Musical Bacon: Sharod Stevens

Top collaborators

Artist name	Roles	Recordings
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976)	performing orchestra	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Academic Festival Overture, op. 80, Academic Festival-Overture, op. 80, Adagio and Fugue in C minor, K.546, Akademische Festouvertüre op. 80, Concerto grosso in A minor, op. 6 no. 4: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4: II. Allegro, Concerto grosso in A minor, op. 6 no. 4: III. Largo, Concerto grosso in A minor, op. 6 no. 4: IV. Allegro, Coriolan, Op. 62: Overture, Coriolano, Op. 62: Ouverture, Così fan tutte: Overture, Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Der Freischütz: Overture, Der fliegender Holländer: Overture, Die Entführung aus dem Serail, K. 384: Ouvertüre, Die Fledermaus: Overture, Die Geschöpfe des Prometheus - Ballet Op. 43: Overture, Die Geschöpfe des Prometheus Op. 43 - Overture, Die Meistersinger von Nürnberg: Dance of the Apprentices & Entry of the Masters, Die Meistersinger von Nürnberg: Prelude, Die Weihe des Hauses Op. 124 - Overture, Die Weihe des Hauses op. 124 - Overture, Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester), Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken", Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen", Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!", Die Zauberflöte, K. 620: Ouvertüre, Die Zauberflöte: Act 1. Bei Männern, welche Liebe fühlen, Die Zauberflöte: Act 1. Der Vogelfänger bin ich ja, Die Zauberflöte: Act 1. Dies Bildnis ist bezaubernd schön, Die Zauberflöte: Act 1. Hm, hm, hm, Die Zauberflöte: Act 1. O zittre nicht, Die Zauberflöte: Act 2. Ach, ich fühl's, Die Zauberflöte: Act 2. Der Hölle Rache, Die Zauberflöte: Act 2. Ein Mädchen oder Weibchen, Die Zauberflöte: Act 2. In diesen heil'gen Hallen, Die Zauberflöte: Act 2. O Isis und Osiris, Die Zauberflöte: Act 2. O Isis und Osiris (Chor), Die Zauberflöte: Act 2. Papagena! Papagena! Papagena!, Don Giovanni: Overture, Don Juan, Op. 20, Egmont - Incidental Music Op. 84: Overture, Egmont, Op. 84: Ouverture, Egmont: Incidental Music, Op. 84: Klarchens Tod Bezeichnend, Egmont: Incidental Music, Op. 84: Overture, Euryanthe, J. 291: Overture, Faust Overture, Fidelio Op. 72 - Overture, Genoveva, op. 81: Overture, Große Fugue in B-flat major, Op. 133, Hansel and Gretel Overture, Iphigénie en Aulide - Overture, Kaiserwalzer, op. 437, Kleine Dreigroschenmusik: I. Ouvertüre, Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer, Kleine Dreigroschenmusik: III. Die Ballade vom angenehmen Leben, Kleine Dreigroschenmusik: IV. Polly's Lied, Kleine Dreigroschenmusik: V. Tango-Ballade, Kleine Dreigroschenmusik: VI. Kanonen-Lied, Kleine Dreigroschenmusik: VII. Dreigroschen-Finale, König Stephan Op. 117 - Overture, La clemenza di Tito: Overture, Le creature di Prometeo: ouverture Op. 43, Le nozze fi Figaro: Overture, Leonore No. 3 Op.72b - Overture, Leonore Overture "No. 3", Op. 72b, Leonore Overture, No. 1, Op. 138, Leonore Overture, No. 2, Op. 72a, Lieder: Das irdische Leben (from "Des Knaben Wunderhorn"), Lieder: Ich atmet' einen linden Duft (Rückert), Lieder: Ich bin der Wlt abhanden gekommen (Rückert), Lieder: Um Mitternacht (Rückert), Lieder: Wo die schönen Trompeten blasen (from "Des Knaben Wunderhorn"), Lohengrin: Act I - Prelude, Lohengrin: Act III - Prelude, Manfred, op. 115: Overture, Masonic Funeral Music, K. 477, Masonic Funeral Music, K.477, Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison, Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus, Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu, Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in exelsis Deo, Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te, Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi, Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi, Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): ...Et expecto, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem, Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus, Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis, Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus, Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei, Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem, Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Oberon, J. 306: Overture, Overture "Leonore" No. 1, Op. 138, Overture "Leonore" No. 2, Op. 72a, Overture "Leonore" No. 3, Op. 72b, Overture to Così fan tutte, K.588, Overture to Don Giovanni, K.527, Overture to La clemenza di Tito, K.621, Overture to The Abduction from the Seraglio, K.384, Overture to The Magic Flute, K.620, Overture to The Marriage of Figaro, K.492, Overture, Op. 21, Overture: Genoveva, op. 81, Overture: Manfred, op. 115, Prometheus, Op. 43: Overture, Pulcinella Suite: I. Sinfonia, Pulcinella Suite: II. Serenata, Pulcinella Suite: III. Scherzino-Allegro-Andante, Pulcinella Suite: IV. Tarantella, Pulcinella Suite: V. Toccata, Pulcinella Suite: VI. Gavotta con due variazioni, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. finale, Rienzi: Overture, Salome, Op. 54: Tanz der sieben Schleier, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Serenade in G major, “Eine kleine Nachtmusik”, K 525: I. Allegro, Serenade in G major, “Eine kleine Nachtmusik”, K 525: II. Romanze (andante), Serenade in G major, “Eine kleine Nachtmusik”, K 525: III. Minuett (allegretto) and Trio, Serenade in G major, “Eine kleine Nachtmusik”, K 525: IV. Rondo (Allegro), Siegfried Idyll, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'", St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte", St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan", St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben", St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!", St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet", St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha", St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns", St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt", St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Suite for Orchestra No. 3 in D major: I. Overture, Suite for Orchestra No. 3 in D major: II. Air, Suite for Orchestra No. 3 in D major: III. Gavotte 1 & 2, Suite for Orchestra No. 3 in D major: IV. Bourree, Suite for Orchestra No. 3 in D major: V. Gigue, Symphonie No 3 en fa Op. 90: 3e mouvement "Poco Allegretto", Symphonie No 3 en si bémol majeur, Op. 55: 3e mouvement / Scherzo : Allegro vivace & Trio, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphonie no. 4 in D-moll, op. 120： I. Ziemlich langsam – Lebhaft, Symphonie no. 4 in D-moll, op. 120： II. Romanze (Ziemlich langsam), Symphonie no. 4 in D-moll, op. 120： III. Scherzo (Lebhaft) & Trio, Symphonie no. 4 in D-moll, op. 120： IV. Lebhaft – Schneller – Presto, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace, Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato, Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante, Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio, Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro up poco agitato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Scherzo. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 for Orchestra in E-flat major, K. 543: III. Minuetto (Allegretto) & Trio, Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace - Più animato, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in D minor, Op. 120: III. Scherzo - Lebhaft, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: II. Andante con moto - Più mosso - Tempo I, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro. Presto, Symphony No. 5 in C minor, Op. 67: IV. Presto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A Op. 92: II. Allegretto, Symphony No. 7 in A Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A Op. 92: IV. Allegro con brio, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony in 3 movements: I. Allegro, Symphony in 3 movements: II. Andante - interlude, Symphony in 3 movements: III. Con moto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro. Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo, ma con brio. Più allegro, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto & Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Finale. Presto, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo, Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace. Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 40 in G Minor, K. 550: I. Molto Allegro, Symphony no. 40 in G Minor, K. 550: II. Andante, Symphony no. 40 in G Minor, K. 550: III. Minuet (Allegretto) & Trio, Symphony no. 40 in G Minor, K. 550: IV. Finale (Allegro Assai), Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto, Symphony no. 40 in G minor, K. 550 "Great": II. Andante, Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto & Trio, Symphony no. 40 in G minor, K. 550 "Great": IV. Finale. Allegro assai, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 41 in C Major, K. 551: I. Allegro Vivace, Symphony no. 41 in C Major, K. 551: II. Andante Cantabile, Symphony no. 41 in C Major, K. 551: III. Minuet (Allegretto) & Trio, Symphony no. 41 in C Major, K. 551: IV. Molto Allegro, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in B minor, op. 74 “Pathetique”： I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathetique”： II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathetique”： III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathetique”： IV. Finale: Adagio lamentosa – Andante, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 7 in A: I. Poco sostenuto, Symphony no. 7 in A: II. Allegretto, Symphony no. 7 in A: III. Presto - Assai meno presto, Symphony no. 7 in A: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb), Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro, Symphony no. 9 in D minor: I. Andante comodo, Symphony no. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D minor: III. Rondo – Burlesek. Allegro assai. Sehr trotzig, Symphony no. 9 in D minor: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tannhäuser: Overture, The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo, The Creatures of Prometheus, op. 43: Overture, The Hebrides Overture, op. 26 "Fingal's Cave", The Threepenny Opera: VI. Kanonen-song, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354, Wiener Blut-Walzer, op. 354, “Metamorphosen”: Study for 23 solo strings
Otto Klemperer	conductor	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Academic Festival Overture, op. 80, Academic Festival-Overture, op. 80, Adagio and Fugue in C minor, K.546, Akademische Festouvertüre op. 80, Concerto grosso in A minor, op. 6 no. 4: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4: II. Allegro, Concerto grosso in A minor, op. 6 no. 4: III. Largo, Concerto grosso in A minor, op. 6 no. 4: IV. Allegro, Coriolan, Op. 62: Overture, Coriolano, Op. 62: Ouverture, Così fan tutte: Overture, Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Der Freischütz: Overture, Der fliegender Holländer: Overture, Die Entführung aus dem Serail, K. 384: Ouvertüre, Die Fledermaus: Overture, Die Geschöpfe des Prometheus - Ballet Op. 43: Overture, Die Geschöpfe des Prometheus Op. 43 - Overture, Die Meistersinger von Nürnberg: Dance of the Apprentices & Entry of the Masters, Die Meistersinger von Nürnberg: Prelude, Die Weihe des Hauses Op. 124 - Overture, Die Weihe des Hauses op. 124 - Overture, Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester), Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken", Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen", Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!", Die Zauberflöte, K. 620: Ouvertüre, Die Zauberflöte: Act 1. Bei Männern, welche Liebe fühlen, Die Zauberflöte: Act 1. Der Vogelfänger bin ich ja, Die Zauberflöte: Act 1. Dies Bildnis ist bezaubernd schön, Die Zauberflöte: Act 1. Hm, hm, hm, Die Zauberflöte: Act 1. O zittre nicht, Die Zauberflöte: Act 2. Ach, ich fühl's, Die Zauberflöte: Act 2. Der Hölle Rache, Die Zauberflöte: Act 2. Ein Mädchen oder Weibchen, Die Zauberflöte: Act 2. In diesen heil'gen Hallen, Die Zauberflöte: Act 2. O Isis und Osiris, Die Zauberflöte: Act 2. O Isis und Osiris (Chor), Die Zauberflöte: Act 2. Papagena! Papagena! Papagena!, Don Giovanni: Overture, Don Juan, Op. 20, Egmont - Incidental Music Op. 84: Overture, Egmont, Op. 84: Ouverture, Egmont: Incidental Music, Op. 84: Klarchens Tod Bezeichnend, Egmont: Incidental Music, Op. 84: Overture, Euryanthe, J. 291: Overture, Faust Overture, Fidelio Op. 72 - Overture, Genoveva, op. 81: Overture, Große Fugue in B-flat major, Op. 133, Hansel and Gretel Overture, Iphigénie en Aulide - Overture, Kaiserwalzer, op. 437, Kleine Dreigroschenmusik: I. Ouvertüre, Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer, Kleine Dreigroschenmusik: III. Die Ballade vom angenehmen Leben, Kleine Dreigroschenmusik: IV. Polly's Lied, Kleine Dreigroschenmusik: V. Tango-Ballade, Kleine Dreigroschenmusik: VI. Kanonen-Lied, Kleine Dreigroschenmusik: VII. Dreigroschen-Finale, König Stephan Op. 117 - Overture, La clemenza di Tito: Overture, Le creature di Prometeo: ouverture Op. 43, Le nozze fi Figaro: Overture, Leonore No. 3 Op.72b - Overture, Leonore Overture "No. 3", Op. 72b, Leonore Overture, No. 1, Op. 138, Leonore Overture, No. 2, Op. 72a, Lieder: Das irdische Leben (from "Des Knaben Wunderhorn"), Lieder: Ich atmet' einen linden Duft (Rückert), Lieder: Ich bin der Wlt abhanden gekommen (Rückert), Lieder: Um Mitternacht (Rückert), Lieder: Wo die schönen Trompeten blasen (from "Des Knaben Wunderhorn"), Lohengrin: Act I - Prelude, Lohengrin: Act III - Prelude, Manfred, op. 115: Overture, Masonic Funeral Music, K. 477, Masonic Funeral Music, K.477, Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison, Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus, Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu, Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in exelsis Deo, Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te, Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi, Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi, Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): ...Et expecto, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem, Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus, Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis, Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus, Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei, Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem, Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Oberon, J. 306: Overture, Overture "Leonore" No. 1, Op. 138, Overture "Leonore" No. 2, Op. 72a, Overture "Leonore" No. 3, Op. 72b, Overture to Così fan tutte, K.588, Overture to Don Giovanni, K.527, Overture to La clemenza di Tito, K.621, Overture to The Abduction from the Seraglio, K.384, Overture to The Magic Flute, K.620, Overture to The Marriage of Figaro, K.492, Overture, Op. 21, Overture: Genoveva, op. 81, Overture: Manfred, op. 115, Prometheus, Op. 43: Overture, Pulcinella Suite: I. Sinfonia, Pulcinella Suite: II. Serenata, Pulcinella Suite: III. Scherzino-Allegro-Andante, Pulcinella Suite: IV. Tarantella, Pulcinella Suite: V. Toccata, Pulcinella Suite: VI. Gavotta con due variazioni, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. finale, Rienzi: Overture, Salome, Op. 54: Tanz der sieben Schleier, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Serenade in G major, “Eine kleine Nachtmusik”, K 525: I. Allegro, Serenade in G major, “Eine kleine Nachtmusik”, K 525: II. Romanze (andante), Serenade in G major, “Eine kleine Nachtmusik”, K 525: III. Minuett (allegretto) and Trio, Serenade in G major, “Eine kleine Nachtmusik”, K 525: IV. Rondo (Allegro), Siegfried Idyll, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'", St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte", St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan", St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben", St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!", St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet", St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha", St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns", St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt", St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Suite for Orchestra No. 3 in D major: I. Overture, Suite for Orchestra No. 3 in D major: II. Air, Suite for Orchestra No. 3 in D major: III. Gavotte 1 & 2, Suite for Orchestra No. 3 in D major: IV. Bourree, Suite for Orchestra No. 3 in D major: V. Gigue, Symphonie No 3 en fa Op. 90: 3e mouvement "Poco Allegretto", Symphonie No 3 en si bémol majeur, Op. 55: 3e mouvement / Scherzo : Allegro vivace & Trio, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphonie no. 4 in D-moll, op. 120： I. Ziemlich langsam – Lebhaft, Symphonie no. 4 in D-moll, op. 120： II. Romanze (Ziemlich langsam), Symphonie no. 4 in D-moll, op. 120： III. Scherzo (Lebhaft) & Trio, Symphonie no. 4 in D-moll, op. 120： IV. Lebhaft – Schneller – Presto, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace, Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato, Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante, Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio, Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro up poco agitato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Scherzo. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 for Orchestra in E-flat major, K. 543: III. Minuetto (Allegretto) & Trio, Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace - Più animato, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in D minor, Op. 120: III. Scherzo - Lebhaft, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: II. Andante con moto - Più mosso - Tempo I, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro. Presto, Symphony No. 5 in C minor, Op. 67: IV. Presto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A Op. 92: II. Allegretto, Symphony No. 7 in A Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A Op. 92: IV. Allegro con brio, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony in 3 movements: I. Allegro, Symphony in 3 movements: II. Andante - interlude, Symphony in 3 movements: III. Con moto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro. Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo, ma con brio. Più allegro, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto & Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Finale. Presto, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo, Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace. Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 40 in G Minor, K. 550: I. Molto Allegro, Symphony no. 40 in G Minor, K. 550: II. Andante, Symphony no. 40 in G Minor, K. 550: III. Minuet (Allegretto) & Trio, Symphony no. 40 in G Minor, K. 550: IV. Finale (Allegro Assai), Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto, Symphony no. 40 in G minor, K. 550 "Great": II. Andante, Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto & Trio, Symphony no. 40 in G minor, K. 550 "Great": IV. Finale. Allegro assai, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 41 in C Major, K. 551: I. Allegro Vivace, Symphony no. 41 in C Major, K. 551: II. Andante Cantabile, Symphony no. 41 in C Major, K. 551: III. Minuet (Allegretto) & Trio, Symphony no. 41 in C Major, K. 551: IV. Molto Allegro, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in B minor, op. 74 “Pathetique”： I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathetique”： II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathetique”： III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathetique”： IV. Finale: Adagio lamentosa – Andante, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 7 in A: I. Poco sostenuto, Symphony no. 7 in A: II. Allegretto, Symphony no. 7 in A: III. Presto - Assai meno presto, Symphony no. 7 in A: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb), Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro, Symphony no. 9 in D minor: I. Andante comodo, Symphony no. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D minor: III. Rondo – Burlesek. Allegro assai. Sehr trotzig, Symphony no. 9 in D minor: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tannhäuser: Overture, The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo, The Creatures of Prometheus, op. 43: Overture, The Hebrides Overture, op. 26 "Fingal's Cave", The Threepenny Opera: VI. Kanonen-song, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354, Wiener Blut-Walzer, op. 354, “Metamorphosen”: Study for 23 solo strings
Walter Legge	producer	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Akademische Festouvertüre op. 80, Der Freischütz: Overture, Die Fledermaus: Overture, Euryanthe, J. 291: Overture, Kaiserwalzer, op. 437, Oberon, J. 306: Overture, Overture, Op. 21, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, The Hebrides Overture, op. 26 "Fingal's Cave", Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354
Douglas Larter	balance	Der Freischütz: Overture, Die Fledermaus: Overture, Euryanthe, J. 291: Overture, Kaiserwalzer, op. 437, Oberon, J. 306: Overture, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, The Hebrides Overture, op. 26 "Fingal's Cave", Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)	vocal	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam

Collaborators on this artist's recordings

Artist name	Roles	Recordings
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976)	performing orchestra	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Academic Festival Overture, op. 80, Academic Festival-Overture, op. 80, Adagio and Fugue in C minor, K.546, Akademische Festouvertüre op. 80, Concerto grosso in A minor, op. 6 no. 4: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4: II. Allegro, Concerto grosso in A minor, op. 6 no. 4: III. Largo, Concerto grosso in A minor, op. 6 no. 4: IV. Allegro, Coriolan, Op. 62: Overture, Coriolano, Op. 62: Ouverture, Così fan tutte: Overture, Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Der Freischütz: Overture, Der fliegender Holländer: Overture, Die Entführung aus dem Serail, K. 384: Ouvertüre, Die Fledermaus: Overture, Die Geschöpfe des Prometheus - Ballet Op. 43: Overture, Die Geschöpfe des Prometheus Op. 43 - Overture, Die Meistersinger von Nürnberg: Dance of the Apprentices & Entry of the Masters, Die Meistersinger von Nürnberg: Prelude, Die Weihe des Hauses Op. 124 - Overture, Die Weihe des Hauses op. 124 - Overture, Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester), Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken", Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen", Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!", Die Zauberflöte, K. 620: Ouvertüre, Die Zauberflöte: Act 1. Bei Männern, welche Liebe fühlen, Die Zauberflöte: Act 1. Der Vogelfänger bin ich ja, Die Zauberflöte: Act 1. Dies Bildnis ist bezaubernd schön, Die Zauberflöte: Act 1. Hm, hm, hm, Die Zauberflöte: Act 1. O zittre nicht, Die Zauberflöte: Act 2. Ach, ich fühl's, Die Zauberflöte: Act 2. Der Hölle Rache, Die Zauberflöte: Act 2. Ein Mädchen oder Weibchen, Die Zauberflöte: Act 2. In diesen heil'gen Hallen, Die Zauberflöte: Act 2. O Isis und Osiris, Die Zauberflöte: Act 2. O Isis und Osiris (Chor), Die Zauberflöte: Act 2. Papagena! Papagena! Papagena!, Don Giovanni: Overture, Don Juan, Op. 20, Egmont - Incidental Music Op. 84: Overture, Egmont, Op. 84: Ouverture, Egmont: Incidental Music, Op. 84: Klarchens Tod Bezeichnend, Egmont: Incidental Music, Op. 84: Overture, Euryanthe, J. 291: Overture, Faust Overture, Fidelio Op. 72 - Overture, Genoveva, op. 81: Overture, Große Fugue in B-flat major, Op. 133, Hansel and Gretel Overture, Iphigénie en Aulide - Overture, Kaiserwalzer, op. 437, Kleine Dreigroschenmusik: I. Ouvertüre, Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer, Kleine Dreigroschenmusik: III. Die Ballade vom angenehmen Leben, Kleine Dreigroschenmusik: IV. Polly's Lied, Kleine Dreigroschenmusik: V. Tango-Ballade, Kleine Dreigroschenmusik: VI. Kanonen-Lied, Kleine Dreigroschenmusik: VII. Dreigroschen-Finale, König Stephan Op. 117 - Overture, La clemenza di Tito: Overture, Le creature di Prometeo: ouverture Op. 43, Le nozze fi Figaro: Overture, Leonore No. 3 Op.72b - Overture, Leonore Overture "No. 3", Op. 72b, Leonore Overture, No. 1, Op. 138, Leonore Overture, No. 2, Op. 72a, Lieder: Das irdische Leben (from "Des Knaben Wunderhorn"), Lieder: Ich atmet' einen linden Duft (Rückert), Lieder: Ich bin der Wlt abhanden gekommen (Rückert), Lieder: Um Mitternacht (Rückert), Lieder: Wo die schönen Trompeten blasen (from "Des Knaben Wunderhorn"), Lohengrin: Act I - Prelude, Lohengrin: Act III - Prelude, Manfred, op. 115: Overture, Masonic Funeral Music, K. 477, Masonic Funeral Music, K.477, Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison, Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus, Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu, Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in exelsis Deo, Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te, Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi, Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi, Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): ...Et expecto, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem, Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus, Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis, Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus, Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei, Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem, Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Oberon, J. 306: Overture, Overture "Leonore" No. 1, Op. 138, Overture "Leonore" No. 2, Op. 72a, Overture "Leonore" No. 3, Op. 72b, Overture to Così fan tutte, K.588, Overture to Don Giovanni, K.527, Overture to La clemenza di Tito, K.621, Overture to The Abduction from the Seraglio, K.384, Overture to The Magic Flute, K.620, Overture to The Marriage of Figaro, K.492, Overture, Op. 21, Overture: Genoveva, op. 81, Overture: Manfred, op. 115, Prometheus, Op. 43: Overture, Pulcinella Suite: I. Sinfonia, Pulcinella Suite: II. Serenata, Pulcinella Suite: III. Scherzino-Allegro-Andante, Pulcinella Suite: IV. Tarantella, Pulcinella Suite: V. Toccata, Pulcinella Suite: VI. Gavotta con due variazioni, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. finale, Rienzi: Overture, Salome, Op. 54: Tanz der sieben Schleier, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Serenade in G major, “Eine kleine Nachtmusik”, K 525: I. Allegro, Serenade in G major, “Eine kleine Nachtmusik”, K 525: II. Romanze (andante), Serenade in G major, “Eine kleine Nachtmusik”, K 525: III. Minuett (allegretto) and Trio, Serenade in G major, “Eine kleine Nachtmusik”, K 525: IV. Rondo (Allegro), Siegfried Idyll, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'", St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte", St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan", St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben", St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!", St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet", St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha", St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns", St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt", St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Suite for Orchestra No. 3 in D major: I. Overture, Suite for Orchestra No. 3 in D major: II. Air, Suite for Orchestra No. 3 in D major: III. Gavotte 1 & 2, Suite for Orchestra No. 3 in D major: IV. Bourree, Suite for Orchestra No. 3 in D major: V. Gigue, Symphonie No 3 en fa Op. 90: 3e mouvement "Poco Allegretto", Symphonie No 3 en si bémol majeur, Op. 55: 3e mouvement / Scherzo : Allegro vivace & Trio, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphonie no. 4 in D-moll, op. 120： I. Ziemlich langsam – Lebhaft, Symphonie no. 4 in D-moll, op. 120： II. Romanze (Ziemlich langsam), Symphonie no. 4 in D-moll, op. 120： III. Scherzo (Lebhaft) & Trio, Symphonie no. 4 in D-moll, op. 120： IV. Lebhaft – Schneller – Presto, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace, Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato, Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante, Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio, Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro up poco agitato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Scherzo. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 for Orchestra in E-flat major, K. 543: III. Minuetto (Allegretto) & Trio, Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace - Più animato, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in D minor, Op. 120: III. Scherzo - Lebhaft, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: II. Andante con moto - Più mosso - Tempo I, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro. Presto, Symphony No. 5 in C minor, Op. 67: IV. Presto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A Op. 92: II. Allegretto, Symphony No. 7 in A Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A Op. 92: IV. Allegro con brio, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony in 3 movements: I. Allegro, Symphony in 3 movements: II. Andante - interlude, Symphony in 3 movements: III. Con moto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro. Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo, ma con brio. Più allegro, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto & Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Finale. Presto, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo, Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace. Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 40 in G Minor, K. 550: I. Molto Allegro, Symphony no. 40 in G Minor, K. 550: II. Andante, Symphony no. 40 in G Minor, K. 550: III. Minuet (Allegretto) & Trio, Symphony no. 40 in G Minor, K. 550: IV. Finale (Allegro Assai), Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto, Symphony no. 40 in G minor, K. 550 "Great": II. Andante, Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto & Trio, Symphony no. 40 in G minor, K. 550 "Great": IV. Finale. Allegro assai, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 41 in C Major, K. 551: I. Allegro Vivace, Symphony no. 41 in C Major, K. 551: II. Andante Cantabile, Symphony no. 41 in C Major, K. 551: III. Minuet (Allegretto) & Trio, Symphony no. 41 in C Major, K. 551: IV. Molto Allegro, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in B minor, op. 74 “Pathetique”： I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathetique”： II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathetique”： III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathetique”： IV. Finale: Adagio lamentosa – Andante, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 7 in A: I. Poco sostenuto, Symphony no. 7 in A: II. Allegretto, Symphony no. 7 in A: III. Presto - Assai meno presto, Symphony no. 7 in A: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb), Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro, Symphony no. 9 in D minor: I. Andante comodo, Symphony no. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D minor: III. Rondo – Burlesek. Allegro assai. Sehr trotzig, Symphony no. 9 in D minor: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tannhäuser: Overture, The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo, The Creatures of Prometheus, op. 43: Overture, The Hebrides Overture, op. 26 "Fingal's Cave", The Threepenny Opera: VI. Kanonen-song, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354, Wiener Blut-Walzer, op. 354, “Metamorphosen”: Study for 23 solo strings
Otto Klemperer	conductor	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Academic Festival Overture, op. 80, Academic Festival-Overture, op. 80, Adagio and Fugue in C minor, K.546, Akademische Festouvertüre op. 80, Concerto grosso in A minor, op. 6 no. 4: I. Larghetto affettuoso, Concerto grosso in A minor, op. 6 no. 4: II. Allegro, Concerto grosso in A minor, op. 6 no. 4: III. Largo, Concerto grosso in A minor, op. 6 no. 4: IV. Allegro, Coriolan, Op. 62: Overture, Coriolano, Op. 62: Ouverture, Così fan tutte: Overture, Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: III. Von der Jugend, Das Lied von der Erde: IV. Von der Schönheit, Das Lied von der Erde: V. Der Trunkene im Frühling, Das Lied von der Erde: VI. Der Abschied, Der Freischütz: Overture, Der fliegender Holländer: Overture, Die Entführung aus dem Serail, K. 384: Ouvertüre, Die Fledermaus: Overture, Die Geschöpfe des Prometheus - Ballet Op. 43: Overture, Die Geschöpfe des Prometheus Op. 43 - Overture, Die Meistersinger von Nürnberg: Dance of the Apprentices & Entry of the Masters, Die Meistersinger von Nürnberg: Prelude, Die Weihe des Hauses Op. 124 - Overture, Die Weihe des Hauses op. 124 - Overture, Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester), Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken", Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen", Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!", Die Zauberflöte, K. 620: Ouvertüre, Die Zauberflöte: Act 1. Bei Männern, welche Liebe fühlen, Die Zauberflöte: Act 1. Der Vogelfänger bin ich ja, Die Zauberflöte: Act 1. Dies Bildnis ist bezaubernd schön, Die Zauberflöte: Act 1. Hm, hm, hm, Die Zauberflöte: Act 1. O zittre nicht, Die Zauberflöte: Act 2. Ach, ich fühl's, Die Zauberflöte: Act 2. Der Hölle Rache, Die Zauberflöte: Act 2. Ein Mädchen oder Weibchen, Die Zauberflöte: Act 2. In diesen heil'gen Hallen, Die Zauberflöte: Act 2. O Isis und Osiris, Die Zauberflöte: Act 2. O Isis und Osiris (Chor), Die Zauberflöte: Act 2. Papagena! Papagena! Papagena!, Don Giovanni: Overture, Don Juan, Op. 20, Egmont - Incidental Music Op. 84: Overture, Egmont, Op. 84: Ouverture, Egmont: Incidental Music, Op. 84: Klarchens Tod Bezeichnend, Egmont: Incidental Music, Op. 84: Overture, Euryanthe, J. 291: Overture, Faust Overture, Fidelio Op. 72 - Overture, Genoveva, op. 81: Overture, Große Fugue in B-flat major, Op. 133, Hansel and Gretel Overture, Iphigénie en Aulide - Overture, Kaiserwalzer, op. 437, Kleine Dreigroschenmusik: I. Ouvertüre, Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer, Kleine Dreigroschenmusik: III. Die Ballade vom angenehmen Leben, Kleine Dreigroschenmusik: IV. Polly's Lied, Kleine Dreigroschenmusik: V. Tango-Ballade, Kleine Dreigroschenmusik: VI. Kanonen-Lied, Kleine Dreigroschenmusik: VII. Dreigroschen-Finale, König Stephan Op. 117 - Overture, La clemenza di Tito: Overture, Le creature di Prometeo: ouverture Op. 43, Le nozze fi Figaro: Overture, Leonore No. 3 Op.72b - Overture, Leonore Overture "No. 3", Op. 72b, Leonore Overture, No. 1, Op. 138, Leonore Overture, No. 2, Op. 72a, Lieder: Das irdische Leben (from "Des Knaben Wunderhorn"), Lieder: Ich atmet' einen linden Duft (Rückert), Lieder: Ich bin der Wlt abhanden gekommen (Rückert), Lieder: Um Mitternacht (Rückert), Lieder: Wo die schönen Trompeten blasen (from "Des Knaben Wunderhorn"), Lohengrin: Act I - Prelude, Lohengrin: Act III - Prelude, Manfred, op. 115: Overture, Masonic Funeral Music, K. 477, Masonic Funeral Music, K.477, Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison, Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus, Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu, Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in exelsis Deo, Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te, Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi, Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi, Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): ...Et expecto, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem, Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus, Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis, Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus, Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei, Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem, Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo), Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium, Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini, Oberon, J. 306: Overture, Overture "Leonore" No. 1, Op. 138, Overture "Leonore" No. 2, Op. 72a, Overture "Leonore" No. 3, Op. 72b, Overture to Così fan tutte, K.588, Overture to Don Giovanni, K.527, Overture to La clemenza di Tito, K.621, Overture to The Abduction from the Seraglio, K.384, Overture to The Magic Flute, K.620, Overture to The Marriage of Figaro, K.492, Overture, Op. 21, Overture: Genoveva, op. 81, Overture: Manfred, op. 115, Prometheus, Op. 43: Overture, Pulcinella Suite: I. Sinfonia, Pulcinella Suite: II. Serenata, Pulcinella Suite: III. Scherzino-Allegro-Andante, Pulcinella Suite: IV. Tarantella, Pulcinella Suite: V. Toccata, Pulcinella Suite: VI. Gavotta con due variazioni, Pulcinella Suite: VII. Vivo, Pulcinella Suite: VIII. finale, Rienzi: Overture, Salome, Op. 54: Tanz der sieben Schleier, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Serenade in G major, “Eine kleine Nachtmusik”, K 525: I. Allegro, Serenade in G major, “Eine kleine Nachtmusik”, K 525: II. Romanze (andante), Serenade in G major, “Eine kleine Nachtmusik”, K 525: III. Minuett (allegretto) and Trio, Serenade in G major, “Eine kleine Nachtmusik”, K 525: IV. Rondo (Allegro), Siegfried Idyll, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'", St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte", St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan", St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben", St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!", St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet", St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha", St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns", St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt", St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Suite for Orchestra No. 3 in D major: I. Overture, Suite for Orchestra No. 3 in D major: II. Air, Suite for Orchestra No. 3 in D major: III. Gavotte 1 & 2, Suite for Orchestra No. 3 in D major: IV. Bourree, Suite for Orchestra No. 3 in D major: V. Gigue, Symphonie No 3 en fa Op. 90: 3e mouvement "Poco Allegretto", Symphonie No 3 en si bémol majeur, Op. 55: 3e mouvement / Scherzo : Allegro vivace & Trio, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphonie no. 4 in D-moll, op. 120： I. Ziemlich langsam – Lebhaft, Symphonie no. 4 in D-moll, op. 120： II. Romanze (Ziemlich langsam), Symphonie no. 4 in D-moll, op. 120： III. Scherzo (Lebhaft) & Trio, Symphonie no. 4 in D-moll, op. 120： IV. Lebhaft – Schneller – Presto, Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio, Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto, Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace, Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace, Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio, Symphony No. 2 in D major, Op. 36: II. Larghetto, Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro, Symphony No. 2 in D major, Op. 36: IV. Allegro molto, Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato, Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante, Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio, Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito, Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegro up poco agitato, Symphony No. 3 in A minor, Op. 56 "Scottish": II. Scherzo. Vivace non troppo, Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio, Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio, Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai, Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto, Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante, Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Finale. Presto, Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro, Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony No. 39 for Orchestra in E-flat major, K. 543: III. Minuetto (Allegretto) & Trio, Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace - Più animato, Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto, Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato, Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto, Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace, Symphony No. 4 in B-flat major, Op. 60: II. Adagio, Symphony No. 4 in B-flat major, Op. 60: III. Menuetto. Allegro vivace - Trio. Un poco meno allegro, Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo, Symphony No. 4 in D minor, Op. 120: III. Scherzo - Lebhaft, Symphony No. 4 in D minor, Op. 120: IV. Langsam - Lebhaft, Symphony No. 5 in C minor, Op. 67: I. Allegro con brio, Symphony No. 5 in C minor, Op. 67: II. Andante con moto, Symphony No. 5 in C minor, Op. 67: II. Andante con moto - Più mosso - Tempo I, Symphony No. 5 in C minor, Op. 67: III. Allegro, Symphony No. 5 in C minor, Op. 67: IV. Allegro. Presto, Symphony No. 5 in C minor, Op. 67: IV. Presto, Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country", Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook", Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm", Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm", Symphony No. 7 in A Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A Op. 92: II. Allegretto, Symphony No. 7 in A Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A Op. 92: IV. Allegro con brio, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace, Symphony No. 7 in A major, Op. 92: I. Poco sostenuto. Vivace, Symphony No. 7 in A major, Op. 92: II. Allegretto, Symphony No. 7 in A major, Op. 92: III. Presto, Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto, Symphony No. 7 in A major, Op. 92: III. Presto. Assai meno presto, Symphony No. 7 in A major, Op. 92: IV. Allegro con brio, Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio, Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando, Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto, Symphony No. 8 in F major, Op. 93: IV. Allegro vivace, Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso, Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto, Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato, Symphony in 3 movements: I. Allegro, Symphony in 3 movements: II. Andante - interlude, Symphony in 3 movements: III. Con moto, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto. Allegro. Meno allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 1 in C minor, op. 68: IV. Adagio. Più andante. Allegro non troppo, ma con brio. Più allegro, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio, Symphony no. 2 in D major, op. 36: II. Larghetto, Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio, Symphony no. 2 in D major, op. 36: IV. Allegro molto, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto, Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito, Symphony no. 35 in D major, K. 385 "Haffner": II. Andante, Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto & Trio, Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto, Symphony no. 36 in C major, K. 425 "Linz": I. Adagio - allegro spiritoso, Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio, Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto & Trio, Symphony no. 36 in C major, K. 425 "Linz": IV. Finale. Presto, Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - allegro, Symphony no. 38 in D major, K. 504 "Prague": II. Andante, Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto, Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro, Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto, Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo, Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace, Symphony no. 4 in B-flat major, op. 60: II. Adagio, Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace. Trio: Un poco meno allegro, Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo, Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 40 in G Minor, K. 550: I. Molto Allegro, Symphony no. 40 in G Minor, K. 550: II. Andante, Symphony no. 40 in G Minor, K. 550: III. Minuet (Allegretto) & Trio, Symphony no. 40 in G Minor, K. 550: IV. Finale (Allegro Assai), Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto, Symphony no. 40 in G minor, K. 550 "Great": II. Andante, Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto & Trio, Symphony no. 40 in G minor, K. 550 "Great": IV. Finale. Allegro assai, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio, Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto, Symphony no. 41 in C Major, K. 551: I. Allegro Vivace, Symphony no. 41 in C Major, K. 551: II. Andante Cantabile, Symphony no. 41 in C Major, K. 551: III. Minuet (Allegretto) & Trio, Symphony no. 41 in C Major, K. 551: IV. Molto Allegro, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in C minor, op. 67: I. Allegro con brio, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 6 in B minor, op. 74 “Pathetique”： I. Adagio – Allegro non troppo, Symphony no. 6 in B minor, op. 74 “Pathetique”： II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 “Pathetique”： III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 “Pathetique”： IV. Finale: Adagio lamentosa – Andante, Symphony no. 6 in F major, op. 68 "Pastoral": III. Allegro, Symphony no. 7 in A: I. Poco sostenuto, Symphony no. 7 in A: II. Allegretto, Symphony no. 7 in A: III. Presto - Assai meno presto, Symphony no. 7 in A: IV. Allegro con brio, Symphony no. 7 in E minor "Lied der Nacht": I. Langsam - Allegro risoluto, ma non troppo, Symphony no. 7 in E minor "Lied der Nacht": II. Nachtmusik I. Allegro moderato, Symphony no. 7 in E minor "Lied der Nacht": III. Scherzo: Schattenhaft, Symphony no. 7 in E minor "Lied der Nacht": IV. Nachtmusik II. Andante amoroso, Symphony no. 7 in E minor "Lied der Nacht": V. Rondo - Finale, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in D major: I. Andante comodo, Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb), Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig, Symphony no. 9 in D major: IV. Adagio: Sehr langsam und noch zurückhaltend, Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso, Symphony no. 9 in D minor, op. 125: II. Molto vivace, Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio, Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro, Symphony no. 9 in D minor: I. Andante comodo, Symphony no. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb, Symphony no. 9 in D minor: III. Rondo – Burlesek. Allegro assai. Sehr trotzig, Symphony no. 9 in D minor: IV. Adagio. Sehr langsam und noch zurückhaltend, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, Tannhäuser: Overture, The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo, The Creatures of Prometheus, op. 43: Overture, The Hebrides Overture, op. 26 "Fingal's Cave", The Threepenny Opera: VI. Kanonen-song, Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354, Wiener Blut-Walzer, op. 354, “Metamorphosen”: Study for 23 solo strings
Walter Legge	producer	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Akademische Festouvertüre op. 80, Der Freischütz: Overture, Die Fledermaus: Overture, Euryanthe, J. 291: Overture, Kaiserwalzer, op. 437, Oberon, J. 306: Overture, Overture, Op. 21, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace), Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, The Hebrides Overture, op. 26 "Fingal's Cave", Till Eulenspiegels lustige Streiche, Op. 28, Tod und Verklärung, Op. 24, Tragic Overture, op. 81, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354
Douglas Larter	balance	Der Freischütz: Overture, Die Fledermaus: Overture, Euryanthe, J. 291: Overture, Kaiserwalzer, op. 437, Oberon, J. 306: Overture, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphonie fantastique, op. 14: I. Rêveries, Symphonie fantastique, op. 14: II. Un bal, Symphonie fantastique, op. 14: III. Scène aux champs, Symphonie fantastique, op. 14: IV. Marche au supplice, Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace - Più animato, Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto, Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato, Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello (Presto), Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft, Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam), Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio, Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft, Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima, Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone, Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato, allegro, Symphony no. 4 in F minor, op. 36: IV. Allegro con fuoco, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 5 in B-flat, D. 485: I. Allegro, Symphony no. 5 in B-flat, D. 485: II. Andante con moto, Symphony no. 5 in B-flat, D. 485: III. Menuetto (Allegro molto & Trio), Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace, Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato, Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto, Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto, Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo, Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace), Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco, The Hebrides Overture, op. 26 "Fingal's Cave", Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Finale (Andante), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Thema: Chorale St Antoni, Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation I (Poco più animato), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation II (Più vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation III (Con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation IV (Andante con moto), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation V (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VI (Vivace), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VII (Grazioso), Variations on a theme by Haydn, op. 56a "St Antoni Chorale": Variation VIII (Presto non troppo), Wiener Blut -Waltz, op. 354
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)	vocal	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam
Wilhelm Pitz	chorus master, concertmaster	Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier", St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt", Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam
Walter Jellinek	producer	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Die Fledermaus: Overture, Don Juan, Op. 20, Overture, Op. 21, Salome, Op. 54: Tanz der sieben Schleier, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht, Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima, Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo, Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio, Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai, Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll, Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro con troppo, Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia, Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace, Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso, Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace)
Peter Pears	vocal	St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, IV. Rezitativ "Da versammelten sich die Hohenpriester", St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest", St. Matthew Passion, BWV 244: Part I, VI. Rezitativ "Da nun Jesus", St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XIII. Rezitativ "Aber am ersten Tage", St. Matthew Passion, BWV 244: Part I, XV. Rezitativ "Er sprach: Gehet hin", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte", St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr", St. Matthew Passion, BWV 244: Part II, LVI. Rezitativ "Der Landpfleger sagte", St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte", St. Matthew Passion, BWV 244: Part II, LXIV. Rezitativ "Und da sie ihn verspottet", St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte", St. Matthew Passion, BWV 244: Part II, LXVIII. Rezitativ "Desgleichen schmäheten ihn", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, LXXIII. Rezitativ mit Chor "Und siehe da", St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVII. Rezitativ "Die aber Jesum gegriffen hatten"
Robert Gooch (engineer)	balance	La clemenza di Tito: Overture, Le nozze fi Figaro: Overture, Manfred, op. 115: Overture, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Elisabeth Schwarzkopf (German-born Austrian/British soprano opera)	vocal	Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, XII. Arie "Blute nur, du liebes Herz", St. Matthew Passion, BWV 244: Part I, XIX. Arie "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Part I, XVIII. Rezitativ "Wiewohl mein Herz", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part II, LVII. Rezitativ "Er hat uns allen wohlgetan", St. Matthew Passion, BWV 244: Part II, LVIII Arie "Aus Liebe will mein Heiland sterben", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn)
BBC Singers (professional chamber choir of the BBC)	vocal	Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu, Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in exelsis Deo, Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi, Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem, Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus, Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis, Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem, Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo)
Christa Ludwig (mezzo-soprano)	vocal	Das Lied von der Erde: II. Der Einsame im Herbst, Das Lied von der Erde: IV. Von der Schönheit, St. Matthew Passion, BWV 244: Part I, IX. Rezitativ "Du lieber Heiland du", St. Matthew Passion, BWV 244: Part I, X. Arie "Buß' und Reu'", St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner", St. Matthew Passion, BWV 244: Part II, LX. Rezitativ "Erbarm' es Gott!", St. Matthew Passion, BWV 244: Part II, LXI. Arie "Können Tränen meiner Wangen", St. Matthew Passion, BWV 244: Part II, LXIX. Rezitativ "Ach, Golgatha", St. Matthew Passion, BWV 244: Part II, LXX. Arie mit Chor "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVII. Arie "Erbarme dich, mein Gott", St. Matthew Passion, BWV 244: Part II, XXXIX. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten", St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund", Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro
Neville Boyling (engineer)	balance	Così fan tutte: Overture, Don Giovanni: Overture, Genoveva, op. 81: Overture, La clemenza di Tito: Overture, Le nozze fi Figaro: Overture, Masonic Funeral Music, K. 477, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Symphony no. 4 in G major: Heiter, bedächtig. Nicht eilen, Symphony no. 4 in G major: IV. Sehr behaglich (Des Knaben Wunderhorn), Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast, Symphony no. 4 in G major: Ruhevoll
Dietrich Fischer-Dieskau	vocal	St. Matthew Passion, BWV 244: Part I, II. Rezitativ "Da Jesus diese Rede", St. Matthew Passion, BWV 244: Part I, VIII. Rezitativ "Da das Jesus merkete", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part I, XX. Rezitativ "Und da sie den Lobgesang", St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIV. Rezitativ "Da kam Jesus", St. Matthew Passion, BWV 244: Part I, XXVII. Rezitativ "Und ging hin ein wenig", St. Matthew Passion, BWV 244: Part I, XXX. Rezitativ "Und er kam zu seinen Jüngern", St. Matthew Passion, BWV 244: Part I, XXXII. Rezitativ "Und er kam", St. Matthew Passion, BWV 244: Part I, XXXIV. Rezitativ "Und siehe, einer aus denen", St. Matthew Passion, BWV 244: Part II, LII. Rezitativ "Sie hielten aber einen Rat", St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde", St. Matthew Passion, BWV 244: Part II, XLII. Rezitativ "Und der Hohepriester", St. Matthew Passion, BWV 244: Part II, XLIII. Rezitativ "Da speieten sie" - Chor "Weissage uns"
Harold Davidson	balance	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: I. Scherzo, A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", A Midsummer Night's Dream, Op. 61: IIa. March of the Fairies, A Midsummer Night's Dream, Op. 61: IX. Wedding March, A Midsummer Night's Dream, Op. 61: V. Intermezzo, A Midsummer Night's Dream, Op. 61: VII. Nocturne, A Midsummer Night's Dream, Op. 61: XI. Dance of the Clowns, A Midsummer Night's Dream, Op. 61: Xa. Funeral March, Overture, Op. 21, Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto, Symphony no. 3 in F, op. 90: II. Andante, Symphony no. 3 in F, op. 90: III. Poco allegretto, Symphony no. 3 in F, op. 90: IV. Allegro - Un poco sostenuto
Peter Andry (producer)	producer	Così fan tutte: Overture, Don Giovanni: Overture, La clemenza di Tito: Overture, Le nozze fi Figaro: Overture, Manfred, op. 115: Overture, Masonic Funeral Music, K. 477, Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro, Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanze (Allegretto), Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto (Allegretto) & Trio, Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo (Allegro), Spring Symphony No. 1 in B-flat major, Op. 38: I. Andante poco maestoso - Allegro molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: III. Scherzo. Molto vivace, Spring Symphony No. 1 in B-flat major, Op. 38: IV. Allegro animato e grazioso
Suvi Raj Grubb	producer	Genoveva, op. 81: Overture, Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Francis Dillnutt (engineer)	balance	Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso, Symphony no. 2 in C minor "Resurrection": II. Andante moderato, Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Walter Berry (bass-baritone singer)	vocal	St. Matthew Passion, BWV 244: Part I, XXII. Rezitativ "Petrus aber antwortete", St. Matthew Passion, BWV 244: Part I, XXIX. Arie "Gerne will ich mich bequemen", St. Matthew Passion, BWV 244: Part I, XXVIII. Rezitativ "Der Heiland fällt", St. Matthew Passion, BWV 244: Part II, LI. Arie "Gebt mir meinen Jesum wieder!", St. Matthew Passion, BWV 244: Part II, LXV. Rezitativ "Ja! freilich will in uns", St. Matthew Passion, BWV 244: Part II, LXVI. Arie "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Part II, LXXIV. Rezitativ "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Part II, LXXV. Arie "Mache dich, mein Herze, rein", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen", St. Matthew Passion, BWV 244: Part II, XLVI. Rezitativ "Da hub er an, sich zu verfluchen"
Edward Huntley	balance	Akademische Festouvertüre op. 80, Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro, Symphony no. 1 in C minor, op. 68: II. Andante sostenuto, Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso, Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio, Symphony no. 4 in E minor, op. 98: I. Allegro non troppo, Symphony no. 4 in E minor, op. 98: II. Andante moderato, Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto, Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro, Tragic Overture, op. 81
Hilde Rössel-Majdan (Austrian contralto)	vocal	Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso, Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen, Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso, Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit, Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend, Symphony No. 2 "Resurrection": V. In Tempo des Scherzos (Wild herausfahrend); Langsam; Allegro energico; Langsam, Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Dame Janet Baker	vocal	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes", Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te, Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum, Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei
Nicolai Gedda	vocal	Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus, St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!", St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu", St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr", St. Matthew Passion, BWV 244: Part II, XL. Rezitativ "Mein Jesus schweigt", St. Matthew Passion, BWV 244: Part II, XLI. Arie "Geduld, wenn mich falsche Zungen stechen"
Agnes Giebel	vocal	Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison, Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison, Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus, Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum
Christopher Parker (engineer)	balance	Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo, Symphony no. 9 in C major, D. 944: II. Andante con moto, Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio, Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace)
John Carol Case	vocal	St. Matthew Passion, BWV 244: Part I, XI. Rezitativ "Da ging hin der Zwölfen einer", St. Matthew Passion, BWV 244: Part I, XVII. Rezitativ "Er antwortete und sprach", St. Matthew Passion, BWV 244: Part II, L. Rezitativ "Und er warf die Silberlinge", St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?"
Heather Harper	vocal	A Midsummer Night's Dream, Op. 61: Finale. "Through the House", A Midsummer Night's Dream, Op. 61: III. "Ye Spotted Snakes"
Fritz Wunderlich (operatic tenor)	vocal	Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das Lied von der Erde: III. Von der Jugend
Philharmonic Chorus (Tokyo)	vocal	Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter, Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso
Hampstead Parish Church Choir	vocal	St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter", St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß"
Hans Hotter (German operatic bass-baritone)	vocal	Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro
Waldemar Kmentt	vocal	Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro
Franz Crass	vocal	Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus
Hermann Prey	vocal	Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum
Peter Gellhorn	chorus master	Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison
Aase Nordmo Løvberg	vocal	Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro