Guy-Claude Luypaerts

Top collaborators

Artist name Roles Recordings
London Symphony Orchestra performing orchestra Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children, The Canterbury Pilgrims: I. Prologue (figure 2), The Canterbury Pilgrims: I. Prologue -, The Canterbury Pilgrims: II. The Knight, The Canterbury Pilgrims: III. The Squire, The Canterbury Pilgrims: IV. The Nun, The Canterbury Pilgrims: IX. The Shipman, The Canterbury Pilgrims: V. The Monk, The Canterbury Pilgrims: VI. The Clerk of Oxenford, The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant, The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin, The Canterbury Pilgrims: X. The Doctor of Physic, The Canterbury Pilgrims: XI. The Wife of Bath, The Canterbury Pilgrims: XII. The Poor Parson of a Town, The Canterbury Pilgrims: XIII. L'envoi
Richard Hickox conductor Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children, The Canterbury Pilgrims: I. Prologue (figure 2), The Canterbury Pilgrims: I. Prologue -, The Canterbury Pilgrims: II. The Knight, The Canterbury Pilgrims: III. The Squire, The Canterbury Pilgrims: IV. The Nun, The Canterbury Pilgrims: IX. The Shipman, The Canterbury Pilgrims: V. The Monk, The Canterbury Pilgrims: VI. The Clerk of Oxenford, The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant, The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin, The Canterbury Pilgrims: X. The Doctor of Physic, The Canterbury Pilgrims: XI. The Wife of Bath, The Canterbury Pilgrims: XII. The Poor Parson of a Town, The Canterbury Pilgrims: XIII. L'envoi
London Symphony Chorus vocal Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children

Collaborators on this artist's recordings

Artist name Roles Recordings
London Symphony Orchestra performing orchestra Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children, The Canterbury Pilgrims: I. Prologue (figure 2), The Canterbury Pilgrims: I. Prologue -, The Canterbury Pilgrims: II. The Knight, The Canterbury Pilgrims: III. The Squire, The Canterbury Pilgrims: IV. The Nun, The Canterbury Pilgrims: IX. The Shipman, The Canterbury Pilgrims: V. The Monk, The Canterbury Pilgrims: VI. The Clerk of Oxenford, The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant, The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin, The Canterbury Pilgrims: X. The Doctor of Physic, The Canterbury Pilgrims: XI. The Wife of Bath, The Canterbury Pilgrims: XII. The Poor Parson of a Town, The Canterbury Pilgrims: XIII. L'envoi
Richard Hickox conductor Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children, The Canterbury Pilgrims: I. Prologue (figure 2), The Canterbury Pilgrims: I. Prologue -, The Canterbury Pilgrims: II. The Knight, The Canterbury Pilgrims: III. The Squire, The Canterbury Pilgrims: IV. The Nun, The Canterbury Pilgrims: IX. The Shipman, The Canterbury Pilgrims: V. The Monk, The Canterbury Pilgrims: VI. The Clerk of Oxenford, The Canterbury Pilgrims: VII. The Haberdasher and his Fraternity. The Merchant, The Canterbury Pilgrims: VIII. The Sergeant of the Law. The Franklin, The Canterbury Pilgrims: X. The Doctor of Physic, The Canterbury Pilgrims: XI. The Wife of Bath, The Canterbury Pilgrims: XII. The Poor Parson of a Town, The Canterbury Pilgrims: XIII. L'envoi
London Symphony Chorus vocal Ballad of Heroes, op. 14: I. Funeral March, Ballad of Heroes, op. 14: II. Scherzo: Dance of Death, Choral Song to be Sung in Time of War no. 1: A Song of Courage, Choral Song to be Sung in Time of War no. 2: A Song of Liberty, Choral Song to be Sung in Time of War no. 3: A Song of Healing, Choral Song to be Sung in Time of War no. 4: A Song of Victory, Choral Song to be Sung in Time of War no. 5: A Song of Pity, Peace and Love, Choral Song to be Sung in Time of War no. 6: A Song of the New Age, In Honour of the City, Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl), Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg), Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach), Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton), Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp), Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau), The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight, The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists, The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances, The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began, The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet, The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter, The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces, The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children