Heinz Wildhagen

balance, engineer, recording, producer, sound, piano

Top collaborators

Artist name Roles Recordings
Martha Argerich
Andor Földes
Wilhelm Kempff
Project Autumn
Ton Koopman

Work on other artists' recordings

Artist name Roles Recordings
Martha Argerich balance, engineer, recording 2 Rhapsodies, op. 79: No. 1 in B minor: Agitato, 2 Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro, 24 Préludes, op. 28: No. 16 in B-flat minor: Presto con fuoco, 3 Mazurkas, op. 59: No. 1 in A minor. Moderato, Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo, Andante Spianato and Grande Polonaise, Op. 22: II. Grande Polonaise: Allegro molto - Meno mosso, Barcarolle in F-sharp major, op. 60: Allegretto, English Suite no. 2 in A minor, BWV 807: I. Prélude, English Suite no. 2 in A minor, BWV 807: II. Allemande, English Suite no. 2 in A minor, BWV 807: III. Courante, English Suite no. 2 in A minor, BWV 807: IV. Sarabande, English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II, English Suite no. 2 in A minor, BWV 807: VI. Gigue, Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: I. Ondine, Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: II. Le Gibet, Gaspard de la nuit, Poèmes d'après Aloysius Bertrand: III. Scarbo, Grande Polonaise brillante précédée d'un Andante spianato, op. 22, Hungarian Rhapsody no. 6 in D-flat major: Tempo giusto - Presto - Andante - Allegro - Presto, Jeux d'eau - Très doux, Klaviersonate h-Moll, Partita no. 2 in C minor, BWV 826: I. Sinfonia, Partita no. 2 in C minor, BWV 826: II. Allemande, Partita no. 2 in C minor, BWV 826: III. Courante, Partita no. 2 in C minor, BWV 826: IV. Sarabande, Partita no. 2 in C minor, BWV 826: V. Rondeau, Partita no. 2 in C minor, BWV 826: VI. Capriccio, Piano Sonata in B minor: Allegro energico, Piano Sonata in B minor: Andante sostenuto, Piano Sonata in B minor: Andante sostenuto - Allegro moderato - Lento assai, Piano Sonata in B minor: Cantando espressivo, Piano Sonata in B minor: Cantando espressivo senza slentare -, Piano Sonata in B minor: Grandioso -, Piano Sonata in B minor: Lento assai - Allegro energico -, Piano Sonata in B minor: Pesante - Recitativo -, Piano Sonata in B minor: Più mosso, Piano Sonata in B minor: Quasi Adagio -, Piano Sonata in B minor: Stretta quasi Presto - Presto - Prestissimo -, Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich, Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen, Piano Sonata no. 2 in G minor, op. 22: III. Scherzo: Sehr rasch und markiert -, Piano Sonata no. 2 in G minor, op. 22: IV. Rondo: Presto - Prestissimo. Quasi Cadenza, Polonaise-fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso, Prelude in E minor, op. 28 no. 4, Preludes, op. 28 no. 1 in C major, Preludes, op. 28 no. 10 in C-sharp minor, Preludes, op. 28 no. 11 in B major, Preludes, op. 28 no. 12 in G-sharp minor, Preludes, op. 28 no. 13 in F-sharp major, Preludes, op. 28 no. 14 in E-flat minor, Preludes, op. 28 no. 15 in D-flat major "Raindrop", Preludes, op. 28 no. 17 in A-flat major, Preludes, op. 28 no. 18 in F minor, Preludes, op. 28 no. 19 in E-flat major, Preludes, op. 28 no. 2 in A minor, Preludes, op. 28 no. 20 in C minor, Preludes, op. 28 no. 21 in B-flat major, Preludes, op. 28 no. 22 in G minor, Preludes, op. 28 no. 23 in F major, Preludes, op. 28 no. 24 in D minor, Preludes, op. 28 no. 3 in G major, Preludes, op. 28 no. 5 in D major, Preludes, op. 28 no. 6 in B minor, Preludes, op. 28 no. 7 in A major, Preludes, op. 28 no. 8 in F-sharp minor, Preludes, op. 28 no. 9 in E major, Prélude in A-flat major, op. posth.: Presto con leggierezza, Prélude in C-sharp minor, op. 45: Sostenuto, Scherzo no. 2 in B-flat minor, op. 31, Scherzo no. 3 in C-sharp minor, op. 39, Sonate No. 2 en Si bémol mineur, Op. 35 "Marche funèbre": I. Grave, Doppio movimento, Sonate No. 2 en Si bémol mineur, Op. 35 "Marche funèbre": II. Scherzo, Più lento, Tempo 1, Sonate No. 2 en Si bémol mineur, Op. 35 "Marche funèbre": III. Marche funèbre, lento, Sonate No. 2 en Si bémol mineur, Op. 35 "Marche funèbre": IV. Finale, presto, Sonatine: I. Modéré, Sonatine: II. Mouvement de Menuet, Sonatine: III. Animé, Toccata in C minor, BWV 911, Toccata, op. 11, Valses nobles et sentimentales: I. Modéré - très franc, Valses nobles et sentimentales: II. Assez lent - avec une expression intense, Valses nobles et sentimentales: III. Modéré, Valses nobles et sentimentales: IV. Assez animé, Valses nobles et sentimentales: V. Presque lent - dans un sentiment intime, Valses nobles et sentimentales: VI. Vif, Valses nobles et sentimentales: VII. Moins vif, Valses nobles et sentimentales: VIII. Epilogue. Lent, Zwei Rhapsodien, op. 79
Andor Földes balance 16 Waltzes op. 39: No. 1 in B major, 16 Waltzes op. 39: No. 15 in A-flat major, 16 Waltzes op. 39: No. 2 in E major, 16 Waltzes op. 39: No. 3 in G-sharp minor, Allegro barbaro, Sz. 49, Chromatic Fantasia and Fugue in D minor, BWV 903: Fantasia, Chromatic Fantasia and Fugue in D minor, BWV 903: Fugue, Danza ritual del fuego de ''El amor brujo'', Excusions op. 20: I. Un poco allegro, Excusions op. 20: II. In slow blues tempo, Excusions op. 20: III. Allegretto, Excusions op. 20: IV. Allegro molto, Im Freien: 1. Mit Trommeln und Pfeifen, Im Freien: 2. Barcarolla, Im Freien: 3. Musettes, Im Freien: 4. Klänge der Nacht, Im Freien: 5. Hetzjagd, La fille aux cheveux de lin, Mazurka in E minor, op. 41 no. 1, Mephisto Waltz no. 1, S. 514, Mikrokosmos, Sz. 107: Book 5. No. 122. Chords Together and Opposed, Mikrokosmos, Sz. 107: Book 5. No. 125. Boating, Mikrokosmos, Sz. 107: Book 5. No. 126. Change of Time, Mikrokosmos, Sz. 107: Book 5. No. 128. Peasant Dance, Mikrokosmos, Sz. 107: Book 5. No. 130. Village Joke, Mikrokosmos, Sz. 107: Book 5. No. 137. Unison, Mikrokosmos, Sz. 107: Book 5. No. 139. Merry Andrew, Mikrokosmos, Sz. 107: Book 6. No. 140. Free Variations, Mikrokosmos, Sz. 107: Book 6. No. 141. Subject and Reflection, Mikrokosmos, Sz. 107: Book 6. No. 142. From the Diary of a Fly, Mikrokosmos, Sz. 107: Book 6. No. 143. Divided Arpeggios, Mikrokosmos, Sz. 107: Book 6. No. 146. Ostinato, Mikrokosmos, Sz. 107: Book 6. No. 148. Dance in Bulgarian Rhythm I, Mikrokosmos, Sz. 107: Book 6. No. 149. Dance in Bulgarian Rhythm II, Mikrokosmos, Sz. 107: Book 6. No. 150. Dance in Bulgarian Rhythm III, Mikrokosmos, Sz. 107: Book 6. No. 151. Dance in Bulgarian Rhythm IV, Mikrokosmos, Sz. 107: Book 6. No. 152. Dance in Bulgarian Rhythm V, Mikrokosmos, Sz. 107: Book 6. No. 153. Dance in Bulgarian Rhythm VI, Nocturne no. 13 in C minor, op. 48 no. 1, Nocturne no. 4 (Bal fantome) in C minor, op. 56, Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro, Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto, Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto, Piano Sonata: I. I = 112, Piano Sonata: I. Molto moderato, Piano Sonata: II. Adagietto, Piano Sonata: II. Vivace, Piano Sonata: III. Andante sostenuto, Piano Sonata: III. I = 112, Rumänische Volkstänze: Nr. 1, Rumänische Volkstänze: Nr. 2, Rumänische Volkstänze: Nr. 3, Rumänische Volkstänze: Nr. 4, Rumänische Volkstänze: Nr. 5, Rumänische Volkstänze: Nr. 6, Sonata for Piano, Sz. 80 : II. Sostenuto e pesante, Sonata for Piano, Sz. 80: 1. Allegro moderato, Sonata for Piano, Sz. 80: 2. Sostenuto e pesante, Sonata for Piano, Sz. 80: 3. Allegro molto, Sonata for Piano, Sz. 80: I. Allegro moderato, Sonata for Piano, Sz. 80: III. Allegro molto, Sonatina Over Themes of Peasants From Transsylvania: 1. Dudelsackpfeifer, Sonatina Over Themes of Peasants From Transsylvania: 2. Bärentanz, Sonatina Over Themes of Peasants From Transsylvania: 3. Finale, Suite, Sz. 62: 1. Allegretto, Suite, Sz. 62: 2. Scherzo, Suite, Sz. 62: 3. Allegro molto, Suite, Sz. 62: 4. Sostenuto, Suite, op. 14, Sz. 62: I. Allegretto, Suite, op. 14, Sz. 62: II. Scherzo, Suite, op. 14, Sz. 62: III. Allegro molto, Suite, op. 14, Sz. 62: IV. Sostenuto
Wilhelm Kempff balance, sound Fantasia in D minor, K. 397: Andante, Fantasias, op. 116, no. 1: Capriccio in D minor. Presto energico, Fantasias, op. 116, no. 7: Capriccio in D minor. Allegro agitato, Fantasias, op. 116: No. 2. Intermezzo in A minor. Andante, Fantasias, op. 116: No. 3. Capriccio in G minor. Allegro passionato, Fantasias, op. 116: No. 4. Intermezzo in E major. Adagio, Fantasias, op. 116: No. 5. Intermezzo in E minor. Andante con grazia ed intimisso sentimento, Fantasias, op. 116: No. 6. Intermezzo in E major. Andantino teneramente, Intermezzi, op. 117, no. 1 in E-flat major. Andante moderato, Intermezzi, op. 117, no. 2 in B-flat minor. Andante non troppo e con molta espressione, Intermezzi, op. 117, no. 3 in C-sharp minor. Andante con moto, Klavierstücke, op. 118, no. 4: Intermezzo in F minor. Allegretto un poco agitato, Klavierstücke, op. 118: No. 1. Intermezzo in A minor. Allegro non assai, Klavierstücke, op. 118: No. 2. Intermezzo in A major. Andante teneramente, Klavierstücke, op. 118: No. 3. Ballade in G minor. Allegro energico, Klavierstücke, op. 118: No. 5. Romanze in F major. Andante, Klavierstücke, op. 118: No. 6. Intermezzo in E-flat minor. Andante, largo e mesto, Klavierstücke, op. 119: No. 1. Intermezzo in B minor. Adagio, Klavierstücke, op. 119: No. 2. Intermezzo in E minor. Andantino un poco agitato, Klavierstücke, op. 119: No. 3. Intermezzo in C major. Grazioso e giocoso, Klavierstücke, op. 119: No. 4. Rhapsody in E-flat major. Allegro risoluto, Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace, Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso, Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto, Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo - Allegro, Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio, Sonata for Piano no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto, Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: I. Allegro, Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace, Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso, Sonata for Piano no. 18 in E‐flat major, op. 31 no. 3: IV. Presto con fuoco, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduction. Adagio molto, Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato, Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto, Sonata for Piano no. 22 in F major, op. 54: II. Allegretto, Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai, Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto, Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo, Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: I. Presto alla tedesca, Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: II. Andante espressivo, Sonata for Piano no. 25 in G major, op. 79 “Cuckoo”: III. Vivace, Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro “Les Adieux”, Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo “L’Absence”, Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente “Le Retour”, Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo, Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia, Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto, Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro, Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: I. Allegro, Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: II. Scherzo. Assai vivace, Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: III. Adagio sostenuto. Appassionato e molto con sentimento, Sonata for Piano no. 29 in B‐flat major, op. 106 “Hammer‐Klavier”: IV. Largo – Allegro risoluto, Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo, Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo, Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo, Sonata for Piano no. 31 in A‐flat major, op. 110: I. Moderato cantabile molto espressivo, Sonata for Piano no. 31 in A‐flat major, op. 110: II. Allegro molto, Sonata for Piano no. 31 in A‐flat major, op. 110: III. Adagio, ma non troppo – Fuga. Allegro, ma non troppo, Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato, Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile
Project Autumn balance, engineer, recording Fantasie und Fuge in a-moll, BWV 904, Kleine Präludie aus dem Klavierbüchlein für W F Bach in C-Dur BWV 924, Kleine Präludie aus dem Klavierbüchlein für W F Bach in D-Dur BWV 925, Kleine Präludie aus dem Klavierbüchlein für W F Bach in F-Dur BWV 927, Kleine Präludie aus dem Klavierbüchlein für W F Bach in F-Dur BWV 928, Kleine Präludie aus dem Klavierbüchlein für W F Bach in a-moll BWV 931, Kleine Präludie aus dem Klavierbüchlein für W F Bach in d-moll BWV 926, Kleine Präludie aus dem Klavierbüchlein für W F Bach in g-moll BWV 929, Kleine Präludie aus dem Klavierbüchlein für W F Bach in g-moll BWV 930, Kleine Präludie aus der Sammung J P Kellner in C-Dur BWV 939, Kleine Präludie aus der Sammung J P Kellner in C-Dur BWV 943, Kleine Präludie aus der Sammung J P Kellner in a-moll BWV 942, Kleine Präludie aus der Sammung J P Kellner in c-moll BWV 999, Kleine Präludie aus der Sammung J P Kellner in d-moll BWV 940, Kleine Präludie aus der Sammung J P Kellner in e-moll BWV 941, Kleine Präludie in C-Dur BWV 933, Kleine Präludie in D-Dur BWV 936, Kleine Präludie in E-Dur BWV 937, Kleine Präludie in c-moll BWV 934, Kleine Präludie in d-moll BWV 935, Kleine Präludie in e-moll BWV 938, Präludium und Fughetta in F-Dur, BWV 901, Präludium und Fughetta in G-Dur, BWV 902, Präludium, Fuge und Allegro in Es-Dur, BWV 998, Three Part Invention 1. in C major BWV 787, Three Part Invention 10. in G major BWV 796, Three Part Invention 11. in G minor BWV 797, Three Part Invention 12. in A major BWV 798, Three Part Invention 13. in A minor BWV 799, Three Part Invention 14. in B flat major BWV 800, Three Part Invention 15. in B minor BWV 801, Three Part Invention 2. in C minor BWV 788, Three Part Invention 3. in D major BWV 789, Three Part Invention 4. in D minor BWV 790, Three Part Invention 5. in E flat major BWV 791, Three Part Invention 6. in E major BWV 792, Three Part Invention 7. in E minor BWV 793, Three Part Invention 8. in F major BWV 794, Three Part Invention 9. in F minor BWV 795, Two Part Invention 1. in C major BWV 772, Two Part Invention 10. in G major BWV 781, Two Part Invention 11. in G minor BWV 782, Two Part Invention 12. In A major BWV 783, Two Part Invention 13. in A minor BWV 784, Two Part Invention 14. in B flat major BWV 785, Two Part Invention 15. in B minor BWV 786, Two Part Invention 2. in C minor BWV 773, Two Part Invention 3. in D major BWV 774, Two Part Invention 4. in D minor BWV 775, Two Part Invention 5. in E flat major BWV 776, Two Part Invention 6. in E major BWV 777, Two Part Invention 7. in E minor BWV 778, Two Part Invention 8. in F major BWV 779, Two Part Invention 9. in F minor BWV 780
Ton Koopman balance, engineer, producer, recording "Aus Tiefer not schrei' ich zu Dir", BWV 686, 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 645: Wachet auf, ruft uns die Stimme, 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 646: Wo soll ich fliehen hin, 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 647: Wer nur den lieben Gott lässt walten, 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 648: Meine Seele erhebet den Herren, 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 649: Ach bleib bei uns, Herr Jesu Christ, 6 Chorales of Diverse Kinds (Schübler Chorales), BWV 650: Kommst du nun, Jesu, vom Himmel herunter, 8 Kleine Präludien & Fugen, A-Moll, BWV 559, 8 Kleine Präludien & Fugen, B-Dur, BWV 560, 8 Kleine Präludien & Fugen, C-Dur, BWV 553, 8 Kleine Präludien & Fugen, D-Moll, BWV 554, 8 Kleine Präludien & Fugen, E-Moll, BWV 555, 8 Kleine Präludien & Fugen, F-Dur, BWV 556, 8 Kleine Präludien & Fugen, G-Dur, BWV 557, 8 Kleine Präludien & Fugen, G-Moll BWV 558, Passacaglia in C minor, BWV 582, Pastorale in F major, BWV 590, Präludium und Fuge D-Dur, BWV 532: I. Präludium, Präludium und Fuge D-Dur, BWV 532: II. Fuge, Sonata No. 1 In E-flat Major, BWV 525 : (without tempo indication), Sonata No. 1 In E-flat Major, BWV 525 : Adagio, Sonata No. 1 In E-flat Major, BWV 525 : Allegro, Sonata No. 2 In C Minor, BWV 526 : Allegro, Sonata No. 2 In C Minor, BWV 526 : Largo, Sonata No. 2 In C Minor, BWV 526 : Vivace, Sonata No. 3 In D Minor, BWV 527 : Adagio e dolce, Sonata No. 3 In D Minor, BWV 527 : Andante, Sonata No. 3 In D Minor, BWV 527 : Vivace, Sonata No. 4 In E Minor, BWV 528 : Adagio-Vivace, Sonata No. 4 In E Minor, BWV 528 : Andante, Sonata No. 4 In E Minor, BWV 528 : Un poc'allegro, Sonata No. 5 In C Major, BWV 529 : Allegro, Sonata No. 5 In C Major, BWV 529 : Largo, Sonata No. 6 In G Major, BWV 530 : Allegro, Sonata No. 6 In G Major, BWV 530 : Lento, Sonata No. 6 In G Major, BWV 530 : Vivace, Toccata & Fugue in D minor, BWV 565: I. Toccata, Toccata & Fugue in D minor, BWV 565: II. Fugue, Toccata und Fuge F-Dur, BWV 540, Toccata und Fuge d-Moll “Dorisch”, BWV 538, Toccata und Fuge d-Moll, BWV 565, Toccata, Adagio & Fuge C-Dur, BWV 564: Adagio, Toccata, Adagio & Fuge C-Dur, BWV 564: Fuge, Toccata, Adagio & Fuge C-Dur, BWV 564: Toccata, Toccata, Adagio and Fugue in C major, BWV 564: I. Toccata, Toccata, Adagio and Fugue in C major, BWV 564: II. Adagio, Toccata, Adagio and Fugue in C major, BWV 564: III. Fugue, Toccata, Adagio und Fuge C-Dur, BWV 564, Trio-Sonate Es-Dur, BWV 525: Adagio, Trio-Sonate Es-Dur, BWV 525: Allegro, Trio-Sonate Es-Dur, BWV 525: Allegro moderato
Dick Turner balance Cello Suite no. 1 in G major, BWV 1007: I. Prelude, Cello Suite no. 1 in G major, BWV 1007: II. Allemande, Cello Suite no. 1 in G major, BWV 1007: III. Courante, Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande, Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II, Cello Suite no. 1 in G major, BWV 1007: VI. Gigue, Cello Suite no. 2 in D minor, BWV 1008: I. Prelude, Cello Suite no. 2 in D minor, BWV 1008: II. Allemande, Cello Suite no. 2 in D minor, BWV 1008: III. Courante, Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande, Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II, Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue, Cello Suite no. 3 in C major, BWV 1009: I. Prelude, Cello Suite no. 3 in C major, BWV 1009: II. Allemande, Cello Suite no. 3 in C major, BWV 1009: III. Courante, Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande, Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II, Cello Suite no. 3 in C major, BWV 1009: VI. Gigue, Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude, Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande, Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante, Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande, Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II, Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue, Cello Suite no. 5 in C minor, BWV 1011: I. Prelude, Cello Suite no. 5 in C minor, BWV 1011: II. Allemande, Cello Suite no. 5 in C minor, BWV 1011: III. Courante, Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande, Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II, Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue, Cello Suite no. 6 in D major, BWV 1012: I. Prelude, Cello Suite no. 6 in D major, BWV 1012: II. Allemande, Cello Suite no. 6 in D major, BWV 1012: III. Courante, Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande, Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II, Cello Suite no. 6 in D major, BWV 1012: VI. Gigue
I Tamarri balance, producer Ascension day: I. Offertorium. Ascendit Deus, Ascension day: II. Communio. Psallite Domino, Assumption of the Blessed Virgin Mary: Alleluia - Adducentur regi virgines, Assumption of the Blessed Virgin Mary: Graduale: Propter veritatem, Assumption of the Blessed Virgin Mary: Offertorium: Offerentur regi virgines, Dedication of a Church: I. Kyrie, Dedication of a Church: II. Gloria, Dedication of a Church: III. Sanctus, Dedication of a Church: IV. Agnus Dei, Easter Sunday: I. Introitus: Resurrexit, Easter Sunday: II. Graduale. Haec dies, Easter Sunday: III. Alleluia. Pascha nostrum, Easter Sunday: IV. Sequentia. Victimae paschall, Easter Sunday: V. Offertorium. Terra tremuit, Easter Sunday: VI. Communio. Pascha nostrum, Epiphanias: Introitus: Ecce, advenit dominator Dominus, First Mass for Christmas: Agnus Dei IV, First Mass for Christmas: Alleluia - Dominus dixit ad me, First Mass for Christmas: Communio: In splendoribus sanctorum, First Mass for Christmas: Gloria IV, First Mass for Christmas: Graduale: Tecum principium, First Mass for Christmas: Introitus: Dominus dixit ad me, First Mass for Christmas: Kyrie IV, First Mass for Christmas: Offertorium: Laetentur caeli, First Mass for Christmas: Sanctus IV, Good Friday: I. Tractus. Domine exaudi, Good Friday: II. Acclamatio. Ecce lignum crucis, Good Friday: III. Improperia. Popule meus, Good Friday: IV. Antiphona. Crucem tuam adoramus, Second Mass for Christmas: Communio: Exsulta filia Sion, Third Mass for Christmas: Alleluia - Dies sanctificatus, Third Mass for Christmas: Communio: Viderunt omnes fines terrae, Third Mass for Christmas: Introitus: Puer natus est nobis, Whit-Sunday: I. Sequentia. Veni, Sancte Spiritus, Whit-Sunday: II. Communio. Factus est
Maurizio Pollini balance, engineer Fantasy in C major, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I, Fantasy in C major, Op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter, Fantasy in C major, Op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter, Petrouchka: Petrouchka's Room, Petrouchka: Russian Dance, Petrouchka: The Shrovetide Fair, Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino, Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso, Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato, Études op. 10: No. 1 in C major: Allegro, Études op. 10: No. 10 in A sharp major: Vivace assai, Études op. 10: No. 2 in A minor "Chromatique": Allegro, Études op. 10: No. 3 in E major "Tristesse": Lento, ma non troppo, Études op. 10: No. 4 in C-sharp minor: Presto, Études op. 10: No. 5 in G flat major "Black Keys": Vivace, Études op. 10: No. 6 in E flat minor: Andante, Études op. 10: No. 7 in C major: Vivace, Études op. 10: No. 8 in F major: Allegro, Études op. 10: No. 9 in F minor: Allegro, molto agitato, Études, op. 10: No. 11 in E sharp major: Allegretto, Études, op. 10: No. 12 in C minor "Revolutionary": Allegro con fuoco, Études, op. 25: No. 1 in A-sharp major "Harp Study": Allegro sostenuto, Études, op. 25: No. 10 in B minor: Allegro con fuoco, Études, op. 25: No. 11 in A minor "Winter Wind": Lento - Allegro con brio, Études, op. 25: No. 12 in C minor: Molto allegro, con fuoco, Études, op. 25: No. 2 in F minor: Presto, Études, op. 25: No. 3 in F major: Allegro, Études, op. 25: No. 4 in A minor: Agitato, Études, op. 25: No. 5 in E minor: Vivace, Études, op. 25: No. 6 in G sharp minor: Allegro, Études, op. 25: No. 7 in C sharp minor: Lento, Études, op. 25: No. 8 in D flat major: Vivace, Études, op. 25: No. 9 in G-flat major "Butterfly Wings": Allegro assai
Manuel de Falla balance El amor brujo: Canción del amor dolido, El amor brujo: Canción del fuego fatuo, El amor brujo: Danza del juego de amor, El amor brujo: Final. Las campanas del amanecer, La vida e breve: Act I, Scene I. "Abuela, no viene!" (Salud, La abuela), La vida e breve: Act I, Scene I. "Ah!... Ah!... Ande la terea..." (Coro), La vida e breve: Act I, Scene I. "Andra la tarea, que hay que trabajar!" (Coro), La vida e breve: Act I, Scene I. "Mi querer e como el hierro" (Una Voz en la frague, La abuela, Coro, Le voz de un vendedor), La vida e breve: Act I, Scene I. "Paco! Paco! Sempre tuyo!" - "Mi chavala" (Salud, Paco, La abuela, Coro, El tío Sarvaor, Una voz en la frague, Una voz lejana), La vida e breve: Act I, Scene I. "Paco! Paco!" - "Mi Salud!" (Salud, Paco), La vida e breve: Act I, Scene I. "Salud!" - "Qué? Qué pasa?" (La abuela, Salud), La vida e breve: Act I, Scene I. "Vivan los que rien!" (Salud, Coro), La vida e breve: Act I, Scene II. Intermedio, La vida e breve: Act II, Scene I. "Allí está! Ryendo, junto á esa mujer!" (Salud, El cantaor, Coro), La vida e breve: Act II, Scene I. "No te dije? La vés?" (El tío Sarvaor, La abuela, Salud, Coro, Carmela, Paco, Manuel), La vida e breve: Act II, Scene I. "Olé! Olé ya!" - "Ay! Yo canto por soleares!" (Coro, El cantaor), La vida e breve: Act II, Scene I. Danza, La vida e breve: Act II, Scene I. Intermedio, La vida e breve: Act II, Scene II. "Carmela mía!" (Paco, Carmela, Manuel, El tío Sarvaor), La vida e breve: Act II, Scene II. "Qué gracia! Qué buscan ustedes aquí?" (Manuel, Coro, El tío Sarvaor, Paco, Salud, Carmela, La abuela), La vida e breve: Act II, Scene II. Danza, Siete canciones populares españolas: II. Seguidilla murcina
Narciso Yepes balance Alborada, Capriccio, Bouree e-moll, Danza Nr. 1, Danza del molinero, Farruca, Danza española Nr. 4, Villanesca, Dos Canciones populares catalanes, El abejorro, Etude, Fandanguillo op.36, Passapie, Passemeze et Branle de Poictou, Piezas caracteristicas: Nr. 12 Torre bermeja, Serenata, Prelude Nr. 1 e-moll, Recuerdos de la Alhambra, Recuerdos de viaje: Nr. 6 Rumores de la caleta, Malagueña, Romance aus Jeux interdits, Saltarello, Sarabande e-moll, Sonate e-moll, Suite española: Nr. 5 Asturias, Leyenda
Franz Schubert balance Die schöne Müllerin, D. 795: 10. Tränenregen, Die schöne Müllerin, D. 795: 11. Mein!, Die schöne Müllerin, D. 795: 12. Pause, Die schöne Müllerin, D. 795: 13. Mit dem grünen Lautenbande, Die schöne Müllerin, D. 795: 14. Der Jäger, Die schöne Müllerin, D. 795: 15. Eifersucht und Stolz, Die schöne Müllerin, D. 795: 16. Die liebe Farbe, Die schöne Müllerin, D. 795: 17. Die böse Farbe, Die schöne Müllerin, D. 795: 19. Der Müller und der Bach, Die schöne Müllerin, D. 795: 2. Wohin?, Die schöne Müllerin, D. 795: 20. Des Baches Wiegenlied, Die schöne Müllerin, D. 795: 3. Halt!, Die schöne Müllerin, D. 795: 4. Danksagung an den Bach, Die schöne Müllerin, D. 795: 5. Am Feierabend, Die schöne Müllerin, D. 795: 6. Der Neugierige, Die schöne Müllerin, D. 795: 7. Ungeduld, Die schöne Müllerin, D. 795: 8. Morgengruß, Die schöne Müllerin, D. 795: 9. Des Müllers Blumen
Yelsy Heredia recording Baby Please Don't Go, Desert Sun, House of the Rising Sun, I Wonder Who, I Wonder Why, Listen to Your Heart, Livorno Blues, Me and the Devil Blues, New Morning, Peter's Tune, She Won't Speak to Me, The Same Thing, The Thrill Is Gone, They Are Coming, Won't You Never Tell Me
Jaco, der Papagei producer Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia, Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso, Symphony no. 1 in G minor "Sérieuse": III. Stretto, Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto, Symphony no. 2 in D major "Capricieuse": I. Allegro, Symphony no. 2 in D major "Capricieuse": II. Andante, Symphony no. 2 in D major "Capricieuse": III. Finale. Allegro assai, Symphony no. 3 in C major "Singulière": I. Allegro fuocoso, Symphony no. 3 in C major "Singulière": II. Adagio - Scherzo. Allegro assai - Adagio, Symphony no. 3 in C major "Singulière": III. Finale. Presto, Symphony no. 4 in E-flat major: I. Allegro risoluto, Symphony no. 4 in E-flat major: II. Adagio, Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto, Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace
Federico García Lorca balance Trece canciones españolas antiguas: I. Anda, jaleo, Trece canciones españolas antiguas: II. Los cuatro muleros, Trece canciones españolas antiguas: III. Las tres hojas, Trece canciones españolas antiguas: IV. Los mozos de Monleón, Trece canciones españolas antiguas: IX. Los pelegrinitos, Trece canciones españolas antiguas: V. Las morillas de Jaén, Trece canciones españolas antiguas: VI. Sevillanas del siglo XVIII, Trece canciones españolas antiguas: VII. El café de Chinitas, Trece canciones españolas antiguas: VIII. Nana de Sevilla, Trece canciones españolas antiguas: X. Zorongo, Trece canciones españolas antiguas: XI. Romance de Don Boyso, Trece canciones españolas antiguas: XII. Los reyes de la baraja, Trece canciones españolas antiguas: XIII. La Tarara
Her & Everything balance Faschingsschwank aus Wien, op. 26: I. Allegro, Faschingsschwank aus Wien, op. 26: II. Romanze, Faschingsschwank aus Wien, op. 26: III. Scherzino, Faschingsschwank aus Wien, op. 26: IV. Intermezzo, Faschingsschwank aus Wien, op. 26: V. Finale, Novellette in F minor, Op. 21 No. 1: Markiert und kräftig, Papillons, op. 2, Piano Sonata no. 2 in G minor, op. 22: I. Vivacissimo, Piano Sonata no. 2 in G minor, op. 22: II. Andantino, Piano Sonata no. 2 in G minor, op. 22: III. Scherzo, Piano Sonata no. 2 in G minor, op. 22: IV. Rondo (Presto), Piano Sonata no. 5, op. 53, Toccata in C, Op. 7: Allegro
Lucid balance Carnival Overture, op. 92, Slawische Tänze, op. 46: Nr. 1 C-dur. Presto, Slawische Tänze, op. 46: Nr. 2 e-moll. Allegretto scherzando, Slawische Tänze, op. 46: Nr. 3 As-dur. Poco allegro, Slawische Tänze, op. 46: Nr. 4 F-dur. Tempo di minuetto, Slawische Tänze, op. 46: Nr. 6 D-dur. Allegretto scherzando, Slawische Tänze, op. 46: Nr. 7 c-moll. Allegro assai, Symphonie Nr. 5 (III. Teil): 4. Adagietto. Sehr langsam, Symphony no. 5 in A minor: II. Stürmisch bewegt, mit größter Vehemenz, Symphony no. 5 in C-sharp minor: I. Trauermarsch “Im gemessenen Schritt. Streng. Wie ein Kondukt”, Symphony no. 5 in D major: III. Scherzo “Kräftig, nicht zu schnell”, Symphony no. 5 in D major: V. Rondo Finale “Allegro giocoso”
Arturo Benedetti Michelangeli balance Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé, Children's Corner: II. Jimbo's Lullaby. Assez modéré, Children's Corner: III. Serenade for the Doll. Allegretto ma non troppo, Children's Corner: IV. The Snow is Dancing. Modérément animé, Children's Corner: V. The Little Shepherd. Très modéré, Children's Corner: VI. Golliwogg's Cake-walk. Allegro giusto, Images 1: I. Reflets dans l'eau. Andantino molto, Images 1: II. Hommage à Rameau. Lent et grave, Images 1: III. Mouvement. Animé, Images 2: I. Cloches à travers les feuilles. Lent, Images 2: II. Et la lune descend sur le temple qui fut. Lent, Images 2: III. Poissons d'or. Animé
Albert Lortzing balance Zar und Zimmermann: Dritter Akt, Finale II, "So scheid' ich denn von euch" (Peter I., Marie, Witwe, Iwanow, van Bett, Chor), Zar und Zimmermann: Dritter Akt, Holzschuhtanz, Zar und Zimmermann: Dritter Akt, Nr. 13, Ensemble "Den hohen Herrscher würdig zu empfangen" (van Bett, Chor), Zar und Zimmermann: Dritter Akt, Nr. 14, Lied "Sonst spielt' ich mit Zepter" (Peter I.), Zar und Zimmermann: Dritter Akt, Nr. 15, Duett "Darf eine niedre Magd es wagen" (Marie, Iwanow), Zar und Zimmermann: Erster Akt, Nr. 1, Introduction "Greifet an und rührt die Hände" (Iwanow, Peter I., Chor), Zar und Zimmermann: Erster Akt, Nr. 2, Ariette "Die Eifersucht ist eine Plage" (Marie, Iwanow), Zar und Zimmermann: Erster Akt, Nr. 4, Arie "O sancta justitia!" (van Bett), Zar und Zimmermann: Erster Akt, Nr. 5, Ensemble "Laßt ruhen, die Arbeit" (Chor, van Bett, Peter I., Iwanow), Zar und Zimmermann: Erster Akt, Nr. 7, Finale I "Lustig zum Tanze" (Chor, Witwe, Marie, Iwanow, Peter I., Marquis), Zar und Zimmermann: Overtüre, Zar und Zimmermann: Zweiter Akt, Nr. 11, Brautlied "Lieblich röten sich die Wangen" (Marie, Chor)
[unknown] recording Lieder und Spielstücke aus dem Glogauer Liederbuch: Al fol, Lieder und Spielstücke aus dem Glogauer Liederbuch: Christ, der ist erstanden, Lieder und Spielstücke aus dem Glogauer Liederbuch: Der phfawn schwantcz, Lieder und Spielstücke aus dem Glogauer Liederbuch: Du lentcze gut, Lieder und Spielstücke aus dem Glogauer Liederbuch: Dy katzen phote, Lieder und Spielstücke aus dem Glogauer Liederbuch: Elzeleyn, lipstis Elzeleyn, Lieder und Spielstücke aus dem Glogauer Liederbuch: Ich bynß erfrewt, Lieder und Spielstücke aus dem Glogauer Liederbuch: O plasmator, Lieder und Spielstücke aus dem Glogauer Liederbuch: Probitate eminentem, Lieder und Spielstücke aus dem Glogauer Liederbuch: Seh hyn meyn hertcz
Stefanie Hearfield balance Eugene Onegin, op. 24, TH.5, Act 1: (Scene 1) Introduction, Eugene Onegin, op. 24, TH.5, Act 1: Ja, ich lieb' Sie, Olga, Eugene Onegin, op. 24, TH.5, Act 1: Sag, wer von beiden ist Tatjana, Eugene Onegin, op. 24, TH.5, Act 1: Sie schrieben mir, Eugene Onegin, op. 24, TH.5, Act 1: Und sei's mein Untergang, Eugene Onegin, op. 24, TH.5, Act 2: Mein Feind! Seid wann trennt unser Leben..., Eugene Onegin, op. 24, TH.5, Act 2: Welch' Festglanz, wie froh sind alle Gäste, Eugene Onegin, op. 24, TH.5, Act 3: (Scene 1) Polonaise, Eugene Onegin, op. 24, TH.5, Act 3: Ein jeder kennt die Lieb' auf Erden, Eugene Onegin, op. 24, TH.5, Act 3: O bang ist mir um's Herz
Joseph Haydn engineer Symphony No. 26 in D minor, "Lamentatione": I. Allegro con spirito, Symphony No. 26 in D minor, "Lamentatione": II. Adagio, Symphony No. 52 in C minor: I. Allegro con brio, Symphony No. 52 in C minor: II. Andante, Symphony No. 52 in C minor: III. Menuetto (Allegro) & trio, Symphony No. 52 in C minor: IV. Finale: Presto, Symphony No. 53 in D major, "Imperial": I. Largo maestoso - Vivace, Symphony No. 53 in D major, "Imperial": II. Andante, Symphony No. 53 in D major, "Imperial": III. Menuetto & trio, Symphony No. 53 in D major, "Imperial": IV. Finale: Capriccio - Moderato
Frank Russell balance Symphonie Nr. 4 d-moll, op. 120: I. Ziemlich langsam - Lebhaft, Symphonie Nr. 4 d-moll, op. 120: II. Romanze (Ziemlich langsam), Symphonie Nr. 4 d-moll, op. 120: III. Scherzo (Lebhaft), Symphonie Nr. 4 d-moll, op. 120: IV. Langsam - Lebhaft, Symphonie nr. 1 B-dur, op. 38 "Frühlings-Symphonie": I. Andante un poco maestoso - Allegro molto vivace, Symphonie nr. 1 B-dur, op. 38 "Frühlings-Symphonie": II. Larghetto - (attacca:), Symphonie nr. 1 B-dur, op. 38 "Frühlings-Symphonie": III. Scherzo. Molto vivace, Symphonie nr. 1 B-dur, op. 38 "Frühlings-Symphonie": IV. Allegro animato e grazioso
Amadeus Quartet balance String Quartet in C major, op. 54 no. 2: I. Vivace, String Quartet in C major, op. 54 no. 2: II. Adagio, String Quartet in C major, op. 54 no. 2: III. Menuetto, String Quartet in C major, op. 54 no. 2: IV. Adagio - Presto - Adagio, String Quartet no. 13 in A minor, D.804 "Rosamunde": I. Allegro ma non troppo, String Quartet no. 13 in A minor, D.804 "Rosamunde": II. Andante, String Quartet no. 13 in A minor, D.804 "Rosamunde": III. Menuetto (Allegretto), String Quartet no. 13 in A minor, D.804 "Rosamunde": IV. Allegro moderato
Casse Culver balance Piano Sonata no. 2 in A-flat, op. 39: 1. Allegro moderato con spirito ed assai legato, Piano Sonata no. 2 in A-flat, op. 39: 2. Andante, Piano Sonata no. 2 in A-flat, op. 39: 3. Menuetto capriccioso (Presto assai), Piano Sonata no. 2 in A-flat, op. 39: 4. Rondo (Moderato e molto grazioso), Piano Sonata no. 3 in D Minor, op. 49: 1. Allegro feroce, Piano Sonata no. 3 in D Minor, op. 49: 2. Andante con moto, Piano Sonata no. 3 in D Minor, op. 49: 3. Rondo. Presto
Tamás Vásáry balance Consolation in D-flat major, S. 172 no. 3, Consolation in E major, S. 172 no. 2, Grandes études de Paganini, S. 141: No. 3. La campanella in G-sharp minor, Hungarian Rhapsody no. 15 in A minor, S. 244 no. 15 "Rákóczi March", Hungarian Rhapsody no. 6 in D-flat major, S. 244, Konzert-Paraphrase über Verdis "Rigoletto", S. 434, Valse-Impromptu, S. 213
Bass Boy balance An die Musik, D. 547, Der Einsame, D. 800, Die schöne Müllerin, D. 795: 1. Das Wandern, Die schöne Müllerin, D. 795: 18. Trockne Blumen, Liebhaber in allen Gestalten, D. 558, Schwanengesang, D. 957: IV. Ständchen
Jess Vincent balance Concerto for Piano and Orchestra in G major: I. Allegramente, Concerto for Piano and Orchestra in G major: II. Adagio assai, Concerto for Piano and Orchestra in G major: III. Presto, Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante - Allegro, Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Thema. Andantino - Variation I. L'istesso tempo - Variation II. Allegro - Variation III. Allegro moderato - Variation IV. Andantino meditativo - Variation V. Allegro giusto - Thema. L'istesso tempo, Concerto for Piano and Orchestra no. 3 in C major, op. 26: III. Allegro ma non troppo
Samson Guevel balance Französische Suite (after Rameau): 1., Französische Suite (after Rameau): 2., Französische Suite (after Rameau): 3., Französische Suite (after Rameau): 4., Französische Suite (after Rameau): 5.
Paige engineer Capricci armonici da chiesa e da camera, Op. 4: Sonata No. 1 in C major for organ & trumpet: I. (Andante), Capricci armonici da chiesa e da camera, Op. 4: Sonata No. 1 in C major for organ & trumpet: II. (Allegro), Capricci armonici da chiesa e da camera, Op. 4: Sonata No. 1 in C major for organ & trumpet: III. (Presto), Capricci armonici da chiesa e da camera, Op. 4: Sonata No. 1 in C major for organ & trumpet: IV. (Allegro), Capricci armonici da chiesa e da camera, Op. 4: Sonata No. 1 in C major for organ & trumpet: V. (Adagio)
Alessandro Scarlatti balance "Se Florindo è fedele" (arr. Alessandro Parisotti), Canzonetta: "Chi vuole innamorarsi" (arr. Félix Lavilla), Le violette: "Rugiadose, odorose violette graziose" (arr. Alessandro Parisotti), Se delitto è l'adorarti: "Qual mia colpa, o sventura" (arr. Alessandro Parisotti)
Alonso Mudarra balance Claros y frescos ríos, Si me llaman a mí, Triste estaua el rey David, Ysabel, perdiste la tu faxa
Wayne Parris balance Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito, Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice, Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco, Piano Concerto no. 1 in B-flat minor, op. 23, TH 55: 1. Allegro non troppo e molto maestoso
Karl Richter engineer Fantasie und Fuge g-Moll, BWV 542, Präludium und Fuge D-dur, BWV 532, Toccata und Fuge d-Moll, BWV 565, Triosonate Nr. 2 c-moll, BWV 526
Still Sane engineer Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio, Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso, Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato, Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato
Colu balance Air in D major, Choral: "Jesus bleibt meine Freude", Suite No. 2 in B minor, BWV 1067: VII. "Badinerie", Tambourin A-dur
Niederländischer Kammerchor balance Symphonie Nr. 9 e-Moll op. 95 »Aus der neuen Welt«: 2. Largo, Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace, Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
ケラケラ engineer Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso, Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto, Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace
Alfonso X el Sabio balance Rosa das rosas, Santa María
Francesco Cavalli balance "Son ancor pergoletta" (arr. Arne Dørumsgaard)", Lamento di Cassandra: "L'alma fiacca scanì" (arr. Raymond Leppard)
Antonio Vivaldi balance "Piango, gemo" (arr. Félix Lavilla), "Un certo non so che" (arr. Alessandro Parisotti)
Monty Babson balance Aus Böhmens Hain und Flur, Má vlast: II. Vltava, JB 1:112/2
Giacomo Carissimi balance "Non, non si speri" (arr. Arne Dørumsgaard)", "Vittoria, mio cuore" (arr. Luigi Dallapiccola)
Juan Vázquez balance En la fuente del rosel (arr. Diego Pisador), Vos me matastes (arr. Miguel de Fuenllana)
Antonio Caldara balance "Come raggio di sol" (arr. Alessandro Parisotti), "Selve amiche" (arr. Luigi Dallapiccola)
Fryderyk Chopin engineer Etude No. 19 in C sharp minor, Op. 25 No. 7, Rondo à la Krakowiak in F major, Op. 14
Giovanni Battista Pergolesi balance "Se tu m'ami" (arr. Alessandro Parisotti), Aria di Martia: "Confusa, smarrita" (arr. Max Spicker)
Luis de Narváez balance Con qué la lavaré
Claude Debussy engineer Syrinx
Miguel de Fuenllana balance Pérdida de antequera
Enríquez de Valderrábano balance De dónde venís, amore?
Paul Smith balance, producer L’Heure espagnole: Introduction
CJ Ginavece balance Trumpet Concerto in D major "Estienne Roger 188": I. Allegro
Esteban Neumann balance Violinkonzert C-Dur, WoO 5
Sergio Pardo engineer Symphony No. 26 in D minor, "Lamentatione": III. Menuet & trio
Bodies Electric balance Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro
Nathan Milstein balance Paganiniana (Variations) for Violin Solo
Berliner Philharmoniker balance Von Himmel hoch, da komm ich her
Luis de Milán balance Toda mi vida os amé
Juan del Encina balance Romerico
Juan de Triana balance Dínos, madre del donsel
Francisco de la Torre balance Dime, triste corazón
[anonymous] balance Dindirindín
Jacques Djeyim balance Zar und Zimmerman: Aufzug II. "Lebe wohl, mein flandrisch Mädchen"
Heinrich Schütz recording 7 Motets From “Geistliche Chormusik”