Musical Bacon: Peter Holman (conductor and musicologist)

Artist name	Roles	Recordings
Matthew Locke	conductor	Duo for 2 bass viols: Suite No. 1 in D major: I. Fantasy, Duo for 2 bass viols: Suite No. 1 in D major: II. Fantasy, Duo for 2 bass viols: Suite No. 1 in D major: III. Saraband, Duo for 2 bass viols: Suite No. 1 in D minor: I. Fantasy, Duo for 2 bass viols: Suite No. 1 in D minor: II. Fantasy, Duo for 2 bass viols: Suite No. 1 in D minor: III. Corant, Duo for 2 bass viols: Suite No. 3 in C minor: I. Fantasy, Duo for 2 bass viols: Suite No. 3 in C minor: II. Fantasy, Duo for 2 bass viols: Suite No. 3 in C minor: III. Corant, Duo for 2 bass viols: Suite No. 4 in C major: I. Fantasy, Duo for 2 bass viols: Suite No. 4 in C major: II. Fantasy, Duo for 2 bass viols: Suite No. 4 in C major: III. Saraband, Fantasia and Corant in D minor "Oxford Suite": Corant, Fantasia and Corant in D minor "Oxford Suite": Fantasia, The Broken Consort, Part 1: Suite No. 1 in G minor: I. Fantasy, The Broken Consort, Part 1: Suite No. 1 in G minor: II. Corant, The Broken Consort, Part 1: Suite No. 1 in G minor: III. Air, The Broken Consort, Part 1: Suite No. 1 in G minor: IV. Saraband, The Broken Consort, Part 1: Suite No. 2 in G major: I. Fantasy, The Broken Consort, Part 1: Suite No. 2 in G major: II. Corant, The Broken Consort, Part 1: Suite No. 2 in G major: III. Air, The Broken Consort, Part 1: Suite No. 2 in G major: IV. Saraband, The Broken Consort, Part 1: Suite No. 3 in C major: I. Fantasy, The Broken Consort, Part 1: Suite No. 3 in C major: II. Corant, The Broken Consort, Part 1: Suite No. 3 in C major: III. Air, The Broken Consort, Part 1: Suite No. 3 in C major: IV. Saraband, The Broken Consort, Part 1: Suite No. 4 in C major: I. Fantasy, The Broken Consort, Part 1: Suite No. 4 in C major: II. Corant, The Broken Consort, Part 1: Suite No. 4 in C major: III. Air, The Broken Consort, Part 1: Suite No. 4 in C major: IV. Saraband, The Broken Consort, Part 1: Suite No. 5 in D minor: I. Fantasy, The Broken Consort, Part 1: Suite No. 5 in D minor: II. Corant, The Broken Consort, Part 1: Suite No. 5 in D minor: III. Air, The Broken Consort, Part 1: Suite No. 5 in D minor: IV. Saraband, The Broken Consort, Part 1: Suite No. 6 in D major: I. Fantasy, The Broken Consort, Part 1: Suite No. 6 in D major: II. Corant, The Broken Consort, Part 1: Suite No. 6 in D major: III. Air, The Broken Consort, Part 1: Suite No. 6 in D major: IV. Saraband - Conclusion
Anastasia Knudsen	conductor	The Brickdust Man, a musical dialogue: Air. Get you gone, you nasty fellow, The Brickdust Man, a musical dialogue: Air. I am a lad, by fortune's spight, The Brickdust Man, a musical dialogue: Air. In short, dearest Moll, you alone were in fault, The Brickdust Man, a musical dialogue: Air. Oh, Molly, I'm charmed when I come in your sight, The Brickdust Man, a musical dialogue: Duet. Then let us agree, The Brickdust Man, a musical dialogue: Overture, The Ephesian Matron; or, The Widow's Tears, a comic serenata: Overture, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Centurion's First Aria. What ho! charming dame, what ho!, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Centurion's Second Aria. Zounds! I'm undone!, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Duet. By Venus, mother of desire, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Father's Aria. But more, a monument I'll raise, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Maid's First Aria. If I was a wife, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Maid's Second Aria. During the first part of this song the Centurio, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Matron's Mad Aria. And while, grown frantic with my woes, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Matron's Second Aria. But before you go away, sir, The Ephesian Matron; or, The Widow's Tears, a comic serenata: The Trio. Hence, hence away, The Grenadier, a musical dialogue: Air. I'll handle the broom and the mop ever twirl, The Grenadier, a musical dialogue: Air. Oh my Jenny, I lie at thy feet, The Grenadier, a musical dialogue: Duet. Forever, false Jenny, The Grenadier, a musical dialogue: Duet. Silly Ralph, your Jenny's true, The Grenadier, a musical dialogue: Trio. I'll cut you to pieces if ever you dare
Claudio Monteverdi	chamber organ	La Maddalena: Su le penne de' venti, SV 333, Messa a quattro voce et salmi: Confitebor tibi Domine, SV 194, Messa a quattro voce et salmi: Laudate Dominum, O omnes gentes, SV 197, Messa a quattro voce et salmi: Nisi Dominus aedificaverit domum, SV 200, Selva morale e spirituale: Ab aeterno ordinata sum, SV 262, Selva morale e spirituale: Confitebor tibi Domine [II], SV 266, Selva morale e spirituale: Confitebor tibi Domine, SV 267, Selva morale e spirituale: Deus tuorum militum, SV 280, Selva morale e spirituale: Iste confessor Domini sacratus, SV 279
Gottfried Finger	chamber organ	Pastorale in A major: Adagio/Allegro/Adagio - Adagio - Allegro/[Andante]/Adagio, Sonata no. 2 in D major: Adagio/[Andante]/Allegro, Sonata no. 2 in D major: Allegro/Adagio/Allegro/Adagio/Presto/Allegro, Sonata no. 2 in D major: Aria, Suite in D major: (Almand), Suite in D major: (Jig), Suite in D major: Adagio/Allegro/Chaconne/Adagio
Arcangelo Corelli	chamber organ	Sonata in G major (arr. from Sonata in A major, op. 5/6): Adagio, Sonata in G major (arr. from Sonata in A major, op. 5/6): Allegro, Sonata in G major (arr. from Sonata in A major, op. 5/6): Grave
Jay X	arranger	Fantasy Waltz, St. Petersburg Polonaise
Antonio Vivaldi	conductor	Mandolin Concerto, RV 425: Allegro
Charles Dibdin	conductor	Vauderville (The Ephesian Matron)
Deams	chamber organ	Chaconne "two in one upon a ground" from Dioclesian

Peter Holman

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