Musical Bacon: Michael George (operatic bass)

Artist name	Roles	Recordings
Fasian Cristiani	vocal	Blaweary, By a Bierside, Cathleen ni Houlihan, Edward, Edward, Epitaph in Old Mode, Even Such Is Time, Goodnight to the Meadow, Ha'nacker Mill, Hawk and Buckle, Last Hours, Most Holy Night, Nine of the Clock, The Boat Is Chafing, The Fiddler of Dooney, The Night of Trafalgar, The Ship, The Twa Corbies, Thou Didst Delight My Eyes, To Violets, You Are My Sky
Kullervo Kojo	vocal	The Creation, Part II, Scene I. Recitative "And God created great whales" (Raphael), The Creation, Part II, Scene I. Recitative "And the angels struck their immortal harps" (Raphael), The Creation: Part I, Scene I. Recitative "In the beginning God created the heaven" (Raphael) - Chorus "And the Spirit of God moved upon the face of the waters", The Creation: Part I, Scene II. Recitative "And God made the firmament" (Raphael), The Creation: Part I, Scene III. Aria "Rolling in foaming billows" (Raphael), The Creation: Part I, Scene III. Recitative "And God said: Let the waters under the heavens be gathered together" (Raphael), The Creation: Part I, Scene IV. "The heavens are telling the Glory of God" (Chorus, Gabriel, Uriel, Raphael), The Creation: Part II, Scene I. "Most beautiful appear" (Gabriel, Uriel, Raphael, Chorus), The Creation: Part II, Scene II. Aria "Now heaven in fullest glory shone" (Raphael), The Creation: Part II, Scene II. Chorus and trio "Achieved is the glorious work", The Creation: Part II, Scene II. Recitative "And God said: Let the earth bring forth" (Raphael), The Creation: Part II, Scene II. Recitative "And God saw everything" (Raphael), The Creation: Part II, Scene II. Recitative "Straight opening her fertile womb" (Raphael), The Creation: Part III, Final Scene. Chorus "Sing the Lord ye voices all!", The Creation: Part III, Scene II. "By Thee with bliss, o bounteous Lord" (Adam, Eve, Chorus), The Creation: Part III, Scene III. Duet "Graceful consort! At thy side" (Adam, Eve), The Creation: Part III, Scene III. Recitative "Our duty we performed now" (Adam, Eve)
Leo Smith	vocal	BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VII. Choral & Recitativo: "Er ist auf Erden kommen arm", BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. VIII. Aria (Basso): "Großer Herr und starker König", BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. IX. Recitativo: "So geht denn hin! ihr Hirten, geht", BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. V. Recitativo: "Was Gott dem Abraham verheißen", BWV 248, Kantate 2, Am zweiten Weihnachtsfeiertage. XIII. Recitativo: "So recht, ihr Engel, jauchzt und singet", BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. IV. Recitativo: "Er hat sein Volk getröst", BWV 248, Kantate 3, Am dritten Weihnachtsfeiertage. VI. Duetto (Soprano, Basso): "Herr, dein Mitleid, dein Erbarmen", BWV 248, Kantate 4, Am Neujahrstage. III. Recitativo: "Immanuel, o süsses Wort!", BWV 248, Kantate 4, Am Neujahrstage. V. Recitativo: "Wohlan! dein Name soll allein", BWV 248, Kantate 5, Am Sonntag nach Neujahr. V. Aria (Basso): "Erleucht' auch meine finstre Sinnen", BWV 248, Kantate 6, Am Feste der Erscheinung Christi. X. Recitativo: "Was will der Hölle Schrecken nun", Hohe Messe in b moll (BWV 232) / Credo: Aria (bass): Et in Spiritum Sanctum, Hohe Messe in b moll (BWV 232) / Gloria: Aria (bass) - Quoniam to solus Sanctus, Magnificat in D major (BWV 243): Bass: Quia fecit mihi magna
Greenthief	vocal	Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas), Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus), Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas), Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus), Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus), Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus)
Foxy Teens	vocal	Bergknappenlied, D. 268, Das Dörfchen, D. 598, Das Grab, D. 330, Geist der Liebe, D. 747, Gondelfahrer, D. 809, La pastorella al prato, D. 513, Lob des Tokayers, D. 248, Punschlied, D. 277, Trinklied, D. 183, Trinklied, D. 267, Trinklied, D. 75
Liesel Westermann	vocal	Magnificat in D, BWV 243: Quia fecit mihi magna, Missa Brevis in A, BWV 234: Christe, Missa Brevis in A, BWV 234: Domine Deus, Missa Brevis in A, BWV 234: Et in terra pax, Wachet auf, ruft uns die Stimme, BWV 140: Mein Freund ist mein!, Wachet auf, ruft uns die Stimme, BWV 140: So geh herein zu meir, Wachet auf, ruft uns die Stimme, BWV 140: Wann kommst du, mein Heil?, Weinen, Klagen, Sorgen, Zagen, BWV 12: Ich folge Christo nach
Henry Purcell	vocal	Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks", Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!", Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest", Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia", Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain", Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane"
Moe Provencher	vocal	Judas Maccabaeus: Act I. Recitative "I feel, I feel the Deity within" (Simon), Judas Maccabaeus: Act II. Air "The Lord worketh wonders" (Simon), Judas Maccabaeus: Act II. Air "With pious hearts, and brave as pious" (Simon), Judas Maccabaeus: Act II. Recitative "Be comforted, nor think these plagues" (Simon), Judas Maccabaeus: Act II. Recitative "Enough! To Heav'n we leave the rest" (Simon)
The Hilliard Ensemble	vocal	Musique sacrée dans l'Angleterre du XIV siècle: Campanis cum cymbalis / Honoremus Dominam, Musique sacrée dans l'Angleterre du XIV siècle: Edi be thu, Musique sacrée dans l'Angleterre du XIV siècle: Gabriel from heven-king, Musique sacrée dans l'Angleterre du XIV siècle: Gaude virgo Mater Christi, Musique sacrée dans l'Angleterre du XIV siècle: Mater ora filium
Eva Černe	vocal	Der Tanz, D. 826, Des Tages Weihe, D. 763, Die Geselligkeit (Lebenslust), D. 609, Jesus Christus unser Heiland (Osterlied), D. 168a, Nun lasst uns den Leib begraben (Begräbnislied), D. 168
Scott Steinman	vocal	Cantata, BWV 208 "Was mir behagt": Aria (Pan) "Ein Fürst ist seines Landes Pan!", Cantata, BWV 208 "Was mir behagt": Aria (Pan) "Ihr Felder und Auen", Cantata, BWV 208 "Was mir behagt": Coro "Ihr lieblichste Blicke!", Cantata, BWV 208 "Was mir behagt": Coro "Lebe, Sonne dieser Erden", Cantata, BWV 208 "Was mir behagt": Recitativo (Pan) "Ich, der ich sonst ein Gott"
Leonel Power	vocal	Ave Regina, Beata viscera, Credo, Gloria (5 parts), Quam pulchra es
Norbert Weinhold	vocal	Cantata "Christen, ätzet diesen Tag", BWV 63: III Duett: Gott, du hast es wohl gefüget, Cantata "Christen, ätzet diesen Tag", BWV 63: VI Rezitativ: Verdopplet euch demnach, Magnificat In E Flat Major, BWV 243A: D Virga Jesse floruit, Magnificat In E Flat Major, BWV 243A: V Quia fecit mihi magna
Kevin Albis	vocal	Ode for the Birthday of Queen Anne: Let Envy then conceal her head, Ode for the Birthday of Queen Anne: Let rolling streams their gladness show
Jean Maillard	vocal	Requiem, Op. 48: II. Offertoire, Requiem, Op. 48: VI. Libera Me
Robert Barry	vocal	Der Gott und die Bajadere, D. 254, Erlkönig, D. 328
Sam Watts	vocal	Mass in B minor, BWV 232: II. Gloria. Quoniam tu solus Sanctus, Mass in B minor, BWV 232: III. Symbolum Nicenum. Et in Spiritum Sanctum
J. Anido	vocal	Judas Maccabaeus: Act I. Air and Chorus "Arm, arm, ye brave!" (Simon, Chorus), Judas Maccabaeus: Act III. Air and Chorus "Rejoice, oh Judah!" (Simon, Chorus)
Blues Rags'n'Hollers	vocal	Black Stitchel
Groves	vocal	Das Abendroth, D. 236
Beer Bellies	vocal	Bundeslied, D. 258
Lowell Mason	vocal	Joy to the World
Swoon	vocal	Trinklied, D. 148
Tei Shi	vocal	Hymne an den Unendlichen, D. 232
Darren Jones & The World Music Band	vocal	Hosanna to the Highest, Z. 187
Štajerskih sedem	vocal	Klage um Ali Bey, D. 140

Blaweary, By a Bierside, Cathleen ni Houlihan, Edward, Edward, Epitaph in Old Mode, Even Such Is Time, Goodnight to the Meadow, Ha'nacker Mill, Hawk and Buckle, Last Hours, Most Holy Night, Nine of the Clock, The Boat Is Chafing, The Fiddler of Dooney, The Night of Trafalgar, The Ship, The Twa Corbies, Thou Didst Delight My Eyes, To Violets, You Are My Sky

Kullervo Kojo

vocal

Bergknappenlied, D. 268, Das Dörfchen, D. 598, Das Grab, D. 330, Geist der Liebe, D. 747, Gondelfahrer, D. 809, La pastorella al prato, D. 513, Lob des Tokayers, D. 248, Punschlied, D. 277, Trinklied, D. 183, Trinklied, D. 267, Trinklied, D. 75

Liesel Westermann

vocal