Chiharu Shibasaki

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Artist name Roles Recordings
Seattle Symphony performing orchestra Adagio (Third Movement from Symphony no. 11), Air from Aincient Airs and Dances, Alleluia and Fugue, op. 40b, American Creed: Free to Build, American Creed: Free to Dream, An Outdoor Overture, And God Created Great Whales, op. 229, Baba - Yaga, op. 56, Bacchanale, Ballade, op. 21b, Benediction (after Lutkin), Billy the Kid, Suite: V. Gun Battle, Black Swan (after Brahms), Celestial Fantasy, op. 44, Circus Overture, Concert Piece for Orchestra, Concerto for Brass Quintet and Orchestra (after Handel): I. Allegro, Concerto for Brass Quintet and Orchestra (after Handel): II. Larghetto, Concerto for Brass Quintet and Orchestra (after Handel): III. Allegro, Concerto for Orchestra: II. Play of the Couples, Dances of Galánta, Daphnis et Chloe: Part I: Danse generale, Elegy in Memory of Maurice Ravel, Elegy in Memory of Serge Koussevitzki, Fanfare for the Common Man, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, Grand Canyon Suite: III. On the Trail, Grand Canyon Suite: IV. Sunset, Háry János suite: I. Prelude, Háry János suite: II. The Viennese Musical Clock, Háry János suite: III. Song, Háry János suite: IV. Battle and Defeat of Napoleon, Háry János suite: V. Intermezzo, Háry János suite: VI. Entry of the Emperor and His Court, In Praise of Ockeghem, Infernal (after Stravinsky), Introduction from Through the Looking Glass (excerpt), Judith (Choreographic Poem for Orchestra), Kikimora, op. 63, Lohengrin: Act III. Prelude, Lux Aeterna, Meditation on Orpheus, op. 155, Moby Dick, Concertato for Orchestra, Mosaics, Musica celestis (version for strings), New England Triptych: I. Be Glad then, America, New England Triptych: II. When Jesus Wept, New England Triptych: III. Chester, Night Journey, October, Symphonic Poem in C minor for Orchestra, Orchestra Song, Parsifal: Prelude to Act I, Parsifal: Prelude to Act III, Partita for Flute, Violin & Strings: Second Movement "Sarabande", Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Plenty of Horn (after Clarke), Prayer in a Time of War, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Psalm, Rounds for String Orchestra: I. Allegro molto vivace, Rounds for String Orchestra: II. Adagio, Rounds for String Orchestra: III. Allegro vigoroso, Rubies (after Thelonius Monk), Scheherazade, op. 35: II. The Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Princess, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea, Shirat Sara: I. Allegro misterioso, Shirat Sara: II. Softly, as in prayer, Shirat Sara: III. Fast and very precise, Siegfried: Act II. Forest Murmurs, Suite for Orchestra: I. Allegro, Suite for Orchestra: II. Andante, Suite for Orchestra: III. Allegro, Suite from The Golden Age, Op. 22a: I. Introduction: Allegro non troppo, Suite from The Golden Age, Op. 22a: II. Adagio, Suite from The Golden Age, Op. 22a: III. Polka: Allegretto, Suite from The Golden Age, Op. 22a: IV. Dance: Allegro, Suite from the Ballet TOM: I. Fanfare, Suite from the Ballet TOM: II. Prelude to Episode I, Suite from the Ballet TOM: III. Introduction and Dance of the Benevolent Master & Mistress, Suite from the Ballet TOM: IV. Eliza's Supplication, Suite from the Ballet TOM: IX. Entrance of Eva, Suite from the Ballet TOM: V. The Mortgage, Suite from the Ballet TOM: VI. Dance of the Slavetraders and Human Bloodhounds, Suite from the Ballet TOM: VII. Dance of Thankfulness for Freedom, Suite from the Ballet TOM: VIII. Dance of New England and New Orleans, Suite from the Ballet TOM: X. Tom's Dance of Revelation, Suite from the Ballet TOM: XI. Eva's Departure and Ascent into Heaven, Suite from the Ballet TOM: XII. Choral Spiritual - Conclusion, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphonie Nr. 2 "Mysterious Mountain": Schluß des 2. Satzes, Symphony No. 5 in D minor, Op. 47: I. Moderato, Symphony No. 5 in D minor, Op. 47: II. Allegretto, Symphony No. 5 in D minor, Op. 47: III. Largo, Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo, Symphony for Strings (Symphony No. 5): I. Molto agitato ed energico, Symphony for Strings (Symphony No. 5): II. Larghissimo, Symphony for Strings (Symphony No. 5): III. Presto, Symphony no. 1 in E minor “Nordic”: I. Andante solenne - Allegro con forza, Symphony no. 1 in E minor “Nordic”: II. Andante teneramente - Con semplicità, Symphony no. 1 in E minor “Nordic”: III. Allegro con fuoco, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 10 "American Muse": Con fuoco, Symphony no. 10 "American Muse": Larghissimo, Symphony no. 10 "American Muse": Presto - Andantino - Leggiero - Pesante - Presto possible, Symphony no. 1: I. Allegro moderato con energica, Symphony no. 1: II. Andante maestoso, Symphony no. 1: III. Maestoso - Adagio - Allegro vivo, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I - attacca, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 2: I. Adagio funèbre, Symphony no. 2: II. Allegro vivo, Symphony no. 2: III. Andante espressivo, quasi adagio, Symphony no. 2: IV. Allegro vigoroso, Symphony no. 3 in A minor 'Unfinished': I. Moderato assai, Symphony no. 3 in A minor 'Unfinished': II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3: Chorale and Toccata, Symphony no. 3: I. Allegro deciso, Symphony no. 3: I. Allegro robusto, Symphony no. 3: I. Andante lamentando - Agitato, Symphony no. 3: II. Andante, Symphony no. 3: II. Andante moderato, Symphony no. 3: II. Andante tranquillo, Symphony no. 3: III. Allegro assai, Symphony no. 3: III. Allegro vivo, Symphony no. 3: III. Tempo scherzando, Symphony no. 3: IV. Adagio assai, Symphony no. 3: IV. Largamente e pesante, Symphony no. 3: Passacaglia and Fugue, Symphony no. 3: Second Movement (excerpts), Symphony no. 4 "Requiem": Fourth Movement "Lux Aeterna" (excerpt), Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 4: Ballando, Symphony no. 4: Contemplativo, Symphony no. 4: Energico, Symphony no. 4: I. Allegretto, Symphony no. 4: II. Adagio - Andante, Symphony no. 4: III. Allegro, Symphony no. 4: Piacevole, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 5, op. 43 "Sinfonia sacra", Symphony no. 5, op. 43 “Sinfonia Sacra”: I. Adagio - Pochissimo più mosso - Espressivo - Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: II. Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: III. Allegretto - Più moto - Poco più mosso - Più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: IV. Largamente - Più agitato, Symphony no. 5, op. 43 “Sinfonia Sacra”: V. Tempo giusto, Symphony no. 5, op. 43 “Sinfonia Sacra”: VI. Largo, Symphony no. 5, op. 64: I. Con moto, Symphony no. 5, op. 64: II. Largo, Symphony no. 5, op. 64: III. Maestoso: Allegro, Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: II. Scherzo: Leggerissimo vivace, Symphony no. 6: III. Adagio, Symphony no. 6: III. Adagio, VI. Allegro, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Symphony no. 7 "Variation-Symphony", Symphony no. 7: Cantabile intensamente -, Symphony no. 7: Largo assai -, Symphony no. 7: Scherzando brioso, Symphony no. 7: Vigoroso -, Symphony no. 8: I. Lento sostenuto - Pressante vigoroso - Lento, Symphony no. 8: I. Moderato - Adagio - Allegro vivo, Symphony no. 8: II. Largo, Symphony no. 8: II. Theme, Variations, and Double Fugue, Symphony no. 8: III. Presto, Symphony no. 9, op. 70: Allegretto - Allegro, Symphony no. 9, op. 70: Allegro, Symphony no. 9, op. 70: Largo, Symphony no. 9, op. 70: Moderato, Symphony no. 9, op. 70: Presto, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium, The Enchanted Lake, op. 62, The Enormous Room, The Firebird: Tableau II, The Flying Dutchman: Overture, The Incredible Flutist: Arrival of the Circus, The Incredible Flutist: Circus March, The Incredible Flutist: Entrance of the Customers, The Incredible Flutist: Entrance of the Vendors, The Incredible Flutist: Introduction - Siesta in the Market Place, The Incredible Flutist: Minuet, The Incredible Flutist: Polka Finale, The Incredible Flutist: Siciliana, The Incredible Flutist: Spanish Waltz, The Incredible Flutist: Tango of the Merchants' Daughters, The Incredible Flutist: The Flutist, The Musical Snuffbox, op. 32, The Pleasure-Dome of Kubla Khan, The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale, The Tale of Tsar Sultan (Suite), op. 57: I. The Tsar's Farewell and Departure, The Tale of Tsar Sultan (Suite), op. 57: II. The Tsarina in a Barrel at Sea, The Tale of Tsar Sultan (Suite), op. 57: III. The Three Wonders, The Tale of Tsar Sultan: Flight of the Bumble Bee, The White Peacock, Three New England Sketches: Mountains (Maestoso; Risoluto), Three New England Sketches: Seaside (Adagio), Three New England Sketches: Summer Evening (Delicato), Three Tone Pictures: The Lake at Evening, Three Tone Pictures: The Night Winds, Three Tone Pictures: The Vale of Dreams, Through the Looking Glass, op. 12, Through the Looking Glass: Dedication, Through the Looking Glass: Jabberwocky, Through the Looking Glass: The Garden of Live Flowers, Through the Looking Glass: The White Knight, Thus Spake Zarathustra: Opening Fanfare, Toccata, op. 68, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante, Tristian und Isolde: Act III. Liebestod, Variations on "America", When Johnny Comes Marching Home
Gerard Schwarz (conductor) conductor Adagio (Third Movement from Symphony no. 11), Air from Aincient Airs and Dances, Alleluia and Fugue, op. 40b, American Creed: Free to Build, American Creed: Free to Dream, An Outdoor Overture, And God Created Great Whales, op. 229, Baba - Yaga, op. 56, Bacchanale, Ballade, op. 21b, Benediction (after Lutkin), Billy the Kid, Suite: V. Gun Battle, Black Swan (after Brahms), Celestial Fantasy, op. 44, Circus Overture, Concert Piece for Orchestra, Concerto for Brass Quintet and Orchestra (after Handel): I. Allegro, Concerto for Brass Quintet and Orchestra (after Handel): II. Larghetto, Concerto for Brass Quintet and Orchestra (after Handel): III. Allegro, Concerto for Orchestra: II. Play of the Couples, Dances of Galánta, Daphnis et Chloe: Part I: Danse generale, Elegy in Memory of Maurice Ravel, Elegy in Memory of Serge Koussevitzki, Fanfare for the Common Man, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, Grand Canyon Suite: III. On the Trail, Grand Canyon Suite: IV. Sunset, Háry János suite: I. Prelude, Háry János suite: II. The Viennese Musical Clock, Háry János suite: III. Song, Háry János suite: IV. Battle and Defeat of Napoleon, Háry János suite: V. Intermezzo, Háry János suite: VI. Entry of the Emperor and His Court, In Praise of Ockeghem, Infernal (after Stravinsky), Introduction from Through the Looking Glass (excerpt), Judith (Choreographic Poem for Orchestra), Kikimora, op. 63, Lohengrin: Act III. Prelude, Lux Aeterna, Meditation on Orpheus, op. 155, Moby Dick, Concertato for Orchestra, Mosaics, Musica celestis (version for strings), New England Triptych: I. Be Glad then, America, New England Triptych: II. When Jesus Wept, New England Triptych: III. Chester, Night Journey, October, Symphonic Poem in C minor for Orchestra, Orchestra Song, Parsifal: Prelude to Act I, Parsifal: Prelude to Act III, Partita for Flute, Violin & Strings: Second Movement "Sarabande", Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Plenty of Horn (after Clarke), Prayer in a Time of War, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Psalm, Rounds for String Orchestra: I. Allegro molto vivace, Rounds for String Orchestra: II. Adagio, Rounds for String Orchestra: III. Allegro vigoroso, Rubies (after Thelonius Monk), Scheherazade, op. 35: II. The Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Princess, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea, Shirat Sara: I. Allegro misterioso, Shirat Sara: II. Softly, as in prayer, Shirat Sara: III. Fast and very precise, Siegfried: Act II. Forest Murmurs, Suite for Orchestra: I. Allegro, Suite for Orchestra: II. Andante, Suite for Orchestra: III. Allegro, Suite from The Golden Age, Op. 22a: I. Introduction: Allegro non troppo, Suite from The Golden Age, Op. 22a: II. Adagio, Suite from The Golden Age, Op. 22a: III. Polka: Allegretto, Suite from The Golden Age, Op. 22a: IV. Dance: Allegro, Suite from the Ballet TOM: I. Fanfare, Suite from the Ballet TOM: II. Prelude to Episode I, Suite from the Ballet TOM: III. Introduction and Dance of the Benevolent Master & Mistress, Suite from the Ballet TOM: IV. Eliza's Supplication, Suite from the Ballet TOM: IX. Entrance of Eva, Suite from the Ballet TOM: V. The Mortgage, Suite from the Ballet TOM: VI. Dance of the Slavetraders and Human Bloodhounds, Suite from the Ballet TOM: VII. Dance of Thankfulness for Freedom, Suite from the Ballet TOM: VIII. Dance of New England and New Orleans, Suite from the Ballet TOM: X. Tom's Dance of Revelation, Suite from the Ballet TOM: XI. Eva's Departure and Ascent into Heaven, Suite from the Ballet TOM: XII. Choral Spiritual - Conclusion, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphonie Nr. 2 "Mysterious Mountain": Schluß des 2. Satzes, Symphony No. 5 in D minor, Op. 47: I. Moderato, Symphony No. 5 in D minor, Op. 47: II. Allegretto, Symphony No. 5 in D minor, Op. 47: III. Largo, Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo, Symphony for Strings (Symphony No. 5): I. Molto agitato ed energico, Symphony for Strings (Symphony No. 5): II. Larghissimo, Symphony for Strings (Symphony No. 5): III. Presto, Symphony no. 1 in E minor “Nordic”: I. Andante solenne - Allegro con forza, Symphony no. 1 in E minor “Nordic”: II. Andante teneramente - Con semplicità, Symphony no. 1 in E minor “Nordic”: III. Allegro con fuoco, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 10 "American Muse": Con fuoco, Symphony no. 10 "American Muse": Larghissimo, Symphony no. 10 "American Muse": Presto - Andantino - Leggiero - Pesante - Presto possible, Symphony no. 1: I. Allegro moderato con energica, Symphony no. 1: II. Andante maestoso, Symphony no. 1: III. Maestoso - Adagio - Allegro vivo, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I - attacca, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 2: I. Adagio funèbre, Symphony no. 2: II. Allegro vivo, Symphony no. 2: III. Andante espressivo, quasi adagio, Symphony no. 2: IV. Allegro vigoroso, Symphony no. 3 in A minor 'Unfinished': I. Moderato assai, Symphony no. 3 in A minor 'Unfinished': II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3: Chorale and Toccata, Symphony no. 3: I. Allegro deciso, Symphony no. 3: I. Allegro robusto, Symphony no. 3: I. Andante lamentando - Agitato, Symphony no. 3: II. Andante, Symphony no. 3: II. Andante moderato, Symphony no. 3: II. Andante tranquillo, Symphony no. 3: III. Allegro assai, Symphony no. 3: III. Allegro vivo, Symphony no. 3: III. Tempo scherzando, Symphony no. 3: IV. Adagio assai, Symphony no. 3: IV. Largamente e pesante, Symphony no. 3: Passacaglia and Fugue, Symphony no. 3: Second Movement (excerpts), Symphony no. 4 "Requiem": Fourth Movement "Lux Aeterna" (excerpt), Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 4: Ballando, Symphony no. 4: Contemplativo, Symphony no. 4: Energico, Symphony no. 4: I. Allegretto, Symphony no. 4: II. Adagio - Andante, Symphony no. 4: III. Allegro, Symphony no. 4: Piacevole, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 5, op. 43 "Sinfonia sacra", Symphony no. 5, op. 43 “Sinfonia Sacra”: I. Adagio - Pochissimo più mosso - Espressivo - Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: II. Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: III. Allegretto - Più moto - Poco più mosso - Più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: IV. Largamente - Più agitato, Symphony no. 5, op. 43 “Sinfonia Sacra”: V. Tempo giusto, Symphony no. 5, op. 43 “Sinfonia Sacra”: VI. Largo, Symphony no. 5, op. 64: I. Con moto, Symphony no. 5, op. 64: II. Largo, Symphony no. 5, op. 64: III. Maestoso: Allegro, Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: II. Scherzo: Leggerissimo vivace, Symphony no. 6: III. Adagio, Symphony no. 6: III. Adagio, VI. Allegro, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Symphony no. 7 "Variation-Symphony", Symphony no. 7: Cantabile intensamente -, Symphony no. 7: Largo assai -, Symphony no. 7: Scherzando brioso, Symphony no. 7: Vigoroso -, Symphony no. 8: I. Lento sostenuto - Pressante vigoroso - Lento, Symphony no. 8: I. Moderato - Adagio - Allegro vivo, Symphony no. 8: II. Largo, Symphony no. 8: II. Theme, Variations, and Double Fugue, Symphony no. 8: III. Presto, Symphony no. 9, op. 70: Allegretto - Allegro, Symphony no. 9, op. 70: Allegro, Symphony no. 9, op. 70: Largo, Symphony no. 9, op. 70: Moderato, Symphony no. 9, op. 70: Presto, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium, The Enchanted Lake, op. 62, The Enormous Room, The Firebird: Tableau II, The Flying Dutchman: Overture, The Incredible Flutist: Arrival of the Circus, The Incredible Flutist: Circus March, The Incredible Flutist: Entrance of the Customers, The Incredible Flutist: Entrance of the Vendors, The Incredible Flutist: Introduction - Siesta in the Market Place, The Incredible Flutist: Minuet, The Incredible Flutist: Polka Finale, The Incredible Flutist: Siciliana, The Incredible Flutist: Spanish Waltz, The Incredible Flutist: Tango of the Merchants' Daughters, The Incredible Flutist: The Flutist, The Musical Snuffbox, op. 32, The Pleasure-Dome of Kubla Khan, The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale, The Tale of Tsar Sultan (Suite), op. 57: I. The Tsar's Farewell and Departure, The Tale of Tsar Sultan (Suite), op. 57: II. The Tsarina in a Barrel at Sea, The Tale of Tsar Sultan (Suite), op. 57: III. The Three Wonders, The Tale of Tsar Sultan: Flight of the Bumble Bee, The White Peacock, Three New England Sketches: Mountains (Maestoso; Risoluto), Three New England Sketches: Seaside (Adagio), Three New England Sketches: Summer Evening (Delicato), Three Tone Pictures: The Lake at Evening, Three Tone Pictures: The Night Winds, Three Tone Pictures: The Vale of Dreams, Through the Looking Glass, op. 12, Through the Looking Glass: Dedication, Through the Looking Glass: Jabberwocky, Through the Looking Glass: The Garden of Live Flowers, Through the Looking Glass: The White Knight, Thus Spake Zarathustra: Opening Fanfare, Toccata, op. 68, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante, Tristian und Isolde: Act III. Liebestod, Variations on "America", When Johnny Comes Marching Home
John Eargle engineer Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Al Swanson engineer Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, Passacaglia and Fugue in C minor, BWV 582, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Adam Stern producer, recording Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, October, Symphonic Poem in C minor for Orchestra, Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante

Collaborators on this artist's recordings

Artist name Roles Recordings
Seattle Symphony performing orchestra Adagio (Third Movement from Symphony no. 11), Air from Aincient Airs and Dances, Alleluia and Fugue, op. 40b, American Creed: Free to Build, American Creed: Free to Dream, An Outdoor Overture, And God Created Great Whales, op. 229, Baba - Yaga, op. 56, Bacchanale, Ballade, op. 21b, Benediction (after Lutkin), Billy the Kid, Suite: V. Gun Battle, Black Swan (after Brahms), Celestial Fantasy, op. 44, Circus Overture, Concert Piece for Orchestra, Concerto for Brass Quintet and Orchestra (after Handel): I. Allegro, Concerto for Brass Quintet and Orchestra (after Handel): II. Larghetto, Concerto for Brass Quintet and Orchestra (after Handel): III. Allegro, Concerto for Orchestra: II. Play of the Couples, Dances of Galánta, Daphnis et Chloe: Part I: Danse generale, Elegy in Memory of Maurice Ravel, Elegy in Memory of Serge Koussevitzki, Fanfare for the Common Man, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, Grand Canyon Suite: III. On the Trail, Grand Canyon Suite: IV. Sunset, Háry János suite: I. Prelude, Háry János suite: II. The Viennese Musical Clock, Háry János suite: III. Song, Háry János suite: IV. Battle and Defeat of Napoleon, Háry János suite: V. Intermezzo, Háry János suite: VI. Entry of the Emperor and His Court, In Praise of Ockeghem, Infernal (after Stravinsky), Introduction from Through the Looking Glass (excerpt), Judith (Choreographic Poem for Orchestra), Kikimora, op. 63, Lohengrin: Act III. Prelude, Lux Aeterna, Meditation on Orpheus, op. 155, Moby Dick, Concertato for Orchestra, Mosaics, Musica celestis (version for strings), New England Triptych: I. Be Glad then, America, New England Triptych: II. When Jesus Wept, New England Triptych: III. Chester, Night Journey, October, Symphonic Poem in C minor for Orchestra, Orchestra Song, Parsifal: Prelude to Act I, Parsifal: Prelude to Act III, Partita for Flute, Violin & Strings: Second Movement "Sarabande", Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Plenty of Horn (after Clarke), Prayer in a Time of War, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Psalm, Rounds for String Orchestra: I. Allegro molto vivace, Rounds for String Orchestra: II. Adagio, Rounds for String Orchestra: III. Allegro vigoroso, Rubies (after Thelonius Monk), Scheherazade, op. 35: II. The Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Princess, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea, Shirat Sara: I. Allegro misterioso, Shirat Sara: II. Softly, as in prayer, Shirat Sara: III. Fast and very precise, Siegfried: Act II. Forest Murmurs, Suite for Orchestra: I. Allegro, Suite for Orchestra: II. Andante, Suite for Orchestra: III. Allegro, Suite from The Golden Age, Op. 22a: I. Introduction: Allegro non troppo, Suite from The Golden Age, Op. 22a: II. Adagio, Suite from The Golden Age, Op. 22a: III. Polka: Allegretto, Suite from The Golden Age, Op. 22a: IV. Dance: Allegro, Suite from the Ballet TOM: I. Fanfare, Suite from the Ballet TOM: II. Prelude to Episode I, Suite from the Ballet TOM: III. Introduction and Dance of the Benevolent Master & Mistress, Suite from the Ballet TOM: IV. Eliza's Supplication, Suite from the Ballet TOM: IX. Entrance of Eva, Suite from the Ballet TOM: V. The Mortgage, Suite from the Ballet TOM: VI. Dance of the Slavetraders and Human Bloodhounds, Suite from the Ballet TOM: VII. Dance of Thankfulness for Freedom, Suite from the Ballet TOM: VIII. Dance of New England and New Orleans, Suite from the Ballet TOM: X. Tom's Dance of Revelation, Suite from the Ballet TOM: XI. Eva's Departure and Ascent into Heaven, Suite from the Ballet TOM: XII. Choral Spiritual - Conclusion, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphonie Nr. 2 "Mysterious Mountain": Schluß des 2. Satzes, Symphony No. 5 in D minor, Op. 47: I. Moderato, Symphony No. 5 in D minor, Op. 47: II. Allegretto, Symphony No. 5 in D minor, Op. 47: III. Largo, Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo, Symphony for Strings (Symphony No. 5): I. Molto agitato ed energico, Symphony for Strings (Symphony No. 5): II. Larghissimo, Symphony for Strings (Symphony No. 5): III. Presto, Symphony no. 1 in E minor “Nordic”: I. Andante solenne - Allegro con forza, Symphony no. 1 in E minor “Nordic”: II. Andante teneramente - Con semplicità, Symphony no. 1 in E minor “Nordic”: III. Allegro con fuoco, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 10 "American Muse": Con fuoco, Symphony no. 10 "American Muse": Larghissimo, Symphony no. 10 "American Muse": Presto - Andantino - Leggiero - Pesante - Presto possible, Symphony no. 1: I. Allegro moderato con energica, Symphony no. 1: II. Andante maestoso, Symphony no. 1: III. Maestoso - Adagio - Allegro vivo, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I - attacca, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 2: I. Adagio funèbre, Symphony no. 2: II. Allegro vivo, Symphony no. 2: III. Andante espressivo, quasi adagio, Symphony no. 2: IV. Allegro vigoroso, Symphony no. 3 in A minor 'Unfinished': I. Moderato assai, Symphony no. 3 in A minor 'Unfinished': II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3: Chorale and Toccata, Symphony no. 3: I. Allegro deciso, Symphony no. 3: I. Allegro robusto, Symphony no. 3: I. Andante lamentando - Agitato, Symphony no. 3: II. Andante, Symphony no. 3: II. Andante moderato, Symphony no. 3: II. Andante tranquillo, Symphony no. 3: III. Allegro assai, Symphony no. 3: III. Allegro vivo, Symphony no. 3: III. Tempo scherzando, Symphony no. 3: IV. Adagio assai, Symphony no. 3: IV. Largamente e pesante, Symphony no. 3: Passacaglia and Fugue, Symphony no. 3: Second Movement (excerpts), Symphony no. 4 "Requiem": Fourth Movement "Lux Aeterna" (excerpt), Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 4: Ballando, Symphony no. 4: Contemplativo, Symphony no. 4: Energico, Symphony no. 4: I. Allegretto, Symphony no. 4: II. Adagio - Andante, Symphony no. 4: III. Allegro, Symphony no. 4: Piacevole, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 5, op. 43 "Sinfonia sacra", Symphony no. 5, op. 43 “Sinfonia Sacra”: I. Adagio - Pochissimo più mosso - Espressivo - Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: II. Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: III. Allegretto - Più moto - Poco più mosso - Più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: IV. Largamente - Più agitato, Symphony no. 5, op. 43 “Sinfonia Sacra”: V. Tempo giusto, Symphony no. 5, op. 43 “Sinfonia Sacra”: VI. Largo, Symphony no. 5, op. 64: I. Con moto, Symphony no. 5, op. 64: II. Largo, Symphony no. 5, op. 64: III. Maestoso: Allegro, Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: II. Scherzo: Leggerissimo vivace, Symphony no. 6: III. Adagio, Symphony no. 6: III. Adagio, VI. Allegro, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Symphony no. 7 "Variation-Symphony", Symphony no. 7: Cantabile intensamente -, Symphony no. 7: Largo assai -, Symphony no. 7: Scherzando brioso, Symphony no. 7: Vigoroso -, Symphony no. 8: I. Lento sostenuto - Pressante vigoroso - Lento, Symphony no. 8: I. Moderato - Adagio - Allegro vivo, Symphony no. 8: II. Largo, Symphony no. 8: II. Theme, Variations, and Double Fugue, Symphony no. 8: III. Presto, Symphony no. 9, op. 70: Allegretto - Allegro, Symphony no. 9, op. 70: Allegro, Symphony no. 9, op. 70: Largo, Symphony no. 9, op. 70: Moderato, Symphony no. 9, op. 70: Presto, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium, The Enchanted Lake, op. 62, The Enormous Room, The Firebird: Tableau II, The Flying Dutchman: Overture, The Incredible Flutist: Arrival of the Circus, The Incredible Flutist: Circus March, The Incredible Flutist: Entrance of the Customers, The Incredible Flutist: Entrance of the Vendors, The Incredible Flutist: Introduction - Siesta in the Market Place, The Incredible Flutist: Minuet, The Incredible Flutist: Polka Finale, The Incredible Flutist: Siciliana, The Incredible Flutist: Spanish Waltz, The Incredible Flutist: Tango of the Merchants' Daughters, The Incredible Flutist: The Flutist, The Musical Snuffbox, op. 32, The Pleasure-Dome of Kubla Khan, The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale, The Tale of Tsar Sultan (Suite), op. 57: I. The Tsar's Farewell and Departure, The Tale of Tsar Sultan (Suite), op. 57: II. The Tsarina in a Barrel at Sea, The Tale of Tsar Sultan (Suite), op. 57: III. The Three Wonders, The Tale of Tsar Sultan: Flight of the Bumble Bee, The White Peacock, Three New England Sketches: Mountains (Maestoso; Risoluto), Three New England Sketches: Seaside (Adagio), Three New England Sketches: Summer Evening (Delicato), Three Tone Pictures: The Lake at Evening, Three Tone Pictures: The Night Winds, Three Tone Pictures: The Vale of Dreams, Through the Looking Glass, op. 12, Through the Looking Glass: Dedication, Through the Looking Glass: Jabberwocky, Through the Looking Glass: The Garden of Live Flowers, Through the Looking Glass: The White Knight, Thus Spake Zarathustra: Opening Fanfare, Toccata, op. 68, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante, Tristian und Isolde: Act III. Liebestod, Variations on "America", When Johnny Comes Marching Home
Gerard Schwarz (conductor) conductor Adagio (Third Movement from Symphony no. 11), Air from Aincient Airs and Dances, Alleluia and Fugue, op. 40b, American Creed: Free to Build, American Creed: Free to Dream, An Outdoor Overture, And God Created Great Whales, op. 229, Baba - Yaga, op. 56, Bacchanale, Ballade, op. 21b, Benediction (after Lutkin), Billy the Kid, Suite: V. Gun Battle, Black Swan (after Brahms), Celestial Fantasy, op. 44, Circus Overture, Concert Piece for Orchestra, Concerto for Brass Quintet and Orchestra (after Handel): I. Allegro, Concerto for Brass Quintet and Orchestra (after Handel): II. Larghetto, Concerto for Brass Quintet and Orchestra (after Handel): III. Allegro, Concerto for Orchestra: II. Play of the Couples, Dances of Galánta, Daphnis et Chloe: Part I: Danse generale, Elegy in Memory of Maurice Ravel, Elegy in Memory of Serge Koussevitzki, Fanfare for the Common Man, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, Grand Canyon Suite: III. On the Trail, Grand Canyon Suite: IV. Sunset, Háry János suite: I. Prelude, Háry János suite: II. The Viennese Musical Clock, Háry János suite: III. Song, Háry János suite: IV. Battle and Defeat of Napoleon, Háry János suite: V. Intermezzo, Háry János suite: VI. Entry of the Emperor and His Court, In Praise of Ockeghem, Infernal (after Stravinsky), Introduction from Through the Looking Glass (excerpt), Judith (Choreographic Poem for Orchestra), Kikimora, op. 63, Lohengrin: Act III. Prelude, Lux Aeterna, Meditation on Orpheus, op. 155, Moby Dick, Concertato for Orchestra, Mosaics, Musica celestis (version for strings), New England Triptych: I. Be Glad then, America, New England Triptych: II. When Jesus Wept, New England Triptych: III. Chester, Night Journey, October, Symphonic Poem in C minor for Orchestra, Orchestra Song, Parsifal: Prelude to Act I, Parsifal: Prelude to Act III, Partita for Flute, Violin & Strings: Second Movement "Sarabande", Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Plenty of Horn (after Clarke), Prayer in a Time of War, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Psalm, Rounds for String Orchestra: I. Allegro molto vivace, Rounds for String Orchestra: II. Adagio, Rounds for String Orchestra: III. Allegro vigoroso, Rubies (after Thelonius Monk), Scheherazade, op. 35: II. The Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Princess, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea, Shirat Sara: I. Allegro misterioso, Shirat Sara: II. Softly, as in prayer, Shirat Sara: III. Fast and very precise, Siegfried: Act II. Forest Murmurs, Suite for Orchestra: I. Allegro, Suite for Orchestra: II. Andante, Suite for Orchestra: III. Allegro, Suite from The Golden Age, Op. 22a: I. Introduction: Allegro non troppo, Suite from The Golden Age, Op. 22a: II. Adagio, Suite from The Golden Age, Op. 22a: III. Polka: Allegretto, Suite from The Golden Age, Op. 22a: IV. Dance: Allegro, Suite from the Ballet TOM: I. Fanfare, Suite from the Ballet TOM: II. Prelude to Episode I, Suite from the Ballet TOM: III. Introduction and Dance of the Benevolent Master & Mistress, Suite from the Ballet TOM: IV. Eliza's Supplication, Suite from the Ballet TOM: IX. Entrance of Eva, Suite from the Ballet TOM: V. The Mortgage, Suite from the Ballet TOM: VI. Dance of the Slavetraders and Human Bloodhounds, Suite from the Ballet TOM: VII. Dance of Thankfulness for Freedom, Suite from the Ballet TOM: VIII. Dance of New England and New Orleans, Suite from the Ballet TOM: X. Tom's Dance of Revelation, Suite from the Ballet TOM: XI. Eva's Departure and Ascent into Heaven, Suite from the Ballet TOM: XII. Choral Spiritual - Conclusion, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphonie Nr. 2 "Mysterious Mountain": Schluß des 2. Satzes, Symphony No. 5 in D minor, Op. 47: I. Moderato, Symphony No. 5 in D minor, Op. 47: II. Allegretto, Symphony No. 5 in D minor, Op. 47: III. Largo, Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo, Symphony for Strings (Symphony No. 5): I. Molto agitato ed energico, Symphony for Strings (Symphony No. 5): II. Larghissimo, Symphony for Strings (Symphony No. 5): III. Presto, Symphony no. 1 in E minor “Nordic”: I. Andante solenne - Allegro con forza, Symphony no. 1 in E minor “Nordic”: II. Andante teneramente - Con semplicità, Symphony no. 1 in E minor “Nordic”: III. Allegro con fuoco, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 10 "American Muse": Con fuoco, Symphony no. 10 "American Muse": Larghissimo, Symphony no. 10 "American Muse": Presto - Andantino - Leggiero - Pesante - Presto possible, Symphony no. 1: I. Allegro moderato con energica, Symphony no. 1: II. Andante maestoso, Symphony no. 1: III. Maestoso - Adagio - Allegro vivo, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I - attacca, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 2: I. Adagio funèbre, Symphony no. 2: II. Allegro vivo, Symphony no. 2: III. Andante espressivo, quasi adagio, Symphony no. 2: IV. Allegro vigoroso, Symphony no. 3 in A minor 'Unfinished': I. Moderato assai, Symphony no. 3 in A minor 'Unfinished': II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3: Chorale and Toccata, Symphony no. 3: I. Allegro deciso, Symphony no. 3: I. Allegro robusto, Symphony no. 3: I. Andante lamentando - Agitato, Symphony no. 3: II. Andante, Symphony no. 3: II. Andante moderato, Symphony no. 3: II. Andante tranquillo, Symphony no. 3: III. Allegro assai, Symphony no. 3: III. Allegro vivo, Symphony no. 3: III. Tempo scherzando, Symphony no. 3: IV. Adagio assai, Symphony no. 3: IV. Largamente e pesante, Symphony no. 3: Passacaglia and Fugue, Symphony no. 3: Second Movement (excerpts), Symphony no. 4 "Requiem": Fourth Movement "Lux Aeterna" (excerpt), Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 4: Ballando, Symphony no. 4: Contemplativo, Symphony no. 4: Energico, Symphony no. 4: I. Allegretto, Symphony no. 4: II. Adagio - Andante, Symphony no. 4: III. Allegro, Symphony no. 4: Piacevole, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 5, op. 43 "Sinfonia sacra", Symphony no. 5, op. 43 “Sinfonia Sacra”: I. Adagio - Pochissimo più mosso - Espressivo - Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: II. Poco più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: III. Allegretto - Più moto - Poco più mosso - Più mosso, Symphony no. 5, op. 43 “Sinfonia Sacra”: IV. Largamente - Più agitato, Symphony no. 5, op. 43 “Sinfonia Sacra”: V. Tempo giusto, Symphony no. 5, op. 43 “Sinfonia Sacra”: VI. Largo, Symphony no. 5, op. 64: I. Con moto, Symphony no. 5, op. 64: II. Largo, Symphony no. 5, op. 64: III. Maestoso: Allegro, Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6, Symphony no. 6 in B minor, op. 54: I. Largo, Symphony no. 6 in B minor, op. 54: II. Allegro, Symphony no. 6 in B minor, op. 54: III. Presto, Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: II. Scherzo: Leggerissimo vivace, Symphony no. 6: III. Adagio, Symphony no. 6: III. Adagio, VI. Allegro, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Symphony no. 7 "Variation-Symphony", Symphony no. 7: Cantabile intensamente -, Symphony no. 7: Largo assai -, Symphony no. 7: Scherzando brioso, Symphony no. 7: Vigoroso -, Symphony no. 8: I. Lento sostenuto - Pressante vigoroso - Lento, Symphony no. 8: I. Moderato - Adagio - Allegro vivo, Symphony no. 8: II. Largo, Symphony no. 8: II. Theme, Variations, and Double Fugue, Symphony no. 8: III. Presto, Symphony no. 9, op. 70: Allegretto - Allegro, Symphony no. 9, op. 70: Allegro, Symphony no. 9, op. 70: Largo, Symphony no. 9, op. 70: Moderato, Symphony no. 9, op. 70: Presto, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium, The Enchanted Lake, op. 62, The Enormous Room, The Firebird: Tableau II, The Flying Dutchman: Overture, The Incredible Flutist: Arrival of the Circus, The Incredible Flutist: Circus March, The Incredible Flutist: Entrance of the Customers, The Incredible Flutist: Entrance of the Vendors, The Incredible Flutist: Introduction - Siesta in the Market Place, The Incredible Flutist: Minuet, The Incredible Flutist: Polka Finale, The Incredible Flutist: Siciliana, The Incredible Flutist: Spanish Waltz, The Incredible Flutist: Tango of the Merchants' Daughters, The Incredible Flutist: The Flutist, The Musical Snuffbox, op. 32, The Pleasure-Dome of Kubla Khan, The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale, The Tale of Tsar Sultan (Suite), op. 57: I. The Tsar's Farewell and Departure, The Tale of Tsar Sultan (Suite), op. 57: II. The Tsarina in a Barrel at Sea, The Tale of Tsar Sultan (Suite), op. 57: III. The Three Wonders, The Tale of Tsar Sultan: Flight of the Bumble Bee, The White Peacock, Three New England Sketches: Mountains (Maestoso; Risoluto), Three New England Sketches: Seaside (Adagio), Three New England Sketches: Summer Evening (Delicato), Three Tone Pictures: The Lake at Evening, Three Tone Pictures: The Night Winds, Three Tone Pictures: The Vale of Dreams, Through the Looking Glass, op. 12, Through the Looking Glass: Dedication, Through the Looking Glass: Jabberwocky, Through the Looking Glass: The Garden of Live Flowers, Through the Looking Glass: The White Knight, Thus Spake Zarathustra: Opening Fanfare, Toccata, op. 68, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante, Tristian und Isolde: Act III. Liebestod, Variations on "America", When Johnny Comes Marching Home
John Eargle engineer Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Al Swanson engineer Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, Passacaglia and Fugue in C minor, BWV 582, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Adam Stern producer, recording Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, October, Symphonic Poem in C minor for Orchestra, Passacaglia and Fugue in C minor, BWV 582, Petrushka: Petrushka’s Cell, Petrushka: The Moor’s Cell, Petrushka: The Shrove-Tide Fair, Petrushka: The Shrove-Tide Fair (evening), Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Amelia S. Haygood producer Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Passacaglia and Fugue in C minor, BWV 582, Prayer of St. Gregory, op. 62b, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Prelude and Quadruple Fugue, op. 128, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro), Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Dmitriy Lipay (Recording engineer & producer) editor, engineer, producer Circus Overture, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, October, Symphonic Poem in C minor for Orchestra, Orchestra Song, Scheherazade, op. 35: II. The Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Princess, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I - attacca, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium
Andrew Dawson (classical music engineer) engineer Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Lux Aeterna, Mosaics, Passacaglia and Fugue in C minor, BWV 582, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro, Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Li Teo engineer Fantasia and Fugue in C minor, BWV 537: Fantasia, Fantasia and Fugue in C minor, BWV 537: Fugue, Passacaglia and Fugue in C minor, BWV 582, Prelude and Fugue in D major, BWV 532: Fugue, Prelude and Fugue in D major, BWV 532: Prelude, Suite from the Opera “Merry Mount", op. 31: Children’s Dance (Allegro molto), Suite from the Opera “Merry Mount", op. 31: Love Duet (Largamente, molto espressivo), Suite from the Opera “Merry Mount", op. 31: Overture (Lento), Suite from the Opera “Merry Mount", op. 31: Prelude to Act II and Maypole Dances (Allegro grazioso; Più animato; Allegro molto), Symphony no. 4, op. 34 “Requiem”: I. Kyrie (Andante inquieto), Symphony no. 4, op. 34 “Requiem”: II. Requiescat (Largo), Symphony no. 4, op. 34 “Requiem”: III. Dies irae (Presto), Symphony no. 4, op. 34 “Requiem”: IV. Lux aeterna (Largo pastorale), Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai, Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando, Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
Albert G. Swanson engineer, producer Circus Overture, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, October, Symphonic Poem in C minor for Orchestra, Orchestra Song, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium
Christian Knapp (conductor) producer Circus Overture, Five Fragments for Small Orchestra, Op. 42: I. Moderato, Five Fragments for Small Orchestra, Op. 42: II. Andante, Five Fragments for Small Orchestra, Op. 42: III. Largo, Five Fragments for Small Orchestra, Op. 42: IV. Moderato, Five Fragments for Small Orchestra, Op. 42: V. Allegretto, Orchestra Song, Symphony no. 4: Tenderly, simply, Symphony no. 4: ♩ = 144, Symphony no. 4: ♩ = 72, Symphony no. 9: Anteludium, Symphony no. 9: Offertorium, Symphony no. 9: Postludium
Scott Goff flute The Incredible Flutist: Arrival of the Circus, The Incredible Flutist: Circus March, The Incredible Flutist: Entrance of the Customers, The Incredible Flutist: Entrance of the Vendors, The Incredible Flutist: Introduction - Siesta in the Market Place, The Incredible Flutist: Minuet, The Incredible Flutist: Polka Finale, The Incredible Flutist: Siciliana, The Incredible Flutist: Spanish Waltz, The Incredible Flutist: Tango of the Merchants' Daughters, The Incredible Flutist: The Flutist
Matthew Lutthans engineer Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Prayer of St. Gregory, op. 62b, Prelude and Quadruple Fugue, op. 128, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro)
Ramiro Belgardt editor Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Prayer of St. Gregory, op. 62b, Prelude and Quadruple Fugue, op. 128, Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo
Stephen Basili editor Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Prayer of St. Gregory, op. 62b, Prelude and Quadruple Fugue, op. 128, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo, Symphony no. 50, op. 360 "Mount St. Helens": I. Andante, Symphony no. 50, op. 360 "Mount St. Helens": II. Spirit Lake (Allegro), Symphony no. 50, op. 360 "Mount St. Helens": III. Volcano (Adagio - Allegro)
Butch Jones engineer Lux Aeterna, Mosaics, Symphony no. 2 “Romantic”: I. Adagio; Allegro moderato, Symphony no. 2 “Romantic”: II. Allegro con brio, Symphony no. 2 “Romantic”: II. Andante con tenerezza, Symphony no. 6: I. Andante, Symphony no. 6: II. Allegro scherzando, Symphony no. 6: III. Adagio, Symphony no. 6: IV. Allegro assai, Symphony no. 6: V. Adagio, Symphony no. 6: VI. Allegro
Walter Gray producer Alleluia and Fugue, op. 40b, And God Created Great Whales, op. 229, Celestial Fantasy, op. 44, Prayer of St. Gregory, op. 62b, Prelude and Quadruple Fugue, op. 128, Symphony no. 2, op. 132, "Mysterious Mountain": I. Andante con moto, Symphony no. 2, op. 132, "Mysterious Mountain": II. Double Fugue, Symphony no. 2, op. 132, "Mysterious Mountain": III. Andante espressivo
Joanna Nickrenz recording The Song of the Nightingale: Chinese March, The Song of the Nightingale: Game of the Mechanical Nightingale, The Song of the Nightingale: Introduction, The Song of the Nightingale: Song of the Nightingale
Raudio Simpson misc Symphony no. 1, op. 17, no. 2, "Exile Symphony": I. Andante espressivo; Allegro, Symphony no. 1, op. 17, no. 2, "Exile Symphony": II. Grazioso, Symphony no. 1, op. 17, no. 2, "Exile Symphony": III. Finale: Andante; Presto
Maria Larionoff violin Scheherazade, op. 35: II. The Kalender Prince, Scheherazade, op. 35: III. The Young Prince and the Princess, Scheherazade, op. 35: IV. Festival at Baghdad - The Sea
Bernard Shapiro oboe Symphony no. 3: IV. Adagio assai
Joe Matesic recording And God Created Great Whales, op. 229
Christopher Sereque clarinet Symphony no. 3: IV. Adagio assai
Michael Russell tuba Psalm
Jon Francine (bioacoustics lab manager) misc And God Created Great Whales, op. 229
[anonymous] (Special Purpose Artist) vocal And God Created Great Whales, op. 229