| Holger Busse (engineer) |
editor |
Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture |
| Mario Nozza (engineer) |
engineer |
Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture |
| Jean-Marie Geijsen |
balance |
Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture |
| Everett Porter |
engineer |
Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture |
| Sebastian Stein (classical producer/engineer) |
editor |
Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture |
| Isabella de Sabata |
producer |
Oberon, Act 1: Aria: Fatal Vow!, Oberon, Act 1: Aria: From Boyhood Trained, Oberon, Act 1: Finale: Haste, Gallant Knight, Oberon, Act 1: Narration: Huon Is Sure That His Vision…, Oberon, Act 1: Narration: In a Garden Full of Beautiful Flowers, Oberon, Act 1: Narration: Puck, Searching High and Low, Oberon, Act 1: Narration: So Knight and Squire Take Ship From France, Oberon, Act 1: Narration: The Vision Is Gone, Oberon, Act 1: Narration: Watching Over Oberon, His Sleeping Master, Oberon, Act 1: Oberon, Act 1: Ensemble: Honour and Joy, Oberon, Act 1: Trio: Light as Fairy Foot Can Fall, Oberon, Act 1: Vision: O Why Art Thou Sleeping, Sir Huon the Brave?, Oberon, Act 2: Arriette: A Lonely Arab Maid, Oberon, Act 2: Dance of the Bayaderes, Oberon, Act 2: Finale: And Hark, the Mermaids…oh Is Pleasant, Oberon, Act 2: Glory, Oberon, Act 2: Melodrama and Narration: Summoned by the Horn, Oberon, Act 2: Narration: Alas Poor Mortal, Oberon, Act 2: Narration: All Is Now Set Fair…, Oberon, Act 2: Narration: But the Lovers’ Troubles…, Oberon, Act 2: Narration: Huon Has Lost the Magic Horn, Oberon, Act 2: Narration: It Is the Wedding Day…, Oberon, Act 2: Narration: Oberon Orders Puck, Oberon, Act 2: Narration: On a Barren Island, Oberon, Act 2: Narration: Reiza Whispers Anxiously…, Oberon, Act 2: Narration: What Reiza Has Seen…, Oberon, Act 2: Narration: While Huon and Reiza Get Ready to Leave, Oberon, Act 2: Quartet: Over the Dark Blue Waters, Oberon, Act 2: Ruler of This Awful Hour, Oberon, Act 2: Scene & Arie: Ocean Thou Mighty Monster, Oberon, Act 2: Solo & Choir: Spirits of Air and Earth and Sea, Oberon, Act 3: Almanzor Is Rooted to the Spot…finale: Hark What Notes, Oberon, Act 3: Cavatine: Mourn Thou Poor Heart, Oberon, Act 3: Chorus & Ballet: For Thee Hath Beauty, Oberon, Act 3: Duet: On the Banks, Oberon, Act 3: Lied: O Araby Dear, Oberon, Act 3: March & Finale, Oberon, Act 3: Narration: Almanzor Is Bewitched, Oberon, Act 3: Narration: But There Is No Response…, Oberon, Act 3: Narration: Huon Tries to Break Free, Oberon, Act 3: Narration: Huon With True Heroism, Oberon, Act 3: Narration: Puck Has Magicked…, Oberon, Act 3: Narration: Rescued by Corsairs, Oberon, Act 3: Narration: Sherasimin Is Entranced, Oberon, Act 3: Narration: Suddenly the Curtains Part…, Oberon, Act 3: Rondo: I Revel in Hope, Oberon, Act 3: Terzettino: And I Must I Then, Oberon: Overture |
| Philharmonisches Orchester Hagen |
performing orchestra |
Silvana: Act 1: Das Hifthorn schallt (Huntsmen's Chorus), Silvana: Act 1: Der Satan hat die Jagd erfunden (Krips), Silvana: Act 1: Die beute kann uns nicht entfliehn (Huntsmen), Silvana: Act 1: Edler Graf, wir erwarten eure Befehle! (Fust), Silvana: Act 1: Ein Maedchen ohne Mangel (Krips), Silvana: Act 1: Geniesst, jedoch bescheiden (Rudolph), Silvana: Act 1: Halloh, halloh, halloh! (Hunters), Silvana: Act 1: Hier will ich verweilen (Count Rudolph), Silvana: Act 1: Liegt so ein Untier ausgestreckt (Krips), Silvana: Act 1: So geh'und fuhr'aus jener Hohle (Rudolph, Krips), Silvana: Act 1: So soll denn dieses Herz nie Liebe finden (Count Rudolph), Silvana: Act 1: Wenn ihm zu Mute ware (Krips), Silvana: Act 1: Willst du nicht diesen Aufenthalt (Rudolph), Silvana: Act 1: Wo mein Herr solange bleibt! (Krips), Silvana: Act 1: Zu Hilfe, zu Hilfe! (Krips), Silvana: Act 2: Ach, meine geliebte Mechthilde! (Albert), Silvana: Act 2: Alles ruhig (Kurt), Silvana: Act 2: Clara, alles ist verloren! (Mechthilde), Silvana: Act 2: Er geht, er hort mich nicht (Mechthilde), Silvana: Act 2: Hier ist ein Brief (Krips), Silvana: Act 2: Ich liebe dich! Darf ich dich fragen (Rudolph), Silvana: Act 2: Mechthilde! - Geliebte! (Albert, Mechthilde), Silvana: Act 2: Sah ich sonst ein Madchen (Krips), Silvana: Act 2: Silvana, willst du nicht hier bei mir (Rudolph), Silvana: Act 2: Triumph, Triumph dem Krieger (Chorus), Silvana: Act 2: Vater, hast du mich nicht gelehrt (Mechthilde), Silvana: Act 2: Wag' es mir zu widerstreben (Adelhart), Silvana: Act 2: Zwischenspiel, Silvana: Act 3: Das war ein verdammte Patsche (Kurt), Silvana: Act 3: Fackeltanz, Silvana: Act 3: Mit dem Liebesgott im Bunde (Chorus), Silvana: Act 3: Nieder mit ihr! raubt ihr das Leben! (Adelhart), Silvana: Act 3: Presto, Silvana: Act 3: Rudolph, Euer Wort habt ihr gegeben (Adelhart), Silvana: Act 3: Tanz der Edelknaben, Silvana: Act 3: Welch schrecklich Los fiel mir (Adelhart), Silvana: Act 3: Wer bist du, und wie konntest du (Adelhart), Silvana: Act 3: Wie furchtbar die Wolken (Albert And His Followers), Silvana: Ouverture |
| Gerhard Markson |
conductor |
Silvana: Act 1: Das Hifthorn schallt (Huntsmen's Chorus), Silvana: Act 1: Der Satan hat die Jagd erfunden (Krips), Silvana: Act 1: Die beute kann uns nicht entfliehn (Huntsmen), Silvana: Act 1: Edler Graf, wir erwarten eure Befehle! (Fust), Silvana: Act 1: Ein Maedchen ohne Mangel (Krips), Silvana: Act 1: Geniesst, jedoch bescheiden (Rudolph), Silvana: Act 1: Halloh, halloh, halloh! (Hunters), Silvana: Act 1: Hier will ich verweilen (Count Rudolph), Silvana: Act 1: Liegt so ein Untier ausgestreckt (Krips), Silvana: Act 1: So geh'und fuhr'aus jener Hohle (Rudolph, Krips), Silvana: Act 1: So soll denn dieses Herz nie Liebe finden (Count Rudolph), Silvana: Act 1: Wenn ihm zu Mute ware (Krips), Silvana: Act 1: Willst du nicht diesen Aufenthalt (Rudolph), Silvana: Act 1: Wo mein Herr solange bleibt! (Krips), Silvana: Act 1: Zu Hilfe, zu Hilfe! (Krips), Silvana: Act 2: Ach, meine geliebte Mechthilde! (Albert), Silvana: Act 2: Alles ruhig (Kurt), Silvana: Act 2: Clara, alles ist verloren! (Mechthilde), Silvana: Act 2: Er geht, er hort mich nicht (Mechthilde), Silvana: Act 2: Hier ist ein Brief (Krips), Silvana: Act 2: Ich liebe dich! Darf ich dich fragen (Rudolph), Silvana: Act 2: Mechthilde! - Geliebte! (Albert, Mechthilde), Silvana: Act 2: Sah ich sonst ein Madchen (Krips), Silvana: Act 2: Silvana, willst du nicht hier bei mir (Rudolph), Silvana: Act 2: Triumph, Triumph dem Krieger (Chorus), Silvana: Act 2: Vater, hast du mich nicht gelehrt (Mechthilde), Silvana: Act 2: Wag' es mir zu widerstreben (Adelhart), Silvana: Act 2: Zwischenspiel, Silvana: Act 3: Das war ein verdammte Patsche (Kurt), Silvana: Act 3: Fackeltanz, Silvana: Act 3: Mit dem Liebesgott im Bunde (Chorus), Silvana: Act 3: Nieder mit ihr! raubt ihr das Leben! (Adelhart), Silvana: Act 3: Presto, Silvana: Act 3: Rudolph, Euer Wort habt ihr gegeben (Adelhart), Silvana: Act 3: Tanz der Edelknaben, Silvana: Act 3: Welch schrecklich Los fiel mir (Adelhart), Silvana: Act 3: Wer bist du, und wie konntest du (Adelhart), Silvana: Act 3: Wie furchtbar die Wolken (Albert And His Followers), Silvana: Ouverture |
| Staatskapelle Dresden |
performing orchestra |
Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73: II. Adagio ma no troppo, Clarinet Concerto no. 1 in F minor, op. 73: III. Rondo: Allegretto, Clarinet Concerto no. 2 in E-flat major, op. 74: I. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74: II. Romanza: Andante, Clarinet Concerto no. 2 in E-flat major, op. 74: III. Alla polacca, Der Freischütz - Overture, Der Freischütz: "Durch die Wälder, durch die Auen" - Act 1.4. "Nein, länger trag' ich nicht die Quälen", Der Freischütz: "Leise, leise, fromme Weise!" - Act 2.2. "Wie nahte mir der Schlummer", Der Freischütz: "Schau der Herr mich an als König!" - Act 1.1. "Viktoria! Viktoria! ..." - Bauern-Marsch, Der Freischütz: 1. "Schelm! Halt fest!" - Act 2.1, Der Freischütz: 2. "Das Wild in Fluren und Triften" - Act 1.2, Der Freischütz: 2. "Hier im irdschen Jammertal" - Act 1.5, Der Freischütz: 2. "Wie? Was? Entzetzen!" - Act 2.3, Der Freischütz: 2. Walzer - Act 1.3, Der Freischütz: 3. "Kommt ein schlanker Bursch gegangen" - Act 2.1, Der Freischütz: No.10 Finale: Milch des Mondes fiel aufs Kraut ! - Vierter Auftritt, Der Freischütz: No.11: Entr'acte, Der Freischütz: No.12 Kavatine: Und ob die Wolke sie verhülle - Zweiter Auftritt, Der Freischütz: No.13 Romanze, Einst traïmte meiner sel'gen Base..., Der Freischütz: No.14 Volkslied: Wir winden dir den Jungfernkranz - Vierter Auftritt, Der Freischütz: No.15 Jägerchor: Was gleicht wohl auf Erden - Sechster Auftritt, Der Freischütz: No.16 Finale: Schaut, o schaut ! Er traf die eig'ne Braut !, Der Freischütz: Overture, Der Freischütz: Was gleicht wohl auf Erden (Jägerchor), Der Freischütz: damit dich niemand warnt!" - Act 1.6. "Schweig, Euryanthe: "Glöcklein im Tale" (Euryanthe), Euryanthe: "Hin nimm die Seele mein" (Euryanthe, Adolar), Horn Concertino in E-moll, Op. 45, J. 188, Klarinettenkonzert Nr. 2: II. Romanze |
| Berliner Philharmoniker |
performer, performing orchestra |
Aufforderung zum Tanz, Op. 65, Clarinet Concerto No.1 in F minor, Op.73 - 1. Allegro - Cadenza: Heinrich Joseph Baermann, Clarinet Concerto No.1 in F minor, Op.73 - 2. Adagio ma non troppo, Clarinet Concerto No.1 in F minor, Op.73 - 3. Rondo (Allegretto) - Cadenza: Heinrich Joseph Baermann, Der Freischütz: Akt I. Aria "Schweig, schweig, damit dich niemand warnt" [Kaspar], Der Freischütz: Akt I. Intoduzione "Viktoria, Viktoria, der Meister soll leben" [Chor, Kilian], Der Freischütz: Akt I. Lied "Hier im ird'schen Jammertal" [Kaspar, Max], Der Freischütz: Akt I. Terzetto con Coro "O, diese Sonne" [Max, Kuno, Kaspar, Chor], Der Freischütz: Akt I. Walzer ed Aria "Nein, nicht länger" "Durch die Wälder" [Max], Der Freischütz: Akt II. Arietta "Kommt ein schlanker Bursch gegangen" [Ännchen], Der Freischütz: Akt II. Duetto "Schelm! Halt fest!" [Ännchen, Agathe], Der Freischütz: Akt II. Finale Die Wolfsschlucht "Milch des Mondes fiel aufs Kraut" [Chor, Kaspar, Samiel, Max], Der Freischütz: Akt II. Scena ed Aria "Wie nahte mir der Schlummer" "Leise, leise" [Agathe], Der Freischütz: Akt II. Terzetto "Wie? was? Entsetzen!" [Agathe, Ännchen, Max], Der Freischütz: Akt III. Cavatina "Und ob die Wolke sie verhülle" [Agathe], Der Freischütz: Akt III. Entre-Act - Dialog "Gut, daß wir allein sind" [Max Kaspar], Der Freischütz: Akt III. Finale "Schaut, o schaut!" [Chor, Agathe, Ännchen, Max, Kuno, Kaspar, Ottokar, Hermit], Der Freischütz: Akt III. Jägerchor "Was gleicht wohl auf Erden" [Chor], Der Freischütz: Akt III. Romanza ed Aria "Einst träumte meiner sel'gen Base" [Ännchen], Der Freischütz: Akt III. Volkslied "Horch, da kommen" - "Wir winden dir den Jungfernkranz" [Brautjungfern, Chor], Der Freischütz: Ouvertura, Der Freischütz: Wolf's glen scene, "Milch des Mondes fiel aufs Kraut!", Euryanthe: Overture |
| Carlos Kleiber |
conductor |
Der Freischütz: "Durch die Wälder, durch die Auen" - Act 1.4. "Nein, länger trag' ich nicht die Quälen", Der Freischütz: "Leise, leise, fromme Weise!" - Act 2.2. "Wie nahte mir der Schlummer", Der Freischütz: "Schau der Herr mich an als König!" - Act 1.1. "Viktoria! Viktoria! ..." - Bauern-Marsch, Der Freischütz: 1. "Schelm! Halt fest!" - Act 2.1, Der Freischütz: 2. "Das Wild in Fluren und Triften" - Act 1.2, Der Freischütz: 2. "Hier im irdschen Jammertal" - Act 1.5, Der Freischütz: 2. "Wie? Was? Entzetzen!" - Act 2.3, Der Freischütz: 2. Walzer - Act 1.3, Der Freischütz: 3. "Kommt ein schlanker Bursch gegangen" - Act 2.1, Der Freischütz: No.10 Finale: Milch des Mondes fiel aufs Kraut ! - Vierter Auftritt, Der Freischütz: No.11: Entr'acte, Der Freischütz: No.12 Kavatine: Und ob die Wolke sie verhülle - Zweiter Auftritt, Der Freischütz: No.13 Romanze, Einst traïmte meiner sel'gen Base..., Der Freischütz: No.14 Volkslied: Wir winden dir den Jungfernkranz - Vierter Auftritt, Der Freischütz: No.15 Jägerchor: Was gleicht wohl auf Erden - Sechster Auftritt, Der Freischütz: No.16 Finale: Schaut, o schaut ! Er traf die eig'ne Braut !, Der Freischütz: Was gleicht wohl auf Erden (Jägerchor), Der Freischütz: damit dich niemand warnt!" - Act 1.6. "Schweig |
| Nikolaus Harnoncourt |
conductor |
Aufforderung zum Tanz (Rondo brillant) op. 65, Invitation to the Dance, Der Freischütz: Akt I. Aria "Schweig, schweig, damit dich niemand warnt" [Kaspar], Der Freischütz: Akt I. Intoduzione "Viktoria, Viktoria, der Meister soll leben" [Chor, Kilian], Der Freischütz: Akt I. Lied "Hier im ird'schen Jammertal" [Kaspar, Max], Der Freischütz: Akt I. Terzetto con Coro "O, diese Sonne" [Max, Kuno, Kaspar, Chor], Der Freischütz: Akt I. Walzer ed Aria "Nein, nicht länger" "Durch die Wälder" [Max], Der Freischütz: Akt II. Arietta "Kommt ein schlanker Bursch gegangen" [Ännchen], Der Freischütz: Akt II. Duetto "Schelm! Halt fest!" [Ännchen, Agathe], Der Freischütz: Akt II. Finale Die Wolfsschlucht "Milch des Mondes fiel aufs Kraut" [Chor, Kaspar, Samiel, Max], Der Freischütz: Akt II. Scena ed Aria "Wie nahte mir der Schlummer" "Leise, leise" [Agathe], Der Freischütz: Akt II. Terzetto "Wie? was? Entsetzen!" [Agathe, Ännchen, Max], Der Freischütz: Akt III. Cavatina "Und ob die Wolke sie verhülle" [Agathe], Der Freischütz: Akt III. Entre-Act - Dialog "Gut, daß wir allein sind" [Max Kaspar], Der Freischütz: Akt III. Finale "Schaut, o schaut!" [Chor, Agathe, Ännchen, Max, Kuno, Kaspar, Ottokar, Hermit], Der Freischütz: Akt III. Jägerchor "Was gleicht wohl auf Erden" [Chor], Der Freischütz: Akt III. Romanza ed Aria "Einst träumte meiner sel'gen Base" [Ännchen], Der Freischütz: Akt III. Volkslied "Horch, da kommen" - "Wir winden dir den Jungfernkranz" [Brautjungfern, Chor], Der Freischütz: Ouvertura |
| Bamberger Symphoniker |
performing orchestra |
Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: I. Adagio ma non troppo, Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: II. Andante – Poco più vivo, Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: III. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio ma non troppo, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo: Allegro, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: I. Allegro, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: II. Romanza: Andante, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: III. Alla Polacca, Oberon: Arabien, mein Heimatland, Oberon: Arabiens einsam' Kind, Oberon: Ozean! Du Ungeheuer, Oberon: Von Jugend auf schon Kampfgefild, Oberon: Über die blauen Wogen, Quintett für Klarinette, zwei Violinen, Viola und Violoncello in B-Dur, Op. 34: Allegro (Bamberger Solisten) |
| Sharon Kam |
clarinet |
Clarinet Concerto No. 1 in F Minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio, ma non troppo, Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - Allegretto, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: I. Allegro, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: II. Romanza - Andante, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: III. Alla Polacca, Grand Duo Concertant, Op. 48: I. Allegro con fuoco, Grand Duo Concertant, Op. 48: II. Andante con moto, Grand Duo Concertant, Op. 48: III. Rondo - Allegro, Quintet for Clarinet and String Quartet in B-flat major, op. 34: I. Allegro, Quintet for Clarinet and String Quartet in B-flat major, op. 34: II. Fantasia. Adagio ma non troppo, Quintet for Clarinet and String Quartet in B-flat major, op. 34: III. Menuetto. Capriccio presto, Quintet for Clarinet and String Quartet in B-flat major, op. 34: IV. Rondo. Allegro giocoso |
| Scottish Chamber Orchestra |
performing orchestra |
Bassoon Concerto in F major, op. 75, J. 127: I. Allegro ma non troppo, Bassoon Concerto in F major, op. 75, J. 127: II. Adagio, Bassoon Concerto in F major, op. 75, J. 127: III. Rondo - Allegro, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: II. Adagio ma non troppo, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: III. Rondo Allegretto, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: I Adagio ma non troppo, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: II. Andante, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: III. Allegro, Horn Concertino in E minor, op. 45, J. 188: I. Adagio, Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto, Horn Concertino in E minor, op. 45, J. 188: III. Polacca |
| Alexander Janiczek |
violin |
Bassoon Concerto in F major, op. 75, J. 127: I. Allegro ma non troppo, Bassoon Concerto in F major, op. 75, J. 127: II. Adagio, Bassoon Concerto in F major, op. 75, J. 127: III. Rondo - Allegro, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: II. Adagio ma non troppo, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: III. Rondo Allegretto, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: I Adagio ma non troppo, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: II. Andante, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: III. Allegro, Horn Concertino in E minor, op. 45, J. 188: I. Adagio, Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto, Horn Concertino in E minor, op. 45, J. 188: III. Polacca |
| Rafael Kubelík |
conductor |
Clarinet Concerto No.1 in F minor, Op.73 - 1. Allegro - Cadenza: Heinrich Joseph Baermann, Clarinet Concerto No.1 in F minor, Op.73 - 2. Adagio ma non troppo, Clarinet Concerto No.1 in F minor, Op.73 - 3. Rondo (Allegretto) - Cadenza: Heinrich Joseph Baermann, Der Freischütz - Overture, Der Freischütz: Ouvertüre, Oberon - Ouvertüre, Oberon: Vater, hör' mich flehn zu dir!, Overture "Jubel", Overture Euryanthe, Overture Preciosa |
| Karl-Heinz Steffens |
clarinet |
Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: I. Adagio ma non troppo, Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: II. Andante – Poco più vivo, Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: III. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio ma non troppo, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo: Allegro, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: I. Allegro, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: II. Romanza: Andante, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: III. Alla Polacca |
| Radoslaw Szulc |
conductor |
Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: I. Adagio ma non troppo, Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: II. Andante – Poco più vivo, Concertino for Clarinet and Orchestra in C minor / E flat major, op. 26: III. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio ma non troppo, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo: Allegro, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: I. Allegro, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: II. Romanza: Andante, Concerto for Clarinet and Orchestra no. 2 in E flat major, op. 74: III. Alla Polacca |
| Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) |
performing orchestra |
Concertino for Clarinet and Orchestra in E-flat, op. 26: I. Adagio, ma non troppo, Concertino for Clarinet and Orchestra in E-flat, op. 26: II. Tema con Variazioni (Andante), Concertino for Clarinet and Orchestra in E-flat, op. 26: III. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: III. Rondo (Allegretto), Der Freischütz, J. 277 (Op. 77): Act II. "Wie nahte mir der Schlummer" - "Leise, leise fromme Weise!", Oberon : Ocean! Thou mighty monster |
| Symphonieorchester des Bayerischen Rundfunks |
performing orchestra |
Der Freischütz - Overture, Der Freischütz: Ouvertüre, Oberon - Act 2 Scene 3, The Mermaids Song, Oberon - Ouvertüre, Oberon: Vater, hör' mich flehn zu dir!, Overture "Jubel", Overture Euryanthe, Overture Preciosa |
| Royal Philharmonic Orchestra |
performing orchestra |
Concertino for Clarinet & Orchestra in C minor and E-flat major, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: II. Andante con moto, Concerto in E-flat major: III. Alla polacca, Concerto in F minor: I. Adagio ma non troppo, Concerto in F minor: I. Allegro, Concerto in F minor: III. Rondo: Allegro, Invitation to the Dance |
| Paul Meyer (clarinetist) |
clarinet |
Concertino for Clarinet & Orchestra in C minor and E-flat major, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: II. Andante con moto, Concerto in E-flat major: III. Alla polacca, Concerto in F minor: I. Adagio ma non troppo, Concerto in F minor: I. Allegro, Concerto in F minor: III. Rondo: Allegro |
| James Conlon |
conductor |
Concertino for Clarinet and Orchestra in E-flat major, op. 26, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo - allegretto, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: I. Allegro, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: II. Andante con moto, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: III. Alla polacca |
| Günther Herbig (German conductor) |
conductor |
Concertino for Clarinet & Orchestra in C minor and E-flat major, Concerto in E-flat major: I. Allegro, Concerto in E-flat major: II. Andante con moto, Concerto in E-flat major: III. Alla polacca, Concerto in F minor: I. Adagio ma non troppo, Concerto in F minor: I. Allegro, Concerto in F minor: III. Rondo: Allegro |
| Rafael Frühbeck de Burgos |
conductor |
Concertino for Clarinet and Orchestra in E-flat, op. 26: I. Adagio, ma non troppo, Concertino for Clarinet and Orchestra in E-flat, op. 26: II. Tema con Variazioni (Andante), Concertino for Clarinet and Orchestra in E-flat, op. 26: III. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: III. Rondo (Allegretto), Der Freischütz: Jägerchor |
| Walter Boeykens |
clarinet |
Concertino for Clarinet and Orchestra in E-flat major, op. 26, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo - allegretto, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: I. Allegro, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: II. Andante con moto, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: III. Alla polacca |
| Rotterdams Philharmonisch Orkest |
performing orchestra |
Concertino for Clarinet and Orchestra in E-flat major, op. 26, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: III. Rondo - allegretto, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: I. Allegro, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: II. Andante con moto, Concerto for Clarinet and Orchestra no. 2 in E-flat major, op. 74: III. Alla polacca |
| Gewandhausorchester Leipzig |
performing orchestra |
Clarinet Concerto No. 1 in F Minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio, ma non troppo, Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - Allegretto, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: I. Allegro, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: II. Romanza - Andante, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: III. Alla Polacca |
| Maximiliano Martin |
clarinet |
Clarinet Concerto no. 1 in F minor, op. 73, J. 114: I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: II. Adagio ma non troppo, Clarinet Concerto no. 1 in F minor, op. 73, J. 114: III. Rondo Allegretto, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: I Adagio ma non troppo, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: II. Andante, Concertino for Clarinet & Orchestra in C minor / E-flat major, op. 26, J. 109: III. Allegro |
| MDR Rundfunkchor Leipzig |
vocal |
Der Freischütz: "Schau der Herr mich an als König!" - Act 1.1. "Viktoria! Viktoria! ..." - Bauern-Marsch, Der Freischütz: 2. "Das Wild in Fluren und Triften" - Act 1.2, Der Freischütz: No.10 Finale: Milch des Mondes fiel aufs Kraut ! - Vierter Auftritt, Der Freischütz: No.14 Volkslied: Wir winden dir den Jungfernkranz - Vierter Auftritt, Der Freischütz: No.16 Finale: Schaut, o schaut ! Er traf die eig'ne Braut !, Der Freischütz: Was gleicht wohl auf Erden (Jägerchor) |
| Oskar Michallik |
clarinet |
Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73: II. Adagio ma no troppo, Clarinet Concerto no. 1 in F minor, op. 73: III. Rondo: Allegretto, Clarinet Concerto no. 2 in E-flat major, op. 74: I. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74: II. Romanza: Andante, Clarinet Concerto no. 2 in E-flat major, op. 74: III. Alla polacca |
| Kurt Masur |
conductor |
Clarinet Concerto No. 1 in F Minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio, ma non troppo, Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo - Allegretto, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: I. Allegro, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: II. Romanza - Andante, Clarinet Concerto No. 2 in E-Flat Major, Op. 74: III. Alla Polacca |
| Kurt Sanderling |
conductor |
Clarinet Concerto no. 1 in F minor, op. 73: I. Allegro, Clarinet Concerto no. 1 in F minor, op. 73: II. Adagio ma no troppo, Clarinet Concerto no. 1 in F minor, op. 73: III. Rondo: Allegretto, Clarinet Concerto no. 2 in E-flat major, op. 74: I. Allegro, Clarinet Concerto no. 2 in E-flat major, op. 74: II. Romanza: Andante, Clarinet Concerto no. 2 in E-flat major, op. 74: III. Alla polacca |
| Gervase de Peyer (clarinetist) |
clarinet |
Concertino for Clarinet and Orchestra in E-flat, op. 26: I. Adagio, ma non troppo, Concertino for Clarinet and Orchestra in E-flat, op. 26: II. Tema con Variazioni (Andante), Concertino for Clarinet and Orchestra in E-flat, op. 26: III. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: I. Allegro, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: II. Adagio, ma non troppo, Concerto for Clarinet and Orchestra No. 1 in F minor, op. 73: III. Rondo (Allegretto) |
| Sabine Meyer |
clarinet |
Clarinet Concerto in B-flat: Rondo, Concertino für Klarinette und Orchester Es-dur op.26: I., Concertino für Klarinette und Orchester Es-dur op.26: II., Concertino für Klarinette und Orchester Es-dur op.26: III., Klarinettenkonzert Nr. 2: II. Romanze |
| Wilhelm Schüchter |
conductor |
Oberon: Arabien, mein Heimatland, Oberon: Arabiens einsam' Kind, Oberon: Ozean! Du Ungeheuer, Oberon: Von Jugend auf schon Kampfgefild, Oberon: Über die blauen Wogen |
| Radio-Symphonieorchester Wien (previously ORF-Symphonieorchester) |
performing orchestra |
Ouvertüre der Schauspielmusik zu "Turandot" (ORF-Symphonieorchester feat. conductor: Karl Ettl), Symphony No.1 in C: Allegro con Fuoco, Symphony No.1 in C: Andante, Symphony No.1 in C: Finale: Presto, Symphony No.1 in C: Scherzo: Presto |
| Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) |
performing orchestra |
Der Freischütz: Overture, Der Freischütz: The Huntsmen's Chorus, Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Adagio ma non troppo (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad), Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Allegro (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad), Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Rondo: Allegretto (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad) |
| Alfred Bürkner (clarinettist) |
clarinet |
Clarinet Quintet in B flat, Opus 34: 1. Allegro, Clarinet Quintet in B flat, Opus 34: 2. Fantasia (Adagio ma non troppo), Clarinet Quintet in B flat, Opus 34: 3. Menuetto (Capriccio. Presto), Clarinet Quintet in B flat, Opus 34: 4. Rondo (Allegro giocoso) |
| Plácido Domingo |
vocal |
Oberon, J. 306: Act I, Scene I. Ensemble "Ehre und Heil dem, der treu ist" (Fairy choir, Hüon, Oberon, Elf choir), Oberon, J. 306: Act I, Scene II. Aria "Von Jugend auf in dem Kampfgefild'" (Hüon), Oberon, J. 306: Act II, Scene II. Quartet "Über die blauen Wogen" (Hüon, Scherasmin, Rezia, Fatime), Oberon: Vater, hör' mich flehn zu dir! |
| Gregor Bühl (conductor) |
conductor |
Quintet for Clarinet and String Quartet in B-flat major, op. 34: I. Allegro, Quintet for Clarinet and String Quartet in B-flat major, op. 34: II. Fantasia. Adagio ma non troppo, Quintet for Clarinet and String Quartet in B-flat major, op. 34: III. Menuetto. Capriccio presto, Quintet for Clarinet and String Quartet in B-flat major, op. 34: IV. Rondo. Allegro giocoso |
| String Quartet of Radio Munich |
strings |
Clarinet Quintet in B flat, Opus 34: 1. Allegro, Clarinet Quintet in B flat, Opus 34: 2. Fantasia (Adagio ma non troppo), Clarinet Quintet in B flat, Opus 34: 3. Menuetto (Capriccio. Presto), Clarinet Quintet in B flat, Opus 34: 4. Rondo (Allegro giocoso) |
| Carl Ettl |
conductor |
Symphony No.1 in C: Allegro con Fuoco, Symphony No.1 in C: Andante, Symphony No.1 in C: Finale: Presto, Symphony No.1 in C: Scherzo: Presto |
| Benny Goodman (clarinetist and bandleader) |
clarinet |
Quintett B-dur für klarinette und Streichquartett, Op. 34: I. Allegro, Quintett B-dur für klarinette und Streichquartett, Op. 34: II. Fantasia: Adagio ma non troppo, Quintett B-dur für klarinette und Streichquartett, Op. 34: III. Menuetto: Capriccio presto, Quintett B-dur für klarinette und Streichquartett, Op. 34: IV. Rondo: Allegro giocoso |
| Sinfonia Varsovia |
instrument |
Quintet for Clarinet and String Quartet in B-flat major, op. 34: I. Allegro, Quintet for Clarinet and String Quartet in B-flat major, op. 34: II. Fantasia. Adagio ma non troppo, Quintet for Clarinet and String Quartet in B-flat major, op. 34: III. Menuetto. Capriccio presto, Quintet for Clarinet and String Quartet in B-flat major, op. 34: IV. Rondo. Allegro giocoso |
| Emma Johnson (UK clarinettist) |
clarinet |
Clarinet Concerto No. 1 in F minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F minor, Op. 73: II. Adagio ma non troppo, Clarinet Concerto No. 1 in F minor, Op. 73: III. Rondo (Allegretto) |
| English Chamber Orchestra |
performing orchestra |
Clarinet Concerto No. 1 in F minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F minor, Op. 73: II. Adagio ma non troppo, Clarinet Concerto No. 1 in F minor, Op. 73: III. Rondo (Allegretto) |
| Samo Hubad |
conductor |
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Adagio ma non troppo (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad), Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Allegro (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad), Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Rondo: Allegretto (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad) |
| Karl Leister |
clarinet |
Clarinet Concerto No.1 in F minor, Op.73 - 1. Allegro - Cadenza: Heinrich Joseph Baermann, Clarinet Concerto No.1 in F minor, Op.73 - 2. Adagio ma non troppo, Clarinet Concerto No.1 in F minor, Op.73 - 3. Rondo (Allegretto) - Cadenza: Heinrich Joseph Baermann |
| Peter Whelan (bassoonist) |
bassoon |
Bassoon Concerto in F major, op. 75, J. 127: I. Allegro ma non troppo, Bassoon Concerto in F major, op. 75, J. 127: II. Adagio, Bassoon Concerto in F major, op. 75, J. 127: III. Rondo - Allegro |
| Gustav Görlich |
conductor |
Concerto for Piano and Orchestra in C major, Opus 11: 1. Allegro, Concerto for Piano and Orchestra in C major, Opus 11: 2. Adagio, Concerto for Piano and Orchestra in C major, Opus 11: 3. Finale – Presto |
| Bamberger Solisten (Alfred Scholz pick-up group?) |
performer |
Quintett für Klarinette, zwei Violinen, Viola und Violoncello in B-Dur, Op. 34: Fantasia: Adagio (Bamberger Solisten), Quintett für Klarinette, zwei Violinen, Viola und Violoncello in B-Dur, Op. 34: Menuett: Presto (Bamberger Solisten), Quintett für Klarinette, zwei Violinen, Viola und Violoncello in B-Dur, Op. 34: Rondo: Allegro giocoso (Bamberger Solisten) |
| Hetty Plümacher |
vocal |
Oberon: Arabien, mein Heimatland, Oberon: Arabiens einsam' Kind, Oberon: Über die blauen Wogen |
| Alec Frank-Gemmill |
horn |
Horn Concertino in E minor, op. 45, J. 188: I. Adagio, Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto, Horn Concertino in E minor, op. 45, J. 188: III. Polacca |
| Ludwig Schmidmeier (pianist) |
piano |
Concerto for Piano and Orchestra in C major, Opus 11: 1. Allegro, Concerto for Piano and Orchestra in C major, Opus 11: 2. Adagio, Concerto for Piano and Orchestra in C major, Opus 11: 3. Finale – Presto |
| Alojz Zupan |
clarinet |
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Adagio ma non troppo (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad), Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Allegro (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad), Konzert für Klarinette und Orchester Nr. 1 in f-Moll, Op. 73: Rondo: Allegretto (Radiosymphonieorchester Ljubljana feat. conductor: Samo Hubad) |
| Itamar Golan |
piano |
Grand Duo Concertant, Op. 48: I. Allegro con fuoco, Grand Duo Concertant, Op. 48: II. Andante con moto, Grand Duo Concertant, Op. 48: III. Rondo - Allegro |
| Münchner Rundfunkorchester |
instrument |
Concerto for Piano and Orchestra in C major, Opus 11: 1. Allegro, Concerto for Piano and Orchestra in C major, Opus 11: 2. Adagio, Concerto for Piano and Orchestra in C major, Opus 11: 3. Finale – Presto |
| Yan Pascal Tortelier |
conductor |
Clarinet Concerto No. 1 in F minor, Op. 73: I. Allegro, Clarinet Concerto No. 1 in F minor, Op. 73: II. Adagio ma non troppo, Clarinet Concerto No. 1 in F minor, Op. 73: III. Rondo (Allegretto) |
| Jess Thomas |
vocal |
Oberon: Von Jugend auf schon Kampfgefild, Oberon: Über die blauen Wogen |
| Marek Janowski (conductor) |
conductor |
Euryanthe: "Glöcklein im Tale" (Euryanthe), Euryanthe: "Hin nimm die Seele mein" (Euryanthe, Adolar) |
| Jessye Norman |
vocal |
Euryanthe: "Glöcklein im Tale" (Euryanthe), Euryanthe: "Hin nimm die Seele mein" (Euryanthe, Adolar) |
| Ingrid Kristine Bjoner Pierpoint |
vocal |
Oberon: Ozean! Du Ungeheuer, Oberon: Über die blauen Wogen |
| Minnesota Orchestra |
performing orchestra |
Der Freischütz: Overture, Part 1, Der Freischütz: Overture, Part 2 |
| Academy of St Martin in the Fields |
performing orchestra |
Aufforderung zum Tanz op. 65, Clarinet Concerto in B-flat: Rondo |
| New York Philharmonic |
performing orchestra |
Invitation to the Dance, Op. 65 (transcribed by Berlioz), Oberon (Overture) |
| Henri Verbrugghen |
conductor |
Der Freischütz: Overture, Part 1, Der Freischütz: Overture, Part 2 |
| Donald Grobe |
performer |
Oberon, J. 306: Act I, Scene I. Aria "Schreckensschwur! - Dein wildes Quälen" (Oberon), Oberon, J. 306: Act I, Scene I. Ensemble "Ehre und Heil dem, der treu ist" (Fairy choir, Hüon, Oberon, Elf choir) |
| Wiener Philharmoniker |
performing orchestra |
Aufforderung zum Tanz (Rondo brillant) op. 65, Invitation to the Dance, Aufforderung zum Tanz, op. 65 |
| London Philharmonic Orchestra |
performing orchestra |
Der Freischutz: Overture, From Euranthe: Lysiart's Aria, "What Refuge Here?" |
| Wolfgang Sawallisch |
conductor |
Der Freischutz Overture, Oberon |
| Gustav Kuhn (Austrian conductor, stage director) |
conductor |
Der Freischütz - Overture, Der Freischütz: Overture |
| 松尾早人 |
arranger |
魔弾の射手 Nr.2 Terzett mit Chor, 魔弾の射手 Nr.9 Terzett |
| Gerald Finley |
vocal |
From Euranthe: Lysiart's Aria, "What Refuge Here?" |
| Leonard Bernstein |
conductor |
Oberon (Overture) |
| Alan Turner |
cello |
Invitation to the Dance |
| Loic Bertrand |
conductor |
Euryathne |
| Antonio Tonini |
conductor |
Oberon : Ocean! Thou mighty monster |
| London Symphony Orchestra |
performing orchestra |
Der Freischütz Overture |
| Lotte Lehmann |
vocal |
Oberon: "Ozean, du Ungeheuer" |
| Gerhard Wilhelm |
conductor |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| L’Orchestre de la Suisse Romande |
performing orchestra |
Der Freischütz: Ouverture |
| Birgit Nilsson |
vocal |
Der Freischütz, J. 277 (Op. 77): Act II. "Wie nahte mir der Schlummer" - "Leise, leise fromme Weise!" |
| MDR Sinfonieorchester |
performing orchestra |
Quintet for Clarinet and String Quartet in B-flat major, op. 34: IV. Rondo. Allegro giocoso |
| Bournemouth Symphony Orchestra |
performing orchestra |
Invitation to the Dance |
| Maria Callas |
vocal |
Oberon : Ocean! Thou mighty monster |
| Arleen Augér |
vocal |
Oberon - Act 2 Scene 3, The Mermaids Song |
| Marko Munih |
conductor |
Der Freischütz: The Huntsmen's Chorus |
| Artur Rother |
conductor |
Der Freischütz: Act I. "Kommt ein schlanker Bursch gegangen" |
| Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) |
vocal |
Der Freischütz, J. 277 (Op. 77): Act III. "Was gleicht wohl auf Erden dem Jägervergnügen?" (Jägerchor) |
| Chor der Deutschen Oper Berlin |
vocal |
Der Freischütz: Wolf's glen scene, "Milch des Mondes fiel aufs Kraut!" |
| Hans Vonk |
conductor |
Klarinettenkonzert Nr. 2: II. Romanze |
| Nicolai Gedda |
vocal |
Euryanthe: "Hin nimm die Seele mein" (Euryanthe, Adolar) |
| Heinz Wallberg |
conductor |
Der Freischütz, J. 277 (Op. 77): Act II. "Wie nahte mir der Schlummer" - "Leise, leise fromme Weise!" |
| Orchester der Deutschen Oper Berlin |
performing orchestra |
Der Freischütz, Akt I: "Nein, länger trag ich nicht die Qualen" |
| Orchester der Wiener Volksoper |
performing orchestra |
Aufforderung zum Tanz |
| Orchestre Symphonique du Festival |
performing orchestra |
Euryathne |
| Helen Watts (contralto) |
vocal |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| Christoph von Dohnányi (German conductor) |
conductor |
Aufforderung zum Tanz |
| Peter Anders (German opera tenor) |
vocal |
Der Freischütz, Akt I: "Nein, länger trag ich nicht die Qualen" |
| Peter Damm |
French horn |
Horn Concertino in E-moll, Op. 45, J. 188 |
| Herbert Brauer |
vocal |
Oberon: Über die blauen Wogen |
| Philharmonia Hungarica |
performing orchestra |
Oberon: Seit frühster Jugend in Kampf und Streit |
| Herbert von Karajan |
conductor |
Aufforderung zum Tanz, Op. 65 |
| Philharmonia Slavonica (an Alfred Scholz pseudonym) |
performing orchestra |
Ouvertüre zur Oper "Der Freischütz" (Philharmonia Slavonica feat. conductor: Alfred Scholz) |
| David Glazer |
clarinet |
Clarinet Concerto No. 1 in F minor, Op. 73: Rondo. Allegretto |
| David Nadien |
violin |
Der Freischütz: Act III "Was gleicht wohl auf Erden" (Hunter's Chorus) |
| Radio Symphony Orchestra Pilsen |
performing orchestra |
Concerto No. 1 in F minor for Clarinet and Orchestra, Op. 73: I. Allegro |
| Deutsches Symphonie-Orchester Berlin (RIAS-Symphonie-Orchester, 1946–1956 / Radio-Symphonie-Orchester Berlin, 1956–1993) |
performing orchestra |
Der Freischütz: Act I. "Kommt ein schlanker Bursch gegangen" |
| Instrumentalensemble Werner Keltsch |
performing orchestra |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| 西崎崇子 |
violin |
Hunters' Chorus |
| Edward Gardner |
conductor |
From Euranthe: Lysiart's Aria, "What Refuge Here?" |
| Raoul Polikian |
conductor |
Invitation to the Dance, Op. 65 (transcribed by Berlioz) |
| Reservistenmusikzug Niedersachsen |
performing orchestra |
Parademarsch des ehemalig königlich sächsischen Gardereiterregiments |
| Richard Strauss (German composer) |
conductor |
Euryanthe: Overture |
| Rita Streich |
vocal |
Der Freischütz: Act I. "Kommt ein schlanker Bursch gegangen" |
| Robert Heger (conductor) |
conductor |
Der Freischütz, J. 277 (Op. 77): Act III. "Was gleicht wohl auf Erden dem Jägervergnügen?" (Jägerchor) |
| Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) |
vocal |
Der Freischütz (Akt II) : »Wie nahte mir der Schlummer ... Leise, fromme Weise« |
| Jean Martin (classical pianist) |
piano |
Valse-Laendler |
| Elisabeth Speiser |
vocal |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| Alfred Scholz |
conductor |
Ouvertüre zur Oper "Der Freischütz" (Philharmonia Slavonica feat. conductor: Alfred Scholz) |
| Bayerisches Staatsorchester |
performing orchestra |
Der Freischütz, J. 277 (Op. 77): Act III. "Was gleicht wohl auf Erden dem Jägervergnügen?" (Jägerchor) |
| Johannes Schüler |
conductor |
Der Freischütz, Akt I: "Nein, länger trag ich nicht die Qualen" |
| Joseph Keilberth |
conductor |
Der Freischütz: Wolf's glen scene, "Milch des Mondes fiel aufs Kraut!" |
| Siegfried Kurz |
conductor |
Horn Concertino in E-moll, Op. 45, J. 188 |
| Siegmund Nimsgern (bass-baritone) |
vocal |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| Jörg Faerber |
conductor |
Clarinet Concerto No. 1 in F minor, Op. 73: Rondo. Allegretto |
| Karel Ančerl |
conductor |
Der Freischütz: Overture |
| Sir Neville Marriner |
conductor |
Aufforderung zum Tanz op. 65 |
| Sir Thomas Beecham |
conductor |
Der Freischutz: Overture |
| Karl Christian Kohn |
vocal |
Der Freischütz: Wolf's glen scene, "Milch des Mondes fiel aufs Kraut!" |
| Karl Etti |
conductor |
Ouvertüre der Schauspielmusik zu "Turandot" (ORF-Symphonieorchester feat. conductor: Karl Ettl) |
| Stuttgarter Hymnus-Chorknaben |
vocal |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| Svenska Messingkvartetten |
instrument |
Cavatina ur operan Friskytten |
| Sydney Symphony Orchestra |
performing orchestra |
Le Spectre de la Rose: Invitation to Dance |
| Alexander Kipnis |
vocal |
Der Freischütz: Hier im ird'schen Jammertal |
| Terence Dennis |
piano |
Hunters' Chorus |
| The Cleveland Orchestra |
performing orchestra |
Aufforderung zum Tanz |
| Thomas Andreas |
conductor |
Parademarsch des ehemalig königlich sächsischen Gardereiterregiments |
| Tibor Paul |
conductor |
Le Spectre de la Rose: Invitation to Dance |
| Valery Lloyd-Watts (pianist) |
piano |
Cradle Song |
| Franz Bauer-Theussl |
conductor |
Aufforderung zum Tanz |
| Walter Süsskind |
conductor |
Invitation to the Dance |
| Kenneth Sillito |
conductor |
Clarinet Concerto in B-flat: Rondo |
| Kirsten Flagstad |
vocal |
Ozean, Du Ungeheuer (From Oberon) |
| Klaus Wunderlich |
arranger, electronic organ |
Der Freischutz: Hunting Chorus |
| Württembergisches Kammerorchester Heilbronn |
performing orchestra |
Clarinet Concerto No. 1 in F minor, Op. 73: Rondo. Allegretto |
| Kurt Equiluz |
vocal |
Missa sancta No. 2 "Jubelmesse" in G major, J.251: Sanctus |
| Zoltán Rozsnyai (Hungarian conductor) |
performer |
Oberon: Seit frühster Jugend in Kampf und Streit |
| Česká filharmonie (Czech Philharmonic) |
performing orchestra |
Der Freischütz: Overture |
| Fritz Hoppe |
vocal |
Der Freischütz: Wolf's glen scene, "Milch des Mondes fiel aufs Kraut!" |
| Ljubljana Radio Symphony Chorus |
vocal |
Der Freischütz: The Huntsmen's Chorus |