| Michael Riesman |
arranger, conductor, instrument arranger, mix, producer, keyboard, organ, piano, pipe organ, synthesizer |
"Changing Opinion" from "Songs From Liquid Days", "Floe" from "Glassworks", "For Your Own Benefit", "I'm Going to Make a Cake", "Spaceship" from Act IV, Scene III of "Einstein On The Beach", "Why Does Someone Have to Die?", A Brief History of Time: Bombs, A Brief History of Time: Bombs with Fidelity, A Brief History of Time: Climbing the Stairs, A Brief History of Time: Closing no. 1, A Brief History of Time: Dice, A Brief History of Time: End Credits Arpeggio and Brass, A Brief History of Time: End Credits Major and Minor, A Brief History of Time: End with Strings and Trumpets, A Brief History of Time: Hawking Radiation, A Brief History of Time: Hawking Radiation with Brass, A Brief History of Time: House, A Brief History of Time: Melody in Major, A Brief History of Time: Mysterious no. 1, A Brief History of Time: Mysterious no. 2, A Brief History of Time: Mysterious no. 4, A Brief History of Time: Signature, A Brief History of Time: Slow, Simple, Sad no. 3, A Brief History of Time: Slow, Simple, Sad no. 4, A Brief History of Time: Title, A Brief History of Time: Utility no. 1, A Shout From the Crowd, Act III from "The Photographer", All the Money, An Unwelcome Friend, Anthem - Part 2, Beauty and the Beast: I. Overture, Beauty and the Beast: II. Beauty Goes to the Castle, Beauty and the Beast: III. Dinner at the Castle, Beauty and the Beast: IV. A Walk in the Garden, Beauty and the Beast: IX. The Metamorphosis, Beauty and the Beast: V. The Beast's Trust, Beauty and the Beast: VI. Avenant's Passion, Beauty and the Beast: VII. The Mirror, Beauty and the Beast: VIII. The Pavilion, Belle raconte son histoire, Belle retourne chez son père, Blood on the Stairs, Caravan Moves Out, Carriage Without a Driver, Chance Encounter, Changing Opinion, Chinese Invade, Choosing, Choosing Life, Cloudscape, Dance no. 1, Dance no. 2, Dance no. 3, Dance no. 5, Dark Kitchen, Dead Things, Distraught, Do You Know Me?, Double Concerto for Violin, Cello & Orchestra: Duet No. 1, Double Concerto for Violin, Cello & Orchestra: Duet No. 2, Double Concerto for Violin, Cello & Orchestra: Duet No. 3, Double Concerto for Violin, Cello & Orchestra: Duet No. 4, Double Concerto for Violin, Cello & Orchestra: Part 1, Double Concerto for Violin, Cello & Orchestra: Part 2, Double Concerto for Violin, Cello & Orchestra: Part 3, Dr. Van Helsing and Dracula, Dracula, Dracula Enters, Dracula Epilogue, Eisenheim Disappears, Emigration, Escape to India, Escape!, Excellent, Mr. Renfield, Explosives, Fish, Floe, Frankel Appears, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), Heroes (Aphex Twin remix), Horrible Tragedy, In His Cell, In the Theatre, In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII, Islands, Journey to the Inn, Knee 1, Knee 5, Koyaanisqatsi, La Belle va au château, La Confiance de la Bête en la Belle, La Demande en mariage d'avenant, La Métamorphose, La Saisie des meubles, Le Domaine de la Bête, Le Dîner, Le Miroir, Le Passion d'avenant, Le Pavillon, Le Plan, Le Retour du père, Le Voyage du père, Le magnifique apparaît, Les Sœurs, Les Tourments de la Bête, Lhasa at Night, Life in the Mountains, Living Waters, London Fog, Lord Chamberlain, Lucy's Bitten, Meeting in the Carriage, Mina on the Terrace, Mina's Bedroom/The Abbey, Morning Passages, Move to Dungkar, Music in Twelve Parts: I, Music in Twelve Parts: II, Music in Twelve Parts: III, Music in Twelve Parts: IV, Music in Twelve Parts: IX, Music in Twelve Parts: V: Beginning, Music in Twelve Parts: V: Conclusion, Music in Twelve Parts: VI, Music in Twelve Parts: VII, Music in Twelve Parts: VIII, Music in Twelve Parts: X, Music in Twelve Parts: XI, Music in Twelve Parts: XII, Norbu Plays, Norbulingka, Northern Tibet, Opening, Or a Wolf, Ossipon is Tempted, Ouverture, Potala, Projector, Promenade dans le jardin, Prophecies, Pruit Igoe, Renfield, Renfield in the Drawing Room, Reting's Eyes, Roast Beef, Rubric, Safe Journey, Sand Mandala, Satyagraha, Act III: Conclusion, Secret Agent, Secret Agent Ending, Seward Sanatorium, Simple, Something She Has to Do, Sophie, Sophie's Ride to the Castle, Suite from "The Hours": I, Suite from "The Hours": II, Suite from "The Hours": III, Tearing Herself Away, The Accident, The Beginning, The Castle, The Chase, The Crypt, The Drawing Room, The End of Dracula, The First Meridian, The Grid, The Hours, The Illusionist, The Inn, The Kiss, The Locket, The Mirror, The Missing Gem, The New Theater, The Orange Tree, The Poet Acts, The Search, The Secret Plot, The Storm, The Sword, The Three Consorts of Dracula, Thirteenth Dalai Lama, Trial/Prison, Trust, Two Pages, Vanessa and the Changelings, Verloc and the Russian Embassy, Vessels, When the Dream Comes, Winnie Goes to Sea, Winnie Remembers, Winnie?, Wish I Would See You Again, Women in White |
| Kurt Munkacsi |
engineer, mix, producer, electronic instruments |
A Brief History of Time: Bombs, A Brief History of Time: Bombs with Fidelity, A Brief History of Time: Climbing the Stairs, A Brief History of Time: Closing no. 1, A Brief History of Time: Dice, A Brief History of Time: End Credits Arpeggio and Brass, A Brief History of Time: End Credits Major and Minor, A Brief History of Time: End with Strings and Trumpets, A Brief History of Time: Hawking Radiation, A Brief History of Time: Hawking Radiation with Brass, A Brief History of Time: House, A Brief History of Time: Melody in Major, A Brief History of Time: Mysterious no. 1, A Brief History of Time: Mysterious no. 2, A Brief History of Time: Mysterious no. 4, A Brief History of Time: Signature, A Brief History of Time: Slow, Simple, Sad no. 3, A Brief History of Time: Slow, Simple, Sad no. 4, A Brief History of Time: Title, A Brief History of Time: Utility no. 1, All the Money, Anthem - Part 2, Blood on the Stairs, Caravan Moves Out, Changing Opinion, Chinese Invade, Choosing, Cloudscape, Dark Kitchen, Distraught, Dreaming of Fiji, Emigration, Escape to India, Explosives, Fish, Forgetting, Freezing, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), Heroes (Aphex Twin remix), In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII, Koyaanisqatsi, Lhasa at Night, Lightning, Liquid Days, Part One, Liquid Days, Part Two: Open the Kingdom, Living Waters, Lord Chamberlain, Move to Dungkar, Music in Fifths, Music in Similar Motion, Music with Changing Parts (edited), Norbu Plays, Norbulingka, Northern Tibet, Opening, Ossipon is Tempted, Potala, Projector, Prophecies, Pruit Igoe, Raising the Sail, Reting's Eyes, Roast Beef, Safe Journey, Sand Mandala, Secret Agent, Secret Agent Ending, Simple, The Beginning, The First Meridian, The Grid, Thirteenth Dalai Lama, Truman Sleeps, Trust, Verloc and the Russian Embassy, Vessels, Winnie Goes to Sea, Winnie Remembers, Winnie? |
| Dennis Russell Davies |
conductor, piano |
"Funeral Of Amenhotep III" from Act I, Scene 1, of "Akhnaten", "Low" Symphony, Part 3: Warszawa, Akhnaten & Nefertiti, Concert Overture (2012), Days and Nights in Rocinha, Epilogue, Heroes (Aphex Twin remix), Intensive Times, Interlude No. 1 from The CIVIL warS, Interlude No. 2 from The CIVIL warS, Les Enfants Terribles: Death of the Twins / Finale, Les Enfants Terribles: Elizabeth Chooses a Career, Les Enfants Terribles: Overture, Les Enfants Terribles: Paul Sleepwalking, Les Enfants Terribles: Snow Falling in the Playground, Les Enfants Terribles: The Bedroom, Massman, Mechanical Ballet from The Voyage, Naqoyqatsi, New World, Old World, Point Blank, Selections From Passages: Channels And Winds, Selections From Passages: Meetings Along the Edge, Selections From Passages: Offering, Symphony 4 "Heroes": I. Heroes, Symphony No. 3: Movement I, Symphony No. 3: Movement II, Symphony No. 3: Movement III, Symphony No. 3: Movement IV, Symphony no. 10: I, Symphony no. 10: II, Symphony no. 10: III, Symphony no. 10: IV, Symphony no. 10: V, The Light, The Vivid Unknown, Tirol Concerto for Piano & Orchestra: I, Tirol Concerto for Piano & Orchestra: II, Tirol Concerto for Piano & Orchestra: III, Tirol Concerto for Piano and Orchestra: Movement I, Tirol Concerto for Piano and Orchestra: Movement II, Tirol Concerto for Piano and Orchestra: Movement III, Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?", Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3, Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture...", Waiting for the Barbarians: Act 1, Scene Four. "You're working late.", Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?", Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians", Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison", Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2, Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap", Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?", Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains), Waiting for the Barbarians: Act 1, Scene Three. "You sent for me.", Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?", Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1, Waiting for the Barbarians: Act 1. Prelude, Waiting for the Barbarians: Act 2, Scene Eight. "Tell me, what has happened", Waiting for the Barbarians: Act 2, Scene Five. "Enemy, barbarian lover!", Waiting for the Barbarians: Act 2, Scene Four. "Perhaps you would be so kind", Waiting for the Barbarians: Act 2, Scene Nine. "You don't have to go", Waiting for the Barbarians: Act 2, Scene One. "Here, in the dark", Waiting for the Barbarians: Act 2, Scene Seven. Dreamscape no. 5, Waiting for the Barbarians: Act 2, Scene Six. "So we're still feeding you well?", Waiting for the Barbarians: Act 2, Scene Ten. "Our town is beautiful", Waiting for the Barbarians: Act 2, Scene Three. "What is going on?", Waiting for the Barbarians: Act 2, Scene Two. Dreamscape no. 4, Waiting for the Barbarians: Act 2. Prologue to Scene Four, Window of Appearances |
| Philip Glass Ensemble |
instrument, performer, performing orchestra |
"Floe" from "Glassworks", "Spaceship" from Act IV, Scene III of "Einstein On The Beach", Act III from "The Photographer", Belle raconte son histoire, Belle retourne chez son père, La Belle va au château, La Confiance de la Bête en la Belle, La Demande en mariage d'avenant, La Métamorphose, La Saisie des meubles, Le Domaine de la Bête, Le Dîner, Le Miroir, Le Passion d'avenant, Le Pavillon, Le Plan, Le Retour du père, Le Voyage du père, Le magnifique apparaît, Les Sœurs, Les Tourments de la Bête, Music in Twelve Parts, Part 1, Music in Twelve Parts, Part 10, Music in Twelve Parts, Part 11, Music in Twelve Parts, Part 12, Music in Twelve Parts, Part 2, Music in Twelve Parts, Part 3, Music in Twelve Parts, Part 4, Music in Twelve Parts, Part 5, Music in Twelve Parts, Part 6, Music in Twelve Parts, Part 7, Music in Twelve Parts, Part 8, Music in Twelve Parts, Part 9, Music in Twelve Parts: I, Music in Twelve Parts: II, Music in Twelve Parts: III, Music in Twelve Parts: IV, Music in Twelve Parts: IX, Music in Twelve Parts: V: Beginning, Music in Twelve Parts: V: Conclusion, Music in Twelve Parts: VI, Music in Twelve Parts: VII, Music in Twelve Parts: VIII, Music in Twelve Parts: X, Music in Twelve Parts: XI, Music in Twelve Parts: XII, Opening from Glassworks, Ouverture, Promenade dans le jardin, Prophecies - Pruit Igoe, Spaceship (from "Einstein on the Beach"), Trial/Prison |
| Jeroen van Veen (Dutch pianist) |
arranger, piano |
'Trilogy' Sonata; I Knee Play No. 4 from Einstein on the Beach, 'Trilogy' Sonata; II Satyagraha, Conclusion, Act III, 'Trilogy' Sonata; III Dance, from Aknaten (Scene 3), An Unwelcome Friend, Choosing Life, Dead Things, Escape!, How Now, I'm Going to Make a Cake, In Again Out Again, Mad Rush, Metamorphosis Five, Metamorphosis Four, Metamorphosis II, Metamorphosis III, Metamorphosis IV, Metamorphosis One, Metamorphosis Three, Metamorphosis Two, Modern Love Waltz, Morning Passages, Olympian, Opening (from "Glassworks", Arr. van Veen), Opening From Glassworks, Opening from 'Glassworks', Opening from 'Glassworks' (arr. Jeroen van Veen), Something She Has to Do, Tearing Herself Away, The Hours, The Poet Acts, Truman Sleeps (from 'The Truman Show'), Why Does Someone Have to Die, Wichita Vortex Sutra |
| Nicolas Horvath |
piano |
Dreaming Awake, Etude No. 1, Etude No. 10, Etude No. 11, Etude No. 12, Etude No. 13, Etude No. 14, Etude No. 15, Etude No. 16, Etude No. 17, Etude No. 18, Etude No. 19, Etude No. 2, Etude No. 20, Etude No. 3, Etude No. 4, Etude No. 5, Etude No. 6, Etude No. 7, Etude No. 8, Etude No. 9, Glassworks: I. Opening, How Now, Orphée Suite: I. The Café, Orphée Suite: II. Orphée's Bedroom, Orphée Suite: III. Journey to the Underworld, Orphée Suite: IV. Orphée and the Princess, Orphée Suite: V. Return to Orphée's House, Orphée Suite: VI. Orphée's Return, Orphée Suite: VII. Orphée's Bedroom - Reprise |
| Opernchor des Theaters Erfurt |
vocal |
Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?", Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3, Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture...", Waiting for the Barbarians: Act 1, Scene Four. "You're working late.", Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?", Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians", Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison", Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2, Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap", Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?", Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains), Waiting for the Barbarians: Act 1, Scene Three. "You sent for me.", Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?", Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1, Waiting for the Barbarians: Act 1. Prelude, Waiting for the Barbarians: Act 2, Scene Eight. "Tell me, what has happened", Waiting for the Barbarians: Act 2, Scene Five. "Enemy, barbarian lover!", Waiting for the Barbarians: Act 2, Scene Four. "Perhaps you would be so kind", Waiting for the Barbarians: Act 2, Scene Nine. "You don't have to go", Waiting for the Barbarians: Act 2, Scene One. "Here, in the dark", Waiting for the Barbarians: Act 2, Scene Seven. Dreamscape no. 5, Waiting for the Barbarians: Act 2, Scene Six. "So we're still feeding you well?", Waiting for the Barbarians: Act 2, Scene Ten. "Our town is beautiful", Waiting for the Barbarians: Act 2, Scene Three. "What is going on?", Waiting for the Barbarians: Act 2, Scene Two. Dreamscape no. 4, Waiting for the Barbarians: Act 2. Prologue to Scene Four |
| Philharmonisches Orchester Erfurt |
performing orchestra |
Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?", Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3, Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture...", Waiting for the Barbarians: Act 1, Scene Four. "You're working late.", Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?", Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians", Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison", Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2, Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap", Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?", Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains), Waiting for the Barbarians: Act 1, Scene Three. "You sent for me.", Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?", Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1, Waiting for the Barbarians: Act 1. Prelude, Waiting for the Barbarians: Act 2, Scene Eight. "Tell me, what has happened", Waiting for the Barbarians: Act 2, Scene Five. "Enemy, barbarian lover!", Waiting for the Barbarians: Act 2, Scene Four. "Perhaps you would be so kind", Waiting for the Barbarians: Act 2, Scene Nine. "You don't have to go", Waiting for the Barbarians: Act 2, Scene One. "Here, in the dark", Waiting for the Barbarians: Act 2, Scene Seven. Dreamscape no. 5, Waiting for the Barbarians: Act 2, Scene Six. "So we're still feeding you well?", Waiting for the Barbarians: Act 2, Scene Ten. "Our town is beautiful", Waiting for the Barbarians: Act 2, Scene Three. "What is going on?", Waiting for the Barbarians: Act 2, Scene Two. Dreamscape no. 4, Waiting for the Barbarians: Act 2. Prologue to Scene Four |
| Stuttgarter Kammerorchester |
performer, performing orchestra |
Concerto for Saxophone Quartet and Orchestra: Movement I, Concerto for Saxophone Quartet and Orchestra: Movement II, Concerto for Saxophone Quartet and Orchestra: Movement III, Concerto for Saxophone Quartet and Orchestra: Movement IV, Interlude From Orphée (Act II, Scene 5), Interlude No. 1 from The CIVIL warS, Interlude No. 2 from The CIVIL warS, Interlude from Orphée (Act II, Scene 5), Movement I, Movement II, Movement III, Movement IV, Selections From Passages: Channels And Winds, Selections From Passages: Meetings Along the Edge, Selections From Passages: Offering, Symphony No. 3: Movement I, Symphony No. 3: Movement II, Symphony No. 3: Movement III, Symphony No. 3: Movement IV, Tirol Concerto for Piano & Orchestra: I, Tirol Concerto for Piano & Orchestra: II, Tirol Concerto for Piano & Orchestra: III, Tirol Concerto for Piano and Orchestra: Movement I, Tirol Concerto for Piano and Orchestra: Movement II, Tirol Concerto for Piano and Orchestra: Movement III |
| Kronos Quartet |
performer, strings |
Forgetting, Freezing, Quartet No. 4, Quartet no. 2 "Company": I., Quartet no. 2 "Company": II., Quartet no. 2 "Company": III., Quartet no. 2 "Company": IV., Quartet no. 3 "Mishima": I. 1957 - Award Montage, Quartet no. 3 "Mishima": II. November 25 - Ichigaya, Quartet no. 3 "Mishima": III. 1934 - Grandmother and Kimitake, Quartet no. 3 "Mishima": IV. 1962 - Body Building, Quartet no. 3 "Mishima": V. Blood Oath, Quartet no. 3 "Mishima": VI. Mishima/Closing, Quartet no. 4: I., Quartet no. 4: II., Quartet no. 4: III., Quartet no. 5: I., Quartet no. 5: II., Quartet no. 5: III., Quartet no. 5: IV., Quartet no. 5: V., String Quartet No. 5: III, String Quartet No. 5: V |
| Robert Moran |
arranger |
Modern Love Waltz, Modern Love Waltz with 10 percussionists, Modern Love Waltz with 10 percussionists and 11 winds, Modern Love Waltz with 11 winds, Modern Love Waltz with 2 drummers, Modern Love Waltz with 2 drummers and 3 marimbas, Modern Love Waltz with 2 drummers and 5 vibraphones, Modern Love Waltz with 3 marimbas, Modern Love Waltz with 3 marimbas and 5 vibraphones, Modern Love Waltz with 5 vibraphones, Modern Love Waltz with 6 strings, Modern Love Waltz with 6 strings and 10 percussionists, Modern Love Waltz with 6 strings and 11 winds, Modern Love Waltz with 6 strings and 8 keyboards, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds, Modern Love Waltz with 8 keyboards, Modern Love Waltz with 8 keyboards and 10 percussionists, Modern Love Waltz with 8 keyboards and 11 winds, Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds |
| Valentina Lisitsa |
piano |
Choosing Life, Closing, Dead Things, Escape!, How Now, I'm Going to Make a Cake, Mad Rush, Metamorphosis: I, Metamorphosis: II, Metamorphosis: III, Metamorphosis: IV, Metamorphosis: V, Morning Passages, Opening, Something She Has to Do., Tearing Herself Away, The Hours, The Olympian: Lighting of the Torch, The Poet Acts, Truman Sleeps (short version), Wichita Sutra Vortex |
| Czech Film Orchestra |
performing orchestra |
A Shout From the Crowd, Chance Encounter, Do You Know Me?, Eisenheim Disappears, Frankel Appears, Life in the Mountains, Meeting in the Carriage, Sophie, Sophie's Ride to the Castle, The Accident, The Chase, The Illusionist, The Locket, The Mirror, The Missing Gem, The New Theater, The Orange Tree, The Search, The Secret Plot, The Sword, Wish I Would See You Again |
| Angela Dryden |
engineer |
A Brief History of Time: Bombs, A Brief History of Time: Bombs with Fidelity, A Brief History of Time: Climbing the Stairs, A Brief History of Time: Closing no. 1, A Brief History of Time: Dice, A Brief History of Time: End Credits Arpeggio and Brass, A Brief History of Time: End Credits Major and Minor, A Brief History of Time: End with Strings and Trumpets, A Brief History of Time: Hawking Radiation, A Brief History of Time: Hawking Radiation with Brass, A Brief History of Time: House, A Brief History of Time: Melody in Major, A Brief History of Time: Mysterious no. 1, A Brief History of Time: Mysterious no. 2, A Brief History of Time: Mysterious no. 4, A Brief History of Time: Signature, A Brief History of Time: Slow, Simple, Sad no. 3, A Brief History of Time: Slow, Simple, Sad no. 4, A Brief History of Time: Title, A Brief History of Time: Utility no. 1 |
| Michael Rafferty |
conductor |
In the Penal Colony: Epilogue, In the Penal Colony: Prologue, In the Penal Colony: Scene 1, In the Penal Colony: Scene 10, In the Penal Colony: Scene 11, In the Penal Colony: Scene 12, In the Penal Colony: Scene 13, In the Penal Colony: Scene 14, In the Penal Colony: Scene 15, In the Penal Colony: Scene 16, In the Penal Colony: Scene 2, In the Penal Colony: Scene 3, In the Penal Colony: Scene 4, In the Penal Colony: Scene 5, In the Penal Colony: Scene 6, In the Penal Colony: Scene 7, In the Penal Colony: Scene 8, In the Penal Colony: Scene 9, In the Penal Colony: The Machine |
| Music Theatre Wales |
performer |
In the Penal Colony: Epilogue, In the Penal Colony: Prologue, In the Penal Colony: Scene 1, In the Penal Colony: Scene 10, In the Penal Colony: Scene 11, In the Penal Colony: Scene 12, In the Penal Colony: Scene 13, In the Penal Colony: Scene 14, In the Penal Colony: Scene 15, In the Penal Colony: Scene 16, In the Penal Colony: Scene 2, In the Penal Colony: Scene 3, In the Penal Colony: Scene 4, In the Penal Colony: Scene 5, In the Penal Colony: Scene 6, In the Penal Colony: Scene 7, In the Penal Colony: Scene 8, In the Penal Colony: Scene 9, In the Penal Colony: The Machine |
| Martin Czembor |
engineer |
Caravan Moves Out, Chinese Invade, Choosing, Dark Kitchen, Distraught, Escape to India, Fish, Lhasa at Night, Lord Chamberlain, Move to Dungkar, Norbu Plays, Norbulingka, Northern Tibet, Potala, Projector, Reting's Eyes, Sand Mandala, Thirteenth Dalai Lama |
| Jack Kripl |
clarinet, flute, piccolo, saxophone, soprano saxophone |
Cloudscape, Dance no. 1, Dance no. 3, Dance no. 5, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII, Koyaanisqatsi, Lightning, Prophecies, Pruit Igoe, The Grid, Vessels |
| 畑亮次 (engineer) |
engineer |
Caravan Moves Out, Chinese Invade, Choosing, Dark Kitchen, Distraught, Escape to India, Fish, Lhasa at Night, Lord Chamberlain, Move to Dungkar, Norbu Plays, Norbulingka, Northern Tibet, Potala, Projector, Reting's Eyes, Sand Mandala, Thirteenth Dalai Lama |
| Jon Gibson (flautist, saxophonist, composer) |
vocal, Hammond organ, flute, soprano saxophone |
Dance no. 1, Dance no. 3, Dance no. 5, Floe, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII, Lightning, Music in Fifths, Music in Similar Motion, Music with Changing Parts (edited), Rubric, Trial/Prison |
| John Billingsley |
engineer |
Caravan Moves Out, Chinese Invade, Choosing, Dark Kitchen, Distraught, Escape to India, Fish, Lhasa at Night, Lord Chamberlain, Move to Dungkar, Norbu Plays, Norbulingka, Northern Tibet, Potala, Projector, Reting's Eyes, Sand Mandala, Thirteenth Dalai Lama |
| Mike Ross (engineer) |
engineer |
All the Money, Blood on the Stairs, Emigration, Explosives, Ossipon is Tempted, Roast Beef, Safe Journey, Secret Agent, Secret Agent Ending, Simple, The First Meridian, Trust, Verloc and the Russian Embassy, Winnie Goes to Sea, Winnie Remembers, Winnie? |
| Glenn Freeman |
drums, percussion, timpani, vibraphone |
Modern Love Waltz, Modern Love Waltz with 10 percussionists, Modern Love Waltz with 10 percussionists and 11 winds, Modern Love Waltz with 2 drummers, Modern Love Waltz with 2 drummers and 3 marimbas, Modern Love Waltz with 2 drummers and 5 vibraphones, Modern Love Waltz with 3 marimbas and 5 vibraphones, Modern Love Waltz with 5 vibraphones, Modern Love Waltz with 6 strings and 10 percussionists, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds, Modern Love Waltz with 8 keyboards and 10 percussionists, Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds, Phædra: Scene 15a, Phædra: Scene 4 |
| English Chamber Orchestra |
performing orchestra |
All the Money, Blood on the Stairs, Emigration, Explosives, Ossipon is Tempted, Roast Beef, Safe Journey, Secret Agent, Secret Agent Ending, Simple, The First Meridian, Trust, Verloc and the Russian Embassy, Winnie Goes to Sea, Winnie Remembers, Winnie? |
| Víkingur Ólafsson |
piano |
Glassworks: Opening, Glassworks: Opening (Reworked by Christian Badzura), Glassworks: Opening (reworked by Christian Badzura), Étude no. 13, Étude no. 14, Étude no. 15, Étude no. 2, Étude no. 2 (reworked by Christian Badzura), Étude no. 5, Étude no. 9, Études no. 18, Études no. 20, Études no. 3, Études no. 5 (Reworked by Christian Badzura), Études no. 9 (Reworked by Cfcf) |
| Nico Muhly |
instrument arranger |
"For Your Own Benefit", "I'm Going to Make a Cake", "Why Does Someone Have to Die?", An Unwelcome Friend, Choosing Life, Dead Things, Escape!, Morning Passages, Something She Has to Do, Tearing Herself Away, The Hours, The Kiss, The Poet Acts, Vanessa and the Changelings |
| Andrew Sterman |
alto saxophone, baritone saxophone, soprano saxophone, tenor saxophone |
Melodies for Saxophone: Melody 1 (alto), Melodies for Saxophone: Melody 10 (alto), Melodies for Saxophone: Melody 11 (tenor), Melodies for Saxophone: Melody 12 (baritone), Melodies for Saxophone: Melody 13 (tenor), Melodies for Saxophone: Melody 2 (soprano), Melodies for Saxophone: Melody 3 (baritone), Melodies for Saxophone: Melody 4 (soprano), Melodies for Saxophone: Melody 5 (tenor), Melodies for Saxophone: Melody 6 (alto), Melodies for Saxophone: Melody 7 (soprano), Melodies for Saxophone: Melody 8 (baritone), Melodies for Saxophone: Melody 9 (tenor) |
| David Hall (Marimba Player) |
marimba |
Modern Love Waltz, Modern Love Waltz with 10 percussionists, Modern Love Waltz with 10 percussionists and 11 winds, Modern Love Waltz with 2 drummers and 3 marimbas, Modern Love Waltz with 3 marimbas, Modern Love Waltz with 3 marimbas and 5 vibraphones, Modern Love Waltz with 6 strings and 10 percussionists, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds, Modern Love Waltz with 8 keyboards and 10 percussionists, Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds |
| Richard Peck |
alto saxophone, flute, soprano saxophone, tenor saxophone |
Dance no. 1, Dance no. 3, Dance no. 5, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII, Lightning |
| Paul Barnes |
piano |
Epilogue from Monsters of Grace (transcribed by Paul Barnes), Orphée Suite: I. The Cafe (transcribed by Paul Barnes), Orphée Suite: II. Orphée's Bedroom (transcribed by Paul Barnes), Orphée Suite: III. Journey to the Underworld (transcribed by Paul Barnes), Orphée Suite: IV. Orphée and the Princess (transcribed by Paul Barnes), Orphée Suite: V. Return to Orphée's House (transcribed by Paul Barnes), Orphée Suite: VI. Orphée's Return (transcribed by Paul Barnes), Orphée Suite: VII. Orphée's Bedroom - Reprise (transcribed by Paul Barnes), Trilogy Sonata: I. Knee Play no. 4 from Einstein on the Beach (arranged by Philip Glass), Trilogy Sonata: II. Act III Conclusion from Satyagraha (arranged by Michael Riesman), Trilogy Sonata: III. Dance from Act II Scene III of Akhnaten (arranged by Paul Barnes) |
| Paul Vondiziano |
guitar |
Modern Love Waltz, Modern Love Waltz with 6 strings, Modern Love Waltz with 6 strings and 10 percussionists, Modern Love Waltz with 6 strings and 11 winds, Modern Love Waltz with 6 strings and 8 keyboards, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds, Phædra: Scene 14, Phædra: Scene 6 |
| Branka Parlić (Pianist) |
piano |
Glassworks - Opening, Mad Rush, Metamorphosis Five, Metamorphosis Four, Metamorphosis One, Metamorphosis Three, Metamorphosis Two, Modern Love Waltz, The Hours, Wichita Vortex Sutra |
| Dora Ohrenstein |
vocal |
Act I: A Gentleman's Honor (vocal), Dance no. 5, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Frederick Zlotkin |
cello |
Cloudscape, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), In the Upper Room: Dance I, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Bruce Brubaker |
piano |
Evening Song, Knee Play 4, Mad Rush, Metamorphosis 1, Metamorphosis 2, Metamorphosis 3, Metamorphosis 4, Metamorphosis 5, Opening, Wichita Vortex Sutra |
| Elizabeth Colpean |
harp |
Modern Love Waltz, Modern Love Waltz with 6 strings, Modern Love Waltz with 6 strings and 10 percussionists, Modern Love Waltz with 6 strings and 11 winds, Modern Love Waltz with 6 strings and 8 keyboards, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds |
| Seymour Barab |
cello |
Cloudscape, Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| David Toub |
synthesizer |
Modern Love Waltz, Modern Love Waltz with 6 strings and 8 keyboards, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds, Modern Love Waltz with 8 keyboards, Modern Love Waltz with 8 keyboards and 10 percussionists, Modern Love Waltz with 8 keyboards and 11 winds, Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds |
| GR Winds |
wind instruments |
Modern Love Waltz, Modern Love Waltz with 10 percussionists and 11 winds, Modern Love Waltz with 11 winds, Modern Love Waltz with 6 strings and 11 winds, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds, Modern Love Waltz with 8 keyboards and 11 winds, Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds |
| Rangzen Quartet |
strings |
Modern Love Waltz, Modern Love Waltz with 6 strings, Modern Love Waltz with 6 strings and 10 percussionists, Modern Love Waltz with 6 strings and 11 winds, Modern Love Waltz with 6 strings and 8 keyboards, Modern Love Waltz with 6 strings, 10 percussionists and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists, Modern Love Waltz with 6 strings, 8 keyboards and 11 winds, Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds |
| Radio-Symphonieorchester Wien (previously ORF-Symphonieorchester) |
performer, performing orchestra |
Days and Nights in Rocinha, Mechanical Ballet from The Voyage, Movement I, Movement II, Movement III, Symphony No. 2: Movement I, Symphony No. 2: Movement II, Symphony No. 2: Movement III, The Light |
| Alessandra Celletti |
piano |
Dead Things, Metamorphosis: Five, Metamorphosis: Four, Metamorphosis: One, Metamorphosis: Three, Metamorphosis: Two, Modern Love Waltz, Opening, The Poet Acts |
| Arturo Stalteri |
producer, piano |
Aria From Act III of Satyagraha, Ave, Closing (Stalteri Dramatic version), Mad Rush, Metamorphosis One, Opening, River Run, Victor's Lament, Étoile Polaire |
| Wolfgang Katschner |
conductor |
Facades (from Glassworks), Melody for Saxophone No. 10, Melody for Saxophone No. 12, Melody for Saxophone No. 5, Opening (from Glassworks), The Windcatcher, Part I, The Windcatcher, Part III, Video Dream (from the Powaqqatsi soundtrack) |
| Raschèr Saxophone Quartet |
performer, saxophone |
Concerto for Saxophone (Quartet version): I, Concerto for Saxophone (Quartet version): II, Concerto for Saxophone (Quartet version): III, Concerto for Saxophone (Quartet version): IV, Concerto for Saxophone Quartet and Orchestra: Movement I, Concerto for Saxophone Quartet and Orchestra: Movement II, Concerto for Saxophone Quartet and Orchestra: Movement III, Concerto for Saxophone Quartet and Orchestra: Movement IV |
| Bournemouth Symphony Orchestra |
performing orchestra |
Symphony no. 2: I, Symphony no. 2: II, Symphony no. 2: III, Symphony no. 3: I, Symphony no. 3: II, Symphony no. 3: III, Symphony no. 3: IV, The Light |
| Marin Alsop |
conductor |
Symphony no. 2: I, Symphony no. 2: II, Symphony no. 2: III, Symphony no. 3: I, Symphony no. 3: II, Symphony no. 3: III, Symphony no. 3: IV, The Light |
| Jennifer Chun |
violin |
In the Summer House: I. In the Summer House / II. My One and Only Hope / III. Gertrude's Pradise, In the Summer House: IV. Mr. Solares' Picnic Lunch / V. [-], In the Summer House: VI. Molly Is a Dreamer / VII. Enter Vivian / VIII. The Beach / Lionel & Molly, In the Summer House: XI. Vivian's Death (Conclusion) / XII. Gertrude Leaves Summer House, In the Summer House: XIII. Left Alone, In the Summer House: XIV. The Lobster Bowl / XV. Back to Sad Things / XVI. I Knew You Would Come Back [excerpt] / XI. Vivian's Death (Beginning), In the Summer House: XVII. When I Was a Little Girl, Mad Rush |
| Alexandra du Bois |
arranger |
In the Summer House: I. In the Summer House / II. My One and Only Hope / III. Gertrude's Pradise, In the Summer House: IV. Mr. Solares' Picnic Lunch / V. [-], In the Summer House: VI. Molly Is a Dreamer / VII. Enter Vivian / VIII. The Beach / Lionel & Molly, In the Summer House: XI. Vivian's Death (Conclusion) / XII. Gertrude Leaves Summer House, In the Summer House: XIII. Left Alone, In the Summer House: XIV. The Lobster Bowl / XV. Back to Sad Things / XVI. I Knew You Would Come Back [excerpt] / XI. Vivian's Death (Beginning), In the Summer House: XVII. When I Was a Little Girl, Mad Rush |
| Angela Chun |
violin |
In the Summer House: I. In the Summer House / II. My One and Only Hope / III. Gertrude's Pradise, In the Summer House: IV. Mr. Solares' Picnic Lunch / V. [-], In the Summer House: VI. Molly Is a Dreamer / VII. Enter Vivian / VIII. The Beach / Lionel & Molly, In the Summer House: XI. Vivian's Death (Conclusion) / XII. Gertrude Leaves Summer House, In the Summer House: XIII. Left Alone, In the Summer House: XIV. The Lobster Bowl / XV. Back to Sad Things / XVI. I Knew You Would Come Back [excerpt] / XI. Vivian's Death (Beginning), In the Summer House: XVII. When I Was a Little Girl, Mad Rush |
| Don Christensen |
engineer, drums |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Lautten Compagney |
performing orchestra |
Facades (from Glassworks), Melody for Saxophone No. 10, Melody for Saxophone No. 12, Melody for Saxophone No. 5, Opening (from Glassworks), The Windcatcher, Part I, The Windcatcher, Part III, Video Dream (from the Powaqqatsi soundtrack) |
| Amy Dickson |
saxophone |
Concerto for Violin and Orchestra: I. Crotchet = 104, Concerto for Violin and Orchestra: II. Crotchet = 108, Concerto for Violin and Orchestra: III. Crotchet = 150, Escape!, Morning Passages, Sonata for Violin and Piano: Movement I, Sonata for Violin and Piano: Movement II, Sonata for Violin and Piano: Movement III |
| Tim Fain |
violin |
Double Concerto for Violin, Cello & Orchestra: Duet No. 1, Double Concerto for Violin, Cello & Orchestra: Duet No. 2, Double Concerto for Violin, Cello & Orchestra: Duet No. 3, Double Concerto for Violin, Cello & Orchestra: Duet No. 4, Double Concerto for Violin, Cello & Orchestra: Part 1, Double Concerto for Violin, Cello & Orchestra: Part 2, Double Concerto for Violin, Cello & Orchestra: Part 3 |
| Wim van den Berg |
engineer |
Double Concerto for Violin, Cello & Orchestra: Duet No. 1, Double Concerto for Violin, Cello & Orchestra: Duet No. 2, Double Concerto for Violin, Cello & Orchestra: Duet No. 3, Double Concerto for Violin, Cello & Orchestra: Duet No. 4, Double Concerto for Violin, Cello & Orchestra: Part 1, Double Concerto for Violin, Cello & Orchestra: Part 2, Double Concerto for Violin, Cello & Orchestra: Part 3 |
| John Beal (bassist) |
bass, double bass |
Cloudscape, In the Upper Room: Dance I, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Wendy Sutter |
cello |
Double Concerto for Violin, Cello & Orchestra: Duet No. 1, Double Concerto for Violin, Cello & Orchestra: Duet No. 2, Double Concerto for Violin, Cello & Orchestra: Duet No. 3, Double Concerto for Violin, Cello & Orchestra: Duet No. 4, Double Concerto for Violin, Cello & Orchestra: Part 1, Double Concerto for Violin, Cello & Orchestra: Part 2, Double Concerto for Violin, Cello & Orchestra: Part 3 |
| Matt Haimovitz |
cello |
Intensive Times, Massman, Naqoyqatsi, New World, Old World, Point Blank, The Vivid Unknown |
| Jurjen Hempel |
conductor |
Double Concerto for Violin, Cello & Orchestra: Duet No. 1, Double Concerto for Violin, Cello & Orchestra: Duet No. 2, Double Concerto for Violin, Cello & Orchestra: Duet No. 3, Double Concerto for Violin, Cello & Orchestra: Duet No. 4, Double Concerto for Violin, Cello & Orchestra: Part 1, Double Concerto for Violin, Cello & Orchestra: Part 2, Double Concerto for Violin, Cello & Orchestra: Part 3 |
| Cincinnati Symphony Orchestra |
performing orchestra |
Intensive Times, Massman, Naqoyqatsi, New World, Old World, Point Blank, The Vivid Unknown |
| Paul Lustig Dunkel |
flute |
"Changing Opinion" from "Songs From Liquid Days", Changing Opinion, In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Residentie Orkest |
performing orchestra |
Double Concerto for Violin, Cello & Orchestra: Duet No. 1, Double Concerto for Violin, Cello & Orchestra: Duet No. 2, Double Concerto for Violin, Cello & Orchestra: Duet No. 3, Double Concerto for Violin, Cello & Orchestra: Duet No. 4, Double Concerto for Violin, Cello & Orchestra: Part 1, Double Concerto for Violin, Cello & Orchestra: Part 2, Double Concerto for Violin, Cello & Orchestra: Part 3 |
| Rod Hui |
recording |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Kermit Moore |
cello |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Dominick Maita |
recording |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Beverly Lauridsen |
cello |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Maki Namekawa |
piano |
Les Enfants Terribles: Death of the Twins / Finale, Les Enfants Terribles: Elizabeth Chooses a Career, Les Enfants Terribles: Overture, Les Enfants Terribles: Paul Sleepwalking, Les Enfants Terribles: Snow Falling in the Playground, Les Enfants Terribles: The Bedroom |
| Roland Rublé |
engineer |
Interlude No. 1 from The CIVIL warS, Interlude No. 2 from The CIVIL warS, Symphony No. 3: Movement I, Symphony No. 3: Movement II, Symphony No. 3: Movement III, Symphony No. 3: Movement IV |
| Albert Richmond |
French horn |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Western Wind |
vocal |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| John Bongiorno |
bass |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| William Rohdin |
trumpet |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII, Web Logo |
| Tom Nyfenger |
flute, piccolo |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| George Flynn |
bass trombone |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Bruckner Orchester Linz |
performing orchestra |
Concert Overture (2012), Symphony no. 10: I, Symphony no. 10: II, Symphony no. 10: III, Symphony no. 10: IV, Symphony no. 10: V |
| Bob Mintzer |
basset clarinet |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Joe Lopes (engineer) |
recording |
Cloudscape, Koyaanisqatsi, Prophecies, Pruit Igoe, The Grid, Vessels |
| Elliot Rosoff |
violin |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Catherine Milledge (Classical pianist) |
piano |
Escape!, Morning Passages, Sonata for Violin and Piano: Movement I, Sonata for Violin and Piano: Movement II, Sonata for Violin and Piano: Movement III |
| Jerry Kirkbride |
clarinet |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Jill Jaffe |
viola, violin |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Sol Greitzer |
viola |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Wilmer Wise |
trumpet |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Tim Oldham |
producer |
Escape!, Morning Passages, Sonata for Violin and Piano: Movement I, Sonata for Violin and Piano: Movement II, Sonata for Violin and Piano: Movement III |
| Donald Joyce |
pipe organ |
Contrary Motion, Dance II for Organ, Dance IV for Organ, Mad Rush, Satyagraha, Act III: Conclusion |
| Sanford Allen |
violin |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| The Relâche Ensemble |
performing orchestra |
Persephone: I. Family, Persephone: II. Galatea, Persephone: III. Beds, Persephone: IV. Cocktail Party, Persephone: V. Perceval |
| Mike Hatch (engineer/editor) |
engineer |
Escape!, Morning Passages, Sonata for Violin and Piano: Movement I, Sonata for Violin and Piano: Movement II, Sonata for Violin and Piano: Movement III |
| Carol Pool (Violin) |
violin |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Anahid Ajemian |
violin |
In the Upper Room: Dance I, In the Upper Room: Dance II, In the Upper Room: Dance IX, In the Upper Room: Dance V, In the Upper Room: Dance VIII |
| Karen Krummel |
cello |
Phædra: Scene 14, Phædra: Scene 2, Phædra: Scene 4, Phædra: Scene 6 |
| Hector Castillo |
mix, remixer |
Saxophone Concerto (H. Castillo & E. Larez remix), Tirol Concerto for Piano & Orchestra: I, Tirol Concerto for Piano & Orchestra: II, Tirol Concerto for Piano & Orchestra: III |
| Dickie Landry |
vocal, bass clarinet, flute, piccolo, soprano saxophone, tenor saxophone |
Music in Fifths, Music in Similar Motion, Music with Changing Parts (edited), Trial/Prison |
| Martin Goldray |
conductor |
Land of the Dead (from Music from "The Screens"), Night on the Balcony (from Music from "The Screens"), Said's Treason (from Music from "The Screens"), The Orchard (from Music from "The Screens") |
| Sandra van Veen |
piano |
In Again Out Again, Metamorphosis II, Metamorphosis III, Metamorphosis IV |
| Christina Fong |
violin |
Phædra: Scene 14, Phædra: Scene 2, Phædra: Scene 4, Phædra: Scene 6 |
| Chor der Staatsoper Stuttgart |
vocal |
"Funeral Of Amenhotep III" from Act I, Scene 1, of "Akhnaten", Akhnaten & Nefertiti, Epilogue, Window of Appearances |
| Sharon Moe |
French horn |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten), Web Logo |
| Christopher Martin (string player) |
viola |
Phædra: Scene 14, Phædra: Scene 2, Phædra: Scene 4, Phædra: Scene 6 |
| Christoph Eschenbach |
conductor |
Concerto for Violin and Orchestra I: ♩ = 104 / ♩ = 120, Concerto for Violin and Orchestra II: ♩ = ca. 96, Concerto for Violin and Orchestra III: ♩ = ca. 150 / Coda: ♩ = 104 |
| Lucinda Childs |
vocal |
Knee 1, Knee 5, Trial/Prison |
| Peter Laenger (engineer/producer) |
recording |
Tirol Concerto for Piano & Orchestra: I, Tirol Concerto for Piano & Orchestra: II, Tirol Concerto for Piano & Orchestra: III |
| Phil Rowlands (engineer) |
engineer |
Concerto for Violin and Orchestra: I. Crotchet = 104, Concerto for Violin and Orchestra: II. Crotchet = 108, Concerto for Violin and Orchestra: III. Crotchet = 150 |
| Aphex Twin |
remixer |
Heroes (Aphex Twin remix) |
| Maureen Gallagher |
viola |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| Alfred Brown (viola) |
viola |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| Larry Wechsler |
French horn |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| Houston Symphony |
performing orchestra |
Concerto for Violin and Orchestra I: ♩ = 104 / ♩ = 120, Concerto for Violin and Orchestra II: ♩ = ca. 96, Concerto for Violin and Orchestra III: ♩ = ca. 150 / Coda: ♩ = 104 |
| Mikel Toms |
conductor |
Concerto for Violin and Orchestra: I. Crotchet = 104, Concerto for Violin and Orchestra: II. Crotchet = 108, Concerto for Violin and Orchestra: III. Crotchet = 150 |
| Robert McDuffie |
violin |
Concerto for Violin and Orchestra I: ♩ = 104 / ♩ = 120, Concerto for Violin and Orchestra II: ♩ = ca. 96, Concerto for Violin and Orchestra III: ♩ = ca. 150 / Coda: ♩ = 104 |
| Milagro Vargas |
vocal |
Akhnaten & Nefertiti, Epilogue, Window of Appearances |
| Linda Moss |
viola |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| New York City Opera |
performer |
Akhnaten & Nefertiti, Kuru Field of Justice, Tolstoy Farm |
| Douglas Perry (tenor vocalist) |
vocal |
Kuru Field of Justice, Liquid Days, Part Two: Open the Kingdom, Tolstoy Farm |
| Lois Martin |
viola |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| Royal Philharmonic Orchestra |
performing orchestra |
Concerto for Violin and Orchestra: I. Crotchet = 104, Concerto for Violin and Orchestra: II. Crotchet = 108, Concerto for Violin and Orchestra: III. Crotchet = 150 |
| Jonathan Abramowitz |
cello |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| Orchester der Staatsoper Stuttgart |
performing orchestra |
Akhnaten & Nefertiti, Epilogue, Window of Appearances |
| Julien Barber |
viola |
Glasspieces: Glasspiece #1 (“Rubric”), Glasspieces: Glasspiece #2 (“Façades”), Glasspieces: Glasspiece #3 (“Funeral” from Akhnaten) |
| Paul Esswood |
vocal |
Akhnaten & Nefertiti, Epilogue, Window of Appearances |
| The Philip Glass Ensemble Woodwinds |
performer |
The Windcatcher, Part 1, The Windcatcher, Part 2, The Windcatcher, Part 3 |
| Siggi String Quartet |
strings |
Glassworks: Opening (Reworked by Christian Badzura), Glassworks: Opening (reworked by Christian Badzura), Étude no. 2 (reworked by Christian Badzura) |
| Andrew Walton (producer) |
producer |
Concerto for Violin and Orchestra: I. Crotchet = 104, Concerto for Violin and Orchestra: II. Crotchet = 108, Concerto for Violin and Orchestra: III. Crotchet = 150 |
| Art Murphy |
electric piano, organ |
Music in Similar Motion, Music with Changing Parts (edited) |
| Steve Chambers |
organ |
Music in Similar Motion, Music with Changing Parts (edited) |
| Robert Prado |
vocal, flute, trumpet |
Music in Similar Motion, Music with Changing Parts (edited) |
| The Roches |
vocal |
Forgetting, Liquid Days, Part One |
| Robert McFarland |
vocal |
Kuru Field of Justice, Tolstoy Farm |
| Paul Zukofsky |
violin |
Act II, Knee 5 |
| Sheryl Sutton |
vocal |
Knee 1, Knee 5 |
| Linda Ronstadt |
vocal |
Forgetting, Freezing |
| Iris Hiskey |
vocal |
Dance no. 1, Dance no. 3 |
| Christopher Keene |
conductor |
Kuru Field of Justice, Tolstoy Farm |
| Christian Badzura |
instrument arranger |
Glassworks: Opening (reworked by Christian Badzura), Étude no. 2 (reworked by Christian Badzura) |
| Bernard Fowler |
vocal |
"Changing Opinion" from "Songs From Liquid Days", Changing Opinion |
| Bang on a Can All-Stars |
performer |
Music in Fifths, Two Pages |
| Anton Reininger |
engineer |
Mechanical Ballet from The Voyage, The Light |
| Amon Tobin (Brazilian electronic music artist) |
remixer |
Warda's Whorehouse (Inside Out version) |
| Peter Broderick |
producer, remixer |
Island (remix) |
| Grand Valley State University Percussion Ensemble |
percussion |
Phædra: Scene 15a |
| Greg Haines |
mix, producer, recording |
Island (remix) |
| Harold Coletta |
viola |
In the Upper Room: Dance I |
| Plaid (British electronic music duo) |
remixer |
Metamorphosis 5 (Plaid remix) |
| Barbara Benary |
vocal, electric violin |
Music with Changing Parts (edited) |
| Hildur Guðnadóttir |
vocal |
Protest (remix) |
| Luciano Supervielle |
remixer |
Etude No. 2 (Luciano Supervielle remix) |
| Chris Douridas |
producer |
Opening |
| Rhonda Liss |
vocal |
Tolstoy Farm |
| Androoval |
remixer |
Etude No. 1 (Androoval remix) |
| Robert Bell (Australian drummer/remixer) |
remixer |
Another Look at Harmony (Robert Bell remix) |
| Beck (alt rock, multi-instrumentalist Beck Hansen) |
remixer |
NYC: 73-78 |
| Marcos Romero |
remixer |
Channels and Winds (Marcos Romero remix) |
| Janice Pendarvis |
vocal |
Lightning |
| American Composers Orchestra |
performing orchestra |
Heroes (Aphex Twin remix) |
| Robert Shaw (conductor) |
conductor |
"The Dam" from "Itaipu" |
| Dietrich Schoenemann |
remixer |
Thin Blue Line (Dietrich Schoenemann remix) |
| Brian Bender |
remixer |
Saxophone Concerto (Brian Bender remix) |
| Brooklyn Philharmonic Symphony Orchestra |
performing orchestra |
"Low" Symphony, Part 3: Warszawa |
| Mayuki Fukuhara |
violin |
In the Upper Room: Dance I |
| Memory Tapes |
remixer |
Floe ('87 remix) |
| Scott Reeve |
vocal |
Tolstoy Farm |
| Sebastián Escofet |
remixer |
Tirol Concerto (Sebastián Escofet remix) |
| Allen Blustine |
clarinet |
Web Logo |
| Atlanta Symphony Orchestra |
performing orchestra |
"The Dam" from "Itaipu" |
| Jim Pugh |
trombone |
Web Logo |
| Sheryl Woods |
vocal |
Tolstoy Farm |
| Atlanta Symphony Orchestra Chorus |
vocal |
"The Dam" from "Itaipu" |
| Sigurgeir Agnarsson |
cello |
Protest (remix) |
| Silver Alert |
remixer |
Etoile Polaire: Little Dipper |
| Sinfonieorchester Basel |
performing orchestra |
Symphony 4 "Heroes": I. Heroes |
| Dorothy Pixley Rothschild (violinist) |
instrument |
Strung Out |
| Staatsorchester Stuttgart |
performing orchestra |
"Funeral Of Amenhotep III" from Act I, Scene 1, of "Akhnaten" |
| Bob Carlson (technical) |
engineer, producer |
Opening |
| Taylor Deupree |
remixer |
Etude No. 5 (Taylor Deupree remix) |
| Eduardo Larez |
remixer |
Saxophone Concerto (H. Castillo & E. Larez remix) |
| My Great Ghost |
remixer |
Music in Twelve Parts, Part 1 |
| Claudia Cummings |
vocal |
Tolstoy Farm |
| Cornelius (Japanese musician/producer Keigo Oyamada) |
remixer |
Opening From Glassworks |
| Timothy Malosh |
flute |
Web Logo |
| Nosaj Thing |
remixer |
Knee 1 (remix) |
| Tyondai Braxton |
remixer |
Rubric (remix) |
| Uakti |
performer |
Amazon River from "Aguas da Amazonia" |
| Una Sveinbjarnardóttir |
violin |
Protest (remix) |
| DJ ESP (US techno producer Woody McBride) |
remixer |
2nd Perception of Light, Moon, Mist and Rainbow (Woody McBride remix) |
| Valgeir Sigurðsson |
mix |
Protest (remix) |
| Jóhann Jóhannsson (Icelandic composer) |
arranger, producer, remixer, bass, celesta, piano |
Protest (remix) |
| Pantha du Prince |
remixer |
Mad Rush (organ remix) |
| Damiano Puliti |
cello |
Ave |
| Kate Simko |
remixer |
Houston Skyline (Kate Simko remix) |
| William Rueckenwald |
trumpet |
In the Upper Room: Dance I |
| Paul Hersey |
grand piano |
Modern Love Waltz |
| Dan Deacon |
remixer |
Alight Spiral Snip |
| Dave Wesley |
remixer |
Why Are We Here? (Dave Wesley remix) |
| impLOG |
remixer |
Dance From Ahknaten (impLOG. remix) |
| Ólafur Björn Ólafsson |
percussion |
Protest (remix) |
| Marco Antonio Guimarães |
arranger |
Amazon River from "Aguas da Amazonia" |