Christopher Alder

producer, editor, engineer, recording

Top collaborators

Artist name Roles Recordings
Preecha Kungo
Christoph Willibald Gluck
Damn City! (positive hardcore)
Sugar Virus
Maurizio Pollini

Work on other artists' recordings

Artist name Roles Recordings
Preecha Kungo producer Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Antiphona ad Magnificat: O quam suavis est, Domine, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Benedicamus Domino, Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati, Cançión Regina caeli laetare / Ressurrexi a 5, Cançión a 5, Cançión a 6, Deus in adjutorum / Domine ad adjuvandum, Dominus vobiscum / Deus qui nobis sub sacramento mirabili, Ego flos campi a 4, Fratres, ego enim accepi, Haec est domus / Bene fundata est / Deus, qui inivisibiliter omnia contines, Hymnus: Pange lingua gloriosi / Guerrero: Nobis datus / Guerrero: Verbum caro / Gaudi: Nobis datus a 6, Mon seul a 7, Ora pro nobis / Ut digni efficiamur / Deus, qui meriti beatissimi, Ora pro nobis / Ut digni efficiamur / Omnipotens sempiterne Deus, Panem de caelo / Omen delectamentum, Pange lingua a 5, Psalmus I: Dixit Dominus a 16, Psalmus II: Confitebor tibi / Alternatim fabordones tono II, Psalmus III: Credidi / Alternatim fabordones a 5, tono III, Psalmus IV: Beati omnes / Alternatim fabordones, tono IV, Psalmus V: Lauda, Jerusalem / Alternatim fabordones a 6 / a 4, tono VIII, Salve Regina a 8, St. Matthew Passion, BWV 244: Teil I, No. 1. Chorus "Kommt, ihr Töchter, helft mir klagen" - Choral "O Lamm Gottes, unschuldig", St. Matthew Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen", St. Matthew Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter", St. Matthew Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen", St. Matthew Passion, BWV 244: Teil I, No. 19. Recitativo (Tenor I) "O Schmerz! Hier zittert das gequälte Herz", St. Matthew Passion, BWV 244: Teil I, No. 20. Aria (Tenor I) "Ich will bei meinem Jesu wachen", St. Matthew Passion, BWV 244: Teil I, No. 27a. Aria (Soprano I, Alto I) "So ist mein Jesus nun gefangen" - Chorus "Sind Blitze, sind Donner in Wolken verschwunden?", St. Matthew Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein dein Sünde groß", St. Matthew Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen", St. Matthew Passion, BWV 244: Teil I, No. 4. "Da versammleten sich die Hohenpriester" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 9. "Aber am ersten Tage der süßen Brot" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 30. Aria (Alto I) "Ach, nun ist mein Jesus hin!", St. Matthew Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht'", St. Matthew Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 35. Aria (Tenor II) "Geduld! Wenn mich falsche Zungen stechen", St. Matthew Passion, BWV 244: Teil II, No. 36. "Und der Hohepriester antwortete" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen", St. Matthew Passion, BWV 244: Teil II, No. 38. "Petrus aber saß draußen im Palast" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen", St. Matthew Passion, BWV 244: Teil II, No. 41. "Des Morgens aber hielten alle Hohepriester" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege", St. Matthew Passion, BWV 244: Teil II, No. 45. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe!", St. Matthew Passion, BWV 244: Teil II, No. 50. "Sie schrieen aber noch mehr" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 53. "Da nahmen die Kriegsknechte" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden", St. Matthew Passion, BWV 244: Teil II, No. 58. "Und da sie an die Stätte kamen" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 63. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 66. "Und Joseph nahm den Leib" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 67. Recitativo (Soprano I, Alto I, Tenor, Bass I) "Nun ist der Herr zur Ruh gebracht", Tiento para arpa. Fabordón, glosado en el tiple, tono I, Tu es Petrus a 6, Victoria: Magnificat a 12, tono VI / Cabezón: Versos para órganos 1, 2, 4, 6, 7: tono VI
Christoph Willibald Gluck producer Paride ed Elena, Appendice: "Altri mai da ignota sponda" (Amore), Paride ed Elena, Appendice: "Presto fugge la beltà" (Amore), Paride ed Elena, Appendice: "Sempre a te sarò fedele" (Paride, Elena), Paride ed Elena, Appendice: "Vieni al mar" (Coro), Paride ed Elena, Appendice: "Vieni al mar" [III] (Coro), Paride ed Elena, Appendice: "Vieni al mar" [II] (Coro), Paride ed Elena, Appendice: Sinfonia: Allegro, Paride ed Elena, Appendice: Sinfonia: Andante, Paride ed Elena, Atto I, Scena I: "Dall'aurea sua stella" (Un Trojano), Paride ed Elena, Atto I, Scena I: "Non sdegnare" (Coro, un Trojano), Paride ed Elena, Atto I, Scena I: "O del mio dolce ardor" (Paride), Paride ed Elena, Atto I, Scena I: "Spiagge amate" (Paride, un Trojano), Paride ed Elena, Atto I, Scena I: Ballo, Paride ed Elena, Atto I, Scena II: "Ma, chi sei" (Paride, Amore), Paride ed Elena, Atto I, Scena II: "Stranier, la mia Regina a te m'invia" (Amore, Paride), Paride ed Elena, Atto I, Scena III: "Felice te" (Amore), Paride ed Elena, Atto I, Scena III: "Nell'idea ch'ei volge" (Amore), Paride ed Elena, Atto I, Scena III: Ballo I, Paride ed Elena, Atto I, Scena III: Ballo II, Paride ed Elena, Atto I, Scena III: Ballo III, Paride ed Elena, Atto I, Scena III: Ballo IV, Paride ed Elena, Atto I, Scena III: Ballo V, Paride ed Elena, Atto II, Scena I: "Si presenti" (Elena, Amore), Paride ed Elena, Atto II, Scena II: "Forse più d'una beltà" (Elena, Paride, Amore), Paride ed Elena, Atto II, Scena II: "Regina!" (Paride, Elena, Amore), Paride ed Elena, Atto II, Scena III: "La belle immagini" (Paride), Paride ed Elena, Atto II, Scena III: "Tutto qui me sorprende" (Paride), Paride ed Elena, Atto III, Scena I: "Dalla reggia rilucente scendi a noi" (Coro), Paride ed Elena, Atto III, Scena I: "Fingere più non so" (Paride, Elena), Paride ed Elena, Atto III, Scena I: "Lodi al nume" (Coro), Paride ed Elena, Atto III, Scena I: "Negli strali, nell'arco possente" (Solo, Coro), Paride ed Elena, Atto III, Scena I: "Non più! Misero!" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Non più" (Elena), Paride ed Elena, Atto III, Scena I: "Per te, signor" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Prence, la tua presenza" (Elena, Paride, Amore), Paride ed Elena, Atto III, Scena I: "Quegli occhi belli" (Paride, Elena, Amore), Paride ed Elena, Atto III, Scena I: Ballo, Paride ed Elena, Atto III, Scena I: Sinfonia, Paride ed Elena, Atto IV, Scena I: "Temerario!" (Elena), Paride ed Elena, Atto IV, Scena II: "Ah, lo veggo" (Elena, Paride, Amore), Paride ed Elena, Atto IV, Scena II: "Non lontana" (Elena, Paride), Paride ed Elena, Atto IV, Scena II: "Vengo, o Regina!" (Elena, Amore, Paride), Paride ed Elena, Atto IV, Scena III: "Di te scordarmi, e vivere!" (Paride), Paride ed Elena, Atto IV, Scena III: "Si, spietata" (Elena, Paride), Paride ed Elena, Atto IV, Scena IV: "Lo potrò" (Elena), Paride ed Elena, Atto IV, Scena IV: "Lo temei" (Elena), Paride ed Elena, Atto V, Scena I: "Consolati, o Regina" (Amore, Elena), Paride ed Elena, Atto V, Scena I: "Donzelle semplici" (Elena), Paride ed Elena, Atto V, Scena I: "Elena a me s'asconde!" (Amore, Elena), Paride ed Elena, Atto V, Scena II: "Opportuno giungesti" (Amore, Elena, Paride), Paride ed Elena, Atto V, Scena III: "T'inganni, il tuo destino" (Pallade), Paride ed Elena, Atto V, Scena III: "Va coll'amata in seno" (Pallade, Coro), Paride ed Elena, Atto V, Scena IV: "Che udii?" (Elena, Paride, Amore), Paride ed Elena, Atto V, Scena IV: "Sempre a te sarò fedele" (Elena, Paride, Amore), Paride ed Elena, Atto V, Scena V: "Altri mai da ignota sponda" (Amore), Paride ed Elena, Atto V, Scena V: "Presto fugge la beltà" (Amore), Paride ed Elena, Atto V, Scena V: "Sempre a te sarò fedele" (Paride, Elena), Paride ed Elena, Atto V, Scena V: "Vieni al mar" (Coro), Paride ed Elena, Atto V, Scena V: Sinfonia: Allegro, Paride ed Elena, Atto V, Scena V: Sinfonia: Andante, Paride ed Elena: Overtura
Damn City! editor, producer Fünf Stücke für Orchester, Op. 10: I. Sehr ruhig und zart, Fünf Stücke für Orchester, Op. 10: II. Lebhaft und zart bewegt, Fünf Stücke für Orchester, Op. 10: III. Sehr langsam und äußerst ruhig, Fünf Stücke für Orchester, Op. 10: IV. Fließend, äußerst zart, Fünf Stücke für Orchester, Op. 10: V. Sehr fließend, Hungarian Dances, WoO 1: No. 1 in G minor: Allegro molto, Hungarian Dances, WoO 1: No. 10 in F major: Presto, Hungarian Dances, WoO 1: No. 11 in D minor: Poco andante, Hungarian Dances, WoO 1: No. 12 in D minor: Presto, Hungarian Dances, WoO 1: No. 13 in D major: Adnantino grazioso — Vivace, Hungarian Dances, WoO 1: No. 14 in D minor: Un poco Andante, Hungarian Dances, WoO 1: No. 15 in B-flat major: Allegretto grazioso, Hungarian Dances, WoO 1: No. 16 in F minor: Con moto, Hungarian Dances, WoO 1: No. 17 in F-sharp minor: Andantino vivace, Hungarian Dances, WoO 1: No. 18 in D major: Molto vivace, Hungarian Dances, WoO 1: No. 19 in B minor: Allegretto, Hungarian Dances, WoO 1: No. 2 in D minor: Allegro non assai — Vivace, Hungarian Dances, WoO 1: No. 20 in E minor: Poco allegretto — Vivace, Hungarian Dances, WoO 1: No. 21 in E minor: Vivace, Hungarian Dances, WoO 1: No. 3 in F major: Allegretto, Hungarian Dances, WoO 1: No. 4 in F-sharp minor: Poco sostenuto — Vivace, Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace, Hungarian Dances, WoO 1: No. 6 in D major: Vivace, Hungarian Dances, WoO 1: No. 7 in F major: Allegretto — Vivo, Hungarian Dances, WoO 1: No. 8 in A minor: Presto, Hungarian Dances, WoO 1: No. 9 in E minor: Allegro ma non troppo, Messe Nr. 6 Es-Dur, D 950: I. Kyrie. "Kyrie eleison" Andante con moto, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Cum Sancto spiritu" Moderato, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Domine Deus" Andante con moto, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Gloria in excelsis Deo" Allegro moderato e maestoso, Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Quoniam tu solus sanctus" Tempo I, Messe Nr. 6 Es-Dur, D 950: III. Credo. "Credo in unum Deum" Moderato, Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et incarnatus est" Andante, Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et resurrexit" Tempo I, Messe Nr. 6 Es-Dur, D 950: IV. Sanctus. "Osanna in excelsis" Allegro, ma non troppo, Messe Nr. 6 Es-Dur, D 950: IV. Sanctus. "Sanctus, Sanctus, Sanctus Dominus" Adagio, Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Benedictus, qui venit" Andante, Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Osanna in excelsis" Allegro, ma non troppo, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Allegro molto moderato, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Andante con moto, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andante, Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andantino, Musikalischen Opfer, BWV 1079: Fuga (Ricercata) a 6 voci, Passacaglia für Orchester, Op. 1, Sechs Stücke für Orchester, Op. 6: I. Etwas bewegt, Sechs Stücke für Orchester, Op. 6: II. Bewegt, Sechs Stücke für Orchester, Op. 6: III. Zart bewegt, Sechs Stücke für Orchester, Op. 6: IV. Langsam (marcia funebre), Sechs Stücke für Orchester, Op. 6: V. Sehr langsam, Sechs Stücke für Orchester, Op. 6: VI. Zart bewegt, Symphonie No. 7 in E-Dur: I. Allegro moderato, Symphonie No. 7 in E-Dur: II. Adagio. Sehr feierlich und sehr langsam, Symphonie No. 7 in E-Dur: III. Scherzo. Sehr schnell - Trio. Etwas langsamer, Symphonie No. 7 in E-Dur: IV. Finale. Bewegt, doch nicht schnell, Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): I. Feierlich, Misterioso, Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): III. Adagio: Langsam, ferierlich, Symphony No.5 in B flat major (Leopold Nowak): I. Introduction. Adagio - Allegro, Symphony No.5 in B flat major (Leopold Nowak): IV. Finale: Adagio - Allegro moderato, Variationen für Orchester, Op. 30
Sugar Virus producer Idomeneo, re di Creta, K. 366: Act 1. "Cieli! che veggo?", Idomeneo, re di Creta, K. 366: Act 1. "Ecco il misero resto de' Troiani", Idomeneo, re di Creta, K. 366: Act 1. "Eccoci salvi alfin", Idomeneo, re di Creta, K. 366: Act 1. "Estinto è Idomeneo?", Idomeneo, re di Creta, K. 366: Act 1. "Godiam la pace", Idomeneo, re di Creta, K. 366: Act 1. "Il padre adorato", Idomeneo, re di Creta, K. 366: Act 1. "Nettuno s'onori", Idomeneo, re di Creta, K. 366: Act 1. "Non ho colpa", Idomeneo, re di Creta, K. 366: Act 1. "Padre, germani, addio!" - "Ecco Idamante, ahimè!", Idomeneo, re di Creta, K. 366: Act 1. "Pietà! Numi, pietà!", Idomeneo, re di Creta, K. 366: Act 1. "Prence, signor, tutta la Grecia oltraggi", Idomeneo, re di Creta, K. 366: Act 1. "Quando avran fine omai", Idomeneo, re di Creta, K. 366: Act 1. "Radunate i Troiani", Idomeneo, re di Creta, K. 366: Act 1. "Tutte nel cor vi sento", Idomeneo, re di Creta, K. 366: Act 1. "Vedrommi intorno", Idomeneo, re di Creta, K. 366: Act 1. Intermezzo: Marcia, Idomeneo, re di Creta, K. 366: Act 2. "Corriamo, fuggiamo", Idomeneo, re di Creta, K. 366: Act 2. "Eccoti in me, barbaro Nume!", Idomeneo, re di Creta, K. 366: Act 2. "Fuor del mar", Idomeneo, re di Creta, K. 366: Act 2. "Idol mio, se ritroso", Idomeneo, re di Creta, K. 366: Act 2. "Odo da lunge armonioso suono", Idomeneo, re di Creta, K. 366: Act 2. "Placido è il mar", Idomeneo, re di Creta, K. 366: Act 2. "Pria di partir, oh Dio!", Idomeneo, re di Creta, K. 366: Act 2. "Qual mi conturba i sensi", Idomeneo, re di Creta, K. 366: Act 2. "Qual nuovo terrore!, Idomeneo, re di Creta, K. 366: Act 2. "Se il padre perdei", Idomeneo, re di Creta, K. 366: Act 2. "Se il tuo duol", Idomeneo, re di Creta, K. 366: Act 2. "Se mai pomposo apparse", Idomeneo, re di Creta, K. 366: Act 2. "Siam soli" - "Tutto m'è noto", Idomeneo, re di Creta, K. 366: Act 2. "Sidonie sponde!", Idomeneo, re di Creta, K. 366: Act 2. "Sire, da Arbace intesi" - "Chi mai del mio provò", Idomeneo, re di Creta, K. 366: Act 2. "Vattene prence", Idomeneo, re di Creta, K. 366: Act 3. "Accogli, o rè del mar", Idomeneo, re di Creta, K. 366: Act 3. "Andrò ramingo e solo", Idomeneo, re di Creta, K. 366: Act 3. "Cieli! che vedo?", Idomeneo, re di Creta, K. 366: Act 3. "D'Oreste, d'Aiace", Idomeneo, re di Creta, K. 366: Act 3. "Ferma, oh sire, che fai?", Idomeneo, re di Creta, K. 366: Act 3. "Ha vinto Amore" Bryn Terfel, Idomeneo, re di Creta, K. 366: Act 3. "No, la morte io non pavento" - "Ma che più tardi?", Idomeneo, re di Creta, K. 366: Act 3. "O voto tremendo", Idomeneo, re di Creta, K. 366: Act 3. "Oh ciel pietoso!" - "Oh smania! oh furie!", Idomeneo, re di Creta, K. 366: Act 3. "Padre, mio caro padre", Idomeneo, re di Creta, K. 366: Act 3. "Popoli, a voi l'ultima legge", Idomeneo, re di Creta, K. 366: Act 3. "Principessa, a' tuoi sguardi", Idomeneo, re di Creta, K. 366: Act 3. "S'io non moro a questi accenti", Idomeneo, re di Creta, K. 366: Act 3. "Scenda Amor, scenda Imeneo", Idomeneo, re di Creta, K. 366: Act 3. "Se colà ne' fati è scritto", Idomeneo, re di Creta, K. 366: Act 3. "Sire, alla reggia tua", Idomeneo, re di Creta, K. 366: Act 3. "Solitudini amiche", Idomeneo, re di Creta, K. 366: Act 3. "Stupenda vittoria!" - "Qual risuona qui intorno", Idomeneo, re di Creta, K. 366: Act 3. "Sventurata Sidon!", Idomeneo, re di Creta, K. 366: Act 3. "Volgi intorno lo sguardo" - "Non più... sacro ministro", Idomeneo, re di Creta, K. 366: Act 3. "Zeffiretti lusinghieri" - "Ei stesso vien... oh Dei!", Idomeneo, re di Creta, K. 366: Act 3. Marcia, Idomeneo, re di Creta, K. 366: Ouverture
Maurizio Pollini producer Barcarolle in F-sharp major, Op. 60, Berceuse in D flat major, Op. 57: Andante, Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro, Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante, Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai, Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio, Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione, Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto, Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto, Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio, Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione, Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro, Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso, Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro, Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto, Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo, Piano Sonatas, op. 2: No. 1 in F minor: I. Allegro, Piano Sonatas, op. 2: No. 1 in F minor: II. Adagio, Piano Sonatas, op. 2: No. 1 in F minor: III. Menuetto. Allegretto, Piano Sonatas, op. 2: No. 1 in F minor: IV. Prestissimo, Piano Sonatas, op. 2: No. 2 in A major: I. Allegro vivace, Piano Sonatas, op. 2: No. 2 in A major: II. Largo appassionato, Piano Sonatas, op. 2: No. 2 in A major: III. Scherzo. Allegretto, Piano Sonatas, op. 2: No. 2 in A major: IV. Rondo. Grazioso, Piano Sonatas, op. 2: No. 3 in C major: I. Allegro con brio, Piano Sonatas, op. 2: No. 3 in C major: II. Adagio, Piano Sonatas, op. 2: No. 3 in C major: III. Scherzo. Allegro, Piano Sonatas, op. 2: No. 3 in C major: IV. Allegro assai, Scherzo No. 1 in B minor, Op. 20, Scherzo No. 2 in B-flat minor, Op. 31, Scherzo No. 3 in C-sharp minor, Op. 39, Scherzo No. 4 in E major, Op. 54
Jan Jelys producer Carnaval, op. 9: I. Préamble, Carnaval, op. 9: II. Pierrot, Carnaval, op. 9: III. Arlequin, Carnaval, op. 9: IV. Valse noble, Carnaval, op. 9: IX. Papillons, Carnaval, op. 9: V. Eusebius, Carnaval, op. 9: VI. Florestan, Carnaval, op. 9: VII. Coquette, Carnaval, op. 9: VIII. Réplique (Sphinxes), Carnaval, op. 9: X. A.S.C.H. - S.C.H.A (Lettres dansantes), Carnaval, op. 9: XI. Chiarina, Carnaval, op. 9: XII. Chopin, Carnaval, op. 9: XIII. Estrella, Carnaval, op. 9: XIV. Reconnaissance, Carnaval, op. 9: XIX. Pause, Carnaval, op. 9: XV. Pantalon Et Colombine, Carnaval, op. 9: XVII. Aveu, Carnaval, op. 9: XVIII. Promenade, Carnaval, op. 9: XVIa Valse allemande, Carnaval, op. 9: XVIb Intermezzo: Paganini, Carnaval, op. 9: XX. Marche des “Davidsbündler” contre les Philistins, Rhapsodie espagnole, S. 254, R. 90, Sonata for Piano no. 10 in C major, K. 330 (300h): I. Allegro moderato, Sonata for Piano no. 10 in C major, K. 330 (300h): II. Andante cantabile, Sonata for Piano no. 10 in C major, K. 330 (300h): III. Allegretto, Sonata in E major, K. 380, L 23: Andante comodo, Sonata in G major, K. 13, L 486: Presto
Leah Kelly producer Symphony no. 3 in D minor, Part II: II. A tempo (Wie im Anfang), Symphony no. 3 in D minor, Part II: II. Ganz Plötzlig gemächlich. Tempo di Menuetto (14), Symphony no. 3 in D minor, Part II: II. L’istesso tempo (3), Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig, Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast, Symphony no. 3 in D minor, Part II: III. Etwas Zurückhaltend: 6 Takte vor/before/avant (14), Symphony no. 3 in D minor, Part II: III. Tempo I: 2 Takte vor (17), Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (27), Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (6), Symphony no. 3 in D minor, Part II: IV. Più mosso subito: 6 Takte nach (6), Symphony no. 3 in D minor, Part II: IV. Sehr langsam. Misterioso. Durchaus ppp, Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck, Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden, Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (25), Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (13), Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (4), Symphony no. 3 in D minor, Part II: VI. Tempo I (21), Symphony no. 3 in D minor, Part II: VI. Tempo I Ruhevoll (9), Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: I. Kraftig. Entschieden, Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: II. Immer das gleiche Tempo, Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: III. Tempo I, Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: IV. Zeit lassen, Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: V. Zeit lassen, Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VI. Immer dasselbe Tempo (Marsch), Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VII. Im alten Marschtempo (Allegro moderato): 3 Takte nach, Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VIII. Tempo I
LaSalle Quartet editor String Quartet no. 1 in A, op. 4: I. Allegro con fuoco, String Quartet no. 1 in A, op. 4: II. Allegretto, String Quartet no. 1 in A, op. 4: III. Breit und kräftig, String Quartet no. 1 in A, op. 4: IV. Vivace con fuoco, String Quartet no. 1, op. 7: I. Allegro risoluto, String Quartet no. 1, op. 7: II. Largo con variazioni, String Quartet no. 1, op. 7: III. Presto ma non troppo, String Quartet no. 1, op. 7: IV. Largo assai, String Quartet no. 2, op. 15: I. Sehr mäßig - Heftig und leidenschaftlich, String Quartet no. 2, op. 15: II. Moderato - Andante mosso - Allegretto, String Quartet no. 2, op. 15: III. Adagio, String Quartet no. 2, op. 15: IV. Schnell, String Quartet no. 2, op. 15: V. Andante - Mit energischer Entschlossenheit, String Quartet no. 2, op. 15: VI. Allegro molto - Langsam - Andante, String Quartet no. 3, op. 19: I. Allegretto, String Quartet no. 3, op. 19: II. Thema mit Variationen, String Quartet no. 3, op. 19: III. Romanze: Sehr mäßige Achtel -, String Quartet no. 3, op. 19: IV. Burleske: Sehr lebhaft, String Quartet no. 4, op. 25: I. Präludium: Poco adagio, String Quartet no. 4, op. 25: II. Burleske: Vivace, String Quartet no. 4, op. 25: III. Adagietto: Adagio, String Quartet no. 4, op. 25: IV. Intermezzo: Allegretto, String Quartet no. 4, op. 25: V. Barcarole: Poco adagio, String Quartet no. 4, op. 25: VI. Finale: Doppelfuge
Trio Harmonia editor, producer Chamber Symphony, op. 110a: I. Largo, Chamber Symphony, op. 110a: II. Allegro molto, Chamber Symphony, op. 110a: III. Allegretto, Chamber Symphony, op. 110a: IV. Largo, Chamber Symphony, op. 110a: V. Largo, Chamber Symphony, op. 83a: I. Allegretto, Chamber Symphony, op. 83a: II. Andantino, Chamber Symphony, op. 83a: III. Allegretto, Chamber Symphony, op. 83a: IV. Allegretto, Symphony for Strings and Woodwinds, op. 73a: I. Allegretto, Symphony for Strings and Woodwinds, op. 73a: II. Moderato con moto, Symphony for Strings and Woodwinds, op. 73a: III. Allegro non troppo, Symphony for Strings and Woodwinds, op. 73a: IV. Adagio, Symphony for Strings and Woodwinds, op. 73a: V. Moderato, Symphony for Strings, op. 118a: I. Andante, Symphony for Strings, op. 118a: II. Allegretto furioso, Symphony for Strings, op. 118a: III. Adagio, Symphony for Strings, op. 118a: IV. Allegretto - Andante
Giuseppe Verdi producer Agnus Dei, Confutatis, Dies Irae, Ingemisco, Lacrimosa, Liber Scriptus, Libera Me, Lux Aeterna, Mors Stupebit, Offertorio, Quid Sum Miser, Recordare, Requiem and Kyrie, Rex Tremendae, Sanctus, Tuba Mirum
Kodama & Dub Station producer Scherzo no. 1 in B minor, op. 20, Scherzo no. 2 in B-flat minor, op. 31, Scherzo no. 3 in C-sharp minor, op. 39, Scherzo no. 4 in E major, op. 54, The Seasons, op. 37a: I. January: At the Fireside, The Seasons, op. 37a: II. February: Carnival, The Seasons, op. 37a: III. March: Song of the Lark, The Seasons, op. 37a: IV. April: Snowdrop, The Seasons, op. 37a: IX. September: The Hunt, The Seasons, op. 37a: V. May: White Nights, The Seasons, op. 37a: VI. June: Barcarolle, The Seasons, op. 37a: VII. July: The Reaper's Song, The Seasons, op. 37a: VIII. August: The Harvest, The Seasons, op. 37a: X. October: Autumn Song, The Seasons, op. 37a: XI. November: Troika, The Seasons, op. 37a: XII. December: Christmas
Jonas Kaufmann producer Caecilie, Op.27, No.2 - "Caecilie", Carmen / Act 2 - "La fleur que tu m'avais jetée", Cavalleria rusticana - "Intanto, amici, qua...Viva il vino spumeggiante", Die Meistersinger von Nürnberg / Act 3 - "Morgenlich leuchtend", Don Carlo / Act 1 - "Io l'ho perduta... Io la vidi, a suo sorriso", Fedora / Act 2 - "Amor ti vieta", Iris / Act 1 - "Apri la tua finestra!", L'Arlesiana / Act 2 - "E la solita storia", La Bohème / Act 1 - "Che gelida manina", La traviata / Act 2 - "Lunge da lei...De miei bollenti spiriti...O mio rimorso", Ombra di nube, Pagliacci / Act 1 - "Recitar!" - "Vesti la giubba", Rigoletto / Act 2 - "Ella mi fu rapita...Parmi veder le lagrime", Tosca / Act 3 - "E lucevan le stelle", Werther / Act 3 - "Pourquoi me réveiller, ô souffle du printemps?"
Maria João Pires producer Piano Sonata no. 11 in A, K.331 "Alla Turca": 3. Alla Turca (Allegretto), Sonata in A major, K. 331: III. Alla turca. Allegretto, Sonata in A minor, K. 310: I. Allegro maestoso, Sonata in A minor, K. 310: II. Andante cantabile con espressione, Sonata in A minor, K. 310: III. Presto, Sonata in B-flat major, K. 333: I. Allegro, Sonata in B-flat major, K. 333: II. Andante cantabile, Sonata in B-flat major, K. 333: III. Allegretto grazioso, Sonata in B-flat major, K. 570: I. Allegro, Sonata in B-flat major, K. 570: II. Adagio, Sonata in B-flat major, K. 570: III. Allegretto, Sonata in C major, K. 545: I. Allegro, Sonata in C major, K. 545: II. Andante, Sonata in C major, K. 545: III. Rondo. Allegretto
Vittorio Grigolo producer Gianni Schicchi: Aria "Avete torto!" / "Firenze è come un albero fiorito" (Rinuccio), Il corsaro: Atto I, Scena II. "Ah si, ben dite...querra..." / "Tutto parea sorridere" (Corrado), Il trovatore" Atto III, Scena II. "Ah! sì, ben mio coll'essere io tuo" (Manrico), In ballo in maschera: Atto III, "Force la soglia attinse" / "Ma se m' è forza perderti" (Riccardo), L'elisir d'amore: Atto II. "Una furtiva lagrima" (Nemorino), La boheme: Atto I. "Che gelida manina!" (Rodolfo), La favorita: "Favorita del re!" ... "Spirto gentil", Le villi: Atto II. "Ecco la casa...Torna ai felici di", Luisa Miller: Atto II. "Oh! fede negar potessi" / "Quando le sere al placido" (Rodolfo), Manon Lescaut: Atto I. "Donna non vidi mai simile a questa!", Rigoletto: Atto II, Scena "Ella mi fu rapita!" / Aria "Parmi veder le lagrime" (Duca), Rigoletto: Atto II. "Ma dove or trovasi la poveretta?" ... "Possente amor mi chiama" (Duca), Tosca: Atto II. "E lucevan le stelle" (Cavaradossi)
Calvin Joss producer [A Vision of Paradise] Bring us, O Lord God, [A Vision of Paradise] In paradisum, [A Vision of Paradise] Nunc dimittis, [A Vision of Paradise] Take him, Earth, for cherishing, [In Ora Mortis Nostrae] Miserere nostri, [Media Vita In Morte Sumus] Christe qui lux es et dies, [Media Vita In Morte Sumus] Media vita in morte sumus, [Requiem Aeternam] A Good-Night, [Requiem Aeternam] In pace in idipsum, [Requiem Aeternam] Song for Athene, [The Pilgrim's Journey] A hymn to the Virgin, [The Pilgrim's Journey] Ave Maria, [The Pilgrim's Journey] Jacet granum - Clangat pastor
Emerson String Quartet producer String Quartet in D minor, op. 56 “Voces intimae”: I. Andante – Allegro molto moderato, String Quartet in D minor, op. 56 “Voces intimae”: II. Vivace, String Quartet in D minor, op. 56 “Voces intimae”: III. Adagio di molto, String Quartet in D minor, op. 56 “Voces intimae”: IV. Allegretto (ma pesante), String Quartet in D minor, op. 56 “Voces intimae”: V. Allegro, String Quartet in G minor, op. 27: I. Un poco andante – Allegro molto ed agitato, String Quartet in G minor, op. 27: II. Romanze. Andantino – Allegro agitato, String Quartet in G minor, op. 27: III. Intermezzo. Allegro molto marcato – Più vivo e scherzando, String Quartet in G minor, op. 27: IV. Finale. Lento – Presto al Saltarello, Ved en ung kunstners baare, op. 58
Destined to Fall producer A Charm of Lullabies, Op. 41 No. 1: A Cradle Song, A Charm of Lullabies, Op. 41 No. 2: The Highland Balou, A Charm of Lullabies, Op. 41 No. 3: Sephestia's Lullaby, A Charm of Lullabies, Op. 41 No. 4: A Charm, A Charm of Lullabies, Op. 41 No. 5: The Nurse's Song, Satire, Op. 109 No. 1: Kritiku, Satire, Op. 109 No. 2: Probuždeniye Vesnï, Satire, Op. 109 No. 3: Potomki, Satire, Op. 109 No. 4: Nedorazumeniye, Satire, Op. 109 No. 5: Kreycerova Sonata
John Raphael Burgess producer Peter and the Wolf, op. 67: “Early one morning Peter opened the gate …” Andantino, Peter and the Wolf, op. 67: “Grandfather came out.” Poco più andante - Andantino, come prima - Andante, Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo, Peter and the Wolf, op. 67: “Just then … out of the woods came the hunters.” Allegro moderato - Andante - Moderato - Poco più mosso (Allegro moderato) - Sostenuto - L’istesso tempo - Poco più mosso - Andante - Allegro, Peter and the Wolf, op. 67: “Let me tell you a story.”, Peter and the Wolf, op. 67: “Meanwhile, Peter made a lasso with his rope, carefully letting it down.” Poco meno mosso - Moderato (meno mosso), Peter and the Wolf, op. 67: “No sooner had Peter gone, than a big grey wolf came out of the forest.” Andante molto - Nervoso - Allegro - Meno mosso - Andante - Allegretto - Moderato, Peter and the Wolf, op. 67: “On a branch of a big tree sat a little bird, Peter’s friend.” Allegro - Andantino, come prima, Peter and the Wolf, op. 67: “Peter, in the meantime, stood behind the closed gate …” Andantino, come prima - Vivo - Andante molto - Vivo - Andante, Peter and the Wolf, op. 67: “Suddenly something caught Peter’s attention: he noticed a cat …” Moderato - Allegro, ma non troppo - Moderato
ウィリー・ナガサキ producer Missa Salisburgensis: Agnus Dei, Missa Salisburgensis: Credo, Missa Salisburgensis: Gloria, Missa Salisburgensis: Motet "Plaudite tympana", Missa Salisburgensis: Sanctus - Benedictus, Missa Salisburgensis: Sonata Sancti Polycarpi, Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata V, Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata XII
Bernhard Fleischmann editor The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Hi-Life producer Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Adagio assai, Piano Concerto in G major: III. Presto, Piano Concerto no. 2 in G minor, op. 16: I. Andantino, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo (Vivace), Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo (Allegro moderato), Piano Concerto no. 2 in G minor, op. 16: IV. Finale (Allegro tempestoso)
The Memphis Four producer Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso, Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto, Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
速水直樹 producer Konzert für Klavier und Orchester Nr. 2 c-moll, Op. 18: Adagio sostenuto, Konzert für Klavier und Orchester Nr. 2 c-moll, Op. 18: Allegro scherzando, Konzert für Klavier und Orchester Nr. 2 c-moll, Op. 18: Moderato, Konzert für Klavier und Orchester Nr. 3 d-moll, Op. 30: Allegro ma non tanto, Konzert für Klavier und Orchester Nr. 3 d-moll, Op. 30: Finale. Alla breve, Konzert für Klavier und Orchester Nr. 3 d-moll, Op. 30: Intermezzo. Adagio
Franz Schubert producer Auf der Bruck, D 853, Die Forelle, D 550, Die schöne Müllerin D 795: No. 7 Ungeduld, Frühlingsglaube, D 686, Im Abendrot, D 799, Im Frühling, D 882
Odinfist producer Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato, Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto, Symphony no. 9 in C major "Great", D. 944: 1. Andante - Allegro ma non troppo, Symphony no. 9 in C major "Great", D. 944: 2. Andante con moto, Symphony no. 9 in C major "Great", D. 944: 3. Scherzo. Allegro vivace, Symphony no. 9 in C major "Great", D. 944: 4. Allegro vivace
Actual Bank Robbers producer Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, St. Matthew Passion, BWV 244: Teil II, No. 60. Aria (Alto I) "Sehet, Jesus hat die Hand", St. Matthew Passion, BWV 244: Teil II, No. 61. "Und von der sechsten Stunde an" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 62. Choral "Wenn ich einmal soll scheiden"
秋元紬 editor, producer Offertoire, op. 11, Salut d'amour, op. 12, Violinkonzert h-moll, op. 61: I. Allegro, Violinkonzert h-moll, op. 61: II. Andante, Violinkonzert h-moll, op. 61: III. Allegro molto
Chance Scroggins producer An American in Paris, Cuban Overture, Rhapsody in Blue, “Porgy and Bess” Suite
Los Yungas producer St. Matthew Passion, BWV 244: Teil II, No. 56. Recitativo (Bass I) "Ja freilich will in uns das Fleisch und Blut", St. Matthew Passion, BWV 244: Teil II, No. 57. Aria (Bass I) "Komm, süßes Kreuz", St. Matthew Passion, BWV 244: Teil II, No. 64. Recitativo (Bass I) "Am Abend, da es kühle war", St. Matthew Passion, BWV 244: Teil II, No. 65. Aria (Bass I) "Mache dich, mein Herze, rein"
The Absence producer I Capuleti e i Montecchi: Atto I, Scena VI. "Ah, crudel, d'onor ragioni" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto I, Scena VI. "Odi tu? L'altar funesto" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto I, Scena VI. "Vieni, ah! vieni, in me riposa" (Romeo, Giulietta), I Capuleti e i Montecchi: Atto II, Scena IX. "O tu, mia sola speme" (Romeo, Giulietta)
Deaf Goes East engineer, producer 3 Nocturnes: I. Nuages: Modéré - Un peu animé, 3 Nocturnes: III. Sirènes: Modérément animé, Gesang der Parzen, Op. 89, Nanie, op. 82
A.P.R.I.M.E. editor Nabucco: Parte II, Scena seconda. Recitativo e preghiera, Introduzione, Nabucco: Parte III, Scena seconda. Coro e prefezia, Introduzione, Nabucco: Parte IV, Scena prima. Scena ed aria, Introduzione, Nabucco: Sinfonia
Robert Schumann producer Belsatzar, Op. 57, Myrten, Op. 25: No. 1 Widmung, Myrten, Op. 25: No. 2 Freisinn, Myrten, Op. 25: No. 24 Du bist wie eine Blume
Rapdisup producer St. Matthew Passion, BWV 244: Teil I, No. 2. "Da Jesus diese Rede vollendet hatte" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 21. "Und ging hin ein wenig" (Evangelista), St. Matthew Passion, BWV 244: Teil I, No. 28. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista), St. Matthew Passion, BWV 244: Teil II, No. 43. "Sie hielten aber einen Rat" (Evangelista)
Vilma von Webenau producer "Trumpet Overture", op. 101: Allegro vivace, Meeresstille und glückliche Fahrt, op. 27, Overture for Wind Instruments, op. 24 (für Harmoniemusik), Ruy Blas, op. 95: Overture to Victor Hugo's play
Phooka One producer Chanson madécasse No. 1: Nahandove, Chanson madécasse No. 2: Aoua!, Chanson madécasse No. 3: Il est doux
阿 producer St. Matthew Passion, BWV 244: Teil I, No. 12. Recitativo (Soprano I) "Wiewohl mein Herz in Tränen schwimmt", St. Matthew Passion, BWV 244: Teil I, No. 13. Aria (Soprano I) "Ich will dir mein Herze schenken", St. Matthew Passion, BWV 244: Teil II, No. 48. Recitativo (Soprano I) "Er hat uns allen wohlgetan"
Standard Symphony Orchestra producer I Capuleti e i Montecchi: Atto I, Scena III. "Ascolta. Se Romeo t'uccise un figlio" (Romeo), I Capuleti e i Montecchi: Atto II, Scena V. "Deserto è il luogo" (Romeo), I Capuleti e i Montecchi: Atto II, Scena VIII. "Deh! Tu, bell'anima" (Romeo)
Carl Loewe producer Herr Oluf, Op. 2 No. 2, Odins Meeresritt, Op. 118, Tom der Reimer, Op. 135a
Warren Ellis producer String Quintet in C major, D 956 (Op. post. 163): I. Allegro ma non troppo, String Quintet in C major, D 956 (Op. post. 163): II. Adagio, String Quintet in C major, D 956 (Op. post. 163): III. Scherzo. Presto - Trio. Andante sostenuto
The Blow Up producer I Capuleti e i Montecchi: Atto I, Scena IV. Andante maestoso, I Capuleti e i Montecchi: Atto I. Sinfonia, I Capuleti e i Montecchi: Atto II, Scena I. Allegro moderato
Hugo Wolf producer Auf einer Wanderung, Der Genesene an die Hoffnung, Storchenbotschaft
Jess Vincent producer Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito, Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice, Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Petra Casén producer Stimmungsbilder, Op. 12 No. 1: Sangen Geigen übern See, Stimmungsbilder, Op. 12 No. 2: Schließe deine Augen zu, Stimmungsbilder, Op. 12 No. 3: Weißt du
Vera de Jong producer St. Matthew Passion, BWV 244: Teil II, No. 51. Recitativo (Alto II) "Erbarm es Gott!", St. Matthew Passion, BWV 244: Teil II, No. 52. Aria (Alto II) "Können Tränen meiner Wangen"
Il Sorenti producer I Capuleti e i Montecchi: Atto I, Scena I. Coro d'introduzione "Aggiorna appena..." (Capuleti), I Capuleti e i Montecchi: Atto I, Scena VII. Coro "Lieta notte, avventurosa" (Capuleti)
The Das Kaput producer I Capuleti e i Montecchi: Atto II, Scena VII. "Ecco la tomba" (Romeo, Montecchi), I Capuleti e i Montecchi: Atto II, Scena VII. Coro, Aria e Duetto finale "Siam giunti" (Montecchi, Romeo)
Kari Hänninen producer Die Walküre / Erster Aufzug - "Winterstürme wichen dem Wonnemond", Die Zauberflöte, K.620 / Act 1 - "Dies Bildnis ist bezaubernd schön"
Felix Mendelssohn producer Auf Flügeln des Gesanges, Op. 34 No. 2, Frühlingsglaube, Op. 9 No. 8
Alexander Pinderak producer I Capuleti e i Montecchi: Atto II, Scena VI. "Chi sei tu, che ardisci" (Tebaldo, Romeo), I Capuleti e i Montecchi: Atto II, Scena VII. "Ella è morta, o sciagurato" (Romeo, Tebaldo)
Anton Bruckner producer Symphony No.5 in B flat major (Leopold Nowak): II. Adagio. Sehr langsam, Symphony No.5 in B flat major (Leopold Nowak): III. Scherzo: Molto vivace (schnell) - Trio. Im gleichen Tempo
Jesper Mikkelsen producer I Capuleti e i Montecchi: Atto II, Scena III. "Ah! non poss'io partire" (Giulietta, Capellio, Capuleti, Lorenzo), I Capuleti e i Montecchi: Atto II, Scena III. "Prendi, gl'istanti volano" (Lorenzo, Giulietta, Capellio, Capuleti)
Betsy Kingston & the Crowns producer Tiento para órgano: Tantum ergo sacramentum a 4
Mellow Corporation producer, recording Le nozze di Figaro, K. 492: Act II. "Voi che sapete"
Moreish producer Beatus est et bene tibi a 4
Mustapha El Mohamend producer St. Matthew Passion, BWV 244: Teil II, No. 55. "Und da sie ihn verspottet hatten" (Evangelista)
Boaz Bentur producer I Capuleti e i Montecchi: Atto I, Scena VIII. Finale primo "Deh! per pietà, t'arresta" (Lorenzo, Romeo, Capuleti)
Patrick Shuldham-Shaw producer Il corsaro: Atto I, Scena III. "Della brezza col favore" / "Sì: de' corsari il fulmine" (Corrado, Giovanni)
Daniel Spaleniak producer I Capuleti e i Montecchi: Atto I, Scena IV. "Oh! quante volte" (Giulietta)
Daniel Torrico Menacho producer I Capuleti e i Montecchi: Atto I, Scena III. "Lieto del dolce incarco" (Romeo, Tebaldo, Capellio, Capuleti)
Pop Experience producer I Capuleti e i Montecchi: Atto I, Scena VI. "Si, fuggire: a noi non resta" (Romeo, Giulietta)
Irma producer Tiento para órgano: Verso II, glosade en el tiple, tono V
Raf Gees producer I Capuleti e i Montecchi: Atto II, Scena I. Scena ed Aria "Né alcun ritorna!" (Giulietta, Lorenzo)
Boom Tali Posse producer I Capuleti e i Montecchi: Atto I, Scena III. "Riedi al campo, e di allo stolto" (Capellio, Romeo, Tebaldo, Capuleti)
Rapsusklei,Sharif y Juaninacka producer I Capuleti e i Montecchi: Atto I, Scena II. "È serbata a questo acciaro" (Tebaldo)
Rob Miller producer I Capuleti e i Montecchi: Atto I, Scena II. "L'amo tanto, e m'e sl cara" (Tebaldo, Capellio, Capuleti, Lorenzo)
Jan Krzysztof Broja producer I Capuleti e i Montecchi: Atto II, Scena IV. Scena e Duetto "Qual turbamento io provo!" (Capellio)
Spotty Dogg producer Il tramonto, P. 101
Delta Catfish producer I Capuleti e i Montecchi: Atto I, Scena IV. Recitativo e Romanza "Eccomi in lieta vesta" (Giulietta)
Desert Catz producer St. Matthew Passion, BWV 244: Teil I, No. 8. Aria (Soprano II) "Blute nur, du liebes Herz!"
Sven Andersson III producer St. Matthew Passion, BWV 244: Teil II, No. 34. Recitativo (Tenor II) "Mein Jesus schweigt falschen Lügen stille"
Brad Wentworth producer I Capuleti e i Montecchi: Atto II, Scena X. "Ah! crudel! che mai facesti?" (Giulietta, Romeo, Montecchi, Capellio, Lorenzo, Capuleti)
Jon Strahl Band producer I Capuleti e i Montecchi: Atto II, Scena VII. "Qua' voci! Oh, Dio!" (Romeo, Tebaldo, Capuleti)
한의수 producer Tiento para órganos: Pange lingua gloriosa
Kai Wright producer Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) - Fanfare II (Augustiner)
This Party producer St. Matthew Passion, BWV 244: Teil II, No. 31. "Die aber Jesum gegriffen hatten" (Evangelista)
Event producer I Capuleti e i Montecchi: Atto I, Scena III. "La tremenda ultrice spada" (Romeo, Capellio, Tebaldo, Capuleti)
Antonio Greco producer St. Matthew Passion, BWV 244: Teil I, No. 25. Choral "Was mein Gott will, das g'scheh allzeit"
Francois Laudet producer Il trovatore: Atto III, Scena II. "Manrico?...Che?..." / "Di quella pira l'orrendo foco" ( Leonora, Ruiz) / (Manrico)
Anne Bisgaard producer I Capuleti e i Montecchi: Atto II, Scena II. "Morte io non temo, il sai" (Giulietta, Lorenzo)
Lamonte McLemore producer String Quintet in C major, D 956 (Op. post. 163): IV. Allegretto
[unknown] producer Danny Boy
ÆMMA producer Missa Salisburgensis: Kyrie
Fred and Flow producer St. Matthew Passion, BWV 244: Teil I, No. 24. "Und er kam zu seinen Jüngern" (Evangelista)
Gary Lawrence Soubrier producer I Capuleti e i Montecchi: Atto I, Scena V. Scena e Duetto "Propizia è I'ora" (Lorenzo, Giulietta, Romeo)
Luciferian Rites producer I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "O di Capellio, generosi amici" (Tebaldo, Capuleti, Capellio, Lorenzo)
Gerry Garszwa producer I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "Vanne Lorenzo; e tu, che il puoi" (Capellio, Tebaldo, Capuleti)
최원선 producer St. Matthew Passion, BWV 244: Teil I, No. 18. "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista)
Kbob producer St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder"