Luigi Cherubini

Top collaborators

Artist name Roles Recordings
Riccardo Muti conductor Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Marche religieuse, Messa in fa maggiore “Di Chimay”: Agnus Dei: I. Agnus Dei: Sostenuto, Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro, Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro, Messa in fa maggiore “Di Chimay”: Credo: I. Credo: Allegro moderato, Messa in fa maggiore “Di Chimay”: Credo: II. Et incarnatus est: Larghetto, Messa in fa maggiore “Di Chimay”: Credo: III. Crucifixus: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: V. Et expecto: Grave, Messa in fa maggiore “Di Chimay”: Credo: VI. Et vitam venturi saeculi Amen: Presto, Messa in fa maggiore “Di Chimay”: Gloria: I. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: II. Laudamus te: Andate con moto, Messa in fa maggiore “Di Chimay”: Gloria: III. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto, Messa in fa maggiore “Di Chimay”: Gloria: V. In Gloria Dei patris Amen: Allegro, Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto, Messa in fa maggiore “Di Chimay”: Kyrie: II. Christe eleison: Allegretto, Messa in fa maggiore “Di Chimay”: Kyrie: III. Kyrie eleison: Tempo primo, Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro, Messe solennelle pour le couronnement de Charles X: I. Kyrie, Messe solennelle pour le couronnement de Charles X: II. Gloria, Messe solennelle pour le couronnement de Charles X: III. Credo, Messe solennelle pour le couronnement de Charles X: IV. Offertoire, Messe solennelle pour le couronnement de Charles X: V. Sanctus, Messe solennelle pour le couronnement de Charles X: VI. O salutaris hostia, Messe solennelle pour le couronnement de Charles X: VII: Agnus Dei, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: I. Kyrie, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: II. Gloria, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: III. credo, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: IV. Sanctus & O salutaris hostia, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: V. Agnus Dei, Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Orchestra del Teatro alla Scala di Milano performing orchestra Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Tullio Serafin conductor Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Maria Callas vocal Creonte a me solo un giorno (Medea, Act 3), Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Atto I. "Dei tuoi figli", Médée: "Dei tuoi figli la madre", Tacitu Giason (Medea: End of Act 1)
NBC Symphony Orchestra performing orchestra Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai

Collaborators on this artist's recordings

Artist name Roles Recordings
Riccardo Muti conductor Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Marche religieuse, Messa in fa maggiore “Di Chimay”: Agnus Dei: I. Agnus Dei: Sostenuto, Messa in fa maggiore “Di Chimay”: Agnus Dei: II. Dona nobis pacem: Allegro – Più allegro, Messa in fa maggiore “Di Chimay”: Benedictus: Larghetto – Allegro, Messa in fa maggiore “Di Chimay”: Credo: I. Credo: Allegro moderato, Messa in fa maggiore “Di Chimay”: Credo: II. Et incarnatus est: Larghetto, Messa in fa maggiore “Di Chimay”: Credo: III. Crucifixus: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: IV. Et resurrexit: Largo moderato, Messa in fa maggiore “Di Chimay”: Credo: V. Et expecto: Grave, Messa in fa maggiore “Di Chimay”: Credo: VI. Et vitam venturi saeculi Amen: Presto, Messa in fa maggiore “Di Chimay”: Gloria: I. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: II. Laudamus te: Andate con moto, Messa in fa maggiore “Di Chimay”: Gloria: III. Gloria in excelsis Deo: Allegro vivace, Messa in fa maggiore “Di Chimay”: Gloria: IV. Qui tollis: Sostenuto – Andante con moto, Messa in fa maggiore “Di Chimay”: Gloria: V. In Gloria Dei patris Amen: Allegro, Messa in fa maggiore “Di Chimay”: Kyrie: I. Kyrie eleison: Sostenuto, Messa in fa maggiore “Di Chimay”: Kyrie: II. Christe eleison: Allegretto, Messa in fa maggiore “Di Chimay”: Kyrie: III. Kyrie eleison: Tempo primo, Messa in fa maggiore “Di Chimay”: Sanctus: Maestoso assai – Allegro, Messe solennelle pour le couronnement de Charles X: I. Kyrie, Messe solennelle pour le couronnement de Charles X: II. Gloria, Messe solennelle pour le couronnement de Charles X: III. Credo, Messe solennelle pour le couronnement de Charles X: IV. Offertoire, Messe solennelle pour le couronnement de Charles X: V. Sanctus, Messe solennelle pour le couronnement de Charles X: VI. O salutaris hostia, Messe solennelle pour le couronnement de Charles X: VII: Agnus Dei, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: I. Kyrie, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: II. Gloria, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: III. credo, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: IV. Sanctus & O salutaris hostia, Messe solennelle pour le sacre de Louis XVIII en sol majeur, pour choeur & orchestre: V. Agnus Dei, Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Orchestra del Teatro alla Scala di Milano performing orchestra Lodoïska: Act I. "Aprochez sans défiance", Lodoïska: Act I. "Eh bien, qu'allons nous entreprendre?", Lodoïska: Act I. "Eh! voici une pierre", Lodoïska: Act I. "Floreski! Floreski!", Lodoïska: Act I. "Je te demande la vie", Lodoïska: Act I. "Jurons, quoiqu'il faille entreprendre", Lodoïska: Act I. "Le soleil se lève", Lodoïska: Act I. "Perdre ma belle?", Lodoïska: Act I. "Qu'un tendron à ma guise" / "Qu'amour me conduise", Lodoïska: Act I. "Que pouvais-je faire", Lodoïska: Act I. "Quel étonnant langage!", Lodoïska: Act I. "Souvent près d'une belle", Lodoïska: Act I. "Triomphons avec noblesse", Lodoïska: Act I. "Vous, voyez, mes amis", Lodoïska: Act I. "Voyez la belle besogne", Lodoïska: Act I. "Étrangers, n'ayez point d'alarmes", Lodoïska: Act I. "Étrangers, pourrait-on s'instruire", Lodoïska: Act II. "A ces traits je connais ta rage", Lodoïska: Act II. "Amis, que ce divin breuvage", Lodoïska: Act II. "Bon, les voilà qu'ils y viennent", Lodoïska: Act II. "Ciel, ce que je lui propose", Lodoïska: Act II. "Hélas! Dans ce cruel asile", Lodoïska: Act II. "Hélas! qu'allons-nous entreprendre?", Lodoïska: Act II. "J'adopte ton projet", Lodoïska: Act II. "Lysinka, sortez et laissez-nous seuls", Lodoïska: Act II. "Mais pour moi s'il expose", Lodoïska: Act II. "Mon serment est de te vouer", Lodoïska: Act II. "Non, non, perdez cette espèrance", Lodoïska: Act II. "Que dis-je, ô Ciel!", Lodoïska: Act II. "Quel nouveau crime médite ton maître", Lodoïska: Act II. "Rien n'égale sa barbarie", Lodoïska: Act II. "Traîtres!", Lodoïska: Act II. "Tu n'appartiendras jamais à ce Floreski", Lodoïska: Act II. "Viens, mon cher Varbel!", Lodoïska: Act III. "Cruel! que me voulez-vous encore?", Lodoïska: Act III. "Eh! Quoi! brave jeune homme!", Lodoïska: Act III. "Il faut tenter ce dernier moyen", Lodoïska: Act III. "Jeune homme, que l'amour t'unisse", Lodoïska: Act III. "Mais que signifie cette alarme?", Lodoïska: Act III. "Oui, pour mon heureuse adresse", Lodoïska: Act III. "Quoi! t'unir à ce barbare!", Lodoïska: Act III. "Seigneur, le château est attaqué", Lodoïska: Act III. "Soyez mon épouse et Floreski est libre", Lodoïska: Act III. "Tournez sur moi votre colère", Lodoïska: Act III. "Tyran, au nombre de tes crimes", Lodoïska: Act III. "Votre fureur est légitime", Lodoïska: Overture, Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Tullio Serafin conductor Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "O Amore, vieni a me!", Medea: Act I. "O bella glauce", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Medea, o Medea!", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act II. Introduction, Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Act III. Introduction, Medea: Atto I. "Dei tuoi figli", Medea: Sinfonia
Maria Callas vocal Creonte a me solo un giorno (Medea, Act 3), Medea: Act I. "Dei tuoi figli la madre", Medea: Act I. "Nemici senza cor", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Figli miei, miei tesor", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act III. "Del fiero duol che il cor mi frange", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me", Medea: Atto I. "Dei tuoi figli", Médée: "Dei tuoi figli la madre", Tacitu Giason (Medea: End of Act 1)
NBC Symphony Orchestra performing orchestra Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Mirto Picchi vocal Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "Nemici senza cor", Medea: Act I. "No, non temer", Medea: Act I. "Or che più non vedrò", Medea: Act I. "Pronube dive", Medea: Act I. "Signor! Ferma una donna", Medea: Act I. "Son vane qui minacce", Medea: Act I. "Taci, Giason", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Figli miei, miei tesor", Medea: Act III. "E che? Io son Medea!"
Arturo Toscanini conductor Ali-Baba: Overture, Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus, Symphony in D major: I. Largo – Allegro, Symphony in D major: II. Larghetto cantabile, Symphony in D major: III. Menuetto. Allegro non tanto, Symphony in D major: IV. Allegro assai
Bill McKinney engineer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Robert Friedrich (American Grammy-award winning engineer) engineer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Thomas C. Moore (multiple Grammy Award-winning recording producer, editor) producer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Boston Baroque performing orchestra Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Martin Pearlman conductor Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Ed Meitner engineer Beethoven: Elegischer Gesang, Op. 118, Funeral March, Requiem in C-minor: Agnus Dei, Requiem in C-minor: Graduale, Requiem in C-minor: Introit and Kyrie, Requiem in C-minor: Offertory. Domine Jesu Christe, Requiem in C-minor: Offertory. Hostias, Requiem in C-minor: Pie Jesu, Requiem in C-minor: Sanctus and Benedictus, Requiem in C-minor: Sequence. Dies Irae
Giuseppe Modesti vocal Medea: Act I. "Ah, già troppo turbò", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "No, non temer", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act II. "Soffrir non posso"
Renata Scotto vocal Medea: Act I. "Che? Quando già corona Amor", Medea: Act I. "Colco! Pensier fatal!", Medea: Act I. "No, non temer", Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!"
Quartetto David, 1994- strings String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Miriam Pirazzini vocal Medea: Act II. "Creonte a me solo un giorno dà?", Medea: Act II. "Date almen per pietà", Medea: Act II. "Hai dato pronto ascolto", Medea: Act II. "Soffrir non posso", Medea: Act II. "Solo un pianto con te versare", Medea: Act III. "E che? Io son Medea!", Medea: Act III. "Neris, che hai fatto", Medea: Act III. "Numi, venite a me"
Orchestra della Svizzera italiana (known by this name since 1991) performing orchestra Anacreon: Overture, Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Marion Schwebel balance, producer String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Martin Nagorni editor String Quartet no. 5 in F major: I. Moderato assai, String Quartet no. 5 in F major: II. Adagio, String Quartet no. 5 in F major: III. Scherzo, String Quartet no. 5 in F major: IV. Allegro vivace, String Quartet no. 6 in A minor: I. Allegro moderato, String Quartet no. 6 in A minor: II. Andantino grazioso, String Quartet no. 6 in A minor: III. Scherzo, String Quartet no. 6 in A minor: IV. Allegro affettuoso
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976) performing orchestra Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Marko Munih conductor Requiem in c-Moll: Agnus Dei (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Dies irae (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Graduale (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Introitus et Kyrie (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Offertorium (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Pie Jesu (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih), Requiem in c-Moll: Sanctus (Chor und Orchester Radio Belgrad feat. conductor: Marko Munih)
Australian Intervarsity Choral Festival Choir vocal Requiem in C minor: I. Introitus (Requiem Aeternum), Requiem in C minor: II. Graduale (Requiem Aeternum), Requiem in C minor: III. Dies Irae, Requiem in C minor: IV. Offertorium (Domine Jesu Christe), Requiem in C minor: V. Sanctus, Requiem in C minor: VI. Pie Jesu, Requiem in C minor: VII. Agnus Dei
Norberto Mola chorus master Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act III. "E che? Io son Medea!"
Gruppo Vocale Cantemus vocal Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Diego Fasolis conductor Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Coro della Radio Svizzera, Lugano vocal Requiem for Chorus & Orchestra in C minor VII. Agnus Dei, Requiem for Chorus & Orchestra in C minor: I. Introitus et Kyrie: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: II. Graduale: Requiem aeternam, Requiem for Chorus & Orchestra in C minor: III. Dies irae, Requiem for Chorus & Orchestra in C minor: IV. Offertorium: Domine Jesu Christe, Requiem for Chorus & Orchestra in C minor: V. Sanctus, Requiem for Chorus & Orchestra in C minor: VI. Pie Jesu
Coro del Teatro alla Scala di Milano vocal Medea: Act I. "O bella glauce", Medea: Act I. "Pronube dive", Medea: Act I. "Qui tremar devi tu", Medea: Act I. "Signor! Ferma una donna", Medea: Act II. "Ah! Triste canto!... - Dio dell'Amor!", Medea: Act II. "Date almen per pietà", Medea: Act III. "E che? Io son Medea!"
Robert Shaw Chorale vocal Requiem Mass no. 1 in C minor: Agnus Dei, Requiem Mass no. 1 in C minor: Dies irae, Requiem Mass no. 1 in C minor: Graduale, Requiem Mass no. 1 in C minor: Introitus et Kyrie, Requiem Mass no. 1 in C minor: Offertorium, Requiem Mass no. 1 in C minor: Pie Jesu, Requiem Mass no. 1 in C minor: Sanctus
The Ambrosian Singers vocal Requiem No. 1 in C minor "à la mémoire de Louis XVI": I. Introitus et Kyrie, Requiem No. 1 in C minor "à la mémoire de Louis XVI": II. Graduale, Requiem No. 1 in C minor "à la mémoire de Louis XVI": III. Dies irae, Requiem No. 1 in C minor "à la mémoire de Louis XVI": IV. Offertorium, Requiem No. 1 in C minor "à la mémoire de Louis XVI": V. Sanctus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VI. Pie Jesus, Requiem No. 1 in C minor "à la mémoire de Louis XVI": VII. Agnus Dei
Jacques Petit (Bassoonist) bassoon Médée: Acte II. "Ah! nos peines" (Néris)
Herbert von Karajan conductor Anacreon: Overture
Klaus Arp conductor Alí Babá e os 40 ladrões: Abertura
Helmuth Rilling conductor Kyrie eleison
Guy Level sound Médée: Acte II. "Ah! nos peines" (Néris)
Orchestre Philharmonique de Monte-Carlo performing orchestra Médée: Acte II. "Ah! nos peines" (Néris)
Lawrence Foster conductor Médée: Acte II. "Ah! nos peines" (Néris)
Les Talens Lyriques performer Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Ray Minshull producer Anacréon - Ouvertüre
Martin Katz conductor Anacreon: Overture
Marilyn Horne vocal Médée: Acte II. "Ah! nos peines" (Néris)
Robert Beckett engineer Medea: Atto I. "Dei tuoi figli"
Karl Münchinger (German conductor) conductor Anacréon - Ouvertüre
Michael Mailes balance Anacréon - Ouvertüre
SWR Sinfonieorchester Baden-Baden und Freiburg performing orchestra Alí Babá e os 40 ladrões: Abertura
Jérôme Paillard producer Médée: Acte II. "Ah! nos peines" (Néris)
Christophe Rousset conductor Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Bundesjuristenorchester performing orchestra Overtüre zum Ballett "Anacreon"
Véronique Gens vocal Médée: Ah ! Nos Peines seront communes (Acte II, Scène 4; Air de Néris)
Walter Jellinek producer Medea: Atto I. "Dei tuoi figli"
Wiener Philharmoniker performing orchestra Anacréon - Ouvertüre
Ysabelle Van Wersch-Cot editor Médée: Acte II. "Ah! nos peines" (Néris)