Taverner Players

performing orchestra, performer

Top collaborators

Artist name Roles Recordings
ワタナベハジメ
Henry Purcell (baroque composer)
Claudio Monteverdi
Antonio Vivaldi
Zaki Murad

Work on other artists' recordings

Artist name Roles Recordings
ワタナベハジメ performing orchestra Abdelazer, or The Moor's Revenge: Rondeau, Brandenburg Concerto No. 5 in D, BWV 1050: I. Allegro, Brandenburg Concerto No. 5 in D, BWV 1050: II. Affetuoso, Brandenburg Concerto No. 5 in D, BWV 1050: III. Allegro, Canon and Gigue in D major: Gigue, Canon in D, Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia, Concerto No. 1 in F major, BWV 1046: I. Allegro, Concerto No. 1 in F major, BWV 1046: II. Adagio, Concerto No. 1 in F major, BWV 1046: III. Allegro, Concerto No. 1 in F major, BWV 1046: IV. Menuetto, Concerto No. 3 in G major, BWV 1048: I. Allegro, Concerto No. 3 in G major, BWV 1048: II. Adagio, Concerto No. 4 in G major, BWV 1049: I. Allegro, Concerto No. 4 in G major, BWV 1049: II. Andante, Concerto No. 4 in G major, BWV 1049: III. Presto, Concerto No. 5 in D major, BWV 1050: I. Allegro, Concerto No. 5 in D major, BWV 1050: II. Affettuoso, Concerto No. 5 in D major, BWV 1050: III. Allegro, Concerto No. 6 in B major, BWV 1051: I. Allegro, Concerto No. 6 in B major, BWV 1051: II. Adagio, ma non tanto, Concerto No. 6 in B major, BWV 1051: III. Allegro, Concerto in B-flat major, RV 553: I. Allegro, Concerto in B-flat major, RV 553: II. Largo, Concerto in B-flat major, RV 553: III. Allegro, Concerto in G major, RV 151: I. Presto, Concerto in G major, RV 151: II. Adagio, Concerto in G major, RV 151: III. Allegro, Concierto de Cámara en Re Mayor, para Flauta Dulce o Violín, Oboe o Violín, Violín, Fagot y Continuo "La pastorella", RV 95, I. Allegro, Concierto de Cámara en Re Mayor, para Flauta Dulce o Violín, Oboe o Violín, Violín, Fagot y Continuo "La pastorella", RV 95, II. Largo, Concierto de Cámara en Re Mayor, para Flauta Dulce o Violín, Oboe o Violín, Violín, Fagot y Continuo "La pastorella", RV 95, III. Allegro, Concierto en Do Mayor para 2 Oboes, 2 Clarinetes, 2 Flautas Dulces, 2 Violines, Fagot, Cuerdas y Continuo, "per la solennità di S Lorenzo", RV 556, I. Largo - Allegro molto, Concierto en Do Mayor para 2 Oboes, 2 Clarinetes, 2 Flautas Dulces, 2 Violines, Fagot, Cuerdas y Continuo, "per la solennità di S Lorenzo", RV 556, II. Largo e cantabile, Concierto en Do Mayor para 2 Oboes, 2 Clarinetes, 2 Flautas Dulces, 2 Violines, Fagot, Cuerdas y Continuo, "per la solennità di S Lorenzo", RV 556, III. Allegro, Concierto en Do Mayor para Cuerdas y Continuo, RV 114, I. Allegro, Concierto en Do Mayor para Cuerdas y Continuo, RV 114, II. Adagio - Ciaccona, Concierto en Sol Mayor para 2 Violines, 2 Violoncellos, Cuerdas y Continuo, RV 575, I. Allegro, Concierto en Sol Mayor para 2 Violines, 2 Violoncellos, Cuerdas y Continuo, RV 575, II. Largo, Concierto en Sol Mayor para 2 Violines, 2 Violoncellos, Cuerdas y Continuo, RV 575, III. Allegro, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, I. Largo, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, II. Presto ("Fantasmi") III. Largo, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, IV. Presto, Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, V. Largo ("Il sonno"), Concierto en Sol menor para Flauta, Cuerdas y Continuo "La notte", Op. 10 Nº 2, RV 439, VI. Allegro, Concierto en Sol menor para Violín, 2 Oboes, 2 Flautas Dulces, Fagot, Cuerdas y Continuo "per l'Orchestra de Dresda", RV 577, I. Allegro, Concierto en Sol menor para Violín, 2 Oboes, 2 Flautas Dulces, Fagot, Cuerdas y Continuo "per l'Orchestra de Dresda", RV 577, II. Allegro, Concierto en Sol menor para Violín, 2 Oboes, 2 Flautas Dulces, Fagot, Cuerdas y Continuo "per l'Orchestra de Dresda", RV 577, II. Largo non molto, Easter Oratorio, BWV. 249: I. Sinfonia, Easter Oratorio, BWV. 249: II. Adagio, Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet", Easter Oratorio, BWV. 249: IV. Recitativo (Soprano, Alto, Tenor, Bass) "O kalter Männer Sinn!", Easter Oratorio, BWV. 249: IX. Aria (Alto) "Saget, saget mir geschwinde", Easter Oratorio, BWV. 249: V. Aria (Soprano) "Seele, deine Spezereien", Easter Oratorio, BWV. 249: VI. Recitativo (Alto, Tenor, Bass) "Hier ist die Gruft", Easter Oratorio, BWV. 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer", Easter Oratorio, BWV. 249: VIII. Recitativo (Soprano, Alto) "Indessen seufzen wir", Easter Oratorio, BWV. 249: X. Recitativo (Bass) "Wir sind erfreut", Easter Oratorio, BWV. 249: XI. Coro "Preis und Dank", Kantate fragment "Nun is das Heil und die Kraft", BWV 50: Coro, Magnificat in D major, BWV 243: I. Coro: "Magnificat", Magnificat in D major, BWV 243: II. Aria (Soprano I): "Et exultavit spiritus meus", Magnificat in D major, BWV 243: III. Aria (Soprano II): "Quia respexit humilitatem", Magnificat in D major, BWV 243: IV. Coro: "Omnes generationes", Magnificat in D major, BWV 243: IX. Aria (Alto): "Esurientes implevit bonis", Magnificat in D major, BWV 243: V. Aria (Basso): "Quia fecit mihi magna", Magnificat in D major, BWV 243: VI. Duetto (Alto, Tenore): "Et misericordia", Magnificat in D major, BWV 243: VII. Coro: "Fecit potentiam", Magnificat in D major, BWV 243: VIII. Aria (Tenore): "Deposuit potentes", Magnificat in D major, BWV 243: X. Coro (Sopranos I & II, Alto): "Suscepit Israel", Magnificat in D major, BWV 243: XI. Coro: "Sicut locutus est", Magnificat in D major, BWV 243: XII. Coro: "Gloria patri", Messe in h-Moll, BWV 232: IIIa. Symbolum nicenum: Coro "Credo in unum Deum", Messe in h-Moll, BWV 232: IIIb. Symbolum nicenum: Coro "Patrem omnipotentem", Messe in h-Moll, BWV 232: IIIc. Symbolum nicenum: Duetto (Soprano I, Alto) "Et in unum Dominum", Messe in h-Moll, BWV 232: IIId. Symbolum nicenum: Coro "Et incarnatus est", Messe in h-Moll, BWV 232: IIIe. Symbolum nicenum: Coro "Crucifixus", Messe in h-Moll, BWV 232: IIIf. Symbolum nicenum: Coro "Et resurrexit", Messe in h-Moll, BWV 232: IIIg. Symbolum nicenum: Aria (Basso) "Et in Spiritum Sanctum Dominum", Messe in h-Moll, BWV 232: IIIh. Symbolum nicenum: Coro "Confiteor", Messe in h-Moll, BWV 232: IIIi. Symbolum nicenum: Coro "Et expecto", Messe in h-Moll, BWV 232: IIa. Gloria: Coro "Gloria in excelsis Deo", Messe in h-Moll, BWV 232: IIb. Gloria: Coro "Et in terra pax", Messe in h-Moll, BWV 232: IIc. Gloria: Aria (Soprano II) "Laudamus te", Messe in h-Moll, BWV 232: IId. Gloria: Coro "Gratias agimus tibi", Messe in h-Moll, BWV 232: IIe. Gloria: Duetto (Soprano I, Tenore) "Domine Deus", Messe in h-Moll, BWV 232: IIf. Gloria: Coro "Qui tollis peccata mundi", Messe in h-Moll, BWV 232: IIg. Gloria: Aria (Alto) "Qui sedes ad dextram Patris", Messe in h-Moll, BWV 232: IIh. Gloria: Aria (Basso) "Quoniam tu solus Sanctus", Messe in h-Moll, BWV 232: IIi. Gloria: Coro "Cum Sancto Spiritu", Messe in h-Moll, BWV 232: IV. Coro "Sanctus", Messe in h-Moll, BWV 232: Ia. Kyrie: Coro "Kyrie eleison", Messe in h-Moll, BWV 232: Ib. Kyrie: Duetto (Soprano I, Soprano II) "Christe eleison", Messe in h-Moll, BWV 232: Ic. Kyrie: Coro "Kyrie eleison", Messe in h-Moll, BWV 232: Va. Coro "Osanna in excelsis", Messe in h-Moll, BWV 232: Vb. Aria (Tenore) "Benedictus", Messe in h-Moll, BWV 232: Vc. Coro "Osanna in excelsis", Messe in h-Moll, BWV 232: Vd. Aria (Alto) "Agnus Dei", Messe in h-Moll, BWV 232: Ve. Coro "Dona nobis pacem", Messiah: Overture (extract D), Messiah: Part I: Sinfony: Grave – Allegro moderato, Oratorio, "Christ lag in Todes Banden", BWV. 4: I. Sinfonia, Oratorio, "Christ lag in Todes Banden", BWV. 4: II. Versus I (Coro) "Christ lag in Todes Banden", Oratorio, "Christ lag in Todes Banden", BWV. 4: III. Versus II (Soprano, Alto) "Den Tod niemand zwingen kunnt", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus III (Tenor) "Jesus Christus, Gottes Sohn", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus IV (Coro) "Es war ein wunderlicher Krieg", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus V (Bass) "Hier ist das rechte Osterlammm, Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus VI (Soprano, Tenor) "So feiren wir das hohe Fest", Oratorio, "Christ lag in Todes Banden", BWV. 4: Versus VII (Coro) "Wir essen und leben wohl", Overture in B flat major, BWV 194: Cantata No. 194, "Höchsterwünschtes Freudenfest", Rondeau, Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8, Sinfonia in G major, RV 146: I. Allegro, Sinfonia in G major, RV 146: II. Andante, Sinfonia in G major, RV 146: III. Presto, Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba, Sonata for Viola da Gamba & Keyboard No. 3 in G minor, BWV 1029: I. Vivace, Sonata for Viola da Gamba & Keyboard No. 3 in G minor, BWV 1029: II. Adagio, Sonata for Viola da Gamba & Keyboard No. 3 in G minor, BWV 1029: III. Allegro, Three parts upon a Ground, Z. 731, Violin Concerto in F major, RV 293 "L'autunno": I. Allegro, Violin Concerto in F major, RV 293 "L'autunno": II. Adagio molto: Ubriachi dormienti, Violin Concerto in F major, RV 293 "L'autunno": III. Allegro: La caccia, Violin Concerto in F minor, RV 297 "L'inverno": I. Allegro non molto, Violin Concerto in F minor, RV 297 "L'inverno": II. Largo, Violin Concerto in F minor, RV 297 "L'inverno": III. Allegro
Henry Purcell instrument, performer, performing orchestra Come ye sons of art, Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Come ye sons of art, Z. 323: II. Come ye sons of art, Come ye sons of art, Z. 323: III. Sound the trumpet, Come ye sons of art, Z. 323: IV. Come ye sons of art, Come ye sons of art, Z. 323: IX. See, Nature, rejoicing, Come ye sons of art, Z. 323: V. Strike the viol, Come ye sons of art, Z. 323: VI. The day that such a blessing gave, Come ye sons of art, Z. 323: VII. Bid the Virtues, Come ye sons of art, Z. 323: VIII. These are the sacred charms, Dido and Aeneas: Act II Scene 1 (The Cave), Dido and Aeneas: Act II Scene 2 (The Grove), Dido and Aeneas: Act III (The Ships), Dido and Aeneas: Overture and Act I, Funeral Music for Queen Mary: Canzona, Z. 860ii, Funeral Music for Queen Mary: March, Z. 860i, Funeral Music for Queen Mary: Thou knowest, Lord, Z. 58c, Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A, Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B, Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C, Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii, Funeral Sentences for the Death of Queen Mary II: March, Z. 860i, Funeral Sentences: In the midst of life, Z. 17a, Funeral Sentences: Man that is born of a woman, Z. 27, Funeral Sentences: Thou knowest, Lord, Z. 58b, Hail! Bright Cecilia: 'Tis Nature's voice, Hail! Bright Cecilia: Hail! Bright Cecilia, Hail! Bright Cecilia: Hark! hark! each tree, Hail! Bright Cecilia: In vain the am'rous flute, Hail! Bright Cecilia: Let these amongst themselves contest, Hail! Bright Cecilia: Soul of the world!, Hail! Bright Cecilia: Symphony (Introduction)-Canzona & Adagio-Allegro-Grave-Allegro, Hail! Bright Cecilia: The airy violin, Hail! Bright Cecilia: The fife and all the harmony of war, Hail! Bright Cecilia: Thou tun'st this world below, Hail! Bright Cecilia: Voluntary in D minor-Wonderous machine!, Hail! Bright Cecilia: With rapture of delight-Hail! Bright Cecilia, Hail! Bright Cecilia: With that sublime celestial lay, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio, Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues", Ode for Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony, St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love", St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices", Welcome to all the pleasures, Z. 339: I. Symphony, Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures, Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial, Welcome to all the pleasures, Z. 339: V. Then lift up your voices, Welcome to all the pleasures, Z. 339: VI. Beauty, thou scene of love, Welcome to all the pleasures, Z. 339: VII. In a consort of voices
Claudio Monteverdi performing orchestra Selva morale e spirituale: Hymnus, Deus tuorum militum a 3, Selva morale e spirituale: Magnificat a 8, Et exsultavit, Selva morale e spirituale: Magnificat a 8, Et misericordia, Selva morale e spirituale: Magnificat a 8, Fecit potentiam... Deposuit... Esurientes, Selva morale e spirituale: Magnificat a 8, Gloria Patri, Selva morale e spirituale: Magnificat a 8, Magnificat, Selva morale e spirituale: Magnificat a 8, Quia fecit, Selva morale e spirituale: Magnificat a 8, Quia respexit, Selva morale e spirituale: Magnificat a 8, Sicut erat, Selva morale e spirituale: Magnificat a 8, Suscepit Israel... Sicut locutus, Selva morale e spirituale: Motet, Jubilet totas civitas: solo "in Dialogo", Selva morale e spirituale: Psalmus 109, Dixit Dominus (secondo) a 8, Selva morale e spirituale: Psalmus 112, Laudate pueri (secondo) a 5, Vespro della Beata Vergine (1610): Concerto, Audi coelum, Vespro della Beata Vergine (1610): Concerto, Duo Seraphim, Vespro della Beata Vergine (1610): Concerto, Nigra sum, Vespro della Beata Vergine (1610): Concerto, Pulchra es, Vespro della Beata Vergine (1610): Sonata sopra Sancta Maria
Antonio Vivaldi performing orchestra Concerto in C major, RV 556 "per la solennità di San Lorenzo": I. Largo – Allegro molto, Concerto in C major, RV 556 "per la solennità di San Lorenzo": II. Largo e cantabile, Concerto in C major, RV 556 "per la solennità di San Lorenzo": III. Allegro, Concerto in G minor, RV 577 "per l'Orchestra di Dresda": I. Allegro, Concerto in G minor, RV 577 "per l'Orchestra di Dresda": II. Largo non molto, Concerto in G minor, RV 577 "per l'Orchestra di Dresda": III. Allegro, Flute Concerto in G minor, RV 439 "La notte": Largo - Presto (Fantasmi) - Largo - Presto - Largo (Il sonno) - Allegro, Gloria, RV 589: II. Et in terra pax, Gloria, RV 589: III. Laudamus te, Gloria, RV 589: IV. Gratias agimus tibi, Gloria, RV 589: IX. Qui tollis peccata mundi, Gloria, RV 589: V. Propter magnam gloriam tuam, Gloria, RV 589: VI. Domine Deus, Gloria, RV 589: VII. Domine Fili unigenite, Gloria, RV 589: VIII. Domine Deus, Agnus Dei, Gloria, RV 589: X. Qui sedes ad dexteram patris, Gloria, RV 589: XI. Quoniam tu solus sanctus, Gloria, RV 589: XII. Cum sancto spiritu
Zaki Murad performing orchestra Dixit Dominus: Dixit Dominus Domino meo, Laetatus sum, RV 607, Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Nun lieget alles unter dir", Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Wenn soll es doch geschehen", Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Chorus "Lobet Gott in seinen Reichen", Messiah: Part II: Hallelujah!, Selva Morale e Spirituale: Kyrie I
Franky Fox performing orchestra Cantata No. 82 "Ich habe genug": Aria "Ich freue mich auf meinen Tod", Cantata No. 82 "Ich habe genug": Aria "Ich habe genug", Cantata No. 82 "Ich habe genug": Aria "Schlummert ein", Cantata No. 82 "Ich habe genug": Recitative "Ich habe genug!", Cantata No. 82 "Ich habe genug": Recitative "Mein Gott! wannkommt das schöne"
Giovanni Paolo Cima performing orchestra Vespro della Beata Vergine (1610): Sonata a 2 per violino e violone, Vespro della Beata Vergine (1610): Sonata a 3 per violino, cornetto e violone
Deams performing orchestra Israel in Egypt: Thou shalt bring them in
Kemany Memdouh Bey performing orchestra Ulysses Awakes
Motherbird performing orchestra Passion according to St John, BWV 245: Aria "Es is vollbracht"
Moulin Rouge performing orchestra Selva Morale e Spirituale: Gloria a 7
Johann Sebastian Bach performing orchestra Passion according to St John, BWV 245: Chorale "Ach, großer König"