Neil Hutchinson

balance, editor, mix, recording, engineer, sound

Top collaborators

Artist name Roles Recordings
Jon Antonik (bassist from Long Beach, NY)
Preecha Kungo
Christoph Willibald Gluck
Ralf Kiwit
Sartorius (Chicago, US hip-hop producer/beatmaker)

Work on other artists' recordings

Artist name Roles Recordings
Jon Antonik balance Così fan tutte, K. 588: Act 1 - Scene 3: Ah, non partite!, Così fan tutte, K. 588: Act 1 - Scene 3: Alla bella Despinetta vi presento, amici miei, Così fan tutte, K. 588: Act 1 - Scene 3: Che silenzio! Che aspetto di tristezza, Così fan tutte, K. 588: Act 1 - Scene 3: Che sussurro! Che strepito! Che scompiglio e mai questo?, Così fan tutte, K. 588: Act 1 - Scene 3: Come scoglio immoto resta, Così fan tutte, K. 588: Act 1 - Scene 3: E voi ridete?, Così fan tutte, K. 588: Act 1 - Scene 3: La saria da ridere, Così fan tutte, K. 588: Act 1 - Scene 3: Non siate ritrosi, occhietti vezzosi, Così fan tutte, K. 588: Act 1 - Scene 3: Si puo sapere un poco la cagion di quel riso?, Così fan tutte, K. 588: Act 1 - Scene 3: Temerari! Sortite fuori di questo loco!, Così fan tutte, K. 588: Act 1 - Scene 3: Un aura amorosa del nostro tesoro, Così fan tutte, K. 588: Act 1 - Scene 4: Ah, che tutta in un momento si cangio la sorte mia!, Così fan tutte, K. 588: Act 1 - Scene 4: Dammi un bacio, o mio tesoro, Così fan tutte, K. 588: Act 1 - Scene 4: Eccovi il medico, signore belle!, Così fan tutte, K. 588: Act 1 - Scene 4: Si mora, si, si mora, Così fan tutte, K. 588: Act 1 Scene 1. E la fede delle femmine come l'araba fenice, Così fan tutte, K. 588: Act 1 Scene 1. Fuot la spada! Scegliete qual di noi pu vi piace, Così fan tutte, K. 588: Act 1 Scene 1. La mia Dorabella capace non e, Così fan tutte, K. 588: Act 1 Scene 1. Scioccherie di poeti!, Così fan tutte, K. 588: Act 1 Scene 1. Una bella serenata far io voglio alla mia dea, Così fan tutte, K. 588: Act 1 Scene 2. Ah guarda, sorella, Così fan tutte, K. 588: Act 1 Scene 2. Al fato dan legge quegli occhi vezzosi, Così fan tutte, K. 588: Act 1 Scene 2. Bella vita militar, Così fan tutte, K. 588: Act 1 Scene 2. Bella vita militar!, Così fan tutte, K. 588: Act 1 Scene 2. Di scrivermi ogni giorno, Così fan tutte, K. 588: Act 1 Scene 2. Dove son?, Così fan tutte, K. 588: Act 1 Scene 2. La commedia e graziosa, Così fan tutte, K. 588: Act 1 Scene 2. Mi par, che stamattina volentieri farei la pazzarelli, Così fan tutte, K. 588: Act 1 Scene 2. Non Sono cattivo comico! ... Nel, Così fan tutte, K. 588: Act 1 Scene 2. Non piangere, idol mio!, Così fan tutte, K. 588: Act 1 Scene 2. Non v'e piu tempo amici, Così fan tutte, K. 588: Act 1 Scene 2. Sento o Dio, che questo piede, Così fan tutte, K. 588: Act 1 Scene 2. Stelle! Per carita, signor Alfonso, Così fan tutte, K. 588: Act 1 Scene 2. Vorrei dir, e cor non ho, Così fan tutte, K. 588: Act 1 Scene 3. Ah, non partite, Così fan tutte, K. 588: Act 1 Scene 3. Che vit maledetta e il far la cameriera!, Così fan tutte, K. 588: Act 1 Scene 3. In uomini, in soldati sepre fedelta, Così fan tutte, K. 588: Act 1 Scene 3. Signora Dorabelle signora Fiordiligi, Così fan tutte, K. 588: Act 1 Scene 3. Smanie implacabili, Così fan tutte, K. 588: Act 2 - Scene 1: Ah, correte al giardino, Così fan tutte, K. 588: Act 2 - Scene 1: Andate la, che siete due bizzarre ragazze, Così fan tutte, K. 588: Act 2 - Scene 1: Prendero quel brunettino, Così fan tutte, K. 588: Act 2 - Scene 1: Sorella, cosa dici?, Così fan tutte, K. 588: Act 2 - Scene 1: Una donna a quindici anni, Così fan tutte, K. 588: Act 2 - Scene 2: Ah! Lo veggio, quell'anima bella, Così fan tutte, K. 588: Act 2 - Scene 2: Amico, abbiamo vinto!, Così fan tutte, K. 588: Act 2 - Scene 2: Barbara! Perché fuggi?, Così fan tutte, K. 588: Act 2 - Scene 2: Bravo! Questa e costanza!, Così fan tutte, K. 588: Act 2 - Scene 2: Donne mie, la fate a tanti, Così fan tutte, K. 588: Act 2 - Scene 2: Ei parte...senti...ah no!, Così fan tutte, K. 588: Act 2 - Scene 2: Il core vi dono, bell'idiolo mio, Così fan tutte, K. 588: Act 2 - Scene 2: Il tutto deponete sopra quei tavolini, Così fan tutte, K. 588: Act 2 - Scene 2: In qual fiero contrasto, Così fan tutte, K. 588: Act 2 - Scene 2: La mano a me date. Movetevi un po!, Così fan tutte, K. 588: Act 2 - Scene 2: Oh che bella giornata!, Così fan tutte, K. 588: Act 2 - Scene 2: Per pieta, ben mio, perdona all'error, Così fan tutte, K. 588: Act 2 - Scene 2: Secondate, aurette amiche, Così fan tutte, K. 588: Act 2 - Scene 2: Tradito, schernito dal perfido cor, Così fan tutte, K. 588: Act 2 - Scene 3: Ah, poveretto me, cosa ho veduto!, Così fan tutte, K. 588: Act 2 - Scene 3: Come tutto congiura a sedurre il mio cor!, Così fan tutte, K. 588: Act 2 - Scene 3: E Amore un ladroncello, Così fan tutte, K. 588: Act 2 - Scene 3: Fra gli amplessi in pochi istanti, Così fan tutte, K. 588: Act 2 - Scene 3: Ora vedo che siete una donna di garbo, Così fan tutte, K. 588: Act 2 - Scene 3: Tutti accusan le donne, Così fan tutte, K. 588: Act 2 - Scene 3: Vittoria, padroncini!, Così fan tutte, K. 588: Act 2 - Scene 4: Benedetti i doppi coniugi, Così fan tutte, K. 588: Act 2 - Scene 4: E nel tuo, nel mio bicchiero, Così fan tutte, K. 588: Act 2 - Scene 4: Fate presto, o cari amici, Così fan tutte, K. 588: Act 2 - Scene 4: Fortunato l'uom che prende ogni cosa pel buon verso, Così fan tutte, K. 588: Act 2 - Scene 4: Miei signori, tutto e fatto, Così fan tutte, K. 588: Act 2 - Scene 4: Sani e salvi agli amplessi amorosi, Così fan tutte, K. 588: Act 2 - Scene 4: V'ingannai, ma fu l'inganno, Così fan tutte, K. 588: Ouvertura
Preecha Kungo balance, engineer Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Christoph Willibald Gluck balance Paride ed Elena, Appendice: "Altri mai da ignota sponda" (Amore), Paride ed Elena, Appendice: "Presto fugge la beltà" (Amore), Paride ed Elena, Appendice: "Sempre a te sarò fedele" (Paride, Elena), Paride ed Elena, Appendice: "Vieni al mar" (Coro), Paride ed Elena, Appendice: "Vieni al mar" [III] (Coro), Paride ed Elena, Appendice: "Vieni al mar" [II] (Coro), Paride ed Elena, Appendice: Sinfonia: Allegro, Paride ed Elena, Appendice: Sinfonia: Andante, Paride ed Elena, Atto I, Scena I: "Dall'aurea sua stella" (Un Trojano), Paride ed Elena, Atto I, Scena I: "Non sdegnare" (Coro, un Trojano), Paride ed Elena, Atto I, Scena I: "O del mio dolce ardor" (Paride), Paride ed Elena, Atto I, Scena I: "Spiagge amate" (Paride, un Trojano), Paride ed Elena, Atto I, Scena I: Ballo, Paride ed Elena, Atto I, Scena II: "Ma, chi sei" (Paride, Amore), Paride ed Elena, Atto I, Scena II: "Stranier, la mia Regina a te m'invia" (Amore, Paride), Paride ed Elena, Atto I, Scena III: "Felice te" (Amore), Paride ed Elena, Atto I, Scena III: "Nell'idea ch'ei volge" (Amore), Paride ed Elena, Atto I, Scena III: Ballo I, Paride ed Elena, Atto I, Scena III: Ballo II, Paride ed Elena, Atto I, Scena III: Ballo III, Paride ed Elena, Atto I, Scena III: Ballo IV, Paride ed Elena, Atto I, Scena III: Ballo V, Paride ed Elena, Atto II, Scena I: "Si presenti" (Elena, Amore), Paride ed Elena, Atto II, Scena II: "Forse più d'una beltà" (Elena, Paride, Amore), Paride ed Elena, Atto II, Scena II: "Regina!" (Paride, Elena, Amore), Paride ed Elena, Atto II, Scena III: "La belle immagini" (Paride), Paride ed Elena, Atto II, Scena III: "Tutto qui me sorprende" (Paride), Paride ed Elena, Atto III, Scena I: "Dalla reggia rilucente scendi a noi" (Coro), Paride ed Elena, Atto III, Scena I: "Fingere più non so" (Paride, Elena), Paride ed Elena, Atto III, Scena I: "Lodi al nume" (Coro), Paride ed Elena, Atto III, Scena I: "Negli strali, nell'arco possente" (Solo, Coro), Paride ed Elena, Atto III, Scena I: "Non più! Misero!" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Non più" (Elena), Paride ed Elena, Atto III, Scena I: "Per te, signor" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Prence, la tua presenza" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Quegli occhi belli" (Paride, Elena, Amore), Paride ed Elena, Atto III, Scena I: Ballo, Paride ed Elena, Atto III, Scena I: Sinfonia, Paride ed Elena, Atto IV, Scena I: "Temerario!" (Elena), Paride ed Elena, Atto IV, Scena II: "Ah, lo veggo" (Elena, Paride, Amore), Paride ed Elena, Atto IV, Scena II: "Non lontana" (Elena, Paride), Paride ed Elena, Atto IV, Scena II: "Vengo, o Regina!" (Elena, Amore, Paride), Paride ed Elena, Atto IV, Scena III: "Di te scordarmi, e vivere!" (Paride), Paride ed Elena, Atto IV, Scena III: "Si, spietata" (Elena, Paride), Paride ed Elena, Atto IV, Scena IV: "Lo potrò" (Elena), Paride ed Elena, Atto IV, Scena IV: "Lo temei" (Elena), Paride ed Elena, Atto V, Scena I: "Consolati, o Regina" (Amore, Elena), Paride ed Elena, Atto V, Scena I: "Donzelle semplici" (Elena), Paride ed Elena, Atto V, Scena I: "Elena a me s'asconde!" (Amore, Elena), Paride ed Elena, Atto V, Scena II: "Opportuno giungesti" (Amore, Elena, Paride), Paride ed Elena, Atto V, Scena III: "T'inganni, il tuo destino" (Pallade), Paride ed Elena, Atto V, Scena III: "Va coll'amata in seno" (Pallade, Coro), Paride ed Elena, Atto V, Scena IV: "Che udii?" (Elena, Paride, Amore), Paride ed Elena, Atto V, Scena IV: "Sempre a te sarò fedele" (Elena, Paride, Amore), Paride ed Elena, Atto V, Scena V: "Altri mai da ignota sponda" (Amore), Paride ed Elena, Atto V, Scena V: "Presto fugge la beltà" (Amore), Paride ed Elena, Atto V, Scena V: "Sempre a te sarò fedele" (Paride, Elena), Paride ed Elena, Atto V, Scena V: "Vieni al mar" (Coro), Paride ed Elena, Atto V, Scena V: Sinfonia: Allegro, Paride ed Elena, Atto V, Scena V: Sinfonia: Andante, Paride ed Elena: Overtura
Ralf Kiwit balance Enigma Variations, op. 36: (***), Enigma Variations, op. 36: BGN, Enigma Variations, op. 36: CAE, Enigma Variations, op. 36: Dorabella, Enigma Variations, op. 36: EDU, Enigma Variations, op. 36: GRS, Enigma Variations, op. 36: HDS-P, Enigma Variations, op. 36: Nimrod, Enigma Variations, op. 36: RBT, Enigma Variations, op. 36: RPA, Enigma Variations, op. 36: Theme, Enigma Variations, op. 36: Troyte, Enigma Variations, op. 36: WMB, Enigma Variations, op. 36: WN, Enigma Variations, op. 36: Ysobel, Introduction and Allegro for Strings, op. 47, Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso, Symphony no. 1 in G minor, op. 7: II. Andante, Symphony no. 1 in G minor, op. 7: III. Allegro comodo, Symphony no. 1 in G minor, op. 7: IV. Finale. Allegro con fuoco, Symphony no. 1: I. Allegro assai, Symphony no. 1: II. Scherzo: Presto, con malizia, Symphony no. 1: III. Andante con malincolia, Symphony no. 1: IV. Maestoso - Brio ed ardentemente vivacissimo maestoso, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato allegro, ma non tanto, Symphony no. 4 “The Inextinguishable”: I. Allegro, Symphony no. 4 “The Inextinguishable”: II. Poco allegretto, Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante, Symphony no. 4 “The Inextinguishable”: IV. Allegro, Symphony no. 6 “Sinfonia semplice": I. Tempo giusto, Symphony no. 6 “Sinfonia semplice": II. Humoreske: Allegretto, Symphony no. 6 “Sinfonia semplice": III. Proposta seria: Adagio, Symphony no. 6 “Sinfonia semplice": IV. Tema con variazioni, Symphony no. 7 in C major, op. 105, The Dream of Gerontius (1900): Part 1, 01. Prelude, The Dream of Gerontius (1900): Part 1, 02. Jesu, Maria — I am near to death (Gerontius), The Dream of Gerontius (1900): Part 1, 03. Kyrie eleison ... Holy Mary, pray for him (semi-chorus, chorus), The Dream of Gerontius (1900): Part 1, 04. Rouse thee, my fainting soul (Gerontius), The Dream of Gerontius (1900): Part 1, 05. Be merciful, be gracious (chorus), The Dream of Gerontius (1900): Part 1, 06. Sanctus fortis, Sanctus Deus (Gerontius), The Dream of Gerontius (1900): Part 1, 07. I can no more (Gerontius), The Dream of Gerontius (1900): Part 1, 08. Rescue him, O lord (Gerontius, chorus, semi-chorus), The Dream of Gerontius (1900): Part 1, 09. Novissima hora est (Gerontius), The Dream of Gerontius (1900): Part 1, 10. Profisciscere, anima Christiana (priest), The Dream of Gerontius (1900): Part 1, 11. Go, in the name of angels and archangels (chorus, priest, semi-chorus)
Sartorius balance, editor, recording Russia, Stabat Mater: I. Stała Matka bolejąca (Stabat mater dolorosa), Stabat Mater: II. I któż widział tak cierpiącą (Quis est homo qui non fleret), Stabat Mater: III. O Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris), Stabat Mater: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere), Stabat Mater: V. Panno słodka racz mozołem (Virgo virginum praeclara), Stabat Mater: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire), Symphony no 3: I. Lento – Allegro moderato - Allegro, Symphony no 3: II. Adagio ma non troppo - Allegro vivace, Symphony no 3: III. Allegro – Allegro vivace – Allegro (Tempo primo) – Allegretto - Allegro vivace, Symphony no. 1 in D minor, op. 13: I. Grave - Allegro non troppo, Symphony no. 1 in D minor, op. 13: II. Allegro animato, Symphony no. 1 in D minor, op. 13: III. Larghetto, Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco, Symphony no. 1 in E major, op. 26: I. Lento, Symphony no. 1 in E major, op. 26: II. Allegro drammatico, Symphony no. 1 in E major, op. 26: III. Lento, Symphony no. 1 in E major, op. 26: IV. Vivace, Symphony no. 1 in E major, op. 26: V. Allegro, Symphony no. 3: I. Allegro con brio, Symphony no. 3: I. Moderato assai, Symphony no. 3: II. Allegretto tranquillo, Symphony no. 3: II. Andante, Symphony no. 3: III. Largo, Symphony no. 3: III. Poco allegretto, Symphony no. 3: IV. Allegro, Symphony no. 4: I. Allegro non troppo, Symphony no. 4: I. Moderato, Symphony no. 4: II. Andante moderato, Symphony no. 4: II. Andante molto sostenuto, Symphony no. 4: III. Allegro giocoso, Symphony no. 4: III. Allegro non troppo, Symphony no. 4: IV. Allegro energico e passionato, Symphony no. 6 in A minor: I. Allegro energico, ma non troppo, Symphony no. 6 in A minor: II. Andante moderato, Symphony no. 6 in A minor: IV. Finale. Allegro moderato, Tamara
So This Is Suffering editor The Turn of the Screw: Act I: Prologue, The Turn of the Screw: Act I: Scene I. The Journey, The Turn of the Screw: Act I: Scene II. The Welcome, The Turn of the Screw: Act I: Scene III. The Letter, The Turn of the Screw: Act I: Scene IV. The Tower, The Turn of the Screw: Act I: Scene V. The Window, The Turn of the Screw: Act I: Scene VI. The Lesson, The Turn of the Screw: Act I: Scene VII. The Lake, The Turn of the Screw: Act I: Scene VIII. At Night, The Turn of the Screw: Act I: Theme, The Turn of the Screw: Act I: Variation I, The Turn of the Screw: Act I: Variation II, The Turn of the Screw: Act I: Variation III, The Turn of the Screw: Act I: Variation IV, The Turn of the Screw: Act I: Variation V, The Turn of the Screw: Act I: Variation VI, The Turn of the Screw: Act I: Variation VII, The Turn of the Screw: Act II: Scene I. Colloquy and Soliloquy, The Turn of the Screw: Act II: Scene II. The Bells, The Turn of the Screw: Act II: Scene III. Miss Jessel, The Turn of the Screw: Act II: Scene IV. The Bedroom, The Turn of the Screw: Act II: Scene V. Quint, The Turn of the Screw: Act II: Scene VI. The Piano, The Turn of the Screw: Act II: Scene VII. Flora, The Turn of the Screw: Act II: Scene VIII. Miles, The Turn of the Screw: Act II: Variation IX, The Turn of the Screw: Act II: Variation VIII, The Turn of the Screw: Act II: Variation X, The Turn of the Screw: Act II: Variation XI, The Turn of the Screw: Act II: Variation XII, The Turn of the Screw: Act II: Variation XIII, The Turn of the Screw: Act II: Variation XIV, The Turn of the Screw: Act II: Variation XV
Richard Wagner editor, mix Ach! Ach! Tiefe Nacht!, Amfortas! Die Wunde! Die Wunde!, Die Zeit ist da. Schon lockt mein Zauberschloss den Toren., Dies alles hab' ich nun getraeumt?, Du siehst, das ist nicht so., Enthuellet den Gral!, Geleiten wir im bergenden Schrein., Grausamer! Fuehlst du im Herzen nur and'rer Schmerzen., He! Ho! Waldhueter ihr!, Heil dir, mein Gast!, Heil mir, dass ich dich wiederfinde!, Hier war das Tosen! Hier, hier!, Hoechsten heiles Wunder!, Ich sah das Kind an seiner Mutter Brust, Komm'! Komm'! Holder Knabe!, Mein Sohn, Amfortas, bist du am Amt?, Mittag. Die Stund' ist da., Nicht Dankt! Ha, ha! Was wird es helfen?, Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad., Nun achte wohl, und lass mich seh'n., Nun sag': nichts weisst du, was ich dich frage., Nur eine Waffe taugt, O wunden-wundervoller heiliger Speer!, Parsifal! Weile!, Recht so! Habt Dank! Ein wenig Rast., Titurel, der fromme Held, der kannt' ihn wohl., Vergeh, unseliges Weib!, Verwandlungsmusik (Transformation Music), Vom Bade kehrt der Koenig heim., Von dorther kam das Stoehen., Weh'! Weh'! Hoho! Auf! Wer ist der Frevler?, Wehe! Wehe! Was tat ich? Wo war ich?, Wein und Brot des letzten Mahles
Jules Massenet editor Don Quichotte: Acte I. "Ah ! Ah ! C'est vous qui lanciez", Don Quichotte: Acte I. "Allégresse !", Don Quichotte: Acte I. "Alza !", Don Quichotte: Acte I. "C'est merveille de voir", Don Quichotte: Acte I. "Dulcinée est jolie", Don Quichotte: Acte I. "O dulcinée", Don Quichotte: Acte I. "Quand apparaissent les étoiles", Don Quichotte: Acte I. "Quand la femme a vingt ans", Don Quichotte: Acte I. "Vous êtes, monseigneur", Don Quichotte: Acte II. "C'est vers ton amour", Don Quichotte: Acte II. "Comment peut-on penser du bien", Don Quichotte: Acte II. "Regarde !", Don Quichotte: Acte III. "Ah ! Voir un corps long", Don Quichotte: Acte III. "C'est ici le chemin", Don Quichotte: Acte III. "O mes rêves divins !", Don Quichotte: Acte III. "Seigneur, reçois mon âme", Don Quichotte: Acte IV. "Ah ! J'ai en ce moment le désir d'autre chose", Don Quichotte: Acte IV. "Alors, traîtresse", Don Quichotte: Acte IV. "Alza ! Ne pensons qu'au plaisir d'aimer", Don Quichotte: Acte IV. "Announce le grand don quichotte", Don Quichotte: Acte IV. "Enfin, te revoilà !", Don Quichotte: Acte IV. "Marchez dans mon chemin", Don Quichotte: Acte IV. "Me marier, moi !", Don Quichotte: Acte IV. "On ne s'explique pas", Don Quichotte: Acte IV. "Riez, allez !", Don Quichotte: Acte V. "L'étoile !", Don Quichotte: Acte V. "Oui ! Je fus le chef", Don Quichotte: Acte V. "Ô mon maître !", Don Quichotte: Deuxième (interlude), Don Quichotte: Premier interlude
Katy Cowan balance Humoreske, op. 20: Einfach - Sehr rasch und leicht - Noch rascher - Erstes Tempo - Wie im Anfang, Humoreske, op. 20: Einfach und zart - Intermezzo, Humoreske, op. 20: III. Hastig - Nach und nach immer lebhafter und starker - Wie vorher - Adagio, Humoreske, op. 20: VI. Innig, Humoreske, op. 20: VII. Sehr lebhaft - Stretto - Mit einigem Pomp, Humoreske, op. 20: VIII.Zum Beschluss - Adagio - Allegro, Kinderszenen, op. 15: I. Von fremden Ländern und Menschen, Kinderszenen, op. 15: II. Kuriose Geschichte, Kinderszenen, op. 15: III. Hasche-Mann, Kinderszenen, op. 15: IV. Bittendes Kind, Kinderszenen, op. 15: IX. Ritter vom Steckenpferd, Kinderszenen, op. 15: V. Glückes genug, Kinderszenen, op. 15: VI. Wichtige Begebenheit, Kinderszenen, op. 15: VII. Am Kamin, Kinderszenen, op. 15: VII. Träumerei, Kinderszenen, op. 15: X. Fast zu ernst, Kinderszenen, op. 15: XI. Fürchtenmachen, Kinderszenen, op. 15: XII. Kind im Einschlummern, Kinderszenen, op. 15: XIII. Der Dichter spricht, Kreisleriana, op. 16: I. Äußerst bewegt, Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch, Kreisleriana, op. 16: III. Sehr aufgeregt, Kreisleriana, op. 16: IV. Sehr langsam, Kreisleriana, op. 16: V. Sehr lebhaft, Kreisleriana, op. 16: VI. Sehr langsam, Kreisleriana, op. 16: VII. Sehr rasch, Kreisleriana, op. 16: VIII. Schnell und spielend
Luis Conti Orchestra balance Eine Alpensinfonie: Am Wasserfall, Eine Alpensinfonie: Auf blumigen Wiesen, Eine Alpensinfonie: Auf dem Gipfel, Eine Alpensinfonie: Auf dem Gletscher, Eine Alpensinfonie: Auf der Alm, Eine Alpensinfonie: Ausklang, Eine Alpensinfonie: Der Anstieg, Eine Alpensinfonie: Die Sonne verdustert sich allmahlich, Eine Alpensinfonie: Durch Dickicht und Gestrupp auf Irrwegen, Eine Alpensinfonie: Eintritt in der Wald, Eine Alpensinfonie: Elegie, Eine Alpensinfonie: Erscheinung, Eine Alpensinfonie: Gefahrvolle Augenblicke, Eine Alpensinfonie: Gewitter und Sturm, Abstieg, Eine Alpensinfonie: Nacht, Eine Alpensinfonie: Nebel steigen auf, Eine Alpensinfonie: Sonnenaufgang, Eine Alpensinfonie: Sonnenuntergang, Eine Alpensinfonie: Still von dem Sturm, Eine Alpensinfonie: Vision, Eine Alpensinfonie: Wanderung neben dem Bache
Kavon Salyer balance The Dream of Gerontius: Part Two: And now the threshold as we traverse it, The Dream of Gerontius: Part Two: But Hark! a grand mysterious harmony, The Dream of Gerontius: Part Two: Glory to Him, The Dream of Gerontius: Part Two: I see not those false spirits, The Dream of Gerontius: Part Two: I went to sleep, The Dream of Gerontius: Part Two: Jesu! by that shuddering dread, The Dream of Gerontius: Part Two: Lord, thou hast been our refuge, The Dream of Gerontius: Part Two: Low-born clouds of brute earth, The Dream of Gerontius: Part Two: My work is done, The Dream of Gerontius: Part Two: Praise to His name, The Dream of Gerontius: Part Two: Praise to the Holiest, The Dream of Gerontius: Part Two: Praise to the Holiest in the height, The Dream of Gerontius: Part Two: Prelude, The Dream of Gerontius: Part Two: Softly and gently, dearly-ransomed soul, The Dream of Gerontius: Part Two: Take me away, The Dream of Gerontius: Part Two: The mind bold and independent, The Dream of Gerontius: Part Two: Thy judgement is now near
Owen Knight balance A Child of Our Time: No 16. A Spiritual, Nobody Knows the Trouble I See, Lord, A Child of Our Time: No 21. A Spiritual of Anger, Go Down Moses, A Child of Our Time: No 25. A Spiritual, O, By and By, A Child of Our Time: No 28. Scene, the Words of Wisdom Are These - Praeludium, A Child of Our Time: No 29. General Ensemble, I Would Know My Shadow and My Light, A Child of Our Time: No 30. A Spiritual, Deep River, A Child of Our Time: No 8. A Spiritual, Steal Away, A Child of Our Time: Nos 1-2. The World Turns On Its Dark Side: Interludium, A Child of Our Time: Nos 17-20. Scene, the Boy Becomes Desperate In His Agony - Men Were Ashamed of What Was Done, A Child of Our Time: Nos 22-24. The Boy Sings In His Prison, My Dreams Are All Shattered - the Dark Forces Rise, A Child of Our Time: Nos 26-27. The Cold Deepens, the Soul of Man, A Child of Our Time: Nos 3-5. Scene: Is Evil Then Good?: Chorus of the Oppressed, When Shall the Userers' City Cease, A Child of Our Time: Nos 6-7. I Have No Money for My Bread - How Can I Cherish My Man In Such Days, A Child of Our Time: Nos 9-15. A Star Rises in Mid-Winter - Scene, O My Son!
Calvin Joss balance [A Vision of Paradise] Bring us, O Lord God, [A Vision of Paradise] In paradisum, [A Vision of Paradise] Nunc dimittis, [A Vision of Paradise] Take him, Earth, for cherishing, [In Ora Mortis Nostrae] Miserere nostri, [Media Vita In Morte Sumus] Christe qui lux es et dies, [Media Vita In Morte Sumus] Media vita in morte sumus, [Requiem Aeternam] A Good-Night, [Requiem Aeternam] In pace in idipsum, [Requiem Aeternam] Song for Athene, [The Pilgrim's Journey] A hymn to the Virgin, [The Pilgrim's Journey] Ave Maria, [The Pilgrim's Journey] Jacet granum - Clangat pastor
Joseph Meyers balance, editor, mix, recording A Midsummer Night’s Dream: Incidental Music, op. 61: No. 7. Nocturne (Con moto tranquillo), Overture: A Midsummer Night’s Dream, op. 21, Overture: Calm Sea and Prosperous Voyage, Overture: Ruy Blas, Overture: The Hebrides, Symphony no. 3 in A minor: I. Andante con moto - Allegro un poco agitato, Symphony no. 3 in A minor: II. Vivace non troppo, Symphony no. 3 in A minor: III. Adagio, Symphony no. 3 in A minor: IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 5 "Reformation": I. Andante – Allegro con fuoco, Symphony no. 5 "Reformation": II. Allegro vivace, Symphony no. 5 "Reformation": III. Adagio, Symphony no. 5 "Reformation": IV. Choral: Ein' feste Brug ist unser Gott: Andante con moto - Allegro maestoso
Leon Williams balance, engineer Symphony no. 2 in E minor, op. 27: I. Largo — Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 6 in A minor: III. Scherzo. Wuchtig, Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco, Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato, Symphony no. 7 in E minor: III. Scherzo: Schattenahft, Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico
David Garrett balance Caprice Viennoise, op. 2, Concerto for Violin and Orchestra in D, op. 61: I. Allegro ma non troppo, Concerto for Violin and Orchestra in D, op. 61: II. Larghetto, Concerto for Violin and Orchestra in D, op. 61: III. Rondo (Allegro), Liebesleid, Praeludium and Allegro in the style of Pugnani, Rhapsody on a Theme of Paganini, op. 43 - Arr Franck Van Der Heijden - Variation 18, Romance: Larghetto on a theme by Carl Maria Von Weber, Tambourin Chinois, op. 3, Variations on a theme of Corelli in the style of Tartini
Cyril Coppini balance Circus World: The John 'Duke' Wayne March, Cyrano de Bergerac: Overture, Friendly Persuasion: The Fair, Hitchcock Suite: Dial M for Murder and Strangers on a Train, The Alamo: Suite: I. Overture / II. Davy Crockett / III. Battle / IV. Epilogue, The Fall of the Roman Empire: The Fall of Love (instrumental Theme), The Four Poster: Overture, The High and the Mighty: Suite, The Old Man and the Sea: Theme, Cubana and Finale, The Sundowners: Theme
Die System editor, mix Ja! Wehe! Wehe! Weh' ueber mich!, Prelude, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro, Symphony no. 3 in E flat major, op. 20 "The First of May": I. Allegretto, Symphony no. 3 in E flat major, op. 20 "The First of May": II. Allegro, Vorspiel
Svene balance Hymnus amoris: I. Amor mihi vitam donat, Hymnus amoris: II. Amor est dolor meus, Hymnus amoris: III. Amor est pax mea, Little Suite: I. Präludium, Little Suite: II. Intermezzo, Little Suite: III. Finale
Tibor de Machula balance Symphony no. 8 in C minor, op. 65: I. Adagio – Allegro non troppo, Symphony no. 8 in C minor, op. 65: II. Allegretto, Symphony no. 8 in C minor, op. 65: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65: IV. Largo, Symphony no. 8 in C minor, op. 65: V. Allegretto
Actual Bank Robbers balance, engineer Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, St. Matthew Passion, BWV 244: Teil II, No. 60. Aria (Alto I) "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Teil II, No. 61. "Und von der sechsten Stunde an" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 62. Choral "Wenn ich einmal soll scheiden"
Los Yungas balance St. Matthew Passion, BWV 244: Teil II, No. 56. Recitativo (Bass I) "Ja freilich will in uns das Fleisch und Blut", St. Matthew Passion, BWV 244: Teil II, No. 57. Aria (Bass I) "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Teil II, No. 64. Recitativo (Bass I) "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Teil II, No. 65. Aria (Bass I) "Mache dich, mein Herze, rein"
キララ balance Symphony No. 8 in C minor: I. Allegro moderato, Symphony No. 8 in C minor: II. Scherzo: Allegro moderato, Symphony No. 8 in C minor: III. Adagio - feierlich langsam; doch nicht schleppend, Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell
Rapdisup balance St. Matthew Passion, BWV 244: Teil I, No. 2. "Da Jesus diese Rede vollendet hatte" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 21. "Und ging hin ein wenig" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 28. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 43. "Sie hielten aber einen Rat" (Evangelista)
Seldom Colin recording Piano Concerto in G minor, op. 33: I. Allegro agitato, Piano Concerto in G minor, op. 33: II. Andante sostenuto, Piano Concerto in G minor, op. 33: III. Allegro con fuoco
Frederick Fiddmont recording Piano concerto in A minor: I. Allegro affettuoso, Piano concerto in A minor: II. Intermezzo grazioso, Piano concerto in A minor: III. Allegro vivace
阿 balance St. Matthew Passion, BWV 244: Teil I, No. 12. Recitativo (Soprano I) "Wiewohl mein Herz in Tränen schwimmt", St. Matthew Passion, BWV 244: Teil I, No. 13. Aria (Soprano I) "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Teil II, No. 48. Recitativo (Soprano I) "Er hat uns allen wohlgetan"
BxPsoundsistema balance Land of the Pharaohs: Theme and Pharaoh's Procession, Wild Is the Wind: Theme
Giraut de Bornelh balance Reis glorios, verais lums e clartatz, S'ie-us quer conselh, bell'ami' Almanda
Vera de Jong balance St. Matthew Passion, BWV 244: Teil II, No. 51. Recitativo (Alto II) "Erbarm es Gott!", St. Matthew Passion, BWV 244: Teil II, No. 52. Aria (Alto II) "Können Tränen meiner Wangen"
Антон Гореликов balance Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria (Soprano) "Weichet nur, betrübte Schatten", Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Aria (Soprano) "Sehet in Zufriedenheit"
Fred and Flow balance St. Matthew Passion, BWV 244: Teil I, No. 24. "Und er kam zu seinen Jüngern" (Evangelista)
Ludiwine Sabalot balance Deus est ausi comme li pellicans
Bernart de Ventadorn balance Can vei lauzeta mover
MaryAnn Spiegel balance A chantar m'er de so qu'ieu non volria
Moreish engineer Beatus est et bene tibi a 4
Mustapha El Mohamend balance St. Matthew Passion, BWV 244: Teil II, No. 55. "Und da sie ihn verspottet hatten" (Evangelista)
Gaucelm Faidit balance Fortz chausa es que tot lo major dan
Club Privé sound Requiem, op. 48: Libera me
Haydar Bey balance Desconfortez, plains d'ire et de pesance
Irma engineer Tiento para órgano: Verso II, glosade en el tiple, tono V
Jane Sapp balance Trop est mes maris jalos
Richart de Fournival balance Onques n'amai tant que jou fui amee
Jaufré Rudel balance Lanquan li jorn son lonc en may
Johnny Phrank balance Giant: Suite: I. Prelude / II. There's Never Been Anyone Else but You / III. Finale
Betsy Kingston & the Crowns engineer Tiento para órgano: Tantum ergo sacramentum a 4
Sven Andersson III balance St. Matthew Passion, BWV 244: Teil II, No. 34. Recitativo (Tenor II) "Mein Jesus schweigt falschen Lügen stille"
DJ Cyco balance High Noon: Do Not Forsake Me
This Party balance St. Matthew Passion, BWV 244: Teil II, No. 31. "Die aber Jesum gegriffen hatten" (Evangelista)
한의수 engineer Tiento para órganos: Pange lingua gloriosa
Desert Catz balance St. Matthew Passion, BWV 244: Teil I, No. 8. Aria (Soprano II) "Blute nur, du liebes Herz!"
[anonymous] balance Bele Yolanz en ses chambres seoit
Audefroi le Bastart balance Fine amours en esperance
みーちゃん balance Friendly Persuasion: Thee I Love
Antonio Greco balance St. Matthew Passion, BWV 244: Teil I, No. 25. Choral "Was mein Gott will, das g'scheh allzeit"
川村ケン balance Tuning Up
Doley Bernays balance Rawhide: Theme
최원선 balance St. Matthew Passion, BWV 244: Teil I, No. 18. "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista)
Kbob balance St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder"