Musical Bacon: Brandon Estelle

Brandon Estelle

Top collaborators

Artist name	Roles	Recordings
Neeme Järvi	conductor	Abu Hassan, J 106, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso, Capriccio Bohémien, op. 12, Collage Sur B-A-C-H: I. Toccata. Preciso, Collage Sur B-A-C-H: II. Sarabande. Lento, Collage Sur B-A-C-H: III. Ricercar. Deciso, Dances From Aleko: Men’s Dance, Dances From Aleko: Women’s Dance, Der Beherrscher der Geister, J 122, Der Freischütz, J 277 (op. 77), Euryanthe, J 291 (op. 81), Festina Lente, Fratres, Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, Jubel-Ouvertüre, J 245 (op. 59), Oberon, J 306, Overture The Oresteia, op. 6, Peter Schmoll, J 8 (op. 8), Preciosa, J 279 (op. 78), Russian Overture, op. 72, Silvana, J 87, Suite no. 4 in G major "Mozartiana", op. 61: I. Gigue. Allegro, Suite no. 4 in G major "Mozartiana", op. 61: II. Menuet. Moderato, Suite no. 4 in G major "Mozartiana", op. 61: III. Preghiera (d'après une transcription de F. Liszt). Andante non tanto, Suite no. 4 in G major "Mozartiana", op. 61: IV. Thème et Variations. Allegro giusto, Summa for string orchestra, Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato, Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio, Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo, Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo, Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo de valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot-Scherzo, Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino, Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch, Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso, Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo, Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato, Symphonic Suite from "War and Peace": II. Intermezzo – May Night, Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso, Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro, Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso, Symphony no. 2: I. 104-120, Symphony no. 2: II. 112, Symphony no. 2: III. 48-60, Symphony no. 4 in C minor, op. 12: I. Allegro molto, Symphony no. 4 in C minor, op. 12: II. Adagio, Symphony no. 4 in C minor, op. 12: III. Scherzo. Vivace, Symphony no. 4 in C minor, op. 12: IV. Finale. Allegro energico - molto maestoso, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Tale of the Stone Flower, op. 118: Act III, no. 29. Ural Rhapsody, The Tale of the Stone Flower, op. 118: Act III, no. 31. Russian Dance, The Tale of the Stone Flower, op. 118: Act III, no. 32. Gypsy Dance, The Tale of the Stone Flower, op. 118: Act III, no. 33. Severyan’s Dance, The Tale of the Stone Flower, op. 118: Act III, no. 34. Solo of the Gypsy Girl and Coda, The Tale of the Stone Flower, op. 118: Act IV, no. 39. Katerina sits by the fire, The Tale of the Stone Flower, op. 118: Act IV, no. 40. Scene and Dance of Katerina, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her, The Wooden Prince, op. 13: Dance of the Princess with the Wooden Doll, The Wooden Prince, op. 13: The Prince Comes Up and Tries to Console Her, Turandot, J 75: March, Turandot, J 75: Overture, Wenn Bach Bienen Gezüchtet Hätte
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976)	performing orchestra	Abu Hassan, J 106, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso, Capriccio Bohémien, op. 12, Collage Sur B-A-C-H: I. Toccata. Preciso, Collage Sur B-A-C-H: II. Sarabande. Lento, Collage Sur B-A-C-H: III. Ricercar. Deciso, Dances From Aleko: Men’s Dance, Dances From Aleko: Women’s Dance, Der Beherrscher der Geister, J 122, Der Freischütz, J 277 (op. 77), Euryanthe, J 291 (op. 81), Festina Lente, Fratres, Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, Jubel-Ouvertüre, J 245 (op. 59), Oberon, J 306, Overture The Oresteia, op. 6, Peter Schmoll, J 8 (op. 8), Preciosa, J 279 (op. 78), Russian Overture, op. 72, Silvana, J 87, Suite no. 4 in G major "Mozartiana", op. 61: I. Gigue. Allegro, Suite no. 4 in G major "Mozartiana", op. 61: II. Menuet. Moderato, Suite no. 4 in G major "Mozartiana", op. 61: III. Preghiera (d'après une transcription de F. Liszt). Andante non tanto, Suite no. 4 in G major "Mozartiana", op. 61: IV. Thème et Variations. Allegro giusto, Summa for string orchestra, Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato, Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio, Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo, Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo, Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo de valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot-Scherzo, Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino, Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch, Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso, Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo, Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato, Symphonic Suite from "War and Peace": II. Intermezzo – May Night, Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso, Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro, Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso, Symphony no. 2: I. 104-120, Symphony no. 2: II. 112, Symphony no. 2: III. 48-60, Symphony no. 4 in C minor, op. 12: I. Allegro molto, Symphony no. 4 in C minor, op. 12: II. Adagio, Symphony no. 4 in C minor, op. 12: III. Scherzo. Vivace, Symphony no. 4 in C minor, op. 12: IV. Finale. Allegro energico - molto maestoso, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Tale of the Stone Flower, op. 118: Act III, no. 29. Ural Rhapsody, The Tale of the Stone Flower, op. 118: Act III, no. 31. Russian Dance, The Tale of the Stone Flower, op. 118: Act III, no. 32. Gypsy Dance, The Tale of the Stone Flower, op. 118: Act III, no. 33. Severyan’s Dance, The Tale of the Stone Flower, op. 118: Act III, no. 34. Solo of the Gypsy Girl and Coda, The Tale of the Stone Flower, op. 118: Act IV, no. 39. Katerina sits by the fire, The Tale of the Stone Flower, op. 118: Act IV, no. 40. Scene and Dance of Katerina, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her, The Wooden Prince, op. 13: Dance of the Princess with the Wooden Doll, The Wooden Prince, op. 13: The Prince Comes Up and Tries to Console Her, Turandot, J 75: March, Turandot, J 75: Overture, Wenn Bach Bienen Gezüchtet Hätte
Brian Couzens (engineer/editor/producer)	producer	Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her
Ralph Couzens (engineer/editor/producer)	sound	Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her
Peter Newble	engineer	Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her

Collaborators on this artist's recordings

Artist name	Roles	Recordings
Neeme Järvi	conductor	Abu Hassan, J 106, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso, Capriccio Bohémien, op. 12, Collage Sur B-A-C-H: I. Toccata. Preciso, Collage Sur B-A-C-H: II. Sarabande. Lento, Collage Sur B-A-C-H: III. Ricercar. Deciso, Dances From Aleko: Men’s Dance, Dances From Aleko: Women’s Dance, Der Beherrscher der Geister, J 122, Der Freischütz, J 277 (op. 77), Euryanthe, J 291 (op. 81), Festina Lente, Fratres, Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, Jubel-Ouvertüre, J 245 (op. 59), Oberon, J 306, Overture The Oresteia, op. 6, Peter Schmoll, J 8 (op. 8), Preciosa, J 279 (op. 78), Russian Overture, op. 72, Silvana, J 87, Suite no. 4 in G major "Mozartiana", op. 61: I. Gigue. Allegro, Suite no. 4 in G major "Mozartiana", op. 61: II. Menuet. Moderato, Suite no. 4 in G major "Mozartiana", op. 61: III. Preghiera (d'après une transcription de F. Liszt). Andante non tanto, Suite no. 4 in G major "Mozartiana", op. 61: IV. Thème et Variations. Allegro giusto, Summa for string orchestra, Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato, Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio, Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo, Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo, Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo de valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot-Scherzo, Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino, Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch, Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso, Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo, Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato, Symphonic Suite from "War and Peace": II. Intermezzo – May Night, Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso, Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro, Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso, Symphony no. 2: I. 104-120, Symphony no. 2: II. 112, Symphony no. 2: III. 48-60, Symphony no. 4 in C minor, op. 12: I. Allegro molto, Symphony no. 4 in C minor, op. 12: II. Adagio, Symphony no. 4 in C minor, op. 12: III. Scherzo. Vivace, Symphony no. 4 in C minor, op. 12: IV. Finale. Allegro energico - molto maestoso, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Tale of the Stone Flower, op. 118: Act III, no. 29. Ural Rhapsody, The Tale of the Stone Flower, op. 118: Act III, no. 31. Russian Dance, The Tale of the Stone Flower, op. 118: Act III, no. 32. Gypsy Dance, The Tale of the Stone Flower, op. 118: Act III, no. 33. Severyan’s Dance, The Tale of the Stone Flower, op. 118: Act III, no. 34. Solo of the Gypsy Girl and Coda, The Tale of the Stone Flower, op. 118: Act IV, no. 39. Katerina sits by the fire, The Tale of the Stone Flower, op. 118: Act IV, no. 40. Scene and Dance of Katerina, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her, The Wooden Prince, op. 13: Dance of the Princess with the Wooden Doll, The Wooden Prince, op. 13: The Prince Comes Up and Tries to Console Her, Turandot, J 75: March, Turandot, J 75: Overture, Wenn Bach Bienen Gezüchtet Hätte
Philharmonia Orchestra (London orchestra aka New Philharmonia Orchestra from 1964-1976)	performing orchestra	Abu Hassan, J 106, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso, Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso, Capriccio Bohémien, op. 12, Collage Sur B-A-C-H: I. Toccata. Preciso, Collage Sur B-A-C-H: II. Sarabande. Lento, Collage Sur B-A-C-H: III. Ricercar. Deciso, Dances From Aleko: Men’s Dance, Dances From Aleko: Women’s Dance, Der Beherrscher der Geister, J 122, Der Freischütz, J 277 (op. 77), Euryanthe, J 291 (op. 81), Festina Lente, Fratres, Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, Jubel-Ouvertüre, J 245 (op. 59), Oberon, J 306, Overture The Oresteia, op. 6, Peter Schmoll, J 8 (op. 8), Preciosa, J 279 (op. 78), Russian Overture, op. 72, Silvana, J 87, Suite no. 4 in G major "Mozartiana", op. 61: I. Gigue. Allegro, Suite no. 4 in G major "Mozartiana", op. 61: II. Menuet. Moderato, Suite no. 4 in G major "Mozartiana", op. 61: III. Preghiera (d'après une transcription de F. Liszt). Andante non tanto, Suite no. 4 in G major "Mozartiana", op. 61: IV. Thème et Variations. Allegro giusto, Summa for string orchestra, Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato, Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio, Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo, Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo, Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto, Symphonic Dances, op. 45: I. Non allegro, Symphonic Dances, op. 45: II. Andante con moto (Tempo de valse), Symphonic Dances, op. 45: III. Lento assai, Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot-Scherzo, Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino, Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch, Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso, Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo, Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato, Symphonic Suite from "War and Peace": II. Intermezzo – May Night, Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso, Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro, Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso, Symphony no. 2: I. 104-120, Symphony no. 2: II. 112, Symphony no. 2: III. 48-60, Symphony no. 4 in C minor, op. 12: I. Allegro molto, Symphony no. 4 in C minor, op. 12: II. Adagio, Symphony no. 4 in C minor, op. 12: III. Scherzo. Vivace, Symphony no. 4 in C minor, op. 12: IV. Finale. Allegro energico - molto maestoso, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Tale of the Stone Flower, op. 118: Act III, no. 29. Ural Rhapsody, The Tale of the Stone Flower, op. 118: Act III, no. 31. Russian Dance, The Tale of the Stone Flower, op. 118: Act III, no. 32. Gypsy Dance, The Tale of the Stone Flower, op. 118: Act III, no. 33. Severyan’s Dance, The Tale of the Stone Flower, op. 118: Act III, no. 34. Solo of the Gypsy Girl and Coda, The Tale of the Stone Flower, op. 118: Act IV, no. 39. Katerina sits by the fire, The Tale of the Stone Flower, op. 118: Act IV, no. 40. Scene and Dance of Katerina, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her, The Wooden Prince, op. 13: Dance of the Princess with the Wooden Doll, The Wooden Prince, op. 13: The Prince Comes Up and Tries to Console Her, Turandot, J 75: March, Turandot, J 75: Overture, Wenn Bach Bienen Gezüchtet Hätte
Brian Couzens (engineer/editor/producer)	producer	Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her
Ralph Couzens (engineer/editor/producer)	sound	Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her
Peter Newble	engineer	Hungarian Pictures, Sz. 97: I. An Evening in the Village, Hungarian Pictures, Sz. 97: II. Bear Dance, Hungarian Pictures, Sz. 97: III. Melody, Hungarian Pictures, Sz. 97: IV. Slightly Tipsy, Hungarian Pictures, Sz. 97: V. Swineherd's Dance, The Wooden Prince, Sz. 60: I. Prelude, The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest, The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees, The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves, The Wooden Prince, Sz. 60: IX. Postlude, The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll, The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance, The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance, The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her
Jeffrey Ginn	engineer	Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato, Hungarian Folk Dances, op. 18: II. Andante poco sostenuto – Allegro con fuoco, Hungarian Folk Dances, op. 18: III. Andante poco sostenuto – Pesante, poco maestoso, Hungarian Folk Dances, op. 18: IV. Presto, The Miraculous Mandarin: A Shabby Room in the Slums, The Miraculous Mandarin: First Decoy Game, The Miraculous Mandarin: Second Decoy Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears Between the Pillows, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Mandarin Falls to the Floor and at Once Leaps at the Girl, The Miraculous Mandarin: The Mandarin's Passion Is Finally Roused, The Miraculous Mandarin: Third Decoy Game
Ben Connellan	engineer	Ivan the Terrible, Concert Scenario: IV. Fire, Ivan the Terrible, Concert Scenario: IX. Anastasia, Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato, Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio, Ivan the Terrible, Concert Scenario: VIII. At the Polish Court, Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce, Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato

Work on other artists' recordings

Artist name	Roles	Recordings
tobyMac	vocal arranger	Phenomenon (Blanco e Chegro mix)