Andrew Litton

conductor, piano, performing orchestra

Top collaborators

Artist name Roles Recordings
Rakaill
tSide (Estonian hiphop artist)
Gustav Mahler
Stephen Sondheim
Emilxa Xurylowicz

Work on other artists' recordings

Artist name Roles Recordings
Rakaill conductor "Ruy Blas" Overture, op. 95, Adagio for Strings, op. 11, Canzonetta, op. 62a (arr. Igor Stravinsky), Grande Valse Brillante, op. 18 (orch. Igor Stravinsky), Greeting Prelude, L’Oiseau de feu: I. Tableau: Apparition de l’oiseau de feu, L’Oiseau de feu: I. Tableau: Apparition de l’oiseau de feu, poursuivi par Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Apparition des treize princesses enchantées, L’Oiseau de feu: I. Tableau: Arrivée de Kastchei l’immortel, L’Oiseau de feu: I. Tableau: Berceuse (L’oiseau de feu), L’Oiseau de feu: I. Tableau: Brusque apparition d’Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Capture de l’oiseau de feu par Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Carillon féerique, apparition des monstres-gardiens de Kastchei et capture d’Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Danse de la suite de Kastchei, enchantée par l’oiseau de feu, L’Oiseau de feu: I. Tableau: Danse de l’oiseau de feu, L’Oiseau de feu: I. Tableau: Danse infernale de tous les sujets de Kastchei, L’Oiseau de feu: I. Tableau: Dialogue de Kastchei avec Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Intercession des princesses, L’Oiseau de feu: I. Tableau: Jeu des princesses avec les pommes d’or, L’Oiseau de feu: I. Tableau: Khorovode (Ronde) des princesses, L’Oiseau de feu: I. Tableau: Le Jardin enchanté de Kastchei, L’Oiseau de feu: I. Tableau: Lever du jour – Ivan Tsarévitch pénètre dans le palais de Kastchei, L’Oiseau de feu: I. Tableau: Mort de Kastchei – Profondes ténèbres, L’Oiseau de feu: I. Tableau: Réveil de Kastchei, L’Oiseau de feu: I. Tableau: Supplications de l’oiseau de feu, L’Oiseau de feu: II. Tableau: Disparition du palais et des sortilèges de Kastchei, animation des chevaliers petrifies. Allégresse générale, L’Oiseau de feu: Introduction, Nocturne in A flat major, op. 32 no. 1 (orch. Igor Stravinsky), Romeo and Juliet Suite no. 1, op. 64bis: I. Folk Dance, Romeo and Juliet Suite no. 1, op. 64bis: II. The Street Awakens, Romeo and Juliet Suite no. 1, op. 64bis: III. Madrigal, Romeo and Juliet Suite no. 1, op. 64bis: IV. Minuet (The Arrival of the Guests), Romeo and Juliet Suite no. 1, op. 64bis: V. Masks, Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet (Balcony Scene), Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt, Romeo and Juliet Suite no. 2, op. 64ter: I. Montagues and Capulets, Romeo and Juliet Suite no. 2, op. 64ter: II. Juliet as a Young Girl, Romeo and Juliet Suite no. 2, op. 64ter: III. Friar Laurence, Romeo and Juliet Suite no. 2, op. 64ter: IV. Dance, Romeo and Juliet Suite no. 2, op. 64ter: V. Dawn: Romeo and Juliet Part, Romeo and Juliet Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies, Romeo and Juliet Suite no. 2, op. 64ter: VII. Romeo at Juliet's Tomb, Romeo and Juliet Suite no. 3, op. 101: I. Romeo at the Fountain, Romeo and Juliet Suite no. 3, op. 101: II. Morning Dance, Romeo and Juliet Suite no. 3, op. 101: III. Juliet, Romeo and Juliet Suite no. 3, op. 101: IV. The Nurse, Romeo and Juliet Suite no. 3, op. 101: V. Aubade (Morning Serenade), Romeo and Juliet Suite no. 3, op. 101: VI. The Death of Juliet, Scythian Suite, op. 20: I. The Adoration of Veles and Ala, Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness, Scythian Suite, op. 20: III. Night, Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and the Sun’s Procession, Symphonic Dances, op. 45: I. Non allegro – Lento – Tempo I, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai – Allegro vivace, Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 2 in B-flat major, op. 52 "Lobgesang": I. Sinfonia: Adagio religioso, Symphony no. 2 in B-flat major, op. 52 "Lobgesang": I. Sinfonia: Allegretto un poco agitato –, Symphony no. 2 in B-flat major, op. 52 "Lobgesang": I. Sinfonia: Maestoso con moto – Allegro –, Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 3 in A minor "Scottish", op. 56: I. Andante con moto – Allegro un poco agitato – Assai animato –, Symphony no. 3 in A minor "Scottish", op. 56: II. Vivace non troppo –, Symphony no. 3 in A minor "Scottish", op. 56: III. Adagio –, Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai, Symphony no. 4 in A major "Italian", op. 90: I. Allegro vivace, Symphony no. 4 in A major "Italian", op. 90: II. Andante con moto, Symphony no. 4 in A major "Italian", op. 90: III. Con moto moderato, Symphony no. 4 in A major "Italian", op. 90: IV. Saltarello. Presto, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Symphony no. 5 in D minor "Reformation", op. 107: I. Andante – Allegro con fuoco, Symphony no. 5 in D minor "Reformation", op. 107: II. Allegro vivace, Symphony no. 5 in D minor "Reformation", op. 107: III. Andante, Symphony no. 5 in D minor "Reformation", op. 107: IV. Choral "Ein’ feste Burg ist unser Gott!", The Enchanted Lake, op. 62, The Isle of the Dead, op. 29, The Rock, op. 7, The Sleeping Beauty: Pas-De-Deux: I. Adagio (arr. Igor Stravinsky), The Sleeping Beauty: Pas-De-Deux: II. Variation I. Tempo di Valse (arr. Igor Stravinsky), The Sleeping Beauty: Pas-De-Deux: III. Variation II. Andantino (arr. Igor Stravinsky), The Sleeping Beauty: Pas-De-Deux: IV. Coda. Con moto (arr. Igor Stravinsky)
tSide conductor, performing orchestra, piano An American in Paris, Central Park in the Dark, Fascinatin’ Rhythm, Festive Overture, Mysterious Mountain (Symphony no. 2): Andante con moto, Mysterious Mountain (Symphony no. 2): Andante espressivo, Mysterious Mountain (Symphony no. 2): Double Fugue: Moderato maestoso, New England Triptych: I. Be Glad then America, New England Triptych: II. When Jesus Wept, New England Triptych: III. Chester, Piano Concerto no. 2: I. Allegro, Piano Concerto no. 2: II. Andante, Piano Concerto no. 2: III. Allegro, Sinfonietta in B major, op. 5: I. Fließend, mit heiterem Schwunge, Sinfonietta in B major, op. 5: II. Scherzo: Molto agitato, rasch und feurig, Sinfonietta in B major, op. 5: III. Molto andante (träumerisch), Sinfonietta in B major, op. 5: IV. Finale: Patetico, Sleeping Beauty: Valse, Symphony no. 1: I. Allegro (con moto), Symphony no. 1: II. Adagio molto (sostenuto), Symphony no. 1: III. Scherzo, Symphony no. 1: IV. Allegro molto, Symphony no. 4: I. Prelude. Maestoso, Symphony no. 4: II. Comedy: Allegretto, Symphony no. 4: III. Fugue: Andante moderato con brio, Symphony no. 4: IV. Very slowly (Largo maestoso), Symphony no. 5: I. Moderato, Symphony no. 5: II. Allegretto, Symphony no. 5: III. Largo, Symphony no. 5: IV. Finale: Allegro non troppo, Symphony no. 8 in C minor, op. 65: I. Adagio, Symphony no. 8 in C minor, op. 65: II. Allegretto, Symphony no. 8 in C minor, op. 65: III. Allegro non troppo, Symphony no. 8 in C minor, op. 65: IV. Largo, Symphony no. 8 in C minor, op. 65: V. Allegretto, The Incredible Flutist: Arrival of the Circus, The Incredible Flutist: Circus March, The Incredible Flutist: Eight O'clock Strikes, The Incredible Flutist: Entrance of the Customers, The Incredible Flutist: Entrance of the Vendors, The Incredible Flutist: Introduction: Siesta in the Market Place, The Incredible Flutist: Minuet, The Incredible Flutist: Polka Finale, The Incredible Flutist: Siciliana, The Incredible Flutist: Spanish Waltz, The Incredible Flutist: Tango of the Merchant's Daughters, The Incredible Flutist: The Flutist, The White Peacock, op. 7 no. 1, Three Places in New England: I. The "St. Gaudens" in Boston Common, Three Places in New England: II. Putnam's Camp, Redding, Connecticut, Three Places in New England: III. The Housatonic at Stockbridge
Gustav Mahler conductor Symphony No. 2 in C minor "Resurrection": II. Andante Moderato: Energisch bewegt, Symphony No. 2 in C minor "Resurrection": II. Andante Moderato: In Tempo I. Zuruckkehren, Symphony No. 2 in C minor "Resurrection": II. Andante Moderato: Nicht Eilen. Sehr gemachlich, Symphony No. 2 in C minor "Resurrection": II. Andante Moderato: Sehr gemachlich, Symphony No. 2 in C minor "Resurrection": II. Andante Moderato: Wieder in's Tempo zuruckgehen. Tempo I, Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (scherzo): In ruhig fließender Bewegung, Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (scherzo): Sehr getragen und gesangvoll, Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (scherzo): Zum Tempo I. Zuruckkehren, Symphony No. 2 in C minor "Resurrection": IV. Urlicht: Sehr feierlich, aber schlicht, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Etwas bewegter, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Im Anfang sehr zuruckgehalten, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Im Tempo des Scherzo's - Wild herausfahrend, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Langsam, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Langsam - Misterioso, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Langsam - Nicht schleppen, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Mit Aufschwung, aber nicht eilen, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Molto ritenuto. Maestoso, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Sehr langsam und gedehnt, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Wieder sehr breit, Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo: Wieder zuruckhaltend, Symphony No. 2: I. Allegro Maestoso: Mit Durchaus Ernstem Und Feierlichem Ausdruck, Symphony No. 2: I. Allegro Maestoso: Schnell, Symphony No. 2: I. Allegro Maestoso: Sehr Massig Und Zuruckhaltend, Symphony No. 2: I. Allegro Maestoso: Tempo I, Symphony No. 2: I. Allegro Maestoso: Tempo Sostenuto, Symphony No. 3 in D minor: I. (Allegro moderato), Symphony No. 3 in D minor: I. A tempo, Symphony No. 3 in D minor: I. Immer dasselbe Tempo (Marsch), Symphony No. 3 in D minor: I. Kräftig. Entschieden, Symphony No. 3 in D minor: I. Langsam. Schwer (feat. trombone: John Kitzman), Symphony No. 3 in D minor: I. Tempo I, Symphony No. 3 in D minor: I. Zeit lassen, Symphony No. 3 in D minor: II. A Tempo, Symphony No. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto, Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig, Symphony No. 3 in D minor: III Comodo. Scherzando. Ohne Hast, Symphony No. 3 in D minor: III. Sehr gemächlich (feat. posthorn: Jeffrey Curnow), Symphony No. 3 in D minor: III. Tempo I, Symphony No. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam, Symphony No. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang, Symphony No. 3 in D minor: IV. Più mosso subito, Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck, Symphony No. 3 in D minor: VI. A tempo (etwas bewegter), Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden, Symphony No. 3 in D minor: VI. Langsam. Tempo I, Symphony No. 3 in D minor: VI. Nicht mehr so breit, Symphony No. 3 in D minor: VI. Tempo I, Symphony No. 3 in D minor: VI. Tempo I. Ruhevoll
Stephen Sondheim conductor A Little Priest, Ah, Miss, By the Sea, City on Fire, Epiphany, Final Scene, Fogg's Asylum, God, That's Good!, Green Finch and Linnet Bird, Johanna, Kiss Me, Kiss Me, Part II, Ladies in Their Sensitivities, My Friends, No Place Like London, Not While I'm Around, Parlor Songs, Pirelli's Death, Pirelli's Miracle Elixir, Poor Thing, Prelude, Pretty Women, The Ballad of Sweeney Todd, The Contest, The Judge's Return, The Letter, The Worst Pies in London, Wait, Wigmaker Sequence
Emilxa Xurylowicz conductor La Cour de Célimène: Act I. Air "Que dites-vous?" (The Commander), La Cour de Célimène: Act I. Air "Ça va être bien divertissant" (The Chevalier), La Cour de Célimène: Act I. Couplet "Oh... Ah! Cessez de grâce" (The Countess, The Chevalier), La Cour de Célimène: Act I. Couplets "Charmez, brillez, c'est de votre âge" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act I. Dialogue "Ah, vous voilà donc, chevalier?" (The Chevalier, The Baroness), La Cour de Célimène: Act I. Dialogue "Ainsi, madame..." (The Countess, The Chevalier), La Cour de Célimène: Act I. Dialogue "Ainsi, un fois mariés" (The Baroness, The Commander, The Countess), La Cour de Célimène: Act I. Dialogue "Allons, rassurez-vous..." (The Countess, The Commander, The Baroness, Bretonne), La Cour de Célimène: Act I. Dialogue "Eh bien! Monsieur..." (The Countess, The Chevalier), La Cour de Célimène: Act I. Dialogue "Il paraît, chère sœur" (The Baroness, The Countess), La Cour de Célimène: Act I. Duo "Oui, c'est le plus grand des bonheurs" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act I. Finale "Quels fracas!" (The Countess, The Chevalier), La Cour de Célimène: Act I. Introduction "Bientôt elle arrive" (Chorus, The Countess), La Cour de Célimène: Act I. Overture, La Cour de Célimène: Act I. Quartet "Mais pardon..." (The Countess, The Baroness, The Chevalier, The Commander), La Cour de Célimène: Act I. Trio "C'est un mariage" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act II. "Que voulez-vous" (The Countess), La Cour de Célimène: Act II. Air Bouffe "Sur le terrain, tous deux enfin" (The Commander with The Countess, The Baroness, Chorus), La Cour de Célimène: Act II. Dialogue "Ainsi, commandeur, vous voilà" (The Countess, The Baroness, The Commander), La Cour de Célimène: Act II. Dialogue "Ainsi, noble baronne..." (The Commander, The Baroness, The Countess, The Chevalier), La Cour de Célimène: Act II. Dialogue "Et maintenant, chevalier?" (The Baroness, The Chevalier, The Commander), La Cour de Célimène: Act II. Dialogue "Ma sœur! Ma sœur!" (The Baroness, The Countess, Bretonne), La Cour de Célimène: Act II. Duo "Aucun, et je proteste!..." (The Baroness, The Chevalier), La Cour de Célimène: Act II. Entr'acte and Recit "Dieu! Quel mortel ennui..." (The Countess), La Cour de Célimène: Act II. Finale "Que vois-je?" (The Chevalier, The Commander, The Baroness, The Countess, Chorus), La Cour de Célimène: Act II. Morceau d'ensemble "Voilà donc la cruelle" (The Countess, The Baroness, The Commander, Chorus), La Cour de Célimène: Act II. Trio "Nous pouvons arranger l'affaire" (The Commander, The Countess, The Baroness)
Uncle conductor Enigma Variations, op. 36: Theme: Andante, Enigma Variations, op. 36: Variation I. (C.A.E): L'istesso tempo, Enigma Variations, op. 36: Variation II. (H.D.S.-P.): Allegro, Enigma Variations, op. 36: Variation III. (R.B.T.): Allegretto, Enigma Variations, op. 36: Variation IV. (W.M.T.): Allegro di molto, Enigma Variations, op. 36: Variation IX. (Nimrod): Adagio, Enigma Variations, op. 36: Variation V. (R.P.A.): Moderato, Enigma Variations, op. 36: Variation VII. (Troyte): Presto, Enigma Variations, op. 36: Variation VIII. (W.N.): Allegretto, Enigma Variations, op. 36: Variation X. Intermezzo (Dorabella): Allegretto, Enigma Variations, op. 36: Variation XI. (G.R.S.): Allegro di molto, Rhapsody in Blue (original Jazz Band version), Serenade for Strings in E minor, op. 20: I. Allegro piacevole, Serenade for Strings in E minor, op. 20: II. Larghetto, Serenade for Strings in E minor, op. 20: III. Allegretto - Come prima, Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Vocalise for Orchestra
Physical Breakdown conductor Ballet Fancy Free: Competition Scene: Three Dance Variations, Ballet Fancy Free: Enter Three Sailors, Ballet Fancy Free: Enter Two Girls, Ballet Fancy Free: Finale, Ballet Fancy Free: I. Galop, Ballet Fancy Free: II. Waltz, Ballet Fancy Free: III. Danzon, Ballet Fancy Free: Pas de deux, Ballet Fancy Free: Scene at the Bar, Candide: Ouverture, Candide: Overture, Suite from Henvy V: II. Passacaglia - The Death of Falstaff, Suite from Henvy V: IV. Touch her soft lips and part, Symphony No. 2, Op. 17: III. Scherzo. Allegro molto vivace, Symphony no. 1 in B-flat major: I. Allegro assai, Symphony no. 1 in B-flat major: II. Presto con malizia, Symphony no. 1 in B-flat major: III. Andante con malinconia, Symphony no. 1 in B-flat major: IV. Maestoso
very very small inclusions conductor Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Prologue, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation I: L'istesso tempo, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation II: Poco piu mosso, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation III: Largamente, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation IV: Piu mosso, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation IX: Piu mosso (Tempo di valse), Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation V, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation VI: Poco meno mosso, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation VII: L'istesso tempo, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation VIII: Molto moderato, ma movendo, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation X: Piu mosso, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation XI: L'istesso tempo, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation XII: Poco piu vivace, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation XIII: L'istesso tempo, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety" I. The Seven Ages: Variation XIV: Poco piu vivace, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": II. The Dirge, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": II. The Epilogue, Symphony no. 2 for Piano and Orchestra "The Age of Anxiety": II. The Masque
D-Faz conductor Enigma Variations - Nimrod, Serenade for strings in E minor, Op. 20: Larghetto, Symphonic Dances, for orchestra (or 2 pianos), op. 45: I. Non allegro - Lento - Tempo I in C minor, Symphonic Dances, for orchestra (or 2 pianos), op. 45: II. Andante con moto (Tempo di valse) in G minor, Symphonic Dances, for orchestra (or 2 pianos), op. 45: III. Lento assai - Allegro vivace in D minor, Symphony no. 1, op. 13, I: Grave - Allegro ma non troppo, Symphony no. 1, op. 13, II: Allegro animato, Symphony no. 1, op. 13, III: Larghetto, Symphony no. 1, op. 13, IV: Allegro con fuoco, Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato - Allegro, Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro, Symphony no. 3 in A minor, op. 44: III. Allegro vivace, The Isle of the Dead, op. 29
Billy Davis conductor A Midsumme Night's Dream: Allegro "What hempen home-spuns have we here?", A Midsumme Night's Dream: Allegro comodo - Funeral March, A Midsumme Night's Dream: Allegro vivace - Finale, A Midsumme Night's Dream: Dance of the Clowns, A Midsumme Night's Dream: Intermezzo (Allegro appassionato), A Midsumme Night's Dream: L'Istesso Tempo: "Over Hill, Over Dale" - March Of The Fairies (Allegro vivace), A Midsumme Night's Dream: Nocturne, A Midsumme Night's Dream: Overture, Op 21, A Midsumme Night's Dream: Scherzo, A Midsumme Night's Dream: Song With Chorus: "Ye Spotted Snakes", A Midsumme Night's Dream: Wedding March
David Turner conductor Concerto Symphonique no. 3 in E-flat major, op. 45 "National Hollandais": I. Maestoso, Concerto Symphonique no. 3 in E-flat major, op. 45 "National Hollandais": II. Presto, Concerto Symphonique no. 3 in E-flat major, op. 45 "National Hollandais": III. Andante, Concerto Symphonique no. 3 in E-flat major, op. 45 "National Hollandais": IV. Allegro vivace, Concerto Symphonique no. 5 in C minor, op. 123: I. Allegro maestoso, Concerto Symphonique no. 5 in C minor, op. 123: II. Largo, Concerto Symphonique no. 5 in C minor, op. 123: III. Intermède (Scherzo). Vivace, Concerto Symphonique no. 5 in C minor, op. 123: IV. Allegro
Dave Diggs conductor Concerto Symphonique no. 2 in B minor, op. 22: I. Maestoso, Concerto Symphonique no. 2 in B minor, op. 22: II. Scherzo, Concerto Symphonique no. 2 in B minor, op. 22: III. Andante —, Concerto Symphonique no. 2 in B minor, op. 22: IV. Rondo. Allegretto, Concerto Symphonique no. 4 in D minor, op. 102: I. Allegro con fuoco, Concerto Symphonique no. 4 in D minor, op. 102: II. Scherzo. Presto, Concerto Symphonique no. 4 in D minor, op. 102: III. Adagio religioso, Concerto Symphonique no. 4 in D minor, op. 102: IV. Allegro impetuoso
Jeremy Spillman conductor Caprice d'après l'Étude en forme de valse de Saint-Saëns, Introduction et Rondo capriccioso, Introduction et Rondo capriccioso, Op. 28, Méditation de Thaïs, Poème, Op. 25, Tzigane, Zigeunerweisen, Op. 20, Zigeunerweisen, op. 20
Malcom X conductor Rhapsody for viola and orchestra, Viola Concerto, Sz120: I. Moderato, Viola Concerto, Sz120: II. Adagio religioso, Viola Concerto, Sz120: III. Allegro vivace, Viola Concerto, op. 37: I. Moderato assai, Viola Concerto, op. 37: II. Allegro giocoso, Viola Concerto, op. 37: III. Adagio, Viola Concerto, op. 37: IV. Allegro con spirito
齋藤剛志 conductor Souvenir d’un lieu cher, op. 42: I. Méditation. Andante molto cantabile, Souvenir d’un lieu cher, op. 42: II. Scherzo. Presto giocoso, Souvenir d’un lieu cher, op. 42: III. Mélodie. Moderato con moto, Violin Concerto in A minor, op. 82, Violin Concerto in D major, op. 35: I. Allegro moderato – Moderato assai, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo
Marcus Carp conductor Piano Concerto no. 2 in F major, op. 102: I. Allegro, Piano Concerto no. 2 in F major, op. 102: II. Andante —, Piano Concerto no. 2 in F major, op. 102: III. Allegro, Piano Concerto no. 2: I. Dialogues. Tempo rubato, Piano Concerto no. 2: II. Improvisations. Allegro, Piano Concerto no. 2: III. Contrasts. Andante - Allegro
Uwe Schrodi conductor Piano Concerto in D major, op. 27: I. Allegro moderato, Piano Concerto in D major, op. 27: II. Lento, Piano Concerto in D major, op. 27: III. Allegro assai (Tempo di valse), Piano Concerto in D-flat major, op. 6: I. Allegro non troppo, Piano Concerto in D-flat major, op. 6: II. Andante, Piano Concerto in D-flat major, op. 6: III. Allegro non assai
Laura Ingalls Wilder conductor Festival Overture, op. 96, Symphony no. 10 in E minor, op. 93: I. Moderato, Symphony no. 10 in E minor, op. 93: II. Allegro, Symphony no. 10 in E minor, op. 93: III. Allegretto, Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro
Felix Faire conductor Piano Concerto no. 1 in C minor, op. 35: I. Allegro moderato —, Piano Concerto no. 1 in C minor, op. 35: II. Lento —, Piano Concerto no. 1 in C minor, op. 35: III. Moderato —, Piano Concerto no. 1 in C minor, op. 35: IV. Allegro con brio
Simona Castricum conductor Scheherazade, Op. 35: Festival at Bagdad- The Sea- The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior- Conclusion, Scheherazade, Op. 35: The Sea and Sinbad's Ship, Scheherazade, Op. 35: The Story of the Kalandar Prince, Scheherazade, Op. 35: The Young Prince and the Young Princess
Felix Heydemann Groove Connection conductor Cello Concerto: I. Moderato, Cello Concerto: II. Allegro appassionato, Cello Concerto: III. Tema ed improvvisazioni
Pierre Brabant conductor Cello Concerto no. 2 in C, op. 77: I. Molto sostenuto - Allegro molto e energico, Cello Concerto no. 2 in C, op. 77: II. Presto marcato -, Cello Concerto no. 2 in C, op. 77: III. Andante con moto - Allegro agitatio - Molto tranquillo
Greaf conductor Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro ma non troppo, Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato, Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Renford Bailey conductor I Got Rhythm, Our Love Is Here to Stay, Strike Up the Band
Stefan Adel conductor Concerto for Cello and Orchestra, op. 22: I. Allegro moderato, Concerto for Cello and Orchestra, op. 22: II. Andante sostenuto, Concerto for Cello and Orchestra, op. 22: III. Molto allegro e appassionato
水あさと conductor Contrabassoon Concerto: I. Mesto, Contrabassoon Concerto: II. Presto, Contrabassoon Concerto: III. Misterioso
Jules Massenet conductor Meditation from Thaïs, Méditation de Thaïs
John Tavener conductor Dhyāna (A song for Nicola), Song for Athene (for solo violin and orchestra)
Tommy Tune conductor They Can’t Take That Away From Me
Henilios conductor The Lark Ascending
Maureen McGovern conductor Stiff Upper Lip
Felix Mendelssohn conductor Violin Concerto in E minor, op. 64: III. Finale. Allegretto non troppo - Allegro molto vivace
Branford Marsalis conductor Arabesque No. 1 (Debussy)
Пётр Ильич Чайковский conductor Symphonie No. 6 h-Moll, Op. 74 "Pathétique": Adagio lamentoso (feat. Bournemouth Symphony Orchestra, conductor: Andrew Litton)
Сергей Рахманинов conductor Symphonie No. 2 in E minor, Op. 27: III. Adagio (extrait) (feat. Royal Philharmonic Orchestra feat. conductor: Andrew Litton)
Richard Wagner conductor Parsifal: Act I Prelude
Box Social conductor Piano Concerto no. 2 in B-flat major, op. 83: III. Andante