The Parley of Instruments

performer, performing orchestra, strings
Scott SteinmanMatthew LockeBigfoot WallaceJohn DowlandJay XClaudio MonteverdiDeamsGottfried FingerArcangelo CorelliGhetto CrossAntonio VivaldiGiovanni Battista DraghiOnly other artist's recordings

Top collaborators

Artist name Roles Recordings
Scott Steinman
Matthew Locke
Bigfoot Wallace
John Dowland
Jay X

Work on other artists' recordings

Artist name Roles Recordings
Scott Steinman instrument, performer, performing orchestra Artaxerxes: Overture, Cantata, BWV 208 "Was mir behagt": Aria (Diana) "Jagen ist die Lust der Götter", Cantata, BWV 208 "Was mir behagt": Aria (Endymion) "Willst du dich nicht mehr ergötzen", Cantata, BWV 208 "Was mir behagt": Aria (Pales) "Schafe können sicher weiden", Cantata, BWV 208 "Was mir behagt": Aria (Pales) "Weil die wollenreichen Herden" + Trio in F (BWV 1040), Cantata, BWV 208 "Was mir behagt": Aria (Pan) "Ein Fürst ist seines Landes Pan!", Cantata, BWV 208 "Was mir behagt": Aria (Pan) "Ihr Felder und Auen", Cantata, BWV 208 "Was mir behagt": Coro "Ihr lieblichste Blicke!", Cantata, BWV 208 "Was mir behagt": Coro "Lebe, Sonne dieser Erden", Cantata, BWV 208 "Was mir behagt": Duetto (Diana and Endymion) "Entzücket uns beide", Cantata, BWV 208 "Was mir behagt": Recitativo (Diana and Endymion) "Ich liebe dich zwar noch!", Cantata, BWV 208 "Was mir behagt": Recitativo (Diana) "So stimmt mit ein", Cantata, BWV 208 "Was mir behagt": Recitativo (Diana) "Was mir behagt", Cantata, BWV 208 "Was mir behagt": Recitativo (Endymion) "Wie, schönste Göttin, wie?", Cantata, BWV 208 "Was mir behagt": Recitativo (Pales) "Soll den der Pales Opfer hier", Cantata, BWV 208 "Was mir behagt": Recitativo (Pan) "Ich, der ich sonst ein Gott", Concerto no. 1 in D major: Adagio, Concerto no. 1 in D major: Allegro, Concerto no. 1 in D major: Allegro - Adagio, Concerto no. 1 in D major: Largo, Concerto no. 2 in B minor: Adagio - Allegro moderato, Concerto no. 2 in B minor: Allegro, Concerto no. 2 in B minor: Largo - Adagio, Concerto no. 3 in G major: Adagio, Concerto no. 3 in G major: Allegro, Concerto no. 3 in G major: Andante, Concerto no. 4 in D minor: Adagio, Concerto no. 4 in D minor: Allegro, Concerto no. 4 in D minor: Andante, Concerto no. 5 in A minor / A major: Adagio, Concerto no. 5 in A minor / A major: Allegro, Concerto no. 5 in A minor / A major: Allegro moderato, Concerto no. 5 in A minor / A major: Largo, Concerto no. 6 in B-flat major: Adagio, Concerto no. 6 in B-flat major: Allegro, Concerto no. 6 in B-flat major: Largo, Rondeau (Hornpipe), Sinfonia in F major, BWV 1046a: Menuetto, Trio I, Menuetto, Trio II, Menuetto, Sinfonia in F major, BWV1046a: Allegro, Solomon: Part I. "As the rich apple, on whose boughs", Solomon: Part I. "Balmy sweetness, ever flowing", Solomon: Part I. "Behold, jerusalem, behold thy king", Solomon: Part I. "Beneath his ample shade I lay", Solomon: Part I. "Fair and comely is my love", Solomon: Part I. "Fairest of the virgin throng", Solomon: Part I. "Fill with cooling juice the bowl!", Solomon: Part I. "Forbear, O charming swain, forbear!", Solomon: Part I. "From the mountains, lo! He comes", Solomon: Part I. "Let not my prince his slave Despise" / "Ah simple me! my own, more dear", Solomon: Part I. "Tell me, lovely shepherd", Solomon: Part I. "Who quits the lily's fleecy white", Solomon: Part I. Ouverture: Largo - Allegro - Larghetto, Solomon: Part II. "How lovely art thou to the sight", Solomon: Part II. "Let me, love, thy bole ascending", Solomon: Part II. "My fair's a garden of delight", Solomon: Part II. "O, that a sister's specious name", Solomon: Part II. "Soft, I adjure you, by the fawns", Solomon: Part II. "Softly rise, O southern breeze!", Solomon: Part II. "The cheerful spring begins today" / "Arise, my fair, and come away", Solomon: Part II. "Together let us range the fields", Solomon: Part II. Sinfonia, Solomon: Part III. "Arise, my fair, the doors unfold", Solomon: Part III. "O take me! stamp me on thy breast!", Solomon: Part III. "Obedient to thy voice I hie", Solomon: Part III. "On his face the vernal rose", Solomon: Part III. "Sweet nymph, whom ruddier charms addorn", Solomon: Part III. "This, O ye virgins", Solomon: Part III. "Thou soft invader of the soul!" / "In vain we trace the globe", Solomon: Part III. "Who is thy love, O charming maid!", Solomon: Part III. "Ye blooming virgins, as ye rove"
Matthew Locke performer Duo for 2 bass viols: Suite No. 1 in D major: I. Fantasy, Duo for 2 bass viols: Suite No. 1 in D major: II. Fantasy, Duo for 2 bass viols: Suite No. 1 in D major: III. Saraband, Duo for 2 bass viols: Suite No. 1 in D minor: I. Fantasy, Duo for 2 bass viols: Suite No. 1 in D minor: II. Fantasy, Duo for 2 bass viols: Suite No. 1 in D minor: III. Corant, Duo for 2 bass viols: Suite No. 3 in C minor: I. Fantasy, Duo for 2 bass viols: Suite No. 3 in C minor: II. Fantasy, Duo for 2 bass viols: Suite No. 3 in C minor: III. Corant, Duo for 2 bass viols: Suite No. 4 in C major: I. Fantasy, Duo for 2 bass viols: Suite No. 4 in C major: II. Fantasy, Duo for 2 bass viols: Suite No. 4 in C major: III. Saraband, Fantasia and Corant in D minor "Oxford Suite": Corant, Fantasia and Corant in D minor "Oxford Suite": Fantasia, The Broken Consort, Part 1: Suite No. 1 in G minor: I. Fantasy, The Broken Consort, Part 1: Suite No. 1 in G minor: II. Corant, The Broken Consort, Part 1: Suite No. 1 in G minor: III. Air, The Broken Consort, Part 1: Suite No. 1 in G minor: IV. Saraband, The Broken Consort, Part 1: Suite No. 2 in G major: I. Fantasy, The Broken Consort, Part 1: Suite No. 2 in G major: II. Corant, The Broken Consort, Part 1: Suite No. 2 in G major: III. Air, The Broken Consort, Part 1: Suite No. 2 in G major: IV. Saraband, The Broken Consort, Part 1: Suite No. 3 in C major: I. Fantasy, The Broken Consort, Part 1: Suite No. 3 in C major: II. Corant, The Broken Consort, Part 1: Suite No. 3 in C major: III. Air, The Broken Consort, Part 1: Suite No. 3 in C major: IV. Saraband, The Broken Consort, Part 1: Suite No. 4 in C major: I. Fantasy, The Broken Consort, Part 1: Suite No. 4 in C major: II. Corant, The Broken Consort, Part 1: Suite No. 4 in C major: III. Air, The Broken Consort, Part 1: Suite No. 4 in C major: IV. Saraband, The Broken Consort, Part 1: Suite No. 5 in D minor: I. Fantasy, The Broken Consort, Part 1: Suite No. 5 in D minor: II. Corant, The Broken Consort, Part 1: Suite No. 5 in D minor: III. Air, The Broken Consort, Part 1: Suite No. 5 in D minor: IV. Saraband, The Broken Consort, Part 1: Suite No. 6 in D major: I. Fantasy, The Broken Consort, Part 1: Suite No. 6 in D major: II. Corant, The Broken Consort, Part 1: Suite No. 6 in D major: III. Air, The Broken Consort, Part 1: Suite No. 6 in D major: IV. Saraband - Conclusion
Bigfoot Wallace performing orchestra Concerto in C major: I. Allegretto, Concerto in C major: II. Allegro, Concerto in C major: III. Andante, Concerto in C major: IV. Tempo di Minuet, Concerto in F major: I. Affettuoso, Concerto in F major: II. Allegro, Concerto in F major: III. Adagio, Concerto in F major: IV. Menuet 1 & 2, Recorder Concerto in A minor, RV 108: I. Allegro, Recorder Concerto in A minor, RV 108: II. Largo, Recorder Concerto in A minor, RV 108: III. Allegro, Recorder Concerto in A minor, RV 445: I. Allegro, Recorder Concerto in A minor, RV 445: II. Larghetto, Recorder Concerto in A minor, RV 445: III. Allegro, Recorder Concerto in C major, RV 443: I. Allegro, Recorder Concerto in C major, RV 443: II. Largo, Recorder Concerto in C major, RV 443: III. Allegro molto, Recorder Concerto in C major, RV 444: I. Allegro non molto, Recorder Concerto in C major, RV 444: II. Largo, Recorder Concerto in C major, RV 444: III. Allegro molto, Recorder Concerto in C minor, RV 441: I. Allegro non molto, Recorder Concerto in C minor, RV 441: II. Largo, Recorder Concerto in C minor, RV 441: III. Allegro, Recorder Concerto in F major, RV 442: I. Allegro non molto, Recorder Concerto in F major, RV 442: II. Largo e cantabile, Recorder Concerto in F major, RV 442: III. Allegro, Sinfonia in F major: I. Alla breve, Sinfonia in F major: II. Andante, Sinfonia in F major: III. Vivace, Suite in A minor: I. Ouverture, Suite in A minor: II. Les Plaisirs, Suite in A minor: III. Air á I'talien, Suite in A minor: IV. Menuet 1 & 2, Suite in A minor: V. Réjouissance, Suite in A minor: VI. Passepied, Suite in A minor: VII. Polonaise
John Dowland strings Captaine Digorie Piper his Pavan, Lachrimae or Seven Lachrimae Antiquae Novae, Lachrimae or Seven Teares: Captaine Digorie Piper his Galiard, Lachrimae or Seven Teares: Lachrimae Amantis, Lachrimae or Seven Teares: Lachrimae Antiquae, Lachrimae or Seven Teares: Lachrimae Coactae, Lachrimae or Seven Teares: Lachrimae Gementes, Lachrimae or Seven Teares: Lachrimae Tristes, Lachrimae or Seven Teares: Lachrimae Verae, Lachrimae or Seven Teares: M. Buctons Galiard, Lachrimae or Seven Teares: M. George Whitehead his Almand, Lachrimae or Seven Teares: M. Giles Hobies Galiard, Lachrimae or Seven Teares: M. Henry Noel his Galiard, Lachrimae or Seven Teares: M. John Langtons Pavan, Lachrimae or Seven Teares: M. Nicholas Gryffith his Galiard, Lachrimae or Seven Teares: M. Thomas Collier his Galiard with 2 Trebles, Lachrimae or Seven Teares: Mistresse Nichols Almand, Lachrimae or Seven Teares: Semper Dowland semper dolens, Lachrimae or Seven Teares: Sir Henry Umptons Funerall, Lachrimae or Seven Teares: Sir John Souch his Galiard, Lachrimae or Seven Teares: The Earle of Essex Galiard, Lachrimae or Seven Teares: The King of Denmarks Galiard
Jay X performer Concerto grosso no. 1 in F minor: II. Allegro, Concerto grosso no. 1 in F minor: III. Larghetto, Concerto grosso no. 1 in F minor: IV. Allemanda, Il Barcheggio, Part I: Sinfonia in D major: I. [Allegro], Il Barcheggio, Part I: Sinfonia in D major: II. Andante, Il Barcheggio, Part I: Sinfonia in D major: III. Allegro ma non troppo, Il Barcheggio, Part I: Sinfonia in D major: IV. Allegro, Sonata à 4 in G minor "La Sampiera", op. 35, Sonata à 4 no. 1 in F minor: I. Grave - Allegro, Sonata à 5 in D major, G. 7: I. Grave - Allegro, Sonata à 5 in D major, G. 7: II. Adagio, Sonata à 5 in D major, G. 7: III. Allegro, Sonata à 5 in D major, G. 7: IV. Grave - Allegro
Claudio Monteverdi performer La Maddalena: Su le penne de' venti, SV 333, Messa a quattro voce et salmi: Confitebor tibi Domine, SV 194, Messa a quattro voce et salmi: Laudate Dominum, O omnes gentes, SV 197, Messa a quattro voce et salmi: Nisi Dominus aedificaverit domum, SV 200, Selva morale e spirituale: Confitebor tibi Domine [II], SV 266, Selva morale e spirituale: Confitebor tibi Domine, SV 267, Selva morale e spirituale: Deus tuorum militum, SV 280, Selva morale e spirituale: Iste confessor Domini sacratus, SV 279
Deams instrument Chaconne "two in one upon a ground" from Dioclesian, Sonata in G minor, HWV 364b: Adagio, Sonata in G minor, HWV 364b: Allegro, Sonata in G minor, HWV 364b: Andante larghetto, Sonata in G minor, HWV 393: Allegro, Sonata in G minor, HWV 393: Andante, Sonata in G minor, HWV 393: Largo
Gottfried Finger instrument Pastorale in A major: Adagio/Allegro/Adagio - Adagio - Allegro/[Andante]/Adagio, Sonata no. 2 in D major: Adagio/[Andante]/Allegro, Sonata no. 2 in D major: Allegro/Adagio/Allegro/Adagio/Presto/Allegro, Sonata no. 2 in D major: Aria, Suite in D major: (Almand), Suite in D major: (Jig), Suite in D major: Adagio/Allegro/Chaconne/Adagio
Arcangelo Corelli instrument Sonata in G major (arr. from Sonata in A major, op. 5/6): Adagio, Sonata in G major (arr. from Sonata in A major, op. 5/6): Allegro, Sonata in G major (arr. from Sonata in A major, op. 5/6): Grave
Ghetto Cross instrument "Ungrateful cruel maid" from Clotilda
Antonio Vivaldi performer Mandolin Concerto, RV 425: Allegro
Giovanni Battista Draghi instrument The Italian Ground
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