ad Libitum Ex A, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro, Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave], Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario, Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum, Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte, Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo, Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum], Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario |
| John Kitchen |
harpsichord |
Athalia, HWV 52 - Overture: Allegro, Athalia, HWV 52 - Overture: Grave, Il Pastor Fido, HWV 8A - Overture: A Tempo Di Bourree, Il Pastor Fido, HWV 8A - Overture: Allegro, Il Pastor Fido, HWV 8A - Overture: Largo, Occasional Oratorio, HWV 62 - Overture: Adagio, Occasional Oratorio, HWV 62 - Overture: Allegro, Occasional Oratorio, HWV 62 - Overture: Largo, Occasional Oratorio, HWV 62 - Overture: March, Radamisto, HWV 12 - Overture: Allegro, Radamisto, HWV 12 - Overture: Largo, Rinaldo, HWV 7 - Overture: Adagio, Rinaldo, HWV 7 - Overture: Allegro, Rinaldo, HWV 7 - Overture: Giga, Presto, Rinaldo, HWV 7 - Overture: Largo, Samson, HWV 57 - Overture: Adagio, Samson, HWV 57 - Overture: Allegro, Samson, HWV 57 - Overture: Andante, Samson, HWV 57 - Overture: Minuet, Saul, HWV 53 - Overture: Allegro, Saul, HWV 53 - Overture: Andante Larghetto- Minuet, Saul, HWV 53 - Overture: Larghetto, Suite In A, HWV 454 - Allemande, Suite In A, HWV 454 - Courante, Suite In A, HWV 454 - Gigue, Suite In A, HWV 454 - Sarabande, Suite In G, HWV 450 - Allemande, Suite In G, HWV 450 - Courante, Suite In G, HWV 450 - Gigue, Suite In G, HWV 450 - Menuet, Suite In G, HWV 450 - Preludio, Suite In G, HWV 450 - Sarabande, Teseo, HWV 9 - Overture: Allegro, Teseo, HWV 9 - Overture: Largo, Teseo, HWV 9 - Overture: Lentement |
| Nikolaus Harnoncourt |
conductor |
Concerto Grosso in F major, Op.3/4b (spurious): Allegro, Concerto Grosso in F major, Op.3/4b (spurious): Largo, Messiah: Hallelujah, Oboe Concerto in G minor (No.3), HWV 287: Allegro, Oboe Concerto in G minor (No.3), HWV 287: Grave, Oboe Concerto in G minor (No.3), HWV 287: Sarabande. Largo, Organ Concerto In D Minor, HWV 304 - Adagio, Organo Adagio Ad Libitum, E Poi Una Fuga Allegro Ad Libitum, Organ Concerto In D Minor, HWV 304 - Allegro, Organ Concerto In D Minor, HWV 304 - Andante, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Allegro, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Larghetto, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Organo Ad Libitum Ex A, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro, Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave], Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario, Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum, Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte, Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo, Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum], Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario |
| Lorraine Hunt Lieberson |
vocal |
Agrippina: Ogni vento, Agrippina: Pensieri, voi mi tormentate, Arianna: Mirami altero in volto, Arianna: Qual leon, Giulio Cesare: Cara speme, Giulio Cesare: L'angue offeso mai riposa, Giulio Cesare: L'aure che spira, Giulio Cesare: La giustizia, Giulio Cesare: Svegliatevi nel core, La Lucretia, HWV 145: Aria: "Alla salma infedel porga la pena", La Lucretia, HWV 145: Aria: "Gia superbo, del mio affanno", La Lucretia, HWV 145: Aria: "ll suol che preme, l'aura che spira", La Lucretia, HWV 145: Arioso: "Gia nel seno comincia acompir" - Furioso: "Ma se qui non m'e dato", La Lucretia, HWV 145: Recitativo: "A voi, a voi, padre, consorte", La Lucretia, HWV 145: Recitativo: "Ah! che ancor nell'abisso", La Lucretia, HWV 145: Recitativo: "Ma voi forse nel cielo", La Lucretia, HWV 145: Recitativo: "O Numi eterni! O stelle, stelle!", Muzio Scevola: Dimmi, crudele Amore, Ottone: Vieni, o figlio, Radamisto: Ombra cara di mia sposa, Radamisto: Qual nave, Serse, HWV 40: Aria: "Ombra mai fu", Serse, HWV 40: Aria: "Se bramate d'amar, chi vi sdegna", Serse, HWV 40: Recitativo: "Fondi tenere e belle", Theodora, HWV 68: "New scenes of joy", Theodora, HWV 68: Aria: "As with rosy steps the morn", Theodora, HWV 68: Aria: "Bane of virtue, nurse of passions", Theodora, HWV 68: Aria: "Defend her Heav'n!", Theodora, HWV 68: Aria: "Lord, to Thee each night and day", Theodora, HWV 68: Recitativo: "Ah! Whither should we fly, or fly from whom?", Theodora, HWV 68: Recitativo: "O bright example of all goodness!", Theodora, HWV 68: Recitativo: "She's gone, disdaining liberty and life", Theodora, HWV 68: Recitativo: "The clouds begin to veil the hemisphere" |
| Eugene Ormandy |
conductor |
Messiah: 1. Overture, Messiah: 13. Pastoral Symphony, Messiah: 14. There were shepherds, Messiah: 15. And the angel said unto them, Messiah: 16. And suddenly there was with the angel, Messiah: 17. Glory to God, Messiah: 19. Then shall the eyes of the blind be opened, Messiah: 2. Comfort ye, my people, Messiah: 20. He shall feed His flock, Messiah: 21. His yoke is easy, Messiah: 22. Behold the Lamb of God, Messiah: 23. He was despised, Messiah: 24. Surely He hath borne our griefs, Messiah: 25. And with His stripes we are healed, Messiah: 26. All we like sheep have gone astray, Messiah: 3. Every valley shall be exalted, Messiah: 33. Lift up your heads, Messiah: 4. And the glory of the Lord, Messiah: 40. Why do the nations?, Messiah: 42. He that dwelleth in Heaven, Messiah: 43. Thou shalt break them, Messiah: 44. Hallelujah!, Messiah: 45. I know that my Redeemer liveth, Messiah: 47. Behold, I tell you a mystery, Messiah: 48. The trumpet shall sound, Messiah: 5. Thus saith the Lord, Messiah: 53. Worthy is the Lamb, Messiah: 6. But who may abide, Messiah: 7. And He shall purify, Messiah: 9. O thou that tellest good tidings to Zion |
| The Philadelphia Orchestra |
performing orchestra |
Messiah: 1. Overture, Messiah: 13. Pastoral Symphony, Messiah: 14. There were shepherds, Messiah: 15. And the angel said unto them, Messiah: 16. And suddenly there was with the angel, Messiah: 17. Glory to God, Messiah: 19. Then shall the eyes of the blind be opened, Messiah: 2. Comfort ye, my people, Messiah: 20. He shall feed His flock, Messiah: 21. His yoke is easy, Messiah: 22. Behold the Lamb of God, Messiah: 23. He was despised, Messiah: 24. Surely He hath borne our griefs, Messiah: 25. And with His stripes we are healed, Messiah: 26. All we like sheep have gone astray, Messiah: 3. Every valley shall be exalted, Messiah: 33. Lift up your heads, Messiah: 4. And the glory of the Lord, Messiah: 40. Why do the nations?, Messiah: 42. He that dwelleth in Heaven, Messiah: 43. Thou shalt break them, Messiah: 44. Hallelujah!, Messiah: 45. I know that my Redeemer liveth, Messiah: 47. Behold, I tell you a mystery, Messiah: 48. The trumpet shall sound, Messiah: 5. Thus saith the Lord, Messiah: 53. Worthy is the Lamb, Messiah: 6. But who may abide, Messiah: 7. And He shall purify, Messiah: 9. O thou that tellest good tidings to Zion |
| Herbert Tachezi |
organ |
Organ Concerto In D Minor, HWV 304 - Adagio, Organo Adagio Ad Libitum, E Poi Una Fuga Allegro Ad Libitum, Organ Concerto In D Minor, HWV 304 - Allegro, Organ Concerto In D Minor, HWV 304 - Andante, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Allegro, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Larghetto, Organ Concerto In F Major, HWV 295 "The Cuckoo And The Nightingale" - Organo Ad Libitum Ex A, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: I. Andante, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: II. Andante, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: III. Largo e piano, Organ Concertos Op. 7, No. 1 in B flat major, HWV 306: IV. Bourrée. Allegro, Organ Concertos Op. 7, No. 2 in A major, HWV 307: I. Ouverture [Grave], Organ Concertos Op. 7, No. 2 in A major, HWV 307: II. A tempo ordinario, Organ Concertos Op. 7, No. 2 in A major, HWV 307: III. Organo ad libitum, Organ Concertos Op. 7, No. 2 in A major, HWV 307: IV. Allegro, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: I. Allegro, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: II. Organo ad libitum, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: III. Spiritoso, Organ Concertos Op. 7, No. 3 in B flat major, HWV 308: IV. Menuet, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: I. Adagio, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: II. Allegro, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: III. Organo ad libitum, Organ Concertos Op. 7, No. 4 in D minor, HWV 309: IV. Allegro, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: I. Allegro ma non troppo e staccato, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: II. Andante larghetto e staccato, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: III. Menuet, Organ Concertos Op. 7, No. 5 in G minor, HWV 310: IV. Gavotte, Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: I. Pomposo, Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: II. Adagio [ad libitum], Organ Concertos Op. 7, No. 6 in B flat major, HWV 311: III. A tempo ordinario |
| Simon Eadon |
balance |
Messiah, Part 1: No. 1. Symphony, Messiah, Part 1: No. 13. Pifa, Messiah, Part 1: No. 21. Chorus. "His yoke is easy", Messiah, Part 1: No. 7. Chorus. "And he shall purify", Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness", Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel", Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock", Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted", Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 23. Air alto: He was despised", Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs", Messiah, Part 2: No. 25. Chorus. "And with his stripes", Messiah, Part 2: No. 33. Chorus. "Lift up you heads", Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high", Messiah, Part 2: No. 37. Chorus. "The Lord gave the world", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see", Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living...", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together...", Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven...", Messiah, Part 3: No. 46. Chorus. "Since by man came death", Messiah, Part 3: No. 52. Air alto. "If God be for us", Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen", Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery...", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." |
| Chris Hazell |
producer |
Messiah, Part 1: No. 1. Symphony, Messiah, Part 1: No. 13. Pifa, Messiah, Part 1: No. 21. Chorus. "His yoke is easy", Messiah, Part 1: No. 7. Chorus. "And he shall purify", Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness", Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel", Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock", Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted", Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 23. Air alto: He was despised", Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs", Messiah, Part 2: No. 25. Chorus. "And with his stripes", Messiah, Part 2: No. 33. Chorus. "Lift up you heads", Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high", Messiah, Part 2: No. 37. Chorus. "The Lord gave the world", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see", Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living...", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together...", Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven...", Messiah, Part 3: No. 46. Chorus. "Since by man came death", Messiah, Part 3: No. 52. Air alto. "If God be for us", Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen", Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery...", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." |
| Natalie Dessay |
vocal |
Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Fido specchio, in te vagheggio" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Un pensiero nemico di pace" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Una schiera di piaceri" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Venga il Tempo" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Duetto "Il voler nel fior degl'anni" (Bellezza, Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Quartetto "Se non sei più ministro di pene" (Bellezza, Piacere, Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Della vita mortale" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Dunque si prendan l'armi" (Piacere, Bellezza, Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Folle, tu nieghi il Tempo" (Disinganno, Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ha nella destra l'ali" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Io, che sono il Piacere" (Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Tu credi che sia lungi" (Tempo, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Sonata "Taco: qual suono ascolto?" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io sperai trovar nel vero" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io vorrei due cori in seno" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Ricco pino nel cammino" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Tu del Ciel ministro eletto" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Voglio cangiar desio" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Quartetto "Voglio Tempo per risolvere" (Bellezza, Tempo, Disinganno, Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Con troppo chiare note" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Dicesti il vero, e benché tardi intesi" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Io giurerei, che tu chiudesti i lumi" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Ma che veggio, che miro?" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Or che tiene la destra" (Bellezza, Piacere, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Piacer, che meco già vivesti" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Presso la reggia ove il Piacer risiede" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Pure del Cielo intelligenze eterne" (Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Sì, bella Penitenza" (Bellezza) |
| Michala Petri |
recorder |
Sonata in A minor for recorder and continuo: I. Larghetto, Adagio, Sonata in A minor for recorder and continuo: II. Allegro, Sonata in A minor for recorder and continuo: III. Adagio, Sonata in A minor for recorder and continuo: IV. Allegro, Sonata in B-flat for recorder and continuo: I. (Allegro), Sonata in B-flat for recorder and continuo: II. Adagio, Sonata in B-flat for recorder and continuo: III. Allegro, Sonata in C for recorder and continuo: I. Larghetto - Adagio, Sonata in C for recorder and continuo: II. Allegro, Sonata in C for recorder and continuo: III. Larghetto, Sonata in C for recorder and continuo: IV. A tempo di gavotta, Sonata in C for recorder and continuo: V. Allegro, Sonata in D minor for recorder and continuo: I. Largo, Sonata in D minor for recorder and continuo: II. Vivace, Sonata in D minor for recorder and continuo: III. Presto, Sonata in D minor for recorder and continuo: IV. Adagio, Sonata in D minor for recorder and continuo: V. Alla breve, Sonata in D minor for recorder and continuo: VI. Andante, Sonata in D minor for recorder and continuo: VII. A tempo di menuet, Sonata in F for recorder and continuo: I. Larghetto, Sonata in F for recorder and continuo: II. Allegro, Sonata in F for recorder and continuo: III. Alla siciliana, Sonata in F for recorder and continuo: IV. Allegro, Sonata in G minor for recorder and continuo: I. Larghetto - Adagio, Sonata in G minor for recorder and continuo: II. Andante, Sonata in G minor for recorder and continuo: III. Adagio, Sonata in G minor for recorder and continuo: IV. Presto |
| Richard Egarr |
conductor, organ |
Concerto pour orgue, Op. 4 No. 3: I. Adagio, Concerto pour orgue, Op. 4 No. 3: II. Allegro, Concerto pour orgue, Op. 4 No. 3: III. Adagio, Concerto pour orgue, Op. 4 No. 3: IV. Allegro, Organ Concerto In B-Flat, op. 4 no. 2: I. A tempo ordinario, e staccato, Organ Concerto In B-Flat, op. 4 no. 2: II. Allegro, Organ Concerto In B-Flat, op. 4 no. 2: III. Adagio e staccato, Organ Concerto In B-Flat, op. 4 no. 2: IV. Allegro, ma non presto, Organ Concerto In B-Flat, op. 4 no. 6: I. Andante allegro, Organ Concerto In B-Flat, op. 4 no. 6: II. Larghetto, Organ Concerto In B-Flat, op. 4 no. 6: III. Allegro moderato, Organ Concerto In F, op. 4 no. 4: I. Allegro, Organ Concerto In F, op. 4 no. 4: II. Andante, Organ Concerto In F, op. 4 no. 4: III. Adagio, Organ Concerto In F, op. 4 no. 4: IV. Allegro, Organ Concerto In F, op. 4 no. 5: I. Larghetto, Organ Concerto In F, op. 4 no. 5: II. Allegro, Organ Concerto In F, op. 4 no. 5: III. Alla Siciliana, Organ Concerto In F, op. 4 no. 5: IV. Presto, Organ Concerto In G Minor, op. 4 no. 1: I. Larghetto, e staccato, Organ Concerto In G Minor, op. 4 no. 1: II. Allegro, Organ Concerto In G Minor, op. 4 no. 1: III. Adagio, Organ Concerto In G Minor, op. 4 no. 1: IV, Andante, Organ Concerto In G Minor, op. 4 no. 3: I. Adagio, Organ Concerto In G Minor, op. 4 no. 3: II. Allegro, Organ Concerto In G Minor, op. 4 no. 3: III. Adagio, Organ Concerto In G Minor, op. 4 no. 3: IV. Allegro |
| Richard Bonynge (conductor and pianist) |
conductor |
Messiah, HWV 56 Pt. 1: And He Shall Purify, Messiah, HWV 56 Pt. 1: But Who May Abide, Messiah, HWV 56 Pt. 1: For Behold, Darkness Shall Cover the Earth, Messiah, HWV 56 Pt. 1: His Yoke Is Easy, Messiah, HWV 56 Pt. 1: The People That Walked in Darkness, Messiah, HWV 56 Pt. 1: Then Shall the Eyes of the Blind... He Shall Feed His Flock, Messiah, HWV 56 Pt. 1: There Were Shepherds, Abiding in the Field, Messiah, HWV 56 Pt. 1: Thus Saith the Lord, Messiah, HWV 56 Pt. 2: All They That See Him.... He Trusted in God, Messiah, HWV 56 Pt. 2: And With His Stripes, Messiah, HWV 56 Pt. 2: Behold and See, Messiah, HWV 56 Pt. 2: He That Dwelleth in Heaven, Messiah, HWV 56 Pt. 2: He Was Cut Off, Messiah, HWV 56 Pt. 2: He Was Despised, Messiah, HWV 56 Pt. 2: Let Us Break Their Bonds Asunder, Messiah, HWV 56 Pt. 2: Lift Up Your Heads, Messiah, HWV 56 Pt. 2: Messiah, HWV 56 Pt. 2: The Lord Gave the Word, Messiah, HWV 56 Pt. 2: Surely He Hath Borne Our Griefs, Messiah, HWV 56 Pt. 2: Their Sound Is Gone Out, Messiah, HWV 56 Pt. 2: Thou Are Gone Up on High, Messiah, HWV 56 Pt. 2: Thy Rebuke That Broken His Heart, Messiah, HWV 56 Pt. 2: Unto Which of the Angels.... Let All the Angels of God, Messiah, HWV 56 Pt. 3: If God Be for Us, Messiah, HWV 56 Pt. 3: Since by Man Came Death, Messiah, HWV 56 Pt. 3: Then Shall Be Brought to Pass.... O Death, Where Is Thy Sting? |
| Accademia Bizantina |
performing orchestra |
Concerto No.1 in G minor, HWV 289: I Larghetto e staccato - Adagio, Concerto No.1 in G minor, HWV 289: II Allegro, Concerto No.1 in G minor, HWV 289: III Adagio, Concerto No.1 in G minor, HWV 289: IV Andante, Concerto No.2 in B flat major, HWV 290: I Sinfonia a tempo ordinario e staccato - Adagio, Concerto No.2 in B flat major, HWV 290: II Allegro, Concerto No.2 in B flat major, HWV 290: III Adagio e staccato, Concerto No.2 in B flat major, HWV 290: IV Allegro ma non presto, Concerto No.3 in G minor, HWV 291: I Improvvisazione - Adagio, Concerto No.3 in G minor, HWV 291: II Allegro, Concerto No.3 in G minor, HWV 291: III Adagio, Concerto No.3 in G minor, HWV 291: IV Allegro (Gavotte), Concerto No.4 in F major, HWV 292: I Allegro, Concerto No.4 in F major, HWV 292: II Andante, Concerto No.4 in F major, HWV 292: III Adagio, Concerto No.4 in F major, HWV 292: IV Allegro, Concerto No.5 in F major, HWV 293: I Improvvisazione - Larghetto, Concerto No.5 in F major, HWV 293: II Allegro, Concerto No.5 in F major, HWV 293: III Alla siciliana, Concerto No.5 in F major, HWV 293: IV Presto, Concerto No.6 in B flat major, HWV 294: I Andante allegro, Concerto No.6 in B flat major, HWV 294: II Larghetto - Adagio, Concerto No.6 in B flat major, HWV 294: III Allegro moderato |
| Chris Barrett |
engineer |
Organ Concerto In B-Flat, op. 4 no. 2: I. A tempo ordinario, e staccato, Organ Concerto In B-Flat, op. 4 no. 2: II. Allegro, Organ Concerto In B-Flat, op. 4 no. 2: III. Adagio e staccato, Organ Concerto In B-Flat, op. 4 no. 2: IV. Allegro, ma non presto, Organ Concerto In B-Flat, op. 4 no. 6: I. Andante allegro, Organ Concerto In B-Flat, op. 4 no. 6: II. Larghetto, Organ Concerto In B-Flat, op. 4 no. 6: III. Allegro moderato, Organ Concerto In F, op. 4 no. 4: I. Allegro, Organ Concerto In F, op. 4 no. 4: II. Andante, Organ Concerto In F, op. 4 no. 4: III. Adagio, Organ Concerto In F, op. 4 no. 4: IV. Allegro, Organ Concerto In F, op. 4 no. 5: I. Larghetto, Organ Concerto In F, op. 4 no. 5: II. Allegro, Organ Concerto In F, op. 4 no. 5: III. Alla Siciliana, Organ Concerto In F, op. 4 no. 5: IV. Presto, Organ Concerto In G Minor, op. 4 no. 1: I. Larghetto, e staccato, Organ Concerto In G Minor, op. 4 no. 1: II. Allegro, Organ Concerto In G Minor, op. 4 no. 1: III. Adagio, Organ Concerto In G Minor, op. 4 no. 1: IV, Andante, Organ Concerto In G Minor, op. 4 no. 3: I. Adagio, Organ Concerto In G Minor, op. 4 no. 3: II. Allegro, Organ Concerto In G Minor, op. 4 no. 3: III. Adagio, Organ Concerto In G Minor, op. 4 no. 3: IV. Allegro |
| Bradley Michel |
engineer, producer |
Organ Concerto In B-Flat, op. 4 no. 2: I. A tempo ordinario, e staccato, Organ Concerto In B-Flat, op. 4 no. 2: II. Allegro, Organ Concerto In B-Flat, op. 4 no. 2: III. Adagio e staccato, Organ Concerto In B-Flat, op. 4 no. 2: IV. Allegro, ma non presto, Organ Concerto In B-Flat, op. 4 no. 6: I. Andante allegro, Organ Concerto In B-Flat, op. 4 no. 6: II. Larghetto, Organ Concerto In B-Flat, op. 4 no. 6: III. Allegro moderato, Organ Concerto In F, op. 4 no. 4: I. Allegro, Organ Concerto In F, op. 4 no. 4: II. Andante, Organ Concerto In F, op. 4 no. 4: III. Adagio, Organ Concerto In F, op. 4 no. 4: IV. Allegro, Organ Concerto In F, op. 4 no. 5: I. Larghetto, Organ Concerto In F, op. 4 no. 5: II. Allegro, Organ Concerto In F, op. 4 no. 5: III. Alla Siciliana, Organ Concerto In F, op. 4 no. 5: IV. Presto, Organ Concerto In G Minor, op. 4 no. 1: I. Larghetto, e staccato, Organ Concerto In G Minor, op. 4 no. 1: II. Allegro, Organ Concerto In G Minor, op. 4 no. 1: III. Adagio, Organ Concerto In G Minor, op. 4 no. 1: IV, Andante, Organ Concerto In G Minor, op. 4 no. 3: I. Adagio, Organ Concerto In G Minor, op. 4 no. 3: II. Allegro, Organ Concerto In G Minor, op. 4 no. 3: III. Adagio, Organ Concerto In G Minor, op. 4 no. 3: IV. Allegro |
| Ottavio Dantone |
conductor, organ |
Concerto No.1 in G minor, HWV 289: I Larghetto e staccato - Adagio, Concerto No.1 in G minor, HWV 289: II Allegro, Concerto No.1 in G minor, HWV 289: III Adagio, Concerto No.1 in G minor, HWV 289: IV Andante, Concerto No.2 in B flat major, HWV 290: I Sinfonia a tempo ordinario e staccato - Adagio, Concerto No.2 in B flat major, HWV 290: II Allegro, Concerto No.2 in B flat major, HWV 290: III Adagio e staccato, Concerto No.2 in B flat major, HWV 290: IV Allegro ma non presto, Concerto No.3 in G minor, HWV 291: I Improvvisazione - Adagio, Concerto No.3 in G minor, HWV 291: II Allegro, Concerto No.3 in G minor, HWV 291: III Adagio, Concerto No.3 in G minor, HWV 291: IV Allegro (Gavotte), Concerto No.4 in F major, HWV 292: I Allegro, Concerto No.4 in F major, HWV 292: II Andante, Concerto No.4 in F major, HWV 292: III Adagio, Concerto No.4 in F major, HWV 292: IV Allegro, Concerto No.5 in F major, HWV 293: I Improvvisazione - Larghetto, Concerto No.5 in F major, HWV 293: II Allegro, Concerto No.5 in F major, HWV 293: III Alla siciliana, Concerto No.5 in F major, HWV 293: IV Presto, Concerto No.6 in B flat major, HWV 294: I Andante allegro, Concerto No.6 in B flat major, HWV 294: II Larghetto - Adagio, Concerto No.6 in B flat major, HWV 294: III Allegro moderato |
| George Malcolm (English harpsichordist, conductor) |
conductor, organ |
Hallelujah from "Messiah", Messiah: Hallelujah, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": I. Garghetto, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": II. Allegro, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": IV. Larghetto, Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": V. Allegro, Organ Concerto no. 14 in A major, HWV 296: I. Largo e staccato, Organ Concerto no. 14 in A major, HWV 296: II. Organo ad libitum, Organ Concerto no. 14 in A major, HWV 296: III. Andante, Organ Concerto no. 14 in A major, HWV 296: IV. Grave, Organ Concerto no. 14 in A major, HWV 296: V. Allegro, Organ Concerto no. 15 in D minor, HWV 304: I. Andante, Organ Concerto no. 15 in D minor, HWV 304: II. (Organ adagio e fuga allegro), Organ Concerto no. 15 in D minor, HWV 304: III. Allegro, Organ Concerto no. 16 in F major, HWV 305: I. Ouverture, Organ Concerto no. 16 in F major, HWV 305: II. Allegro, Organ Concerto no. 16 in F major, HWV 305: III. Allegro ma non troppo, Organ Concerto no. 16 in F major, HWV 305: IV. Adagio, Organ Concerto no. 16 in F major, HWV 305: V. Andante, Organ Concerto no. 16 in F major, HWV 305: VI. Allegro, Sonata: Il Trionfo del Tempo e del Disinganno, HWV 46a |
| Eleanor Thomason (engineer) |
engineer |
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted, Te Deum in A Major, HWV 282: The glorious company of the Apostles, Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim, Te Deum in A Major, HWV 282: To Thee all angels cry aloud, Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day, Te Deum in A Major, HWV 282: We believe that Thou shalt come, Te Deum in A Major, HWV 282: We praise Thee, O God, Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man, Te Deum in D Major, HWV 283 "Dettingen": All the earth doth worship Thee, Te Deum in D Major, HWV 283 "Dettingen": Day by Day we magnify Thee, Te Deum in D Major, HWV 283 "Dettingen": Make them to be numbered with Thy Saints, Te Deum in D Major, HWV 283 "Dettingen": O Lord, in Thee have I trusted, Te Deum in D Major, HWV 283 "Dettingen": The glorious company of the Apostles, Te Deum in D Major, HWV 283 "Dettingen": Thou art the King of Glory, O Christ, Te Deum in D Major, HWV 283 "Dettingen": Thou sittest at the right hand of God, Te Deum in D Major, HWV 283 "Dettingen": To Thee Cherubim and Seraphim, Te Deum in D Major, HWV 283 "Dettingen": To Thee all angels cry aloud, Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day, Te Deum in D Major, HWV 283 "Dettingen": We praise Thee, O God, Te Deum in D Major, HWV 283 "Dettingen": When Thou hadst overcome the sharpness of death, Te Deum in D Major, HWV 283 "Dettingen": When Thou tookest upon Thee to deliver Man |
| Wolfgang Helbich |
conductor |
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted, Te Deum in A Major, HWV 282: The glorious company of the Apostles, Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim, Te Deum in A Major, HWV 282: To Thee all angels cry aloud, Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day, Te Deum in A Major, HWV 282: We believe that Thou shalt come, Te Deum in A Major, HWV 282: We praise Thee, O God, Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man, Te Deum in D Major, HWV 283 "Dettingen": All the earth doth worship Thee, Te Deum in D Major, HWV 283 "Dettingen": Day by Day we magnify Thee, Te Deum in D Major, HWV 283 "Dettingen": Make them to be numbered with Thy Saints, Te Deum in D Major, HWV 283 "Dettingen": O Lord, in Thee have I trusted, Te Deum in D Major, HWV 283 "Dettingen": The glorious company of the Apostles, Te Deum in D Major, HWV 283 "Dettingen": Thou art the King of Glory, O Christ, Te Deum in D Major, HWV 283 "Dettingen": Thou sittest at the right hand of God, Te Deum in D Major, HWV 283 "Dettingen": To Thee Cherubim and Seraphim, Te Deum in D Major, HWV 283 "Dettingen": To Thee all angels cry aloud, Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day, Te Deum in D Major, HWV 283 "Dettingen": We praise Thee, O God, Te Deum in D Major, HWV 283 "Dettingen": When Thou hadst overcome the sharpness of death, Te Deum in D Major, HWV 283 "Dettingen": When Thou tookest upon Thee to deliver Man |
| Concerto Polacco |
performer, performing orchestra |
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted, Te Deum in A Major, HWV 282: The glorious company of the Apostles, Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim, Te Deum in A Major, HWV 282: To Thee all angels cry aloud, Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day, Te Deum in A Major, HWV 282: We believe that Thou shalt come, Te Deum in A Major, HWV 282: We praise Thee, O God, Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man, Te Deum in D Major, HWV 283 "Dettingen": All the earth doth worship Thee, Te Deum in D Major, HWV 283 "Dettingen": Day by Day we magnify Thee, Te Deum in D Major, HWV 283 "Dettingen": Make them to be numbered with Thy Saints, Te Deum in D Major, HWV 283 "Dettingen": O Lord, in Thee have I trusted, Te Deum in D Major, HWV 283 "Dettingen": The glorious company of the Apostles, Te Deum in D Major, HWV 283 "Dettingen": Thou art the King of Glory, O Christ, Te Deum in D Major, HWV 283 "Dettingen": Thou sittest at the right hand of God, Te Deum in D Major, HWV 283 "Dettingen": To Thee Cherubim and Seraphim, Te Deum in D Major, HWV 283 "Dettingen": To Thee all angels cry aloud, Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day, Te Deum in D Major, HWV 283 "Dettingen": We praise Thee, O God, Te Deum in D Major, HWV 283 "Dettingen": When Thou hadst overcome the sharpness of death, Te Deum in D Major, HWV 283 "Dettingen": When Thou tookest upon Thee to deliver Man |
| Andrew Walton (producer) |
editor, producer |
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted, Te Deum in A Major, HWV 282: The glorious company of the Apostles, Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim, Te Deum in A Major, HWV 282: To Thee all angels cry aloud, Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day, Te Deum in A Major, HWV 282: We believe that Thou shalt come, Te Deum in A Major, HWV 282: We praise Thee, O God, Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man, Te Deum in D Major, HWV 283 "Dettingen": All the earth doth worship Thee, Te Deum in D Major, HWV 283 "Dettingen": Day by Day we magnify Thee, Te Deum in D Major, HWV 283 "Dettingen": Make them to be numbered with Thy Saints, Te Deum in D Major, HWV 283 "Dettingen": O Lord, in Thee have I trusted, Te Deum in D Major, HWV 283 "Dettingen": The glorious company of the Apostles, Te Deum in D Major, HWV 283 "Dettingen": Thou art the King of Glory, O Christ, Te Deum in D Major, HWV 283 "Dettingen": Thou sittest at the right hand of God, Te Deum in D Major, HWV 283 "Dettingen": To Thee Cherubim and Seraphim, Te Deum in D Major, HWV 283 "Dettingen": To Thee all angels cry aloud, Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day, Te Deum in D Major, HWV 283 "Dettingen": We praise Thee, O God, Te Deum in D Major, HWV 283 "Dettingen": When Thou hadst overcome the sharpness of death, Te Deum in D Major, HWV 283 "Dettingen": When Thou tookest upon Thee to deliver Man |
| Simon Preston |
conductor |
Anthem for the Foundling Hospital: Blessed Are They That Considereth the Poor and Needy, Anthem for the Foundling Hospital: Blessed Are They... They Deliver the Poor That Crieth, Anthem for the Foundling Hospital: Comfort Them, O Lord, When They Are Sick, Anthem for the Foundling Hospital: Hallelujah!, Anthem for the Foundling Hospital: O God, Who From the Suckling’s Mouth, Anthem for the Foundling Hospital: The Charitable Shall Be Had in Everlasting Remembrance, Anthem for the Foundling Hospital: The People Will Tell of Their Wisdom, Missa Brevis in F major: I. Kyrie, Missa Brevis in F major: II. Gloria, Missa Brevis in F major: III. Credo, Missa Brevis in F major: IV. Sanctus, Missa Brevis in F major: V. Benedictus, Missa Brevis in F major: VI. Agnus Dei, Ode for the Birthday of Queen Anne: Eternal Source of Light Divine, Ode for the Birthday of Queen Anne: Kind Health Descends on Downy Wings, Ode for the Birthday of Queen Anne: Let All the Winged Race With Joy, Ode for the Birthday of Queen Anne: Let Envy Then Conceal Her Head, Ode for the Birthday of Queen Anne: Let Flocks and Herds Their Fear Forget, Ode for the Birthday of Queen Anne: Let Rolling Streams Their Gladness Show, Ode for the Birthday of Queen Anne: United Nations Shall Combine, Zadok the Priest |
| Alsfelder Vokalensemble |
vocal |
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted, Te Deum in A Major, HWV 282: The glorious company of the Apostles, Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim, Te Deum in A Major, HWV 282: To Thee all angels cry aloud, Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day, Te Deum in A Major, HWV 282: We believe that Thou shalt come, Te Deum in A Major, HWV 282: We praise Thee, O God, Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man, Te Deum in D Major, HWV 283 "Dettingen": All the earth doth worship Thee, Te Deum in D Major, HWV 283 "Dettingen": Day by Day we magnify Thee, Te Deum in D Major, HWV 283 "Dettingen": Make them to be numbered with Thy Saints, Te Deum in D Major, HWV 283 "Dettingen": O Lord, in Thee have I trusted, Te Deum in D Major, HWV 283 "Dettingen": The glorious company of the Apostles, Te Deum in D Major, HWV 283 "Dettingen": Thou art the King of Glory, O Christ, Te Deum in D Major, HWV 283 "Dettingen": Thou sittest at the right hand of God, Te Deum in D Major, HWV 283 "Dettingen": To Thee Cherubim and Seraphim, Te Deum in D Major, HWV 283 "Dettingen": To Thee all angels cry aloud, Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day, Te Deum in D Major, HWV 283 "Dettingen": We praise Thee, O God, Te Deum in D Major, HWV 283 "Dettingen": When Thou hadst overcome the sharpness of death, Te Deum in D Major, HWV 283 "Dettingen": When Thou tookest upon Thee to deliver Man |
| Peter Newble |
editor |
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted, Te Deum in A Major, HWV 282: The glorious company of the Apostles, Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim, Te Deum in A Major, HWV 282: To Thee all angels cry aloud, Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day, Te Deum in A Major, HWV 282: We believe that Thou shalt come, Te Deum in A Major, HWV 282: We praise Thee, O God, Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man, Te Deum in D Major, HWV 283 "Dettingen": All the earth doth worship Thee, Te Deum in D Major, HWV 283 "Dettingen": Day by Day we magnify Thee, Te Deum in D Major, HWV 283 "Dettingen": Make them to be numbered with Thy Saints, Te Deum in D Major, HWV 283 "Dettingen": O Lord, in Thee have I trusted, Te Deum in D Major, HWV 283 "Dettingen": The glorious company of the Apostles, Te Deum in D Major, HWV 283 "Dettingen": Thou art the King of Glory, O Christ, Te Deum in D Major, HWV 283 "Dettingen": Thou sittest at the right hand of God, Te Deum in D Major, HWV 283 "Dettingen": To Thee Cherubim and Seraphim, Te Deum in D Major, HWV 283 "Dettingen": To Thee all angels cry aloud, Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day, Te Deum in D Major, HWV 283 "Dettingen": We praise Thee, O God, Te Deum in D Major, HWV 283 "Dettingen": When Thou hadst overcome the sharpness of death, Te Deum in D Major, HWV 283 "Dettingen": When Thou tookest upon Thee to deliver Man |
| New York Philharmonic |
performing orchestra |
Water Music, Suite No. 1 in F major, HWV 348: I. Ouverture. Largo - Allegro, Water Music, Suite No. 1 in F major, HWV 348: II. Adagio e staccato, Water Music, Suite No. 1 in F major, HWV 348: III. [Allegro], Water Music, Suite No. 1 in F major, HWV 348: IV. Andante, Water Music, Suite No. 1 in F major, HWV 348: IV. [Allegro] da capo, Water Music, Suite No. 1 in F major, HWV 348: IX. Hornpipe, Water Music, Suite No. 1 in F major, HWV 348: V. [Presto], Water Music, Suite No. 1 in F major, HWV 348: VI. Air, Water Music, Suite No. 1 in F major, HWV 348: VII. Minuet, Water Music, Suite No. 1 in F major, HWV 348: VIII. Bourrée, Water Music, Suite No. 1 in F major, HWV 348: X. [Allegro], Water Music, Suite No. 2 in D major HWV 349: XI. [Allegro], Water Music, Suite No. 2 in D major HWV 349: XII. Alla Hornpipe, Water Music, Suite No. 2 in D major HWV 349: XIII. Minuet, Water Music, Suite No. 2 in D major HWV 349: XIV. Lentement, Water Music, Suite No. 2 in D major HWV 349: XV. Bourrée, Water Music, Suite No. 3 in G major HWV 350: XIX. Minuet, Water Music, Suite No. 3 in G major HWV 350: XVI. [Sarabande], Water Music, Suite No. 3 in G major HWV 350: XVII. Rigaudon, Water Music, Suite No. 3 in G major HWV 350: XXII. [Gigue] |
| Trevor Pinnock |
harpsichord |
Chaconne in G major HWV 435: George Frideric Handel, Suite in B-flat minor HWV 434: I. Prelude, Suite in B-flat minor HWV 434: II. Sonata, Suite in B-flat minor HWV 434: III. Aria con Variazioni, Suite in D minor HWV 436: I. Allemande, Suite in D minor HWV 436: II. Allegro, Suite in D minor HWV 436: III. Air: Lentement, Suite in D minor HWV 436: IV. Gigue: Presto, Suite in D minor HWV 436: V. Menuetto con variazioni, Suite in E HWV 430: Air and Variations "The Harmonious Blacksmith", Suite in E minor HWV 438: I. Allmand, Suite in E minor HWV 438: II. Saraband, Suite in E minor HWV 438: III. Jigg, Suite in G minor HWV 441: I. Allemande, Suite in G minor HWV 441: II. Allegro, Suite in G minor HWV 441: III. Courante, Suite in G minor HWV 441: IV. Aria: Presto, Suite in G minor HWV 441: V. Menuetto, Suite in G minor HWV 441: VI. Gavotta, Suite in G minor HWV 441: VII. Gigue |
| Sonia Prina |
vocal |
Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Crede l'uom ch'egli riposi" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Folle, dunque tu sola presumi" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "L'uomo sempre se stesso distrugge" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Se la bellezza perde vaghezza" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Quartetto "Se non sei più ministro di pene" (Bellezza, Piacere, Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Della vita mortale" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Dunque si prendan l'armi" (Piacere, Bellezza, Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ed io, che 'l Tempo sono" (Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Folle, tu nieghi il Tempo" (Disinganno, Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "La reggia del Piacere vedesti" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Chi già fu del biondo crine" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Io vorrei due cori in seno" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Più non cura" (Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Duetto "Il bel pianto dell'aurora" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Quartetto "Voglio Tempo per risolvere" (Bellezza, Tempo, Disinganno, Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Con troppo chiare note" (Bellezza, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Io giurerei, che tu chiudesti i lumi" (Disinganno, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Or che tiene la destra" (Bellezza, Piacere, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Presso la reggia ove il Piacer risiede" (Bellezza, Disinganno) |
| Il Complesso Barocco |
performing orchestra |
Addio, crudo Amadigi, Admeto: Sparite o pensieri, Ah! Mio cor, Ah! Ruggiero crudel, Ah! crudel, Arminio: Con quel sangue dipinta vedrai, D'un sventurato amante, Destero dall' empia Dite, Donna Leon redads from 'Acqua alta', Dunque i lacci, Fermati - No, crudel, Io già sento, Mi deride I'amante, Ombre pallide, Pena tiranna, Sinfonia, Sta nell'Ircana, Verdi prati |
| Alan Curtis (harpsichordist, musicologist, and conductor) |
conductor |
Addio, crudo Amadigi, Admeto: Sparite o pensieri, Ah! Mio cor, Ah! Ruggiero crudel, Ah! crudel, Arminio: Con quel sangue dipinta vedrai, D'un sventurato amante, Destero dall' empia Dite, Donna Leon redads from 'Acqua alta', Dunque i lacci, Fermati - No, crudel, Io già sento, Mi deride I'amante, Ombre pallide, Pena tiranna, Sinfonia, Sta nell'Ircana, Verdi prati |
| Russell Burgess |
chorus master |
Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array", Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on ! Juhad disdains", Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-chorus "Disdainful of danger, we'll rush on the foe", Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, oh Lord, on Thee we call", Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children", Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make", Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "Oh Father, whose Almighty pow'r", Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes, oh Lord!", Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise", Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail, Judea, happy land", Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!", Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call", Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down", Judas Maccabaeus, HWV 63: Act III, no. 58: Chorus "See, the conqu'ring hero comes!", Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections rise", Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n", Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" |
| Felicity Palmer (mezzo-soprano) |
vocal |
Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To Heav'n's Almighty king we kneel" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 15: Aria "Oh liberty, thou choicest treasure" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 16: Aria "Come, ever-smiling liberty" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise", Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh let eternal honours crown his name" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 34: Aria "From mighty kings he took the spoil" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!", Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Woman and Man), Judas Maccabaeus, HWV 63: Act II, no. 50: Aria "Wise men, flatt'ring, may deceive us" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down", Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 56: Aria "So shall the lute and harp awake" (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude descend (Israelitish Woman), Judas Maccabaeus, HWV 63: Act III, no. 66: Aria, Duet "O lovely peace, with plenty crown'd" (Israelitish Woman and Man) |
| Frederic Jackson |
chorus master |
All we like sheep have gone astray, Amen, And He shall purify the sons of Levi, And the glory of the Lord, And with His stripes we are healed, Behold the Lamb of God, For unto us a Child is born, Glory to God in the highest, Hallelujah, He trusted in God that would deliver Him, His yoke is easy, His burden is light, Let us break their bonds asunder, Lift up your heads, O ye gates, O thou that tellest good tidings to Zion, Since by man came death — for as in Adam, even so in Christ, Surely, He hath borne our griefs, Worthy is the Lamb that was slain |
| Wandsworth School Boys’ Choir |
vocal |
Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array", Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on ! Juhad disdains", Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-chorus "Disdainful of danger, we'll rush on the foe", Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, oh Lord, on Thee we call", Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children", Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make", Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "Oh Father, whose Almighty pow'r", Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes, oh Lord!", Judas Maccabaeus, HWV 63: Act II, no. 31: Duet "Sion now hear head shall raise" (Israelitish Woman and Man) / no. 32: Chorus "Sion now her head shall raise", Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail, Judea, happy land", Judas Maccabaeus, HWV 63: Act II, no. 40: Aria "Ah, wretched, wretched Israel" (Israelitish Woman) / no. 41 Chorus "Ah, wretched, wretched Israel!", Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call", Judas Maccabaeus, HWV 63: Act II, no. 51: Duet "Oh! Never, never bow we down" (Israelitish Woman and Man) / no. 52: Chorus "We never, never will bow down", Judas Maccabaeus, HWV 63: Act III, no. 58: Chorus "See, the conqu'ring hero comes!", Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections rise", Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n", Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" |
| Stephan MacLeod (bass-baritone/conductor) |
vocal |
Saul: Act I, Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David), Saul: Act I, Scene 2: Recitative: Thou, Merab, first in Birth (Saul), Saul: Act I, Scene 3: Accompagnato: To him Ten Thousands! (Saul), Saul: Act I, Scene 3: Accompagnato: What do I hear (Saul), Saul: Act I, Scene 3: Air: With Rage I shall burst his Praises to hear! (Saul), Saul: Act I, Scene 5: Air: A Serpent, in my Bosom warm'd (Saul), Saul: Act I, Scene 5: Recitative: Has he escap'd my Rage (Saul), Saul: Act II, Scene 10: Recitative: Where is the Son of Jesse… He earnestly asked Leave (Saul, Jonathan), Saul: Act II, Scene 3: Air: As Great Jehovah lives, I swear (Saul), Saul: Act II, Scene 3: Recitative: Hast thou obey'd my orders… Alas, my Father! (Saul, Jonathan), Saul: Act II, Scene 4: Recitative: Appear, my Friend… No more imagine Danger (Jonathan, Saul), Saul: Act II, Scene 4: Recitative: Yes, he shall wed my Daughter! (Saul), Saul: Act II, Scene 9: Accompagnato: The Time at length is come (Saul), Saul: Act III, Scene 1: Accompagnato: Wretch that I am! (Saul), Saul: Act III, Scene 1: Recitative and Accompagnato: 'Tis said, here lives a Woman (Saul), Saul: Act III, Scene 2: Recitative: With me what would'st thou… I wou'd (Witch of Endor, Saul), Saul: Act III, Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace… O holy Prophet, holy Prophet! (Samuel, Saul) |
| London Philharmonic Choir |
vocal |
All we like sheep have gone astray, Amen, And He shall purify the sons of Levi, And the glory of the Lord, And with His stripes we are healed, Behold the Lamb of God, For unto us a Child is born, Glory to God in the highest, Hallelujah, He trusted in God that would deliver Him, His yoke is easy, His burden is light, Let us break their bonds asunder, Lift up your heads, O ye gates, O thou that tellest good tidings to Zion, Since by man came death — for as in Adam, even so in Christ, Surely, He hath borne our griefs, Worthy is the Lamb that was slain |
| Colin Tilney |
harpsichord, organ |
Messiah: All we like sheep, Messiah: And suddenly, Messiah: Comfort Ye, Messiah: Ev'ry Valley, Messiah: For unto us, Messiah: Glory to God, Messiah: Hallelujah, Messiah: He was despised, Messiah: I know that my Redeemer liveth, Messiah: Pifa, Messiah: Rejoice greatly, Messiah: Sinfonia, Messiah: Surely he hath borne, Messiah: The Lord gave the word, Messiah: Why do the nations?, Messiah: Worthy is the Lamb... Amen |
| Andreas Scheuer (engineer) |
engineer |
Addio, crudo Amadigi, Ah! Mio cor, Ah! Ruggiero crudel, Ah! crudel, D'un sventurato amante, Destero dall' empia Dite, Donna Leon redads from 'Acqua alta', Dunque i lacci, Fermati - No, crudel, Io già sento, Mi deride I'amante, Ombre pallide, Pena tiranna, Sinfonia, Sta nell'Ircana, Verdi prati |
| Johannes Müller (engineer/producer) |
producer |
Addio, crudo Amadigi, Ah! Mio cor, Ah! Ruggiero crudel, Ah! crudel, D'un sventurato amante, Destero dall' empia Dite, Donna Leon redads from 'Acqua alta', Dunque i lacci, Fermati - No, crudel, Io già sento, Mi deride I'amante, Ombre pallide, Pena tiranna, Sinfonia, Sta nell'Ircana, Verdi prati |
| Pavol Breslik |
vocal |
Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Folle, dunque tu sola presumi" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Nasce l'uomo" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Urne voi, che racchiudete" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Quartetto "Se non sei più ministro di pene" (Bellezza, Piacere, Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Dunque si prendan l'armi" (Piacere, Bellezza, Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Ed io, che 'l Tempo sono" (Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "I colossi del sole" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "La reggia del Piacere vedesti" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Tu credi che sia lungi" (Tempo, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "È ben folle quel nocchier" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Duetto "Il bel pianto dell'aurora" (Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Quartetto "Voglio Tempo per risolvere" (Bellezza, Tempo, Disinganno, Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "In tre parti divise" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Se del falso piacere" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Sguardo, ch infermo ai rai del sol si volge" (Tempo), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "È un ostinato errore" (Tempo) |
| Peter Zelnhöfer |
balance |
Addio, crudo Amadigi, Ah! Mio cor, Ah! Ruggiero crudel, Ah! crudel, D'un sventurato amante, Destero dall' empia Dite, Donna Leon redads from 'Acqua alta', Dunque i lacci, Fermati - No, crudel, Io già sento, Mi deride I'amante, Ombre pallide, Pena tiranna, Sinfonia, Sta nell'Ircana, Verdi prati |
| Giovanni Antonini |
conductor |
Agrippina, HWV 6: Act II. “Pensieri, voi mi tormentate!”, Agrippina, HWV 6: Sinfonia, Apollo e Dafne, HWV 122: “Felicissima quest’alma”, Dixit Dominus, HWV 232: III. Tecum principium in die virtutis, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Come nembo che fugge col vento”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Lascia la spina cogli la rosa”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Pure del cielo intelligenze eterne”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Tu del Ciel ministro eletto”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Un pensiero nemico di pace”, La resurrezione, HWV 47: Parte prima. “Disserratevi, o porte d’Averno”, Messiah, HWV 56: Pt. 1. “Rejoice Greatly, O Daughter Of Zion”, Rodrigo, HWV 5: Act I. “Per dar pregio all’amor mio”, Salve Regina, HWV 241: Ad te clamamus, Salve Regina, HWV 241: Eia ergo, advocata nostro, Salve Regina, HWV 241: O clemens, o pia, Salve Regina, HWV 241: Salve Regina |
| Il giardino armonico |
instrument |
Agrippina, HWV 6: Act II. “Pensieri, voi mi tormentate!”, Agrippina, HWV 6: Sinfonia, Apollo e Dafne, HWV 122: “Felicissima quest’alma”, Dixit Dominus, HWV 232: III. Tecum principium in die virtutis, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Come nembo che fugge col vento”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Lascia la spina cogli la rosa”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Pure del cielo intelligenze eterne”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Tu del Ciel ministro eletto”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Un pensiero nemico di pace”, La resurrezione, HWV 47: Parte prima. “Disserratevi, o porte d’Averno”, Messiah, HWV 56: Pt. 1. “Rejoice Greatly, O Daughter Of Zion”, Rodrigo, HWV 5: Act I. “Per dar pregio all’amor mio”, Salve Regina, HWV 241: Ad te clamamus, Salve Regina, HWV 241: Eia ergo, advocata nostro, Salve Regina, HWV 241: O clemens, o pia, Salve Regina, HWV 241: Salve Regina |
| Orchestra of the Age of Enlightenment |
performing orchestra |
Rinaldo/Act 2 - ''Lascia Ch'io Pianga'', Serse, HWV 40: Aria: "Ombra mai fu", Serse, HWV 40: Aria: "Se bramate d'amar, chi vi sdegna", Serse, HWV 40: Recitativo: "Fondi tenere e belle", Serse: Frondi tenere, Serse: Ombra mai fù, Tamerlano: A dispetto, Theodora, HWV 68: "New scenes of joy", Theodora, HWV 68: Aria: "As with rosy steps the morn", Theodora, HWV 68: Aria: "Bane of virtue, nurse of passions", Theodora, HWV 68: Aria: "Defend her Heav'n!", Theodora, HWV 68: Aria: "Lord, to Thee each night and day", Theodora, HWV 68: Recitativo: "Ah! Whither should we fly, or fly from whom?", Theodora, HWV 68: Recitativo: "O bright example of all goodness!", Theodora, HWV 68: Recitativo: "She's gone, disdaining liberty and life", Theodora, HWV 68: Recitativo: "The clouds begin to veil the hemisphere" |
| Johannes Somary |
conductor |
Messiah: All we like sheep, Messiah: And suddenly, Messiah: Comfort Ye, Messiah: Ev'ry Valley, Messiah: For unto us, Messiah: Glory to God, Messiah: Hallelujah, Messiah: He was despised, Messiah: I know that my Redeemer liveth, Messiah: Pifa, Messiah: Rejoice greatly, Messiah: Sinfonia, Messiah: Surely he hath borne, Messiah: The Lord gave the word, Messiah: Why do the nations?, Messiah: Worthy is the Lamb... Amen |
| Ann Hallenberg |
vocal |
Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Fosco genio, e nero duolo" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Aria "Un leggiadro giovinetto" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Duetto "Il voler nel fior degl'anni" (Bellezza, Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Quartetto "Se non sei più ministro di pene" (Bellezza, Piacere, Disinganno, Tempo), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Dunque si prendan l'armi" (Piacere, Bellezza, Tempo, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Folle, tu nieghi il Tempo" (Disinganno, Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Io, che sono il Piacere" (Piacere, Bellezza), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Questa è la reggia mia" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Prima: Recitativo "Sono troppo crudeli i tuoi consigli" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Chiudi, chiudi i vaghi rai" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Come nembo que fugge col vento" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Lascia la spina" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Aria "Tu giurasti di mai non lasciarmi" (Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Quartetto "Voglio Tempo per risolvere" (Bellezza, Tempo, Disinganno, Piacere), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Or che tiene la destra" (Bellezza, Piacere, Disinganno), Il trionfo del Tempo e del Disinganno: Parte Seconda: Recitativo "Tu vivi invan dolente" (Piacere) |
| Knut Schoch |
vocal |
Saul: Act I, Scene 2: Air: Birth and Fortune I despise! (Jonathan), Saul: Act I, Scene 2: Recitative: O early Piety! (Jonathan), Saul: Act I, Scene 4: Recitative: Imprudent Women!… 'Tis but his old Disease (Jonathan, Michal), Saul: Act I, Scene 5: Recitative: 'Tis all in vain (Jonathan), Saul: Act I, Scene 6: Accompagnato: O Filial Piety! (Jonathan), Saul: Act I, Scene 6: Air: No, cruel Father, no (Jonathan), Saul: Act II, Scene 10: Recitative: Where is the Son of Jesse… He earnestly asked Leave (Saul, Jonathan), Saul: Act II, Scene 2: Air: But sooner Jordan's Stream, I swear (Jonathan), Saul: Act II, Scene 2: Recitative: Ah, dearest Friend (Jonathan), Saul: Act II, Scene 2: Recitative: My Father comes (Jonathan), Saul: Act II, Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan), Saul: Act II, Scene 3: Air: From Cities storm'd, and Battles won (Jonathan), Saul: Act II, Scene 3: Air: Sin not, O King, against the Youth (Jonathan), Saul: Act II, Scene 3: Recitative: Hast thou obey'd my orders… Alas, my Father! (Saul, Jonathan), Saul: Act II, Scene 4: Recitative: Appear, my Friend… No more imagine Danger (Jonathan, Saul), Saul: Act III, Scene 5: Air: Brave Jonathan his Bow ne'er drew (David) |
| David Cordier (counter tenor) |
vocal |
Saul: Act I, Scene 2: Air: O King, your Favours with Delight (David), Saul: Act I, Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David), Saul: Act I, Scene 5: Air: Fly, malicious Spirit, fly (David), Saul: Act I, Scene 5: Air: O Lord, whose Mercies numberless (David), Saul: Act II, Scene 2: Air: Such haughty Beauties (David), Saul: Act II, Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan), Saul: Act II, Scene 4: Air: Your words, O King, my Loyal Heart (David), Saul: Act II, Scene 5: Duet: O Fairest of ten thousand fair (Michal, David), Saul: Act II, Scene 6: Duet: At Persecution I can laugh (David, Michal), Saul: Act II, Scene 6: Recitative: Thy Father is as cruel, and as false (David), Saul: Act II, Scene 7: Recitative: Whom dost thou seek… I seek for David (Michal, Doeg), Saul: Act III, Scene 4: Air: Impious Wretch, of Race accurst! (David), Saul: Act III, Scene 4: Recitative: Whence com'st thou… Out of the Camp of Israel (David, Amalekite), Saul: Act III, Scene 5: Air: Brave Jonathan his Bow ne'er drew (David), Saul: Act III, Scene 5: O fatal Day! How low the Mighty lie! (David, Chorus) |
| Austrian Baroque Company |
performing orchestra |
Aria, HWV 203 "Das zitternde Glänzen der spiegelnden Wellen", Aria, HWV 204 "Süßer Blumen Ambraflocken", Aria, HWV 205 "Süße Stille, sanfte Quelle", Aria, HWV 206 "Singe, Seele, Gott zum Preise", Aria, HWV 207 "Meine Seele hört im Sehen", Aria, HWV 208 "Die ihr aus dunklen Grüften", Aria, HWV 209 "In den angenehmen Büschen", Aria, HWV 210 "Flammende Rose, Zierde der Erden", Arie, HWV 202 "Künft'ger Zeiten eitler Kummer", Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): I. Ouverture, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): II. Bourrée, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): III. La Paix, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): IV. La Réjouissance, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): V. Menuet I, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): VI. Menuet II |
| Amor Artis Chorus |
vocal |
Messiah: All we like sheep, Messiah: And suddenly, Messiah: Comfort Ye, Messiah: Ev'ry Valley, Messiah: For unto us, Messiah: Glory to God, Messiah: Hallelujah, Messiah: He was despised, Messiah: I know that my Redeemer liveth, Messiah: Rejoice greatly, Messiah: Sinfonia, Messiah: Surely he hath borne, Messiah: The Lord gave the word, Messiah: Why do the nations?, Messiah: Worthy is the Lamb... Amen |
| Michael Oman |
conductor, instrument arranger |
Aria, HWV 203 "Das zitternde Glänzen der spiegelnden Wellen", Aria, HWV 204 "Süßer Blumen Ambraflocken", Aria, HWV 205 "Süße Stille, sanfte Quelle", Aria, HWV 206 "Singe, Seele, Gott zum Preise", Aria, HWV 207 "Meine Seele hört im Sehen", Aria, HWV 208 "Die ihr aus dunklen Grüften", Aria, HWV 209 "In den angenehmen Büschen", Aria, HWV 210 "Flammende Rose, Zierde der Erden", Arie, HWV 202 "Künft'ger Zeiten eitler Kummer", Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): I. Ouverture, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): II. Bourrée, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): III. La Paix, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): IV. La Réjouissance, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): V. Menuet I, Music for the Royal Fireworks, HWV 351 (kammermusikalische Fassung): VI. Menuet II |
| Юлия Михайловна Лежнева |
vocal |
Agrippina, HWV 6: Act II. “Pensieri, voi mi tormentate!”, Apollo e Dafne, HWV 122: “Felicissima quest’alma”, Dixit Dominus, HWV 232: III. Tecum principium in die virtutis, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Come nembo che fugge col vento”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Lascia la spina cogli la rosa”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Pure del cielo intelligenze eterne”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Tu del Ciel ministro eletto”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Un pensiero nemico di pace”, La resurrezione, HWV 47: Parte prima. “Disserratevi, o porte d’Averno”, Messiah, HWV 56: Pt. 1. “Rejoice Greatly, O Daughter Of Zion”, Rodrigo, HWV 5: Act I. “Per dar pregio all’amor mio”, Salve Regina, HWV 241: Ad te clamamus, Salve Regina, HWV 241: Eia ergo, advocata nostro, Salve Regina, HWV 241: O clemens, o pia, Salve Regina, HWV 241: Salve Regina |
| City of London Baroque Sinfonia |
performing orchestra |
Acis and Galatea: "Love Sounds the Alarm", Acis and Galatea: "Would You Gain the Tender Creature", Amadigi di Gaula: "Ah! spietato", Athalia: "Gentle Airs, Melodious Strains", Esther: "Tune Your Harps to Cheerful Strains", Haman and Mordecai: "Praise the Lord with Cheerful Noise", Joshua: "While Kedron's Brook", Judas Maccabaeus: "So Shall the Lute and Harp Awake", Messiah: "Comfort Ye" — "Ev'ry Valley", Ode for St. Cecilia's Day: "Sharp Violins Proclaim", Samson: "Total Eclipse", Semele: "O Sleep, Why Dost Thou Leave Me?", Semele: "Where'er You Walk", Serse: "Frondi tenere" — "Ombra mai fu" |
| Nicholas McGegan |
conductor |
Agrippina: Ogni vento, Agrippina: Pensieri, voi mi tormentate, Arianna: Mirami altero in volto, Arianna: Qual leon, Giulio Cesare: Cara speme, Giulio Cesare: L'angue offeso mai riposa, Giulio Cesare: L'aure che spira, Giulio Cesare: La giustizia, Giulio Cesare: Svegliatevi nel core, Gold within the furnace try'd (from Susanna), Muzio Scevola: Dimmi, crudele Amore, Ottone: Vieni, o figlio, Radamisto: Ombra cara di mia sposa, Radamisto: Qual nave |
| Academy of St. Martin in the Fields Chorus |
vocal |
Messiah, Part 1: No. 21. Chorus. "His yoke is easy", Messiah, Part 1: No. 7. Chorus. "And he shall purify", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs", Messiah, Part 2: No. 25. Chorus. "And with his stripes", Messiah, Part 2: No. 33. Chorus. "Lift up you heads", Messiah, Part 2: No. 37. Chorus. "The Lord gave the world", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together...", Messiah, Part 3: No. 46. Chorus. "Since by man came death", Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." |
| Ivor Bolton |
conductor |
Acis and Galatea: "Love Sounds the Alarm", Acis and Galatea: "Would You Gain the Tender Creature", Amadigi di Gaula: "Ah! spietato", Athalia: "Gentle Airs, Melodious Strains", Esther: "Tune Your Harps to Cheerful Strains", Haman and Mordecai: "Praise the Lord with Cheerful Noise", Joshua: "While Kedron's Brook", Judas Maccabaeus: "So Shall the Lute and Harp Awake", Messiah: "Comfort Ye" — "Ev'ry Valley", Ode for St. Cecilia's Day: "Sharp Violins Proclaim", Samson: "Total Eclipse", Semele: "O Sleep, Why Dost Thou Leave Me?", Semele: "Where'er You Walk", Serse: "Frondi tenere" — "Ombra mai fu" |
| Barbara Schlick |
vocal |
Giulio Cesare, Act 3, Scene 7: Recitative: ‘Voi, che mie fide ancelle’ / Aria: ‘Da tempeste’, Saul: Act I, Scene 2: Air: Ah, lovely Youth! (Michal), Saul: Act I, Scene 2: Air: O God - like Youth! (Michal), Saul: Act I, Scene 2: Air: See with what a scornful Air (Michal), Saul: Act I, Scene 2: Recitative: He comes! (Michal), Saul: Act I, Scene 3: Recitative: Already see the Daughters of the Land (Michal), Saul: Act I, Scene 4: Air: Fell Rage and black Despair possest (Michal), Saul: Act I, Scene 4: Recitative: Imprudent Women!… 'Tis but his old Disease (Jonathan, Michal), Saul: Act II, Scene 5: Duet: O Fairest of ten thousand fair (Michal, David), Saul: Act II, Scene 5: Recitative: A Father's Will has authoriz'd my Love (Michal), Saul: Act II, Scene 6: Duet: At Persecution I can laugh (David, Michal), Saul: Act II, Scene 7: Air: No, no, let the Guilty tremble (Michal), Saul: Act II, Scene 7: Recitative: Whom dost thou seek… I seek for David (Michal, Doeg), Saul: Act III, Scene 5: Air: In sweetest Harmony they liv'd (Michal) |
| Philharmonia Baroque Orchestra |
performing orchestra |
Agrippina: Ogni vento, Agrippina: Pensieri, voi mi tormentate, Arianna: Mirami altero in volto, Arianna: Qual leon, Giulio Cesare: Cara speme, Giulio Cesare: L'angue offeso mai riposa, Giulio Cesare: L'aure che spira, Giulio Cesare: La giustizia, Giulio Cesare: Svegliatevi nel core, Gold within the furnace try'd (from Susanna), Muzio Scevola: Dimmi, crudele Amore, Ottone: Vieni, o figlio, Radamisto: Ombra cara di mia sposa, Radamisto: Qual nave |
| Robert White (tenor) |
vocal |
Acis and Galatea: "Love Sounds the Alarm", Acis and Galatea: "Would You Gain the Tender Creature", Amadigi di Gaula: "Ah! spietato", Athalia: "Gentle Airs, Melodious Strains", Esther: "Tune Your Harps to Cheerful Strains", Haman and Mordecai: "Praise the Lord with Cheerful Noise", Joshua: "While Kedron's Brook", Judas Maccabaeus: "So Shall the Lute and Harp Awake", Messiah: "Comfort Ye" — "Ev'ry Valley", Ode for St. Cecilia's Day: "Sharp Violins Proclaim", Samson: "Total Eclipse", Semele: "O Sleep, Why Dost Thou Leave Me?", Semele: "Where'er You Walk", Serse: "Frondi tenere" — "Ombra mai fu" |
| Harry Bicket |
conductor |
Rinaldo/Act 2 - ''Lascia Ch'io Pianga'', Serse, HWV 40: Aria: "Ombra mai fu", Serse, HWV 40: Aria: "Se bramate d'amar, chi vi sdegna", Serse, HWV 40: Recitativo: "Fondi tenere e belle", Theodora, HWV 68: "New scenes of joy", Theodora, HWV 68: Aria: "As with rosy steps the morn", Theodora, HWV 68: Aria: "Bane of virtue, nurse of passions", Theodora, HWV 68: Aria: "Defend her Heav'n!", Theodora, HWV 68: Aria: "Lord, to Thee each night and day", Theodora, HWV 68: Recitativo: "Ah! Whither should we fly, or fly from whom?", Theodora, HWV 68: Recitativo: "O bright example of all goodness!", Theodora, HWV 68: Recitativo: "She's gone, disdaining liberty and life", Theodora, HWV 68: Recitativo: "The clouds begin to veil the hemisphere" |
| Antony Walker (conductor) |
conductor |
Laudate pueri Dominum, HWV237: I. Soprano and Chorus: Laudate pueri Dominum, Laudate pueri Dominum, HWV237: II. Aria: Sit nomen Domini, Laudate pueri Dominum, HWV237: III. Soprano and Chorus: A solis ortu usque ad occasum, Laudate pueri Dominum, HWV237: IV. Soprano: Excelsus super omnes gentes Dominus, Laudate pueri Dominum, HWV237: V. Chorus: Quis sicut Dominus Deus noster, Laudate pueri Dominum, HWV237: VI: Aria: Suscitans a terra inopem, Laudate pueri Dominum, HWV237: VII. Aria: Qui habitare facit sterilem in domo, Laudate pueri Dominum, HWV237: VIII. Chorus: Gloria, Messiah, HWV 56: I know that my redeemer liveth, Semele, HWV 58: Where'er you walk, Serse (Xerxes), HWV 40, Act I: Ombra mai fu, Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba", Tamerlano: Ciel e terra armi di sdegno |
| Dame Janet Baker |
vocal |
Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "Oh Judas, may these noble views inspire" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 18: Aria "Tis liberty, dear liberty alone" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 25: Recitative "Haste we, my brethren" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows, brethren, flow" (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene, these adverse pow'rs (Israelitish Man and Woman), Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm of grief" (Israelitish Man), Judas Maccabaeus, HWV 63: Act I, no. 7: Aria "Pious orgies, pious aris" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 29: Aria "So rapid thy course is" (Israelitish Man), Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom to receive" (Israelitish Man), Judas Maccabaeus, HWV 63: Act III, no. 53: Aria "Father of Heav'n! Thy eternal throne" (Israelitish Man), Judas Maccabaeus, HWV 63: Act III, no. 54: Recitative "See, see yon flames, that from the altar broke" (Israelitish Man), O Had I Jubal's Lyre, HWV64 |
| Neil Black (oboist) |
oboe |
Sonata in B-flat for oboe and continuo: I. (Andante), Sonata in B-flat for oboe and continuo: II. Grave, Sonata in B-flat for oboe and continuo: III. Allegro, Sonata in C minor, op. 1 no. 8 for oboe and continuo: I. Largo, Sonata in C minor, op. 1 no. 8 for oboe and continuo: II. Allegro, Sonata in C minor, op. 1 no. 8 for oboe and continuo: III. Adagio, Sonata in C minor, op. 1 no. 8 for oboe and continuo: IV. Bourrée angloise. Allegro, Sonata in F, op. 1 no. 5 for oboe and continuo: I. Adagio, Sonata in F, op. 1 no. 5 for oboe and continuo: II. Allegro, Sonata in F, op. 1 no. 5 for oboe and continuo: III. Adagio, Sonata in F, op. 1 no. 5 for oboe and continuo: IV. Bourrée (angloise), Sonata in F, op. 1 no. 5 for oboe and continuo: V. Menuetto |
| I Barocchisti |
performing orchestra |
Agrippina HWV 6 (1709) : Come Nube, Che Fugge Dal Vento, Amadigi Di Gaula HWV 11 (1715) : Pena Tiranna, Arianna In Creta HWV 32 (1734) : Qual Leon Che Fere Irato, Arianna In Creta: Salda Quercia, Inerta Balza, Floridante HWV 14 (1721) : Alma Mia, Imeneo HWV 41 (1740) : Sorge Nell'alma Mia, Orlando HWV 31 (1733) : Verdi Allori, Parnasso In Festa HWV 73 : Non Tardate Fauni Ancora, Parnasso In Festa: Lunga Serie D'alti Eroi, Radamisto HWV 12a (1720) : Ombra Cara, Serse HWV 40 (1738) : Se bramate d'amar chi vi sdegna, Tamerlano HWV 18 (1724) : Benché Mi Sprezzi |
| Diego Fasolis |
conductor |
Agrippina HWV 6 (1709) : Come Nube, Che Fugge Dal Vento, Amadigi Di Gaula HWV 11 (1715) : Pena Tiranna, Arianna In Creta HWV 32 (1734) : Qual Leon Che Fere Irato, Arianna In Creta: Salda Quercia, Inerta Balza, Floridante HWV 14 (1721) : Alma Mia, Imeneo HWV 41 (1740) : Sorge Nell'alma Mia, Orlando HWV 31 (1733) : Verdi Allori, Parnasso In Festa HWV 73 : Non Tardate Fauni Ancora, Parnasso In Festa: Lunga Serie D'alti Eroi, Radamisto HWV 12a (1720) : Ombra Cara, Serse HWV 40 (1738) : Se bramate d'amar chi vi sdegna, Tamerlano HWV 18 (1724) : Benché Mi Sprezzi |
| Max Emanuel Cenčić |
vocal |
Agrippina HWV 6 (1709) : Come Nube, Che Fugge Dal Vento, Amadigi Di Gaula HWV 11 (1715) : Pena Tiranna, Arianna In Creta HWV 32 (1734) : Qual Leon Che Fere Irato, Arianna In Creta: Salda Quercia, Inerta Balza, Floridante HWV 14 (1721) : Alma Mia, Imeneo HWV 41 (1740) : Sorge Nell'alma Mia, Orlando HWV 31 (1733) : Verdi Allori, Parnasso In Festa HWV 73 : Non Tardate Fauni Ancora, Parnasso In Festa: Lunga Serie D'alti Eroi, Radamisto HWV 12a (1720) : Ombra Cara, Serse HWV 40 (1738) : Se bramate d'amar chi vi sdegna, Tamerlano HWV 18 (1724) : Benché Mi Sprezzi |
| Ryland Davies (tenor) |
vocal |
Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 13: Aria "Call forth thy pow'rs, my soul" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father, now at rest" (Judas Maccabaeus, Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour was thine aim" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act I, no. 24: Aria "No unhallow'd desire" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 37: Recitative "Thanks to my breathen; but look up to Heav'n (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man, who boasts in fight" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 44: Recitative "My arms! - against this Gorgias will I go" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act II, no. 45: Aria "Sound an alarm! Your silver trumpets sound" (Judas Maccabaeus) / no. 46: Chorus "We hear, we hear the pleasing dreadful call", Judas Maccabaeus, HWV 63: Act III, no. 61: Recitative "Sweet flow the strains, that strike my feasted ear" (Judas Maccabaeus), Judas Maccabaeus, HWV 63: Act III, no. 62: Aria "With honour let desert be crown'd" (Judas Maccabaeus) |
| Thurston Dart |
harpsichord |
Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325, Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in D major, op. 6 no. 5, HWV 323, Concerto grosso in D minor, op. 6 no. 10, HWV 328, Concerto grosso in E minor, op. 6 no. 3, HWV 321, Concerto grosso in F major, op. 6 no. 2, HWV 320, Concerto grosso in F major, op. 6 no. 9, HWV 327, Concerto grosso in G minor, op. 6 no. 6, HWV 324 |
| Christoph Frommen |
engineer, producer |
A mirarvi io son intento, HWV 178, Beato in ver chi può, HWV 181, Conservate, raddoppiate, HWV 185, Fronda leggiera e mobile, HWV 186, Langue, geme, sospira, HWV 188, No, di voi non vuo' fidarmi, HWV 190, Se tu non lasci amore, HWV 193, Sono liete, fortunate, HWV 194, Tanti strali al sen mi scocchi, HWV 197, Troppo cruda, troppo fiera, HWV 198 |
| La Risonanza (Italian vocal & instrumental ensemble) |
performer |
A mirarvi io son intento, HWV 178, Beato in ver chi può, HWV 181, Conservate, raddoppiate, HWV 185, Fronda leggiera e mobile, HWV 186, Langue, geme, sospira, HWV 188, No, di voi non vuo' fidarmi, HWV 190, Se tu non lasci amore, HWV 193, Sono liete, fortunate, HWV 194, Tanti strali al sen mi scocchi, HWV 197, Troppo cruda, troppo fiera, HWV 198 |
| Andrew Davis (conductor, keyboardist, composer, arranger) |
organ |
Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325, Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in D major, op. 6 no. 5, HWV 323, Concerto grosso in D minor, op. 6 no. 10, HWV 328, Concerto grosso in E minor, op. 6 no. 3, HWV 321, Concerto grosso in F major, op. 6 no. 2, HWV 320, Concerto grosso in F major, op. 6 no. 9, HWV 327, Concerto grosso in G minor, op. 6 no. 6, HWV 324 |
| Fabio Bonizzoni |
conductor |
A mirarvi io son intento, HWV 178, Beato in ver chi può, HWV 181, Conservate, raddoppiate, HWV 185, Fronda leggiera e mobile, HWV 186, Langue, geme, sospira, HWV 188, No, di voi non vuo' fidarmi, HWV 190, Se tu non lasci amore, HWV 193, Sono liete, fortunate, HWV 194, Tanti strali al sen mi scocchi, HWV 197, Troppo cruda, troppo fiera, HWV 198 |
| Roberta Invernizzi |
vocal |
A mirarvi io son intento, HWV 178, Beato in ver chi può, HWV 181, Conservate, raddoppiate, HWV 185, Fronda leggiera e mobile, HWV 186, Langue, geme, sospira, HWV 188, No, di voi non vuo' fidarmi, HWV 190, Se tu non lasci amore, HWV 193, Sono liete, fortunate, HWV 194, Tanti strali al sen mi scocchi, HWV 197, Troppo cruda, troppo fiera, HWV 198 |
| Marina de Liso (soprano) |
vocal |
A mirarvi io son intento, HWV 178, Beato in ver chi può, HWV 181, Conservate, raddoppiate, HWV 185, Fronda leggiera e mobile, HWV 186, Langue, geme, sospira, HWV 188, No, di voi non vuo' fidarmi, HWV 190, Se tu non lasci amore, HWV 193, Sono liete, fortunate, HWV 194, Tanti strali al sen mi scocchi, HWV 197, Troppo cruda, troppo fiera, HWV 198 |
| Orchestra of the Antipodes |
performing orchestra |
Laudate pueri Dominum, HWV237: I. Soprano and Chorus: Laudate pueri Dominum, Laudate pueri Dominum, HWV237: II. Aria: Sit nomen Domini, Laudate pueri Dominum, HWV237: III. Soprano and Chorus: A solis ortu usque ad occasum, Laudate pueri Dominum, HWV237: IV. Soprano: Excelsus super omnes gentes Dominus, Laudate pueri Dominum, HWV237: V. Chorus: Quis sicut Dominus Deus noster, Laudate pueri Dominum, HWV237: VI: Aria: Suscitans a terra inopem, Laudate pueri Dominum, HWV237: VII. Aria: Qui habitare facit sterilem in domo, Laudate pueri Dominum, HWV237: VIII. Chorus: Gloria, Messiah, HWV 56: I know that my redeemer liveth |
| Claron McFadden |
vocal |
Saul: Act I, Scene 2: Air: My Soul rejects the Thought with scorn (Merab), Saul: Act I, Scene 2: Air: What abject Thoughts a Prince can have (Merab), Saul: Act I, Scene 2: Recitative: Thou, Merab, first in Birth (Saul), Saul: Act I, Scene 2: Recitative: Yet think with whom this Honour you bestow (Merab), Saul: Act I, Scene 5: Air: Capricious Man, in Humour lost (Merab), Saul: Act II, Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan), Saul: Act II, Scene 8: Air: Author of Peace, who canst controll (Merab), Saul: Act II, Scene 8: Recitative: Mean as he was, he is my Brother now (Merab), Saul: Act III, Scene 5: Air: From this unhappy Day (Merab) |
| Wilfred Brown (tenor) |
vocal |
All they that see Him, laugh Him to scorn, Behold, and see if there be any sorrow, But thou didst not leave His soul in hell, Comfort ye, my people, Ev'ry valley shall be exalted, He that dwelleth in heaven, He was cut off out of the land of the living, Thou shalt break them with a rod of iron, Thy rebuke hath broken His heart |
| Nuria Rial |
vocal |
Aria, HWV 203 "Das zitternde Glänzen der spiegelnden Wellen", Aria, HWV 204 "Süßer Blumen Ambraflocken", Aria, HWV 205 "Süße Stille, sanfte Quelle", Aria, HWV 206 "Singe, Seele, Gott zum Preise", Aria, HWV 207 "Meine Seele hört im Sehen", Aria, HWV 208 "Die ihr aus dunklen Grüften", Aria, HWV 209 "In den angenehmen Büschen", Aria, HWV 210 "Flammende Rose, Zierde der Erden", Arie, HWV 202 "Künft'ger Zeiten eitler Kummer" |
| Simone Kermes |
vocal |
Addio, crudo Amadigi, Ah! Mio cor, Ah! Ruggiero crudel, Ah! crudel, Destero dall' empia Dite, Dunque i lacci, Fermati - No, crudel, Mi deride I'amante, Ombre pallide |
| Royal Philharmonic Orchestra |
performing orchestra |
Amaryllis Suite, Arrival of the Queen of Sheba, Grand Entree aus Alceste, Le Messie : Alleluia, Le Messie: "Alleluia", Music for the Royal Fireworks, Passacaglia aus Rodrigo, Suite from "The Water Music" |
| Cantillation |
vocal |
Laudate pueri Dominum, HWV237: I. Soprano and Chorus: Laudate pueri Dominum, Laudate pueri Dominum, HWV237: II. Aria: Sit nomen Domini, Laudate pueri Dominum, HWV237: III. Soprano and Chorus: A solis ortu usque ad occasum, Laudate pueri Dominum, HWV237: IV. Soprano: Excelsus super omnes gentes Dominus, Laudate pueri Dominum, HWV237: V. Chorus: Quis sicut Dominus Deus noster, Laudate pueri Dominum, HWV237: VI: Aria: Suscitans a terra inopem, Laudate pueri Dominum, HWV237: VII. Aria: Qui habitare facit sterilem in domo, Laudate pueri Dominum, HWV237: VIII. Chorus: Gloria |
| Emma Kirkby (soprano) |
vocal |
Laudate pueri Dominum, HWV237: I. Soprano and Chorus: Laudate pueri Dominum, Laudate pueri Dominum, HWV237: II. Aria: Sit nomen Domini, Laudate pueri Dominum, HWV237: III. Soprano and Chorus: A solis ortu usque ad occasum, Laudate pueri Dominum, HWV237: IV. Soprano: Excelsus super omnes gentes Dominus, Laudate pueri Dominum, HWV237: V. Chorus: Quis sicut Dominus Deus noster, Laudate pueri Dominum, HWV237: VI: Aria: Suscitans a terra inopem, Laudate pueri Dominum, HWV237: VII. Aria: Qui habitare facit sterilem in domo, Laudate pueri Dominum, HWV237: VIII. Chorus: Gloria |
| John Shirley-Quirk (bass-baritone) |
vocal |
Judas Maccabaeus, HWV 63: Act I, no. 10: Aria "Arm, arm, ye brave!" (Simon), Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 42: Recitative "Be comforted, - nor think these plagues are sent" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 43: Aria "The Lord worketh wonders" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 47: Recitative "Enough! To heav'n we leave the rest" (Simon), Judas Maccabaeus, HWV 63: Act II, no. 48: Aria "With pious hearts, and brave as pious" (Simon), Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon), Judas Maccabaeus, HWV 63: Act III, no. 67: Aria "Rejoice, oh Judah! and in songs divine" (Simon) |
| Julian Millard |
recording |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| The Parley of Instruments |
instrument |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Australian Brandenburg Orchestra |
performing orchestra |
Alcina, HWV 34: Verdi prati, selve amene (Green pastures and pleasant woods), Giulio Cesare in Egitto, HWV 17, Act II, Scene 2: V'adoro pupile (O eyes, I adore you), Jephtha, HWV 70: Waft her, angels, through the Skies, Radamisto, HWV 12: Cavatina, Quando mai spietata sorte (Tell me, pitiless fate), Rinaldo, HWV 7, Act II, Scene IV: Lascia ch'io pianga (Let me Lament), Semele, HWV 58, Act II, Scene 2: Oh Sleep, why dost thou leave me?, Water Music: Suite No. 3 in F major, HWV 350: V. Minuet I and II |
| Susanne Heinrich |
viola da gamba |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Andrés Segovia |
classical guitar |
Gavotte [in A], Gavotte in G major, HWV 491 - Gavotte in G major, HWV 491, Minuet [in D], Minuet in G major, HWV 531 - Minuet in G major, HWV 531, Suite No.4 In D Minor For Harpsichord, HWV 437 - Sarabande, Suite in G minor, HWV 453 - Allegretto grazioso (Menuet I & II), Suites de pièces, volume 2, no. 4 in D minor, HWV 437: Sarabande |
| Antony Howell (Engineer) |
recording |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Osian Ellis (Welsh harpist and composer) |
harp |
Concerto for Harp and Lute in B-flat, op. 4 no. 6: Allegro moderato, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Andante allegro, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Larghetto, Concerto for Harp in F, op. 4 no. 5: Alla siciliana, Concerto for Harp in F, op. 4 no. 5: Allegro, Concerto for Harp in F, op. 4 no. 5: Larghetto, Concerto for Harp in F, op. 4 no. 5: Presto |
| Trevor Connah |
violin |
Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in B-flat major, op. 6 no. 7, HWV 325, Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in D major, op. 6 no. 5, HWV 323, Concerto grosso in F major, op. 6 no. 2, HWV 320, Concerto grosso in G minor, op. 6 no. 6, HWV 324 |
| Granville Jones |
conductor |
Concerto for Harp and Lute in B-flat, op. 4 no. 6: Allegro moderato, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Andante allegro, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Larghetto, Concerto for Harp in F, op. 4 no. 5: Alla siciliana, Concerto for Harp in F, op. 4 no. 5: Allegro, Concerto for Harp in F, op. 4 no. 5: Larghetto, Concerto for Harp in F, op. 4 no. 5: Presto |
| Kevin Mallon (conductor) |
conductor |
Water Music: No. 1, Overture: Largo - Allegro / No. 2, Adagio e staccato, Water Music: No. 11, Allegro, Water Music: No. 12, Alla Hornpipe, Water Music: No. 3, Allegro / No. 4, Andante - Allegro, Water Music: No. 5, Passepied, Water Music: No. 6, Air, Water Music: No. 8, Bourée |
| Aradia Ensemble |
performing orchestra |
Water Music: No. 1, Overture: Largo - Allegro / No. 2, Adagio e staccato, Water Music: No. 11, Allegro, Water Music: No. 12, Alla Hornpipe, Water Music: No. 3, Allegro / No. 4, Andante - Allegro, Water Music: No. 5, Passepied, Water Music: No. 6, Air, Water Music: No. 8, Bourée |
| Martin Compton (producer) |
producer |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Mark Caudle |
viola da gamba |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Philomusica of London |
performing orchestra |
Concerto for Harp and Lute in B-flat, op. 4 no. 6: Allegro moderato, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Andante allegro, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Larghetto, Concerto for Harp in F, op. 4 no. 5: Alla siciliana, Concerto for Harp in F, op. 4 no. 5: Allegro, Concerto for Harp in F, op. 4 no. 5: Larghetto, Concerto for Harp in F, op. 4 no. 5: Presto |
| Roger Stalman (operatic bass) |
vocal |
Behold, I tell you a mystery, But who may abide the day of His coming, For behold, darkness shall cover the earth, The people that walked in darkness, The trumpet shall sound, Thus saith the Lord of hosts, Why do the nations so furiously rage |
| Philip Langridge |
vocal |
Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted", Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out", Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God", Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living...", Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels...", Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven...", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." |
| Elizabeth Kenny (lutenist) |
archlute, theorbo |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Paul Dyer |
conductor |
Alcina, HWV 34: Verdi prati, selve amene (Green pastures and pleasant woods), Giulio Cesare in Egitto, HWV 17, Act II, Scene 2: V'adoro pupile (O eyes, I adore you), Jephtha, HWV 70: Waft her, angels, through the Skies, Radamisto, HWV 12: Cavatina, Quando mai spietata sorte (Tell me, pitiless fate), Rinaldo, HWV 7, Act II, Scene IV: Lascia ch'io pianga (Let me Lament), Semele, HWV 58, Act II, Scene 2: Oh Sleep, why dost thou leave me?, Water Music: Suite No. 3 in F major, HWV 350: V. Minuet I and II |
| Anna Reynolds |
vocal |
Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock", Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion", Messiah, Part 2: No. 23. Air alto: He was despised", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 3: No. 52. Air alto. "If God be for us", Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." |
| April Cantelo |
vocal |
He shall feed His flock like a shepherd, How beautiful are the feet of them, I know that my Redeemer liveth, Rejoice greatly, O daughter of Zion, Then shall the eyes of the blind be open'd, There were shepherds abiding in the field |
| The King's Consort |
instrument |
Eternal Source of Light Divine, Pena Tirrana, from Amadigi, Réjouissance, from Musick for the Royal Fireworks, The Flocks Shall Leave the Mountains, from Acis and Galatea, The Great Jehova Is Our Awful Theme, from Joshua, To Vanity and Earthly Pride, from Joshua |
| Sinfonia Australis |
performer, performing orchestra |
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa", Semele, HWV 58: Where'er you walk, Serse (Xerxes), HWV 40, Act I: Ombra mai fu, Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba", Tamerlano: Ciel e terra armi di sdegno |
| Владимир Иванович Федосеев |
conductor |
Music for the Royal Fireworks: I. Overture, Music for the Royal Fireworks: II. Bouree, Music for the Royal Fireworks: III. La Paix, Music for the Royal Fireworks: IV. La Rejouissance, Music for the Royal Fireworks: V. Minuet |
| Gwynne Howell |
vocal |
Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness", Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide", Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high", Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together...", Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..." |
| Kammerensemble "Viva la musica" (Streicherensemble der Musikschule Meckenheim Rheinbach Swisttal) |
performing orchestra |
Concerto grosso op. 6 No. 1: 1. A tempo giusto, Concerto grosso op. 6 No. 1: 2. Allegro, Concerto grosso op. 6 No. 1: 3. Adagio, Concerto grosso op. 6 No. 1: 4. Allegro, Concerto grosso op. 6 No. 1: 5. Allegro |
| Paul Esswood |
vocal |
Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "Oh Judas, oh my brethren!" (Messenger), Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon), Rinaldo, Act l: ‘Goffredo, se t’arrise’, Saül: O Lord, whose mercies numberless, Saül: Your works, oh king |
| Московский камерный оркестр |
performing orchestra |
Music for the Royal Fireworks: I. Overture, Music for the Royal Fireworks: II. Bouree, Music for the Royal Fireworks: III. La Paix, Music for the Royal Fireworks: IV. La Rejouissance, Music for the Royal Fireworks: V. Minuet |
| William Warfield |
vocal |
Messiah: 40. Why do the nations?, Messiah: 47. Behold, I tell you a mystery, Messiah: 48. The trumpet shall sound, Messiah: 5. Thus saith the Lord, Messiah: 6. But who may abide |
| Ede Inhoff (trumpeter) |
trumpet |
Sonata for Trumpet, Strings and Basso Continuo: Air (Menuetto), Sonata for Trumpet, Strings and Basso Continuo: Gigue, Sonata for Trumpet, Strings and Basso Continuo: March, Sonata for Trumpet, Strings and Basso Continuo: March (Bourree), Sonata for Trumpet, Strings and Basso Continuo: Overture |
| Scottish Chamber Orchestra |
performing orchestra |
Cantata: Lucrezia, Entry of the Queen of Sheba Act III of Sinfonia from "Solomon", Hallelujah from "Messiah", Messiah: Hallelujah, Va tacito e nascosto ('Giulio Cesare in Egitto', Act 1) |
| Hungarian State Opera Chamber Orchestra |
performing orchestra |
Sonata for Trumpet, Strings and Basso Continuo: Air (Menuetto), Sonata for Trumpet, Strings and Basso Continuo: Gigue, Sonata for Trumpet, Strings and Basso Continuo: March, Sonata for Trumpet, Strings and Basso Continuo: March (Bourree), Sonata for Trumpet, Strings and Basso Continuo: Overture |
| Maite Beaumont |
vocal |
D'un sventurato amante, Fermati - No, crudel, Pena tiranna, Sta nell'Ircana, Verdi prati |
| Lucy Crowe |
vocal |
"But Bright Cecilia", "But Oh! What Art Can Teach", "Orpheus Could Lead", "The Soft Complaining Flute", "What Passion Cannot Music Raise" |
| The English Concert |
performing orchestra |
Giulio Cesare: Scorta siate a passi miei, Hercules: From celestial seats descending, Hercules: Where congeal'd the northern streams, Tamerlano: Forte e liento, Zadok the Priest |
| Orchestre de chambre Jean-François Paillard |
performing orchestra |
Concerto pour harpe en si bémol majeur, Op. 4 no. 6 : Andante-Allegro, Concerto pour orgue en fa majeur, Op. 4 no. 4 : Allegro, Music For Royal Fireworks: Bourree, Music for the Royal Fireworks : Menuets I & II |
| Eileen Farrell |
vocal |
Messiah: 14. There were shepherds, Messiah: 15. And the angel said unto them, Messiah: 16. And suddenly there was with the angel, Messiah: 45. I know that my Redeemer liveth |
| Susanna Pell |
viola da gamba |
Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo |
| Anthony Robson (oboist) |
oboe |
Oboe Sonata in G minor: I. Andante, Oboe Sonata in G minor: II. Allegro, Oboe Sonata in G minor: III. Adagio, Oboe Sonata in G minor: IV. Allegro |
| Martha Lipton |
vocal |
Messiah: 19. Then shall the eyes of the blind be opened, Messiah: 20. He shall feed His flock, Messiah: 23. He was despised, Messiah: 9. O thou that tellest good tidings to Zion |
| Konrad Ragossnig (lutenist) |
guitar |
Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 1. Satz: Larghetto, Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 2. Satz: Allegro, Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 3. Satz: Adagio, Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 4. Satz: Allegro |
| Keith Clark |
conductor |
Organ Concerto no. 13 "The Cuckoo and the Nightingale": Allegro, Sarabande, Solomon: Entrance of the Queen of Sheba, Xerxes: Largo |
| David Hobson |
vocal |
Semele, HWV 58: Where'er you walk, Serse (Xerxes), HWV 40, Act I: Ombra mai fu, Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba", Tamerlano: Ciel e terra armi di sdegno |
| Sir Malcolm Sargent |
conductor |
Chorus: Worthy is the Lamb. Amen, Juda Maccabeus: Sound an Alarm, Messiah: no. 2, Comfort Ye / Messiah: no. 3, Ev'ry Valley, Messiah: no. 45, I Know That My Redeemer Liveth |
| Les Concerts du Monde |
performing orchestra |
Organ Concerto no. 13 "The Cuckoo and the Nightingale": Allegro, Sarabande, Solomon: Entrance of the Queen of Sheba, Xerxes: Largo |
| Karl Richter (conductor/ choir master/ organist/ harpsichordist) |
conductor |
Der Messias, HWV 56: Aria: "Er weidet seine Herde", Der Messias, HWV 56: Aria: "Ich weiß, dass mein Erlöser lebet", Josua, HWV 64: Aria: "O hätt' ich Jubals Harf", Messiah: Overture (extract B) |
| Hans-Martin Linde |
flute |
Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 1. Satz: Larghetto, Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 2. Satz: Allegro, Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 3. Satz: Adagio, Sonate für Blockflöte und Continuo (Gitarre) a-moll op. 1 Nr. 4: 4. Satz: Allegro |
| Ian Bostridge |
vocal |
Giulio Cesare: Scorta siate a passi miei, Hercules: From celestial seats descending, Hercules: Where congeal'd the northern streams, Tamerlano: Forte e liento |
| Saint Paul Chamber Orchestra |
performing orchestra |
Arrival of the Queen of Sheba, Concerto Grosso in G, op. 6/1: A tempo giusto, Concerto Grosso in G, op. 6/1: Adagio, Concerto Grosso in G, op. 6/1: Allegro |
| Choir of King’s College, Cambridge |
vocal |
Dixit Dominus: Judicabit in Nationibus, For Unto Us a Child Is Born, Hallelujah Chorus, Messiah : Part II. Chorus "Hallelujah!" |
| Pinchas Zukerman |
conductor |
Arrival of the Queen of Sheba, Concerto Grosso in G, op. 6/1: A tempo giusto, Concerto Grosso in G, op. 6/1: Adagio, Concerto Grosso in G, op. 6/1: Allegro |
| Bernard Labadie |
conductor |
Giulio Cesare: Scorta siate a passi miei, Hercules: From celestial seats descending, Hercules: Where congeal'd the northern streams, Tamerlano: Forte e liento |
| Raymond Leppard |
conductor, harpsichord, piano |
Arrivo della regina di Saba, da "Solomon", Cantata: Lucrezia, O Had I Jubal's Lyre, HWV64, Va tacito e nascosto ('Giulio Cesare in Egitto', Act 1) |
| René Jacobs |
conductor, vocal |
Admeto: Sparite o pensieri, Agrippina, HWV 6: Sinfonia, Giulio Cesare, Act 3, Scene 7: Recitative: ‘Voi, che mie fide ancelle’ / Aria: ‘Da tempeste’, Messiah, HWV 56: Part I, no. 2. Accompagnato "Comfort ye, my people, saith your God" |
| Davis Cunningham |
vocal |
Messiah: 2. Comfort ye, my people, Messiah: 42. He that dwelleth in Heaven, Messiah: 43. Thou shalt break them |
| Sir Roger Norrington |
conductor |
Serse: Frondi tenere, Serse: Ombra mai fù, Tamerlano: A dispetto |
| Elly Ameling |
vocal |
Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel", Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet...", Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see" |
| David Daniels (American countertenor) |
vocal |
Serse: Frondi tenere, Serse: Ombra mai fù, Tamerlano: A dispetto |
| London Symphony Orchestra |
performing orchestra |
Juda Maccabeus: Sound an Alarm, Messiah, HWV 56: Part II, No 38, "How beautiful are the feet" (Part II, No 38. How beautiful are the feet), Messiah: And the Glory of the Lord |
| Margaret Price |
vocal |
Messiah: And suddenly, Messiah: I know that my Redeemer liveth, Messiah: Rejoice greatly |
| Sir David Willcocks |
conductor |
Dixit Dominus: Judicabit in Nationibus, For Unto Us a Child Is Born, Hallelujah Chorus |
| Marie-Nicole Lemieux |
vocal |
Giulio Cesare, HWV 17: Al lampo dell'armi, Giulio Cesare, HWV 17: Caro! Bella!, Giulio Cesare, HWV17: Empio, dirò, tu sei |
| Yehudi Menuhin |
conductor |
Amaryllis Suite, Music for the Royal Fireworks, Suite from "The Water Music" |
| Christopher Hogwood |
conductor |
Messiah: Hallelujah Chorus, Messiah: Overture (extract C), Messiah: ‘He trusted in God’ (extract) |
| Yvonne Kenny |
vocal |
Giulio Cesare in Egitto, HWV 17, Act II, Scene 2: V'adoro pupile (O eyes, I adore you), Rinaldo, HWV 7, Act II, Scene IV: Lascia ch'io pianga (Let me Lament), Semele, HWV 58, Act II, Scene 2: Oh Sleep, why dost thou leave me? |
| Philip Ledger |
conductor |
Saül: O Lord, whose mercies numberless, Saül: Your works, oh king, The Choice of Hercules: Yet, can I hear that dulcet lay |
| Max Pommer |
conductor |
Concerto Grosso, Op. 6 No. 1, Concerto grosso F-dur op. 3: Allegro, Concerto grosso F-dur op. 3: Largo |
| Helen Watts (contralto) |
vocal |
Behold a virgin shall conceive, He was despised and rejected of men, O thou that tellest good tidings to Zion |
| Dmitry Sinkovsky (violinist, countertenor) |
performer |
Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Come nembo che fugge col vento”, Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Tu del Ciel ministro eletto”, Rodrigo, HWV 5: Act I. “Per dar pregio all’amor mio” |
| Royal Liverpool Philharmonic Orchestra |
performing orchestra |
Chorus: Worthy is the Lamb. Amen, Messiah: no. 2, Comfort Ye / Messiah: no. 3, Ev'ry Valley, Messiah: no. 45, I Know That My Redeemer Liveth |
| Budapesti Vonósok (Budapest String Orchestra) |
performing orchestra |
Music for the Royal Fireworks, Salomon: Arrival of the Queen of Sheba, Xerxes: Largo |
| Desmond Dupré |
lute |
Concerto for Harp and Lute in B-flat, op. 4 no. 6: Allegro moderato, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Andante allegro, Concerto for Harp and Lute in B-flat, op. 4 no. 6: Larghetto |
| Neues Bachisches Collegium Musicum |
performing orchestra |
Concerto Grosso, Op. 6 No. 1, Concerto grosso F-dur op. 3: Allegro, Concerto grosso F-dur op. 3: Largo |
| Richard Croft (tenor) |
vocal |
"From Harmony", "Sharp Violins Proclaim", "When Nature" |
| Marcel Beekman |
vocal |
Saul: Act I, Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David), Saul: Act I, Scene 5: Recitative: Rack'd with Infernal Pains (Abner) |
| Richard Lewis (Welsh tenor) |
vocal |
Juda Maccabeus: Sound an Alarm, Messiah: no. 2, Comfort Ye / Messiah: no. 3, Ev'ry Valley |
| Raymond Keenlyside (violinist, associated with Aeolian Quartet) |
violin |
Concerto grosso in B minor, op. 6 no. 12, HWV 330, Concerto grosso in E minor, op. 6 no. 3, HWV 321 |
| Raglan Baroque Players |
performing orchestra |
Rodelinda, regina dei Lombardi: Confusa si miri l'infida consorte, Rodelinda, regina dei Lombardi: Si l'infida consorte |
| Pražský komorní orchestr |
performing orchestra |
Water Music - Air (Suite no. 1 in F), Water Music - Alla Hornpipe (Suite no. 2 in D) |
| Christ Church Cathedral Choir, Oxford |
vocal |
Messiah: Hallelujah Chorus, Messiah: ‘He trusted in God’ (extract) |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Arrival of the Queen of Sheba, From "Solomon", Messiah: He was despised |
| Scottish Philharmonic Singers |
vocal |
Hallelujah from "Messiah", Messiah: Hallelujah |
| Hugh Maguire |
violin |
Concerto grosso in A major, op. 6 no. 11, HWV 329, Concerto grosso in E minor, op. 6 no. 3, HWV 321 |
| Sir Charles Groves |
conductor |
Grand Entree aus Alceste, Passacaglia aus Rodrigo |
| Orquestra Filarmônica de Alemanha |
performing orchestra |
Concerto Grosso no. 2 in F major, op. 6: Allegro, ma non troppo, Concerto Grosso no. 2 in F major, op. 6: Andante larghetto |
| Daniel Taylor (Canadian countertenor) |
vocal |
Rodelinda, regina dei Lombardi: Confusa si miri l'infida consorte, Rodelinda, regina dei Lombardi: Si l'infida consorte |
| Nicholas Kraemer (harpsichordist and conductor) |
conductor |
Rodelinda, regina dei Lombardi: Confusa si miri l'infida consorte, Rodelinda, regina dei Lombardi: Si l'infida consorte |
| Donald Burrows |
harpsichord |
Belshazzar: ‘O sentence too severe’ (Burrows edition), Belshazzar: ‘O sentence too severe’ (Macfarren edition) |
| Edward Carroll |
trumpet |
Let the Bright Seraphim aus Samson, The Water Music: Alla Hornpipe from Suite in D |
| Béla Bánfalvi (violinist, concert master of Budapest strings) |
conductor |
Salomon: Arrival of the Queen of Sheba, Xerxes: Largo |
| Malcolm Latchem |
violin |
Concerto grosso in D minor, op. 6 no. 10, HWV 328, Concerto grosso in F major, op. 6 no. 9, HWV 327 |
| Mainzer Kammerorchester |
performing orchestra |
Concerto No. 2 In B-flat Major: IV. Minuet, Concerto No. 3 In G Major: I. Largo E Staccato - Allegro |
| Kölner Kammerorchester |
performing orchestra |
Serse: Largo, Solomon: Arrival of the Queen of Sheba |
| Anna Lelkes |
harp |
Aria, Passacaglia |
| Ann Murray (Irish mezzo-soprano) |
vocal |
Cantata: Lucrezia, Va tacito e nascosto ('Giulio Cesare in Egitto', Act 1) |
| Andrew Parrott |
conductor |
Israel in Egypt: Thou shalt bring them in, Messiah, HWV 56, [Part 2]: "Hallelujah" (Chorus) |
| Alexander Young (tenor) |
vocal |
Messiah: Comfort Ye, Messiah: Ev'ry Valley |
| Alan Loveday |
violin |
Concerto grosso in C minor, op. 6 no. 8, HWV 326, Concerto grosso in F major, op. 6 no. 9, HWV 327 |
| Kirsten Barry |
oboe da caccia |
Jephtha, HWV 70: Waft her, angels, through the Skies, Radamisto, HWV 12: Cavatina, Quando mai spietata sorte (Tell me, pitiless fate) |
| James Bowman (UK operatic countertenor) |
vocal |
Giulio Cesare: Deep within my bosom burning, The Choice of Hercules: Yet, can I hear that dulcet lay |
| Günter Kehr (conductor) |
conductor |
Concerto No. 2 In B-flat Major: IV. Minuet, Concerto No. 3 In G Major: I. Largo E Staccato - Allegro |
| Zoë Brown (soprano) |
vocal |
Belshazzar: ‘O sentence too severe’ (Burrows edition), Belshazzar: ‘O sentence too severe’ (Macfarren edition) |
| Hans Zanotelli (real person used as an Alfred Scholz pseudonym) |
conductor |
Concerto Grosso no. 2 in F major, op. 6: Allegro, ma non troppo, Concerto Grosso no. 2 in F major, op. 6: Andante larghetto |
| Государственный Симфонический Оркестр Министерства Культуры СССР |
performing orchestra |
Water Music: Suite no. 2 in D, Water Music: Suite no. 3 in G |
| Helmut Müller-Brühl |
conductor |
Serse: Largo, Solomon: Arrival of the Queen of Sheba |
| Monteverdi Orchestra |
performing orchestra |
Gloria Patri et Filio |
| Mormon Tabernacle Choir |
vocal |
Messiah: 4. And the glory of the Lord |
| Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) |
performing orchestra |
Arrival of The Queen of Sheba |
| John O'Donnell (Organist) |
organ |
Air in B flat major, HWV 470 |
| Nathalie Stutzmann |
vocal |
'Fammi combattere' from Handel's Orlando (Nathalie Stutzmann) |
| Gavyn Wright |
strings |
Handel's Sarabande |
| Joy Hall |
violoncello piccolo |
O Had I Jubal's Lyre, HWV64 |
| Neville Boyling (engineer) |
balance |
Hallelujah Chorus |
| New York City Opera Orchestra |
performing orchestra |
Giulio Cesare in Egitto, opera, HWV 17: Overture |
| New York Philharmonia Virtuosi |
performing orchestra |
Let the Bright Seraphim aus Samson |
| Freiburger Barockorchester |
performing orchestra |
Messiah, HWV 56: Part I, no. 2. Accompagnato "Comfort ye, my people, saith your God" |
| New York Trumpet Ensemble |
instrument |
The Water Music: Alla Hornpipe from Suite in D |
| Julius Rudel |
conductor |
Giulio Cesare in Egitto, opera, HWV 17: Overture |
| David Stanhope |
piano |
Tolomeo, re di Egitto, HWV 25: Non lo diro col labbro (Silent worship) |
| David Rowland |
harpsichord |
Alessandro: Overture (keyboard arrangement) |
| David Measham |
conductor |
Serse (Xerxes), HWV 40, Act I: Ombra mai fu |
| Francesco Strano (cellist) |
cello |
Concerto Grosso in B minor, op. 6 no. 12, HWV 330: Larghetto e piano |
| Ola Rudner |
conductor |
Water Music: Suite No. 1 in F major, HWV 348: VI. Air |
| Oliver von Dohnányi |
conductor |
Wassermusik-Suite Nr.1 F-Dur HWV348 - 5.Air |
| Orchestra dell’Accademia Nazionale di Santa Cecilia |
performing orchestra |
Allegro No.3 from 'Water Music Suite No.1' |
| Justino Díaz |
vocal |
Messiah: Why do the nations? |
| 101 Strings |
performing orchestra |
Hallelujah |
| Ingrid Kertesi |
performer |
Rinaldo, HWV 7, Act II, Scene IV: Lascia ch’ io pianga (Farinelli II Castrato) |
| I Musici |
performing orchestra |
Concerto Grosso in B minor, op. 6 no. 12, HWV 330: Larghetto e piano |
| Howard Oberg (Recorder player) |
recorder |
Water Music: Suite No. 3 in F major, HWV 350: V. Minuet I and II |
| Concerto Köln |
performing orchestra |
Giulio Cesare, Act 3, Scene 7: Recitative: ‘Voi, che mie fide ancelle’ / Aria: ‘Da tempeste’ |
| Colburn Orchestra |
performing orchestra |
Handel - Frondi tenere e belle ... Ombra mai fu |
| Claudio Buccarella |
violin |
Concerto Grosso in B minor, op. 6 no. 12, HWV 330: Larghetto e piano |
| Federico Agostini (violinist) |
violin |
Concerto Grosso in B minor, op. 6 no. 12, HWV 330: Larghetto e piano |
| Paul Isom (Organist) |
organ |
March From Occasional Oratorio |
| Chœur des Musiciens du Louvre |
vocal |
Hercules: Act II, Scene 8 "Love and Hymen, hand in hand" |
| Peter Dellheim (producer for RCA) |
producer |
Giulio Cesare in Egitto, opera, HWV 17: Overture |
| Peter Holman (conductor and musicologist) |
chamber organ |
Chaconne "two in one upon a ground" from Dioclesian |
| Christopher Keyte |
vocal |
Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen; peace, and liberty" (Eupolemus) |
| Iona Brown (violinist and director of the Academy of St Martin in the Fields) |
violin |
Concerto grosso in D minor, op. 6 no. 10, HWV 328 |
| Christopher Bishop (conductor/producer) |
producer |
Hallelujah Chorus |
| Ensemble Orchestral de Paris |
performer |
As steals the Morn upon the Night uit L'Allegro, il Penseroso ed il Moderato |
| Kobie van Rensburg |
vocal |
Messiah, HWV 56: Part I, no. 2. Accompagnato "Comfort ye, my people, saith your God" |
| Choir of Westminster Abbey |
vocal |
Zadok the Priest |
| Irmgard Knopf Mathiesen |
recorder |
Sonata in A minor for Recorder & Continuo, op. 1 no. 4: Larghetto / Allegro / Adagio / Allegro |
| Huddersfield Choral Society |
vocal |
Chorus: Worthy is the Lamb. Amen |
| Charlotte Alstrup |
viola |
Sonata in A minor for Recorder & Continuo, op. 1 no. 4: Larghetto / Allegro / Adagio / Allegro |
| L'ecole d'orphee |
instrument |
Sonata in G minor, HWV 360: I. Larghetto |
| English Symphony Orchestra |
performing orchestra |
Messiah: Overture (extract E) |
| Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) |
performing orchestra |
Water Music: Suite No. 1 in F major, HWV 348: VI. Air |
| English National Opera Orchestra |
performing orchestra |
Giulio Cesare: Deep within my bosom burning |
| English Chamber Choir |
vocal |
Le Messie : Alleluia |
| English Baroque Soloists |
performing orchestra |
Semele : Where'er you Walk |
| Lee Soper |
trumpet |
Let the Bright Seraphim aus Samson |
| Renée Fleming |
vocal |
Rinaldo/Act 2 - ''Lascia Ch'io Pianga'' |
| Reservistenmusikzug Niedersachsen |
performing orchestra |
Halleluja |
| Carolyn Watkinson |
vocal |
Rinaldo, Act 2:‘Cingetimi d’alloro’ |
| Jacob Horowitz (engineer) |
producer, recording |
Handel - Frondi tenere e belle ... Ombra mai fu |
| Camerata Budapest |
performing orchestra |
Rinaldo, HWV 7, Act II, Scene IV: Lascia ch’ io pianga (Farinelli II Castrato) |
| Richard Kapp (conductor) |
conductor |
Let the Bright Seraphim aus Samson |
| Les Musiciens du Louvre |
instrument |
Hercules: Act II, Scene 8 "Love and Hymen, hand in hand" |
| Richard P. Condie |
chorus master |
Messiah: 4. And the glory of the Lord |
| Elsie Morison |
vocal |
Messiah: no. 45, I Know That My Redeemer Liveth |
| Jaime Laredo (violinist & conductor) |
conductor |
Entry of the Queen of Sheba Act III of Sinfonia from "Solomon" |
| Budapester Bläserensemble |
performer |
Salomon: Arrival of the Queen of Sheba |
| Boston Baroque |
performing orchestra |
Water Music, Suite in F Major - Hornpipe |
| Huw Tregelles Williams (organist) |
organ |
O for the Wings of a Dove |
| Royal Philharmonic Chorus |
performing orchestra |
Le Messie : Alleluia |
| Bob Attiyeh (producer) |
engineer, producer |
Handel - Frondi tenere e belle ... Ombra mai fu |
| Bernhard Paumgartner |
conductor |
Concerto Grosso, op. 3 no. 3 in G major |
| Jamie Hey |
cello |
Radamisto, HWV 12: Cavatina, Quando mai spietata sorte (Tell me, pitiless fate) |
| Guy Noble (conductor) |
conductor |
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" |
| Salzburg Baroque Orchestra |
performing orchestra |
Concerto Grosso, op. 3 no. 3 in G major |
| Sara Macliver |
vocal |
Messiah, HWV 56: I know that my redeemer liveth |
| Sasha Cooke |
vocal |
Handel - Frondi tenere e belle ... Ombra mai fu |
| Scholars Baroque Ensemble |
performing orchestra |
The Messiah: Hallelujah |
| László Kovács |
conductor |
Rinaldo, HWV 7, Act II, Scene IV: Lascia ch’ io pianga (Farinelli II Castrato) |
| Mahan Esfahani |
harpsichord |
Chaconne in G major, HWV 435 |
| Bernard Keville (RCA recording engineer) |
recording |
Giulio Cesare in Egitto, opera, HWV 17: Overture |
| Bavarian Festival Orchestra Chorus |
vocal |
Hallelujah Chorus from "Messiah" |
| Bavarian Festival Orchestra |
performing orchestra |
Hallelujah Chorus from "Messiah" |
| Jean-François Paillard (French conductor) |
conductor |
Music For Royal Fireworks: Bourree |
| Sir Arthur Bliss |
conductor |
Arrival of the Queen of Sheba, From "Solomon" |
| Gregory K. Squires |
producer |
The Water Music: Alla Hornpipe from Suite in D |
| Sir Colin Davis |
conductor |
Messiah: And the Glory of the Lord |
| Maksim (Croatian pianist Maksim Mrvica) |
piano |
Handel's Sarabande |
| Jeff Wayne (musician) |
producer |
Handel's Sarabande |
| BBC National Chorus of Wales |
vocal |
O for the Wings of a Dove |
| Marc Aubort |
producer |
Overture from Music for the Royal Fireworks |
| Sir Thomas Beecham |
conductor |
Le Messie : Alleluia |
| Slava Grigoryan |
guitar |
Variations on a Theme by Handel |
| Slovenská filharmónia (Slovak Philharmonic, Bratislava) |
performing orchestra |
Wassermusik-Suite Nr.1 F-Dur HWV348 - 5.Air |
| Arturo Basile (Italian opera conductor) |
conductor |
Allegro No.3 from 'Water Music Suite No.1' |
| Marc Minkowski |
conductor |
Hercules: Act II, Scene 8 "Love and Hymen, hand in hand" |
| Stanisław Skrowaczewski |
conductor |
Overture from Music for the Royal Fireworks |
| Jeremy Summerly |
conductor |
Coronation Anthem: Zadok the Priest |
| Stephen Cleobury |
conductor |
Messiah : Part II. Chorus "Hallelujah!" |
| Stéphanie Révidat |
vocal |
Messiah, HWV 56: XXXVIII. Air (Soprano) "How Beautiful Are the Feet" |
| Marco Bianchi (violinist) |
performer |
Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Come nembo che fugge col vento” |
| Graham Pushee |
vocal |
Alcina, HWV 34: Verdi prati, selve amene (Green pastures and pleasant woods) |
| Sytse Buwalda |
vocal |
Arminio: Con quel sangue dipinta vedrai |
| Tallis Chamber Choir |
vocal |
Coronation Anthem: Zadok the Priest |
| Taverner Players |
performing orchestra |
Israel in Egypt: Thou shalt bring them in |
| Tenebrae (UK choir) |
vocal |
Messiah: And the Glory of the Lord |
| The Brandenburg Consort |
performing orchestra |
Messiah : Part II. Chorus "Hallelujah!" |
| Maria Teresa Garatti (keyboardist) |
harpsichord |
Concerto Grosso in B minor, op. 6 no. 12, HWV 330: Larghetto e piano |
| Joanna Nickrenz |
producer |
Overture from Music for the Royal Fireworks |
| Gotthold Schwarz |
vocal |
Saul: Act III, Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace… O holy Prophet, holy Prophet! (Samuel, Saul) |
| Eduardo López Banzo |
conductor |
Grand Concerto op. 6 no. 8 in C minor: I. Allemande |
| The Royal Academy Consort |
performing orchestra |
Coronation Anthem: Zadok the Priest |
| Marshall McGuire |
harp |
Harpsichord Suite No. 7 in G minor, HWV 432: Passacaille (arr. for harp) |
| Thomas Andreas |
conductor |
Halleluja |
| Thomas Hampson |
vocal |
Apollo e Dafne: "Mie piante correte" |
| Thomas Meraner |
performer |
Il trionfo del tiempo e del disinganno, HWV 46a: Oratorio “Come nembo che fugge col vento” |
| Andrew McGee (classical violinist) |
violin |
Concerto grosso in F major, op. 6 no. 2, HWV 320 |
| Timothy Wilson (Countertenor) |
vocal |
Israel in Egypt: Thou shalt bring them in |
| Alfred Deller |
vocal |
Messiah: He was despised |
| Gilbert Johnson |
trumpet |
Messiah: 48. The trumpet shall sound |
| Ulrik Cold |
vocal |
Rinaldo, Act l: ‘Goffredo, se t’arrise’ |
| Ulrike Andersen |
vocal |
Te Deum in D Major, HWV 283 "Dettingen": Vouchsafe, O Lord, to keep us this day |
| Ursula Holliger |
concert harp |
Harp Concerto in B-flat, op. 4 no. 6: Larghetto |
| Aled Jones |
vocal |
O for the Wings of a Dove |
| Alberto Lizzio (conductor, an Alfred Scholz pseudonym) |
conductor |
Arrival of The Queen of Sheba |
| John Hugh Thomas |
conductor |
O for the Wings of a Dove |
| West Australian Symphony Orchestra |
performing orchestra |
Serse (Xerxes), HWV 40, Act I: Ombra mai fu |
| Al Ayre Español |
performing orchestra |
Grand Concerto op. 6 no. 8 in C minor: I. Allemande |
| Martin Pearlman |
conductor |
Water Music, Suite in F Major - Hornpipe |
| Aksel H. Mathiesen |
harpsichord |
Sonata in A minor for Recorder & Continuo, op. 1 no. 4: Larghetto / Allegro / Adagio / Allegro |
| Worcester Cathedral Choir |
performer |
Le Messie - Alleluia |
| Yehuda Gilad (Professor of music, clarinettist, conductor) |
conductor |
Handel - Frondi tenere e belle ... Ombra mai fu |
| María Luisa Anido |
arranger, classical guitar |
Gavotte |
| E. Power Biggs |
organ |
Grand Entree aus Alceste |
| Yvonne Minton |
vocal |
Messiah: He was despised |
| George Weldon |
conductor |
Messiah: He was despised |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
vocal, organ |
Largo (from "Xerxes") |
| Donna Leon |
vocal |
Donna Leon redads from 'Acqua alta' |
| John Nelson (American conductor) |
conductor |
As steals the Morn upon the Night uit L'Allegro, il Penseroso ed il Moderato |
| Minnesota Orchestra |
performing orchestra |
Overture from Music for the Royal Fireworks |
| Crescent City Choral Festival Combined Choirs |
vocal |
Glory to God from The Messiah |