MUSICAL BACON
Tweet
Luigi Cherubini
Wikipedia
Riccardo Muti
Orchestra del Teatro alla Scala di Milano
Tullio Serafin
Maria Callas
NBC Symphony Orchestra
Mirto Picchi
Arturo Toscanini
Bill McKinney
Robert Friedrich
Thomas C. Moore
Boston Baroque
Martin Pearlman
Ed Meitner
Giuseppe Modesti
Renata Scotto
Quartetto David, 1994-
Miriam Pirazzini
Orchestra della Svizzera italiana
Marion Schwebel
Martin Nagorni
Philharmonia Orchestra
Marko Munih
Australian Intervarsity Choral Festival Choir
Norberto Mola
Gruppo Vocale Cantemus
Diego Fasolis
Coro della Radio Svizzera, Lugano
Coro del Teatro alla Scala di Milano
Robert Shaw Chorale
The Ambrosian Singers
Jacques Petit
Herbert von Karajan
Klaus Arp
Helmuth Rilling
Guy Level
Orchestre Philharmonique de Monte-Carlo
Lawrence Foster
Les Talens Lyriques
Ray Minshull
Martin Katz
Marilyn Horne
Robert Beckett
Karl Münchinger
Michael Mailes
SWR Sinfonieorchester Baden-Baden und Freiburg
Jérôme Paillard
Christophe Rousset
Bundesjuristenorchester
Véronique Gens
Walter Jellinek
Wiener Philharmoniker
Ysabelle Van Wersch-Cot
Only this artist's recordings
Top collaborators
Artist name
Roles
Recordings
Riccardo Muti
conductor
Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Marche religieuse, Messa in fa maggiore “Di Chimay”: Agnus Dei: I. Agnus Dei: Sostenuto, Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro, Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro, Messa in fa maggiore “Di Chimay”: Credo: I. Credo: Allegro moderato, Messa in fa maggiore “Di Chimay”: Credo: II. Et incarnatus est: Larghetto, Messa in fa maggiore “Di Chimay”: Credo: III. Crucifixus: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: V. Et expecto: Grave, Messa in fa maggiore “Di Chimay”: Credo: VI. Et vitam venturi saeculi Amen: Presto, Messa in fa maggiore “Di Chimay”: Gloria: I. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: II. Laudamus te: Andate con moto, Messa in fa maggiore “Di Chimay”: Gloria: III. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto, Messa in fa maggiore “Di Chimay”: Gloria: V. In Gloria Dei patris Amen: Allegro, Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto, Messa in fa maggiore “Di Chimay”: Kyrie: II. Christe eleison: Allegretto, Messa in fa maggiore “Di Chimay”: Kyrie: III. Kyrie eleison: Tempo primo, Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro, Messe solennelle pour le couronnement de Charles X: I. Kyrie, Messe solennelle pour le couronnement de Charles X: II. Gloria, Messe solennelle pour le couronnement de Charles X: III. Credo, Messe solennelle pour le couronnement de Charles X: IV. Offertoire, Messe solennelle pour le couronnement de Charles X: V. Sanctus, Messe solennelle pour le couronnement de Charles X: VI. O salutaris hostia, Messe solennelle pour le couronnement de Charles X: VII: Agnus Dei, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: I. Kyrie, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: II. Gloria, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: III. credo, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: IV. Sanctus & O salutaris hostia, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: V. Agnus Dei, Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Orchestra del Teatro alla Scala di Milano
performing orchestra
Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Tullio Serafin
conductor
Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Maria Callas
vocal
Creonte a me solo un giorno (Medea, Act 3), Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Atto I. "Dei tuoi figli", Médée: "Dei tuoi figli la madre", Tacitu Giason (Medea: End of Act 1)
NBC Symphony Orchestra
performing orchestra
Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Riccardo Muti
conductor
Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Marche religieuse, Messa in fa maggiore “Di Chimay”: Agnus Dei: I. Agnus Dei: Sostenuto, Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro, Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro, Messa in fa maggiore “Di Chimay”: Credo: I. Credo: Allegro moderato, Messa in fa maggiore “Di Chimay”: Credo: II. Et incarnatus est: Larghetto, Messa in fa maggiore “Di Chimay”: Credo: III. Crucifixus: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: V. Et expecto: Grave, Messa in fa maggiore “Di Chimay”: Credo: VI. Et vitam venturi saeculi Amen: Presto, Messa in fa maggiore “Di Chimay”: Gloria: I. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: II. Laudamus te: Andate con moto, Messa in fa maggiore “Di Chimay”: Gloria: III. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto, Messa in fa maggiore “Di Chimay”: Gloria: V. In Gloria Dei patris Amen: Allegro, Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto, Messa in fa maggiore “Di Chimay”: Kyrie: II. Christe eleison: Allegretto, Messa in fa maggiore “Di Chimay”: Kyrie: III. Kyrie eleison: Tempo primo, Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro, Messe solennelle pour le couronnement de Charles X: I. Kyrie, Messe solennelle pour le couronnement de Charles X: II. Gloria, Messe solennelle pour le couronnement de Charles X: III. Credo, Messe solennelle pour le couronnement de Charles X: IV. Offertoire, Messe solennelle pour le couronnement de Charles X: V. Sanctus, Messe solennelle pour le couronnement de Charles X: VI. O salutaris hostia, Messe solennelle pour le couronnement de Charles X: VII: Agnus Dei, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: I. Kyrie, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: II. Gloria, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: III. credo, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: IV. Sanctus & O salutaris hostia, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: V. Agnus Dei, Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Orchestra del Teatro alla Scala di Milano
performing orchestra
Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Tullio Serafin
conductor
Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Maria Callas
vocal
Creonte a me solo un giorno (Medea, Act 3), Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Atto I. "Dei tuoi figli", Médée: "Dei tuoi figli la madre", Tacitu Giason (Medea: End of Act 1)
NBC Symphony Orchestra
performing orchestra
Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Mirto Picchi
vocal
Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Figli miei, miei tesor", Medea: Act III. "E che? Io son Medea!"
Arturo Toscanini
conductor
Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Bill McKinney
engineer
Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Robert Friedrich (American Grammy-award winning engineer)
engineer
Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Thomas C. Moore (multiple Grammy Award-winning recording producer, editor)
producer
Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Boston Baroque
performing orchestra
Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Martin Pearlman
conductor
Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Ed Meitner
engineer
Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Giuseppe Modesti
vocal
Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "No, non temer", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act II. "Soffrir non posso"
Renata Scotto
vocal
Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "No, non temer", Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!"
Quartetto David, 1994-
strings
String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Miriam Pirazzini
vocal
Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me"
Orchestra della Svizzera italiana (known by this name since 1991)
performing orchestra
Anacreon: Overture, Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Marion Schwebel
balance, producer
String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Martin Nagorni
editor
String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976)
performing orchestra
Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Marko Munih
conductor
Requiem in c-Moll: Agnus Dei (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Dies irae (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Graduale (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Introitus et Kyrie (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Offertorium (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Pie Jesu (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Sanctus (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih)
Australian Intervarsity Choral Festival Choir
vocal
Requiem in C minor: I. Introitus (Requiem Aeternum), Requiem in C minor: II. Graduale (Requiem Aeternum), Requiem in C minor: III. Dies Irae, Requiem in C minor: IV. Offertorium (Domine Jesu Christe), Requiem in C minor: V. Sanctus, Requiem in C minor: VI. Pie Jesu, Requiem in C minor: VII. Agnus Dei
Norberto Mola
chorus master
Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act III. "E che? Io son Medea!"
Gruppo Vocale Cantemus
vocal
Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Diego Fasolis
conductor
Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Coro della Radio Svizzera, Lugano
vocal
Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Coro del Teatro alla Scala di Milano
vocal
Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act III. "E che? Io son Medea!"
Robert Shaw Chorale
vocal
Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus
The Ambrosian Singers
vocal
Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Jacques Petit (Bassoonist)
bassoon
Médée: Acte II. "Ah! nos peines" (Néris)
Herbert von Karajan
conductor
Anacreon: Overture
Klaus Arp
conductor
Alí Babá e os 40 ladrões: Abertura
Helmuth Rilling
conductor
Kyrie eleison
Guy Level
sound
Médée: Acte II. "Ah! nos peines" (Néris)
Orchestre Philharmonique de Monte-Carlo
performing orchestra
Médée: Acte II. "Ah! nos peines" (Néris)
Lawrence Foster
conductor
Médée: Acte II. "Ah! nos peines" (Néris)
Les Talens Lyriques
performer
Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Ray Minshull
producer
Anacréon - Ouvertüre
Martin Katz
conductor
Anacreon: Overture
Marilyn Horne
vocal
Médée: Acte II. "Ah! nos peines" (Néris)
Robert Beckett
engineer
Medea: Atto I. "Dei tuoi figli"
Karl Münchinger (German conductor)
conductor
Anacréon - Ouvertüre
Michael Mailes
balance
Anacréon - Ouvertüre
SWR Sinfonieorchester Baden-Baden und Freiburg
performing orchestra
Alí Babá e os 40 ladrões: Abertura
Jérôme Paillard
producer
Médée: Acte II. "Ah! nos peines" (Néris)
Christophe Rousset
conductor
Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Bundesjuristenorchester
performing orchestra
Overtüre zum Ballett "Anacreon"
Véronique Gens
vocal
Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Walter Jellinek
producer
Medea: Atto I. "Dei tuoi figli"
Wiener Philharmoniker
performing orchestra
Anacréon - Ouvertüre
Ysabelle Van Wersch-Cot
editor
Médée: Acte II. "Ah! nos peines" (Néris)
▼
×