Charles Ives

piano, vocal

Sample recordings

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Top collaborators

Artist name Roles Recordings
Continuum (ensemble performing new music from New York) performer Aeschylus and Sophocles, Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907), Five Take-offs: Rough and Ready et al and / or The Jumping Frog, Five Take-offs: Scene Episode, Five Take-offs: Song Without (Good) Words, Five Take-offs: The Seen and Unseen? (Sweet and Tough), Hallowe’en, In Re Con Moto et al, Op. 20, On the Antipodes, Remembrance, Soliloquy, or a Study in 7ths and Other Things, Sunrise, The Gong on the Hook and Ladder (original version), The Housatonic at Stockbridge, Three Quarter-Tone Pieces: Allegro, Three Quarter-Tone Pieces: Chorale, Three Quarter-Tone Pieces: Largo
Keith John (organist) organ Variations on "America": Interlude, Variation 3 (Allegro), Variations on "America": Interlude, Variation 5 (Finale), Variations on "America": Introduction and Theme, Variations on "America": Variation 1 (Moderato), Variations on "America": Variation 2 (Andante), Variations on "America": Variation 4 (Polonaise)
New York Philharmonic performing orchestra Symphony No. 2: I. Andante moderato, Symphony No. 2: II. Allegro, Symphony No. 2: III. Adagio cantabile, Symphony No. 2: IV. Lento (maestoso), Symphony No. 2: V. Allegro molto vivace
Chris Bubacz engineer In the Morning, Serenity
Larry Swist engineer In the Morning, Serenity

Collaborators on this artist's recordings

Artist name Roles Recordings
Continuum (ensemble performing new music from New York) performer Aeschylus and Sophocles, Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907), Five Take-offs: Rough and Ready et al and / or The Jumping Frog, Five Take-offs: Scene Episode, Five Take-offs: Song Without (Good) Words, Five Take-offs: The Seen and Unseen? (Sweet and Tough), Hallowe’en, In Re Con Moto et al, Op. 20, On the Antipodes, Remembrance, Soliloquy, or a Study in 7ths and Other Things, Sunrise, The Gong on the Hook and Ladder (original version), The Housatonic at Stockbridge, Three Quarter-Tone Pieces: Allegro, Three Quarter-Tone Pieces: Chorale, Three Quarter-Tone Pieces: Largo
Keith John (organist) organ Variations on "America": Interlude, Variation 3 (Allegro), Variations on "America": Interlude, Variation 5 (Finale), Variations on "America": Introduction and Theme, Variations on "America": Variation 1 (Moderato), Variations on "America": Variation 2 (Andante), Variations on "America": Variation 4 (Polonaise)
New York Philharmonic performing orchestra Symphony No. 2: I. Andante moderato, Symphony No. 2: II. Allegro, Symphony No. 2: III. Adagio cantabile, Symphony No. 2: IV. Lento (maestoso), Symphony No. 2: V. Allegro molto vivace
Chris Bubacz engineer In the Morning, Serenity
Larry Swist engineer In the Morning, Serenity
Hans-Ola Ericsson organ Variations on ‘America’ (extract)
Dalton Baldwin performer At the River
David Harrington (US violinist, member of Kronos Quartet) violin Scherzo: Holding Your Own
Donald Johanos (conductor) conductor Holidays Symphony: I. Fourth Of July (Excerpt)
Easley Blackwood, Jr. piano Piano sonata, no. 2 “Concord, mass., 1840-60”: III. “The Alcotts”
Hank Dutt viola Scherzo: Holding Your Own
BBC National Orchestra of Wales performing orchestra They Are There!
Joan Jeanrenaud cello Scherzo: Holding Your Own
John Sherba violin Scherzo: Holding Your Own
Boston Symphony Orchestra performing orchestra Three places in New England: II. Putnam's camp
Michael Tilson Thomas conductor Three places in New England: II. Putnam's camp
Dallas Symphony Orchestra performing orchestra Holidays Symphony: I. Fourth Of July (Excerpt)
The Philadelphia Orchestra performing orchestra General Putnam's Camp (from "Three Places in New England")
Thomas Hampson vocal Du bist wie eine Blume
Thomas Mowrey producer Holidays Symphony: I. Fourth Of July (Excerpt)
Walter Weller conductor They Are There!
William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer) performer At the River

Work on other artists' recordings

Artist name Roles Recordings
Warcursed vocal, piano They Are There!, S. 371 (arr. John Geist)