Luigi Cherubini

Riccardo MutiOrchestra del Teatro alla Scala di MilanoTullio SerafinMaria CallasNBC Symphony OrchestraMirto PicchiArturo ToscaniniBill McKinneyRobert FriedrichThomas C. MooreBoston BaroqueMartin PearlmanEd MeitnerGiuseppe ModestiRenata ScottoQuartetto David, 1994-Miriam PirazziniOrchestra della Svizzera italianaMarion SchwebelMartin NagorniPhilharmonia OrchestraMarko MunihAustralian Intervarsity Choral Festival ChoirNorberto MolaGruppo Vocale CantemusDiego FasolisCoro della Radio Svizzera, LuganoCoro del Teatro alla Scala di MilanoRobert Shaw ChoraleThe Ambrosian SingersJacques PetitHerbert von KarajanKlaus ArpHelmuth RillingGuy LevelOrchestre Philharmonique de Monte-CarloLawrence FosterLes Talens LyriquesRay MinshullMartin KatzMarilyn HorneRobert BeckettKarl MünchingerMichael MailesSWR Sinfonieorchester Baden-Baden und FreiburgJérôme PaillardChristophe RoussetBundesjuristenorchesterVéronique GensWalter JellinekWiener PhilharmonikerYsabelle Van Wersch-CotOnly this artist's recordings

Top collaborators

Artist name Roles Recordings
Riccardo Muti conductor Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Marche religieuse, Messa in fa maggiore “Di Chimay”: Agnus Dei: I. Agnus Dei: Sostenuto, Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro, Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro, Messa in fa maggiore “Di Chimay”: Credo: I. Credo: Allegro moderato, Messa in fa maggiore “Di Chimay”: Credo: II. Et incarnatus est: Larghetto, Messa in fa maggiore “Di Chimay”: Credo: III. Crucifixus: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: V. Et expecto: Grave, Messa in fa maggiore “Di Chimay”: Credo: VI. Et vitam venturi saeculi Amen: Presto, Messa in fa maggiore “Di Chimay”: Gloria: I. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: II. Laudamus te: Andate con moto, Messa in fa maggiore “Di Chimay”: Gloria: III. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto, Messa in fa maggiore “Di Chimay”: Gloria: V. In Gloria Dei patris Amen: Allegro, Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto, Messa in fa maggiore “Di Chimay”: Kyrie: II. Christe eleison: Allegretto, Messa in fa maggiore “Di Chimay”: Kyrie: III. Kyrie eleison: Tempo primo, Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro, Messe solennelle pour le couronnement de Charles X: I. Kyrie, Messe solennelle pour le couronnement de Charles X: II. Gloria, Messe solennelle pour le couronnement de Charles X: III. Credo, Messe solennelle pour le couronnement de Charles X: IV. Offertoire, Messe solennelle pour le couronnement de Charles X: V. Sanctus, Messe solennelle pour le couronnement de Charles X: VI. O salutaris hostia, Messe solennelle pour le couronnement de Charles X: VII: Agnus Dei, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: I. Kyrie, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: II. Gloria, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: III. credo, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: IV. Sanctus & O salutaris hostia, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: V. Agnus Dei, Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Orchestra del Teatro alla Scala di Milano performing orchestra Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Tullio Serafin conductor Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Maria Callas vocal Creonte a me solo un giorno (Medea, Act 3), Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Atto I. "Dei tuoi figli", Médée: "Dei tuoi figli la madre", Tacitu Giason (Medea: End of Act 1)
NBC Symphony Orchestra performing orchestra Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai

Collaborators on this artist's recordings

Artist name Roles Recordings
Riccardo Muti conductor Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Marche religieuse, Messa in fa maggiore “Di Chimay”: Agnus Dei: I. Agnus Dei: Sostenuto, Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro, Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro, Messa in fa maggiore “Di Chimay”: Credo: I. Credo: Allegro moderato, Messa in fa maggiore “Di Chimay”: Credo: II. Et incarnatus est: Larghetto, Messa in fa maggiore “Di Chimay”: Credo: III. Crucifixus: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: V. Et expecto: Grave, Messa in fa maggiore “Di Chimay”: Credo: VI. Et vitam venturi saeculi Amen: Presto, Messa in fa maggiore “Di Chimay”: Gloria: I. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: II. Laudamus te: Andate con moto, Messa in fa maggiore “Di Chimay”: Gloria: III. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto, Messa in fa maggiore “Di Chimay”: Gloria: V. In Gloria Dei patris Amen: Allegro, Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto, Messa in fa maggiore “Di Chimay”: Kyrie: II. Christe eleison: Allegretto, Messa in fa maggiore “Di Chimay”: Kyrie: III. Kyrie eleison: Tempo primo, Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro, Messe solennelle pour le couronnement de Charles X: I. Kyrie, Messe solennelle pour le couronnement de Charles X: II. Gloria, Messe solennelle pour le couronnement de Charles X: III. Credo, Messe solennelle pour le couronnement de Charles X: IV. Offertoire, Messe solennelle pour le couronnement de Charles X: V. Sanctus, Messe solennelle pour le couronnement de Charles X: VI. O salutaris hostia, Messe solennelle pour le couronnement de Charles X: VII: Agnus Dei, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: I. Kyrie, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: II. Gloria, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: III. credo, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: IV. Sanctus & O salutaris hostia, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: V. Agnus Dei, Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Orchestra del Teatro alla Scala di Milano performing orchestra Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Tullio Serafin conductor Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Maria Callas vocal Creonte a me solo un giorno (Medea, Act 3), Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Atto I. "Dei tuoi figli", Médée: "Dei tuoi figli la madre", Tacitu Giason (Medea: End of Act 1)
NBC Symphony Orchestra performing orchestra Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Mirto Picchi vocal Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Figli miei, miei tesor", Medea: Act III. "E che? Io son Medea!"
Arturo Toscanini conductor Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Bill McKinney engineer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Robert Friedrich (American Grammy-award winning engineer) engineer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Thomas C. Moore (multiple Grammy Award-winning recording producer, editor) producer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Boston Baroque performing orchestra Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Martin Pearlman conductor Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Ed Meitner engineer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Giuseppe Modesti vocal Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "No, non temer", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act II. "Soffrir non posso"
Renata Scotto vocal Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "No, non temer", Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!"
Quartetto David, 1994- strings String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Miriam Pirazzini vocal Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me"
Orchestra della Svizzera italiana (known by this name since 1991) performing orchestra Anacreon: Overture, Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Marion Schwebel balance, producer String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Martin Nagorni editor String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) performing orchestra Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Marko Munih conductor Requiem in c-Moll: Agnus Dei (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Dies irae (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Graduale (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Introitus et Kyrie (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Offertorium (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Pie Jesu (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Sanctus (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih)
Australian Intervarsity Choral Festival Choir vocal Requiem in C minor: I. Introitus (Requiem Aeternum), Requiem in C minor: II. Graduale (Requiem Aeternum), Requiem in C minor: III. Dies Irae, Requiem in C minor: IV. Offertorium (Domine Jesu Christe), Requiem in C minor: V. Sanctus, Requiem in C minor: VI. Pie Jesu, Requiem in C minor: VII. Agnus Dei
Norberto Mola chorus master Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act III. "E che? Io son Medea!"
Gruppo Vocale Cantemus vocal Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Diego Fasolis conductor Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Coro della Radio Svizzera, Lugano vocal Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Coro del Teatro alla Scala di Milano vocal Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act III. "E che? Io son Medea!"
Robert Shaw Chorale vocal Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus
The Ambrosian Singers vocal Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Jacques Petit (Bassoonist) bassoon Médée: Acte II. "Ah! nos peines" (Néris)
Herbert von Karajan conductor Anacreon: Overture
Klaus Arp conductor Alí Babá e os 40 ladrões: Abertura
Helmuth Rilling conductor Kyrie eleison
Guy Level sound Médée: Acte II. "Ah! nos peines" (Néris)
Orchestre Philharmonique de Monte-Carlo performing orchestra Médée: Acte II. "Ah! nos peines" (Néris)
Lawrence Foster conductor Médée: Acte II. "Ah! nos peines" (Néris)
Les Talens Lyriques performer Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Ray Minshull producer Anacréon - Ouvertüre
Martin Katz conductor Anacreon: Overture
Marilyn Horne vocal Médée: Acte II. "Ah! nos peines" (Néris)
Robert Beckett engineer Medea: Atto I. "Dei tuoi figli"
Karl Münchinger (German conductor) conductor Anacréon - Ouvertüre
Michael Mailes balance Anacréon - Ouvertüre
SWR Sinfonieorchester Baden-Baden und Freiburg performing orchestra Alí Babá e os 40 ladrões: Abertura
Jérôme Paillard producer Médée: Acte II. "Ah! nos peines" (Néris)
Christophe Rousset conductor Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Bundesjuristenorchester performing orchestra Overtüre zum Ballett "Anacreon"
Véronique Gens vocal Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Walter Jellinek producer Medea: Atto I. "Dei tuoi figli"
Wiener Philharmoniker performing orchestra Anacréon - Ouvertüre
Ysabelle Van Wersch-Cot editor Médée: Acte II. "Ah! nos peines" (Néris)